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This programme contains very strong language | 0:00:02 | 0:00:18 | |
HUMMING | 0:00:18 | 0:00:21 | |
ALARM | 0:00:26 | 0:00:29 | |
BUZZER | 0:00:48 | 0:00:50 | |
BUZZER OFF | 0:00:50 | 0:00:52 | |
One, two, three, four, five, six, seven, | 0:00:59 | 0:01:01 | |
eight, nine, ten, eleven, twelve. | 0:01:01 | 0:01:04 | |
OK. | 0:01:04 | 0:01:06 | |
TANNOY ANNOUNCEMENT: There has been a room change for Miss Jackson's step rehearsals. | 0:01:28 | 0:01:32 | |
Step rehearsals will meet in room 326 after school today. Thank you. | 0:01:32 | 0:01:36 | |
Oh. | 0:01:57 | 0:01:59 | |
What is history? | 0:02:02 | 0:02:04 | |
-Opposites. -You can read the board?! | 0:02:04 | 0:02:06 | |
So happy to hear that. No, what is it? What does it mean? | 0:02:06 | 0:02:11 | |
-Stace. -Change? | 0:02:11 | 0:02:13 | |
Thank you, Stacy. I'm glad to hear someone's paying attention. | 0:02:13 | 0:02:17 | |
History is the study of change over time. | 0:02:17 | 0:02:22 | |
And what's change? | 0:02:22 | 0:02:24 | |
It's this. It's opposites. It's two things that push against each other in opposite directions. | 0:02:24 | 0:02:28 | |
So, the Civil Rights Movement, OK. | 0:02:28 | 0:02:31 | |
It's essentially... It's two opposing mentalities. | 0:02:31 | 0:02:33 | |
In the South, the majority believes all men are not created equal. | 0:02:33 | 0:02:37 | |
And there's a minority who believes that they are. | 0:02:37 | 0:02:40 | |
So that minority struggles and it fights and it pushes, till eventually it becomes the majority. | 0:02:40 | 0:02:46 | |
SIGHING | 0:02:46 | 0:02:47 | |
Am I boring you? Huh? | 0:02:47 | 0:02:48 | |
Let's give some examples, OK, of opposing forces, like, um... | 0:02:50 | 0:02:56 | |
-I'm gonna go night and day. What else? -Big and little? -Good. Anything else? -Left and right. | 0:02:56 | 0:03:01 | |
Left and right. Very good. Stace? | 0:03:01 | 0:03:03 | |
-Me and you? -You and I. -You and I. | 0:03:03 | 0:03:06 | |
Teacher, student. Anything else? | 0:03:06 | 0:03:07 | |
-Mr Dunne? -Yeah? | 0:03:07 | 0:03:09 | |
Just wondering if you'd count me and Gina's bald-headed sister as opposites? | 0:03:09 | 0:03:12 | |
THEY ALL SHOUT OUT: Insult! | 0:03:12 | 0:03:15 | |
Gina, come on, tell me you're not gonna take that. You got a bald sister? | 0:03:18 | 0:03:22 | |
Is your sister bald? Give me something. | 0:03:22 | 0:03:24 | |
-May 17th, 1954. -Oh. | 0:03:24 | 0:03:26 | |
Put that Jenny Craig stuff on down and find out. | 0:03:28 | 0:03:33 | |
And I expect some thought from you. | 0:03:33 | 0:03:35 | |
I don't want just dates and facts. | 0:03:35 | 0:03:37 | |
I wanna know why. I wanna know consequences. | 0:03:37 | 0:03:39 | |
I wanna know what it means. All right, now back to the... | 0:03:39 | 0:03:43 | |
the bald sister. | 0:03:43 | 0:03:45 | |
What's going on with that? | 0:03:45 | 0:03:47 | |
Right. Left. | 0:03:47 | 0:03:50 | |
Back. Forward. I'm shootin'. | 0:03:50 | 0:03:55 | |
You got your girl open over here. | 0:03:55 | 0:03:57 | |
She's sending out smoke signals over here. | 0:03:57 | 0:03:59 | |
She's got the fire. She's going over here, nothing. | 0:03:59 | 0:04:02 | |
And you're like... | 0:04:02 | 0:04:06 | |
Come on, get open. | 0:04:06 | 0:04:09 | |
Oh, yeah! | 0:04:09 | 0:04:11 | |
Drey. You gonna put that down and come play or what? | 0:04:11 | 0:04:14 | |
I ain't done yet, coach. | 0:04:14 | 0:04:17 | |
All right, top of the key, three passes, here we go. | 0:04:18 | 0:04:23 | |
HE HUMS | 0:04:24 | 0:04:25 | |
-ANSWERPHONE: -Thursday, 11:16am. | 0:04:41 | 0:04:44 | |
'Hello, this is Taylor calling from Consolidated Credit. | 0:04:44 | 0:04:47 | |
'This is a message for Mr Daniel Dunne regarding your outstanding balance. | 0:04:47 | 0:04:51 | |
'Please call me back at two...' | 0:04:51 | 0:04:52 | |
-ANSWERPHONE: -Thursday, 5:25pm. | 0:04:52 | 0:04:55 | |
'Hey, Dan, it's Rachel. | 0:04:55 | 0:04:59 | |
'I'm in town for a while. | 0:04:59 | 0:05:00 | |
'You know, my mom... | 0:05:00 | 0:05:02 | |
'Anyway, um, | 0:05:02 | 0:05:05 | |
'I know it's been forever, | 0:05:05 | 0:05:07 | |
'but I'd really like to see you. | 0:05:07 | 0:05:09 | |
'And, um, I'll be at my parents. | 0:05:09 | 0:05:13 | |
'So, give me a call. OK. Bye.' | 0:05:13 | 0:05:15 | |
BEEP | 0:05:15 | 0:05:16 | |
-ANSWERPHONE: -Thursday, six... | 0:05:16 | 0:05:19 | |
-CLICK -Thursday, five 5:25pm. | 0:05:19 | 0:05:21 | |
'Hey, Dan, it's Rachel...' | 0:05:21 | 0:05:23 | |
# Then when you let it | 0:05:46 | 0:05:48 | |
# You ask for nothin' Why don't you share it? | 0:05:53 | 0:05:56 | |
# All of the time you live There's something out there | 0:05:59 | 0:06:05 | |
# This one will know How far I live on | 0:06:06 | 0:06:12 | |
# This one will ever know in this town | 0:06:14 | 0:06:19 | |
# And in the red room At a distance... # | 0:06:21 | 0:06:26 | |
-I like Oprah. -I love Oprah. | 0:06:29 | 0:06:32 | |
-But the thing is, I was, I was, I was just fucking things up just to fuck 'em up. -Right, right. No. | 0:06:32 | 0:06:36 | |
-You know what I mean? -Right. -But I was a writer. -I hate words. -Yeah. | 0:06:36 | 0:06:40 | |
Right, because everything that uh, is worth... | 0:06:40 | 0:06:43 | |
Right, just forget it. So you're a teacher. | 0:06:43 | 0:06:46 | |
I'm a teacher. | 0:06:46 | 0:06:48 | |
What am I supposed to teach them, you know what I mean? What am I supposed to teach them? | 0:06:54 | 0:06:59 | |
-Right. -That's the point. If you can help one student... -Yeah. | 0:06:59 | 0:07:02 | |
No, if you can change one person... If you change one person... | 0:07:02 | 0:07:05 | |
-You can change them all. -No, no, it's not that. | 0:07:05 | 0:07:08 | |
-I wanna dance. -Then you can teach them... The rest of the village... What is it? | 0:07:08 | 0:07:12 | |
I wanna dance. I have to dance. | 0:07:12 | 0:07:14 | |
What's goin' on, bro'? | 0:07:41 | 0:07:43 | |
What's the word? | 0:07:43 | 0:07:45 | |
What's that? | 0:07:45 | 0:07:46 | |
-What, this band? -RAP MUSIC PLAYS FAINTLY | 0:07:46 | 0:07:49 | |
-Mm-hm. -Some real street shit. | 0:07:49 | 0:07:51 | |
Go ahead man, check it out. | 0:07:51 | 0:07:53 | |
Yeah, you gotta feel that shit. | 0:08:00 | 0:08:03 | |
-What do you think about that? -Yeah, it's not bad. That's the street shit. -That's the street shit. | 0:08:03 | 0:08:08 | |
So what do you need, Teach? Another eight? | 0:08:10 | 0:08:13 | |
I only got thirty. | 0:08:13 | 0:08:15 | |
Word. | 0:08:15 | 0:08:17 | |
-It's been a long week. -You want that other thing? | 0:08:17 | 0:08:21 | |
On May 17, 1954, the Supreme Court ruled on the case of Brown versus Board of Education, | 0:08:26 | 0:08:32 | |
making it illegal for states to segregate public schools. | 0:08:32 | 0:08:35 | |
This was a major step forward in the struggle for racial justice, | 0:08:35 | 0:08:39 | |
and helped begin a fury of bold and heroic actions known as the Civil Rights Movement. | 0:08:39 | 0:08:44 | |
Get on her. Abby, get on her. | 0:09:02 | 0:09:05 | |
Come on. | 0:09:39 | 0:09:41 | |
-WHISTLE -Ball game, ladies. Ball game. | 0:09:41 | 0:09:43 | |
HUBBUB | 0:09:43 | 0:09:47 | |
You did a good job. Nice goin'. Keep smiling. | 0:10:05 | 0:10:09 | |
I like our chances against St Joe's. | 0:10:15 | 0:10:17 | |
I think that... The thing is, if we could just figure out a way to put the ball in the hoop, | 0:10:17 | 0:10:22 | |
then we'd be fine. Stace. | 0:10:22 | 0:10:24 | |
-Good job tonight. -Thank you. -You did a great job. | 0:10:26 | 0:10:29 | |
-Uh, is there anyone else in there? -No, that's it. | 0:10:29 | 0:10:31 | |
-OK. Thanks for today. -All right. Bye, Mr Dunne. | 0:10:31 | 0:10:34 | |
What're you doing here? | 0:10:47 | 0:10:48 | |
Came to check out some basketball. I heard this was the place. | 0:10:50 | 0:10:53 | |
We need a little work, but we're having fun, so... | 0:10:54 | 0:10:57 | |
-You know? -How are you? | 0:10:59 | 0:11:02 | |
I'm the same old, same old. | 0:11:04 | 0:11:07 | |
I'm happy to see you. | 0:11:07 | 0:11:10 | |
It's good to see you too. | 0:11:10 | 0:11:12 | |
You look good. | 0:11:14 | 0:11:16 | |
-Come on, I got fat. -Oh, I know. | 0:11:16 | 0:11:19 | |
But it looks great. You look healthy. | 0:11:23 | 0:11:25 | |
-Do you wanna go get some... -I can't. I got to, um... -Just a quick coffee. I just wanna... | 0:11:29 | 0:11:33 | |
To get some coffee? | 0:11:33 | 0:11:36 | |
-Yeah. -I can't tonight. | 0:11:36 | 0:11:39 | |
Do you wanna do it another night? | 0:11:41 | 0:11:42 | |
OK. | 0:11:45 | 0:11:46 | |
OK. | 0:11:47 | 0:11:49 | |
Hey. | 0:11:53 | 0:11:54 | |
How's your mom? | 0:11:58 | 0:12:00 | |
Did you get my messages? | 0:12:04 | 0:12:06 | |
Hello? | 0:12:21 | 0:12:22 | |
I'm coming in. | 0:12:25 | 0:12:27 | |
Anyone? | 0:12:27 | 0:12:28 | |
TRICKLING | 0:13:48 | 0:13:52 | |
TOILET FLUSHES | 0:13:58 | 0:14:00 | |
Somebody in there? | 0:14:19 | 0:14:21 | |
-Oh, I'm sorry. -That's OK. Drey. | 0:14:42 | 0:14:45 | |
It's OK. I'm fine. | 0:14:51 | 0:14:53 | |
I'm sorry. | 0:14:56 | 0:14:58 | |
Are you OK? | 0:15:02 | 0:15:03 | |
Come here. Come here. | 0:15:06 | 0:15:07 | |
Can you help me up? | 0:15:07 | 0:15:09 | |
Sit back down. | 0:15:26 | 0:15:29 | |
Are you OK? | 0:15:29 | 0:15:30 | |
-Yeah. -OK, good. | 0:15:33 | 0:15:36 | |
It's gonna be fine. | 0:15:41 | 0:15:42 | |
Can I have some water? | 0:15:48 | 0:15:50 | |
RUNNING WATER | 0:15:55 | 0:15:57 | |
I'm sorry. | 0:15:58 | 0:16:00 | |
But I'm fine. | 0:16:00 | 0:16:02 | |
Just don't go, OK? Just for a minute? | 0:16:23 | 0:16:26 | |
Just for a minute. | 0:16:30 | 0:16:31 | |
See you tomorrow? | 0:16:55 | 0:16:57 | |
BUZZ OF CONVERSATION | 0:18:18 | 0:18:22 | |
Hey, kiddo. | 0:19:46 | 0:19:48 | |
How's Darrell's leg healing? | 0:19:51 | 0:19:55 | |
-I don't know. -You didn't go to the hospital? -No. | 0:19:55 | 0:19:58 | |
Did your father pick you up from practice last night, Drey? | 0:20:02 | 0:20:05 | |
-No. -Motherfucker. Shit. How did you get home? | 0:20:05 | 0:20:11 | |
-Mr Dunne. -Who? | 0:20:11 | 0:20:13 | |
-Coach. -I'm tired of this. | 0:20:13 | 0:20:15 | |
Something has got to change. I don't know what. | 0:20:15 | 0:20:19 | |
You don't gotta worry about me. | 0:20:19 | 0:20:20 | |
Oh, look at you, Ms Twelve. | 0:20:24 | 0:20:27 | |
Thirteen. I'm thirteen now. | 0:20:27 | 0:20:29 | |
Oh, so you grown, huh? | 0:20:29 | 0:20:30 | |
Can take care of yourself. | 0:20:30 | 0:20:32 | |
Is that it? | 0:20:32 | 0:20:33 | |
Pretty much. | 0:20:33 | 0:20:35 | |
Well, that's a relief. I guess I ain't gotta cook up these burgers then, huh? | 0:20:35 | 0:20:39 | |
Hey, Mom. | 0:20:44 | 0:20:45 | |
-You know this dude Cesar Chavez was fasting. -Cesar who? | 0:20:45 | 0:20:48 | |
Cesar Chavez. | 0:20:48 | 0:20:52 | |
Once fasted for 35 days. That means he didn't eat for 35 days. | 0:20:52 | 0:20:57 | |
-Something like Gandhi used to do. -Mm-hm. | 0:20:57 | 0:20:59 | |
Think you could do that? | 0:20:59 | 0:21:01 | |
PHONE RINGS | 0:21:02 | 0:21:06 | |
BEEP | 0:21:12 | 0:21:14 | |
'Hi, honey. It's Mom.' | 0:21:14 | 0:21:16 | |
Hello? | 0:21:56 | 0:21:59 | |
Hi, is...um... | 0:21:59 | 0:22:02 | |
Is Rache there? | 0:22:02 | 0:22:04 | |
SCHOOL BELL | 0:22:17 | 0:22:20 | |
Well, I feel good today. | 0:22:25 | 0:22:26 | |
Anyone else feel good? Hm? | 0:22:26 | 0:22:28 | |
I need a volunteer, and I need somebody who feels strong. | 0:22:30 | 0:22:34 | |
So what we got here is two opposing forces, Terrance and myself. And we're pushing against each other. | 0:22:37 | 0:22:42 | |
And as long as one is stronger, and it looks like it's T... | 0:22:42 | 0:22:46 | |
The change is slow and consistent. | 0:22:46 | 0:22:49 | |
But once the other side becomes stronger... | 0:22:49 | 0:22:51 | |
HE GROANS | 0:22:54 | 0:22:55 | |
There's a turning point. | 0:22:56 | 0:22:58 | |
Thank you, T. Make sense? | 0:22:58 | 0:23:01 | |
OK. Now, turning points can happen like that, they can be physical. | 0:23:01 | 0:23:05 | |
Or they can happen | 0:23:05 | 0:23:07 | |
on a greater scale. | 0:23:07 | 0:23:09 | |
Um... | 0:23:12 | 0:23:13 | |
..like a war or something. | 0:23:13 | 0:23:18 | |
So, why don't you do me a favour and write, er, three examples of | 0:23:18 | 0:23:21 | |
historical turning points that we talked about in class. | 0:23:21 | 0:23:24 | |
OK? | 0:23:25 | 0:23:27 | |
What's up? | 0:23:31 | 0:23:33 | |
Have you even opened the Civil Rights binder I gave you? | 0:23:33 | 0:23:36 | |
The Civil Rights binder... | 0:23:45 | 0:23:47 | |
..I have opened. | 0:23:49 | 0:23:50 | |
And it's got some great stuff in it. | 0:23:52 | 0:23:55 | |
I think it's great. Yeah. I'm just providing a little general content. | 0:23:55 | 0:23:59 | |
I need you on the Civil Rights section by next week. | 0:23:59 | 0:24:02 | |
-Nice seeing you. -Mm. | 0:24:04 | 0:24:06 | |
Is that gum in your mouth? | 0:24:06 | 0:24:08 | |
He was a Gemini. He was so cocky. | 0:24:26 | 0:24:28 | |
Every day I saw him, he used to go like, "Oh, you happy you got me, you happy you got me." And I'd be like, | 0:24:28 | 0:24:33 | |
"Please. You're the one what's got me, so." You all like Geminis? | 0:24:33 | 0:24:37 | |
Oh, what's his name? Mr Ethan and Mrs Right in the movie theatre. | 0:24:37 | 0:24:41 | |
-I'm pretty sure they're married. -I don't... | 0:24:41 | 0:24:43 | |
-You don't know what she's talking about. So don't talk. -They look weird together. | 0:24:43 | 0:24:48 | |
-You think Mr Dunne is married? -Nope. | 0:24:48 | 0:24:49 | |
-Would you wanna marry him? -Come in the room, twirling his finger around, tell us to move the desks. | 0:24:49 | 0:24:54 | |
Why can't he move the desks? I'm getting tired of that, every morning. | 0:24:54 | 0:24:58 | |
-Don't forget about his glasses. -Them bifocals. | 0:24:58 | 0:25:00 | |
Dunne, when I'm around, he wanna talk like he all cool and fly and everything, but... | 0:25:00 | 0:25:05 | |
-Roodly. -Be quiet. -Would you marry Mr Dunne, Roodly? | 0:25:05 | 0:25:07 | |
-Would you marry your father? -Oh! | 0:25:07 | 0:25:09 | |
A man who was curious to know if a knife | 0:25:09 | 0:25:11 | |
could penetrate his bullet-proof vest was killed yesterday by a stab wound through the chest. | 0:25:11 | 0:25:17 | |
Witnesses say the man, Jeff Turner, 32, urged his brother, Scott Turner, 35, | 0:25:17 | 0:25:25 | |
to stab him as hard as he could, believing the vest would stop the knife. | 0:25:25 | 0:25:31 | |
It didn't. | 0:25:31 | 0:25:32 | |
So how's your opposites and things? | 0:25:38 | 0:25:42 | |
Pretty good. | 0:25:42 | 0:25:43 | |
-Where'd you come up with that stuff? -It's just something I picked up in college. | 0:25:43 | 0:25:48 | |
-A little thick for the eighth grade, no? -Yeah. | 0:25:48 | 0:25:50 | |
Yeah. Well, you'd think but, I don't know, I think they're getting it. | 0:25:50 | 0:25:54 | |
I don't know how you get away with it, though. | 0:25:56 | 0:25:58 | |
You know, Joy is so textbook. | 0:25:58 | 0:26:00 | |
How's your book? | 0:26:01 | 0:26:04 | |
-Don't ask. -Oh. | 0:26:04 | 0:26:06 | |
There's always the summer. | 0:26:07 | 0:26:09 | |
Do you wanna go... | 0:26:09 | 0:26:11 | |
BELL RINGS | 0:26:11 | 0:26:13 | |
You wanna have dinner with me again? | 0:26:13 | 0:26:15 | |
-OK. -Mm-hm. | 0:26:15 | 0:26:17 | |
Did you guys hear that they found a crack vial in the locker room? | 0:26:19 | 0:26:24 | |
Jesus. | 0:26:24 | 0:26:26 | |
-Do they know whose it is? -Whose it is? Er, I don't know. | 0:26:26 | 0:26:31 | |
Hey, but you know what? That's a good idea. | 0:26:31 | 0:26:33 | |
We could put it in the lost and found. See if anybody claims it. | 0:26:33 | 0:26:37 | |
Better yet, why don't we put up flyers with a picture? | 0:26:37 | 0:26:42 | |
-What's new? -I don't know. | 0:26:55 | 0:26:59 | |
I can't hear you. Come over here. | 0:26:59 | 0:27:01 | |
That's a nice cap. | 0:27:04 | 0:27:07 | |
Thanks. It's Mike's. | 0:27:07 | 0:27:09 | |
Yeah, I know. | 0:27:09 | 0:27:11 | |
Talk to him lately? | 0:27:11 | 0:27:14 | |
He writes sometimes. | 0:27:14 | 0:27:16 | |
How's he doing in there? | 0:27:17 | 0:27:18 | |
All right, I guess. | 0:27:18 | 0:27:21 | |
If you needs something, let me know, all right? I know people in there. | 0:27:21 | 0:27:24 | |
-I could make a call or whatever, all right? -OK. -OK? | 0:27:24 | 0:27:29 | |
Yeah. | 0:27:29 | 0:27:32 | |
All right. | 0:27:32 | 0:27:33 | |
What, you thirsty? | 0:27:40 | 0:27:41 | |
Huh? You want something to drink? | 0:27:41 | 0:27:43 | |
-My bike. -Ain't nobody gonna fuck with that bike. | 0:27:45 | 0:27:48 | |
Yo, Javier, this is Drey. | 0:27:55 | 0:27:57 | |
Hey, Tina! You remember Mike's little sister Drey, right? | 0:27:57 | 0:28:01 | |
Oh, hey sweetie. | 0:28:01 | 0:28:03 | |
Come on, sit down, I'm gonna get that juice for you. | 0:28:03 | 0:28:06 | |
Help yourself. | 0:28:06 | 0:28:08 | |
Come on, T. I'll be right back. | 0:28:08 | 0:28:10 | |
Yo, pick a hand. | 0:28:52 | 0:28:53 | |
-Left. -Hah! You lose. Here. | 0:28:56 | 0:29:00 | |
Come on, what's up with that juice? | 0:29:01 | 0:29:04 | |
I'm not thirsty. | 0:29:04 | 0:29:06 | |
Well, don't be a stranger, kid. | 0:29:06 | 0:29:08 | |
You can stop through and say hello. | 0:29:08 | 0:29:10 | |
Yeah. | 0:29:10 | 0:29:11 | |
You saw Frank today? | 0:29:25 | 0:29:27 | |
Just ran into him. | 0:29:27 | 0:29:30 | |
On September 13th 1971, 1200 Attica State Prison inmates | 0:29:53 | 0:29:58 | |
seized control of the prison and took hostages to negotiate changes to the inhumane conditions. | 0:29:58 | 0:30:04 | |
-To you and all the people! -Governor Nelson Rockefeller ordered a military assault on the prison | 0:30:04 | 0:30:09 | |
which killed 29 inmates and ten hostages, every one caused from police gunshots. | 0:30:09 | 0:30:15 | |
An official commission later stated, "With the exception of Indian massacres in the late 19th century, | 0:30:15 | 0:30:21 | |
the police assault was the bloodiest one-day encounter between Americans since the Civil War. | 0:30:21 | 0:30:26 | |
ALARM BUZZER | 0:30:28 | 0:30:32 | |
HE HUMS | 0:30:44 | 0:30:47 | |
Unbelievable. | 0:31:15 | 0:31:17 | |
What're you doin'? | 0:31:17 | 0:31:20 | |
Go sit in the desk. Ten points off. | 0:31:20 | 0:31:23 | |
Second chances are rare, man. | 0:31:28 | 0:31:30 | |
You wanna take better advantage of 'em. | 0:31:30 | 0:31:33 | |
Don't let go. Grab the T-shirt if you need to. | 0:31:36 | 0:31:38 | |
You know, a little elbow here and there never killed anybody. | 0:31:39 | 0:31:42 | |
Know what I mean? As long as the ref isn't looking. | 0:31:42 | 0:31:45 | |
-Not in my house. -Oh. | 0:31:48 | 0:31:52 | |
This is a nice surprise. | 0:32:23 | 0:32:25 | |
-Where's Ma? -Working. | 0:32:25 | 0:32:27 | |
Darrell's uncle came to visit, so came along with him. | 0:32:27 | 0:32:30 | |
-How's Darrell's leg? -It's all right. | 0:32:30 | 0:32:34 | |
It's nice to see you. | 0:32:34 | 0:32:38 | |
Those for me? | 0:32:38 | 0:32:40 | |
Frank's been sending me some of them nasty peppermints he always eatin'. | 0:32:42 | 0:32:45 | |
What is that? Oh, I threw them shits out. | 0:32:45 | 0:32:48 | |
So how's the team? | 0:32:52 | 0:32:53 | |
We suck. | 0:32:53 | 0:32:55 | |
And Ma? Still working too hard? | 0:32:55 | 0:32:59 | |
Yeah. | 0:32:59 | 0:33:00 | |
Is she all right for money, though? | 0:33:00 | 0:33:02 | |
Frank still looking out? | 0:33:04 | 0:33:05 | |
-Yeah. -Good. | 0:33:07 | 0:33:10 | |
He owes us. | 0:33:10 | 0:33:13 | |
So how come you never told on him? | 0:33:16 | 0:33:18 | |
For what? Would've made shit more complicated. | 0:33:19 | 0:33:24 | |
The shit was already fucked up as it is, you know? | 0:33:24 | 0:33:27 | |
Besides, that's all in the past, though. | 0:33:32 | 0:33:34 | |
I'm gonna get outta here, you'll see. | 0:33:34 | 0:33:38 | |
I mean, we got Russell Simmons on the case. | 0:33:38 | 0:33:40 | |
Russell Simmons. | 0:33:40 | 0:33:43 | |
It gonna be a'right. | 0:33:45 | 0:33:49 | |
'So remembering I had to write an essay about growing up. | 0:33:59 | 0:34:02 | |
'If I don't turn it in by tomorrow I'm gonna fail the course. | 0:34:02 | 0:34:05 | |
'Well, that's your problem, Charles.' | 0:34:05 | 0:34:07 | |
My problem is making sure that you keep an eye on things while I'm gone. | 0:34:07 | 0:34:11 | |
And actually that's also your problem. | 0:34:11 | 0:34:13 | |
You got another problem, Charles. | 0:34:13 | 0:34:14 | |
Don't let 'em get in the way of your work. | 0:34:14 | 0:34:16 | |
'There is a time when the operation of the machine becomes so odious, | 0:34:20 | 0:34:25 | |
'makes you so sick at heart, that you can't take part.' | 0:34:25 | 0:34:29 | |
You can't even passively take part, | 0:34:29 | 0:34:31 | |
and you've got to put your bodies upon the gears and upon the wheels, | 0:34:31 | 0:34:35 | |
upon the levers, upon all the apparatus, and you've got to make it stop. | 0:34:35 | 0:34:39 | |
And you've got to indicate to the people who run it, to the people who own it, that unless you're free, | 0:34:39 | 0:34:43 | |
the machine will be prevented from working at all! | 0:34:43 | 0:34:46 | |
And what is this machine that he's talking about? | 0:34:47 | 0:34:49 | |
-It's keeping us down. What is it? -Like robots and stuff, right? | 0:34:51 | 0:34:56 | |
Um, it could be robots. | 0:34:56 | 0:34:58 | |
It could be robots. But let's say it's a metaphor. | 0:34:58 | 0:35:00 | |
He's saying this machine is keeping me down. What is that? | 0:35:00 | 0:35:04 | |
What keeps us from being free? | 0:35:04 | 0:35:06 | |
Ms Drey. | 0:35:06 | 0:35:08 | |
Prisons. | 0:35:08 | 0:35:10 | |
Absolutely. | 0:35:10 | 0:35:13 | |
Absolutely, prisons. OK? | 0:35:13 | 0:35:15 | |
Prisons are definitely a part of it. What else? | 0:35:15 | 0:35:17 | |
White. | 0:35:17 | 0:35:19 | |
White is definitely a part of it. The man. | 0:35:19 | 0:35:22 | |
-The school. -The school. Exactly. | 0:35:22 | 0:35:25 | |
The whole education system is part of the machine. What else? | 0:35:25 | 0:35:28 | |
Aren't you the machine, then? | 0:35:28 | 0:35:30 | |
Oh, no, you didn't. | 0:35:30 | 0:35:31 | |
-What did you say? -Aren't you the machine? | 0:35:31 | 0:35:34 | |
You're saying I'm the machine? | 0:35:34 | 0:35:36 | |
Yeah. You're white, you're part of the school. | 0:35:36 | 0:35:38 | |
Oh, yeah, I guess you got a point. | 0:35:38 | 0:35:41 | |
All right, so I'm part of the machine. But if I'm part of it, so are you. You are, too. | 0:35:41 | 0:35:45 | |
We all are. And this is the thing. | 0:35:45 | 0:35:47 | |
Everything is made of its opposing force. | 0:35:47 | 0:35:49 | |
We may be opposed to the machine, but we're still very much a part of it. Right? | 0:35:49 | 0:35:54 | |
I work for the government, | 0:35:54 | 0:35:56 | |
the school. But I'm also very much opposed to a lot of its policies. | 0:35:56 | 0:36:00 | |
-You guys hate coming to school, right? -Yes. | 0:36:00 | 0:36:02 | |
Holler back if you heard me. | 0:36:02 | 0:36:05 | |
-You hate it, but you come anyway. -Sometimes. -Sometimes. Exactly. | 0:36:05 | 0:36:10 | |
Yo! What's up? Where you headin'? | 0:36:14 | 0:36:17 | |
Look like you're in a rush. Hungry? | 0:36:17 | 0:36:19 | |
-No, I'm cool. -I'm starvin'. | 0:36:19 | 0:36:22 | |
Come on, burgers on me. | 0:36:22 | 0:36:23 | |
-So how's school? -It's all right. | 0:36:25 | 0:36:28 | |
What's up with basketball? | 0:36:28 | 0:36:30 | |
We got a game tomorrow. | 0:36:30 | 0:36:32 | |
Word? | 0:36:32 | 0:36:34 | |
-Wanna come? -Your mom's gonna be there? | 0:36:34 | 0:36:38 | |
-Workin'. -Pops? | 0:36:38 | 0:36:40 | |
Fuck it, I'll come too. Somebody gotta represent! | 0:36:43 | 0:36:45 | |
Tina packed some sweets for Mike last night. | 0:36:50 | 0:36:53 | |
Your brother was a good friend. | 0:36:55 | 0:36:57 | |
Still is. | 0:36:57 | 0:37:00 | |
That dude was funny. You know he... | 0:37:00 | 0:37:03 | |
He ever showed you the chicken walk? | 0:37:03 | 0:37:05 | |
-The what? -The chicken walk! | 0:37:05 | 0:37:07 | |
I mean I can't do it but, | 0:37:07 | 0:37:09 | |
it's like... | 0:37:09 | 0:37:11 | |
HE SQUAWKS | 0:37:11 | 0:37:13 | |
Sure was bananas. | 0:37:17 | 0:37:19 | |
You know we used to work together, right? | 0:37:24 | 0:37:26 | |
You ever think about working? | 0:37:30 | 0:37:32 | |
Shit. I used to work here. | 0:37:38 | 0:37:40 | |
-For real? -150 a week. | 0:37:40 | 0:37:44 | |
-Hey, Keisha. -What's up, man? | 0:37:46 | 0:37:48 | |
I need two milkshakes, baby. | 0:37:48 | 0:37:50 | |
I know I don't sound sincere but really... | 0:38:12 | 0:38:15 | |
-You're gonna be great at it. -Thank you. I think I... | 0:38:15 | 0:38:18 | |
Why can't I say that sincerely? | 0:38:18 | 0:38:19 | |
You can. | 0:38:21 | 0:38:23 | |
-I went back to school. -Yeah? | 0:38:23 | 0:38:25 | |
-Environmental Policy. -I know, but I think you're really gonna be great. | 0:38:25 | 0:38:28 | |
I believed you the first time. | 0:38:28 | 0:38:30 | |
I'm just nervous. I'm sorry. | 0:38:30 | 0:38:32 | |
-How are you? -Don't know. | 0:38:35 | 0:38:38 | |
Are you still rockin' out? | 0:38:39 | 0:38:41 | |
When the occasion calls. | 0:38:44 | 0:38:46 | |
Yeah. | 0:38:51 | 0:38:53 | |
Who's the lucky guy? | 0:39:05 | 0:39:07 | |
I met him in the program. | 0:39:07 | 0:39:09 | |
I don't know, Dan. | 0:39:14 | 0:39:16 | |
Some people change. Some people actually change. | 0:39:17 | 0:39:20 | |
-Yeah, not me. -I know. | 0:39:20 | 0:39:22 | |
No way. I'm still an asshole. | 0:39:22 | 0:39:25 | |
You're not an asshole. | 0:39:25 | 0:39:26 | |
You're just a big baby. | 0:39:29 | 0:39:32 | |
I'm a big asshole baby. | 0:39:32 | 0:39:34 | |
Let's go, Rebels! | 0:39:55 | 0:39:57 | |
Pass it in. | 0:39:58 | 0:39:59 | |
-Go, Drey! -There ya go! | 0:40:00 | 0:40:02 | |
-WHISTLE BLOWS -Blue ball. | 0:40:02 | 0:40:04 | |
What IS that? | 0:40:04 | 0:40:05 | |
-You're killing us. -Watch yourself, another bad call. -Blue ball. | 0:40:05 | 0:40:09 | |
Walk it off, come on, shake it off. Hustle back. | 0:40:09 | 0:40:13 | |
-What's up? -It was a bad call, man. | 0:40:13 | 0:40:15 | |
-You OK? -Yeah. | 0:40:27 | 0:40:31 | |
-Want a ride home tonight after the game? -All right. | 0:40:37 | 0:40:44 | |
Foul! Foul! | 0:40:54 | 0:40:58 | |
-Call a foul. -Coach, go to your bench. | 0:40:58 | 0:40:59 | |
-She pulled her down. Call the foul. -Back to your bench. | 0:40:59 | 0:41:02 | |
-Go back to your bench. -Call the foul. | 0:41:02 | 0:41:04 | |
This is fuckin' bullshit. Call the foul. | 0:41:04 | 0:41:06 | |
You're gone, Coach. I won't tolerate that language. | 0:41:06 | 0:41:08 | |
Oh, it's the language you don't tolerate. | 0:41:08 | 0:41:10 | |
Fuckin' language. Excuse me. I didn't know it was the language. | 0:41:10 | 0:41:14 | |
All right. Good luck, girls. | 0:41:18 | 0:41:21 | |
DOOR SLAMS | 0:41:25 | 0:41:27 | |
-I think your hand's changing colours. Get more ice on it. -You should've seen the wall. | 0:41:29 | 0:41:34 | |
I'm telling you, though, you should've knocked that nigga out. | 0:41:34 | 0:41:37 | |
You can't go around knocking people out, you know, | 0:41:37 | 0:41:42 | |
or throwing balls at them just because you're upset. | 0:41:42 | 0:41:45 | |
It would've felt good, though? Felt good to just get it out? | 0:41:45 | 0:41:48 | |
There's other ways of getting it out. | 0:41:48 | 0:41:50 | |
Right, like you do? | 0:41:50 | 0:41:52 | |
Look, just because you know that one thing about me... | 0:41:55 | 0:41:58 | |
One thing doesn't make a man. | 0:42:01 | 0:42:03 | |
SHE SNORTS What? | 0:42:09 | 0:42:14 | |
One thing doesn't make a man? | 0:42:14 | 0:42:16 | |
-You know I was just talking about your hand, right? -Yeah. | 0:42:19 | 0:42:23 | |
Yeah, I knew that. | 0:42:23 | 0:42:25 | |
THEY LAUGH | 0:42:25 | 0:42:27 | |
Hey, who was that guy that was, uh, cheering for you? | 0:42:30 | 0:42:34 | |
-Do you know him? -Not really. | 0:42:34 | 0:42:38 | |
Do you? | 0:42:39 | 0:42:42 | |
No. | 0:42:42 | 0:42:44 | |
So we can just keep the whole punching-the-wall thing a secret, right? Don't tell anybody. | 0:42:45 | 0:42:50 | |
Right? | 0:42:52 | 0:42:53 | |
What's up, man, you lost? | 0:43:13 | 0:43:16 | |
Where you goin', man? | 0:43:16 | 0:43:18 | |
He lost. | 0:43:31 | 0:43:32 | |
Shit. | 0:43:35 | 0:43:37 | |
HEAVY GUITAR INTRO | 0:43:37 | 0:43:39 | |
# I was 21 years when I wrote this song | 0:43:41 | 0:43:44 | |
# I'm 22 now but I won't be for long | 0:43:44 | 0:43:47 | |
# People ask me, when will you grow up to be a man? | 0:43:47 | 0:43:49 | |
# All the girls I loved at school are already pushing prams... # | 0:43:49 | 0:43:54 | |
-I had a good day. -# I loved you then as I love you still | 0:43:56 | 0:43:58 | |
# Though I put you on a pedestal they put you on the Pill | 0:43:58 | 0:44:01 | |
# I don't feel bad about letting you go... # | 0:44:01 | 0:44:03 | |
Even after the Duelfer Report, right? | 0:44:03 | 0:44:06 | |
Even after it said, "There are no weapons, there are no WMD programs, there is nothing." | 0:44:06 | 0:44:12 | |
They do the PIPA study, the University of Maryland thing. | 0:44:12 | 0:44:14 | |
And turns out, 72% of his supporters still believe | 0:44:14 | 0:44:19 | |
there's WMDs. | 0:44:19 | 0:44:21 | |
75% still believe | 0:44:21 | 0:44:24 | |
they're supporting al-Qaeda. | 0:44:24 | 0:44:27 | |
And so what the fuck do we do? | 0:44:27 | 0:44:30 | |
You know? What do you do? | 0:44:30 | 0:44:31 | |
What does one... I'm one man. What do I do? You know? | 0:44:31 | 0:44:34 | |
I used to be so... | 0:44:34 | 0:44:36 | |
fucked up. I used to be so fucked up. I was just out there, you know? | 0:44:36 | 0:44:40 | |
But I fuckin' cleaned up. | 0:44:40 | 0:44:43 | |
I cleaned up. | 0:44:43 | 0:44:44 | |
For the most part. | 0:44:51 | 0:44:52 | |
I do it now to get by, but I can handle it. You know what I mean? | 0:44:52 | 0:44:56 | |
I tried the rehab thing. | 0:44:56 | 0:44:58 | |
I tried it. Didn't work. | 0:44:58 | 0:45:00 | |
Didn't work, you know? | 0:45:00 | 0:45:02 | |
It works for some people. | 0:45:02 | 0:45:03 | |
My ex-girlfriend | 0:45:06 | 0:45:08 | |
is getting married. | 0:45:10 | 0:45:11 | |
So it works for some people. | 0:45:17 | 0:45:20 | |
Right? Didn't work for me. | 0:45:20 | 0:45:23 | |
The kids | 0:45:23 | 0:45:26 | |
keep me focused. And I... | 0:45:26 | 0:45:29 | |
# You know it's time | 0:45:42 | 0:45:46 | |
# That we | 0:45:46 | 0:45:49 | |
# Grow old and do some shit | 0:45:49 | 0:45:55 | |
# I like it all that way | 0:45:57 | 0:46:02 | |
# I like it all that way... # | 0:46:05 | 0:46:13 | |
Number three, change moves in spirals, | 0:46:13 | 0:46:18 | |
not in circles. | 0:46:18 | 0:46:20 | |
For example, | 0:46:20 | 0:46:23 | |
the sun goes up and then it comes down. | 0:46:23 | 0:46:27 | |
But every time that happens, what do you get? | 0:46:27 | 0:46:29 | |
You get a new day. | 0:46:32 | 0:46:33 | |
You get a new one. | 0:46:36 | 0:46:38 | |
When you breathe, you inhale and then you exhale. | 0:46:41 | 0:46:47 | |
But every single time that you do that, | 0:46:47 | 0:46:51 | |
you're a little bit different than the one before. | 0:46:51 | 0:46:55 | |
We're always changing. | 0:46:55 | 0:46:57 | |
And it's important to know that there are some changes you can't control, | 0:46:59 | 0:47:04 | |
but that there are others you can. | 0:47:04 | 0:47:06 | |
SCHOOL BELL RINGS | 0:47:06 | 0:47:08 | |
Hi. | 0:47:29 | 0:47:30 | |
You're not eating with the teachers? | 0:47:32 | 0:47:34 | |
I just...felt like being alone. | 0:47:34 | 0:47:39 | |
-I know what you mean. -You do? | 0:47:41 | 0:47:45 | |
Mm-hm. | 0:47:47 | 0:47:48 | |
All right, Mr Dunne, I'll see ya later. | 0:47:52 | 0:47:56 | |
Enjoy your lunch. | 0:47:56 | 0:47:57 | |
Thank you. | 0:48:00 | 0:48:01 | |
-Oh, yeah, um, do you think I could get a ride home later? -OK. | 0:48:01 | 0:48:06 | |
OK. | 0:48:06 | 0:48:08 | |
OK. | 0:48:14 | 0:48:16 | |
MUSIC IN CAR | 0:48:19 | 0:48:21 | |
-OK, have a good weekend. -You too. -Bye. | 0:48:34 | 0:48:38 | |
-Yo. -Yo. | 0:49:00 | 0:49:03 | |
I lost my key. | 0:49:05 | 0:49:07 | |
-You lost your key? -What do we do? | 0:49:07 | 0:49:09 | |
-I don't know. You wanna call your mother or something? -She's an EMT. | 0:49:09 | 0:49:13 | |
I could page her. But I don't know. | 0:49:13 | 0:49:16 | |
All right, get in. | 0:49:19 | 0:49:20 | |
MUSIC COMING FROM VAN | 0:49:20 | 0:49:22 | |
What's up, y'all? You want some candy? | 0:49:28 | 0:49:30 | |
-That's all you got? -Oh, shit, I'm sorry. | 0:49:36 | 0:49:39 | |
-So where's your bike at? -They stole it. | 0:49:39 | 0:49:43 | |
They, who? | 0:49:43 | 0:49:45 | |
I don't know. I'm gonna find out, though. | 0:49:45 | 0:49:49 | |
So what, man, y'all just chillin'? | 0:49:49 | 0:49:52 | |
She lost my key. Her key. | 0:49:52 | 0:49:53 | |
So, Drey, what? You need a place to stay till your moms get home? | 0:49:57 | 0:50:00 | |
-No man, we're cool. -Are you cool, Drey? | 0:50:00 | 0:50:03 | |
Mm-hm. | 0:50:03 | 0:50:04 | |
All right. | 0:50:09 | 0:50:10 | |
But you don't know him, huh? | 0:50:13 | 0:50:16 | |
Who, Frank? | 0:50:17 | 0:50:19 | |
Frank? | 0:50:20 | 0:50:22 | |
I thought you said you didn't know him. | 0:50:22 | 0:50:25 | |
Just a guy from the neighbourhood. | 0:50:25 | 0:50:27 | |
Do you know what he does? | 0:50:27 | 0:50:28 | |
Look. I know that I'm the last person that should be saying this... | 0:50:32 | 0:50:37 | |
You don't have to worry about me. | 0:50:41 | 0:50:43 | |
OK, uh, let me... Just give me a sec. | 0:50:48 | 0:50:51 | |
Wait. | 0:50:59 | 0:51:00 | |
OK. | 0:51:09 | 0:51:10 | |
Have a seat. You can watch TV, if you want. | 0:51:19 | 0:51:23 | |
Make yourself at home. | 0:51:26 | 0:51:28 | |
You got them old things? | 0:51:33 | 0:51:34 | |
-Records? -Yeah. | 0:51:37 | 0:51:39 | |
Yeah, Little Miss MP3, I got records. | 0:51:39 | 0:51:43 | |
You should check 'em out. You might learn something. | 0:51:43 | 0:51:45 | |
Who's this? | 0:51:59 | 0:52:02 | |
-My parents and my brother. -They still live together? | 0:52:02 | 0:52:06 | |
Yeah. | 0:52:06 | 0:52:07 | |
You got so many books about black people. | 0:52:10 | 0:52:13 | |
-I... I got books about all kinds of people. -Can I borrow one? | 0:52:13 | 0:52:18 | |
Yeah. | 0:52:22 | 0:52:24 | |
Who is she? | 0:52:26 | 0:52:27 | |
It's an old friend. | 0:52:31 | 0:52:33 | |
-What happened to her? -Oh, well, um, you should mind your business. | 0:52:33 | 0:52:38 | |
You put it up there. | 0:52:38 | 0:52:40 | |
I've seen her before. She was at the game that night. | 0:52:43 | 0:52:47 | |
-Right? -Yup. | 0:52:51 | 0:52:52 | |
You need help in here? | 0:52:58 | 0:53:00 | |
-You like to cook? -Yeah, sometimes. | 0:53:03 | 0:53:06 | |
Mostly just for...special occasions. | 0:53:06 | 0:53:11 | |
You got a lady coming over tonight or what? | 0:53:11 | 0:53:15 | |
Uh, yeah. | 0:53:15 | 0:53:17 | |
Must like her a lot. | 0:53:17 | 0:53:19 | |
Mm, she's all right. | 0:53:19 | 0:53:21 | |
-She like you? -I don't know. | 0:53:21 | 0:53:25 | |
-I'm hard to like sometimes. -That's true. -Ohh! | 0:53:25 | 0:53:29 | |
Oh, yeah, you just gotta... | 0:53:30 | 0:53:32 | |
You mash those up, you mash 'em up with your hands. | 0:53:32 | 0:53:35 | |
Get in there and squeeze 'em. | 0:53:35 | 0:53:36 | |
See what you need is some jokes. | 0:53:36 | 0:53:39 | |
Women love jokes. | 0:53:39 | 0:53:40 | |
OK, you got any? | 0:53:40 | 0:53:43 | |
What do you call cheese that's not yours? | 0:53:43 | 0:53:46 | |
-What? -Nacho cheese. | 0:53:46 | 0:53:49 | |
-It's yours if you need it. -Absolutely not. | 0:53:51 | 0:53:54 | |
-That's a funny joke. Thank you. -You're welcome. | 0:53:54 | 0:53:59 | |
-Hey, Coach. -Yeah? -Can I ask ya something? | 0:54:03 | 0:54:06 | |
Mm-hm. | 0:54:06 | 0:54:07 | |
What's it like when you smoke that stuff? | 0:54:14 | 0:54:18 | |
-Sorry. -No, don't be. It's all right. | 0:54:25 | 0:54:29 | |
Mash 'em up. | 0:54:50 | 0:54:51 | |
Hope you have a nice date, Mr Dunne. | 0:54:54 | 0:54:58 | |
Hey, thanks for the joke. | 0:55:01 | 0:55:03 | |
So my buddy gets in the car and the cab driver's like, "Oh, I'm so sorry I'm late, sir. | 0:55:08 | 0:55:13 | |
I had to kill somebody on the way here." You know? | 0:55:13 | 0:55:16 | |
And he's like, what? He's like, "No, yeah, no I had a quick... | 0:55:16 | 0:55:18 | |
-I, I killed him. I killed him. -He killed him? | 0:55:18 | 0:55:21 | |
And he's like, "What are you... | 0:55:21 | 0:55:22 | |
You killed him?" He's like, "Yeah, I kill people all the time. | 0:55:22 | 0:55:25 | |
I'm killing people, you know, anybody really kind of mouth off to me, I fuckin' kill them." | 0:55:25 | 0:55:29 | |
Turns out he thinks kill is the word for punch. Right? | 0:55:29 | 0:55:34 | |
-No. -So he's punching people. | 0:55:34 | 0:55:36 | |
My friend thinks that he's killing them. He's terrified. | 0:55:36 | 0:55:38 | |
And he thinks that the word for cement is semen. | 0:55:38 | 0:55:40 | |
So he's like, "Well, basically you can't go anywhere in India without stepping on semen. | 0:55:40 | 0:55:44 | |
"Semen everywhere. | 0:55:44 | 0:55:46 | |
"There's semen buildings. It's lot of people, you know, so everything is made of semen." You know? | 0:55:46 | 0:55:51 | |
I didn't say every day. | 0:55:51 | 0:55:52 | |
You're her father. | 0:55:54 | 0:55:56 | |
Today she got locked out of the house. She didn't even have your number at work. | 0:55:59 | 0:56:02 | |
HE SNIFFS | 0:56:02 | 0:56:04 | |
SHE GASPS | 0:56:04 | 0:56:06 | |
Are you a communist? | 0:57:46 | 0:57:47 | |
What? | 0:57:52 | 0:57:54 | |
Mm, I was looking through your books. | 0:57:54 | 0:57:58 | |
-Che In Africa? -So? | 0:57:58 | 0:58:02 | |
The Communist Manifesto? | 0:58:02 | 0:58:04 | |
If I had a copy of Mein Kampf, would that make me a Nazi? | 0:58:10 | 0:58:13 | |
You know, this is really good. | 0:58:15 | 0:58:17 | |
Very tasty. | 0:58:19 | 0:58:21 | |
You should try it warm. | 0:58:21 | 0:58:23 | |
Well, you don't have a copy of Mein Kampf, | 0:58:27 | 0:58:31 | |
but if you did then, yes, I'd ask you if you were a Nazi. | 0:58:31 | 0:58:34 | |
-Maybe I'm hiding it. -Why would you hide it? -Cos it's just not cool to be a Nazi any more, baby. | 0:58:34 | 0:58:41 | |
So what are you doing today? | 0:58:56 | 0:58:58 | |
Well, I gotta... | 0:58:58 | 0:59:00 | |
It's great you're writing. | 0:59:02 | 0:59:04 | |
Yeah. We'll see. | 0:59:04 | 0:59:05 | |
-I should let you get to it, then. -Yeah. Thanks, though. I had a good time. -Yeah, me too. | 0:59:11 | 0:59:16 | |
On November 1st, 1977, Harvey Milk was elected to the San Francisco City Council. | 0:59:25 | 0:59:32 | |
He was the first openly gay person to EVER be elected to public office. | 0:59:32 | 0:59:35 | |
A year later he was assassinated by another member of the City Council called Dan White. | 0:59:35 | 0:59:40 | |
Mr Harvey Milk has been shot and killed. | 0:59:40 | 0:59:42 | |
-Oh. -Dan White claimed he shot Milk because he ate too much junk food that day. | 0:59:42 | 0:59:47 | |
This would later be known as The Twinkie Defense. | 0:59:47 | 0:59:50 | |
Is that for real? | 0:59:52 | 0:59:54 | |
-RAPPING: -That's why the ghetto got my back like the Heimlich | 0:59:54 | 0:59:56 | |
My name's Che, revolutionary rhymefest | 0:59:56 | 0:59:59 | |
And I gots ta put coke in the kitchen | 0:59:59 | 1:00:01 | |
Police everywhere like cheap seats | 1:00:01 | 1:00:03 | |
Roundin' brothers up on street sweeps | 1:00:03 | 1:00:05 | |
You guilty by association | 1:00:05 | 1:00:07 | |
Raise bail, don't give em no probation | 1:00:07 | 1:00:08 | |
No parole, step on that nigga's soul | 1:00:08 | 1:00:10 | |
Let him know the devil in control | 1:00:10 | 1:00:12 | |
Here we go | 1:00:12 | 1:00:13 | |
Hundred miles, gotta keep on runnin' | 1:00:13 | 1:00:17 | |
Can't stop to bleed, I can feel them comin' | 1:00:17 | 1:00:22 | |
And I can see my past in shotgun blasts and shattered glass | 1:00:22 | 1:00:27 | |
Band on the run | 1:00:27 | 1:00:28 | |
The grind keeps on flippin' | 1:00:31 | 1:00:34 | |
Pull stacks off each tracks, I keep rippin' | 1:00:34 | 1:00:36 | |
Cold black, serve them packs and keep pimpin' | 1:00:36 | 1:00:39 | |
Gangstas, stones and the bloods now he's trippin' | 1:00:39 | 1:00:41 | |
Niggas viewing death as a lifestyle | 1:00:41 | 1:00:43 | |
Put it on wax and sell it to that white child | 1:00:43 | 1:00:46 | |
Even softball fuckers wanna fight now | 1:00:46 | 1:00:48 | |
While your little sister is in the club strippin' | 1:00:48 | 1:00:50 | |
All a nigga wanna do is listen | 1:00:50 | 1:00:53 | |
The thick rims spinnin', they spinnin' nigga, they spinnin' | 1:00:53 | 1:00:56 | |
Grandma say that by should stop sinnin' | 1:00:56 | 1:00:57 | |
He's so large he don't even like black women | 1:00:57 | 1:01:00 | |
Paparazzo shots, they get old | 1:01:00 | 1:01:02 | |
Your record went break now shit's cold | 1:01:02 | 1:01:04 | |
The white chicks says you're crooked | 1:01:04 | 1:01:05 | |
She wouldn't fuck, yeah that nigga took it... | 1:01:05 | 1:01:07 | |
Drey. | 1:01:16 | 1:01:17 | |
Drey, come here. | 1:01:17 | 1:01:18 | |
-Where you goin'? -Home. | 1:01:21 | 1:01:24 | |
-I'll give you a ride home. -It's cool. I got a ride. | 1:01:24 | 1:01:26 | |
-I don't really think you should be riding with him. Do you think? -Drey. | 1:01:26 | 1:01:29 | |
-Is everything cool? -Everything's OK. | 1:01:29 | 1:01:31 | |
I'm gonna take her home. | 1:01:31 | 1:01:33 | |
Is that right? | 1:01:33 | 1:01:35 | |
-Yeah. -Is that right, D? Huh, you getting a ride with Teach? | 1:01:35 | 1:01:37 | |
-Nah, man. -Drey, Drey, Drey, come on. | 1:01:37 | 1:01:40 | |
Come here. | 1:01:40 | 1:01:41 | |
Everything's fine. Have a nice night. | 1:01:41 | 1:01:43 | |
-I'm gonna take her home, OK? -Hey, look, uh, you know what? | 1:01:43 | 1:01:46 | |
Let me introduce myself, huh? | 1:01:46 | 1:01:48 | |
-I'm Frank. -Come here now, OK? | 1:01:48 | 1:01:52 | |
Come here. | 1:01:52 | 1:01:54 | |
Hey, wait, wait, wait! Hey, hey. Coach, you need to take it easy, man. | 1:01:54 | 1:01:57 | |
-Oh, I'm sorry. -Come on. Did I hurt you? | 1:01:57 | 1:02:00 | |
I didn't mean to... | 1:02:00 | 1:02:01 | |
We'll see you later, Teach. Come on. | 1:02:01 | 1:02:04 | |
Dunne, right? Lloyd Dickson. My daughter Paula went to Jefferson. | 1:02:19 | 1:02:25 | |
Paula Dickson? | 1:02:25 | 1:02:27 | |
You taught History, right? | 1:02:27 | 1:02:30 | |
Paula Dickson? | 1:02:30 | 1:02:32 | |
She's in her first semester at Georgetown. History major. | 1:02:32 | 1:02:36 | |
Paula Dickson... | 1:02:36 | 1:02:38 | |
You have a good night. | 1:02:42 | 1:02:44 | |
Dave... | 1:02:49 | 1:02:50 | |
Dave. Dave! | 1:02:54 | 1:03:00 | |
In Asia the idea that things are made of opposites, | 1:03:21 | 1:03:25 | |
ying and yang, dates back 3,000 years. | 1:03:25 | 1:03:28 | |
Taoism's saying change is the only constant. | 1:03:28 | 1:03:31 | |
But that just died in the West. It just couldn't be both. | 1:03:31 | 1:03:35 | |
Couldn't be black and white. It couldn't be right and wrong. | 1:03:35 | 1:03:38 | |
It had to be one or the other. | 1:03:38 | 1:03:40 | |
Who am I to say that Aristotle's wrong? Right? | 1:03:40 | 1:03:43 | |
But that doesn't make any sense. These things need each other. | 1:03:43 | 1:03:46 | |
The idea that... | 1:03:46 | 1:03:48 | |
that all God's creations are perfect. | 1:03:48 | 1:03:50 | |
Perfect. So just to suggest | 1:03:50 | 1:03:55 | |
that a tree is crooked and it's straight, | 1:03:55 | 1:03:58 | |
it's strong and it's weak is to suggest that God created something imperfect. | 1:04:00 | 1:04:05 | |
They do, however, acknowledge it in people. We are sinners, but we can strive to be good. | 1:04:05 | 1:04:11 | |
Just not in nature itself, I guess, you know? | 1:04:13 | 1:04:15 | |
Oh, uh, I'm gonna... | 1:04:20 | 1:04:22 | |
I'm gonna go. You guys... write down what's on the board. DOOR CLOSES | 1:04:22 | 1:04:26 | |
WATER FLUSHES | 1:04:26 | 1:04:28 | |
Broward County, Florida middle schools mistakenly failed over | 1:04:33 | 1:04:36 | |
6,500 students in June due to what it later called a computer error. | 1:04:36 | 1:04:42 | |
A school official called the total count of students affected... | 1:04:42 | 1:04:45 | |
.."an insignificant sum". | 1:04:48 | 1:04:51 | |
What goes, Danny boy? How's history? | 1:05:00 | 1:05:03 | |
-I can't do it any more. -Oh, I know the feeling. | 1:05:06 | 1:05:09 | |
Hang in there. Things will get better. | 1:05:09 | 1:05:13 | |
And if not... | 1:05:13 | 1:05:15 | |
there's always summer. | 1:05:15 | 1:05:17 | |
Don't you have a class right now? | 1:05:22 | 1:05:24 | |
-Look, that's him over there. -That ain't even your bike. | 1:05:33 | 1:05:35 | |
-How that's him? -That's my bike. | 1:05:35 | 1:05:37 | |
-Oh, I see it. -There he go, right there. | 1:05:37 | 1:05:40 | |
He a little round, too. | 1:05:40 | 1:05:42 | |
-That's my bike, nigger. -What? -What the fuck you doin' on my bike? | 1:05:42 | 1:05:45 | |
-I didn't know it was yours. -You didn't know it was mines? | 1:05:45 | 1:05:48 | |
You always see me on this bike. | 1:05:48 | 1:05:50 | |
Sorry. I..I just didn't know it was your bike. | 1:05:52 | 1:05:56 | |
You hell are sorry, nigger. I should fuck you up. | 1:05:56 | 1:05:58 | |
Get off my bike. | 1:06:01 | 1:06:02 | |
-Oh, so what happened, huh? -What? | 1:06:07 | 1:06:09 | |
I thought you was gonna fuck him up. | 1:06:09 | 1:06:11 | |
-Didn't have to. -Oh, shit. | 1:06:11 | 1:06:14 | |
OK. You didn't have to. | 1:06:14 | 1:06:15 | |
-Hey. -Hey. | 1:06:46 | 1:06:48 | |
Hey. | 1:06:58 | 1:07:00 | |
It's back. | 1:07:02 | 1:07:03 | |
Yeah. | 1:07:05 | 1:07:06 | |
Did you know my brother? | 1:07:10 | 1:07:12 | |
I knew of him, but I didn't know him. | 1:07:12 | 1:07:17 | |
He wasn't in any of my classes or anything. | 1:07:17 | 1:07:20 | |
Think I could end up like him? | 1:07:24 | 1:07:26 | |
Do you? | 1:07:33 | 1:07:34 | |
Hey what's up, Teach? | 1:08:07 | 1:08:10 | |
How's the dianetics going? | 1:08:10 | 1:08:13 | |
It's dialectics. Can I talk to you? | 1:08:13 | 1:08:16 | |
What's up? | 1:08:16 | 1:08:18 | |
OK, look. I hate to be this guy right now. All right? | 1:08:18 | 1:08:22 | |
Mm-hm. | 1:08:22 | 1:08:24 | |
-But I need you to stay away from Drey. -Excuse me? | 1:08:24 | 1:08:28 | |
-You heard me. So just do me this solid, all right, man, please? -Do you a solid? | 1:08:28 | 1:08:32 | |
You know what I'm saying. You understand me. | 1:08:32 | 1:08:35 | |
Oh, so this is like stay away from the girl, she's too precious? | 1:08:35 | 1:08:38 | |
-I'm not kidding. -Oh, I know. | 1:08:38 | 1:08:40 | |
-So you understand? -Look, man. Drey is my family. | 1:08:40 | 1:08:44 | |
She's my friend. All these cats, these are my friends. | 1:08:44 | 1:08:47 | |
Would you like to be my friend, man? | 1:08:47 | 1:08:50 | |
What is this? A fucking romper room? | 1:08:50 | 1:08:52 | |
-What the fuck is a romper room? -Are you fucking listening to me? -Why you so fucking angry, man?! | 1:08:52 | 1:08:57 | |
-Because you are not listening to me. -Look, I'm right here, baby. Tell me what you're talking about. | 1:08:57 | 1:09:01 | |
I'm telling you to do something good. | 1:09:01 | 1:09:03 | |
-Oh. -Are you capable of that? | 1:09:03 | 1:09:05 | |
Oh. So now we back to the point of what is white is right, right? | 1:09:05 | 1:09:09 | |
Fuck. | 1:09:09 | 1:09:10 | |
-So it's... -This has nothing to do with that and you know it. -No! | 1:09:10 | 1:09:14 | |
It's good for Drey to have somebody like you looking out for her, | 1:09:14 | 1:09:17 | |
Mr Model A-One Fuckin' Citizen. | 1:09:17 | 1:09:19 | |
I don't know. | 1:09:19 | 1:09:21 | |
I don't know. | 1:09:21 | 1:09:23 | |
Fuck. | 1:09:34 | 1:09:35 | |
Because I'm supposed to do something, right? | 1:09:37 | 1:09:40 | |
But what am I supposed to do? | 1:09:41 | 1:09:43 | |
Look, man. | 1:09:53 | 1:09:55 | |
You want a drink? | 1:09:57 | 1:09:59 | |
-What? -Motherfucker, do you want a drink? | 1:10:01 | 1:10:03 | |
I mean, are you thirsty? | 1:10:03 | 1:10:05 | |
-How that sound? -OK. | 1:10:08 | 1:10:11 | |
You want some candy? | 1:10:14 | 1:10:16 | |
Uh. | 1:10:16 | 1:10:19 | |
Man, don't touch that cat. | 1:10:19 | 1:10:22 | |
Hey y'all, this is Teach. Dan, man. These are my boys. | 1:10:22 | 1:10:25 | |
That's Mike's little sister Drey, it's her teacher. | 1:10:25 | 1:10:28 | |
-What's happening? -What's up? | 1:10:28 | 1:10:31 | |
You ain't bringing that shit in my house, man. Put that cat down. | 1:10:31 | 1:10:34 | |
Thank you very much. Get your ass outta here. | 1:10:34 | 1:10:38 | |
BANGING | 1:11:08 | 1:11:13 | |
Dan? | 1:11:20 | 1:11:22 | |
What's going on? | 1:11:25 | 1:11:27 | |
I am not now, nor have I ever been... | 1:11:29 | 1:11:32 | |
..a communist. | 1:11:37 | 1:11:39 | |
-What's happening? -I was in the neighbourhood. | 1:11:45 | 1:11:50 | |
Thought maybe I'd surprise ya. | 1:11:53 | 1:11:55 | |
Yeah, it's a surprise. | 1:11:59 | 1:12:01 | |
That's true. | 1:12:01 | 1:12:02 | |
You OK? | 1:12:07 | 1:12:09 | |
Yeah, I'm great. How about you? How are you? | 1:12:09 | 1:12:12 | |
-Um, I'm good. A little tired but uh, I'm good. -Oh, is it late? | 1:12:12 | 1:12:19 | |
-Uh, well... -Well. | 1:12:21 | 1:12:24 | |
I don't know. What time is it? 2:30, yeah. | 1:12:24 | 1:12:29 | |
-Oh, that late? -Yeah. Well, you know, we got, um, class tomorrow. | 1:12:29 | 1:12:33 | |
Oh, I forgot about class. | 1:12:33 | 1:12:34 | |
I'm sorry about last time. | 1:12:35 | 1:12:37 | |
It's OK. It's OK. | 1:12:38 | 1:12:39 | |
What are you doing? | 1:12:44 | 1:12:46 | |
Not right now, OK? | 1:12:46 | 1:12:48 | |
No. It... Dan. OK, you're drunk. | 1:12:50 | 1:12:53 | |
What are you doing? Hm? | 1:12:53 | 1:12:55 | |
Stop it. | 1:12:58 | 1:13:00 | |
Well, that was weird. | 1:13:30 | 1:13:32 | |
What the fuck was that? | 1:13:35 | 1:13:36 | |
I don't know. | 1:13:39 | 1:13:41 | |
Listen, feel free to whatever, you know? | 1:13:45 | 1:13:48 | |
Whatever. No hard feelings. | 1:13:48 | 1:13:50 | |
I completely understand. | 1:13:50 | 1:13:51 | |
OK? | 1:13:53 | 1:13:54 | |
Maybe I'll see you tomorrow. | 1:13:59 | 1:14:01 | |
Or not. I don't know. It's hard to say where I'm gonna be. I'm so fucked up right now. | 1:14:03 | 1:14:09 | |
I hope you know I really liked you. | 1:14:15 | 1:14:18 | |
I had fun. | 1:14:22 | 1:14:23 | |
Not tonight, I didn't have fun. | 1:14:25 | 1:14:28 | |
But the other night I had... | 1:14:28 | 1:14:30 | |
We had fun, right? | 1:14:30 | 1:14:32 | |
Look, I'm bleeding a bit so I'm using your couch arm thing. | 1:14:41 | 1:14:45 | |
But I'm gonna wash it. | 1:14:46 | 1:14:49 | |
OK? | 1:14:49 | 1:14:50 | |
Sorry. | 1:14:55 | 1:14:57 | |
What? | 1:16:18 | 1:16:20 | |
How's things? | 1:16:20 | 1:16:22 | |
Well, how do they look? | 1:16:22 | 1:16:24 | |
What do you want? | 1:16:29 | 1:16:32 | |
Nothing. | 1:16:32 | 1:16:33 | |
Look, you know you don't really see other kids coming up to my car, | 1:16:37 | 1:16:41 | |
Drey, to talk to me. It's uh... | 1:16:41 | 1:16:43 | |
You know, | 1:16:46 | 1:16:48 | |
I'm your teacher. | 1:16:48 | 1:16:49 | |
Not your friend. | 1:16:52 | 1:16:53 | |
Why don't you go play with kids your own age? | 1:16:54 | 1:16:56 | |
I'm just trying to be alone. | 1:16:56 | 1:16:59 | |
Then be alone, then. Asshole. | 1:17:01 | 1:17:04 | |
Bitch. | 1:17:09 | 1:17:10 | |
THEY MUTTER | 1:17:15 | 1:17:18 | |
HE COUGHS | 1:17:49 | 1:17:51 | |
Hey, uh, I think Henderson's looking for you. | 1:17:51 | 1:17:56 | |
Must be about the new, uh, curriculum, huh? | 1:18:01 | 1:18:04 | |
Yeah. No, I'm sure that's it. | 1:18:05 | 1:18:07 | |
But, um, hey Dan, if there's anything else going on, you know? | 1:18:07 | 1:18:14 | |
If, uh, you need any help? | 1:18:14 | 1:18:18 | |
You know, anything. | 1:18:18 | 1:18:21 | |
You know we're here for you, pal. | 1:18:21 | 1:18:24 | |
Close the door. | 1:18:35 | 1:18:37 | |
Is there something going on that I should know about? | 1:18:48 | 1:18:50 | |
Um. | 1:18:53 | 1:18:54 | |
On September 11 1973, the CIA helped overthrow and murder | 1:19:01 | 1:19:05 | |
democratically elected Chilean president Salvador Allende. | 1:19:05 | 1:19:09 | |
The military coup lead to mass disappearances, assassinations | 1:19:09 | 1:19:12 | |
and tortures of thousands of Chilean civilians | 1:19:12 | 1:19:15 | |
under the leadership of US-backed dictator Augusto Pinochet. | 1:19:15 | 1:19:19 | |
Secretary of State Henry Kissinger said of Allende's 1970 election, | 1:19:19 | 1:19:22 | |
quote, "These issues are much too important for the Chilean voters to decide for themselves." | 1:19:22 | 1:19:28 | |
Danny. | 1:19:34 | 1:19:36 | |
-Hi, Mom. -What happened to your lip? | 1:19:36 | 1:19:38 | |
-That's plenty, thanks. -HE MUMBLES | 1:19:40 | 1:19:42 | |
That's good. | 1:19:42 | 1:19:43 | |
-Good, good. -So, how's the novel? -You're writing a novel? | 1:19:43 | 1:19:46 | |
-It's a kid's book that I haven't started yet. -I love children's books. | 1:19:46 | 1:19:50 | |
-What's it about? -Dialectics. | 1:19:50 | 1:19:52 | |
-Dialectics. What is that? -Oh, no. | 1:19:52 | 1:19:57 | |
It's a, um, it's a theory that attempts to explain how change works. | 1:19:57 | 1:20:03 | |
-Sounds interesting. -How does change work, Dan? | 1:20:03 | 1:20:08 | |
-Let's save it for dessert. -I hear you went to the march. | 1:20:08 | 1:20:11 | |
-Yeah, it was really great. -Yeah, really. | 1:20:11 | 1:20:13 | |
400,000 people there. | 1:20:13 | 1:20:15 | |
Oh, that's fantastic. What do they report it in the press, 200,000? | 1:20:15 | 1:20:18 | |
Danny Glover was there. | 1:20:18 | 1:20:20 | |
-Danny Glover? Oh, I like him. -Yeah. -What was that movie that he was in? | 1:20:20 | 1:20:24 | |
Legal Weapon. Cindy, what is it exactly... | 1:20:24 | 1:20:27 | |
Hey, what was his name? | 1:20:27 | 1:20:28 | |
-Charles. -"Charles, get your fat ass off my bike!" | 1:20:28 | 1:20:31 | |
-That's what she said, "before I fuck your fat ass up." -You said that? | 1:20:31 | 1:20:35 | |
You know she did. Then my man started stressin'. | 1:20:35 | 1:20:38 | |
He started apologizing. "I'm sorry. I didn't know it was yours." | 1:20:38 | 1:20:41 | |
-Then what'd you do, you knock him out? -Tell her. | 1:20:41 | 1:20:44 | |
Didn't have to. | 1:20:44 | 1:20:46 | |
Ah! Didn't have to! | 1:20:46 | 1:20:48 | |
That's my girl right there, poking people on the street. | 1:20:48 | 1:20:52 | |
-HE SCREAMS -Oh. | 1:20:52 | 1:20:54 | |
Oh, Danny. You won't believe what I found this week. | 1:20:56 | 1:20:58 | |
-You guys really live it up around here. -Hey, you hear that? | 1:20:58 | 1:21:02 | |
Uh, the rock star approves. Cindy-loo-hoo. | 1:21:02 | 1:21:04 | |
-Aw, Jeff, didn't you tell her that around here we always party like it's 1999? -Oh, my God. | 1:21:04 | 1:21:09 | |
MUSIC: "It's All Right To Cry" | 1:21:09 | 1:21:12 | |
Can you be any more embarrassing? | 1:21:12 | 1:21:14 | |
Did you know I was in Vietnam? I got the scar. | 1:21:14 | 1:21:18 | |
-Remember? -Remember this one? | 1:21:18 | 1:21:22 | |
Jesus. | 1:21:23 | 1:21:25 | |
Why you got these scary things? | 1:22:01 | 1:22:04 | |
Got 'em off the internet. | 1:22:04 | 1:22:05 | |
Some dude in Texas. | 1:22:05 | 1:22:08 | |
-I wouldn't want these things in my house. -Well, they in my house. | 1:22:08 | 1:22:11 | |
And my house is your house. | 1:22:11 | 1:22:15 | |
So deal with it. | 1:22:15 | 1:22:18 | |
You ever sell to coach? | 1:22:28 | 1:22:31 | |
Why? | 1:22:31 | 1:22:33 | |
Just wondering. | 1:22:33 | 1:22:35 | |
-Look, don't you think you and Teach's relationship is a little uh... -What? | 1:22:35 | 1:22:40 | |
Inappropriate? | 1:22:40 | 1:22:42 | |
-What do you mean? -Look, he your teacher, Drey. I mean sometimes you act like... | 1:22:42 | 1:22:46 | |
-He's my friend. -Look, he's a base head. | 1:22:46 | 1:22:50 | |
All right? And base heads don't have friends. | 1:22:50 | 1:22:55 | |
I mean... This motherfucker was outside my house yesterday | 1:22:55 | 1:23:00 | |
telling me that we shouldn't be associated with each other. | 1:23:00 | 1:23:02 | |
MUSIC: "Can't You See" by Marshall Tucker Band | 1:23:04 | 1:23:08 | |
# Gonna take a freight train down at the station, Lord | 1:23:36 | 1:23:41 | |
# I don't care where it goes | 1:23:42 | 1:23:45 | |
# Gonna climb a mountain the highest mountain | 1:23:47 | 1:23:52 | |
# Jump off, nobody gonna know... # | 1:23:53 | 1:23:55 | |
Hey, teach me something, Dan. | 1:23:55 | 1:23:59 | |
Teach me... | 1:24:00 | 1:24:02 | |
..some Ebonics. | 1:24:03 | 1:24:07 | |
Is that where they got you teaching in that zoo? | 1:24:07 | 1:24:09 | |
Hey, tell me something, how do you say... | 1:24:13 | 1:24:15 | |
.."asshole" in Ebonics? | 1:24:17 | 1:24:21 | |
Look, uh... Look, I'm going. | 1:24:21 | 1:24:23 | |
Hey-hey hey-hey. | 1:24:25 | 1:24:27 | |
Hey. | 1:24:27 | 1:24:29 | |
I'm sorry. I'm an asshole. | 1:24:29 | 1:24:31 | |
I love ya. | 1:24:33 | 1:24:36 | |
You know that right? | 1:24:36 | 1:24:37 | |
Yeah, I know. | 1:24:37 | 1:24:39 | |
Very good. Good. | 1:24:43 | 1:24:44 | |
241, apartment three. | 1:24:47 | 1:24:49 | |
-MOBILE RINGS -Hello. | 1:24:59 | 1:25:04 | |
What's up? | 1:25:05 | 1:25:07 | |
I bet you are so good with those kids, Daniel Dunne. | 1:25:07 | 1:25:12 | |
I am really proud of you. | 1:25:12 | 1:25:14 | |
Thanks, Ma. Sometimes I think uh, they were the only thing keeping me sane. | 1:25:14 | 1:25:19 | |
It's a good thing, you know, to teach. | 1:25:19 | 1:25:21 | |
Your father and I thought we were gonna change the world when we were young, you know? What did we know? | 1:25:21 | 1:25:27 | |
Uh, well, you stopped a war, so. | 1:25:27 | 1:25:28 | |
You think so? | 1:25:28 | 1:25:31 | |
-Yeah. -That's nice, honey. | 1:25:31 | 1:25:35 | |
I think it was more about Daniel Ellsberg than anything we did, you know? | 1:25:35 | 1:25:39 | |
One man alone means nothing. | 1:25:39 | 1:25:42 | |
I guess not. | 1:25:43 | 1:25:45 | |
Do you hear from Rachel any more? | 1:25:45 | 1:25:48 | |
Not really. | 1:25:48 | 1:25:50 | |
I saw her at the pharmacy the other day. | 1:25:50 | 1:25:52 | |
Maybe it's her mom. | 1:25:52 | 1:25:54 | |
-Maybe. -You know she looked great. | 1:25:54 | 1:25:56 | |
You should give her a call. | 1:25:56 | 1:25:58 | |
But, you know, clean up a little first. | 1:25:58 | 1:26:02 | |
You're killing me with the tie. | 1:26:02 | 1:26:05 | |
You can stop. I'm fine. | 1:26:05 | 1:26:07 | |
-You happy? -I'm so happy. | 1:26:10 | 1:26:14 | |
That's so great, sweetie. | 1:26:14 | 1:26:16 | |
You're happy, I'm happy. Watch the basketballs, OK, honey? | 1:26:16 | 1:26:21 | |
Hey, Mom? | 1:26:26 | 1:26:28 | |
How was it? | 1:26:49 | 1:26:51 | |
Easy, right? Hah, I saw you shaking all across the street and shit. | 1:26:51 | 1:26:54 | |
-SHE LAUGHS -Sure beats the hell out of flipping burgers. -Thank you. | 1:26:54 | 1:26:59 | |
Your mom said there was more wine out here. | 1:27:20 | 1:27:23 | |
-Found it. -Do you like my brother? | 1:27:25 | 1:27:31 | |
Yeah. | 1:27:33 | 1:27:35 | |
Why? | 1:27:35 | 1:27:37 | |
Uh, he's nice. | 1:27:38 | 1:27:40 | |
He's funny. | 1:27:42 | 1:27:43 | |
Does he tell any jokes? | 1:27:45 | 1:27:47 | |
Sometimes. | 1:27:47 | 1:27:50 | |
Like what? | 1:27:50 | 1:27:52 | |
Like... | 1:27:52 | 1:27:54 | |
Knock, knock. | 1:27:57 | 1:27:59 | |
Who's there? | 1:27:59 | 1:28:01 | |
The interrupting cow. | 1:28:01 | 1:28:02 | |
-The interrupting... -Moo! | 1:28:04 | 1:28:06 | |
Yeah? | 1:28:11 | 1:28:12 | |
Man, go put some fuckin' clothes on. Put some clothes on. | 1:28:57 | 1:29:02 | |
Where you going? | 1:29:02 | 1:29:04 | |
Come inside, sweetie. | 1:29:04 | 1:29:07 | |
Ain't nobody gonna bite you. | 1:29:07 | 1:29:09 | |
Everything cool? | 1:30:50 | 1:30:51 | |
I guess we should get you home, then. | 1:30:58 | 1:31:01 | |
I don't think it's a good idea, you falling asleep in front of the TV every night. | 1:31:56 | 1:32:00 | |
What's up, Drey, you in a funk today? | 1:32:03 | 1:32:05 | |
Wanna tell me why? | 1:32:05 | 1:32:07 | |
Just thinking about Mike, I guess. | 1:32:10 | 1:32:12 | |
Yeah. | 1:32:13 | 1:32:14 | |
I miss your brother, too. We'll go see him, soon as I get some time off. | 1:32:14 | 1:32:18 | |
I can't believe they hit me with another double tomorrow. | 1:32:20 | 1:32:24 | |
Can you believe that? | 1:32:24 | 1:32:26 | |
Can't get a goddamn break. | 1:32:27 | 1:32:29 | |
So what else is happening? | 1:32:32 | 1:32:34 | |
I heard something about a civil rights thing with Oprah or something? | 1:32:36 | 1:32:39 | |
Drey? | 1:32:43 | 1:32:44 | |
-MACHINE BEEPS -Hi, honey. | 1:32:55 | 1:32:58 | |
Just calling to let you know how much fun it was for us last night. We should do it more often. | 1:32:58 | 1:33:03 | |
I love you, sweetie. | 1:33:03 | 1:33:05 | |
Call us soon, OK? | 1:33:05 | 1:33:07 | |
Shh. Shh. | 1:33:15 | 1:33:17 | |
Hello, everyone. I'm Mr Light. | 1:33:33 | 1:33:35 | |
I will be filling in for... | 1:33:35 | 1:33:37 | |
Where's Mr Dunne? | 1:33:37 | 1:33:39 | |
I really don't know. | 1:33:39 | 1:33:40 | |
-When's he coming back? -They don't tell me much in the office. | 1:33:40 | 1:33:43 | |
Why don't you guys tell me what you've been learning? | 1:33:43 | 1:33:45 | |
-Yo, what's good, Drey? -I don't know. | 1:34:03 | 1:34:05 | |
-What's good with you? -Chillin'. | 1:34:05 | 1:34:07 | |
Need a ride? | 1:34:08 | 1:34:09 | |
-I got my bike. -We'll throw it in the back. | 1:34:09 | 1:34:12 | |
I gotta get home. | 1:34:12 | 1:34:13 | |
-Well, I'll take you. -Not today. -Drey. | 1:34:13 | 1:34:18 | |
Look, I'll see you around, huh? | 1:34:19 | 1:34:22 | |
What happened to your friends? | 1:35:12 | 1:35:13 | |
They're gone. | 1:35:13 | 1:35:15 | |
You missed a hell of a party. | 1:35:22 | 1:35:25 | |
Looks like it. | 1:35:25 | 1:35:27 | |
Thank you. | 1:35:48 | 1:35:50 | |
Ouch. | 1:36:02 | 1:36:03 | |
You ready to go? | 1:36:12 | 1:36:13 | |
You missed a spot. > | 1:36:41 | 1:36:42 | |
-Knock, knock. -Who's there? | 1:37:03 | 1:37:07 | |
The interrupting cow. | 1:37:08 | 1:37:11 | |
The interrupting cow who? | 1:37:11 | 1:37:12 | |
Moo. | 1:37:17 | 1:37:19 | |
That was horrible! | 1:37:23 | 1:37:25 | |
Subtitles by Red Bee Media Ltd | 1:38:02 | 1:38:05 | |
E-mail [email protected] | 1:38:05 | 1:38:08 |