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This film contains strong language and graphic violence. | 0:00:06 | 0:00:15 | |
HE GASPS | 0:02:30 | 0:02:33 | |
HE SOBS | 0:02:35 | 0:02:38 | |
ANGUISHED MOAN | 0:02:45 | 0:02:48 | |
HE SIGHS | 0:03:00 | 0:03:02 | |
Have you eaten anything? | 0:03:21 | 0:03:23 | |
What's this? We got ten minutes to go. | 0:03:25 | 0:03:29 | |
-Punch me out, man. -You got it. | 0:03:37 | 0:03:39 | |
Any word from the LAPD Intelligence? | 0:04:17 | 0:04:20 | |
-If there is such a thing. -Not yet, sir. | 0:04:20 | 0:04:23 | |
Of course not. We're a covert anti-terrorism team, | 0:04:23 | 0:04:26 | |
so secret that when we snap our fingers, nothing happens! | 0:04:26 | 0:04:30 | |
'Sheriff's department?' | 0:04:39 | 0:04:42 | |
Airport police? | 0:04:42 | 0:04:45 | |
No. Interpol says he's in Tripoli. | 0:04:45 | 0:04:50 | |
Well, you trust that billion-dollar satellite, OK? | 0:04:46 | 0:04:50 | |
I'll trust a ten dollar snitch at this point. | 0:04:50 | 0:04:53 | |
-'Sean, look.' -'What?!' | 0:04:55 | 0:04:57 | |
-< -Why don't you give them a break? | 0:04:57 | 0:04:59 | |
We'll take a break when the case breaks, OK? | 0:04:59 | 0:05:04 | |
MUSIC: "Hallelujah Chorus" by Handel | 0:05:09 | 0:05:13 | |
# Hallelujah! Hallelujah! | 0:05:13 | 0:05:15 | |
# Hallelujah! | 0:05:15 | 0:05:17 | |
# Hallelujah! Hallelujah! | 0:05:17 | 0:05:20 | |
# For the Lord God omnipotent reigneth | 0:05:20 | 0:05:25 | |
# Hallelujah! Hallelujah! | 0:05:25 | 0:05:27 | |
-# -For the Lord God omnipotent reigneth | 0:05:27 | 0:05:31 | |
# Hallelujah! Hallelujah! | 0:05:31 | 0:05:34 | |
-# -For the Lord God omnipotent reigneth | 0:05:34 | 0:05:40 | |
-# -Hallelujah! | 0:05:40 | 0:05:43 | |
-# -And he shall reign... -# | 0:05:44 | 0:05:46 | |
I've never enjoyed The Messiah. | 0:05:46 | 0:05:49 | |
In fact, I think it's fucking boring. | 0:05:49 | 0:05:52 | |
But your voice makes even a hack like Handel...seem like a genius. | 0:05:52 | 0:05:57 | |
HE SINGS: Hallelujah! Hallelujah! | 0:05:57 | 0:06:01 | |
-# -Hallelujah! Hallelujah! -# | 0:06:01 | 0:06:03 | |
Ahhhh!! | 0:06:03 | 0:06:05 | |
-# -Hallelujah! Hallelujah! | 0:06:05 | 0:06:07 | |
-# -Hallelujah! -# | 0:06:07 | 0:06:14 | |
Victor, when we put this to bed, | 0:06:15 | 0:06:17 | |
you can brand the Fourth Amendment on my butt. | 0:06:17 | 0:06:20 | |
Sir, excuse me. Your wife's on line one. | 0:06:20 | 0:06:24 | |
A jet was just chartered. Guess who paid the bill? Pollux Troy. | 0:06:24 | 0:06:29 | |
Put someone on the plane. | 0:06:29 | 0:06:31 | |
We got no sign of Castor. | 0:06:31 | 0:06:37 | |
Pollux doesn't fly without big brother! | 0:06:33 | 0:06:37 | |
You're 26 minutes late. The casing didn't fit, right? | 0:07:14 | 0:07:18 | |
I told you Dietrich would pawn off some cheap shit | 0:07:18 | 0:07:22 | |
North Korean plastic. | 0:07:22 | 0:07:24 | |
The casing fit like a condom. | 0:07:24 | 0:07:27 | |
You didn't deviate from the plan? Pollux? | 0:07:27 | 0:07:31 | |
I didn't want to twiddle my thumbs. I paid for the jet...to save time. | 0:07:31 | 0:07:37 | |
That's what the boys are for - to hide our famous faces. | 0:07:37 | 0:07:40 | |
If I didn't love you, I'd kill you, bro. | 0:07:50 | 0:07:55 | |
I hate it when you call me "bro". | 0:07:52 | 0:07:55 | |
You guys are paid to protect him from everybody, including himself. | 0:08:03 | 0:08:08 | |
Stay away from downtown on the 18th. It's gonna be a little...smoggy. | 0:08:08 | 0:08:13 | |
My passengers are here. I gotta go. | 0:08:16 | 0:08:18 | |
Let's go. Let's go. I'm bored. Let's go. | 0:08:22 | 0:08:26 | |
Here you go. | 0:08:26 | 0:08:29 | |
Ooh. Bravo. | 0:08:27 | 0:08:29 | |
Would you like anything else? | 0:08:29 | 0:08:31 | |
Oh. Peach. | 0:08:31 | 0:08:34 | |
Sit. Come here. | 0:08:35 | 0:08:37 | |
You know, I can...er... eat a peach for hours. | 0:08:41 | 0:08:46 | |
Um... Come here. | 0:08:48 | 0:08:50 | |
If I were to send you flowers, where would I, er... | 0:08:50 | 0:08:54 | |
HE CHUCKLES No. Wait. Let me rephrase. | 0:08:54 | 0:08:57 | |
If I were to let you suck my tongue... | 0:08:57 | 0:09:03 | |
..would you be grateful? | 0:09:04 | 0:09:06 | |
There's someone on the runway. | 0:09:27 | 0:09:29 | |
Get off of me! | 0:09:32 | 0:09:34 | |
Archer. | 0:09:48 | 0:09:49 | |
FBI! | 0:09:49 | 0:09:51 | |
This is a very big gun. Fly the fuckin' plane. | 0:09:57 | 0:10:00 | |
Come on. That's it. | 0:10:04 | 0:10:06 | |
Come on. Let's go! | 0:10:09 | 0:10:11 | |
Don't play chicken with the jet! | 0:10:11 | 0:10:14 | |
Come on! | 0:10:17 | 0:10:19 | |
He's got one of us. Goddammit! | 0:10:24 | 0:10:26 | |
All units. Pin him in! | 0:10:39 | 0:10:42 | |
Close it up! | 0:10:43 | 0:10:45 | |
One of yours, Sean?! | 0:10:51 | 0:10:54 | |
GUNSHOT | 0:10:55 | 0:10:57 | |
Shit! | 0:10:56 | 0:10:57 | |
Out! Come on! Go! Go! | 0:11:10 | 0:11:12 | |
Goddammit, Sean! | 0:11:16 | 0:11:18 | |
Take off now. | 0:11:29 | 0:11:31 | |
-Fly! -I can't! | 0:11:37 | 0:11:38 | |
Fly, bitch! | 0:11:40 | 0:11:42 | |
All units ready. Follow Archer's lead. | 0:11:54 | 0:11:57 | |
What the fuck are you doing? | 0:12:06 | 0:12:08 | |
An engine's out. We gotta stop. | 0:12:08 | 0:12:10 | |
GUNSHOT | 0:12:10 | 0:12:11 | |
Pollux! | 0:13:29 | 0:13:31 | |
Cas? | 0:13:51 | 0:13:53 | |
Secure the hangar! | 0:13:58 | 0:14:00 | |
CLANG! | 0:14:18 | 0:14:19 | |
Berkley, down! | 0:14:24 | 0:14:26 | |
Down! | 0:14:39 | 0:14:42 | |
BUTTONS PING, ENGINE FIRES UP | 0:15:21 | 0:15:23 | |
Give up, Castor. Your time's up. | 0:15:24 | 0:15:27 | |
HE CHUCKLES Well, you'd better hit me, Sean. | 0:15:27 | 0:15:30 | |
You've only got one bullet left. | 0:15:30 | 0:15:33 | |
So do you. | 0:15:33 | 0:15:34 | |
Wow. | 0:15:34 | 0:15:36 | |
We've got something in common. We both know our guns. | 0:15:37 | 0:15:41 | |
What we don't have in common is I don't care if I live. And you do. | 0:15:41 | 0:15:46 | |
Sean...that hurts. | 0:15:46 | 0:15:49 | |
You're not having any fun, are you, Sean? | 0:15:49 | 0:15:53 | |
Why don't you come with us? | 0:15:53 | 0:15:55 | |
-Try terrorism. It's more fun! -Shut the fuck up! | 0:15:55 | 0:15:58 | |
Watch your mouth! I'm gonna unleash a Biblical plague HELL-A deserves. | 0:15:58 | 0:16:04 | |
Or I'll give this shithole a break if my brother and I walk. | 0:16:04 | 0:16:08 | |
Bullshit! | 0:16:08 | 0:16:11 | |
Oh, you think I'm bluffing. | 0:16:09 | 0:16:11 | |
Maybe I am, but then maybe I'm not. | 0:16:11 | 0:16:14 | |
More importantly, what would you do with me locked up? | 0:16:14 | 0:16:18 | |
You'd drive your wife and kid crazy. | 0:16:18 | 0:16:20 | |
How is your daughter? Is she ripe? Darling Janie. | 0:16:20 | 0:16:24 | |
Your little peach. Is she ripe? | 0:16:24 | 0:16:27 | |
HE BARKS | 0:16:27 | 0:16:29 | |
GUN CLICKS | 0:16:27 | 0:16:29 | |
OK. | 0:16:29 | 0:16:31 | |
OK. Please, man. | 0:16:31 | 0:16:35 | |
Don't shoot me. HE WHIMPERS | 0:16:35 | 0:16:38 | |
I'm scared, Seanie! | 0:16:38 | 0:16:40 | |
WHIMPERS LAUGHINGLY | 0:16:41 | 0:16:43 | |
I think you'd better pull the trigger. Cos I don't give a fuck! | 0:16:43 | 0:16:48 | |
I'm ready! | 0:16:48 | 0:16:50 | |
# Ready for the big ride, baby! # | 0:16:51 | 0:16:53 | |
-< -Well, Sean, | 0:17:20 | 0:17:22 | |
it looks like Elvis done left the building. | 0:17:22 | 0:17:26 | |
'It wasn't my fault!' | 0:17:36 | 0:17:38 | |
Why can't you be on my side?! | 0:17:38 | 0:17:41 | |
I am on your side. You have to give me a chance. | 0:17:41 | 0:17:44 | |
Now what? | 0:17:44 | 0:17:45 | |
She was suspended again. A kid joked about her clothes. | 0:17:45 | 0:17:49 | |
She started a fight. | 0:17:49 | 0:17:51 | |
Don't ask me what happened(!) | 0:17:51 | 0:17:55 | |
OK, what happened? | 0:17:53 | 0:17:55 | |
Oh, I see. | 0:18:01 | 0:18:02 | |
It's not like you'd believe me! | 0:18:02 | 0:18:04 | |
Jamie, look, it's not easy, OK? | 0:18:04 | 0:18:07 | |
I mean, look... | 0:18:07 | 0:18:09 | |
You change your looks every week...and the way you act. | 0:18:09 | 0:18:13 | |
Who are you supposed to be now? | 0:18:13 | 0:18:17 | |
I'm supposed to be me. | 0:18:15 | 0:18:17 | |
Not like you have a clue who I am anyway! | 0:18:17 | 0:18:20 | |
I have to work tonight. | 0:18:28 | 0:18:30 | |
I called to tell you but I was on hold for ten minutes | 0:18:30 | 0:18:34 | |
and I couldn't wait. | 0:18:34 | 0:18:39 | |
I got him, Eve. | 0:18:35 | 0:18:39 | |
It's over? | 0:18:40 | 0:18:42 | |
It's over. | 0:18:43 | 0:18:45 | |
Oh, Sean! | 0:18:47 | 0:18:49 | |
I'll make it up to you and Jamie, I promise. | 0:18:53 | 0:18:56 | |
I'll put in for a desk job, I'll do counselling, | 0:18:56 | 0:18:59 | |
talk about Mike - I'll do it. Anything you want. | 0:18:59 | 0:19:03 | |
I just want you. | 0:19:03 | 0:19:06 | |
Well, good. Cos that's what you're gonna get. | 0:19:06 | 0:19:09 | |
Are you happy? | 0:19:09 | 0:19:13 | |
Yeah. | 0:19:10 | 0:19:13 | |
What is all this? | 0:19:41 | 0:19:43 | |
Sir, the CIA sent this over. | 0:19:45 | 0:19:48 | |
I didn't know they catered. Send it back. | 0:19:48 | 0:19:52 | |
No, wait. | 0:19:52 | 0:19:54 | |
How about...er... | 0:19:54 | 0:19:56 | |
What about to Anderson, Montgomery, | 0:19:56 | 0:20:00 | |
Berkley... | 0:20:00 | 0:20:03 | |
..Pinkus, Janelli, Winters? | 0:20:05 | 0:20:09 | |
How's Loomis? | 0:20:46 | 0:20:49 | |
HE SIGHS | 0:20:47 | 0:20:49 | |
He's gonna need a little surgery, but...he'll be OK. | 0:20:49 | 0:20:54 | |
What's up? | 0:20:54 | 0:20:58 | |
Special Ops. They want a word. | 0:20:55 | 0:20:58 | |
Forget it. I don't have the time. | 0:20:58 | 0:21:00 | |
Better make time, Sean. Recovered from the jet wreckage. | 0:21:00 | 0:21:04 | |
Found in Pollux Troy's briefcase. | 0:21:04 | 0:21:07 | |
MUSIC PLAYS AND WOMAN MOANS | 0:21:15 | 0:21:17 | |
Porcelain casing. | 0:21:25 | 0:21:27 | |
Thermal cloak. Nerve gas | 0:21:27 | 0:21:29 | |
and biological payload. | 0:21:29 | 0:21:31 | |
Enough to flatten a square mile. | 0:21:31 | 0:21:34 | |
And depending on the winds, | 0:21:34 | 0:21:36 | |
the fallout will be a tad worse than Gulf War Syndrome. | 0:21:36 | 0:21:41 | |
"A Biblical... A Biblical plague that LA..." | 0:21:43 | 0:21:47 | |
Where is he?! Where's Pollux Troy? | 0:21:47 | 0:21:50 | |
Why draw the schematic if you're not gonna build the bomb? | 0:21:53 | 0:21:57 | |
-POLLUX: -Is it a crime to exercise the mind? | 0:21:57 | 0:22:00 | |
I'm not saying another word until I see my brother. | 0:22:00 | 0:22:04 | |
Any progress? | 0:22:06 | 0:22:10 | |
I need about ten minutes alone with this guy. | 0:22:07 | 0:22:10 | |
Give it a rest. You got Castor. | 0:22:10 | 0:22:12 | |
We're not evacuating the city on a hunch. | 0:22:12 | 0:22:16 | |
I know Castor too well for this to be a hunch! | 0:22:16 | 0:22:19 | |
You know what? Just run the goddamned Bureau any way you like! | 0:22:19 | 0:22:24 | |
I could put an agent in his cell. Maybe Pollux will let it slip. | 0:22:32 | 0:22:40 | |
Come on. He's a paranoid sociopath. | 0:22:36 | 0:22:40 | |
He'd only talk to his brother. And he's dead. | 0:22:40 | 0:22:43 | |
There is one other possibility. | 0:22:43 | 0:22:46 | |
Oh, God! You're keeping him alive! | 0:23:11 | 0:23:15 | |
Relax, Archer. He's a turnip. | 0:23:15 | 0:23:18 | |
What if you could walk into Erehwon Prison | 0:23:23 | 0:23:26 | |
and give Pollux a nice, big brotherly hug as Castor Troy? | 0:23:26 | 0:23:30 | |
I have no idea what you're talking about. | 0:23:30 | 0:23:34 | |
Let me try. | 0:23:32 | 0:23:34 | |
Malcolm Walsh. I run the Bio-Cover Unit. | 0:23:34 | 0:23:38 | |
I know who you are. | 0:23:38 | 0:23:40 | |
You don't know what I can do - physical alteration, augmentation. | 0:23:40 | 0:23:44 | |
Dr Walsh can alter the likeness, the voice of a witness. | 0:23:44 | 0:23:49 | |
I think you'll recognise this patient. | 0:23:49 | 0:23:52 | |
We have to build your friend Loomis a whole new ear from scratch. | 0:23:54 | 0:24:00 | |
What we're suggesting for you isn't a permanent transplant, | 0:24:07 | 0:24:12 | |
just a temporary trade. | 0:24:12 | 0:24:14 | |
Come here. | 0:24:14 | 0:24:16 | |
With the new anti-inflammatories, healing takes days. | 0:24:17 | 0:24:22 | |
Only your blood types won't match. | 0:24:22 | 0:24:24 | |
Height difference is negligible. | 0:24:24 | 0:24:28 | |
Skin pigment, eye pigment - | 0:24:29 | 0:24:31 | |
both almost identical. | 0:24:31 | 0:24:34 | |
We'll use laser shears for the hairline, micro-plugs for body hair. | 0:24:34 | 0:24:39 | |
Then an abdominoplasty - remove those love handles. | 0:24:39 | 0:24:43 | |
But all that's the easy part. | 0:24:43 | 0:24:45 | |
Here's the real science. | 0:24:45 | 0:24:48 | |
This is a morpho-genetic template. | 0:24:48 | 0:24:51 | |
The inside is modelled on your skull, | 0:24:51 | 0:24:54 | |
the outside exactly like Troy's. | 0:24:54 | 0:24:56 | |
Then we fit his face on top. | 0:24:56 | 0:24:58 | |
Not a replica...the real thing. | 0:24:58 | 0:25:00 | |
We connect the muscles, tear ducts and nerves. | 0:25:00 | 0:25:03 | |
You want to take his face and mine.. | 0:25:03 | 0:25:09 | |
Borrow. The procedure's completely reversible. | 0:25:05 | 0:25:09 | |
You think that I WANT to do this? No. No! | 0:25:09 | 0:25:13 | |
-There's no-one else. -No! | 0:25:13 | 0:25:15 | |
You have lived and breathed Castor. | 0:25:15 | 0:25:19 | |
I'll get his gang to talk. | 0:25:17 | 0:25:19 | |
What if you can't? The bomb will blow and Castor Troy will win. | 0:25:19 | 0:25:25 | |
Get out! Go ahead! And wipe your ass! | 0:25:27 | 0:25:30 | |
Damn! What the hell is that smell? | 0:25:30 | 0:25:33 | |
His shit. Where's Dietrich? | 0:25:33 | 0:25:35 | |
Hello, Sasha. When was the last time you saw Castor? | 0:25:36 | 0:25:40 | |
Who cares? He's dead. | 0:25:40 | 0:25:42 | |
Answer the question. | 0:25:42 | 0:25:47 | |
I know my rights. I don't have to answer shit. | 0:25:43 | 0:25:47 | |
You're a felon on probation for harbouring Castor. One phone call | 0:25:47 | 0:25:53 | |
and your son will end up in a foster home. | 0:25:53 | 0:25:57 | |
I understand why you would use | 0:25:58 | 0:26:01 | |
such a threat, | 0:26:01 | 0:26:03 | |
but you try to take him away from me, I swear to you... | 0:26:03 | 0:26:07 | |
I haven't seen him for years. | 0:26:10 | 0:26:12 | |
This reeks of you. It's got your signature all over it. | 0:26:27 | 0:26:31 | |
Maybe. But you ain't got nothing on me. | 0:26:33 | 0:26:36 | |
And you know it. | 0:26:36 | 0:26:38 | |
That may be so. But I can keep you within city limits or I can talk | 0:26:38 | 0:26:42 | |
to your sister again. She's right outside. | 0:26:42 | 0:26:46 | |
Only this time, I'll be nice. | 0:26:46 | 0:26:49 | |
Hey, Sean... | 0:26:49 | 0:26:51 | |
How's your dead son? | 0:26:52 | 0:26:55 | |
HE LAUGHS | 0:26:56 | 0:26:58 | |
I don't know...! | 0:27:02 | 0:27:06 | |
COCKS GUN | 0:27:03 | 0:27:06 | |
Something about the 18th! | 0:27:04 | 0:27:06 | |
But that's all I know! | 0:27:06 | 0:27:09 | |
Great. We've got a date. Where's the bomb? | 0:27:17 | 0:27:20 | |
Only Pollux Troy knows that. | 0:27:20 | 0:27:23 | |
It's your call. | 0:27:21 | 0:27:23 | |
Does Lazarro know your plan? | 0:27:23 | 0:27:26 | |
No, this is a black-bag operation, | 0:27:26 | 0:27:28 | |
strictly off the books. | 0:27:28 | 0:27:30 | |
You can't tell Lazarro or your wife. | 0:27:30 | 0:27:33 | |
Oh, God! | 0:27:36 | 0:27:38 | |
What are you asking me to do? OK, let's see. | 0:27:38 | 0:27:41 | |
You're asking me to... | 0:27:41 | 0:27:43 | |
break the law, | 0:27:43 | 0:27:45 | |
risk my neck... | 0:27:45 | 0:27:47 | |
and you're asking me to put in the dark all the people that love me | 0:27:47 | 0:27:52 | |
and trust me. | 0:27:52 | 0:27:54 | |
I'll do it. | 0:28:03 | 0:28:05 | |
Sean... | 0:28:45 | 0:28:47 | |
I'm sorry I woke you. | 0:28:47 | 0:28:49 | |
I'm glad it's you that woke me. | 0:28:49 | 0:28:51 | |
And not a phone call telling me you won't be coming home. | 0:28:51 | 0:28:56 | |
That's a fear I can now let go of. | 0:28:58 | 0:29:00 | |
It's all right, Sean. | 0:29:10 | 0:29:12 | |
It's OK. | 0:29:12 | 0:29:14 | |
I keep... I keep wanting to move this | 0:29:16 | 0:29:20 | |
over here, you know? | 0:29:20 | 0:29:22 | |
If it had only been an... an inch to the left... | 0:29:23 | 0:29:28 | |
Mikey would be alive. | 0:29:29 | 0:29:31 | |
And you wouldn't be. | 0:29:31 | 0:29:35 | |
Things are going to get better now that you're home. | 0:29:35 | 0:29:38 | |
The scar won't move but it will heal if you let it. | 0:29:38 | 0:29:42 | |
Everything will be better now he's out of our lives. | 0:29:42 | 0:29:46 | |
Hmm. | 0:29:47 | 0:29:49 | |
HE SIGHS | 0:29:50 | 0:29:52 | |
Eve, what if I told you | 0:29:55 | 0:29:58 | |
that I realise that this thing won't fully end... | 0:29:58 | 0:30:02 | |
..until I did one last thing? | 0:30:05 | 0:30:08 | |
Eve? Something vital. | 0:30:08 | 0:30:11 | |
Oh, God. You're going back on assignment again. | 0:30:13 | 0:30:17 | |
Just one last time. | 0:30:19 | 0:30:21 | |
Come on, Eve. | 0:30:22 | 0:30:24 | |
"I'm not going anywhere." That's what you told me. | 0:30:27 | 0:30:31 | |
HE GROANS | 0:30:31 | 0:30:33 | |
You don't need me to tell you what to do. You never have. So go. | 0:30:40 | 0:30:45 | |
But go now. | 0:30:45 | 0:30:47 | |
Sean, I'm changing my mind. It's a suicide mission. | 0:31:12 | 0:31:16 | |
Yeah, I know. I know. | 0:31:16 | 0:31:18 | |
You know, maybe this... If this doctor can... | 0:31:20 | 0:31:24 | |
If he can do even half of what he says he can do, maybe it will work. | 0:31:24 | 0:31:28 | |
I don't know. | 0:31:28 | 0:31:30 | |
I become Castor Troy. I'll be in control. | 0:31:30 | 0:31:33 | |
That's the part that scares me. | 0:31:33 | 0:31:36 | |
SEAN CHUCKLES | 0:31:36 | 0:31:37 | |
LIFT DOORS OPEN | 0:31:37 | 0:31:38 | |
Doctor, I, um... There's something... | 0:31:40 | 0:31:44 | |
I have this scar. | 0:31:45 | 0:31:47 | |
If you can...put this back after... after all this is over. | 0:31:47 | 0:31:52 | |
It's important. A reminder. | 0:31:52 | 0:31:54 | |
Sure. | 0:31:54 | 0:31:56 | |
Tito, please, hold this for me. | 0:32:00 | 0:32:03 | |
Please. | 0:32:03 | 0:32:04 | |
OK. Let's go. | 0:32:07 | 0:32:09 | |
Ugh! | 0:33:17 | 0:33:19 | |
Oh, my God... | 0:34:19 | 0:34:22 | |
-< -Are you OK? | 0:35:29 | 0:35:31 | |
Come on. Talk to me. | 0:35:32 | 0:35:34 | |
HE SOBS | 0:35:36 | 0:35:37 | |
No! | 0:35:37 | 0:35:39 | |
Fuck you! Fuck you! | 0:35:42 | 0:35:45 | |
-Fuck you! -Sean! | 0:35:45 | 0:35:46 | |
-Fuck you! -Sean! | 0:35:46 | 0:35:49 | |
Sean! Sean...Archer! | 0:35:51 | 0:35:54 | |
You're Sean Archer! | 0:35:54 | 0:35:56 | |
Sean Archer. | 0:35:56 | 0:35:58 | |
Sean Archer. | 0:35:58 | 0:36:01 | |
When this is over... | 0:36:04 | 0:36:06 | |
..I want you to take this face... | 0:36:08 | 0:36:10 | |
and burn it. | 0:36:10 | 0:36:12 | |
I...I still sound like me. | 0:36:14 | 0:36:17 | |
There's a microchip on your larynx. But you must be careful. | 0:36:18 | 0:36:23 | |
Pressure, a blow, even a violent sneeze could dislodge it. | 0:36:23 | 0:36:27 | |
Just repeat what you hear. | 0:36:27 | 0:36:29 | |
CASTOR: Peach. I can eat a peach for hours. | 0:36:29 | 0:36:33 | |
Peach. I can eat a peach for hours. | 0:36:33 | 0:36:36 | |
There's a scratchy tickle. | 0:36:37 | 0:36:40 | |
-DISTORTED THROUGH COMPUTER: -"Peach. I can eat a peach for hours." | 0:36:40 | 0:36:44 | |
-MORE LIKE CASTOR: -"Peach. I can eat a peach for hours." | 0:36:46 | 0:36:51 | |
Once again. | 0:36:53 | 0:36:55 | |
-LIKE CASTOR: -Peach. I can eat a peach for hours. | 0:36:55 | 0:36:58 | |
Perfect. | 0:36:59 | 0:37:01 | |
Now, Sean, six days until the 18th. | 0:37:01 | 0:37:04 | |
The clock's ticking and so is the bomb. | 0:37:04 | 0:37:07 | |
'You've got two days' | 0:37:20 | 0:37:23 | |
to get Pollux to talk. | 0:37:23 | 0:37:25 | |
Either way, Miller comes in | 0:37:25 | 0:37:27 | |
and pulls you out. You got me? | 0:37:27 | 0:37:29 | |
What's the matter? | 0:37:34 | 0:37:37 | |
The face itches. | 0:37:35 | 0:37:37 | |
You all right? Come on, let's go. | 0:37:40 | 0:37:42 | |
Archer will be pissed when he returns from his training op... | 0:37:46 | 0:37:53 | |
He's knee-deep in Georgia swamp. | 0:37:50 | 0:37:53 | |
CLANKING | 0:38:23 | 0:38:25 | |
You are now the property | 0:38:41 | 0:38:43 | |
of Erehwon Prison, | 0:38:43 | 0:38:45 | |
a citizen of nowhere. | 0:38:45 | 0:38:48 | |
The Geneva Convention is void here. | 0:38:48 | 0:38:51 | |
Amnesty International doesn't know we exist. | 0:38:51 | 0:38:55 | |
When I say your ass belongs to me, I mean exactly that. | 0:38:55 | 0:39:00 | |
This prison is a magnetic field. | 0:39:10 | 0:39:12 | |
The boots tell us where you are. | 0:39:12 | 0:39:15 | |
621 to population! | 0:39:15 | 0:39:17 | |
Hey, hey! What's the matter, pal? | 0:40:32 | 0:40:35 | |
Don't you remember little people? | 0:40:35 | 0:40:37 | |
Burke Hicks. | 0:40:38 | 0:40:41 | |
Yeah. | 0:40:40 | 0:40:41 | |
I busted... | 0:40:41 | 0:40:43 | |
Archer busted you for stalking the UN Secretary General. | 0:40:44 | 0:40:48 | |
Archer framed me. I had nothing to do with that. | 0:40:48 | 0:40:51 | |
Word was you got wasted. | 0:40:51 | 0:40:54 | |
Wanna see what "wasted" looks like? | 0:41:02 | 0:41:06 | |
PRISONERS: Oooh! | 0:41:04 | 0:41:06 | |
Pollux. | 0:41:09 | 0:41:10 | |
INTERCOM: 'Disturbance. Go to lockdown.' | 0:41:34 | 0:41:37 | |
Hold that lockdown. | 0:41:37 | 0:41:39 | |
Come on, you pussy! | 0:41:57 | 0:41:59 | |
Watch your fuckin' mouth. | 0:42:04 | 0:42:06 | |
You watch your FUCKIN' MOUTH! | 0:42:06 | 0:42:09 | |
Because I'm Castor Troy! Yeah! | 0:42:20 | 0:42:23 | |
I'm Castor Troy! | 0:42:23 | 0:42:25 | |
Whoo! | 0:42:26 | 0:42:28 | |
I'm Castor Troy! | 0:42:28 | 0:42:30 | |
Yeah! Oh, yeah! | 0:42:30 | 0:42:33 | |
Whoo! | 0:42:33 | 0:42:34 | |
Whoo! | 0:42:41 | 0:42:43 | |
HE CRIES OUT | 0:42:43 | 0:42:45 | |
Lock 'em down. | 0:43:05 | 0:43:07 | |
I stop the fights. Not you. | 0:43:18 | 0:43:21 | |
KICK! | 0:43:20 | 0:43:21 | |
That's two strikes for you, Dubov. | 0:43:21 | 0:43:25 | |
One more and you know where you're going. | 0:43:25 | 0:43:27 | |
When I get out of here... | 0:43:27 | 0:43:30 | |
IF you get out of here. | 0:43:30 | 0:43:31 | |
..I'm going to have you fired. | 0:43:32 | 0:43:35 | |
THEY ALL LAUGH | 0:43:35 | 0:43:36 | |
HEART MONITOR BEEPS REGULARLY | 0:43:39 | 0:43:42 | |
RAPID BEEPING | 0:43:43 | 0:43:45 | |
REGULAR BEEPING | 0:43:49 | 0:43:51 | |
SQUELCHING | 0:44:18 | 0:44:20 | |
CASTOR GASPS AND CHOKES | 0:44:30 | 0:44:32 | |
HE GROANS | 0:44:38 | 0:44:39 | |
HE CRIES OUT | 0:44:39 | 0:44:41 | |
CASTOR: Lars, it's me. | 0:44:51 | 0:44:54 | |
Believe it. | 0:44:54 | 0:44:56 | |
Someone... | 0:44:57 | 0:44:58 | |
HE CHOKES | 0:44:58 | 0:45:00 | |
They took... They switched my... | 0:45:00 | 0:45:02 | |
Some fucking... | 0:45:02 | 0:45:04 | |
HE CHOKES | 0:45:05 | 0:45:07 | |
But it's cool. | 0:45:08 | 0:45:10 | |
We're gonna deal with it. | 0:45:10 | 0:45:12 | |
HE CACKLES | 0:45:12 | 0:45:14 | |
SCREECHING | 0:45:14 | 0:45:16 | |
Oh, yes! | 0:45:18 | 0:45:20 | |
We're gonna deal with it! | 0:45:20 | 0:45:22 | |
MUSIC: "Ach, Ich Fuhl's" by Mozart | 0:45:32 | 0:45:38 | |
What's this about? | 0:45:50 | 0:45:54 | |
Dr Walsh! | 0:45:52 | 0:45:54 | |
I was just enjoying some of your greatest hits here. | 0:45:54 | 0:45:58 | |
Oh, I hope you don't mind. | 0:45:58 | 0:45:59 | |
I...er, I partook of your groovy...groovy pain-killers. | 0:45:59 | 0:46:04 | |
This is fabulous work. Oh! | 0:46:04 | 0:46:06 | |
HE LAUGHS Bravo! | 0:46:06 | 0:46:08 | |
Bra-fucking-vo. | 0:46:10 | 0:46:11 | |
Oh, God, this is excellent. | 0:46:11 | 0:46:14 | |
Bravo. | 0:46:14 | 0:46:16 | |
Bravo. | 0:46:16 | 0:46:17 | |
What do you want? | 0:46:17 | 0:46:19 | |
CASTOR CLAPS SLOWLY | 0:46:19 | 0:46:21 | |
Take one goddamn guess. | 0:46:24 | 0:46:27 | |
I wish they'd play the salmon spawning scenes again. So erotic. | 0:46:34 | 0:46:40 | |
Fuckin' nature channel! | 0:46:40 | 0:46:42 | |
One more waterfall and I'll foam at the mouth. | 0:46:42 | 0:46:45 | |
It's like they're begging us to riot. | 0:46:45 | 0:46:48 | |
Excuse me. | 0:46:48 | 0:46:50 | |
Not feeling coordinated lately, are you? | 0:46:54 | 0:46:57 | |
Look...bro. | 0:46:59 | 0:47:01 | |
You've got to help me. | 0:47:01 | 0:47:04 | |
I am so fried. | 0:47:04 | 0:47:06 | |
If the psychos in here find out I'm misfiring, we'll both be dead meat. | 0:47:06 | 0:47:11 | |
Shock treatment? What's the matter with you? Did they operate? | 0:47:11 | 0:47:15 | |
I was in a coma. | 0:47:15 | 0:47:17 | |
You're so fuckin' paranoid! Aren't they giving you your medication? | 0:47:17 | 0:47:22 | |
What was my medication? | 0:47:22 | 0:47:25 | |
Pollux, I hand-fed you those pills for years. | 0:47:29 | 0:47:32 | |
Vivex. I haven't forgotten that. | 0:47:32 | 0:47:34 | |
It's just everything else. | 0:47:34 | 0:47:36 | |
It's my senses, my...reflexes, my memory... | 0:47:36 | 0:47:40 | |
It...it...it's like a tab of bad Quantrex. | 0:47:40 | 0:47:45 | |
I don't even know why that fuckin' yeti jumped me yesterday. | 0:47:45 | 0:47:50 | |
Dubov? You had a sex sandwich with his wife and his sister | 0:47:50 | 0:47:55 | |
the night he was sent here. | 0:47:55 | 0:47:57 | |
I guess that explains why he's so upset. | 0:47:57 | 0:47:59 | |
Wow. | 0:48:01 | 0:48:02 | |
THEY LAUGH | 0:48:02 | 0:48:05 | |
We're gonna blow up LA, bro. Ain't it cool? | 0:48:05 | 0:48:08 | |
Oh, rub my nose in it, why don't you? | 0:48:08 | 0:48:11 | |
Ten-million-dollar design and those militia nuts get to keep their cash. | 0:48:11 | 0:48:16 | |
It's so fuckin' unfair. | 0:48:16 | 0:48:18 | |
That bomb you built does deserve an audience. | 0:48:18 | 0:48:23 | |
It's a work of art. | 0:48:23 | 0:48:25 | |
It belongs in the Louvre. | 0:48:26 | 0:48:28 | |
Yes, it does. | 0:48:28 | 0:48:30 | |
Oh, well... I guess the LA Convention Center will have to do. | 0:48:30 | 0:48:35 | |
What? | 0:48:44 | 0:48:46 | |
Thank you. | 0:48:45 | 0:48:46 | |
For what? | 0:48:46 | 0:48:48 | |
You're so fucking pathetic. | 0:48:50 | 0:48:53 | |
-GUARD: -You've got a visitor. -> | 0:49:10 | 0:49:12 | |
MAGNETS LOCK | 0:49:21 | 0:49:22 | |
Ooh-whee, you're good-looking! You're hot! | 0:50:15 | 0:50:18 | |
It's like looking in a mirror, only not. | 0:50:21 | 0:50:25 | |
Troy? | 0:50:30 | 0:50:31 | |
Now that is between us, OK? | 0:50:31 | 0:50:34 | |
But you were in...in... | 0:50:34 | 0:50:35 | |
In a coma? | 0:50:35 | 0:50:38 | |
STAMMERS | 0:50:37 | 0:50:38 | |
Having your face cut off disturbs your sleep. Read the paper lately? | 0:50:38 | 0:50:43 | |
You killed them? | 0:50:46 | 0:50:47 | |
It beats paying the bill, huh? | 0:50:47 | 0:50:50 | |
If a facelift costs five grand... | 0:50:50 | 0:50:53 | |
See anything you like?! | 0:50:54 | 0:50:56 | |
Tito... | 0:51:01 | 0:51:03 | |
I torched all the evidence that proves you're you, OK? | 0:51:12 | 0:51:16 | |
So, you're gonna be in here for... | 0:51:16 | 0:51:19 | |
# A hundred years! # | 0:51:19 | 0:51:21 | |
HE GROANS | 0:51:21 | 0:51:23 | |
Now I... I have got to go. | 0:51:23 | 0:51:25 | |
I've got a government job to abuse and a lonely wife to fuck. | 0:51:25 | 0:51:30 | |
Oh, did I say that? Oh, sorry. | 0:51:30 | 0:51:33 | |
Make love to. | 0:51:33 | 0:51:35 | |
God, I miss that face. | 0:51:35 | 0:51:38 | |
Die! | 0:51:39 | 0:51:41 | |
DIE! | 0:51:42 | 0:51:44 | |
Sorry, Agent Archer. | 0:51:51 | 0:51:53 | |
No. Don't you worry about it, Mr Walton. | 0:51:53 | 0:51:56 | |
Clearly... he's had... | 0:51:56 | 0:51:58 | |
a traumatic childhood and... Thank you. | 0:51:58 | 0:52:02 | |
-RADIO: -# What's giving you the will to live is looking for revenge... # | 0:52:04 | 0:52:08 | |
Look at this place. | 0:52:08 | 0:52:11 | |
I'm in hell. | 0:52:11 | 0:52:13 | |
I'll never get a hard-on again. | 0:52:13 | 0:52:16 | |
# ..Don't lose your head! # | 0:52:21 | 0:52:23 | |
Oh! Yes. | 0:52:31 | 0:52:32 | |
There we go. | 0:52:33 | 0:52:35 | |
Well, it was only a matter of time before you forgot where we lived. | 0:52:52 | 0:52:57 | |
Come on, give me a break. Every house in this block looks the same. | 0:52:57 | 0:53:02 | |
Then I spotted you. | 0:53:02 | 0:53:04 | |
Eve. | 0:53:04 | 0:53:06 | |
My one and only Eve. | 0:53:06 | 0:53:08 | |
How was your vital assignment? | 0:53:09 | 0:53:11 | |
Which one was that? | 0:53:11 | 0:53:13 | |
How should I know, Sean? | 0:53:13 | 0:53:16 | |
Oh, oh, oh, oh, oh. Yes. | 0:53:18 | 0:53:20 | |
The out-of-body experience, yes. | 0:53:20 | 0:53:22 | |
That one. | 0:53:22 | 0:53:24 | |
Where are you going? | 0:53:24 | 0:53:26 | |
Hmm? | 0:53:26 | 0:53:30 | |
To the hospital. | 0:53:27 | 0:53:30 | |
No. No. | 0:53:30 | 0:53:31 | |
-What's the matter? -Sean, come on. | 0:53:31 | 0:53:34 | |
-What? -Quit teasing. I'm still really hurt. | 0:53:34 | 0:53:37 | |
There are leftovers in the fridge. | 0:53:37 | 0:53:40 | |
No, no. I want to stay hungry for you... my peach. | 0:53:40 | 0:53:43 | |
Sean, come on. | 0:53:43 | 0:53:45 | |
What are you doing? What are you doing? | 0:53:45 | 0:53:48 | |
Hey, I hate to see you go... but I love to watch you leave. | 0:53:48 | 0:53:53 | |
LAUGHS | 0:53:56 | 0:53:57 | |
READS: "Date Night. Fizzled again. | 0:54:25 | 0:54:28 | |
"We haven't made love in two months." | 0:54:28 | 0:54:31 | |
What a loser. | 0:54:31 | 0:54:33 | |
HE SIGHS | 0:54:33 | 0:54:35 | |
RADIO BLARES | 0:54:35 | 0:54:37 | |
MUSIC: "Papa's Got a Brand-new Bag" by James Brown | 0:54:37 | 0:54:40 | |
I got your e-mail, Karl. That poem was pretty kinky. | 0:54:40 | 0:54:44 | |
HE SIGHS > | 0:54:48 | 0:54:49 | |
The plot thickens. | 0:54:49 | 0:54:52 | |
Hang on a second. | 0:54:52 | 0:54:54 | |
I'll have to call you back. | 0:54:58 | 0:55:01 | |
You're not respecting my boundaries. | 0:55:01 | 0:55:04 | |
I'm coming in, Janie. | 0:55:04 | 0:55:08 | |
Janie? | 0:55:05 | 0:55:08 | |
I don't think you heard me, Jamie. | 0:55:09 | 0:55:12 | |
You've got something that I crave. | 0:55:12 | 0:55:16 | |
# ..Papa's got a brand-new bag... # | 0:55:16 | 0:55:17 | |
Clarissa left those here. | 0:55:22 | 0:55:24 | |
Well, I won't tell Mom if you don't. | 0:55:24 | 0:55:28 | |
When did you start smoking? | 0:55:28 | 0:55:31 | |
You'll be seeing a lot of changes around here. | 0:55:32 | 0:55:36 | |
Papa's got a brand-new bag. | 0:55:38 | 0:55:40 | |
IMITATES JAMES BROWN: Ow-ooh! | 0:55:40 | 0:55:43 | |
# ..But I can dig that new breed, babe | 0:55:44 | 0:55:46 | |
# You're doin' the twist, just like this... # | 0:55:46 | 0:55:50 | |
Bye, bro. | 0:56:06 | 0:56:08 | |
Drop me a line some time. | 0:56:08 | 0:56:10 | |
It's gonna be kind of lonely with Pollux gone, huh? | 0:56:10 | 0:56:14 | |
Pol... Pollux what? | 0:56:15 | 0:56:17 | |
That big shit cop... Archer. | 0:56:17 | 0:56:19 | |
Cut him a deal for giving evidence. He's been released. | 0:56:19 | 0:56:23 | |
I'm Sean Archer. | 0:56:26 | 0:56:28 | |
There's a bomb at the LA Convention Center. I'm Archer and... | 0:56:28 | 0:56:33 | |
Ow! | 0:56:33 | 0:56:34 | |
# Tiramisu! # | 0:00:03 | 0:00:05 | |
Sir, we wanted you to know... | 0:00:09 | 0:00:11 | |
We're really sorry about Tito. | 0:00:11 | 0:00:13 | |
Oh, hey. Shit happens, you know? | 0:00:13 | 0:00:16 | |
Is our witness talking? | 0:00:16 | 0:00:18 | |
Yeah. About what kind of mustard he likes on his tongue sandwiches. | 0:00:18 | 0:00:23 | |
-We're almost out of time. -Hmm. | 0:00:23 | 0:00:26 | |
Archer! | 0:00:26 | 0:00:26 | |
You made the deal with Pollux Troy. It isn't like you. | 0:00:28 | 0:00:32 | |
Oh, well. When all else fails, fresh tactics. | 0:00:32 | 0:00:36 | |
Fresh? Let me tell you mine! | 0:00:36 | 0:00:38 | |
Everything goes through me, understood? | 0:00:38 | 0:00:41 | |
-Mmm. -Good! | 0:00:41 | 0:00:43 | |
Thanks. | 0:00:43 | 0:00:45 | |
You're supposed to be snitching and making me look good. | 0:00:58 | 0:01:02 | |
Look good? | 0:01:02 | 0:01:04 | |
Mm-hm. | 0:01:03 | 0:01:04 | |
Seeing your face makes me afraid my tiramisu might come back up. | 0:01:04 | 0:01:09 | |
Well, think about me. This nose, | 0:01:09 | 0:01:11 | |
this hair, this ridiculous chin. | 0:01:11 | 0:01:14 | |
HE SIGHS: Brother, we're going straight. | 0:01:14 | 0:01:17 | |
My goodness. Did you exchange brains as well? | 0:01:17 | 0:01:21 | |
The first thing I need you to confess to | 0:01:21 | 0:01:23 | |
is the location of the bomb. | 0:01:23 | 0:01:25 | |
What about our 10 million? | 0:01:25 | 0:01:27 | |
What about when I become a hero for defusing the bomb? | 0:01:27 | 0:01:31 | |
What's that worth? Know that? Thank you. Next question. | 0:01:31 | 0:01:36 | |
BOTH CHUCKLE | 0:01:37 | 0:01:38 | |
You're not the only one in the family with the brains. | 0:01:38 | 0:01:43 | |
But I am the only one with the looks. | 0:01:43 | 0:01:47 | |
Touche. | 0:01:45 | 0:01:47 | |
SIRENS WAIL | 0:01:47 | 0:01:49 | |
Any ideas? | 0:02:12 | 0:02:15 | |
Yeah. Run. | 0:02:14 | 0:02:15 | |
Sir, it's protected by a tamper switch. | 0:02:15 | 0:02:19 | |
It'll take us hours to bypass. | 0:02:19 | 0:02:22 | |
Evacuate your team, Captain. | 0:02:22 | 0:02:24 | |
Sir, we can't disarm. | 0:02:24 | 0:02:27 | |
Leave! | 0:02:26 | 0:02:27 | |
# Hallelujah! | 0:02:45 | 0:02:46 | |
# Hallelujah, hallelujah! | 0:02:46 | 0:02:48 | |
# Hallelujah... # | 0:02:50 | 0:02:52 | |
Ha...ha...ha...ha. | 0:02:53 | 0:02:55 | |
COMPUTER: 'Oh, baby! | 0:03:02 | 0:03:05 | |
That was the LA Convention Center, where an FBI agent became a saviour. | 0:03:08 | 0:03:13 | |
'Sean Archer disarmed a massive bomb | 0:03:13 | 0:03:16 | |
'just one second before it was set to blow. | 0:03:16 | 0:03:19 | |
'The apparent targets were three Supreme Court justices | 0:03:19 | 0:03:23 | |
'and anyone unlucky enough to be within a mile of the scene. | 0:03:23 | 0:03:27 | |
'We asked the agent if the FBI had any leads | 0:03:27 | 0:03:30 | |
'on who planted the device.' | 0:03:30 | 0:03:33 | |
That is classified but if he's listening, | 0:03:33 | 0:03:36 | |
I wouldn't mind giving him a message. | 0:03:36 | 0:03:39 | |
Interception - now we got the ball. Sorry. | 0:03:39 | 0:03:43 | |
PRISONERS MUTTER | 0:03:41 | 0:03:43 | |
APPLAUSE | 0:03:53 | 0:03:56 | |
Wanda, everybody, hey, | 0:04:23 | 0:04:25 | |
look, I... | 0:04:25 | 0:04:27 | |
I want to thank you for, er...enduring | 0:04:27 | 0:04:31 | |
all these years that I was an insufferable bore. | 0:04:31 | 0:04:35 | |
Sir, did you just have a surgical procedure? | 0:04:35 | 0:04:39 | |
What do you mean? | 0:04:41 | 0:04:42 | |
Was the stick removed from your ass? | 0:04:42 | 0:04:45 | |
-Sir. -> | 0:04:48 | 0:04:49 | |
The White House on one. | 0:04:49 | 0:04:52 | |
It's the President. And your wife on line two. | 0:04:52 | 0:04:57 | |
Tell the President to hold. | 0:04:54 | 0:04:57 | |
SHE GASPS | 0:04:58 | 0:04:59 | |
Ahh... | 0:04:59 | 0:05:00 | |
MUSIC "Raindrop Prelude" by Chopin | 0:05:02 | 0:05:06 | |
Oh! My God! You scared the hell out of me. | 0:05:26 | 0:05:29 | |
It's date night. Mmm. | 0:05:29 | 0:05:31 | |
SHE SIGHS | 0:05:32 | 0:05:34 | |
Congratulations. | 0:05:34 | 0:05:36 | |
Oh, big deal. | 0:05:36 | 0:05:38 | |
OK, I said, "Mr President, I want the authority and I want the funds | 0:05:40 | 0:05:47 | |
"and personnel to take over the gamut of global terrorism." | 0:05:47 | 0:05:51 | |
And he said, "The next name on my calling list is Lazarro." | 0:05:53 | 0:05:58 | |
And I'm telling him that Sean Archer writes his own ticket, OK? | 0:05:58 | 0:06:04 | |
SHE SIGHS | 0:06:04 | 0:06:06 | |
What's the matter? | 0:06:06 | 0:06:08 | |
I... I don't know, Sean. You just...you just seem so different. | 0:06:08 | 0:06:12 | |
Hm. | 0:06:12 | 0:06:13 | |
I mean, what is all this about? | 0:06:13 | 0:06:16 | |
This intimate candlelight dinner? Huh? | 0:06:16 | 0:06:19 | |
I'm supposed to forget all the promises | 0:06:19 | 0:06:21 | |
cos you're going back into the fray? | 0:06:21 | 0:06:24 | |
SHE SIGHS | 0:06:25 | 0:06:28 | |
If the top cop in the country can't come home every night to his wife, | 0:06:41 | 0:06:48 | |
then to hell with the country. | 0:06:48 | 0:06:51 | |
Because the only place I'm going...is upstairs with you. | 0:06:52 | 0:06:56 | |
Exercise. One hour. | 0:07:12 | 0:07:14 | |
How can I get out of here? | 0:07:23 | 0:07:25 | |
You can't. | 0:07:25 | 0:07:28 | |
How can I get these boots off? | 0:07:30 | 0:07:32 | |
They only take them off in the clinic, before they fry your skull. | 0:07:32 | 0:07:37 | |
Hey! | 0:07:46 | 0:07:47 | |
I'm out of cigarettes. | 0:07:49 | 0:07:51 | |
Get back in line, Troy. | 0:07:51 | 0:07:54 | |
I said, I'm out of cigarettes. | 0:07:55 | 0:07:58 | |
Kick his ass! | 0:08:06 | 0:08:07 | |
What the hell? That's not right! | 0:08:13 | 0:08:15 | |
I need a light! I need a light! | 0:08:25 | 0:08:28 | |
All right. All right! | 0:08:28 | 0:08:30 | |
Anybody got a light?! | 0:08:30 | 0:08:33 | |
Got a light?! | 0:08:33 | 0:08:35 | |
Bring the bastard down before he chokes himself to death. | 0:08:45 | 0:08:49 | |
Well, happy day, | 0:09:03 | 0:09:05 | |
it's Castor Troy. | 0:09:05 | 0:09:07 | |
Hold it. Can I have a light? | 0:09:10 | 0:09:12 | |
You know those things will kill you? HE CHUCKLES | 0:09:12 | 0:09:17 | |
Get his boots, Walton. | 0:09:17 | 0:09:20 | |
Dubov...I didn't touch your wife. | 0:09:25 | 0:09:28 | |
And I didn't touch your sister. | 0:09:30 | 0:09:32 | |
Your wife loves you. She's waiting for you. So let's get out of here. | 0:09:34 | 0:09:39 | |
Out... | 0:09:39 | 0:09:40 | |
You're more brain dead than him. | 0:09:40 | 0:09:43 | |
Ow! | 0:09:43 | 0:09:44 | |
Out. | 0:09:48 | 0:09:49 | |
Out. | 0:09:49 | 0:09:50 | |
Get in there! Move this door! | 0:09:50 | 0:09:52 | |
We have men down in C-4. | 0:10:02 | 0:10:04 | |
I got 'em. | 0:10:04 | 0:10:06 | |
Arggh! | 0:10:18 | 0:10:20 | |
Move! | 0:10:25 | 0:10:27 | |
ALARM BEEPS | 0:10:41 | 0:10:43 | |
Get them! | 0:10:48 | 0:10:50 | |
PRISONERS YELL | 0:10:55 | 0:10:56 | |
GUNFIRE | 0:10:59 | 0:11:01 | |
Dubov! NO! | 0:11:15 | 0:11:18 | |
Get out. | 0:11:18 | 0:11:19 | |
Arggh! | 0:11:35 | 0:11:36 | |
COMPUTER BEEPS | 0:11:39 | 0:11:40 | |
COMPUTER BEEPS | 0:11:49 | 0:11:51 | |
Dubov! | 0:12:07 | 0:12:08 | |
Now...give me your hand. | 0:12:14 | 0:12:16 | |
Come on. You can do it. | 0:12:16 | 0:12:19 | |
-No! -Arggh! | 0:12:26 | 0:12:28 | |
No! | 0:13:02 | 0:13:04 | |
NO!! | 0:13:04 | 0:13:06 | |
Sean! | 0:14:22 | 0:14:24 | |
Wait! | 0:14:24 | 0:14:26 | |
What are you doing? | 0:14:27 | 0:14:32 | |
Oh, I'm sorry. | 0:14:29 | 0:14:32 | |
Have a nice day. | 0:14:32 | 0:14:36 | |
Have a nice day? | 0:14:34 | 0:14:36 | |
Is this your way of not dealing with today? | 0:14:36 | 0:14:39 | |
Yeah. Yeah, maybe. | 0:14:41 | 0:14:43 | |
Sean! | 0:14:45 | 0:14:46 | |
Sean! | 0:14:46 | 0:14:48 | |
I know it's hard for you. | 0:14:48 | 0:14:51 | |
It's hard for me, too. And you still have to go. | 0:14:51 | 0:14:54 | |
Happy birthday, Mikey. | 0:15:20 | 0:15:22 | |
He took our baby, Sean. He took our little boy. | 0:15:29 | 0:15:32 | |
SHE SOBS | 0:15:32 | 0:15:34 | |
You turned your beeper off. | 0:15:44 | 0:15:48 | |
Well, my son's birthday. | 0:15:46 | 0:15:48 | |
Well, here's some poetic justice. Castor Troy is dead. | 0:15:48 | 0:15:52 | |
He got killed trying to escape from Erehwon. | 0:15:52 | 0:15:55 | |
Where's his body? I want to see his body. | 0:15:55 | 0:15:59 | |
It hasn't been recovered yet. | 0:15:59 | 0:16:04 | |
IT HASN'T BEEN RECOVERED YET?! | 0:16:00 | 0:16:04 | |
Get the LAPD on this! | 0:16:04 | 0:16:10 | |
Even if he's alive, Castor isn't stupid enough to come back here. | 0:16:05 | 0:16:10 | |
HE SIGHS | 0:16:10 | 0:16:12 | |
You must... You must trust me. He's already here. | 0:16:13 | 0:16:17 | |
CAR LOCK BEEPS | 0:16:31 | 0:16:33 | |
PRESSES KEYPAD | 0:16:54 | 0:16:56 | |
'County General. How may I direct your call?' | 0:16:56 | 0:17:00 | |
Dr Archer. It's an emergency. | 0:17:00 | 0:17:03 | |
'Who's calling?' | 0:17:03 | 0:17:06 | |
Her husband. | 0:17:04 | 0:17:06 | |
Dr Archer, call on line three. | 0:17:06 | 0:17:08 | |
-VOICE VIBRATES: -I know this sounds crazy... Shit! | 0:17:10 | 0:17:14 | |
Sean? | 0:17:15 | 0:17:16 | |
Eve, listen carefully. | 0:17:16 | 0:17:18 | |
'The man you think is Sean isn't.' | 0:17:18 | 0:17:21 | |
Who is this? | 0:17:21 | 0:17:27 | |
Just listen! Go to your mother's. Don't say where you're going. | 0:17:22 | 0:17:27 | |
Whoever you are, don't call again. | 0:17:27 | 0:17:30 | |
'Operations.' | 0:17:39 | 0:17:41 | |
I need Victor Lazarro. | 0:17:41 | 0:17:43 | |
'Regarding?' | 0:17:43 | 0:17:47 | |
Castor Troy. | 0:17:44 | 0:17:47 | |
'I'll transfer you.' | 0:17:45 | 0:17:47 | |
Sean Archer here. Who's calling? | 0:17:49 | 0:17:51 | |
Well, if you're Sean Archer, I guess I'm Castor Troy. | 0:17:51 | 0:17:56 | |
Ah, yes. | 0:18:03 | 0:18:05 | |
-RADIO: -'He is considered dangerous. | 0:18:05 | 0:18:08 | |
'Any information on the whereabouts of Castor...' | 0:18:08 | 0:18:11 | |
RADIO OFF | 0:18:11 | 0:18:13 | |
SIREN BURST | 0:18:14 | 0:18:16 | |
You're goddamn right! Yeah! | 0:18:27 | 0:18:29 | |
This shit's so good, it's gonna make your dick harder. ..Cheryl? | 0:18:29 | 0:18:34 | |
Dietrich. | 0:18:34 | 0:18:35 | |
So you're still selling drugs to Cheryl and Phil Roy? | 0:18:38 | 0:18:43 | |
-HE LAUGHS: -Castor fucking Troy! | 0:18:45 | 0:18:47 | |
Oh, man! You scared me, man! | 0:18:47 | 0:18:50 | |
All right. All right! | 0:18:50 | 0:18:51 | |
I never should have sold you those bombs. | 0:18:51 | 0:18:54 | |
It's my curse - I can't say no to a friend. | 0:18:54 | 0:18:57 | |
-Or to money. -My other curse. | 0:18:57 | 0:18:59 | |
-Drug dealer! -What's the matter? | 0:18:59 | 0:19:01 | |
You look like you fucked your mother. Come on. | 0:19:01 | 0:19:05 | |
Hey! | 0:19:13 | 0:19:14 | |
Castor. | 0:19:19 | 0:19:21 | |
I can't believe this! Castor Troy! | 0:19:21 | 0:19:25 | |
What are you doing? | 0:19:25 | 0:19:27 | |
Hey, baby! Remember me? I'm your favourite peach. | 0:19:30 | 0:19:35 | |
Oh, I thought I was your favourite. | 0:19:37 | 0:19:40 | |
Look at this guy. You know, you look pretty good for a dead guy. | 0:19:41 | 0:19:46 | |
Hey! | 0:19:46 | 0:19:49 | |
Let's go. Yeah. | 0:19:52 | 0:19:55 | |
So what do you want to do? | 0:19:58 | 0:20:00 | |
Want to leave the country? | 0:20:10 | 0:20:13 | |
I'm not going anywhere. | 0:20:11 | 0:20:13 | |
I'm going to get Sean Archer. | 0:20:14 | 0:20:17 | |
With your help. | 0:20:17 | 0:20:20 | |
OK. | 0:20:20 | 0:20:21 | |
Welcome home, baby. | 0:20:30 | 0:20:32 | |
Oh-ho! | 0:20:42 | 0:20:43 | |
How are we supposed to do that? | 0:20:45 | 0:20:48 | |
He's vulnerable at home. | 0:20:49 | 0:20:52 | |
No. This is Sean Archer we're talking about, not some boy scout. | 0:20:52 | 0:20:57 | |
-Fitch... -It'll be alarmed up to the whazoo. | 0:20:57 | 0:21:00 | |
The code is ten-19-86. | 0:21:00 | 0:21:02 | |
That's his dead son's birthday. | 0:21:02 | 0:21:05 | |
Don't it just break your heart? | 0:21:06 | 0:21:09 | |
That's brilliant. | 0:21:11 | 0:21:14 | |
That's sick. | 0:21:12 | 0:21:14 | |
WOMEN LAUGH MOCKINGLY | 0:21:14 | 0:21:17 | |
How is it that you know so much about Sean Archer? | 0:21:17 | 0:21:21 | |
Er... I...er... | 0:21:21 | 0:21:23 | |
sleep with his wife. | 0:21:23 | 0:21:26 | |
ALL LAUGH | 0:21:27 | 0:21:29 | |
What? | 0:21:32 | 0:21:34 | |
Jesus Christ! She's great! | 0:21:48 | 0:21:50 | |
So once we kidnap super cop, then what? | 0:21:50 | 0:21:54 | |
A tiny...surgery. | 0:21:58 | 0:22:02 | |
I'd like to take his...his face... | 0:22:04 | 0:22:08 | |
off. | 0:22:08 | 0:22:10 | |
Yes. | 0:22:10 | 0:22:12 | |
Now, if you'll excuse me, I have to use the little boy's wee-wee room. | 0:22:14 | 0:22:20 | |
Cas. | 0:22:25 | 0:22:27 | |
You want to take his... | 0:22:28 | 0:22:30 | |
face... | 0:22:30 | 0:22:32 | |
Yes. His face... | 0:22:32 | 0:22:34 | |
off! | 0:22:34 | 0:22:36 | |
Eyes. | 0:22:36 | 0:22:38 | |
Nose. | 0:22:38 | 0:22:39 | |
Skin. | 0:22:39 | 0:22:41 | |
It's coming off. | 0:22:41 | 0:22:43 | |
Face... | 0:22:44 | 0:22:46 | |
..off. | 0:22:48 | 0:22:51 | |
No more drugs for that man. | 0:22:55 | 0:22:58 | |
I'm not me. | 0:23:28 | 0:23:30 | |
I'm me. | 0:23:30 | 0:23:32 | |
Not me. | 0:23:32 | 0:23:34 | |
Me... | 0:23:34 | 0:23:36 | |
Castor or Sean? | 0:23:38 | 0:23:40 | |
Castor or Sean? | 0:23:42 | 0:23:44 | |
I thought you were dead. | 0:23:57 | 0:24:02 | |
I'm not dead. I'm me. | 0:23:58 | 0:24:02 | |
What I'm trying to tell you, Pollux, | 0:24:06 | 0:24:08 | |
is once we get the full protection and resources of the government, | 0:24:08 | 0:24:13 | |
to help us get rid of our rivals, then we'll be set. | 0:24:13 | 0:24:16 | |
Then just maybe I'll get my frigging face back. | 0:24:16 | 0:24:20 | |
Then I'll just have one jag-off to take care of. | 0:24:20 | 0:24:23 | |
Hey, where are you going? | 0:24:29 | 0:24:31 | |
Karl, stop it. | 0:24:31 | 0:24:33 | |
-Maybe two. Hang on. -Karl, stop it! -> | 0:24:33 | 0:24:35 | |
-Calm down! -Karl! | 0:24:35 | 0:24:37 | |
My dad's home! | 0:24:37 | 0:24:41 | |
Happy hunting. Catch you later. | 0:24:39 | 0:24:41 | |
Like Mr Invisible gives a shit about you! Hold still! | 0:24:41 | 0:24:45 | |
-Say sorry. -Sorry. | 0:25:03 | 0:25:05 | |
-I didn't hear it. -I'm sorry! | 0:25:05 | 0:25:07 | |
-Mean it. -I'm so sorry! | 0:25:07 | 0:25:09 | |
Dress up like Halloween and ghouls will try to get in your pants. | 0:25:20 | 0:25:24 | |
Typical Dad. Some guy tries to rape me and I'm to blame. | 0:25:24 | 0:25:29 | |
This isn't you. | 0:25:42 | 0:25:44 | |
HE SIGHS: No, you haven't been the same since Mike died. | 0:25:44 | 0:25:49 | |
Hiding behind someone else's face. Hoping you wouldn't feel the pain. | 0:25:49 | 0:25:55 | |
While we're talking... do you have protection? | 0:25:57 | 0:26:01 | |
What? You mean like condoms? | 0:26:01 | 0:26:04 | |
Protection. | 0:26:04 | 0:26:06 | |
Next time, let Karl take his pants down. | 0:26:09 | 0:26:12 | |
Slip this in his thigh, twist it, so the wound won't close. | 0:26:12 | 0:26:17 | |
Now, go on. Get out of here. | 0:26:26 | 0:26:28 | |
I am the king! | 0:26:35 | 0:26:37 | |
HE SIGHS | 0:26:41 | 0:26:43 | |
SHE SIGHS | 0:26:43 | 0:26:44 | |
Eve. | 0:26:44 | 0:26:45 | |
Jesus! Cas! It's me. | 0:26:51 | 0:26:54 | |
It's me. | 0:26:55 | 0:26:56 | |
Cas. Shh. | 0:26:59 | 0:27:01 | |
Come on. | 0:27:01 | 0:27:03 | |
It's me. | 0:27:03 | 0:27:05 | |
Jesus! | 0:27:06 | 0:27:08 | |
Come on. | 0:27:10 | 0:27:11 | |
Wh-Wha... Don't you want to talk? | 0:27:12 | 0:27:14 | |
The only talk I ever heard from you is, "Suck my tongue." | 0:27:14 | 0:27:18 | |
Take this filthy shit off and get out of here. | 0:27:18 | 0:27:21 | |
I'm not going anywhere. | 0:27:21 | 0:27:24 | |
Oh, really? | 0:27:23 | 0:27:24 | |
Do you expect me, after all this time, just to jump on you? | 0:27:24 | 0:27:28 | |
-That's not... -Is that what you expect? | 0:27:28 | 0:27:31 | |
-That's not what I meant. -What did you mean? | 0:27:31 | 0:27:34 | |
This what you meant? | 0:27:34 | 0:27:36 | |
That? That? How about this? | 0:27:36 | 0:27:39 | |
Is that good? Huh? | 0:27:39 | 0:27:40 | |
PHONE RINGS | 0:27:44 | 0:27:46 | |
Sean Archer. | 0:27:46 | 0:27:48 | |
Bro, I figured he might drop in on our friends. | 0:27:48 | 0:27:51 | |
And I think this fellow's beginning to enjoy being you. | 0:27:51 | 0:27:56 | |
Good. | 0:27:56 | 0:27:57 | |
HE SIGHS | 0:28:00 | 0:28:02 | |
Look, look, look! | 0:28:05 | 0:28:06 | |
Look, look...Sasha. | 0:28:06 | 0:28:08 | |
What I meant is, | 0:28:09 | 0:28:11 | |
that I'm not going anywhere until your brother helps me first. | 0:28:11 | 0:28:16 | |
Oh...Cas. | 0:28:16 | 0:28:20 | |
If the FBI finds out that you're here, I'll lose my son. | 0:28:20 | 0:28:25 | |
Please, Cas, you just gotta go. | 0:28:25 | 0:28:27 | |
I've said and done things that made your life harder. I know. | 0:28:33 | 0:28:37 | |
How? When you left, you never looked back. | 0:28:37 | 0:28:40 | |
I...I just know. | 0:28:40 | 0:28:42 | |
Sasha, I'm not the same person you remember. | 0:28:53 | 0:28:57 | |
And for what it's worth, I'm sorry. | 0:28:57 | 0:29:00 | |
Nice-looking clothes. | 0:29:06 | 0:29:11 | |
Of course. They're yours. | 0:29:07 | 0:29:11 | |
I know, I... | 0:29:09 | 0:29:11 | |
It... | 0:29:11 | 0:29:13 | |
That's a nice-looking kid, too. | 0:29:15 | 0:29:18 | |
Yeah. | 0:29:18 | 0:29:19 | |
Of course. | 0:29:19 | 0:29:21 | |
He's yours, too. | 0:29:21 | 0:29:24 | |
How old is he? | 0:29:43 | 0:29:46 | |
Five. | 0:29:44 | 0:29:46 | |
Nobody knows he's yours. I worried someone would hurt him to hurt you. | 0:29:47 | 0:29:53 | |
Adam! Adam! | 0:29:53 | 0:29:54 | |
I don't want you playing with those things. They're very dangerous. | 0:29:56 | 0:30:01 | |
Now, come on, sweetie. I want you to meet your father. | 0:30:01 | 0:30:06 | |
Look at him, it's OK. Say hi. | 0:30:08 | 0:30:10 | |
Hi. > | 0:30:10 | 0:30:12 | |
Hi. | 0:30:28 | 0:30:30 | |
Michael. | 0:30:34 | 0:30:35 | |
Michael! Michael! | 0:30:37 | 0:30:39 | |
Cas... | 0:30:39 | 0:30:40 | |
Cas... | 0:30:40 | 0:30:41 | |
Michael. | 0:30:41 | 0:30:42 | |
You're scaring him! Let him go. | 0:30:42 | 0:30:45 | |
What is the matter with you? | 0:30:46 | 0:30:49 | |
Get down! | 0:30:52 | 0:30:53 | |
OK, red team, break off! | 0:31:05 | 0:31:07 | |
How did you get to be brave? | 0:31:07 | 0:31:09 | |
How did you get to be brave? | 0:31:09 | 0:31:11 | |
-< -Come out now with your hands up! | 0:31:13 | 0:31:15 | |
-Put these on. -Listen to your music. | 0:31:15 | 0:31:18 | |
Come on. | 0:31:18 | 0:31:19 | |
# Somewhere over the rainbow... # | 0:31:19 | 0:31:22 | |
Go, go, go! | 0:31:22 | 0:31:24 | |
Cops. | 0:31:25 | 0:31:27 | |
I hate cops! | 0:31:30 | 0:31:33 | |
Come on, kid. | 0:31:33 | 0:31:36 | |
Move! Move! | 0:31:43 | 0:31:44 | |
Go! Go! To the right! | 0:31:44 | 0:31:46 | |
Go! Go! | 0:31:52 | 0:31:54 | |
Go! | 0:31:58 | 0:31:59 | |
# Someday I'll wish upon a star... # | 0:32:09 | 0:32:11 | |
Get out of here! | 0:32:11 | 0:32:13 | |
Don't shoot! Don't shoot! | 0:32:15 | 0:32:17 | |
My place is getting fucked up! | 0:32:29 | 0:32:32 | |
Take him. | 0:32:41 | 0:32:43 | |
Cas! | 0:32:52 | 0:32:53 | |
Cas! Give me the boy! | 0:32:54 | 0:32:56 | |
I'm really, really cross! | 0:32:58 | 0:33:00 | |
Come on! Come on! Let's go. Go! | 0:33:04 | 0:33:06 | |
Cas, be careful with him! | 0:33:12 | 0:33:14 | |
Don't be scared, all right? | 0:33:24 | 0:33:26 | |
# Somewhere over the rainbow | 0:33:26 | 0:33:29 | |
# Skies are blue | 0:33:33 | 0:33:39 | |
# And the dreams that you dare to dream | 0:33:42 | 0:33:49 | |
# Really do come true | 0:33:49 | 0:33:53 | |
# Someday I'll wish upon a star | 0:33:55 | 0:33:58 | |
# And wake up where the clouds | 0:33:58 | 0:34:02 | |
# Are far behind me! | 0:34:02 | 0:34:07 | |
# Birds fly over the rainbow | 0:34:10 | 0:34:14 | |
# Why, then, why can't I? # | 0:34:16 | 0:34:22 | |
Adam! | 0:34:24 | 0:34:26 | |
Get him out back. Go! Go! Go! | 0:34:27 | 0:34:30 | |
Put the boy down. | 0:34:34 | 0:34:36 | |
Honey, don't touch that. | 0:34:36 | 0:34:38 | |
It isn't nice! | 0:34:38 | 0:34:40 | |
I never want to see you do that. | 0:34:40 | 0:34:42 | |
Ha ha! They're like cockroaches! | 0:34:45 | 0:34:47 | |
Hey, drop it. | 0:34:47 | 0:34:49 | |
-HE DROPS GUN -That's it. | 0:34:49 | 0:34:51 | |
Buzz. | 0:34:54 | 0:34:56 | |
-DIETRICH: -Hey! | 0:34:56 | 0:34:57 | |
I told him not to fuck with me. | 0:35:01 | 0:35:04 | |
HE COCKS GUN | 0:35:15 | 0:35:17 | |
HE COCKS GUN | 0:35:28 | 0:35:29 | |
Take the boy and get out of here. | 0:35:48 | 0:35:50 | |
Are you all right? | 0:35:50 | 0:35:54 | |
GO! | 0:35:52 | 0:35:54 | |
Hurry up. | 0:35:58 | 0:36:00 | |
Hey, man. | 0:36:04 | 0:36:07 | |
We had some good times, didn't we? | 0:36:08 | 0:36:11 | |
SIGHING | 0:36:40 | 0:36:42 | |
I don't know what I hate wearing worse - | 0:36:44 | 0:36:48 | |
your face or your body. | 0:36:48 | 0:36:51 | |
I mean, I enjoy boning your wife but, um, well, let's face it, | 0:36:53 | 0:36:57 | |
we both like it better the other way, yes? | 0:36:57 | 0:37:00 | |
So why don't we trade back? | 0:37:00 | 0:37:02 | |
You can't give back what you've taken from me. | 0:37:02 | 0:37:06 | |
Oh, well. | 0:37:07 | 0:37:09 | |
Plan B. | 0:37:09 | 0:37:11 | |
Let's just kill each other. | 0:37:11 | 0:37:13 | |
Arrggh! | 0:38:24 | 0:38:25 | |
HE MOANS | 0:39:09 | 0:39:12 | |
Sir, why are you so upset? It's just Pollux Troy. | 0:39:12 | 0:39:17 | |
Sir, look. You're on the cover of Time. | 0:39:45 | 0:39:48 | |
"In one week, Agent Sean Archer has ordered blitzkrieg-style raids | 0:39:48 | 0:39:53 | |
"on the hideouts, staging grounds and safe houses | 0:39:53 | 0:39:56 | |
"of our nation's assassins..." | 0:39:56 | 0:39:59 | |
Sean. | 0:40:02 | 0:40:03 | |
We're friends, so I'll tell you face to face. | 0:40:03 | 0:40:07 | |
Man of the Year or not, I'm terminating your war on terrorists. | 0:40:07 | 0:40:12 | |
HE GROANS | 0:40:14 | 0:40:16 | |
Is that...because I'm getting all the kudos and you're not? | 0:40:16 | 0:40:22 | |
I don't know where you're getting your intelligence. Not field agents. | 0:40:22 | 0:40:27 | |
I think you know too much. Washington's starting to worry. | 0:40:27 | 0:40:32 | |
Justice wants a hearing. | 0:40:32 | 0:40:34 | |
They worry about how constitutional your Gestapo tactics are. So do I! | 0:40:35 | 0:40:41 | |
OK, Victor, I'll give the... | 0:40:43 | 0:40:47 | |
taxpayers a break, | 0:40:47 | 0:40:49 | |
but...um... | 0:40:49 | 0:40:52 | |
I have something | 0:40:52 | 0:40:54 | |
to confess. I don't think you're going to like it. | 0:40:54 | 0:40:58 | |
I am Castor Troy. | 0:40:59 | 0:41:01 | |
HE SIGHS | 0:41:07 | 0:41:08 | |
Kimmy. Kim. | 0:41:12 | 0:41:14 | |
'Yes, sir?' | 0:41:14 | 0:41:19 | |
Call the paramedics. Victor's had a heart attack. | 0:41:15 | 0:41:19 | |
'God. Right away.' | 0:41:19 | 0:41:22 | |
Thank you. | 0:41:20 | 0:41:22 | |
HE SIGHS | 0:41:22 | 0:41:23 | |
HE EXHALES DEEPLY | 0:41:39 | 0:41:41 | |
< SHOWER RUNNING | 0:41:41 | 0:41:43 | |
Home. | 0:41:46 | 0:41:48 | |
Eve. | 0:42:10 | 0:42:11 | |
Eve! | 0:42:14 | 0:42:15 | |
No, honey. Please... Please don't scream. | 0:42:16 | 0:42:19 | |
Don't scream. I'm not going to hurt you. | 0:42:19 | 0:42:22 | |
Shh, shh. | 0:42:22 | 0:42:24 | |
Don't... Don't look at my face. | 0:42:24 | 0:42:26 | |
And the voice. Don't listen. Just... | 0:42:26 | 0:42:29 | |
You killed my son! | 0:42:29 | 0:42:33 | |
Shh! I did not kill our son. | 0:42:31 | 0:42:33 | |
Shh. | 0:42:33 | 0:42:34 | |
I'm Sean. | 0:42:34 | 0:42:36 | |
SHE GASPS | 0:42:36 | 0:42:39 | |
The last time I saw you... | 0:42:41 | 0:42:43 | |
was in this room. | 0:42:43 | 0:42:45 | |
We had a fight when I said I had to go away again. | 0:42:45 | 0:42:49 | |
I spent the night in Mike's old bed. | 0:42:49 | 0:42:53 | |
I'm tired, Eve. | 0:43:04 | 0:43:06 | |
The assignment was to enter a federal prison as Castor Troy. | 0:43:08 | 0:43:12 | |
It's fucking insane! | 0:43:12 | 0:43:14 | |
And a special op surgeon... | 0:43:14 | 0:43:17 | |
..gave me...Castor's... | 0:43:18 | 0:43:20 | |
FACE! | 0:43:20 | 0:43:21 | |
Then... And then somehow Castor came out of his... | 0:43:24 | 0:43:28 | |
his coma. | 0:43:28 | 0:43:31 | |
And killed everybody who knew about the mission. | 0:43:31 | 0:43:35 | |
But... But not before transforming into me. | 0:43:36 | 0:43:39 | |
SHE YELLS | 0:43:55 | 0:43:57 | |
I know you don't believe a word I'm saying. | 0:43:58 | 0:44:02 | |
Well, here's proof, Doctor. | 0:44:02 | 0:44:04 | |
Your husband, me, my, Sean's blood type is O negative. Castor's is AB. | 0:44:04 | 0:44:10 | |
And I love you. | 0:44:18 | 0:44:20 | |
Get some backup. | 0:44:35 | 0:44:38 | |
What a day. | 0:44:41 | 0:44:43 | |
You look tense. | 0:44:47 | 0:44:50 | |
I know I've been acting different lately...strange. | 0:44:54 | 0:44:59 | |
I've got a confession to make, Eve. | 0:44:59 | 0:45:01 | |
You're not going to like it. | 0:45:01 | 0:45:05 | |
Oh, Eve, I feel... I feel so close to you. | 0:45:07 | 0:45:10 | |
I read your diary. I know I shouldn't have. I'm ashamed. | 0:45:10 | 0:45:14 | |
But I did. | 0:45:14 | 0:45:16 | |
I just want to be the man that you deserve...passionate and tender. | 0:45:16 | 0:45:21 | |
Victor Lazarro died today. He had a heart seizure. | 0:45:25 | 0:45:29 | |
My mentor...gone. | 0:45:29 | 0:45:31 | |
HE SIGHS: First Tito, then Victor. So what? | 0:45:32 | 0:45:36 | |
I hope this doesn't mean I'm losing you. | 0:45:36 | 0:45:40 | |
Of course not. | 0:45:41 | 0:45:42 | |
You're the only family I've got. | 0:45:51 | 0:45:54 | |
Oh, God! | 0:46:42 | 0:46:44 | |
I was hoping you'd come here. | 0:46:48 | 0:46:52 | |
Thank you for trusting me. | 0:46:52 | 0:46:55 | |
Right now...I don't trust anyone. | 0:46:56 | 0:47:01 | |
Eve, where did you get that gun? | 0:47:01 | 0:47:04 | |
I took it from my fake husband. | 0:47:04 | 0:47:08 | |
Put it down. | 0:47:06 | 0:47:08 | |
You know I'm Sean. | 0:47:08 | 0:47:11 | |
Do I? Maybe Sean's already dead, huh? | 0:47:11 | 0:47:13 | |
I'm moving very slowly. | 0:47:13 | 0:47:15 | |
HE SOBS | 0:47:27 | 0:47:29 | |
I was thinking the other day. | 0:47:39 | 0:47:42 | |
I remember...I once took a date out for surf and turf, | 0:47:42 | 0:47:49 | |
not knowing she was a vegetarian. | 0:47:49 | 0:47:52 | |
So, she ate bread... | 0:47:54 | 0:47:56 | |
..and...er...broke her tooth on a rye seed. | 0:47:58 | 0:48:01 | |
We drove around all night... | 0:48:05 | 0:48:08 | |
looking for a... for an all-night dentist. | 0:48:08 | 0:48:11 | |
And he...he was so drunk, he fixed the wrong tooth. | 0:48:11 | 0:48:17 | |
HE LAUGHS EMOTIONALLY | 0:48:17 | 0:48:19 | |
And when I finally brought her home... | 0:48:24 | 0:48:27 | |
..even though it must've hurt like hell... | 0:48:30 | 0:48:34 | |
..you...you...you kissed me. | 0:48:35 | 0:48:39 | |
SHE MOANS | 0:48:43 | 0:48:44 | |
Sean... | 0:48:50 | 0:48:51 | |
That man... | 0:48:54 | 0:48:56 | |
We've been living together as man and wife for a week. | 0:48:57 | 0:49:00 | |
I know. Eve... | 0:49:04 | 0:49:06 | |
Eve... | 0:49:07 | 0:49:08 | |
I put you in that position | 0:49:08 | 0:49:10 | |
and...and I... I can never make it up to you. | 0:49:10 | 0:49:14 | |
Well, you're damn well gonna try. | 0:49:19 | 0:49:22 | |
Let me take a look at that wound before you bleed to death. | 0:49:22 | 0:49:26 | |
With Lazarro out of the way, | 0:49:33 | 0:49:35 | |
Castor's the new Acting Director. He's untouchable. | 0:49:35 | 0:49:39 | |
Not tomorrow. | 0:49:39 | 0:49:40 | |
Tomorrow he'll be at Victor's service. | 0:49:40 | 0:49:43 | |
Tomorrow... | 0:49:43 | 0:49:45 | |
That will be the day. | 0:49:46 | 0:49:48 | |
You and Jamie mustn't go. Give him an excuse. | 0:49:52 | 0:49:56 | |
I can cover for Jamie but if I don't go, he'll know something's up. | 0:49:56 | 0:50:01 | |
Besides, I'm the only one who can try and explain the truth. | 0:50:01 | 0:50:06 | |
Mr Archer, may I help you? | 0:50:06 | 0:50:08 | |
Sean, what are you doing here? | 0:50:22 | 0:50:25 | |
I'm so... | 0:50:27 | 0:50:29 | |
..sorry, darling. | 0:50:30 | 0:50:32 | |
I just get so...so jealous, I... | 0:50:32 | 0:50:35 | |
What is a guy to think | 0:50:35 | 0:50:38 | |
when his... his wife runs off in the night? | 0:50:38 | 0:50:41 | |
That I'm on call. Please let me get back to work. | 0:50:41 | 0:50:45 | |
Sorry. | 0:50:45 | 0:50:47 | |
Lies, distrust, mixed messages... | 0:50:48 | 0:50:51 | |
This is turning into a real marriage. | 0:50:52 | 0:50:55 | |
How's...Adam? | 0:51:15 | 0:51:18 | |
I took him to my cousin's until this blows over. | 0:51:18 | 0:51:21 | |
Where's Jamie? | 0:51:21 | 0:51:24 | |
I don't know. She stole 50 from my purse and took off. | 0:51:24 | 0:51:27 | |
So what's the next move? | 0:51:29 | 0:51:33 | |
This isn't your fight. | 0:51:31 | 0:51:33 | |
You're surprised? She won't even visit Michael's grave - | 0:51:33 | 0:51:37 | |
you think she gives a damn about your boss? | 0:51:37 | 0:51:41 | |
He killed my brother. I'm not going to let him take you, too. | 0:51:46 | 0:51:51 | |
Whatever happens, | 0:52:03 | 0:52:05 | |
I promise... | 0:52:05 | 0:52:07 | |
Sean Archer is off your back for good. | 0:52:08 | 0:52:12 | |
-PRIEST: -My dear friends, | 0:52:22 | 0:52:24 | |
we are here to celebrate the life of Victor Lazarro. | 0:52:24 | 0:52:27 | |
In nomine Patris et Filii et Spiritus Sancti, | 0:52:27 | 0:52:31 | |
Amen. | 0:52:33 | 0:52:34 | |
SERVICE CONTINUES | 0:52:34 | 0:52:36 | |
MALE CHOIR SINGS IN LATIN | 0:52:49 | 0:52:51 | |
CHOIR CONTINUES SINGING | 0:53:24 | 0:53:27 | |
Somebody gave this to me to give to you. | 0:53:56 | 0:54:00 | |
CHOIR CONTINUES TO SING | 0:54:13 | 0:54:15 | |
In peace now, let us take our brother Victor to his place of rest. | 0:54:19 | 0:54:24 | |
Om! | 0:55:00 | 0:55:02 | |
Domino... PRETENDS TO SPEAK LATIN | 0:55:02 | 0:55:05 | |
Isn't this religious? | 0:55:08 | 0:55:10 | |
Oh! | 0:55:10 | 0:55:12 | |
Ah, yes. | 0:55:13 | 0:55:14 | |
The eternal battle between good and evil, saint and sinner. | 0:55:14 | 0:55:20 | |
But you're still not having FUN! | 0:55:20 | 0:55:22 | |
HE CHUCKLES: Ooh. | 0:55:28 | 0:55:30 | |
Honey. | 0:55:32 | 0:55:34 | |
Honey. | 0:55:34 | 0:55:35 | |
CHUCKLING | 0:55:35 | 0:55:36 | |
Come here. | 0:55:36 | 0:55:38 | |
Ah... | 0:55:38 | 0:55:40 | |
And guess what? | 0:55:40 | 0:55:42 | |
Your daughter's on the way. | 0:55:42 | 0:55:44 | |
History repeats itself. | 0:55:44 | 0:55:46 | |
This is between us. Leave them out of it. | 0:55:53 | 0:55:57 | |
No. YOU should've left them out of it. | 0:55:57 | 0:56:00 | |
Your son was an accident. I wanted to kill you. | 0:56:01 | 0:56:05 | |
But you took it so personally. | 0:56:07 | 0:56:10 | |
Why didn't you just kill yourself or let it go? | 0:56:10 | 0:56:13 | |
No father could. | 0:56:13 | 0:56:15 | |
No brother could either. | 0:56:15 | 0:56:19 | |
Neither could his sister. | 0:56:17 | 0:56:19 | |
Hey, baby. | 0:56:19 | 0:56:21 | |
Sasha, what the fuck are you doing here? | 0:56:25 | 0:56:28 | |
Gee, Archer, I'm crashing. | 0:56:28 | 0:56:30 | |
Are you OK, baby? | 0:56:30 | 0:56:33 | |
Yeah. Thanks. | 0:56:31 | 0:56:33 | |
Sasha, baby...I'm Castor. That's Archer. | 0:56:35 | 0:56:39 | |
And I'm bored. | 0:56:39 | 0:56:42 | |
HE SIGHS | 0:56:41 | 0:56:42 | |
Put the fucking gun down. | 0:56:42 | 0:56:47 | |
-MAN: -Put your guns down. | 0:56:44 | 0:56:47 | |
Whee! What a predicament! | 0:56:51 | 0:56:54 | |
CASTOR LAUGHS | 0:56:54 | 0:56:56 | |
Take care of our boy. | 0:57:51 | 0:57:53 | |
I love him so much. | 0:57:53 | 0:57:56 | |
Don't let him grow up to be like us, promise? | 0:57:56 | 0:58:00 | |
Yeah. | 0:58:02 | 0:58:04 | |
Say yeah. | 0:58:03 | 0:58:04 | |
Mom? | 0:58:31 | 0:58:33 | |
SHE SCREAMS | 0:58:37 | 0:58:38 | |
SHE WHIMPERS | 0:58:42 | 0:58:43 | |
Jamie! | 0:58:52 | 0:58:54 | |
SHE SCREAMS | 0:58:57 | 0:58:59 | |
Jamie, don't! | 0:58:59 | 0:59:01 | |
Hello? Wanda? This is Eve Archer. | 0:59:08 | 0:59:10 | |
I have something crazy to say. | 0:59:17 | 0:59:19 | |
It's a capital crime to try to kill the next FBI boss, yes? | 0:59:31 | 0:59:35 | |
-Yes! -Ah, yes! | 0:59:35 | 0:59:36 | |
-The penalty... -HIS VOICE DISTORTS | 0:59:36 | 0:59:38 | |
-SEAN'S VOICE: -..is death! | 0:59:38 | 0:59:41 | |
Die! Please, God! Die! | 0:59:51 | 0:59:53 | |
Hold it! | 0:59:53 | 0:59:55 | |
Good girl, Jane! Shoot him! | 0:59:55 | 0:59:57 | |
Don't listen to him. He's not your father. Hear my voice. | 0:59:57 | 1:00:01 | |
I'm your father! | 1:00:01 | 1:00:03 | |
Use your eyes! Shoot him! | 1:00:03 | 1:00:05 | |
Don't listen to him! Don't shoot! | 1:00:05 | 1:00:08 | |
He shot your brother! Kill him! | 1:00:08 | 1:00:11 | |
Arggh! | 1:00:11 | 1:00:12 | |
You clod! | 1:00:13 | 1:00:14 | |
No daughter of mine would shoot so wide! | 1:00:14 | 1:00:18 | |
Dad, put the gun down! | 1:00:19 | 1:00:22 | |
Put it down. | 1:00:22 | 1:00:24 | |
Dad, put it down. Now we're going to find out what's in Papa's bag... | 1:00:25 | 1:00:31 | |
peaches! | 1:00:31 | 1:00:32 | |
Say goodbye to Papa! | 1:00:37 | 1:00:40 | |
Arrrggghhhh! | 1:00:38 | 1:00:40 | |
Jamie! | 1:00:40 | 1:00:42 | |
SIREN WAILS | 1:00:45 | 1:00:47 | |
Jamie! Jamie, are you all right? Oh, my God! | 1:00:49 | 1:00:52 | |
Sir, are you OK? | 1:00:53 | 1:00:55 | |
SIRENS APPROACHING | 1:00:58 | 1:01:00 | |
-SHE SOBS -Someone please tell me what planet I'm on! | 1:01:03 | 1:01:07 | |
Get down! | 1:01:21 | 1:01:23 | |
HOOTER BLARES | 1:01:57 | 1:01:59 | |
Stop! This is the police! | 1:02:35 | 1:02:37 | |
Stop immediately or we will open fire! | 1:02:37 | 1:02:40 | |
Fire! Fire! | 1:02:40 | 1:02:42 | |
Arrghh! | 1:06:26 | 1:06:28 | |
Arrghh! | 1:06:35 | 1:06:36 | |
Arrghh! | 1:06:45 | 1:06:46 | |
You're right, Sean. I've misbehaved. I need to be punished. | 1:06:59 | 1:07:04 | |
But remember, every time | 1:07:09 | 1:07:12 | |
you look in the mirror, | 1:07:12 | 1:07:13 | |
you'll see my face. | 1:07:13 | 1:07:16 | |
CLICK! | 1:07:21 | 1:07:22 | |
DIE!! | 1:07:32 | 1:07:34 | |
CASTOR'S VOICE: # Ready | 1:07:51 | 1:07:53 | |
# Ready for the big ride | 1:07:53 | 1:07:57 | |
# Baby... # | 1:07:57 | 1:07:59 | |
SIRENS WAIL | 1:07:59 | 1:08:01 | |
Are you OK, Archer? | 1:08:13 | 1:08:15 | |
What did you call me? | 1:08:20 | 1:08:22 | |
He called you Archer, sir. | 1:08:22 | 1:08:24 | |
Sean... | 1:08:37 | 1:08:38 | |
They're bringing in their top surgical team from DC. You'll be OK. | 1:08:38 | 1:08:43 | |
SIREN WAILS | 1:09:11 | 1:09:14 | |
When you wake up, everything will be restored, just the way it was. | 1:09:25 | 1:09:31 | |
My scar. | 1:09:34 | 1:09:36 | |
The one near my heart. | 1:09:36 | 1:09:38 | |
This old bullet wound. | 1:09:38 | 1:09:41 | |
I won't need it any more. | 1:09:41 | 1:09:43 | |
OK. | 1:09:43 | 1:09:44 | |
Dad? | 1:10:40 | 1:10:41 | |
Dad... | 1:10:54 | 1:10:56 | |
I'm sorry I shot you. | 1:10:56 | 1:10:59 | |
I've got something I have to ask both of you. | 1:11:07 | 1:11:10 | |
This is, um...Adam. | 1:11:21 | 1:11:24 | |
And he needs a place to live. | 1:11:25 | 1:11:27 | |
Hi. | 1:11:29 | 1:11:30 | |
My name's Jamie. | 1:11:30 | 1:11:32 | |
I'm Adam. | 1:11:32 | 1:11:35 | |
Why don't you show Adam his room? | 1:11:37 | 1:11:41 | |
Come on. | 1:11:39 | 1:11:41 | |
OK. | 1:11:42 | 1:11:44 | |
# You shot your mouth off like a kid scared to have a heart | 1:12:04 | 1:12:08 | |
# You're losing grip of what really matters | 1:12:08 | 1:12:10 | |
# Because you don't know where to start | 1:12:10 | 1:12:12 | |
# You wake up in the morning with a starfuck for a friend | 1:12:12 | 1:12:16 | |
# The things you do are so in tune with what you gonna hate | 1:12:16 | 1:12:20 | |
# What's giving you the will to live is looking for revenge... # | 1:12:20 | 1:12:24 | |
Subtitles by Julie Sutherland, IMS | 1:12:24 | 1:12:26 | |
E-mail us at [email protected] | 1:12:26 | 1:12:29 |