Browse content similar to Deep Impact. Check below for episodes and series from the same categories and more!
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1.567 makes it eight degrees north. | 0:01:22 | 0:01:25 | |
Altair, Alpha Centauri and Sirius. | 0:01:25 | 0:01:28 | |
Matt Shepherd? | 0:01:28 | 0:01:29 | |
What? It's just a party and he asked me. | 0:01:29 | 0:01:32 | |
-He's really nice. -To you maybe. | 0:01:32 | 0:01:35 | |
You guys getting some work done? | 0:01:35 | 0:01:37 | |
-Yeah. -Yeah. | 0:01:37 | 0:01:39 | |
Sounds like it. What's the bright one? | 0:01:39 | 0:01:41 | |
Uh, Misar. It's a double star. | 0:01:41 | 0:01:45 | |
Good, the one next to it? | 0:01:45 | 0:01:47 | |
-Uh, Alcor. -The one next to that? | 0:01:48 | 0:01:51 | |
Uh... | 0:01:51 | 0:01:52 | |
I don't know. | 0:01:55 | 0:01:56 | |
It's Megrez. | 0:01:56 | 0:01:58 | |
I don't think so. | 0:01:58 | 0:01:59 | |
You just said you didn't know. | 0:01:59 | 0:02:01 | |
It's not Megrez. It's something else. Look. | 0:02:01 | 0:02:05 | |
It's south. About ten degrees. | 0:02:05 | 0:02:08 | |
It's probably a satellite. | 0:02:11 | 0:02:13 | |
Take another picture. We'll send it to Dr Wolf. | 0:02:13 | 0:02:16 | |
-It's Megrez. -It's not Megrez. | 0:02:16 | 0:02:20 | |
-It is. -It's not. | 0:02:20 | 0:02:22 | |
(It is.) | 0:02:25 | 0:02:27 | |
ON RADIO: La Boheme by Giacomo Puccini | 0:02:29 | 0:02:33 | |
HUMS TO THE MUSIC | 0:03:08 | 0:03:11 | |
Hm. | 0:03:43 | 0:03:45 | |
Hm. Hm. | 0:04:00 | 0:04:03 | |
Well, hello there, little fella. | 0:04:04 | 0:04:07 | |
Do I know you? | 0:04:07 | 0:04:09 | |
Where are you going in such a hurry? | 0:04:10 | 0:04:13 | |
And there. | 0:04:16 | 0:04:18 | |
Come on. | 0:04:55 | 0:04:58 | |
Damn it! | 0:04:58 | 0:05:00 | |
Biederman. | 0:05:11 | 0:05:13 | |
Oh, come on, | 0:05:33 | 0:05:35 | |
you miserable piece of crap. | 0:05:35 | 0:05:37 | |
TYRES SCREECH | 0:05:38 | 0:05:40 | |
ON RADIO: The Hole by Randy Travis | 0:05:49 | 0:05:51 | |
Come on. Come on. | 0:05:58 | 0:06:00 | |
# He's going down | 0:06:04 | 0:06:06 | |
# Drivin' his future... # | 0:06:06 | 0:06:08 | |
VOLUME UP | 0:06:08 | 0:06:10 | |
-PHONE: -'..Dept Of Planetary Sciences.' | 0:06:10 | 0:06:13 | |
MUSIC PLAYS | 0:06:13 | 0:06:15 | |
'If you know the extension...' | 0:06:15 | 0:06:18 | |
Ow! Jesus! | 0:06:18 | 0:06:20 | |
Damn it! | 0:06:22 | 0:06:24 | |
-TV: -'..Recall of American troops from abroad. | 0:06:43 | 0:06:46 | |
'Tragedy struck as an aircraft carrying an Army unit | 0:06:46 | 0:06:50 | |
'returning from Japan crashed into the waters...' | 0:06:50 | 0:06:54 | |
Secretary of the Treasury is resigning because his wife is sick? | 0:06:54 | 0:06:58 | |
Who passed Rittenhouse the hemlock? | 0:06:58 | 0:07:02 | |
CIO wanted him out for not supporting the Pension Bill. | 0:07:02 | 0:07:06 | |
State's still fuming about the Trade Office screw-up at the G8. | 0:07:06 | 0:07:11 | |
Pentagon is unhappy with his proposals. | 0:07:11 | 0:07:14 | |
Greenspan dislikes him. | 0:07:14 | 0:07:15 | |
No wonder the wife's sick. | 0:07:15 | 0:07:17 | |
She's not sick. She's a drunk. | 0:07:17 | 0:07:20 | |
How do you know that? | 0:07:22 | 0:07:24 | |
Mike Woodward over at Treasury. | 0:07:24 | 0:07:26 | |
She started drinking when her husband had a series of affairs. | 0:07:29 | 0:07:34 | |
Stepped it up after their son died of leukaemia. | 0:07:34 | 0:07:37 | |
You want to do something on the price that wives pay? | 0:07:37 | 0:07:40 | |
Mike Woodward? Wife, three kids? | 0:07:40 | 0:07:43 | |
He's been after me for months. | 0:07:43 | 0:07:45 | |
Threw him a breakfast and hit him up about Rittenhouse. | 0:07:45 | 0:07:49 | |
Campbell's leaving. Midnight Saturday shift's open. | 0:07:49 | 0:07:52 | |
Why would I give this up for a graveyard slot? | 0:07:52 | 0:07:55 | |
Not for you, for me. | 0:07:55 | 0:07:57 | |
Beth? | 0:07:57 | 0:07:59 | |
We'll talk about this later. | 0:07:59 | 0:08:00 | |
The President will be back from Camp David tomorrow. | 0:08:00 | 0:08:04 | |
Just keep working on Rittenhouse. Maybe Mike's available for dinner. | 0:08:04 | 0:08:09 | |
Do the usual research, background information. | 0:08:09 | 0:08:13 | |
OK, that's it. | 0:08:13 | 0:08:15 | |
Beth, wait. | 0:08:16 | 0:08:19 | |
Listen, Beth, what if it wasn't permanent? | 0:08:19 | 0:08:23 | |
This is how it works. You've done two years of research, | 0:08:23 | 0:08:27 | |
now do three as a producer, five on air doing domestic features, | 0:08:27 | 0:08:31 | |
another two in a cholera-ridden hellhole. | 0:08:31 | 0:08:34 | |
And then, I'll quit if they don't give you a weekend anchor slot. | 0:08:34 | 0:08:39 | |
Are you protecting me or just holding me back? | 0:08:39 | 0:08:42 | |
Yes. Rittenhouse tape and text on my desk by four o'clock tomorrow. | 0:08:42 | 0:08:47 | |
And then we'll drop in the reverses for the five. | 0:08:47 | 0:08:50 | |
'At this moment' | 0:08:50 | 0:08:52 | |
right now, the pretty girls are walking done the aisle. | 0:08:52 | 0:08:56 | |
They're spreading flowers. | 0:08:56 | 0:08:58 | |
The twins are walking down the aisles, dropping rose petals. | 0:08:58 | 0:09:03 | |
Mom, is this really such a good idea? | 0:09:03 | 0:09:05 | |
Yes, and she stands beside him. The priest says, | 0:09:05 | 0:09:08 | |
"Dearly beloved..." | 0:09:08 | 0:09:10 | |
Judge. | 0:09:10 | 0:09:11 | |
The judge says, "Blah, blah, sickness and health." | 0:09:11 | 0:09:15 | |
"Do you, Jason Lerner, take Chlorine Whatchamacallit?" | 0:09:15 | 0:09:20 | |
Mom! Chloe. | 0:09:20 | 0:09:22 | |
What did I say? | 0:09:22 | 0:09:23 | |
You said, you said Chlorine. Her name's Chloe. | 0:09:23 | 0:09:27 | |
Oh. Well, it's still a terrible name. | 0:09:27 | 0:09:31 | |
Yeah. | 0:09:31 | 0:09:32 | |
Jason says, "Lie, lie, lie, lie, until death do us part." | 0:09:32 | 0:09:36 | |
She says yes, he says yes, and it's kissy-kissy, congratulations. | 0:09:36 | 0:09:42 | |
Jenny, you now have a stepmother who is two years older than you. | 0:09:46 | 0:09:51 | |
(Cheque.) Well, anyway, | 0:09:53 | 0:09:56 | |
as much as I would like to stay here with you, | 0:09:56 | 0:09:59 | |
I can't. I got to go. | 0:09:59 | 0:10:01 | |
I know, I know, I know. | 0:10:01 | 0:10:03 | |
I'm sorry about this. | 0:10:05 | 0:10:06 | |
We'll get over it. I love you. | 0:10:06 | 0:10:10 | |
I love you, too. | 0:10:10 | 0:10:13 | |
Be good. | 0:10:16 | 0:10:18 | |
I was with the Secretary since Connecticut. | 0:10:23 | 0:10:26 | |
Came to Washington with him. | 0:10:26 | 0:10:28 | |
I moved here because I was dedicated to his career. | 0:10:28 | 0:10:32 | |
I trusted the man. | 0:10:32 | 0:10:33 | |
-I -didn't have sex with him, but somebody sure did. | 0:10:33 | 0:10:37 | |
It was about to come out, so he resigned. | 0:10:37 | 0:10:39 | |
But because I was hired from outside the government pool, | 0:10:39 | 0:10:42 | |
I don't get conveyed to the next Secretary. | 0:10:42 | 0:10:46 | |
I'm out of a job because he couldn't keep his hands off women. | 0:10:46 | 0:10:51 | |
Do you have proof? | 0:10:51 | 0:10:52 | |
Well, he thinks he was being so clever. | 0:10:52 | 0:10:56 | |
He had a private phone line installed in his office. | 0:10:56 | 0:10:59 | |
Nobody else could answer it. | 0:10:59 | 0:11:01 | |
I picked it up once, said hello and it's nobody home. | 0:11:01 | 0:11:05 | |
It rings, he shuts the door. Why not hang a sign? | 0:11:05 | 0:11:09 | |
Do you have a name? | 0:11:09 | 0:11:11 | |
This is what I get | 0:11:11 | 0:11:13 | |
for talking to the press. I'm selling my soul right now. | 0:11:13 | 0:11:17 | |
I can feel it. I can feel it. | 0:11:17 | 0:11:19 | |
I name a name and get someone into trouble. | 0:11:19 | 0:11:22 | |
You do have a name? | 0:11:22 | 0:11:23 | |
Just a first name. | 0:11:23 | 0:11:25 | |
Oh, my God, I'm going to say it. Ellie. | 0:11:25 | 0:11:28 | |
Ellie? Anything else? | 0:11:28 | 0:11:31 | |
I think the President knows about her, too. | 0:11:31 | 0:11:34 | |
Heard the Secretary talking to him about her. Isn't Washington sick? | 0:11:34 | 0:11:39 | |
Hi, how you doing? | 0:12:19 | 0:12:22 | |
Can I help you? | 0:12:22 | 0:12:23 | |
Well, actually, | 0:12:23 | 0:12:24 | |
we're looking for your mom. Is she around? | 0:12:24 | 0:12:27 | |
My mom's sick. She's not here. | 0:12:27 | 0:12:30 | |
Oh. Gosh, I love boats. Are you going on a trip? | 0:12:30 | 0:12:33 | |
Yeah. | 0:12:33 | 0:12:35 | |
That's exciting. Looks like a long trip, huh? | 0:12:35 | 0:12:40 | |
So, do you know where you're going? | 0:12:40 | 0:12:43 | |
She's going back to the house. Hey, you want to stop that? | 0:12:43 | 0:12:48 | |
Lily, please. | 0:12:48 | 0:12:50 | |
That's a pretty name. | 0:12:50 | 0:12:52 | |
Lily. | 0:12:52 | 0:12:53 | |
Do as I say. Go on. | 0:12:53 | 0:12:55 | |
If we could just get a minute of your time. | 0:12:55 | 0:12:58 | |
What do you want from me? | 0:12:58 | 0:13:00 | |
We'd like to talk about your resignation. | 0:13:00 | 0:13:03 | |
My wife is sick. She's in the hospital. That's why I resigned. | 0:13:03 | 0:13:08 | |
We could talk about your wife or we could just talk about Ellie. | 0:13:08 | 0:13:13 | |
Turn the camera off. | 0:13:23 | 0:13:25 | |
If you want to talk to me, turn it off. | 0:13:25 | 0:13:27 | |
Cut it. | 0:13:27 | 0:13:29 | |
We know everything. | 0:13:29 | 0:13:32 | |
Nobody knows everything. | 0:13:32 | 0:13:34 | |
Well, we know about the secret phone lines, | 0:13:34 | 0:13:37 | |
whispered calls to the President. About a Treasury Secretary | 0:13:37 | 0:13:41 | |
who's kept his entire department in the dark about what he's doing. | 0:13:41 | 0:13:46 | |
About a cover story about his resignation that just fell through. | 0:13:46 | 0:13:51 | |
And you're just going to break it? | 0:13:51 | 0:13:54 | |
That's what we do for a living. | 0:13:54 | 0:13:56 | |
Well, congratulations. You now have the biggest story in history. | 0:13:56 | 0:14:01 | |
Good luck to you. Personally, | 0:14:01 | 0:14:04 | |
I think it's a mistake to run the story, | 0:14:04 | 0:14:07 | |
but hey, what the hell? Why not? | 0:14:07 | 0:14:09 | |
What difference does anything make any more? | 0:14:09 | 0:14:14 | |
Look, I know you're just a reporter... | 0:14:19 | 0:14:22 | |
but you used to be a person... | 0:14:22 | 0:14:25 | |
right? | 0:14:25 | 0:14:27 | |
I wanted to be with my family. | 0:14:33 | 0:14:36 | |
Can you understand that? | 0:14:37 | 0:14:39 | |
OK, Secretary of the Treasury, | 0:14:58 | 0:15:01 | |
Alan Rittenhouse, resigns because of a mistress named Ellie. | 0:15:01 | 0:15:05 | |
Biggest story in history? | 0:15:05 | 0:15:07 | |
What an ego. | 0:15:07 | 0:15:10 | |
Now, if it was the President... Whoa, whoa, whoa. | 0:15:10 | 0:15:14 | |
OK, the President has a mistress named Ellie, | 0:15:14 | 0:15:17 | |
Rittenhouse pretends he's having the affair and resigns. | 0:15:17 | 0:15:21 | |
And the President buys him a yacht? | 0:15:21 | 0:15:24 | |
Whoa! Son of a bitch! | 0:15:24 | 0:15:26 | |
OK, OK! | 0:15:34 | 0:15:36 | |
Oh, God. No, God. | 0:15:36 | 0:15:38 | |
FBI. If you would, please, ma'am. | 0:15:57 | 0:16:00 | |
What do I do with the car? | 0:16:00 | 0:16:01 | |
We'll take care of it. Step back to my car. | 0:16:01 | 0:16:04 | |
Let's go. | 0:16:11 | 0:16:13 | |
Come this way, please. | 0:16:25 | 0:16:28 | |
Morgan Entrekin, Ms Lerner. | 0:16:40 | 0:16:42 | |
I'm expected back at MSNBC at six and I think I should be there. | 0:16:42 | 0:16:48 | |
People knew about the Manhattan Project and they kept it a secret. | 0:16:48 | 0:16:53 | |
That was just the creation of the atom bomb. | 0:16:55 | 0:16:58 | |
Huh! | 0:16:58 | 0:17:01 | |
DOOR OPENS | 0:17:13 | 0:17:15 | |
Ms Lerner? Tom Beck. I understand you have some information. | 0:17:25 | 0:17:29 | |
Ms Lerner was expressing her lack of enthusiasm for matters of security, | 0:17:29 | 0:17:35 | |
where journalistic competitiveness is at stake. | 0:17:35 | 0:17:38 | |
Mr President, I'm not using Ellie to further my career. | 0:17:38 | 0:17:42 | |
What do you know about ELE? | 0:17:42 | 0:17:44 | |
I know you should have picked a better cover story | 0:17:46 | 0:17:49 | |
than a sick wife. | 0:17:49 | 0:17:51 | |
See? What'd I tell ya? | 0:17:51 | 0:17:53 | |
We'd always thought the deadline for going public | 0:17:53 | 0:17:56 | |
was the publication of the budget, | 0:17:56 | 0:17:59 | |
since we've spent more money than we can hide. | 0:17:59 | 0:18:02 | |
The budget comes out in two weeks. | 0:18:02 | 0:18:05 | |
Can I convince you to sit on this for two weeks? | 0:18:05 | 0:18:08 | |
No such thing as two weeks in the news business. | 0:18:08 | 0:18:11 | |
I can't appeal to your sense of what's in the nation's interest? | 0:18:11 | 0:18:15 | |
I always thought the truth was in the nation's best interest. | 0:18:15 | 0:18:19 | |
You want to hold her? | 0:18:22 | 0:18:25 | |
What if we go public in 48 hours? | 0:18:26 | 0:18:29 | |
Now, that's doable, isn't it? | 0:18:29 | 0:18:31 | |
That would be very difficult. | 0:18:31 | 0:18:32 | |
Morgan, if she knows, how long can it be | 0:18:32 | 0:18:35 | |
before CNN or the Post breaks the story? | 0:18:35 | 0:18:38 | |
This was never going to be a secret as long as you wanted it to be. | 0:18:38 | 0:18:44 | |
Give us two days. You'll get second row centre at the press conference. | 0:18:44 | 0:18:49 | |
-For you, that's a promotion. -I want exclusivity. | 0:18:49 | 0:18:52 | |
Now, listen, young lady, this is a presidential favour. | 0:18:52 | 0:18:57 | |
I'm letting you go because I don't want another headache. | 0:18:57 | 0:19:01 | |
I'm trusting you because I know what this can do for your career. | 0:19:01 | 0:19:05 | |
It might seem we have each other over the same barrel, | 0:19:05 | 0:19:09 | |
but it just SEEMS that way. | 0:19:09 | 0:19:11 | |
-I want the... -You want? | 0:19:15 | 0:19:17 | |
May I... | 0:19:20 | 0:19:22 | |
May I have the first question? | 0:19:22 | 0:19:25 | |
We'll see you Tuesday, Ms Lerner. | 0:19:25 | 0:19:28 | |
Come on. Come on, come on. | 0:19:50 | 0:19:53 | |
E-L-E, E-L-E... | 0:20:03 | 0:20:06 | |
What does palaeontology have to do with anything? | 0:20:15 | 0:20:18 | |
Hey! | 0:20:40 | 0:20:42 | |
Look who's working late. | 0:20:42 | 0:20:44 | |
How's Rittenhouse going? | 0:20:44 | 0:20:46 | |
Uh, no sign of the wife yet. We're still working on it. | 0:20:46 | 0:20:50 | |
I promise you next time we'll get you something more exciting. | 0:20:50 | 0:20:54 | |
Great. | 0:20:54 | 0:20:56 | |
Are you OK? | 0:20:56 | 0:20:58 | |
Yeah. | 0:20:58 | 0:20:59 | |
Want to have dinner with us? | 0:20:59 | 0:21:00 | |
I can't. I got... I have plans. | 0:21:00 | 0:21:02 | |
OK. See you tomorrow. | 0:21:02 | 0:21:04 | |
Ah, here she is. | 0:21:19 | 0:21:21 | |
Jenny. | 0:21:22 | 0:21:23 | |
Hi, Chloe. | 0:21:27 | 0:21:28 | |
Would you like some champagne? | 0:21:28 | 0:21:29 | |
Martini. Up, big. | 0:21:29 | 0:21:32 | |
Good. | 0:21:32 | 0:21:34 | |
I missed you. | 0:21:34 | 0:21:36 | |
I mean, we missed you yesterday. | 0:21:36 | 0:21:39 | |
Uh, I must say, I'm... | 0:21:39 | 0:21:41 | |
I'm disturbed that you didn't come to our wedding. | 0:21:41 | 0:21:46 | |
Jason, you promised. | 0:21:46 | 0:21:48 | |
I know I promised, but it was a beautiful event and I missed her. | 0:21:48 | 0:21:52 | |
You should have been there. | 0:21:52 | 0:21:54 | |
The twins, they were running around like mad, and throwing flowers. | 0:21:54 | 0:21:59 | |
Especially Emma, the little one. She loves you. | 0:21:59 | 0:22:02 | |
She adores you. She missed you, too. | 0:22:02 | 0:22:04 | |
This is from us, for you. | 0:22:06 | 0:22:09 | |
Are you not going to open it? | 0:22:12 | 0:22:15 | |
I knew she wouldn't. | 0:22:32 | 0:22:34 | |
You can exchange them if you don't like them. | 0:22:34 | 0:22:37 | |
Jenny, I know this is hard. I just want you to be happy. | 0:22:37 | 0:22:41 | |
"Happy." | 0:22:41 | 0:22:44 | |
I would like to propose a toast to happiness, | 0:22:44 | 0:22:47 | |
and to... | 0:22:47 | 0:22:50 | |
Well, are we going to have an evening or not? | 0:23:00 | 0:23:03 | |
Jenny, I know that you hate me. | 0:23:03 | 0:23:05 | |
You have terrible things to say to me. | 0:23:05 | 0:23:09 | |
You have to get over it. | 0:23:09 | 0:23:10 | |
Life goes on. | 0:23:10 | 0:23:12 | |
-Life goes on? OK. -SHE LAUGHS | 0:23:12 | 0:23:16 | |
What's so funny? | 0:23:17 | 0:23:19 | |
"Life go..." | 0:23:19 | 0:23:21 | |
Yeah, we'll see. | 0:23:23 | 0:23:25 | |
What's so funny about "life goes on"? | 0:23:25 | 0:23:27 | |
Life, life going on? I don't see what's so funny that life goes on. | 0:23:29 | 0:23:33 | |
Dad, you need to get back together with Mom. | 0:23:33 | 0:23:36 | |
She's all alone in the world and she needs you right now. | 0:23:36 | 0:23:40 | |
OK? | 0:23:40 | 0:23:43 | |
Jenny...I just got married. | 0:23:43 | 0:23:46 | |
I know. Chloe, this has nothing to do with you. | 0:23:46 | 0:23:49 | |
Well, it has to do something for me, for Christ's sake. | 0:23:49 | 0:23:53 | |
Um, this is insane. | 0:23:53 | 0:23:56 | |
And I have to apologise for my daughter. | 0:23:56 | 0:23:58 | |
Look, it's not your fault. | 0:23:58 | 0:24:00 | |
I have to go. I know you think I'm a bad person. I'm really not. | 0:24:00 | 0:24:05 | |
And I don't hate you. | 0:24:05 | 0:24:07 | |
I got to, I just, I gotta go. | 0:24:07 | 0:24:10 | |
REPORTERS SPEAK IN OWN LANGUAGES | 0:24:13 | 0:24:17 | |
HUBBUB | 0:24:23 | 0:24:26 | |
Because for her it does... Excuse me. | 0:24:37 | 0:24:40 | |
Jenny. Well, what are you, um, doing here? | 0:24:40 | 0:24:44 | |
Did Stuart send you here without telling me? | 0:24:44 | 0:24:47 | |
No. I was going to talk to you about this... | 0:24:47 | 0:24:49 | |
Ms Lerner. Hi, Beth. | 0:24:49 | 0:24:51 | |
Right this way. I've got you right down here. | 0:24:51 | 0:24:56 | |
Excuse me, please. | 0:25:02 | 0:25:04 | |
OK. He'll find you for the first question. Then you're on your own. | 0:25:05 | 0:25:10 | |
Hey, how are you? | 0:25:11 | 0:25:13 | |
Ladies and gentlemen. Ladies and gentlemen, please. | 0:25:14 | 0:25:17 | |
The President will begin by addressing the nation. | 0:25:17 | 0:25:21 | |
Please hold your questions until he's finished his remarks. | 0:25:21 | 0:25:25 | |
The President of the United States. | 0:25:25 | 0:25:29 | |
Hello, everybody. | 0:25:32 | 0:25:34 | |
Ten seconds, Mr President. | 0:25:34 | 0:25:37 | |
Five, four... | 0:25:38 | 0:25:41 | |
Good evening. | 0:25:42 | 0:25:44 | |
Minutes ago, the US ambassadors to every country in the world | 0:25:44 | 0:25:49 | |
told their leaders what I am about to tell you. | 0:25:49 | 0:25:52 | |
It's a bit complicated, so we'll take some time. I hope you will | 0:25:52 | 0:25:56 | |
bear with me, hear what I have to say. | 0:25:56 | 0:25:59 | |
A little over a year ago, two American astronomers, | 0:25:59 | 0:26:03 | |
Marcus Wolf and Leo Biederman, | 0:26:03 | 0:26:06 | |
working on a mountain top in Arizona... | 0:26:06 | 0:26:08 | |
Sh. Nobody say anything. | 0:26:08 | 0:26:10 | |
'..saw something in the night sky that caused them great concern. | 0:26:10 | 0:26:14 | |
'A comet. | 0:26:14 | 0:26:16 | |
'But the comet was, well,' | 0:26:16 | 0:26:19 | |
there was a possibility that the comet was on a path | 0:26:19 | 0:26:23 | |
that could bring it into contact with the Earth. | 0:26:23 | 0:26:26 | |
MURMURING | 0:26:26 | 0:26:30 | |
We get hit all the time by rocks and meteors. | 0:26:30 | 0:26:33 | |
Some of them no bigger than your hand. | 0:26:33 | 0:26:35 | |
But the comet we discovered is the size of New York City. | 0:26:35 | 0:26:39 | |
From the north side of Central Park to the Battery. | 0:26:39 | 0:26:42 | |
About seven miles long. | 0:26:42 | 0:26:45 | |
Put another way, this comet is larger than Mount Everest. | 0:26:45 | 0:26:50 | |
It weighs five hundred billion tons. | 0:26:50 | 0:26:54 | |
'Chances are it will miss us...' | 0:26:54 | 0:26:56 | |
Astronomers, astrophysicists, geologists and climatologists. | 0:26:56 | 0:27:00 | |
Where the hell is Science? | 0:27:00 | 0:27:02 | |
EVERYONE TALKS | 0:27:02 | 0:27:05 | |
And graphics, I need graphics. | 0:27:05 | 0:27:08 | |
'Comets begin far out in space. They're what's left over' | 0:27:08 | 0:27:12 | |
'from the creation of the solar system | 0:27:12 | 0:27:15 | |
'after the planets were formed. | 0:27:15 | 0:27:18 | |
'These chunks of space debris are in an elongated orbit around our sun.' | 0:27:18 | 0:27:22 | |
Every now and then, one of them gets bumped | 0:27:22 | 0:27:25 | |
and is knocked into a different orbit. | 0:27:25 | 0:27:28 | |
If this comet continues on its path and keeps its present course, | 0:27:28 | 0:27:33 | |
some time on August 16th, roughly a year from now, | 0:27:33 | 0:27:37 | |
there's a chance we might have impact. | 0:27:37 | 0:27:39 | |
So, for the past eight months, the United States and Russia | 0:27:39 | 0:27:44 | |
have been building the largest spaceship ever constructed. | 0:27:44 | 0:27:48 | |
It's being built in orbit around the Earth. | 0:27:48 | 0:27:51 | |
And we call it the Messiah. | 0:27:51 | 0:27:53 | |
Right now, American and Russian astronauts are at Cape Canaveral. | 0:27:53 | 0:27:58 | |
In two months, they leave on the Atlantis to board the Messiah. | 0:27:58 | 0:28:03 | |
This is the crew that will stop the comet. | 0:28:03 | 0:28:07 | |
'I'd like you to meet some extraordinary people. | 0:28:07 | 0:28:11 | |
'Mission Commander Oren Monash, can you introduce us to your team?' | 0:28:11 | 0:28:15 | |
I would be honoured, sir. | 0:28:15 | 0:28:17 | |
Pilot Andrea Baker. Medical officer | 0:28:17 | 0:28:21 | |
Gus Partenza. | 0:28:21 | 0:28:23 | |
From Russia, nuclear specialist Colonel Mikhail Tulchinsky. | 0:28:23 | 0:28:27 | |
Navigator Mark Simon. | 0:28:27 | 0:28:29 | |
And rendezvous pilot Spurgeon Tanner. | 0:28:29 | 0:28:32 | |
Hi, Mr President. | 0:28:32 | 0:28:34 | |
'Captain Tanner, you flew six shuttle missions.' | 0:28:34 | 0:28:37 | |
You were the last man to walk on the moon, weren't you? | 0:28:37 | 0:28:41 | |
Yes, sir, but Oren here will be doing the flying on this one. | 0:28:41 | 0:28:45 | |
I'll be taking us down to the comet surface. | 0:28:45 | 0:28:48 | |
It's good to know we have your experience. | 0:28:48 | 0:28:51 | |
Godspeed to you all. We're counting on you. | 0:28:51 | 0:28:54 | |
Thank you, sir. | 0:28:54 | 0:28:56 | |
Got Rome, Sao Paulo, Cairo, Berlin. | 0:28:56 | 0:28:59 | |
How big was the one that killed the dinosaurs? | 0:28:59 | 0:29:02 | |
LOUD HUBBUB | 0:29:02 | 0:29:04 | |
-A goddamn rock? -Well, that's what he's saying. | 0:29:06 | 0:29:08 | |
'..of our way of life.' | 0:29:08 | 0:29:10 | |
Our society will continue as normal. Work will go on. | 0:29:10 | 0:29:13 | |
You will pay your bills. | 0:29:13 | 0:29:16 | |
REPORTERS LAUGH | 0:29:16 | 0:29:18 | |
There will be no hoarding. There will be no sudden profiteering. | 0:29:18 | 0:29:23 | |
I'm freezing all wages, all prices. | 0:29:23 | 0:29:27 | |
What a bottle of water cost you yesterday, | 0:29:27 | 0:29:31 | |
it will cost you tomorrow. | 0:29:31 | 0:29:34 | |
I'll take a few questions. | 0:29:34 | 0:29:36 | |
SHOUTING | 0:29:36 | 0:29:37 | |
Ms Lerner. | 0:29:37 | 0:29:39 | |
Um, Jenny Lerner. | 0:29:40 | 0:29:41 | |
'MSNBC News.' | 0:29:41 | 0:29:44 | |
Um, Mr President, why wasn't this announcement made sooner? | 0:29:44 | 0:29:49 | |
Until we knew we could build the rocket | 0:29:49 | 0:29:51 | |
and the comet could be intercepted, | 0:29:51 | 0:29:54 | |
we saw no reason to alarm the planet. | 0:29:54 | 0:29:57 | |
FLURRY OF QUESTIONS | 0:29:57 | 0:29:58 | |
Do you have another question, Ms Lerner? | 0:29:58 | 0:30:00 | |
Yeah, um... | 0:30:00 | 0:30:02 | |
'Is there a connection between the comet | 0:30:02 | 0:30:05 | |
'and the recall of American troops from abroad? | 0:30:05 | 0:30:09 | |
'Our troops are coming home because we felt it prudent | 0:30:09 | 0:30:12 | |
'in light of domestic security concerns to have them available. | 0:30:12 | 0:30:17 | |
'Next question?' | 0:30:17 | 0:30:19 | |
Actually, Mr President, if you could answer a final question, sir. | 0:30:19 | 0:30:24 | |
MSNBC has learned that | 0:30:24 | 0:30:27 | |
Secretary Rittenhouse did not leave for the reasons given. | 0:30:27 | 0:30:32 | |
In fact, isn't it true, sir, | 0:30:32 | 0:30:34 | |
that not everyone in your administration | 0:30:34 | 0:30:37 | |
is convinced that the Messiah will save us? | 0:30:37 | 0:30:41 | |
Secretary Rittenhouse served his country with full devotion. | 0:30:47 | 0:30:51 | |
He resigned for personal reasons. | 0:30:51 | 0:30:55 | |
Now, I can promise you this, Ms Lerner, all of you, | 0:30:55 | 0:30:59 | |
everyone listening to my voice, at some point over the next ten months | 0:30:59 | 0:31:04 | |
all of us will entertain our worst fears and concerns. | 0:31:04 | 0:31:08 | |
But I can also promise you this. | 0:31:08 | 0:31:12 | |
Life will go on. | 0:31:12 | 0:31:15 | |
We will prevail. | 0:31:15 | 0:31:17 | |
Mr President? Please! | 0:31:17 | 0:31:20 | |
What is the comet's name? | 0:31:20 | 0:31:21 | |
The two scientists were killed in a car crash | 0:31:21 | 0:31:25 | |
while racing to alert the world. | 0:31:25 | 0:31:27 | |
'So we named it for them. Wolf-Biederman.' | 0:31:27 | 0:31:31 | |
Biederman. There, he said it again. | 0:31:31 | 0:31:34 | |
-Leo, is he talking about you? -PHONE RINGS | 0:31:34 | 0:31:37 | |
Why were the Russians... | 0:31:37 | 0:31:38 | |
-DOORBELL -Jenny, get the door. | 0:31:38 | 0:31:41 | |
'We have the technology to build the ship. | 0:31:41 | 0:31:44 | |
'They have the technology to make it go.' | 0:31:44 | 0:31:47 | |
There's someone at the door for you, Leo. | 0:31:47 | 0:31:50 | |
'You've been watching live coverage of President...' | 0:31:52 | 0:31:56 | |
I can't believe this. This is so weird. | 0:31:56 | 0:31:59 | |
Dr Wolf from the Astronomy Club? | 0:31:59 | 0:32:00 | |
Yeah, I guess so. | 0:32:00 | 0:32:02 | |
It's neat. We discovered the world was going to end. | 0:32:02 | 0:32:05 | |
He's still alive, everyone. He's right here and he's still alive. | 0:32:05 | 0:32:10 | |
Hey, Leo, cool! | 0:32:10 | 0:32:12 | |
'As far as we know, what happened' | 0:32:12 | 0:32:14 | |
was that Dr Wolf saw the comet in my photograph. | 0:32:14 | 0:32:19 | |
He shared the discovery with me. | 0:32:19 | 0:32:21 | |
And then, he was killed in that crash. | 0:32:21 | 0:32:23 | |
Everything got mixed up and the President thought I was dead. | 0:32:23 | 0:32:28 | |
FLURRY OF QUESTIONS | 0:32:28 | 0:32:29 | |
How does it feel having your name on it? | 0:32:29 | 0:32:33 | |
I don't want people thinking I'm taking something away from Dr Wolf. | 0:32:33 | 0:32:38 | |
Because I'm not. But it's kinda cool. | 0:32:38 | 0:32:41 | |
Jason? | 0:32:43 | 0:32:44 | |
You know, you're going to have sex a lot more now than anyone else. | 0:32:45 | 0:32:50 | |
WHOOPING AND CHEERING | 0:32:50 | 0:32:53 | |
Really? | 0:32:58 | 0:33:00 | |
Thank you for your sexual insight, Mr Thurman. You can sit down now. | 0:33:00 | 0:33:05 | |
Famous people always get sex. That's why it's good to be famous. | 0:33:05 | 0:33:10 | |
Fruit, reactor, bottle, rocket, OK? | 0:33:17 | 0:33:20 | |
A nuclear reactor in space? Isn't that dangerous? | 0:33:20 | 0:33:23 | |
No. This is Russian design. Same people designed Chernobyl. | 0:33:23 | 0:33:28 | |
Chernobyl? | 0:33:28 | 0:33:29 | |
Well, Chernobyl almost worked. | 0:33:29 | 0:33:32 | |
So, what happens after you plant the bomb? | 0:33:32 | 0:33:35 | |
We have seven hours. We put bombs inside the comet. | 0:33:35 | 0:33:38 | |
Right, after seven hours, | 0:33:38 | 0:33:40 | |
the 14-hour rotational cycle of the comet spins. | 0:33:40 | 0:33:44 | |
We'll get married. God knows I want to marry you. | 0:33:44 | 0:33:48 | |
But when I get back, the last thing I do is step inside a church. | 0:33:48 | 0:33:52 | |
There's seven hours of darkness. The sun hits... | 0:33:52 | 0:33:56 | |
These are your orders. Upon first entering Earth's atmosphere, | 0:33:56 | 0:34:00 | |
proceed immediately up the exterior of the mother ship. | 0:34:00 | 0:34:04 | |
When the sun hits the surface, | 0:34:04 | 0:34:06 | |
explosive outgassings that are dangerous. | 0:34:06 | 0:34:10 | |
Gus, he's seven. | 0:34:10 | 0:34:11 | |
You boys were what, four and six, when I went to the moon? | 0:34:11 | 0:34:15 | |
Now, you saw me go into space seven times, didn't ya? | 0:34:15 | 0:34:19 | |
Eh? I came back every time, didn't I? | 0:34:19 | 0:34:22 | |
Yeah. | 0:34:22 | 0:34:24 | |
Your mother and I used to play a game. | 0:34:25 | 0:34:27 | |
If there was a chance I may not get back, | 0:34:27 | 0:34:31 | |
she wouldn't say it, I wouldn't say it. | 0:34:31 | 0:34:34 | |
OK? | 0:34:34 | 0:34:36 | |
BOTH: Yes, sir. | 0:34:36 | 0:34:37 | |
Hey, Fish. How about a beer? | 0:34:37 | 0:34:39 | |
You remember my boys, don't you? Steve and Dwight. | 0:34:39 | 0:34:43 | |
Welcome to Houston. Let me steal your old man for a second. | 0:34:43 | 0:34:47 | |
Can I take your picture, please? | 0:34:47 | 0:34:50 | |
OK. | 0:34:50 | 0:34:52 | |
Thank you. | 0:34:52 | 0:34:54 | |
So, what do you think of the crew? | 0:34:54 | 0:34:57 | |
Heroes all. | 0:34:57 | 0:34:59 | |
The finest group I've had the privilege of working with. | 0:34:59 | 0:35:02 | |
Off the record, huh? | 0:35:02 | 0:35:04 | |
Well, they've been trained in ways I'll never understand. | 0:35:04 | 0:35:09 | |
They're smarter, in better shape than we ever were. Sober, serious. | 0:35:09 | 0:35:14 | |
I'd be happier if I thought that any of them were as scared as I am. | 0:35:14 | 0:35:18 | |
They're not scared of dying. | 0:35:18 | 0:35:20 | |
They're just scared of looking bad on TV. | 0:35:20 | 0:35:23 | |
I wish I'd been to the moon. But we're not going to the moon. | 0:35:26 | 0:35:30 | |
Frank Gifford was a great football player. | 0:35:30 | 0:35:33 | |
If he played now, he'd get his ass busted. | 0:35:33 | 0:35:36 | |
The moon did not have a rotational cycle of 14 hours. | 0:35:46 | 0:35:51 | |
We only have seven hours of dark | 0:35:51 | 0:35:53 | |
when the sun's not up to land on this thing. | 0:35:53 | 0:35:56 | |
We won't be able to see. | 0:35:56 | 0:35:58 | |
You can't see now, Gus. | 0:35:58 | 0:36:00 | |
Mih sdyelayem. We can do it. | 0:36:00 | 0:36:03 | |
No, no, no. | 0:36:05 | 0:36:07 | |
I woke up this morning | 0:36:07 | 0:36:10 | |
and I realised | 0:36:10 | 0:36:12 | |
none of you want me here. | 0:36:12 | 0:36:15 | |
You don't even know who I am, | 0:36:15 | 0:36:17 | |
which is OK. I walked on the moon. I belonged to your daddies. | 0:36:17 | 0:36:21 | |
If I ask you to ask your daddies what I meant to them, | 0:36:21 | 0:36:25 | |
to explain what I'm doing here, | 0:36:25 | 0:36:27 | |
that's only going to make things worse. So what do we do? | 0:36:27 | 0:36:32 | |
You haven't trained for this mission. We respect you. | 0:36:39 | 0:36:43 | |
I appreciate that. | 0:36:43 | 0:36:45 | |
But you're here, you're here because the powers | 0:36:45 | 0:36:48 | |
that be think we need a familiar face. | 0:36:48 | 0:36:51 | |
You're here for public relations. | 0:36:51 | 0:36:52 | |
No, I'm here because the powers that be know | 0:36:52 | 0:36:55 | |
that I'm the only one here who's landed on the moon. | 0:36:55 | 0:36:59 | |
500 landings on aircraft carriers. | 0:36:59 | 0:37:01 | |
-We've trained... -On flight simulators. | 0:37:01 | 0:37:05 | |
Right? This is not a video game, son. It really isn't. | 0:37:05 | 0:37:09 | |
-HE CHUCKLES -It really isn't. No. | 0:37:10 | 0:37:14 | |
'We are go for auto-sequence start. | 0:37:18 | 0:37:21 | |
'Atlantis's computers has primary control of all functions.' | 0:37:21 | 0:37:25 | |
OK, all flight controllers. We're T-minus 30 and counting. | 0:37:25 | 0:37:29 | |
Let's take a close look. | 0:37:29 | 0:37:31 | |
LOX and LH-Two are pressurised. | 0:37:31 | 0:37:34 | |
Flight, we'll go for auto-sequence. | 0:37:34 | 0:37:37 | |
Good luck and Godspeed, Atlantis. | 0:37:37 | 0:37:40 | |
'Four, three, two, one.' | 0:37:40 | 0:37:43 | |
'Propelled by 500,000 lbs of liquid fuel, | 0:37:56 | 0:37:59 | |
'the shuttle crew heads towards their initial destination. | 0:37:59 | 0:38:02 | |
'In the Messiah, the crew will find eight nuclear devices | 0:38:02 | 0:38:06 | |
'that will be used to blow up the comet. The Messiah' | 0:38:06 | 0:38:09 | |
will be powered by a nuclear propulsion system | 0:38:09 | 0:38:13 | |
that was created for a different purpose. | 0:38:13 | 0:38:15 | |
That programme was called Orion. | 0:38:15 | 0:38:19 | |
Now, with the help of Russian engineers, a technology designed | 0:38:19 | 0:38:23 | |
to propel weapons of mass destruction | 0:38:23 | 0:38:26 | |
will power the ship that will intercept | 0:38:26 | 0:38:28 | |
the greatest threat our planet has ever faced. | 0:38:28 | 0:38:33 | |
Orion burn...in ten, | 0:38:39 | 0:38:42 | |
nine, eight, seven, | 0:38:42 | 0:38:45 | |
six, five, four, three, | 0:38:45 | 0:38:49 | |
two, one, zero. | 0:38:49 | 0:38:51 | |
OK, Beth, White House reactions. Marianne, the whole world watching. | 0:39:02 | 0:39:07 | |
Tim, mission control in Houston. Ira, the science guys lined up? | 0:39:07 | 0:39:11 | |
If they got a PhD, we own them. | 0:39:11 | 0:39:13 | |
This is the most important story of our lives. Don't muck it up. | 0:39:13 | 0:39:17 | |
Stuart, what about me? | 0:39:17 | 0:39:19 | |
Anchor desk. Could have been yours sooner. | 0:39:19 | 0:39:21 | |
What are you talking about? | 0:39:21 | 0:39:23 | |
Don't ever hold back a story from me again. | 0:39:23 | 0:39:26 | |
'Messiah, Houston. Transfer trajectory is go. | 0:39:38 | 0:39:42 | |
'We'll cancel MCC-One. You're go to configure for coast.' | 0:39:42 | 0:39:46 | |
Roger, Houston, we're looking good here. | 0:39:46 | 0:39:49 | |
Jesus, that's big. | 0:39:51 | 0:39:53 | |
Gospahdee. | 0:39:53 | 0:39:55 | |
Wow. | 0:39:57 | 0:39:59 | |
Sweet mother of God. | 0:39:59 | 0:40:01 | |
'All circuit breakers are open, master arm is off. | 0:40:10 | 0:40:14 | |
'And the detonator system is safe.' | 0:40:14 | 0:40:17 | |
'Messiah, stand by for an uplink of the final coordinates.' | 0:40:35 | 0:40:39 | |
Wilco, Houston. | 0:40:39 | 0:40:41 | |
How's it coming? | 0:40:41 | 0:40:43 | |
'Loading first nuke now.' | 0:40:43 | 0:40:46 | |
1,000 feet to stand off. | 0:41:12 | 0:41:14 | |
R-dot three, five-x, two-y. | 0:41:14 | 0:41:19 | |
500 feet, R-dot point three. | 0:41:21 | 0:41:25 | |
Three-x, one point five-y. Go for auto trajectory. | 0:41:25 | 0:41:30 | |
We're there. | 0:41:32 | 0:41:34 | |
Disengage Orion. | 0:41:34 | 0:41:37 | |
Orion disengaged. | 0:41:37 | 0:41:39 | |
You're on bi-prop. | 0:41:39 | 0:41:41 | |
'This is a special presentation of MSNBC News with Jenny Lerner.' | 0:41:51 | 0:41:56 | |
Good evening. Some time in the next hour, | 0:42:02 | 0:42:05 | |
the Messiah mission will enter its most critical phase, | 0:42:05 | 0:42:09 | |
the interception of Wolf-Biederman, and the setting of nuclear devices. | 0:42:09 | 0:42:15 | |
But first, Captain Spurgeon Tanner will have to guide the spacecraft | 0:42:15 | 0:42:20 | |
through the blizzard of rocks, sand and ice | 0:42:20 | 0:42:22 | |
that make up the comet's tail, or coma. | 0:42:22 | 0:42:25 | |
'The crew must complete its work before sunrise.' | 0:42:25 | 0:42:29 | |
Sublimator looks good, Mick. | 0:42:29 | 0:42:31 | |
'Disengaging auto. I'm eyeballs out from here on in.' | 0:42:31 | 0:42:34 | |
How come that doesn't make me feel better? | 0:42:34 | 0:42:37 | |
'I heard that.' | 0:42:37 | 0:42:39 | |
Lights on. Cameras on. | 0:42:39 | 0:42:41 | |
'On the Mississippi, in Mark Twain's time,' | 0:42:41 | 0:42:44 | |
there were riverboat pilots who only knew a few miles of the river. | 0:42:44 | 0:42:49 | |
Conditions changed so much. | 0:42:49 | 0:42:51 | |
Floods, sandbars, fallen logs. It was all a pilot could do | 0:42:51 | 0:42:55 | |
was to know his little piece of the puzzle. | 0:42:55 | 0:42:59 | |
So for the next few hours, this is my ship. | 0:42:59 | 0:43:02 | |
We start our approach. | 0:43:02 | 0:43:06 | |
'..are images from cameras mounted inside Messiah. | 0:43:17 | 0:43:21 | |
'These images are delayed by 20 seconds, | 0:43:21 | 0:43:24 | |
'due to the distance they must travel. | 0:43:24 | 0:43:27 | |
'You can see that the image is breaking up a bit. | 0:43:27 | 0:43:30 | |
'Uh, Houston is prepared for this. | 0:43:30 | 0:43:32 | |
'Due to the uncertain make-up of the comet's coma, | 0:43:32 | 0:43:36 | |
'they're unsure whether or not transmission will be possible.' | 0:43:36 | 0:43:40 | |
It appears we're losing reception here. | 0:43:40 | 0:43:43 | |
OK, we've, we've lost picture now. | 0:43:43 | 0:43:46 | |
But we will stay on the air, stay with you through all of this. | 0:43:46 | 0:43:51 | |
'Prop 96% is in descent. | 0:43:55 | 0:43:57 | |
'Roger, descent.' | 0:43:57 | 0:43:59 | |
SHIP SHUDDERS | 0:43:59 | 0:44:01 | |
Oh, my God. | 0:44:05 | 0:44:07 | |
Look at these. They're the size of houses. | 0:44:07 | 0:44:10 | |
Yeah, I know. I see. | 0:44:10 | 0:44:13 | |
Jesus Christ. | 0:44:25 | 0:44:27 | |
'Prop, 88%. | 0:44:27 | 0:44:30 | |
'Cabin pressure, five point seven. Negative guidance errors.' | 0:44:30 | 0:44:34 | |
Whoa! | 0:44:35 | 0:44:36 | |
Use your primary thrusters. | 0:44:57 | 0:44:59 | |
Primary thrusters. | 0:44:59 | 0:45:01 | |
-Descent rate? -Three feet per second. | 0:45:12 | 0:45:14 | |
-Fire tether pitons. -Pitons fired. | 0:45:15 | 0:45:18 | |
She's levelling out. | 0:45:31 | 0:45:33 | |
Depressurising bay. | 0:45:58 | 0:46:00 | |
Opening payload doors. | 0:46:00 | 0:46:02 | |
Don't let that little bit of gravity down there go to your heads. | 0:46:02 | 0:46:07 | |
OK. | 0:46:07 | 0:46:09 | |
Start the clock. | 0:46:10 | 0:46:13 | |
-JENNY ON TV: -'If all is going according to schedule, | 0:46:59 | 0:47:02 | |
'the astronauts should be placing the MOLEs on the comet surface.' | 0:47:02 | 0:47:06 | |
The MOLEs are, well, they're what they sound like. | 0:47:06 | 0:47:10 | |
Drilling machines that burrow to a depth of 100 metres, | 0:47:10 | 0:47:15 | |
where they wait to be detonated. Each one | 0:47:15 | 0:47:18 | |
'carries a 5,000 kiloton warhead.' | 0:47:18 | 0:47:21 | |
How's our time? | 0:47:36 | 0:47:37 | |
It's tight. 1:36:30. | 0:47:37 | 0:47:39 | |
It's taking too long. | 0:47:39 | 0:47:41 | |
Yup. | 0:47:41 | 0:47:43 | |
What happens if they do not get off the comet's surface in time? | 0:47:49 | 0:47:53 | |
The sun striking the comet | 0:47:53 | 0:47:55 | |
will cause a temperature rise of 350 degrees, | 0:47:55 | 0:47:59 | |
activate the high-speed gas jets. | 0:47:59 | 0:48:01 | |
Well, if that happens, it will be like trying to work in a minefield. | 0:48:01 | 0:48:06 | |
'What's your MOLE Four readout? | 0:48:06 | 0:48:08 | |
'Running true at 75 feet.' | 0:48:08 | 0:48:10 | |
It's stuck! | 0:48:13 | 0:48:15 | |
Try backing it up. | 0:48:15 | 0:48:17 | |
-'What's your depth?' -75 feet. | 0:48:17 | 0:48:19 | |
-Is that enough? -No? | 0:48:19 | 0:48:21 | |
That's not deep enough. | 0:48:21 | 0:48:23 | |
'I know that's not deep enough.' | 0:48:23 | 0:48:26 | |
I'm going in. | 0:48:26 | 0:48:28 | |
'I'll see if I can free it up.' | 0:48:28 | 0:48:30 | |
Stand by, tether attached. | 0:48:31 | 0:48:33 | |
All right, I got you. | 0:48:33 | 0:48:34 | |
'Suit pressure, 3.5.' | 0:48:34 | 0:48:37 | |
Come on, come on. | 0:48:47 | 0:48:50 | |
How's my time? | 0:48:53 | 0:48:54 | |
'23:57.' | 0:48:54 | 0:48:56 | |
In six minutes, they won't have time to get back to us. | 0:48:56 | 0:49:00 | |
Blow the tethers. Go get 'em. | 0:49:00 | 0:49:02 | |
We may not have enough fuel to get off the surface. | 0:49:02 | 0:49:05 | |
Blow the tethers! | 0:49:05 | 0:49:06 | |
MOLE Three at depth. We're heading your way, Oren. | 0:49:06 | 0:49:10 | |
Calculate how much prop we need to get off this rock. | 0:49:10 | 0:49:14 | |
-We'll shut it down when we hit it. -Will do. | 0:49:14 | 0:49:17 | |
It opens up into a cave down here. | 0:49:24 | 0:49:26 | |
MOLE got jammed against the side. | 0:49:26 | 0:49:29 | |
OK, Team Two at location four. Give me your hand. | 0:49:31 | 0:49:34 | |
What the hell happened? | 0:49:36 | 0:49:38 | |
I don't know. We got jammed up at 75 feet. | 0:49:38 | 0:49:42 | |
OK, hold up. | 0:49:50 | 0:49:52 | |
All right, try backing it up. | 0:49:53 | 0:49:55 | |
Roger that. | 0:49:55 | 0:49:58 | |
That's it. Shut it down. | 0:50:12 | 0:50:15 | |
They always put extra in the tanks. | 0:50:15 | 0:50:17 | |
Fish, shut it down. | 0:50:17 | 0:50:19 | |
OK. | 0:50:19 | 0:50:21 | |
Come on! Come on! | 0:50:27 | 0:50:28 | |
Time! | 0:50:28 | 0:50:30 | |
1:02. Figured we'd better pick you kids up after school. | 0:50:30 | 0:50:33 | |
'Check your six, 100 yards.' | 0:50:33 | 0:50:37 | |
I think we'd better hurry, boys. | 0:50:37 | 0:50:39 | |
All right, it's going! It's going! | 0:50:47 | 0:50:49 | |
MOLE's at 125 feet. | 0:51:06 | 0:51:07 | |
The sun's rising behind you, fast. | 0:51:07 | 0:51:10 | |
Face shields down. | 0:51:16 | 0:51:17 | |
Oh, Christ. | 0:51:17 | 0:51:21 | |
Get the hell out of there! | 0:51:21 | 0:51:22 | |
Get your visor down! | 0:51:35 | 0:51:37 | |
HE SCREAMS | 0:51:43 | 0:51:45 | |
All right, we got him. | 0:51:46 | 0:51:48 | |
Oh, God! My eyes! Oh! | 0:51:48 | 0:51:50 | |
THEY ALL PANT | 0:52:08 | 0:52:11 | |
Oh, God, we're losing one. | 0:52:29 | 0:52:31 | |
Escape velocity. 1,000 feet and climbing. | 0:52:31 | 0:52:33 | |
No-o-o-o-o-o-o-o-o!! | 0:52:35 | 0:52:37 | |
Mark, Mikhail, get the hell out of there! | 0:52:37 | 0:52:40 | |
-Firing thrusters. -Payload doors open. | 0:53:00 | 0:53:02 | |
Close as we go. | 0:53:02 | 0:53:04 | |
'Houston, all MOLEs are at depth. | 0:53:22 | 0:53:25 | |
'Nukes hot and ready. | 0:53:25 | 0:53:26 | |
'We lost Partenza to explosive outgassing and Monash is injured.' | 0:53:26 | 0:53:33 | |
We have to go get Gus. | 0:53:38 | 0:53:39 | |
No time for that. Re-pressurise the cargo bay. | 0:53:39 | 0:53:42 | |
He's going to die out there. We can find him. | 0:53:42 | 0:53:45 | |
I don't have time to argue. Sit down and be quiet. | 0:53:45 | 0:53:49 | |
We've used most of our propellant. | 0:53:49 | 0:53:52 | |
-We have to go back! -If we go back, we all die. | 0:53:52 | 0:53:55 | |
We can't leave him in space. | 0:53:55 | 0:53:57 | |
(Sit down, Mick. Sit down. It's OK.) | 0:53:57 | 0:54:00 | |
-JENNY: -'The Messiah has safely lifted off the comet. | 0:54:11 | 0:54:15 | |
'But sadly, Gus Partenza has been lost.' | 0:54:15 | 0:54:18 | |
Gus Partenza, a native of Harrisburg, Pennsylvania | 0:54:18 | 0:54:22 | |
and graduate of Carnegie Mellon University, joined the programme | 0:54:22 | 0:54:27 | |
shortly after completing his training at Duke University. | 0:54:27 | 0:54:31 | |
Dr Partenza was selected specifically for this mission. | 0:54:31 | 0:54:35 | |
Not only for his medical expertise, | 0:54:35 | 0:54:38 | |
but also for his dedication to the advancement of space technology. | 0:54:38 | 0:54:42 | |
'With the loss of Dr Gus Partenza and with Oren Monash injured, | 0:54:55 | 0:54:59 | |
'Captain Spurgeon Tanner is now in charge of the mission. | 0:54:59 | 0:55:02 | |
'The Messiah has docked with the Orion-powered boosters, | 0:55:02 | 0:55:06 | |
'and is ready to detonate the bombs planted on Wolf-Biederman. | 0:55:06 | 0:55:10 | |
'The Messiah's camera will show us the detonation, | 0:55:12 | 0:55:14 | |
'but not before being blocked out by the nuclear blast. | 0:55:14 | 0:55:18 | |
'There is a 20-second delay, | 0:55:18 | 0:55:21 | |
'so when the picture comes back, | 0:55:21 | 0:55:24 | |
'the comet should have been knocked off its course.' | 0:55:24 | 0:55:28 | |
Prepare to remove safeties and fire. | 0:55:36 | 0:55:39 | |
Safeties removed. | 0:55:43 | 0:55:44 | |
Weapons armed. | 0:55:51 | 0:55:52 | |
Three, two, one... | 0:56:03 | 0:56:05 | |
now. | 0:56:05 | 0:56:06 | |
'So, now we're just waiting for the picture to come back.' | 0:56:11 | 0:56:15 | |
-Decompression in Area Six. -ALARMS BLARE | 0:56:26 | 0:56:29 | |
Mick, I'll get the halon. | 0:56:38 | 0:56:40 | |
ALARMS STOP | 0:56:57 | 0:56:58 | |
Yes, sir. I'm still here. | 0:57:01 | 0:57:03 | |
INDISTINCT WHISPERING | 0:57:26 | 0:57:30 | |
We're live in ten seconds. | 0:57:40 | 0:57:43 | |
Cue the President. | 0:57:43 | 0:57:45 | |
Mr President, five, four, three... | 0:57:45 | 0:57:49 | |
Hello, America. | 0:57:51 | 0:57:54 | |
'It is my unhappy duty to report to you that the Messiah has failed. | 0:57:54 | 0:57:59 | |
'This radar image from Houston shows how the detonation succeeded. | 0:57:59 | 0:58:04 | |
'However, it did not destroy the comet. | 0:58:04 | 0:58:06 | |
'There are now two pieces, one six miles wide, | 0:58:06 | 0:58:10 | |
'the other a mile and a half. | 0:58:10 | 0:58:12 | |
'Both are on a path towards Earth. | 0:58:12 | 0:58:14 | |
'We've lost communication with the Messiah spacecraft, | 0:58:14 | 0:58:18 | |
'although we continue to track it visually. | 0:58:18 | 0:58:21 | |
'We don't know how many are alive. | 0:58:21 | 0:58:24 | |
'We don't know their condition.' | 0:58:24 | 0:58:27 | |
Now we have to make some decisions together. | 0:58:27 | 0:58:30 | |
What do we do? | 0:58:30 | 0:58:32 | |
You have a choice. We have a choice. Right now. | 0:58:32 | 0:58:36 | |
Ever since the comet was discovered, we've been hoping for the best. | 0:58:36 | 0:58:41 | |
But we've also been planning for the worst. | 0:58:41 | 0:58:44 | |
Our strategy has been twofold. | 0:58:44 | 0:58:47 | |
First, our strategic missile command | 0:58:47 | 0:58:50 | |
'is coordinating with the Russians | 0:58:50 | 0:58:53 | |
'a strike of missiles to intercept the comets. | 0:58:53 | 0:58:56 | |
'If we can deflect these comets enough, | 0:58:56 | 0:58:58 | |
'they will bounce harmlessly off our atmosphere | 0:58:58 | 0:59:03 | |
'and head on out into space. | 0:59:03 | 0:59:05 | |
'Unfortunately, the Titans cannot be launched | 0:59:05 | 0:59:08 | |
'until the comets are only a few hours away.' | 0:59:08 | 0:59:11 | |
And while we are confident the missile attack will succeed, | 0:59:11 | 0:59:15 | |
it is only prudent we take steps | 0:59:15 | 0:59:17 | |
to ensure the continuation of our way of life, | 0:59:17 | 0:59:20 | |
'to guarantee that there will be enough of us left to rebuild' | 0:59:20 | 0:59:24 | |
a new world in the unlikely event that the comets do strike the Earth. | 0:59:24 | 0:59:28 | |
So, in the soft limestone of Missouri, | 0:59:28 | 0:59:31 | |
we've been preparing a network of immense caves, | 0:59:31 | 0:59:36 | |
and they're almost finished. | 0:59:36 | 0:59:38 | |
And we can put a million people in them. | 0:59:38 | 0:59:41 | |
And that million people can survive there, underground, | 0:59:41 | 0:59:44 | |
for two years, until the air clears and the dust settles. | 0:59:44 | 0:59:47 | |
The cave is more than a dormitory, it is our new Noah's Ark. | 0:59:49 | 0:59:53 | |
We're storing seeds and seedlings, plants, animals, | 0:59:53 | 0:59:57 | |
enough to start over. | 0:59:57 | 0:59:58 | |
'On August 10th, a computer will randomly select 800,000 Americans | 0:59:58 | 1:00:03 | |
'to join the 200,000 scientists, doctors, engineers, | 1:00:03 | 1:00:07 | |
'teachers, soldiers and artists who have been chosen.' | 1:00:07 | 1:00:10 | |
Other countries are preparing caves along whatever lines they feel | 1:00:10 | 1:00:15 | |
are best to preserve their way of life. This is ours. | 1:00:15 | 1:00:18 | |
'Beginning tonight and continuing until the crisis passes, | 1:00:18 | 1:00:23 | |
'I am declaring a state of martial law. | 1:00:23 | 1:00:25 | |
'The armed forces and the National Guard | 1:00:25 | 1:00:28 | |
'are working with law enforcement. | 1:00:28 | 1:00:31 | |
'A national curfew begins at midnight tonight. | 1:00:31 | 1:00:34 | |
'Now, wherever you are, go home. | 1:00:34 | 1:00:36 | |
'Stay off the roads after sunset. | 1:00:36 | 1:00:39 | |
'Crimes against persons or property will be dealt with | 1:00:39 | 1:00:43 | |
'swiftly and harshly. | 1:00:43 | 1:00:45 | |
'News stations are being faxed copies of the lottery procedure | 1:00:45 | 1:00:49 | |
'and they'll be broadcasting the details to you in a few moments.' | 1:00:49 | 1:00:52 | |
I wish... | 1:01:00 | 1:01:02 | |
No. | 1:01:04 | 1:01:06 | |
Wishing is wrong. | 1:01:06 | 1:01:08 | |
It's the wrong word right now. | 1:01:09 | 1:01:11 | |
That's not what I mean. | 1:01:11 | 1:01:14 | |
What I mean is... | 1:01:15 | 1:01:17 | |
..I believe in God. | 1:01:18 | 1:01:20 | |
Relax. | 1:01:20 | 1:01:22 | |
'I know a lot of you don't, but I still want to offer a prayer. | 1:01:22 | 1:01:27 | |
'For our survival... | 1:01:27 | 1:01:30 | |
'..mine included. | 1:01:31 | 1:01:33 | |
'Because I believe | 1:01:33 | 1:01:35 | |
'that God, whomever you hold that to be, | 1:01:35 | 1:01:38 | |
hears all prayers, | 1:01:38 | 1:01:40 | |
even if sometimes the answer is no. | 1:01:40 | 1:01:44 | |
So may the Lord bless you. | 1:01:45 | 1:01:47 | |
May the Lord keep you. | 1:01:47 | 1:01:50 | |
May the Lord lift up his divine countenance upon you... | 1:01:51 | 1:01:54 | |
..and give you peace. | 1:01:55 | 1:01:58 | |
In five, four, three, two... | 1:02:03 | 1:02:06 | |
We now have the details for the national lottery. | 1:02:15 | 1:02:18 | |
Those of you who have been pre-selected | 1:02:19 | 1:02:22 | |
'will be notified within the next few minutes. | 1:02:22 | 1:02:25 | |
'For the rest, on the night of August 10th, | 1:02:25 | 1:02:28 | |
'those whose Social Security numbers | 1:02:28 | 1:02:31 | |
'have been selected by computer will be notified.' | 1:02:31 | 1:02:34 | |
While some Americans over 50 years of age | 1:02:34 | 1:02:37 | |
have been pre-selected for the Ark | 1:02:37 | 1:02:39 | |
due to their expertise in a necessary field of study, | 1:02:39 | 1:02:43 | |
'no men and women over 50 in the general population | 1:02:43 | 1:02:47 | |
'will be included in the lottery.' | 1:02:47 | 1:02:50 | |
The... | 1:02:56 | 1:02:58 | |
'The evacuation of those who have been selected for the Ark | 1:02:58 | 1:03:02 | |
'will take no longer than two days, beginning on August 12th. | 1:03:02 | 1:03:06 | |
'During this two-day period, no unofficial travel is permitted. | 1:03:06 | 1:03:11 | |
'Those selected will be taken by bus and train | 1:03:11 | 1:03:14 | |
'to the Ark site by military personnel. | 1:03:14 | 1:03:17 | |
'Civil defence teams have been formed in every town | 1:03:17 | 1:03:20 | |
'with a population over 5,000. They will distribute supplies | 1:03:20 | 1:03:24 | |
'and organise group shelters | 1:03:24 | 1:03:26 | |
'in underground facilities and appropriate sites. | 1:03:26 | 1:03:30 | |
-'Construction plans, equipment lists...' -PHONE RINGS | 1:03:30 | 1:03:34 | |
Hello? Yes, this is Ellen Biederman. | 1:03:35 | 1:03:39 | |
'..on how to grow your own food underground | 1:03:39 | 1:03:42 | |
'and how to purify water...' | 1:03:42 | 1:03:45 | |
We've been pre-selected. | 1:03:45 | 1:03:48 | |
Chuck? Where are you going? | 1:03:53 | 1:03:54 | |
Our phone. They could be calling. | 1:03:54 | 1:03:56 | |
'..beginning on August 9th. | 1:03:56 | 1:03:59 | |
'The only phones that ring will be those of the people selected.' | 1:03:59 | 1:04:03 | |
That's it. | 1:04:03 | 1:04:05 | |
That's all there is. | 1:04:05 | 1:04:08 | |
The interior camera circuitry is shot. | 1:04:15 | 1:04:18 | |
Can we get back into the cargo bay to reroute video functions? | 1:04:18 | 1:04:22 | |
Starboard cargo porthole's blown. | 1:04:22 | 1:04:24 | |
We could go in, but there's not much left in the life support packs. | 1:04:24 | 1:04:30 | |
We can raise Houston once we get closer. | 1:04:30 | 1:04:33 | |
The Orion is still functioning? | 1:04:33 | 1:04:34 | |
System check OK, I don't know about radiation shielding. | 1:04:34 | 1:04:38 | |
So, if we fire it up, we beat the comet back to Earth. | 1:04:38 | 1:04:42 | |
But we may end up glowing in the dark. Right? | 1:04:42 | 1:04:45 | |
OK, so, er, | 1:04:47 | 1:04:50 | |
anybody? | 1:04:50 | 1:04:52 | |
Let's go home. | 1:05:00 | 1:05:03 | |
OK. | 1:05:08 | 1:05:10 | |
It's liberating knowing I'm not going to be called. I don't think | 1:05:18 | 1:05:24 | |
I've ever been happier. I've even stopped smoking. | 1:05:24 | 1:05:27 | |
What are you going to do with all that extra money you save? | 1:05:27 | 1:05:31 | |
Do you know the National Gallery is saving all of the art? | 1:05:33 | 1:05:37 | |
They're shipping it to the caves. | 1:05:37 | 1:05:39 | |
I've given them my desk from New England and the Sheraton silver. | 1:05:39 | 1:05:45 | |
I really feel like I've protected something...when I gave them. | 1:05:45 | 1:05:49 | |
You should see my apartment. There's nothing there. | 1:05:51 | 1:05:55 | |
It's practically Japanese. | 1:05:55 | 1:05:58 | |
Seems kind of unfair that I got picked. | 1:06:00 | 1:06:03 | |
I'm not a doctor or a scientist. | 1:06:03 | 1:06:06 | |
People need continuity. Everyone knows you. | 1:06:07 | 1:06:10 | |
And they trust you. | 1:06:10 | 1:06:13 | |
But I...can't help you. | 1:06:13 | 1:06:16 | |
Don't worry about me. | 1:06:17 | 1:06:19 | |
I'm going to be happy as long as I know you're going to live. | 1:06:19 | 1:06:24 | |
HELICOPTER FLIES OVERHEAD | 1:06:27 | 1:06:31 | |
SIRENS WAIL | 1:06:31 | 1:06:34 | |
Mr Hotchner? | 1:06:42 | 1:06:43 | |
Where did I think I was going to be when I bought that bike? | 1:06:43 | 1:06:47 | |
Every kid on the block wants one. Every parent on the block hates you. | 1:06:47 | 1:06:51 | |
That's the best news I've had in years. | 1:06:51 | 1:06:54 | |
Can you give me a hand for a second? | 1:06:54 | 1:06:56 | |
I just want to get these bars up. | 1:06:56 | 1:06:59 | |
Hello, Mrs Hotchner. | 1:06:59 | 1:07:01 | |
'..killed a Miami yard operator who was charging 5,000 an hour | 1:07:01 | 1:07:05 | |
'for back-hoe and tractor rentals.' | 1:07:05 | 1:07:07 | |
Same old crap on the TV. I'm really sick of it, you know. | 1:07:07 | 1:07:11 | |
-Mrs Hotchner? -Sarah's on the hill. -Thank you. | 1:07:11 | 1:07:14 | |
HELICOPTER PASSES | 1:07:16 | 1:07:18 | |
Where were you today? I've been looking all over for you. | 1:07:21 | 1:07:26 | |
Why weren't you at school? | 1:07:26 | 1:07:28 | |
My dad said I didn't have to go. | 1:07:28 | 1:07:30 | |
He said there's no point. | 1:07:30 | 1:07:32 | |
Civil Defence. They said if you and I got married, I could get you in. | 1:07:38 | 1:07:43 | |
What about my parents? They're not your family. | 1:07:43 | 1:07:46 | |
I don't want to go without my parents. | 1:07:46 | 1:07:49 | |
You don't have to. I'm Leo Biederman. | 1:07:49 | 1:07:52 | |
I haven't used my fame. I got them to let your family go. | 1:07:52 | 1:07:55 | |
You... This is your only chance to survive. | 1:08:01 | 1:08:05 | |
-TV: -'Across the country, | 1:08:18 | 1:08:21 | |
'looters set fire to abandoned stores. | 1:08:21 | 1:08:24 | |
'The fires have been left to burn. | 1:08:24 | 1:08:27 | |
'Many fire-fighters have been called to help prepare shelters.' | 1:08:27 | 1:08:32 | |
'..have been ruled out as too dangerous. | 1:08:45 | 1:08:48 | |
'Street fighting in Moscow as food shortages continue.' | 1:08:48 | 1:08:51 | |
When I was a child, I spoke like a child, I thought like a child, | 1:09:10 | 1:09:14 | |
I reasoned like a child. | 1:09:14 | 1:09:16 | |
When I became a man, I gave up childish ways. | 1:09:16 | 1:09:21 | |
For now we see in a mirror dimly, but then face to face. | 1:09:21 | 1:09:25 | |
Now I know in part, then I shall understand fully, | 1:09:25 | 1:09:30 | |
even as I have been fully understood. | 1:09:30 | 1:09:33 | |
Do you Leo take Sarah to be your wife, to have and to hold, | 1:09:44 | 1:09:48 | |
from this day forward for better, for worse, for richer, for poorer, | 1:09:48 | 1:09:54 | |
to love and to cherish? | 1:09:54 | 1:09:57 | |
I now pronounce you husband and wife. | 1:10:05 | 1:10:08 | |
Here, let me help you. | 1:11:24 | 1:11:26 | |
I'll get it. | 1:11:26 | 1:11:28 | |
Yeah. How are you feeling? | 1:11:29 | 1:11:31 | |
Yeah. All right. | 1:11:31 | 1:11:33 | |
I want to tell you something. | 1:11:33 | 1:11:36 | |
You children didn't bring any real books to read. | 1:11:36 | 1:11:39 | |
I brought Moby Dick and Huckleberry Finn | 1:11:39 | 1:11:42 | |
and Baker and Simon had never read them. Now, I'm afraid to ask you. | 1:11:42 | 1:11:47 | |
Have you ever read Melville or Twain? | 1:11:47 | 1:11:50 | |
Hm? | 1:11:50 | 1:11:52 | |
Hey, I'm a child of the movies, Fish. | 1:11:52 | 1:11:55 | |
OK, I see. | 1:11:55 | 1:11:57 | |
My whole life, I... | 1:11:59 | 1:12:01 | |
You know how it is for guys like us. | 1:12:03 | 1:12:06 | |
You... You and I, we're the same. | 1:12:07 | 1:12:09 | |
How do you mean by that? | 1:12:09 | 1:12:12 | |
We got to be the best. | 1:12:12 | 1:12:14 | |
Oh. I see. OK. | 1:12:14 | 1:12:16 | |
Be the best. | 1:12:16 | 1:12:18 | |
Sometimes I see, er, flashes of light. | 1:12:30 | 1:12:35 | |
You know, like, er, colours. | 1:12:35 | 1:12:38 | |
I fall asleep | 1:12:40 | 1:12:42 | |
and I dream. | 1:12:42 | 1:12:44 | |
But there's a part of me that's always awake. | 1:12:44 | 1:12:48 | |
And I can see myself dreaming. | 1:12:48 | 1:12:51 | |
I'm just... I'm seeing things differently, Fish. | 1:12:56 | 1:12:59 | |
Well, that's good, that's good. | 1:12:59 | 1:13:01 | |
Fish... | 1:13:01 | 1:13:03 | |
Why the hell do they call you Fish? | 1:13:05 | 1:13:07 | |
Spurgeon, sturgeon, Fish. | 1:13:10 | 1:13:13 | |
It took about 15 minutes of my first day at the Naval Academy. | 1:13:13 | 1:13:17 | |
Your kids go there? | 1:13:18 | 1:13:20 | |
Yeah, they did, they did. | 1:13:20 | 1:13:23 | |
And they're good men, both of them. | 1:13:23 | 1:13:26 | |
I don't see as much of them as I used to when Mary was alive. | 1:13:26 | 1:13:29 | |
You don't have to talk about it. It's OK. | 1:13:29 | 1:13:32 | |
No, it's OK. It's OK. | 1:13:32 | 1:13:35 | |
You're married, you know what it's like. | 1:13:35 | 1:13:38 | |
Every marriage has good years and bad years. We ended on a great year. | 1:13:38 | 1:13:42 | |
Yeah. | 1:13:46 | 1:13:48 | |
Anyway, let's get started. | 1:13:48 | 1:13:51 | |
Moby Dick, chapter one. | 1:13:52 | 1:13:54 | |
"Call me Ishmael. | 1:13:57 | 1:13:59 | |
"Several years ago, never mind how long precisely, | 1:13:59 | 1:14:02 | |
"having little or no money in my purse..." | 1:14:02 | 1:14:05 | |
HE READS ON | 1:14:05 | 1:14:08 | |
DOGS BARK | 1:14:20 | 1:14:22 | |
Listen up. Biederman. | 1:14:34 | 1:14:36 | |
Yeah, that's us. | 1:14:36 | 1:14:37 | |
IDs, please. | 1:14:37 | 1:14:39 | |
Yes, I got 'em right here. There's four of us. | 1:14:39 | 1:14:43 | |
This is our marriage licence. | 1:14:43 | 1:14:45 | |
I have it right here. | 1:14:45 | 1:14:49 | |
OK. | 1:14:53 | 1:14:55 | |
OK. All right, let's go. Let's move out. | 1:14:55 | 1:14:57 | |
Mom? Wait, sir, my parents are coming, too. | 1:14:57 | 1:15:01 | |
Wait, the Hotchners. The Hotchners are coming. | 1:15:01 | 1:15:04 | |
-H-N-E-R. -That's not here. | 1:15:04 | 1:15:07 | |
It has to be. FICDA sent their names to the White House. | 1:15:07 | 1:15:11 | |
Check the list, will you, sir? | 1:15:11 | 1:15:13 | |
They must be there. | 1:15:13 | 1:15:15 | |
No, they're not on the list. I'm sorry. | 1:15:15 | 1:15:18 | |
Sir, sir, Leo, can you check it one more time? | 1:15:18 | 1:15:22 | |
They said your names were on the list. | 1:15:22 | 1:15:25 | |
Sarah, I put them on the list. | 1:15:25 | 1:15:26 | |
We're not on the list. | 1:15:26 | 1:15:28 | |
I need the Biedermans on the bus. | 1:15:28 | 1:15:31 | |
Dad, I want to stay with you. | 1:15:31 | 1:15:33 | |
No, no, no, no. We have to go. | 1:15:33 | 1:15:35 | |
I need to stay with you. | 1:15:35 | 1:15:37 | |
Sarah! Sarah, you need to go. | 1:15:37 | 1:15:40 | |
-I have to stay with you. -I'm not going without you. | 1:15:40 | 1:15:43 | |
You don't know what you're doing. | 1:15:43 | 1:15:45 | |
This bus is moving out. | 1:15:45 | 1:15:46 | |
Son, son, on the bus. Get on the bus. | 1:15:46 | 1:15:49 | |
We'll work it out when we get there. | 1:15:49 | 1:15:52 | |
Jenny? There's a phone call for you. | 1:16:12 | 1:16:15 | |
Yes? This is she. | 1:16:19 | 1:16:22 | |
Robin Lerner... My mother. | 1:16:22 | 1:16:25 | |
When? | 1:16:33 | 1:16:35 | |
Uh, 61. | 1:16:39 | 1:16:41 | |
I'll come down there, then. Thank you. Thank you very much. | 1:16:43 | 1:16:48 | |
Jenny, do you want us to do something? | 1:16:50 | 1:16:53 | |
THUNDER RUMBLES | 1:17:48 | 1:17:49 | |
You're too late. I already took care of everything. | 1:17:55 | 1:17:59 | |
Come, come! Inside the car. You're getting sick! Please. | 1:18:00 | 1:18:04 | |
I want to talk to you. | 1:18:04 | 1:18:06 | |
Please, come. | 1:18:07 | 1:18:09 | |
Go home and tell it to Chloe. | 1:18:11 | 1:18:13 | |
I can't. She left me. | 1:18:13 | 1:18:14 | |
She's with her mother. They both got scared. Come. | 1:18:14 | 1:18:18 | |
I want to talk to you. I need you. | 1:18:18 | 1:18:22 | |
How does it feel? | 1:18:22 | 1:18:24 | |
I feel like an orphan. | 1:18:28 | 1:18:31 | |
Jenny. Jenny. | 1:18:32 | 1:18:34 | |
Stop. | 1:18:38 | 1:18:39 | |
PROTESTORS SHOUT | 1:19:10 | 1:19:13 | |
Welcome to the Ark. I'm Section Leader for Orange two-five-four. | 1:19:49 | 1:19:54 | |
That's your home for the next two years. | 1:19:54 | 1:19:56 | |
Gather your things and follow me to the gallery. | 1:19:56 | 1:20:00 | |
PA: 'If you have been designated as a civilian section officer, | 1:20:00 | 1:20:06 | |
'report to section Red one-one-six upon entering. | 1:20:06 | 1:20:10 | |
'Once again, if you have been designated | 1:20:10 | 1:20:13 | |
'as a civilian section officer, | 1:20:13 | 1:20:15 | |
'report to section Red one-one-six upon entering.' | 1:20:15 | 1:20:19 | |
I'm not coming. | 1:20:23 | 1:20:25 | |
Leo, come with us right now. | 1:20:25 | 1:20:28 | |
I have to go back for Sarah. | 1:20:28 | 1:20:30 | |
Mom, I'm going. | 1:20:30 | 1:20:33 | |
Don, what are you doing? | 1:20:38 | 1:20:40 | |
I'm giving him something to trade. Here. I want you to take this. | 1:20:40 | 1:20:44 | |
Dad, that's enough. | 1:20:44 | 1:20:47 | |
Goddamn it. You take care of yourself, OK? | 1:20:51 | 1:20:55 | |
I'm going to make it. | 1:20:58 | 1:21:00 | |
What about Entrekin? | 1:21:10 | 1:21:11 | |
I don't know. He hasn't returned my call in over two weeks. | 1:21:11 | 1:21:15 | |
Jenny. Your father's here. | 1:21:15 | 1:21:18 | |
Hello. | 1:21:22 | 1:21:24 | |
Hello. | 1:21:24 | 1:21:25 | |
I can't stay long. I'm leaving the city, | 1:21:25 | 1:21:27 | |
but I wanted to show you something. | 1:21:27 | 1:21:30 | |
To show you that you're not an orphan. | 1:21:30 | 1:21:32 | |
I have proof that you're not an orphan. | 1:21:36 | 1:21:39 | |
Here... | 1:21:39 | 1:21:41 | |
Look. | 1:21:43 | 1:21:45 | |
Where's Mom? | 1:21:53 | 1:21:56 | |
Behind the camera. | 1:21:56 | 1:21:58 | |
She took this? | 1:21:58 | 1:22:00 | |
Mm-hm. | 1:22:00 | 1:22:01 | |
And this one, too. | 1:22:01 | 1:22:03 | |
She was such an artist, don't you think so? | 1:22:03 | 1:22:07 | |
You don't remember when they were taken, hm? | 1:22:09 | 1:22:12 | |
I'm five years old. How would I remember that? | 1:22:12 | 1:22:15 | |
Well, some people do remember when they were five years old. | 1:22:15 | 1:22:20 | |
It was such a beautiful day. | 1:22:20 | 1:22:22 | |
All alone on the beach. | 1:22:22 | 1:22:24 | |
And of course, she would have been in the picture. | 1:22:27 | 1:22:30 | |
But there was no-one else to hold the camera. | 1:22:30 | 1:22:33 | |
And... | 1:22:33 | 1:22:35 | |
she insisted. | 1:22:35 | 1:22:37 | |
You know how she is. | 1:22:37 | 1:22:39 | |
How she was. | 1:22:39 | 1:22:42 | |
Jenny... | 1:22:43 | 1:22:45 | |
It was such a good day, | 1:22:49 | 1:22:52 | |
for all of us. | 1:22:52 | 1:22:54 | |
Don't you remember? | 1:22:54 | 1:22:56 | |
Keep them. | 1:23:02 | 1:23:04 | |
Goodbye. | 1:23:07 | 1:23:09 | |
RADIO: 'We have confirmed the launch of the missiles | 1:23:40 | 1:23:44 | |
'from Dakota and Wyoming. | 1:23:44 | 1:23:46 | |
'The comets are 14 hours outside of Earth's atmosphere. | 1:23:46 | 1:23:51 | |
'We are told that the missiles will reach their target in 20 minutes.' | 1:23:51 | 1:23:56 | |
Here's what we're looking at. | 1:23:57 | 1:23:59 | |
All of the Titans have been launched. | 1:23:59 | 1:24:01 | |
We don't know if they'll make a difference. | 1:24:01 | 1:24:04 | |
The comets have to travel a while | 1:24:04 | 1:24:06 | |
before the radar tracking stations can see if they've been pushed | 1:24:06 | 1:24:10 | |
to a safe course that will bypass the Earth. | 1:24:10 | 1:24:14 | |
So, one more time, we have to wait. | 1:24:14 | 1:24:17 | |
Are we on? | 1:24:34 | 1:24:36 | |
We're on, Mr President. | 1:24:36 | 1:24:38 | |
Our missiles have failed. | 1:24:47 | 1:24:50 | |
The comets are still headed for Earth... | 1:24:51 | 1:24:54 | |
..and there's nothing we can do to stop them. | 1:24:55 | 1:24:58 | |
So, this is it. | 1:25:02 | 1:25:04 | |
If the world does go on, | 1:25:04 | 1:25:07 | |
it will not go on for everyone. | 1:25:07 | 1:25:10 | |
'We have been able to calculate the comets' trajectories. | 1:25:11 | 1:25:16 | |
'We know where they are going to strike.' | 1:25:16 | 1:25:18 | |
The smaller of the two comets will hit first. | 1:25:18 | 1:25:22 | |
Somewhere along the Atlantic seaboard, near Cape Atarus. | 1:25:22 | 1:25:26 | |
In just under 12 hours, at 4.35pm Eastern daylight time. | 1:25:26 | 1:25:31 | |
The impact of the comet is going to be... | 1:25:31 | 1:25:33 | |
well, disastrous. | 1:25:33 | 1:25:36 | |
'There will be a large tidal wave moving through the Atlantic. | 1:25:37 | 1:25:42 | |
'It will be 100 feet high travelling at 1,100 miles an hour. | 1:25:42 | 1:25:46 | |
'That's faster than the speed of sound. | 1:25:46 | 1:25:48 | |
'As the wave reaches shallow water it will slow down, | 1:25:48 | 1:25:52 | |
'but the height, depending on the coastal shelf, | 1:25:52 | 1:25:55 | |
'will be anywhere from 1,000 to 3,500 feet high. | 1:25:55 | 1:25:59 | |
'Where the land is flat, the wave will wash inland | 1:26:00 | 1:26:04 | |
'600 to 700 miles. | 1:26:04 | 1:26:06 | |
'The wave will hit our nation's capital | 1:26:06 | 1:26:09 | |
'40 minutes after impact. | 1:26:09 | 1:26:11 | |
'New York City, Boston, Atlanta, Philadelphia... | 1:26:12 | 1:26:17 | |
'..all will be destroyed.' | 1:26:18 | 1:26:20 | |
If you can get away from the path of this wave, leave now. | 1:26:20 | 1:26:25 | |
The impact of the larger comet will be nothing less | 1:26:26 | 1:26:30 | |
than an extinction-level event. | 1:26:30 | 1:26:32 | |
It will strike land in Western Canada three hours after Biederman. | 1:26:32 | 1:26:37 | |
Within a week, the skies will be dark from the dust of impact | 1:26:37 | 1:26:41 | |
and it will stay dark for two years. | 1:26:41 | 1:26:44 | |
All plant life will be dead within... | 1:26:44 | 1:26:47 | |
..four weeks. | 1:26:48 | 1:26:50 | |
Animal life within... | 1:26:50 | 1:26:52 | |
..a few months. | 1:26:54 | 1:26:56 | |
So that's it. | 1:26:59 | 1:27:01 | |
Good luck to us all. | 1:27:01 | 1:27:03 | |
Could I bother you for a minute? Let's take a look at the big one. | 1:27:28 | 1:27:33 | |
The outgassing has created a vent | 1:27:33 | 1:27:35 | |
a half a mile wide and two miles deep. | 1:27:35 | 1:27:38 | |
The comet gets closer to the sun, | 1:27:38 | 1:27:40 | |
the sun melts the ice, the ice turns to steam. | 1:27:40 | 1:27:43 | |
We get a big hole. OK? | 1:27:43 | 1:27:45 | |
So, how many nukes do we have left out back? | 1:27:45 | 1:27:48 | |
Four. | 1:27:48 | 1:27:49 | |
OK, if we can get the remaining bombs in that vent, | 1:27:49 | 1:27:53 | |
there shouldn't be anything left of that comet bigger than a suitcase. | 1:27:53 | 1:27:58 | |
Now, we can't do anything about the little one, | 1:27:58 | 1:28:02 | |
but it just might give them a chance. | 1:28:02 | 1:28:04 | |
Without the arming codes, | 1:28:04 | 1:28:06 | |
we're going to have to wait to set the bomb timers | 1:28:06 | 1:28:09 | |
until we get closer to Earth. | 1:28:09 | 1:28:11 | |
We may not have enough life support | 1:28:11 | 1:28:14 | |
to get into the cargo bay for the nukes, | 1:28:14 | 1:28:16 | |
much less to work down on the comet. | 1:28:16 | 1:28:19 | |
We don't have enough propellant on board to manoeuvre with. | 1:28:19 | 1:28:24 | |
How do we get off the surface once we've gotten down there? | 1:28:24 | 1:28:28 | |
We don't. | 1:28:32 | 1:28:34 | |
Well, look at the bright side. | 1:28:42 | 1:28:44 | |
We'll all have high schools named after us. | 1:28:44 | 1:28:48 | |
'Houston, this is Messiah. | 1:29:09 | 1:29:11 | |
'Houston, this is Messiah.' | 1:29:12 | 1:29:15 | |
Nice of you to call, Messiah. | 1:29:25 | 1:29:28 | |
We were wondering what you were doing up there. | 1:29:28 | 1:29:31 | |
'Admiring the view.' | 1:29:31 | 1:29:32 | |
Fish, is that you? | 1:29:32 | 1:29:34 | |
We don't have time to talk. | 1:29:34 | 1:29:35 | |
Can't stop the small one, but we have a plan. | 1:29:35 | 1:29:38 | |
'We need the arming codes for the last four nukes.' | 1:29:38 | 1:29:42 | |
What the hell for? | 1:29:42 | 1:29:43 | |
We can do or we can teach. What's your pleasure? | 1:29:43 | 1:29:46 | |
Get the arming codes. Get the goddamn codes. | 1:29:46 | 1:29:49 | |
One helicopter holds seven people. | 1:29:50 | 1:29:53 | |
We can ferry six to high ground and take Jenny to the Ark. | 1:29:53 | 1:29:57 | |
Short stick goes. | 1:29:57 | 1:29:59 | |
I thought it was women and children first. | 1:29:59 | 1:30:01 | |
If you get the short one, you can give up your seat. | 1:30:01 | 1:30:05 | |
Oh, thank God. | 1:30:05 | 1:30:07 | |
Well, that makes sense. | 1:30:14 | 1:30:16 | |
I got a stick. | 1:30:19 | 1:30:22 | |
I'm sorry, Beth. | 1:30:28 | 1:30:30 | |
OK, honey, here we go. | 1:30:30 | 1:30:32 | |
Let's go now. | 1:30:32 | 1:30:34 | |
Beth... | 1:30:34 | 1:30:36 | |
There's always the road. We'll be OK. Come on. | 1:30:36 | 1:30:39 | |
Come on. Ah, that's my girl. | 1:30:39 | 1:30:42 | |
OK, that's it. | 1:30:44 | 1:30:47 | |
HE SOBS | 1:30:47 | 1:30:50 | |
Sarah! | 1:30:54 | 1:30:56 | |
Sarah! | 1:30:57 | 1:30:59 | |
DOG BARKS | 1:31:01 | 1:31:04 | |
HELICOPTER FILES OVERHEAD | 1:31:08 | 1:31:11 | |
Come on, where's that key? Where's the key? | 1:31:13 | 1:31:16 | |
Come on, hurry up! Come on. | 1:32:16 | 1:32:18 | |
No, wait. Wait! | 1:32:18 | 1:32:20 | |
What are you doing? | 1:32:20 | 1:32:22 | |
Come on, Jenny, we have to go now. We have to go now. Come on! | 1:32:23 | 1:32:27 | |
Beth! Beth! | 1:32:32 | 1:32:34 | |
The road was so crowded, we weren't going to make it. | 1:32:34 | 1:32:37 | |
If the wave does come, we should be here. She likes it here | 1:32:37 | 1:32:42 | |
and we're on the 15th floor, so maybe we'll be OK. | 1:32:42 | 1:32:45 | |
Come on, honey. | 1:32:45 | 1:32:47 | |
Come on, come on! | 1:32:47 | 1:32:49 | |
PANICKED SHOUTING | 1:32:49 | 1:32:52 | |
Caitlin! Caitlin! | 1:32:52 | 1:32:55 | |
Come on, hurry up. Come on, come on, faster, faster! | 1:32:58 | 1:33:02 | |
Come on! Let's go. There's no room for that. | 1:33:04 | 1:33:08 | |
She's going with you! | 1:33:08 | 1:33:10 | |
-You're taking my seat! -Come on! | 1:33:10 | 1:33:13 | |
Go! | 1:33:13 | 1:33:14 | |
Get her in there. I'm not going! | 1:33:16 | 1:33:19 | |
What do you mean? | 1:33:19 | 1:33:20 | |
I'm not going, Eric. | 1:33:20 | 1:33:22 | |
Go! | 1:33:22 | 1:33:24 | |
PEOPLE IN CARS SHOUT AND SCREAM | 1:34:18 | 1:34:22 | |
Sarah! Sarah! | 1:34:23 | 1:34:27 | |
CAR HORNS BLARE | 1:34:44 | 1:34:46 | |
Sarah, look. | 1:34:46 | 1:34:48 | |
SHE HOOTS HORN | 1:34:48 | 1:34:52 | |
Leo! Leo Biederman! Leo! | 1:34:55 | 1:34:58 | |
Leo! | 1:35:01 | 1:35:04 | |
Leo! | 1:35:09 | 1:35:11 | |
You don't have any time. You have to go now. | 1:35:12 | 1:35:15 | |
No, no, no. Daddy! | 1:35:15 | 1:35:17 | |
Daddy, what are you doing? | 1:35:17 | 1:35:19 | |
I want you to take the baby. | 1:35:19 | 1:35:21 | |
No, no, no, no, no, Mom. | 1:35:21 | 1:35:22 | |
Yes, no arguments. | 1:35:22 | 1:35:24 | |
I don't want to! I don't want to go! | 1:35:24 | 1:35:27 | |
Mom, Mom. | 1:35:31 | 1:35:33 | |
Sweetheart, listen to me. | 1:35:33 | 1:35:35 | |
Put this on. I love you. | 1:35:35 | 1:35:37 | |
I love you, too. | 1:35:37 | 1:35:39 | |
I've always loved you. | 1:35:39 | 1:35:41 | |
I love you. | 1:35:41 | 1:35:42 | |
I don't want to go. | 1:35:42 | 1:35:44 | |
I'll see you soon. | 1:35:44 | 1:35:47 | |
Get out of here, Leo. Go. | 1:35:47 | 1:35:50 | |
Go. Go to high ground! | 1:35:50 | 1:35:52 | |
When I was 11, I took 32 from your wallet. | 1:37:04 | 1:37:09 | |
When you were a baby, | 1:37:13 | 1:37:16 | |
I once dropped you on your head. | 1:37:16 | 1:37:19 | |
When you came to the studio | 1:37:24 | 1:37:27 | |
and you brought those pictures, | 1:37:27 | 1:37:29 | |
I lied when I said I didn't remember. | 1:37:29 | 1:37:32 | |
I remember everything. | 1:37:32 | 1:37:34 | |
I remember that we were right over there, | 1:37:34 | 1:37:38 | |
and that's when Mom got that picture of the house. | 1:37:38 | 1:37:42 | |
It was a perfect, happy day. | 1:37:43 | 1:37:47 | |
I came down here to let you know that. | 1:37:49 | 1:37:52 | |
Thank you. | 1:37:52 | 1:37:54 | |
I've missed you since then. | 1:37:58 | 1:38:01 | |
I've missed you, too. | 1:38:08 | 1:38:11 | |
COMET WHIZZES | 1:38:25 | 1:38:26 | |
Biederman. | 1:38:39 | 1:38:40 | |
Daddy... | 1:39:39 | 1:39:41 | |
FRANTIC SCREAMING | 1:40:09 | 1:40:12 | |
Hold on! | 1:40:25 | 1:40:27 | |
'This is Messiah. Ready to begin our run. Our families there yet?' | 1:41:19 | 1:41:23 | |
They're on their way. | 1:41:23 | 1:41:25 | |
Disengage auto path. | 1:41:29 | 1:41:31 | |
Here we go. | 1:41:32 | 1:41:34 | |
We're at perigee. Wolf contact in four minutes, 45 seconds. | 1:41:37 | 1:41:42 | |
We'll never be closer to home than we are right now. | 1:41:42 | 1:41:45 | |
'Messiah, we've got some people to talk to you.' | 1:42:02 | 1:42:05 | |
Wendy, honey... | 1:42:08 | 1:42:10 | |
you promise me you keep doing your, er, your church thing. | 1:42:10 | 1:42:15 | |
And I'll be there, right next to you, | 1:42:15 | 1:42:18 | |
haunting you. | 1:42:18 | 1:42:21 | |
You'd better come back and haunt me. | 1:42:22 | 1:42:25 | |
I love you. | 1:42:26 | 1:42:28 | |
Look, there's Mommy. Hello, Mommy. | 1:42:28 | 1:42:32 | |
'Hey... | 1:42:32 | 1:42:34 | |
'You'll take care of Daddy for me, OK?' | 1:42:34 | 1:42:36 | |
She will. She does a good job. She misses Mommy. | 1:42:36 | 1:42:40 | |
'I miss you.' | 1:42:40 | 1:42:41 | |
I love you, Mommy. | 1:42:41 | 1:42:43 | |
I love you very, very much. | 1:42:43 | 1:42:46 | |
David... | 1:42:48 | 1:42:50 | |
You know what I want to say. | 1:42:52 | 1:42:54 | |
'I know.' | 1:42:54 | 1:42:56 | |
Come on, Sarah! Come on! | 1:43:05 | 1:43:07 | |
'Wolf contact in two minutes, 30 seconds. | 1:43:07 | 1:43:10 | |
'Oren, Mariette's at your folks' place up in Utah. | 1:43:10 | 1:43:13 | |
'We sent a plane for her, but she isn't here yet.' | 1:43:13 | 1:43:18 | |
'Fish, your sons are on active duty. We tried to get them back, | 1:43:18 | 1:43:22 | |
'but we couldn't get them here on time. I'm sorry.' | 1:43:22 | 1:43:25 | |
Well, Mitch, er, I want to say goodbye to Mary. | 1:43:27 | 1:43:31 | |
I want to tell her I love her and that ever since we've been apart, | 1:43:31 | 1:43:35 | |
every day I think about her. | 1:43:35 | 1:43:38 | |
Mary, I'm coming home. | 1:43:39 | 1:43:42 | |
Coming up on target, 625 miles. | 1:43:43 | 1:43:45 | |
Range, 600 miles. | 1:43:48 | 1:43:51 | |
Wait. Oh, God, wait! | 1:43:53 | 1:43:56 | |
Wait! I'm coming. | 1:43:58 | 1:44:01 | |
Oren! | 1:44:03 | 1:44:04 | |
'Oren, are you there?' | 1:44:04 | 1:44:07 | |
'Mariette? I'm here. I can hear you.' | 1:44:07 | 1:44:11 | |
Hi, sweetie. | 1:44:11 | 1:44:13 | |
Baby, this is your father. | 1:44:13 | 1:44:15 | |
His name is Oren. I named him after you. | 1:44:15 | 1:44:19 | |
'Hello, Oren.' | 1:44:19 | 1:44:21 | |
Show him what you brought him. | 1:44:21 | 1:44:22 | |
'What happened?' | 1:44:22 | 1:44:24 | |
He's holding up a little rocket. | 1:44:24 | 1:44:26 | |
That's a mighty powerful rocket you got there. | 1:44:26 | 1:44:30 | |
He's laughing. | 1:44:30 | 1:44:32 | |
I can hear him. I know. | 1:44:32 | 1:44:35 | |
Mariette, I'm hugging you both right now. | 1:44:35 | 1:44:39 | |
I'm holding you. | 1:44:39 | 1:44:41 | |
25 seconds. | 1:44:41 | 1:44:43 | |
Prepare to synchronise the nukes. | 1:44:43 | 1:44:45 | |
23. | 1:44:45 | 1:44:47 | |
22. | 1:44:47 | 1:44:49 | |
21. | 1:44:49 | 1:44:51 | |
20. | 1:44:51 | 1:44:53 | |
19. | 1:44:53 | 1:44:55 | |
18. | 1:44:55 | 1:44:57 | |
17. | 1:44:57 | 1:44:59 | |
16. | 1:44:59 | 1:45:00 | |
15. | 1:45:00 | 1:45:02 | |
It's been a pleasure serving with you, Commander. | 1:45:02 | 1:45:06 | |
The honour's all mine, Andy. | 1:45:06 | 1:45:09 | |
Be good, Oren. | 1:45:15 | 1:45:17 | |
Be good. | 1:45:20 | 1:45:22 | |
PRESIDENT: 'We watched as the bombs shattered the second comet | 1:46:29 | 1:46:32 | |
'into a million pieces of ice and rock | 1:46:32 | 1:46:35 | |
'that burned harmlessly in our atmosphere, | 1:46:35 | 1:46:38 | |
'and lit up the sky for an hour. | 1:46:38 | 1:46:40 | |
'Still, we were left with the devastation of the first. | 1:46:40 | 1:46:44 | |
'The waters reached as far inland as the Ohio and Tennessee Valleys. | 1:46:44 | 1:46:49 | |
'It washed away farms and towns, forests and skyscrapers. | 1:46:49 | 1:46:55 | |
'But...' | 1:46:55 | 1:46:57 | |
the water receded. | 1:46:57 | 1:47:00 | |
The wave hit Europe and Africa, too. | 1:47:00 | 1:47:03 | |
Millions were lost... | 1:47:03 | 1:47:06 | |
..and countless more left homeless. | 1:47:07 | 1:47:10 | |
But the waters receded. | 1:47:12 | 1:47:15 | |
Cities fall... | 1:47:17 | 1:47:19 | |
..but they are rebuilt. | 1:47:20 | 1:47:23 | |
And heroes die, | 1:47:23 | 1:47:25 | |
but they are remembered. | 1:47:25 | 1:47:28 | |
We honour them with every brick we lay, | 1:47:28 | 1:47:32 | |
with every field we sow, | 1:47:32 | 1:47:34 | |
with every child we comfort | 1:47:34 | 1:47:37 | |
and then teach to rejoice in what we have been re-given. | 1:47:37 | 1:47:42 | |
Our planet. | 1:47:43 | 1:47:45 | |
Our home. | 1:47:47 | 1:47:49 | |
So now, let us begin. | 1:47:52 | 1:47:55 | |
PEOPLE CHEER | 1:47:58 | 1:48:01 |