
Browse content similar to Deceived. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
Good evening, madam. | 0:02:52 | 0:02:54 | |
Hi. I'm here to meet Adam Lucas. | 0:02:54 | 0:02:56 | |
I don't think he's here. Would you like to look? | 0:02:56 | 0:02:59 | |
I don't know what he looks like. | 0:02:59 | 0:03:01 | |
Well, please take a seat at the bar, or at your table. | 0:03:01 | 0:03:06 | |
-My table will be fine. -Very well. | 0:03:06 | 0:03:08 | |
# Happy birthday, dear Paddy | 0:03:20 | 0:03:22 | |
# Happy birthday to you! # | 0:03:22 | 0:03:25 | |
SOFT GUITAR MUSIC | 0:03:40 | 0:03:42 | |
Excuse me. | 0:04:26 | 0:04:28 | |
Could you ask that man who's sitting alone, if he is Adam Lucas? | 0:04:28 | 0:04:33 | |
Thank you. | 0:04:33 | 0:04:35 | |
I'm sorry, ma'am. No. | 0:04:54 | 0:04:55 | |
Thank you very much. | 0:04:55 | 0:04:57 | |
Taxi! | 0:05:25 | 0:05:26 | |
DENNY ZEITLIN TRIO: And Then I Wondered If You Knew | 0:05:28 | 0:05:33 | |
BUZZER | 0:05:46 | 0:05:47 | |
I'll get it. They're probably here to pick up my angels. | 0:05:47 | 0:05:52 | |
This is incredible, isn't it? | 0:05:57 | 0:06:00 | |
I had a feeling I knew you somehow. | 0:06:01 | 0:06:03 | |
You did? | 0:06:03 | 0:06:05 | |
I was just bringing this amphora in to be repaired. | 0:06:06 | 0:06:11 | |
You don't remember, but I was in here a year ago. | 0:06:11 | 0:06:14 | |
I brought in a mosaic. | 0:06:14 | 0:06:16 | |
Third century, Herculaneum. Portrait of a boy. | 0:06:16 | 0:06:21 | |
A dark-haired woman worked on it. | 0:06:21 | 0:06:24 | |
Charlotte, my partner. I remember it. | 0:06:24 | 0:06:27 | |
You do? She did a terrific job. | 0:06:27 | 0:06:30 | |
Good. | 0:06:30 | 0:06:31 | |
I'm Jack Saunders, Curator of Antiquities, Founders' Museum. | 0:06:31 | 0:06:35 | |
Adrienne Davis. No title. | 0:06:35 | 0:06:38 | |
It's nice to meet you finally. | 0:06:39 | 0:06:42 | |
The same. | 0:06:42 | 0:06:43 | |
Adrienne, I'm leaving. | 0:06:43 | 0:06:44 | |
-I'll lock up. -See you tomorrow. | 0:06:44 | 0:06:47 | |
That's her. | 0:06:47 | 0:06:49 | |
Let's have a look at that. | 0:06:49 | 0:06:51 | |
We had a house in Searsport. | 0:06:51 | 0:06:54 | |
My aunt and uncle had a house not far from Searsport. | 0:06:54 | 0:06:58 | |
-Me and my cousins would go there, swim all summer. -Really? | 0:06:58 | 0:07:02 | |
Probably there at the same time. | 0:07:02 | 0:07:04 | |
Ever go to The Breakers? | 0:07:04 | 0:07:06 | |
We used to try to sneak in there, dance to the music. | 0:07:06 | 0:07:11 | |
I can't believe this. | 0:07:11 | 0:07:13 | |
What's your favourite song? | 0:07:13 | 0:07:15 | |
Earth Angel. | 0:07:15 | 0:07:16 | |
# Earth Angel, Earth Angel | 0:07:16 | 0:07:18 | |
# Say you'll be mine | 0:07:18 | 0:07:20 | |
BOTH: # Darling dear, love you all the time | 0:07:20 | 0:07:25 | |
# I'm just a fool | 0:07:25 | 0:07:27 | |
# A fool in love with you | 0:07:27 | 0:07:31 | |
# Doo doo doo doo doo doo! # | 0:07:31 | 0:07:33 | |
FOOTSTEPS > | 0:07:42 | 0:07:44 | |
Good morning. Ah, no. Don't get up, please. | 0:07:45 | 0:07:49 | |
Go on doing whatever it was you were doing. | 0:07:50 | 0:07:54 | |
SHE LAUGHS | 0:07:57 | 0:07:59 | |
Here's to Adam Lucas, with deepest gratitude. | 0:08:07 | 0:08:12 | |
Who? | 0:08:12 | 0:08:13 | |
Your blind date the other night. | 0:08:13 | 0:08:15 | |
Oh. | 0:08:15 | 0:08:17 | |
So what are you doing tonight? | 0:08:24 | 0:08:27 | |
I don't know. | 0:08:27 | 0:08:29 | |
How about tomorrow night? | 0:08:30 | 0:08:33 | |
I don't know. | 0:08:35 | 0:08:37 | |
How about the rest of your life? | 0:08:38 | 0:08:41 | |
Am I being too presumptuous? | 0:08:44 | 0:08:46 | |
Well, that remains to be seen. | 0:08:49 | 0:08:52 | |
CHILDREN LAUGH AND CHATTER | 0:09:09 | 0:09:12 | |
Mommy, can I blow out the candles? | 0:09:12 | 0:09:14 | |
Just hang on, honey. | 0:09:14 | 0:09:15 | |
Let's sing Happy Birthday. | 0:09:15 | 0:09:17 | |
ALL: # Happy birthday to you | 0:09:17 | 0:09:21 | |
# Happy birthday to you | 0:09:21 | 0:09:25 | |
# Happy birthday, dear Mary | 0:09:25 | 0:09:30 | |
# Happy birthday to you! # | 0:09:30 | 0:09:36 | |
CHEERING AND APPLAUSE | 0:09:37 | 0:09:39 | |
Mommy, can I cut it now? | 0:09:39 | 0:09:41 | |
Thank you, Daddy. | 0:09:42 | 0:09:44 | |
My scariest purchase was 1,200,000, an Etruscan urn. | 0:09:58 | 0:10:03 | |
In perfect condition - so they doubted its authenticity. | 0:10:03 | 0:10:09 | |
We had five authenticators on it. | 0:10:09 | 0:10:12 | |
WATCH BLEEPS | 0:10:12 | 0:10:14 | |
Best piece I ever purchased. | 0:10:14 | 0:10:17 | |
Enough business. We have cake. | 0:10:17 | 0:10:19 | |
-Gimme that! I want that! -No, you don't! | 0:10:22 | 0:10:25 | |
-And no more nothing! -And no more nothing! | 0:10:27 | 0:10:30 | |
That's me. | 0:10:30 | 0:10:33 | |
The day you were born. Happiest day of my life. | 0:10:33 | 0:10:36 | |
Mine too. | 0:10:36 | 0:10:37 | |
Where is Granny and Papa? | 0:10:39 | 0:10:41 | |
Granny and Papa? Mine? | 0:10:41 | 0:10:43 | |
Yours. | 0:10:43 | 0:10:45 | |
Where are they? Is that them? | 0:10:46 | 0:10:48 | |
Nope. That's not them. | 0:10:48 | 0:10:50 | |
Is that them? | 0:10:50 | 0:10:51 | |
Nope. That's not them either. | 0:10:51 | 0:10:54 | |
That's them. | 0:10:55 | 0:10:57 | |
Here's me as a boy in Nebraska. | 0:10:57 | 0:10:59 | |
Standing by me is Grandpapa, Thomas. | 0:11:00 | 0:11:03 | |
That's your grandmother, Lorraine. | 0:11:03 | 0:11:06 | |
Over here is a bicycle I used to ride. | 0:11:06 | 0:11:10 | |
Over where you can't see is a hill where we used to go tobogganing. | 0:11:10 | 0:11:16 | |
Tell me again about Granny's eyes. | 0:11:16 | 0:11:19 | |
Granny's eyes were beautiful eyes, exactly like... | 0:11:19 | 0:11:22 | |
..exactly like mine. | 0:11:22 | 0:11:24 | |
Right. OK. | 0:11:24 | 0:11:27 | |
Time to go to sleep. | 0:11:27 | 0:11:29 | |
Good night, Daddy. | 0:11:29 | 0:11:30 | |
Good night, sweetie. | 0:11:30 | 0:11:32 | |
Know what I'm thinking? | 0:11:40 | 0:11:42 | |
What? | 0:11:42 | 0:11:44 | |
How lucky I am. | 0:11:44 | 0:11:46 | |
Lucky how? | 0:11:48 | 0:11:51 | |
SHE LAUGHS You don't know anything. | 0:11:51 | 0:11:54 | |
MACHINE HUMS | 0:13:36 | 0:13:38 | |
HE SCREAMS | 0:14:00 | 0:14:02 | |
You're more beautiful than her. | 0:14:36 | 0:14:39 | |
Adrienne? What are you wearing? | 0:14:39 | 0:14:41 | |
A slip. | 0:14:41 | 0:14:43 | |
-Your underwear? -No. You like it? | 0:14:43 | 0:14:45 | |
-God, you look great. -Thanks. | 0:14:45 | 0:14:48 | |
Oh, hi, Jack! | 0:14:48 | 0:14:49 | |
Harvey. I was wondering if you'd get to me. | 0:14:49 | 0:14:52 | |
I'll see you later, all right? | 0:14:52 | 0:14:54 | |
You two should form a club. | 0:14:54 | 0:14:56 | |
-Jack, has the urn arrived? -It should have come yesterday. | 0:15:06 | 0:15:09 | |
I'm heartbroken to part with it. | 0:15:09 | 0:15:11 | |
We'll give you special visitation rights. | 0:15:11 | 0:15:15 | |
It's a very generous gift, Mrs Peabody. | 0:15:15 | 0:15:18 | |
We're infinitely grateful. | 0:15:18 | 0:15:20 | |
Good. Where's Tomasz? | 0:15:20 | 0:15:22 | |
I don't know. We just got here. | 0:15:22 | 0:15:24 | |
Tell him I want him to thank me too. | 0:15:24 | 0:15:26 | |
I will. | 0:15:26 | 0:15:28 | |
Special visitation rights? | 0:15:29 | 0:15:31 | |
You're so smooth, Jack! | 0:15:31 | 0:15:33 | |
It takes practice. | 0:15:33 | 0:15:35 | |
Who do you practise on? Me? | 0:15:35 | 0:15:37 | |
Whenever I get the chance. | 0:15:37 | 0:15:39 | |
MAORI SINGING | 0:15:44 | 0:15:46 | |
Excuse me. I want to go check on Mary. Can I use your phone? | 0:16:11 | 0:16:16 | |
Sure. | 0:16:16 | 0:16:18 | |
Thanks, pal. | 0:16:21 | 0:16:23 | |
BLEEPING > | 0:16:52 | 0:16:54 | |
BLEEPING CONTINUES > | 0:16:59 | 0:17:01 | |
Oh! | 0:17:05 | 0:17:06 | |
BLEEPING CONTINUES | 0:17:06 | 0:17:08 | |
SHE SCREAMS | 0:17:14 | 0:17:16 | |
No! Oh, my God! | 0:17:18 | 0:17:22 | |
Did you sense any depression, any mood swings? | 0:17:31 | 0:17:36 | |
I saw him this afternoon. He seemed fine. | 0:17:36 | 0:17:39 | |
Maybe he was depressed about his heart condition. | 0:17:39 | 0:17:43 | |
He was taking a lot of pills. | 0:17:43 | 0:17:45 | |
Jesus. He was talking about a fishing trip, planning a trip. | 0:17:45 | 0:17:51 | |
Yeah. He spoke to me about that too. | 0:17:51 | 0:17:54 | |
Mrs Saunders, will you come to the station tomorrow, | 0:17:56 | 0:18:01 | |
and sign a statement? | 0:18:01 | 0:18:03 | |
Of course. Of course. | 0:18:03 | 0:18:05 | |
What about the rest of us? | 0:18:06 | 0:18:08 | |
We'll contact you if we need to. | 0:18:08 | 0:18:11 | |
Are you all right? | 0:18:18 | 0:18:20 | |
No. | 0:18:21 | 0:18:23 | |
You OK? | 0:18:23 | 0:18:25 | |
You sign a statement and it's meant to close the book? | 0:18:26 | 0:18:30 | |
They see hundreds of these a week. | 0:18:30 | 0:18:32 | |
Well, I don't. | 0:18:32 | 0:18:35 | |
Tomasz deserved better than that. | 0:18:35 | 0:18:38 | |
I know how you feel. | 0:18:38 | 0:18:40 | |
Why would a guy who's going to commit suicide | 0:18:40 | 0:18:44 | |
set his watch to take medication? | 0:18:44 | 0:18:47 | |
Adrienne, honey, they told you - the watch was probably preset. | 0:18:47 | 0:18:50 | |
He didn't even think about it. | 0:18:50 | 0:18:52 | |
You're probably right. | 0:18:52 | 0:18:54 | |
Can you sign this out, Jean? | 0:18:56 | 0:18:59 | |
We're loaning it for an Egyptian exhibit. | 0:18:59 | 0:19:02 | |
Oh, great. Thanks. | 0:19:02 | 0:19:04 | |
Hm. | 0:19:14 | 0:19:16 | |
Looks like someone's already run a test on this. | 0:19:28 | 0:19:32 | |
Your bath's ready, sweetie. | 0:19:39 | 0:19:41 | |
-Take your clothes off, OK? -OK. | 0:19:41 | 0:19:44 | |
I'll be right back. | 0:19:44 | 0:19:46 | |
Hi. | 0:19:51 | 0:19:53 | |
HE SIGHS | 0:19:57 | 0:19:59 | |
What's the matter? | 0:20:01 | 0:20:03 | |
They discovered a... | 0:20:03 | 0:20:06 | |
a fake necklace, in the Egyptian collection at the museum. | 0:20:06 | 0:20:10 | |
4,500,000. | 0:20:13 | 0:20:15 | |
And I bought it. | 0:20:15 | 0:20:17 | |
Who authenticated it? | 0:20:18 | 0:20:20 | |
Harvey. Harvey authenticated it, but it's my ass on the line. | 0:20:22 | 0:20:27 | |
It's my career, my reputation. | 0:20:27 | 0:20:30 | |
Damn it, I know what I bought. It was real. | 0:20:31 | 0:20:35 | |
< Somebody must have switched 'em. | 0:20:35 | 0:20:39 | |
Tomasz. | 0:20:39 | 0:20:41 | |
What? | 0:20:41 | 0:20:43 | |
Maybe he was in trouble, needed money. | 0:20:43 | 0:20:46 | |
Um, something could have happened. | 0:20:46 | 0:20:49 | |
Honey, | 0:20:51 | 0:20:53 | |
Tomasz was not a criminal. | 0:20:53 | 0:20:55 | |
What I'm trying to tell you is, | 0:20:56 | 0:20:59 | |
everybody's going to be looking at me. | 0:20:59 | 0:21:02 | |
They're all looking at me. | 0:21:02 | 0:21:05 | |
That's good, honey. Get your back. | 0:21:12 | 0:21:16 | |
KNOCKING | 0:21:17 | 0:21:19 | |
I'm sorry. | 0:21:22 | 0:21:24 | |
I don't know what I'd do without you. | 0:21:26 | 0:21:29 | |
You'd think of something. | 0:21:29 | 0:21:31 | |
Who are you? | 0:21:35 | 0:21:37 | |
Want me to make dinner? | 0:21:41 | 0:21:43 | |
BOTH: Mm-hm. | 0:21:43 | 0:21:45 | |
What? Fried soap-suds? | 0:21:45 | 0:21:47 | |
No. | 0:21:47 | 0:21:49 | |
I love you. | 0:21:51 | 0:21:54 | |
Ernesto's? I want to order some takeout. | 0:22:00 | 0:22:03 | |
Three chicken fricassees, two rice. | 0:22:03 | 0:22:07 | |
-Do we have any Coke? -Yeah. | 0:22:07 | 0:22:10 | |
I've another call. Jack Saunders. I'll be by to pick it up. Thanks. | 0:22:10 | 0:22:15 | |
..Hello? Yeah, this is me. | 0:22:15 | 0:22:19 | |
Son of a bitch, I can't believe it. Now, with everything...? | 0:22:20 | 0:22:25 | |
All right. All right, all right, I'll be there. | 0:22:25 | 0:22:29 | |
OK. Bye-bye. | 0:22:29 | 0:22:31 | |
I have to go to Boston. | 0:22:33 | 0:22:35 | |
Boston?! | 0:22:35 | 0:22:36 | |
Of all the stupid times! With everything that's going on. | 0:22:36 | 0:22:40 | |
-What is it? -An auction. | 0:22:40 | 0:22:42 | |
The Morgan collection is going on the block, 9am. I can't say no. | 0:22:42 | 0:22:48 | |
When do you have to leave? | 0:22:48 | 0:22:49 | |
There's a ten o'clock flight. | 0:22:49 | 0:22:51 | |
Honey, could you get my grey suit? | 0:22:55 | 0:22:57 | |
OK. | 0:22:57 | 0:22:59 | |
Do you need this stuff? | 0:23:00 | 0:23:02 | |
What is it? | 0:23:02 | 0:23:04 | |
American Express receipt and a business card. Daniel Sherman. | 0:23:04 | 0:23:10 | |
Who's he? | 0:23:10 | 0:23:11 | |
There's a number on the back. | 0:23:11 | 0:23:14 | |
I don't know. | 0:23:14 | 0:23:15 | |
I'll toss it. | 0:23:15 | 0:23:16 | |
Do you need a cab, honey? | 0:23:16 | 0:23:18 | |
No, I'm going to take the car. | 0:23:18 | 0:23:21 | |
You had a bad day, didn't you? | 0:23:22 | 0:23:24 | |
Mm. | 0:23:24 | 0:23:26 | |
I love you. | 0:23:30 | 0:23:32 | |
And I love you. | 0:23:32 | 0:23:34 | |
Hurry home, honey. | 0:23:35 | 0:23:37 | |
Sorry I'm late. | 0:24:08 | 0:24:09 | |
That's OK. | 0:24:09 | 0:24:11 | |
-Wow! -Yeah. We'll draw straws to see who goes up. | 0:24:11 | 0:24:15 | |
I'd love to. It'd be challenging. | 0:24:15 | 0:24:17 | |
Is Jack meeting you here? | 0:24:17 | 0:24:20 | |
No. He's not here. | 0:24:20 | 0:24:21 | |
I thought I saw him in the lounge. | 0:24:21 | 0:24:23 | |
He's in Boston, back tomorrow. | 0:24:23 | 0:24:26 | |
Weird. | 0:24:26 | 0:24:28 | |
Adrienne, we gotta get the guys with the scaffolding in, pronto. | 0:24:28 | 0:24:33 | |
MUSIC: Earth Angel by the Penguins | 0:25:00 | 0:25:03 | |
# Earth angel, earth angel | 0:25:05 | 0:25:08 | |
# Will you be mine? | 0:25:09 | 0:25:11 | |
# My darling dear... # | 0:25:13 | 0:25:15 | |
Honey? | 0:25:15 | 0:25:17 | |
Hm, I love it. It's great. | 0:25:17 | 0:25:20 | |
You shouldn't have done this. | 0:25:21 | 0:25:24 | |
Who says I did it for you? | 0:25:24 | 0:25:27 | |
SHE CHUCKLES | 0:25:27 | 0:25:28 | |
I should have known. | 0:25:28 | 0:25:31 | |
A weird thing happened yesterday. | 0:25:32 | 0:25:35 | |
I was with Charlotte, working at the Chesterfield Hotel, and, um... | 0:25:35 | 0:25:42 | |
she said she could have sworn she saw you in the lounge. | 0:25:42 | 0:25:46 | |
Tell the truth. Were you in New York yesterday? | 0:25:48 | 0:25:52 | |
Are you having an affair? | 0:25:54 | 0:25:56 | |
Am I having an affair at the Chesterfield Hotel? You kidding? | 0:25:57 | 0:26:02 | |
They have rotten room service. | 0:26:02 | 0:26:04 | |
By your sixth anniversary, you shouldn't have to wait for a table! | 0:26:20 | 0:26:25 | |
No, by your 60th anniversary. | 0:26:25 | 0:26:28 | |
Let's have a toast anyway. Harvey, make a toast. | 0:26:28 | 0:26:32 | |
I'm not feeling very witty. | 0:26:32 | 0:26:34 | |
All right, I'll make a toast. | 0:26:34 | 0:26:37 | |
With deepest gratitude to Adam Lucas. | 0:26:37 | 0:26:40 | |
Who's Adam Lucas? | 0:26:42 | 0:26:44 | |
It's a very good story. | 0:26:44 | 0:26:47 | |
I'll see about our table. I got some clout. | 0:26:49 | 0:26:52 | |
Tell me a joke, Harv. | 0:26:55 | 0:26:57 | |
-Life sucks. -What's the punch line? | 0:26:58 | 0:27:00 | |
There isn't one. | 0:27:00 | 0:27:01 | |
What's the matter? | 0:27:01 | 0:27:03 | |
-Nothing in particular. -Come on. You can tell me. | 0:27:03 | 0:27:06 | |
I had to go to Tomasz's family and ask for bank statements. | 0:27:08 | 0:27:14 | |
I felt like such a shit. | 0:27:14 | 0:27:16 | |
What were you looking for? | 0:27:16 | 0:27:18 | |
We traced the forgery to a jeweller in Stuttgart. | 0:27:18 | 0:27:22 | |
The necklace was made for a guy by the name of Daniel Sherman, | 0:27:22 | 0:27:26 | |
who paid 10,000, in travellers' cheques. | 0:27:26 | 0:27:29 | |
Daniel Sherman? | 0:27:29 | 0:27:31 | |
I'm sure it's an alias. | 0:27:31 | 0:27:33 | |
The point is, there was nothing irregular in Tomasz's account. | 0:27:33 | 0:27:37 | |
So, well, now we're all fair game. | 0:27:37 | 0:27:40 | |
Table's ready, everybody. | 0:27:41 | 0:27:43 | |
This is not what we agreed upon. > | 0:28:00 | 0:28:02 | |
No, because it's not... | 0:28:02 | 0:28:05 | |
I told you this once before, that if this came up, what was... | 0:28:08 | 0:28:12 | |
No, it's OK. It's no problem. | 0:28:14 | 0:28:16 | |
Yeah. Me too. | 0:28:16 | 0:28:18 | |
All right. See you soon. Bye-bye. | 0:28:20 | 0:28:23 | |
Is everything all right? | 0:28:24 | 0:28:26 | |
Oh, yeah. I just, er... | 0:28:26 | 0:28:28 | |
I realised I had to make a call to San Francisco. | 0:28:28 | 0:28:32 | |
The time difference and everything. | 0:28:32 | 0:28:36 | |
It's OK now. It's fine. | 0:28:36 | 0:28:38 | |
Are you OK? Did I wake you up? | 0:28:38 | 0:28:40 | |
Let's go back to bed. | 0:28:43 | 0:28:45 | |
I'm colouring my bird purple. | 0:28:52 | 0:28:55 | |
-Is he a magic bird? -Mm-hm. | 0:28:55 | 0:28:57 | |
Hello, everybody. | 0:28:57 | 0:28:59 | |
Hi, Mommy! | 0:28:59 | 0:29:01 | |
PHONE RINGS | 0:29:01 | 0:29:03 | |
I love your colouring. | 0:29:03 | 0:29:05 | |
Great. You have to colour the trees. | 0:29:05 | 0:29:08 | |
What colour? | 0:29:08 | 0:29:10 | |
Hello? | 0:29:10 | 0:29:11 | |
'Mr Jack Saunders, please.' | 0:29:11 | 0:29:14 | |
He's not in right now. Can I take a message? | 0:29:14 | 0:29:16 | |
'It's Marje from Vogue Lingerie. | 0:29:16 | 0:29:19 | |
'He left his credit card here.' | 0:29:19 | 0:29:22 | |
Really? You're calling from Boston? | 0:29:22 | 0:29:25 | |
'No, this is Vogue Lingerie in East 53rd Street, Manhattan. | 0:29:25 | 0:29:29 | |
'This is the Saunders residence?' | 0:29:29 | 0:29:32 | |
Yes, it is. | 0:29:32 | 0:29:34 | |
You have the right number. | 0:29:34 | 0:29:36 | |
'Maybe he'd like to pick it up.' | 0:29:36 | 0:29:38 | |
I'll tell him. Thank you. | 0:29:38 | 0:29:40 | |
Sorry. I didn't know you were in here. | 0:30:19 | 0:30:22 | |
That's OK. I was just going through some old papers. | 0:30:22 | 0:30:26 | |
I was just getting his suits for the cleaners - the ones he took to Boston. | 0:30:26 | 0:30:30 | |
Why not leave them till tomorrow? | 0:30:30 | 0:30:34 | |
-OK. -OK, thanks. | 0:30:34 | 0:30:36 | |
What are you doing? What's going on? What happened? | 0:31:15 | 0:31:19 | |
I was just looking for something. | 0:31:21 | 0:31:23 | |
What? | 0:31:23 | 0:31:26 | |
I found this in your suit pocket. | 0:31:28 | 0:31:31 | |
The one you wore to Boston. | 0:31:33 | 0:31:35 | |
You didn't go to Boston, did you? | 0:31:35 | 0:31:38 | |
That WAS you at the Chesterfield Hotel, wasn't it? | 0:31:38 | 0:31:42 | |
You found a piece of candy in my suit pocket, | 0:31:44 | 0:31:47 | |
and...suddenly I'm a liar? | 0:31:47 | 0:31:50 | |
You're accusing me of lying? And what else? | 0:31:50 | 0:31:54 | |
Of having an affair? | 0:31:54 | 0:31:56 | |
Jesus Christ. | 0:31:57 | 0:31:58 | |
I don't believe this. | 0:32:01 | 0:32:02 | |
I mean, do you have any idea, Adrienne, | 0:32:06 | 0:32:08 | |
how many receptions I've been to there? | 0:32:08 | 0:32:10 | |
Do you have any idea at all? | 0:32:10 | 0:32:12 | |
What else am I lying about, Adrienne? | 0:32:15 | 0:32:19 | |
What else? | 0:32:19 | 0:32:21 | |
What about my nightgown? | 0:32:22 | 0:32:24 | |
What about it? | 0:32:24 | 0:32:26 | |
The lady called from the lingerie shop. | 0:32:26 | 0:32:29 | |
She said you left your credit card there. | 0:32:29 | 0:32:33 | |
On 53rd Street in New York. | 0:32:33 | 0:32:36 | |
You told me that you bought it in Boston. | 0:32:38 | 0:32:41 | |
No, I didn't. I never said that. | 0:32:41 | 0:32:43 | |
I never did. | 0:32:43 | 0:32:45 | |
I decided to buy you a gift, | 0:32:45 | 0:32:47 | |
and stopped in Midtown on my way home from the airport. | 0:32:47 | 0:32:52 | |
What else, Adrienne? | 0:32:52 | 0:32:55 | |
What about Daniel Sherman? | 0:32:57 | 0:32:59 | |
Who? | 0:32:59 | 0:33:01 | |
Daniel Sherman. You had his business card in your suit pocket. | 0:33:01 | 0:33:07 | |
Harvey said they traced the forgery to him. | 0:33:07 | 0:33:10 | |
Harvey Schwarz? | 0:33:10 | 0:33:12 | |
I'm your husband and you're listening to Harvey Schwarz? | 0:33:14 | 0:33:18 | |
Have you any idea how many people hand me a business card in a day? | 0:33:18 | 0:33:23 | |
Has it occurred to you that Harvey Schwarz | 0:33:23 | 0:33:27 | |
is just as much a suspect in this thing as anybody else? | 0:33:27 | 0:33:31 | |
Harvey? | 0:33:31 | 0:33:33 | |
You sound so astonished. And yet you suspected me. | 0:33:33 | 0:33:36 | |
I didn't suspect you. | 0:33:36 | 0:33:38 | |
-Yes, you did, Adrienne. -No, I didn't. | 0:33:38 | 0:33:41 | |
You just did. | 0:33:43 | 0:33:45 | |
Jack. Jack, wait a minute! | 0:33:51 | 0:33:53 | |
Where are you going? | 0:33:53 | 0:33:55 | |
I don't know. | 0:33:55 | 0:33:58 | |
Jack, please. Come on! Let's talk about this. Don't go. | 0:33:58 | 0:34:03 | |
I can't talk to you, Adrienne. You wouldn't understand. | 0:34:03 | 0:34:07 | |
Daddy! Daddy! | 0:34:07 | 0:34:09 | |
Hi, sweetie! | 0:34:09 | 0:34:10 | |
I'll be back, OK? You be with Mommy. | 0:34:10 | 0:34:13 | |
Been waiting long? | 0:35:22 | 0:35:24 | |
Mommy, can I paint the roses too? | 0:35:49 | 0:35:52 | |
Yes, you can. Go get some brushes. | 0:35:52 | 0:35:55 | |
OK. | 0:35:55 | 0:35:57 | |
COUGHING | 0:37:29 | 0:37:32 | |
I found a great Italian deli. | 0:38:06 | 0:38:07 | |
DOORBELL RINGS | 0:38:07 | 0:38:09 | |
I'll get it. | 0:38:09 | 0:38:11 | |
Maybe it's Daddy. | 0:38:11 | 0:38:13 | |
Maybe it is. | 0:38:13 | 0:38:15 | |
Good evening, ma'am. Are you Mrs Adrienne Saunders? | 0:38:20 | 0:38:25 | |
Yes, I am. | 0:38:25 | 0:38:27 | |
Mr Dagota? | 0:38:49 | 0:38:50 | |
Your son's personal effects. | 0:38:52 | 0:38:55 | |
If everything's in order, I'll need you to sign for it. | 0:38:57 | 0:39:01 | |
Mrs Saunders. | 0:39:04 | 0:39:06 | |
Mrs Saunders... | 0:39:08 | 0:39:10 | |
I'll need your signature on this identification form, | 0:39:11 | 0:39:17 | |
to verify that these are indeed your husband's personal effects. | 0:39:17 | 0:39:21 | |
Yes. Yes. | 0:39:27 | 0:39:29 | |
They are. | 0:39:29 | 0:39:32 | |
Everything feels so wrong. | 0:40:23 | 0:40:27 | |
So strange. | 0:40:27 | 0:40:29 | |
What am I going to do with all his clothes? | 0:40:32 | 0:40:35 | |
I just bought him new shirts. | 0:40:37 | 0:40:40 | |
You just have to wait it out, I guess. | 0:40:40 | 0:40:43 | |
I mean, that's all you can do. | 0:40:45 | 0:40:47 | |
And remember, you always have me. | 0:40:55 | 0:40:58 | |
So, if you really need a change of space... | 0:40:58 | 0:41:01 | |
Granny said Daddy was in heaven. Do you think he's in heaven? | 0:41:42 | 0:41:48 | |
Is he with his granny and papa? | 0:41:48 | 0:41:51 | |
I think so, sweetheart. | 0:41:53 | 0:41:55 | |
But he didn't even say goodbye. | 0:41:56 | 0:42:00 | |
I know, honey. | 0:42:01 | 0:42:03 | |
But, because of you, Daddy's going to go on for ever. | 0:42:03 | 0:42:08 | |
Get your coat on. Take your toast with you. | 0:42:16 | 0:42:20 | |
OK. | 0:42:20 | 0:42:22 | |
-Hi! -Hi! | 0:42:23 | 0:42:25 | |
-Hello. -Hi. I'm sorry the house is a mess. | 0:42:25 | 0:42:28 | |
I'll have it together by the time you get home. | 0:42:28 | 0:42:31 | |
Come on, baby. Let's go. | 0:42:31 | 0:42:33 | |
-Bye. -Bye! See you at one o'clock. | 0:42:33 | 0:42:35 | |
PHONE RINGS | 0:44:00 | 0:44:02 | |
How are you doing? | 0:44:04 | 0:44:06 | |
I'll be OK. | 0:44:06 | 0:44:08 | |
Adrienne, it's for you - someone from the social security office. | 0:44:08 | 0:44:13 | |
-Do you want to take it? -Yeah. | 0:44:13 | 0:44:14 | |
Hello? | 0:44:19 | 0:44:21 | |
..Yes, this is Mrs Saunders. | 0:44:21 | 0:44:24 | |
I don't understand what you're trying to say to me. | 0:44:27 | 0:44:31 | |
I'm sorry, but we can't release benefits without further approval. | 0:44:31 | 0:44:36 | |
I don't know what you mean. | 0:44:36 | 0:44:37 | |
Contributions were made. I supplied the death certificate. | 0:44:37 | 0:44:41 | |
We don't doubt that your husband is dead, Mrs Saunders, nor that contributions were made. | 0:44:41 | 0:44:47 | |
But they were made with the wrong social security number. The IRS didn't catch it. | 0:44:47 | 0:44:52 | |
-Are you saying your office applied the contributions to the wrong number? -No. | 0:44:52 | 0:44:58 | |
Maybe you'd like to have somebody here. Do you have a lawyer? | 0:44:58 | 0:45:01 | |
What the hell are you telling me? | 0:45:01 | 0:45:03 | |
I'm sorry. | 0:45:03 | 0:45:05 | |
I just... don't quite know how to say this. | 0:45:05 | 0:45:10 | |
The man with the social security number, that your husband claimed was his, died... | 0:45:13 | 0:45:20 | |
16 years ago, in Sommerville, Nebraska. | 0:45:20 | 0:45:25 | |
We don't know who your husband was... | 0:45:25 | 0:45:30 | |
..but we definitely know he was not this Jack Saunders. | 0:45:32 | 0:45:36 | |
I don't understand. | 0:45:36 | 0:45:38 | |
This couldn't be. | 0:45:38 | 0:45:41 | |
If you want to see my superiors, fine. | 0:45:41 | 0:45:44 | |
But they'll say the same thing. | 0:45:44 | 0:45:47 | |
Your husband used someone else's social security card. | 0:45:47 | 0:45:53 | |
PHOTOCOPIER HUMS | 0:46:55 | 0:46:57 | |
Can we play with these? | 0:48:08 | 0:48:11 | |
Yes, sweetie. You can. | 0:48:13 | 0:48:15 | |
Will your mommy let me have it? | 0:48:29 | 0:48:32 | |
Can I take these too? | 0:48:36 | 0:48:38 | |
Mm-hm. | 0:48:38 | 0:48:40 | |
And this? | 0:48:40 | 0:48:42 | |
Mm-hm. | 0:48:45 | 0:48:47 | |
Come on, Carol. Time to go. | 0:48:50 | 0:48:52 | |
Can I take what I'm wearing? | 0:48:52 | 0:48:54 | |
Yes, but it's time to go. | 0:48:54 | 0:48:57 | |
Since the school system decentralised, we store old records for the whole area. | 0:49:56 | 0:50:01 | |
We're casual with yearbooks. Not enough space. | 0:50:01 | 0:50:05 | |
OK, here we go. This whole room is James Garfield High. | 0:50:05 | 0:50:09 | |
-If there are any yearbooks, they'd be at the other end. -OK. | 0:50:09 | 0:50:13 | |
I know the files are at this end. | 0:50:13 | 0:50:16 | |
(James Garfield, which year?) | 0:50:23 | 0:50:26 | |
(In here.) | 0:50:31 | 0:50:33 | |
Why don't they keep them in alphabetical order? | 0:50:55 | 0:50:58 | |
Excuse me. | 0:50:58 | 0:51:00 | |
Instead of the records for Jack Saunders, can I see those for one of his classmates? | 0:51:00 | 0:51:06 | |
I can't do that, Mrs Saunders. | 0:51:06 | 0:51:09 | |
Records are only public if the person is deceased. | 0:51:09 | 0:51:13 | |
The man is dead. I can't prove it but I know he's dead. | 0:51:13 | 0:51:17 | |
Please, I have to know who this man is. | 0:51:17 | 0:51:21 | |
To hell with it. Who is it? | 0:51:23 | 0:51:26 | |
Frank Sullivan. | 0:51:26 | 0:51:28 | |
Well, I've found Jack Saunders. | 0:51:38 | 0:51:41 | |
Last one in my stack. Typical! | 0:51:41 | 0:51:44 | |
No Frank Sullivan? | 0:51:44 | 0:51:46 | |
No, and I was very thorough. You don't have it either? | 0:51:46 | 0:51:50 | |
I've got a few more to go here. | 0:51:50 | 0:51:53 | |
No. | 0:51:53 | 0:51:55 | |
No, I don't have it. | 0:51:55 | 0:51:57 | |
Can I have Jack Saunders' file? Just... | 0:51:59 | 0:52:03 | |
You never know. | 0:52:03 | 0:52:05 | |
True. You never do. | 0:52:05 | 0:52:07 | |
Thank you. | 0:52:08 | 0:52:10 | |
CRASH | 0:54:04 | 0:54:05 | |
Yes? | 0:55:09 | 0:55:11 | |
Sorry to bother you. I'm looking for a relative of Jack Saunders. | 0:55:11 | 0:55:17 | |
Jack Saunders died 15 years ago. | 0:55:17 | 0:55:20 | |
I know. This may sound strange, | 0:55:20 | 0:55:23 | |
but I'm trying to track down a friend of his, Frank Sullivan. | 0:55:23 | 0:55:28 | |
Um... | 0:55:29 | 0:55:31 | |
Come in. | 0:55:31 | 0:55:32 | |
Jack was my cousin. Frank was his best friend. | 0:55:33 | 0:55:38 | |
In fact, Jack was Frank's only friend. | 0:55:38 | 0:55:41 | |
They were inseparable, like one person. | 0:55:41 | 0:55:45 | |
Couldn't imagine two more different people. | 0:55:45 | 0:55:49 | |
Frank was so quiet. | 0:55:50 | 0:55:52 | |
Jack was the most outgoing and charming person you ever met. | 0:55:52 | 0:55:57 | |
Frank wasn't polished like that, but... | 0:55:57 | 0:56:01 | |
he had an unspoken charm. | 0:56:01 | 0:56:05 | |
He was special. | 0:56:05 | 0:56:07 | |
Are his parents still around? | 0:56:08 | 0:56:11 | |
Oh, God, I don't know. | 0:56:11 | 0:56:13 | |
I think his father died. | 0:56:13 | 0:56:16 | |
I don't remember. It was a long time ago. | 0:56:16 | 0:56:20 | |
Frank didn't talk about his family. They were poor. | 0:56:20 | 0:56:23 | |
His father was an alcoholic. | 0:56:23 | 0:56:26 | |
His mother worked for the Highway Department in a toll booth. | 0:56:26 | 0:56:31 | |
Frank was embarrassed. | 0:56:31 | 0:56:34 | |
He'd never take me to his home. | 0:56:34 | 0:56:37 | |
What about family? Did he have sisters or brothers? | 0:56:37 | 0:56:42 | |
No. He didn't have anybody. We were like his family. | 0:56:42 | 0:56:46 | |
God, those were great days for me. | 0:56:46 | 0:56:50 | |
I was at a point in my life where I had no direction. | 0:56:50 | 0:56:54 | |
Frank would just sit with me for hours, talking. | 0:56:54 | 0:56:58 | |
I remember one night we went for dinner. | 0:56:58 | 0:57:03 | |
We talked right through to morning. | 0:57:03 | 0:57:05 | |
We were still talking when they asked us what we wanted for breakfast. | 0:57:05 | 0:57:10 | |
That's when I decided to go back to school. | 0:57:10 | 0:57:16 | |
Um, after Jack died, he just kind of disappeared. | 0:57:25 | 0:57:29 | |
I never saw him again. | 0:57:30 | 0:57:32 | |
Sounds like he meant a lot to you. | 0:57:36 | 0:57:39 | |
Well, what can I tell you? Excuse me. | 0:57:39 | 0:57:43 | |
Thank you. That looks great. | 0:57:50 | 0:57:53 | |
What would I do without you? | 0:57:53 | 0:57:56 | |
I wish I could be more help, but I don't remember much. | 0:58:01 | 0:58:05 | |
I just kind of put it out of my mind, a long time ago. | 0:58:05 | 0:58:10 | |
If you give me your phone number, things may come back. | 0:58:10 | 0:58:15 | |
Thank you. | 0:58:15 | 0:58:17 | |
This has been a shock, out of nowhere, if you know what I mean. | 0:58:17 | 0:58:23 | |
Um, anyway, if you ever find him... | 0:58:26 | 0:58:28 | |
..tell him I said hi. | 0:58:30 | 0:58:32 | |
-Mary, have you been in my drawers? -No. | 0:58:47 | 0:58:50 | |
Are you sure? It's awful messed up inside. | 0:58:56 | 0:59:00 | |
I didn't do it, Mom. | 0:59:00 | 0:59:02 | |
PHONE RINGS | 0:59:02 | 0:59:04 | |
-When you play with my things, ask my permission. -OK. | 0:59:04 | 0:59:08 | |
Hello? | 0:59:10 | 0:59:12 | |
'Yes, this is Evelyn Saunders.' | 0:59:12 | 0:59:13 | |
Are you the woman I spoke with yesterday about Frank Sullivan? | 0:59:13 | 0:59:17 | |
Yes, Evelyn. This is Adrienne. | 0:59:17 | 0:59:20 | |
Good. I'm glad. I remembered something last night. | 0:59:20 | 0:59:23 | |
I could barely sleep. | 0:59:23 | 0:59:25 | |
'His mother lived somewhere on Carpenter Place, | 0:59:25 | 0:59:31 | |
'beside a deli. | 0:59:31 | 0:59:32 | |
'Don't ask me how I remembered. It just came back.' | 0:59:32 | 0:59:37 | |
Could you wait here? I'm going in there for a minute. | 0:59:56 | 1:00:01 | |
SHE KNOCKS | 1:00:16 | 1:00:18 | |
Who is it? > | 1:00:22 | 1:00:23 | |
Mrs Sullivan? | 1:00:23 | 1:00:25 | |
My name is Adrienne Saunders. | 1:00:29 | 1:00:32 | |
I, um, believe that I was married to your son. | 1:00:32 | 1:00:36 | |
All this time I thought he was dead. | 1:00:39 | 1:00:42 | |
Now I find out he's been living in the same city with a wife and a kid. | 1:00:42 | 1:00:48 | |
A decent person would have found out how his mother was, | 1:00:48 | 1:00:53 | |
if she needed anything, like cigarettes or booze. | 1:00:53 | 1:00:58 | |
Not him. | 1:00:59 | 1:01:01 | |
What do you call her? | 1:01:03 | 1:01:05 | |
Mary. | 1:01:06 | 1:01:08 | |
Mary. | 1:01:08 | 1:01:10 | |
She has my eyes, you know that? | 1:01:12 | 1:01:14 | |
People always said I had beautiful eyes. | 1:01:15 | 1:01:19 | |
He used to say that about you. | 1:01:20 | 1:01:21 | |
Lot of good it did me! | 1:01:21 | 1:01:23 | |
Jack Saunders! | 1:01:25 | 1:01:27 | |
What a joke! | 1:01:28 | 1:01:30 | |
Jack would never have treated his family the way Frank treated me. | 1:01:30 | 1:01:37 | |
Having him ruined my life. | 1:01:37 | 1:01:40 | |
Why did you marry him? | 1:01:43 | 1:01:45 | |
Because I loved him. | 1:01:47 | 1:01:49 | |
I don't want to hear this. | 1:01:50 | 1:01:53 | |
He was dead... | 1:01:56 | 1:01:58 | |
the day he left here. | 1:01:58 | 1:02:00 | |
Doesn't matter that he died a month ago. He was already dead. | 1:02:00 | 1:02:05 | |
He was a selfish child... | 1:02:09 | 1:02:11 | |
and he was a selfish man. | 1:02:11 | 1:02:14 | |
People change, Mrs Sullivan, especially when they're loved. | 1:02:16 | 1:02:21 | |
Excuse me. | 1:02:23 | 1:02:25 | |
I'll leave my card in case you ever need anything. | 1:02:49 | 1:02:53 | |
You know where to reach me. | 1:02:53 | 1:02:56 | |
Mommy! | 1:03:39 | 1:03:41 | |
What, honey? | 1:03:41 | 1:03:42 | |
There's a man in my room. | 1:03:42 | 1:03:44 | |
-What? -I saw him. | 1:03:44 | 1:03:47 | |
There's not a man in your room. | 1:03:47 | 1:03:50 | |
But I saw him. | 1:03:50 | 1:03:52 | |
Come here. | 1:03:52 | 1:03:54 | |
Do you remember you had that dream last week? | 1:03:54 | 1:03:58 | |
He was the same man. He was real. He was in my room, looking at me. | 1:03:58 | 1:04:04 | |
OK. | 1:04:04 | 1:04:05 | |
Come on, Mommy. | 1:04:05 | 1:04:07 | |
What's that? | 1:04:17 | 1:04:19 | |
Shadows, honey. Just shadows. | 1:04:19 | 1:04:22 | |
Oh, darn it. | 1:04:27 | 1:04:29 | |
CAT MEOWS | 1:04:33 | 1:04:35 | |
-MARY LAUGHS -You're funny, Mommy! | 1:04:35 | 1:04:37 | |
Now. | 1:04:37 | 1:04:39 | |
You see? There's nobody here. | 1:04:40 | 1:04:41 | |
He was standing there. | 1:04:41 | 1:04:43 | |
Yes, but there's nobody there now, is there? | 1:04:43 | 1:04:47 | |
There. | 1:05:04 | 1:05:06 | |
Everything's going to be OK now. | 1:05:07 | 1:05:09 | |
Thank you, Mommy. | 1:05:09 | 1:05:11 | |
You want to sleep with me tonight? | 1:05:11 | 1:05:13 | |
Yeah. Can I bring Julia with me? | 1:05:13 | 1:05:16 | |
Yes. | 1:05:16 | 1:05:18 | |
I'll get her. | 1:05:18 | 1:05:20 | |
KEY TURNS | 1:05:50 | 1:05:52 | |
THUNDER AND RAIN | 1:05:57 | 1:05:59 | |
CLATTERING | 1:08:19 | 1:08:21 | |
Hey! | 1:08:54 | 1:08:56 | |
Who let the cat out? | 1:08:56 | 1:08:58 | |
Lillian! | 1:09:04 | 1:09:06 | |
Mary! | 1:09:14 | 1:09:16 | |
Mary! | 1:09:18 | 1:09:20 | |
Lillian! | 1:09:27 | 1:09:29 | |
Mary! | 1:09:33 | 1:09:35 | |
Oh, no! Oh, my God! | 1:09:52 | 1:09:56 | |
Oh, my God! | 1:09:56 | 1:09:58 | |
Oh, Lillian! | 1:09:58 | 1:10:00 | |
Oh, Jesus! | 1:10:00 | 1:10:02 | |
Lillian! | 1:10:02 | 1:10:03 | |
Help! Somebody! | 1:10:03 | 1:10:06 | |
Oh, Jesus! | 1:10:06 | 1:10:08 | |
Mary. | 1:10:16 | 1:10:18 | |
THEY ALL SCREAM | 1:10:22 | 1:10:24 | |
Mommy, what's going on? | 1:10:24 | 1:10:27 | |
-There's been an accident. Come on. -What's going on, Mrs Saunders? | 1:10:27 | 1:10:31 | |
We have to make a phone call. | 1:10:31 | 1:10:34 | |
POLICE RADIO | 1:10:41 | 1:10:43 | |
We'll call back in the morning. | 1:10:44 | 1:10:46 | |
Thanks very much, Doctor. | 1:10:46 | 1:10:49 | |
She's going to be OK. | 1:10:55 | 1:10:56 | |
Oh, thank God. | 1:10:56 | 1:10:58 | |
-Let's go. Let's get out of here. -OK. | 1:10:59 | 1:11:01 | |
Let's go get Mary. | 1:11:01 | 1:11:03 | |
I love you, sweetie. Sleep tight. | 1:11:17 | 1:11:20 | |
Mary could've been in the apartment. It could have been Mary. | 1:11:33 | 1:11:38 | |
Harvey, I'm going to ask the police to reinvestigate Jack's death. | 1:11:41 | 1:11:46 | |
I know there's a connection between all these things. | 1:11:47 | 1:11:52 | |
Try and get some sleep now. | 1:11:55 | 1:11:57 | |
We'll talk about it in the morning, OK? | 1:11:57 | 1:12:01 | |
I can't stop thinking about Jack. | 1:12:01 | 1:12:03 | |
I know. | 1:12:03 | 1:12:05 | |
You should have seen the way he lived, the way he grew up. | 1:12:07 | 1:12:12 | |
I didn't even know who he was. | 1:12:14 | 1:12:17 | |
Everything I believed in was a lie. | 1:12:20 | 1:12:23 | |
Hi, Ellen. | 1:12:44 | 1:12:45 | |
Good morning. | 1:12:45 | 1:12:47 | |
Somebody called for a Rosalie Sullivan. | 1:12:47 | 1:12:51 | |
Said it was urgent. She needs to see you right away. | 1:12:51 | 1:12:56 | |
-Wait. You need the address. -I've got it. | 1:12:56 | 1:12:59 | |
Mrs Sullivan? | 1:13:11 | 1:13:13 | |
Mrs Sullivan! Are you here? | 1:13:19 | 1:13:22 | |
Mrs Sullivan. | 1:13:43 | 1:13:45 | |
Mrs Sullivan? | 1:13:57 | 1:13:59 | |
SHE GASPS | 1:14:14 | 1:14:16 | |
You bastard! You bastard! | 1:14:59 | 1:15:01 | |
-Why did you do this to me? -Let me talk to you. -No! | 1:15:01 | 1:15:04 | |
-Let me talk. -I hate you! -Listen to me. | 1:15:04 | 1:15:06 | |
Listen to me. Let me talk to you. | 1:15:06 | 1:15:09 | |
Let me talk to you, OK? | 1:15:10 | 1:15:11 | |
No! | 1:15:11 | 1:15:13 | |
Jack was my only friend. | 1:15:20 | 1:15:23 | |
When I couldn't afford to go to college, he educated me. | 1:15:24 | 1:15:29 | |
He, er... he told me what books to read. | 1:15:29 | 1:15:32 | |
He took me to the Metropolitan, to the Frick. | 1:15:32 | 1:15:36 | |
He was everything I ever wanted to be. | 1:15:36 | 1:15:40 | |
And the night he died, | 1:15:41 | 1:15:43 | |
it was, er... | 1:15:44 | 1:15:46 | |
It was a dream. A nightmare. | 1:15:48 | 1:15:51 | |
I just became him. | 1:15:58 | 1:16:00 | |
I was the one who cleaned out his papers, his degree, his passport. | 1:16:01 | 1:16:07 | |
Everything was there. I took it. | 1:16:08 | 1:16:11 | |
It didn't seem like a lie. | 1:16:11 | 1:16:13 | |
Everyone believed me. I had credentials. | 1:16:13 | 1:16:17 | |
After a while, I believed it myself, until, one day, | 1:16:18 | 1:16:23 | |
a man appeared at my office. Daniel Sherman. | 1:16:23 | 1:16:27 | |
Yeah. | 1:16:28 | 1:16:30 | |
He knew me when we were kids. | 1:16:31 | 1:16:33 | |
He knew Frank Sullivan. | 1:16:35 | 1:16:37 | |
He wanted a lot of money. | 1:16:38 | 1:16:40 | |
He made forgeries. I switched them for originals. | 1:16:40 | 1:16:45 | |
Who did I bury? | 1:16:45 | 1:16:47 | |
A hitchhiker. He was killed in the crash. His neck was broken. | 1:16:48 | 1:16:54 | |
Oh, God. | 1:16:54 | 1:16:55 | |
He was my way out. | 1:16:55 | 1:16:57 | |
I thought that if I could disappear, I could protect you and Mary. | 1:16:57 | 1:17:03 | |
Being dead was the price that I had to pay... | 1:17:03 | 1:17:07 | |
to keep you safe. | 1:17:07 | 1:17:09 | |
Why didn't you tell me? | 1:17:11 | 1:17:13 | |
I thought of telling you a thousand times. | 1:17:13 | 1:17:17 | |
But I could not bear to have you think of me this way. | 1:17:17 | 1:17:21 | |
Or Mary. | 1:17:23 | 1:17:25 | |
I wanted her to remember me from the pictures in that stupid photo album. | 1:17:26 | 1:17:33 | |
Adrienne, I need your help. | 1:17:34 | 1:17:36 | |
I didn't give Sherman one of the pieces - an Egyptian necklace. | 1:17:36 | 1:17:41 | |
It must be in the loft somewhere. | 1:17:41 | 1:17:44 | |
I need you to find it. I know this man. | 1:17:44 | 1:17:48 | |
He is a killer. | 1:17:48 | 1:17:50 | |
He killed Tomasz. | 1:17:50 | 1:17:52 | |
We have to find this necklace. | 1:17:52 | 1:17:55 | |
We have to give this necklace to this Sherman, and... | 1:17:55 | 1:18:00 | |
until we do, you won't be safe, and Mary won't be safe. | 1:18:00 | 1:18:05 | |
Adrienne... | 1:18:10 | 1:18:12 | |
..I don't expect any sympathy from you. | 1:18:13 | 1:18:16 | |
I never wanted to do this to you. | 1:18:17 | 1:18:20 | |
But I thought I had no choice. | 1:18:22 | 1:18:25 | |
I'm a dead man now. | 1:18:27 | 1:18:29 | |
I'll never see Mary again, and I'll never be with you again. | 1:18:31 | 1:18:36 | |
DOOR CLOSES | 1:19:17 | 1:19:20 | |
PHONE RINGS | 1:20:13 | 1:20:15 | |
Hello? | 1:20:21 | 1:20:23 | |
Hi. It's me. | 1:20:23 | 1:20:25 | |
'I called because I was worried about you being all alone.' | 1:20:26 | 1:20:32 | |
I wondered if I should be with you. | 1:20:32 | 1:20:35 | |
No. | 1:20:37 | 1:20:39 | |
OK. I understand. | 1:20:41 | 1:20:43 | |
That's not the only reason I was calling. | 1:20:43 | 1:20:46 | |
I called because, after seeing you, I realised how much I love you. | 1:20:48 | 1:20:54 | |
'And how sorry I am for all the lies. | 1:20:55 | 1:20:58 | |
'For all of it.' | 1:20:58 | 1:21:00 | |
I don't blame you for not answering. | 1:21:06 | 1:21:09 | |
I don't blame you at all. | 1:21:11 | 1:21:13 | |
Call me tomorrow. | 1:21:16 | 1:21:18 | |
Give me until then, OK? | 1:21:19 | 1:21:21 | |
All right. | 1:21:23 | 1:21:25 | |
OK. Yeah. | 1:21:25 | 1:21:27 | |
'Bye-bye.' | 1:21:27 | 1:21:29 | |
HE HANGS UP | 1:21:30 | 1:21:32 | |
BELL RINGS | 1:22:05 | 1:22:07 | |
Daddy! | 1:22:24 | 1:22:26 | |
Number 23, was it? | 1:22:40 | 1:22:42 | |
-Yes. -Right there. | 1:22:43 | 1:22:45 | |
Could you wait here, please? | 1:22:51 | 1:22:54 | |
-Yeah, sure. -Thank you. | 1:22:54 | 1:22:56 | |
DOORBELL RINGS | 1:22:58 | 1:23:00 | |
I'm on the phone. Just come on in. | 1:23:00 | 1:23:02 | |
The baby's fine. I felt him kicking this morning. | 1:23:19 | 1:23:23 | |
No. | 1:23:24 | 1:23:26 | |
No, he's been fine. | 1:23:26 | 1:23:28 | |
A DOG YELPS | 1:24:16 | 1:24:17 | |
Hold on, there's someone here. Can I help you? | 1:24:17 | 1:24:22 | |
Mrs Sherman? | 1:24:24 | 1:24:25 | |
Yes. I'm sorry, I thought you were the packers. | 1:24:25 | 1:24:28 | |
Calm down, Jack. | 1:24:28 | 1:24:30 | |
Despite his size, he's still a puppy. | 1:24:30 | 1:24:34 | |
What can I do for you? | 1:24:34 | 1:24:37 | |
Where did you get this picture? | 1:24:37 | 1:24:39 | |
Tell me what it is you want. | 1:24:40 | 1:24:42 | |
Where did you get this picture? | 1:24:42 | 1:24:45 | |
It's my husband's sister. She died in a plane crash. What is this? | 1:24:46 | 1:24:52 | |
Listen, er... | 1:24:53 | 1:24:55 | |
Yeah. | 1:24:55 | 1:24:57 | |
Blonde, yeah. | 1:24:57 | 1:24:59 | |
My husband wants to talk to you. | 1:25:04 | 1:25:07 | |
Yes? | 1:25:12 | 1:25:14 | |
You found us? That's amazing. | 1:25:14 | 1:25:17 | |
'I never expected this. This complicates everything.' | 1:25:17 | 1:25:21 | |
Now, listen. I have Mary. | 1:25:22 | 1:25:25 | |
'Mary's with me. Don't worry. She won't get hurt. | 1:25:25 | 1:25:29 | |
'But I need the necklace. | 1:25:30 | 1:25:32 | |
'Mary says she gave it to Carol.' | 1:25:32 | 1:25:35 | |
Since I can't, you could try and get it back. | 1:25:35 | 1:25:39 | |
Then we could meet at the loft around nine o'clock. | 1:25:39 | 1:25:43 | |
'I can handle things from there. | 1:25:43 | 1:25:46 | |
'And Adrienne, I wouldn't tell the police, or Cathy, if I were you. | 1:25:46 | 1:25:51 | |
'It might complicate things more.' | 1:25:51 | 1:25:54 | |
Want to say hello to Mary? Here. | 1:25:54 | 1:25:57 | |
Mommy! Daddy's here. He's really here. | 1:25:57 | 1:26:02 | |
Nine o'clock. Bye. ..Say bye-bye. | 1:26:04 | 1:26:06 | |
Bye-bye, Mommy. | 1:26:06 | 1:26:08 | |
Bye-bye, Mommy. | 1:26:08 | 1:26:09 | |
OK. Let's go. | 1:26:09 | 1:26:12 | |
Watch out. | 1:26:30 | 1:26:32 | |
I understand, Mrs Saunders, but we have guests. | 1:26:36 | 1:26:40 | |
I apologise. But I have to have that necklace tonight. | 1:26:40 | 1:26:45 | |
No! She said I could have this! | 1:26:47 | 1:26:50 | |
I know, but the necklace isn't a toy. | 1:26:50 | 1:26:53 | |
Daddy! | 1:26:53 | 1:26:55 | |
She said I could have it, now she wants it back. | 1:26:57 | 1:27:01 | |
This is very confusing for Carol. | 1:27:01 | 1:27:04 | |
I know, but it's a valuable piece of jewellery. | 1:27:04 | 1:27:08 | |
I know how you feel. | 1:27:09 | 1:27:11 | |
It's confusing when adults do unfair things. | 1:27:11 | 1:27:15 | |
But these things happen. | 1:27:15 | 1:27:18 | |
For Christ's sake, isn't anybody in charge here? | 1:27:18 | 1:27:22 | |
CAT MEOWS | 1:28:55 | 1:28:57 | |
Hey. We forgot about you, didn't we? | 1:29:10 | 1:29:13 | |
Do you have it? | 1:29:22 | 1:29:24 | |
Where's my daughter? | 1:29:28 | 1:29:30 | |
She's fine. | 1:29:31 | 1:29:33 | |
She's playing with her colouring books. | 1:29:35 | 1:29:38 | |
She's down in the car. | 1:29:40 | 1:29:42 | |
I want to go see her. | 1:29:43 | 1:29:45 | |
I don't know who you are. | 1:29:52 | 1:29:54 | |
Sure you do. I'm your husband. | 1:29:54 | 1:29:57 | |
What? Wasn't I a good husband? | 1:29:58 | 1:30:00 | |
Didn't I make you happy? | 1:30:00 | 1:30:03 | |
Didn't you feel understood? | 1:30:04 | 1:30:06 | |
Didn't you feel loved? | 1:30:08 | 1:30:10 | |
Isn't that what it's all about? | 1:30:13 | 1:30:16 | |
You're sick. | 1:30:18 | 1:30:20 | |
I want to get Mary. | 1:30:23 | 1:30:25 | |
You love me. Now, give me the necklace. | 1:30:30 | 1:30:33 | |
Or what? | 1:30:34 | 1:30:36 | |
Are you going to kill me too? | 1:30:38 | 1:30:40 | |
No. | 1:30:41 | 1:30:43 | |
I'm going to kiss you. | 1:30:44 | 1:30:46 | |
I don't want to hurt you, but I will if I have to. | 1:30:50 | 1:30:54 | |
That's love too. | 1:30:55 | 1:30:57 | |
You still love me, don't you? | 1:31:08 | 1:31:11 | |
Yes. | 1:31:13 | 1:31:15 | |
Adrienne! | 1:31:53 | 1:31:55 | |
Adrienne! | 1:31:57 | 1:31:59 | |
Come on. | 1:32:08 | 1:32:10 | |
SHE SCREAMS | 1:32:24 | 1:32:26 | |
FOOTSTEPS | 1:34:04 | 1:34:06 | |
FOOTSTEPS | 1:34:19 | 1:34:21 | |
SHE SCREAMS | 1:34:46 | 1:34:48 | |
FOOTSTEPS RUNNING | 1:35:27 | 1:35:30 | |
Adrienne! | 1:35:31 | 1:35:33 | |
Adrienne! | 1:35:34 | 1:35:36 | |
HE CHUCKLES | 1:36:14 | 1:36:16 | |
Hi. | 1:36:21 | 1:36:23 | |
There's no place to go now. | 1:36:28 | 1:36:30 | |
Now there's nowhere to hide. | 1:36:41 | 1:36:43 | |
I don't want to hurt you, Adrienne. | 1:36:43 | 1:36:46 | |
I never wanted to hurt anybody! | 1:36:47 | 1:36:52 | |
But when I have to do something, I do it. | 1:36:54 | 1:36:59 | |
I always do whatever comes next, | 1:36:59 | 1:37:02 | |
no matter how difficult it is! | 1:37:02 | 1:37:05 | |
If I have to do something, | 1:37:11 | 1:37:14 | |
then I do it. | 1:37:14 | 1:37:16 | |
I always do whatever comes next, | 1:37:16 | 1:37:19 | |
no matter how difficult it is! | 1:37:19 | 1:37:22 | |
Now... | 1:37:36 | 1:37:39 | |
give me the necklace, Adrienne. | 1:37:39 | 1:37:42 | |
Here. | 1:37:45 | 1:37:47 | |
Take it. | 1:37:51 | 1:37:53 | |
Aarrgghh! | 1:38:08 | 1:38:10 | |
We forgot this, Mommy. | 1:39:56 | 1:39:58 | |
Why don't you put this in your suitcase? | 1:40:05 | 1:40:09 | |
OK. | 1:40:09 | 1:40:12 |