Browse content similar to Finding Neverland. Check below for episodes and series from the same categories and more!
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-Lights up! -Beginners, please! | 0:00:16 | 0:00:18 | |
-Your five-minute call, sir. -Places! | 0:00:18 | 0:00:20 | |
Places! Everyone to their places! | 0:00:20 | 0:00:22 | |
Shh! Quiet, everybody. | 0:00:22 | 0:00:23 | |
Opening nights? | 0:00:23 | 0:00:25 | |
I love opening nights! | 0:00:25 | 0:00:27 | |
How are you? Good to see you. | 0:00:27 | 0:00:28 | |
-Good evening, Charles. -Sir Herbert. How are you? | 0:00:28 | 0:00:30 | |
-This is my wife. -Oh, Lady Herbert! | 0:00:30 | 0:00:32 | |
-How do you do? -May I give you a peck? | 0:00:32 | 0:00:34 | |
One of Mr Barrie's finest? | 0:00:34 | 0:00:35 | |
Oh, that genius Scotsman has done it again. | 0:00:35 | 0:00:37 | |
It's the best thing I've produced in 25 years. | 0:00:37 | 0:00:39 | |
Really? | 0:00:39 | 0:00:40 | |
I already have investors interested back in New York. | 0:00:40 | 0:00:42 | |
-See you on Broadway! -LAUGHTER | 0:00:42 | 0:00:45 | |
First positions, people! | 0:00:59 | 0:01:01 | |
Standing by, please, ladies and gentlemen. | 0:01:03 | 0:01:06 | |
If you could take your opening positions, please. | 0:01:06 | 0:01:08 | |
Beginners, please take your opening positions. | 0:01:12 | 0:01:15 | |
Audience are coming in. | 0:01:16 | 0:01:18 | |
Standing by. | 0:01:18 | 0:01:19 | |
-Good audience. -Sorry? | 0:01:22 | 0:01:23 | |
Good audience tonight. | 0:01:23 | 0:01:25 | |
That's great. Thank you. How much longer? | 0:01:25 | 0:01:27 | |
Um...ten minutes, sir. | 0:01:27 | 0:01:29 | |
I love opening night! | 0:01:32 | 0:01:34 | |
I want to dance with your wife at the after-party. | 0:01:34 | 0:01:37 | |
-Oh, my goodness! -Good evening, Mr Frohman. | 0:01:37 | 0:01:39 | |
-How are you, John? -Very well. | 0:01:39 | 0:01:40 | |
It's the best thing that I've produced in 25 years. | 0:01:40 | 0:01:43 | |
-Hello, George. How are you? -Healthy and wealthy, I see. | 0:01:43 | 0:01:45 | |
You've rearranged a holiday for me. I won't forget it. | 0:01:45 | 0:01:47 | |
-For you, Charles... -You won't regret it. | 0:01:47 | 0:01:48 | |
I'm sure. | 0:01:48 | 0:01:49 | |
-Have you got the tickets? -Yes. They're in my pocket. | 0:01:49 | 0:01:52 | |
Oh, there's Mrs Barrie. | 0:01:52 | 0:01:54 | |
Oh, Mr and Mrs Snow. | 0:01:54 | 0:01:56 | |
We were so hoping to speak with your husband before the show. | 0:01:56 | 0:02:00 | |
Have you seen him? | 0:02:00 | 0:02:02 | |
-I'm not sure where he is, actually. -Oh! | 0:02:02 | 0:02:04 | |
We do miss seeing YOU onstage. | 0:02:22 | 0:02:24 | |
-You were so wonderful! -Yes? | 0:02:24 | 0:02:26 | |
Well, it's been some time now. | 0:02:26 | 0:02:28 | |
Are you right to find your seat? | 0:02:28 | 0:02:30 | |
Oh, yes. Yes. | 0:02:30 | 0:02:32 | |
See you at the party, then. | 0:02:32 | 0:02:34 | |
Excuse me, could you find Mr Barrie | 0:02:36 | 0:02:37 | |
and remind him that they're doing his play this evening? | 0:02:37 | 0:02:40 | |
-Yes, ma'am. -Thank you. | 0:02:40 | 0:02:42 | |
Let's close the doors. | 0:03:02 | 0:03:04 | |
KNOCKING | 0:03:19 | 0:03:21 | |
KNOCKING GETS LOUDER | 0:03:23 | 0:03:24 | |
APPLAUSE | 0:03:35 | 0:03:38 | |
Really, I mustn't inconvenience you in this way. | 0:03:44 | 0:03:47 | |
-I can wait quite well in the shop. -'Tis no inconvenience. | 0:03:47 | 0:03:49 | |
The shop is chilly, and there is a fire here. | 0:03:49 | 0:03:52 | |
Well, you're uncommonly good. | 0:03:52 | 0:03:54 | |
Sorry, sir. | 0:03:54 | 0:03:56 | |
Um, Mrs Barrie wanted me to remind you that the play's begun, | 0:03:56 | 0:03:59 | |
though I imagine you know that. | 0:03:59 | 0:04:01 | |
-They hate it. -Sir? | 0:04:01 | 0:04:04 | |
It's like a dentist's office out there. Why? | 0:04:04 | 0:04:06 | |
-I wouldn't say they hate it, sir. -What do you think? Do you like it? | 0:04:06 | 0:04:09 | |
-I've just been hired here, sir. -Yes or no? I'm not bothered. | 0:04:11 | 0:04:14 | |
I'm not really qualified to, er... | 0:04:14 | 0:04:16 | |
Do you like it? Is it crap? | 0:04:16 | 0:04:18 | |
-Crap, sir? -Go on, say it. Just say it. | 0:04:18 | 0:04:20 | |
It's shite, isn't it? Go on. Say it. | 0:04:20 | 0:04:22 | |
-Don't know if I'm... -"It's bull's pizzle, Mr Barrie." | 0:04:22 | 0:04:25 | |
-Go on, say it. -It's bull's pizzle, Mr Barrie. | 0:04:25 | 0:04:27 | |
-I knew it. -No, I haven't even seen it. | 0:04:27 | 0:04:29 | |
I knew it. Thank you. Thank you very much. | 0:04:29 | 0:04:31 | |
Might I look at you, milord, for a moment? | 0:04:35 | 0:04:39 | |
(Dreadful.) | 0:04:39 | 0:04:40 | |
-I'm an old man. -MAN SNORES | 0:04:43 | 0:04:44 | |
And I've seen few other sights. | 0:04:44 | 0:04:46 | |
THUNDER RUMBLES | 0:04:46 | 0:04:49 | |
Thank you, milord. | 0:04:49 | 0:04:50 | |
Absolute rubbish from start to finish. | 0:05:03 | 0:05:05 | |
-Yes, I found it fearfully dull. -Say goodbye to your investment. | 0:05:05 | 0:05:08 | |
Good to see you. My apologies. | 0:05:08 | 0:05:11 | |
We'll get them with the next one, Charles. I promise. | 0:05:11 | 0:05:13 | |
-Of course we will, James. -I know you put a lot into this one. | 0:05:13 | 0:05:16 | |
A fortune, James, but I am fortunate | 0:05:16 | 0:05:18 | |
because I can afford to lose a fortune. | 0:05:18 | 0:05:20 | |
-Can you? -No, I can't. How are you? | 0:05:20 | 0:05:22 | |
-Arthur. -James. | 0:05:22 | 0:05:24 | |
You were sorely missed at the last club meeting. | 0:05:24 | 0:05:26 | |
Was I? | 0:05:26 | 0:05:27 | |
We were beginning to wonder which is your hobby, writing or cricket. | 0:05:27 | 0:05:31 | |
You wanted to speak with Mr Barrie, didn't you? | 0:05:31 | 0:05:33 | |
Oh, yes, but we shouldn't interrupt them, should we? | 0:05:33 | 0:05:36 | |
I don't see why not. | 0:05:36 | 0:05:38 | |
If you ask me, the problem lies in our batting order. | 0:05:38 | 0:05:40 | |
You're absolutely right. | 0:05:40 | 0:05:42 | |
-James? -Hello, darling. | 0:05:42 | 0:05:43 | |
You remember Mr and Mrs Snow, don't you? | 0:05:43 | 0:05:46 | |
-Mrs Snow. -Mr Barrie. | 0:05:46 | 0:05:47 | |
Mr Snow. | 0:05:47 | 0:05:48 | |
So the Snows have been waiting to meet with you all evening. | 0:05:48 | 0:05:51 | |
-Oh, yes. -Is that right? | 0:05:51 | 0:05:53 | |
Your play this evening - it was remarkable, wasn't it? | 0:05:53 | 0:05:58 | |
Was it? | 0:06:00 | 0:06:01 | |
Well, thank you. | 0:06:01 | 0:06:03 | |
That's very kind of you. I'm...I'm glad you liked it. | 0:06:03 | 0:06:06 | |
How did you feel it went? | 0:06:08 | 0:06:11 | |
-I think I can do better. -Really? | 0:06:12 | 0:06:14 | |
BELL RINGS | 0:06:17 | 0:06:20 | |
Mary? Hello? | 0:06:28 | 0:06:31 | |
Yes, James? | 0:06:31 | 0:06:32 | |
I'm headed off for the park, if you'd like to join me. | 0:06:32 | 0:06:35 | |
It's a beautiful morning. | 0:06:35 | 0:06:37 | |
You'll be working, won't you? | 0:06:37 | 0:06:39 | |
Perhaps. Yes. | 0:06:41 | 0:06:42 | |
I'll let you to your work, then. | 0:06:42 | 0:06:45 | |
-Morning, Mr Barrie. -Morning, Emma. | 0:06:52 | 0:06:55 | |
-Have a good day, sir. -And you. | 0:06:59 | 0:07:01 | |
DOG BARKS | 0:07:01 | 0:07:02 | |
That's it! Go on, boy! | 0:07:02 | 0:07:04 | |
Go get it, boy. | 0:07:04 | 0:07:06 | |
That's right. Good boy! | 0:07:06 | 0:07:08 | |
Grab it! Good. | 0:07:08 | 0:07:10 | |
Who do you belong to? | 0:07:37 | 0:07:40 | |
Come on, boy. Come on! Come on, fetch! | 0:07:40 | 0:07:43 | |
Excuse me, sir. You're standing on my sleeve. | 0:07:44 | 0:07:49 | |
Am I? So sorry. | 0:07:49 | 0:07:51 | |
I might point out you're lying under my bench. | 0:07:53 | 0:07:55 | |
I have to, I'm afraid. | 0:07:55 | 0:07:57 | |
I've been put in the dungeon by the evil Prince George. | 0:07:57 | 0:08:01 | |
I'm sorry if it bothers you. | 0:08:01 | 0:08:03 | |
Well, if you're trapped in the dungeon, | 0:08:03 | 0:08:05 | |
there isn't much to be done, now, is there? | 0:08:05 | 0:08:07 | |
Perhaps I could slide a key to you through the bars. | 0:08:07 | 0:08:10 | |
I wouldn't risk it, sir. | 0:08:10 | 0:08:12 | |
The evil Prince George has tortured many men. | 0:08:12 | 0:08:16 | |
I'm sorry. Is he bothering you, sir? | 0:08:16 | 0:08:17 | |
My brother can be an extremely irritating sort of person. | 0:08:17 | 0:08:20 | |
Aha, Prince George, I gather. | 0:08:21 | 0:08:23 | |
I understand you are the horrible tyrant | 0:08:23 | 0:08:26 | |
who imprisoned this unfortunate wretch. | 0:08:26 | 0:08:28 | |
Not horrible really, but a firm ruler, yes. | 0:08:28 | 0:08:30 | |
Kind and tolerant. | 0:08:30 | 0:08:32 | |
And what, precisely, has, er... What did you say your name was? | 0:08:32 | 0:08:35 | |
-Michael. -What, precisely, is Michael's crime? | 0:08:35 | 0:08:38 | |
He's my younger brother. | 0:08:38 | 0:08:39 | |
Ah! Fair enough. | 0:08:39 | 0:08:42 | |
-Sorry, lad. Cannot free you. -That's all right. | 0:08:42 | 0:08:45 | |
Um, do you mind us playing with your dog? | 0:08:45 | 0:08:47 | |
-No, go on. -This is Jack. | 0:08:47 | 0:08:48 | |
Second in line to the throne. And that one's Michael. | 0:08:48 | 0:08:51 | |
-He's only five. -And I'm in prison for it. | 0:08:51 | 0:08:54 | |
I'm so sorry. Are my boys bothering you? | 0:08:55 | 0:08:57 | |
-No. -We're not bothering him, Mum. | 0:08:57 | 0:08:59 | |
Michael, darling, come out from under there. | 0:08:59 | 0:09:01 | |
I can't. I'm in prison. | 0:09:01 | 0:09:03 | |
Oh, I see. | 0:09:03 | 0:09:05 | |
JM Barrie. Pleased to meet you. | 0:09:05 | 0:09:08 | |
JM Barrie the author? What a pleasure. | 0:09:08 | 0:09:10 | |
Sylvia Llewelyn Davies. | 0:09:10 | 0:09:11 | |
-Are you a writer? -I am. | 0:09:11 | 0:09:13 | |
He's a playwright, Jack. Quite a famous one at that. | 0:09:13 | 0:09:16 | |
I apologise. I imagine you're writing. | 0:09:16 | 0:09:17 | |
-No, not at all. -Where's Peter? | 0:09:17 | 0:09:20 | |
What have you written, Mr Barrie? | 0:09:20 | 0:09:21 | |
Well, currently, I make my living entertaining princes and their courts | 0:09:21 | 0:09:27 | |
with my trained bear, Porthos. | 0:09:27 | 0:09:30 | |
If you command your brother Peter to join us, | 0:09:30 | 0:09:32 | |
I am willing, Prince George, to give you just such a performance, | 0:09:32 | 0:09:36 | |
in exchange for the freedom of this prisoner, of course. | 0:09:36 | 0:09:38 | |
-Very well. -Very well. | 0:09:38 | 0:09:40 | |
Now, I want you to pay particular attention... | 0:09:40 | 0:09:46 | |
to the teeth. | 0:09:46 | 0:09:47 | |
DOG WHINES | 0:09:47 | 0:09:48 | |
Some unscrupulous trainers | 0:09:50 | 0:09:51 | |
will show you a bear whose teeth have all been pulled, | 0:09:51 | 0:09:54 | |
while other cowards will force the brute into a muzzle. | 0:09:54 | 0:09:57 | |
Only the true master | 0:09:59 | 0:10:01 | |
would attempt these tricks without either measure of safety. | 0:10:01 | 0:10:04 | |
What did you bring me over here for? | 0:10:06 | 0:10:09 | |
-Peter... -This is absurd. It's just a dog. | 0:10:09 | 0:10:13 | |
Come on, darling. | 0:10:14 | 0:10:16 | |
"Just a dog"? DOG WHINES | 0:10:16 | 0:10:19 | |
Just?! | 0:10:19 | 0:10:21 | |
Porthos, don't listen to him. | 0:10:21 | 0:10:22 | |
Porthos dreams of being a bear, | 0:10:22 | 0:10:25 | |
and you want to dash those dreams by saying he's "just a dog"? | 0:10:25 | 0:10:28 | |
HE TUTS | 0:10:28 | 0:10:29 | |
What a horrible, candle-snuffing word. | 0:10:29 | 0:10:32 | |
That's like saying, "He can't climb that mountain. He's just a man." | 0:10:32 | 0:10:36 | |
Or, "That's not a diamond. It's just a rock." | 0:10:36 | 0:10:40 | |
Just. | 0:10:41 | 0:10:42 | |
Fine, then. Turn him into a bear. | 0:10:45 | 0:10:49 | |
If you can. | 0:10:49 | 0:10:50 | |
Peter, Where are your manners? | 0:10:50 | 0:10:52 | |
With those eyes, my bonny lad, I'm afraid you'd never see it. | 0:10:52 | 0:10:56 | |
However, with just a wee bit of imagination, | 0:10:57 | 0:11:02 | |
I can turn around right now | 0:11:02 | 0:11:04 | |
and see... | 0:11:04 | 0:11:06 | |
the great bear. | 0:11:06 | 0:11:08 | |
Porthos, dance with me. | 0:11:08 | 0:11:11 | |
SYLVIA AND BOYS LAUGH | 0:11:12 | 0:11:15 | |
-BEAR GROWLS -The great bear, Porthos! | 0:11:18 | 0:11:21 | |
APPLAUSE | 0:11:21 | 0:11:24 | |
BEAR GROWLS | 0:11:33 | 0:11:35 | |
AUDIENCE CHEERS | 0:11:41 | 0:11:43 | |
LAUGHTER AND APPLAUSE | 0:11:44 | 0:11:46 | |
AUDIENCE CHEERS | 0:11:54 | 0:11:55 | |
BEAR GROWLS | 0:12:00 | 0:12:02 | |
SYLVIA LAUGHS | 0:12:05 | 0:12:07 | |
THEY APPLAUD | 0:12:07 | 0:12:10 | |
Thank you. I don't think I've ever seen a performance quite like it. | 0:12:10 | 0:12:15 | |
We're here every day, | 0:12:15 | 0:12:17 | |
and the bear is always more than happy to perform. | 0:12:17 | 0:12:19 | |
Perhaps we'll see you here tomorrow, then. | 0:12:19 | 0:12:20 | |
Perhaps. | 0:12:20 | 0:12:23 | |
Peter, jump up, please, darling, quick. | 0:12:23 | 0:12:24 | |
-ALL: -Bye! -Bye. | 0:12:24 | 0:12:27 | |
Peter, didn't you enjoy that? | 0:12:28 | 0:12:29 | |
I've seen better. | 0:12:29 | 0:12:31 | |
Well, Michael wanted the bear kept prisoner with him, | 0:12:32 | 0:12:35 | |
and Peter insisted that Michael was hardly a prisoner | 0:12:35 | 0:12:37 | |
and Porthos simply wasn't a bear at all. | 0:12:37 | 0:12:40 | |
I do very much hope to see them tomorrow. | 0:12:42 | 0:12:44 | |
What's her name? | 0:12:44 | 0:12:45 | |
Sylvia. | 0:12:45 | 0:12:47 | |
Um... Mrs...something Davies. | 0:12:47 | 0:12:51 | |
Llewelyn Davies? | 0:12:53 | 0:12:54 | |
You know her? | 0:12:54 | 0:12:56 | |
Well, I know who she is, of course. | 0:12:57 | 0:12:59 | |
Why, she's a du Maurier, for heaven's sake. | 0:12:59 | 0:13:01 | |
Her father was the artist. | 0:13:01 | 0:13:05 | |
Her brother's the actor. | 0:13:06 | 0:13:08 | |
And there was something...tragic that happened with her husband. | 0:13:08 | 0:13:13 | |
Oh, yes. He died. | 0:13:13 | 0:13:15 | |
Cancer of the jaw, I believe. | 0:13:15 | 0:13:18 | |
That's horrible. | 0:13:19 | 0:13:21 | |
Yes. Apparently, he left her with four boys and no income to speak of. | 0:13:21 | 0:13:26 | |
Why, if it wasn't for her mother's help... | 0:13:28 | 0:13:30 | |
James. | 0:13:34 | 0:13:36 | |
We should have them to dinner. | 0:13:37 | 0:13:39 | |
HE CLATTERS CUTLERY Should we? | 0:13:39 | 0:13:42 | |
Absolutely. | 0:13:42 | 0:13:43 | |
I've always wanted to meet Madam du Maurier. | 0:13:43 | 0:13:46 | |
Why, she knows practically everyone there is worth knowing. | 0:13:46 | 0:13:50 | |
What are you writing about? | 0:14:03 | 0:14:06 | |
Oh, nothing of any great consequence. | 0:14:06 | 0:14:10 | |
I can't write. | 0:14:11 | 0:14:12 | |
Have you ever kept a journal? | 0:14:12 | 0:14:16 | |
Ever tried your hand at writing a play? | 0:14:16 | 0:14:19 | |
Well, then, how do you know? | 0:14:21 | 0:14:22 | |
I know. That's all. | 0:14:24 | 0:14:26 | |
I see. | 0:14:26 | 0:14:29 | |
Where's your mother today, and the rest of the boys? | 0:14:29 | 0:14:31 | |
Home. | 0:14:31 | 0:14:32 | |
Mother's got a bit of a chest cold. | 0:14:32 | 0:14:35 | |
I'm sure everyone would be happy to see you, though. | 0:14:37 | 0:14:40 | |
One afternoon. | 0:14:40 | 0:14:42 | |
I should leave you to your writing. | 0:14:44 | 0:14:46 | |
Peter... | 0:14:50 | 0:14:52 | |
I'll see you later, then. | 0:14:52 | 0:14:54 | |
Why didn't you tell me, Charles? You knew it wasn't any good. | 0:15:04 | 0:15:07 | |
Why didn't you tell me, James? You knew it wasn't any good. | 0:15:07 | 0:15:09 | |
Hmm? | 0:15:09 | 0:15:10 | |
I took an extended lease on the theatre, | 0:15:10 | 0:15:13 | |
keeping the actors on. | 0:15:13 | 0:15:15 | |
I don't have another play. | 0:15:15 | 0:15:16 | |
I'm sure you will. | 0:15:16 | 0:15:18 | |
-Won't you? -We'll see. | 0:15:22 | 0:15:24 | |
I need you to sign for the storage, Mr Frohman. | 0:15:24 | 0:15:27 | |
Lower. | 0:15:28 | 0:15:29 | |
-Easy does it. Take your time. -Yeah, all right. | 0:15:29 | 0:15:32 | |
It was never meant to be taken seriously. | 0:15:37 | 0:15:39 | |
You know what happened, James. They changed it. | 0:15:40 | 0:15:43 | |
They changed what? | 0:15:45 | 0:15:46 | |
The critics. | 0:15:46 | 0:15:48 | |
They made it important. | 0:15:50 | 0:15:52 | |
Hmm? | 0:15:57 | 0:15:59 | |
What's it called? | 0:15:59 | 0:16:00 | |
What's it called? | 0:16:02 | 0:16:05 | |
-Play. -Play. | 0:16:05 | 0:16:07 | |
WILD WEST MUSIC | 0:16:08 | 0:16:11 | |
Bang! Bang, bang! Bang, bang! | 0:16:20 | 0:16:23 | |
Return the boy to us, you nasty Injun. | 0:16:26 | 0:16:28 | |
Our people teach boy Indian ways. | 0:16:28 | 0:16:30 | |
Make him great warrior. Our chief, Running Nose, never let him go. | 0:16:30 | 0:16:35 | |
Bang! Bang, bang! | 0:16:35 | 0:16:37 | |
Me wounded, Peter. Time short. | 0:16:40 | 0:16:42 | |
You go. Spread wings and soar like eagle above enemy. | 0:16:43 | 0:16:47 | |
Fly back to our chief. | 0:16:47 | 0:16:48 | |
Tell her of my brave defeat! | 0:16:48 | 0:16:51 | |
That's crazy. | 0:16:51 | 0:16:52 | |
Indians can't fly. | 0:16:52 | 0:16:54 | |
Of course they can. Go on. Go on. Go on. | 0:16:54 | 0:16:56 | |
Listen to us, boy. This Indian kidnapped you. | 0:16:56 | 0:16:59 | |
Not true. We kidnap no-one. | 0:16:59 | 0:17:01 | |
You lost boy. | 0:17:01 | 0:17:02 | |
I teach you ways of the brave. | 0:17:02 | 0:17:05 | |
I take you as my own son. | 0:17:05 | 0:17:08 | |
You are not my father. | 0:17:08 | 0:17:10 | |
Bang! Bang! Bang, bang! | 0:17:12 | 0:17:14 | |
-I've got him! -Let me go! | 0:17:14 | 0:17:16 | |
-Stop it, you two! -Ooh, we are awful, aren't we? | 0:17:16 | 0:17:18 | |
-I'm warning you... -Oh! I'm scared! | 0:17:18 | 0:17:20 | |
First we have a bit of fun for a change! | 0:17:20 | 0:17:22 | |
-Stop it, you two! Get off! -Don't! | 0:17:22 | 0:17:25 | |
-Jack! -Stop it! | 0:17:25 | 0:17:26 | |
Get off, George! | 0:17:26 | 0:17:28 | |
Peter! | 0:17:28 | 0:17:30 | |
-I'm terribly sorry. -Oh, it wasn't your fault. | 0:17:32 | 0:17:36 | |
I'm afraid it might have been. | 0:17:36 | 0:17:38 | |
To be honest, I'm just happy you got him to join in the game. | 0:17:38 | 0:17:41 | |
Oh, yes, I was a tremendous success. | 0:17:41 | 0:17:43 | |
Mr Barrie, it's more than I've been able to achieve. | 0:17:43 | 0:17:46 | |
Peter's a different boy since his father died. | 0:17:48 | 0:17:49 | |
You know, I don't think he's even had a good cry about it. | 0:17:51 | 0:17:54 | |
Well... | 0:17:54 | 0:17:55 | |
Grief affects us all in different ways, doesn't it? | 0:17:55 | 0:17:58 | |
Yes, it does. | 0:17:59 | 0:18:01 | |
Oh, by the way, | 0:18:01 | 0:18:02 | |
my wife would like to invite you and the boys over to dinner. | 0:18:02 | 0:18:06 | |
Your mother as well. | 0:18:06 | 0:18:09 | |
Oh. How kind. | 0:18:10 | 0:18:13 | |
That would be lovely. | 0:18:13 | 0:18:15 | |
Well, don't you all look lovely in your little suits? | 0:18:18 | 0:18:22 | |
And, Mrs du Maurier, what a shame it is | 0:18:22 | 0:18:24 | |
that we've not met until this evening. | 0:18:24 | 0:18:27 | |
How kind of you to say so. | 0:18:27 | 0:18:30 | |
Not at all - I can't tell you | 0:18:30 | 0:18:31 | |
how many times I've been to a charity or a...social event | 0:18:31 | 0:18:34 | |
and seen your name listed among the organisers. | 0:18:34 | 0:18:38 | |
HE GIGGLES | 0:18:38 | 0:18:39 | |
It's the very thing I would love to do myself | 0:18:39 | 0:18:44 | |
if I could just find the time. | 0:18:44 | 0:18:48 | |
My problem is, is in finding the time to do everything else. | 0:18:48 | 0:18:51 | |
At the moment, I am running two households. | 0:18:51 | 0:18:54 | |
Sylvia believes she can get by without a housekeeper. | 0:18:54 | 0:18:57 | |
Mother. | 0:18:57 | 0:18:58 | |
My house is quite large enough for us all, | 0:18:58 | 0:19:00 | |
but the idea of living with me seems not... | 0:19:00 | 0:19:01 | |
Not now, please, Mother. | 0:19:01 | 0:19:03 | |
We help her keep the house in order. | 0:19:03 | 0:19:06 | |
Don't interrupt, George. Where did you get your manners? | 0:19:06 | 0:19:07 | |
Sorry, Grandmother. | 0:19:07 | 0:19:09 | |
Well... | 0:19:10 | 0:19:11 | |
Mr Barrie, | 0:19:11 | 0:19:13 | |
I understand you've become playmates of my grandchildren. | 0:19:13 | 0:19:15 | |
Oh, they indulge me, really. | 0:19:15 | 0:19:18 | |
On the contrary. | 0:19:19 | 0:19:20 | |
The other day, | 0:19:20 | 0:19:22 | |
we took to an exploration of darkest Africa in our garden. | 0:19:22 | 0:19:24 | |
Oh. | 0:19:24 | 0:19:25 | |
But Mr Barrie was taken ill by the bite of a...what was it? | 0:19:25 | 0:19:31 | |
Tsetse fly. Quite horrible. | 0:19:31 | 0:19:33 | |
Yes, and he swelled to the size of a hippopotamus. | 0:19:33 | 0:19:36 | |
Fingers like sausages. | 0:19:36 | 0:19:38 | |
We had to float in him down the river like he was a bloated raft. | 0:19:38 | 0:19:41 | |
But the fishing was good, wasn't it? | 0:19:41 | 0:19:43 | |
James. | 0:19:47 | 0:19:49 | |
HE GIGGLES | 0:19:50 | 0:19:52 | |
Please. | 0:19:52 | 0:19:53 | |
-Bye. -Thank you so much. Very pleasant. | 0:19:54 | 0:19:57 | |
It was a lovely evening. | 0:19:57 | 0:19:58 | |
-Bye. Goodnight. -Goodnight. | 0:19:58 | 0:20:00 | |
SHE SIGHS | 0:20:03 | 0:20:05 | |
Well, that was a disaster. | 0:20:05 | 0:20:07 | |
Painful. Utterly painful to see. | 0:20:09 | 0:20:13 | |
I don't know what you mean. I had a lovely time. | 0:20:14 | 0:20:17 | |
Oh, James, please. | 0:20:17 | 0:20:18 | |
"My problem is in finding the time to do everything else." | 0:20:18 | 0:20:22 | |
I've never felt so judged in my life. | 0:20:23 | 0:20:26 | |
Judged? How do you mean? | 0:20:26 | 0:20:28 | |
A grown man, for heaven's sake, playing all day long with children? | 0:20:28 | 0:20:33 | |
In any case, | 0:20:33 | 0:20:34 | |
I hardly think they'll be the social contact we'd hoped for. | 0:20:34 | 0:20:37 | |
Hadn't really thought of them that way. Just enjoy their company. | 0:20:37 | 0:20:41 | |
He's been a good friend to us, Mother. | 0:20:41 | 0:20:43 | |
Yes, but what does that mean, hmm? | 0:20:45 | 0:20:47 | |
Surely you don't intend... | 0:20:47 | 0:20:50 | |
..to keep spending your afternoons with those children, do you? | 0:20:50 | 0:20:52 | |
And so today, ladies and gentlemen, | 0:20:58 | 0:21:00 | |
using only the wind and his own physical strength, | 0:21:00 | 0:21:03 | |
George Llewelyn Davies shall test the very limits of the atmosphere | 0:21:03 | 0:21:07 | |
using his tethered craft. | 0:21:07 | 0:21:08 | |
Go on, boy. | 0:21:08 | 0:21:10 | |
-Go on, George. -You're going to break it, George. | 0:21:10 | 0:21:12 | |
-George, stop. -Just needs a bit more speed. | 0:21:12 | 0:21:15 | |
-I want to do it. -Hold off a bit, George. | 0:21:15 | 0:21:18 | |
-I think it's in need of a tail. -Oh, wait! | 0:21:18 | 0:21:20 | |
-Here. James, this will do. -That's a good idea. | 0:21:22 | 0:21:24 | |
-No, it's not heavy enough. -I -want to do it. | 0:21:24 | 0:21:27 | |
You coming, Peter? | 0:21:27 | 0:21:28 | |
WHISTLES Porthos. | 0:21:28 | 0:21:30 | |
It'll work this time. | 0:21:30 | 0:21:32 | |
Porthos. Give us your bell. That's good. Here. | 0:21:32 | 0:21:36 | |
-Michael? -Yeah? | 0:21:36 | 0:21:37 | |
-Now, would you like to give it a go? -Yes, please. | 0:21:37 | 0:21:40 | |
-Oh, he can't run fast enough. -Of course he can. | 0:21:40 | 0:21:43 | |
Let him try, Jack. | 0:21:43 | 0:21:45 | |
-Now, George, you hold the kite. -George. | 0:21:45 | 0:21:47 | |
Come on, boys. Let's go back up to the top. | 0:21:47 | 0:21:49 | |
Come on. Come on, Peter. | 0:21:49 | 0:21:51 | |
All right, George, hold it up. | 0:21:51 | 0:21:53 | |
Darling, you've got to run now. Ready? | 0:21:53 | 0:21:55 | |
Ready? Run! | 0:21:55 | 0:21:57 | |
-Run, Michael. -RUN! | 0:21:57 | 0:21:59 | |
Oh, I told you this wasn't going to work. | 0:21:59 | 0:22:01 | |
I don't think he's fast enough. | 0:22:01 | 0:22:03 | |
It won't work if no-one believes in him. | 0:22:03 | 0:22:05 | |
-Now, give him a chance. -Go back to your starting position. | 0:22:05 | 0:22:07 | |
-Darling, we'll try again. -George, take the kite. | 0:22:07 | 0:22:09 | |
-If it'll help. -Now, this time, | 0:22:09 | 0:22:11 | |
I don't want a flea's breath of doubt. | 0:22:11 | 0:22:14 | |
-We must get that kite in the air. -Right. | 0:22:14 | 0:22:16 | |
I think I feel a bit more breeze. | 0:22:16 | 0:22:17 | |
-Ready, Michael? -Go on. Go on. | 0:22:17 | 0:22:19 | |
-You can do it, Michael. -You've got to run. | 0:22:19 | 0:22:21 | |
Run, Michael. Run! Run! | 0:22:21 | 0:22:23 | |
-Run! -That's it! | 0:22:23 | 0:22:24 | |
Yes! He did it! | 0:22:24 | 0:22:27 | |
-Keep running! -Keep running! | 0:22:27 | 0:22:31 | |
What are you writing about now? | 0:22:58 | 0:23:01 | |
Oh, just making notes. | 0:23:01 | 0:23:03 | |
I'm never really certain what they're about | 0:23:03 | 0:23:05 | |
until I've read them over later. | 0:23:05 | 0:23:07 | |
Something about the kite? | 0:23:08 | 0:23:11 | |
Now, why do you ask that? | 0:23:13 | 0:23:15 | |
I don't know. | 0:23:17 | 0:23:19 | |
If I were a writer, | 0:23:19 | 0:23:20 | |
I think I could tell a whole story about flying the kite today. | 0:23:20 | 0:23:24 | |
Perhaps you should, then. That's a fantastic idea. | 0:23:24 | 0:23:27 | |
Why not give it a try? | 0:23:27 | 0:23:29 | |
I hope you haven't been talking about | 0:23:29 | 0:23:30 | |
anything TOO serious with this one. | 0:23:30 | 0:23:33 | |
No. Talking a bit of silliness, really. | 0:23:33 | 0:23:36 | |
Can we have him for supper? | 0:23:45 | 0:23:47 | |
Have him to STAY for supper, Michael. We're not cannibals. | 0:23:47 | 0:23:50 | |
You are welcome, you know. | 0:23:50 | 0:23:51 | |
BOYS LAUGH | 0:23:51 | 0:23:54 | |
Sylvia. | 0:23:54 | 0:23:55 | |
Mr Barrie. Where have you been? | 0:23:55 | 0:23:57 | |
Um, flying a kite, Mother, and having a wonderful time. | 0:23:57 | 0:24:00 | |
I'm sorry, I didn't know you were coming this evening. | 0:24:00 | 0:24:02 | |
No? Well, apparently you forgot, then. | 0:24:02 | 0:24:05 | |
I brought some supper along for us all. | 0:24:05 | 0:24:07 | |
You didn't need to do that. | 0:24:07 | 0:24:08 | |
Well, there's no food in the house, is there? | 0:24:08 | 0:24:11 | |
Really, you don't need to wait till the cupboard is bare. | 0:24:11 | 0:24:13 | |
Please, Mother. Come on, darling. | 0:24:13 | 0:24:15 | |
Wipe feet. There's been enough tracking round here. | 0:24:15 | 0:24:17 | |
George, I thought you said you were going to help your mother | 0:24:17 | 0:24:20 | |
take care of the house. | 0:24:20 | 0:24:21 | |
Coat, Michael, please. Yes. And...coathanger. | 0:24:21 | 0:24:26 | |
-Very good. -Will we see you tomorrow? | 0:24:26 | 0:24:28 | |
No, you are going to be helping round the house tomorrow. | 0:24:28 | 0:24:31 | |
Mother, there is absolutely no need for this. | 0:24:31 | 0:24:34 | |
You can't do everything yourself. Look at you. | 0:24:34 | 0:24:37 | |
You're horribly flush. You're wearing yourself out. | 0:24:37 | 0:24:42 | |
Thank you for a lovely day, James. Excuse me, Mother. | 0:24:42 | 0:24:44 | |
So, from tomorrow, we're going to have some discipline around here. | 0:24:44 | 0:24:49 | |
And not one of you will escape! | 0:24:49 | 0:24:55 | |
-Good evening, Mr Barrie. -Good evening, Sarah. | 0:25:00 | 0:25:02 | |
-Good evening, Mr Barrie. -Evening, Emma. | 0:25:02 | 0:25:04 | |
You missed supper. | 0:25:13 | 0:25:15 | |
Perhaps I'll have something later. I've a bit of writing I wanted to do. | 0:25:16 | 0:25:19 | |
Are you sure? It was a lovely meal. | 0:25:19 | 0:25:22 | |
Duck. | 0:25:22 | 0:25:24 | |
Sarah let Emma cook this evening. | 0:25:24 | 0:25:26 | |
Is that right? | 0:25:28 | 0:25:30 | |
Listen, what would you think of loaning Emma out to the Davies | 0:25:30 | 0:25:32 | |
for the occasional evening? | 0:25:32 | 0:25:34 | |
They don't actually have a cook. | 0:25:34 | 0:25:36 | |
I take it Mrs Davies enjoyed the meal she had here. | 0:25:36 | 0:25:40 | |
I imagine she could use an extra hand now and again, that's all. | 0:25:42 | 0:25:45 | |
Oh. | 0:25:45 | 0:25:46 | |
That's very charitable of you. | 0:25:46 | 0:25:48 | |
Perhaps we can send over some of the silver as well. | 0:25:50 | 0:25:53 | |
And what about linen? | 0:25:53 | 0:25:55 | |
I wouldn't be surprised if some of hers was looking a bit shabby. | 0:25:55 | 0:25:58 | |
Please, Mary, stop. | 0:25:58 | 0:26:00 | |
Maybe she can send over some of the things we've run short on. | 0:26:00 | 0:26:05 | |
My husband, for example. | 0:26:05 | 0:26:07 | |
We rarely see him in this house. | 0:26:09 | 0:26:12 | |
That hasn't seemed to bother you for some time now. | 0:26:12 | 0:26:15 | |
DISHES CRASH AND MAID GASPS | 0:26:15 | 0:26:17 | |
THUNDER RUMBLES | 0:26:18 | 0:26:20 | |
HORSES GALLOP | 0:26:53 | 0:26:55 | |
HORSE WHINNIES | 0:26:55 | 0:26:58 | |
Lords and ladies, His Royal Highness King Michael the Benevolent, | 0:26:58 | 0:27:03 | |
protector of the realm. | 0:27:03 | 0:27:06 | |
That sceptre's made of wood. | 0:27:06 | 0:27:08 | |
Yes, well, we dream on a budget here, don't we? | 0:27:08 | 0:27:11 | |
No, I mean, everyone thinks it's made of gold. | 0:27:11 | 0:27:15 | |
But it's just an old hunk of wood. | 0:27:15 | 0:27:17 | |
The means to an end, Peter. | 0:27:17 | 0:27:18 | |
What we've done is taken an old hunk of wood | 0:27:18 | 0:27:23 | |
and transformed it for all the world to see | 0:27:23 | 0:27:25 | |
into the most magnificent gold. | 0:27:25 | 0:27:27 | |
There you go. | 0:27:27 | 0:27:29 | |
What's this? | 0:27:30 | 0:27:31 | |
All great writers begin with a good leather binding | 0:27:31 | 0:27:35 | |
and a respectable title. | 0:27:35 | 0:27:37 | |
Open it. | 0:27:37 | 0:27:38 | |
"The Boy Castaways. | 0:27:43 | 0:27:45 | |
"Being a record of the terrible adventures of the brothers Davies, | 0:27:45 | 0:27:49 | |
"faithfully set forth by Peter Llewelyn Davies." | 0:27:49 | 0:27:54 | |
Kipling would swallow his own ear for a title like that. | 0:27:54 | 0:27:57 | |
Stab him, George. You can do it. | 0:27:57 | 0:28:00 | |
I still have no idea what to write. | 0:28:00 | 0:28:03 | |
Write about anything. | 0:28:03 | 0:28:04 | |
Write about your family. Write about the talking whale. | 0:28:04 | 0:28:07 | |
What whale? | 0:28:07 | 0:28:08 | |
The one that's trapped in your imagination and desperate to get out. | 0:28:08 | 0:28:12 | |
Come, sit down. | 0:28:12 | 0:28:14 | |
I have actually begun writing about | 0:28:17 | 0:28:19 | |
the adventures of the Davies brothers myself. | 0:28:19 | 0:28:21 | |
-A play? -A play indeed, yes. | 0:28:21 | 0:28:24 | |
And I would be extremely honoured | 0:28:24 | 0:28:26 | |
if you would allow me the use of your name for one of the characters. | 0:28:26 | 0:28:29 | |
I don't know what to say. | 0:28:29 | 0:28:32 | |
Say yes. | 0:28:32 | 0:28:35 | |
Good man. | 0:28:36 | 0:28:38 | |
Porthos, that's mine. Let go. | 0:28:38 | 0:28:40 | |
I won't go to bed. I won't, I won't. | 0:28:40 | 0:28:43 | |
You should have been in bed half an hour ago, young man. | 0:28:43 | 0:28:46 | |
I'm afraid I've grown hopelessly lax in my discipline. | 0:28:48 | 0:28:51 | |
Nonsense. Young boys should never be sent to bed. | 0:28:51 | 0:28:54 | |
They always wake up a day older. | 0:28:54 | 0:28:57 | |
And then, before you know it, they're grown. | 0:28:57 | 0:29:01 | |
Their father would have been horrified. | 0:29:01 | 0:29:03 | |
Of course, he'd never have allowed a dog in the house either. | 0:29:03 | 0:29:05 | |
He'd have tied him up in the yard. | 0:29:05 | 0:29:08 | |
Right. Last one in bed's a hairy toad. | 0:29:08 | 0:29:12 | |
BOYS SHOUT AND CHATTER EXCITEDLY | 0:29:12 | 0:29:15 | |
SHE SIGHS QUIETLY | 0:29:57 | 0:29:58 | |
You mean a lot to my boys, you know. | 0:30:00 | 0:30:02 | |
Especially Peter. | 0:30:04 | 0:30:05 | |
It seems to me that Peter is trying to grow up too fast. | 0:30:08 | 0:30:11 | |
I imagine he thinks | 0:30:13 | 0:30:14 | |
that grown-ups don't hurt as deeply as children do when they... | 0:30:14 | 0:30:17 | |
..when they lose someone. | 0:30:18 | 0:30:20 | |
I lost my elder brother, David, when I was just Peter's age. | 0:30:24 | 0:30:27 | |
And it nearly destroyed my mother. | 0:30:28 | 0:30:31 | |
James, I'm so sorry. | 0:30:31 | 0:30:33 | |
Your poor mother. | 0:30:35 | 0:30:37 | |
Can't imagine losing a child. | 0:30:37 | 0:30:39 | |
Aye. | 0:30:39 | 0:30:41 | |
She didn't get out of bed for months. | 0:30:42 | 0:30:45 | |
She wouldn't eat. | 0:30:45 | 0:30:47 | |
I tried everything to make her happy, but... | 0:30:47 | 0:30:49 | |
..she only wanted David. | 0:30:52 | 0:30:53 | |
So, one day... | 0:30:53 | 0:30:57 | |
..I dressed myself in David's clothing... | 0:30:59 | 0:31:01 | |
..and I went to her. | 0:31:04 | 0:31:06 | |
You must have frightened her to death. | 0:31:06 | 0:31:08 | |
I think it was the first time she ever actually looked at me. | 0:31:09 | 0:31:14 | |
And that was the end of the boy James. | 0:31:19 | 0:31:22 | |
I used to say to myself he'd gone to Neverland. | 0:31:25 | 0:31:27 | |
Where? | 0:31:27 | 0:31:29 | |
Neverland. | 0:31:29 | 0:31:31 | |
It's a wonderful place. | 0:31:31 | 0:31:32 | |
HE CHUCKLES | 0:31:39 | 0:31:41 | |
I've not spoken about this before to anyone. | 0:31:42 | 0:31:45 | |
Ever. | 0:31:47 | 0:31:48 | |
SHE CHUCKLES | 0:31:50 | 0:31:51 | |
What's it like, Neverland? | 0:31:58 | 0:32:01 | |
One day, I'll take you there. | 0:32:04 | 0:32:06 | |
Wait a minute, James. He's a fairy? | 0:32:08 | 0:32:10 | |
No, he's the irrepressible spirit of youth. Tinker Bell is the fairy. | 0:32:10 | 0:32:13 | |
Tinker Bell is a woman? | 0:32:13 | 0:32:15 | |
She's not a woman, she's a fairy. | 0:32:15 | 0:32:17 | |
He is a boy who stays young forever. | 0:32:17 | 0:32:20 | |
James, how does anyone stay young forever? It doesn't work. | 0:32:20 | 0:32:22 | |
He just believes, Charles. | 0:32:22 | 0:32:24 | |
He imagines life the way he wants it to be | 0:32:24 | 0:32:26 | |
and he believes in it long enough and hard enough | 0:32:26 | 0:32:28 | |
that it all appears before him, you see? | 0:32:28 | 0:32:30 | |
James, I'm your friend. You're coming off a flop. | 0:32:30 | 0:32:32 | |
You have a man who is a fairy. | 0:32:32 | 0:32:36 | |
-No, a boy. -And this girl calls herself Tinker. | 0:32:36 | 0:32:39 | |
And you have a pirate ship on stage, | 0:32:39 | 0:32:41 | |
surrounded by tons and tons of water. | 0:32:41 | 0:32:42 | |
-That's a lot of water. -It's a lot of water. | 0:32:42 | 0:32:45 | |
Yes, and that's a lot of money. | 0:32:45 | 0:32:46 | |
It is, but we can fake the water. | 0:32:46 | 0:32:48 | |
Well, if we can fake the water, I'm sure your play will be a hit. | 0:32:48 | 0:32:51 | |
You know what I think I'll do? | 0:32:51 | 0:32:52 | |
I'll imagine life the way I want it to be. | 0:32:52 | 0:32:54 | |
-Long enough and hard enough. -Yes. | 0:32:54 | 0:32:56 | |
And then the money for the play will appear magically before me. | 0:32:56 | 0:33:00 | |
-How's that? -That's right. That's it. Yes. | 0:33:00 | 0:33:02 | |
How does the clock wind up inside the crocodile? | 0:33:02 | 0:33:04 | |
-He swallows it. -Ah, of course he does. | 0:33:04 | 0:33:07 | |
CROWD CHEERS AND APPLAUDS | 0:33:09 | 0:33:12 | |
How was he? | 0:33:12 | 0:33:14 | |
Well done. | 0:33:14 | 0:33:16 | |
I finally get the courage to invite the boys to a game | 0:33:17 | 0:33:20 | |
and we have to suffer this grave humiliation. | 0:33:20 | 0:33:23 | |
It's perfect, actually. | 0:33:23 | 0:33:25 | |
Spend a good deal of time with them, don't you? | 0:33:25 | 0:33:27 | |
Every moment I can spare, in fact. | 0:33:27 | 0:33:29 | |
I'm glad for you. | 0:33:29 | 0:33:31 | |
And Mrs Davies seems to be having a good time of it as well. | 0:33:31 | 0:33:35 | |
You should be aware, though, James, what some people have been saying. | 0:33:35 | 0:33:39 | |
Mind you, I wouldn't bring it up if I thought the rumours would pass. | 0:33:40 | 0:33:44 | |
I'm not surprised. What are they saying? | 0:33:44 | 0:33:46 | |
Very well. | 0:33:48 | 0:33:50 | |
That you spend much more time with Mrs Davies | 0:33:50 | 0:33:52 | |
than you do with your own wife. | 0:33:52 | 0:33:53 | |
She is a widow, and, um... | 0:33:53 | 0:33:56 | |
I'm a friend. That's it, nothing more. | 0:33:56 | 0:33:58 | |
There have also been questions about | 0:34:00 | 0:34:02 | |
how you spend your time with those boys and why. | 0:34:02 | 0:34:07 | |
That's outrageous. | 0:34:07 | 0:34:09 | |
How could anyone think something so evil? | 0:34:10 | 0:34:12 | |
They're children. They're innocent children. | 0:34:12 | 0:34:15 | |
You find a glimmer of happiness in this world, | 0:34:17 | 0:34:19 | |
there's always someone who wants to destroy it. No. | 0:34:19 | 0:34:23 | |
Thank you, Arthur, | 0:34:23 | 0:34:25 | |
but I don't think many will give credence to such nonsense. | 0:34:25 | 0:34:28 | |
Then why is no-one sitting with them? | 0:34:28 | 0:34:31 | |
Once you get a bit of notoriety, James, | 0:34:32 | 0:34:34 | |
people watch you. | 0:34:34 | 0:34:37 | |
And they will look for ways to drag you down. | 0:34:37 | 0:34:39 | |
PLAYERS SHOUT, CROWD APPLAUDS | 0:34:39 | 0:34:42 | |
Are you sure your wife doesn't object | 0:34:44 | 0:34:46 | |
to us taking over your cottage for the summer, James? | 0:34:46 | 0:34:48 | |
She doesn't go there anymore. | 0:34:48 | 0:34:49 | |
Really? It's such a relief to get away. | 0:34:49 | 0:34:52 | |
-You'll come and visit, I hope. -Of course. | 0:34:52 | 0:34:54 | |
-Are we in? -Everyone in? | 0:34:54 | 0:34:55 | |
-Can I drive, Uncle Jim? -Uh, no. | 0:34:55 | 0:34:58 | |
BOYS LAUGH | 0:34:58 | 0:35:00 | |
HORN TOOTS, ENGINE BACKFIRES | 0:35:02 | 0:35:04 | |
BOYS LAUGH | 0:35:08 | 0:35:10 | |
Out of the way, or I'll make haggis out of you. | 0:35:13 | 0:35:16 | |
Get the sheep out the way. | 0:35:16 | 0:35:17 | |
HORN TOOTS | 0:35:17 | 0:35:20 | |
BOYS YELL AND LAUGH | 0:35:27 | 0:35:29 | |
-Are we there yet? -Almost. | 0:35:34 | 0:35:36 | |
Almost there. | 0:35:36 | 0:35:38 | |
I can see the cottage! | 0:35:38 | 0:35:40 | |
ENGINE STOPS | 0:35:47 | 0:35:49 | |
Shall we explore, Michael? | 0:35:57 | 0:35:59 | |
If you're going outside, don't tear your clothes, please. | 0:35:59 | 0:36:01 | |
-Come on, follow me! -Be careful of the stinging nettles. | 0:36:01 | 0:36:04 | |
Hurry up, everyone. | 0:36:04 | 0:36:05 | |
-Would you like to see the rest of it? -Mmm. | 0:36:10 | 0:36:13 | |
-Yes. -Great. | 0:36:13 | 0:36:14 | |
Hello! | 0:36:34 | 0:36:37 | |
Thought you could escape from Captain Swarthy, eh? | 0:36:37 | 0:36:40 | |
Off to the ship with you, then. Off to the ship, son! | 0:36:40 | 0:36:43 | |
So, now you can either choose to become a pirate with the rest of us | 0:36:46 | 0:36:49 | |
or we'll toss you to the sharks. | 0:36:49 | 0:36:52 | |
How marvellous! | 0:36:52 | 0:36:54 | |
Or maybe the crocodiles, eh? | 0:36:54 | 0:36:56 | |
No-one's escaped, Captain. | 0:36:58 | 0:37:00 | |
Excellent work, matey. | 0:37:00 | 0:37:01 | |
Now, then. Now is your only chance to speak. | 0:37:01 | 0:37:04 | |
Who amongst you is ready to tie your hopes and dreams to the sea? | 0:37:05 | 0:37:09 | |
-I am. -Not finished yet. | 0:37:09 | 0:37:11 | |
To enter upon the most dangerous chapter | 0:37:11 | 0:37:14 | |
in your young and soon-to-be-wasted lives. | 0:37:14 | 0:37:18 | |
BOY LAUGHS What did you say? | 0:37:18 | 0:37:20 | |
What are you doing, son? Are you giggling? | 0:37:20 | 0:37:22 | |
On my ship? Giggling? What did you say? | 0:37:22 | 0:37:24 | |
-I said, I'm ready, Captain. -What's your name, boy? | 0:37:24 | 0:37:26 | |
I'm Curly, the oldest and wisest of the crew. | 0:37:26 | 0:37:29 | |
Cut him loose, matey. | 0:37:29 | 0:37:32 | |
Welcome aboard, Curly. Your job will be to mop the deck. | 0:37:32 | 0:37:36 | |
And who be you, young squire? | 0:37:36 | 0:37:39 | |
-ADOPTS IRISH ACCENT: -My name be Nibs the Cutthroat - | 0:37:39 | 0:37:41 | |
feared by men and greatly desired by the ladies. | 0:37:41 | 0:37:44 | |
Jack! | 0:37:44 | 0:37:45 | |
Welcome aboard, Nibs. You shall polish all wood surfaces. | 0:37:45 | 0:37:49 | |
Grab a hold of that rigging. | 0:37:49 | 0:37:52 | |
And you, lad. | 0:37:52 | 0:37:53 | |
I'm Peter. | 0:37:53 | 0:37:55 | |
That's not a pirate name. | 0:37:55 | 0:37:57 | |
What about Dastardly Jim, eh? | 0:37:57 | 0:37:59 | |
No. Just Peter. | 0:37:59 | 0:38:02 | |
I like my name. | 0:38:02 | 0:38:04 | |
Very well. | 0:38:04 | 0:38:07 | |
In punishment for lack of an interesting pirate name, | 0:38:08 | 0:38:11 | |
Peter shall walk the plank. | 0:38:11 | 0:38:13 | |
Cut him loose. | 0:38:13 | 0:38:14 | |
There's the script. | 0:38:27 | 0:38:28 | |
Young man. | 0:38:33 | 0:38:35 | |
-What are you playing, again? -The boy. | 0:38:36 | 0:38:39 | |
What have you got...? | 0:38:39 | 0:38:41 | |
Mr Barrie, sir? | 0:38:41 | 0:38:43 | |
There's been a mistake here, sir. | 0:38:43 | 0:38:45 | |
It says here I'm to play the nanny. | 0:38:45 | 0:38:47 | |
Don't imagine I quite fit that part, eh? | 0:38:47 | 0:38:49 | |
-You're not actually the nanny. -Oh. | 0:38:49 | 0:38:52 | |
You're a dog. | 0:38:52 | 0:38:54 | |
What? | 0:38:54 | 0:38:55 | |
A Newfoundland. | 0:38:55 | 0:38:57 | |
We'll put you in a great big fluffy dog suit. | 0:38:57 | 0:38:59 | |
HE GROWLS | 0:38:59 | 0:39:01 | |
Oh. Oh, right. | 0:39:01 | 0:39:03 | |
All right, all right. | 0:39:05 | 0:39:07 | |
We don't have a Tinker Bell cast, do we? He could play Tinker Bell. | 0:39:07 | 0:39:10 | |
Oh, heavens, no. Tinker Bell's a light. | 0:39:10 | 0:39:12 | |
It moves around the stage. | 0:39:12 | 0:39:14 | |
Just a wee light that moves around the stage. | 0:39:14 | 0:39:17 | |
Bit worried about this. | 0:39:19 | 0:39:21 | |
Let's see. | 0:39:21 | 0:39:23 | |
We've got John Darling, Michael Darling, Tiger Lily, | 0:39:23 | 0:39:26 | |
Smee, Skylights... | 0:39:26 | 0:39:28 | |
It's a play for puppets. | 0:39:28 | 0:39:30 | |
Toodles, Nibs, Curly. | 0:39:30 | 0:39:32 | |
Oh, these names are absurd when you see them all together. | 0:39:32 | 0:39:35 | |
Captain Hook... | 0:39:35 | 0:39:37 | |
Ah. Hello, James. | 0:39:37 | 0:39:40 | |
You're out of your mind. | 0:39:42 | 0:39:44 | |
DOOR OPENS AND SHUTS | 0:39:44 | 0:39:46 | |
How were rehearsals? | 0:39:55 | 0:39:58 | |
Fine. Great. | 0:39:58 | 0:40:00 | |
They're going, er...quite well. | 0:40:00 | 0:40:02 | |
Good. | 0:40:03 | 0:40:05 | |
Yes. Thank you. | 0:40:05 | 0:40:06 | |
CLOCK CHIMES | 0:40:23 | 0:40:25 | |
SHE COUGHS | 0:40:31 | 0:40:33 | |
VEHICLE APPROACHES | 0:40:33 | 0:40:36 | |
ENGINE STOPS | 0:40:41 | 0:40:42 | |
Hello. | 0:40:42 | 0:40:44 | |
Hello. | 0:40:44 | 0:40:46 | |
How was your journey? | 0:40:46 | 0:40:48 | |
It was quite long. I'm exhausted. | 0:40:48 | 0:40:51 | |
-Let's get you some tea. -That'd be nice. Thanks. | 0:40:51 | 0:40:53 | |
Can you come to the playhouse? | 0:40:56 | 0:40:58 | |
In a moment, Michael. He's just arrived. | 0:40:58 | 0:41:00 | |
But I said, "I'll get him." | 0:41:00 | 0:41:02 | |
They always send Peter to do things. | 0:41:02 | 0:41:04 | |
I said, "I'll do it. It will spoil the surprise." | 0:41:04 | 0:41:08 | |
What surprise, darling? | 0:41:08 | 0:41:10 | |
It's a great surprise. We've taken most of the day preparing for it. | 0:41:10 | 0:41:14 | |
Everybody's waiting for you. | 0:41:14 | 0:41:17 | |
Then we mustn't keep them waiting. | 0:41:17 | 0:41:19 | |
-HE GASPS -Please don't tell them that I told you the surprise. | 0:41:19 | 0:41:21 | |
I said I wouldn't. | 0:41:21 | 0:41:23 | |
Well, you didn't really tell us anything about it, did you? | 0:41:23 | 0:41:25 | |
Yes, I did. It's a play. | 0:41:25 | 0:41:27 | |
It's a play! | 0:41:27 | 0:41:29 | |
ELIZABETHAN MUSIC | 0:41:29 | 0:41:32 | |
Fantastic. | 0:41:38 | 0:41:40 | |
"'The Lamentable Tale Of Lady Ursula'. | 0:41:40 | 0:41:43 | |
"A play in one act by Peter Llewelyn Davies." | 0:41:43 | 0:41:46 | |
This is just a bit of silliness, really. | 0:41:48 | 0:41:50 | |
I should hope so. Go on. | 0:41:50 | 0:41:52 | |
I just wanted to take a stab at writing, you know. | 0:41:52 | 0:41:55 | |
Well, the others do a good job of it anyway. | 0:41:55 | 0:41:57 | |
Well, let's see it, then. | 0:41:57 | 0:42:00 | |
'The Lamentable Tale of Lady Ursula'. | 0:42:02 | 0:42:05 | |
One morning, just after sunrise, Lady Ursula, | 0:42:05 | 0:42:08 | |
the most beautiful daughter of Lord and Lady du Bonn, | 0:42:08 | 0:42:11 | |
made her way up the steps of the great cathedral | 0:42:11 | 0:42:14 | |
to pray to her blessed saint. | 0:42:14 | 0:42:16 | |
Suddenly, as she reached the cathedral doors, | 0:42:16 | 0:42:19 | |
the gargoyle that guarded the sacred structure | 0:42:19 | 0:42:22 | |
came to life and swooped down upon her. | 0:42:22 | 0:42:25 | |
SHE COUGHS | 0:42:25 | 0:42:27 | |
The people of the village all ran for safety, | 0:42:27 | 0:42:29 | |
but Lady Ursula slipped on the cathedral steps | 0:42:29 | 0:42:32 | |
and the gargoyle descended upon her, wrapping her in its huge wings | 0:42:32 | 0:42:36 | |
and taking her high up into the spires of the cathedral. | 0:42:36 | 0:42:39 | |
-Go on, Peter. -SHE COUGHS | 0:42:40 | 0:42:42 | |
Not long after this sorrowful event, | 0:42:42 | 0:42:44 | |
a young knight named JM Barnaby came into the city. | 0:42:44 | 0:42:47 | |
-SHE COUGHS -He vowed to... | 0:42:47 | 0:42:48 | |
Sylvia. | 0:42:48 | 0:42:49 | |
-Do you want some water? -Mother? | 0:42:51 | 0:42:54 | |
No, James. | 0:42:54 | 0:42:55 | |
Let's get her back to the house. Go on. | 0:42:55 | 0:42:57 | |
She won't discuss it with me at all. She claims it was nothing. | 0:43:00 | 0:43:04 | |
I tell you, doctor, she couldn't breathe. | 0:43:04 | 0:43:07 | |
I can't very well treat a patient | 0:43:07 | 0:43:09 | |
who won't admit there's anything wrong. | 0:43:09 | 0:43:11 | |
You'll have to make her understand that something is. | 0:43:11 | 0:43:14 | |
-I'll try and do my best. -OK. | 0:43:14 | 0:43:16 | |
Just there. | 0:43:16 | 0:43:18 | |
Put your hand flat like that. | 0:43:47 | 0:43:50 | |
OK, and then... Ow! | 0:43:50 | 0:43:52 | |
And then...like that. | 0:43:54 | 0:43:56 | |
COINS RING | 0:44:05 | 0:44:08 | |
JAMES AND DOCTOR WHISPER | 0:44:10 | 0:44:14 | |
KNOCK AT DOOR | 0:44:19 | 0:44:21 | |
Come in. | 0:44:21 | 0:44:23 | |
Good doctor didn't feel up to the challenge on this one. | 0:44:32 | 0:44:35 | |
He thinks you need to go to hospital for further tests. | 0:44:35 | 0:44:38 | |
Nonsense. | 0:44:38 | 0:44:40 | |
When would I have time for that? | 0:44:40 | 0:44:43 | |
Besides, this family's had enough of hospitals. | 0:44:43 | 0:44:46 | |
-Perhaps they can help you. -I know what they can do for me. | 0:44:48 | 0:44:51 | |
Saw what they did for my husband. | 0:44:51 | 0:44:53 | |
No, James. No interest in hospitals. | 0:44:54 | 0:44:58 | |
Though I'm keenly interested in having some supper. | 0:44:58 | 0:45:01 | |
LOUD THUD | 0:45:01 | 0:45:03 | |
What did you and Mother decide to tell us this time? | 0:45:30 | 0:45:33 | |
It's only a chest cold?! | 0:45:33 | 0:45:34 | |
-We hadn't decided anything. -Stop lying to me! | 0:45:34 | 0:45:37 | |
I'm sick of grown-ups lying to me. | 0:45:37 | 0:45:40 | |
I'm not lying to you. I don't know what's wrong. | 0:45:40 | 0:45:43 | |
"Father might take us fishing," that's what she said, | 0:45:43 | 0:45:46 | |
"in just a few weeks," and he died the next morning. | 0:45:46 | 0:45:50 | |
That wasn't a lie, Peter. That was your mother's hope. | 0:45:50 | 0:45:54 | |
He barely moved for a week, | 0:45:54 | 0:45:55 | |
but I started planning our fishing trip. | 0:45:55 | 0:45:58 | |
I will never lie to you. | 0:45:58 | 0:46:00 | |
I promise you that. | 0:46:00 | 0:46:02 | |
No, all you'll do is teach me to make up stupid stories | 0:46:02 | 0:46:05 | |
and pretend that things aren't happening until... | 0:46:05 | 0:46:08 | |
I won't! I'm not blind! I won't be made a fool! | 0:46:14 | 0:46:17 | |
What's this? Peter. | 0:46:19 | 0:46:22 | |
The play. | 0:46:22 | 0:46:24 | |
Darling, I wanted to see the rest of it. | 0:46:24 | 0:46:27 | |
Magic's gone out of it a bit now, hasn't it? | 0:46:30 | 0:46:33 | |
All because of a silly chest cold. | 0:46:33 | 0:46:35 | |
DOG WHINES | 0:46:59 | 0:47:01 | |
MAN TALKS INDISTINCTLY | 0:47:01 | 0:47:04 | |
Well, I tried to incorporate into this the idea of... | 0:47:04 | 0:47:08 | |
civil liberties being breached. | 0:47:08 | 0:47:10 | |
And governments don't really have the right. | 0:47:10 | 0:47:13 | |
James. | 0:47:19 | 0:47:20 | |
Well, you remember Gilbert Cannan, don't you? | 0:47:22 | 0:47:24 | |
Good evening. | 0:47:24 | 0:47:27 | |
Mr Cannan has been working on the committee | 0:47:27 | 0:47:29 | |
to fight government censorship. | 0:47:29 | 0:47:31 | |
I know how involved you've been as well. | 0:47:32 | 0:47:35 | |
He wanted to speak to you. Did think you'd be home so much sooner. | 0:47:35 | 0:47:38 | |
-It's been a long evening, Mary. -Yes. | 0:47:40 | 0:47:43 | |
Well, if I'd realised how late it was, of course... | 0:47:43 | 0:47:47 | |
I should perhaps talk to you at another time? | 0:47:47 | 0:47:49 | |
-Not so late? -That will be fine. | 0:47:49 | 0:47:51 | |
We'll talk then. Thank you for your patience, Mrs Barrie. Mr Barrie. | 0:47:56 | 0:48:01 | |
-Goodnight. -Goodnight. | 0:48:01 | 0:48:03 | |
DOOR OPENS AND CLOSES | 0:48:09 | 0:48:13 | |
Well, aren't you going to speak? | 0:48:20 | 0:48:22 | |
What would you like me to say? | 0:48:23 | 0:48:24 | |
"Curious how late Mr Cannan stayed," I suppose. | 0:48:26 | 0:48:30 | |
And then, let's see - what comes next? | 0:48:30 | 0:48:32 | |
"No later than you were out, James. | 0:48:35 | 0:48:38 | |
"And how is Mrs Davies this evening?" | 0:48:38 | 0:48:41 | |
Oh, yes, I'd have a great answer for that one, wouldn't I? | 0:48:41 | 0:48:43 | |
How dare you? | 0:48:43 | 0:48:46 | |
This isn't one of your plays. | 0:48:48 | 0:48:50 | |
I know that, Mary. | 0:48:50 | 0:48:51 | |
It's quite serious. | 0:48:51 | 0:48:54 | |
But I'm not ready for this conversation, wherever it may lead. | 0:48:57 | 0:49:00 | |
Perhaps we can talk in the morning, yes? Goodnight, then. | 0:49:00 | 0:49:02 | |
DOOR CLOSES | 0:49:11 | 0:49:12 | |
Uh, Mr Barrie. | 0:50:24 | 0:50:25 | |
Don't you agree this is a little bit tight? | 0:50:25 | 0:50:27 | |
No. No, in fact, I think it's quite...baggy. | 0:50:29 | 0:50:32 | |
-Baggy? -Quite frumpy. | 0:50:32 | 0:50:34 | |
-I'd bring it right in just there. -That's very tight. | 0:50:34 | 0:50:36 | |
Right there, and maybe a plank of wood there to straighten him up. | 0:50:36 | 0:50:39 | |
-Oh, yes, Mr Barrie. -Plank of wood? | 0:50:39 | 0:50:41 | |
-Some wood there in the shoulders. -Mm-hm. | 0:50:41 | 0:50:44 | |
Otherwise, it's marvellous. | 0:50:44 | 0:50:45 | |
Right, sir. | 0:50:45 | 0:50:47 | |
DOG BARKS | 0:50:48 | 0:50:51 | |
BARKING CONTINUES | 0:50:53 | 0:50:56 | |
HE GASPS | 0:50:58 | 0:50:59 | |
-You'll be sick tomorrow. -I'll be sick tonight. | 0:50:59 | 0:51:02 | |
HE SNORTS AND LAUGHS | 0:51:04 | 0:51:06 | |
James! | 0:51:06 | 0:51:08 | |
We're just having some tea. | 0:51:09 | 0:51:10 | |
-You remember my mother, of course. -Yes, of course. How do you do? | 0:51:10 | 0:51:14 | |
BOYS LAUGH | 0:51:14 | 0:51:17 | |
May I take your hat? BOYS LAUGH LOUDER | 0:51:18 | 0:51:20 | |
That's enough, boys! | 0:51:20 | 0:51:22 | |
HE MAKES A WAR CRY | 0:51:22 | 0:51:24 | |
Boys, please don't run in the house. You'll break something. | 0:51:25 | 0:51:27 | |
Come away from that door. Come on. Come on, come on. | 0:51:27 | 0:51:29 | |
I'd like a word with you, Mr Barrie, before you go. | 0:51:29 | 0:51:33 | |
We'll only be a few minutes. | 0:51:33 | 0:51:35 | |
Boys, why don't you go and play in the garden. Go on! | 0:51:35 | 0:51:37 | |
-Is he in trouble? -Shh. | 0:51:37 | 0:51:39 | |
Because I've been alone with Grandmother, | 0:51:39 | 0:51:41 | |
and I know what it's like. | 0:51:41 | 0:51:43 | |
Shall we retire into the study? | 0:51:43 | 0:51:45 | |
Why don't you join them, dear? | 0:51:45 | 0:51:47 | |
Very well. | 0:51:47 | 0:51:49 | |
-I do apologise for interrupting. -Would you close the door, please? | 0:51:50 | 0:51:53 | |
Certainly. | 0:51:53 | 0:51:55 | |
Sylvia has told me | 0:51:55 | 0:51:57 | |
you've offered her the services of your household staff. | 0:51:57 | 0:52:00 | |
Um, well, not exactly. | 0:52:00 | 0:52:02 | |
That won't be necessary. | 0:52:02 | 0:52:04 | |
I'll leave that to Sylvia, of course. | 0:52:04 | 0:52:07 | |
You'll leave that to me, Mr Barrie. | 0:52:07 | 0:52:10 | |
You see, I'm moving in here from now on. | 0:52:10 | 0:52:12 | |
-You're moving in? -I'm going where I'm most needed. | 0:52:13 | 0:52:16 | |
And I can certainly see to it that this house is managed | 0:52:17 | 0:52:20 | |
without resorting to your charity. | 0:52:20 | 0:52:22 | |
It isn't charity, Mrs du Maurier. | 0:52:22 | 0:52:24 | |
I was only trying to help as a friend. | 0:52:24 | 0:52:26 | |
Have you no idea how much your friendship | 0:52:26 | 0:52:29 | |
has already cost my daughter? | 0:52:29 | 0:52:31 | |
Or are you really that selfish? | 0:52:31 | 0:52:34 | |
I beg your pardon? | 0:52:34 | 0:52:36 | |
Don't you see what a visit to the summer cottage of a married man | 0:52:36 | 0:52:41 | |
does for a widow's future prospects? | 0:52:41 | 0:52:44 | |
Sylvia needs to find someone. The boys need a father. | 0:52:45 | 0:52:49 | |
And you are destroying any hope this family has | 0:52:52 | 0:52:54 | |
of pulling itself together again. | 0:52:54 | 0:52:56 | |
I have only wanted good things for this family, Mrs du Maurier. | 0:52:56 | 0:53:00 | |
I'll look after them. | 0:53:00 | 0:53:02 | |
You have your own family to concern yourself with. | 0:53:03 | 0:53:06 | |
What are you suggesting? | 0:53:06 | 0:53:08 | |
I'm suggesting that you protect what you have, Mr Barrie. | 0:53:08 | 0:53:11 | |
That is precisely what I am doing. | 0:53:12 | 0:53:15 | |
I was so certain what I would find in this. | 0:53:37 | 0:53:41 | |
Some little confession would leak out onto the page. | 0:53:41 | 0:53:44 | |
I don't write love notes in my journal. | 0:53:45 | 0:53:48 | |
No. | 0:53:48 | 0:53:49 | |
Still, you knew who I meant, didn't you? | 0:53:50 | 0:53:53 | |
That's some comfort, actually. | 0:53:54 | 0:53:56 | |
Means I know you just a little after all. | 0:53:56 | 0:54:00 | |
You needn't steal my journal to get to know me, Mary. | 0:54:00 | 0:54:03 | |
No. | 0:54:03 | 0:54:04 | |
I suppose I could just go see the plays. | 0:54:04 | 0:54:07 | |
I was hopelessly naive when I married you. | 0:54:10 | 0:54:14 | |
I imagined that brilliant people disappeared to some secret place | 0:54:16 | 0:54:21 | |
where good ideas floated around like leaves in autumn. | 0:54:21 | 0:54:25 | |
And I...hoped, at least... | 0:54:25 | 0:54:29 | |
once... | 0:54:29 | 0:54:31 | |
you would take me there with you. | 0:54:31 | 0:54:33 | |
There is no such place. | 0:54:34 | 0:54:36 | |
Yes, there is. | 0:54:39 | 0:54:41 | |
Neverland. | 0:54:42 | 0:54:44 | |
It's the best you've written, James. | 0:54:46 | 0:54:49 | |
And I'm sure the Davies will adore the world you've created for them. | 0:54:49 | 0:54:53 | |
I only wish I were part of it. | 0:54:53 | 0:54:56 | |
I've wanted you to be. | 0:54:56 | 0:54:59 | |
I've tried. | 0:54:59 | 0:55:00 | |
Mary, I always imagined us going off on great adventures | 0:55:04 | 0:55:07 | |
once we were together. | 0:55:07 | 0:55:09 | |
But we moved into this house, and you started... I don't know. | 0:55:10 | 0:55:13 | |
You started rearranging the furniture. | 0:55:13 | 0:55:16 | |
What was I supposed to do, James? | 0:55:16 | 0:55:18 | |
You were always gone. | 0:55:18 | 0:55:19 | |
I was right here. | 0:55:19 | 0:55:21 | |
Sitting in your parlour, staring off into other worlds, | 0:55:21 | 0:55:23 | |
as though I didn't exist. | 0:55:23 | 0:55:25 | |
Look, just give me a bit more time to finish up the play. | 0:55:28 | 0:55:31 | |
To spend with your muse? | 0:55:31 | 0:55:33 | |
No, I'm tired of waiting, James. | 0:55:33 | 0:55:35 | |
I'm tired of looking like a fool. | 0:55:35 | 0:55:37 | |
Well, I can't very well give up the play. | 0:55:40 | 0:55:41 | |
Of course not. | 0:55:44 | 0:55:46 | |
Just come home to me at the end of the day. | 0:55:46 | 0:55:50 | |
Rehearse and be home for dinner. | 0:55:50 | 0:55:52 | |
No more trips to the country, no more long afternoons in the park. | 0:55:52 | 0:55:55 | |
If you can't give us that much of a chance... | 0:55:56 | 0:56:01 | |
then we must end this. | 0:56:01 | 0:56:03 | |
And I will. | 0:56:05 | 0:56:07 | |
-Pitiful display. -HE LAUGHS | 0:56:12 | 0:56:16 | |
WHISTLE BLOWS | 0:56:19 | 0:56:20 | |
Nanny. Nanny. | 0:56:20 | 0:56:22 | |
What? | 0:56:22 | 0:56:24 | |
Um, first you get the pyjamas, then you make the bed. | 0:56:24 | 0:56:29 | |
With my paws? | 0:56:30 | 0:56:31 | |
You make the bed with your paws. The pyjamas you get with your teeth. | 0:56:31 | 0:56:35 | |
Because, in fact, being a dog, | 0:56:35 | 0:56:38 | |
you haven't any proper digits, have you? | 0:56:38 | 0:56:40 | |
Well, I don't have any teeth either. | 0:56:40 | 0:56:43 | |
I mean, I can't see, I can't breathe. | 0:56:43 | 0:56:45 | |
All I've got is this rubbery snout. | 0:56:45 | 0:56:49 | |
Can we get him some teeth? | 0:56:52 | 0:56:54 | |
He can have mine. | 0:56:54 | 0:56:56 | |
We'll get you teeth. | 0:56:56 | 0:56:58 | |
Let's have a wee break, shall we? | 0:56:58 | 0:57:00 | |
Aye. | 0:57:00 | 0:57:01 | |
-I thought you were wonderful. -You were marvellous. | 0:57:04 | 0:57:06 | |
You're better on four legs than you are on two. | 0:57:06 | 0:57:08 | |
-Oh, give it a rest. -I do! | 0:57:08 | 0:57:09 | |
-Just say it, Charles. Go on. -Well, you picture it, James. | 0:57:11 | 0:57:15 | |
Opening night - doctors, lawyers, businessmen and their wives, | 0:57:15 | 0:57:19 | |
all dressed to the nines. | 0:57:19 | 0:57:20 | |
They've paid good money, they're expecting theatre - | 0:57:20 | 0:57:22 | |
what we call theatre. | 0:57:22 | 0:57:25 | |
The curtain opens, and it's crocodiles and fairies | 0:57:25 | 0:57:27 | |
and pirates and Indians. | 0:57:27 | 0:57:29 | |
I don't even know what it is. | 0:57:29 | 0:57:31 | |
But you did know, Charles. | 0:57:32 | 0:57:34 | |
You're an absolute genius, Charles. | 0:57:34 | 0:57:36 | |
-That's it. -Oh, don't patronise me, James. | 0:57:36 | 0:57:38 | |
You know how much money I put into this show I haven't even found yet? | 0:57:38 | 0:57:41 | |
Listen, listen. Opening night, I want 25 seats set aside. | 0:57:41 | 0:57:44 | |
-Set aside? 25? -25 seats. Right. | 0:57:44 | 0:57:47 | |
Scattered throughout the theatre. Two here, two there, three up there. | 0:57:47 | 0:57:49 | |
-Are they paid for? -They're filled. | 0:57:49 | 0:57:51 | |
-No, no, no. I'm asking. -The seats are filled. Don't worry. | 0:57:51 | 0:57:53 | |
-Asking if they're paid for. -Uncle Jim? | 0:57:53 | 0:57:55 | |
-Hello, boys. -Could I speak to you, please? | 0:57:55 | 0:57:58 | |
Certainly, certainly. | 0:57:58 | 0:57:59 | |
-25 seats, Charles. -Yeah, James? | 0:57:59 | 0:58:01 | |
-It'll be great. It'll be fantastic. -25 scattered seats. | 0:58:01 | 0:58:03 | |
-Who's paying for them? -Throughout the theatre. | 0:58:03 | 0:58:05 | |
Yeah, who's paying for these 25 scattered... | 0:58:05 | 0:58:07 | |
They're filled-up seats, Charles. | 0:58:07 | 0:58:08 | |
Whoa! | 0:58:08 | 0:58:12 | |
-This is great! I'm flying! -Yeah, you're flying. | 0:58:12 | 0:58:13 | |
We don't need to use much pull at all, see? | 0:58:13 | 0:58:15 | |
As long as we've got the balance down. | 0:58:15 | 0:58:18 | |
Mother asked me to take the boys out for the afternoon. | 0:58:18 | 0:58:20 | |
She said she only wanted a bit of quiet. | 0:58:20 | 0:58:23 | |
But she was trembling so badly, she couldn't even finish her tea. | 0:58:23 | 0:58:26 | |
I'm not a fool, Uncle James. | 0:58:27 | 0:58:29 | |
I deserve to know the truth. | 0:58:29 | 0:58:30 | |
I don't know the truth. She won't talk about it. | 0:58:30 | 0:58:33 | |
But you think it's serious? | 0:58:33 | 0:58:35 | |
It could be. | 0:58:36 | 0:58:38 | |
The doctor felt she should go and have some tests. | 0:58:38 | 0:58:40 | |
Then you'll have to convince her to go, then. | 0:58:40 | 0:58:42 | |
I've tried. She won't listen to me. | 0:58:42 | 0:58:45 | |
And lately, to be quite honest, | 0:58:46 | 0:58:47 | |
it seems that all my best intentions for your family | 0:58:47 | 0:58:49 | |
have come to nothing but harm. | 0:58:49 | 0:58:51 | |
Apparently, I've made quite a mess of things. | 0:58:51 | 0:58:53 | |
It's Grandmother, isn't it? | 0:58:53 | 0:58:55 | |
She's run you off, hasn't she? | 0:58:55 | 0:58:57 | |
Oh, she's absolutely tried with great effort and... | 0:58:57 | 0:59:00 | |
and perhaps with good reason. | 0:59:00 | 0:59:02 | |
It isn't you, Uncle Jim, she just... | 0:59:02 | 0:59:05 | |
She just doesn't want to see Mother hurt anymore. | 0:59:05 | 0:59:08 | |
Look at that. | 0:59:13 | 0:59:15 | |
How magnificent. | 0:59:15 | 0:59:18 | |
The boy's gone. | 0:59:19 | 0:59:21 | |
Somewhere during the last 30 seconds, you've become a grown-up. | 0:59:23 | 0:59:27 | |
Right, then. I think you should be the one to talk to her, George. | 0:59:29 | 0:59:32 | |
But I wouldn't know what to say. | 0:59:32 | 0:59:34 | |
You'll do fine. | 0:59:34 | 0:59:36 | |
You'll do just fine. | 0:59:36 | 0:59:37 | |
Mr Barrie, sir. | 0:59:37 | 0:59:39 | |
Sorry to interrupt. Um, it's Nana. | 0:59:39 | 0:59:43 | |
He's expired backstage. | 0:59:43 | 0:59:44 | |
What's happened? | 0:59:44 | 0:59:46 | |
I think his costume is too tight. | 0:59:46 | 0:59:47 | |
That's not possible, too ti... | 0:59:47 | 0:59:50 | |
George, give me a minute. I'll be back. | 0:59:50 | 0:59:52 | |
Pull that one tight. | 0:59:57 | 0:59:58 | |
Here. Last one. Good. | 0:59:58 | 1:00:01 | |
OK. Flap those wings. | 1:00:02 | 1:00:05 | |
-Hey! -Whoa! | 1:00:05 | 1:00:06 | |
-There. -Can I have a go? | 1:00:06 | 1:00:09 | |
Yeah, you can have a go if you want. Give that a tug. Go on. | 1:00:09 | 1:00:12 | |
-Can I have a go? Can I have a go? -In a minute. In a minute. | 1:00:12 | 1:00:15 | |
-Jack, pull me higher. -I have to concentrate. | 1:00:15 | 1:00:18 | |
-Stop it now, boys! -No, Michael! | 1:00:18 | 1:00:19 | |
-Stop mucking about, boys. Come on. -I want to do it! | 1:00:19 | 1:00:22 | |
-No! Don't go down there! -What?! What are you...? | 1:00:22 | 1:00:23 | |
Ah! Ow! | 1:00:25 | 1:00:27 | |
MEN SHOUT | 1:00:27 | 1:00:30 | |
Oh, no! Oh, no. I'm sorry. | 1:00:32 | 1:00:34 | |
I'm so sorry. | 1:00:34 | 1:00:36 | |
George? | 1:00:36 | 1:00:38 | |
Mr Barrie. | 1:00:43 | 1:00:45 | |
Mrs Davies would like a word. | 1:00:45 | 1:00:47 | |
No, just Mr Barrie. | 1:00:48 | 1:00:50 | |
Did you...encourage this? | 1:01:06 | 1:01:09 | |
Encourage what? | 1:01:09 | 1:01:11 | |
James, please. | 1:01:11 | 1:01:13 | |
You know perfectly well what. | 1:01:13 | 1:01:15 | |
George won't allow them to set his arm | 1:01:16 | 1:01:19 | |
unless I submit to an examination. | 1:01:19 | 1:01:22 | |
I see. | 1:01:24 | 1:01:25 | |
Well, I suppose you'll have to, then. | 1:01:25 | 1:01:27 | |
Cos he's quite a stubborn young man when he sets his mind to it. | 1:01:27 | 1:01:30 | |
But this is absurd. | 1:01:30 | 1:01:34 | |
They won't tell me anything different. | 1:01:34 | 1:01:36 | |
Different? | 1:01:36 | 1:01:38 | |
So you've already spoken to a doctor, then? | 1:01:39 | 1:01:41 | |
That is not your concern. | 1:01:41 | 1:01:43 | |
My understanding is that my condition may be quite serious. | 1:01:50 | 1:01:53 | |
However, my wish is that life should go on as normal. | 1:01:54 | 1:01:59 | |
So, I'll have the examination. | 1:02:00 | 1:02:03 | |
And I'll take whatever medications they advise. | 1:02:03 | 1:02:07 | |
But I don't want to know what they're for. | 1:02:07 | 1:02:09 | |
And I don't want you inquiring into it any further. | 1:02:09 | 1:02:13 | |
Wouldn't dream of it. | 1:02:15 | 1:02:16 | |
BELLS CHIME | 1:02:17 | 1:02:21 | |
Mary? | 1:02:34 | 1:02:36 | |
Mary! HE KNOCKS ON DOOR | 1:02:38 | 1:02:40 | |
Peter, could you help George to fold a pocket handkerchief, please? | 1:03:00 | 1:03:04 | |
They're in the linen cupboard. | 1:03:04 | 1:03:05 | |
-Darling? -Yes, Mother. | 1:03:05 | 1:03:07 | |
Jack. | 1:03:07 | 1:03:08 | |
How do you manage to always come untucked? | 1:03:08 | 1:03:11 | |
Would you check your shirt tails in the intermission, please? | 1:03:11 | 1:03:14 | |
Yes, Mother. | 1:03:14 | 1:03:15 | |
You're not planning on attending any after-theatre events, are you? | 1:03:15 | 1:03:18 | |
Only for a short time, if we do. | 1:03:18 | 1:03:19 | |
-The tickets! -With the children? | 1:03:19 | 1:03:22 | |
George! Um, possibly. | 1:03:22 | 1:03:24 | |
Would you see if George has the tickets, please? | 1:03:24 | 1:03:26 | |
-All right. -I'll just... | 1:03:26 | 1:03:27 | |
-check my dressing table. -Sylvia, there's a... | 1:03:27 | 1:03:29 | |
Mother, please see if George has the tickets. | 1:03:29 | 1:03:31 | |
Michael, where are your socks? | 1:03:31 | 1:03:33 | |
Um, wait here. Don't move. | 1:03:33 | 1:03:35 | |
SHE COUGHS | 1:03:37 | 1:03:39 | |
GENERAL CHATTER | 1:03:50 | 1:03:53 | |
-There. -Take her feet, George. | 1:04:08 | 1:04:11 | |
We'll need some more blankets. | 1:04:14 | 1:04:16 | |
Take Michael with you, would you? | 1:04:18 | 1:04:20 | |
She looks much worse than when we were at the cottage. | 1:04:23 | 1:04:27 | |
Shh, Michael. | 1:04:27 | 1:04:29 | |
-Those 25 seats. Has anyone shown up? -No, sir. Not yet. | 1:04:30 | 1:04:33 | |
Precisely. Have there been many people asking for seats? | 1:04:33 | 1:04:35 | |
-Yes, sir. -Charles... | 1:04:35 | 1:04:37 | |
I suggest you start selling them. | 1:04:37 | 1:04:38 | |
-Charles. -Yes, James? | 1:04:38 | 1:04:39 | |
Have you seen any of the Davies family this evening? | 1:04:39 | 1:04:41 | |
-The 25 seats, are they filled? -It's taken care of. | 1:04:41 | 1:04:43 | |
Yes, yes. Who did you invite? | 1:04:43 | 1:04:45 | |
Because obviously whoever you invited decided not to come. | 1:04:45 | 1:04:46 | |
-The seats will be filled, I promise. -Yes, you've been promising... | 1:04:46 | 1:04:49 | |
-Charles? -Hello, Mr Stanley. | 1:04:49 | 1:04:51 | |
Have you seen the Davies family this evening? | 1:04:51 | 1:04:52 | |
No, sir. | 1:04:52 | 1:04:53 | |
Jack has gone to get Dr Brighton. | 1:04:53 | 1:04:55 | |
Oh, no, Mother, I don't need a doctor. | 1:04:55 | 1:04:57 | |
Yes, you do, dear. | 1:04:57 | 1:04:59 | |
I think I'll get some chamomile to help you relax. | 1:05:01 | 1:05:04 | |
Peter will be here if you need anything. | 1:05:04 | 1:05:06 | |
SHE GROANS | 1:05:09 | 1:05:11 | |
Peter... | 1:05:13 | 1:05:15 | |
Peter. | 1:05:15 | 1:05:17 | |
SHE SIGHS | 1:05:20 | 1:05:23 | |
Can I do anything, Mother? | 1:05:25 | 1:05:27 | |
No, darling. | 1:05:27 | 1:05:29 | |
You must go to the play. | 1:05:30 | 1:05:32 | |
I can't do that. | 1:05:34 | 1:05:36 | |
Yes, you can. I need you to. | 1:05:36 | 1:05:40 | |
I need you to come back tonight and tell me every bit of it. | 1:05:40 | 1:05:43 | |
Please? | 1:05:45 | 1:05:47 | |
It's only a play, Mother. | 1:05:47 | 1:05:49 | |
It doesn't matter. | 1:05:49 | 1:05:51 | |
What do you want? | 1:05:57 | 1:05:59 | |
Take it out. | 1:05:59 | 1:06:00 | |
Open it. | 1:06:03 | 1:06:05 | |
I've never been so proud of you. | 1:06:15 | 1:06:18 | |
Last call, please, ladies and gentlemen. Last call... | 1:06:30 | 1:06:34 | |
Yes, yes, yes, yes. It's all right. They know. | 1:06:34 | 1:06:37 | |
We have time to sell those 25 seats. The play's starting. | 1:06:37 | 1:06:40 | |
-Charles, they're here. -What? | 1:06:52 | 1:06:54 | |
Who's here? | 1:06:54 | 1:06:56 | |
Forgive them being a bit late. Short legs. Long walk from the orphanage. | 1:07:00 | 1:07:03 | |
I'm not clear what they're doing here. | 1:07:03 | 1:07:05 | |
-They've come to see the play. -Mm-hm. | 1:07:05 | 1:07:07 | |
-That's the 25 seats. -Mmm. | 1:07:07 | 1:07:09 | |
25 seats given to orphans. Right. Now my nightmare is complete. | 1:07:09 | 1:07:13 | |
You can start your play now. | 1:07:13 | 1:07:16 | |
YOUR play. | 1:07:16 | 1:07:17 | |
Get them in the scattered seats. | 1:07:21 | 1:07:24 | |
Just there, boys. | 1:07:39 | 1:07:41 | |
Whoa! | 1:08:01 | 1:08:02 | |
There, sir. | 1:08:09 | 1:08:11 | |
Excuse me, sir. This way. | 1:08:13 | 1:08:14 | |
-We have a little gentleman. -Thank you. | 1:08:14 | 1:08:17 | |
Looks like we got one of the better dressed ones. | 1:08:17 | 1:08:21 | |
I just want you to know, I think you're a wonderful dog. | 1:08:21 | 1:08:25 | |
Thanks. | 1:08:25 | 1:08:27 | |
HE BARKS | 1:08:59 | 1:09:00 | |
CHILDREN LAUGH | 1:09:00 | 1:09:02 | |
BOY LAUGHS | 1:09:05 | 1:09:06 | |
SHE CHUCKLES | 1:09:09 | 1:09:10 | |
CHILDREN LAUGH | 1:09:18 | 1:09:20 | |
BARKING | 1:09:22 | 1:09:23 | |
I won't go to bed! I won't! I won't! | 1:09:25 | 1:09:28 | |
-BARKING -Nana, it isn't 6 o'clock yet. | 1:09:28 | 1:09:30 | |
Two minutes more. | 1:09:30 | 1:09:32 | |
-NANA GROWLS -Please? | 1:09:32 | 1:09:34 | |
One minute more. Nana, I will not be bathed! | 1:09:34 | 1:09:37 | |
I tell you, I will not...be...bathed. | 1:09:37 | 1:09:40 | |
-NANA BARKS LOUDLY -Eeh! | 1:09:40 | 1:09:41 | |
LAUGHTER | 1:09:41 | 1:09:44 | |
Who are you? | 1:09:45 | 1:09:47 | |
No-one there. | 1:09:53 | 1:09:55 | |
Yet I feel sure I saw a face. | 1:09:55 | 1:09:58 | |
My children! | 1:09:58 | 1:10:00 | |
How is she? | 1:10:01 | 1:10:03 | |
She's resting. | 1:10:04 | 1:10:06 | |
-May I see her? -No, Mr Barrie. | 1:10:06 | 1:10:08 | |
I don't think we need to include you | 1:10:08 | 1:10:09 | |
in everything that goes on in this household. | 1:10:09 | 1:10:11 | |
-But she'd want to see him! -Be quiet, George. | 1:10:11 | 1:10:12 | |
And since, as I've discovered, | 1:10:12 | 1:10:14 | |
you've seen fit to conceal certain facts | 1:10:14 | 1:10:16 | |
about my daughter's condition from me, | 1:10:16 | 1:10:18 | |
I feel no remorse at excluding you from my home. | 1:10:18 | 1:10:21 | |
-But you can't... -Go upstairs, George, now! | 1:10:21 | 1:10:24 | |
Stop ordering me about! | 1:10:24 | 1:10:25 | |
This isn't your home. It's OUR home. | 1:10:25 | 1:10:28 | |
Just cos Mother's needed your help recently | 1:10:28 | 1:10:29 | |
doesn't give you the right to rule over her existence. | 1:10:29 | 1:10:32 | |
She's not a child any more. Neither am I. | 1:10:32 | 1:10:35 | |
If she wants to see Uncle Jim, she can see Uncle Jim. | 1:10:35 | 1:10:37 | |
There's nothing you can do about it. | 1:10:37 | 1:10:39 | |
SHE COUGHS | 1:10:41 | 1:10:42 | |
Mother? | 1:10:42 | 1:10:44 | |
Yes, darling? | 1:10:44 | 1:10:46 | |
James. | 1:10:49 | 1:10:50 | |
No. | 1:10:50 | 1:10:52 | |
Your play! | 1:10:52 | 1:10:54 | |
Look at all this. | 1:10:56 | 1:10:58 | |
I'd have come tonight. It's just... | 1:11:00 | 1:11:01 | |
-Mother, you need to rest! -..I still have things to do here. | 1:11:01 | 1:11:04 | |
See? This needs mending. | 1:11:05 | 1:11:08 | |
Four boys. No end of patches. | 1:11:09 | 1:11:12 | |
Can't seem to keep up. | 1:11:12 | 1:11:14 | |
I haven't the time for all this. | 1:11:16 | 1:11:18 | |
Don't look at me like that, James. You make me feel so utterly exposed. | 1:11:18 | 1:11:23 | |
Boys, would you give me a moment with your mother, please? | 1:11:26 | 1:11:30 | |
Thank you. | 1:11:30 | 1:11:32 | |
They can see it, you know. | 1:11:51 | 1:11:53 | |
You can't go on just pretending. | 1:11:55 | 1:11:57 | |
Just pretending? | 1:11:57 | 1:12:00 | |
You brought pretending into this family, James. | 1:12:03 | 1:12:07 | |
You showed us we can change things | 1:12:08 | 1:12:10 | |
by simply believing them to be different. | 1:12:10 | 1:12:11 | |
A lot of things, Sylvia. Not everything. | 1:12:11 | 1:12:14 | |
But the things that matter. | 1:12:14 | 1:12:15 | |
We've pretended for some time now that... | 1:12:17 | 1:12:20 | |
..you're a part of this family, haven't we? | 1:12:21 | 1:12:23 | |
You've come to mean so much to us all that...now... | 1:12:29 | 1:12:33 | |
it doesn't matter if it's true. | 1:12:33 | 1:12:36 | |
And even if it isn't true... | 1:12:39 | 1:12:41 | |
even if that can never be... | 1:12:41 | 1:12:43 | |
..I need to go on pretending... | 1:12:47 | 1:12:49 | |
..until the end. | 1:12:51 | 1:12:53 | |
With you. | 1:12:56 | 1:12:58 | |
LAUGHTER Oh, I am sweet. | 1:12:59 | 1:13:02 | |
How do you do it? | 1:13:02 | 1:13:03 | |
You just think lovely, wonderful thoughts, | 1:13:03 | 1:13:06 | |
and they lift you up in the air. | 1:13:06 | 1:13:08 | |
AUDIENCE GASPS | 1:13:08 | 1:13:09 | |
You are so nippy at it. | 1:13:11 | 1:13:12 | |
Couldn't you do it very slowly once? | 1:13:12 | 1:13:15 | |
Yes, I've got it now, Wendy. | 1:13:20 | 1:13:22 | |
AUDIENCE LAUGHS | 1:13:22 | 1:13:24 | |
I must blow fairy dust on you first. | 1:13:24 | 1:13:27 | |
Now try. Try it from the beds. | 1:13:35 | 1:13:38 | |
Just wriggle your shoulders like this. And then let go. | 1:13:38 | 1:13:42 | |
THEY GASP | 1:13:42 | 1:13:44 | |
-I flew! -How ripping! | 1:13:44 | 1:13:46 | |
Lovely! | 1:13:46 | 1:13:47 | |
Now join hands. | 1:13:47 | 1:13:50 | |
-Look at me! -I do like it! | 1:13:54 | 1:13:56 | |
-Look at me! -CHEERING AND APPLAUSE | 1:13:56 | 1:13:58 | |
-Bravo! -Let's go out! | 1:13:58 | 1:14:00 | |
Second on the right and straight on till morning. | 1:14:02 | 1:14:05 | |
Genius. | 1:14:05 | 1:14:07 | |
WHISPERS: Sylvia, don't move. | 1:14:12 | 1:14:13 | |
-WHISPERS: -I feel a little better. | 1:14:13 | 1:14:15 | |
Oh, it's been a bad day, that's all. | 1:14:16 | 1:14:19 | |
I want you to go back to the theatre. | 1:14:21 | 1:14:24 | |
Find Peter. | 1:14:24 | 1:14:26 | |
Of course. | 1:14:26 | 1:14:28 | |
Thank you. | 1:14:29 | 1:14:30 | |
You sure there's nothing else I can do for you? | 1:14:34 | 1:14:36 | |
No. | 1:14:38 | 1:14:40 | |
Well... | 1:14:42 | 1:14:44 | |
I have always wanted to go to Neverland. | 1:14:44 | 1:14:46 | |
You did promise to tell me about it, you know. | 1:14:47 | 1:14:51 | |
Aye. That I did. | 1:14:51 | 1:14:53 | |
It's a bit late for it tonight, though, I'm afraid. | 1:14:53 | 1:14:58 | |
Perhaps some time soon, though. | 1:14:59 | 1:15:02 | |
Most definitely. | 1:15:09 | 1:15:11 | |
Do you mean we shall both be drowned? | 1:15:12 | 1:15:14 | |
Look how the water is rising. | 1:15:14 | 1:15:17 | |
It must be the tail of the kite we made for Michael. | 1:15:20 | 1:15:23 | |
You remember. It tore itself out of his hands and floated away. | 1:15:23 | 1:15:28 | |
The kite! | 1:15:29 | 1:15:30 | |
-Why shouldn't it carry you? -Both of us. | 1:15:30 | 1:15:34 | |
It can't lift two. Michael and Curly tried. | 1:15:34 | 1:15:38 | |
I won't go without you, Peter. | 1:15:38 | 1:15:41 | |
Let us draw lots which is to stay behind. | 1:15:41 | 1:15:43 | |
And you a lady? Never. | 1:15:43 | 1:15:45 | |
Ready, Wendy? | 1:15:49 | 1:15:51 | |
Peter! | 1:15:51 | 1:15:53 | |
Don't let go, Wendy! | 1:15:53 | 1:15:55 | |
Peter, I'm frightened. | 1:15:55 | 1:15:58 | |
Hang on, Wendy! | 1:15:58 | 1:15:59 | |
Peter! | 1:16:02 | 1:16:03 | |
To die will be an awfully big adventure. | 1:16:03 | 1:16:07 | |
I'm glad you came. | 1:16:22 | 1:16:24 | |
Well... | 1:16:24 | 1:16:26 | |
I've never missed an opening. | 1:16:26 | 1:16:28 | |
So I... | 1:16:30 | 1:16:32 | |
..assume you heard about Gilbert and I. | 1:16:33 | 1:16:35 | |
Yes. | 1:16:35 | 1:16:37 | |
Quite the scandal, so I'm told. | 1:16:38 | 1:16:41 | |
How are you? | 1:16:48 | 1:16:50 | |
I'm all right. | 1:16:55 | 1:16:56 | |
How are you? | 1:16:58 | 1:16:59 | |
I'm sorry. | 1:17:01 | 1:17:03 | |
Don't be. | 1:17:06 | 1:17:08 | |
Without that family, you could never have written anything like this. | 1:17:09 | 1:17:13 | |
You need them. | 1:17:14 | 1:17:16 | |
CHEERING AND APPLAUSE | 1:17:19 | 1:17:21 | |
Goodbye. | 1:17:23 | 1:17:25 | |
GENERAL CHATTER | 1:17:27 | 1:17:30 | |
-There they are! -I did indeed. Did indeed. | 1:17:30 | 1:17:33 | |
You look ten years younger. | 1:17:33 | 1:17:34 | |
-Mr Barrie. -Mrs Snow. | 1:17:37 | 1:17:39 | |
Thank you. | 1:17:39 | 1:17:40 | |
That was quite the nicest evening I've ever spent in the theatre. | 1:17:40 | 1:17:43 | |
Oh, that's very kind of you to say. Thank you. | 1:17:43 | 1:17:45 | |
Where's Mr Snow this evening? | 1:17:45 | 1:17:47 | |
Oh. I'm afraid he's left us. | 1:17:47 | 1:17:50 | |
And he would so have loved this evening. | 1:17:51 | 1:17:54 | |
The pirates and the Indians. | 1:17:54 | 1:17:56 | |
He was really just a boy himself, you know. | 1:17:56 | 1:17:59 | |
To the very end. | 1:18:00 | 1:18:02 | |
I'm terribly sorry. How are you doing? | 1:18:03 | 1:18:06 | |
I'm doing well enough now, thank you. | 1:18:06 | 1:18:10 | |
I suppose it's all the work of the ticking crocodile, isn't it? | 1:18:10 | 1:18:15 | |
Time is chasing after all of us. | 1:18:15 | 1:18:18 | |
Isn't that right? | 1:18:18 | 1:18:20 | |
That's right, Mrs Snow. | 1:18:20 | 1:18:22 | |
-Aunt Rose, your drink. -Thank you. | 1:18:22 | 1:18:25 | |
Mustn't keep you. You've a lot of friends here. | 1:18:25 | 1:18:27 | |
Well, it's lovely to see you. | 1:18:27 | 1:18:29 | |
-Thank you. -I'm terribly sorry, once again. | 1:18:29 | 1:18:31 | |
Was that Mr Barrie? | 1:18:32 | 1:18:34 | |
That was Mr Barrie. | 1:18:34 | 1:18:36 | |
-Well done, Mr Barrie. -Well done, Mr Barrie. | 1:18:36 | 1:18:38 | |
Thanks. | 1:18:38 | 1:18:39 | |
-Well done. Well done. -Well done, sir. Well done, sir. | 1:18:39 | 1:18:42 | |
Psst. | 1:18:44 | 1:18:46 | |
What do you think? | 1:18:47 | 1:18:49 | |
It's about our summer together, isn't it? | 1:18:49 | 1:18:52 | |
-It is. -About all of us. | 1:18:52 | 1:18:53 | |
That's right. | 1:18:53 | 1:18:55 | |
Do you like it? | 1:18:57 | 1:18:58 | |
It's magical. Thank you. | 1:18:59 | 1:19:02 | |
Oh, thank you. | 1:19:02 | 1:19:04 | |
Thank you, Peter. | 1:19:04 | 1:19:06 | |
-This is Peter Pan! How wonderful. -THEY ALL CHATTER | 1:19:07 | 1:19:10 | |
Really? You're Peter Pan? | 1:19:10 | 1:19:12 | |
Why, you must be quite the little adventurer. | 1:19:12 | 1:19:14 | |
Look, it's true. He has no shadow. | 1:19:14 | 1:19:16 | |
THEY ALL LAUGH | 1:19:16 | 1:19:17 | |
But I'm not Peter Pan. | 1:19:18 | 1:19:20 | |
He is. | 1:19:21 | 1:19:23 | |
THEY ALL LAUGH | 1:19:23 | 1:19:24 | |
And there's been no improvement in that | 1:19:33 | 1:19:35 | |
since my last visit? | 1:19:35 | 1:19:36 | |
No. | 1:19:38 | 1:19:40 | |
Has James been by at all today, Mother? | 1:19:45 | 1:19:47 | |
-KNOCK AT DOOR -Dr Brighton? | 1:19:49 | 1:19:51 | |
May I have a word? | 1:19:51 | 1:19:53 | |
Excuse me a moment. | 1:19:54 | 1:19:56 | |
You haven't been keeping him from me, have you? | 1:20:01 | 1:20:03 | |
As a matter of fact, I actually hoped he might come. | 1:20:04 | 1:20:07 | |
Would have proved me wrong about him. | 1:20:07 | 1:20:09 | |
Of course, with the success of his play, | 1:20:09 | 1:20:11 | |
the whole of London must be knocking at his door. | 1:20:11 | 1:20:14 | |
I'm sorry, dear. | 1:20:19 | 1:20:21 | |
-What is it? -It's a secret. | 1:20:25 | 1:20:27 | |
Quiet, Michael! | 1:20:27 | 1:20:29 | |
I didn't say anything. | 1:20:29 | 1:20:31 | |
Mother, could you come downstairs for a moment? | 1:20:31 | 1:20:33 | |
Of course she can't come downstairs. What are you thinking of, George? | 1:20:33 | 1:20:36 | |
Actually, I think a trip downstairs might do her good, ma'am. | 1:20:36 | 1:20:40 | |
SHE COUGHS | 1:20:41 | 1:20:42 | |
-What have you been up to? -Just wait and see. | 1:20:49 | 1:20:52 | |
It's a play. | 1:21:01 | 1:21:03 | |
It's not just A play, Michael. | 1:21:03 | 1:21:05 | |
It's THE play. | 1:21:05 | 1:21:07 | |
Of course, we'll have to make do with a few compromises. | 1:21:08 | 1:21:11 | |
Much of it will have to be imagined. | 1:21:11 | 1:21:13 | |
-As it should be. -As it should be. That's right. | 1:21:13 | 1:21:17 | |
There we go. | 1:21:22 | 1:21:24 | |
Michael, come and sit here, next to Mum. | 1:21:24 | 1:21:28 | |
When you're ready. | 1:21:31 | 1:21:32 | |
ORCHESTRA PLAYS DRAMATIC MUSIC | 1:21:34 | 1:21:36 | |
BOYS LAUGH | 1:21:46 | 1:21:48 | |
DOG BARKS | 1:21:51 | 1:21:53 | |
NANA BARKS | 1:21:53 | 1:21:56 | |
-I won't go to bed. I won't. I won't! -NANA BARKS | 1:21:58 | 1:22:01 | |
Nana, it isn't 6 o'clock yet. | 1:22:01 | 1:22:04 | |
-Two minutes more. Please? -NANA BARKS | 1:22:04 | 1:22:06 | |
You know fairies, Peter? | 1:22:06 | 1:22:09 | |
Yes. | 1:22:09 | 1:22:10 | |
But they're nearly all dead now. | 1:22:10 | 1:22:13 | |
You see, Wendy, when the first baby laughed for the first time, | 1:22:13 | 1:22:18 | |
the laugh broke into a thousand pieces | 1:22:18 | 1:22:20 | |
and they all went skipping about, | 1:22:20 | 1:22:22 | |
and that was the beginning of fairies. | 1:22:22 | 1:22:24 | |
And now when every new baby is born, | 1:22:24 | 1:22:27 | |
its first laugh becomes a fairy. | 1:22:27 | 1:22:30 | |
So there ought to be one fairy for every boy and girl. | 1:22:30 | 1:22:33 | |
-Ought to be? Isn't there? -Oh, no. | 1:22:33 | 1:22:36 | |
Children know such a lot now. | 1:22:36 | 1:22:38 | |
Soon they don't believe in fairies. | 1:22:38 | 1:22:40 | |
And every time a child says, "I don't believe in fairies," | 1:22:40 | 1:22:44 | |
there's a fairy somewhere that falls down dead! | 1:22:44 | 1:22:47 | |
BELL CHIMES | 1:22:47 | 1:22:49 | |
Who is that? | 1:22:50 | 1:22:52 | |
The redskins were defeated? | 1:22:55 | 1:22:57 | |
BELL CHIMES | 1:22:57 | 1:22:58 | |
Wendy and the boys captured by the pirates? | 1:22:58 | 1:23:01 | |
I'll rescue her. I'll rescue her! | 1:23:01 | 1:23:04 | |
Oh, that's just my medicine. | 1:23:06 | 1:23:08 | |
Poisoned? | 1:23:09 | 1:23:11 | |
Who could have poisoned it? | 1:23:11 | 1:23:14 | |
Why, Tink! | 1:23:15 | 1:23:17 | |
You've drunk my medicine. | 1:23:17 | 1:23:19 | |
It was poisoned? | 1:23:20 | 1:23:23 | |
And you drank it to save my life? | 1:23:25 | 1:23:27 | |
Tink... | 1:23:29 | 1:23:31 | |
Are you dying? | 1:23:33 | 1:23:35 | |
Her light is growing faint. | 1:23:39 | 1:23:42 | |
If it goes out, that means she's dead. | 1:23:44 | 1:23:47 | |
Her voice is so low, I can scarcely hear what she's saying. | 1:23:49 | 1:23:53 | |
She says she thinks she could get well again | 1:23:53 | 1:23:57 | |
if children believed in fairies. | 1:23:57 | 1:23:59 | |
Do you believe in fairies? | 1:24:06 | 1:24:07 | |
Say quick that you believe. | 1:24:09 | 1:24:12 | |
If you believe, clap your hands. | 1:24:16 | 1:24:18 | |
Clap louder. | 1:24:20 | 1:24:22 | |
Thank you. Thank you. | 1:24:27 | 1:24:31 | |
SHE SPEAKS INDISTINCTLY | 1:24:46 | 1:24:47 | |
That is Neverland. | 1:25:12 | 1:25:15 | |
LAUGHTER | 1:25:36 | 1:25:38 | |
So many perfect days. | 1:26:35 | 1:26:37 | |
I really began to believe we'd go on like that forever. | 1:26:39 | 1:26:42 | |
Oh, stop it. | 1:26:44 | 1:26:46 | |
She wasn't going to stay with you forever. | 1:26:46 | 1:26:49 | |
She had a husband - my father. | 1:26:49 | 1:26:53 | |
She never cared for you the way she did for him. | 1:26:53 | 1:26:56 | |
I'm not trying to replace your father, Peter. | 1:26:58 | 1:27:00 | |
I could never do that. | 1:27:00 | 1:27:02 | |
You'd best let him go. | 1:27:11 | 1:27:13 | |
George, would you take the boys back to the house? | 1:27:15 | 1:27:18 | |
I'll be with you in a moment. Go on, dear. | 1:27:18 | 1:27:21 | |
I'm terribly sorry. | 1:27:29 | 1:27:31 | |
I've ruined everything I've touched in this family. | 1:27:31 | 1:27:35 | |
Stop giving yourself so much credit. | 1:27:35 | 1:27:38 | |
Peter's grieving. It has nothing to do with you. | 1:27:38 | 1:27:41 | |
Perhaps if I just had a bit more time with him. | 1:27:44 | 1:27:46 | |
No, Mr Barrie. That won't be good enough. | 1:27:46 | 1:27:49 | |
If "a bit more time" is all you can provide, | 1:27:49 | 1:27:51 | |
you'd better leave him alone. | 1:27:51 | 1:27:54 | |
I know you don't much care for me, Mrs du Maurier, and I respect that, | 1:27:57 | 1:28:01 | |
but I loved your daughter very much. | 1:28:01 | 1:28:04 | |
And I love those boys. | 1:28:04 | 1:28:07 | |
And I think they need me right now. | 1:28:07 | 1:28:09 | |
Is that so? | 1:28:09 | 1:28:11 | |
And for how long after? | 1:28:11 | 1:28:13 | |
Meaning what? | 1:28:14 | 1:28:16 | |
Sylvia has requested a co-guardianship for the boys | 1:28:16 | 1:28:19 | |
in her will. | 1:28:19 | 1:28:20 | |
You, Mr Barrie... | 1:28:22 | 1:28:23 | |
..and myself. | 1:28:24 | 1:28:26 | |
And what do you have to say about that? | 1:28:28 | 1:28:30 | |
I shall respect my daughter's wishes. | 1:28:30 | 1:28:32 | |
Something I should have done more of while she was alive. | 1:28:33 | 1:28:37 | |
But if you feel you're not ready for such a commitment, | 1:28:39 | 1:28:41 | |
I assure you I can certainly look after the boys by myself. | 1:28:41 | 1:28:45 | |
Do you think I could abandon those boys? | 1:28:47 | 1:28:49 | |
Sit down, Peter. | 1:28:59 | 1:29:01 | |
Mother pasted it back together. | 1:29:20 | 1:29:22 | |
After I ruined it. | 1:29:23 | 1:29:25 | |
And then I saw the play. | 1:29:27 | 1:29:29 | |
I just started writing, | 1:29:29 | 1:29:31 | |
and I haven't been able to stop. | 1:29:31 | 1:29:33 | |
She would be very pleased to know that. | 1:29:35 | 1:29:37 | |
Listen... | 1:29:42 | 1:29:43 | |
I've just spoken with your grandmother, | 1:29:43 | 1:29:46 | |
and I'm staying. | 1:29:46 | 1:29:48 | |
For good. | 1:29:48 | 1:29:50 | |
I'm sorry I was so horrible. | 1:29:54 | 1:29:56 | |
Don't worry. | 1:29:58 | 1:29:59 | |
It's just... | 1:30:02 | 1:30:04 | |
..I thought she'd always be here. | 1:30:06 | 1:30:08 | |
So did I. | 1:30:11 | 1:30:12 | |
But, in fact... | 1:30:14 | 1:30:16 | |
..she is. | 1:30:19 | 1:30:21 | |
Because she's on every page... | 1:30:22 | 1:30:24 | |
..of your imagination. | 1:30:25 | 1:30:27 | |
You'll always have her there. Always. | 1:30:28 | 1:30:31 | |
But why did she have to die? | 1:30:37 | 1:30:39 | |
I don't know, boy. | 1:30:47 | 1:30:48 | |
When I think of your mother... | 1:30:53 | 1:30:55 | |
..I will always remember how happy she looked | 1:30:56 | 1:30:59 | |
sitting there in the parlour, | 1:30:59 | 1:31:02 | |
watching a play about her family, | 1:31:02 | 1:31:04 | |
about her boys that never grew up. | 1:31:04 | 1:31:08 | |
She went to Neverland. | 1:31:11 | 1:31:13 | |
And you can visit her any time you like, | 1:31:16 | 1:31:20 | |
if you just go there yourself. | 1:31:20 | 1:31:24 | |
How? | 1:31:26 | 1:31:27 | |
By believing, Peter. | 1:31:29 | 1:31:31 | |
Just believe. | 1:31:32 | 1:31:33 | |
I can see her. | 1:31:47 | 1:31:48 | |
Good boy. | 1:31:55 | 1:31:57 |