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These angry protesters are upset | 0:01:51 | 0:01:53 | |
over the relocation of felons in their town. | 0:01:53 | 0:01:55 | |
Let's hear from them. | 0:01:55 | 0:01:56 | |
How do you feel about felons in your community? | 0:01:56 | 0:01:59 | |
I'm a mum with four little kids, I don't like it. I say get out of town! | 0:01:59 | 0:02:04 | |
Our families don't want people like him here. Out! | 0:02:04 | 0:02:08 | |
I'm here in front of a group of angry protesters, | 0:02:13 | 0:02:16 | |
upset with the relocation of Arvin Ed Farnsworth. | 0:02:16 | 0:02:20 | |
Mr Farnsworth, how does it feel to be kicked out of three communities? | 0:02:20 | 0:02:25 | |
To hell with these people. I've got a place to go. | 0:02:25 | 0:02:28 | |
I've been invited to stay in a little town called Graves End. | 0:02:28 | 0:02:31 | |
Rumour has it you are investigating missing felons, in particular Luke Devilyn, | 0:02:40 | 0:02:44 | |
who is suspected in the Graves End kidnapping. | 0:02:44 | 0:02:46 | |
I have no comment. | 0:02:46 | 0:02:47 | |
Can you comment on what's happened to some of these felons? | 0:02:47 | 0:02:50 | |
None of the parolees in question are officially missing | 0:02:50 | 0:02:53 | |
and no-one has filed any complaints. I have nothing to say. | 0:02:53 | 0:02:56 | |
I didn't do anything! | 0:04:10 | 0:04:13 | |
Excuse me, Mr Graves. | 0:04:45 | 0:04:46 | |
-How are you feeling, Dan? -Thanks to you, I feel great. | 0:04:49 | 0:04:52 | |
I want to thank you for paying for my treatment. | 0:04:52 | 0:04:55 | |
-Lord knows, I couldn't afford it. -How long will you be gone? | 0:04:55 | 0:04:58 | |
A few months. Doctor says he'll need some time to recuperate. | 0:04:58 | 0:05:02 | |
We can't thank you enough for taking care of the hospital bills. | 0:05:02 | 0:05:06 | |
It was nothing. Dan, you just get better. | 0:05:06 | 0:05:08 | |
-Take care of Edna. -Will do, Mr Graves. | 0:05:08 | 0:05:10 | |
Thanks, Chrissy, I know you helped too. | 0:05:10 | 0:05:13 | |
In't that nice? | 0:05:27 | 0:05:29 | |
We're expecting a guest so I'd like you all to review the enclosed documents | 0:05:34 | 0:05:38 | |
so we can properly care for him. | 0:05:38 | 0:05:40 | |
Tag, you can count on us. | 0:05:40 | 0:05:42 | |
I know I can. Trust is what makes this town so special. | 0:05:42 | 0:05:46 | |
To Graves End and good friends. | 0:05:46 | 0:05:49 | |
Graves End and good friends. | 0:05:49 | 0:05:52 | |
-Doc, can I speak to you for a minute? -Sure can. | 0:05:56 | 0:06:02 | |
-I brought you a little something. -Why don't you bring it in? | 0:06:02 | 0:06:05 | |
So you think it'll look good here? | 0:06:17 | 0:06:19 | |
That's great. | 0:06:19 | 0:06:21 | |
I thought so, where everyone can appreciate it. | 0:06:21 | 0:06:24 | |
I forgot how much I love hiking. | 0:06:30 | 0:06:31 | |
I know, isn't it pretty? | 0:06:31 | 0:06:33 | |
Yeah, the bugs are great too. | 0:06:33 | 0:06:36 | |
You're too slow, you better keep up. | 0:06:36 | 0:06:38 | |
I thought you said you liked to hike. | 0:06:38 | 0:06:40 | |
I like to hike, but I prefer to stick to the trails. | 0:06:40 | 0:06:42 | |
-Yeah, but... -Jill! | 0:06:42 | 0:06:44 | |
Jill! Jill, are you OK? | 0:06:48 | 0:06:50 | |
I've hurt my leg. I don't think I can stand. | 0:06:50 | 0:06:52 | |
Can you go get a rope or something? | 0:06:52 | 0:06:54 | |
OK, just don't go anywhere. | 0:06:54 | 0:06:56 | |
Don't go anywhere? | 0:06:56 | 0:06:58 | |
You dumb ass, I can't go anywhere. | 0:06:58 | 0:07:01 | |
OK, I'll be right back. | 0:07:01 | 0:07:03 | |
-Afternoon. -Howdy sailor. | 0:08:01 | 0:08:03 | |
Anything I can do you for? | 0:08:03 | 0:08:05 | |
How about a water, no chaser. | 0:08:07 | 0:08:09 | |
You sure are a looker. Haven't seen you before. | 0:08:12 | 0:08:15 | |
That would make us just about even, haven't seen you around either. I'm passing through. | 0:08:15 | 0:08:19 | |
Don't pass to quick, somebody might want to catch you, like me. | 0:08:19 | 0:08:25 | |
-I'm Maudy. -Hi, Maudy. | 0:08:26 | 0:08:28 | |
Maudy, how's Sheriff Parker doing these days? | 0:08:28 | 0:08:31 | |
Right about now, he's a worm sandwich. | 0:08:31 | 0:08:33 | |
-Beg your pardon? -He's pushing up daisies, he bought the farm. | 0:08:33 | 0:08:36 | |
Oh, I'm sorry to hear that. | 0:08:36 | 0:08:39 | |
-What? -Just admiring the view. | 0:08:42 | 0:08:45 | |
You make me hungry. | 0:08:45 | 0:08:47 | |
Maudy, let me give you a piece of advice, my pretty little flower. | 0:08:50 | 0:08:55 | |
You be very careful what you ask for, | 0:08:55 | 0:08:58 | |
because you just might get it. | 0:08:58 | 0:09:02 | |
Them words just might come back to haunt you. | 0:09:05 | 0:09:08 | |
Oh, you are such a peach. | 0:09:08 | 0:09:10 | |
And you're a dandy. | 0:09:10 | 0:09:12 | |
If I can show you around town, I'd be glad to. Cheap. | 0:09:12 | 0:09:18 | |
I don't doubt that, Maudy, I don't doubt that at all. | 0:09:20 | 0:09:23 | |
You have a good afternoon, you hear. | 0:09:23 | 0:09:25 | |
And you too, | 0:09:25 | 0:09:27 | |
good looking. | 0:09:27 | 0:09:29 | |
Oh, shit. | 0:10:02 | 0:10:04 | |
Nice place. | 0:10:04 | 0:10:06 | |
It'd be a lot easier if I didn't have to share it with the fire department. | 0:10:06 | 0:10:10 | |
There you go. | 0:10:14 | 0:10:17 | |
You want to buy a ticket or you want to ask me something? | 0:10:19 | 0:10:21 | |
I know you from some place. | 0:10:21 | 0:10:23 | |
-I doubt it. -No, no, you look like... | 0:10:23 | 0:10:26 | |
You look like somebody. | 0:10:28 | 0:10:30 | |
I get that all the time. Curse of beauty, I guess. | 0:10:31 | 0:10:34 | |
I'm Special Agent Paul Rickman with the FBI. | 0:10:37 | 0:10:39 | |
Yes, you are. | 0:10:42 | 0:10:45 | |
Sheriff Bob Hooper, nice to know you. | 0:10:45 | 0:10:47 | |
Bob. | 0:10:47 | 0:10:48 | |
Well, Sheriff Bob Hooper, we've got a little problem with your town. | 0:10:50 | 0:10:53 | |
-That so? -Seems you've been collecting violent felons. | 0:10:53 | 0:10:56 | |
News to me. | 0:10:56 | 0:10:57 | |
You've had a menagerie of these felons wander into your hamlet. | 0:10:59 | 0:11:02 | |
Child molesters, serial rapists, the scum of the Earth. | 0:11:03 | 0:11:09 | |
This place is like a magnet, a vacuum cleaner, a veritable black hole for vermin. | 0:11:09 | 0:11:14 | |
However, once they get here, nobody ever seems to hear from them again. | 0:11:14 | 0:11:18 | |
Interesting town, Graves End. | 0:11:18 | 0:11:21 | |
They've always been good to me. | 0:11:21 | 0:11:23 | |
Have you seen any of these guys? | 0:11:23 | 0:11:25 | |
Him. | 0:11:26 | 0:11:28 | |
I know where he lives. | 0:11:28 | 0:11:31 | |
I tell you, having the morgue next door is convenient, | 0:11:31 | 0:11:34 | |
but never have much gotten used to places like this. | 0:11:34 | 0:11:37 | |
-Yeah, well welcome to the club. -There's something about the smell. | 0:11:37 | 0:11:40 | |
Whether it's a hospital or a place like here. | 0:11:40 | 0:11:42 | |
My parents were sick at the end of their life... | 0:11:42 | 0:11:45 | |
-The hell is that? -That's Fred. Sorry. | 0:11:47 | 0:11:51 | |
Unlike me, he... | 0:11:51 | 0:11:54 | |
comes out of the closet from time to time. | 0:11:54 | 0:11:56 | |
This is our extremely colourful town coroner and doctor. | 0:11:56 | 0:11:59 | |
-Doc, this is Special Agent Rickman. He's with the FBI. -We've met. | 0:11:59 | 0:12:03 | |
Doc. | 0:12:03 | 0:12:05 | |
So what brings you back to our town? | 0:12:06 | 0:12:09 | |
Our friend here wants to see our newest tenant. | 0:12:09 | 0:12:12 | |
OK. | 0:12:12 | 0:12:13 | |
So can I offer anyone a beverage? | 0:12:20 | 0:12:22 | |
Beer, wine, | 0:12:22 | 0:12:25 | |
a bong perhaps? | 0:12:25 | 0:12:28 | |
Can we just get on with this? | 0:12:28 | 0:12:30 | |
Hold on to your nose, he's going to be ripe. | 0:12:33 | 0:12:36 | |
What the hell's the matter with people? Why would anybody do this to a human being? | 0:12:43 | 0:12:48 | |
Have you ever seen anything like this before? | 0:12:48 | 0:12:51 | |
Yeah. | 0:12:51 | 0:12:52 | |
I'd like to go and see Mr Graves. | 0:13:00 | 0:13:01 | |
What for? | 0:13:01 | 0:13:03 | |
For old time's sake. | 0:13:03 | 0:13:06 | |
You're talking about Tockington Alexander Graves. | 0:13:06 | 0:13:09 | |
You don't just demand to be seen. | 0:13:09 | 0:13:11 | |
Ask Doc here, that's his brother-in-law. | 0:13:11 | 0:13:13 | |
He'll see me. | 0:13:19 | 0:13:21 | |
This is gnawing at me. I know I've seen you somewhere before Sheriff. | 0:13:34 | 0:13:38 | |
-You ever work on the east coast? -No. | 0:13:38 | 0:13:40 | |
That must have been somebody else. | 0:13:40 | 0:13:42 | |
You know, you look a little tense. | 0:13:47 | 0:13:49 | |
How well do you know Graves? | 0:13:51 | 0:13:54 | |
I don't know, not too well. | 0:13:54 | 0:13:56 | |
He seems like a genuine fella. | 0:13:56 | 0:13:57 | |
I tell you this, I don't think the town could do without him. | 0:13:57 | 0:14:00 | |
Yeah, he's a real treasure all right. | 0:14:00 | 0:14:03 | |
What, you know him? | 0:14:05 | 0:14:07 | |
We've got history. | 0:14:11 | 0:14:12 | |
It was the most high-profile case of my career. | 0:14:13 | 0:14:16 | |
Recovering the kidnapped child of multi-millionaire Tockington Alexander Graves. | 0:14:16 | 0:14:21 | |
Tell me again which way you want us to... | 0:14:21 | 0:14:23 | |
-Did we get him? -No, he wasn't on the line long enough. | 0:14:25 | 0:14:28 | |
Dammit. | 0:14:28 | 0:14:29 | |
The kidnappers gave us instructions | 0:14:34 | 0:14:35 | |
on where they want the 4 million delivered. | 0:14:35 | 0:14:37 | |
-I'm going to have one of my men go down to... -No. | 0:14:37 | 0:14:40 | |
Mr Graves insists on taking the money himself. | 0:14:41 | 0:14:44 | |
-I can't let him do that. -The hell you can't. It's done. | 0:14:53 | 0:14:56 | |
Now, where's the drop? | 0:14:56 | 0:14:59 | |
Tag was way over his head, so I sent two of my agents to trail his car. | 0:15:08 | 0:15:12 | |
The fates dealt me a lousy hand that night, some freak breakdown on a one lane bridge in God knows where. | 0:15:12 | 0:15:19 | |
And unfortunately, my men lost Tag. | 0:15:19 | 0:15:21 | |
Without my agents backing Tag up, | 0:15:30 | 0:15:32 | |
he had to face the kidnappers alone. | 0:15:32 | 0:15:35 | |
I got your money. Where's my son? | 0:15:53 | 0:15:55 | |
-Later, money first. -Bullshit, my boy or no money. | 0:15:55 | 0:15:58 | |
Not so tough now, huh, bitch? | 0:15:59 | 0:16:02 | |
-Tell me where my son is, now. -It wasn't my idea. I just... | 0:16:41 | 0:16:44 | |
Shut the fuck up. Take me to my boy. | 0:16:44 | 0:16:47 | |
You can't kill me, you'll never see your kid. | 0:16:47 | 0:16:49 | |
There are worse things than dying. | 0:16:49 | 0:16:51 | |
Devilyn's accomplice surprised Tag and they got away with the money. | 0:16:53 | 0:16:57 | |
The boy was found murdered. | 0:17:00 | 0:17:02 | |
He had been eviscerated and skinned. | 0:17:02 | 0:17:04 | |
Chrissy! | 0:17:10 | 0:17:11 | |
No. No, don't go. Don't look. | 0:17:11 | 0:17:13 | |
I don't want this to be the last image of Phillip. | 0:17:18 | 0:17:21 | |
-I want to see my baby! -Chrissy, don't look! | 0:17:21 | 0:17:23 | |
Oh my God, oh my God! My baby! | 0:17:34 | 0:17:37 | |
It's your fault! You killed my baby! Murderer! | 0:17:42 | 0:17:48 | |
You had to do it your way. | 0:17:48 | 0:17:51 | |
Oh God, you're a murderer! | 0:17:51 | 0:17:52 | |
You're a murderer! | 0:17:55 | 0:17:56 | |
SHE WAILS | 0:17:56 | 0:17:59 | |
Oh, boy, boy, yeah. | 0:18:15 | 0:18:17 | |
I'd say you've got some history there. | 0:18:17 | 0:18:19 | |
Tag definitely identified Luke Devilyn and we got him. | 0:18:19 | 0:18:24 | |
But the trial didn't quite go as planned. | 0:18:24 | 0:18:27 | |
-Where's Tag? -He's still at the court house. | 0:18:43 | 0:18:46 | |
I'm afraid | 0:18:46 | 0:18:48 | |
we've had a setback. | 0:18:48 | 0:18:50 | |
Our friend Rickman, | 0:18:52 | 0:18:54 | |
he just dropped the bomb. | 0:18:54 | 0:18:56 | |
-What are you telling me? -He didn't have probable cause for his search. | 0:18:56 | 0:19:00 | |
The defence just ate him up on the stand. | 0:19:00 | 0:19:02 | |
So what are you going to do? | 0:19:02 | 0:19:04 | |
-File a civil suit. -A civil suit?! | 0:19:04 | 0:19:07 | |
-Just tell me what happened? -The judge granted a motion to dismiss. They're letting him go. | 0:19:11 | 0:19:16 | |
They can't do that! | 0:19:16 | 0:19:18 | |
He is a filthy, murdering scum. They can't do that. | 0:19:18 | 0:19:20 | |
I am so very sorry, but unfortunately, under the law, even murderers have rights. | 0:19:20 | 0:19:26 | |
And what about my son's rights? | 0:19:26 | 0:19:29 | |
My rights, a mother's rights? | 0:19:29 | 0:19:31 | |
He's the one who should be dead. | 0:19:31 | 0:19:33 | |
He should be strung up and killed. | 0:19:33 | 0:19:35 | |
This isn't fair. | 0:19:42 | 0:19:46 | |
This just isn't fair. | 0:19:48 | 0:19:51 | |
I'm here for closure. | 0:19:54 | 0:19:56 | |
To fix a mistake. | 0:19:57 | 0:19:59 | |
Jesus, you must be real popular around here. | 0:20:01 | 0:20:03 | |
I'd say this, in about ten minutes, it's going to suck to be you. | 0:20:03 | 0:20:08 | |
He's dangerous. | 0:20:22 | 0:20:24 | |
Were not ready for him. | 0:20:25 | 0:20:27 | |
Child's play. | 0:20:29 | 0:20:31 | |
He's different. | 0:20:32 | 0:20:34 | |
Why are you pushing this? | 0:20:36 | 0:20:39 | |
Cos I like to see how the other half lives. | 0:20:39 | 0:20:41 | |
What other half, Tag? | 0:20:43 | 0:20:45 | |
The timid half. | 0:20:45 | 0:20:47 | |
Don't you have somewhere to go? | 0:20:52 | 0:20:53 | |
You always work so hard, Mark. | 0:21:22 | 0:21:25 | |
Would you like to come in for a drink? | 0:21:25 | 0:21:27 | |
You don't have to ask me twice. | 0:21:27 | 0:21:30 | |
I've waited all day for that. | 0:21:51 | 0:21:52 | |
Not half as long as I did. | 0:21:52 | 0:21:54 | |
Catch me if you want me. | 0:22:00 | 0:22:01 | |
What do you mean 'if'? | 0:22:05 | 0:22:08 | |
Hey man, can you tell me how to get to Graves End? | 0:22:24 | 0:22:28 | |
-That's easy. All you gotta do is head -- | 0:22:28 | 0:22:30 | |
Good morning, coach. | 0:23:18 | 0:23:20 | |
Hello, Maudy. | 0:23:20 | 0:23:22 | |
I'm here to pay my bill. | 0:23:22 | 0:23:24 | |
-Thank you. -So, what's new? -He's here. | 0:23:28 | 0:23:32 | |
-He say anything? -You gotta be kidding. | 0:23:36 | 0:23:38 | |
Those guys are tighter than a cow's ass in fly season. | 0:23:38 | 0:23:41 | |
Well, thank you, Maudy. | 0:23:43 | 0:23:46 | |
Let me know if you hear anything new. | 0:23:46 | 0:23:48 | |
For you, the moon. | 0:23:48 | 0:23:50 | |
Thank you doll face. | 0:23:50 | 0:23:51 | |
-Give my love to Chrissy. -I'll do it. | 0:23:53 | 0:23:55 | |
Hello, good looking. | 0:24:29 | 0:24:31 | |
Well, look what the cat dragged in. | 0:24:31 | 0:24:33 | |
Hey, Maudy. I need to get some gas. | 0:24:33 | 0:24:36 | |
You know, most people would put their gas tank next to the pump. | 0:24:36 | 0:24:39 | |
-Seems you found the Sheriff all right. -Oh, yeah. | 0:24:39 | 0:24:43 | |
How you doing, Bull? | 0:24:43 | 0:24:45 | |
All right, Maudy, how you doing? | 0:24:45 | 0:24:46 | |
Doing great. Seems you two handsome gentleman just missed Mr Graves. | 0:24:46 | 0:24:51 | |
Is that a fact? We're fixing on going over there right after this. | 0:24:51 | 0:24:56 | |
Looks like I've got to more customers. I'm going to have to go. | 0:24:56 | 0:25:00 | |
-See you later. -All right, good looking, we'll see you later. | 0:25:00 | 0:25:04 | |
Bull? | 0:25:06 | 0:25:08 | |
(Shit.) | 0:25:09 | 0:25:11 | |
Bull. | 0:25:18 | 0:25:20 | |
Robert Bull Hooper. | 0:25:20 | 0:25:23 | |
That's who you are. | 0:25:23 | 0:25:25 | |
Do these people know who you are? | 0:25:25 | 0:25:27 | |
They know all they need to know. | 0:25:27 | 0:25:29 | |
I'm their Sheriff, I'm a damn good one. | 0:25:29 | 0:25:31 | |
You're a damn good one, | 0:25:31 | 0:25:32 | |
a damn good psycho cop. | 0:25:32 | 0:25:36 | |
Damn good at blowing a motorist's head across three lanes of freeway. | 0:25:36 | 0:25:41 | |
Amazing what a 44 mag will do at point blank range, isn't it? | 0:25:43 | 0:25:47 | |
Made national headlines. | 0:25:47 | 0:25:49 | |
What's done is down. | 0:25:49 | 0:25:51 | |
And that's in the past. It's behind me now. | 0:25:51 | 0:25:53 | |
You know, I always wondered what happened to you. | 0:25:53 | 0:25:56 | |
I certainly understand how you ended up in this shithole. | 0:25:56 | 0:25:59 | |
May seem like a shithole to you, but to me it's a second chance. | 0:25:59 | 0:26:04 | |
Why don't you get in the car? | 0:26:09 | 0:26:11 | |
Let's get a move on, come on. | 0:26:11 | 0:26:12 | |
Chrissy, I need to get a few things in town and I'm a little short on cash. | 0:26:34 | 0:26:40 | |
Well we can't have that now, can we? | 0:26:43 | 0:26:45 | |
Here. | 0:26:54 | 0:26:55 | |
You can get whatever you want. You want this. | 0:26:55 | 0:26:59 | |
Thanks. I owe you. | 0:27:05 | 0:27:08 | |
You just paid in full. | 0:27:08 | 0:27:11 | |
Tag's here. Make yourself scarce. | 0:27:15 | 0:27:19 | |
-Thanks for showing up. -Sure, I'll be there in a minute. | 0:27:32 | 0:27:35 | |
I know you blame me for what happened. | 0:28:16 | 0:28:18 | |
But I know in my heart of hearts, no matter what I would have done, the outcome would have been the same. | 0:28:18 | 0:28:23 | |
Oh, Philip... Sleep peacefully my sweet child. | 0:28:34 | 0:28:40 | |
God sees the truth... | 0:28:42 | 0:28:44 | |
And waits. | 0:28:44 | 0:28:46 | |
I love you. | 0:28:48 | 0:28:50 | |
-'Graves manor.' -Hi, how are you doing? | 0:29:07 | 0:29:09 | |
We're here to see Mr Graves. | 0:29:09 | 0:29:12 | |
You know, I've never been on the other side of this gate. | 0:29:14 | 0:29:17 | |
This is only the tip of the iceberg. | 0:29:17 | 0:29:20 | |
How do you do, we're here to see Mr Graves. | 0:29:38 | 0:29:40 | |
My oh my, I must tell you, this is certainly | 0:29:42 | 0:29:45 | |
one of the nicest houses I've ever been in in my entire life. | 0:29:45 | 0:29:50 | |
-I'm Sheriff Hooper, this is Special Agent... -We've met. | 0:29:50 | 0:29:52 | |
We've been expecting you. | 0:29:52 | 0:29:54 | |
This way, gentlemen. | 0:29:54 | 0:29:56 | |
Agent Rickman, how pleased I am to see you again. | 0:30:09 | 0:30:12 | |
-How long has it been? -It's been about a year, Mr Graves. | 0:30:12 | 0:30:16 | |
11 months and 16 days is more precise. | 0:30:16 | 0:30:20 | |
Sheriff, I believe this is your first visit to my home, isn't it? | 0:30:20 | 0:30:24 | |
That's true. It's most impressive. | 0:30:24 | 0:30:26 | |
I understand you throw some swell shindigs here. | 0:30:26 | 0:30:28 | |
We'll have to invite you to one of our swell shindigs sometime. | 0:30:28 | 0:30:32 | |
Thank you so much. | 0:30:32 | 0:30:33 | |
So, agent, what brings you to my little corner of the world? | 0:30:33 | 0:30:37 | |
I'm afraid it's some old business, Mr Graves. | 0:30:37 | 0:30:40 | |
I've always found old business to be cold business. | 0:30:40 | 0:30:43 | |
I never discuss it without a warmer. sherriff? | 0:30:43 | 0:30:46 | |
I really shouldn't. I'm on duty. | 0:30:46 | 0:30:48 | |
sherriff, this is 20 year-old Scotch. | 0:30:48 | 0:30:50 | |
I insist. | 0:30:50 | 0:30:51 | |
Well, all right. I don't wanna seem inhospitable. | 0:30:52 | 0:30:55 | |
Departmental rules, sir. | 0:30:55 | 0:30:58 | |
The reason I'm here... | 0:30:58 | 0:31:00 | |
The reason is to live, to grow, otherwise we stagnate. Salut, sherriff. | 0:31:00 | 0:31:05 | |
Now, agent, let me show you my collection. | 0:31:07 | 0:31:10 | |
You too, sherriff. | 0:31:10 | 0:31:11 | |
You'll excuse the mess, my home is in constant renovation. | 0:31:11 | 0:31:14 | |
I call this... | 0:31:26 | 0:31:28 | |
the Great Hall. | 0:31:28 | 0:31:30 | |
Oh, boy! | 0:31:30 | 0:31:32 | |
You've been busy. You must be quite a marksman. | 0:31:32 | 0:31:34 | |
Oh, yeah. I got that one in Africa, in the Serengeti. A 900-yard shot. | 0:31:34 | 0:31:39 | |
In case you didn't know it, that is one hell of a shot. | 0:31:39 | 0:31:42 | |
Got that one in Spain on what used to be Franco's private reserve. | 0:31:42 | 0:31:46 | |
Bagged that buck in the rainforest back in 88, 300 miles downriver, 20 miles inland. | 0:31:46 | 0:31:51 | |
Rain like you can't imagine, bugs so big you could almost shoot them. | 0:31:51 | 0:31:56 | |
It was so worth it. | 0:31:56 | 0:31:59 | |
And who sleeps here? | 0:31:59 | 0:32:01 | |
-Your hunting go beyond animals, Mr Graves? -That... | 0:32:01 | 0:32:06 | |
That is a very rare item indeed. | 0:32:06 | 0:32:08 | |
That belonged to a wealthy man who perished at sea, in the Titanic. | 0:32:08 | 0:32:13 | |
How's that for irony? The man plans for a coffin and winds up in a tomb. | 0:32:13 | 0:32:16 | |
So many stories. | 0:32:16 | 0:32:19 | |
So, what's this about old business? | 0:32:19 | 0:32:24 | |
We found him. | 0:32:26 | 0:32:27 | |
-Dead, I hope. -Dead as can be. | 0:32:31 | 0:32:33 | |
Some hikers found him, actually. He's over at Doc's. | 0:32:33 | 0:32:37 | |
Where did he die? | 0:32:43 | 0:32:45 | |
We don't know that, yet. | 0:32:45 | 0:32:47 | |
Do you know when Mr Devilyn died? | 0:32:47 | 0:32:50 | |
No, we don't. | 0:32:50 | 0:32:51 | |
-Is there more? -You didn't ask me how he died, Mr Graves. | 0:32:52 | 0:32:55 | |
-OK. -He was skinned. | 0:32:55 | 0:32:57 | |
-Just like your son. -This isn't old business at all, is it? | 0:32:57 | 0:33:02 | |
Just following the evidence. | 0:33:02 | 0:33:04 | |
My client has nothing to say. | 0:33:04 | 0:33:06 | |
-I'll handle this. So you have no evidence when Mr Devilyn died? -No. | 0:33:06 | 0:33:11 | |
And you have no evidence where Mr Devilyn died? | 0:33:11 | 0:33:14 | |
-No. -Mmm-hmm. | 0:33:14 | 0:33:17 | |
And you have no evidence that could place me at the scene of the crime? | 0:33:17 | 0:33:20 | |
No. | 0:33:20 | 0:33:22 | |
And you still suspect me. | 0:33:22 | 0:33:24 | |
I'd love to hear more of what you don't know about this case. | 0:33:27 | 0:33:30 | |
Mr Graves, don't you think it little odd that | 0:33:30 | 0:33:32 | |
Luke Devilyn's body is discovered in your town, his body skinned, just like your son? | 0:33:32 | 0:33:39 | |
Isn't that a little bit too coincidental? | 0:33:39 | 0:33:43 | |
Coincidences are bound to happen. | 0:33:43 | 0:33:45 | |
There's an old saying, Mr Graves, "Coincidence after coincidence after coincidence... | 0:33:45 | 0:33:51 | |
"Is no longer a coincidence." | 0:33:51 | 0:33:53 | |
So, agent, | 0:33:53 | 0:33:55 | |
will you be charging me with a coincidence? | 0:33:55 | 0:33:57 | |
That's an interesting piece. | 0:34:08 | 0:34:10 | |
Where did you get that? | 0:34:13 | 0:34:15 | |
That is a recent addition to my collection. | 0:34:15 | 0:34:17 | |
See, African tribes make their shields out of animal hide, or the tanned skin of their enemies. | 0:34:17 | 0:34:25 | |
Barbaric, but if you saw someone you knew on a shield being brandished | 0:34:25 | 0:34:29 | |
by your enemy, you'd have second thoughts about attacking them. | 0:34:29 | 0:34:32 | |
Just the way to render your opposition impotent, wouldn't you say, Agent Rickman? | 0:34:32 | 0:34:37 | |
-We will speak again, Mr Graves. -I look forward to it. | 0:34:53 | 0:34:57 | |
Pass along my best wishes to your lovely wife. | 0:34:57 | 0:34:59 | |
She'll be pleased, I'm sure she'll appreciate that. | 0:34:59 | 0:35:02 | |
That went well. | 0:35:13 | 0:35:15 | |
I don't want you talking to him. | 0:35:17 | 0:35:19 | |
I can handle Rickman. | 0:35:19 | 0:35:21 | |
Now, if you'll excuse me. | 0:35:21 | 0:35:23 | |
How can you let that bastard Rickman into our home? | 0:35:31 | 0:35:34 | |
-I never agreed to that. -I had no choice. | 0:35:34 | 0:35:37 | |
You always have a choice. See, you could have said no. | 0:35:37 | 0:35:40 | |
You're never gonna change. | 0:35:40 | 0:35:42 | |
I'm wasting my time. | 0:35:42 | 0:35:43 | |
-Chrissy, don't. We can't... -We? | 0:35:43 | 0:35:45 | |
There's no "we." | 0:35:47 | 0:35:48 | |
There's no "us," it's just you. | 0:35:48 | 0:35:50 | |
I've had it. | 0:35:52 | 0:35:54 | |
Why do you deal with Tag's crap? | 0:36:18 | 0:36:20 | |
Seriously? Why do you do it? | 0:36:20 | 0:36:22 | |
It's a living. | 0:36:22 | 0:36:24 | |
What's your excuse? | 0:36:28 | 0:36:30 | |
We're working on it. | 0:36:30 | 0:36:33 | |
Like you've been working on your gardener? | 0:36:33 | 0:36:35 | |
We've never been friends, Tedesco. | 0:36:38 | 0:36:41 | |
You'll never know what it's like to lose a child, | 0:36:41 | 0:36:44 | |
something that's a part of you, that you gave birth to | 0:36:44 | 0:36:48 | |
and loved unconditionally. Yeah, I've got my reasons why I'm here. | 0:36:48 | 0:36:53 | |
But don't you ever, ever judge me. | 0:36:53 | 0:36:56 | |
The way I deal with my pain is none of your goddamn business. | 0:36:57 | 0:37:02 | |
But, hey, I guess we've all got our own | 0:37:02 | 0:37:04 | |
little agendas, don't we, Mr Tedesco? | 0:37:04 | 0:37:09 | |
Mobile tissues and erythema in nose and ear. | 0:37:09 | 0:37:17 | |
Tissue desiccation suggests six to eight months. | 0:37:20 | 0:37:24 | |
He's been in cold storage. | 0:37:25 | 0:37:27 | |
What the hell you talking about? When they found him, he was buried. | 0:37:27 | 0:37:30 | |
Then he's been buried for three to four days. | 0:37:30 | 0:37:33 | |
He hasn't thawed yet. | 0:37:33 | 0:37:34 | |
Why would they dump him now? That's crazy. | 0:37:34 | 0:37:37 | |
I don't know, the freezer conked out. | 0:37:37 | 0:37:39 | |
Maybe he was too big for the barbecue. | 0:37:39 | 0:37:41 | |
Or they were holding on to him, | 0:37:41 | 0:37:44 | |
release him later. | 0:37:44 | 0:37:46 | |
-Like bait. -Bait? | 0:37:46 | 0:37:49 | |
Bait for... Bait for what? | 0:37:51 | 0:37:53 | |
I'm gonna be here little bit longer than I thought. | 0:37:55 | 0:37:58 | |
Is there a motel in this town? | 0:37:58 | 0:38:00 | |
No, but Maudy will rent you a room if you wanted her to. | 0:38:00 | 0:38:03 | |
Stay at Maudy's? Do the doors lock? | 0:38:03 | 0:38:06 | |
Gentlemen, I'll be in touch, all right? | 0:38:07 | 0:38:10 | |
Oh, and Bull? | 0:38:10 | 0:38:12 | |
Let's try to stay focused, huh? | 0:38:13 | 0:38:16 | |
Try not to lose that famous temper of yours. | 0:38:17 | 0:38:20 | |
-He knows who you are. -Yeah. | 0:38:28 | 0:38:32 | |
Seems so. | 0:38:32 | 0:38:33 | |
Just when you think you've got everybody fooled, turns out they're always smarter than you are. | 0:38:33 | 0:38:39 | |
Well, none of us are perfect, Bull. Especially me. | 0:38:39 | 0:38:42 | |
We all have skeletons in our closet - hell, I've got a graveyard full. | 0:38:42 | 0:38:46 | |
That's true enough, I'm sure, but, you know, | 0:38:46 | 0:38:49 | |
your skeletons you can | 0:38:49 | 0:38:52 | |
lock back in the closet any time you see fit. | 0:38:52 | 0:38:56 | |
Mine are just... | 0:38:56 | 0:38:59 | |
Just lying in wait like some pit-bull ready to bite my ass every time I relax. | 0:38:59 | 0:39:03 | |
Oh, God! | 0:39:05 | 0:39:07 | |
When I was little boy, | 0:39:12 | 0:39:14 | |
I loved watching horror shows, you know? | 0:39:14 | 0:39:18 | |
Every Saturday night. | 0:39:18 | 0:39:20 | |
Frankenstein, Dracula, the Wolfman. | 0:39:20 | 0:39:23 | |
Everything in those movies, everything bad, always happened during a full moon. | 0:39:25 | 0:39:30 | |
I thought that was... | 0:39:32 | 0:39:34 | |
..I thought that was how it was in the movies. But... | 0:39:35 | 0:39:38 | |
It was a full moon that night, | 0:39:42 | 0:39:45 | |
when everything went down for me. | 0:39:45 | 0:39:47 | |
You don't have to talk about this. | 0:39:47 | 0:39:49 | |
Oh, Doc! | 0:39:49 | 0:39:51 | |
February, five years ago. | 0:39:51 | 0:39:54 | |
I'd been on the force, at that point, about... | 0:39:54 | 0:39:58 | |
I don't know, 15 years. | 0:39:58 | 0:40:00 | |
They wanted to... Doc, they wanted to make me a detective. | 0:40:00 | 0:40:04 | |
I said, "Sure," you know. | 0:40:04 | 0:40:06 | |
But they just had one more training assignment for me - | 0:40:06 | 0:40:09 | |
one more, you know? | 0:40:09 | 0:40:11 | |
Then I'd get to...move on up. | 0:40:11 | 0:40:15 | |
My wife Janine and I were real proud of that, | 0:40:15 | 0:40:17 | |
but I figured I'd do whatever they need me to do, you know? | 0:40:17 | 0:40:20 | |
HE SIGHS | 0:40:20 | 0:40:22 | |
So... | 0:40:22 | 0:40:24 | |
They assigned me this rookie - nice kid, his name was Jimmy. | 0:40:24 | 0:40:28 | |
He was married with a little boy. Oh, he loved that little boy, too. | 0:40:28 | 0:40:31 | |
He talked about him all the time. All the time. | 0:40:31 | 0:40:34 | |
I came across this...this sedan. | 0:40:34 | 0:40:37 | |
It was leaving for Port Logan. Routine traffic check. No big deal. | 0:40:37 | 0:40:43 | |
I didn't wanna get my fat ass out of the car, so I said, | 0:40:43 | 0:40:46 | |
"Jimmy, you go ahead. | 0:40:46 | 0:40:47 | |
"This one's yours. You wanna be a policeman, you go ahead. | 0:40:47 | 0:40:50 | |
"You be a policeman." | 0:40:50 | 0:40:51 | |
'GUNSHOT' | 0:40:54 | 0:40:56 | |
I didn't hear it... | 0:40:56 | 0:40:58 | |
I didn't hear a sound. | 0:40:59 | 0:41:01 | |
All I saw was a flash of light... | 0:41:03 | 0:41:05 | |
..come out of the... | 0:41:07 | 0:41:10 | |
driver's window. | 0:41:10 | 0:41:11 | |
And I saw Jimmy go down. | 0:41:13 | 0:41:15 | |
He went down so hard. | 0:41:19 | 0:41:20 | |
So I got myself out of that car as fast as I could | 0:41:22 | 0:41:26 | |
and I flagged down a motorist to look after that boy, | 0:41:26 | 0:41:31 | |
and I started chasing that piece of shit. | 0:41:31 | 0:41:35 | |
He was running. | 0:41:35 | 0:41:37 | |
He was younger than me. | 0:41:37 | 0:41:39 | |
I chased him for five minutes, ten minutes, then I lost him. | 0:41:40 | 0:41:44 | |
I heard on my radio that another unit picked him up, | 0:41:44 | 0:41:49 | |
so I made my way back to the scene, and I got there just in time | 0:41:49 | 0:41:54 | |
for the ambulance to pull away with dead Jimmy. | 0:41:54 | 0:41:58 | |
He had a little boy, Doc. | 0:41:58 | 0:42:00 | |
A beautiful young wife. | 0:42:00 | 0:42:02 | |
Then I look over and there's that perp, he's... | 0:42:04 | 0:42:07 | |
he's smiling. | 0:42:07 | 0:42:09 | |
He's not laughing, he's not chuckling, he's just... | 0:42:10 | 0:42:13 | |
He's just grinning like he's got some... | 0:42:15 | 0:42:17 | |
some joke on God. | 0:42:17 | 0:42:19 | |
So I did what I had to do. | 0:42:22 | 0:42:24 | |
I took out my gun and I blew his fucking head off. | 0:42:26 | 0:42:29 | |
Who's laughing now? | 0:42:32 | 0:42:33 | |
They brought me up for review. | 0:42:35 | 0:42:37 | |
It wasn't easy. | 0:42:37 | 0:42:39 | |
I went on trial, my wife Janine left me. | 0:42:39 | 0:42:42 | |
I don't blame her, I was...no good to her. | 0:42:42 | 0:42:46 | |
You're still wearing your wedding band. | 0:42:47 | 0:42:50 | |
I tried to take it off, Doc. | 0:42:50 | 0:42:51 | |
But I felt like whatever strength I had left was fading away. | 0:42:53 | 0:42:57 | |
Beware of those full moons, Doc. | 0:43:01 | 0:43:03 | |
Monsters just aren't in the movies, you know? | 0:43:05 | 0:43:07 | |
Hey! | 0:43:29 | 0:43:31 | |
Excuse me? | 0:43:31 | 0:43:33 | |
You can't be here, this is private property. | 0:43:33 | 0:43:35 | |
I'm sorry, I'm a little lost. | 0:43:35 | 0:43:37 | |
My truck broke down. | 0:43:37 | 0:43:39 | |
I can't help you, friend. | 0:43:39 | 0:43:41 | |
That isn't very neighbourly. | 0:43:41 | 0:43:43 | |
BODY FALLS TO GROUND | 0:43:46 | 0:43:48 | |
Hey, sweet cheeks! | 0:44:03 | 0:44:05 | |
Couldn't get enough of me, eh? | 0:44:05 | 0:44:06 | |
What man can, I say. | 0:44:06 | 0:44:08 | |
-I need a room. -Woah, sailor! | 0:44:08 | 0:44:10 | |
You've gotta buy me dinner first! | 0:44:10 | 0:44:12 | |
In that case, I'm gonna have to take a rain check. | 0:44:12 | 0:44:15 | |
I guess I'll just have to charge you 50 | 0:44:15 | 0:44:17 | |
instead of 40, cos you're being such an asshole. | 0:44:17 | 0:44:20 | |
Here, here. Keep the change. | 0:44:20 | 0:44:23 | |
It's around the corner, first house on the left, and here's the key. | 0:44:23 | 0:44:26 | |
Thank you. | 0:44:26 | 0:44:28 | |
Hey, call me if you need anything. | 0:44:28 | 0:44:31 | |
Anything at all. | 0:44:31 | 0:44:32 | |
Yeah. | 0:44:32 | 0:44:34 | |
ENGINE STARTS | 0:44:35 | 0:44:37 | |
HE SIGHS | 0:45:11 | 0:45:12 | |
Thought I'd close up shop a little early today, | 0:46:13 | 0:46:16 | |
-see if my tenant needs anything. -I could use some answers. | 0:46:16 | 0:46:19 | |
Fine and dandy, shoot. | 0:46:19 | 0:46:21 | |
-You ever see this man before? -No. | 0:46:21 | 0:46:24 | |
Look again. | 0:46:24 | 0:46:27 | |
Now, have you ever seen this man before? | 0:46:27 | 0:46:29 | |
Never seen him. | 0:46:29 | 0:46:32 | |
I found this in the room you rented me. | 0:46:32 | 0:46:34 | |
Has the initials LD on it, which stands for Luke Devilyn. | 0:46:34 | 0:46:38 | |
-So? -So he was obviously here. | 0:46:38 | 0:46:40 | |
Someone hid this under a floorboard. You have an explanation for that? | 0:46:40 | 0:46:44 | |
-No. -I'm here, Maudy, because this little town seems to welcome felons that nobody else wants. | 0:46:44 | 0:46:50 | |
You bring them in, you embrace them and then, poof, | 0:46:50 | 0:46:53 | |
they disappear without a trace, including one that I've been tracking for a very long time. | 0:46:53 | 0:46:58 | |
And then I find his money clip hidden in your house. | 0:46:58 | 0:47:01 | |
Now, doesn't that strike you as just a wee bit fishy? | 0:47:01 | 0:47:04 | |
No. | 0:47:04 | 0:47:06 | |
Maudy, you understand you're talking to an FBI agent? | 0:47:06 | 0:47:09 | |
And apparently, not a very good one! SHE LAUGHS | 0:47:09 | 0:47:12 | |
You see the way you're holding that money clip? | 0:47:12 | 0:47:15 | |
You're messing up the fingerprints. | 0:47:15 | 0:47:17 | |
Shouldn't you be using a hanky or tweezers or something? | 0:47:17 | 0:47:20 | |
You know, you're a nice lady, Maudy, and I like you. | 0:47:24 | 0:47:28 | |
But if you're screwing with me, | 0:47:28 | 0:47:30 | |
I'll book you so fast, your head'll spin like a merry-go-round on bad acid. | 0:47:30 | 0:47:34 | |
My head's been spun so many times, it ain't even funny. | 0:47:34 | 0:47:37 | |
Do I have an explanation? No. | 0:47:37 | 0:47:40 | |
Maybe you'd like me to explain the deficit, or who shot JFK, | 0:47:40 | 0:47:43 | |
or the Bermuda Triangle? | 0:47:43 | 0:47:46 | |
But that ain't happening. If I don't know, I don't know. | 0:47:46 | 0:47:49 | |
I think you know more than you're letting on, Maudy. | 0:47:49 | 0:47:53 | |
A lot more. | 0:47:53 | 0:47:55 | |
ENGINE STARTS | 0:48:01 | 0:48:02 | |
Bull? | 0:48:06 | 0:48:07 | |
Maudy. | 0:48:07 | 0:48:08 | |
HE GRUNTS | 0:48:37 | 0:48:40 | |
..All right, honey. Thanks for the information. | 0:49:06 | 0:49:09 | |
I appreciate it. Bye-bye. | 0:49:09 | 0:49:11 | |
-Who was that? -Maudy. | 0:49:12 | 0:49:14 | |
Hey, Doc, let me ask you a question. | 0:49:14 | 0:49:17 | |
You've known this Rickman character a long time. | 0:49:17 | 0:49:19 | |
-Does everything about him add up to you? -You know, he asked me to do a full autopsy on Devilyn. | 0:49:19 | 0:49:25 | |
The FBI lab, they've got all the goodies. It's just kind of strange. | 0:49:25 | 0:49:28 | |
Yeah. Yeah, it is. | 0:49:28 | 0:49:31 | |
Hey, you know, Maudy said he showed her some evidence | 0:49:31 | 0:49:33 | |
but that he was holding it in his fingers. | 0:49:33 | 0:49:36 | |
Now, I'm no Fed, you know, but I don't know anybody in law enforcement who does that. | 0:49:36 | 0:49:40 | |
-Maybe he forgot. -Yeah, I don't buy him. | 0:49:40 | 0:49:42 | |
I tell you something else she told me. She said that his car doesn't have E-plates on it. | 0:49:42 | 0:49:47 | |
-Hmm? -Government plates, you know? | 0:49:47 | 0:49:49 | |
Anybody doing government business has to have government plates. | 0:49:49 | 0:49:53 | |
That doesn't make him Dillinger. | 0:49:53 | 0:49:55 | |
Yeah, I'm not worried about Dillinger, I'm worried about Rickman. | 0:49:55 | 0:49:58 | |
He told me he didn't want his office involved. | 0:49:58 | 0:50:01 | |
That's actually more than strange, that's... That's bizarre. | 0:50:01 | 0:50:04 | |
Yes, it is. | 0:50:04 | 0:50:06 | |
Who you calling? | 0:50:07 | 0:50:09 | |
Hey, Sarah. Get me the FBI, please. | 0:50:09 | 0:50:12 | |
I'm just following a hunch. We'll get to the bottom of this. | 0:50:12 | 0:50:15 | |
How do you do, young lady? | 0:50:15 | 0:50:17 | |
I'm calling for Special Agent Paul Rickman, please. | 0:50:17 | 0:50:19 | |
What are you hoping to find out, Sherlock Holmes? | 0:50:19 | 0:50:21 | |
I don't know yet, Dr Watson. | 0:50:21 | 0:50:23 | |
R-I-C-K-M-A-N. | 0:50:27 | 0:50:29 | |
I'm sorry, I'm still here. | 0:50:37 | 0:50:38 | |
Thank you for all your help. | 0:50:38 | 0:50:40 | |
Bye-bye. | 0:50:40 | 0:50:42 | |
You look like you've seen a ghost. | 0:50:42 | 0:50:44 | |
Could be. | 0:50:44 | 0:50:46 | |
Rickman resigned from the FBI three months ago. | 0:50:46 | 0:50:49 | |
-Hi. I'm from Mountain Bell. -No, you're not. | 0:50:57 | 0:51:00 | |
Nobody from Mountain Bell works this late. Nice try. | 0:51:00 | 0:51:03 | |
Your... Your wife asked me to check out a problem with the phones. | 0:51:03 | 0:51:07 | |
-My wife? -She gave me 50 bucks, so I figured I should at least look, you know what I mean? | 0:51:07 | 0:51:12 | |
Oh, and she gave me this. | 0:51:12 | 0:51:15 | |
Oh. Sorry. Can't be too careful. | 0:51:19 | 0:51:22 | |
I completely understand. | 0:51:22 | 0:51:25 | |
Well, this is my living room and... | 0:51:29 | 0:51:33 | |
MOBILE PHONE RINGS | 0:51:40 | 0:51:43 | |
Tedesco. | 0:51:49 | 0:51:50 | |
What's up, man? I'm in. | 0:51:52 | 0:51:54 | |
-Went smooth? -'Smooth as silk, brother, smooth as silk.' | 0:51:54 | 0:51:57 | |
Hey, don't hurry over, all right? I'm gonna need a little time. | 0:51:57 | 0:52:02 | |
'Oh, I wouldn't count on it.' | 0:52:02 | 0:52:03 | |
-I'll be over in 20. -30. | 0:52:03 | 0:52:06 | |
Oh, shit! | 0:52:11 | 0:52:13 | |
Teddy, man! Long time, no see. | 0:52:15 | 0:52:17 | |
-Billy, Billy, how you been? -I've been good. | 0:52:17 | 0:52:20 | |
I checked the house, there's no money, though. | 0:52:20 | 0:52:22 | |
That's not your problem. | 0:52:22 | 0:52:24 | |
-I'm taking half, that's your problem. -What are you talking about? | 0:52:24 | 0:52:27 | |
We agreed on a million. | 0:52:27 | 0:52:28 | |
But I know where the money is. | 0:52:28 | 0:52:30 | |
Bullshit, man. | 0:52:30 | 0:52:32 | |
If you knew where the money was, you'd already have it. | 0:52:32 | 0:52:36 | |
-Teddy, I'm starting not to trust you, man. -Then don't. | 0:52:36 | 0:52:39 | |
I'll just take it all and toss you a bone for your troubles. | 0:52:39 | 0:52:42 | |
Now, I need to make a call to Deputy Dipstick. | 0:52:42 | 0:52:44 | |
We're gonna need a patsy, and Rickman's just the ticket. | 0:52:44 | 0:52:48 | |
HE LAUGHS | 0:52:49 | 0:52:51 | |
I tell you, all these years working this right under Tag's nose. | 0:52:55 | 0:52:59 | |
-He never had a clue. -DIALS PHONE | 0:52:59 | 0:53:01 | |
That's what I love about those smug bastards. | 0:53:01 | 0:53:04 | |
By the time they figure it out, | 0:53:04 | 0:53:07 | |
it's too late. | 0:53:07 | 0:53:08 | |
You have to get fucking greedy, huh, Teddy? You fuck! | 0:53:11 | 0:53:15 | |
You know, I killed a few people today, | 0:53:15 | 0:53:19 | |
but I'm gonna leave you with this - | 0:53:19 | 0:53:22 | |
you're my favourite. | 0:53:22 | 0:53:24 | |
PHONE RINGS | 0:53:26 | 0:53:31 | |
This is the sheriff. | 0:53:31 | 0:53:33 | |
GRUNTING OVER PHONE | 0:53:33 | 0:53:34 | |
'What's going on? | 0:53:41 | 0:53:44 | |
'Someone better pick up his phone right now. | 0:53:44 | 0:53:47 | |
'Pick up the phone.' | 0:53:47 | 0:53:48 | |
ENGAGED TONE | 0:54:04 | 0:54:05 | |
ENGAGED TONE | 0:54:14 | 0:54:15 | |
Tag? | 0:54:56 | 0:54:58 | |
Are you home? | 0:54:58 | 0:55:00 | |
Tag? | 0:55:13 | 0:55:15 | |
Do we have a power failure? | 0:55:15 | 0:55:17 | |
Huh! Great(!) | 0:55:31 | 0:55:33 | |
Tag? | 0:55:48 | 0:55:49 | |
Is that you? | 0:55:52 | 0:55:54 | |
SHE SCREAMS | 0:56:51 | 0:56:54 | |
HE COUGHS Oh-oh-ho! | 0:57:00 | 0:57:04 | |
Go on - shoot. | 0:57:04 | 0:57:07 | |
HE LAUGHS | 0:57:07 | 0:57:10 | |
Ohhh! | 0:57:14 | 0:57:15 | |
You bitch! | 0:57:16 | 0:57:20 | |
You'll fucking pay for that. | 0:57:21 | 0:57:24 | |
GUNSHOT | 0:57:24 | 0:57:25 | |
We need to get you out of here, Mrs Graves. | 0:57:34 | 0:57:37 | |
-What's happening? No! -Please. | 0:57:37 | 0:57:39 | |
-What's happening? -Please, please. | 0:57:39 | 0:57:42 | |
Who was he? | 0:57:42 | 0:57:43 | |
What's going on, who was that? | 0:57:43 | 0:57:45 | |
-That skinhead is part of a supremacist terrorist cell. -What? | 0:57:45 | 0:57:49 | |
He's a member of a group that's after your husband and his money. | 0:57:49 | 0:57:52 | |
What are you talking about? | 0:57:52 | 0:57:53 | |
Ever since they dug up Luke Devilyn, | 0:57:53 | 0:57:55 | |
the word's been out that that ransom money is still right here, still up for grabs. | 0:57:55 | 0:57:59 | |
Every lowlife that can carry a knife or a gun | 0:57:59 | 0:58:01 | |
is homing in on you like moths to a porch light. | 0:58:01 | 0:58:04 | |
That scumbag in there on your floor, he's just the first of many to come. | 0:58:04 | 0:58:08 | |
It doesn't make any sense. Tag is a financier. | 0:58:08 | 0:58:11 | |
Your husband is much more than a financier, Mrs Graves. | 0:58:11 | 0:58:13 | |
He has knowledge that could compromise our national security. | 0:58:13 | 0:58:17 | |
How could Tag compromise national security? | 0:58:17 | 0:58:20 | |
Mrs Graves, I've left the FBI to join Homeland Security. | 0:58:20 | 0:58:23 | |
I followed those terrorists here in hopes of trying to stop them, | 0:58:23 | 0:58:27 | |
bring some closure to a terrible chapter in all our lives. | 0:58:27 | 0:58:30 | |
Mrs Graves, I know what you think of me, | 0:58:30 | 0:58:32 | |
but you must believe me when I tell you, you are in mortal danger. | 0:58:32 | 0:58:37 | |
Wait, wait. Where's Tag? | 0:58:37 | 0:58:39 | |
Your husband is safe, but I need your help. | 0:58:39 | 0:58:41 | |
I need your help to put a stop to this, OK? I need that ransom money. | 0:58:41 | 0:58:46 | |
Homeland Security needs that money to a draw this cell out, | 0:58:46 | 0:58:48 | |
put out the fire before anybody gets burned. | 0:58:48 | 0:58:50 | |
You need to talk to Tag. | 0:58:50 | 0:58:52 | |
I'm talking...to you. | 0:58:52 | 0:58:55 | |
Your husband has this damn hunter-hero complex. I need your help. | 0:58:55 | 0:58:59 | |
You are level-headed one. | 0:58:59 | 0:59:00 | |
I don't know where the money is. | 0:59:00 | 0:59:03 | |
I'm trying to make things right. | 0:59:03 | 0:59:04 | |
You could never make things right. Where the hell is my husband?! | 0:59:04 | 0:59:09 | |
HE LAUGHS | 0:59:09 | 0:59:11 | |
All right, I've done what I can. | 0:59:11 | 0:59:14 | |
Now I'll do what what I have to. | 0:59:14 | 0:59:16 | |
-So will I. -Oh, my God. | 0:59:16 | 0:59:20 | |
-You're dead, I saw you shoot him. -Misdirection! | 0:59:20 | 0:59:24 | |
-Looks like we're gonna have to do this the old-fashioned way. -No! | 0:59:24 | 0:59:28 | |
-No, no! -I told you she didn't know anything. | 0:59:28 | 0:59:32 | |
You forced this little charade when you killed Tedesco. | 0:59:32 | 0:59:35 | |
Made us both richer, didn't I? | 0:59:35 | 0:59:38 | |
-What did you do with Tag? -He's resting. | 0:59:38 | 0:59:40 | |
And it looks like it's time we wake him up | 0:59:40 | 0:59:43 | |
and pose the big question. | 0:59:43 | 0:59:46 | |
Doc? | 0:59:51 | 0:59:53 | |
Doc? | 0:59:53 | 0:59:56 | |
Doc, this number look familiar to you? | 0:59:56 | 0:59:58 | |
-Yeah, that's Tag's private line. -Son of a bitch. | 0:59:58 | 1:00:02 | |
Christ's sake! | 1:00:02 | 1:00:03 | |
It's time. | 1:00:14 | 1:00:16 | |
Well, well and well. | 1:00:17 | 1:00:20 | |
It would seem that the proverbial cat is now out of the bag. Meow, meow. | 1:00:20 | 1:00:25 | |
But that's no big deal | 1:00:28 | 1:00:31 | |
cos all we really want, Tag, is the money. OK? | 1:00:31 | 1:00:35 | |
And then we will scat - adios, sayonara, goodbye. | 1:00:35 | 1:00:38 | |
Like we trust a lying son of a bitch like you! | 1:00:38 | 1:00:40 | |
Ouch! | 1:00:40 | 1:00:42 | |
Now that we've gotten the pleasantries out of the way... | 1:00:42 | 1:00:46 | |
Listen, I'm going to have Billy untie you just as a sign of good faith, OK? | 1:00:46 | 1:00:51 | |
And then we can get down to business. Billy... | 1:00:51 | 1:00:54 | |
HE HUMS A TUNE | 1:00:57 | 1:00:59 | |
Now, number one... | 1:01:01 | 1:01:02 | |
You were both involved in the murder and mutilation of Luke Devlin. | 1:01:04 | 1:01:09 | |
I've got physical and circumstantial evidence that points TWO you. | 1:01:09 | 1:01:13 | |
Three, you had motive. | 1:01:13 | 1:01:16 | |
-You've got nothing. -Oh, yes I do. | 1:01:16 | 1:01:18 | |
You see, Luke was killed about six months ago. | 1:01:18 | 1:01:21 | |
You know how I feel about coincidence. | 1:01:21 | 1:01:24 | |
I'm just wondering how the authorities are gonna feel. | 1:01:24 | 1:01:28 | |
Look, Tag, | 1:01:28 | 1:01:30 | |
we've both got something to lose and something to gain. | 1:01:30 | 1:01:34 | |
-You killed my son. -I did not. | 1:01:34 | 1:01:36 | |
Luke Devlin tortured... | 1:01:36 | 1:01:39 | |
and killed your son. | 1:01:39 | 1:01:41 | |
It was Billy that skinned him. | 1:01:41 | 1:01:43 | |
Personally, I thought it was a little over the top but Billy said... What was it you said, Billy? | 1:01:43 | 1:01:49 | |
You've got to leave your signature. | 1:01:49 | 1:01:50 | |
Yes. You've got to leave your signature. | 1:01:50 | 1:01:53 | |
Your mark. Like the Zodiac Killers or the Hillside Strangler. | 1:01:53 | 1:01:59 | |
Man, it's all in the image. | 1:01:59 | 1:02:01 | |
The only image I see is your head mounted in my trophy room. | 1:02:01 | 1:02:06 | |
Like Luke Devlin's tanned hide on that decorative shield of yours? | 1:02:06 | 1:02:12 | |
That was a very nice touch. | 1:02:12 | 1:02:15 | |
You pay attention, Billy, you can learn something from this man. | 1:02:15 | 1:02:18 | |
But what this man is forgetting | 1:02:18 | 1:02:21 | |
is that I am the one holding the gun now. | 1:02:21 | 1:02:23 | |
You know, if you'd have just given us the fucking money, I might have let your son live. | 1:02:23 | 1:02:29 | |
Not! | 1:02:33 | 1:02:35 | |
I'm sitting here thinking about it | 1:02:41 | 1:02:43 | |
and I'm thinking I probably would have wasted him just out of principle. | 1:02:43 | 1:02:47 | |
You never saw it coming, did you, Tag? | 1:02:47 | 1:02:50 | |
That I was the one behind it all along. | 1:02:50 | 1:02:52 | |
As a matter of fact... | 1:02:52 | 1:02:54 | |
..I did. | 1:02:56 | 1:02:57 | |
It was one in a myriad of threats from Luke Devlin. | 1:02:59 | 1:03:02 | |
I was more angry than scared. | 1:03:02 | 1:03:04 | |
This prick got off on a technicality and there was nothing I could do about it. | 1:03:04 | 1:03:08 | |
Tadesco told the FBI about Devlin's threats. He showed then the letters. | 1:03:08 | 1:03:12 | |
But they said there was nothing he could do unless we were physically harmed. | 1:03:12 | 1:03:16 | |
He'd just killed our child, now he was threatening us, | 1:03:16 | 1:03:20 | |
but that was another matter as far as the FBI was concerned. | 1:03:20 | 1:03:24 | |
I spoke to my closest friends about Luke's threats. | 1:03:24 | 1:03:27 | |
I didn't know what to do. They did. | 1:03:27 | 1:03:30 | |
By the time Luke showed up, we were ready for him. | 1:03:30 | 1:03:34 | |
We knew he was coming and we knew how to deal with him. | 1:03:34 | 1:03:37 | |
He would be the first. | 1:03:37 | 1:03:39 | |
He wasn't expecting me and I wasn't expecting what he was about to tell me. | 1:03:47 | 1:03:53 | |
It wasn't my idea. | 1:03:53 | 1:03:55 | |
It was Rickman, | 1:03:55 | 1:03:57 | |
it was Paul Rickman. | 1:03:57 | 1:03:59 | |
That fucking Federal is the one behind it. | 1:04:00 | 1:04:03 | |
Think about it. | 1:04:03 | 1:04:06 | |
It wasn't me! | 1:04:06 | 1:04:08 | |
Who else could organise all those agents | 1:04:10 | 1:04:13 | |
and erase all the incriminating information without a trace? | 1:04:13 | 1:04:16 | |
Luke? No way. | 1:04:16 | 1:04:18 | |
It had to be you, Rickman. | 1:04:18 | 1:04:20 | |
Who else could have arranged that drop and have that car break down at the right time? | 1:04:23 | 1:04:27 | |
He even told us there was more than one conspirator. | 1:04:27 | 1:04:30 | |
A young man by the name of Billy. | 1:04:30 | 1:04:34 | |
Lastly, who made the drop happen and made sure we never saw our son again? | 1:04:34 | 1:04:41 | |
Rickman, the mastermind behind it all. | 1:04:41 | 1:04:44 | |
Except one thing. | 1:04:44 | 1:04:46 | |
Luke knew he couldn't trust you. | 1:04:46 | 1:04:48 | |
He had the money to ensure you botched the paperwork and he'd walk. | 1:04:48 | 1:04:52 | |
After Luke was released he took off and you couldn't find him. | 1:04:52 | 1:04:56 | |
If Luke was smart he would have flown off somewhere and lived like a king. Well, Luke's a psycho. | 1:04:56 | 1:05:02 | |
He was obsessed with taking revenge and kept sending us death threats. | 1:05:02 | 1:05:07 | |
We can be very persuasive and he became extremely co-operative. | 1:05:07 | 1:05:11 | |
I'll tell you where the money is. | 1:05:11 | 1:05:13 | |
I'll tell you anything! | 1:05:13 | 1:05:16 | |
Anything! | 1:05:16 | 1:05:18 | |
I planted the money myself, the final piece de resistance. | 1:05:23 | 1:05:28 | |
I knew you wanted that money more than anything. | 1:05:32 | 1:05:35 | |
Blood money you wanted, blood money you were going to get. | 1:05:35 | 1:05:38 | |
-So, you knew about me and Billy all along? -I knew about you. | 1:05:49 | 1:05:54 | |
We weren't expecting Billy. | 1:05:54 | 1:05:56 | |
That's for damn sure. Why don't we all just shake dicks and get it over with? This is fucking bullshit. | 1:05:56 | 1:06:01 | |
Do what you've got to do, just get the fucking money. | 1:06:01 | 1:06:04 | |
Excuse me, where are you going? | 1:06:04 | 1:06:06 | |
-I didn't finish what I started. -Do not kill her. | 1:06:06 | 1:06:10 | |
Hey, hey! Fuck are you doing, man? | 1:06:10 | 1:06:13 | |
Don't make kill you before I know where the money is. | 1:06:13 | 1:06:16 | |
I wasn't planning on killing her. | 1:06:20 | 1:06:22 | |
Bye, Tag. | 1:06:28 | 1:06:29 | |
SIREN WAILS | 1:06:36 | 1:06:38 | |
You know, we can do this the easy way | 1:06:47 | 1:06:52 | |
or the hard way. | 1:06:52 | 1:06:55 | |
Either one suits me fine. | 1:06:55 | 1:06:58 | |
-You might as well kill me. -I've got no problem with that. | 1:06:59 | 1:07:02 | |
Just like I had no problem skinning your kid. | 1:07:07 | 1:07:10 | |
HE LAUGHS | 1:07:10 | 1:07:12 | |
Oh, he was a real trooper. | 1:07:12 | 1:07:15 | |
Right down to the last. | 1:07:15 | 1:07:17 | |
You'd have been proud. | 1:07:17 | 1:07:19 | |
Oh, I like your skin. | 1:07:27 | 1:07:28 | |
I know where the money... I know where the money is! | 1:07:47 | 1:07:51 | |
Tell me. | 1:07:51 | 1:07:52 | |
Let me go. | 1:07:54 | 1:07:57 | |
OK. Yeah, that's good. I let you go, | 1:07:57 | 1:08:02 | |
you call the cops, I go to jail! That's a good idea! | 1:08:02 | 1:08:06 | |
Where's the fucking money? | 1:08:08 | 1:08:10 | |
Huh? | 1:08:10 | 1:08:11 | |
Come on, Tag, don't you want to play any more? | 1:09:30 | 1:09:33 | |
HE CHUCKLES | 1:09:42 | 1:09:45 | |
Oh, you gotta have much bigger shoes than that, pal. | 1:09:46 | 1:09:51 | |
# Da da dee dee da | 1:09:52 | 1:09:54 | |
# Da da da da da da da. # | 1:09:57 | 1:09:59 | |
Hello? | 1:09:59 | 1:10:01 | |
You can run but you can't hide, you little bitch! | 1:10:10 | 1:10:14 | |
I'll find you. | 1:10:28 | 1:10:30 | |
Oh, yeah. | 1:10:30 | 1:10:32 | |
I'm gonna enjoy it this time. | 1:10:34 | 1:10:36 | |
Real fucking good! | 1:10:36 | 1:10:39 | |
# Do do do, do do do. # | 1:10:52 | 1:10:54 | |
Honey. | 1:11:04 | 1:11:07 | |
Knock, knock, knock. | 1:11:07 | 1:11:09 | |
I'm home! | 1:11:09 | 1:11:11 | |
HE TRIES TO OPEN LOCKED DOOR | 1:11:11 | 1:11:14 | |
Lucy. Here's Rickman! | 1:11:16 | 1:11:19 | |
You have no fucking idea how to play hide-and-go-seek, do you? | 1:11:22 | 1:11:26 | |
I should kill your mucky ass where you sit. | 1:11:26 | 1:11:29 | |
You again. ..Oh, shit! | 1:11:31 | 1:11:34 | |
A-a-argh! | 1:11:34 | 1:11:36 | |
OK, no dick, you're next. | 1:11:54 | 1:11:56 | |
SHE SCREAMS | 1:12:09 | 1:12:11 | |
Doesn't feel so good, does it? | 1:12:42 | 1:12:44 | |
When you've just gotten thrown from a second storey window. | 1:12:44 | 1:12:49 | |
You know, we went through all of this trouble simply because we had to do things your way. | 1:13:23 | 1:13:27 | |
Well, now we are going to do things my way. | 1:13:27 | 1:13:30 | |
I'm going to tell you a little story, Tag. | 1:13:30 | 1:13:33 | |
Before I was in the FBI, | 1:13:33 | 1:13:35 | |
I was a CIA operative in Nam. | 1:13:35 | 1:13:37 | |
And my speciality, | 1:13:37 | 1:13:39 | |
my joy, | 1:13:39 | 1:13:42 | |
was interrogation. | 1:13:42 | 1:13:43 | |
HE GROANS | 1:13:43 | 1:13:46 | |
Most people crack very easily under electrocution, sodium pentothal, | 1:13:50 | 1:13:56 | |
but there was always that gifted few who had higher pain thresholds than others. | 1:13:56 | 1:14:02 | |
HE GROANS | 1:14:02 | 1:14:04 | |
More disciplined minds, those were my favourites. | 1:14:06 | 1:14:11 | |
The hard cases. | 1:14:11 | 1:14:12 | |
I did love a good challenge. | 1:14:12 | 1:14:15 | |
And I had a special method that I employed for that gifted few. | 1:14:15 | 1:14:20 | |
It was a simple garden tool, | 1:14:20 | 1:14:22 | |
used for removing stems, but it was also excellent... | 1:14:22 | 1:14:27 | |
..for removing fingers. I would ask them to imagine | 1:14:28 | 1:14:32 | |
spending the rest of their lives having to ask someone | 1:14:32 | 1:14:35 | |
to wipe their asses every time they took a shit. | 1:14:35 | 1:14:38 | |
-One last time, Mr Graves. -Please... | 1:14:38 | 1:14:43 | |
Where is my fucking money? | 1:14:43 | 1:14:47 | |
Over there? | 1:14:53 | 1:14:56 | |
Yeah, yeah, yeah. | 1:14:56 | 1:14:58 | |
My fucking money better be over there, Tag. | 1:14:58 | 1:15:01 | |
Yeah. | 1:15:01 | 1:15:02 | |
HE CHUCKLES | 1:15:26 | 1:15:29 | |
SHE SCREAMS | 1:15:34 | 1:15:36 | |
Shut up, you little fucking bitch?! | 1:15:37 | 1:15:40 | |
Play time is over. | 1:15:42 | 1:15:44 | |
What the fuck is this?! | 1:15:48 | 1:15:50 | |
GUNSHOT | 1:15:56 | 1:15:59 | |
Now, y'all relax, now, you hear what I'm saying? | 1:15:59 | 1:16:01 | |
You just relax. Now, we're going to do this thing right. | 1:16:01 | 1:16:05 | |
-I'm taking him in. -Hell, no! | 1:16:05 | 1:16:06 | |
THEY ALL SHOUT | 1:16:06 | 1:16:10 | |
Quiet now, quiet! | 1:16:12 | 1:16:15 | |
You listen to me. Now, y'all be quiet. | 1:16:15 | 1:16:18 | |
-Quiet! I'm taking... -THEY STOP SHOUTING | 1:16:18 | 1:16:22 | |
-That's enough. We're gonna give this man his due process. -Bull... | 1:16:22 | 1:16:27 | |
..don't you understand what we're doing here? | 1:16:28 | 1:16:31 | |
Why do you think we've brought you to Grave's End? | 1:16:31 | 1:16:34 | |
Oh, goddamn it, Doc, no. I'm not like you. | 1:16:39 | 1:16:43 | |
I'm not like this. I made a mistake four years ago and there's not a day goes by that I don't regret it. | 1:16:43 | 1:16:49 | |
There's not a night goes by that I can actually sleep. | 1:16:49 | 1:16:52 | |
We all sleep just fine, Bull. | 1:16:52 | 1:16:54 | |
< MAN CACKLES | 1:16:54 | 1:16:57 | |
Quiet now. Quiet now! | 1:16:59 | 1:17:01 | |
Keep your mouth shut. Don't rile these people again. Quiet! | 1:17:01 | 1:17:04 | |
You people can't do shit to me! | 1:17:04 | 1:17:07 | |
He's gonna arrest me and I'm going to get off with some bullshit technicality and I'll be back. | 1:17:10 | 1:17:15 | |
I'll be back, and you know what? | 1:17:18 | 1:17:20 | |
I'm coming for you... | 1:17:20 | 1:17:23 | |
..and you...and you...and you... | 1:17:24 | 1:17:28 | |
and every fucking one of your little kids! | 1:17:28 | 1:17:31 | |
Oh, what?! What are you gonna do? | 1:17:34 | 1:17:38 | |
Huh? | 1:17:38 | 1:17:39 | |
What are you gonna do? | 1:17:39 | 1:17:43 | |
Maybe I'm a little more like these people than I thought I was. | 1:18:00 | 1:18:03 | |
Wait. Where are you goin'? Where are you goin'? | 1:18:07 | 1:18:11 | |
Wait! | 1:18:11 | 1:18:12 | |
I need the arm! | 1:18:17 | 1:18:19 | |
So your hunting does go beyond animals, huh, Mr Graves? | 1:18:25 | 1:18:29 | |
HE GROANS | 1:18:29 | 1:18:31 | |
Worth twice the trouble. | 1:18:34 | 1:18:36 | |
And twice the lives. | 1:18:39 | 1:18:41 | |
I'll be back. | 1:18:44 | 1:18:46 | |
HE CHUCKLES | 1:18:46 | 1:18:48 | |
And I'd really like to be able to receipt you for all that money, Mr Graves. | 1:18:48 | 1:18:53 | |
But I don't have a pen. | 1:18:54 | 1:18:56 | |
I'll gladly shoot you again. | 1:19:09 | 1:19:12 | |
God, Tag, what the hell?! | 1:19:12 | 1:19:15 | |
Not one of my better days. | 1:19:15 | 1:19:17 | |
I'm going to get Doc, all right? | 1:19:17 | 1:19:19 | |
He's gonna pull this out. | 1:19:19 | 1:19:21 | |
Bull, pull the goddamn thing out! | 1:19:21 | 1:19:24 | |
Oh, goddamn it! | 1:19:27 | 1:19:28 | |
All right, I'm gonna screw this off, | 1:19:28 | 1:19:31 | |
screw this off, and here's what I want you to do. | 1:19:31 | 1:19:33 | |
You bite down on that, you bite down on that. | 1:19:33 | 1:19:36 | |
On three. On three, I'm gonna push it out. | 1:19:36 | 1:19:39 | |
Are you ready? One... | 1:19:39 | 1:19:41 | |
HE SCREAMS | 1:19:41 | 1:19:43 | |
HE CHUCKLES | 1:19:43 | 1:19:46 | |
You're no better than I am, Tag. We're both killers! | 1:19:46 | 1:19:50 | |
No, he isn't. | 1:19:59 | 1:20:01 | |
I am. | 1:20:02 | 1:20:04 | |
HE SCREAMS | 1:20:04 | 1:20:06 | |
Fuckin' Rickman was the one behind it. Think about it. | 1:20:13 | 1:20:18 | |
No, wait, | 1:20:18 | 1:20:21 | |
I told you everything. | 1:20:21 | 1:20:23 | |
Please, let me go! | 1:20:23 | 1:20:24 | |
Let me go! Please, Jesus! | 1:20:24 | 1:20:27 | |
Oh, please, Jesus! Don't! | 1:20:27 | 1:20:29 | |
Don't...don't, don't! | 1:20:29 | 1:20:33 | |
Oh, thank God! Thank you! | 1:20:37 | 1:20:39 | |
-It's OK. -Thank you! | 1:20:39 | 1:20:42 | |
Hello, Luke. I'm Marnie. | 1:20:47 | 1:20:49 | |
And this is Jack, our town doctor...and coroner. | 1:20:49 | 1:20:53 | |
You've been judged according to your works. We've got 'em all written down in this book. | 1:20:53 | 1:20:58 | |
You're not gonna be smirking long. | 1:21:01 | 1:21:03 | |
No. No way! No! | 1:21:03 | 1:21:05 | |
Wait! He let me go! | 1:21:05 | 1:21:08 | |
Oh, please don't! You can't! | 1:21:08 | 1:21:11 | |
You're not a monster like me! You'll never be able to live with yourself. | 1:21:11 | 1:21:14 | |
You killed my nephew. | 1:21:14 | 1:21:17 | |
-I've learned to live with a lot of things lately. -Wait. | 1:21:17 | 1:21:21 | |
Wait. | 1:21:21 | 1:21:22 | |
THEY ALL SHOUT | 1:21:22 | 1:21:26 | |
A-a-a-argh! | 1:21:30 | 1:21:32 | |
HE COUGHS | 1:22:02 | 1:22:04 | |
Ah, shit! | 1:22:06 | 1:22:07 | |
What the...?! | 1:22:20 | 1:22:21 | |
HE LAUGHS | 1:22:34 | 1:22:37 | |
Yes! Ah, yes! | 1:22:37 | 1:22:41 | |
I win! | 1:22:43 | 1:22:45 | |
Ow! | 1:22:49 | 1:22:51 | |
"Play me." | 1:22:54 | 1:22:56 | |
All right. I'll play your game. | 1:22:56 | 1:22:59 | |
'Wake up, champ.' | 1:23:02 | 1:23:04 | |
I am awake, you asshole. | 1:23:04 | 1:23:05 | |
-'First, I'd like to congratulate you on getting what you wanted all along - money.' -Yes. | 1:23:05 | 1:23:12 | |
-Thank you very much! -'Good luck spending it. | 1:23:12 | 1:23:16 | |
'However, I'll do for you what you never did for my boy. | 1:23:16 | 1:23:19 | |
-'I'll show you mercy.' -What? | 1:23:19 | 1:23:21 | |
'If you check to your left, you'll notice I left you something else besides a flashlight and some cash.' | 1:23:21 | 1:23:26 | |
-Oh, God! -'There's one bullet left in the chamber, Mr Rickman. | 1:23:28 | 1:23:32 | |
'You know what to do. | 1:23:32 | 1:23:34 | |
'This is your grave's end.' | 1:23:34 | 1:23:37 | |
You bastard! | 1:23:37 | 1:23:39 | |
Graves! Graves! | 1:23:39 | 1:23:43 | |
Graves! ..Graves! | 1:23:43 | 1:23:48 | |
You let me out of here, you son of a bitch! Graves! Graves! | 1:23:48 | 1:23:53 | |
"God sees the truth and waits... | 1:23:55 | 1:23:58 | |
"and so does the devil." | 1:23:58 | 1:24:01 | |
Graves! Graves! | 1:24:08 | 1:24:12 | |
I'll chase you to hell, you bastard! | 1:24:12 | 1:24:15 | |
I'll hunt you! I'll find you! | 1:24:15 | 1:24:18 | |
Graves! No, no! | 1:24:18 | 1:24:22 | |
I'll be waiting, too, you son of a bitch! | 1:24:22 | 1:24:25 | |
A-a-argh! | 1:24:26 | 1:24:29 | |
A-A-A-A-ARGH! | 1:24:29 | 1:24:32 | |
A-A-A-A-ARGH! | 1:24:32 | 1:24:34 | |
MUFFLED SCREAMS | 1:24:35 | 1:24:38 | |
Mr Graves, I don't think I can go through with this. | 1:24:55 | 1:24:59 | |
After what he did to you, you must. | 1:24:59 | 1:25:02 | |
If you don't, | 1:25:02 | 1:25:04 | |
-there will be others. -I just don't know. | 1:25:04 | 1:25:07 | |
I do. I know. | 1:25:07 | 1:25:09 | |
Be strong. Go to the safe room. | 1:25:16 | 1:25:19 | |
This will all be over very soon. | 1:25:19 | 1:25:22 | |
-OK. -It'll all be OK. -OK. | 1:25:22 | 1:25:24 | |
-Well, we can put these three away. -Forever, Doc. | 1:25:27 | 1:25:30 | |
Now, we have Amanda's problem to take care of. | 1:25:30 | 1:25:34 | |
Thanks. You're one hell of a friend. | 1:25:34 | 1:25:36 | |
Company's here. | 1:25:40 | 1:25:42 | |
Best behaviour, everyone. | 1:25:49 | 1:25:53 | |
Terry McConville, welcome to Graves End. | 1:25:53 | 1:25:57 | |
I'd like to thank you for inviting me to your town. | 1:25:57 | 1:26:00 | |
It looks very peaceful, so if you don't mind me asking, | 1:26:00 | 1:26:04 | |
why would you want someone like me here? | 1:26:04 | 1:26:06 | |
Graves End knows what to do with people like you. | 1:26:06 | 1:26:10 | |
< THEY LAUGH | 1:26:14 | 1:26:16 | |
You had me going there for a minute. | 1:26:22 | 1:26:24 | |
I did, didn't I? | 1:26:24 | 1:26:27 | |
You're going to fit in just fine around here. | 1:26:27 | 1:26:30 | |
I'm new here myself, boy, but I tell you, they seem like awfully nice people to me. | 1:26:30 | 1:26:34 | |
-It's a great house. -Well, Terry, let me show you around. | 1:26:34 | 1:26:38 | |
In fact, this is my favourite room. | 1:26:38 | 1:26:41 | |
It's called the Great Hall. | 1:26:41 | 1:26:43 | |
Tag. | 1:26:43 | 1:26:45 | |
Come here. | 1:26:46 | 1:26:48 | |
See you soon. | 1:27:02 | 1:27:04 | |
We can work this out. | 1:27:04 | 1:27:06 | |
Of course we will. | 1:27:06 | 1:27:08 | |
Of course we will. | 1:27:10 | 1:27:12 | |
Come on, Terry. Follow me. | 1:27:16 | 1:27:19 | |
You have a lot of nice things, Mr Graves. | 1:27:24 | 1:27:27 | |
Nice home, nice town, | 1:27:27 | 1:27:31 | |
-nice wife. -I've been blessed. | 1:27:31 | 1:27:33 | |
Aren't you worried something might happen, | 1:27:33 | 1:27:36 | |
take it all away? | 1:27:36 | 1:27:38 | |
I mean, you never know. | 1:27:38 | 1:27:40 | |
I appreciate your concern, Terry, I really do, but you needn't worry. | 1:27:42 | 1:27:47 | |
Chrissie and I, | 1:27:47 | 1:27:50 | |
we know how to take care of ourselves. | 1:27:50 | 1:27:52 | |
Subtitles by Red Bee Media Ltd. | 1:28:56 | 1:28:59 | |
E-mail [email protected] | 1:28:59 | 1:29:02 |