Browse content similar to Krakatoa: East of Java. Check below for episodes and series from the same categories and more!
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RUMBLING | 0:02:55 | 0:02:58 | |
BELL TOLLS | 0:03:15 | 0:03:19 | |
< One, two, three, four! | 0:03:23 | 0:03:25 | |
# Sister, sister, have you heard? | 0:03:25 | 0:03:30 | |
# I know a word that's a magic word | 0:03:30 | 0:03:35 | |
# Just make a wish and say kikanalu | 0:03:35 | 0:03:40 | |
# Kikanalu and the wish will come true... # | 0:03:40 | 0:03:45 | |
EXPLOSIONS | 0:03:45 | 0:03:49 | |
Ready? | 0:03:52 | 0:03:54 | |
# Kikanalu, kikanalu | 0:03:55 | 0:03:59 | |
# Sister, sister, have you heard? | 0:03:59 | 0:04:04 | |
CHILD CRIES # If I should wish I could be a bird | 0:04:04 | 0:04:09 | |
# If I should wish I could fly through the blue | 0:04:09 | 0:04:14 | |
# If I should wish I'd say kikanalu | 0:04:14 | 0:04:17 | |
EXPLOSIONS CONTINUE | 0:04:17 | 0:04:21 | |
# Sister, sister, have you heard? | 0:04:21 | 0:04:26 | |
# If I should wish I could be a bird | 0:04:26 | 0:04:30 | |
# If I should wish I could fly through the blue | 0:04:30 | 0:04:36 | |
# If I should wish I'd say kikanalu | 0:04:36 | 0:04:40 | |
# Kikanalu, kikanalu | 0:04:41 | 0:04:45 | |
# Kikanalu, kikanalu. # | 0:04:45 | 0:04:50 | |
SHIP'S WHISTLE BLASTS | 0:04:55 | 0:04:58 | |
TRAIN WHISTLE BLOWS | 0:05:09 | 0:05:12 | |
Leoncavallo! | 0:05:36 | 0:05:39 | |
Sons must show respect for fathers, whether they like it or not. | 0:05:39 | 0:05:44 | |
Hello, Captain. | 0:05:44 | 0:05:46 | |
Captain Hanson? Giovanni Borghese. | 0:05:46 | 0:05:50 | |
May I introduce my son, Leoncavallo? | 0:05:50 | 0:05:54 | |
Every inch a captain! THIS is the Captain. | 0:05:54 | 0:05:58 | |
-Hello, Captain. -Buon giorno. -Thank you. The ship is beautiful. | 0:06:00 | 0:06:06 | |
ROME is beautiful. | 0:06:06 | 0:06:10 | |
Captain Hanson? | 0:06:16 | 0:06:18 | |
-Yes? -I am the diver, Toshi. | 0:06:18 | 0:06:21 | |
-Ah, yes. -IN INDONESIAN | 0:06:21 | 0:06:25 | |
Where are the others? | 0:06:25 | 0:06:28 | |
-They're here. With your permission, we would like to bless your ship. -I'd be honoured. | 0:06:28 | 0:06:36 | |
RECITING IN JAPANESE | 0:06:39 | 0:06:42 | |
All right, gentlemen, back to work now. | 0:07:10 | 0:07:14 | |
-There she is, Captain. A veritable gem. -One moment, please. | 0:07:19 | 0:07:25 | |
Get the steam up. It won't be long. | 0:07:25 | 0:07:27 | |
-A what? -A veritable gem, don't you think? -Oh, yes. | 0:07:27 | 0:07:33 | |
-Be careful with the loading. -We'll take care. | 0:07:33 | 0:07:37 | |
-You built that yourself? -Yes, plus the expensive help of fifty natives. | 0:07:37 | 0:07:43 | |
A beautiful monstrosity. | 0:07:43 | 0:07:46 | |
Butterfly 3. You think it'll work? | 0:07:46 | 0:07:49 | |
-Well, I think I've corrected what sunk the first two. -Really? | 0:07:49 | 0:07:54 | |
All that money put into my marine experiments. I was rich once. | 0:07:54 | 0:07:59 | |
I mean, REALLY rich. | 0:07:59 | 0:08:02 | |
Do YOU think it'll work? | 0:08:03 | 0:08:06 | |
It better. | 0:08:06 | 0:08:09 | |
SLOW DRUMBEAT | 0:08:09 | 0:08:13 | |
Hey, David! | 0:09:02 | 0:09:03 | |
Aren't they on the wrong dock? | 0:09:03 | 0:09:06 | |
I'm afraid not, Chris. Passengers. | 0:09:06 | 0:09:09 | |
Thirty of them, bound for Madura. | 0:09:09 | 0:09:12 | |
Passengers? I'm not going to Madura. | 0:09:12 | 0:09:15 | |
-No other ship is sailing close. -Wait! | 0:09:15 | 0:09:19 | |
You're sailing into a raging volcano. | 0:09:21 | 0:09:24 | |
Krakatoa's been quiet for 200 years. | 0:09:24 | 0:09:28 | |
Get those prisoners away from my ship. | 0:09:28 | 0:09:32 | |
I'm authorised to offer £2 a head. | 0:09:32 | 0:09:35 | |
-We are not equipped to carry convicts. -Chris, don't explode. | 0:09:35 | 0:09:40 | |
-£4 a head, Chris. -It's no good. | 0:09:43 | 0:09:46 | |
-Come on, sign the form. -I've no room. | 0:09:46 | 0:09:49 | |
-Put them in the hold. -In this heat? They'd climb up the bulkhead. -Not in chains. | 0:09:49 | 0:09:55 | |
I have no food. | 0:09:55 | 0:09:58 | |
Rations are over there on the quay. Chris, there's no question about it. | 0:09:58 | 0:10:03 | |
It's government business. Your ship could be impounded. | 0:10:03 | 0:10:08 | |
Government business! | 0:10:11 | 0:10:14 | |
Why don't you get your "gem" rigged for loading? | 0:10:15 | 0:10:20 | |
Sign them aboard. | 0:10:28 | 0:10:31 | |
Up here, on deck! | 0:10:31 | 0:10:33 | |
DRUMBEAT | 0:10:33 | 0:10:36 | |
< Keep moving! | 0:10:42 | 0:10:44 | |
Well, well, well! So this is the Batavia Queen? | 0:10:56 | 0:11:01 | |
-Why do they call this Batavia? -What? | 0:11:04 | 0:11:08 | |
Why do they call it Batavia Queen? | 0:11:08 | 0:11:11 | |
Oh, it was originally her home port - Batavia. | 0:11:11 | 0:11:16 | |
Batavia, Java. | 0:11:16 | 0:11:19 | |
Oh, that's nice. I never thought of a boat having a home. | 0:11:19 | 0:11:24 | |
Are you Mr Hanson? | 0:11:24 | 0:11:26 | |
-That's right, I'm Mr Hanson. -Here. One minute. | 0:11:26 | 0:11:31 | |
-Charley. Social occasions, weddings and smokers. -"Soprano." You sing? | 0:11:33 | 0:11:39 | |
-Hanson? -Yes. -I'm Harry Connerly. -I know. | 0:11:39 | 0:11:43 | |
-The best underwater man around. -I'm sure. | 0:11:43 | 0:11:47 | |
-This is a salvage job, is it? -That's right. | 0:11:47 | 0:11:52 | |
-How deep do we go? -Well, if it's where we think it is, it's about 18 fathoms. | 0:11:52 | 0:11:59 | |
Eighteen... 48, take away four... | 0:11:59 | 0:12:03 | |
-Yeah, it's 108 feet. -Straight shares? | 0:12:03 | 0:12:08 | |
-That's right. -What's the division? | 0:12:08 | 0:12:12 | |
-A fifth. -How about some in advance? | 0:12:12 | 0:12:15 | |
No, no. We share and share alike. | 0:12:15 | 0:12:18 | |
I don't know about that. Listen... | 0:12:18 | 0:12:22 | |
If I say no, you got another man? | 0:12:22 | 0:12:25 | |
I always could put on a suit myself. | 0:12:25 | 0:12:29 | |
-But I'm sure you'd do a better job. -Right. But no money in advance? -No, sorry. | 0:12:30 | 0:12:36 | |
How many of these convicts aboard? | 0:12:36 | 0:12:39 | |
-Thirty. -Thirty? | 0:12:39 | 0:12:42 | |
Government pays between £2 and £4 each. I kinda think you got 4. | 0:12:42 | 0:12:47 | |
-That's right. -Then you give me 60. That's half. | 0:12:47 | 0:12:52 | |
-Are you that broke? -I am. | 0:12:52 | 0:12:54 | |
All right. | 0:12:54 | 0:12:57 | |
With the courtesy of the government. | 0:12:57 | 0:13:01 | |
INSTRUCTIONS ARE SHOUTED | 0:13:02 | 0:13:06 | |
Take it over to balk! | 0:13:11 | 0:13:14 | |
Thank you. | 0:13:34 | 0:13:36 | |
Welcome. | 0:13:41 | 0:13:44 | |
Look what I found on the dock. | 0:13:44 | 0:13:47 | |
You heard about Krakatoa? | 0:13:57 | 0:13:59 | |
-Yes, I heard about it. -CREAKING | 0:13:59 | 0:14:02 | |
-Are the others here yet? -Yes. | 0:14:04 | 0:14:06 | |
-Come. -LOOK OUT! > | 0:14:06 | 0:14:10 | |
Argh! | 0:14:10 | 0:14:13 | |
ROPES CREAK | 0:14:30 | 0:14:33 | |
'Stand by, engines!' | 0:14:52 | 0:14:54 | |
'Weigh anchor!' | 0:15:03 | 0:15:07 | |
# Java girl | 0:15:11 | 0:15:15 | |
# In your arms I've found the best of the world | 0:15:15 | 0:15:23 | |
# Java girl | 0:15:23 | 0:15:29 | |
# For your love I'll leave the rest of the world | 0:15:29 | 0:15:35 | |
# Somewhere east | 0:15:37 | 0:15:40 | |
# East of Java | 0:15:40 | 0:15:43 | |
# An amber moon lights up the skies | 0:15:45 | 0:15:49 | |
# And there a pair of longing eyes | 0:15:49 | 0:15:53 | |
# Look out to sea | 0:15:53 | 0:15:56 | |
# And search for me | 0:15:56 | 0:16:00 | |
# Java girl | 0:16:00 | 0:16:07 | |
# Never more will I go sailing away | 0:16:07 | 0:16:14 | |
# Java girl | 0:16:14 | 0:16:19 | |
# With my heart in hand I'm coming to stay. # | 0:16:19 | 0:16:25 | |
Danzig! | 0:16:33 | 0:16:36 | |
Come on. | 0:17:16 | 0:17:18 | |
Get below! | 0:17:24 | 0:17:27 | |
Hello, Lester. | 0:17:42 | 0:17:45 | |
Cap'n. | 0:17:45 | 0:17:48 | |
So you finally made it, huh? | 0:17:48 | 0:17:50 | |
How did it happen? | 0:17:50 | 0:17:53 | |
Card game. I, er... | 0:17:55 | 0:17:58 | |
..killed a man. | 0:17:58 | 0:18:00 | |
South-sou'east. | 0:18:07 | 0:18:10 | |
Madura? | 0:18:13 | 0:18:16 | |
-Eventually. -Damn! | 0:18:16 | 0:18:19 | |
Who's new chief in the engine-room? | 0:18:23 | 0:18:26 | |
Driscoll. | 0:18:26 | 0:18:28 | |
Good man. Very good man. | 0:18:30 | 0:18:32 | |
He improved a lot. | 0:18:32 | 0:18:35 | |
IN INDONESIAN | 0:18:35 | 0:18:38 | |
Anything I can do for you while you're on board? | 0:18:40 | 0:18:45 | |
Let me stay on deck, Cap'n. | 0:18:48 | 0:18:51 | |
Breathe fresh air. | 0:18:51 | 0:18:54 | |
Eat by myself. | 0:18:54 | 0:18:56 | |
That's a zoo down there. | 0:18:58 | 0:19:01 | |
Will you behave? | 0:19:01 | 0:19:05 | |
All right. | 0:19:05 | 0:19:07 | |
Why did you give him that dumb card? Weddings(!) | 0:19:19 | 0:19:24 | |
-And smokers. -Oh, and smokers. Sure. | 0:19:24 | 0:19:28 | |
Charley, you were so lousy you put your piano player to sleep. | 0:19:28 | 0:19:33 | |
Maybe, but I know how to keep YOU awake, Harry. | 0:19:33 | 0:19:38 | |
# I'm looking for an old-fashioned boy | 0:19:41 | 0:19:47 | |
# Who's looking for an old-fashioned girl | 0:19:47 | 0:19:52 | |
# Just a nice | 0:19:52 | 0:19:55 | |
# Old-fashioned girl like me | 0:19:55 | 0:20:01 | |
# I want a boy | 0:20:02 | 0:20:06 | |
# Who's happy that I can blush | 0:20:06 | 0:20:09 | |
# Because I'm bashful and shy | 0:20:09 | 0:20:13 | |
# Just a nice, old-fashioned girl | 0:20:13 | 0:20:19 | |
# Like me | 0:20:19 | 0:20:22 | |
# For him I'll cook and I'll sew | 0:20:22 | 0:20:27 | |
# We'll lead an old-fashioned life | 0:20:27 | 0:20:33 | |
# In every way I will be | 0:20:33 | 0:20:37 | |
# A simple, old-fashioned wife | 0:20:37 | 0:20:42 | |
# Who would adore an old-fashioned boy | 0:20:42 | 0:20:49 | |
# Who's looking for an old-fashioned girl | 0:20:49 | 0:20:54 | |
# Just a nice, old-fashioned girl like me. # | 0:20:54 | 0:21:00 | |
SHE HUMS | 0:21:02 | 0:21:06 | |
Ouch! | 0:21:15 | 0:21:16 | |
# For him I'll cook and I'll sew | 0:21:24 | 0:21:30 | |
# We'll lead an old-fashioned life | 0:21:30 | 0:21:33 | |
# In every way I will be | 0:21:33 | 0:21:39 | |
# A simple, old-fashioned wife | 0:21:39 | 0:21:44 | |
# Who would adore an old-fashioned boy | 0:21:44 | 0:21:50 | |
# Who's looking for an old-fashioned girl | 0:21:50 | 0:21:56 | |
# Just a nice, old-fashioned girl | 0:21:56 | 0:22:02 | |
# Like me-e-e-e-e. # | 0:22:02 | 0:22:07 | |
From Borghese's balloon, he can see into shallow waters over a wide area. | 0:22:30 | 0:22:36 | |
You will be in deep water. What he can't see, YOU can. I'm using all the tools. | 0:22:36 | 0:22:44 | |
Pearl divers for mobility, Connerly for depth. I will find that wreck. | 0:22:44 | 0:22:50 | |
Yes, well, I wasn't complaining about your operation of the search. | 0:22:50 | 0:22:55 | |
It's just, the others were saying... | 0:22:55 | 0:22:58 | |
-Mr Rigby, you graduated from college, didn't you? -Yes, Oxford. | 0:22:58 | 0:23:04 | |
What is it? | 0:23:53 | 0:23:55 | |
I don't know. | 0:23:55 | 0:23:56 | |
South, 75 east. | 0:24:43 | 0:24:46 | |
South, 75 east. Good luck, sir. | 0:24:46 | 0:24:51 | |
-But you DO remember saying goodbye to me in Batavia? -Of course. | 0:25:01 | 0:25:07 | |
What ship did you take back to Anjer? | 0:25:07 | 0:25:11 | |
-You know what ship. -I do? | 0:25:11 | 0:25:14 | |
Of course you do. The Indies Cloud. | 0:25:14 | 0:25:17 | |
Oh, yes. | 0:25:17 | 0:25:19 | |
Was...was Travis expecting you? | 0:25:19 | 0:25:23 | |
I don't remember. | 0:25:25 | 0:25:27 | |
Chris, why are you asking me this? | 0:25:27 | 0:25:30 | |
-What did he say? -I told you, I don't remember. -He must have said something. | 0:25:30 | 0:25:37 | |
Had he heard about us? | 0:25:37 | 0:25:40 | |
Chris, it's been too long. | 0:25:40 | 0:25:42 | |
-I don't feel like talking about it. -Well, it has to be talked about. | 0:25:42 | 0:25:48 | |
At St Margaret's, you couldn't eat, you couldn't sleep, | 0:25:51 | 0:25:56 | |
and you refused to talk. | 0:25:56 | 0:25:58 | |
-How could I help you? -I didn't ask for help. -But you needed it. | 0:25:58 | 0:26:03 | |
Did he know that we were seeing each other? | 0:26:05 | 0:26:10 | |
Yes. | 0:26:13 | 0:26:15 | |
-Did he anticipate your asking for a divorce? -I-I don't remember. | 0:26:18 | 0:26:24 | |
-Did he say...? -He was abusive. | 0:26:24 | 0:26:26 | |
He said a lot of things. | 0:26:26 | 0:26:29 | |
Mostly what he was saying was no. | 0:26:29 | 0:26:32 | |
And...? Tell me. | 0:26:32 | 0:26:35 | |
Tell me. | 0:26:37 | 0:26:40 | |
He said... | 0:26:44 | 0:26:46 | |
if I...if I attempted to divorce him... | 0:26:46 | 0:26:50 | |
..he was going to take my son away and I'd never see Peter again. | 0:26:52 | 0:26:57 | |
-He didn't want the marriage and he didn't want divorce. -And? | 0:26:59 | 0:27:04 | |
-N-nothing. -Go on. -No, that's all. -That's all he said? -All I remember. | 0:27:04 | 0:27:10 | |
Did YOU leave, or did HE? | 0:27:10 | 0:27:14 | |
I suppose HE left. | 0:27:15 | 0:27:18 | |
-And then? -And then nothing. | 0:27:18 | 0:27:20 | |
-Try. -No! | 0:27:20 | 0:27:23 | |
What was the last thing he said? | 0:27:23 | 0:27:25 | |
-I told you! -That he'd take Peter away if you ask for a divorce? | 0:27:25 | 0:27:31 | |
-And you said what? -I can't think. I don't know! | 0:27:31 | 0:27:36 | |
-Did you say...? -Stop it, Chris! | 0:27:36 | 0:27:39 | |
If you HAD agreed not to ask for a divorce, | 0:27:41 | 0:27:46 | |
Peter would still be with you, wouldn't he? | 0:27:46 | 0:27:50 | |
And you would still be with Travis. | 0:27:52 | 0:27:54 | |
-So you didn't agree not to ask for a divorce! -Don't keep after me! | 0:27:54 | 0:27:59 | |
Answer me. What did you say to him? | 0:27:59 | 0:28:02 | |
-What did you say to him?! -"Go to hell!" That's what I said! | 0:28:02 | 0:28:07 | |
I told him I was coming back to you, with or without a divorce. | 0:28:07 | 0:28:12 | |
I don't even think I realised what I was saying. | 0:28:15 | 0:28:19 | |
He stormed through the house. | 0:28:19 | 0:28:22 | |
After I don't know how long, | 0:28:22 | 0:28:25 | |
it was quiet. | 0:28:25 | 0:28:27 | |
He'd taken Peter. | 0:28:30 | 0:28:32 | |
I let him take my boy away. | 0:28:34 | 0:28:37 | |
My feeling for you had distorted everything. | 0:28:39 | 0:28:44 | |
I suddenly began to realise that I never was going to see my son again, so I ran to the dock. | 0:28:44 | 0:28:51 | |
The Arianna was just leaving. | 0:28:51 | 0:28:54 | |
I let him go, didn't I, Chris? | 0:28:54 | 0:28:56 | |
I let him go, didn't I, Chris? Didn't I? | 0:29:00 | 0:29:04 | |
Oh, I have no right to life if Peter is dead! | 0:29:06 | 0:29:11 | |
SHE SOBS | 0:29:13 | 0:29:16 | |
Laura... Laura, listen to me, please. | 0:29:25 | 0:29:30 | |
I do love you, | 0:29:30 | 0:29:32 | |
and I know that inside this pretty head | 0:29:32 | 0:29:37 | |
you and I are guilty as long as we haven't found Peter. | 0:29:37 | 0:29:42 | |
And that's what we have to do. | 0:29:42 | 0:29:45 | |
Find him. | 0:29:47 | 0:29:49 | |
CAWING | 0:29:52 | 0:29:57 | |
Hey, Larry. | 0:29:57 | 0:29:59 | |
What do you think of that, then? | 0:30:02 | 0:30:04 | |
RHYTHMIC DRUMMING | 0:30:20 | 0:30:24 | |
I was just enjoying your game. | 0:30:54 | 0:30:57 | |
What is it called? | 0:30:57 | 0:30:59 | |
It's "Stinikli" from the Philippines. | 0:30:59 | 0:31:02 | |
Please, I would love to try it. | 0:31:02 | 0:31:05 | |
IN JAPANESE | 0:31:17 | 0:31:20 | |
Ichi...ni...san. | 0:31:23 | 0:31:26 | |
THEY LAUGH | 0:31:39 | 0:31:42 | |
I'm Leoncavallo Borghese. | 0:31:45 | 0:31:48 | |
Reon... | 0:31:48 | 0:31:51 | |
cava...ro. | 0:31:51 | 0:31:53 | |
No, no. Leon... | 0:31:53 | 0:31:56 | |
You know, I like the way you say it better. | 0:31:56 | 0:32:00 | |
You are kind. | 0:32:00 | 0:32:03 | |
Let's begin. | 0:32:04 | 0:32:07 | |
Hachi. | 0:32:09 | 0:32:12 | |
What is your name? Toshi. Toshi. Toshi. | 0:32:12 | 0:32:17 | |
DRUMMING | 0:32:17 | 0:32:20 | |
LAUGHTER | 0:32:20 | 0:32:23 | |
COUGHING | 0:32:30 | 0:32:33 | |
We're both wearing irons of a sort. | 0:32:45 | 0:32:48 | |
-Are we? -How long have you been working with those busted lungs? | 0:32:48 | 0:32:53 | |
You got enough to do wearing them leg-irons | 0:32:53 | 0:32:58 | |
and not worrying about my insides. | 0:32:58 | 0:33:00 | |
You're the only one above deck that's in as bad shape as I am. | 0:33:00 | 0:33:07 | |
Worse, maybe. | 0:33:09 | 0:33:11 | |
You know, that laudanum's bad stuff. | 0:33:11 | 0:33:14 | |
Anything that loaded with opium. | 0:33:14 | 0:33:17 | |
-I knew a man once on that stuff. One day he... -Don't miss much, do you? | 0:33:17 | 0:33:23 | |
Oh, I've seen a lot of those little green bottles. So has Hanson. | 0:33:23 | 0:33:29 | |
But why? Why are you still working? | 0:33:29 | 0:33:34 | |
Divers with better lungs than yours sweep the streets rather than dive again. | 0:33:34 | 0:33:40 | |
Maybe I've got one good shot left. | 0:33:40 | 0:33:43 | |
-Well, you sure picked a beaut. -Huh? Why? | 0:33:44 | 0:33:49 | |
Could have picked one with better odds than this. | 0:33:49 | 0:33:53 | |
-What do you mean by that? Don't Hanson know what he's doing? -Well... | 0:33:53 | 0:34:00 | |
Go light on those green bottles, eh? | 0:34:00 | 0:34:03 | |
Say something! | 0:34:03 | 0:34:06 | |
I'm all mouth. Forget it. | 0:34:06 | 0:34:08 | |
-I want to know. -Hanson will throw me below. -What were you going to say? | 0:34:08 | 0:34:14 | |
Well, it's none of your business. | 0:34:14 | 0:34:17 | |
What do you think I'm here for? | 0:34:17 | 0:34:20 | |
Captain Hanson, I gave up a tour of France for this. | 0:34:20 | 0:34:25 | |
If Mrs Travis is not... | 0:34:25 | 0:34:27 | |
If her information, which we're depending on, is doubtful, it concerns us all. | 0:34:27 | 0:34:34 | |
How can you trust someone who spent last year in a mental institution? | 0:34:36 | 0:34:42 | |
-So what? She didn't put this trip together. -I -did. We discussed that weeks ago. | 0:34:42 | 0:34:49 | |
Maybe she dreamt it up when she was insane. | 0:34:49 | 0:34:53 | |
-Good evening. -Hello. | 0:34:55 | 0:34:58 | |
-Have you met? -No. -Giovanni Borghese. | 0:34:59 | 0:35:03 | |
My son. | 0:35:03 | 0:35:05 | |
This is Douglas Rigby, the owner of that beautiful diving-bell. | 0:35:05 | 0:35:10 | |
This is Miss Toshi. | 0:35:10 | 0:35:13 | |
-And this is Miss Charley... -Adams. Social occasions, weddings and smokers, remember? | 0:35:13 | 0:35:21 | |
Yes, I do remember. Soprano. | 0:35:21 | 0:35:23 | |
-How do you do? -How do you do? | 0:35:23 | 0:35:26 | |
This is Mr Connerly. | 0:35:26 | 0:35:29 | |
Mrs Travis, are there any pearls on your husband's ship? | 0:35:29 | 0:35:34 | |
There are supposed to be. Captain Hanson thinks that there are. | 0:35:37 | 0:35:42 | |
Laura, your husband had a sort of tradition. | 0:35:47 | 0:35:52 | |
On each birthday of your son, he gave you a pearl. | 0:35:52 | 0:35:57 | |
-You have them with you. Do you mind showing them? -No, of course not. | 0:35:57 | 0:36:02 | |
How much is this worth? | 0:36:12 | 0:36:15 | |
It is very valuable. | 0:36:19 | 0:36:22 | |
Only twice before in my life have I seen a pearl like this. | 0:36:24 | 0:36:29 | |
-And hundreds of them would be...? -Worth a fortune. | 0:36:29 | 0:36:34 | |
May I see it? Thank you. | 0:36:34 | 0:36:36 | |
This is only one pearl | 0:36:42 | 0:36:44 | |
out of the shipment on the Arianna. | 0:36:44 | 0:36:47 | |
Ten packages more, a few days from here. | 0:36:47 | 0:36:52 | |
Well, I got no place else to go, anyway. | 0:36:54 | 0:36:59 | |
Dinner is supposed to be at eight, Mr Connerly. | 0:37:04 | 0:37:09 | |
Well, shall we sit down? | 0:37:10 | 0:37:13 | |
Thank you. | 0:37:13 | 0:37:16 | |
If you'll excuse me... | 0:37:17 | 0:37:20 | |
HISSING AND RUMBLING | 0:37:21 | 0:37:25 | |
You got a boiler blowing? | 0:37:35 | 0:37:38 | |
No, it ain't the boiler, Mr Jacobs. | 0:37:38 | 0:37:40 | |
Excuse me a moment. | 0:37:46 | 0:37:48 | |
Stop the engines. | 0:37:59 | 0:38:02 | |
Stop all engines! | 0:38:02 | 0:38:04 | |
SHRILL, PIERCING TONE | 0:38:06 | 0:38:11 | |
HANSON SPEAKS IN INDONESIAN | 0:38:30 | 0:38:34 | |
TONE FADES AWAY | 0:38:54 | 0:38:58 | |
Captain? RUMBLING | 0:39:03 | 0:39:05 | |
Yes? | 0:39:09 | 0:39:11 | |
Well, what do you think? | 0:39:11 | 0:39:15 | |
I think we should go back, | 0:39:15 | 0:39:18 | |
and finish our dinner. | 0:39:18 | 0:39:20 | |
Full speed ahead! | 0:39:22 | 0:39:24 | |
COUGHING | 0:39:41 | 0:39:44 | |
Harry, you scared me. | 0:39:44 | 0:39:46 | |
Harry, are you sick? | 0:39:49 | 0:39:51 | |
I hope to hell I'm sick. I wouldn't want to feel like this and be well. | 0:39:51 | 0:39:57 | |
Harry, please. | 0:39:58 | 0:40:01 | |
You're in pain, but go easy on the laudanum. | 0:40:01 | 0:40:05 | |
Charley, we don't know if there's any pearls down there like she says. | 0:40:05 | 0:40:11 | |
We don't even know if the wreck's where it's supposed to be. | 0:40:11 | 0:40:16 | |
We don't know if I can dive again. | 0:40:16 | 0:40:19 | |
Harry...why don't you tell Hanson? | 0:40:19 | 0:40:23 | |
We tell him nothing. We need money. | 0:40:23 | 0:40:27 | |
Harry, we don't need it that much. | 0:40:27 | 0:40:29 | |
Suppose you have to go down deep. | 0:40:29 | 0:40:32 | |
I'll go deep as I have to... | 0:40:32 | 0:40:35 | |
if I can. | 0:40:35 | 0:40:38 | |
-Harry... -I don't want to talk about it no more. | 0:40:39 | 0:40:44 | |
You're really hurting yourself. | 0:40:44 | 0:40:46 | |
Get away from me, Charley! | 0:40:46 | 0:40:49 | |
No. | 0:40:49 | 0:40:51 | |
Harry... | 0:40:57 | 0:40:59 | |
POUNDING HEARTBEAT | 0:41:10 | 0:41:13 | |
HEAVY BREATHING ECHOES IN HIS HEAD | 0:41:56 | 0:42:01 | |
HE IMAGINES GIRLISH LAUGHTER | 0:43:13 | 0:43:15 | |
LAUGHTER AND HEAVY BREATHING | 0:43:33 | 0:43:37 | |
HE IMAGINES SCREAMING | 0:43:53 | 0:43:56 | |
CACOPHONY OF LAUGHTER AND SCREAMING | 0:44:06 | 0:44:09 | |
CACOPHONY IN HIS HEAD DROWNS HER WORDS | 0:44:39 | 0:44:41 | |
SHE SCREAMS | 0:44:44 | 0:44:45 | |
HARPSICHORD PLAYS: "Old-Fashioned Girl" | 0:48:04 | 0:48:09 | |
Pretty. | 0:48:15 | 0:48:18 | |
I wouldn't presume to suggest that I know how you feel, but I sympathise. | 0:48:19 | 0:48:26 | |
I know... Well, I THINK I know a little about people. | 0:48:28 | 0:48:33 | |
I have played over 200 carnivals. | 0:48:33 | 0:48:35 | |
From the height of my balloon, and closer, I've seen them all. | 0:48:35 | 0:48:41 | |
People are confusing, aren't they? | 0:48:42 | 0:48:45 | |
You put a label on them, but... | 0:48:45 | 0:48:47 | |
Mr Borghese, labels are for jelly jars. | 0:48:47 | 0:48:52 | |
I've been a singer all my life. | 0:48:54 | 0:48:57 | |
With my voice, mostly saloons. | 0:48:57 | 0:48:59 | |
Anyway, I can tell you first-hand, don't put labels on people. | 0:48:59 | 0:49:04 | |
I've seen the nice guys with their white collars pinch bottoms. | 0:49:04 | 0:49:10 | |
I've seen mean ones - or the ones that look mean - pinch bottoms, too. | 0:49:10 | 0:49:15 | |
So don't tell me about labels. | 0:49:15 | 0:49:18 | |
I've seen the one they put on Harry. | 0:49:18 | 0:49:21 | |
People believe him to be a very violent man. | 0:49:23 | 0:49:28 | |
People! | 0:49:28 | 0:49:30 | |
Do people know Harry Connerly? | 0:49:30 | 0:49:33 | |
I am sure you are right. | 0:49:36 | 0:49:39 | |
You remember all kinds of things - | 0:49:39 | 0:49:41 | |
that he liked children, that he was very kind to old ladies. | 0:49:41 | 0:49:46 | |
To be honest with you, I wouldn't care if he kicked old ladies in the teeth. | 0:49:46 | 0:49:53 | |
He's good to ME. | 0:49:53 | 0:49:56 | |
Do you know, | 0:50:00 | 0:50:03 | |
in a way, | 0:50:03 | 0:50:06 | |
he is a very fortunate man. | 0:50:06 | 0:50:08 | |
PRISONERS PROTEST | 0:50:18 | 0:50:22 | |
I'm hot. | 0:50:34 | 0:50:37 | |
Another four degrees. | 0:51:09 | 0:51:11 | |
Chris, some more. | 0:51:13 | 0:51:16 | |
I have a theory... | 0:51:23 | 0:51:25 | |
..about the heat and everything. Would you like to hear it? | 0:51:27 | 0:51:30 | |
Would you like to come in? | 0:51:30 | 0:51:32 | |
Oh, where on earth do you sleep, Mr Rigby? | 0:51:44 | 0:51:47 | |
Oh, I don't know. Anywhere, on the floor sometimes. | 0:51:47 | 0:51:51 | |
-I'll get you a seat. -Thank you. | 0:51:51 | 0:51:53 | |
My theory is they're all connected - the heat, the dead fish, | 0:51:53 | 0:51:57 | |
the lights on the horizon, the weird sound, the lot - all connected. | 0:51:57 | 0:52:01 | |
Look, I'll show you...here. | 0:52:01 | 0:52:03 | |
Here's Rikiek, Perket, Malim and Krakatoa - | 0:52:06 | 0:52:10 | |
some volcanic and some not, but all connected in an underground chain. | 0:52:10 | 0:52:16 | |
Aha. But Krakatoa is the only dangerous one. | 0:52:16 | 0:52:21 | |
Krakatoa is the powder keg and the whole island chain is the fuse. | 0:52:21 | 0:52:26 | |
The heat, for instance, is being generated right underneath us this very moment. | 0:52:26 | 0:52:31 | |
Oh, and that banshee shriek that nearly drove is out of our mind - | 0:52:31 | 0:52:34 | |
I'll show you, look. | 0:52:34 | 0:52:36 | |
That was caused by underground pressure bursting through the Earth's surface somewhere around here. | 0:52:36 | 0:52:41 | |
Let me make it easier, um... | 0:52:43 | 0:52:46 | |
It's rather like a boiling kettle with too small a spout. | 0:52:46 | 0:52:51 | |
Have you told the others your theories, Mr Rigby? | 0:52:51 | 0:52:55 | |
Oh, no, it might put them off the whole trip. | 0:52:55 | 0:52:59 | |
Why are you telling me this? | 0:52:59 | 0:53:02 | |
I just thought it might help to know that these strange happenings are explainable. | 0:53:02 | 0:53:07 | |
Mrs Travis, speaking of fear, are you frightened of heights | 0:53:12 | 0:53:20 | |
or closed-in places, anything like that? | 0:53:20 | 0:53:23 | |
No. | 0:53:24 | 0:53:26 | |
Oh. | 0:53:26 | 0:53:27 | |
No, I just wondered because I am. | 0:53:27 | 0:53:30 | |
Claustrophobia. | 0:53:31 | 0:53:33 | |
HE SCOFFS | 0:53:33 | 0:53:34 | |
It's ridiculous, isn't it? | 0:53:34 | 0:53:37 | |
And you go down in that... in that steel thing? | 0:53:38 | 0:53:43 | |
Chamber pot. | 0:53:43 | 0:53:46 | |
That's what my father used to call it - an old chamber pot. | 0:53:46 | 0:53:49 | |
Yes, I go down there, I suppose to fight the fear | 0:53:51 | 0:53:55 | |
and because I'm so fascinated by what I see under the water. | 0:53:55 | 0:53:59 | |
That's why I'm here, you see, the valuables in your husband's safe can make my marine experiments possible. | 0:53:59 | 0:54:05 | |
If we are blotted out while trying, it won't have been completely pointless...for me, anyway. | 0:54:05 | 0:54:11 | |
BELL RINGS IN DISTANCE | 0:54:11 | 0:54:13 | |
Confined in this small bell. | 0:54:19 | 0:54:21 | |
Under the circumstances, Mr Rigby, wouldn't a man have to be the tiniest bit insane | 0:54:26 | 0:54:32 | |
to do what you do? | 0:54:32 | 0:54:33 | |
Yes, I suppose he would. | 0:54:36 | 0:54:38 | |
Get him out. | 0:54:47 | 0:54:49 | |
Oh, hello. Welcome to West Purgatory. | 0:54:55 | 0:54:58 | |
Bring him down. We've discussed it. Connerly can't survive in the heat. | 0:54:58 | 0:55:04 | |
One moment. WE have discussed it? | 0:55:04 | 0:55:07 | |
-Are we ruling the ship by committee now? -That's not what I meant. -I am not permitted to vote? | 0:55:07 | 0:55:14 | |
Mr Hanson, he'll be no help to you if you leave him up there. | 0:55:14 | 0:55:19 | |
How much of his help can I afford? | 0:55:19 | 0:55:23 | |
But you don't understand. | 0:55:23 | 0:55:26 | |
You don't understand! | 0:55:26 | 0:55:30 | |
We already took him down, Miss Adams. Forgive me. | 0:55:43 | 0:55:48 | |
He is waiting for you below. | 0:55:53 | 0:55:56 | |
-Thank you. -Charley... | 0:56:10 | 0:56:13 | |
WHISTLE BLOWS | 0:57:15 | 0:57:19 | |
Can I get you something? Some more water? | 0:57:20 | 0:57:24 | |
-A damp cloth? -What's the matter? | 0:57:24 | 0:57:27 | |
Nothing. | 0:57:27 | 0:57:30 | |
Well, you did all right while I was up there, Charley. You did fine. | 0:57:31 | 0:57:36 | |
It's OK. | 0:57:36 | 0:57:39 | |
Come on, Charley, what's wrong? | 0:57:45 | 0:57:47 | |
One of them say something to you? | 0:57:47 | 0:57:50 | |
No, but... | 0:57:50 | 0:57:52 | |
I felt funny. | 0:57:52 | 0:57:55 | |
Nobody said anything, but I knew what they thought you had done to that girl. | 0:57:55 | 0:58:02 | |
Harry... | 0:58:05 | 0:58:08 | |
What do you reckon they think of me? | 0:58:11 | 0:58:13 | |
That never seemed to bother you before. | 0:58:14 | 0:58:18 | |
Once in a while I forget, and start acting like a girl. | 0:58:20 | 0:58:26 | |
Ah! Then you want to watch your step. | 0:58:26 | 0:58:31 | |
One of these days I'm liable to ruin a good thing and marry you. | 0:58:31 | 0:58:36 | |
-You never kidded about that before. -I'm kidding now, so don't send out any announcements. | 0:58:38 | 0:58:46 | |
Here, the water's getting warm. | 0:58:46 | 0:58:49 | |
Yes, sir! | 0:58:49 | 0:58:52 | |
Reduce speed to a dead slow. | 0:59:05 | 0:59:08 | |
Dead slow. | 0:59:09 | 0:59:12 | |
Take soundings till it clears. | 0:59:12 | 0:59:14 | |
Yes, sir. | 0:59:14 | 0:59:17 | |
By the mark - eight! | 0:59:33 | 0:59:36 | |
By the mark - seven! > | 0:59:51 | 0:59:54 | |
Chris, is it Krakatoa again? | 0:59:58 | 1:00:01 | |
We don't know what it is. | 1:00:02 | 1:00:05 | |
By the mark - six! > | 1:00:13 | 1:00:16 | |
SHE COUGHS | 1:00:19 | 1:00:21 | |
By the mark - five! > | 1:00:25 | 1:00:28 | |
I'm terrified, Chris. | 1:00:30 | 1:00:33 | |
It's been like a series of warnings. | 1:00:33 | 1:00:37 | |
This smoke is the most frightening of all. | 1:00:37 | 1:00:41 | |
By the mark - four! > | 1:00:48 | 1:00:51 | |
RUMBLING | 1:01:05 | 1:01:09 | |
Good. | 1:01:09 | 1:01:11 | |
-I think we'd better get Rigby and the Borgheses ready. -Yes, sir. | 1:01:11 | 1:01:17 | |
-And shake out the compressor crew. -Kuan! | 1:01:17 | 1:01:21 | |
Krakatoa. | 1:01:33 | 1:01:35 | |
All right? | 1:02:47 | 1:02:50 | |
DOOR SLAMS | 1:02:57 | 1:03:00 | |
TOTAL SILENCE | 1:03:00 | 1:03:03 | |
Twenty-six, eight, eighty-three. | 1:03:59 | 1:04:04 | |
Sullivan, | 1:04:17 | 1:04:19 | |
it's fantastic down here! | 1:04:19 | 1:04:22 | |
Thank you. | 1:04:40 | 1:04:42 | |
Hold it, hold it! | 1:04:52 | 1:04:54 | |
Take me up about five or six fathoms, quickly! | 1:04:57 | 1:05:00 | |
Up! | 1:05:00 | 1:05:02 | |
No. Here. Nothing. | 1:05:31 | 1:05:33 | |
GIOVANNI HUMS | 1:05:40 | 1:05:43 | |
There's nothing down there. | 1:05:56 | 1:05:59 | |
Papa! | 1:05:59 | 1:06:02 | |
Let me see. | 1:06:04 | 1:06:06 | |
What do you think? | 1:06:06 | 1:06:09 | |
Yes! That's it? We found it! | 1:06:10 | 1:06:15 | |
Take me ten degrees to port. | 1:07:04 | 1:07:07 | |
Now, easy, easy. | 1:07:09 | 1:07:12 | |
Easy. | 1:07:15 | 1:07:18 | |
There she is! | 1:07:19 | 1:07:22 | |
About thirty-odd yards. | 1:07:22 | 1:07:24 | |
ENGINE SPLUTTERS | 1:07:29 | 1:07:32 | |
Beautiful! Papa, the propeller! | 1:07:32 | 1:07:35 | |
Hey, try to crank it. | 1:07:35 | 1:07:38 | |
It's stuck. | 1:07:40 | 1:07:43 | |
Hey, Frank! Look, they're drifting away. | 1:07:47 | 1:07:51 | |
Quickly, Papa! Papa! | 1:08:43 | 1:08:46 | |
BASKET SCRAPES OVER RIDGE | 1:09:09 | 1:09:13 | |
SCRAPING | 1:09:42 | 1:09:45 | |
COLLIDING WITH CLIFF-EDGE | 1:10:05 | 1:10:08 | |
RUMBLING | 1:10:36 | 1:10:39 | |
Papa, jump! | 1:11:31 | 1:11:34 | |
Tell me, is Connerly important in this? | 1:12:11 | 1:12:15 | |
Without Connerly, we couldn't get the safe up. | 1:12:17 | 1:12:21 | |
-You're playing out a misdeal. -What? | 1:12:21 | 1:12:24 | |
I say you're playing out a misdeal. Your diver lied to you. | 1:12:24 | 1:12:29 | |
Lungs. They're shot. | 1:12:29 | 1:12:32 | |
-I don't like ship talk. -That ain't ship talk. That's absolute truth. | 1:12:32 | 1:12:37 | |
-How do you know? -That business with the Japanese girl - that's laudanum. | 1:12:37 | 1:12:41 | |
DANZIG: Ever see a diver spend so much time looking at a depth gauge? | 1:12:45 | 1:12:50 | |
Looks like YOU may have to put on a suit yourself. | 1:12:52 | 1:12:54 | |
What the hell do you think you're doing? | 1:13:15 | 1:13:19 | |
Even you should be able to figure that. | 1:13:19 | 1:13:21 | |
I signed on here as a diver. | 1:13:21 | 1:13:25 | |
Your lungs are gone, right? | 1:13:25 | 1:13:28 | |
You take laudanum. | 1:13:28 | 1:13:31 | |
-Right? -Yeah, that's right. | 1:13:31 | 1:13:34 | |
I'm still the only diver you got. | 1:13:34 | 1:13:37 | |
You nailed me for advance money because you have a reputation, | 1:13:37 | 1:13:43 | |
because I was stuck for a diver. | 1:13:43 | 1:13:45 | |
Now you can't deliver. | 1:13:45 | 1:13:48 | |
That's all right. | 1:13:48 | 1:13:50 | |
I don't need you. I can do it. | 1:13:50 | 1:13:53 | |
I can get down and back up again. What happens after that is up to me. | 1:13:53 | 1:13:59 | |
HISSING | 1:13:59 | 1:14:02 | |
Captain! | 1:14:05 | 1:14:07 | |
-Take over while I'm below... -Captain! | 1:14:07 | 1:14:10 | |
The diving-bell's jammed! His air-hose is cut! | 1:14:10 | 1:14:14 | |
See that there's slack on the cable. | 1:14:15 | 1:14:19 | |
Whaddya say, Hanson? | 1:14:19 | 1:14:22 | |
All right. | 1:14:23 | 1:14:24 | |
Come on, hurry! | 1:14:28 | 1:14:30 | |
Sullivan, can you hear me? | 1:14:44 | 1:14:47 | |
Can you hear me? | 1:14:47 | 1:14:50 | |
GURGLING | 1:16:05 | 1:16:08 | |
Oh, God! | 1:16:50 | 1:16:53 | |
Get him out. | 1:20:10 | 1:20:12 | |
CLANKING OF WINCH | 1:20:18 | 1:20:21 | |
How do you feel? | 1:21:31 | 1:21:33 | |
All right. | 1:21:33 | 1:21:36 | |
I want him. | 1:22:19 | 1:22:22 | |
RUMBLING | 1:22:41 | 1:22:44 | |
That's it. | 1:22:55 | 1:22:58 | |
That's everything that was in there. | 1:22:58 | 1:23:01 | |
A watch. A lousy watch! | 1:23:01 | 1:23:04 | |
Petty theft. | 1:23:04 | 1:23:07 | |
Hardly up to your standard, Danzig. | 1:23:07 | 1:23:10 | |
I take what other people are too weak to keep, | 1:23:10 | 1:23:14 | |
whether it's three days' privileges, your ship, or a cheap watch. | 1:23:14 | 1:23:20 | |
All right, Skipper, haul her up! | 1:24:26 | 1:24:29 | |
What a treasure(!) | 1:25:24 | 1:25:26 | |
One-fifth of nothing. | 1:25:26 | 1:25:29 | |
Did you find anything? | 1:26:02 | 1:26:04 | |
EXPLOSIONS CONTINUE | 1:26:04 | 1:26:07 | |
Nothing. Not one thing. | 1:26:12 | 1:26:18 | |
Let me see. | 1:26:18 | 1:26:19 | |
Come on. | 1:26:19 | 1:26:22 | |
-They put into port once, at Pelambang Point. -But no mention of Peter. Nothing. | 1:26:24 | 1:26:31 | |
Because of the hurricane, they rushed to Krakatoa. What was he doing at Pelambang? | 1:26:31 | 1:26:38 | |
Chris, I don't know why I let you put me through this. It's hopeless. | 1:26:38 | 1:26:44 | |
It's not hopeless. At least we know now where the ship stopped last. | 1:26:44 | 1:26:49 | |
-We might find something more. -EXPLOSIONS | 1:26:49 | 1:26:53 | |
Look. | 1:27:08 | 1:27:11 | |
Chris... | 1:27:16 | 1:27:18 | |
Captain Hanson, Krakatoa is about to go. I suggest we do the same. | 1:27:18 | 1:27:23 | |
"I miss you very much. | 1:27:27 | 1:27:30 | |
-"I'm going to a new school." -Pelambang. There's a mission. | 1:27:30 | 1:27:35 | |
That's what it says. "I hope you can come and visit me. | 1:27:35 | 1:27:40 | |
"I love you." | 1:27:40 | 1:27:43 | |
-Oh, Chris! -He's there. | 1:27:43 | 1:27:45 | |
I'm sure he's there. | 1:27:45 | 1:27:48 | |
-Did you say Pelambang? -Yes. | 1:27:54 | 1:27:57 | |
That's where we're going. | 1:27:58 | 1:28:01 | |
-Hold full ahead. -Yes, sir. -A dead slow. | 1:28:19 | 1:28:24 | |
RINGING | 1:28:25 | 1:28:27 | |
-I want everybody under cover. -Yes, sir. Shall I set up a fire watch? -Yes. | 1:28:27 | 1:28:33 | |
-Kuan. -Yes, sir? -Keep an eye on the starboard. -Aye-aye, sir. | 1:28:33 | 1:28:38 | |
Faster! Faster! | 1:31:23 | 1:31:25 | |
Come on, boys! | 1:31:27 | 1:31:29 | |
HELP! | 1:32:03 | 1:32:05 | |
Haul that water, boys! | 1:32:13 | 1:32:16 | |
Toshi! Leon! | 1:33:11 | 1:33:14 | |
Toshi, wait! | 1:33:14 | 1:33:17 | |
SCREAMING | 1:33:22 | 1:33:24 | |
Toshi! No! | 1:33:26 | 1:33:29 | |
Take him out! | 1:33:32 | 1:33:35 | |
Kuan! | 1:34:33 | 1:34:36 | |
-Keep for'ard. Take soundings. -Yes, sir. | 1:34:36 | 1:34:40 | |
KUAN: By the mark - three! | 1:34:47 | 1:34:50 | |
By the mark - four! | 1:35:02 | 1:35:04 | |
By the mark - five! | 1:35:09 | 1:35:12 | |
By the mark - six! | 1:35:20 | 1:35:22 | |
By the mark - seven! | 1:35:28 | 1:35:31 | |
< By the mark - nine! | 1:35:38 | 1:35:41 | |
I wonder what Pelambang is going to look like. | 1:35:57 | 1:36:01 | |
We'll know in a minute. | 1:36:01 | 1:36:04 | |
Keep it at dead slow. | 1:36:08 | 1:36:11 | |
SHE COUGHS | 1:36:49 | 1:36:50 | |
-Come along starboard. -Aye-aye, sir. | 1:37:29 | 1:37:33 | |
WHISTLE BLOWS | 1:37:37 | 1:37:40 | |
Stop the engines. | 1:37:55 | 1:37:57 | |
-Do you need help? -No help! Hurry! Go! | 1:37:59 | 1:38:04 | |
-The people from the mission, where are they? -Take other boat. All gone. | 1:38:04 | 1:38:09 | |
-And the children from the school? -All gone. | 1:38:09 | 1:38:14 | |
Where? | 1:38:14 | 1:38:16 | |
Java. | 1:38:16 | 1:38:19 | |
What kind of boat? | 1:38:20 | 1:38:23 | |
What kind of boat?! | 1:38:23 | 1:38:26 | |
RINGING | 1:38:33 | 1:38:35 | |
-Hold 665. -Aye-aye, sir. | 1:38:39 | 1:38:41 | |
Java. | 1:38:41 | 1:38:44 | |
WHISTLE BLOWS | 1:39:00 | 1:39:03 | |
-What is it? -Spotted her to starboard, turned to meet her. | 1:39:06 | 1:39:11 | |
Looks to be in trouble. | 1:39:15 | 1:39:18 | |
Is it? | 1:39:19 | 1:39:21 | |
-Too far to tell. -Yes. | 1:39:31 | 1:39:34 | |
SHOUTING | 1:39:35 | 1:39:38 | |
Whoever they are, they're in trouble. | 1:39:38 | 1:39:42 | |
Lower the lifeboat. | 1:40:02 | 1:40:06 | |
Get the ladder over the side. | 1:40:06 | 1:40:08 | |
Break out the diving platform. | 1:40:08 | 1:40:11 | |
SHOUTING | 1:40:25 | 1:40:28 | |
Look at the starboard bow. | 1:40:45 | 1:40:49 | |
-You see him? -Yes. -Is it him? -Yes. | 1:41:20 | 1:41:24 | |
Chris! | 1:41:26 | 1:41:28 | |
It won't last too long. It's already slowly sinking since we first sighted it. | 1:41:42 | 1:41:49 | |
Get the children! Get the children first! | 1:42:01 | 1:42:05 | |
Take the diving platform over the side! | 1:42:27 | 1:42:29 | |
The children first! | 1:42:35 | 1:42:38 | |
Peter! | 1:42:48 | 1:42:51 | |
PETER! | 1:42:54 | 1:42:57 | |
Peter! | 1:43:01 | 1:43:03 | |
-Let's go, boys! -PETER! | 1:43:13 | 1:43:16 | |
Get that boat down! Hurry! | 1:43:16 | 1:43:17 | |
Help! Help! | 1:43:19 | 1:43:21 | |
Come on! Let's go! Come on! | 1:43:48 | 1:43:52 | |
Help 'em up! Help 'em up! | 1:43:52 | 1:43:53 | |
That's it. CHILD WEEPS | 1:43:53 | 1:43:57 | |
Up! Up! | 1:43:57 | 1:43:59 | |
< Over here! Make for the ladder! | 1:44:01 | 1:44:04 | |
-The ladder, Peter! Over there! -Come on! | 1:44:04 | 1:44:08 | |
Give me your hand. | 1:44:14 | 1:44:17 | |
Peter! My baby! | 1:44:17 | 1:44:19 | |
My baby! Peter! | 1:44:24 | 1:44:26 | |
Oh, Peter! | 1:44:33 | 1:44:35 | |
Peter, darling! | 1:44:35 | 1:44:38 | |
Oh, my boy! | 1:44:40 | 1:44:42 | |
Give me a hand. Someone get a blanket! | 1:44:55 | 1:44:59 | |
EXPLOSION | 1:45:21 | 1:45:23 | |
Hi, Peter. | 1:45:53 | 1:45:55 | |
Hi. | 1:45:56 | 1:45:58 | |
There are the pearls. | 1:46:00 | 1:46:02 | |
Ah, gentlemen, you found them. Congratulations. | 1:46:10 | 1:46:14 | |
Peter, take the chest below, so we can see what you have brought us. | 1:46:14 | 1:46:19 | |
ERUPTIONS CONTINUE | 1:46:19 | 1:46:23 | |
-Kuan! -Yes, sir? -Get our passengers from the sampan below and under shelter, and then rig for a storm. | 1:46:30 | 1:46:38 | |
FIERCE ERUPTION | 1:46:56 | 1:47:00 | |
Mr Connerly, let's wait for Captain Hanson. He'll be here in a moment. | 1:47:27 | 1:47:32 | |
-He'll get his share, here or not. -The pearls won't melt. We have time, don't we? | 1:47:32 | 1:47:39 | |
Mr Connerly knows better. | 1:47:39 | 1:47:42 | |
Knows what? | 1:47:42 | 1:47:43 | |
About the tidal wave. | 1:47:43 | 1:47:44 | |
Tsunami! | 1:47:44 | 1:47:46 | |
Captain Hanson is preparing for it. | 1:47:46 | 1:47:49 | |
Get some cushions, rope, blankets! | 1:47:49 | 1:47:53 | |
Hurry up, there! Hurry up! | 1:47:53 | 1:47:56 | |
The lamps - take them off! | 1:47:56 | 1:47:59 | |
-Chris... -Don't worry. We'll be ready for it. | 1:48:01 | 1:48:06 | |
-Will we make it? -If we get to deep water. | 1:48:06 | 1:48:10 | |
-We're almost to Anjer. -Anjer will be crushed. We'll ride it out at sea. | 1:48:10 | 1:48:15 | |
-YOU go to sea. Put us ashore. -You know it's impossible to get in and out of Anjer fast enough. | 1:48:15 | 1:48:22 | |
EVERYONE TALKS AT ONCE | 1:48:22 | 1:48:25 | |
Hurry up! Hurry up! | 1:48:25 | 1:48:28 | |
-What about the lifeboat? -It's no use. -Give it to us. | 1:48:28 | 1:48:33 | |
-To go to Anjer? -I'm not going to ride out a tidal wave with YOU in command. | 1:48:33 | 1:48:40 | |
Mr Connerly, you have been a troublemaker from the very start. | 1:48:40 | 1:48:45 | |
I should be glad you're leaving. But if you go to Anjer, you'll die. | 1:48:45 | 1:48:50 | |
-We choose land. -You'll be wiped out! | 1:48:50 | 1:48:54 | |
-Don't you realise? -It's our choice. | 1:48:54 | 1:48:57 | |
Here is your share. | 1:49:02 | 1:49:05 | |
You have less than 20 minutes. You'd better hurry. Come with me. | 1:49:08 | 1:49:13 | |
-Everybody else ready? -We are. | 1:49:16 | 1:49:21 | |
Come on. | 1:49:21 | 1:49:24 | |
-ERUPTION -Hey, Charley. | 1:49:24 | 1:49:28 | |
Charley, come on, honey. | 1:49:30 | 1:49:33 | |
It's all right. | 1:49:33 | 1:49:35 | |
IN JAPANESE | 1:49:38 | 1:49:41 | |
Papa, I'm not going. | 1:49:43 | 1:49:46 | |
Leoncavallo... Leoncavallo, you must come with me. | 1:49:46 | 1:49:50 | |
I don't want to die with you. I want us to live. I'm not going. | 1:49:50 | 1:49:55 | |
Listen, since you were a little fellow, | 1:49:55 | 1:50:00 | |
I hoped something would happen - a word, a gesture - that would bind us together for life... | 1:50:00 | 1:50:07 | |
And I'm still stubborn. And I want to live as much as you do. | 1:50:07 | 1:50:10 | |
Then we must go ashore! There won't BE any shore! It'll be underwater! | 1:50:10 | 1:50:17 | |
The boat will go like a match! A match floats! | 1:50:17 | 1:50:21 | |
Yes, but... | 1:50:21 | 1:50:23 | |
Oh, mama mia! | 1:50:24 | 1:50:27 | |
We always argue. | 1:50:27 | 1:50:29 | |
Trust me. | 1:50:29 | 1:50:32 | |
Please, just once, trust me. | 1:50:32 | 1:50:35 | |
Yeah. Well, maybe it won't be as bad as Captain Hanson says, | 1:50:35 | 1:50:41 | |
either on the ship or at Anjer. | 1:50:41 | 1:50:45 | |
Goodbye. | 1:50:45 | 1:50:47 | |
Papa, I... I... Yes? | 1:50:48 | 1:50:52 | |
All right. | 1:50:57 | 1:51:00 | |
Goodbye. | 1:51:00 | 1:51:02 | |
Grazie, Capitano. | 1:51:07 | 1:51:10 | |
Peter, this should be very exciting for you now. | 1:51:11 | 1:51:17 | |
We are going to have a great adventure. Will you be up to it? | 1:51:17 | 1:51:21 | |
Are you a big boy? You'll be brave? Promise? All right, come. | 1:51:21 | 1:51:26 | |
Sit down. | 1:51:30 | 1:51:33 | |
You can do it. I knew you could! | 1:51:40 | 1:51:44 | |
All right, all right. You win. | 1:51:44 | 1:51:46 | |
August Point lighthouse, Anjer and us. | 1:52:31 | 1:52:35 | |
What does it show? | 1:52:35 | 1:52:38 | |
-About ten fathoms. -That's not enough. | 1:52:38 | 1:52:42 | |
-Is there any muscle left in those engines? -I'll find out. | 1:52:42 | 1:52:47 | |
- What's the pressure reading? - '120lbs, sir.' - Open it up. | 1:52:47 | 1:52:52 | |
SHOUTING | 1:55:34 | 1:55:39 | |
Tell them we'll blow the whistle before we take the wave. | 1:56:11 | 1:56:17 | |
Harry, we'll give you a whistle before we take the wave. | 1:56:17 | 1:56:20 | |
HOWLING WIND | 1:56:43 | 1:56:46 | |
# Di-diddly-di-diddly-di! # | 1:57:01 | 1:57:04 | |
# I know a word that's a magic word | 1:57:17 | 1:57:22 | |
# Just make a wish and say kikanalu... # | 1:57:22 | 1:57:27 | |
CHILD CRIES | 1:57:55 | 1:57:56 | |
SCREAMS OF PANIC | 1:58:12 | 1:58:16 | |
ROARING | 1:58:23 | 1:58:26 | |
HOOTING | 2:00:17 | 2:00:20 | |
We made it! | 2:01:56 | 2:01:59 | |
-We made it. -We made it! | 2:01:59 | 2:02:02 | |
SEVERAL BLASTS ON WHISTLE | 2:02:11 | 2:02:14 | |
I'll be below. | 2:02:29 | 2:02:32 | |
Sorry. | 2:03:03 | 2:03:06 | |
We're all right. | 2:03:13 | 2:03:15 | |
It wasn't that bad, was it? | 2:03:25 | 2:03:28 | |
CRYING | 2:03:28 | 2:03:31 | |
No, no. No, you mustn't cry. | 2:03:41 | 2:03:44 | |
It's going to be all right. | 2:03:44 | 2:03:47 | |
Sssh. Everything's all right now. | 2:03:47 | 2:03:50 | |
# Sister, sister | 2:03:54 | 2:03:58 | |
# Have you heard? | 2:03:58 | 2:04:01 | |
# I know a word that's a magic word... # | 2:04:01 | 2:04:05 | |
NUNS: # Just make a wish and say kikanalu | 2:04:07 | 2:04:10 | |
# Kikanalu, and a wish will come true... # | 2:04:10 | 2:04:14 | |
Do you want to see the ship? | 2:04:14 | 2:04:17 | |
# ..If I should wish I could be a bird | 2:04:19 | 2:04:23 | |
# If I should wish I could fly through the blue | 2:04:23 | 2:04:29 | |
# If I should wish | 2:04:29 | 2:04:32 | |
# I'd say kikanalu... # | 2:04:32 | 2:04:35 | |
Subtitles by BBC Scotland | 2:05:36 | 2:05:40 | |
E-mail [email protected] | 2:05:40 | 2:05:44 |