Browse content similar to Citizen Kane. Check below for episodes and series from the same categories and more!
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Rosebud. | 0:02:29 | 0:02:31 | |
ANNOUNCER: 'News on the March! | 0:03:09 | 0:03:12 | |
'Legendary was the Xanadu where Kubla Khan decreed his pleasure dome. | 0:03:31 | 0:03:37 | |
'Today, almost as legendary, is Florida's Xanadu, | 0:03:37 | 0:03:40 | |
'the world's largest private pleasure-ground. | 0:03:41 | 0:03:46 | |
'Here, on the Gulf Coast, a private mountain was commissioned and built. | 0:03:46 | 0:03:53 | |
'100,000 trees, 20,000 tons of marble make up Xanadu's mountain. | 0:03:53 | 0:03:58 | |
'Contents of Xanadu's palace: | 0:03:58 | 0:04:01 | |
'paintings, pictures, statues, the stones from many another palace. | 0:04:01 | 0:04:06 | |
'A collection so big it can never be appraised. | 0:04:06 | 0:04:11 | |
'Enough for ten museums, the loot of the world. | 0:04:11 | 0:04:17 | |
'Xanadu's livestock: the fowl of the air, | 0:04:17 | 0:04:22 | |
'fish of the sea, beast of the jungle. | 0:04:22 | 0:04:26 | |
'Two of each - the biggest private zoo since Noah. | 0:04:26 | 0:04:31 | |
'As with the pharaohs, | 0:04:31 | 0:04:34 | |
'many stones mark the grave of Xanadu's owner. | 0:04:34 | 0:04:38 | |
'Since the Pyramids, Xanadu is the costliest monument a man has built to himself. | 0:04:38 | 0:04:46 | |
'Here in Xanadu last week, Xanadu's landlord was laid to rest. | 0:05:00 | 0:05:05 | |
'A potent figure of our century, America's Kubla Khan... | 0:05:05 | 0:05:10 | |
'..Charles Foster Kane. | 0:05:11 | 0:05:14 | |
'Kane's empire had its humble origin in this ramshackle building - a dying daily. | 0:05:40 | 0:05:47 | |
'But in its glory it held dominion over 37 newspapers, 2 syndicates, a radio network... | 0:05:47 | 0:05:54 | |
'..an empire upon an empire. | 0:05:54 | 0:05:58 | |
'Grocery stores, paper mills, | 0:05:58 | 0:06:01 | |
'apartments, factories, | 0:06:01 | 0:06:04 | |
'forests, ocean liners... | 0:06:04 | 0:06:07 | |
'Through this empire, for 50 years, flowed in an unending stream | 0:06:07 | 0:06:13 | |
'the wealth of one of the earth's richest goldmines. | 0:06:13 | 0:06:16 | |
'Legendary is the story of the Kane fortune. | 0:06:16 | 0:06:21 | |
'Boarding-house keeper, Mary Kane, | 0:06:21 | 0:06:25 | |
'was given, in 1868, the supposedly worthless deed to a disused mine: | 0:06:25 | 0:06:30 | |
'the Colorado Lode. | 0:06:30 | 0:06:33 | |
'57 years later, before a Federal Investigation, Walter Thatcher, grand old man of Wall Street, | 0:06:33 | 0:06:42 | |
'target of attacks by Kane's papers, recalls a journey he made as a youth. | 0:06:42 | 0:06:48 | |
My firm were trustees for the large fortune Mrs Kane had acquired. | 0:06:48 | 0:06:53 | |
She wished me to take charge of the boy...Charles Foster Kane. | 0:06:53 | 0:06:58 | |
Is it not true that the boy attacked you... Mr Johnson! | 0:06:58 | 0:07:03 | |
..striking you with a sled? | 0:07:03 | 0:07:06 | |
LAUGHTER | 0:07:06 | 0:07:09 | |
I shall read a statement to the Committee. I refuse to answer any more questions. | 0:07:09 | 0:07:17 | |
Charles Foster Kane, in his social beliefs, | 0:07:17 | 0:07:21 | |
and by the dangerous manner in which he has attacked American traditions of private property, | 0:07:21 | 0:07:28 | |
is nothing but a Communist. | 0:07:28 | 0:07:32 | |
'That same month, in Union Square...' | 0:07:32 | 0:07:37 | |
Charles Foster Kane is a menace to every working man! > | 0:07:37 | 0:07:41 | |
He is what he has always been and always will be...a fascist. | 0:07:41 | 0:07:47 | |
'And still another opinion: | 0:07:47 | 0:07:50 | |
NEWSREEL MUSIC DROWNS SPEECH | 0:07:55 | 0:07:59 | |
'Kane urged his country to enter one war...opposed entry in another. | 0:08:07 | 0:08:12 | |
'He swung the election to one American president, at least, and spoke for millions of Americans. | 0:08:12 | 0:08:21 | |
'But was hated by as many more. | 0:08:21 | 0:08:24 | |
'For 40 years Kane newspapers took a stand on EVERY public issue. | 0:08:24 | 0:08:31 | |
'There was no public man Kane did not support or denounce. Often support... | 0:08:31 | 0:08:40 | |
'..then denounce. | 0:08:40 | 0:08:42 | |
'Twice married...twice divorced. | 0:08:49 | 0:08:52 | |
'First, to a President's niece, Emily Norton, who left him in 1916. | 0:08:52 | 0:09:00 | |
'She died in 1918, in a car accident with their son. | 0:09:00 | 0:09:04 | |
'16 years after his first marriage, | 0:09:05 | 0:09:08 | |
'two weeks after his first divorce, | 0:09:08 | 0:09:10 | |
'Kane married Susan Alexander, a singer, in New Jersey. | 0:09:10 | 0:09:15 | |
'For Wife Two, one-time opera singer Susan Alexander, | 0:09:17 | 0:09:22 | |
'Kane built the Chicago Opera House. Cost: 3 million dollars. | 0:09:22 | 0:09:28 | |
'Conceived for Susan Alexander Kane, and half-finished before she divorced him: | 0:09:28 | 0:09:35 | |
'the still-unfinished Xanadu. | 0:09:35 | 0:09:38 | |
'Cost: no man can say. | 0:09:38 | 0:09:42 | |
'Kane, moulder of mass opinion though he was, was never granted elected office by his fellow voters. | 0:09:45 | 0:09:53 | |
'But Kane papers were strong, and once the prize was almost his. | 0:09:53 | 0:09:57 | |
'In 1916, as independent candidate for Governor, with powerful support, | 0:09:57 | 0:10:04 | |
'the White House seemed the next step in his career. | 0:10:04 | 0:10:09 | |
'Then, a week before the election... | 0:10:09 | 0:10:12 | |
'..defeat, shameful and ignominious. | 0:10:14 | 0:10:17 | |
'A defeat that set back reform in the US, | 0:10:17 | 0:10:22 | |
'and cancelled Kane's political chances. | 0:10:22 | 0:10:26 | |
'In the first year of the Depression, a Kane paper closes. | 0:10:29 | 0:10:33 | |
'For Kane, in just 4 years: collapse. | 0:10:35 | 0:10:38 | |
'Eleven Kane papers merge, more are sold, scrapped.' | 0:10:38 | 0:10:44 | |
-Is that true? -Don't believe everything you hear on the radio. | 0:10:52 | 0:10:57 | |
-Read the Inquirer! -How did you find business conditions in Europe? | 0:10:57 | 0:11:02 | |
How did I find them? With great difficulty! | 0:11:02 | 0:11:07 | |
-Are you glad to be back? -I'm ALWAYS glad to be back - I'm an American. | 0:11:09 | 0:11:15 | |
What else? When I was a reporter we asked them quicker than that! | 0:11:15 | 0:11:20 | |
-Is there a chance of war in Europe? -I've talked with the great leaders. | 0:11:20 | 0:11:25 | |
They're too intelligent to hasten the end of civilisation as we know it. | 0:11:25 | 0:11:32 | |
Take my word for it - there'll be no war. | 0:11:32 | 0:11:35 | |
'Kane helped to change the world. | 0:11:38 | 0:11:41 | |
'But Kane's world now is history. | 0:11:41 | 0:11:44 | |
'The great yellow journalist himself lived to BE history, outlived his power to make it. | 0:11:44 | 0:11:53 | |
'Alone in his never finished, already decaying pleasure-palace, | 0:11:53 | 0:11:59 | |
'aloof, seldom visited, the emperor of newsprint directed his failing empire. | 0:11:59 | 0:12:06 | |
'He attempted to sway, as he once did, | 0:12:06 | 0:12:10 | |
'the destiny of a nation that had ceased to listen to him or trust him. | 0:12:10 | 0:12:14 | |
'Then, last week, as it must to all men, | 0:12:16 | 0:12:20 | |
'death came to Charles Foster Kane.' | 0:12:20 | 0:12:23 | |
That's it! > Stand by in case we want to run it again. | 0:12:30 | 0:12:36 | |
- -How did you like it, Mr Rawlston? | 0:12:36 | 0:12:39 | |
It's a good short, Thompson, but what it needs is an angle. | 0:12:39 | 0:12:44 | |
All we learned was that Kane's dead. I KNOW that - I read the papers. | 0:12:44 | 0:12:49 | |
Don't just tell us what a man DID, Thompson. Tell us who he WAS. | 0:12:49 | 0:12:56 | |
Wait...! What were Kane's last words? Do you remember, boys? | 0:12:56 | 0:13:01 | |
-Maybe he told us all about himself on his deathbed! -Maybe he didn't! | 0:13:02 | 0:13:08 | |
All we saw was a big American, | 0:13:08 | 0:13:11 | |
but how does he differ from Ford or Hearst? A man's dying words... | 0:13:11 | 0:13:16 | |
-What were they? > -YOU don't read the papers! | 0:13:16 | 0:13:20 | |
-Just one word... -Rosebud. | 0:13:20 | 0:13:23 | |
Just that ONE word! | 0:13:23 | 0:13:26 | |
But who is she? What was she? | 0:13:26 | 0:13:29 | |
He could have been President, he was as loved and hated as any man... | 0:13:29 | 0:13:34 | |
..but, when he dies, Rosebud is on his mind. | 0:13:34 | 0:13:39 | |
< It's a horse he once bet on! | 0:13:39 | 0:13:41 | |
All right...but what was the race? | 0:13:41 | 0:13:44 | |
-Thompson, hold this picture up... -But... -Find out about Rosebud. | 0:13:44 | 0:13:49 | |
Get in touch with everyone who knew him, that manager of his...Bernstein, | 0:13:49 | 0:13:56 | |
-and his second wife... -Susan? | 0:13:56 | 0:13:59 | |
Runs a nightclub in Atlantic City. | 0:13:59 | 0:14:02 | |
See them ALL... those who worked for him, who loved him, who hated him. | 0:14:02 | 0:14:10 | |
-And don't go through the phone book! -I'll start right away, Mr Rawlston. | 0:14:10 | 0:14:15 | |
Good! Rosebud...dead or alive. It's probably just a simple thing. | 0:14:15 | 0:14:21 | |
THUNDER ROLLS | 0:14:21 | 0:14:24 | |
JAZZ MUSIC PLAYS IN BACKGROUND | 0:14:44 | 0:14:48 | |
SHE COUGHS WEAKLY | 0:14:53 | 0:14:56 | |
Miss Alexander. | 0:14:58 | 0:15:02 | |
-This is Mr Thompson. -I want another drink, John. | 0:15:02 | 0:15:06 | |
-Right away. Will you have one, Mr Thompson? -A highball, please. | 0:15:09 | 0:15:14 | |
Who said you could sit down? | 0:15:14 | 0:15:16 | |
-I thought maybe we could talk. -Well, think again. | 0:15:16 | 0:15:21 | |
Can't you people leave me alone? I mind my business, you mind yours. | 0:15:21 | 0:15:27 | |
-Just a little talk, Miss... -Get out of here. | 0:15:27 | 0:15:32 | |
GET OUT! | 0:15:33 | 0:15:35 | |
-Sorry... -(Get out.) | 0:15:35 | 0:15:38 | |
-Some other time? -(Get out.) | 0:15:38 | 0:15:40 | |
Gino...get her another highball. | 0:15:51 | 0:15:55 | |
-She just won't talk to nobody, Mr Thompson. -OK. | 0:15:55 | 0:15:59 | |
Another double? | 0:16:02 | 0:16:04 | |
Yeah. | 0:16:04 | 0:16:06 | |
Hello, I want New York, Courtland 79970. This is Atlantic City 46827. | 0:16:06 | 0:16:12 | |
-All right... Hey, she's...(?) -Yeah. | 0:16:12 | 0:16:17 | |
-She'll snap out of it. Until he died she talked about him all the time... -Hello? Thompson. Give me the chief. | 0:16:17 | 0:16:25 | |
Mr Rawlston? She won't talk... about Rosebud or anything else. | 0:16:29 | 0:16:34 | |
Tomorrow I'm going to the Thatcher Library in Philadelphia, to see that private diary of his. | 0:16:34 | 0:16:41 | |
Then back to New York to see Kane's general manager, Bernstein. | 0:16:41 | 0:16:46 | |
Yeah...everyone who's still alive. Goodbye. | 0:16:46 | 0:16:50 | |
-Hey, er... -John. -John, when she talked about Mr Kane, did she ever mention Rosebud? | 0:16:50 | 0:16:58 | |
Rosebud? Why, thank you, Mr Thompson. | 0:16:58 | 0:17:02 | |
Just the other day, when the papers were full of it, | 0:17:02 | 0:17:09 | |
I DID ask her. | 0:17:09 | 0:17:11 | |
She never heard of Rosebud. | 0:17:11 | 0:17:13 | |
There are conditions, Mr Thompson, under which you may inspect | 0:17:28 | 0:17:33 | |
-books from Mr Thatcher's unpublished memoirs. -I really... -Yes, Jennings? | 0:17:33 | 0:17:37 | |
-I'll bring him right in. -I only... | 0:17:37 | 0:17:40 | |
-You must NOT use direct quotations from the manuscripts. -All I want... -Come with me. | 0:17:40 | 0:17:47 | |
Jennings... | 0:18:00 | 0:18:02 | |
Thank you, Jennings. | 0:18:06 | 0:18:08 | |
Mr Thompson, you are required to leave this room at 4.30, promptly. | 0:18:08 | 0:18:13 | |
You will confine yourself to the chapters regarding Mr Kane. | 0:18:13 | 0:18:18 | |
That's all I'm INTERESTED in. | 0:18:18 | 0:18:21 | |
Pages 83 to 142. | 0:18:24 | 0:18:26 | |
Come on, boys! | 0:19:04 | 0:19:07 | |
Be careful, Charles! | 0:19:07 | 0:19:10 | |
Keep your muffler on! Mrs Kane, I think we should tell him now. | 0:19:10 | 0:19:15 | |
I'll sign those papers, Mr Thatcher. | 0:19:15 | 0:19:18 | |
But I'm the boy's FATHER! It's going to be done MY way. | 0:19:18 | 0:19:23 | |
I don't see why we can't raise our own son, just because we come into some money. | 0:19:23 | 0:19:30 | |
A boarder that beats his bill and leaves worthless stock behind... | 0:19:30 | 0:19:36 | |
That's MY property as much as anybody's! | 0:19:36 | 0:19:40 | |
If Fred knew the stock was valuable, he'd have put it in BOTH our names! | 0:19:40 | 0:19:45 | |
But it's in MRS Kane's name. He owed us BOTH! The bank must... | 0:19:45 | 0:19:51 | |
I don't want to sign my boy away! STOP all this nonsense, Jim. | 0:19:51 | 0:19:56 | |
The bank's decision on his education is to be final... | 0:19:56 | 0:20:00 | |
A BANK as a guardian(!) Stop this nonsense, Jim. | 0:20:00 | 0:20:06 | |
We also assume full management of the Colorado Lode. | 0:20:06 | 0:20:10 | |
Where do I sign? Right here. | 0:20:10 | 0:20:13 | |
Mary, for the last time! I've been a good husband... | 0:20:13 | 0:20:18 | |
50,000 a year will be paid to you and Mr Kane as long as you live. | 0:20:18 | 0:20:24 | |
Well, I hope it's for the best. It is. | 0:20:25 | 0:20:30 | |
-The Union for ever! I could lick anyone... -Why can't I raise my own boy? | 0:20:30 | 0:20:37 | |
Go on, Mr Thatcher. | 0:20:37 | 0:20:39 | |
All other money will be administered by the bank in trust for your son, | 0:20:39 | 0:20:45 | |
until he reaches his 25th birthday, at which time... | 0:20:45 | 0:20:50 | |
..he comes into complete possession. Charles! | 0:20:50 | 0:20:54 | |
Go on, Mr Thatcher. | 0:20:56 | 0:20:58 | |
It's almost five, Mrs Kane. I'd better meet the boy. | 0:20:58 | 0:21:03 | |
I've got his trunk packed. I've had it packed for a week now. | 0:21:03 | 0:21:09 | |
A tutor will meet us in Chicago... | 0:21:11 | 0:21:13 | |
-Charles! -Look, Mom! -Come here, son. | 0:21:16 | 0:21:19 | |
-Well, that's quite a snowman! Make it all by yourself, lad? -Maybe I'll add some whiskers... | 0:21:19 | 0:21:27 | |
-This is Mr Thatcher, Charles. -Hello. | 0:21:27 | 0:21:30 | |
How do you do? He's from the East. | 0:21:30 | 0:21:33 | |
-Pa! -Hello, Charlie! | 0:21:33 | 0:21:36 | |
-Charles! -Yes, Mommy? | 0:21:36 | 0:21:39 | |
Mr Thatcher's taking you on a trip tonight, on a train. The one with all the lights on it! | 0:21:39 | 0:21:46 | |
-You going, Mom? -No, Charles, but... | 0:21:46 | 0:21:50 | |
-Where am I going? -To see Chicago! Ain't he? | 0:21:53 | 0:21:58 | |
Certainly! I wish it was MY first trip! | 0:21:58 | 0:22:02 | |
Why ain't you coming with us, Mom? | 0:22:02 | 0:22:05 | |
We have to stay here... You're gonna live with Mr Thatcher, Charlie, and you're gonna be rich! | 0:22:05 | 0:22:12 | |
This ain't the place for you. You might be the richest man in America someday... | 0:22:12 | 0:22:19 | |
You won't be lonely, Charles. Of COURSE not! | 0:22:19 | 0:22:23 | |
Shall we shake hands, Charles? I'm not THAT frightening, am I? | 0:22:23 | 0:22:28 | |
Charles! | 0:22:30 | 0:22:31 | |
Charles! Sleds are to SLEIGH with! | 0:22:31 | 0:22:35 | |
You little...! JIM! | 0:22:37 | 0:22:40 | |
That kid needs a good thrashing! You think so? | 0:22:40 | 0:22:45 | |
That's why he'll be brought up where you can't get at him. | 0:22:45 | 0:22:50 | |
TRAIN WHISTLES IN THE DISTANCE | 0:22:53 | 0:22:57 | |
Well, Charles... | 0:23:07 | 0:23:10 | |
-..Merry Christmas! -Merry Christmas(!) | 0:23:10 | 0:23:16 | |
..and a happy New Year. | 0:23:16 | 0:23:18 | |
In closing, I remind you that your approaching 25th birthday makes you independent of Thatcher & Co, | 0:23:18 | 0:23:26 | |
and gives you full responsibility for the world's 6th-largest fortune. Got that? | 0:23:26 | 0:23:32 | |
"..6th-largest fortune." Yes. Charles... | 0:23:32 | 0:23:36 | |
you do not seem to understand your position, therefore I enclose a list of your holdings, cross indexed... | 0:23:36 | 0:23:45 | |
It's from Mr Kane. Go on. | 0:23:45 | 0:23:48 | |
"Sorry, but I'm not interested in gold mines or oil wells..." NOT INTERESTED?! | 0:23:48 | 0:23:55 | |
"Only one item on the list intrigues me: The New York Inquirer. | 0:23:55 | 0:24:00 | |
"I am returning to the US as I think it would be fun to run a newspaper." | 0:24:00 | 0:24:06 | |
FUN to run a NEWSPAPER(!) | 0:24:06 | 0:24:09 | |
Traction Trust exposed(!) | 0:24:18 | 0:24:20 | |
Bleeds public white(!) | 0:24:22 | 0:24:24 | |
Refuse to clear slums(!) | 0:24:27 | 0:24:30 | |
Inquirer wins slum fight(!) | 0:24:30 | 0:24:33 | |
Is that really your idea of how to run a newspaper? | 0:24:43 | 0:24:47 | |
I just try everything I can think of. | 0:24:47 | 0:24:51 | |
-There's not the slightest proof it's true! -Can you prove it isn't? | 0:24:51 | 0:24:57 | |
-This just came... -Mr Bernstein, I'd like you to meet Mr Thatcher. | 0:24:57 | 0:25:02 | |
-Hello. -Mr Leland, meet Mr Thatcher. -Hello. It's from... -He's one of our most devoted readers. | 0:25:02 | 0:25:09 | |
-He knows what's wrong with every copy of the paper. Read the cable. -"Girls delightful in Cuba stop. | 0:25:09 | 0:25:17 | |
"I could write poems, but there is no war in Cuba - Wheeler." Answer? | 0:25:17 | 0:25:22 | |
-Wheeler - you provide the poems, I'll provide the war. -That's good! | 0:25:22 | 0:25:28 | |
-I like it myself! -Charles! This campaign by the Inquirer against the Public Transit Co... | 0:25:28 | 0:25:36 | |
-YOU got something to use against them? -Still a college boy, huh? -No...all my colleges expelled me. | 0:25:36 | 0:25:43 | |
-But Charles... -Mr Thatcher... -..YOU are one of the biggest stockholders in Public Transit! | 0:25:43 | 0:25:52 | |
You don't realise, you're talking to two people. | 0:25:52 | 0:25:56 | |
As the owner of 82,364 shares in Public Transit, I'm on your side. | 0:25:56 | 0:26:01 | |
Charles Foster Kane is a scoundrel, his paper should be run out of town, | 0:26:01 | 0:26:06 | |
-a committee should be formed to boycott him... -This is nonsense! | 0:26:06 | 0:26:11 | |
But I am ALSO the publisher of the Inquirer. | 0:26:11 | 0:26:16 | |
As such, it is my duty, AND my pleasure, to see that decent people aren't robbed blind by pirates! | 0:26:16 | 0:26:24 | |
They haven't anybody to look after their interests. | 0:26:24 | 0:26:29 | |
I'll let you into a secret - I think I'M the man to do it. | 0:26:29 | 0:26:34 | |
You see, I have money and property. | 0:26:34 | 0:26:37 | |
If I don't look after the interests of the under-privileged, who else will? | 0:26:37 | 0:26:43 | |
-Yes, well, I happened to see your financial statement today. -Oh? | 0:26:43 | 0:26:48 | |
My boy, don't you think this philanthropic enterprise is rather unwise? | 0:26:48 | 0:26:55 | |
-The Inquirer costs you a million dollars a year! -You're right... | 0:26:55 | 0:27:00 | |
I lost a million dollars this year and I expect to lose a million NEXT year. And at THAT rate... | 0:27:00 | 0:27:07 | |
..I'll have to close this paper in 60 years. | 0:27:07 | 0:27:11 | |
"With respect to the said newspaper, the said Charles Foster Kane hereby relinquishes all control thereof | 0:27:21 | 0:27:28 | |
"and any and all other newspaper, press, and publishing property of any kind whatsoever, | 0:27:28 | 0:27:36 | |
-"he agrees to abandon all claim thereto..." -THAT means we're bust. | 0:27:36 | 0:27:42 | |
-It means we're out of cash... -Charles... -I've READ it! | 0:27:42 | 0:27:47 | |
Just let me sign it, Mr Thatcher. | 0:27:47 | 0:27:51 | |
-You're too old to call me Mr Thatcher, Charles. -You're too old to be called anything else. | 0:27:51 | 0:27:58 | |
You were always too old. | 0:27:58 | 0:28:00 | |
-"Thatcher & Co agree to pay to Charles Foster Kane as long as he lives..." -My allowance(!) | 0:28:00 | 0:28:09 | |
-..the sum of... -You will maintain over your newspapers a large measure of control...a MEASURE of control. | 0:28:09 | 0:28:17 | |
And we shall seek your advice. | 0:28:18 | 0:28:21 | |
This Depression is temporary. | 0:28:24 | 0:28:27 | |
-There's always a chance you'll die richer than I will. -It's a cinch I'll die richer than I was born. | 0:28:28 | 0:28:36 | |
-We never lost as much as we made. -Yes, yes, but your methods...! | 0:28:36 | 0:28:41 | |
You know, Charles - you never made a single investment. | 0:28:41 | 0:28:45 | |
-You always USED money, to...to... -To BUY things. | 0:28:45 | 0:28:50 | |
To buy things. | 0:28:54 | 0:28:57 | |
My mother should have chosen a less reliable banker. | 0:28:57 | 0:29:01 | |
Well... | 0:29:03 | 0:29:05 | |
I always gagged on that silver spoon. | 0:29:08 | 0:29:12 | |
You know, Mr Bernstein, if I hadn't been very rich... | 0:29:13 | 0:29:19 | |
..I might have been a great man. | 0:29:20 | 0:29:23 | |
Don't you think you are? | 0:29:23 | 0:29:26 | |
I think I did pretty well under the circumstances. | 0:29:27 | 0:29:31 | |
What would you LIKE to have been? | 0:29:31 | 0:29:34 | |
Everything you hate. | 0:29:36 | 0:29:39 | |
-Oh-h-h-h! -I beg your pardon, sir? | 0:29:47 | 0:29:51 | |
It's 4.30, isn't it, Jennings? Yes, ma'am. | 0:29:51 | 0:29:55 | |
-You have enjoyed a rare privilege. Did you find what you wanted? -No. | 0:29:55 | 0:30:01 | |
-You're not Rosebud, are you? -What? -Rosebud? | 0:30:03 | 0:30:07 | |
-Your name is Jennings? -Yes, sir, I... -Goodbye. Thanks! | 0:30:07 | 0:30:12 | |
A busy man? Me? I'm chairman of the board, I got nothing BUT time. | 0:30:14 | 0:30:19 | |
-What do you want to know? -Well, Mr Bernstein, his last words... | 0:30:19 | 0:30:25 | |
Rosebud, huh? Maybe...some girl? There were a lot of them back in the early days. | 0:30:25 | 0:30:32 | |
It's hardly likely, Mr Bernstein, that 50 years later Kane would... | 0:30:32 | 0:30:37 | |
Well, you're pretty young, Mr...Mr Thompson. | 0:30:37 | 0:30:42 | |
A fellow will remember things you wouldn't THINK he'd remember. | 0:30:42 | 0:30:47 | |
You take me... One day back in 1896 I took the ferry to New Jersey. | 0:30:47 | 0:30:52 | |
As we pulled out, there was another ferry pulling in. | 0:30:52 | 0:30:57 | |
On it, there was a girl. | 0:30:57 | 0:30:59 | |
A white dress, she had on. She was carrying a white parasol. | 0:30:59 | 0:31:04 | |
I only saw her for one second and she didn't see me at all. | 0:31:04 | 0:31:10 | |
But I'll bet a month hasn't gone by that I haven't thought of her. | 0:31:10 | 0:31:15 | |
Who else have you been to see? | 0:31:16 | 0:31:19 | |
-I went to Atlantic City... -Susie? | 0:31:19 | 0:31:22 | |
I called her myself, the day after he died. | 0:31:23 | 0:31:28 | |
I thought maybe somebody ought to. | 0:31:28 | 0:31:30 | |
Couldn't even come to the phone. | 0:31:30 | 0:31:33 | |
I'll see her again in a few days. | 0:31:33 | 0:31:36 | |
About Rosebud, Mr Bernstein...? | 0:31:36 | 0:31:39 | |
-After all, you were with Mr Kane from the beginning. -From BEFORE the beginning, young fellow. | 0:31:39 | 0:31:47 | |
And now, it's after the end. | 0:31:47 | 0:31:49 | |
-Have you tried to see anyone besides Susan? -Nobody else. | 0:31:50 | 0:31:55 | |
-I read Walter Thatcher's journal... -He was the biggest fool I ever met! | 0:31:55 | 0:32:00 | |
-He made an awful lot of money. -It's no trick to make a lot of money, | 0:32:00 | 0:32:05 | |
if all you WANT | 0:32:05 | 0:32:08 | |
is to make a lot of money. | 0:32:08 | 0:32:11 | |
You take Mr Kane... | 0:32:14 | 0:32:17 | |
..it wasn't money he wanted. | 0:32:17 | 0:32:20 | |
-Thatcher never did figure him out. Sometimes, even -I -couldn't. | 0:32:21 | 0:32:26 | |
You ought to see Mr Leland, Mr Kane's closest friend. | 0:32:26 | 0:32:31 | |
-They went to school together. -Harvard? -Harvard, Yale, Princeton... | 0:32:31 | 0:32:36 | |
He was thrown out of a lot of colleges. | 0:32:36 | 0:32:39 | |
Mr Leland never had a nickel. | 0:32:39 | 0:32:43 | |
An old family, worth 10 million, then the father shoots himself... Turns out there's only debts left. | 0:32:43 | 0:32:51 | |
He was with Mr Kane and me when Mr Kane took over the Inquirer. | 0:32:52 | 0:32:56 | |
Take a good look at it, Jedediah. It'll look a lot different soon. | 0:33:06 | 0:33:11 | |
-Ain't no bedrooms in this joint, it's a newspaper building! -Are you paid for opinions or for hauling? | 0:33:21 | 0:33:29 | |
-Jedediah. -After you, Mr Kane. | 0:33:32 | 0:33:34 | |
Excuse me, sir, but I... | 0:33:47 | 0:33:50 | |
Welcome, Mr Kane! | 0:33:52 | 0:33:55 | |
Welcome! | 0:33:55 | 0:33:57 | |
-Welcome to the Inquirer! -But this... -I'm Mr Carter, editor-in-chief. | 0:33:57 | 0:34:02 | |
-Thank you, but this is Mr Leland. -Oh, how do you do, Mr Leland? | 0:34:02 | 0:34:07 | |
-He's our new dramatic critic... -That's right. | 0:34:07 | 0:34:11 | |
-Are they standing for me? -YOU?! Oh! Mr Kane! | 0:34:11 | 0:34:15 | |
-How do you do? -Oh, how do you do? | 0:34:15 | 0:34:18 | |
-As a gesture to our new publisher... -Tell them to sit down, please. | 0:34:18 | 0:34:24 | |
-You may resume your duties, gentlemen. -Thank you. | 0:34:24 | 0:34:28 | |
-I didn't know your plans, so... -I haven't GOT any plans, except to get out a newspaper. | 0:34:28 | 0:34:35 | |
Oops! | 0:34:40 | 0:34:41 | |
-Mr Bernstein? -Yes? -Mr Carter, meet Mr Bernstein, my general manager. | 0:34:41 | 0:34:47 | |
-General manager?! -How do you do? | 0:34:47 | 0:34:50 | |
-Mr Carter? -Yes? Er...how do you do? | 0:34:50 | 0:34:53 | |
-Mr Carter! -Yes, Mr Bernstein, er...Mr Kane? | 0:34:53 | 0:34:57 | |
-Is this your office? -Er...my little sanctum is at your disposal, but... Excuse me! | 0:34:57 | 0:35:04 | |
-I'm glad to hear it! -But I don't understand... -Excuse me! -Mr Carter... | 0:35:04 | 0:35:09 | |
-I'm going to live in your office. -Mr Carter... -LIVE here?! -Right. -Excuse me. -But... | 0:35:09 | 0:35:16 | |
But we're closed... Excuse me! | 0:35:16 | 0:35:19 | |
-..for 12 hours... -Excuse me! -..a day! -Excuse me! -Mr Carter... | 0:35:19 | 0:35:26 | |
-..the NEWS goes on 24 hours a day! -Excuse me! | 0:35:26 | 0:35:30 | |
-But Mr Kane... -Excuse me! -And excuse me! -It's IMPOSSIBLE! | 0:35:30 | 0:35:36 | |
-Look... -Here's what I mean... -I'm no GOOD as a cartoonist! | 0:35:37 | 0:35:42 | |
-You're the DRAMATIC critic! -You still eating? -I'm still hungry. | 0:35:42 | 0:35:47 | |
Now look, the Chronicle has a story about a woman who's missing... probably murdered. | 0:35:47 | 0:35:54 | |
-Why doesn't the Inquirer have it? -Because we're a newspaper... -Joseph! I'm hungry! -..not a scandal sheet! | 0:35:54 | 0:36:02 | |
-Sorry, Mr Bernstein. -All right. -Mr Carter... | 0:36:02 | 0:36:06 | |
-..the Chronicle has a 3-column headline. Why doesn't the Inquirer? -The news wasn't BIG enough. -Ah... | 0:36:06 | 0:36:13 | |
-..if the headline is big, it MAKES the news big. -Right! | 0:36:13 | 0:36:18 | |
-Now, this murder... -You've no proof she's even DEAD! -Neighbours say... | 0:36:18 | 0:36:24 | |
If we reported GOSSIP, we could sell the paper twice over, daily! | 0:36:24 | 0:36:30 | |
Mr Carter... | 0:36:30 | 0:36:33 | |
that's what we want, from now on. | 0:36:33 | 0:36:37 | |
Send a man to tell her husband that if he can't produce his wife, the Inquirer will have him arrested. | 0:36:37 | 0:36:45 | |
-Tell the journalist to say he's a detective... -..from Central Office. | 0:36:45 | 0:36:50 | |
If the husband gets suspicious, | 0:36:50 | 0:36:53 | |
your man must call him an anarchist, loudly, so the neighbours can hear. | 0:36:53 | 0:37:00 | |
-Mr Kane! -Dinner, Jedediah? -This is a respectable newspaper! | 0:37:00 | 0:37:06 | |
-Thank you, Mr Carter. Goodbye. -Goodbye! | 0:37:06 | 0:37:10 | |
< Read all about it! | 0:37:11 | 0:37:14 | |
Lady might be murdered! Read it in the Chronicle! | 0:37:14 | 0:37:19 | |
< Early morning Chronicle! Read all about it! | 0:37:21 | 0:37:26 | |
< Lady might be murdered! Read it in the Chronicle! | 0:37:27 | 0:37:31 | |
-We'll be on the streets in another ten minutes, Charlie. -Late, but we did it! | 0:37:37 | 0:37:44 | |
-Tired? -Tough day. -A wasted day. -Wasted? You made the paper over 4 times! | 0:37:44 | 0:37:51 | |
I changed the front page a little, but that's not enough. | 0:37:51 | 0:37:55 | |
This paper needs more. | 0:37:55 | 0:37:58 | |
I must make the New York Inquirer as important as the gas. | 0:37:58 | 0:38:03 | |
-What are you going to do? -Declaration of principles. | 0:38:04 | 0:38:09 | |
Don't smile, I've got it written! | 0:38:09 | 0:38:13 | |
-You don't want to make any promises you can't keep. -They'll be kept. | 0:38:13 | 0:38:18 | |
"I'll provide the people of this city with a daily paper that tells all the news honestly. | 0:38:19 | 0:38:27 | |
-"I will also..." -That's the second sentence you've started with "I". -People must know who's responsible. | 0:38:27 | 0:38:34 | |
And they'll get the truth from the Inquirer, quickly and simply. | 0:38:34 | 0:38:39 | |
"I'll also provide them with a fighting and tireless champion of their rights as human beings. | 0:38:39 | 0:38:47 | |
"Signed, Charles Foster Kane." | 0:38:48 | 0:38:51 | |
-Can I have that, Charlie? -I'm going to print it! Solly! | 0:38:54 | 0:39:00 | |
-An editorial, for the front page. -This MORNING'S front page? | 0:39:00 | 0:39:05 | |
-Right. So we have to re-make again. -Yes. -You'd better tell them. -Right. | 0:39:05 | 0:39:11 | |
Solly, when you're through with it, I'd like to have it back. | 0:39:11 | 0:39:16 | |
I'd like to keep that piece of paper. | 0:39:17 | 0:39:21 | |
-I have a hunch it'll turn out to be something pretty important. -Sure! | 0:39:21 | 0:39:27 | |
Like the Declaration of Independence, | 0:39:27 | 0:39:32 | |
or my first report card at school. | 0:39:32 | 0:39:36 | |
This little pilgrimage will do us good. | 0:40:03 | 0:40:08 | |
-The Chronicle's a good paper. -It's a good IDEA for a paper. -495,000... | 0:40:08 | 0:40:15 | |
But look who's working for them! | 0:40:15 | 0:40:18 | |
It took the Chronicle 20 years to get that staff together! | 0:40:18 | 0:40:23 | |
2O years? Well... | 0:40:26 | 0:40:28 | |
6 years ago I saw a picture of the world's greatest newspapermen. | 0:40:30 | 0:40:35 | |
I felt like a kid in front of a candy store. 6 years later, I got my candy! | 0:40:35 | 0:40:41 | |
Welcome to the Inquirer! | 0:40:41 | 0:40:44 | |
Send a copy of that picture to the Chronicle! | 0:40:44 | 0:40:48 | |
Our circulation today is the greatest in New York - 684,000. | 0:40:48 | 0:40:53 | |
684,132! | 0:40:54 | 0:40:57 | |
Right! Having welcomed you, I hope you'll forgive me taking my leave. | 0:40:57 | 0:41:03 | |
I'm going abroad for a vacation. | 0:41:03 | 0:41:06 | |
I promised my doctor I'd leave when I could...and now I can. | 0:41:06 | 0:41:10 | |
Say, Mr Kane, there's a lot of statues in Europe you ain't bought yet! | 0:41:10 | 0:41:18 | |
You can't blame me... | 0:41:18 | 0:41:21 | |
They've made them for 2,000 years. I've only been buying for five! | 0:41:21 | 0:41:27 | |
-Promise me, Mr Kane! -I promise, Mr Bernstein. By the way... -Yes? | 0:41:27 | 0:41:32 | |
-..you don't expect me to KEEP my promises, do you? -No! | 0:41:32 | 0:41:36 | |
And now, Gentlemen, your COMPLETE ATTENTION, please! | 0:41:36 | 0:41:42 | |
BAND PLAYS A LOUD MARCH | 0:41:44 | 0:41:46 | |
Are we declaring war on Spain or not? | 0:41:46 | 0:41:50 | |
RAUCOUS WHISTLES AND CHEERS | 0:41:57 | 0:42:01 | |
-I said, are we going to declare war on Spain or are we NOT? -The Inquirer already has. | 0:42:10 | 0:42:17 | |
You long-faced, over-dressed... ANARCHIST! | 0:42:17 | 0:42:23 | |
-I am NOT over-dressed! -You are! Look at his necktie! | 0:42:23 | 0:42:27 | |
Let's have the song about Charlie! Is there one? | 0:42:27 | 0:42:32 | |
Buy a bag of peanuts in this town and they'll write a song about you! | 0:42:32 | 0:42:37 | |
SINGER: # There is a man... GIRLS: # There is a man... | 0:42:49 | 0:42:54 | |
# And for the poor you may be sure that he'll do all he can. | 0:42:54 | 0:42:59 | |
# Who is this one? # This fav'rite son? | 0:42:59 | 0:43:01 | |
# His action has the traction magnates on the run. | 0:43:01 | 0:43:05 | |
# He loves to smoke, # Enjoys a joke, | 0:43:05 | 0:43:08 | |
# He wouldn't get a bit upset if he were really broke. | 0:43:08 | 0:43:12 | |
# With wealth and fame # He's still the same, | 0:43:12 | 0:43:14 | |
# I'll bet you five you're not alive if you don't know his name! | 0:43:14 | 0:43:19 | |
-# What is his name? # -What is his name? -# Charlie Kane! | 0:43:23 | 0:43:26 | |
-# -He doesn't like that "Mister", -# -He likes good old Charlie Kane! -# | 0:43:26 | 0:43:33 | |
-Such a wonderful party! -Yes... -What's the matter? | 0:43:47 | 0:43:51 | |
# He says a miss # Was made to kiss, | 0:43:51 | 0:43:55 | |
# And when he meets one always tries to do exactly this! | 0:43:55 | 0:43:59 | |
-# Who buys the food? # -Who buys the drinks? | 0:43:59 | 0:44:02 | |
-# -Dough was made to spend, -# He acts the way he thinks! # | 0:44:02 | 0:44:06 | |
-Bernstein, these men who are with the Inquirer now... -Hey, catch! | 0:44:09 | 0:44:14 | |
Bernstein... | 0:44:20 | 0:44:22 | |
..weren't these men just as devoted to the Chronicle's policies as they now are to OUR policies? | 0:44:22 | 0:44:32 | |
Sure! Just like anybody else. | 0:44:32 | 0:44:35 | |
They got work to do, they do it. | 0:44:35 | 0:44:37 | |
But they happen to be the best in the business. | 0:44:37 | 0:44:47 | |
Do we stand for the same things the Chronicle stands for? | 0:44:47 | 0:44:52 | |
Certainly not! | 0:44:52 | 0:44:55 | |
Mr Kane will have them changed to his kind of newspapermen in a week! | 0:44:55 | 0:45:01 | |
It's possible that they'll change Mr Kane... without his knowing it. | 0:45:01 | 0:45:07 | |
Mr Leland! Mr Leland! I got a cable from Mr Kane! | 0:45:10 | 0:45:14 | |
-Mr Leland! Mr Leland! A cable! -What? -From Paris, France! -What? -LOOK! | 0:45:14 | 0:45:21 | |
Come on in! | 0:45:21 | 0:45:24 | |
-# -..and his action has the traction magnates on the run... -# | 0:45:24 | 0:45:30 | |
It's a good thing he promised not to buy any more statues(!) | 0:45:30 | 0:45:35 | |
-Oh, Bernstein! -Look. He wants to buy the world's biggest diamond. | 0:45:35 | 0:45:40 | |
-Why didn't you go to Europe, too? -I wanted Charlie to have FUN... | 0:45:40 | 0:45:45 | |
Bernstein, am I a stuffed shirt? A horse-faced hypocrite? A New England school-marm? | 0:45:45 | 0:45:52 | |
Yes. | 0:45:52 | 0:45:55 | |
-I wouldn't contradict Mr Kane. -All right... | 0:45:55 | 0:46:00 | |
-World's biggest diamond! Why is he collecting diamonds? -He ain't. | 0:46:00 | 0:46:05 | |
He's collecting somebody who collects diamonds. At least it isn't JUST statues! | 0:46:05 | 0:46:12 | |
"Welcome home, Mr Kane, from 467 employees of the Inquirer." | 0:46:15 | 0:46:20 | |
< Here he comes! | 0:46:20 | 0:46:23 | |
-You've got a moustache! -I know! -It's AWFUL! -It isn't! | 0:46:26 | 0:46:31 | |
-Have we got a society editor? -Right here, Mr Kane! | 0:46:31 | 0:46:36 | |
-This is Miss Townsend. -This is Mr Kane. | 0:46:36 | 0:46:40 | |
Miss Townsend, er... I've been away so long I don't know the routine... | 0:46:40 | 0:46:46 | |
I've got a little, er...social notice. | 0:46:46 | 0:46:51 | |
Treat it like any other. | 0:46:51 | 0:46:54 | |
-Thank you... -Mr Kane! On behalf of all the Inquirer's employees... | 0:46:54 | 0:46:59 | |
Mr Bernstein, everyone, thank you very much. | 0:46:59 | 0:47:03 | |
I'm sorry, I can't accept it now... Goodbye! | 0:47:03 | 0:47:08 | |
-Say, he was in an awful hurry. -HEY! > | 0:47:09 | 0:47:14 | |
Look here! | 0:47:14 | 0:47:16 | |
-What...? -Oh, Mr Leland! Mr Bernstein! This announcement... | 0:47:16 | 0:47:21 | |
"Mr and Mrs Monroe Norton announce the engagement of their daughter, Emily, to Mr Charles Foster Kane." | 0:47:21 | 0:47:29 | |
Quick! | 0:47:29 | 0:47:31 | |
Emily Monroe Norton - the niece of the President of the United States! | 0:47:33 | 0:47:39 | |
Niece, huh? Before he's through, she'll be a President's wife! | 0:47:39 | 0:47:43 | |
The way things turned out, Miss Emily Norton was no Rosebud. | 0:47:52 | 0:47:59 | |
It didn't end very well, did it? | 0:47:59 | 0:48:02 | |
It ended. And then there was Susie. | 0:48:02 | 0:48:05 | |
That ended, too. | 0:48:06 | 0:48:09 | |
You know, Mr Thompson, I was thinking... This Rosebud you're trying to find out about... | 0:48:09 | 0:48:16 | |
Yes? | 0:48:17 | 0:48:19 | |
Maybe that was something he lost. | 0:48:23 | 0:48:26 | |
Mr Kane was a man who lost almost everything he had. | 0:48:26 | 0:48:31 | |
You ought to see Jed Leland. | 0:48:31 | 0:48:33 | |
Sure, they didn't always agree... take the Spanish-American war... | 0:48:33 | 0:48:38 | |
Mr Leland was right - that was Mr Kane's war. WE didn't have any reason to fight. | 0:48:38 | 0:48:45 | |
But, if it hadn't been for that war of Mr Kane's, would we have the Panama Canal? | 0:48:45 | 0:48:53 | |
I wish I knew where Mr Leland was. | 0:48:53 | 0:48:55 | |
A lot of the time they don't tell me these things... Maybe he's dead. | 0:48:55 | 0:49:02 | |
Well, Mr Bernstein, he's at the Huntington Memorial Hospital. | 0:49:02 | 0:49:07 | |
-I had no idea... -Nothing particular wrong with him, they said, just... | 0:49:07 | 0:49:12 | |
Just old age. | 0:49:12 | 0:49:15 | |
It's the only disease you don't look forward to being cured of. | 0:49:15 | 0:49:21 | |
I remember EVERYTHING, young man. | 0:49:32 | 0:49:35 | |
That's the greatest curse inflicted on the human race - memory. | 0:49:35 | 0:49:42 | |
I was his oldest friend, and, as far as I was concerned, he behaved like a swine. | 0:49:42 | 0:49:49 | |
Charlie was never brutal - he just did brutal things. | 0:49:49 | 0:49:53 | |
Maybe I wasn't his friend, but if I wasn't, he never had one. | 0:49:53 | 0:49:58 | |
Maybe I was just a stooge, hmm? | 0:49:58 | 0:50:01 | |
-Mr Leland, you were going to talk about Rosebud... -You don't happen to have a good cigar on you, hmm? | 0:50:01 | 0:50:09 | |
-No, I'm afraid I haven't, sorry... -I changed the subject, didn't I? What a disagreeable old man I am! | 0:50:09 | 0:50:16 | |
You're a reporter, wanting to know what I think about Charlie Kane. | 0:50:16 | 0:50:21 | |
I suppose he had some private sort of greatness. | 0:50:24 | 0:50:29 | |
But he kept it to himself. | 0:50:29 | 0:50:32 | |
He never gave anything away... he just left you a tip. | 0:50:32 | 0:50:37 | |
He had a generous mind, always had so many opinions. | 0:50:37 | 0:50:42 | |
But he never believed in anything in his life except Charlie Kane. | 0:50:42 | 0:50:48 | |
I suppose he died that way, too. That must have been unpleasant. | 0:50:48 | 0:50:53 | |
Of course, a lot of us check out without any beliefs about death, | 0:50:53 | 0:50:59 | |
but we do believe in SOMETHING. | 0:50:59 | 0:51:02 | |
-Are you absolutely SURE you haven't got a cigar? -Sorry. -Never mind. | 0:51:02 | 0:51:07 | |
-Mr Leland, what do you know about Rosebud? -Rosebud? | 0:51:07 | 0:51:12 | |
Oh, his dying words...Rosebud. Yeah, I saw that in the Inquirer. | 0:51:12 | 0:51:18 | |
Well, I never believed anything I saw in the Inquirer. | 0:51:18 | 0:51:23 | |
I could tell you about Emily... I went to dancing school with her. | 0:51:23 | 0:51:29 | |
-Er, the first Mrs Kane... -What was she like? | 0:51:29 | 0:51:34 | |
All the girls in dancing school were nice, Emily was a little nicer. | 0:51:34 | 0:51:40 | |
After the first couple of months, she and Charlie didn't see much of each other except at breakfast. | 0:51:40 | 0:51:47 | |
It was a marriage just like any other. | 0:51:47 | 0:51:51 | |
-You're beautiful! -Oh, I can't be! I've never been to six parties in one night before! | 0:52:01 | 0:52:08 | |
-What will the servants think? -They'll think we enjoyed ourselves. | 0:52:08 | 0:52:13 | |
-Must you go to the newspaper NOW? -Newspapermen are worse than sailors. | 0:52:13 | 0:52:19 | |
I absolutely adore you. | 0:52:20 | 0:52:23 | |
Even newspapermen have to sleep. | 0:52:24 | 0:52:27 | |
I'll call Mr Bernstein and have him put off my appointments till noon. | 0:52:27 | 0:52:33 | |
-What time is it? -Oh, I don't know... Late. | 0:52:33 | 0:52:36 | |
-It's early. -Oh, Charles! | 0:52:38 | 0:52:41 | |
Do you know how long I waited after you went to the paper for "10 minutes"? | 0:52:42 | 0:52:49 | |
What do you DO there at midnight? | 0:52:49 | 0:52:52 | |
Emily, your only co-respondent is the Inquirer. | 0:52:52 | 0:52:57 | |
-I'd prefer a flesh and blood rival. -It's a PAPER! | 0:52:58 | 0:53:03 | |
-And the stuff you print! Attacking the President... -Uncle John(!) | 0:53:03 | 0:53:08 | |
-He IS the President. -And he's also a fathead with a bunch of crooks running his Administration. | 0:53:08 | 0:53:16 | |
He's still the President, Charles, not you. | 0:53:16 | 0:53:20 | |
That mistake will be corrected one day. | 0:53:20 | 0:53:24 | |
Mr Bernstein sent Junior the most incredible atrocity yesterday. | 0:53:24 | 0:53:31 | |
I won't have it in the nursery. | 0:53:31 | 0:53:33 | |
-But Mr Bernstein is apt to visit the nursery. -Does he HAVE to? | 0:53:33 | 0:53:39 | |
Yes. | 0:53:39 | 0:53:40 | |
-But people will think... -What I TELL them to think! | 0:53:42 | 0:53:47 | |
-Wasn't he ever in love with her? -He married for love. | 0:54:04 | 0:54:09 | |
Love...that's why he did everything. | 0:54:09 | 0:54:12 | |
He went into politics because he wanted the voters to love him, too. | 0:54:12 | 0:54:18 | |
All he really wanted out of life was love. | 0:54:18 | 0:54:22 | |
That's Charlie's story - how he lost it. | 0:54:22 | 0:54:26 | |
He just didn't have any to give. | 0:54:26 | 0:54:29 | |
He loved Charlie Kane, of course, very dearly. | 0:54:31 | 0:54:35 | |
And his mother, I guess he always loved her. | 0:54:35 | 0:54:39 | |
-What about his second wife? -Susan Alexander? | 0:54:39 | 0:54:44 | |
Day after he met her, he told me about her. | 0:54:44 | 0:54:48 | |
He called her "a cross-section of the American public". | 0:54:48 | 0:54:53 | |
Guess he couldn't help it. She must have had something for him. | 0:54:54 | 0:54:59 | |
But that first night, Charlie said, all she had was a toothache. | 0:54:59 | 0:55:05 | |
HORSE AND CARRIAGE SPLASH THROUGH DEEP PUDDLE | 0:55:10 | 0:55:14 | |
SHE STARTS TO GIGGLE | 0:55:21 | 0:55:25 | |
HER LAUGHTER GETS LOUDER | 0:55:32 | 0:55:35 | |
-What are you laughing at, young lady? -Oh! Ow! | 0:55:36 | 0:55:41 | |
-What's the matter? -'oothache. -What? -'OOTHache! -Toothache? | 0:55:41 | 0:55:46 | |
Oh, you mean YOU'VE got a toothache. | 0:55:47 | 0:55:51 | |
-Is that funny? -YOU'RE funny, Mister. You got dirt on your face. -It's mud. | 0:55:52 | 0:55:58 | |
-You want some hot water? I live right here. -What was that? | 0:55:58 | 0:56:03 | |
I said if you wanted some hot water I could get you some... | 0:56:03 | 0:56:08 | |
..hot water. | 0:56:09 | 0:56:11 | |
All right. Thank you very much. | 0:56:14 | 0:56:16 | |
-Oh! Ow! -Do I look any better now? | 0:56:29 | 0:56:31 | |
-This medicine doesn't do ANY good! -You need to take your mind off it. | 0:56:31 | 0:56:37 | |
Hey! | 0:56:37 | 0:56:38 | |
-My landlady says to keep the door open if a gentleman calls. -Fine. | 0:56:42 | 0:56:49 | |
-Ow-w-w! -You HAVE got a toothache, haven't you? -I surely have! | 0:56:49 | 0:56:54 | |
You could try laughing at me again. | 0:56:54 | 0:56:58 | |
-But you don't want me to! -I don't want your tooth to hurt, either. | 0:56:58 | 0:57:03 | |
-Look at me... See that? -What? | 0:57:03 | 0:57:06 | |
I'm wiggling both my ears at once. | 0:57:06 | 0:57:09 | |
That's it, smile! | 0:57:10 | 0:57:13 | |
Took me two solid years in the best boys' school | 0:57:14 | 0:57:19 | |
to learn that trick! | 0:57:19 | 0:57:22 | |
That's it! | 0:57:24 | 0:57:26 | |
-Is it a giraffe? -No, it's NOT! | 0:57:29 | 0:57:32 | |
-Well, then, I bet it's... -What? -An elephant. | 0:57:32 | 0:57:37 | |
-It's SUPPOSED to be a rooster. -Never! | 0:57:38 | 0:57:41 | |
-Gee, all these tricks... are you a professional magician? -No. -I was just joking. | 0:57:41 | 0:57:48 | |
-You really don't know who I am? -Well, Mr Kane, I'm awful ignorant, but I guess you caught on to that. | 0:57:48 | 0:57:56 | |
-But you like me, even though you don't know who I am? -I surely do! | 0:57:56 | 0:58:01 | |
I'm so glad you do. | 0:58:01 | 0:58:04 | |
Without you, I don't know what I'd have done. | 0:58:04 | 0:58:08 | |
-I don't know many people. -I know TOO many people. | 0:58:08 | 0:58:13 | |
I guess we're both lonely. | 0:58:15 | 0:58:17 | |
-Before I ruined my best clothes... -You probably got LOTS of clothes. -I was just joking. | 0:58:17 | 0:58:25 | |
I was on my way to a warehouse, in search of my youth. | 0:58:28 | 0:58:33 | |
You see, my mother died, a long time ago. | 0:58:33 | 0:58:37 | |
Her things were put in storage out west. | 0:58:37 | 0:58:41 | |
I sent for them, and tonight I was going to take a look at them. A sort of sentimental journey. | 0:58:41 | 0:58:49 | |
-I run a couple of newspapers, what do YOU do? -Me? -Ah-huh. | 0:58:50 | 0:58:55 | |
-How old did you say you were? -I didn't say. -I didn't think so. -Pretty old. -How old? -22 in August. | 0:58:55 | 0:59:04 | |
-What do you do? -I'm in charge of the sheet music at Seligman's. | 0:59:04 | 0:59:09 | |
-Is that what you WANT to do? -No... I wanted to be a singer. Well, my mother... | 0:59:09 | 0:59:16 | |
-What happened to the singing? -Well, Mother always thought... | 0:59:16 | 0:59:21 | |
She wanted me to sing Grand Opera. | 0:59:21 | 0:59:25 | |
You know what mothers are like! | 0:59:25 | 0:59:28 | |
Yes. | 0:59:30 | 0:59:32 | |
-Have you got a piano? -A piano? Yes, there's one in the parlour. | 0:59:33 | 0:59:39 | |
-Will you sing for me? -Oh, you don't want... -I do. | 0:59:39 | 0:59:43 | |
-Well, I... -Is your toothache still bothering you? -Oh, no, it's gone. | 0:59:43 | 0:59:49 | |
All right... Let's go to the parlour. | 0:59:52 | 0:59:56 | |
-SWEETLY BUT NOT BRILLIANTLY: # -Yes, Lindor shall be mine, | 0:59:57 | 1:00:02 | |
-# -I have sworn it, for weal or woe. | 1:00:03 | 1:00:12 | |
-# -Yes, Lindor... | 1:00:13 | 1:00:21 | |
-# -Lo giurai la vincero. -# | 1:00:22 | 1:00:32 | |
There is only one man who can rid this state of the evil domination of Boss Jim Gettys - | 1:00:38 | 1:00:45 | |
Charles Foster Kane, the friend of the working man, the next Governor of this state! | 1:00:45 | 1:00:52 | |
-He entered this campaign... -..with one purpose only - | 1:00:52 | 1:00:57 | |
to make public the dishonesty and villainy of Boss Jim Gettys' political machine. | 1:00:57 | 1:01:06 | |
This is now in complete control of the government of this state! | 1:01:06 | 1:01:12 | |
I made no campaign promises because, until a few weeks ago, | 1:01:12 | 1:01:17 | |
-I had no hope of being elected! -LAUGHTER | 1:01:17 | 1:01:21 | |
-Now, however, I have something more than a hope. -APPLAUSE | 1:01:21 | 1:01:27 | |
And Jim Gettys has something less than a chance! | 1:01:27 | 1:01:33 | |
LOUD APPLAUSE | 1:01:33 | 1:01:37 | |
Every straw vote, every independent poll shows that I'll be elected! | 1:01:37 | 1:01:42 | |
So now I can AFFORD to make some promises! | 1:01:44 | 1:01:48 | |
LOUD APPLAUSE AND CHEERS | 1:01:48 | 1:01:54 | |
The working man and the slum child KNOW they can expect | 1:01:56 | 1:02:02 | |
my best efforts in their interest. | 1:02:02 | 1:02:06 | |
The decent, ordinary citizens know that I'll do everything I can | 1:02:06 | 1:02:11 | |
to protect the underprivileged, the underpaid and the underfed. | 1:02:11 | 1:02:16 | |
-Mother, is pop Governor yet? -Not yet, Junior. | 1:02:20 | 1:02:24 | |
Well... | 1:02:25 | 1:02:27 | |
I'd make my promises now... | 1:02:27 | 1:02:31 | |
..if I weren't too busy arranging to keep them. | 1:02:31 | 1:02:35 | |
But here's one promise I'll make, and Boss Jim Gettys knows I'll keep it. | 1:02:40 | 1:02:46 | |
My first official act as Governor will be to appoint a special district attorney, | 1:02:46 | 1:02:53 | |
to arrange for the indictment, prosecution and CONVICTION of Boss Jim W Gettys. | 1:02:53 | 1:03:01 | |
BAND STRIKES UP A LIVELY MARCH | 1:03:04 | 1:03:08 | |
CONVERSATION DROWNED OUT BY BAND | 1:03:11 | 1:03:15 | |
-You'll win by 100,000 votes! Gettys knows it. -Hello, son! | 1:03:27 | 1:03:34 | |
He's realising I mean what I say. | 1:03:34 | 1:03:38 | |
-Like my speech? -Every word! -Oh, hello, Emily. -< Hold it! | 1:03:38 | 1:03:43 | |
-Officer, get us a taxi, please. -You're leaving now? -I'm sending Junior home in the car. | 1:03:46 | 1:03:53 | |
-'Night, Father! -Goodbye, son. | 1:03:53 | 1:03:56 | |
Emily... | 1:04:04 | 1:04:05 | |
-..why did you send Junior home? -I want you to make a call with me. | 1:04:09 | 1:04:14 | |
-It can wait. -No. -What's it about? | 1:04:14 | 1:04:18 | |
I don't know yet. I intend to find out. | 1:04:18 | 1:04:22 | |
-Where are you going? -185 West 74th Street. | 1:04:22 | 1:04:27 | |
If you wish, you may come with me. | 1:04:27 | 1:04:29 | |
I'll come with you. | 1:04:34 | 1:04:36 | |
RINGS DOORBELL | 1:04:38 | 1:04:41 | |
I had no idea you liked melodrama. | 1:04:41 | 1:04:44 | |
Come right in, Mr Kane! | 1:04:46 | 1:04:49 | |
Charlie... | 1:04:58 | 1:05:00 | |
He FORCED me to send your wife the letter. I didn't want to... | 1:05:06 | 1:05:11 | |
Good evening, Mrs Kane. I don't suppose anyone will introduce us. | 1:05:17 | 1:05:22 | |
-I'm Jim Gettys. -Yes? | 1:05:25 | 1:05:28 | |
-Miss Alexander didn't want to send you that note... -I... -But she DID. | 1:05:31 | 1:05:36 | |
-Charlie, he threatened me... -Gettys! | 1:05:36 | 1:05:40 | |
-I think I'll start by breaking your neck. -Maybe you can do it, maybe you can't. -Charles! | 1:05:40 | 1:05:49 | |
Breaking his neck will scarcely explain this note. | 1:05:49 | 1:05:54 | |
-"..serious consequences for Mr Kane, you and your son..." -He just... | 1:05:54 | 1:05:59 | |
-What does it mean, Miss...? -I'm Susan Alexander. Mrs Kane... -What does it MEAN? | 1:05:59 | 1:06:06 | |
-She don't know, she just sent it because I made her. -This gentleman... -I'm not a gentleman. | 1:06:06 | 1:06:13 | |
Your husband's trying to be funny, calling me one. I don't even know what a "gentleman" is. | 1:06:13 | 1:06:21 | |
If I owned a newspaper and I didn't like a politician, | 1:06:25 | 1:06:30 | |
I'd fight him, | 1:06:30 | 1:06:32 | |
-but would I print a cartoon of him in a convict's suit where his kids could see it? -You cheap... -YOU are! | 1:06:32 | 1:06:40 | |
-I'm fighting for my life! -Charlie, he said he'd tell... -You mean...? | 1:06:41 | 1:06:46 | |
I'm giving him one chance... more than he'd give me. | 1:06:46 | 1:06:51 | |
Unless Mr Kane decides tomorrow that he has to go away for a while, | 1:06:51 | 1:06:56 | |
on Monday, every paper in the state, except his, will carry the story. | 1:06:56 | 1:07:01 | |
-What story? -About him and Miss Alexander. -There isn't any! -Shut up! | 1:07:01 | 1:07:07 | |
-Mr Kane was... -We've got evidence that would look bad in the headlines. | 1:07:07 | 1:07:12 | |
-I'd rather not have to publish, it'd be better for ME. -But what about...? | 1:07:15 | 1:07:20 | |
You'd be better off too, Mrs Kane. | 1:07:23 | 1:07:25 | |
But what about ME? | 1:07:25 | 1:07:28 | |
-He said my name would be dragged through the mud. -There's only one decision, Charles. | 1:07:29 | 1:07:36 | |
I'd say it had been made for you. | 1:07:36 | 1:07:39 | |
-The voters of this state... -I'm not interested in them! | 1:07:40 | 1:07:46 | |
-I'm interested in our son. -If they publish... -They won't. | 1:07:46 | 1:07:52 | |
Goodnight, Mr Gettys. | 1:07:52 | 1:07:55 | |
Are you coming, Charles? | 1:08:03 | 1:08:05 | |
No. | 1:08:07 | 1:08:09 | |
I'm staying here. | 1:08:13 | 1:08:15 | |
-I can fight this all alone. -Charles... | 1:08:17 | 1:08:21 | |
-..if you don't listen to reason, it may be too late. -Too late? | 1:08:21 | 1:08:26 | |
For what? | 1:08:26 | 1:08:29 | |
For you and this...public thief to take the love of the people away from me? | 1:08:29 | 1:08:35 | |
Charlie, you don't want your son to read about you in the papers... | 1:08:35 | 1:08:40 | |
There's only one person who'll decide what I'm going to do...ME. | 1:08:40 | 1:08:45 | |
You decided what you were going to do some time ago. | 1:08:47 | 1:08:51 | |
-You're making a fool of yourself. -Get out! -You're licked, admit it! | 1:08:59 | 1:09:04 | |
-Out! If you want to see me, get the warden to write me a letter. -For anybody else, it'd be a lesson. | 1:09:04 | 1:09:12 | |
But you need more than ONE lesson. And you'll GET more than one. | 1:09:12 | 1:09:18 | |
Don't worry about ME, Gettys! | 1:09:18 | 1:09:20 | |
Don't worry about ME! | 1:09:21 | 1:09:24 | |
I'm Charles Foster KANE! | 1:09:24 | 1:09:27 | |
I'm no crooked politician trying to save himself from the consequences of his crimes! | 1:09:28 | 1:09:34 | |
GETTYS!! | 1:09:34 | 1:09:37 | |
I'll send you to Sing-Sing, Gettys! | 1:09:39 | 1:09:43 | |
Have you a car, Mrs Kane? | 1:09:45 | 1:09:47 | |
-Yes, thank you. -Goodnight. -Goodnight. | 1:09:47 | 1:09:51 | |
'Extra, extra! Read all about it!' | 1:10:02 | 1:10:05 | |
-Paper? > -No, thanks. | 1:10:11 | 1:10:14 | |
There's a million majority already against him. | 1:10:29 | 1:10:33 | |
I'm afraid we got no choice. | 1:10:34 | 1:10:37 | |
This one? | 1:10:37 | 1:10:39 | |
That one. | 1:10:42 | 1:10:44 | |
Well, goodnight again. | 1:11:06 | 1:11:09 | |
-Is there anything...? -No, thanks, Mr Bernstein. | 1:11:20 | 1:11:24 | |
Better go home and get some sleep. | 1:11:24 | 1:11:27 | |
You, too. | 1:11:28 | 1:11:30 | |
Goodnight, Mr Kane. | 1:11:32 | 1:11:35 | |
-Hello, Jedediah. -I'm drunk. | 1:12:00 | 1:12:03 | |
Well...if you've got drunk to talk to me about...Miss Alexander... don't bother. | 1:12:06 | 1:12:15 | |
I'm not interested. | 1:12:18 | 1:12:20 | |
I have set back the sacred cause of reform, is that it? | 1:12:23 | 1:12:29 | |
All right, if that's the way they want it, the people have made their choice. | 1:12:29 | 1:12:36 | |
They prefer Gettys to me. | 1:12:36 | 1:12:39 | |
You talk about "the people" as though you owned them. | 1:12:39 | 1:12:44 | |
As long as I can remember, you've talked about giving "the people" their rights. | 1:12:44 | 1:12:51 | |
-As if you could make them a present of liberty, as a reward(!) -Jed! | 1:12:51 | 1:12:56 | |
Remember "the working man"? | 1:12:56 | 1:12:59 | |
I'll get drunk, too, Jedediah, if it'll do any good. | 1:12:59 | 1:13:05 | |
It won't do any good. Besides, you never GET drunk. | 1:13:05 | 1:13:10 | |
You used to write about "the working man". But he's become something called organised labour. | 1:13:10 | 1:13:17 | |
You won't like it one bit when you find it means he expects something as his RIGHT, not as your gift! | 1:13:17 | 1:13:25 | |
Charlie... | 1:13:25 | 1:13:27 | |
When your precious underprivileged REALLY get together... | 1:13:28 | 1:13:33 | |
Oh, boy! | 1:13:33 | 1:13:35 | |
It'll add up to something bigger than YOUR privileges, and THEN what will you do? | 1:13:36 | 1:13:43 | |
Sail to a desert island and lord it over the monkeys? | 1:13:43 | 1:13:48 | |
Don't worry about it too much. | 1:13:48 | 1:13:51 | |
There'll be a few monkeys around to tell me where I'm going wrong. | 1:13:51 | 1:13:56 | |
You may not always be so lucky. | 1:13:56 | 1:13:58 | |
-You're not VERY drunk. -What do you care? | 1:13:58 | 1:14:02 | |
You don't care about anything except YOU. | 1:14:02 | 1:14:06 | |
You just want to persuade people that you love them so much, they ought to love you right back! | 1:14:06 | 1:14:14 | |
It's something to be played YOUR way, according to your rules. | 1:14:16 | 1:14:21 | |
-I want to work on the Chicago paper. -What? | 1:14:26 | 1:14:30 | |
You said you needed a dramatic crimit...critic. I AM drunk. | 1:14:30 | 1:14:37 | |
-I want to go to Chicago. -You're too valuable here. | 1:14:40 | 1:14:45 | |
-Then I must ask you to accept my... -All right, go to Chicago. -Thanks. | 1:14:47 | 1:14:52 | |
I guess I'd better try to get drunk anyway. | 1:14:53 | 1:14:57 | |
I warn you, you won't like it in Chicago. They've never heard of Lobster Newburg. | 1:14:57 | 1:15:05 | |
-Is Saturday after next all right? -Any time you say. -Thank you. | 1:15:05 | 1:15:10 | |
A toast, Jedediah, to love on my terms. | 1:15:15 | 1:15:19 | |
The only terms anyone ever knows are his own. | 1:15:19 | 1:15:23 | |
Hey, Mr Kane, I'm from the Inquirer! | 1:15:35 | 1:15:38 | |
All right, fire away, boys! | 1:15:39 | 1:15:42 | |
THEY ALL TALK AT ONCE | 1:15:42 | 1:15:46 | |
-Yes, young man? -Are you through with politics? -Through? Vice versa! | 1:15:49 | 1:15:54 | |
-We're going to be an opera star! -< Will you sing at the Metropolitan? | 1:15:54 | 1:15:59 | |
-Certainly! -If I don't, Charlie'll build me an opera house! -It won't be necessary! | 1:15:59 | 1:16:06 | |
-# -La-a-a-a-a-a-a.... -No, no, NO! | 1:16:10 | 1:16:14 | |
You must wait for the chord! Then one AND two AND three...! | 1:16:14 | 1:16:20 | |
ALL TALK AT ONCE AS THE ORCHESTRA PLAYS THE OVERTURE | 1:16:22 | 1:16:29 | |
Places, everybody! > | 1:16:40 | 1:16:42 | |
Places, please! > | 1:16:46 | 1:16:49 | |
OPENING CHORDS OF HER ARIA | 1:16:50 | 1:16:54 | |
-# -Ah, cruel... | 1:16:58 | 1:17:01 | |
-# -Tu m'as trop entendu... -# | 1:17:02 | 1:17:07 | |
HER VOICE ECHOES AND BECOMES INDISTINCT | 1:17:07 | 1:17:11 | |
-BERNSTEIN: -Mr Leland's covered the dramatic angle, and we've done the news end. | 1:17:37 | 1:17:44 | |
-The social and music notices, are they in? -They're already made up. > | 1:17:44 | 1:17:50 | |
Mr Mervin wrote a SWELL review. | 1:17:50 | 1:17:52 | |
-Enthusiastic? -Naturally. | 1:17:53 | 1:17:56 | |
-Mr Bernstein. -Mr Kane! -You've got a nice plant here, Mr Donovan. | 1:17:56 | 1:18:02 | |
-We did two spreads of pictures. -Put one on the front page. | 1:18:02 | 1:18:07 | |
-But we're still waiting for the dramatic notice. -Dramatic? | 1:18:07 | 1:18:12 | |
-That's Mr Leland, isn't it? -Yes, we're waiting for him. | 1:18:14 | 1:18:19 | |
-Where is he? -Right in there, Mr Kane. | 1:18:21 | 1:18:25 | |
Mr Kane... | 1:18:33 | 1:18:35 | |
Mr Kane... | 1:18:36 | 1:18:39 | |
Mr Leland and Mr Kane... they haven't spoken together for years. | 1:18:50 | 1:18:56 | |
-You don't suppose...? -Nothing TO suppose. | 1:19:00 | 1:19:04 | |
Excuse me. | 1:19:06 | 1:19:08 | |
(Close the door.) | 1:19:24 | 1:19:26 | |
He ain't been drinking before, Mr Kane. Never. We would've heard. | 1:19:30 | 1:19:35 | |
What does it say...the notice? What's he written? | 1:19:35 | 1:19:41 | |
"Miss Susan Alexander, a pretty but hopelessly incompetent amateur... | 1:19:42 | 1:19:47 | |
"..last night opened the new Chicago Opera House in a performance of..." | 1:19:51 | 1:19:58 | |
I still can't pronounce that name, Mr Kane. | 1:20:00 | 1:20:04 | |
"Her singing, happily, is no concern of this department. | 1:20:06 | 1:20:11 | |
"Of her acting, it is absolutely impossible to..." | 1:20:11 | 1:20:16 | |
Go on. | 1:20:17 | 1:20:19 | |
-Go on. -That's all there is. | 1:20:20 | 1:20:23 | |
"..impossible to say anything but that in this reviewer's opinion it represents a new low." Got that? | 1:20:36 | 1:20:44 | |
-I didn't see that. -I'm dictating it. | 1:20:44 | 1:20:48 | |
-But, Mr Kane... -Get me a typewriter. | 1:20:48 | 1:20:52 | |
I'm going to finish Mr Leland's notice. | 1:20:52 | 1:20:55 | |
Hello, Bernstein. | 1:21:12 | 1:21:15 | |
-Hello! -Hello, Mr Leland. | 1:21:20 | 1:21:22 | |
-Where's my notice? I've got to finish it. -Mr Kane is finishing it. | 1:21:25 | 1:21:31 | |
Charlie? | 1:21:31 | 1:21:33 | |
Charlie? | 1:21:34 | 1:21:36 | |
Charlie...out THERE? | 1:21:38 | 1:21:42 | |
I guess he's fixing it up. | 1:21:42 | 1:21:44 | |
I knew I'd never get that through. | 1:21:47 | 1:21:50 | |
Mr Kane is finishing your review just the way you started it. | 1:21:50 | 1:21:55 | |
He's writing a bad notice, like you wanted it to be. | 1:21:55 | 1:22:00 | |
I guess that'll show you. | 1:22:01 | 1:22:03 | |
Hello, Jedediah. | 1:22:27 | 1:22:30 | |
Hello, Charlie. | 1:22:33 | 1:22:36 | |
I didn't know we were speaking. | 1:22:36 | 1:22:39 | |
Sure we're speaking, Jedediah. | 1:22:40 | 1:22:42 | |
You're fired. | 1:22:42 | 1:22:45 | |
-THOMPSON: -Everybody knows that story, Mr Leland, but why did he do it? | 1:22:59 | 1:23:05 | |
You just don't know Charlie! | 1:23:05 | 1:23:08 | |
He thought that by finishing it he could prove he was an honest man. | 1:23:08 | 1:23:14 | |
Susie being an opera singer... THAT was trying to prove something. | 1:23:14 | 1:23:19 | |
You know what the headline was the day before the election? | 1:23:19 | 1:23:24 | |
"Candidate Kane in love nest with quote - singer - unquote." | 1:23:24 | 1:23:30 | |
He was going to take the quotes off the singer! Hey, nurse! | 1:23:30 | 1:23:35 | |
Five years ago he wrote to me from that place of his...Shangri La? El Dorado? Sloppy Joe's? | 1:23:35 | 1:23:43 | |
What WAS the name of that place? | 1:23:43 | 1:23:46 | |
Oh, all right...Xanadu. I knew it all the time. | 1:23:46 | 1:23:51 | |
You knew I knew, didn't you? | 1:23:51 | 1:23:55 | |
Well, I never even answered his letter. Maybe I should have. | 1:23:55 | 1:24:01 | |
I guess he was pretty lonely down there all those years. | 1:24:01 | 1:24:05 | |
He hadn't finished it when she left him. He never finished it, never finished anything, except my notice. | 1:24:05 | 1:24:13 | |
-Of course, he built it for her. -That MUST have been love. -Oh, I don't know. | 1:24:13 | 1:24:20 | |
He was disappointed in the world so he built his own. Nurse! | 1:24:20 | 1:24:25 | |
-Oh! (Listen, young fellow, one thing you CAN do.) -Sure. | 1:24:25 | 1:24:30 | |
(Stop at the cigar store and get me a couple of good ones.) | 1:24:30 | 1:24:37 | |
-Be glad to. -Thank you. | 1:24:37 | 1:24:39 | |
One is enough! | 1:24:39 | 1:24:42 | |
Nurses were NO prettier when I was younger than they are today! | 1:24:42 | 1:24:47 | |
-I'll take your arm, Mr Leland. -Fine... (Don't forget those cigars. | 1:24:47 | 1:24:53 | |
(Wrap them like toothpaste so they won't stop them at the desk.) | 1:24:53 | 1:24:58 | |
That young doctor of mine, he's got an idea he wants to keep me alive! | 1:24:58 | 1:25:04 | |
I'd rather you just talked... Anything that comes into your mind about yourself and Mr Kane. | 1:25:34 | 1:25:41 | |
You wouldn't want to know a lot of things in my mind about myself and Charlie Kane. | 1:25:41 | 1:25:48 | |
Maybe I should never have sung for him the first time I met him. | 1:25:48 | 1:25:53 | |
I did an awful lot of singing after that! | 1:25:53 | 1:25:57 | |
To start with, I sang for teachers at a hundred bucks an hour. | 1:25:57 | 1:26:02 | |
-The TEACHERS got that... -What did YOU get? -Not a thing. -But he married you, didn't he? | 1:26:02 | 1:26:09 | |
He didn't mention anything about marriage until it got in the papers about us and he lost the election. | 1:26:09 | 1:26:17 | |
Then that Norton woman divorced him. | 1:26:17 | 1:26:20 | |
-He was interested in my voice. Why do you think he bought that Opera House? -I -didn't want it. | 1:26:20 | 1:26:28 | |
It was HIS idea. Everything was... | 1:26:28 | 1:26:33 | |
Except my leaving him. | 1:26:33 | 1:26:37 | |
-# Il mio cor... # -# Il mio CO-O-O-OR! # | 1:26:41 | 1:26:46 | |
Don't forget! Ta-ta-TA! Ta-ta-TA ! Ta-ta-TA! | 1:26:46 | 1:26:50 | |
Now, don't get nervous! Da capo, huh? | 1:26:50 | 1:26:55 | |
Please, look at ME, Mrs Kane. | 1:26:55 | 1:26:58 | |
SHE SINGS IN ITALIAN WHILE HE SINGS ALONG: | 1:26:58 | 1:27:03 | |
# Get the voice out of the throat, Place the tone right in the mask. | 1:27:03 | 1:27:08 | |
FOLLOW ! Follow it! Ni-ni-NI! | 1:27:08 | 1:27:11 | |
Roll the i's, go ahead! | 1:27:11 | 1:27:14 | |
# Diaphragma! # | 1:27:14 | 1:27:16 | |
Now! | 1:27:16 | 1:27:18 | |
SHE MISSES THE NOTE | 1:27:18 | 1:27:20 | |
HE HITS THE RIGHT NOTE AND SINGS IT VERY LOUDLY | 1:27:20 | 1:27:25 | |
Some people can sing, some can't. | 1:27:29 | 1:27:32 | |
Impossible! Impossible! | 1:27:32 | 1:27:35 | |
It's not your job to give Mrs Kane your opinion of her talents. | 1:27:35 | 1:27:40 | |
You're supposed to train her voice, Signor Matisti, nothing more. | 1:27:40 | 1:27:45 | |
-Continue. -But... -Please. -But I will be the laughing stock of the musical world! | 1:27:45 | 1:27:53 | |
-People will think... -You're worried about that? Well, I'm an authority on what people will think. | 1:27:53 | 1:28:01 | |
The newspapers, for example. I run several of them between here and San Francisco. | 1:28:01 | 1:28:08 | |
Don't worry, darling, he'll listen to reason. | 1:28:08 | 1:28:12 | |
-How can I persuade you...? -You can't. | 1:28:12 | 1:28:15 | |
HE WHISPERS IN ITALIAN AND THE PIANIST STARTS TO PLAY | 1:28:16 | 1:28:23 | |
# Il mio cor ferito e gia, | 1:28:23 | 1:28:28 | |
# E Lindor fuche il piago. | 1:28:28 | 1:28:34 | |
-# Si, Lindor... -AGAIN SHE HITS THE WRONG NOTE | 1:28:34 | 1:28:39 | |
It's all right, darling, go ahead. | 1:28:39 | 1:28:42 | |
# Si, Lindoro mio sara, | 1:28:42 | 1:28:50 | |
-# Lo giurai.... -I thought you'd see it my way. -# ..la vincero. | 1:28:52 | 1:28:59 | |
# E Lindo-o-o-o-o-or... # | 1:28:59 | 1:29:07 | |
-# Ah.... # -No, no, NO! | 1:29:07 | 1:29:12 | |
You must wait for the chord! One AND two AND three... | 1:29:12 | 1:29:17 | |
Places, everybody! > | 1:29:20 | 1:29:22 | |
Places, please! > | 1:29:28 | 1:29:31 | |
ORCHESTRA PLAYS THE OPENING CHORDS OF HER ARIA | 1:29:35 | 1:29:40 | |
# Ah, cruel, | 1:29:42 | 1:29:47 | |
# Tu m'as trop entendu. | 1:29:47 | 1:29:51 | |
# Les dieux m'en sont temoins. | 1:29:51 | 1:29:55 | |
# Ces dieux qui dans mon flanc | 1:29:55 | 1:30:00 | |
# Ont allume le feu fatal | 1:30:00 | 1:30:06 | |
# A tout mon sang. | 1:30:06 | 1:30:12 | |
# Dites-moi comment que j'expie | 1:30:29 | 1:30:35 | |
# Ce peche si fort. | 1:30:35 | 1:30:38 | |
# Je ne peux pas | 1:30:40 | 1:30:45 | |
# Je ne peux pas resister encore! | 1:30:45 | 1:30:50 | |
# Ah, Dieux, arrachez-moi! | 1:30:50 | 1:30:55 | |
-# Ce feu fatal allume... -This is perfectly DREADFUL! > | 1:30:55 | 1:31:01 | |
# ..ma mort! # | 1:31:01 | 1:31:06 | |
LAUGHTER IN THE AUDIENCE | 1:31:08 | 1:31:14 | |
# Voila mon coeur, voila mon coeur! | 1:31:14 | 1:31:20 | |
# C'est la que ta main doit frapper. | 1:31:20 | 1:31:25 | |
# Voila mon coeur, frappez! | 1:31:25 | 1:31:33 | |
# Prete-moi ton epee. | 1:31:33 | 1:31:40 | |
# Frappez! # | 1:31:40 | 1:31:45 | |
APPLAUSE DIES AWAY | 1:32:01 | 1:32:05 | |
HE IS THE ONLY ONE APPLAUDING | 1:32:24 | 1:32:28 | |
He can't be your friend, friends don't write that kind of review! | 1:32:39 | 1:32:44 | |
I expected all the other papers to pan me but not the INQUIRER! | 1:32:44 | 1:32:50 | |
-KNOCKING ON DOOR -Come in! -I'll go. -Some friend(!) | 1:32:50 | 1:32:56 | |
-But, of course, I'm not high class like you... -That'll do, Susan. | 1:32:56 | 1:33:01 | |
-Yes? -From Mr Leland, sir. -Leland?! | 1:33:01 | 1:33:04 | |
-A message for you, sir. -Thanks, son. | 1:33:04 | 1:33:06 | |
Is that something from HIM? | 1:33:06 | 1:33:09 | |
CHARLIE! | 1:33:11 | 1:33:13 | |
YOU ought to have your head examined! | 1:33:13 | 1:33:17 | |
You write a letter firing him and put a 25,000 cheque in it(!) | 1:33:17 | 1:33:23 | |
What kind of firing is THAT?! | 1:33:23 | 1:33:25 | |
You DID send him a cheque, didn't you? | 1:33:25 | 1:33:29 | |
Yes... | 1:33:31 | 1:33:32 | |
I sent him a cheque for 25,000. | 1:33:34 | 1:33:37 | |
What's that? | 1:33:39 | 1:33:42 | |
-A Declaration of Principles. -What? | 1:33:42 | 1:33:46 | |
-Hmmm? -What IS it ?! | 1:33:46 | 1:33:49 | |
An antique. | 1:33:52 | 1:33:55 | |
You're awful funny, aren't ya? | 1:33:55 | 1:33:58 | |
One thing you're NOT going to be funny about is my singing... I'm THROUGH! | 1:33:58 | 1:34:04 | |
-I never wanted to do it at all! -You'll continue with it, Susan. | 1:34:04 | 1:34:09 | |
I won't be made to look ridiculous. | 1:34:09 | 1:34:12 | |
YOU don't want to look ridiculous?! | 1:34:12 | 1:34:16 | |
What about me? I'M the one who gets the raspberries! | 1:34:16 | 1:34:21 | |
-Why can't you leave me ALONE?! -My reasons satisfy me, Susan. | 1:34:21 | 1:34:26 | |
I will not tell them to you AGAIN. | 1:34:27 | 1:34:30 | |
You'll continue with your singing. | 1:34:35 | 1:34:37 | |
SUSAN SINGS IN BACKGROUND | 1:34:44 | 1:34:47 | |
KNOCK ON DOOR | 1:35:30 | 1:35:33 | |
KNOCKING BECOMES MORE INSISTENT | 1:35:36 | 1:35:39 | |
THE KNOCKING BECOMES LOUD POUNDING | 1:35:44 | 1:35:48 | |
Get Doctor Corey. | 1:36:09 | 1:36:11 | |
(Susan.) | 1:36:14 | 1:36:17 | |
She'll be perfectly all right in a day or two, Mr Kane. | 1:36:17 | 1:36:22 | |
I can't imagine how Mrs Kane made such a foolish mistake. | 1:36:22 | 1:36:27 | |
The sedatives were in a larger bottle. | 1:36:27 | 1:36:31 | |
I guess the strain of preparing for the new opera has confused her. | 1:36:31 | 1:36:36 | |
Yes, I'm sure that's it. | 1:36:36 | 1:36:38 | |
-No objections to my staying here? -No, no, not at all. | 1:36:38 | 1:36:45 | |
I'd like the nurse to stay, too. | 1:36:45 | 1:36:47 | |
Goodnight, Mr Kane. | 1:36:47 | 1:36:50 | |
Charlie... | 1:37:26 | 1:37:27 | |
I couldn't make you see how I felt, Charlie. | 1:37:30 | 1:37:33 | |
But I couldn't go through with the singing again. | 1:37:33 | 1:37:38 | |
You don't know what it means to know that people are... | 1:37:38 | 1:37:43 | |
that the whole audience just doesn't want you. | 1:37:43 | 1:37:48 | |
That's when you've got to FIGHT them. | 1:37:50 | 1:37:54 | |
All right... | 1:38:01 | 1:38:03 | |
you won't have to fight them any more. | 1:38:03 | 1:38:07 | |
It's their loss. | 1:38:09 | 1:38:11 | |
-HIS VOICE ECHOES: -What are you doing? | 1:38:27 | 1:38:32 | |
Jigsaw puzzles? | 1:38:32 | 1:38:35 | |
Charlie, what time is it? | 1:38:40 | 1:38:43 | |
-Eleven thirty. -In New York? | 1:38:43 | 1:38:47 | |
-Hmm? -I said what time is it in New York? | 1:38:48 | 1:38:53 | |
Eleven thirty. | 1:38:53 | 1:38:55 | |
-At night? -Ah-hmm. | 1:38:55 | 1:38:59 | |
-The Bulldog has just gone to press. -Well, hurray for the Bulldog(!) | 1:38:59 | 1:39:05 | |
Gee, eleven thirty... | 1:39:05 | 1:39:09 | |
The shows are just getting out. People are going to nightclubs. | 1:39:09 | 1:39:14 | |
-But not US. WE live in a palace. -You always said you wanted to. | 1:39:14 | 1:39:20 | |
But a person could go crazy in this dump! | 1:39:20 | 1:39:23 | |
-Nobody to talk to, have fun with... -Susan! | 1:39:23 | 1:39:27 | |
49 thousand acres of nothing but scenery and statues! I'm lonesome! | 1:39:27 | 1:39:33 | |
Until yesterday we had fifty of your friends here. | 1:39:33 | 1:39:38 | |
Look carefully in the west wing - there's probably some still there. | 1:39:38 | 1:39:43 | |
You make a joke out of everything! | 1:39:43 | 1:39:46 | |
Charlie, I want to go to New York. | 1:39:46 | 1:39:49 | |
I'm TIRED of being a hostess, I wanna have FUN! PLEASE, Charlie. | 1:39:49 | 1:39:54 | |
Charlie, PLEASE! | 1:39:56 | 1:39:59 | |
Our home is here, Susan. | 1:39:59 | 1:40:03 | |
I don't care to visit New York. | 1:40:09 | 1:40:12 | |
What are you doing? | 1:40:47 | 1:40:51 | |
Oh. | 1:40:51 | 1:40:53 | |
Tell me, Susan...how do you know you haven't done them before? | 1:40:53 | 1:40:58 | |
It makes a whole lot more sense than collecting statues. | 1:40:58 | 1:41:02 | |
You may be right. I sometimes wonder... | 1:41:02 | 1:41:08 | |
but you get into the habit. | 1:41:08 | 1:41:11 | |
It's not a habit, I LIKE doing it. | 1:41:11 | 1:41:14 | |
-I thought we'd have a picnic tomorrow. -Huh? | 1:41:14 | 1:41:19 | |
-A picnic...invite everyone to spend the night at the Everglades. -Invite(!) ORDER them, you mean! | 1:41:19 | 1:41:26 | |
Who wants to sleep in a tent when they can sleep in a nice room? | 1:41:26 | 1:41:32 | |
I thought we'd have a picnic tomorrow, Susan. | 1:41:32 | 1:41:35 | |
You never give me anything I REALLY care about. | 1:41:38 | 1:41:42 | |
# It can't be love, | 1:41:53 | 1:41:58 | |
# For there is no true love, | 1:41:58 | 1:42:02 | |
# I know, I've played at the game, | 1:42:02 | 1:42:05 | |
# Like a moth in a blue flame, | 1:42:05 | 1:42:08 | |
# Lost in the end, just the same. | 1:42:08 | 1:42:11 | |
# All these years, | 1:42:11 | 1:42:14 | |
# My heart's been floating round in a puddle of tears, | 1:42:14 | 1:42:20 | |
# I wonder what it is... # | 1:42:20 | 1:42:23 | |
Oh, sure, you GIVE me things, but that don't mean ANYTHING to you! | 1:42:23 | 1:42:28 | |
You're in a tent, darling, not at home. | 1:42:28 | 1:42:32 | |
I'll hear you if you speak in a normal tone. | 1:42:32 | 1:42:37 | |
You could buy me a bracelet, or pay 100,000 for a statue... It's just MONEY. It doesn't MEAN anything. | 1:42:37 | 1:42:45 | |
-You NEVER give me ANYTHING that you really CARE about! -Susan, stop it. | 1:42:45 | 1:42:51 | |
I WON'T stop! You just tried to buy ME, so I'd give YOU something! | 1:42:51 | 1:42:58 | |
SUSAN! | 1:42:58 | 1:43:00 | |
# It can't be love, | 1:43:00 | 1:43:05 | |
# Oh, no, it can't be love... # | 1:43:05 | 1:43:09 | |
MUSIC CONTINUES FAINTLY | 1:43:09 | 1:43:12 | |
-Whatever I do, I do because I love you. -You don't love me! | 1:43:17 | 1:43:22 | |
You want ME to love YOU! "I'm Charles Foster Kane... | 1:43:22 | 1:43:27 | |
"Have anything you want... but LOVE me"! | 1:43:27 | 1:43:32 | |
Don't tell me you're sorry. | 1:43:37 | 1:43:41 | |
I'm not sorry. | 1:43:41 | 1:43:44 | |
Mr Kane, Mrs Kane would like to see you, sir. | 1:43:55 | 1:44:00 | |
Maria's been packing her things since morning. | 1:44:03 | 1:44:07 | |
-Tell Arnold I'm ready, Maria. He can get the bags. -Yes, madam. | 1:44:12 | 1:44:17 | |
Have you gone completely crazy? | 1:44:18 | 1:44:21 | |
Our guests, everyone here will know about this. | 1:44:21 | 1:44:26 | |
That I've left you? Of course they'll know. | 1:44:26 | 1:44:31 | |
I'm not saying goodbye to them, but I imagine they'll get to know. | 1:44:31 | 1:44:37 | |
I won't let you go. | 1:44:38 | 1:44:42 | |
Goodbye, Charlie. | 1:44:49 | 1:44:51 | |
Susan... | 1:44:53 | 1:44:55 | |
PLEASE don't go. | 1:45:04 | 1:45:07 | |
No... | 1:45:08 | 1:45:10 | |
Please, Susan. | 1:45:12 | 1:45:14 | |
From now on everything will be exactly the way YOU want it to be, | 1:45:17 | 1:45:22 | |
not the way I THINK you want it... YOUR way. | 1:45:22 | 1:45:26 | |
You mustn't go. | 1:45:33 | 1:45:35 | |
You can't do this to me. | 1:45:36 | 1:45:39 | |
I see. | 1:45:41 | 1:45:43 | |
It's YOU this is being done to. | 1:45:43 | 1:45:47 | |
It's not me, at all, not what it means to ME. | 1:45:47 | 1:45:51 | |
I can't do this to you? | 1:45:52 | 1:45:55 | |
Oh, yes, I can. | 1:45:55 | 1:45:58 | |
-I lost all my money, too. -The last ten years have been tough on people. | 1:46:18 | 1:46:23 | |
They weren't tough, I just lost all my money. So, you're off to Xanadu? | 1:46:23 | 1:46:29 | |
Rawlston wants all that art stuff photographed for our magazine. | 1:46:29 | 1:46:34 | |
If you're smart, you'll speak to Raymond, the butler. He knows where all the bodies are buried. | 1:46:34 | 1:46:42 | |
You know, I feel kind of sorry for Mr Kane. | 1:46:42 | 1:46:46 | |
-Don't you think -I -do? | 1:46:47 | 1:46:50 | |
What do you know? It's morning already! | 1:46:54 | 1:46:58 | |
Tell me the story of YOUR life sometime. | 1:47:01 | 1:47:05 | |
Rosebud? | 1:47:12 | 1:47:14 | |
I'll tell you about Rosebud, Mr Thompson. How much is it worth to you...a thousand dollars? | 1:47:16 | 1:47:23 | |
Okay. | 1:47:28 | 1:47:30 | |
Well, I'll tell you, Mr Thompson. | 1:47:33 | 1:47:35 | |
-He acted kind of funny sometimes, you know? -No, I didn't. | 1:47:35 | 1:47:40 | |
Yes, he did crazy things sometimes. | 1:47:40 | 1:47:43 | |
I've been here 11 years, running the place, so I ought to know. | 1:47:43 | 1:47:48 | |
-Rosebud... -Yes? | 1:47:48 | 1:47:51 | |
Like I said, the old man acted kind of funny sometimes. | 1:47:51 | 1:47:55 | |
-Did he need a lot of service? -Yeah...but I knew how to handle him. | 1:47:55 | 1:48:02 | |
Like the time his wife left him. | 1:48:02 | 1:48:04 | |
COCKATOO SCREAMS | 1:48:04 | 1:48:06 | |
(Rosebud.) | 1:50:20 | 1:50:22 | |
I see. And that's what you know about Rosebud? | 1:51:30 | 1:51:34 | |
Yeah. I heard him say it that other time, too. | 1:51:34 | 1:51:39 | |
He just said..."Rosebud". | 1:51:39 | 1:51:42 | |
Then he dropped the glass ball and it broke on the floor. | 1:51:42 | 1:51:47 | |
He didn't say anything after that and I knew he was dead. | 1:51:47 | 1:51:52 | |
-He said lots of meaningless things. -Sentimental, aren't you? -Mmmm...yes and no. | 1:51:52 | 1:51:58 | |
-Well, THAT isn't worth 1,000. -You can keep on asking questions. | 1:51:58 | 1:52:03 | |
We're leaving tonight... | 1:52:03 | 1:52:06 | |
When we've taken enough pictures. | 1:52:06 | 1:52:08 | |
Allow yourself plenty of time. The trains, they won't wait. | 1:52:08 | 1:52:13 | |
I can remember when they'd wait all day if Mr Kane told them to. | 1:52:13 | 1:52:18 | |
Donatello, acquired Italy, 1921. > | 1:52:18 | 1:52:21 | |
I've got that one already. | 1:52:21 | 1:52:24 | |
< Hey, can we come down? Yeah, we're leaving! > | 1:52:27 | 1:52:31 | |
Okay, here we come! | 1:52:31 | 1:52:33 | |
-How much do you think all this is worth, Mr Thompson? -Millions. | 1:52:33 | 1:52:38 | |
-If anybody WANTS it. -At least he brought it all to America. | 1:52:38 | 1:52:43 | |
ANOTHER Venus! 25,000! | 1:52:43 | 1:52:46 | |
A lot of money for a dame without a head! > | 1:52:46 | 1:52:51 | |
-The banks are out of luck, then? -Oh, they'll clear all right. | 1:52:51 | 1:52:55 | |
< "Welcome home, Mr Kane, from 467 employees of the Inquirer". | 1:52:55 | 1:53:00 | |
"One stove, from the estate of Mary Kane." We have to photograph the junk, too. | 1:53:00 | 1:53:08 | |
-He sure liked to collect things! -Everything! | 1:53:09 | 1:53:12 | |
A regular crow, huh? Look, a jigsaw puzzle. We got a lot of those. | 1:53:12 | 1:53:19 | |
There's a Burmese temple down the hall. | 1:53:19 | 1:53:23 | |
Put all this together, palaces, paintings...what would it spell? | 1:53:23 | 1:53:31 | |
-Charles Foster Kane. -Or Rosebud? Huh, Jerry? < What's Rosebud? | 1:53:32 | 1:53:39 | |
That's what he said when he died. | 1:53:39 | 1:53:42 | |
-Did you find out what it meant? -No. -What DID you find out? -Not much. | 1:53:42 | 1:53:49 | |
We'd better get started. | 1:53:51 | 1:53:53 | |
So what HAVE you been doing? | 1:53:53 | 1:53:56 | |
Playing with a jigsaw puzzle. | 1:53:58 | 1:54:00 | |
Maybe if we knew what Rosebud meant, it would explain everything. | 1:54:00 | 1:54:04 | |
No, I don't think so. | 1:54:04 | 1:54:06 | |
Mr Kane got everything he wanted and then lost it. | 1:54:06 | 1:54:11 | |
Maybe Rosebud was something he couldn't get, or that he lost. | 1:54:11 | 1:54:16 | |
But I don't think ANY word can explain a man's life. | 1:54:16 | 1:54:21 | |
I guess Rosebud is just a piece in a jigsaw puzzle... | 1:54:21 | 1:54:26 | |
A missing piece. | 1:54:26 | 1:54:30 | |
Well, come on, everybody, or we'll miss the train. | 1:54:33 | 1:54:40 | |
Throw that junk in, too. | 1:55:46 | 1:55:48 | |
Maybe I was a stooge, hmm? | 1:57:22 | 1:57:26 | |
Everything was his idea... | 1:57:26 | 1:57:29 | |
except my leaving him. | 1:57:29 | 1:57:33 | |
His trunk's all packed... | 1:57:33 | 1:57:36 | |
Been packed for a week now. | 1:57:36 | 1:57:39 | |
I'd prefer a flesh and blood rival. | 1:57:39 | 1:57:43 | |
You need more than ONE lesson... | 1:57:45 | 1:57:48 | |
and you'll GET more than one. | 1:57:48 | 1:57:50 | |
Busy? I'm Chairman of the Board! I got nothing BUT time! | 1:57:55 | 1:58:01 | |
What do you want to know? | 1:58:01 | 1:58:03 | |
We want to know what he meant by his last words. | 1:58:03 | 1:58:07 | |
-Sentimental, aren't you? -Mmmm...yes and no. | 1:58:07 | 1:58:13 | |
"It would be fun to run a newspaper." | 1:58:13 | 1:58:16 | |
FUN to run a NEWSPAPER(!) | 1:58:16 | 1:58:20 | |
Subtitles by Red Bee Media Ltd | 1:58:40 | 1:58:44 |