
Browse content similar to Dangerous Moonlight. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
MUSIC: "The Warsaw Concerto" | 0:00:03 | 0:00:07 | |
DISCORDANT PIANO PLAYING | 0:01:24 | 0:01:26 | |
Listen, darling. | 0:01:48 | 0:01:50 | |
SHE HUMS "The Warsaw Concerto" | 0:01:50 | 0:01:52 | |
Not now, Nurse. | 0:02:02 | 0:02:04 | |
HE CONTINUES TUNELESS PLAYING | 0:02:08 | 0:02:10 | |
SHE HUMS TUNE | 0:02:10 | 0:02:12 | |
Is he still the same? Yes, she's singing to him now. | 0:02:18 | 0:02:22 | |
I couldn't do the blackout. I hope he stops soon. | 0:02:22 | 0:02:26 | |
I have three nights' sleep to make up. | 0:02:26 | 0:02:29 | |
I hope it's quiet tonight. Bombers and now him. | 0:02:29 | 0:02:32 | |
To think they once paid to listen to him! | 0:02:32 | 0:02:35 | |
It must be awful, not to know who you are. | 0:02:35 | 0:02:38 | |
He's lucky to be alive. What good is it if you don't know who you are? | 0:02:38 | 0:02:42 | |
Only bits of the plane were left. He's not even scarred. | 0:02:42 | 0:02:46 | |
He's very good-looking. Not my type. | 0:02:46 | 0:02:49 | |
-What is your type? -Sister, have you been in No.14? | 0:02:49 | 0:02:52 | |
-Yes, Doctor. -How is he? -About the same, no change. | 0:02:52 | 0:02:56 | |
Leave your things here. We'll see him later. | 0:02:56 | 0:02:59 | |
Is that the new specialist? It must be. | 0:02:59 | 0:03:02 | |
You can see the papers on him. That darn piano! | 0:03:02 | 0:03:05 | |
-He'll drive away all my patients. -How long has it gone on? | 0:03:05 | 0:03:09 | |
Three days. I gave it to him | 0:03:09 | 0:03:11 | |
-the day you suggested it. -I think it's the way. | 0:03:11 | 0:03:15 | |
In Philadelphia, children were cured by giving them their old toys. | 0:03:15 | 0:03:19 | |
This piano is much the same. | 0:03:19 | 0:03:21 | |
I must say I thought it would work. | 0:03:21 | 0:03:24 | |
But he doesn't seem to want to get better. | 0:03:24 | 0:03:27 | |
He doesn't give us any help at all. | 0:03:27 | 0:03:29 | |
-Just sits there staring round the room. -Thanks. | 0:03:29 | 0:03:33 | |
9 o'clock nearly. Time for the news. | 0:03:33 | 0:03:35 | |
BANGING ON KEYS | 0:03:35 | 0:03:37 | |
Just listen to him. | 0:03:37 | 0:03:39 | |
Stefan Radetzky, the great Polish pianist in one of his own original compositions. | 0:03:40 | 0:03:46 | |
I've often heard him play. | 0:03:48 | 0:03:50 | |
If we could cure him, I'd feel we'd done something for the world. | 0:03:50 | 0:03:55 | |
Something for... | 0:03:55 | 0:03:57 | |
Well, you know what I mean. | 0:03:58 | 0:04:00 | |
If you feel like that too, we'll get him better. | 0:04:00 | 0:04:04 | |
Even if it takes a miracle or an act of God. | 0:04:04 | 0:04:07 | |
I just don't want to see another great artist finish up in a home. | 0:04:07 | 0:04:11 | |
Let's carry on for another day or two, | 0:04:11 | 0:04:14 | |
-then discuss it and perhaps try something else. -All right. | 0:04:14 | 0:04:19 | |
HE PLAYS "The Warsaw Concerto" | 0:04:20 | 0:04:22 | |
RADIO: This is the BBC Home Service. | 0:04:30 | 0:04:33 | |
-Switch off the wireless, quickly! -What's the matter? | 0:04:33 | 0:04:37 | |
The lights too. | 0:04:37 | 0:04:39 | |
HE PLAYS CONCERTO CONFIDENTLY | 0:04:45 | 0:04:48 | |
Know what it is? That music? | 0:04:54 | 0:04:56 | |
His Warsaw Concerto. I've got the records. | 0:04:56 | 0:04:59 | |
This may be the miracle we were talking about. | 0:04:59 | 0:05:03 | |
-It may. I'd like to see it. -Come on. | 0:05:03 | 0:05:06 | |
Perhaps that music will bring back a lot of things. | 0:05:25 | 0:05:29 | |
I hope so. | 0:05:29 | 0:05:31 | |
I'd like to know what he's thinking about now. | 0:05:32 | 0:05:35 | |
MUSIC RISES TO CRESCENDO | 0:05:54 | 0:05:56 | |
SCREAMS | 0:06:06 | 0:06:08 | |
MUSIC CONTINUES GENTLY | 0:06:40 | 0:06:42 | |
MUSIC CONTINUES | 0:07:07 | 0:07:09 | |
It's not safe to be out alone when the moon is so bright. | 0:07:15 | 0:07:19 | |
Can someone tell the Germans? They didn't hear. | 0:07:19 | 0:07:23 | |
Oh, them? They never fly alone. | 0:07:23 | 0:07:25 | |
Come in, please. | 0:07:26 | 0:07:27 | |
Close the door. | 0:07:27 | 0:07:29 | |
Don't worry about me. I'm harmless. | 0:07:29 | 0:07:32 | |
I wonder. | 0:07:32 | 0:07:34 | |
I'm just playing to myself. It soothes my nerves. | 0:07:36 | 0:07:40 | |
Like David and King Saul. | 0:07:40 | 0:07:42 | |
You move in the very best circles, I hear. | 0:07:43 | 0:07:46 | |
I've played before all the crowned heads of Europe, all three of them. | 0:07:46 | 0:07:51 | |
You look lovely. | 0:07:52 | 0:07:54 | |
American? | 0:07:54 | 0:07:56 | |
Psychic? Or is it just this voice of mine? | 0:07:56 | 0:07:59 | |
Your voice, my lady, is music. | 0:07:59 | 0:08:01 | |
Music as lovely as my own. | 0:08:02 | 0:08:04 | |
-Your own? Did you write that? -Uh-huh. | 0:08:04 | 0:08:07 | |
It's good. | 0:08:09 | 0:08:10 | |
Oh, it's better than that. | 0:08:10 | 0:08:12 | |
BOMB EXPLODES | 0:08:12 | 0:08:14 | |
Is this your house? | 0:08:14 | 0:08:16 | |
No. Isn't it yours? | 0:08:16 | 0:08:18 | |
No. I just saw the piano and came in through the window. | 0:08:18 | 0:08:21 | |
I just heard the piano, but I came in through the door. | 0:08:21 | 0:08:25 | |
Women have such dignity. | 0:08:25 | 0:08:27 | |
Whenever I break into houses, I have to be unconventional. | 0:08:27 | 0:08:31 | |
-Sometimes... -You don't have to talk this nonsense. I'm not scared. | 0:08:31 | 0:08:36 | |
No, I don't think you are. | 0:08:37 | 0:08:39 | |
We try to amuse women so they won't think about the war. | 0:08:40 | 0:08:44 | |
I wish I were half as brave as the women in Warsaw. | 0:08:44 | 0:08:47 | |
What are you doing here anyway? This isn't your war. | 0:08:48 | 0:08:52 | |
Newspaper. | 0:08:52 | 0:08:53 | |
-Oh. Which one? -The New York Monitor. | 0:08:53 | 0:08:56 | |
Don't forget to tell them what you've seen. | 0:08:56 | 0:08:59 | |
I won't forget. Don't you worry. | 0:09:01 | 0:09:03 | |
Who are you, though? What uniform is that? | 0:09:03 | 0:09:06 | |
-Flyer. -Flyer? | 0:09:06 | 0:09:09 | |
Why are you here? Why aren't you up there | 0:09:09 | 0:09:12 | |
stopping them killing people, instead of just playing the piano? | 0:09:12 | 0:09:16 | |
-I like playing the piano. -You could pick a better time. | 0:09:16 | 0:09:20 | |
Now, listen, young woman. | 0:09:27 | 0:09:29 | |
I don't like talking about these things but you asked for it. | 0:09:29 | 0:09:33 | |
I've been in the air nine hours today already. | 0:09:33 | 0:09:36 | |
Fighting real aeroplanes, not bits of wood and string like we use. | 0:09:36 | 0:09:41 | |
You wouldn't know we've been out of petrol for nearly 10 days now. | 0:09:41 | 0:09:46 | |
We have to send children into the streets to steal it from cars lying about. | 0:09:46 | 0:09:51 | |
Out of my whole squadron, | 0:09:52 | 0:09:54 | |
only two men are left. | 0:09:55 | 0:09:57 | |
And you talk about them like that. | 0:10:00 | 0:10:02 | |
Now go back home and write a lovely article all about the sufferings of Warsaw. | 0:10:03 | 0:10:10 | |
They'll pay you well. | 0:10:11 | 0:10:13 | |
I'm sorry. | 0:10:19 | 0:10:21 | |
I didn't understand. | 0:10:21 | 0:10:23 | |
Forget it. | 0:10:26 | 0:10:28 | |
HE PLAYS | 0:10:37 | 0:10:39 | |
Thank you. | 0:10:46 | 0:10:48 | |
Is this your job? Struggling composer? | 0:11:10 | 0:11:13 | |
I don't struggle very hard, though. | 0:11:14 | 0:11:17 | |
Lazy? | 0:11:17 | 0:11:18 | |
Sometimes. | 0:11:18 | 0:11:20 | |
But tonight, I suddenly got the idea for this music. | 0:11:20 | 0:11:24 | |
That's as far as I've got. | 0:11:26 | 0:11:28 | |
Inspiration lacking, that's what it is. | 0:11:28 | 0:11:32 | |
Perhaps. | 0:11:32 | 0:11:34 | |
Tell me about yourself. | 0:11:34 | 0:11:35 | |
Oh, an interview? | 0:11:35 | 0:11:37 | |
All right. | 0:11:37 | 0:11:39 | |
BOMBS EXPLODE | 0:11:39 | 0:11:41 | |
I got born at an early age. | 0:11:41 | 0:11:43 | |
Became a man. Handsome, full of charm. | 0:11:43 | 0:11:46 | |
Great musician. | 0:11:46 | 0:11:48 | |
I think that's about all. | 0:11:49 | 0:11:51 | |
You left out modest. | 0:11:51 | 0:11:53 | |
Oh, you're right. I'm sorry. | 0:11:53 | 0:11:55 | |
I'll tell you about you now. | 0:11:55 | 0:11:57 | |
Born in California, with a brother and six sisters. | 0:11:57 | 0:12:01 | |
No mother, millionaire father, drinks heavily. | 0:12:01 | 0:12:04 | |
Am I right? | 0:12:04 | 0:12:05 | |
Well, apart from the fact that I'm from New York, | 0:12:05 | 0:12:09 | |
have no brothers or sisters and adore my mother, yes. | 0:12:09 | 0:12:13 | |
You mean he IS a millionaire? | 0:12:13 | 0:12:15 | |
Yes, but he can't help it. | 0:12:15 | 0:12:17 | |
No brothers, no sisters? | 0:12:17 | 0:12:19 | |
Lady, will you marry me? | 0:12:20 | 0:12:22 | |
He's not as rich as all that. | 0:12:22 | 0:12:24 | |
Oh. Then I'd better stick to my music. | 0:12:24 | 0:12:27 | |
You know, you really should. You're darn good. | 0:12:29 | 0:12:33 | |
Why don't you try and give a concert? | 0:12:33 | 0:12:35 | |
That's a good idea. | 0:12:36 | 0:12:38 | |
Perhaps I will one day. | 0:12:39 | 0:12:41 | |
Please don't go. | 0:13:01 | 0:13:03 | |
Not after the love you've just given me. | 0:13:03 | 0:13:06 | |
Please. | 0:13:07 | 0:13:09 | |
PLANES APPROACH | 0:13:25 | 0:13:27 | |
MUSIC ON RADIO: "Polonaise No.1" by Frederic Chopin | 0:14:01 | 0:14:05 | |
Found it yet? I think so, in Romania. | 0:14:12 | 0:14:15 | |
That's where you're to go. | 0:14:15 | 0:14:17 | |
You mean me, sir? There'll be four of you altogether. Two I know, | 0:14:17 | 0:14:21 | |
the others will draw for it. Who's the other one? | 0:14:21 | 0:14:25 | |
Radetzky. The other men want me to get him away. You go with him. | 0:14:25 | 0:14:29 | |
Radetzky should go, but I don't see why I should. | 0:14:29 | 0:14:32 | |
I'm no great pianist, as far as I know. | 0:14:32 | 0:14:35 | |
You're not being sent away for that, don't you worry. | 0:14:35 | 0:14:38 | |
I'd still rather take my chances here. | 0:14:38 | 0:14:41 | |
I've got your orders. | 0:14:41 | 0:14:43 | |
That's all. | 0:14:44 | 0:14:46 | |
Besides, there'll be enough misery in Poland before long. | 0:14:46 | 0:14:51 | |
Without you adding to it. | 0:14:51 | 0:14:53 | |
You can be sure of that. | 0:14:53 | 0:14:55 | |
I'm sorry for being difficult. | 0:14:55 | 0:14:57 | |
Here are all your instructions. | 0:14:57 | 0:14:59 | |
Land in Romania. One day we'll use the planes again. | 0:14:59 | 0:15:03 | |
I'll try. You look after things, he's not very practical. | 0:15:03 | 0:15:07 | |
My own mother wouldn't call me practical, but I'll try. | 0:15:07 | 0:15:11 | |
And try not to look so depressed. | 0:15:13 | 0:15:15 | |
We're grateful to you, even if we don't say so. | 0:15:15 | 0:15:19 | |
"Polonaise No.1" | 0:15:19 | 0:15:21 | |
I won't waste your time. You know why we are here. | 0:15:25 | 0:15:28 | |
While that music goes on, Warsaw still holds out. | 0:15:28 | 0:15:32 | |
But at midday, it will stop. | 0:15:32 | 0:15:34 | |
The Mayor has asked for a truce. | 0:15:34 | 0:15:36 | |
Before then, however, two squadrons of bombers | 0:15:37 | 0:15:41 | |
will pay a last call on the headquarters of the German Third Army. | 0:15:41 | 0:15:45 | |
Each plane has enough petrol to get there. | 0:15:45 | 0:15:49 | |
Like this, twice as many can go. | 0:15:49 | 0:15:51 | |
I shall want 23 volunteers to accompany me. | 0:15:53 | 0:15:56 | |
No married men, because it's a one-way journey. | 0:15:56 | 0:15:59 | |
Those who will come with me, | 0:16:00 | 0:16:02 | |
take one step forward. | 0:16:03 | 0:16:05 | |
Stupid children. | 0:16:13 | 0:16:15 | |
But I might have guessed. | 0:16:15 | 0:16:17 | |
Roshinsky, you're married, aren't you? | 0:16:21 | 0:16:24 | |
"Polonaise No.1" | 0:16:24 | 0:16:26 | |
And you, Hapner? | 0:16:28 | 0:16:30 | |
And you, Piazesetsky. I know you are married. | 0:16:36 | 0:16:39 | |
I was afraid of that. | 0:16:41 | 0:16:43 | |
So I wrote out some numbers for you to draw. | 0:16:43 | 0:16:46 | |
There are also four men needed to take the new planes to Romania. | 0:16:47 | 0:16:51 | |
Now, all of you draw a slip and go over to Topolski. | 0:16:53 | 0:16:56 | |
He'll tell you if you've won a prize. | 0:16:56 | 0:16:59 | |
"Polonaise No.1" | 0:16:59 | 0:17:01 | |
You stay. | 0:17:02 | 0:17:04 | |
Bomber. | 0:17:05 | 0:17:07 | |
Bomber. | 0:17:07 | 0:17:09 | |
Romania. | 0:17:12 | 0:17:14 | |
You stay. | 0:17:16 | 0:17:18 | |
Bomber. | 0:17:21 | 0:17:23 | |
Romania. | 0:17:27 | 0:17:28 | |
You stay. | 0:17:30 | 0:17:32 | |
You for Romania as well? | 0:17:35 | 0:17:37 | |
Mm-hmm. | 0:17:37 | 0:17:39 | |
I'm Mike Carroll. You the pianist fellow? | 0:17:39 | 0:17:42 | |
Yes, I suppose I am. | 0:17:43 | 0:17:45 | |
Better get our things ready and get out of here. | 0:17:45 | 0:17:48 | |
They'll be here in a few hours. | 0:17:48 | 0:17:50 | |
"Polonaise No.1" | 0:17:54 | 0:17:56 | |
We'll never keep together. I'll meet you at the consulate. | 0:18:01 | 0:18:05 | |
Keep south-east. Can you manage it? I think so. | 0:18:05 | 0:18:08 | |
I wish I was sure of the rest. I don't want to be interned. | 0:18:08 | 0:18:12 | |
-I won't be. I'm a neutral, I hope. -Why are you here? | 0:18:12 | 0:18:16 | |
Irish, the last of the Wild Geese. We always fought in other countries. | 0:18:16 | 0:18:21 | |
Usually against the English. I can't stay in Romania. | 0:18:21 | 0:18:24 | |
There go the last. | 0:18:24 | 0:18:26 | |
One-way trip. They're a good bunch of boys. | 0:18:29 | 0:18:33 | |
We'd better get cracking. Jerry'll be here soon. See you there. | 0:18:34 | 0:18:38 | |
I'll be back one day. | 0:19:29 | 0:19:31 | |
One day I'll be back. | 0:19:32 | 0:19:34 | |
-Well, New York's the same anyway. -Why shouldn't it be? | 0:19:47 | 0:19:51 | |
It's a change to see somewhere peaceful. | 0:19:51 | 0:19:54 | |
-It's journey's end anyway. -What's worrying you? | 0:19:54 | 0:19:57 | |
-I'm not worried. -One of your blasted moods. | 0:19:57 | 0:20:00 | |
It's a cheerful way to start a concert tour. | 0:20:00 | 0:20:03 | |
-A lovely six-month holiday and you complain. -It wasn't my idea. | 0:20:03 | 0:20:08 | |
I'd feel happier on the other side. | 0:20:08 | 0:20:10 | |
Pick up the joining-up forms at the Polish embassy. | 0:20:10 | 0:20:14 | |
-When are the reporters coming? -I hate interviews, I feel like a freak. | 0:20:14 | 0:20:19 | |
You are in a way - composer, pianist, airman. | 0:20:19 | 0:20:22 | |
I said don't mention my flying, but De Guys was thinking of business. | 0:20:22 | 0:20:27 | |
After a three-month tour, we come back to New York for the final concert. | 0:20:27 | 0:20:32 | |
Gentlemen, remember that all the proceeds go to charity. | 0:20:32 | 0:20:37 | |
I heard he used to be an airman. It's a good story, | 0:20:37 | 0:20:40 | |
if it's true. I don't know how you heard this! | 0:20:40 | 0:20:43 | |
Monsieur Radetzky is here as a pianist. | 0:20:43 | 0:20:46 | |
Please say nothing about his flying activities. | 0:20:46 | 0:20:50 | |
But see that it, er, leaks out quietly. OK. | 0:20:50 | 0:20:53 | |
What's he been doing since Poland got taken over? | 0:20:53 | 0:20:57 | |
I have prepared for that. | 0:20:57 | 0:20:59 | |
"After six months, Stefan Radetzky escaped the hardship and horror | 0:20:59 | 0:21:03 | |
of an internment camp in Romania." | 0:21:03 | 0:21:06 | |
-You seem very sure he's the guy you met in Warsaw. -I am. | 0:21:09 | 0:21:13 | |
A Polish pianist who's an ace pilot, it must be him. | 0:21:13 | 0:21:16 | |
-Will he remember you? -Of course. | 0:21:16 | 0:21:18 | |
-You wait and see. -Come on, step on it, will you? | 0:21:19 | 0:21:23 | |
Steward, where's Mr De Guys? He's over there. | 0:21:23 | 0:21:26 | |
Say, he'd make a swell Thanksgiving dinner. | 0:21:27 | 0:21:30 | |
"To journey across mountains through snow and ice." | 0:21:30 | 0:21:34 | |
He makes Stanley and Livingstone sound like amateurs. Let's find your pal. | 0:21:34 | 0:21:40 | |
None of these guys look like piano players. Who are they? | 0:21:40 | 0:21:44 | |
I don't know. | 0:21:44 | 0:21:46 | |
Ah, so that's the guy. | 0:21:46 | 0:21:48 | |
-Is this your first trip? -First since the war. | 0:21:48 | 0:21:52 | |
-Find it different? > -Not yet. | 0:21:52 | 0:21:54 | |
-Hold it. -No... | 0:21:54 | 0:21:56 | |
Hello, Carol. | 0:21:56 | 0:21:57 | |
Mr Radetzky, Carol Peters, | 0:21:57 | 0:21:59 | |
-Buck Cooper. -How do you do? | 0:21:59 | 0:22:01 | |
-< Pleased to meet you. -How do you do? | 0:22:01 | 0:22:04 | |
Cigarette? | 0:22:06 | 0:22:08 | |
No thanks. | 0:22:13 | 0:22:15 | |
How was Warsaw when you left? | 0:22:15 | 0:22:17 | |
It was still Warsaw, in a way. | 0:22:17 | 0:22:19 | |
Thanks, Mr Radetzky. I'll be off. | 0:22:19 | 0:22:21 | |
Same with me. Goodbye. | 0:22:21 | 0:22:23 | |
Couldn't have forgotten you, eh? | 0:22:23 | 0:22:25 | |
Doesn't talk much, does he? Not like musicians I know. | 0:22:25 | 0:22:29 | |
You don't seem to like this much. | 0:22:29 | 0:22:31 | |
-Not very much. -I don't blame you. We ask such intimate questions. | 0:22:31 | 0:22:36 | |
-Here come some more. Would you like a drink? -I'd love one. | 0:22:36 | 0:22:40 | |
Hey! | 0:22:40 | 0:22:41 | |
Hold it, boys. Give the kid a break. | 0:22:41 | 0:22:44 | |
Did you have any adventures in Warsaw? | 0:22:44 | 0:22:47 | |
-Any excitement? -No. | 0:22:47 | 0:22:49 | |
Have you composed anything lately? | 0:22:49 | 0:22:51 | |
-I did start a concerto once but - -Don't believe a word, lady. | 0:22:51 | 0:22:55 | |
Glory be. I'm Mike Carroll. THE Mike Carroll. | 0:22:55 | 0:22:59 | |
I'm Carol too. Carol Peters. | 0:22:59 | 0:23:01 | |
We're practically related. | 0:23:01 | 0:23:03 | |
-Have hundreds of people told you you're lovely? -Thousands. | 0:23:03 | 0:23:07 | |
Too bad. Promise not to go away. | 0:23:07 | 0:23:09 | |
-Promise now. -I promise. | 0:23:09 | 0:23:11 | |
-I suppose he is a friend of yours? -Yes. | 0:23:13 | 0:23:16 | |
But there ought to be a law against men like him. | 0:23:16 | 0:23:19 | |
-It's not safe to have them around. -It's not safe to be out alone | 0:23:19 | 0:23:23 | |
when the moon is so bright. | 0:23:23 | 0:23:25 | |
So that's where...! | 0:23:31 | 0:23:33 | |
Yes. Last fall. | 0:23:33 | 0:23:35 | |
I knew we'd meet again. | 0:23:38 | 0:23:40 | |
Somewhere. Some day. | 0:23:40 | 0:23:42 | |
I've thought about you so much. | 0:23:42 | 0:23:44 | |
I even prayed that nothing would happen to you. | 0:23:44 | 0:23:48 | |
I've thought about you too. | 0:23:48 | 0:23:50 | |
A lot. | 0:23:50 | 0:23:51 | |
Yet when we meet again, you don't recognise me. | 0:23:51 | 0:23:54 | |
Well, you had a hat like that and... | 0:23:54 | 0:23:57 | |
Six months ago. It was very dark. | 0:23:57 | 0:23:59 | |
Think you'll know me next time? | 0:23:59 | 0:24:02 | |
We can always meet in the dark. | 0:24:02 | 0:24:04 | |
-When do we try? -Tonight? | 0:24:04 | 0:24:06 | |
Oh, I can't. I'm working. What about tomorrow? | 0:24:06 | 0:24:09 | |
-What time does it get dark in New York? -About 8. | 0:24:09 | 0:24:12 | |
There you are. You left my heart in pieces. | 0:24:12 | 0:24:15 | |
He tells that to all the girls. | 0:24:15 | 0:24:17 | |
My intentions are honourable. Unlike some. | 0:24:17 | 0:24:20 | |
Where will we have dinner tonight? Just the two of us. | 0:24:20 | 0:24:24 | |
-Not tonight. -Don't pass me up for a pianist. I won't take a no. | 0:24:24 | 0:24:28 | |
-You won't get yes either. -The ingratitude. Oh, sharper than the serpent's tooth. | 0:24:28 | 0:24:34 | |
How about tonight? | 0:24:34 | 0:24:36 | |
I've got a much better idea. | 0:24:36 | 0:24:38 | |
Both of you come to dinner tomorrow night. | 0:24:38 | 0:24:41 | |
I've got theatre seats and there's a party at 8. | 0:24:41 | 0:24:44 | |
8 o'clock. | 0:24:44 | 0:24:46 | |
I'd love to, but I'm afraid I can't. | 0:24:46 | 0:24:48 | |
I've got a...reporter coming to see me then. | 0:24:48 | 0:24:51 | |
Oh, good. You'd only be in the way. | 0:24:51 | 0:24:54 | |
Tomorrow night, then. Goodbye. | 0:24:54 | 0:24:56 | |
HE HUMS | 0:25:03 | 0:25:05 | |
-You'd better get a move on. -What time is it? | 0:25:06 | 0:25:09 | |
-After 8 already. -I'll be late again. | 0:25:09 | 0:25:12 | |
-My coat's hanging on the floor. -Certainly, sir. | 0:25:12 | 0:25:15 | |
My, even your best friend won't smell you. | 0:25:16 | 0:25:19 | |
-Chloroform? -You lug, it's very expensive. | 0:25:19 | 0:25:22 | |
-I know. I bought it. -What would I do without you? | 0:25:22 | 0:25:25 | |
-Sure you won't come? -Far too busy. | 0:25:25 | 0:25:28 | |
-Got your keys? -Yes. Where's my hat? | 0:25:28 | 0:25:30 | |
-Next door. -In the bathroom? -No, you fool, in here. | 0:25:30 | 0:25:34 | |
Here you are. | 0:25:35 | 0:25:37 | |
-Would I pass for a gentleman? -If it's dark enough. | 0:25:37 | 0:25:40 | |
-You do know it's 8:10? -Why didn't you say so? | 0:25:40 | 0:25:43 | |
Be good. I'll give your love to Carol. Bye. | 0:25:43 | 0:25:46 | |
DOORBELL RINGS | 0:25:54 | 0:25:56 | |
Can I come in? | 0:26:00 | 0:26:02 | |
Or do I stay here? | 0:26:02 | 0:26:04 | |
How did you get in? Was the door open? | 0:26:05 | 0:26:08 | |
The darling Irishman it was. | 0:26:08 | 0:26:10 | |
He ran straight past me in the corridor. | 0:26:10 | 0:26:13 | |
Just as well, or I'd have had a lot to explain. | 0:26:13 | 0:26:16 | |
Lovely dress you're wearing. | 0:26:17 | 0:26:19 | |
Thank you, sir, she said. | 0:26:20 | 0:26:22 | |
Like a drink? | 0:26:24 | 0:26:26 | |
I'd love one. | 0:26:26 | 0:26:28 | |
-Thank you. -To your health. | 0:26:30 | 0:26:32 | |
(SHE TOASTS IN POLISH) | 0:26:32 | 0:26:34 | |
How lovely to hear that again. Thank you. | 0:26:34 | 0:26:37 | |
Don't you feel guilty deceiving an honest man like Mike? | 0:26:40 | 0:26:44 | |
-Or have you no conscience? -Yes, I have. How's yours? | 0:26:44 | 0:26:48 | |
Pretty good. But I'm glad he was in a hurry. And all for you. | 0:26:48 | 0:26:52 | |
You seemed in a bit of a hurry. | 0:26:52 | 0:26:54 | |
-All for me too? -Mm-hm. | 0:26:54 | 0:26:56 | |
Eating in, are we? | 0:27:05 | 0:27:07 | |
Yes, if you don't mind? I've had no time to unpack my evening things. | 0:27:07 | 0:27:11 | |
Much nicer. | 0:27:11 | 0:27:13 | |
As a matter of fact, it's not true. | 0:27:13 | 0:27:15 | |
My evening things are hanging up, but this is nicer. A plot, you see? | 0:27:15 | 0:27:20 | |
Same here. I only dressed up because I thought you'd like it. | 0:27:20 | 0:27:24 | |
Might think I looked nice. | 0:27:24 | 0:27:26 | |
WAITER CLEARS HIS THROAT | 0:27:26 | 0:27:28 | |
Dinner is served. | 0:27:28 | 0:27:30 | |
Wow! I think you were right when you said it was a plot. | 0:27:38 | 0:27:41 | |
I never thought he'd enter into the spirit of it like that. | 0:27:41 | 0:27:46 | |
It wasn't as funny as that, was it? | 0:27:47 | 0:27:49 | |
No, I was thinking of Mike. I hope he's all right. | 0:27:49 | 0:27:52 | |
Why? What have you done? | 0:27:52 | 0:27:54 | |
I got a girl to look after him. She's a man-eater. | 0:27:54 | 0:27:58 | |
She'll never eat a man again after Mike. You'll see. | 0:27:58 | 0:28:01 | |
Oh. | 0:28:03 | 0:28:05 | |
Wish hard. | 0:28:06 | 0:28:08 | |
I always wanted to do something, and when the war started, | 0:28:11 | 0:28:15 | |
I offered to go to Warsaw for the Monitor if they gave me a job when I got back. | 0:28:15 | 0:28:21 | |
I got the job, and now I cover business conventions | 0:28:21 | 0:28:24 | |
-and interview celebrities. -A bit of a come-down after war correspondent. | 0:28:24 | 0:28:29 | |
I start at the top and work my way down. It's easy. | 0:28:29 | 0:28:33 | |
-You're lucky to be back here. -So are you. | 0:28:33 | 0:28:36 | |
-Glad you came? -In a way, yes. | 0:28:36 | 0:28:38 | |
I didn't want to, but I had to. | 0:28:38 | 0:28:40 | |
-Mike came as my manager. -I'm glad you didn't leave him. | 0:28:40 | 0:28:44 | |
-I'd be interned in Romania but for him. -It's nice to have such friends. | 0:28:44 | 0:28:49 | |
If you can find them. | 0:28:49 | 0:28:50 | |
It's funny. When I saw you together yesterday, | 0:28:50 | 0:28:54 | |
you seemed like children. But tonight, you're all grown up. | 0:28:54 | 0:28:58 | |
It's much easier to behave like that. It helps you forget. | 0:28:58 | 0:29:02 | |
The things we saw weren't very funny. | 0:29:02 | 0:29:05 | |
I saw them too. | 0:29:05 | 0:29:07 | |
You know how I feel, then. | 0:29:07 | 0:29:09 | |
We're starting an air force. After this, I'll go back. | 0:29:09 | 0:29:12 | |
-Back? -Yes, Mike's coming too. | 0:29:12 | 0:29:15 | |
I think you're both crazy. | 0:29:16 | 0:29:18 | |
How can you say that? | 0:29:18 | 0:29:19 | |
But you. You of all people shouldn't be allowed to... | 0:29:19 | 0:29:23 | |
Allowed what? | 0:29:23 | 0:29:26 | |
Nothing. | 0:29:29 | 0:29:30 | |
Gosh, the time. It can't be right. | 0:29:30 | 0:29:32 | |
-Don't ask me. I don't know what day it is. -Quarter to 12. | 0:29:32 | 0:29:36 | |
-Gosh, I'm late. -Must you go, Cinderella? | 0:29:36 | 0:29:39 | |
I have to get to the office early. | 0:29:39 | 0:29:41 | |
I'll lose my job if I'm late again. | 0:29:41 | 0:29:44 | |
What did I do with my bag? | 0:29:44 | 0:29:46 | |
I've got it here. | 0:29:46 | 0:29:48 | |
I'm sorry I have to run away. | 0:29:48 | 0:29:50 | |
You always seem to be running away from me. | 0:29:50 | 0:29:53 | |
Yes. I really am sorry. | 0:29:53 | 0:29:55 | |
When can I see you again and where? | 0:29:58 | 0:30:00 | |
Six months' time, maybe. | 0:30:00 | 0:30:02 | |
In the dark. | 0:30:02 | 0:30:04 | |
Oh, no. | 0:30:05 | 0:30:07 | |
Not again like that. Next time it might be too dark. | 0:30:07 | 0:30:11 | |
We might both pass by and never know it. | 0:30:11 | 0:30:14 | |
Oh, my darling. | 0:30:22 | 0:30:24 | |
It's been so long. | 0:30:24 | 0:30:26 | |
You can't ever go away from me now. | 0:30:26 | 0:30:29 | |
I won't, ever again. | 0:30:29 | 0:30:31 | |
Carol. Will you marry me? | 0:30:33 | 0:30:35 | |
Marry you? | 0:30:36 | 0:30:37 | |
-You asked me once before. -This time I mean it. Will you? | 0:30:37 | 0:30:41 | |
Yes, please. You see, I'm awfully old-fashioned. | 0:30:41 | 0:30:46 | |
-How soon can we get married? -My, you're in a hurry! | 0:30:46 | 0:30:49 | |
You have to be. There's a war on. | 0:30:49 | 0:30:51 | |
DANCE MUSIC | 0:30:56 | 0:30:58 | |
Shhh. | 0:31:21 | 0:31:22 | |
Wait here, darling. I'll get some things. | 0:31:28 | 0:31:31 | |
I'll only be one minute. You go read the books. | 0:31:31 | 0:31:34 | |
-You can read? -Only the easy words. Darling, say goodbye. | 0:31:34 | 0:31:38 | |
Say thank you. | 0:31:40 | 0:31:42 | |
Thank you. | 0:31:42 | 0:31:43 | |
Oh, hello. I didn't know there was anybody here. | 0:32:05 | 0:32:09 | |
Have you come to take somebody home? | 0:32:09 | 0:32:11 | |
Yes, I have, sir. | 0:32:11 | 0:32:13 | |
You're a smart boy not to have come to it yourself. | 0:32:13 | 0:32:16 | |
These darn parties get my goat. | 0:32:17 | 0:32:20 | |
Me too. | 0:32:20 | 0:32:21 | |
Take the other one off. Much more comfortable. | 0:32:21 | 0:32:25 | |
Good idea. | 0:32:25 | 0:32:27 | |
I don't see why I put the darn things on anyway. | 0:32:28 | 0:32:31 | |
Should have had sense enough to sneak out, like Carol. | 0:32:31 | 0:32:35 | |
Smart girl, Carol. Even if she has gone out with some hungry musician. | 0:32:35 | 0:32:40 | |
-Would you like a drink? -Maybe a small one. | 0:32:40 | 0:32:43 | |
Well... | 0:32:43 | 0:32:45 | |
-Hello, Daddy. -Hello. | 0:32:46 | 0:32:48 | |
I suppose you know Stefan. | 0:32:48 | 0:32:49 | |
We haven't been properly introduced. It's all right. | 0:32:49 | 0:32:53 | |
-I'm Bill Peters, Carol's father. -I'm Stefan Radetzky. | 0:32:53 | 0:32:57 | |
-You mean...? -Yes, but I'm not hungry, only thirsty. | 0:32:57 | 0:33:01 | |
Oh, sure. I was pouring you one when Carol came in. | 0:33:01 | 0:33:04 | |
What is this big secret you boys have got? | 0:33:04 | 0:33:07 | |
I just said you'd gone out with some hungry musician. | 0:33:07 | 0:33:11 | |
Meaning him. | 0:33:11 | 0:33:13 | |
He's all right, though. | 0:33:13 | 0:33:15 | |
Even if he does play music. | 0:33:15 | 0:33:17 | |
But what have you got your coat for? | 0:33:18 | 0:33:20 | |
Where are you kids off to? | 0:33:20 | 0:33:22 | |
Maybe we ought to tell him. | 0:33:23 | 0:33:25 | |
Well, as a matter of fact, Daddy... We're married. | 0:33:25 | 0:33:28 | |
Married? | 0:33:28 | 0:33:30 | |
Since when? | 0:33:30 | 0:33:32 | |
An hour ago. If you don't mind. | 0:33:32 | 0:33:34 | |
How long have you known each other? | 0:33:34 | 0:33:37 | |
I met him in Warsaw months ago. | 0:33:38 | 0:33:40 | |
Oh, please, Daddy. | 0:33:40 | 0:33:42 | |
Don't be angry. I know what I'm doing. | 0:33:42 | 0:33:45 | |
I know, honey. I know. | 0:33:45 | 0:33:47 | |
But why didn't you come and tell me? | 0:33:47 | 0:33:49 | |
There's no need for any secrets. | 0:33:49 | 0:33:52 | |
I know... | 0:33:52 | 0:33:53 | |
I just sneaked off to see him for a minute and... | 0:33:53 | 0:33:57 | |
We suddenly decided to get married. | 0:33:57 | 0:33:59 | |
I just had to! | 0:34:00 | 0:34:02 | |
I love him. | 0:34:02 | 0:34:04 | |
-Oh, please, Daddy. -All right, all right. | 0:34:04 | 0:34:07 | |
You're married, so what are we arguing about? | 0:34:07 | 0:34:10 | |
You'll please forgive this little family argument. | 0:34:11 | 0:34:15 | |
-You understand? -Don't worry about me. | 0:34:15 | 0:34:18 | |
Well, he looks a nice guy anyway. | 0:34:18 | 0:34:21 | |
So long as you're happy, I am too. | 0:34:21 | 0:34:23 | |
Say, does your mother know about this? | 0:34:23 | 0:34:26 | |
-No. -Anyone see you come in? -Only Bates. He won't talk. | 0:34:26 | 0:34:30 | |
-I'll get you out. Where's the car? -Down the side. | 0:34:30 | 0:34:33 | |
The window will be safer. Where will you go? | 0:34:33 | 0:34:36 | |
-To the shack. -Swell idea. Easy now. | 0:34:36 | 0:34:38 | |
Now get along, you kids. | 0:34:40 | 0:34:42 | |
Don't mention this to your mother, or my life won't be worth a dime. | 0:34:42 | 0:34:47 | |
Goodbye, Carol. If you want anything, ring me at the office. God bless you. | 0:34:47 | 0:34:52 | |
-Take care of yourself. -Bye, Dad. | 0:34:52 | 0:34:55 | |
Goodbye, son. Take care of her, boy. She's a great kid. | 0:34:56 | 0:34:59 | |
I know. Goodbye. | 0:34:59 | 0:35:02 | |
God bless you both. Crazy kids. | 0:35:12 | 0:35:14 | |
You call this a little way out of the city? It's 100 miles. | 0:35:23 | 0:35:27 | |
-It's not that far the way I drive. -True. | 0:35:27 | 0:35:30 | |
Well, what are we waiting for? | 0:35:33 | 0:35:36 | |
I'm waiting for you to carry me across the threshold. | 0:35:36 | 0:35:39 | |
-What? -You just carry me across. It's quite easy. | 0:35:39 | 0:35:43 | |
-With your weight? Oh, no, madame. -You have to! Really. | 0:35:43 | 0:35:46 | |
-It's an old superstition. -I know a Polish one. | 0:35:46 | 0:35:50 | |
-If ever you sneeze... -Sweetheart, tell me your dreary story later. | 0:35:50 | 0:35:54 | |
It's cold, and I don't intend to walk through that door. | 0:35:54 | 0:35:58 | |
-Please be kind to a sentimental wife. -The word wife | 0:35:58 | 0:36:02 | |
is music to my ears. For that I carry you. | 0:36:02 | 0:36:05 | |
Even if I'm making a fool of myself. | 0:36:05 | 0:36:07 | |
I bet we look darn silly. | 0:36:07 | 0:36:09 | |
Oh. | 0:36:11 | 0:36:13 | |
Some shack, this. | 0:36:13 | 0:36:15 | |
HE PLAYS THE WEDDING MARCH | 0:36:21 | 0:36:23 | |
Oh, darling, not that. | 0:36:23 | 0:36:25 | |
Can't you think of anything more suitable? | 0:36:26 | 0:36:29 | |
You want something more sentimental. | 0:36:29 | 0:36:31 | |
What about this? | 0:36:32 | 0:36:34 | |
HE PLAYS "Liebestraum" by Franz Liszt | 0:36:34 | 0:36:37 | |
Why, Miss Carol, I'm real sorry. | 0:36:46 | 0:36:48 | |
I thought you weren't coming. So I went to bed. | 0:36:48 | 0:36:51 | |
Stefan, I want you to meet Uncle Joel. | 0:36:51 | 0:36:54 | |
-Uncle Joel, this is my husband. -Proud to know you. | 0:36:54 | 0:36:57 | |
-How do you do? -Is everything OK? No excitement? | 0:36:57 | 0:37:01 | |
Not much, except that piano. | 0:37:01 | 0:37:03 | |
-Oh, yes... -I had to bust down the door this morning... | 0:37:03 | 0:37:07 | |
-Put the car away. We'll be up soon. -Busting the door down... | 0:37:07 | 0:37:11 | |
SHE HUMS | 0:37:13 | 0:37:15 | |
Ah-hem. | 0:37:16 | 0:37:18 | |
So the piano only arrived this morning. Cutting it fine. | 0:37:18 | 0:37:23 | |
I don't know what you mean. | 0:37:23 | 0:37:25 | |
I had to have a present for the bridegroom. | 0:37:27 | 0:37:30 | |
It looks to me as if I never had a chance. | 0:37:30 | 0:37:33 | |
I've been trapped all along. | 0:37:33 | 0:37:35 | |
Where is he?! Where is he?! | 0:37:52 | 0:37:54 | |
Mon Dieu! What sort of a staff have I got? | 0:37:54 | 0:37:57 | |
You may all go, unless you find Radetzky! | 0:37:57 | 0:38:00 | |
You may all go. Oh, it is too much... | 0:38:00 | 0:38:03 | |
Find him! Find him! | 0:38:03 | 0:38:06 | |
Hello, is Stefan Radetzky there? | 0:38:07 | 0:38:10 | |
Stefan Radetzky? We'd like to know. We're in a flat spin. | 0:38:10 | 0:38:14 | |
The concert's been pushed forward and we can't find him. | 0:38:14 | 0:38:18 | |
Mr De Guys is frantic. | 0:38:18 | 0:38:19 | |
Too bad you're frantic, De Guys. To disappear like this is unbelievable! | 0:38:19 | 0:38:25 | |
I know where he might be. He's always with that Peters girl. | 0:38:25 | 0:38:29 | |
Hello. | 0:38:29 | 0:38:30 | |
Oh. That's what I call real thoughtful. | 0:38:32 | 0:38:35 | |
Just part of my Continental charm. | 0:38:36 | 0:38:39 | |
Thank you. | 0:38:42 | 0:38:43 | |
-You love me? -Mm-hmm. | 0:38:44 | 0:38:46 | |
Love me? | 0:38:46 | 0:38:48 | |
How far are we going to walk? | 0:38:51 | 0:38:53 | |
-Ooh, a long way. -A mile? | 0:38:53 | 0:38:55 | |
-Oh, much further than that. -I can't walk that far! | 0:38:55 | 0:38:58 | |
PHONE RINGS | 0:38:58 | 0:38:59 | |
-Who can that be? No-one knows we're here. Joel's out. -So are we. | 0:38:59 | 0:39:04 | |
-But it might be important. -Come on! | 0:39:04 | 0:39:06 | |
-It might be Daddy. I won't be a minute. -I know! | 0:39:06 | 0:39:10 | |
Hello. | 0:39:12 | 0:39:14 | |
Hello, Mike. What are you doing there? | 0:39:14 | 0:39:16 | |
How are you? | 0:39:16 | 0:39:19 | |
I'm fine. I'm married. | 0:39:20 | 0:39:22 | |
Stefan? He's fine. He's married too. | 0:39:22 | 0:39:24 | |
Yes, we're both married. | 0:39:25 | 0:39:27 | |
Married? What is this? | 0:39:27 | 0:39:30 | |
Who is married? | 0:39:30 | 0:39:32 | |
Whom have you married? | 0:39:32 | 0:39:33 | |
What is that you say? Radetzky married? | 0:39:34 | 0:39:37 | |
That is not a way for Stefan to treat me. | 0:39:37 | 0:39:40 | |
Please tell him that he must come back at once! | 0:39:40 | 0:39:43 | |
Get flowers for Madame Radetzky. | 0:39:43 | 0:39:46 | |
Flowers? You want a...wreath? | 0:39:46 | 0:39:48 | |
A wreath! You must learn to speak English proper! | 0:39:48 | 0:39:52 | |
A bouquet, not a wreath. | 0:39:52 | 0:39:54 | |
Chere madame, please tell your husband that the tour now opens the day after tomorrow. | 0:39:54 | 0:40:00 | |
But he can't possibly come back today. | 0:40:00 | 0:40:03 | |
-SHE SIGHS -All right. Tomorrow at the earliest. | 0:40:03 | 0:40:07 | |
OK, and not a minute before. | 0:40:07 | 0:40:09 | |
We'll be at your office tomorrow at eleven. | 0:40:10 | 0:40:13 | |
This marriage is not a happy conception. | 0:40:13 | 0:40:16 | |
I want to tell Stefan they're forming a Polish air squadron in England. | 0:40:16 | 0:40:22 | |
I'll be called up soon. I have a form for Stefan. | 0:40:22 | 0:40:26 | |
Oh, Mike! | 0:40:28 | 0:40:30 | |
That means he'll... | 0:40:30 | 0:40:32 | |
I knew something like this would happen. | 0:40:33 | 0:40:36 | |
Look, Mike, will you please do something for me? | 0:40:38 | 0:40:42 | |
Please don't tell him anything about it yet. | 0:40:42 | 0:40:45 | |
We're on our honeymoon. | 0:40:45 | 0:40:47 | |
And after all, he's much more use to Poland over here. | 0:40:47 | 0:40:51 | |
Stefan's coming. I must hang up. Yes, please. Thank you. Goodbye. | 0:40:56 | 0:41:01 | |
I'll get frozen hands, and won't be able to play any more. | 0:41:01 | 0:41:05 | |
What's the matter? | 0:41:05 | 0:41:07 | |
It was De Guys. He wants you to go back. | 0:41:07 | 0:41:10 | |
The concert opening has been put forward. | 0:41:10 | 0:41:12 | |
I said you couldn't go till tomorrow. | 0:41:12 | 0:41:15 | |
Oh, something like that would happen. Never mind. | 0:41:15 | 0:41:19 | |
-Forget about it for today. -Today! It's such a little time. | 0:41:19 | 0:41:23 | |
Will you promise me something? | 0:41:23 | 0:41:25 | |
Come back the first night after the tour's over. | 0:41:25 | 0:41:29 | |
Of course, darling, I promise. | 0:41:29 | 0:41:31 | |
How was it De Guys got the number? | 0:41:31 | 0:41:33 | |
Mike was there. I told him we were married. | 0:41:33 | 0:41:37 | |
-How did he take it? -He just said, "What?" | 0:41:37 | 0:41:40 | |
-What, that's all? -Uh-huh. | 0:41:40 | 0:41:42 | |
Then De Guys came on the phone. | 0:41:42 | 0:41:44 | |
PIANO PLAYS | 0:41:57 | 0:41:59 | |
Remember this? | 0:43:02 | 0:43:04 | |
I woke up suddenly, and it all came back to me. | 0:43:09 | 0:43:12 | |
I just had to come down before I lost it again. | 0:43:12 | 0:43:15 | |
Darling, you were so lovely on the stairs just then. | 0:43:17 | 0:43:21 | |
You almost stopped my heart. | 0:43:21 | 0:43:23 | |
This is your melody. | 0:43:24 | 0:43:26 | |
-It's beautiful. -You gave it to me. | 0:43:26 | 0:43:29 | |
I'll never play it again without thinking of you. | 0:43:29 | 0:43:33 | |
Without you deep in my heart. | 0:43:33 | 0:43:36 | |
How are you going to end it? | 0:43:36 | 0:43:38 | |
-Happy, I hope. -Hope? | 0:43:38 | 0:43:41 | |
You are joking. What's the matter? | 0:43:41 | 0:43:44 | |
Nothing. It's just the music. | 0:43:44 | 0:43:46 | |
-What do you mean? -This music is you and me. | 0:43:46 | 0:43:49 | |
It's the story of the two of us in Warsaw, | 0:43:49 | 0:43:52 | |
of us in America, of us in... | 0:43:52 | 0:43:54 | |
Where else I don't know. That's why I can't finish it. | 0:43:55 | 0:43:59 | |
-Darling, you mustn't dispel all my illusions. -Illusions? | 0:44:06 | 0:44:10 | |
I thought composers wrote under the throes of inspiration. | 0:44:10 | 0:44:15 | |
Not always. | 0:44:15 | 0:44:17 | |
Most of it is just plain hard work, like any other job. | 0:44:17 | 0:44:21 | |
It's funny, you know, darling - I know so little about you. | 0:44:22 | 0:44:26 | |
In a way, we're two strangers. | 0:44:26 | 0:44:29 | |
But it won't stop us from being happy, will it? | 0:44:29 | 0:44:32 | |
-Of course not. We'll always be happy. -Always and always. | 0:44:32 | 0:44:36 | |
If you have to be miserable with your funny Continental ways... | 0:44:36 | 0:44:40 | |
Just leave it to me. I'll see to that. | 0:44:40 | 0:44:43 | |
How sweet you are, and how young. | 0:44:43 | 0:44:45 | |
How soon you seem to have forgotten what's happening in the world. | 0:44:45 | 0:44:50 | |
No, I haven't, but please don't think about that now. | 0:44:50 | 0:44:53 | |
I can't help it, darling. | 0:44:53 | 0:44:55 | |
It's inside me. That's why I wish | 0:44:55 | 0:44:57 | |
I hadn't time to think, like when I was a flyer. | 0:44:57 | 0:45:01 | |
-How do you mean? -I can't explain it. | 0:45:01 | 0:45:03 | |
But when I was a flyer, it felt like being in another world. | 0:45:03 | 0:45:08 | |
There's something so cold and clean up there, | 0:45:09 | 0:45:12 | |
and so beautiful too. | 0:45:12 | 0:45:15 | |
You come out of the darkness of the clouds into clear, bright sun. | 0:45:15 | 0:45:20 | |
Underneath are the tops of the high mountains. | 0:45:22 | 0:45:26 | |
You're high above them all. | 0:45:26 | 0:45:28 | |
Sometimes at night you can almost touch the stars. | 0:45:30 | 0:45:33 | |
You feel you belong with them. | 0:45:34 | 0:45:37 | |
You almost forget that you're fighting a war. | 0:45:37 | 0:45:40 | |
It seems so far away. | 0:45:40 | 0:45:42 | |
Miles and miles below you. | 0:45:44 | 0:45:47 | |
I'm cold. It must be getting late too. | 0:45:50 | 0:45:53 | |
Oh, I'm so sorry, darling. | 0:45:53 | 0:45:56 | |
-Why didn't you tell me? -I just suddenly felt cold. | 0:45:56 | 0:46:00 | |
I come from a long line of martyrs. | 0:46:00 | 0:46:02 | |
-I hope it'll be fine tomorrow. -So do I. I've got to drive back. | 0:46:02 | 0:46:07 | |
Oh, look, there's a strange thing. | 0:46:07 | 0:46:09 | |
-What? -In the sky up there. | 0:46:09 | 0:46:11 | |
You mean those two stars together in the sky? | 0:46:11 | 0:46:14 | |
Yes. Star and falling star. | 0:46:14 | 0:46:17 | |
Something that happens every 200 years to those two up there. | 0:46:18 | 0:46:23 | |
They start together in the sky, and then move apart. | 0:46:23 | 0:46:27 | |
But in the end they just have to come together again. | 0:46:27 | 0:46:30 | |
Like they are now. | 0:46:30 | 0:46:32 | |
What a lovely idea. | 0:46:32 | 0:46:34 | |
Star and falling star. | 0:46:39 | 0:46:41 | |
That is my last word. | 0:46:47 | 0:46:49 | |
Oh, but this is wonderful! | 0:46:49 | 0:46:52 | |
You are so early it is not believed. | 0:46:52 | 0:46:55 | |
I am so happy for you both. Flowers, flowers. | 0:46:55 | 0:46:58 | |
For madame, some flowers. | 0:46:58 | 0:47:00 | |
-Thank you. -Your husband has fooled me. | 0:47:00 | 0:47:03 | |
It is for him habitual to be four hours late, | 0:47:03 | 0:47:06 | |
so I've arranged no rehearsal. I go fix one. | 0:47:06 | 0:47:09 | |
Bon. Come. | 0:47:09 | 0:47:11 | |
-See what marriage has done for you? -Punctuality has done no good. | 0:47:12 | 0:47:16 | |
-Half an hour too early. -They told me you were here. | 0:47:16 | 0:47:20 | |
How you can look me in the eye, stealing the girl I love! | 0:47:20 | 0:47:24 | |
-Good morning. -Continental, you see? | 0:47:24 | 0:47:26 | |
Good morning. How nice to see you again. | 0:47:26 | 0:47:29 | |
She cares for me still. As for you, words fail me. | 0:47:29 | 0:47:33 | |
First time that happens to an Irish man. | 0:47:33 | 0:47:35 | |
Ingratitude! I must be civil to him if I intend to see a lot of his wife. | 0:47:35 | 0:47:40 | |
You did marry her, I suppose? | 0:47:40 | 0:47:42 | |
I'm surprised at you, putting ideas in his head. | 0:47:42 | 0:47:45 | |
-Of course we're married. -Not in church yet. | 0:47:45 | 0:47:48 | |
We have to wait till you can be best man. | 0:47:48 | 0:47:51 | |
-Then I can kiss the bride? -Yes. | 0:47:51 | 0:47:53 | |
-I'd better practise. -Wait till we are in church. | 0:47:53 | 0:47:56 | |
That's where I'm being sent. I did it yesterday. | 0:47:56 | 0:48:00 | |
It kept you out of trouble anyway. What else did you do? | 0:48:00 | 0:48:04 | |
I meant to tell you. I was going to yesterday... | 0:48:04 | 0:48:08 | |
Go on. | 0:48:08 | 0:48:10 | |
Or do you have to whisper? | 0:48:11 | 0:48:13 | |
-Was it about the girl? -We can't tell him now. He's a married man. | 0:48:14 | 0:48:18 | |
Stefan, you can practise as much as you please. | 0:48:18 | 0:48:22 | |
-Thanks. -It gives me time to change. | 0:48:22 | 0:48:24 | |
-Can you drop me? -Certainly. See you later. | 0:48:24 | 0:48:27 | |
Oh, my flowers. | 0:48:31 | 0:48:33 | |
Here you are. | 0:48:34 | 0:48:36 | |
-Thanks so much, Mike. -That's all right. | 0:48:37 | 0:48:40 | |
Thank you. | 0:48:40 | 0:48:42 | |
It sounds silly, but it's how I feel. | 0:48:49 | 0:48:51 | |
I'm not one of these big-hearted women you read about. | 0:48:51 | 0:48:55 | |
-What have they got to do with it? -I'd love to say, | 0:48:55 | 0:48:58 | |
"Do what you want so long as you're happy." | 0:48:58 | 0:49:01 | |
But I can't. I'm not big enough. | 0:49:01 | 0:49:03 | |
Take it from me - if he wants to go, you can't stop him. | 0:49:03 | 0:49:07 | |
-Maybe I can. -How? | 0:49:07 | 0:49:09 | |
I want to make his life so happy here, | 0:49:09 | 0:49:12 | |
maybe he'll never want to go back. | 0:49:12 | 0:49:14 | |
-Maybe. -Besides, he's done enough already. | 0:49:14 | 0:49:18 | |
He... | 0:49:18 | 0:49:20 | |
Oh, Daddy, you look so serious! | 0:49:20 | 0:49:22 | |
I don't know why. You know, I think you're imagining things. | 0:49:22 | 0:49:27 | |
-Maybe he doesn't even want to go. -I hope so. | 0:49:27 | 0:49:30 | |
I must go. I've got to get back to him. | 0:49:30 | 0:49:33 | |
He starts his tour in the morning. | 0:49:33 | 0:49:35 | |
Goodbye, Carol. | 0:49:35 | 0:49:37 | |
Funny-looking things? | 0:49:48 | 0:49:50 | |
They can say much more than I can in words. | 0:49:50 | 0:49:53 | |
I'm like a man who is riding two horses at the same time. | 0:51:10 | 0:51:14 | |
I'll be back one day. | 0:51:34 | 0:51:36 | |
One day I'll be back. | 0:51:38 | 0:51:39 | |
I got it all fixed up to tell you. I just didn't. | 0:51:48 | 0:51:51 | |
-Didn't we plan to go together? -We talked about it. | 0:51:51 | 0:51:55 | |
-It was just talk? -Why are you getting excited? | 0:51:55 | 0:51:58 | |
-You do a better job here. -Why didn't you say you were going weeks ago? | 0:51:58 | 0:52:03 | |
Did Carol put you up to this? | 0:52:03 | 0:52:05 | |
Carol? | 0:52:05 | 0:52:07 | |
No. | 0:52:07 | 0:52:09 | |
You're a bad liar, Mike. Why not tell me the truth? | 0:52:09 | 0:52:13 | |
I didn't want to influence you. | 0:52:13 | 0:52:15 | |
I thought by this time you'd be seeing sense. | 0:52:15 | 0:52:18 | |
I get the idea. What you mean is gone soft. | 0:52:18 | 0:52:22 | |
Do you really think I'm going to stay behind? You must be crazy. | 0:52:22 | 0:52:26 | |
You'll be late for your concert. I packed your evening things. | 0:52:26 | 0:52:31 | |
What's the matter? | 0:52:32 | 0:52:34 | |
He's gone off the deep end because I'm going to England. | 0:52:34 | 0:52:37 | |
He's got an idea he must come too. | 0:52:37 | 0:52:40 | |
Can't you talk some sense into the man? | 0:52:40 | 0:52:42 | |
Why did you tell Mike to keep it a secret? | 0:52:42 | 0:52:45 | |
Because I didn't want you to go too. | 0:52:48 | 0:52:51 | |
You needn't look at me like that. | 0:52:51 | 0:52:54 | |
I'm not ashamed. I'd do it again if necessary. | 0:52:54 | 0:52:57 | |
I wish you wouldn't get at my friends behind my back. | 0:52:57 | 0:53:00 | |
-It'd save a lot of trouble. -Don't start a brawl. It's my last night. | 0:53:00 | 0:53:05 | |
-It doesn't suit you. -Poor Michael, you look so unhappy. | 0:53:07 | 0:53:11 | |
Here, let me help you. This is where you need a woman's hand. | 0:53:11 | 0:53:15 | |
Mike, you do not pack shoes with shirts. | 0:53:15 | 0:53:18 | |
-It's so bad for the shoes. -I forgot. | 0:53:18 | 0:53:21 | |
Come and see me before you go. | 0:53:21 | 0:53:23 | |
Like the Prodigal Son on my bended knees, begging forgiveness. | 0:53:23 | 0:53:27 | |
Fool. | 0:53:27 | 0:53:29 | |
I'm sorry, my landing you in a spot like this. | 0:53:30 | 0:53:34 | |
That's all right. I'm used to it. Always in trouble. | 0:53:34 | 0:53:37 | |
Mike, you're the end. | 0:53:37 | 0:53:39 | |
It'll be the first time in my life to catch a train without running. | 0:53:39 | 0:53:44 | |
After all you told me about what Cromwell did to your ancestors, | 0:53:54 | 0:53:58 | |
and what you think of the English, isn't it funny to fight for them? | 0:53:58 | 0:54:02 | |
I don't mind the Irish taking a crack at them. | 0:54:02 | 0:54:05 | |
When someone else butts in, it's different. | 0:54:05 | 0:54:08 | |
We must preserve them so we have someone to fight when the war's over. | 0:54:08 | 0:54:13 | |
You probably feel the same about Stefan. | 0:54:13 | 0:54:16 | |
-Why are you so good to me? -I'm like that. -Mike? | 0:54:16 | 0:54:19 | |
-I want to ask you something. -Go ahead. I love these sort of games. | 0:54:19 | 0:54:24 | |
You're not in love with me? | 0:54:24 | 0:54:26 | |
What's my going to England got to do with that? | 0:54:26 | 0:54:29 | |
You're not running away because of me? | 0:54:29 | 0:54:32 | |
I am in love with you. Don't hold it against me. You said I was crazy. | 0:54:32 | 0:54:36 | |
-I was right. -No, I made up my mind a long time ago - | 0:54:36 | 0:54:40 | |
I'm going because I'm sentimental. | 0:54:40 | 0:54:43 | |
I can't help it. It's just one of those things. | 0:54:43 | 0:54:46 | |
I've got nothing proper to do here. | 0:54:46 | 0:54:48 | |
Oh, you've been awful useful to us. | 0:54:48 | 0:54:51 | |
-In a way, perhaps. -Now you're going, I'm scared. | 0:54:51 | 0:54:54 | |
-Whatever for? -About Stefan. | 0:54:54 | 0:54:57 | |
While you're here it's not so bad, but now I don't know. | 0:54:57 | 0:55:01 | |
-I guess you think I'm awful selfish. -Of course not. | 0:55:01 | 0:55:04 | |
You've only been married a month. | 0:55:04 | 0:55:07 | |
I'm not really selfish. I'm thinking of him as much as myself. | 0:55:07 | 0:55:12 | |
I know how he feels. That makes it worse. | 0:55:12 | 0:55:15 | |
Oh, don't worry. All aboard. > | 0:55:15 | 0:55:17 | |
-I must run. -Must you? | 0:55:17 | 0:55:19 | |
I'll miss you both. Do you mind if I kiss you once? | 0:55:19 | 0:55:22 | |
-I'll not have time to be your best man. -Of course. | 0:55:22 | 0:55:26 | |
-God bless you. -God bless you. | 0:55:27 | 0:55:29 | |
God bless. | 0:55:35 | 0:55:37 | |
Some things belong to me, and nobody else. | 0:55:40 | 0:55:43 | |
-You ought to know that. -I'm beginning to. | 0:55:43 | 0:55:46 | |
-You're not the sort of... -For heaven's sake, stop! | 0:55:46 | 0:55:50 | |
Anyone would think I was a criminal. All I did was try to help. | 0:55:50 | 0:55:54 | |
As a matter of fact, you did. | 0:55:54 | 0:55:56 | |
All I needed was something like this, like Mike going off | 0:55:56 | 0:56:00 | |
-to make me see things straight. -What do you mean? | 0:56:00 | 0:56:04 | |
I was beginning to forget what I am. | 0:56:04 | 0:56:06 | |
An exile. A man without a country of his own. | 0:56:06 | 0:56:09 | |
You say that, after the way you've been treated here? | 0:56:09 | 0:56:13 | |
That's why, Carol. I'm happy here. Everybody's kind. | 0:56:13 | 0:56:17 | |
-It's easy to forget my country and people. -Don't be silly. | 0:56:17 | 0:56:21 | |
You speak for them through your music. You work for them all the time. | 0:56:21 | 0:56:26 | |
It's a nice, easy way of working, I must say. | 0:56:26 | 0:56:29 | |
When I left Warsaw, | 0:56:30 | 0:56:32 | |
I said one day I'd be back. | 0:56:32 | 0:56:34 | |
Thousands of others must have said the same thing. | 0:56:35 | 0:56:39 | |
But they are doing something practical. | 0:56:40 | 0:56:43 | |
I'd be doing the same if I were flying. | 0:56:43 | 0:56:45 | |
Do you believe you'd make any difference by yourself in the war? | 0:56:45 | 0:56:50 | |
Can't you understand one important thing? | 0:56:50 | 0:56:53 | |
You're a great musician with so much to give. | 0:56:53 | 0:56:56 | |
Lots of men fly better than you, but can't do what you can. | 0:56:56 | 0:57:00 | |
They can't think in terms of lovely music. | 0:57:00 | 0:57:03 | |
There's a power in these hands to play and compose wonderful music. | 0:57:03 | 0:57:08 | |
You have a great gift. You can't throw it away because of a stupid patriotic notion. | 0:57:08 | 0:57:14 | |
I never thought anybody could feel like that about me. | 0:57:16 | 0:57:20 | |
You're not saying this because you want me to stay on? | 0:57:20 | 0:57:24 | |
-Do you really believe it? -I've never believed anything so much. | 0:57:24 | 0:57:28 | |
I wonder why I never thought about that. | 0:57:28 | 0:57:31 | |
I'm glad you didn't. You'd have been insufferable. | 0:57:31 | 0:57:35 | |
Now you understand why you must stay? | 0:57:35 | 0:57:38 | |
-It does make things look different. -Of course. | 0:57:38 | 0:57:41 | |
Now will you say you're sorry for being so bad-tempered? | 0:57:41 | 0:57:45 | |
You richly deserved it, but I'll be magnanimous. I forgive you. | 0:57:45 | 0:57:50 | |
Such a great heart. No wonder I love you. | 0:57:50 | 0:57:53 | |
-I don't blame you. -That's what I like about you - you're so modest. | 0:57:53 | 0:57:58 | |
I'll take you all over the city. | 0:58:05 | 0:58:07 | |
-Let's wait till fall. It's cooler. -Have you got any museums I can visit? | 0:58:07 | 0:58:12 | |
My uncle has a stamp collection, but he's out of town. | 0:58:12 | 0:58:15 | |
You're ashamed of me. You don't want me to meet your family. | 0:58:15 | 0:58:19 | |
-How did you guess? -I'm psychic. Look in my eyes. | 0:58:19 | 0:58:23 | |
Look hard. What do you see? | 0:58:23 | 0:58:25 | |
Hmmm... They're a bit bloodshot, that's all. | 0:58:25 | 0:58:28 | |
That's the love light. What else do you see? | 0:58:28 | 0:58:31 | |
-Well, I see... -Oh, are we there? | 0:58:31 | 0:58:34 | |
-It's traffic lights. -Germans in Paris! Read about it! | 0:58:34 | 0:58:37 | |
-Paper, paper! -Germans in Paris! Read about it. | 0:58:37 | 0:58:42 | |
Germans in Paris! Read about it. | 0:58:42 | 0:58:45 | |
With Mother in Florida, it looks like my family is trying to avoid you. | 0:58:45 | 0:58:50 | |
Don't worry. We'll be there ourselves in a week, won't we? | 0:58:50 | 0:58:54 | |
Poor Mother. She's scared of meeting you. | 0:58:56 | 0:58:59 | |
She thinks you'll have to talk by signs. Why don't you try it? | 0:58:59 | 0:59:03 | |
I'd take you further, but the cab won't go up the steps. | 0:59:03 | 0:59:07 | |
Will you go upstairs and get unpacked, please? | 0:59:07 | 0:59:11 | |
-I've got to see somebody. Business. -Don't be long. | 0:59:11 | 0:59:15 | |
This settles it. For weeks I've been trying | 0:59:19 | 0:59:22 | |
to push it out of my mind, but it's back stronger than ever. | 0:59:22 | 0:59:26 | |
Not just because of the news. Suddenly it seems urgent, | 0:59:26 | 0:59:30 | |
and must be done at once. Otherwise, I'll be here for life. | 0:59:30 | 0:59:34 | |
What you want to tell me is | 0:59:34 | 0:59:36 | |
-you would like to cancel your second tour? -Yes. | 0:59:36 | 0:59:40 | |
-I never did like contracts. -It's all right? You're not angry? | 0:59:41 | 0:59:45 | |
-I'm not angry. -Thank you very much. | 0:59:45 | 0:59:48 | |
-That's a load off my mind. -Don't be silly. I wish I was going with you. | 0:59:48 | 0:59:53 | |
I forgot - you're a Frenchman. Tonight, | 0:59:53 | 0:59:55 | |
-you can't feel too good. -I'm no more French than you. I'm English. | 0:59:55 | 1:00:00 | |
That surprises you. | 1:00:00 | 1:00:02 | |
I know you thought of me as a fake, and you were right. | 1:00:02 | 1:00:06 | |
For years I worked as Gus Higgins and got nowhere. | 1:00:06 | 1:00:10 | |
Suddenly, one fine day, I became Andre De Guys, the great impresario. | 1:00:10 | 1:00:15 | |
-Why are you telling me this? -I don't know, but when I heard the news | 1:00:15 | 1:00:20 | |
I suddenly got a sick feeling, not so much for France, | 1:00:20 | 1:00:24 | |
but for England. Feeling all Land Of Hope And Glory! | 1:00:24 | 1:00:27 | |
I ought to be in Hyde Park. But this is nothing to do | 1:00:27 | 1:00:31 | |
with what we were talking about. You want to go. | 1:00:31 | 1:00:34 | |
-I won't stand in your way. But what about your wife? -I don't know. | 1:00:34 | 1:00:39 | |
Go and see her father. He likes you a lot. | 1:00:39 | 1:00:42 | |
That's just what I'm going to do. | 1:00:42 | 1:00:44 | |
If you feel like that there's nothing else you can do. | 1:00:46 | 1:00:49 | |
-Carol will understand. -That's just it. She doesn't even try to. | 1:00:49 | 1:00:54 | |
I don't want to rush off. I'm happy here. | 1:00:54 | 1:00:57 | |
I love the applause, my music, I love Carol. | 1:00:57 | 1:01:00 | |
I must say, it doesn't sound easy. | 1:01:00 | 1:01:03 | |
She's got a good line in tempers. Got it from me. | 1:01:03 | 1:01:06 | |
-Mine's not good either. -You're both liable to say and do things you'll be sorry about. | 1:01:06 | 1:01:12 | |
Listen, son, you know I like you, | 1:01:12 | 1:01:15 | |
and you know how I feel about Carol. | 1:01:15 | 1:01:18 | |
I don't want to see any trouble between you. | 1:01:18 | 1:01:21 | |
But if you've made up your mind to go back to flying, | 1:01:21 | 1:01:25 | |
that's all there is to it. | 1:01:25 | 1:01:27 | |
Thank you, sir. I thought you'd understand. | 1:01:28 | 1:01:31 | |
Don't you worry - everything'll turn out all right. | 1:01:32 | 1:01:36 | |
Are you coming to dinner before the concert? | 1:01:36 | 1:01:39 | |
-No. I like to be alone. -I'll be in the theatre to hear you. | 1:01:39 | 1:01:43 | |
-First concert I ever went to. -I feel guilty. | 1:01:43 | 1:01:46 | |
Make it loud. It's how I like my music. | 1:01:46 | 1:01:49 | |
-Loud. -I'll try my best. Good night. | 1:01:49 | 1:01:52 | |
-And thanks a lot. -Good night. | 1:01:52 | 1:01:54 | |
PIANO PLAYS | 1:01:57 | 1:01:59 | |
Please don't play that, for heaven's sake. | 1:02:03 | 1:02:06 | |
-What do you mean? -That. -It's Chopin's Polonaise. | 1:02:06 | 1:02:09 | |
I know. I hate it. It reminds me of the last days in Warsaw. | 1:02:09 | 1:02:14 | |
That's why I play it. | 1:02:14 | 1:02:16 | |
I've got something to tell you. | 1:02:29 | 1:02:32 | |
I've booked a passage on the clipper for tomorrow. | 1:02:32 | 1:02:35 | |
Did you say the clipper? | 1:02:35 | 1:02:37 | |
-Yes. -Have you gone crazy? | 1:02:37 | 1:02:39 | |
No, but I'm joining our air force in England. | 1:02:39 | 1:02:43 | |
Oh, Stefan, let's not have a scene now. | 1:02:43 | 1:02:46 | |
Last time we quarrelled you were very upset. Remember? | 1:02:46 | 1:02:50 | |
You played awful badly. | 1:02:50 | 1:02:52 | |
I'm going to play marvellously tonight, and nothing can stop it. | 1:02:52 | 1:02:56 | |
Carol, I'm not quarrelling with you. | 1:02:58 | 1:03:00 | |
I'm just telling you I'm going to England, that's all. | 1:03:00 | 1:03:05 | |
I don't know what's wrong. I thought you'd given up the idea. | 1:03:05 | 1:03:09 | |
I've tried to, Carol. Believe me. | 1:03:09 | 1:03:11 | |
I've tried. | 1:03:12 | 1:03:14 | |
Every day I tell myself what a marvellous job I'm doing here. | 1:03:14 | 1:03:19 | |
And every day I believe it less. | 1:03:20 | 1:03:22 | |
That's why I'm going. I have to. | 1:03:23 | 1:03:26 | |
Something I can't explain, something I can't help. | 1:03:26 | 1:03:30 | |
But I know once I've done it I'll feel all right inside. | 1:03:30 | 1:03:34 | |
I think it's madness. Such a stupid waste! | 1:03:34 | 1:03:37 | |
Life would be too easy if everybody said that. | 1:03:37 | 1:03:41 | |
There would be no art, no music, if it's not worth fighting for. | 1:03:42 | 1:03:46 | |
Listen to me. I want to tell you something. | 1:03:46 | 1:03:49 | |
Something Mike told me. He asked me not to tell you, but I must. | 1:03:49 | 1:03:54 | |
Remember when you left Poland, you drew a plane to Romania? | 1:03:54 | 1:03:58 | |
It was fixed. All the men in your squadron asked that you should be sent away. | 1:03:58 | 1:04:04 | |
You meant something to Poland. It didn't matter about them as long as you were alive. | 1:04:04 | 1:04:09 | |
You want to throw away the very thing they tried to do for you. | 1:04:09 | 1:04:14 | |
Are you still going now? | 1:04:26 | 1:04:28 | |
Nothing can stop me now. | 1:04:29 | 1:04:32 | |
Nothing. | 1:04:32 | 1:04:34 | |
You mean you're going, even without me? | 1:04:34 | 1:04:37 | |
I have to. | 1:04:37 | 1:04:39 | |
-You must love me an awful lot! -I do. | 1:04:39 | 1:04:42 | |
I love you more than anything in life, more than life itself, | 1:04:45 | 1:04:49 | |
but not even my love for you can stop me. | 1:04:49 | 1:04:52 | |
Go on. Maybe it's better that way. | 1:04:52 | 1:04:55 | |
-What do you mean? -I'm not going to be just a part of your life | 1:04:55 | 1:04:59 | |
like your music and patriotism. I'd rather be nothing. | 1:04:59 | 1:05:03 | |
If you go, you go for good. I can get a divorce any time. | 1:05:03 | 1:05:06 | |
So what happens depends entirely on you! | 1:05:06 | 1:05:09 | |
Thank you. | 1:05:33 | 1:05:35 | |
For heaven's sake, don't be so jumpy. | 1:05:39 | 1:05:42 | |
You'll make me nervous too. | 1:05:42 | 1:05:44 | |
It's just I had a row with Stefan tonight. | 1:05:44 | 1:05:47 | |
Yeah? I suppose it's about him going back to England? | 1:05:47 | 1:05:51 | |
-How did you know? -Oh, I just guessed. | 1:05:51 | 1:05:54 | |
It happened before, but... | 1:05:54 | 1:05:57 | |
tonight was different. | 1:05:57 | 1:05:59 | |
There, there. Everything'll work out all right. | 1:05:59 | 1:06:02 | |
-Don't you worry. -I hope so. | 1:06:02 | 1:06:05 | |
AUDIENCE APPLAUD | 1:06:05 | 1:06:07 | |
AUDIENCE APPLAUD | 1:10:20 | 1:10:22 | |
AUDIENCE CHEER | 1:10:22 | 1:10:24 | |
Merveilleux! You were superb. Superb. Go and take another bow. | 1:10:42 | 1:10:47 | |
They want you to make a speech. Listen! | 1:10:47 | 1:10:50 | |
What an ovation. Don't tell them you are going... | 1:10:50 | 1:10:53 | |
-Please, please. -Go and say something, anything. Quick, quick! | 1:10:53 | 1:10:58 | |
Ladies and gentlemen, | 1:11:08 | 1:11:10 | |
I couldn't make a speech to you now, even if I tried, | 1:11:10 | 1:11:13 | |
but I can thank you, not only for the way you've received me tonight, | 1:11:13 | 1:11:18 | |
but for all the people of your country | 1:11:18 | 1:11:21 | |
have been doing for the people of mine. | 1:11:21 | 1:11:24 | |
I speak for them when I say | 1:11:24 | 1:11:26 | |
we are very grateful. | 1:11:27 | 1:11:29 | |
Thank you. | 1:11:30 | 1:11:33 | |
I'll play one more piece. | 1:11:46 | 1:11:48 | |
The last music to come out of free Warsaw. | 1:11:48 | 1:11:52 | |
The music that taught the world that Poland was still alive. | 1:11:52 | 1:11:57 | |
Tonight it still is. | 1:11:58 | 1:12:00 | |
HE PLAYS "Polonaise No.1" by Frederic Chopin | 1:12:08 | 1:12:11 | |
PERFORMANCE BROADCAST ON RADIO | 1:12:34 | 1:12:36 | |
Turn off the radio. For heaven's sake, turn it off! | 1:12:41 | 1:12:45 | |
OK, lady. I like that sort of music myself. | 1:12:45 | 1:12:48 | |
CAROL CRIES | 1:13:02 | 1:13:04 | |
Say, what's going on here? | 1:13:08 | 1:13:10 | |
First you run out on me, and then I find you crying. | 1:13:11 | 1:13:14 | |
Say, what is all this anyway? | 1:13:14 | 1:13:17 | |
I wish I was dead! | 1:13:18 | 1:13:20 | |
Don't start talking like Hamlet. It's too late at night. | 1:13:20 | 1:13:24 | |
That's right, have a good cry. It'll make you feel a lot better. | 1:13:24 | 1:13:28 | |
Here, take this. | 1:13:28 | 1:13:31 | |
Now, go on. Have a good blow. | 1:13:33 | 1:13:35 | |
Thank you. I'm always borrowing your handkerchiefs. | 1:13:38 | 1:13:42 | |
Yes, and I never get 'em back either. | 1:13:42 | 1:13:45 | |
Tell me, young lady - what's the matter with you? | 1:13:46 | 1:13:50 | |
-I've been such a beast tonight, Daddy. -You mean about Stefan? | 1:13:50 | 1:13:54 | |
Yes. I told you we had a row. | 1:13:54 | 1:13:57 | |
-Uh-huh. -Well, I said awful things to him. | 1:13:57 | 1:14:00 | |
Things that hurt him a lot. | 1:14:00 | 1:14:02 | |
People often do that to someone they really love. What did you say? | 1:14:02 | 1:14:07 | |
I said if he went to England now | 1:14:08 | 1:14:11 | |
I'd leave him for good. | 1:14:11 | 1:14:13 | |
But I didn't mean it. | 1:14:14 | 1:14:16 | |
I couldn't. I love him much too much. | 1:14:16 | 1:14:20 | |
Oh, Daddy, you don't think he thought I really meant it? | 1:14:20 | 1:14:24 | |
I shouldn't think so. You go tell him you're sorry, and it'll be all right. | 1:14:24 | 1:14:29 | |
Oh... | 1:14:29 | 1:14:31 | |
I couldn't. Not tonight. | 1:14:31 | 1:14:33 | |
I wouldn't know what to say. | 1:14:33 | 1:14:35 | |
Besides, I look such a mess. | 1:14:35 | 1:14:38 | |
Tomorrow. | 1:14:39 | 1:14:40 | |
Then you better stay here. | 1:14:40 | 1:14:42 | |
Oh, Daddy, I don't know what I'd do without you. | 1:14:42 | 1:14:45 | |
Well, that's what I'm here for. Good night. | 1:14:45 | 1:14:49 | |
Night. Daddy? Why do you think he played the Polonaise? | 1:14:49 | 1:14:53 | |
-The what? -The loud piece at the end. | 1:14:53 | 1:14:56 | |
I don't know. They all sound the same to me. | 1:14:56 | 1:14:59 | |
He was sticking his tongue out, to show he wouldn't change his mind. | 1:14:59 | 1:15:04 | |
-I still wouldn't know. Good night. -Good night, Daddy. | 1:15:04 | 1:15:08 | |
Stefan? | 1:15:58 | 1:16:00 | |
Stefan? | 1:16:03 | 1:16:05 | |
Stefan? | 1:16:19 | 1:16:21 | |
Stefan! | 1:16:28 | 1:16:30 | |
-What do you think? -Much better than I thought it would be. | 1:18:00 | 1:18:04 | |
Different from the crates we used. How much do you get out of yours? | 1:18:04 | 1:18:09 | |
You get 370, but after our ground boys have finished with them, you can add another 50. | 1:18:09 | 1:18:15 | |
We have eight guns too, and a movie camera. | 1:18:15 | 1:18:18 | |
-What's the camera for? -To keep a check on Irishmen. | 1:18:18 | 1:18:22 | |
When we shoot a plane down he has his photo taken. | 1:18:22 | 1:18:25 | |
Come on, you fool, I'm hungry. | 1:18:25 | 1:18:28 | |
Hello, Popeye. | 1:18:29 | 1:18:31 | |
Time for lemonade before lunch. Thirsty weather, this. | 1:18:32 | 1:18:36 | |
-Lemonade, did you say? -I'm on the wagon. | 1:18:36 | 1:18:39 | |
I wanted to ask you - don't say anything about me being a musician. | 1:18:39 | 1:18:44 | |
Don't put your foot in it. | 1:18:44 | 1:18:46 | |
Get a haircut. Like that, you'll pass for an ordinary human being. | 1:18:46 | 1:18:51 | |
Did you have a good leave? | 1:18:52 | 1:18:54 | |
Fine, thanks. Can't you see the rings under my eyes? | 1:18:54 | 1:18:58 | |
Blimey, I thought it was camouflage. I hear we got 86 yesterday. | 1:18:58 | 1:19:02 | |
Going down. Let's look at our own score. | 1:19:02 | 1:19:05 | |
12 to 8. We still have the lead. | 1:19:05 | 1:19:08 | |
Let's have lunch. HE HUMS | 1:19:08 | 1:19:10 | |
Still murdering that tune? | 1:19:10 | 1:19:12 | |
-Have you got an easy number to remember? -Where do you sit? -Over here. | 1:19:13 | 1:19:18 | |
Hello, Pete. | 1:19:18 | 1:19:20 | |
Are you on today? Yes, I think we'll be called out. | 1:19:20 | 1:19:24 | |
How's your Polish getting on? Steve's teaching me a lot. | 1:19:24 | 1:19:28 | |
Je suis un bon eleve, n'est-ce pas? | 1:19:28 | 1:19:30 | |
Mais oui. | 1:19:30 | 1:19:32 | |
SPEAKS POLISH | 1:19:32 | 1:19:34 | |
Wonderful. | 1:19:36 | 1:19:39 | |
Oh, right. | 1:19:39 | 1:19:40 | |
Well, see you later. OK. | 1:19:41 | 1:19:43 | |
Don't you wish them luck? | 1:19:43 | 1:19:45 | |
We're in England. Oh, to be in England... | 1:19:45 | 1:19:48 | |
I bet a lot of Jerry airmen are thinking the same thing. | 1:19:48 | 1:19:52 | |
I wonder how many we'll knock down today. Cabbage. | 1:19:52 | 1:19:55 | |
MIKE HUMS | 1:19:58 | 1:20:00 | |
I think you're bluffing. I'll raise you to eight gallons. | 1:20:10 | 1:20:14 | |
HUMS Don't you know any other music? > | 1:20:14 | 1:20:17 | |
That's the finest music - the Rose Of Tralee. | 1:20:17 | 1:20:20 | |
These are too darn hot for this time of year. | 1:20:20 | 1:20:24 | |
I'll see you. | 1:20:26 | 1:20:28 | |
HE HUMS | 1:20:28 | 1:20:30 | |
Blast! > | 1:20:33 | 1:20:34 | |
That's my petrol gone till October. | 1:20:34 | 1:20:37 | |
Anybody want to buy a car? Going cheap. | 1:20:37 | 1:20:40 | |
I knew you were bluffing. Your nose was twitching. 16, | 1:20:40 | 1:20:44 | |
18, 22, 24. | 1:20:44 | 1:20:47 | |
I think I'll open a garage. This is my lucky day. | 1:20:47 | 1:20:50 | |
Unlucky at cards, lucky in love, eh, Steve? | 1:20:50 | 1:20:53 | |
The crew'll be out for the moment. Stiff tackle. | 1:20:59 | 1:21:02 | |
He forgot his cigarettes. | 1:21:03 | 1:21:05 | |
What a crook that man is. I must get my own back one of these days. | 1:21:05 | 1:21:10 | |
Mustn't grumble - I palmed off four dud coupons on him. Out of date. | 1:21:10 | 1:21:14 | |
You don't mind a third, do you? Seems lucky, this war. | 1:21:14 | 1:21:18 | |
I don't want to hear any more about it. Leave it. | 1:21:18 | 1:21:21 | |
-I've forgotten her. -Hear what she has to say... | 1:21:21 | 1:21:25 | |
-I don't want to. It's over as far as I'm concerned. -Don't be so pig-headed. | 1:21:25 | 1:21:30 | |
Why can't you be a human being for a change? You've been like this for weeks. | 1:21:30 | 1:21:36 | |
Mike, I know you're trying to help, but all you're doing is to make things worse. | 1:21:36 | 1:21:42 | |
I haven't heard from Carol since I've been in England. | 1:21:42 | 1:21:46 | |
I've been almost able to get her out of my system. | 1:21:46 | 1:21:49 | |
Now you go and put me back where I was when we split up. | 1:21:49 | 1:21:53 | |
All I want to do is forget I ever met her. | 1:21:53 | 1:21:56 | |
I don't want to fight, but you are making a mess of your lives over a stupid trifle. | 1:21:56 | 1:22:02 | |
You are both to blame. She may have started it, but you're trying to finish it. | 1:22:02 | 1:22:07 | |
Let me, instead of interfering. I don't even want to hear her name. | 1:22:07 | 1:22:12 | |
I'm trying to tell you she's written... | 1:22:12 | 1:22:15 | |
Do you think you could leave me alone? | 1:22:15 | 1:22:18 | |
If we're going to stay friends, keep off the subject. | 1:22:18 | 1:22:22 | |
Come on, boys, get a move on. | 1:22:22 | 1:22:24 | |
HE HUMS "Rose Of Tralee" | 1:23:07 | 1:23:09 | |
MUSIC ON PIANO: "Rose Of Tralee" | 1:23:18 | 1:23:21 | |
He was wild, but I can't think what he was trying to do. | 1:23:22 | 1:23:26 | |
Yes. Poor old Mike. | 1:23:26 | 1:23:28 | |
He said it was his lucky day when we were playing poker. | 1:23:28 | 1:23:31 | |
Yes, I remember. | 1:23:31 | 1:23:33 | |
What is that that he's playing? | 1:23:33 | 1:23:36 | |
The tune Mike was always singing. | 1:23:36 | 1:23:38 | |
I thought I'd seen you before. I've often seen you on records. | 1:25:02 | 1:25:07 | |
I suppose you were letting off steam last night. | 1:25:07 | 1:25:10 | |
-Yes. -Different ways of doing it. | 1:25:10 | 1:25:13 | |
We British don't say much, but we feel things the same as others. | 1:25:13 | 1:25:17 | |
This is his room, I think. | 1:25:17 | 1:25:20 | |
I suppose you don't mind doing this? | 1:25:21 | 1:25:23 | |
He was my best friend. | 1:25:23 | 1:25:25 | |
We all liked him. You have to take these things as a matter of course, | 1:25:25 | 1:25:30 | |
or we wouldn't last five minutes. | 1:25:30 | 1:25:33 | |
A pilot has to be fit in every way nowadays. | 1:25:33 | 1:25:36 | |
If he's upset in any way, has something on his mind, it's absolutely fatal. | 1:25:36 | 1:25:41 | |
I had to get rid of one of the best pilots I've ever seen. | 1:25:41 | 1:25:45 | |
He was always getting on the nerves of the rest of the squadron. | 1:25:45 | 1:25:50 | |
He had these with him. | 1:25:54 | 1:25:56 | |
If you mind doing it, for heaven's sake say so. | 1:25:59 | 1:26:02 | |
-Somebody'll have to look through his papers. -It's all right. | 1:26:02 | 1:26:07 | |
I'll get his batman to see about his cases. | 1:26:07 | 1:26:10 | |
MUSIC: "Rose Of Tralee" | 1:26:13 | 1:26:15 | |
SIREN BLARES | 1:27:39 | 1:27:41 | |
< Hurry up! Coming. | 1:27:46 | 1:27:48 | |
Squadron leader speaking. 30 bandits below. | 1:28:59 | 1:29:02 | |
Let her go! | 1:29:11 | 1:29:12 | |
RESUMES PLAYING | 1:31:43 | 1:31:45 | |
STOPS ABRUPTLY | 1:31:49 | 1:31:51 | |
(Carol.) | 1:32:21 | 1:32:22 | |
(Carol.) | 1:32:24 | 1:32:25 | |
It's not safe to be out alone | 1:32:30 | 1:32:32 | |
when the moon is so bright. | 1:32:33 | 1:32:35 | |
Stefan! | 1:32:40 | 1:32:41 | |
Subtitles by ITFC Limited for BBC Broadcast - 2002 | 1:33:04 | 1:33:08 |