
Browse content similar to Felicia's Journey. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
DOO-WOP INTRO | 0:00:15 | 0:00:18 | |
# What a wonderful world we would live in | 0:00:32 | 0:00:37 | |
# With hatred and love reconciled | 0:00:37 | 0:00:43 | |
# If we only showed each other | 0:00:43 | 0:00:48 | |
# The faith in the heart of a child | 0:00:48 | 0:00:55 | |
# What a wonderful world we could make it | 0:00:55 | 0:01:00 | |
# What a wonderful place it would be | 0:01:00 | 0:01:06 | |
# If we had the faith of a child to act | 0:01:06 | 0:01:12 | |
# And the eyes of a child to see | 0:01:12 | 0:01:18 | |
# Then trust would replace suspicion | 0:01:18 | 0:01:23 | |
# And hope would replace despair | 0:01:23 | 0:01:29 | |
# Our tears would turn to laughter | 0:01:29 | 0:01:35 | |
# And wishing would turn to prayer | 0:01:35 | 0:01:41 | |
# What a wonderful world we would live in | 0:01:41 | 0:01:47 | |
# With hatred and love reconciled | 0:01:47 | 0:01:53 | |
# If you and I had the simple faith | 0:01:53 | 0:01:59 | |
# Found in the heart of a child. # | 0:01:59 | 0:02:11 | |
SEAGULLS CRY | 0:03:40 | 0:03:43 | |
SHIP'S HOOTER | 0:04:02 | 0:04:05 | |
We try, Mr Hilditch. We do try. | 0:04:40 | 0:04:43 | |
I've told you before, Sidney. It starts with the stock. Don't rely on cubes! | 0:04:43 | 0:04:49 | |
-What's for dessert? -Raspberry jam steamed pudding, Mr Hilditch. I'd leave it a few minutes yet. | 0:04:49 | 0:04:55 | |
-I'm afraid I've got a meeting. -I could bring it to your office. | 0:04:55 | 0:05:00 | |
-That would be so kind of you, Iris. Thank you. -A pleasure, Mr Hilditch. -Thank you. | 0:05:00 | 0:05:06 | |
-Morning, Mr Hilditch. -Morning, Jimmy. | 0:05:06 | 0:05:09 | |
-Morning. -Good morning. | 0:05:12 | 0:05:14 | |
-Have you means of identification? -Identification? -What's your name? | 0:05:14 | 0:05:18 | |
-Felicia. -Do you have a driver's licence, Felicia? -I-I can't drive. | 0:05:18 | 0:05:24 | |
-Have you ANY form of identification? -I can't think that I have. | 0:05:24 | 0:05:29 | |
No letter? No documentation of any kind? | 0:05:29 | 0:05:32 | |
Could you step aside? | 0:05:33 | 0:05:36 | |
Are you a resident of the United Kingdom? | 0:05:36 | 0:05:39 | |
No, I'm...I'm from Ireland. | 0:05:41 | 0:05:43 | |
I-I'm here to see a friend. | 0:05:43 | 0:05:47 | |
May I look through your bag for a moment? | 0:05:49 | 0:05:53 | |
CHURCH BELL TOLLS | 0:06:00 | 0:06:04 | |
Every minute I'll be thinking of you. | 0:06:11 | 0:06:14 | |
Every minute you'll be by my side. | 0:06:16 | 0:06:19 | |
'The coach to London Victoria is now departing from Bay 6.' | 0:06:19 | 0:06:23 | |
Sorry! Excuse me! Could you tell me where the lawn mower factory is? | 0:06:52 | 0:06:57 | |
-Lawn mower? -Yeah. -Sorry. -OK, thanks. | 0:06:57 | 0:07:00 | |
Excuse me! | 0:07:02 | 0:07:04 | |
-Could you tell me where the lawn mower factory is? -Lawn mower factory, my dear? Sorry, can't help. | 0:07:04 | 0:07:10 | |
Thank you. | 0:07:10 | 0:07:12 | |
'No, Lysaght. Johnny Lysaght.' | 0:07:12 | 0:07:15 | |
L-Y-S-A-G-H-T. | 0:07:15 | 0:07:18 | |
'Hello. Could you give me the phone number for the lawn mower factory in Birmingham? | 0:07:22 | 0:07:27 | |
'No, a place that MAKES them, doesn't sell them.' | 0:07:27 | 0:07:31 | |
Once it's stored in the machine, you could dispense with all the canteen staff. | 0:07:34 | 0:07:39 | |
The machines back directly onto the kitchens, prepared portions load straight in, | 0:07:39 | 0:07:45 | |
-drop in a coin and the dishes emerge when and how they're required. -"How" they're required? | 0:07:45 | 0:07:50 | |
Well, piping hot, or chilled, or anything in between. | 0:07:50 | 0:07:55 | |
-KNOCK AT DOOR -Come in. -Here you are, Mr Hilditch. | 0:07:55 | 0:07:59 | |
Fresh from the oven. | 0:08:01 | 0:08:03 | |
It's better, Iris. It's better. Good show! | 0:08:13 | 0:08:18 | |
Oh, thank you, Mr Hilditch. I'll let the others know. | 0:08:18 | 0:08:22 | |
It can serve drinks as well. | 0:08:28 | 0:08:30 | |
Just load the machine with tea, coffee, chocolate, softs. | 0:08:30 | 0:08:35 | |
-No more than 10 minutes labour a day. You can't lose, Mr Hilditch. -But I WOULD lose, Ted. | 0:08:35 | 0:08:41 | |
I would lose my staff. | 0:08:41 | 0:08:44 | |
I would lose the way Iris takes the bother | 0:08:44 | 0:08:48 | |
to bring me up a dish of raspberry jam steamed pudding. | 0:08:48 | 0:08:52 | |
Food must be served by caring hands, Ted. | 0:08:54 | 0:08:58 | |
Not by machines. | 0:08:58 | 0:09:01 | |
It keeps our spirits up. | 0:09:01 | 0:09:03 | |
It makes us feel... | 0:09:03 | 0:09:05 | |
..loved. | 0:09:08 | 0:09:09 | |
Can I keep this? | 0:09:11 | 0:09:14 | |
THUNDER OF MACHINERY | 0:09:14 | 0:09:17 | |
MACHINERY DROWNS OUT DIALOGUE | 0:09:35 | 0:09:38 | |
Bye, Lou. | 0:09:47 | 0:09:49 | |
-Can I help you? -Is this where they make lawn mowers? | 0:10:43 | 0:10:46 | |
I'm afraid not. | 0:10:46 | 0:10:48 | |
-Oh. -Lawn mowers? Why? -Well, you see, I have a friend who works in a place that makes them. | 0:10:48 | 0:10:55 | |
-But I'm not certain where it is. -Oh. | 0:10:55 | 0:10:59 | |
You could try the Black Barrow industrial estate. | 0:10:59 | 0:11:03 | |
They've got a garden centre there. They might know. | 0:11:03 | 0:11:07 | |
If you go over the bridge... turn right... and go on until you see the signs. | 0:11:07 | 0:11:14 | |
OK? ..Good luck. | 0:11:14 | 0:11:16 | |
BELL TOLLS | 0:11:35 | 0:11:38 | |
Hello, Sister. | 0:11:39 | 0:11:41 | |
Yes, I know Johnny Lysaght. | 0:11:41 | 0:11:45 | |
-And you went out with him? -I did. | 0:11:45 | 0:11:48 | |
You hear certain remarks about that boy, Felicia. I'm not saying it's gospel. | 0:11:50 | 0:11:55 | |
All I'm saying is there are certain statements made. | 0:11:55 | 0:11:59 | |
-What statements? -He joined the British Army. | 0:11:59 | 0:12:03 | |
But Johnny went to England because he couldn't get work here! | 0:12:05 | 0:12:09 | |
There's better boys than that around here, Felicia. | 0:12:09 | 0:12:12 | |
Irish boys belong in Ireland. | 0:12:12 | 0:12:15 | |
Johnny's not in the Army! He works in a factory - lawn mower parts. | 0:12:16 | 0:12:22 | |
JOHNNY: 'How about you? Any brothers, sisters?' | 0:12:26 | 0:12:30 | |
-No, just me. -Just you? -Yes. | 0:12:30 | 0:12:33 | |
-And your father and mother? -Well, my mother passed away when I was four. | 0:12:33 | 0:12:38 | |
There's my father and my great-grandmother. | 0:12:38 | 0:12:42 | |
She must be a ripe old age, is she? | 0:12:42 | 0:12:45 | |
-Yes, she's about 100 now. -That's incredible! | 0:12:45 | 0:12:49 | |
-But your mother passed away when you were four? -Mmm. | 0:12:49 | 0:12:53 | |
I'm sorry to hear that. | 0:12:53 | 0:12:55 | |
-STEREO ON # Angel, angel -Whoo-oo-oo oo-oo, oo-oo... | 0:13:12 | 0:13:17 | |
# You are my special angel | 0:13:17 | 0:13:23 | |
# Sent from up above | 0:13:23 | 0:13:28 | |
# My faith smiled down on me | 0:13:28 | 0:13:33 | |
# And sent an angel to lo-o-ove... # | 0:13:33 | 0:13:39 | |
'Sorry, no lawn mower parts here.' | 0:13:39 | 0:13:43 | |
-But best of luck, anyway. I hope you find it. -OK. Thank you very much. | 0:13:43 | 0:13:48 | |
# ..paradise | 0:13:48 | 0:13:51 | |
# I know that you're an angel | 0:13:51 | 0:13:56 | |
# Heaven is in your eyes | 0:13:56 | 0:14:01 | |
# A smile from your lips brings the summer sunshine... # | 0:14:01 | 0:14:07 | |
'There's no-one of that name here.' | 0:14:07 | 0:14:10 | |
-OK, thank you. -Good luck to you. | 0:14:10 | 0:14:13 | |
# I feel your touch, your warm embrace | 0:14:13 | 0:14:18 | |
# And I'm in heaven again | 0:14:18 | 0:14:24 | |
# You are my special angel | 0:14:24 | 0:14:30 | |
# Through eternity | 0:14:30 | 0:14:35 | |
# I'll have my special angel | 0:14:35 | 0:14:41 | |
# Here to watch over me... # | 0:14:41 | 0:14:46 | |
-You didn't have any luck? -It's not there. | 0:14:46 | 0:14:49 | |
-But a man gave me the name of another town. -Yes. | 0:14:49 | 0:14:54 | |
I thought of Thompson Castings five minutes after you left. | 0:14:54 | 0:14:58 | |
It's a bit of a distance. You won't get a bus tonight. | 0:14:58 | 0:15:03 | |
-I'll stay here, so. -Have you got a place? -I'll look for one. | 0:15:03 | 0:15:07 | |
Marsh Lane. | 0:15:07 | 0:15:09 | |
There's a lot of accommodation there and it's reasonable. | 0:15:09 | 0:15:13 | |
-You want somewhere reasonable? -Yes. | 0:15:13 | 0:15:17 | |
If you go straight up the road... take the second right... | 0:15:18 | 0:15:24 | |
turn left along the canal and that's Marsh Lane. I'd give you a lift, | 0:15:24 | 0:15:29 | |
-but I've just done me shopping. -Thanks. | 0:15:29 | 0:15:33 | |
JOHNNY: 'You looked beautiful the other day.' | 0:15:38 | 0:15:42 | |
-Has anyone ever said that to you? -No! -Well, I'm saying it now. | 0:15:42 | 0:15:47 | |
You look beautiful now. | 0:15:53 | 0:15:56 | |
# But you don't need words | 0:15:57 | 0:16:01 | |
# Just one kiss then another | 0:16:01 | 0:16:05 | |
# Stepping out of the page | 0:16:07 | 0:16:13 | |
# Into the sensual world | 0:16:13 | 0:16:16 | |
# Stepping out of the page | 0:16:19 | 0:16:25 | |
# Into the sensual world... # | 0:16:25 | 0:16:28 | |
CROWD SINGS ALONG DRUNKENLY | 0:16:28 | 0:16:32 | |
# Then our arrows of desire | 0:16:46 | 0:16:49 | |
# Rewrite the speech, mmm, yes... # | 0:16:49 | 0:16:53 | |
# More than ever, more than ever | 0:17:29 | 0:17:33 | |
# Doo-doo doo-DOO-doo | 0:17:33 | 0:17:35 | |
# More than ever, more than ever... # | 0:17:35 | 0:17:38 | |
FRENCH ACCENT: 'Let me give you a little piece of advice about buying a good loin, | 0:17:38 | 0:17:44 | |
'or about buying anything, for that matter. | 0:17:44 | 0:17:48 | |
'George Auguste Escoffier, one of ze greatest French chefs, | 0:17:48 | 0:17:52 | |
'says in his important book Le Guide Escoffier it's a matter of provisions. | 0:17:52 | 0:18:00 | |
'No matter what you buy, | 0:18:00 | 0:18:03 | |
'the cheapest is always the dearest in ze end. | 0:18:03 | 0:18:07 | |
'Le moins cher revient toujours a etre le plus cher a la fin. | 0:18:07 | 0:18:11 | |
'So get your butcher to chop well down between each bone | 0:18:11 | 0:18:17 | |
'and trim each chop as for cutlets, but not separated. | 0:18:17 | 0:18:22 | |
'Pull the joints in ze form of a crown | 0:18:22 | 0:18:26 | |
'with the meat inside | 0:18:26 | 0:18:29 | |
'then...pinch...together. | 0:18:29 | 0:18:34 | |
'You take zis needle - it's very scary, I know, but it is so practical - | 0:18:34 | 0:18:39 | |
'and you tie them together. | 0:18:39 | 0:18:43 | |
'It's really fun to do, too. | 0:18:43 | 0:18:46 | |
'Zere! Voila! | 0:18:46 | 0:18:48 | |
'The crown roast of lamb may be filled with ordinary stuffing | 0:18:48 | 0:18:54 | |
'or filled afterwards with mashed potatoes sprinkled with parsley, | 0:18:54 | 0:19:01 | |
'or, and zis is MY favourite, | 0:19:01 | 0:19:04 | |
'with pureed turnip and apricots. | 0:19:04 | 0:19:07 | |
'And what better way to prepare your turnip and apricots | 0:19:07 | 0:19:12 | |
'than by using your new Gala Chef food processor. Now let me tell you a few words... ' | 0:19:12 | 0:19:20 | |
PROCESSOR SPLUTTERS FEEBLY | 0:19:20 | 0:19:22 | |
'It is amazing. There are all these possibilities | 0:19:22 | 0:19:27 | |
'to add dry ingredients. | 0:19:27 | 0:19:30 | |
'Now this special rosemary will be the perfect garnish for our lamb. | 0:19:52 | 0:19:57 | |
'Mmm! | 0:20:05 | 0:20:07 | |
'C'est divine - vraiment! | 0:20:07 | 0:20:10 | |
'Let's see if ze roast is ready. | 0:20:10 | 0:20:13 | |
'Isn't it parfait? Last touches... | 0:20:13 | 0:20:17 | |
'Let's put this lovely little hat... | 0:20:17 | 0:20:20 | |
'It makes it very festive, you know. | 0:20:20 | 0:20:23 | |
'But also it's fun with kids around ze table. | 0:20:23 | 0:20:28 | |
'Sometimes they can pick it up and fight over it, etc. | 0:20:28 | 0:20:33 | |
'And here we go. I think we should taste. | 0:20:33 | 0:20:36 | |
'Let's have a taste and see how marvellous this is, no question. | 0:20:36 | 0:20:42 | |
'Mmm! | 0:20:54 | 0:20:55 | |
'Delicieux! | 0:20:57 | 0:20:59 | |
'No surprise. | 0:20:59 | 0:21:01 | |
ELDERLY LADY IS SPEAKING IRISH | 0:21:37 | 0:21:41 | |
TRANSLATION: | 0:22:06 | 0:22:08 | |
GREAT-GRANDMOTHER'S WORDS CONTINUE | 0:22:16 | 0:22:20 | |
Now listen to me, Felicia. | 0:22:39 | 0:22:41 | |
You cannot live in our house and keep company with a member of the British Army. | 0:22:41 | 0:22:47 | |
This family knows where it stands and always has done. | 0:22:47 | 0:22:51 | |
Think of your great-grandmother. | 0:22:53 | 0:22:56 | |
Her husband - your blood - was executed by the Brits, May 1916. | 0:22:56 | 0:23:03 | |
Sacrifices have been made and they will be honoured. | 0:23:05 | 0:23:09 | |
We have a duty to remember these things. | 0:23:09 | 0:23:13 | |
Time will not allow us to forget. | 0:23:16 | 0:23:19 | |
ALARM RINGS | 0:23:22 | 0:23:25 | |
This fellow will be back, Felicia, | 0:23:50 | 0:23:53 | |
but associate with him again and you will leave our house. | 0:23:53 | 0:23:58 | |
You're at the beginning of things, Felicia. One of these days, there'll be work for you. | 0:24:05 | 0:24:11 | |
'Licia, when you're a child, you take advice. | 0:24:15 | 0:24:19 | |
But I'm not a child, Dad. | 0:24:19 | 0:24:22 | |
Not any more. | 0:24:22 | 0:24:25 | |
I've said what I have to say. We can leave it. | 0:24:28 | 0:24:31 | |
You're going out, girl? | 0:25:05 | 0:25:07 | |
WOMAN SINGS IN IRISH | 0:25:09 | 0:25:13 | |
MUTTERS TO HERSELF IN IRISH | 0:25:20 | 0:25:24 | |
Morning! | 0:25:55 | 0:25:58 | |
My wife and I were worried about you. I was afraid you might have left already. | 0:25:58 | 0:26:04 | |
It seems that Thompson's Casting would be a waste of time. | 0:26:04 | 0:26:08 | |
But I've tracked down the place you're looking for. | 0:26:08 | 0:26:11 | |
It's about 50 miles away. | 0:26:11 | 0:26:15 | |
A lot of people make the journey every day. No reason why your friend wouldn't. | 0:26:15 | 0:26:20 | |
Ada's up there. | 0:26:20 | 0:26:22 | |
In the hospital, mmm. | 0:26:22 | 0:26:25 | |
We had that phone call last night, you see, about you. | 0:26:25 | 0:26:31 | |
Ada's poorly... | 0:26:31 | 0:26:34 | |
..you see, mmm. | 0:26:35 | 0:26:37 | |
But what I wanted to tell you is I've got to drive up that way | 0:26:37 | 0:26:41 | |
tomorrow morning on account of Ada. | 0:26:41 | 0:26:44 | |
What I'm saying is you'd be welcome to a seat in our little jalopy. | 0:26:44 | 0:26:49 | |
-Oh, I don't think I... -No, naturally you wouldn't. | 0:26:52 | 0:26:56 | |
-You probably want to get up there today. -Mmm. -Good luck. | 0:26:56 | 0:27:00 | |
Toodle-oo. | 0:27:00 | 0:27:02 | |
Could I have the lift? | 0:27:06 | 0:27:09 | |
Oh, of course. | 0:27:11 | 0:27:13 | |
It's 6.30 sharp, though, on account of Ada. | 0:27:13 | 0:27:17 | |
I like to pop in and catch her before her morning tests. | 0:27:17 | 0:27:22 | |
-6.30's all right. -I'll pick you up outside your B&B. | 0:27:22 | 0:27:28 | |
All right? See you tomorrow. | 0:27:28 | 0:27:32 | |
'It won't be long till you're back again? | 0:27:40 | 0:27:43 | |
JOHNNY: 'No. No, it won't be long.' | 0:27:43 | 0:27:46 | |
-Can I write to you? -I'm not much of a one for letters. | 0:27:46 | 0:27:51 | |
Come here, love. | 0:27:54 | 0:27:57 | |
Every minute I'm gonna be thinking about you. Every minute you're gonna be by my side, all right? | 0:27:57 | 0:28:03 | |
-MOTORBIKE APPROACHES -I haven't got your address. | 0:28:03 | 0:28:08 | |
-All right? -Shane, boy, how are you? -All right. | 0:28:09 | 0:28:14 | |
ENGINE DROWNS OUT DIALOGUE | 0:28:14 | 0:28:18 | |
-Are you OK, man? -Yeah, I'm good, yeah. | 0:28:21 | 0:28:26 | |
Looking good. | 0:28:26 | 0:28:28 | |
-I'm off back to England now. -England? For why? -I've just gotta go back to work. | 0:28:28 | 0:28:35 | |
-How long have you had this? -Three weeks now. -Well, don't kill yourself on it. -I'll be careful. | 0:28:35 | 0:28:41 | |
BUS ENGINE DROWNS OUT DIALOGUE | 0:28:45 | 0:28:51 | |
-Well, see you later. -Yeah, see you. | 0:28:51 | 0:28:54 | |
-He didn't see we wanted to be alone. -You didn't tell him. | 0:29:00 | 0:29:05 | |
-BUS DRIVER TOOTS -Your address! | 0:29:07 | 0:29:11 | |
I'll send it to you. First thing when I get there. | 0:29:11 | 0:29:15 | |
MACHINERY DROWNS OUT DIALOGUE | 0:29:57 | 0:30:00 | |
SINGING IN IRISH | 0:30:10 | 0:30:14 | |
-I'm a friend of Johnny's, Mrs Lysaght. -Yes? | 0:30:47 | 0:30:50 | |
I was wondering if you had his address. | 0:30:50 | 0:30:54 | |
-What do you want with Johnny? -Just to write him a letter, Mrs Lysaght. | 0:30:54 | 0:31:00 | |
My son wouldn't want his address given out to all and sundry. | 0:31:00 | 0:31:05 | |
He wouldn't mind you giving ME his address. | 0:31:05 | 0:31:08 | |
-He didn't give it to you himself, then? -No, he said he'd send it. | 0:31:08 | 0:31:14 | |
I was wondering if he sent it to you to give me. | 0:31:14 | 0:31:17 | |
-All I want to do is contact him. -You've had enough contact with him. | 0:31:20 | 0:31:26 | |
'My wife and I were worried about you. It seems that Thompson's Casting would be a waste of time. | 0:31:29 | 0:31:35 | |
'But I tracked down the place you were looking for. | 0:31:35 | 0:31:39 | |
'It's about 50 miles away.' | 0:31:39 | 0:31:43 | |
'A lot of people who live locally make the journey every day. | 0:31:43 | 0:31:47 | |
'No reason why your friend wouldn't. Ada's up there. | 0:31:47 | 0:31:51 | |
'In the hospital. We had that phone call last night, you see, | 0:31:51 | 0:31:55 | |
'about you. Ada's poorly. | 0:31:55 | 0:31:58 | |
'Now what I wanted to tell you, | 0:31:58 | 0:32:01 | |
'I'm driving up there tomorrow morning on account of Ada.' | 0:32:01 | 0:32:05 | |
Mrs Lysaght? | 0:32:09 | 0:32:12 | |
Mrs Lysaght! | 0:32:16 | 0:32:18 | |
Mrs...! | 0:32:20 | 0:32:22 | |
Mrs Lysaght, please! | 0:32:30 | 0:32:33 | |
'I imagine your eyes as you read these words, | 0:32:37 | 0:32:40 | |
'your eyes will fill my heart and give me hope in these confusing days. | 0:32:40 | 0:32:47 | |
'Our days together seem a long time ago. | 0:32:48 | 0:32:52 | |
'I miss those days. | 0:32:52 | 0:32:55 | |
'Are you receiving these letters, Johnny? Your mother said she would send them on to you. | 0:32:57 | 0:33:02 | |
'I need to see you as soon as I can.' | 0:33:02 | 0:33:06 | |
-'You seem like a nice person. -Well, I'm all right once you get to know me. | 0:33:18 | 0:33:24 | |
-GIRL GIGGLES -'Are you married? -No. -It doesn't matter. Just asking. | 0:33:24 | 0:33:30 | |
'I'm not married, but I have to look after my mother. | 0:33:30 | 0:33:35 | |
'Aw-w! | 0:33:35 | 0:33:37 | |
-'She's getting old now. -Is she? | 0:33:37 | 0:33:41 | |
-'Are you the only person she's got? -Yeah. -Aw! You ARE a nice man, then! | 0:33:41 | 0:33:46 | |
'You haven't told me anything about how you think and how you feel. | 0:33:46 | 0:33:50 | |
'So I don't even know if you've ever been married, or got children... | 0:33:50 | 0:33:54 | |
'You haven't told me anything.' | 0:33:54 | 0:33:57 | |
'I'm not saying that what we had wasn't special. I wouldn't be here now if it weren't for you. | 0:33:57 | 0:34:03 | |
'But everything's different.' | 0:34:03 | 0:34:06 | |
-Morning. -Well, here we are. | 0:34:35 | 0:34:37 | |
-Was it all right, the B&B? -The what? | 0:34:37 | 0:34:41 | |
-The bed and breakfast. -Oh, yes. Fine. -I'm glad of that. I wouldn't like to think I'd misled you. | 0:34:41 | 0:34:48 | |
Has Lysaght got you pregnant? | 0:35:39 | 0:35:42 | |
We're both responsible. | 0:35:42 | 0:35:45 | |
-How long are you gone? -I've missed a few times. | 0:35:47 | 0:35:52 | |
How many? | 0:35:52 | 0:35:54 | |
There's no doubt about it. | 0:35:56 | 0:35:59 | |
Carrying the enemy within you! | 0:36:01 | 0:36:05 | |
Thank God your mother isn't alive to see it! | 0:36:05 | 0:36:08 | |
You're a whore! | 0:36:10 | 0:36:12 | |
You're a WHORE and you're worse than that! | 0:36:12 | 0:36:16 | |
Damn you to hell! | 0:36:16 | 0:36:18 | |
'The first time I met up with you, I could see you were in a bit of an upset. | 0:36:26 | 0:36:32 | |
'You're...fond of the boyfriend, are you? | 0:36:32 | 0:36:36 | |
'It's not difficult to believe that he's fond of you.' | 0:36:37 | 0:36:41 | |
I said, it's not difficult to believe that he's fond of you. | 0:36:41 | 0:36:46 | |
I'm having his baby. | 0:36:48 | 0:36:50 | |
What? | 0:36:51 | 0:36:53 | |
I'm pregnant. | 0:36:53 | 0:36:56 | |
-HE LAUGHS -You're going to be a mother. | 0:37:04 | 0:37:08 | |
You'll see everyone who arrives from here. | 0:37:53 | 0:37:57 | |
-You going to get out and look for him? -Yeah. -Go on, then. | 0:38:00 | 0:38:05 | |
-Can I help? -Is this where they make lawn mowers? -We make lots of things. | 0:38:19 | 0:38:25 | |
-Does Johnny Lysaght work here? -Not heard of him. | 0:38:25 | 0:38:29 | |
-He's about that tall with blond hair. -Let's check the register. | 0:38:29 | 0:38:35 | |
This fresh rosemary will be the perfect garnish for our lamb. | 0:39:18 | 0:39:24 | |
Hmm...c'est divine, vraiment! | 0:39:28 | 0:39:31 | |
So let's go inside and see if the roast is ready. | 0:39:31 | 0:39:35 | |
Cut! Oh! | 0:39:35 | 0:39:39 | |
Joey was in the shot again. I know! | 0:39:39 | 0:39:42 | |
Go sit there! Could we do one more? | 0:39:42 | 0:39:46 | |
Of course. Really rub the rosemary... Sure. | 0:39:46 | 0:39:51 | |
THEY CHAT | 0:39:51 | 0:39:54 | |
INAUDIBLE | 0:40:25 | 0:40:28 | |
No. | 0:41:01 | 0:41:02 | |
He doesn't work here. | 0:41:02 | 0:41:05 | |
He said he loved me... | 0:41:14 | 0:41:17 | |
that we'd be together forever. | 0:41:17 | 0:41:20 | |
Then he left without giving me his address. | 0:41:25 | 0:41:29 | |
I need to find him. His mother's trying to keep him away from me. | 0:41:30 | 0:41:35 | |
-Well, this can be difficult. -I don't want to bother you with it. | 0:41:35 | 0:41:41 | |
Another person's trouble can lift the mind, Felicia. | 0:41:43 | 0:41:48 | |
Do you understand me? | 0:41:48 | 0:41:51 | |
Don't be ashamed. | 0:41:51 | 0:41:54 | |
I understand exactly how you feel. | 0:41:55 | 0:41:58 | |
Exactly. | 0:41:58 | 0:42:01 | |
I've had experience. | 0:42:01 | 0:42:04 | |
I'll drive you back... | 0:42:06 | 0:42:09 | |
after I visit the hospital. | 0:42:09 | 0:42:11 | |
I'll just pop in, dear - find out the state of play. | 0:42:41 | 0:42:45 | |
I'm sorry. | 0:42:52 | 0:42:55 | |
I've got to stand on my own two feet, you must see that. | 0:42:55 | 0:43:00 | |
I was weak before. | 0:43:00 | 0:43:03 | |
You've helped me strengthen everything about my personality, and I feel I'm ready to go it alone. | 0:43:04 | 0:43:11 | |
I'll always remember our conversations, but that's it now. | 0:43:11 | 0:43:17 | |
I'm not even a person, I'm just part of a body men want to use! | 0:43:17 | 0:43:22 | |
I've got nowhere to go. | 0:43:22 | 0:43:25 | |
Excuse me, could you tell me where I might find the lavatory? | 0:43:34 | 0:43:39 | |
-Down there on the left. -Thank you. | 0:43:39 | 0:43:42 | |
You're fine. You're not...hurting! You're the strong one. | 0:43:42 | 0:43:46 | |
Why do you need me? Why do you need my stories? | 0:43:46 | 0:43:50 | |
I needed you. You don't need anybody. You've got your mum. | 0:43:50 | 0:43:55 | |
-I'm OK. I want to go home. -I can't get attached in my profession. | 0:43:55 | 0:44:01 | |
You should be happier for me. Why aren't you happy for me? | 0:44:01 | 0:44:06 | |
You've been wonderful and you've helped to get me where I am now. | 0:44:06 | 0:44:11 | |
I've just got this strength and this spirit and I just want more. | 0:44:11 | 0:44:16 | |
I didn't want interviews and all this crap - "Who are you? What did you do? Who's your boyfriend?" | 0:44:16 | 0:44:23 | |
Hi, I'm Gail. I'm a prostitute(!) | 0:44:23 | 0:44:26 | |
-- Sharon. - Bobby. -Beth. | 0:44:26 | 0:44:29 | |
-Jackie. -Elsie. -You'll find others that you can relate to like me. | 0:44:29 | 0:44:35 | |
You'll find other people that you can connect with and talk to, that are special to you. | 0:44:35 | 0:44:41 | |
I'm just another ordinary person. | 0:44:41 | 0:44:44 | |
There are lots of people who would find your personality endearing and would love to speak to you. | 0:44:44 | 0:44:51 | |
TV: 'I'd give half my kingdom. | 0:45:25 | 0:45:29 | |
'No, give me the head of the Baptist.' | 0:45:29 | 0:45:34 | |
Stop it! Please don't do this. It's REALLY scary! | 0:45:34 | 0:45:38 | |
I'd like to go back, please. | 0:45:38 | 0:45:41 | |
Where are we? Please, can I go? Will you just stop the car? | 0:45:41 | 0:45:46 | |
Look... Don't just ignore me. Will you say something? | 0:45:47 | 0:45:52 | |
What...? What is wrong with you? SCREAMS | 0:45:53 | 0:45:58 | |
Why not just let me go?! | 0:45:58 | 0:46:01 | |
Just let go of me! | 0:46:01 | 0:46:04 | |
SCREAMS Get off! | 0:46:07 | 0:46:11 | |
How was that? Should we do one with Joey? | 0:46:33 | 0:46:36 | |
He can pluck some rosemary then follow you inside. | 0:46:36 | 0:46:41 | |
Ah! | 0:46:41 | 0:46:43 | |
Is something wrong? | 0:47:11 | 0:47:14 | |
Ada's not so hot. | 0:47:14 | 0:47:17 | |
They had to do an emergency... at five this morning. | 0:47:18 | 0:47:22 | |
She's not so good. | 0:47:22 | 0:47:25 | |
I'm sorry. | 0:47:27 | 0:47:29 | |
I'll be all right in a minute. | 0:47:29 | 0:47:32 | |
You get a shock like this, you don't want to be alone. | 0:47:35 | 0:47:39 | |
Both of us with a shock, Felicia. | 0:47:39 | 0:47:42 | |
Hmm? | 0:47:42 | 0:47:44 | |
I'm glad you're going to have a baby, Felicia. | 0:47:48 | 0:47:51 | |
It's a help to me, that. | 0:47:51 | 0:47:54 | |
A help? | 0:47:57 | 0:47:59 | |
Another life coming. | 0:48:00 | 0:48:03 | |
Ada going in at this particular time and you here, | 0:48:04 | 0:48:09 | |
and Ada concerned about you... when I told her. | 0:48:09 | 0:48:14 | |
"Young Irish girl," I said. | 0:48:19 | 0:48:21 | |
She wanted to know what you look like. | 0:48:24 | 0:48:27 | |
I told her you were going to be a mother. | 0:48:27 | 0:48:30 | |
I hope you don't mind. | 0:48:32 | 0:48:35 | |
I thought it might give her a lift. | 0:48:36 | 0:48:39 | |
We never had kids of our own. | 0:48:39 | 0:48:42 | |
Yes, you told me. | 0:48:45 | 0:48:47 | |
A great disappointment. | 0:48:49 | 0:48:52 | |
A child is a blessing, Felicia. | 0:48:52 | 0:48:55 | |
Never forget that. | 0:48:55 | 0:48:58 | |
A blessing. | 0:49:02 | 0:49:04 | |
Are you thinking of having the thing terminated, Felicia? | 0:49:31 | 0:49:37 | |
What? | 0:49:37 | 0:49:40 | |
Do they have that over there? | 0:49:40 | 0:49:42 | |
Abortion? | 0:49:42 | 0:49:45 | |
-Where? -Ireland. | 0:49:45 | 0:49:48 | |
-There's...difficulties. -Difficulties... Of course. | 0:49:50 | 0:49:56 | |
Well, we'll make our way back, shall we? | 0:49:56 | 0:49:59 | |
-My father... -Yes? | 0:50:50 | 0:50:52 | |
My father says Johnny joined the Army over here. | 0:50:55 | 0:51:00 | |
-It can't be true. -Of course not. | 0:51:02 | 0:51:05 | |
Johnny wouldn't lie to me. | 0:51:05 | 0:51:07 | |
No! | 0:51:07 | 0:51:09 | |
Johnny wouldn't lie to you. He wouldn't join the Army over here. | 0:51:09 | 0:51:14 | |
Come inside, we'll make enquiries. The girl at my office is very good at tracking things down. | 0:51:14 | 0:51:21 | |
I'm sorry, I can't be a nuisance at a time like this. | 0:51:21 | 0:51:25 | |
Never a nuisance, Felicia. | 0:51:37 | 0:51:40 | |
Never. | 0:51:40 | 0:51:43 | |
I don't want nothing! | 0:52:06 | 0:52:09 | |
Of course you don't, honey. Today, I have brought the Bible to you! | 0:52:09 | 0:52:14 | |
I don't want no Bible! | 0:52:14 | 0:52:17 | |
This is the paradise Earth. | 0:52:43 | 0:52:46 | |
This is the promise and the place of the Father Lord. | 0:52:46 | 0:52:50 | |
-You hear of the flood, honey? Noah in his Ark? -Yes, I have. | 0:52:50 | 0:52:55 | |
Child, we live in a miracle! Look here at this garden, honey. | 0:52:55 | 0:53:00 | |
The Father Lord is gathering all things in. | 0:53:00 | 0:53:04 | |
-I have to get a room for the night. -I can offer you a room, child. No charge made. | 0:53:04 | 0:53:10 | |
Now, what I'm doing now is pinching the turkey, | 0:53:13 | 0:53:18 | |
-so that I can loosen... -'Who's making enquiries?' -I'm a friend of the family. | 0:53:18 | 0:53:24 | |
I'm afraid there's been an emergency. The young man's father's had an accident. | 0:53:24 | 0:53:31 | |
-'What are you asking me?' -Well, the family's uncertain which barracks the lad's stationed at, | 0:53:31 | 0:53:39 | |
as his father's unconscious. | 0:53:39 | 0:53:41 | |
-We're ringing round all the barracks in the area. -'Name and rank?' -Lysaght, J. | 0:53:41 | 0:53:49 | |
-A squaddie, I would say. -'A what?' | 0:53:50 | 0:53:53 | |
A private. | 0:53:53 | 0:53:56 | |
'We have a Lysaght here.' | 0:53:58 | 0:54:01 | |
-Oh, wonderful. -'We'll pass the message on after fatigues.' -No. | 0:54:01 | 0:54:06 | |
It would be better if the family broke the news to him. | 0:54:06 | 0:54:10 | |
Now we know where he is, we'll...we'll contact him pronto. | 0:54:10 | 0:54:16 | |
Thank you. | 0:54:16 | 0:54:19 | |
'Now, this fine young man will help me demonstrate a novel way | 0:54:21 | 0:54:28 | |
'of stuffing your turkey without untrussing and trussing it. | 0:54:28 | 0:54:33 | |
'No, no, no - too complicated. | 0:54:33 | 0:54:36 | |
'I take the stuffing... | 0:54:36 | 0:54:38 | |
'..and fit it into a nylon icing bag, with no pipe affixed of course. | 0:54:39 | 0:54:47 | |
'Like this... | 0:54:47 | 0:54:49 | |
'fill it up. | 0:54:49 | 0:54:51 | |
'Completement. | 0:54:51 | 0:54:54 | |
'All go in... Et voila! | 0:54:56 | 0:54:59 | |
'Now, Joey...why don't you show everyone how easy this is? | 0:55:02 | 0:55:07 | |
'You just squeeze it, until the bird is full. | 0:55:09 | 0:55:13 | |
'Oh, Joey! | 0:55:13 | 0:55:15 | |
'What a mess you've made! Oh! | 0:55:15 | 0:55:18 | |
'Here is a piece of liver that escaped. Open your mouth. | 0:55:18 | 0:55:23 | |
'Oh, Joey! Open your mouth. It's very good for you. | 0:55:23 | 0:55:27 | |
'You know, in some parts of the Middle East...' | 0:55:27 | 0:55:31 | |
HE BURPS '..liver is a delicacy. | 0:55:31 | 0:55:36 | |
'Get a towel to help Mamma clean up. | 0:55:36 | 0:55:38 | |
'What a mess... Joey...' RETCHING IN BACKGROUND | 0:55:38 | 0:55:43 | |
One, one, one, one...! | 0:56:00 | 0:56:03 | |
One, one, one...! | 0:56:17 | 0:56:20 | |
Johnny! | 0:56:27 | 0:56:30 | |
It's quiet in the gathering house this time of day. | 0:56:41 | 0:56:44 | |
Each and every one is out and about. | 0:56:44 | 0:56:47 | |
-Do a lot of people live here? -Black and white, young and old. All that are called to gather in. | 0:56:47 | 0:56:54 | |
You are not amongst us by chance, for there is nothing that can happen | 0:57:09 | 0:57:15 | |
but by the commandment that began the garden of pleasure. | 0:57:15 | 0:57:20 | |
Adam was taken from out of the ground of the paradise Earth, | 0:57:20 | 0:57:25 | |
and the commandment... was drawn in the dust. | 0:57:25 | 0:57:30 | |
Look close. | 0:57:31 | 0:57:34 | |
See the serpent spit! | 0:57:34 | 0:57:36 | |
'Where did you find this?' | 0:58:26 | 0:58:29 | |
She was quite a sensation back then, wasn't she? | 0:58:29 | 0:58:33 | |
Gave Fanny Craddock a run for her money. I didn't understand her. | 0:58:33 | 0:58:38 | |
What was the name of her little boy? | 0:58:38 | 0:58:41 | |
Jimmy? | 0:58:41 | 0:58:44 | |
Does it say? | 0:58:44 | 0:58:46 | |
Oh, here it is. | 0:58:49 | 0:58:52 | |
Joey! | 0:58:52 | 0:58:55 | |
-What is it, child? -I've lost some money. -Money? | 1:00:27 | 1:00:30 | |
-It was in my bag. -What are you saying? -I had money hidden in my bag and it's been taken. | 1:00:30 | 1:00:37 | |
-Not in THIS house! -It's missing. | 1:00:37 | 1:00:39 | |
-Stolen? You're saying stolen! -No, no... Not at all. | 1:00:39 | 1:00:45 | |
Only I left the bag when I came in. | 1:00:45 | 1:00:48 | |
-We provide you with shelter and true belief and now there is accusation? -I didn't say it was stolen! | 1:00:48 | 1:00:55 | |
-I've no money now! -You're asking for money, child? | 1:00:55 | 1:01:00 | |
No. Sorry to wake you up. There's been a terrible confusion. | 1:01:00 | 1:01:04 | |
-The child has lost some money! -One of you might have seen it. Maybe it slipped out of my bag. | 1:01:04 | 1:01:11 | |
She says it has been stolen! | 1:01:11 | 1:01:14 | |
I'll do you a special price. | 1:01:31 | 1:01:33 | |
INAUDIBLE | 1:01:49 | 1:01:52 | |
Suit yourself. | 1:01:52 | 1:01:55 | |
Nowhere to settle, dear? | 1:02:02 | 1:02:05 | |
Come...keep me...company. | 1:02:09 | 1:02:13 | |
We meet again. | 1:02:41 | 1:02:44 | |
No luck with your searchings? | 1:02:44 | 1:02:46 | |
You're soaking wet. Come in, come in. | 1:02:46 | 1:02:50 | |
Give me your bag. Look at you. | 1:02:50 | 1:02:53 | |
Go through, it's warm in there. | 1:02:53 | 1:02:56 | |
-JAZZ BAND MUSIC PLAYS -Yesterday, | 1:02:56 | 1:02:59 | |
you said could you help me, and I was wondering... | 1:02:59 | 1:03:02 | |
I was wondering if you could lend me the fare to go home. | 1:03:05 | 1:03:09 | |
You want to go back? | 1:03:22 | 1:03:25 | |
It was a mistake coming here. I shouldn't ever have come over. | 1:03:26 | 1:03:31 | |
What about your friend, though? Sit down. | 1:03:36 | 1:03:39 | |
I'll never find him. | 1:03:39 | 1:03:42 | |
You can't give up, Felicia, not this easily. | 1:03:45 | 1:03:49 | |
If your friend knew all this, he'd be doing his nut with worry. | 1:03:49 | 1:03:54 | |
I've had experience of this. | 1:03:54 | 1:03:57 | |
If he knew what you'd been going through - looking for him in a country that's so strange to you - | 1:03:57 | 1:04:04 | |
poor fella'd be beside himself. | 1:04:04 | 1:04:07 | |
-I want to find Johnny. -Then that's what we'll do. | 1:04:07 | 1:04:11 | |
I'll ask the girl at the office to ring round, like I suggested. | 1:04:11 | 1:04:17 | |
You remember I suggested that, Felicia? Before you...? | 1:04:17 | 1:04:22 | |
I'm so sorry. I... | 1:04:22 | 1:04:25 | |
No, no. It's understandable, you scuttling off like that. | 1:04:25 | 1:04:30 | |
I passed that incident on to Ada. | 1:04:31 | 1:04:34 | |
When she had a bright moment... | 1:04:34 | 1:04:37 | |
..she said it was understandable. | 1:04:38 | 1:04:41 | |
Hmm... I only mention it, | 1:04:41 | 1:04:44 | |
cos I wouldn't like you to think there was any offence taken. | 1:04:44 | 1:04:49 | |
Is your wife getting better? | 1:04:49 | 1:04:52 | |
Ada died, dear. | 1:04:57 | 1:04:59 | |
God, I... I'm... I'm sorry. | 1:05:02 | 1:05:05 | |
This morning. | 1:05:05 | 1:05:08 | |
I've just got home. | 1:05:08 | 1:05:11 | |
As a matter of fact, we have to say it was a blessed release. | 1:05:15 | 1:05:21 | |
We have to use that expression, Felicia. | 1:05:21 | 1:05:24 | |
You need something to eat. Come to the kitchen. | 1:05:26 | 1:05:30 | |
There's a place I've heard of where the Irish boys meet up of an evening. | 1:05:34 | 1:05:41 | |
It's called the Barton Arms. Have you checked out the Barton Arms at all? | 1:05:41 | 1:05:48 | |
It's a pub. | 1:05:48 | 1:05:50 | |
I have high hopes of the Barton Arms. | 1:05:52 | 1:05:56 | |
I've a feeling in my bones. | 1:05:56 | 1:05:59 | |
Tell you the truth, it'd give me a lift to go out. | 1:06:28 | 1:06:33 | |
No go, dear? | 1:06:56 | 1:06:58 | |
No? | 1:06:58 | 1:07:00 | |
-They aren't even Irish. -Oh. Happen the Irish lads come in later. | 1:07:00 | 1:07:06 | |
We'll give it 20 minutes, eh? Come on, sit down. | 1:07:06 | 1:07:11 | |
Bear with me, Felicia, it's just occurred to me - | 1:07:13 | 1:07:17 | |
I know a bloke who employs Irish labour. He's a manager of a smelting works. I'll ring him. | 1:07:17 | 1:07:24 | |
I'll get us some drinks. Did you want a cup of tea? | 1:07:24 | 1:07:29 | |
As many flowers as are available. | 1:07:30 | 1:07:33 | |
As long as they can be delivered immediately. Tonight. | 1:07:33 | 1:07:38 | |
Right, yes. Well, I'll leave the selection up to you. Yes, it's a funeral. | 1:07:38 | 1:07:44 | |
No dice. | 1:07:50 | 1:07:53 | |
Out for the evening, seemingly. | 1:07:59 | 1:08:02 | |
We'll move on, shall we? | 1:08:06 | 1:08:09 | |
Oh, uh... we haven't had our drinks yet. | 1:08:19 | 1:08:22 | |
I hope it's not a presumption on my part, Felicia, | 1:08:42 | 1:08:46 | |
but have you considered your condition at all? | 1:08:46 | 1:08:51 | |
It's only, I'm thinking... Whatever the outcome of tracking Johnny down is, | 1:08:51 | 1:08:58 | |
you don't want to let yourself get caught. | 1:08:58 | 1:09:02 | |
"Don't let it go too far," was always Ada's advice, | 1:09:03 | 1:09:09 | |
-and my own as well. Enough to say you've lost it. -I don't want to do a thing like that. | 1:09:09 | 1:09:17 | |
Now, now...drink some of that tea while it's warm. | 1:09:17 | 1:09:22 | |
The goodness is in the warmth, they say. | 1:09:25 | 1:09:28 | |
I only mention it because... Ada mentioned it before she went. | 1:09:43 | 1:09:49 | |
But you're right. It's best left for now. | 1:09:49 | 1:09:53 | |
-I'll get the girl in my office to make enquiries first thing in the morning. -She won't find him. | 1:09:53 | 1:10:01 | |
If anyone can find your friend, that girl can. By tomorrow, | 1:10:01 | 1:10:06 | |
we'll have Master Johnny in our sights. | 1:10:06 | 1:10:10 | |
I'll come back in a few days. | 1:11:10 | 1:11:13 | |
A few days? | 1:11:13 | 1:11:15 | |
-What are you talking about? -I forgot about the funeral. | 1:11:15 | 1:11:20 | |
Listen, dear... | 1:11:23 | 1:11:26 | |
army life taught me something very important - | 1:11:26 | 1:11:30 | |
you carry on. | 1:11:30 | 1:11:32 | |
Chin up and march forward. | 1:11:34 | 1:11:37 | |
As far as Johnny's concerned, by tomorrow night, we'll know the score. | 1:11:40 | 1:11:46 | |
-I'll come back tomorrow night, then. -Any time after dark. | 1:11:46 | 1:11:51 | |
You'll find somewhere tonight, will you? | 1:11:51 | 1:11:55 | |
-I'll manage. -Are you OK in the toilet department before you set off? -Yes, all right, thanks. | 1:11:55 | 1:12:02 | |
You're welcome, of course, to lay your head down here. | 1:12:03 | 1:12:08 | |
-I'll get you a blanket, shall I? -Yes, please. | 1:12:10 | 1:12:14 | |
CLOCK CHIMES | 1:12:14 | 1:12:17 | |
My favourite thing was to run a bath, you know, like put bubble bath in it, scent. | 1:12:20 | 1:12:27 | |
Candles all around... | 1:12:27 | 1:12:30 | |
then walk around in her robe while it was running. | 1:12:30 | 1:12:35 | |
And then I'd just sink away. | 1:12:35 | 1:12:38 | |
And then, when I'd finished, if I had time, | 1:12:41 | 1:12:45 | |
I'd go into their room and I'd... dress up in her clothes. | 1:12:45 | 1:12:51 | |
pretend that I was needed... | 1:12:51 | 1:12:54 | |
..and wanted. | 1:12:56 | 1:12:58 | |
Not just for my body, but... | 1:12:58 | 1:13:01 | |
for me. | 1:13:01 | 1:13:03 | |
For who I was and what I could do. | 1:13:05 | 1:13:07 | |
That was MY little fantasy. | 1:13:08 | 1:13:11 | |
CHURCH BELLS RING | 1:14:00 | 1:14:03 | |
Morning! | 1:14:22 | 1:14:23 | |
Now, you will stay in the house, won't you, dear? | 1:14:27 | 1:14:31 | |
We don't want the neighbours to get ideas so soon after Ada. | 1:14:31 | 1:14:36 | |
You know, no answering the door, no...phone calls. | 1:14:36 | 1:14:41 | |
Hmm? | 1:14:41 | 1:14:43 | |
I'll be back around six. | 1:14:44 | 1:14:46 | |
-Bye. -I dreamt that you met Johnny. | 1:14:57 | 1:15:01 | |
-That you knew where he was. -With any luck, Felicia, that dream might come true. | 1:15:04 | 1:15:11 | |
Let's see what my girl turns up with, eh? | 1:15:11 | 1:15:15 | |
I'll pray for her. | 1:15:15 | 1:15:18 | |
Who? | 1:15:20 | 1:15:21 | |
Your wife. | 1:15:22 | 1:15:24 | |
Thank you, Felicia. | 1:15:27 | 1:15:29 | |
-Morning, Mr Hilditch! -Morning! -Better spot of weather, eh? | 1:15:35 | 1:15:39 | |
-Does your heart good. What's for lunch? -Rissoles in batter or pork. | 1:15:39 | 1:15:44 | |
-How was the cod yesterday? -Tiptop! -I'm glad to hear it. | 1:15:44 | 1:15:49 | |
-Morning, Iris! -Oh, good morning! | 1:15:49 | 1:15:51 | |
-Smells champion, that pork! -Mr Hilditch. -What is it? | 1:15:51 | 1:15:56 | |
-Double sausage roll! -Oh. -Won't you try it? | 1:15:56 | 1:16:00 | |
Oh...er...yes. | 1:16:01 | 1:16:03 | |
That's a beautiful tie you're wearing. I've not seen you in black. | 1:16:03 | 1:16:09 | |
Did you not l... ? | 1:16:11 | 1:16:14 | |
Morning! | 1:16:14 | 1:16:15 | |
Morning! | 1:16:16 | 1:16:18 | |
Hello! | 1:16:18 | 1:16:19 | |
PHONE RINGS | 1:16:22 | 1:16:25 | |
'I had an abortion six weeks ago. I had to get rid of it, and it had to be quick. | 1:16:31 | 1:16:38 | |
'I couldn't breathe, because every day it was growing inside me. | 1:16:38 | 1:16:43 | |
'It was becoming...a person, and I just...' | 1:16:43 | 1:16:46 | |
It made me feel ill. I didn't want it. It reminded me of what I did. | 1:16:46 | 1:16:51 | |
What I DO. | 1:16:51 | 1:16:53 | |
And so I had to go private. | 1:16:53 | 1:16:56 | |
'I looked in the phone book, I found a clinic. Nice place. | 1:16:56 | 1:17:00 | |
'The Gishford in Sheffield. The staff were really nice, friendly...' | 1:17:00 | 1:17:05 | |
An immediate would be wonderful! | 1:17:05 | 1:17:08 | |
Yes! | 1:17:08 | 1:17:09 | |
Right, thank you. | 1:17:09 | 1:17:12 | |
Thank you for fitting her in. | 1:17:12 | 1:17:14 | |
Thank you! | 1:17:14 | 1:17:16 | |
B-Bye. | 1:17:16 | 1:17:18 | |
'Johnny's different. | 1:17:47 | 1:17:49 | |
'He'd want our baby.' | 1:17:49 | 1:17:52 | |
You came here to ascertain that? To make sure? Is that right, Felicia? | 1:17:52 | 1:17:57 | |
But you never got an answer. | 1:18:01 | 1:18:04 | |
We have to look at it like that. | 1:18:04 | 1:18:06 | |
If the girl in the office had struck lucky today, it would have been a different kettle of fish. | 1:18:06 | 1:18:13 | |
I'm not saying it wouldn't, but she didn't. | 1:18:13 | 1:18:17 | |
And I'm definitely of one mind with you now. | 1:18:17 | 1:18:21 | |
We won't find Johnny. | 1:18:23 | 1:18:25 | |
Johnny'll be over on St Patrick's Day. Or Easter. | 1:18:28 | 1:18:33 | |
I was thinking about it the entire day. It'll be all right when I'm there, and we're together again. | 1:18:33 | 1:18:41 | |
Well, there's no doubt that Johnny loves you, dear. | 1:18:41 | 1:18:45 | |
No, the point I'm trying to make to you is... | 1:18:46 | 1:18:51 | |
..the situation, like, you and Johnny are in... | 1:18:53 | 1:18:58 | |
..could all too easily be affected by misfortune. | 1:19:00 | 1:19:04 | |
Ada said that, Felicia. | 1:19:07 | 1:19:10 | |
Ada had a considerable insight into matters of the heart. | 1:19:10 | 1:19:15 | |
The thing is, Felicia, you're over here now. | 1:19:23 | 1:19:27 | |
This isn't Ireland. | 1:19:27 | 1:19:30 | |
And we have certain facilities available. | 1:19:30 | 1:19:34 | |
What I'm saying to you is what I'd say to any daughter Ada and myself might have had. | 1:19:34 | 1:19:42 | |
I'm giving you the benefit of long experience. There isn't a doubt in my mind, Felicia. | 1:19:42 | 1:19:50 | |
I've thought of nothing else since I rested poor Ada in the ground. | 1:19:50 | 1:19:55 | |
There's some would call it murder. | 1:19:59 | 1:20:01 | |
Murder? | 1:20:08 | 1:20:10 | |
We're not in this world to cause pain, dear. | 1:20:13 | 1:20:17 | |
Of course, you have to think of yourself on occasion. | 1:20:18 | 1:20:22 | |
I'm not saying you don't. | 1:20:23 | 1:20:26 | |
But there are other people, too. | 1:20:27 | 1:20:30 | |
Which is something you're daily more aware of as you grow older. | 1:20:30 | 1:20:35 | |
What are you talking about? | 1:20:35 | 1:20:38 | |
No-one's denying you've been through it, but so has your dad. | 1:20:38 | 1:20:43 | |
And your great-gran. | 1:20:43 | 1:20:45 | |
Imagine them trying to hold their heads up. | 1:20:47 | 1:20:51 | |
There's that to think about, too. | 1:20:52 | 1:20:54 | |
We all...have to do terrible things, Felicia. | 1:20:57 | 1:21:02 | |
We have to find the courage sometimes. | 1:21:03 | 1:21:06 | |
Now, you're a young girl! | 1:21:07 | 1:21:10 | |
When you find Johnny again, | 1:21:11 | 1:21:14 | |
you can both...make the choice... to have a child. | 1:21:14 | 1:21:20 | |
But the circumstances... have to be right. | 1:21:24 | 1:21:28 | |
The child... | 1:21:29 | 1:21:32 | |
needs to be surrounded by all the love it can. | 1:21:32 | 1:21:36 | |
The love of the mother, | 1:21:38 | 1:21:41 | |
well, of course he'll have that, | 1:21:41 | 1:21:44 | |
but the love of the father... | 1:21:44 | 1:21:47 | |
and the grandfather... | 1:21:47 | 1:21:50 | |
and the great-great-grandmother. | 1:21:50 | 1:21:53 | |
Why deprive this baby of that? | 1:21:55 | 1:21:58 | |
I've, um...I've put by a little that I'd gladly donate | 1:22:02 | 1:22:06 | |
in order to do the decent thing by your family. | 1:22:06 | 1:22:11 | |
Anything you lend me, I'll send back. | 1:22:13 | 1:22:16 | |
Every penny. | 1:22:16 | 1:22:19 | |
I've no doubt, Felicia. | 1:22:19 | 1:22:21 | |
They can do an immediate at the Gishford. | 1:22:23 | 1:22:26 | |
A what? | 1:22:27 | 1:22:29 | |
It's a clinic. | 1:22:31 | 1:22:33 | |
They can do it at once. I asked the girl to put a call in to them. | 1:22:33 | 1:22:38 | |
You could be back across the water by Monday! | 1:22:39 | 1:22:43 | |
Back a free spirit, Felicia! | 1:22:43 | 1:22:46 | |
With the whole thing lifted from you. | 1:22:46 | 1:22:51 | |
It's what's right, Felicia, believe me. It's what's meant. | 1:22:53 | 1:22:57 | |
WOMAN SINGS IN IRISH | 1:23:03 | 1:23:06 | |
Come on, then, put your coat on. | 1:24:33 | 1:24:36 | |
Yeah, that's it. | 1:24:36 | 1:24:39 | |
Come on, let's get you home. | 1:24:39 | 1:24:41 | |
-Thank you. We're very much obliged. -See she keeps warm. -We've a journey, then I'll tuck her up. | 1:24:44 | 1:24:51 | |
Oh, just a minute. | 1:24:52 | 1:24:54 | |
-The doctor said she wasn't sleeping too well. -Oh! | 1:24:55 | 1:25:00 | |
Thank you. | 1:25:00 | 1:25:02 | |
Come on, dear. | 1:25:09 | 1:25:11 | |
Come on, take it easy. We'll have you home. | 1:25:11 | 1:25:15 | |
Come on. | 1:25:15 | 1:25:17 | |
I'll go in the morning. | 1:27:18 | 1:27:21 | |
Yes. | 1:27:21 | 1:27:23 | |
£42. | 1:27:24 | 1:27:26 | |
If I could borrow that? | 1:27:26 | 1:27:28 | |
I doubt if that's sufficient, dear. | 1:27:29 | 1:27:32 | |
If one has a mishap, it's terrible to be short. Well, you've had experience yourself, of course. | 1:27:32 | 1:27:39 | |
I'll send every penny back. | 1:27:40 | 1:27:43 | |
And every penny it cost today. | 1:27:44 | 1:27:47 | |
Today was my treat, dear. | 1:27:47 | 1:27:49 | |
I was happy about today. | 1:27:49 | 1:27:52 | |
Ada would have liked today. | 1:27:52 | 1:27:55 | |
But you're in no state to travel, of course. | 1:27:58 | 1:28:01 | |
I have to go. | 1:28:01 | 1:28:04 | |
You weren't at all well in the car, dear. | 1:28:05 | 1:28:08 | |
You certainly can't set off on a journey in this condition. | 1:28:08 | 1:28:13 | |
I shouldn't have done it. | 1:28:16 | 1:28:19 | |
What's done is done, dear. No-one ever grew rich on regrets. | 1:28:19 | 1:28:24 | |
What about the bright side, eh? | 1:28:25 | 1:28:28 | |
For as long as you want it, there's a welcome at number three. | 1:28:31 | 1:28:36 | |
You have your own little room now. | 1:28:36 | 1:28:39 | |
The sensible thing would be if we took it day by day. | 1:28:40 | 1:28:44 | |
I had dreams... | 1:28:44 | 1:28:46 | |
..the whole time it was happening, | 1:28:49 | 1:28:52 | |
I had dreams. | 1:28:52 | 1:28:54 | |
I dreamt that I saw him. | 1:28:57 | 1:28:59 | |
Johnny and me, | 1:28:59 | 1:29:01 | |
walking with our little boy. | 1:29:01 | 1:29:04 | |
A boy, was it? | 1:29:04 | 1:29:07 | |
I often remember being a boy. | 1:29:12 | 1:29:15 | |
Drink up your cocoa, dear. | 1:29:17 | 1:29:20 | |
I'm sorry if I'm fatherly, Felicia. | 1:29:22 | 1:29:25 | |
I can't help being fatherly. | 1:29:26 | 1:29:28 | |
I've grown fond of you. | 1:29:29 | 1:29:32 | |
The first time I saw you... you were there...with your bag, | 1:29:33 | 1:29:39 | |
woebegone and bedraggled. | 1:29:39 | 1:29:42 | |
You were different from the rest. | 1:29:43 | 1:29:46 | |
What rest? | 1:29:46 | 1:29:48 | |
The others. | 1:29:51 | 1:29:53 | |
Beth... | 1:29:55 | 1:29:57 | |
..Elsie... | 1:29:58 | 1:29:59 | |
..Sharon... | 1:30:02 | 1:30:03 | |
Gaye... | 1:30:03 | 1:30:05 | |
..Bobby... | 1:30:07 | 1:30:08 | |
..Jackie... | 1:30:09 | 1:30:11 | |
Samantha. | 1:30:11 | 1:30:13 | |
All on their own journeys. | 1:30:16 | 1:30:18 | |
Lost girls. | 1:30:18 | 1:30:21 | |
I was the world to them. | 1:30:23 | 1:30:26 | |
In their time of need, they counted on me. | 1:30:28 | 1:30:32 | |
But then they wanted to go. | 1:30:35 | 1:30:37 | |
Just like you. | 1:30:38 | 1:30:40 | |
But none of them... ever came into this house. | 1:30:40 | 1:30:45 | |
There was never that. | 1:30:45 | 1:30:47 | |
Then...what was there? | 1:30:47 | 1:30:50 | |
Oh. | 1:30:51 | 1:30:52 | |
A chat in the car. | 1:30:56 | 1:30:59 | |
I like the chats. | 1:30:59 | 1:31:01 | |
Then sleep. | 1:31:03 | 1:31:05 | |
They were always asleep when it happened, Felicia. | 1:31:05 | 1:31:09 | |
When I laid them to rest. | 1:31:09 | 1:31:12 | |
(No!) | 1:31:13 | 1:31:14 | |
Ssh! | 1:31:14 | 1:31:16 | |
Ssh. | 1:31:16 | 1:31:18 | |
I couldn't lay you to rest, dear. | 1:31:21 | 1:31:23 | |
Not until you'd taken care of your little one. | 1:31:24 | 1:31:29 | |
I couldn't do that myself, Felicia. | 1:31:29 | 1:31:31 | |
# You are | 1:31:39 | 1:31:41 | |
# My special angel | 1:31:41 | 1:31:43 | |
# Sent from up above | 1:31:46 | 1:31:48 | |
# My fate...smiled down on me | 1:31:49 | 1:31:53 | |
# And sent an angel to love | 1:31:55 | 1:31:58 | |
# You are...my special angel | 1:32:00 | 1:32:04 | |
# Right from paradise | 1:32:06 | 1:32:09 | |
# I know...that you're an angel | 1:32:11 | 1:32:16 | |
# Heaven is in your eyes... # | 1:32:17 | 1:32:21 | |
KNOCKING | 1:33:09 | 1:33:12 | |
Good afternoon, sir! Thank you for welcoming us. | 1:33:16 | 1:33:21 | |
Today, we bring you the word of our Father Lord. | 1:33:21 | 1:33:25 | |
I myself am from Jamaica, and this is Miss Marcia Tibbits. | 1:33:25 | 1:33:30 | |
May I enquire, sir, if you are familiar with the Bible? | 1:33:30 | 1:33:35 | |
I'm afraid I'm not interested. | 1:33:35 | 1:33:37 | |
If we could step inside, my friend would offer you her own experiences, how SHE was gathered in. | 1:33:37 | 1:33:44 | |
Ten minutes is not much sacrifice. Father Lord gives us time eternal! | 1:33:45 | 1:33:51 | |
We live in a miracle, sir! There is a future for the one who dies. | 1:33:51 | 1:33:57 | |
Look here at this garden, sir. You see the fruits of the trees | 1:33:58 | 1:34:03 | |
and the people of all nations, huh? | 1:34:03 | 1:34:06 | |
Look! No iron bars are needed, sir. | 1:34:06 | 1:34:09 | |
For all the animals are at peace with the happy people. | 1:34:09 | 1:34:15 | |
Look at these bright birds as they flit here and there. | 1:34:16 | 1:34:20 | |
Imagine their beautiful song and the children's laughter, | 1:34:20 | 1:34:25 | |
filling the air! | 1:34:25 | 1:34:27 | |
Look, sir, as the Father Lord is gathering all things in. | 1:34:27 | 1:34:33 | |
Now, look here, I'm busy. I have things to do. | 1:34:36 | 1:34:40 | |
An Irish girl mentioned you, sir. | 1:34:42 | 1:34:45 | |
I remember that now as we stand here. A good man, the girl said. A helpmeet to her. | 1:34:46 | 1:34:53 | |
Duke of Wellington Road, she said. | 1:34:55 | 1:34:58 | |
Big and big-hearted was maybe the description. | 1:34:58 | 1:35:02 | |
She said you seemed...troubled. | 1:35:04 | 1:35:07 | |
Troubled? | 1:35:07 | 1:35:09 | |
I know no Irish people at all. | 1:35:10 | 1:35:13 | |
The girl make a song and dance that she was stolen from. | 1:35:13 | 1:35:17 | |
Nothing better than a common thief. | 1:35:18 | 1:35:21 | |
Soon, the folk will come from all over for our prayer jubilee. | 1:35:25 | 1:35:31 | |
May I ask you, sir, if you have rooms going spare in your house? | 1:35:31 | 1:35:35 | |
Rooms? | 1:35:35 | 1:35:37 | |
What are you talking about?! | 1:35:37 | 1:35:40 | |
Sir, the folk come to rejoice! | 1:35:40 | 1:35:42 | |
For the future is written in the writing of certainty. There will be fruit for all, heavy on the trees. | 1:35:42 | 1:35:49 | |
And the green hills stretch to the horizon, and the corn is lifted from the land! | 1:35:49 | 1:35:55 | |
See the foxes, sir, tamed in their holes. | 1:35:55 | 1:35:59 | |
And the geese, happy in the farmyard barn. | 1:35:59 | 1:36:02 | |
Hear the cries of the children, the voices raised in song for the Lord! | 1:36:02 | 1:36:08 | |
That is the promise, sir! That is the future for the one who dies! | 1:36:08 | 1:36:13 | |
None of us can flee the one who dies, | 1:36:13 | 1:36:16 | |
for the one who dies awaits us for when we, too, have been cleansed | 1:36:16 | 1:36:22 | |
and are ready for the paradise Earth. | 1:36:22 | 1:36:25 | |
There IS a solace for the troubled, sir. | 1:36:26 | 1:36:31 | |
What's SHE doing? What's she writing down? This IS a private house! | 1:36:31 | 1:36:37 | |
What is written, is the address - | 1:36:37 | 1:36:40 | |
3, Duke of Wellington, and the number of folk you have room for, when the jubilee is at hand. | 1:36:40 | 1:36:47 | |
Sir, with the folk around you, you will soon discover a heart of peace. | 1:36:47 | 1:36:52 | |
We understand your trouble, sir. | 1:36:52 | 1:36:55 | |
We have put two and two together. | 1:36:55 | 1:36:58 | |
-What two and two? -The Irish girl that came to our people after you. | 1:36:58 | 1:37:03 | |
You helped that girl on her way! You did not pass by on the other side. | 1:37:03 | 1:37:09 | |
Sir, you are at one with our church! | 1:37:09 | 1:37:13 | |
I'm sorry. I must get on. This is not my kind of thing. | 1:37:14 | 1:37:18 | |
The girl was chattering. It came out like that. A confidence trickster... | 1:37:18 | 1:37:24 | |
She... She asked me the way. | 1:37:24 | 1:37:27 | |
WE would have shown her the way, sir! As we can show YOU right now! | 1:37:27 | 1:37:32 | |
-Oh, Lord, we give thee thanks! -Parthians and Medes and Elamites | 1:37:32 | 1:37:39 | |
and the dwellers of Mesopotamia and in Judaea! | 1:37:39 | 1:37:43 | |
-We hear them, some from their gardens, some from the desert! Oh! -Oh, Lord! | 1:37:43 | 1:37:50 | |
Father Lord! | 1:37:50 | 1:37:52 | |
Get up from the ground! For God's sake, get up! | 1:37:52 | 1:37:55 | |
Put that girl our of your mind, sir! The pain will wash away. | 1:37:55 | 1:38:00 | |
I'm not IN pain! I don't know what you mean by pain! | 1:38:00 | 1:38:04 | |
-The healing will commence! -I am a catering manager. | 1:38:04 | 1:38:10 | |
I have lived in this house all my days. | 1:38:10 | 1:38:14 | |
I'm a respectable man! Hilditch, I am called. | 1:38:16 | 1:38:20 | |
We have come to gather you, | 1:38:20 | 1:38:23 | |
as we come every day to the houses of the other folk. | 1:38:23 | 1:38:27 | |
Mr Hilditch? | 1:38:28 | 1:38:31 | |
We are concerned for you. | 1:38:32 | 1:38:34 | |
Why not kneel down with us, sir? | 1:38:34 | 1:38:37 | |
Why not permit us to ask for guidance? | 1:38:37 | 1:38:41 | |
We mentioned the girl to you only to compliment you on your charity! | 1:38:41 | 1:38:46 | |
You are not yourself, sir. | 1:38:46 | 1:38:48 | |
I have seen that and have said it. | 1:38:48 | 1:38:52 | |
I took that girl's money... | 1:38:56 | 1:38:59 | |
..to keep her by me. | 1:39:00 | 1:39:02 | |
-I -am the thief. | 1:39:07 | 1:39:09 | |
No. | 1:39:13 | 1:39:15 | |
No, no. | 1:39:17 | 1:39:19 | |
I am lonely...sometimes... in my house. | 1:39:32 | 1:39:38 | |
Often... | 1:39:52 | 1:39:54 | |
..I am lonely! | 1:39:55 | 1:39:57 | |
You talked about me... | 1:40:45 | 1:40:47 | |
to others. | 1:40:47 | 1:40:49 | |
You told them...I was troubled. | 1:40:52 | 1:40:56 | |
You said this to complete strangers! | 1:41:00 | 1:41:04 | |
I'm sorry if I upset you. I didn't mean to upset you. | 1:41:06 | 1:41:10 | |
No-one's blaming YOU, dear. | 1:41:14 | 1:41:16 | |
Things...happen. | 1:41:19 | 1:41:22 | |
Things...take a turn. | 1:41:24 | 1:41:27 | |
We live in a miracle! | 1:41:36 | 1:41:38 | |
That's the promise. | 1:41:41 | 1:41:43 | |
That's the future. | 1:41:44 | 1:41:47 | |
TURNS KEY | 1:41:53 | 1:41:56 | |
The pain... | 1:41:58 | 1:42:00 | |
..will wash away. | 1:42:02 | 1:42:04 | |
The healing... | 1:42:12 | 1:42:14 | |
..will commence. | 1:42:15 | 1:42:17 | |
# What a wonderful world we would live in | 1:43:07 | 1:43:12 | |
# With hatred and love reconciled | 1:43:12 | 1:43:18 | |
# If we only showed each other | 1:43:18 | 1:43:24 | |
# The faith and the heart of a child | 1:43:24 | 1:43:30 | |
# What a wonderful world we could make it | 1:43:30 | 1:43:35 | |
# What a wonderful place it would be | 1:43:35 | 1:43:41 | |
# If we had the faith of a child to act | 1:43:41 | 1:43:47 | |
# And the eyes of a child to see | 1:43:47 | 1:43:53 | |
# Then trust would replace suspicion | 1:43:53 | 1:43:59 | |
# And hope would replace despair | 1:43:59 | 1:44:05 | |
# Our tears would turn to laughter | 1:44:05 | 1:44:10 | |
# And wishing would turn to prayer | 1:44:10 | 1:44:16 | |
# What a wonderful world We would live in | 1:44:16 | 1:44:22 | |
# With hatred and love reconciled | 1:44:22 | 1:44:28 | |
# If you and I had the simple faith | 1:44:28 | 1:44:35 | |
# Found in the heart of a chi-i-ild. # | 1:44:35 | 1:44:47 | |
RECORD CRACKLES | 1:44:47 | 1:44:50 | |
Your grandchild wasn't born, Mrs Lysaght. | 1:45:01 | 1:45:04 | |
Did you tell Johnny? | 1:45:05 | 1:45:07 | |
Did you give him any of these letters? | 1:45:09 | 1:45:13 | |
Wherever Johnny is, I want him to know that I'm all right. | 1:45:15 | 1:45:19 | |
The pain...CAN wash away. | 1:45:23 | 1:45:26 | |
Healing can commence. | 1:45:29 | 1:45:32 | |
Lost within a man who murdered... | 1:45:42 | 1:45:45 | |
..there was a soul like any other. | 1:45:46 | 1:45:49 | |
Purity itself, it surely once had been. | 1:45:56 | 1:45:59 | |
I remember the names of the ones he took away. | 1:46:01 | 1:46:05 | |
Elsie... | 1:46:06 | 1:46:08 | |
..Beth... | 1:46:09 | 1:46:11 | |
..Sharon... | 1:46:12 | 1:46:13 | |
..Jackie... | 1:46:14 | 1:46:16 | |
..Gaye... | 1:46:17 | 1:46:19 | |
..Bobby... | 1:46:20 | 1:46:21 | |
..Samantha. | 1:46:23 | 1:46:24 | |
I remember these names with every new face that I meet. | 1:46:26 | 1:46:30 | |
May we all...rest in peace. | 1:46:33 | 1:46:36 | |
Subtitles by Subtitling Unit BBC Broadcast 2003 | 1:48:58 | 1:49:02 | |
E-mail us at [email protected] | 1:49:02 | 1:49:05 |