Browse content similar to Match Point. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language. | 0:00:11 | 0:00:21 | |
SCRATCHY OPERA MUSIC PLAYS | 0:00:21 | 0:00:24 | |
MAN: The man who said, "I'd rather be lucky than good," | 0:01:09 | 0:01:12 | |
saw deeply into life. | 0:01:12 | 0:01:13 | |
People are afraid to face how great a part of life is dependent on luck. | 0:01:14 | 0:01:19 | |
It's scary to think so much is out of one's control. | 0:01:19 | 0:01:21 | |
There are moments in a match when the ball hits the top of the net | 0:01:23 | 0:01:26 | |
and for a split second it can either go forward or fall back. | 0:01:26 | 0:01:30 | |
With a little luck, it goes forward and you win. | 0:01:32 | 0:01:35 | |
Or maybe it doesn't and you lose. | 0:01:36 | 0:01:39 | |
Just this way. | 0:01:56 | 0:01:58 | |
So, the Beach Club, Montebourg, tennis instructor, | 0:01:59 | 0:02:02 | |
Stanford House, Forty Village, Denair, Nice... | 0:02:02 | 0:02:05 | |
Yes, I've had a good deal of experience. | 0:02:05 | 0:02:07 | |
Yes, so I see. And I've heard very good things. | 0:02:07 | 0:02:10 | |
You don't miss playing professionally? | 0:02:10 | 0:02:11 | |
I thank God every day I don't have to do it. | 0:02:11 | 0:02:14 | |
I hate the whole tennis tour thing. | 0:02:14 | 0:02:16 | |
The constant travelling and... | 0:02:16 | 0:02:18 | |
I was never going to be Rusedski or Agassi. | 0:02:18 | 0:02:21 | |
You have to really want it - | 0:02:21 | 0:02:22 | |
not that I have their talent. | 0:02:22 | 0:02:25 | |
Well, your credentials and references are excellent. | 0:02:25 | 0:02:28 | |
-And you want to live in London? -Very much. | 0:02:28 | 0:02:30 | |
Very much. | 0:02:30 | 0:02:32 | |
We have a very exclusive membership here. | 0:02:32 | 0:02:35 | |
You can begin this weekend. | 0:02:36 | 0:02:37 | |
Thank you. | 0:02:37 | 0:02:39 | |
Thank you very much. | 0:02:39 | 0:02:41 | |
-MAN: -Uh, that's your sofa, which also doubles up as a bed, | 0:02:42 | 0:02:44 | |
which is great, you know, 'cause you can be watching some telly | 0:02:44 | 0:02:47 | |
you ain't got the hassle of having to go to a bedroom. | 0:02:47 | 0:02:49 | |
You can just open it up, get your kip. | 0:02:49 | 0:02:51 | |
Uh, kitchen just through there. | 0:02:51 | 0:02:54 | |
All your amenities, fixtures, fittings, washer, dryer. | 0:02:54 | 0:02:57 | |
All that stuff. | 0:02:57 | 0:02:59 | |
Lovely view not overlooked. | 0:02:59 | 0:03:00 | |
So, uh, it's all good. | 0:03:00 | 0:03:03 | |
This is £225 a week? | 0:03:03 | 0:03:05 | |
Well, it's London, mate. | 0:03:05 | 0:03:06 | |
Bang, mate. You know, if you don't like it move to Leeds. | 0:03:06 | 0:03:09 | |
Do you know what I mean? You got a wok? | 0:03:09 | 0:03:11 | |
You got a wok? It's one of those oriental sort of conical pans. | 0:03:11 | 0:03:14 | |
-No, no, no. -The geezer who was here before, he left one in there. | 0:03:14 | 0:03:17 | |
You're welcome to it. I'll throw that in. | 0:03:17 | 0:03:19 | |
-I'll take it. -That's a good choice. | 0:03:19 | 0:03:21 | |
Very good. | 0:03:36 | 0:03:37 | |
HE SIGHS | 0:03:40 | 0:03:42 | |
Chris Wilton, this is Tom Hewett. | 0:03:49 | 0:03:53 | |
-Very nice to meet you. -Pleasure. | 0:03:53 | 0:03:54 | |
I think Chris will be the perfect instructor for you. | 0:03:54 | 0:03:56 | |
He's very patient, great at analysing a player's faults. | 0:03:56 | 0:03:59 | |
-SIGHS: -I'm so out of practice. | 0:03:59 | 0:04:00 | |
I mean, I haven't played since university. | 0:04:00 | 0:04:02 | |
And I loved it, but I haven't picked up a racquet in bloody ages, so... | 0:04:02 | 0:04:05 | |
Don't worry. It comes back. | 0:04:05 | 0:04:07 | |
What you can't do is rush in and be discouraged. | 0:04:07 | 0:04:09 | |
OK. | 0:04:09 | 0:04:11 | |
-Good luck. -Thank you very much. | 0:04:11 | 0:04:13 | |
-Have a go? -Brilliant. | 0:04:13 | 0:04:14 | |
OK, so who was better or tougher - Henman or Agassi? | 0:04:26 | 0:04:30 | |
-They were both great. -Yeah, I know. | 0:04:30 | 0:04:32 | |
But, I mean, you held your own more than admirably. | 0:04:32 | 0:04:34 | |
For a while. | 0:04:34 | 0:04:36 | |
But as the game goes on, you see how really good they are. | 0:04:36 | 0:04:38 | |
-Actually, I'll get this. -No, no, no. | 0:04:38 | 0:04:40 | |
-No, please, Tom, I insist. -No. | 0:04:40 | 0:04:41 | |
-Get your dirty, great forehand off. -HE SIGHS | 0:04:41 | 0:04:44 | |
Thank you. I'll get the next one. | 0:04:46 | 0:04:47 | |
So, do you need a lift after this? | 0:04:47 | 0:04:50 | |
Actually, I'm looking for a music store. I want to buy some CDs. | 0:04:50 | 0:04:53 | |
Music around here? | 0:04:53 | 0:04:55 | |
I think there's one on the Fulham Road. | 0:04:55 | 0:04:57 | |
And they'll have a decent opera section? | 0:04:57 | 0:04:59 | |
-Opera? You like opera? Really? -I love opera. | 0:04:59 | 0:05:02 | |
Papa gives loads to the Royal in Covent Garden. | 0:05:02 | 0:05:06 | |
I know this is gonna sound a bit weird, | 0:05:06 | 0:05:08 | |
but...would you like to go to the opera tomorrow night? | 0:05:08 | 0:05:10 | |
LAUGHS: To the opera? | 0:05:10 | 0:05:12 | |
Yeah. I mean, we've got a box and someone's not coming. | 0:05:12 | 0:05:15 | |
It's 'La Bloody Traviata'. | 0:05:15 | 0:05:17 | |
LAUGHS: My God. I'd love to. | 0:05:17 | 0:05:21 | |
Are you sure it's not an imposition? Can I at least pay for my seat? | 0:05:21 | 0:05:24 | |
It's not an imposition. It'd be an absolute pleasure. | 0:05:24 | 0:05:26 | |
I just like the fact that we both share a love for opera. Brilliant. | 0:05:26 | 0:05:30 | |
-So... -So I said to David... | 0:05:32 | 0:05:34 | |
Evening, all. Hello, Mum. | 0:05:34 | 0:05:35 | |
Hello, sweetheart. Very nice to see you. | 0:05:36 | 0:05:38 | |
This is Chris. This is my father, Alec. | 0:05:38 | 0:05:40 | |
I hear you're an incredible tennis player. | 0:05:40 | 0:05:43 | |
I played once, and then I gave up and then I went back, then I gave up... | 0:05:43 | 0:05:46 | |
THEY ALL TALK AT ONCE | 0:05:46 | 0:05:49 | |
And this is my sister. | 0:05:51 | 0:05:53 | |
-There's a chair somewhere. -Hi. I'm Chloe. | 0:05:53 | 0:05:54 | |
-Hello, Chloe. -There's two more there. | 0:05:54 | 0:05:56 | |
MAN SINGS OPERA | 0:05:56 | 0:05:59 | |
Yeah, well, the olds say thank you very much for the lovely flowers. | 0:06:44 | 0:06:48 | |
They said it was very thoughtful and totally unnecessary. | 0:06:48 | 0:06:51 | |
But, uh, off the record - | 0:06:51 | 0:06:53 | |
well done, A plus, 'cause they love that sort of thing. | 0:06:53 | 0:06:55 | |
Oh, they're lovely people. And your sister's very bright. | 0:06:55 | 0:06:59 | |
Frighteningly so at times. | 0:06:59 | 0:07:01 | |
But, uh, anyway, she thought you were terrific | 0:07:01 | 0:07:03 | |
and she wanted to invite you to our country house | 0:07:03 | 0:07:06 | |
for the parents on Sunday. | 0:07:06 | 0:07:07 | |
'Cause they're having a party, there'll be some good people | 0:07:07 | 0:07:10 | |
and I'll play you some great music, because Dad's got an epic collection. | 0:07:10 | 0:07:14 | |
HE GROANS | 0:07:30 | 0:07:32 | |
Chloe, do you wanna have a knock with Chris for a bit? | 0:07:32 | 0:07:34 | |
It's just that it's five o'clock somewhere, darling, | 0:07:34 | 0:07:36 | |
and I've got some serious cocktails to start making. | 0:07:36 | 0:07:38 | |
Irish, have you ever had a Cuba Libra or a Caipirinha? | 0:07:38 | 0:07:41 | |
No, it'd be really boring for Chris to play with me on my own. | 0:07:41 | 0:07:44 | |
It's really boring for him to play with me, but he's a good sport, | 0:07:44 | 0:07:46 | |
and anyway, you've got better legs than I've got - chop, chop. | 0:07:46 | 0:07:49 | |
Don't be silly. I teach people who've never held a racquet before. | 0:07:49 | 0:07:51 | |
I'm so bad. | 0:07:51 | 0:07:53 | |
Well, that's how you get better - playing with a stronger player. | 0:07:53 | 0:07:55 | |
-Come on. -OK. | 0:07:55 | 0:07:57 | |
-Was I dreadful? -Not at all. | 0:08:17 | 0:08:19 | |
-You have a very unique style. LAUGHS: -Yeah. | 0:08:19 | 0:08:21 | |
It's called "clumsy". | 0:08:21 | 0:08:23 | |
How did you get to be so good, anyway? | 0:08:23 | 0:08:25 | |
Tom says you played with some of the real greats. | 0:08:25 | 0:08:27 | |
For me, it was a way out of a poor existence. | 0:08:27 | 0:08:30 | |
Caught the eye of a good coach, I don't know. | 0:08:30 | 0:08:33 | |
It all came so easy at first. | 0:08:34 | 0:08:35 | |
-Do you enjoy teaching? -Not really. | 0:08:36 | 0:08:38 | |
I mean, it's OK for now. | 0:08:38 | 0:08:40 | |
But I'd cut my throat if I thought I had to do it forever. | 0:08:40 | 0:08:43 | |
I'd like to do something with my life, you know? | 0:08:43 | 0:08:45 | |
Special. I'd like to make a contribution. | 0:08:45 | 0:08:48 | |
So, you're a poor boy from Ireland come to London. | 0:08:49 | 0:08:52 | |
-I love it. -Mmm. | 0:08:52 | 0:08:54 | |
It's so exciting and alive. | 0:08:54 | 0:08:55 | |
I've never seen so much art or theatre - | 0:08:55 | 0:08:58 | |
not that I've taken much advantage of it yet. | 0:08:58 | 0:09:00 | |
Well, look, if you'd like someone to show you round, | 0:09:00 | 0:09:02 | |
I grew up in Belgravia. | 0:09:02 | 0:09:04 | |
I'd be happy to take you to all the good places. | 0:09:04 | 0:09:06 | |
That'd be great. | 0:09:06 | 0:09:08 | |
On one condition - I buy the tickets. | 0:09:08 | 0:09:11 | |
Oh, dear. Is that going to be an issue? | 0:09:11 | 0:09:13 | |
I'm afraid it is. SHE LAUGHS | 0:09:13 | 0:09:15 | |
I've very old-fashioned. | 0:09:15 | 0:09:16 | |
But, actually, I did read something about the... | 0:09:16 | 0:09:19 | |
exhibition in the Saatchi Gallery. | 0:09:19 | 0:09:21 | |
That's perfect. | 0:09:21 | 0:09:22 | |
It'd be my pleasure to take you. | 0:09:22 | 0:09:25 | |
You're very kind to offer this. | 0:09:25 | 0:09:27 | |
Can I at least give you some free tennis lessons? | 0:09:27 | 0:09:29 | |
-LAUGHS: -OK. It's a deal. | 0:09:29 | 0:09:30 | |
How about Wednesday for the Saatchi? | 0:09:30 | 0:09:32 | |
I can do that. | 0:09:33 | 0:09:35 | |
Shall we meet for lunch first? | 0:09:35 | 0:09:36 | |
It's a date. | 0:09:37 | 0:09:39 | |
I'd better get ready. Your guests will be arriving soon. | 0:09:39 | 0:09:41 | |
Yeah, yeah, of course. Go. | 0:09:41 | 0:09:43 | |
Sweaty tennis players - hardly what they expect. | 0:09:43 | 0:09:45 | |
OPERA MUSIC PLAYS | 0:09:46 | 0:09:49 | |
WOMAN: So, who's my next victim? | 0:10:40 | 0:10:43 | |
You? | 0:10:44 | 0:10:46 | |
I haven't played table tennis in quite a while. | 0:10:46 | 0:10:48 | |
Would you like to play for £1,000 a game? | 0:10:49 | 0:10:51 | |
What did I walk into? | 0:10:53 | 0:10:55 | |
-What did -I -walk into? | 0:11:05 | 0:11:07 | |
It's like this. | 0:11:09 | 0:11:10 | |
-May I? -Please. | 0:11:11 | 0:11:13 | |
You have to lean in and hit through the ball. | 0:11:15 | 0:11:19 | |
I was doing just fine until you showed up. | 0:11:22 | 0:11:25 | |
Ah - the story of my life. | 0:11:25 | 0:11:27 | |
So, tell me - what's a beautiful young American ping-pong player | 0:11:28 | 0:11:31 | |
doing mingling amongst the British upper class? | 0:11:31 | 0:11:33 | |
Did anyone ever tell you you play a very aggressive game? | 0:11:38 | 0:11:42 | |
Did anyone ever tell you you have very sensual lips? | 0:11:45 | 0:11:47 | |
Extremely aggressive. | 0:11:51 | 0:11:53 | |
I'm naturally competitive. | 0:11:53 | 0:11:55 | |
Is it off-putting? | 0:11:56 | 0:11:57 | |
I'll have to think about that for a while. | 0:11:59 | 0:12:01 | |
HE LAUGHS | 0:12:01 | 0:12:03 | |
-MAN: -Ah, there you are. | 0:12:05 | 0:12:07 | |
I wanted to introduce you to Chris Wilton. | 0:12:07 | 0:12:08 | |
Chris Wilton, this is Nola Rice, my fiancee. | 0:12:08 | 0:12:12 | |
Ah. So, you're the tennis pro. | 0:12:12 | 0:12:15 | |
Hello, darling. | 0:12:15 | 0:12:16 | |
A pleasure. | 0:12:16 | 0:12:18 | |
He was trying to have his way with me over the table. | 0:12:18 | 0:12:20 | |
Oh, really? Well, you'd better watch out for this one. | 0:12:20 | 0:12:22 | |
He's made a living out of hustling. | 0:12:22 | 0:12:24 | |
I'll be ready for you next time. | 0:12:25 | 0:12:27 | |
I'll see you outside. | 0:12:29 | 0:12:31 | |
Oh, yeah. | 0:12:31 | 0:12:32 | |
-SIGHS: -She's quite something, isn't she? | 0:12:38 | 0:12:41 | |
How long have you been together? | 0:12:43 | 0:12:45 | |
Mmm, six months. | 0:12:45 | 0:12:46 | |
Jesus, yeah. Six months. | 0:12:46 | 0:12:48 | |
She came over to study acting and I met her at a party that I'd crashed | 0:12:48 | 0:12:51 | |
and she'd crashed, and... one thing led to another. | 0:12:51 | 0:12:56 | |
I will say, it's taken Mother quite a while | 0:12:56 | 0:12:58 | |
to get used to the idea that I'm serious about her, | 0:12:58 | 0:13:00 | |
but...to be honest with you, | 0:13:00 | 0:13:02 | |
Mother's always had this funny little agenda | 0:13:02 | 0:13:04 | |
for me which doesn't really involve marrying a struggling actress. | 0:13:04 | 0:13:07 | |
Especially an American one. | 0:13:07 | 0:13:10 | |
But I am crazy about her. | 0:13:11 | 0:13:12 | |
Anyway, I think we should all go to dinner next week. What do you think? | 0:13:13 | 0:13:17 | |
-I'd love to. -Excellent. | 0:13:17 | 0:13:19 | |
Now, Irish, how about a little drop of Scottish before supper? | 0:13:19 | 0:13:22 | |
Why not? | 0:13:22 | 0:13:23 | |
Lead on. Quickly. | 0:13:23 | 0:13:25 | |
SOFTLY: These afternoons have been great. | 0:14:03 | 0:14:06 | |
I'm so glad your schedule allows you so much time off. | 0:14:07 | 0:14:10 | |
Yes, it's fun. | 0:14:10 | 0:14:11 | |
Although it wouldn't hurt to have a few more pupils. | 0:14:11 | 0:14:13 | |
Do you need money? | 0:14:16 | 0:14:17 | |
God, no. | 0:14:19 | 0:14:20 | |
No, I'm fine. | 0:14:20 | 0:14:22 | |
It's very sweet of you to ask, but I don't. | 0:14:22 | 0:14:24 | |
I'm only asking because I care about you. | 0:14:30 | 0:14:33 | |
Shall we go to your place or mine? | 0:14:51 | 0:14:53 | |
I don't think mine's quite what you're used to. | 0:14:53 | 0:14:55 | |
GIGGLES: Shut up. | 0:14:55 | 0:14:57 | |
I think yours will be just great. | 0:14:57 | 0:14:59 | |
You've been seeing a lot of Chris Wilton lately I understand. | 0:15:18 | 0:15:22 | |
Yeah. He's very nice. | 0:15:22 | 0:15:24 | |
I liked him. I just don't understand what he's aiming for. | 0:15:24 | 0:15:28 | |
He certainly doesn't want to be a tennis pro for the rest of his life. | 0:15:28 | 0:15:31 | |
Well, I find him very likeable. | 0:15:31 | 0:15:33 | |
He's fought his way up the only way open to him. | 0:15:33 | 0:15:35 | |
And he's not trivial. | 0:15:35 | 0:15:37 | |
I had a very interesting conversation the other day | 0:15:37 | 0:15:39 | |
about Dostoevski. | 0:15:39 | 0:15:41 | |
Can't we do something for him? | 0:15:41 | 0:15:43 | |
A place in one of your companies or something. | 0:15:43 | 0:15:45 | |
-Has he expressed a desire? -No. | 0:15:45 | 0:15:47 | |
But...he's open, you know, about his future. | 0:15:47 | 0:15:50 | |
He really wants to make something of his life. | 0:15:50 | 0:15:52 | |
Chloe, be careful. | 0:15:52 | 0:15:54 | |
Tom's involved with a woman I have reservations about. | 0:15:54 | 0:15:57 | |
-Don't rush off. -Tom's happy with Nola! | 0:15:57 | 0:15:59 | |
You're prejudiced because she's American. | 0:15:59 | 0:16:01 | |
She's spoilt and temperamental. | 0:16:01 | 0:16:03 | |
She's an actress! They're emotional. | 0:16:03 | 0:16:05 | |
She's deluding herself and she's moody. She's not right for Tom. | 0:16:05 | 0:16:07 | |
Well, I care very deeply for Chris and I think he feels the same way. | 0:16:07 | 0:16:10 | |
Who are you talking about? | 0:16:10 | 0:16:12 | |
-Nola. -Oh. | 0:16:12 | 0:16:14 | |
-Have you been waiting ages? -Not at all. | 0:16:25 | 0:16:28 | |
Traffic was awful. The others will be here in a minute. | 0:16:28 | 0:16:30 | |
They're probably stuck in it somewhere. | 0:16:30 | 0:16:32 | |
Can I have a champagne cocktail, please? | 0:16:32 | 0:16:33 | |
One of your father's associates spoke to me today | 0:16:36 | 0:16:38 | |
about the possibility of a job. | 0:16:38 | 0:16:40 | |
Did you say anything? | 0:16:40 | 0:16:41 | |
Look, I just told Papa to keep his eyes open if anything juicy opened up | 0:16:41 | 0:16:46 | |
so you could have first option - if you wanted it. | 0:16:46 | 0:16:48 | |
-You're not cross, are you? -God, no. | 0:16:49 | 0:16:51 | |
It's... extremely thoughtful of you. | 0:16:51 | 0:16:54 | |
Thanks. | 0:16:55 | 0:16:57 | |
Well, what do you think? | 0:16:58 | 0:16:59 | |
I'm gonna have to think about it. | 0:16:59 | 0:17:02 | |
I've never really seen myself in the business world. | 0:17:02 | 0:17:05 | |
Mm-hm. | 0:17:05 | 0:17:06 | |
So, what do you see for yourself? You know, in the future. | 0:17:07 | 0:17:12 | |
I don't know, really. | 0:17:13 | 0:17:14 | |
I mean, I'm sure it's a great opportunity. | 0:17:16 | 0:17:18 | |
I think it is. | 0:17:18 | 0:17:21 | |
Papa said it's a chance to learn the business. | 0:17:21 | 0:17:23 | |
And if things go well, he'll see to it, you know, | 0:17:23 | 0:17:27 | |
that you move up quickly or whatever. | 0:17:27 | 0:17:29 | |
I've always felt so-so about office work. | 0:17:30 | 0:17:33 | |
It's not exactly office work. | 0:17:33 | 0:17:36 | |
Think of it more as a stepping stone. | 0:17:36 | 0:17:39 | |
-To? -To a bigger job, more responsibility, greater earning potential. | 0:17:39 | 0:17:45 | |
I don't know! | 0:17:45 | 0:17:47 | |
You've always said how much you admired Papa's accomplishments. | 0:17:47 | 0:17:51 | |
Well, of course. | 0:17:52 | 0:17:54 | |
I mean, it's strange, but coming where I come from, | 0:17:54 | 0:17:57 | |
I've always admired men like your father. | 0:17:57 | 0:18:00 | |
Wealthy but not stuffy. | 0:18:00 | 0:18:02 | |
Enjoying his fortune, having a grand time, | 0:18:02 | 0:18:06 | |
supporting the arts. | 0:18:06 | 0:18:07 | |
Well, he'd really like to open some doors for you, that's all. | 0:18:07 | 0:18:11 | |
He's a very generous man. | 0:18:11 | 0:18:12 | |
He respects how you've pulled yourself up against the odds. | 0:18:12 | 0:18:16 | |
You don't seem very enthusiastic. | 0:18:19 | 0:18:21 | |
I'm sorry. I hope my hesitation isn't upsetting. | 0:18:21 | 0:18:24 | |
No, no. Not at all. | 0:18:24 | 0:18:26 | |
It's just that, you know, | 0:18:26 | 0:18:27 | |
you've always talked about making a contribution and... | 0:18:27 | 0:18:30 | |
-I'm sorry. -I will. | 0:18:30 | 0:18:32 | |
-Oh, good. -Hello. | 0:18:34 | 0:18:36 | |
Hi there. | 0:18:36 | 0:18:38 | |
Don't worry. The traffic was awful. | 0:18:43 | 0:18:46 | |
It's my fault. I dragged Nola to the classic car show. | 0:18:46 | 0:18:49 | |
It's, uh...it was unbelievable. | 0:18:49 | 0:18:52 | |
I swear, my trousers are barely dry. | 0:18:52 | 0:18:53 | |
Oh, God. Shut up. | 0:18:53 | 0:18:55 | |
You love cars, though, don't you, Chris? | 0:18:55 | 0:18:56 | |
-I think the old ones are beautiful. -Ah. | 0:18:56 | 0:18:58 | |
Yeah, I like the old ones. | 0:18:58 | 0:19:00 | |
But Tom likes all those new ones with the gadgets and... | 0:19:00 | 0:19:03 | |
I want an Aston Martin. | 0:19:03 | 0:19:05 | |
-I drove an Aston Martin. -Really? | 0:19:05 | 0:19:07 | |
Yeah, I used to work... work for a man | 0:19:07 | 0:19:09 | |
and I used to wash his cars for him. | 0:19:09 | 0:19:11 | |
He was very, very particular about taking care of them, | 0:19:11 | 0:19:13 | |
so I had to wash them every day with a toothbrush. | 0:19:13 | 0:19:15 | |
I want an Aston Martin or one of those vintage convertible Mercedes. | 0:19:15 | 0:19:20 | |
Well, when we're married, we'll collect vintage cars - | 0:19:20 | 0:19:23 | |
just as long as I can have a DB9 with all the trimmings, OK? | 0:19:23 | 0:19:26 | |
In fact, Headley is perfect for keeping all those cars. | 0:19:26 | 0:19:29 | |
-In fact, speaking of Headley... -Should we order? | 0:19:29 | 0:19:31 | |
-'Cause he's waiting. -Oh, crikey. Sorry. | 0:19:31 | 0:19:33 | |
Uh, I'll have the baked potatoes with truffles. That'd be lovely. | 0:19:33 | 0:19:35 | |
I'd like the same, please. | 0:19:35 | 0:19:37 | |
WAITER: Nothing to start? | 0:19:37 | 0:19:39 | |
Oh, I think the wine list. | 0:19:39 | 0:19:40 | |
I'll have the caviar blinis, please. | 0:19:42 | 0:19:44 | |
Uh, roast chicken. | 0:19:44 | 0:19:46 | |
God, boring! | 0:19:46 | 0:19:48 | |
Honestly, they have the greatest caviar blinis here. | 0:19:48 | 0:19:49 | |
-You should try them. -That's OK. | 0:19:49 | 0:19:51 | |
No, do you like caviar? | 0:19:51 | 0:19:52 | |
-So-so. -"So-so." | 0:19:52 | 0:19:54 | |
He's been brought up as a good boy to always order modestly. | 0:19:56 | 0:19:58 | |
-I'm very sorry. -He'll have the blinis. | 0:19:58 | 0:20:01 | |
My goodness, was your father an oil rigger who specialised in etiquette? | 0:20:01 | 0:20:05 | |
Uh, he was kind of austere. | 0:20:05 | 0:20:06 | |
Chris's dad was a bit of a religious fanatic. | 0:20:06 | 0:20:09 | |
-Oh, Christ. -After he lost both his legs he found Jesus. | 0:20:09 | 0:20:12 | |
God. Sorry, but it just doesn't seem like a fair trade. | 0:20:12 | 0:20:16 | |
SHE LAUGHS | 0:20:16 | 0:20:18 | |
What were you saying about Headley? | 0:20:18 | 0:20:19 | |
Oh, Papa's invited us for some shooting. | 0:20:19 | 0:20:21 | |
So I'd better bring a different change of clothes. | 0:20:21 | 0:20:24 | |
Your mother didn't appreciate what I brought last time. | 0:20:24 | 0:20:26 | |
I think that was your swimsuit. | 0:20:26 | 0:20:28 | |
She's just used to slightly more fabric. | 0:20:28 | 0:20:29 | |
I'm sure if she knew you'd worn it in a movie she'd suddenly find it chic. | 0:20:29 | 0:20:33 | |
-True. -Have you done many movies? | 0:20:33 | 0:20:35 | |
It was a commercial, not a movie. | 0:20:35 | 0:20:38 | |
But your eyes went straight to her, if you know what I mean. | 0:20:38 | 0:20:40 | |
I don't think my career has really gone as planned. | 0:20:40 | 0:20:44 | |
Oh, you just need a break. | 0:20:44 | 0:20:46 | |
I think it's important to be lucky in anything. | 0:20:46 | 0:20:48 | |
Well, I don't believe in luck. I believe in hard work. | 0:20:48 | 0:20:50 | |
-Mmm. -Oh, hard work is mandatory. | 0:20:50 | 0:20:51 | |
But I think everybody's afraid to admit what a big part luck plays. | 0:20:51 | 0:20:55 | |
I mean, it seems scientists are confirming more and more | 0:20:55 | 0:20:58 | |
that all existence is here by blind chance. | 0:20:58 | 0:21:00 | |
No purpose, no design. | 0:21:00 | 0:21:04 | |
Well, I don't care. I love every minute of it. | 0:21:04 | 0:21:07 | |
And I envy you for it. | 0:21:07 | 0:21:08 | |
What was it the vicar used to say? | 0:21:08 | 0:21:11 | |
"Despair is the path of least resistance." | 0:21:11 | 0:21:14 | |
It was something odd, wasn't it? | 0:21:14 | 0:21:16 | |
I think that faith is the path of least resistance. | 0:21:16 | 0:21:18 | |
-Oh, God. -Oh, God. | 0:21:18 | 0:21:20 | |
Can we change the subject, please? | 0:21:20 | 0:21:21 | |
Nola was talking about acting, which is much more interesting. | 0:21:21 | 0:21:24 | |
No, I was just saying that I think I'm giving acting a second thought. | 0:21:24 | 0:21:30 | |
I just can't bear people in my home town to think I've failed. | 0:21:30 | 0:21:35 | |
Not that I'm ever going back to Colorado. | 0:21:35 | 0:21:37 | |
Ever. | 0:21:37 | 0:21:39 | |
WAITER: Have you decided on a wine? | 0:21:40 | 0:21:42 | |
Two bottles of Puligny-Montrachet, thank you. | 0:21:42 | 0:21:45 | |
Good morning. Chris Wilton. | 0:21:45 | 0:21:47 | |
-Rod Carver. Good to meet you. -Good to meet you. | 0:21:47 | 0:21:49 | |
You'll be working under Alan Sinclair here. | 0:21:49 | 0:21:52 | |
Hi, Alan. How are you? | 0:21:52 | 0:21:54 | |
At first you may find the assignments a little unchallenging, | 0:21:54 | 0:21:57 | |
but that'll soon change as you appreciate how things wash here. | 0:21:57 | 0:22:00 | |
-It's basically nine to five. -Yes, yes. | 0:22:00 | 0:22:02 | |
So you'll have plenty of time to keep up the backhand, if you like. | 0:22:02 | 0:22:05 | |
And if you're OK with the package, | 0:22:05 | 0:22:07 | |
we'd like to begin first of the month. | 0:22:07 | 0:22:08 | |
I'm sure the salary won't be a problem. | 0:22:08 | 0:22:10 | |
-Good to meet you, Alan. And Rod. -I'm sure you'll be happy here. | 0:22:10 | 0:22:14 | |
Exciting things are happening. | 0:22:14 | 0:22:16 | |
SHE LAUGHS | 0:22:18 | 0:22:20 | |
Oh, I can't tell you how happy I am you've taken that job. | 0:22:20 | 0:22:23 | |
It's such good news! | 0:22:23 | 0:22:25 | |
Here, I brought you this to celebrate. | 0:22:26 | 0:22:29 | |
Wow. Thank you. | 0:22:29 | 0:22:31 | |
Believe me, in no time you'll be running that division. | 0:22:32 | 0:22:35 | |
You're so much more on the ball than Alan Sinclair, | 0:22:35 | 0:22:38 | |
who's nice, but...uninspiring. | 0:22:38 | 0:22:41 | |
It's very rare. | 0:22:41 | 0:22:43 | |
It has some beautiful arias on it. | 0:22:43 | 0:22:45 | |
His voice expresses everything that's tragic about life. | 0:22:45 | 0:22:48 | |
You find it tragic, do you? | 0:22:49 | 0:22:51 | |
And you? | 0:22:51 | 0:22:53 | |
I love it. | 0:22:56 | 0:22:58 | |
Let's stay at home and have dinner and listen to the tragedy. | 0:22:59 | 0:23:04 | |
I'm gonna open one of those bottles of wine I got you. | 0:23:05 | 0:23:08 | |
Ah - Puligny-Montrachet. | 0:23:08 | 0:23:11 | |
I never heard of it before Tom ordered it. | 0:23:11 | 0:23:13 | |
Now I'm addicted. | 0:23:13 | 0:23:15 | |
Tom and Nola invited us to go and see a film with them tonight, | 0:23:15 | 0:23:17 | |
but I told them we're busy. | 0:23:17 | 0:23:19 | |
Oh? | 0:23:19 | 0:23:21 | |
We have no plans. | 0:23:21 | 0:23:23 | |
Well, no special plans. | 0:23:23 | 0:23:25 | |
I thought we said we'd stay in. | 0:23:26 | 0:23:28 | |
Yeah, but it wasn't written in stone. | 0:23:29 | 0:23:32 | |
We could have joined them. | 0:23:32 | 0:23:33 | |
We still can if you'd prefer. | 0:23:33 | 0:23:35 | |
It's...it's not a case of preferring it, | 0:23:37 | 0:23:40 | |
it's just...we always have fun with them, | 0:23:40 | 0:23:43 | |
and...you love films. | 0:23:43 | 0:23:45 | |
Well, shall I call them? | 0:23:45 | 0:23:47 | |
I mean, sure - unless you'd rather not. | 0:23:49 | 0:23:51 | |
Well, it might be more fun just the two of us. | 0:23:53 | 0:23:57 | |
The wine, the opera. | 0:23:57 | 0:24:00 | |
Absolutely. | 0:24:01 | 0:24:03 | |
I just figured... | 0:24:12 | 0:24:14 | |
We can stay in any night, | 0:24:15 | 0:24:17 | |
and they're free and suggested a film. | 0:24:17 | 0:24:20 | |
What's the film? | 0:24:20 | 0:24:22 | |
I don't know, but if you'd prefer it. | 0:24:22 | 0:24:24 | |
I am in the mood for a film. | 0:24:26 | 0:24:28 | |
TOM: Thank you so much for that. | 0:24:33 | 0:24:35 | |
Hi, guys. One second. | 0:24:40 | 0:24:42 | |
There you go, Pat. Thanks so much. | 0:24:44 | 0:24:46 | |
Good luck with the Sky Blues. | 0:24:46 | 0:24:47 | |
-Where is she? -Mmm. | 0:24:49 | 0:24:50 | |
Nola got a migraine at the last moment | 0:24:50 | 0:24:53 | |
and unfortunately she can't make it, but she sends her love. | 0:24:53 | 0:24:55 | |
-Is she gonna be all right? -Yeah, she'll be fine. | 0:24:55 | 0:24:57 | |
The hell with her. Motorcycle Diaries. | 0:24:57 | 0:24:59 | |
I bet that was her choice. | 0:24:59 | 0:25:01 | |
Everybody likes you at work. | 0:25:04 | 0:25:06 | |
SHE LAUGHS | 0:25:06 | 0:25:08 | |
Papa says he's heard great things. | 0:25:08 | 0:25:11 | |
You're a very clever boy. | 0:25:13 | 0:25:15 | |
SHE LAUGHS | 0:25:16 | 0:25:18 | |
Hey! | 0:25:32 | 0:25:34 | |
Hey. | 0:25:34 | 0:25:36 | |
-Hi. -How are you? | 0:25:36 | 0:25:37 | |
What are you doing here? | 0:25:37 | 0:25:39 | |
I was, uh, just looking for a sweater. | 0:25:39 | 0:25:40 | |
-Uh-huh. -The kind Tom has. | 0:25:40 | 0:25:42 | |
-Is it cashmere? -Um, it's vicuna. | 0:25:42 | 0:25:46 | |
-Vicuna. -Vicuna. | 0:25:46 | 0:25:47 | |
-Yeah. -All right. | 0:25:47 | 0:25:49 | |
Where are you going? | 0:25:49 | 0:25:50 | |
-Oh, I'm just, uh, having a nervous breakdown. -Why? | 0:25:50 | 0:25:53 | |
Well, I have an audition in 10 minutes and, uh, | 0:25:53 | 0:25:55 | |
as usual my confidence level, which started off at a 10, is now a zero. | 0:25:55 | 0:26:00 | |
Don't worry. You'll be great. | 0:26:00 | 0:26:01 | |
Yeah. I'm gonna be late, so... | 0:26:01 | 0:26:04 | |
-Are you walk... You wanna walk? -Yeah. Sure. | 0:26:04 | 0:26:06 | |
Oh - my agent was supposed to meet me, but he cancelled, | 0:26:06 | 0:26:11 | |
so that's awful. | 0:26:11 | 0:26:13 | |
I'm alone to just... | 0:26:13 | 0:26:15 | |
Would you like me to come along for moral support? | 0:26:15 | 0:26:17 | |
Yes. That would be great. | 0:26:18 | 0:26:20 | |
-Sure. It's not a problem. -If it's not a problem... | 0:26:20 | 0:26:23 | |
No, it's not a problem. | 0:26:23 | 0:26:24 | |
I used to get really tense before I had big tennis matches. | 0:26:24 | 0:26:27 | |
Uh-huh. | 0:26:27 | 0:26:28 | |
Have you ever tried yoga? | 0:26:28 | 0:26:30 | |
-No. -No? | 0:26:31 | 0:26:33 | |
Hi. | 0:27:26 | 0:27:28 | |
-Hello. Hi. -Oh. Hey. | 0:27:28 | 0:27:30 | |
How was it? | 0:27:30 | 0:27:31 | |
-Blew that. -SHE LAUGHS UNCOMFORTABLY | 0:27:31 | 0:27:33 | |
Just works, you know, at home, | 0:27:33 | 0:27:35 | |
but, I don't know, I just can never really pull through in the end. | 0:27:35 | 0:27:40 | |
You will. You will. | 0:27:40 | 0:27:41 | |
You know what? | 0:27:43 | 0:27:45 | |
I could actually use a drink just to pull myself together a little bit. | 0:27:45 | 0:27:48 | |
-Sure. -OK. | 0:27:48 | 0:27:49 | |
This way. | 0:27:49 | 0:27:51 | |
What was I saying? | 0:28:01 | 0:28:03 | |
Um... | 0:28:03 | 0:28:06 | |
My sister went to college for a couple of years, | 0:28:06 | 0:28:10 | |
um, but I'm like you - I'm self-taught. | 0:28:10 | 0:28:12 | |
You should see my sister - | 0:28:13 | 0:28:15 | |
she's very beautiful, but she's lost in drugs and... | 0:28:15 | 0:28:19 | |
I'm sure she's not more beautiful than you are. | 0:28:20 | 0:28:22 | |
Oh. What I am is sexy. | 0:28:23 | 0:28:25 | |
Linda's...my sister, um, is classically beautiful. | 0:28:25 | 0:28:32 | |
So, you are aware of your effect on men. | 0:28:34 | 0:28:37 | |
Before my parents split, they used to put her in these pageants. | 0:28:39 | 0:28:42 | |
-STAMMERS: -It's a joke. | 0:28:43 | 0:28:45 | |
What'd your father do? | 0:28:46 | 0:28:48 | |
Um... | 0:28:48 | 0:28:49 | |
He...left. | 0:28:49 | 0:28:53 | |
And, uh, never sent any money. | 0:28:54 | 0:28:56 | |
And my mother could never hold down a job. | 0:28:56 | 0:28:59 | |
-No? -No. | 0:28:59 | 0:29:02 | |
Her problem was that she drank. | 0:29:02 | 0:29:04 | |
How did you meet Tom? | 0:29:06 | 0:29:08 | |
Um, we met at a party. | 0:29:09 | 0:29:13 | |
He was...saw me across the room | 0:29:13 | 0:29:16 | |
and he honed in on me like a guided missile. | 0:29:16 | 0:29:21 | |
I...I liked him right off, you know. | 0:29:21 | 0:29:24 | |
I thought, um...well, I think he's very handsome. | 0:29:24 | 0:29:28 | |
Don't you? | 0:29:28 | 0:29:30 | |
Very. | 0:29:30 | 0:29:31 | |
And he asked you to marry him? | 0:29:31 | 0:29:33 | |
Mmm - well, he... | 0:29:35 | 0:29:38 | |
..swept me off my feet with presents and...you know. | 0:29:39 | 0:29:43 | |
What did I know about that kind of life? | 0:29:43 | 0:29:45 | |
I'm just a starving actress from Boulder, Colorado. | 0:29:45 | 0:29:47 | |
But...I had another bad marriage behind me. | 0:29:48 | 0:29:52 | |
That's another reason she hates me. | 0:29:52 | 0:29:53 | |
Who? | 0:29:53 | 0:29:55 | |
Eleanor - Tom's mother. | 0:29:55 | 0:29:57 | |
She wants him to marry this girl named Olivia | 0:29:57 | 0:30:00 | |
who I think is a distant cousin - I don't know. | 0:30:00 | 0:30:02 | |
It's sick. It's such an inbred family. It's... | 0:30:02 | 0:30:05 | |
And was it love at first sight for you too? | 0:30:05 | 0:30:07 | |
Um, I thought he was very handsome. | 0:30:09 | 0:30:13 | |
You know, and I told you I was just... | 0:30:13 | 0:30:17 | |
I was overwhelmed with attention. | 0:30:17 | 0:30:20 | |
So, what about you and Chloe? | 0:30:23 | 0:30:24 | |
She's very sweet. | 0:30:28 | 0:30:30 | |
Mmm. | 0:30:30 | 0:30:32 | |
She's very sweet. | 0:30:33 | 0:30:35 | |
And she wants to marry you. | 0:30:37 | 0:30:39 | |
LAUGHS: I don't think her mother would approve of that either. | 0:30:39 | 0:30:42 | |
No, no. It's different. | 0:30:42 | 0:30:44 | |
I don't buy into Eleanor and she knows it, | 0:30:44 | 0:30:46 | |
but you are being groomed. | 0:30:46 | 0:30:50 | |
You mark my words. | 0:30:50 | 0:30:52 | |
They almost died when they thought that Chloe had run off with some guy | 0:30:52 | 0:30:56 | |
that ran a gastropub in the city. | 0:30:56 | 0:30:58 | |
Mm-mm-mm. | 0:30:59 | 0:31:01 | |
You're gonna do very well for yourself - | 0:31:02 | 0:31:04 | |
unless you blow it. | 0:31:04 | 0:31:06 | |
And how am I going to blow it? | 0:31:06 | 0:31:09 | |
By making a pass at me. | 0:31:12 | 0:31:14 | |
And what makes you think that's gonna happen? | 0:31:17 | 0:31:19 | |
Men always seem to wonder. | 0:31:21 | 0:31:23 | |
They think I'd be something very special. | 0:31:25 | 0:31:28 | |
And are you? | 0:31:28 | 0:31:30 | |
Well, no-one's ever asked for their money back. | 0:31:33 | 0:31:36 | |
Where was all this confidence when you needed it in the audition? | 0:31:39 | 0:31:42 | |
I've had too much to drink. | 0:31:49 | 0:31:51 | |
-SHE CLEARS HER THROAT: -Can you get me a cab? | 0:31:51 | 0:31:53 | |
Sure. | 0:31:54 | 0:31:56 | |
Thank you. You were driving a bit fast, weren't you? | 0:32:15 | 0:32:19 | |
Good morning. | 0:32:19 | 0:32:20 | |
-CHLOE: Which one is he in? -Second one over. | 0:32:20 | 0:32:24 | |
Is he gonna be all right? | 0:32:24 | 0:32:25 | |
Well, yeah, Carmine came out to look at him the other week... | 0:32:25 | 0:32:28 | |
-Oh, he's so sweet. -Basically the problem with the... | 0:32:28 | 0:32:30 | |
-Tom, can I feed him? -Yeah, yeah. Whack in some hay. | 0:32:32 | 0:32:35 | |
Hey, baby. | 0:32:41 | 0:32:43 | |
You're so beautiful. | 0:32:43 | 0:32:45 | |
What would you say to the idea of taking a business course at school | 0:32:45 | 0:32:51 | |
the company would pay for? | 0:32:51 | 0:32:53 | |
I don't know. | 0:32:53 | 0:32:54 | |
I have had very good feedback on your work, | 0:32:58 | 0:33:01 | |
and at the beginning of next year | 0:33:01 | 0:33:03 | |
there's going to be a very significant position opening up - | 0:33:03 | 0:33:05 | |
one that carries a great deal of responsibility and pays accordingly. | 0:33:05 | 0:33:10 | |
Plus, there are a number of perks. | 0:33:10 | 0:33:13 | |
Expense account, driver, etc. | 0:33:13 | 0:33:17 | |
We had been focusing on someone else... | 0:33:17 | 0:33:19 | |
..but it's obvious to me that you and Chloe have become close. | 0:33:20 | 0:33:23 | |
Although I wouldn't consider it if I didn't think you were qualified. | 0:33:23 | 0:33:26 | |
I'd hate to disappoint you. | 0:33:26 | 0:33:28 | |
-Oh... Come on. -We're nearly ready. | 0:33:28 | 0:33:32 | |
-I'll bring a gun for Chris. -Thanks, Tom. | 0:33:33 | 0:33:35 | |
GUNSHOTS RING OUT | 0:33:36 | 0:33:39 | |
Never mind, fella. | 0:33:40 | 0:33:41 | |
This is basically a tune-up for the grouse season, | 0:33:41 | 0:33:43 | |
which is starting soon. | 0:33:43 | 0:33:45 | |
But it's, um, bloody good fun. | 0:33:45 | 0:33:46 | |
Don't frighten him. | 0:33:46 | 0:33:48 | |
His shooting's not really up to his tennis, poor thing. | 0:33:48 | 0:33:50 | |
I'll make an accomplished grouse shooter of him yet. | 0:33:50 | 0:33:52 | |
Don't you worry, Chris. | 0:33:52 | 0:33:53 | |
-Quite right, Papa. -Come on, Chloe. | 0:33:53 | 0:33:55 | |
THUNDER RUMBLES | 0:33:56 | 0:33:58 | |
-Hi, darling. Have you seen my book? -No. | 0:33:58 | 0:34:02 | |
How did your audition go? | 0:34:02 | 0:34:04 | |
Oh, it was pretty awful, I'm afraid. | 0:34:04 | 0:34:07 | |
It's her own fault, bless her. She just tightens up. | 0:34:07 | 0:34:10 | |
Well, I'm sure something worthwhile will come along. | 0:34:10 | 0:34:13 | |
Unfortunately, there's just not anything right now | 0:34:13 | 0:34:15 | |
that I'm that great for. | 0:34:15 | 0:34:17 | |
So, how long do you keep it up? | 0:34:19 | 0:34:21 | |
How long? | 0:34:24 | 0:34:25 | |
Well, if time passes and nothing significant materialises, | 0:34:25 | 0:34:28 | |
how long do you keep on going before you decide that... | 0:34:28 | 0:34:33 | |
to try something else? | 0:34:33 | 0:34:35 | |
I hardly think Nola's reached that point, Mother. | 0:34:36 | 0:34:38 | |
I'm not saying that - all I'm saying is you give acting a try for a time, | 0:34:38 | 0:34:42 | |
and if you keep being disappointed, | 0:34:42 | 0:34:43 | |
you have to ask yourself the question, | 0:34:43 | 0:34:45 | |
"Is this really what I want in my life? Is this what I want?" | 0:34:45 | 0:34:49 | |
Well, I do ask myself that. | 0:34:49 | 0:34:51 | |
See? It's only logical, Tom. | 0:34:51 | 0:34:54 | |
Especially for a woman. | 0:34:54 | 0:34:56 | |
It's a particularly cruel business for a woman. | 0:34:56 | 0:34:59 | |
And as you get older and time passes, | 0:34:59 | 0:35:02 | |
if nothing happens it gets harder and harder. | 0:35:02 | 0:35:04 | |
Eleanor, Nola isn't exactly over the hill. | 0:35:04 | 0:35:07 | |
-SHE LAUGHS: I'm not saying NOW. -Oh. | 0:35:07 | 0:35:11 | |
But I'm a great one for facing up to realities. | 0:35:11 | 0:35:14 | |
Your take on these realities is your own opinion and nothing else, | 0:35:14 | 0:35:18 | |
and, frankly, not everybody else is interested in hearing about it. | 0:35:18 | 0:35:20 | |
Tom, don't raise your voice to your mother, please. | 0:35:20 | 0:35:22 | |
I'm not raising my voice. | 0:35:22 | 0:35:24 | |
I'm sorry, Papa, but she's always on Nola's case, | 0:35:24 | 0:35:25 | |
continually discouraging her via...innuendos. | 0:35:25 | 0:35:29 | |
All I'm saying is acting's so will-o'-the-wisp. | 0:35:29 | 0:35:32 | |
Those that have it know it right off. | 0:35:32 | 0:35:34 | |
To pursue it because you don't want to admit defeat to friends back home | 0:35:34 | 0:35:38 | |
is, frankly, unrealistic. | 0:35:38 | 0:35:40 | |
I'm sorry, but that's the way I feel. | 0:35:40 | 0:35:41 | |
Excuse me. | 0:35:41 | 0:35:44 | |
-Nola. -That's OK. | 0:35:44 | 0:35:45 | |
I'd like to be alone, thanks. | 0:35:45 | 0:35:47 | |
Well, thank you very much. | 0:35:47 | 0:35:49 | |
And I'm sorry if I'm raising my voice now, | 0:35:49 | 0:35:50 | |
but you know that's her Achilles heel emotionally. | 0:35:50 | 0:35:52 | |
He's right, Eleanor. I think you've had one too many G&Ts. | 0:35:52 | 0:35:55 | |
THUNDER RUMBLES | 0:35:57 | 0:36:00 | |
I was looking for you. | 0:37:08 | 0:37:09 | |
I was upset. I just wanted to be alone. | 0:37:11 | 0:37:13 | |
I don't mean to intrude. | 0:37:13 | 0:37:15 | |
I need a drink. | 0:37:17 | 0:37:18 | |
I like you when you drink. | 0:37:18 | 0:37:20 | |
You get flirtatious. | 0:37:20 | 0:37:21 | |
-Do I? -Yeah. | 0:37:21 | 0:37:23 | |
-And confident. -I don't think this is a good idea. | 0:37:23 | 0:37:26 | |
You shouldn't have followed me here. | 0:37:26 | 0:37:27 | |
Do you feel guilty? | 0:37:27 | 0:37:29 | |
Do you? | 0:37:30 | 0:37:32 | |
We can't do this. | 0:37:40 | 0:37:41 | |
I know. | 0:37:43 | 0:37:44 | |
This can't lead any place. | 0:37:51 | 0:37:53 | |
SHE SINGS OPERA | 0:38:34 | 0:38:37 | |
Hello. | 0:39:06 | 0:39:07 | |
Darling, it's for you. | 0:39:08 | 0:39:10 | |
-SOFTLY: -Take it outside. | 0:39:11 | 0:39:12 | |
Well, there's hope at least. | 0:39:28 | 0:39:30 | |
When's the call back? | 0:39:30 | 0:39:31 | |
Just let me know when you hear anything at all, | 0:39:34 | 0:39:36 | |
because I really think I could be great in this part. | 0:39:36 | 0:39:38 | |
Yeah. OK. | 0:39:40 | 0:39:43 | |
'Bye. | 0:39:43 | 0:39:44 | |
Why have you been so cold to me? | 0:39:44 | 0:39:47 | |
-I haven't been cold. -Yes, you have. | 0:39:47 | 0:39:49 | |
Ever since we came back from the countryside | 0:39:49 | 0:39:51 | |
you've been distant, evasive. | 0:39:51 | 0:39:54 | |
I don't wanna encourage anything. | 0:39:54 | 0:39:56 | |
What happened happened, Chris. | 0:39:56 | 0:39:58 | |
I mean, the moment was very out of control for many reasons. | 0:39:58 | 0:40:01 | |
I was upset, I was drinking, and the storm was... | 0:40:01 | 0:40:03 | |
-Stop rationalising. -I'm not rationalising. | 0:40:03 | 0:40:06 | |
Passions are passions, but we're both very involved with other people. | 0:40:06 | 0:40:10 | |
You're not such a good actress, you know. It's not possible. | 0:40:11 | 0:40:13 | |
SIGHS: You daydreamed about making love to me, | 0:40:13 | 0:40:17 | |
and I'm not saying the fantasy didn't cross my mind, OK? | 0:40:17 | 0:40:20 | |
We had our moment, but, you know, let's move on, get back to reality. | 0:40:20 | 0:40:24 | |
Chris, we're gonna be brother- and sister-in-law. | 0:40:24 | 0:40:26 | |
You're exactly as I pictured you... | 0:40:26 | 0:40:29 | |
Chris, forget it. It's over. | 0:40:29 | 0:40:31 | |
Thanks. Henry! | 0:40:44 | 0:40:45 | |
-How are you? -Hey! Chris! | 0:40:46 | 0:40:48 | |
-All right. God, look at you. -Good to see you. | 0:40:48 | 0:40:51 | |
Yeah, looks like you're doing alright for yourself, aren't you? | 0:40:51 | 0:40:53 | |
-You still doing the tennis tour? -Yeah, I love it. | 0:40:53 | 0:40:55 | |
I love it. Look at this car. | 0:40:55 | 0:40:56 | |
Oh, don't worry. It's not mine. It's the company's. | 0:40:56 | 0:40:58 | |
Yeah, I know you found it a bit of a grind, didn't you? | 0:40:58 | 0:41:01 | |
I'm still circling the globe, deluding myself. | 0:41:01 | 0:41:03 | |
I just couldn't stand it. | 0:41:03 | 0:41:05 | |
No. No, I heard you went into business. | 0:41:05 | 0:41:07 | |
I'm a wheel in an office, if you can believe it. | 0:41:07 | 0:41:09 | |
-A big wheel. -It's who you know, Henry. | 0:41:09 | 0:41:12 | |
I got involved with a woman. Very nice. | 0:41:12 | 0:41:14 | |
Family's got nothing but money. | 0:41:14 | 0:41:16 | |
Big estate, servants, polo ponies - all quite lovely. | 0:41:16 | 0:41:20 | |
Hey, look, I understand. Beats getting your heart broken all the time by the top seeds. | 0:41:20 | 0:41:23 | |
Isn't it amazing how much life turns | 0:41:23 | 0:41:25 | |
on whether the ball goes over the net or comes right back at you? | 0:41:25 | 0:41:27 | |
I always admired your game, though, you know. | 0:41:27 | 0:41:29 | |
-Thanks. -You were very steady. | 0:41:29 | 0:41:31 | |
Cool under pressure but creative. | 0:41:31 | 0:41:32 | |
You could be a poet with the racquet, like Laver was. | 0:41:32 | 0:41:34 | |
-I lost to you as much as I beat you. -No. | 0:41:34 | 0:41:37 | |
When I played you you never beat yourself. | 0:41:37 | 0:41:38 | |
A couple of bounces the other way, | 0:41:38 | 0:41:40 | |
you might have beaten some of those top seeds. | 0:41:40 | 0:41:42 | |
Listen, can I buy you lunch? | 0:41:42 | 0:41:43 | |
Actually, what about next time I'm in town? Give me your number. | 0:41:43 | 0:41:46 | |
Certainly. Um...I'm moving into a new flat, so this is my business card. | 0:41:46 | 0:41:50 | |
-You should call me any time. -Very impressive. | 0:41:50 | 0:41:51 | |
It's so good to see you, Henry. You look well. | 0:41:51 | 0:41:54 | |
And you, mate. You look very, very well. | 0:41:54 | 0:41:55 | |
I could put lunch on the expense account, so... | 0:41:55 | 0:41:57 | |
-Do call. -Good. Yeah, yeah. | 0:41:57 | 0:41:59 | |
-'Bye. -'Bye. | 0:41:59 | 0:42:00 | |
SHE GIGGLES | 0:42:03 | 0:42:06 | |
Why on earth would your mother invite her here? | 0:42:06 | 0:42:08 | |
She met her at the supermarket yesterday. | 0:42:08 | 0:42:10 | |
-The supermarket? -Can you play the piano? | 0:42:10 | 0:42:11 | |
No, I'm terrible! | 0:42:11 | 0:42:13 | |
So, when are you two getting married? | 0:42:13 | 0:42:15 | |
-Mummy! -Oh, gosh! Eleanor! | 0:42:15 | 0:42:16 | |
Don't look so surprised! | 0:42:16 | 0:42:17 | |
You've been like two peas in a pod for a long time now. | 0:42:17 | 0:42:20 | |
Don't tell me the subject hasn't come up. | 0:42:20 | 0:42:22 | |
Mummy, come with me. You need a strong cup of coffee. | 0:42:22 | 0:42:24 | |
Come on! | 0:42:24 | 0:42:26 | |
Eleanor doesn't hold back when she's had a few. | 0:42:26 | 0:42:29 | |
Look, it's a reasonable question. Chloe and I have discussed it. | 0:42:29 | 0:42:31 | |
We would be delighted to welcome you into the family. | 0:42:31 | 0:42:33 | |
Tom would love having you as a brother-in-law, | 0:42:33 | 0:42:35 | |
and whatever you need, you could always rely on us. | 0:42:35 | 0:42:37 | |
I appreciate that. | 0:42:37 | 0:42:38 | |
Uh-uh-uh. Darling, one second. | 0:43:14 | 0:43:16 | |
I just think we, um... | 0:43:16 | 0:43:18 | |
You two have met, haven't you? I'm sure you've met. | 0:43:22 | 0:43:24 | |
I'm sorry. Um, who'd have thought... | 0:43:24 | 0:43:26 | |
What - that we were hiding in the pantry? | 0:43:26 | 0:43:28 | |
It's all her fault, you know. | 0:43:28 | 0:43:29 | |
How can I help it if she gets turned on by sexual intimacy | 0:43:29 | 0:43:32 | |
in places that we know we're gonna get caught? | 0:43:32 | 0:43:34 | |
You... You! The risky business was your idea. | 0:43:34 | 0:43:36 | |
All men who see you want to attack you. | 0:43:36 | 0:43:38 | |
Isn't that right, Christopher? | 0:43:40 | 0:43:42 | |
Oh, God, are you all right? | 0:43:42 | 0:43:44 | |
I'm fine. | 0:43:45 | 0:43:47 | |
I shouldn't drink on an empty stomach. | 0:43:47 | 0:43:49 | |
I now pronounce you man and wife. You may kiss the bride. | 0:43:51 | 0:43:56 | |
APPLAUSE | 0:44:04 | 0:44:07 | |
Oh, my God! | 0:44:12 | 0:44:14 | |
-This is incredible! -Isn't it? | 0:44:14 | 0:44:17 | |
-What's up here? -That's the bedroom. | 0:44:17 | 0:44:19 | |
There's another bedroom through there. | 0:44:19 | 0:44:21 | |
The bathroom and the kitchen. | 0:44:21 | 0:44:23 | |
-A little terrace. -Wow. | 0:44:23 | 0:44:25 | |
-But look at this view. -That's breathtaking. | 0:44:25 | 0:44:28 | |
I just wish I could afford it. | 0:44:28 | 0:44:30 | |
Oh, don't bring that up again. You know it gives Papa pleasure to help. | 0:44:30 | 0:44:33 | |
Come on! The light coming through every day. | 0:44:35 | 0:44:38 | |
It's beautiful. It's huge! | 0:44:38 | 0:44:40 | |
We're gonna get lost in here or something. | 0:44:40 | 0:44:42 | |
Did I tell you I'm scared of heights? | 0:44:45 | 0:44:47 | |
-Really? -Yeah. | 0:44:47 | 0:44:48 | |
That could be a problem. | 0:44:48 | 0:44:50 | |
I want you to make me pregnant. | 0:44:51 | 0:44:52 | |
Chloe, we discussed this. | 0:44:54 | 0:44:57 | |
-It's very quick. -It's not quick. | 0:44:58 | 0:45:00 | |
We've been sleeping together for ages. | 0:45:00 | 0:45:02 | |
I want three children, and I want them when I'm young. | 0:45:03 | 0:45:06 | |
Come on, you can do it. You've got a powerful serve. | 0:45:08 | 0:45:11 | |
Oh. | 0:45:12 | 0:45:14 | |
Oh. | 0:45:16 | 0:45:17 | |
Hey! Where are you? | 0:45:17 | 0:45:19 | |
I know, I know. I'm sorry. | 0:45:21 | 0:45:22 | |
Not good. | 0:45:24 | 0:45:25 | |
Listen, I've gotta tell you something. | 0:45:27 | 0:45:29 | |
What? | 0:45:30 | 0:45:32 | |
Well, Nola and I...broke up. | 0:45:32 | 0:45:35 | |
-No. -Yeah. | 0:45:35 | 0:45:38 | |
Or I should say I called it off. | 0:45:38 | 0:45:39 | |
I thought you were gonna get married. | 0:45:42 | 0:45:44 | |
Yeah, well, it's rather embarrassing to say, | 0:45:44 | 0:45:46 | |
but I think Mother rather poisoned the well on that one. | 0:45:46 | 0:45:48 | |
Not that I have any intention in marrying Olivia sodding Alred, | 0:45:48 | 0:45:51 | |
who's her main candidate. | 0:45:51 | 0:45:53 | |
SCOFFS: God, no. | 0:45:53 | 0:45:54 | |
I'm sorry. I don't understand. | 0:45:56 | 0:45:58 | |
Well, I suppose the whole truth, | 0:45:59 | 0:46:01 | |
nothing but the truth so help me God part of the situation | 0:46:01 | 0:46:04 | |
is that...I've met someone else. | 0:46:04 | 0:46:07 | |
-No. -Yeah. | 0:46:07 | 0:46:09 | |
I met someone, I fell in love, and I just knew right away. | 0:46:09 | 0:46:13 | |
Although the fact that my mother is in seventh heaven about her | 0:46:13 | 0:46:16 | |
I keep trying to tell myself isn't a factor, | 0:46:16 | 0:46:19 | |
but...you know what I mean. | 0:46:19 | 0:46:22 | |
RINGING TONE | 0:46:36 | 0:46:40 | |
RECORDING: 'The number you are calling is not available. | 0:46:41 | 0:46:44 | |
'The number you are calling is not available.' | 0:46:45 | 0:46:47 | |
Excuse me. | 0:47:03 | 0:47:05 | |
-You looking for Miss Rice? -Yes. | 0:47:05 | 0:47:07 | |
She's gone. Saw her yesterday. | 0:47:07 | 0:47:09 | |
She's, uh...she's given up the apartment. | 0:47:09 | 0:47:10 | |
-Did she say where? -Not to me! | 0:47:13 | 0:47:15 | |
-Thanks. -That's all right. | 0:47:17 | 0:47:19 | |
HE SIGHS | 0:47:21 | 0:47:23 | |
What are you thinking about? | 0:47:26 | 0:47:28 | |
Nothing. | 0:47:28 | 0:47:30 | |
Just business. | 0:47:30 | 0:47:31 | |
You know it's been over a week since we made love. | 0:47:35 | 0:47:38 | |
Oh, Chloe, I'm beat. | 0:47:38 | 0:47:41 | |
Am I being rejected? | 0:47:42 | 0:47:44 | |
Of course not. | 0:47:44 | 0:47:45 | |
OK. I can take a hint. | 0:47:45 | 0:47:47 | |
Meanwhile, I don't know what's wrong. | 0:47:52 | 0:47:54 | |
All my cousins get pregnant so easily. | 0:47:54 | 0:47:56 | |
Look, it'll happen. | 0:47:56 | 0:47:59 | |
I'm just...really tired. | 0:47:59 | 0:48:02 | |
Kiss? | 0:48:03 | 0:48:04 | |
Sweet dreams. | 0:48:09 | 0:48:11 | |
I now pronounce you man and wife. | 0:48:16 | 0:48:19 | |
You may kiss the bride. | 0:48:19 | 0:48:20 | |
APPLAUSE | 0:48:26 | 0:48:29 | |
Just in time. | 0:48:31 | 0:48:32 | |
I'm almost starting to show. | 0:48:32 | 0:48:34 | |
Well, you have to see a fertility doctor. | 0:48:37 | 0:48:39 | |
I know. We've tried everything. | 0:48:39 | 0:48:42 | |
What about this? | 0:48:42 | 0:48:44 | |
His brushstrokes are really intense, aren't they? | 0:48:44 | 0:48:47 | |
-Yeah, I don't like it. -No. | 0:48:47 | 0:48:49 | |
Would you ever consider adopting? | 0:48:49 | 0:48:51 | |
No, absolutely not. I want my own children. | 0:48:51 | 0:48:54 | |
-This one? -Um... | 0:48:54 | 0:48:57 | |
It's sort of... | 0:48:57 | 0:48:58 | |
Did I tell you Victoria Fyfe is pregnant? | 0:48:58 | 0:49:01 | |
-Really? -She's so happy. -Whoa. | 0:49:01 | 0:49:04 | |
Her and her husband just found each other. | 0:49:04 | 0:49:06 | |
All their neuroses intertwined so perfectly, | 0:49:06 | 0:49:09 | |
and it just works like a charm. | 0:49:09 | 0:49:10 | |
After all their unhappy relationships, | 0:49:10 | 0:49:12 | |
they met during a traffic accident. | 0:49:12 | 0:49:14 | |
-God. -I know. It's great. | 0:49:14 | 0:49:18 | |
Well, our lawyers are going over it as we speak. | 0:49:18 | 0:49:20 | |
You'll have a draft by Friday, I promise. | 0:49:21 | 0:49:23 | |
If I have to work all night. | 0:49:24 | 0:49:26 | |
OK. Thank you. | 0:49:26 | 0:49:28 | |
Thanks. | 0:49:28 | 0:49:29 | |
HE SIGHS | 0:49:35 | 0:49:37 | |
Samantha, can I have two aspirin, please? | 0:49:41 | 0:49:43 | |
Thanks. | 0:49:50 | 0:49:52 | |
Are you OK, sir? | 0:49:53 | 0:49:55 | |
SIGHS: Tell me, Samantha, do you ever feel claustrophobic in here? | 0:49:57 | 0:50:01 | |
Um...no. Not really. | 0:50:01 | 0:50:04 | |
Oh, Christ. | 0:50:08 | 0:50:09 | |
I've gotta meet my wife at the Tate Modern. | 0:50:09 | 0:50:11 | |
There's a new painter she wants to show me. | 0:50:11 | 0:50:13 | |
If they call back, Samantha, tell them Friday, not before. | 0:50:13 | 0:50:16 | |
Goodnight. | 0:50:16 | 0:50:18 | |
-Chris. -Oh! I was looking for you. | 0:51:08 | 0:51:11 | |
Hi, Carol. Hello, darling. | 0:51:11 | 0:51:15 | |
They've got the most amazing new artists here. | 0:51:15 | 0:51:17 | |
I want you to see this woman from St Ives. | 0:51:17 | 0:51:20 | |
-Oh, yes. -Look, where are you going to be? | 0:51:20 | 0:51:21 | |
Why? | 0:51:21 | 0:51:23 | |
I have to make a phone call and I can't get any reception down here. | 0:51:23 | 0:51:26 | |
Well, we'll be over there, but hurry, 'cause they're closing soon. | 0:51:26 | 0:51:28 | |
I'm coming. OK. | 0:51:28 | 0:51:30 | |
Hello. | 0:52:28 | 0:52:29 | |
What a surprise. | 0:52:31 | 0:52:32 | |
Yeah. I moved back into town. | 0:52:32 | 0:52:36 | |
I didn't know you'd left town. | 0:52:36 | 0:52:37 | |
Yeah, I was...really upset about everything that happened, | 0:52:37 | 0:52:41 | |
so I just went back to America to look for a job. | 0:52:41 | 0:52:44 | |
I thought you hated that place. | 0:52:44 | 0:52:46 | |
Any place but here. | 0:52:47 | 0:52:48 | |
I looked for you. | 0:52:49 | 0:52:51 | |
For what? | 0:52:52 | 0:52:54 | |
You're still so angry. | 0:52:54 | 0:52:56 | |
Where are you living? | 0:52:59 | 0:53:01 | |
In town. Why? | 0:53:01 | 0:53:04 | |
You live alone? | 0:53:06 | 0:53:07 | |
Why are you asking me these questions? Aren't you still married? | 0:53:07 | 0:53:10 | |
Can I meet you for a drink? | 0:53:12 | 0:53:13 | |
Talk? | 0:53:13 | 0:53:15 | |
Where can I reach you? | 0:53:17 | 0:53:19 | |
-Come on. -My goodness. Hello. | 0:53:19 | 0:53:22 | |
Hi, darling. Look who I bumped into. | 0:53:22 | 0:53:24 | |
-Hi. -Hi. | 0:53:25 | 0:53:27 | |
-How are you? -I'm good. How are you? | 0:53:27 | 0:53:29 | |
-You look great. -Thanks. | 0:53:29 | 0:53:31 | |
How's Tom? | 0:53:31 | 0:53:33 | |
He's fine. Really well. | 0:53:33 | 0:53:36 | |
Yeah, I heard he got married. | 0:53:36 | 0:53:38 | |
Yeah. They've got a baby. | 0:53:38 | 0:53:39 | |
You know, Tom - all settled down. | 0:53:40 | 0:53:42 | |
OK. I think I've found it. | 0:53:42 | 0:53:44 | |
Do you two know each other? This is my friend Carol. | 0:53:44 | 0:53:46 | |
-This is Nola. -Hi. | 0:53:46 | 0:53:48 | |
We've been looking everywhere for this video installation. | 0:53:49 | 0:53:52 | |
We can't find it all. | 0:53:52 | 0:53:53 | |
Will you excuse us? | 0:53:53 | 0:53:55 | |
-I think it's on the third floor. -Yeah. No, no, no. | 0:53:55 | 0:53:57 | |
(Say your phone number.) | 0:54:00 | 0:54:01 | |
(What's the point?) | 0:54:01 | 0:54:02 | |
-Just...say your phone number. -Chris... | 0:54:02 | 0:54:05 | |
Please. | 0:54:05 | 0:54:06 | |
Say your phone number. | 0:54:06 | 0:54:08 | |
02 079 460 996. | 0:54:12 | 0:54:15 | |
I'll call you. | 0:54:17 | 0:54:19 | |
'Bye. | 0:54:20 | 0:54:22 | |
I think he really knows what he's doing. | 0:54:24 | 0:54:26 | |
Didn't you get a good feeling about him? | 0:54:26 | 0:54:28 | |
To me, fertility doctors are a cut above witch doctors. | 0:54:28 | 0:54:31 | |
Yeah, well, he's not like that last one. | 0:54:31 | 0:54:33 | |
-It's OK, John. -I feel like it's gonna happen this time. | 0:54:34 | 0:54:36 | |
You go ahead. I've got a few meetings. | 0:54:36 | 0:54:38 | |
-I'll drop you. -No, it's OK. It's nearby. | 0:54:38 | 0:54:40 | |
-I'll walk. See you at home. -OK. 'Bye. | 0:54:40 | 0:54:42 | |
You have a very charming flat. | 0:55:15 | 0:55:17 | |
The area's not so run-down as you said it was. | 0:55:17 | 0:55:20 | |
Um, I was lucky to find it on such short notice. | 0:55:20 | 0:55:24 | |
I mean, it's not perfect. | 0:55:25 | 0:55:27 | |
The building's been burglarised a couple of times | 0:55:27 | 0:55:29 | |
and the woman down the hall has mice, but...you know. | 0:55:29 | 0:55:33 | |
The lobby's decent. | 0:55:33 | 0:55:36 | |
The key word is it's cheap. | 0:55:36 | 0:55:38 | |
What time is it? | 0:55:40 | 0:55:41 | |
Time for you to go. | 0:55:42 | 0:55:44 | |
It's so hard to leave you. | 0:55:45 | 0:55:46 | |
Beautiful woman. | 0:55:51 | 0:55:53 | |
How'd you sleep? | 0:55:58 | 0:56:00 | |
Good. | 0:56:01 | 0:56:02 | |
God, did you see that stuff on the news last night | 0:56:05 | 0:56:08 | |
about that earthquake in China? | 0:56:08 | 0:56:09 | |
-Eugh. -Mmm. Terrible. | 0:56:09 | 0:56:12 | |
And now there's this whole thing | 0:56:15 | 0:56:16 | |
about how they've discovered an entirely new planet. | 0:56:16 | 0:56:19 | |
-Yeah? -Yeah. | 0:56:19 | 0:56:21 | |
I went looking for a space to rent for the new gallery yesterday. | 0:56:33 | 0:56:36 | |
Papa's getting so into the idea. | 0:56:36 | 0:56:38 | |
It should be good for you. | 0:56:38 | 0:56:40 | |
-I've gotta go to work. -Oh, really? | 0:56:42 | 0:56:44 | |
Mmm. | 0:56:44 | 0:56:45 | |
I was kind of hoping we might, you know, before you went to work. | 0:56:46 | 0:56:50 | |
It's my time of the month, and remember the doctor said | 0:56:52 | 0:56:54 | |
we really should try and do it as often as we can in the morning. | 0:56:54 | 0:56:57 | |
Darling, I'm gonna be late. | 0:56:59 | 0:57:01 | |
Come on! It'll be fun. | 0:57:01 | 0:57:02 | |
Wait, I've got to take my temperature first. | 0:57:02 | 0:57:04 | |
So, you wanna meet the same time next week? | 0:57:17 | 0:57:19 | |
Let me come up. | 0:57:19 | 0:57:20 | |
We just spent an hour at the hotel. Don't tell me that you... | 0:57:20 | 0:57:23 | |
I'm sorry. I can't help it. You drive me crazy. | 0:57:23 | 0:57:26 | |
Mmm. | 0:57:26 | 0:57:28 | |
Mmm! You're gonna be late for work. | 0:57:28 | 0:57:30 | |
I don't care. | 0:57:30 | 0:57:32 | |
Come on. | 0:57:34 | 0:57:36 | |
-Oh, Mrs Eastby, hello. -Oh, hello. | 0:57:41 | 0:57:43 | |
-Hey, did you get that pest control... -Oh, yes, yes. | 0:57:43 | 0:57:46 | |
The traps work better with a little peanut butter. | 0:57:46 | 0:57:49 | |
It's much better than cheese, | 0:57:49 | 0:57:50 | |
despite the popular notion that cheese is best. | 0:57:50 | 0:57:53 | |
-Oh, this is Mr Harris. -Good afternoon. How are you? | 0:57:53 | 0:57:56 | |
-Hello. -See you later. | 0:57:56 | 0:57:57 | |
-Bye-bye. -'Bye. | 0:57:57 | 0:57:59 | |
But I think that Bruslin Street would be perfect for the gallery | 0:58:30 | 0:58:33 | |
because it's just right in the thick of things and... | 0:58:33 | 0:58:35 | |
It'll just be a natural success, I think, | 0:58:35 | 0:58:37 | |
because you're great at picking paintings of bric-a-brac. | 0:58:37 | 0:58:39 | |
Yeah. | 0:58:39 | 0:58:40 | |
Knowing my luck I'll get pregnant the minute it opens. | 0:58:40 | 0:58:42 | |
Yeah, well, you can manage both. | 0:58:42 | 0:58:44 | |
I mean, Hez didn't have a problem | 0:58:44 | 0:58:46 | |
giving up Adair when we first had Rosie. | 0:58:46 | 0:58:47 | |
No, but we did have a lot of help, though. | 0:58:47 | 0:58:50 | |
But the nanny left us. Got a part in a movie. | 0:58:50 | 0:58:52 | |
Oh, actually, you know who we bumped into the other day? | 0:58:52 | 0:58:55 | |
Obviously you know, but... Nola. | 0:58:56 | 0:58:58 | |
Well, I told you we saw her... When was it? Ages ago now. | 0:58:58 | 0:59:01 | |
-Mmm. -Well, she's now working in a boutique on Ledbury Road - | 0:59:01 | 0:59:05 | |
I think it's Paul & Joe's, or something. | 0:59:05 | 0:59:06 | |
But she's just such an odd girl. | 0:59:06 | 0:59:08 | |
I mean, she still looks great - I'm sorry, but it's true. | 0:59:08 | 0:59:12 | |
But something's just changed in her face. | 0:59:12 | 0:59:16 | |
I mean, we barely spoke. | 0:59:16 | 0:59:17 | |
Tom said she looked a bit hard. | 0:59:17 | 0:59:19 | |
Yeah, well, she's always, you know, | 0:59:19 | 0:59:20 | |
been a lady of the sauce, so to speak - | 0:59:20 | 0:59:22 | |
I think it kind of runs in the family - but... | 0:59:22 | 0:59:24 | |
I don't know. | 0:59:24 | 0:59:26 | |
I mean, she's still got that come-hither look. | 0:59:26 | 0:59:28 | |
Is she going out with anyone? | 0:59:28 | 0:59:31 | |
Uh, strangely I forgot to ask. | 0:59:31 | 0:59:34 | |
-I'll keep you in touch with that... -Hello, Tom! | 0:59:34 | 0:59:36 | |
Hello, fella! What are you doing here? | 0:59:36 | 0:59:39 | |
We just popped in for a bit of, you know, local tagliatelle. | 0:59:39 | 0:59:42 | |
Good to see you. What a lovely family gathering! | 0:59:42 | 0:59:44 | |
Are you guys going to Headley next month? | 0:59:44 | 0:59:46 | |
Yeah, we're gonna try. I know Tom's dying to get away. | 0:59:46 | 0:59:49 | |
Hey, I was yelling at you the other day. You didn't hear me. | 0:59:49 | 0:59:51 | |
-Me? -Yeah, you were hailing a cab. | 0:59:51 | 0:59:53 | |
On Malcolm Street, about five o'clock. | 0:59:53 | 0:59:55 | |
-I would have given you a lift. -I was? | 0:59:55 | 0:59:58 | |
-No, not me. -Yes. | 0:59:58 | 1:00:01 | |
-Where is Malcolm Street? -I mean, certainly looked like you. | 1:00:01 | 1:00:03 | |
No, I'm afraid you're mistaken. | 1:00:03 | 1:00:05 | |
But people are always taking me for other people, so... | 1:00:05 | 1:00:07 | |
I'd have sworn it was you. | 1:00:07 | 1:00:09 | |
Well, it certainly wouldn't be Chris hailing a cab. | 1:00:09 | 1:00:11 | |
He's completely dependent on our driver. | 1:00:11 | 1:00:13 | |
Quite right. | 1:00:13 | 1:00:14 | |
You should check for early Alzheimer's. You're forgetting. | 1:00:14 | 1:00:16 | |
-I'm sure I'm right. -No, you are mistaken. | 1:00:16 | 1:00:18 | |
But thank you for thinking of me. | 1:00:18 | 1:00:20 | |
I think the only thing that comes out of this conversation | 1:00:20 | 1:00:23 | |
is that you're both nuts. | 1:00:23 | 1:00:24 | |
-Well, you're an authority on that. -Or drunk. | 1:00:24 | 1:00:26 | |
How dare you? How dare you? | 1:00:26 | 1:00:28 | |
We'd better be going on. Look, call me. Enjoy your supper. | 1:00:28 | 1:00:30 | |
-'Bye. See you. -Nuts. | 1:00:30 | 1:00:32 | |
Good afternoon, Greta. | 1:00:34 | 1:00:35 | |
Samantha, what do we have for this afternoon? | 1:00:36 | 1:00:38 | |
-Uh, just the Saracen people at two. -Can we push it an hour? | 1:00:38 | 1:00:41 | |
I should be back in time, but if I'm not, please make them comfortable. | 1:00:41 | 1:00:44 | |
Chris! Where are you off to? | 1:00:48 | 1:00:50 | |
I'm sorry, Rod. I've got an appointment. | 1:00:50 | 1:00:52 | |
Well, we have Saracen and company this afternoon. | 1:00:52 | 1:00:54 | |
I should be back in time, but if I'm not, please start without me. | 1:00:54 | 1:00:57 | |
-Really? -It's OK. | 1:00:57 | 1:00:59 | |
It's important. Trust me. | 1:00:59 | 1:01:00 | |
It's ridiculous to go back to my place! | 1:01:01 | 1:01:03 | |
Once we get there you'll have less than an hour. | 1:01:03 | 1:01:05 | |
Look, it's not that I'm miserable with Chloe, it's just... | 1:01:05 | 1:01:08 | |
-I don't wanna talk about Chloe! -Listen, it's just I'm bored. | 1:01:08 | 1:01:10 | |
-I mean, she's very nice... -Chris! | 1:01:10 | 1:01:12 | |
-Are you in a bad mood? -Yes, I AM in a bad mood! | 1:01:12 | 1:01:14 | |
I just blew another audition. I'm so sick of this acting thing! | 1:01:14 | 1:01:17 | |
-It's just not working out. -It's a hard field. | 1:01:17 | 1:01:19 | |
-You have to keep plugging at it. -I'm sick of plugging. | 1:01:19 | 1:01:21 | |
Tom's mother was right. It just gets to a point, you know. | 1:01:21 | 1:01:24 | |
Or should I say your mother-in-law? | 1:01:24 | 1:01:26 | |
Hey, look, let's not go into one of those, OK? | 1:01:26 | 1:01:28 | |
I don't know what I'm doing with you! You're never gonna leave Chloe. | 1:01:30 | 1:01:33 | |
Maybe I will. | 1:01:35 | 1:01:37 | |
Don't say that unless you mean it. | 1:01:39 | 1:01:41 | |
Chloe's just so desperate to get pregnant. | 1:01:43 | 1:01:45 | |
I mean, it's mechanical. | 1:01:46 | 1:01:49 | |
I don't know what I'd do if I couldn't see you. | 1:01:52 | 1:01:55 | |
Really, I mean it. | 1:01:57 | 1:01:58 | |
-Merry blood Christmas. -Lovely. | 1:02:02 | 1:02:03 | |
How many cigarettes are you gonna smoke today? | 1:02:03 | 1:02:06 | |
-A million at least. -Please don't start smoking. | 1:02:06 | 1:02:08 | |
-Well, it is Christmas. -It's such a pity. | 1:02:08 | 1:02:10 | |
Come on. Just give us one... | 1:02:10 | 1:02:11 | |
Hello. I wanted to wish you a merry Christmas. | 1:02:13 | 1:02:17 | |
I've been thinking about you. Mm-hm. | 1:02:18 | 1:02:22 | |
I may be able to get away tomorrow for an hour or so. | 1:02:23 | 1:02:26 | |
OK. See you then. Bye-bye. FOOTSTEPS APPROACH | 1:02:28 | 1:02:32 | |
There you are, Chris! | 1:02:32 | 1:02:34 | |
Chloe tells me you've sustained some personal loss | 1:02:34 | 1:02:37 | |
in the market over the past few months. | 1:02:37 | 1:02:39 | |
SIGHS: Well, I guess I've been | 1:02:39 | 1:02:40 | |
a little bit careless, not concentrating, | 1:02:40 | 1:02:42 | |
and, of course, I thought I made good decisions... | 1:02:42 | 1:02:44 | |
Well, who could have predicted these? | 1:02:44 | 1:02:45 | |
Look, I don't want you and Chloe to worry. | 1:02:45 | 1:02:48 | |
You always have a safety net. | 1:02:48 | 1:02:49 | |
-You're too generous. -No, no. You've made Chloe happy. | 1:02:49 | 1:02:52 | |
That means a great deal to Eleanor and me. | 1:02:52 | 1:02:54 | |
OPERA MUSIC PLAYS | 1:02:55 | 1:02:58 | |
I think it's gonna be an amazing holiday, don't you, Chris? | 1:03:53 | 1:03:56 | |
Yes. | 1:03:56 | 1:03:58 | |
Oh, we have a choice of sleeping on the boat or in the different hotels. | 1:03:58 | 1:04:02 | |
-Boat. -Boat. | 1:04:02 | 1:04:03 | |
You know he's never been to the Greek islands? | 1:04:03 | 1:04:05 | |
-What? -No, he's never been. | 1:04:05 | 1:04:07 | |
No. I have been to Athens, but I hear the islands are paradise. | 1:04:07 | 1:04:11 | |
Oh, that reminds me - we have to go to Sardinia | 1:04:11 | 1:04:13 | |
to pop in on Brooke and Dougie Winston. | 1:04:13 | 1:04:14 | |
-Oh, God! -Oh, God! | 1:04:14 | 1:04:16 | |
No, Brooke's fine. Dougie's a nightmare. | 1:04:16 | 1:04:17 | |
Sounds so romantic, doesn't it? Mykonos or Crete. | 1:04:17 | 1:04:20 | |
I'm so anxious to see all the beautiful old temples. | 1:04:20 | 1:04:23 | |
-Oh, God. -Yeah. | 1:04:23 | 1:04:24 | |
Oh, I'll do that with you. | 1:04:24 | 1:04:26 | |
You know, I bought Chris an ancient Greek fertility charm. | 1:04:26 | 1:04:29 | |
-Do you remember? -I'll never forget. | 1:04:29 | 1:04:31 | |
I sent off for that fertility thing | 1:04:31 | 1:04:32 | |
and he had to put it under his pillow for two months. | 1:04:32 | 1:04:35 | |
LAUGHS: And absolutely nothing happened, of course. | 1:04:35 | 1:04:38 | |
MOBILE PHONE RINGS Poor thing. | 1:04:38 | 1:04:39 | |
I just subjected him to the torture... | 1:04:39 | 1:04:41 | |
-I think he's firing blanks. -Hello? | 1:04:41 | 1:04:42 | |
I miss you. | 1:04:42 | 1:04:44 | |
-Love me, just love me. -No, because it's not funny. | 1:04:44 | 1:04:47 | |
I'm sorry. | 1:04:47 | 1:04:48 | |
-I can't get away right now. -Well, you have to. | 1:04:50 | 1:04:53 | |
When can you get here? | 1:04:53 | 1:04:54 | |
Tomorrow. No, Monday. | 1:04:55 | 1:04:58 | |
Look...it's a three-day weekend. | 1:04:58 | 1:05:01 | |
Tuesday. | 1:05:01 | 1:05:03 | |
Chris, I need to see you. | 1:05:03 | 1:05:06 | |
I'll see what I can do. | 1:05:06 | 1:05:08 | |
I'll call you right back. | 1:05:08 | 1:05:09 | |
-Who was that? -I'm such an idiot. | 1:05:13 | 1:05:16 | |
I forgot to sign some papers. I may have to drive into town. | 1:05:16 | 1:05:19 | |
Oh, you can't go. It's a bank holiday weekend. | 1:05:19 | 1:05:22 | |
The traffic will be terrible. | 1:05:22 | 1:05:23 | |
I mean, we've all got plans. | 1:05:23 | 1:05:25 | |
I don't mean today. | 1:05:25 | 1:05:27 | |
Well, surely it can wait a couple of days. | 1:05:27 | 1:05:29 | |
Yes. I'm sure it can. | 1:05:29 | 1:05:31 | |
I think tomorrow we should go for a morning ride. | 1:05:36 | 1:05:38 | |
I have some lovely new horses. | 1:05:38 | 1:05:40 | |
Do you remember when Chris came here first | 1:05:40 | 1:05:42 | |
and he had some serious crashes while riding? | 1:05:42 | 1:05:44 | |
This morning he was talking about buying a horse of his own. | 1:05:44 | 1:05:46 | |
-No. -Yeah! | 1:05:46 | 1:05:48 | |
Where from? | 1:05:48 | 1:05:49 | |
I think Nan's got a really nice mare. | 1:05:49 | 1:05:53 | |
-SOFTLY: -Telephone call, sir. She said it was important. | 1:05:53 | 1:05:56 | |
Excuse me. | 1:05:58 | 1:06:00 | |
-Hello. -I tried to call your mobile, but it's off. | 1:06:08 | 1:06:12 | |
Are you mad, calling me here? | 1:06:12 | 1:06:14 | |
When are you coming over? | 1:06:14 | 1:06:16 | |
SIGHS: I'm trying to make it for tomorrow. | 1:06:16 | 1:06:18 | |
I can't wait till tomorrow. I'm going crazy. | 1:06:18 | 1:06:20 | |
What the hell's the matter? | 1:06:20 | 1:06:21 | |
I'm pregnant. | 1:06:21 | 1:06:23 | |
I'll talk to you tomorrow. | 1:06:28 | 1:06:30 | |
..it was lack of enough vegetables or something. | 1:06:37 | 1:06:40 | |
Who keeps calling? | 1:06:44 | 1:06:47 | |
It was Samantha, my secretary. | 1:06:48 | 1:06:49 | |
I'm afraid I won't be able to go riding tomorrow. | 1:06:49 | 1:06:51 | |
Samantha said she was going to her parents' this weekend. | 1:06:51 | 1:06:54 | |
I know. It's all my fault, poor girl. | 1:06:54 | 1:06:57 | |
SIGHS: It's no big deal. | 1:06:58 | 1:06:59 | |
I'll pop back into town, the whole thing will take a few hours | 1:06:59 | 1:07:02 | |
and it'll be off my mind, I promise. | 1:07:02 | 1:07:04 | |
-It's really sad. -Well, it is a pity, because I... | 1:07:04 | 1:07:08 | |
I think it's unfair on Samantha too, frankly. | 1:07:08 | 1:07:10 | |
-ALEC: -Well, it's unfortunate, | 1:07:10 | 1:07:12 | |
but, you know, Chris has a lot of responsibility. | 1:07:12 | 1:07:14 | |
How the hell did you get pregnant?! | 1:07:17 | 1:07:19 | |
I told you that weekend last month | 1:07:19 | 1:07:20 | |
that we needed to be careful and I didn't have protection, | 1:07:20 | 1:07:23 | |
but you couldn't wait! | 1:07:23 | 1:07:24 | |
What unbelievable bad luck. | 1:07:25 | 1:07:27 | |
Christ, I can't get my wife pregnant no matter how hard I try, | 1:07:27 | 1:07:30 | |
and the minute you're unprotected I knock you up. | 1:07:30 | 1:07:32 | |
It's because you love me and you don't love her. | 1:07:32 | 1:07:34 | |
Is that your interpretation? | 1:07:34 | 1:07:35 | |
It's a child conceived out of genuine passion, | 1:07:35 | 1:07:37 | |
not as part of some fertility project. | 1:07:37 | 1:07:39 | |
Well, I'll go with you and we'll get it sorted. | 1:07:39 | 1:07:41 | |
-I'm not doing that again. -Again?! | 1:07:41 | 1:07:43 | |
What's that supposed to mean? | 1:07:43 | 1:07:44 | |
It's the third time! | 1:07:44 | 1:07:46 | |
I did it once when I was younger and then I did it for Tom! | 1:07:46 | 1:07:49 | |
I didn't want to, but he insisted. | 1:07:49 | 1:07:50 | |
Nola, I really can't see any other way. | 1:07:50 | 1:07:52 | |
-Why can't I just have it?! -And what? | 1:07:52 | 1:07:54 | |
-And we'll raise it together! -That's obviously not possible. | 1:07:54 | 1:07:57 | |
Why? You hate your job, you hate your life. | 1:07:57 | 1:07:59 | |
I mean, it seems like a blessing! It's a sign. | 1:07:59 | 1:08:01 | |
Look, Nola, I have to go. | 1:08:01 | 1:08:03 | |
I'm juggling six things at the same time | 1:08:03 | 1:08:05 | |
just to make this trip to the city look legit. | 1:08:05 | 1:08:07 | |
I'll talk to you on Tuesday. | 1:08:09 | 1:08:10 | |
Chris! You must... I expect you to do the right thing, OK? | 1:08:10 | 1:08:14 | |
I'm not walking away from this! | 1:08:14 | 1:08:16 | |
Is anything the matter? You seemed very gloomy all weekend. | 1:08:18 | 1:08:21 | |
I wanted to talk to you. | 1:08:24 | 1:08:25 | |
What about? | 1:08:25 | 1:08:27 | |
Us. | 1:08:28 | 1:08:29 | |
Is something wrong? | 1:08:30 | 1:08:32 | |
Yeah, there is. | 1:08:34 | 1:08:35 | |
What? | 1:08:37 | 1:08:39 | |
If you're still taking a hammering financially in the market, | 1:08:39 | 1:08:41 | |
you know it's not a problem. | 1:08:41 | 1:08:43 | |
I can't keep leaning on your father, Chloe. | 1:08:43 | 1:08:46 | |
Papa gets more pleasure out of helping his family | 1:08:47 | 1:08:50 | |
than all the possessions he owns - you know that. | 1:08:50 | 1:08:53 | |
What is it? | 1:08:56 | 1:08:58 | |
Is it something to do with those phone calls you kept getting? | 1:09:02 | 1:09:05 | |
'Cause you acted really strangely after each of them. | 1:09:07 | 1:09:10 | |
Are you having an affair? | 1:09:14 | 1:09:16 | |
Am I having an affair? | 1:09:17 | 1:09:19 | |
Yeah, that's what I asked. | 1:09:19 | 1:09:21 | |
No. | 1:09:23 | 1:09:25 | |
-You are. -Of course I'm not. Don't be silly. | 1:09:25 | 1:09:28 | |
Do you not love me anymore? | 1:09:38 | 1:09:40 | |
-SIGHS: -Of course I love you. | 1:09:42 | 1:09:44 | |
Well, what's wrong? | 1:09:46 | 1:09:48 | |
I just feel like I'm letting you down. | 1:09:51 | 1:09:53 | |
You're not! How? | 1:09:53 | 1:09:55 | |
Is it because I'm not getting pregnant? | 1:09:58 | 1:10:00 | |
I just...feel so guilty. | 1:10:04 | 1:10:08 | |
So terribly guilty. | 1:10:09 | 1:10:12 | |
Listen, Chris, we've both been to the doctor, we're both perfectly healthy. | 1:10:13 | 1:10:17 | |
I can conceive and you're perfectly capable of making a woman pregnant. | 1:10:17 | 1:10:22 | |
Is it me? Have I been horribly pushy and obnoxious on the subject? | 1:10:23 | 1:10:27 | |
Look, I...I just want a baby. | 1:10:29 | 1:10:32 | |
I want to have our baby. | 1:10:32 | 1:10:33 | |
We haven't been lucky yet, that's all. | 1:10:35 | 1:10:37 | |
Oh, Chloe. | 1:10:41 | 1:10:43 | |
Let's get off the subject. | 1:10:48 | 1:10:50 | |
Having a child should be something that makes us both happy and excited, | 1:10:50 | 1:10:54 | |
not...a cause of all this tension and anxiety and... | 1:10:54 | 1:10:58 | |
SHE SIGHS | 1:10:58 | 1:11:00 | |
CHRIS: I had to talk to somebody. | 1:11:02 | 1:11:03 | |
I'm really suffering. | 1:11:03 | 1:11:06 | |
Whatever you tell me goes no further. | 1:11:06 | 1:11:09 | |
I'm contemplating leaving my wife for another woman. | 1:11:10 | 1:11:13 | |
Uh-huh. | 1:11:13 | 1:11:14 | |
But when the time came to tell her... | 1:11:14 | 1:11:16 | |
..I couldn't do it. | 1:11:17 | 1:11:19 | |
Oh, well, it's not the easiest thing to do, is it? | 1:11:19 | 1:11:21 | |
It's crazy. | 1:11:23 | 1:11:25 | |
I can see no real future with this other woman | 1:11:26 | 1:11:29 | |
and I have a very comfortable life with my wife. | 1:11:29 | 1:11:31 | |
Yeah, but if you don't love her... | 1:11:31 | 1:11:33 | |
I'm not saying I don't love her! | 1:11:33 | 1:11:35 | |
Just not in the way I feel about this other woman. | 1:11:35 | 1:11:37 | |
Well... | 1:11:37 | 1:11:39 | |
Maybe it's finally the difference between love and lust. | 1:11:39 | 1:11:42 | |
But what the hell am I going to do if I leave Chloe? | 1:11:42 | 1:11:45 | |
I don't fool myself | 1:11:47 | 1:11:49 | |
that I haven't gotten used to a certain kind of living. | 1:11:49 | 1:11:51 | |
Am I supposed to give it all up? For what? | 1:11:51 | 1:11:54 | |
Is it for a woman you love? | 1:11:55 | 1:11:57 | |
To live how? Where? | 1:11:57 | 1:11:59 | |
To work as what? | 1:11:59 | 1:12:01 | |
Well, it seems to me that you're pretty good at what you're doing. | 1:12:01 | 1:12:04 | |
There must be another job in another firm that you can just, you know... | 1:12:04 | 1:12:07 | |
Let's face it - I'm the boss's son-in-law | 1:12:07 | 1:12:10 | |
and he loves me. | 1:12:10 | 1:12:12 | |
Doesn't seem to me like you want this other woman enough | 1:12:13 | 1:12:16 | |
to give up everything you've achieved for it. | 1:12:16 | 1:12:17 | |
We're going away for three weeks. | 1:12:18 | 1:12:20 | |
When I get back, I'll tell her. | 1:12:20 | 1:12:23 | |
When you get back? | 1:12:23 | 1:12:24 | |
What am I supposed to do?! Stop playing games with me! | 1:12:24 | 1:12:27 | |
I'm not playing games with you. | 1:12:27 | 1:12:29 | |
Why don't you just tell her now, then, huh? | 1:12:29 | 1:12:31 | |
I'd think you'd want to stop living such a sham. | 1:12:31 | 1:12:33 | |
-Look, it's not easy. -Why not? | 1:12:33 | 1:12:35 | |
If you're so bored at home with her and you're so crazy about me, | 1:12:35 | 1:12:38 | |
which is all you ever tell me... | 1:12:38 | 1:12:40 | |
I don't wanna mess this holiday up for everybody, OK? | 1:12:40 | 1:12:42 | |
It's a big blow and it's gonna make a huge impact on everyone. | 1:12:43 | 1:12:48 | |
How can you go on vacation with a woman | 1:12:48 | 1:12:50 | |
that you know you're gonna leave the minute you get back? | 1:12:50 | 1:12:52 | |
-Shh! Keep your voice down. -Wanna know how I feel, huh? | 1:12:52 | 1:12:54 | |
I'm jealous, OK?! | 1:12:54 | 1:12:56 | |
I don't like the idea of you making love with her. | 1:12:56 | 1:12:58 | |
I don't like the idea of you going off island-hopping with her. | 1:12:58 | 1:13:02 | |
-It's romantic! -(Keep your voice down.) | 1:13:02 | 1:13:04 | |
You know I make love to her and you know it's just routine. | 1:13:05 | 1:13:09 | |
For Godsakes, can't you wait a few weeks? | 1:13:10 | 1:13:12 | |
-SOFTLY: -Yeah. | 1:13:15 | 1:13:17 | |
I just want to know that something's gonna happen, you know. | 1:13:18 | 1:13:20 | |
It will. | 1:13:20 | 1:13:22 | |
-It will. -OK. | 1:13:24 | 1:13:25 | |
-The holiday's off. -Why - what happened? | 1:13:30 | 1:13:33 | |
Maurice Lewis has to go in for an operation. | 1:13:33 | 1:13:35 | |
Why? | 1:13:36 | 1:13:38 | |
Disc in his back or something. Can't walk. | 1:13:38 | 1:13:40 | |
Anyway, he needs recovery time | 1:13:40 | 1:13:41 | |
and everyone thought we should just move it till after the summer. | 1:13:41 | 1:13:44 | |
Mm-hm. | 1:13:44 | 1:13:45 | |
Let me just pack up my stuff. | 1:13:45 | 1:13:47 | |
We should probably walk to the opera. It's so close. | 1:13:47 | 1:13:49 | |
Yeah. | 1:13:49 | 1:13:51 | |
PHONE RINGS | 1:14:03 | 1:14:06 | |
Hello? | 1:14:06 | 1:14:08 | |
Hello? | 1:14:19 | 1:14:21 | |
MAN SINGS OPERA | 1:14:28 | 1:14:31 | |
An opportunity has arisen, Chris, | 1:14:37 | 1:14:39 | |
-which I think may be a lucrative one for you. -Really? | 1:14:39 | 1:14:42 | |
We're structuring something with a Japanese company - | 1:14:42 | 1:14:44 | |
it's an independent operation. | 1:14:44 | 1:14:45 | |
There's a great deal of money to be made, and my thought was | 1:14:45 | 1:14:48 | |
anyone in on the ground floor stands to profit hugely, | 1:14:48 | 1:14:51 | |
assuming our predictions are correct. | 1:14:51 | 1:14:53 | |
-Sounds exciting. -It is. | 1:14:53 | 1:14:55 | |
-Eleanor, I've just told Chris the good news. -Mmm. | 1:14:55 | 1:14:59 | |
What would make me the happiest has nothing to do with money. | 1:14:59 | 1:15:01 | |
I'd like you to make me a young grandmother. | 1:15:01 | 1:15:03 | |
You already are a young grandmother. | 1:15:03 | 1:15:05 | |
Yes! Tom and Heather are trying for their second. | 1:15:05 | 1:15:07 | |
But I'd like you to be a mother. | 1:15:07 | 1:15:09 | |
Oh, all right. Don't look at me like that. | 1:15:09 | 1:15:11 | |
I'll be quiet. | 1:15:11 | 1:15:13 | |
What would you like for your birthday? | 1:15:13 | 1:15:14 | |
-I don't know. -Your birthday? | 1:15:14 | 1:15:16 | |
Great! You forgot. | 1:15:16 | 1:15:18 | |
I didn't, actually. I bought you something already. | 1:15:18 | 1:15:20 | |
Aha! So, my hints worked. | 1:15:20 | 1:15:22 | |
MOBILE PHONE RINGS | 1:15:22 | 1:15:25 | |
Hello? | 1:15:25 | 1:15:27 | |
-Chris? -Excuse me. | 1:15:27 | 1:15:29 | |
By all means. | 1:15:29 | 1:15:30 | |
Yes, darling. I spoke out of turn. I'm sorry. | 1:15:30 | 1:15:33 | |
Hey! Hey. What are you two bickering about? | 1:15:33 | 1:15:36 | |
I told you not to call me, I'd call you. | 1:15:36 | 1:15:38 | |
Well, I...I was waiting for you to call. | 1:15:38 | 1:15:40 | |
I've been waiting a week. | 1:15:40 | 1:15:42 | |
Well, there's always people around. I can't talk. | 1:15:42 | 1:15:45 | |
When are you coming home? | 1:15:45 | 1:15:47 | |
-In about two weeks. -About two weeks? | 1:15:47 | 1:15:49 | |
You said the whole trip was three weeks. | 1:15:49 | 1:15:51 | |
Yeah, right. Three weeks. | 1:15:51 | 1:15:52 | |
Chris, Mummy and Papa are leaving! | 1:15:52 | 1:15:54 | |
OK. OK. | 1:15:54 | 1:15:56 | |
Who is that? What country are you in? | 1:15:56 | 1:15:58 | |
Your mobile's been impossible. | 1:15:58 | 1:16:00 | |
I told you - I'm in Greece | 1:16:00 | 1:16:02 | |
and there's always people around so I can't talk. | 1:16:02 | 1:16:04 | |
I said I'd be home soon and I will call you. | 1:16:04 | 1:16:07 | |
I'm just lonely. I'm anxious. | 1:16:08 | 1:16:10 | |
Can you just...please tell Chloe as soon as you get home. | 1:16:10 | 1:16:14 | |
I just want this situation to be resolved. | 1:16:14 | 1:16:16 | |
Do you miss me? | 1:16:17 | 1:16:19 | |
OK. 'Bye. 'Bye. | 1:16:19 | 1:16:21 | |
-Is everything OK? -Yeah, everything's fine. | 1:16:21 | 1:16:24 | |
-Are you leaving already? -Yes. | 1:16:24 | 1:16:26 | |
Chris, it's Nola. Where have I reached you? | 1:16:51 | 1:16:54 | |
Sardinia. | 1:16:54 | 1:16:56 | |
I'll be back in five or six days, OK? | 1:16:56 | 1:16:58 | |
-Good morning, John. -Oh, you're early, sir. | 1:17:08 | 1:17:10 | |
I'll bring the car around. | 1:17:10 | 1:17:12 | |
-You lied to me. -Oh, Jesus. | 1:17:19 | 1:17:20 | |
-You lied to me! -Quiet! | 1:17:20 | 1:17:22 | |
-I wanna see Chloe! -(Quiet. Quiet.) | 1:17:22 | 1:17:23 | |
I wanna talk to Chloe! I wanna talk to Chloe! | 1:17:23 | 1:17:26 | |
-I can explain... -You're a liar! You're a liar! | 1:17:26 | 1:17:28 | |
-You're a liar! -Taxi! | 1:17:28 | 1:17:30 | |
I'm not going anywhere with you. I'm not going anywhere with you. | 1:17:30 | 1:17:33 | |
-Nola, Nola, Nola, calm down. -You're a liar! You're a liar! | 1:17:33 | 1:17:35 | |
You're a liar! You're a liar! | 1:17:35 | 1:17:38 | |
I wanna talk to Chloe! I wanna talk to Chloe! | 1:17:38 | 1:17:40 | |
I wanna talk to Chloe. | 1:17:42 | 1:17:44 | |
You're a liar! You're a liar! You're a liar! | 1:17:44 | 1:17:46 | |
I decided to cut the trip short | 1:17:51 | 1:17:52 | |
because all this is eating away at me! | 1:17:52 | 1:17:54 | |
I only came back the day before yesterday | 1:17:54 | 1:17:56 | |
because I need a week in the city to deal with Chloe, | 1:17:56 | 1:17:58 | |
without you breathing down my neck! | 1:17:58 | 1:18:00 | |
Oh, you're driving me crazy! | 1:18:00 | 1:18:01 | |
I don't know whether to believe you or not! | 1:18:01 | 1:18:03 | |
-Please believe me, Nola. -Well, did you tell her? | 1:18:03 | 1:18:05 | |
-I was about to when you called! -What do you mean? | 1:18:05 | 1:18:07 | |
-I got flustered. -Oh, please. | 1:18:07 | 1:18:08 | |
I was ready to tell her, you called, | 1:18:08 | 1:18:10 | |
then I feel guilty telling you I'm still in Greece. | 1:18:10 | 1:18:12 | |
-You said Sardinia. -I...I was talking fast. | 1:18:12 | 1:18:14 | |
I...I didn't want her to know what I was talking about. | 1:18:14 | 1:18:17 | |
Well, she has to know eventually! | 1:18:17 | 1:18:18 | |
I can't tell her! | 1:18:18 | 1:18:20 | |
-Then I will. -Nola, stop. | 1:18:20 | 1:18:22 | |
This is crazy! We're having a child together! | 1:18:22 | 1:18:24 | |
We don't have to have a child together! | 1:18:24 | 1:18:25 | |
It'd make life a lot simpler if we didn't. | 1:18:25 | 1:18:27 | |
Yeah, simpler for you, but not for me. | 1:18:27 | 1:18:29 | |
HE SIGHS | 1:18:29 | 1:18:30 | |
It occurred to me that even if you had the child | 1:18:30 | 1:18:33 | |
I could help you out financially. | 1:18:33 | 1:18:34 | |
-That's not enough. -Nola, be reasonable! | 1:18:34 | 1:18:37 | |
That's exactly what Tom said when he broke off our engagement. | 1:18:37 | 1:18:40 | |
Being reasonable got me where I am right now. | 1:18:40 | 1:18:42 | |
So, you're threatening me? | 1:18:42 | 1:18:43 | |
If I don't do what you say, you're gonna go to my wife? | 1:18:43 | 1:18:46 | |
Were you lying to me? | 1:18:46 | 1:18:48 | |
All those times we made love, all those conversations... | 1:18:48 | 1:18:50 | |
Were you lying to me then? | 1:18:50 | 1:18:52 | |
Of course I wasn't lying. | 1:18:52 | 1:18:53 | |
Tell Chloe! Someone has to explain the situation! | 1:18:53 | 1:18:56 | |
Either you do it or I'll do it. | 1:18:56 | 1:18:58 | |
OK, OK. | 1:18:59 | 1:19:01 | |
I'll do the right thing. | 1:19:01 | 1:19:03 | |
OPERA MUSIC PLAYS | 1:19:07 | 1:19:10 | |
-Have you seen Chris? -A minute ago. He went that way. | 1:20:53 | 1:20:56 | |
Chris? | 1:20:56 | 1:20:58 | |
Chris? | 1:20:59 | 1:21:01 | |
Chris! | 1:21:02 | 1:21:03 | |
Where are you, Chris? | 1:21:10 | 1:21:12 | |
Chris? | 1:21:13 | 1:21:15 | |
Chloe, are you there? | 1:21:18 | 1:21:21 | |
Have you seen Chris anywhere? | 1:21:21 | 1:21:23 | |
No. Could you come up for a minute? | 1:21:23 | 1:21:25 | |
I want you to give me some advice about this dress. | 1:21:25 | 1:21:27 | |
I'm telling Chloe tomorrow. | 1:21:54 | 1:21:56 | |
You say that every day and you always back out! | 1:21:56 | 1:21:59 | |
I'm back where I started! | 1:21:59 | 1:22:01 | |
I want something done, Chris! | 1:22:01 | 1:22:02 | |
If you don't have the nerve to do it, I'll do it! | 1:22:02 | 1:22:05 | |
That would be revenge for you against the whole Hewett family, wouldn't it? | 1:22:05 | 1:22:07 | |
What the hell is that supposed to mean?! | 1:22:07 | 1:22:09 | |
My theory is you want me to so you don't have to do it yourself! | 1:22:09 | 1:22:12 | |
My God, it seems like you've had | 1:22:12 | 1:22:13 | |
this whole thing checked out by some psychiatrist. | 1:22:13 | 1:22:15 | |
I wish! I wish I had someone to confide in. | 1:22:15 | 1:22:17 | |
But it's all so damn secretive! | 1:22:17 | 1:22:19 | |
Look, Chris, if I don't do something about this, we're gonna grow apart. | 1:22:19 | 1:22:23 | |
-I'm having your child! -I'm telling her tomorrow, Nola! | 1:22:23 | 1:22:25 | |
-What more do you want me to do? -What more?! Tell her now! Tonight! | 1:22:25 | 1:22:28 | |
I can't! Not before she goes to sleep. It wouldn't be the right time! | 1:22:28 | 1:22:31 | |
Nola, tomorrow is fine. What time will you get back from work? | 1:22:32 | 1:22:36 | |
Same time I always get off - 6:30. | 1:22:36 | 1:22:37 | |
-So, you'll be home by 6:45. -Yeah! | 1:22:37 | 1:22:39 | |
Chris, you make me say these things! I hate myself for them! | 1:22:39 | 1:22:42 | |
-I just want us to be together! -We will be. | 1:22:42 | 1:22:44 | |
You were very nervy all through the ballet. | 1:22:46 | 1:22:49 | |
-Did you hate it? -No, I'm just out of sorts. | 1:22:49 | 1:22:51 | |
Yeah! I thought you were gonna pass out. | 1:22:51 | 1:22:54 | |
Low blood sugar. I'll be better soon. | 1:22:54 | 1:22:56 | |
I still can't do it with you tonight. | 1:22:59 | 1:23:01 | |
I'm not over my little dose of whatever. | 1:23:01 | 1:23:04 | |
Ow. | 1:23:04 | 1:23:05 | |
Did the cleaner put one of my tennis shirts in with your gear? | 1:23:07 | 1:23:11 | |
No. What are you doing? | 1:23:11 | 1:23:13 | |
Really? Just let me have a quick look. | 1:23:13 | 1:23:15 | |
Look, I'll check. I'll check. I've got everything arranged in there. | 1:23:15 | 1:23:17 | |
OK. I wasn't gonna disturb anything. | 1:23:17 | 1:23:19 | |
'Cause I don't know where else it can be. | 1:23:19 | 1:23:21 | |
She's always bloody mixing my stuff in with yours. | 1:23:21 | 1:23:24 | |
-Is this it? -See. I knew it. | 1:23:28 | 1:23:30 | |
She always bloody does that. I've gotta have words with her about it. | 1:23:30 | 1:23:33 | |
It's really st... What did you just put in your pocket? | 1:23:33 | 1:23:37 | |
-Oh, it's just my pillbox. -What do you mean - a pillbox? | 1:23:37 | 1:23:39 | |
A pillbox. You know what a pillbox... | 1:23:39 | 1:23:40 | |
-Let me have a look. -No. | 1:23:40 | 1:23:42 | |
-What pills are you taking? -They're just my pills. | 1:23:42 | 1:23:44 | |
-Go on. Let me see. -It's for stress. | 1:23:44 | 1:23:45 | |
'Cause you stress me so much. | 1:23:45 | 1:23:47 | |
-Guess what. -What? | 1:23:47 | 1:23:48 | |
I got tickets for the theatre for tomorrow night. | 1:23:48 | 1:23:50 | |
-You haven't. That's not like you. -Mm-hm. | 1:23:50 | 1:23:52 | |
-What for? -The Woman In White. | 1:23:52 | 1:23:54 | |
-I hear it's great. -I thought you hated musicals. | 1:23:54 | 1:23:57 | |
No, that's not so. | 1:23:57 | 1:23:58 | |
And anyway, you love his music. | 1:23:58 | 1:24:00 | |
That's great. | 1:24:00 | 1:24:02 | |
I'll have to meet you outside the theatre | 1:24:02 | 1:24:04 | |
because I'll be coming straight from the gallery. | 1:24:04 | 1:24:06 | |
Why don't you take the chauffeur? | 1:24:06 | 1:24:08 | |
I'll grab a taxi and, with any luck, I can get an hour of tennis in. | 1:24:08 | 1:24:11 | |
You're so sweet. | 1:24:12 | 1:24:14 | |
You knew how much I wanted to see that. | 1:24:14 | 1:24:17 | |
All right. Come to bed, 'cause you're tired, my darling. | 1:24:20 | 1:24:23 | |
OK, I will. | 1:24:23 | 1:24:24 | |
PHONE RINGS | 1:24:25 | 1:24:28 | |
-Hello? -Hello. Nola? | 1:24:28 | 1:24:30 | |
When you get off work today, come right home. | 1:24:31 | 1:24:33 | |
I have some good news. | 1:24:33 | 1:24:35 | |
Everything's taken care of, but I'm reluctant to talk on the phone. | 1:24:37 | 1:24:39 | |
You've gotta meet me right after work. | 1:24:39 | 1:24:41 | |
We have, uh, plans to make. | 1:24:41 | 1:24:43 | |
OK. Um, I'll cancel my agent appointment. | 1:24:45 | 1:24:48 | |
That's good. This is good. | 1:24:48 | 1:24:50 | |
I'll see you soon. 'Bye. | 1:24:50 | 1:24:52 | |
-Was it him? -Yeah. | 1:24:53 | 1:24:55 | |
So, you'll have to be prepared to cashflow the first six months. | 1:24:57 | 1:25:00 | |
Is that right, Chris? A half-year? | 1:25:00 | 1:25:02 | |
Mmm. Uh, yes. | 1:25:02 | 1:25:03 | |
A half-year should do it. Maybe less. | 1:25:03 | 1:25:06 | |
Good. Jolly good. | 1:25:06 | 1:25:08 | |
-Well, see you next time. -Arigato gozaimasu. | 1:25:08 | 1:25:10 | |
Arigato gozaimasu. Arigato gozaimasu. | 1:25:11 | 1:25:14 | |
-Sayonara. -Good. | 1:25:14 | 1:25:16 | |
Sayonara indeed. | 1:25:18 | 1:25:19 | |
I thought you showed some interesting ideas there | 1:25:19 | 1:25:21 | |
for developing their capacity. | 1:25:21 | 1:25:22 | |
-I'm excited about this venture, Rod. -Good. Good. | 1:25:22 | 1:25:25 | |
Playing a little tennis later? | 1:25:34 | 1:25:36 | |
Yes. Yes. | 1:25:36 | 1:25:38 | |
Amazing energy. Love it. | 1:25:38 | 1:25:40 | |
Envy it. | 1:25:40 | 1:25:42 | |
KNOCKS | 1:26:24 | 1:26:25 | |
BANGS | 1:26:41 | 1:26:42 | |
-Yes? -Uh, hello. | 1:26:45 | 1:26:47 | |
Um, I'm Chris. | 1:26:47 | 1:26:49 | |
I'm a friend of Nola's, your neighbour from next door. | 1:26:49 | 1:26:51 | |
-We met here last, uh... -I'm sorry. I don't let anybody in. | 1:26:51 | 1:26:55 | |
But...do you not remember? We met. | 1:26:55 | 1:26:56 | |
Uh...she asked you something about your trouble with your mice | 1:26:56 | 1:27:01 | |
and you mentioned something about peanut butter. | 1:27:01 | 1:27:04 | |
Oh, yes. Yes. | 1:27:04 | 1:27:06 | |
I'm Chris Wilton, the tennis instructor. | 1:27:08 | 1:27:11 | |
Oh. Well, what's the trouble? | 1:27:11 | 1:27:12 | |
Uh, no trouble at all, really, and I don't mean to disturb you. | 1:27:12 | 1:27:15 | |
I was wondering if I could look at your TV reception. | 1:27:15 | 1:27:18 | |
Uh, we seem to have trouble next door. | 1:27:18 | 1:27:20 | |
What - with the TV? | 1:27:20 | 1:27:22 | |
Yes, um, we're getting some interference, | 1:27:22 | 1:27:24 | |
and it's Nola's favourite TV night. | 1:27:24 | 1:27:27 | |
So, I don't know if it's the aerial on the roof or if it's us. | 1:27:27 | 1:27:30 | |
-Oh, it's in there. -Thank you. | 1:27:30 | 1:27:32 | |
-I have to take my medicine. -Mm-hm. | 1:27:32 | 1:27:34 | |
There was no trouble before. | 1:27:49 | 1:27:51 | |
I had it on and it was fine. | 1:27:51 | 1:27:53 | |
Didn't you say your name was Harris? | 1:28:15 | 1:28:18 | |
HE GROANS | 1:30:19 | 1:30:20 | |
Mrs Eastby? | 1:31:51 | 1:31:53 | |
It's Ian. | 1:31:57 | 1:31:58 | |
KNOCK AT DOOR | 1:32:03 | 1:32:05 | |
Mrs Eastby? | 1:32:05 | 1:32:07 | |
KNOCK AT DOOR | 1:32:10 | 1:32:12 | |
Mrs Eastby, it's Ian. | 1:32:12 | 1:32:13 | |
I'm going down the corner shop. Can I get you anything? | 1:32:16 | 1:32:19 | |
Mrs Eastby, are you all right? | 1:32:22 | 1:32:25 | |
Hi, princess. Did you ever get that portable CD player we talked about? | 1:32:49 | 1:32:52 | |
Yes, I did. Thanks so much for helping me. | 1:32:52 | 1:32:54 | |
Excellent. | 1:32:54 | 1:32:55 | |
-OK. -See you later. | 1:33:12 | 1:33:13 | |
'Bye. | 1:33:13 | 1:33:15 | |
Nola. | 1:33:44 | 1:33:45 | |
Excuse me. | 1:33:55 | 1:33:56 | |
Hello? | 1:34:05 | 1:34:06 | |
Where are you? | 1:34:06 | 1:34:08 | |
I'm almost there. I'll be two minutes. | 1:34:10 | 1:34:12 | |
HE SOBS | 1:34:17 | 1:34:20 | |
-Good evening. -Hello. | 1:34:43 | 1:34:44 | |
-How much? -It's £2, please. | 1:34:49 | 1:34:51 | |
-My tickets? -Yes. Thank you. | 1:34:57 | 1:34:59 | |
# Whenever... # | 1:35:10 | 1:35:11 | |
SIRENS BLARE | 1:35:11 | 1:35:14 | |
There's a terrible mess in there, sir. | 1:35:16 | 1:35:18 | |
Well, I think it's pretty obvious what's happened here. | 1:35:18 | 1:35:19 | |
Someone's robbed and killed the old lady. | 1:35:19 | 1:35:21 | |
As he or they were running out, | 1:35:21 | 1:35:23 | |
they've run into the Rice woman coming in, so they've shot her too. | 1:35:23 | 1:35:25 | |
Either out of panic | 1:35:25 | 1:35:27 | |
or because they saw a chance to make an additional score. | 1:35:27 | 1:35:29 | |
Poor unsuspecting soul came home at the wrong moment. | 1:35:29 | 1:35:32 | |
He's cleared out the house of all prescription dogs, sir? | 1:35:32 | 1:35:34 | |
Oh, no, it's definitely a drugs-related robbery. | 1:35:34 | 1:35:36 | |
He might have known there was an old lady living in flat eight, | 1:35:36 | 1:35:39 | |
probably cased her, and was surprised by running into the other woman. | 1:35:39 | 1:35:43 | |
She picked the wrong time to come home. | 1:35:43 | 1:35:44 | |
Some people just don't have any luck. | 1:35:45 | 1:35:47 | |
I...I just spoke to her. I... This is unbelievable. | 1:35:48 | 1:35:51 | |
Um, half an hour ago I came down the stairs, | 1:35:51 | 1:35:53 | |
knocked on Mrs Eastby's door 'cause I couldn't smell... | 1:35:53 | 1:35:55 | |
-Do you need anything from the car? -Yeah. | 1:35:55 | 1:35:56 | |
Tell the exhibits officer to get a move on, | 1:35:56 | 1:35:58 | |
'cause this is getting ridiculous. | 1:35:58 | 1:36:00 | |
This is quite important. She usually bakes today. | 1:36:00 | 1:36:01 | |
I thought maybe she'd run out of stuff, | 1:36:01 | 1:36:03 | |
so I asked her if she needed anything... | 1:36:03 | 1:36:05 | |
So, half an hour ago you talked to her? | 1:36:05 | 1:36:07 | |
So, whoever it was was still in there. | 1:36:07 | 1:36:08 | |
That's terrifying. I can't believe that. | 1:36:08 | 1:36:10 | |
-So, somebody was in there? -And you spoke to Nola Rice? | 1:36:10 | 1:36:13 | |
Did she say anything? | 1:36:13 | 1:36:15 | |
Could we send the photographers in now, please? | 1:36:15 | 1:36:16 | |
No. Uh, hang on. | 1:36:16 | 1:36:18 | |
We've just gotta get the exhibits officer in there first. | 1:36:18 | 1:36:20 | |
Chris. Chris! | 1:36:20 | 1:36:22 | |
Liaise with this man here. | 1:36:22 | 1:36:23 | |
Wait, wait, wait. Wait. Just catch him there. | 1:36:23 | 1:36:26 | |
Well, I ran into... Yeah, I bumped into Nola right here. | 1:36:26 | 1:36:28 | |
Scenes of Crime will be on their way very shortly, all right? | 1:36:28 | 1:36:31 | |
I bumped into her here, we talked...we chatted. | 1:36:31 | 1:36:33 | |
I recommended a piece of music equipment and she bought it. | 1:36:33 | 1:36:36 | |
-Music equipment. What was that? -Uh, it was a portable CD player. | 1:36:36 | 1:36:40 | |
It's drugs, guv. Someone after money for some drugs. | 1:36:40 | 1:36:42 | |
-But Mrs Eastby wasn't wealthy. -Oh, they don't care. | 1:36:42 | 1:36:46 | |
-Drugs? -Yeah, definitely drugs. | 1:36:46 | 1:36:47 | |
They went after money for 'em. | 1:36:47 | 1:36:49 | |
They'd kill you for a pound if they wanted to, you know. | 1:36:49 | 1:36:51 | |
Sorry state of affairs, isn't it? | 1:36:51 | 1:36:53 | |
It's not as if the old lady had any enemies. She rarely went out. | 1:36:53 | 1:36:56 | |
-Used a shotgun. -A shotgun? | 1:36:56 | 1:36:58 | |
That's a bit obvious, isn't it? Somebody must have seen something. | 1:36:58 | 1:37:00 | |
Not if it was sawn off. They can make 'em pretty small. | 1:37:00 | 1:37:02 | |
Katherine, love, you can't park there. Leave that clear. | 1:37:02 | 1:37:04 | |
We've got the SOCO coming down. | 1:37:04 | 1:37:06 | |
Did you like the musical last night? | 1:37:08 | 1:37:10 | |
Yeah, I did. It was good fun. Pretty music. | 1:37:11 | 1:37:14 | |
Yeah. He's very good. | 1:37:14 | 1:37:16 | |
I'm gonna get tickets for Mummy and Papa. | 1:37:17 | 1:37:19 | |
Good. | 1:37:19 | 1:37:21 | |
Oh, my God. | 1:37:24 | 1:37:26 | |
What? What is it? | 1:37:26 | 1:37:27 | |
Oh, my God! Nola! | 1:37:28 | 1:37:32 | |
-Nola Rice! -What? | 1:37:32 | 1:37:34 | |
She was killed in a burglary! A drugs burglary! | 1:37:34 | 1:37:38 | |
What?! | 1:37:38 | 1:37:40 | |
Hey, let me see that. | 1:37:40 | 1:37:41 | |
Jesus Christ. | 1:37:41 | 1:37:43 | |
Apparently she was coming home from work | 1:37:47 | 1:37:49 | |
and someone who was already there, | 1:37:49 | 1:37:51 | |
who'd burgled another flat and shot an old lady, | 1:37:51 | 1:37:54 | |
ran into Nola by chance and... | 1:37:54 | 1:37:56 | |
She was entering the building and he was running out, | 1:37:56 | 1:37:58 | |
and he shot her! | 1:37:58 | 1:37:59 | |
Oh, my God. | 1:37:59 | 1:38:01 | |
PHONE RINGS | 1:38:01 | 1:38:03 | |
Hello? | 1:38:07 | 1:38:08 | |
Yeah. Yeah! We've just this second read it. | 1:38:09 | 1:38:12 | |
Isn't it just terrible? | 1:38:12 | 1:38:13 | |
I never got along with her, but this is just tragic. | 1:38:13 | 1:38:16 | |
It's tragic! | 1:38:16 | 1:38:18 | |
-Does Tom know? -I've just called him. | 1:38:18 | 1:38:20 | |
-He can't believe it. -I know. | 1:38:20 | 1:38:23 | |
Wait, wait. That must be him. I'll call you back. | 1:38:23 | 1:38:26 | |
Hello? | 1:38:26 | 1:38:28 | |
Yeah, we've just read it and Mummy just called. | 1:38:28 | 1:38:31 | |
Well, yeah, yeah, I know. I mean, at the wrong place at the wrong time. | 1:38:31 | 1:38:34 | |
I mean, I suppose she must have... | 1:38:34 | 1:38:35 | |
I mean, disturbed the burglar or burglars or whatever. | 1:38:35 | 1:38:38 | |
I mean, it doesn't say how many of them there were. | 1:38:38 | 1:38:40 | |
Well, even Mummy's really shaken up, | 1:38:40 | 1:38:41 | |
and you know they weren't exactly friends. | 1:38:41 | 1:38:43 | |
It says here that there's been a rise | 1:38:44 | 1:38:46 | |
in drug-related crime in the area over the past year. | 1:38:46 | 1:38:48 | |
Did you hear that? Yeah. | 1:38:49 | 1:38:51 | |
I just can't believe it. It's just... I know. | 1:38:51 | 1:38:55 | |
-Mummy. -Mm-hm? | 1:39:02 | 1:39:03 | |
Mm-hm? | 1:39:03 | 1:39:05 | |
I've got something to tell you. | 1:39:05 | 1:39:07 | |
But I want Chris to be here. | 1:39:07 | 1:39:09 | |
Chris? | 1:39:10 | 1:39:12 | |
-Where did he go? -I don't know. | 1:39:13 | 1:39:15 | |
He was just in here. Chris? | 1:39:15 | 1:39:17 | |
Chris! | 1:39:18 | 1:39:19 | |
He was just here. | 1:39:27 | 1:39:28 | |
Well, what did you want to tell me? | 1:39:28 | 1:39:30 | |
Just wait. Wait, wait. Chris! | 1:39:30 | 1:39:32 | |
Where are you, Chris? | 1:40:03 | 1:40:05 | |
Well, what did you want to tell me? | 1:40:06 | 1:40:08 | |
Well, I don't really want it to be... Hang on. There he is. There you are! | 1:40:08 | 1:40:11 | |
-Can we tell her now? -Sure. | 1:40:12 | 1:40:14 | |
Well, I wanted you to be here. | 1:40:14 | 1:40:16 | |
Well, what is it? | 1:40:16 | 1:40:18 | |
Mummy, you can finally crack open the champagne. | 1:40:18 | 1:40:22 | |
It looks like I'm pregnant. | 1:40:22 | 1:40:24 | |
-When did you hear? -This morning! | 1:40:24 | 1:40:26 | |
Oh! I'm so delighted. | 1:40:26 | 1:40:30 | |
-Good. -Oh! Alec! | 1:40:30 | 1:40:32 | |
Alec! | 1:40:32 | 1:40:33 | |
Come here! | 1:40:33 | 1:40:35 | |
Oh, we're both walking on air! | 1:40:35 | 1:40:37 | |
Well, you're walking on air. Your husband looks a bit shell-shocked. | 1:40:37 | 1:40:40 | |
I've exhausted him, poor thing. | 1:40:40 | 1:40:42 | |
-What? -Chloe's pregnant. | 1:40:42 | 1:40:43 | |
Oh, what a great day! Oh, my darling. | 1:40:43 | 1:40:47 | |
I'm absolutely thrilled. I couldn't be more pleased. | 1:40:47 | 1:40:49 | |
-Excuse me, sir. Excuse me. -Yes? | 1:40:49 | 1:40:51 | |
Phone call, sir. Your secretary. | 1:40:51 | 1:40:53 | |
-OK. Oh! -Margaret, I'm pregnant! | 1:40:53 | 1:40:55 | |
Oh! Congratulations! | 1:40:55 | 1:40:57 | |
-That's wonderful. -Thank you, Margaret. | 1:40:57 | 1:40:59 | |
Sam? | 1:41:01 | 1:41:02 | |
Yeah, there's a message for you | 1:41:02 | 1:41:04 | |
that Mike Banner - Detective Mike Banner - called. | 1:41:04 | 1:41:06 | |
Uh, he wants you to call him at Shepherd's Bush Police Station. | 1:41:06 | 1:41:09 | |
Yep, no, I don't think it's urgent, but he left a number. | 1:41:10 | 1:41:13 | |
Banner? | 1:41:13 | 1:41:15 | |
You'd better give me the number. | 1:41:15 | 1:41:18 | |
Mm-hm. | 1:41:20 | 1:41:22 | |
Mm-hm. | 1:41:24 | 1:41:26 | |
OK. Thanks, Samantha. | 1:41:29 | 1:41:31 | |
Thank God! Thank God! | 1:41:42 | 1:41:45 | |
Detective Banner, please. | 1:41:45 | 1:41:46 | |
This is Chris Wilton. | 1:41:46 | 1:41:48 | |
Oh, hello. This is Chris Wilton. You called? | 1:41:52 | 1:41:55 | |
Oh, yes. I was wondering if there was a time you could drop in here. | 1:41:55 | 1:41:59 | |
If it's more convenient we can come see you. | 1:41:59 | 1:42:00 | |
In reference to what? | 1:42:00 | 1:42:02 | |
I'd rather not explain on the phone. | 1:42:02 | 1:42:04 | |
It's just a few questions and I'm sure you'd prefer it to be discreet. | 1:42:04 | 1:42:07 | |
I've no reason to bring a lawyer, do I? | 1:42:09 | 1:42:12 | |
I certainly hope not. | 1:42:12 | 1:42:14 | |
Chris Wilton, Detective Banner. | 1:43:18 | 1:43:20 | |
-Good afternoon. -How are you doing? | 1:43:20 | 1:43:21 | |
-Take a seat. -Thank you. | 1:43:21 | 1:43:23 | |
This is nothing to be alarmed about. | 1:43:24 | 1:43:26 | |
We're just doing a routine investigation | 1:43:26 | 1:43:28 | |
into the Betty Eastby, Nola Rice murders. | 1:43:28 | 1:43:30 | |
Mm-hm. | 1:43:30 | 1:43:32 | |
Were you...acquainted with either of the victims? | 1:43:32 | 1:43:34 | |
Peripherally I knew Nola Rice. | 1:43:34 | 1:43:37 | |
How? | 1:43:37 | 1:43:38 | |
She was engaged for a time to the man who's now my brother-in-law. | 1:43:38 | 1:43:42 | |
-That's...Tom Hewett. -That's correct. | 1:43:42 | 1:43:47 | |
Uh...they broke up a year ago. More. | 1:43:47 | 1:43:52 | |
Mm-hm. And when did you last see her? | 1:43:52 | 1:43:54 | |
Oh, God, I can't remember. | 1:43:56 | 1:43:57 | |
Uh... | 1:43:57 | 1:43:59 | |
At the Tate Modern. My wife and I ran into her. | 1:44:01 | 1:44:04 | |
But...that was a long time ago. | 1:44:04 | 1:44:07 | |
Have you seen her since? | 1:44:09 | 1:44:10 | |
Not that I recall. | 1:44:10 | 1:44:12 | |
Have, um...have you ever seen this? | 1:44:15 | 1:44:19 | |
No. What is it? | 1:44:19 | 1:44:21 | |
Are you aware that Nola Rice kept a diary? | 1:44:23 | 1:44:25 | |
No. | 1:44:35 | 1:44:36 | |
As you can see, you're all over it. | 1:44:37 | 1:44:41 | |
Yes, I can see that. | 1:44:49 | 1:44:51 | |
Do you still claim that you haven't seen her | 1:44:55 | 1:44:57 | |
except for more than a year ago at the Tate Modern? | 1:44:57 | 1:44:59 | |
You can't blame me for trying to hide the fact | 1:45:02 | 1:45:04 | |
that I had an affair with her. | 1:45:04 | 1:45:05 | |
But you people have to protect me here. | 1:45:06 | 1:45:08 | |
I hope you don't think I had anything to do with her murder. | 1:45:09 | 1:45:12 | |
How long did your affair go on? | 1:45:12 | 1:45:13 | |
HE SIGHS HEAVILY | 1:45:15 | 1:45:18 | |
It began casually when she was still engaged to Tom. | 1:45:19 | 1:45:21 | |
They broke up, she moved away. | 1:45:22 | 1:45:25 | |
She came back and I ran into her at the Tate Modern and it began again. | 1:45:25 | 1:45:29 | |
You've gotta have a heart. | 1:45:31 | 1:45:33 | |
My wife is gonna have a baby. | 1:45:34 | 1:45:36 | |
This will devastate her. | 1:45:36 | 1:45:38 | |
Did you...promise that you were going to leave your wife | 1:45:40 | 1:45:43 | |
and marry Miss Rice? | 1:45:43 | 1:45:45 | |
No, I did not. | 1:45:45 | 1:45:47 | |
I mean, it's possible she had that fantasy. | 1:45:48 | 1:45:51 | |
And...obviously she wrote that I did. | 1:45:51 | 1:45:54 | |
But I tried to finesse that point with her. | 1:45:59 | 1:46:02 | |
I didn't want the sexual relationship to end, | 1:46:02 | 1:46:04 | |
but I'm not going to break up my home. | 1:46:04 | 1:46:06 | |
My wife and I are trying very hard to have a baby. | 1:46:08 | 1:46:11 | |
We've seen several fertility doctors, etc. | 1:46:11 | 1:46:15 | |
You can check that out if you'd like, but I beg you to be discreet. | 1:46:15 | 1:46:19 | |
But you did lead her on | 1:46:19 | 1:46:21 | |
so that she had the impression you were unhappy at home. | 1:46:21 | 1:46:23 | |
I tried to tiptoe around it and not lead her on, | 1:46:24 | 1:46:27 | |
but she's going to believe what she wants to believe. | 1:46:27 | 1:46:29 | |
Look, don't irresponsibly run roughshod over this | 1:46:30 | 1:46:34 | |
and wreck people's lives. | 1:46:34 | 1:46:35 | |
I mean, there is no case because I would not harm anyone, | 1:46:36 | 1:46:39 | |
much less Nola Rice. | 1:46:39 | 1:46:41 | |
Isn't it obvious that somebody killed her neighbour | 1:46:46 | 1:46:48 | |
and she walked in when it was happening? | 1:46:48 | 1:46:50 | |
God, I beg you, don't go on a fishing expedition over this | 1:46:52 | 1:46:55 | |
and...wreck people's lives. | 1:46:55 | 1:46:58 | |
My family, my marriage is at stake. | 1:46:59 | 1:47:01 | |
We just have to check out everything in a murder case. | 1:47:02 | 1:47:05 | |
OK. But I'm not your man. | 1:47:05 | 1:47:07 | |
I know it's not the most honourable thing to cheat on your wife, | 1:47:08 | 1:47:11 | |
but that does not make me a murderer. | 1:47:11 | 1:47:13 | |
We're obligated to review the situation. | 1:47:13 | 1:47:16 | |
I understand it's sensitive stuff for you, | 1:47:16 | 1:47:18 | |
and if we have to talk to you again, | 1:47:18 | 1:47:20 | |
we'll do everything in our power to keep it very private. | 1:47:20 | 1:47:22 | |
Your personal life's your own. | 1:47:22 | 1:47:24 | |
We're not making any moral judgments, | 1:47:24 | 1:47:25 | |
just investigating a crime. | 1:47:25 | 1:47:27 | |
I understand. | 1:47:37 | 1:47:39 | |
Look, if you have to get in contact with me again, | 1:47:40 | 1:47:43 | |
which God in heaven I hope you don't, | 1:47:43 | 1:47:45 | |
please call me on my mobile. | 1:47:45 | 1:47:47 | |
This is my number. | 1:47:47 | 1:47:50 | |
Thanks. | 1:47:51 | 1:47:53 | |
Oh, um, one other thing. | 1:47:53 | 1:47:55 | |
Do you own or have access to a shotgun? | 1:47:55 | 1:47:57 | |
Me? | 1:47:59 | 1:48:01 | |
No. Uh... My father-in-law shoots on the estate, but not me. | 1:48:01 | 1:48:06 | |
You can check it out, but, uh... | 1:48:06 | 1:48:09 | |
..I beg you to consider mine and his position. | 1:48:09 | 1:48:13 | |
Of course. | 1:48:13 | 1:48:15 | |
Thank you. | 1:48:18 | 1:48:19 | |
So, what do you think? | 1:48:28 | 1:48:29 | |
I think it's what it looks like. | 1:48:30 | 1:48:32 | |
Someone robbed and killed Mrs Eastby, | 1:48:32 | 1:48:35 | |
was surprised leaving and killed Nola Rice. | 1:48:35 | 1:48:38 | |
Yeah, I know. I know. It's got drug robbery written all over it. | 1:48:39 | 1:48:42 | |
Expecting a baby. | 1:48:42 | 1:48:44 | |
OK, he's not gonna win a medal for fidelity, | 1:48:44 | 1:48:46 | |
but...we can find out discreetly enough | 1:48:46 | 1:48:49 | |
whether the Hewetts had a shotgun unaccounted for. | 1:48:49 | 1:48:51 | |
I don't think he would know the first thing about stealing one, though, | 1:48:54 | 1:48:58 | |
never mind sawing one off. | 1:48:58 | 1:49:00 | |
It's a bit of a stretch. He's got no previous convictions. | 1:49:01 | 1:49:04 | |
Not even a speeding ticket. | 1:49:04 | 1:49:06 | |
The coroner says that Eastby was killed first. | 1:49:06 | 1:49:08 | |
There's no sign of a forced entry. | 1:49:08 | 1:49:11 | |
So, Mrs Eastby knew the killer if she let him in. | 1:49:11 | 1:49:13 | |
Well, come on, Mike. | 1:49:13 | 1:49:15 | |
90% of the crimes we go out on, | 1:49:15 | 1:49:17 | |
people open the doors and invite the criminals in. | 1:49:17 | 1:49:18 | |
Yeah, I know. You're right. I'm just thinking out loud. | 1:49:18 | 1:49:21 | |
It's just...he's got a real motive. | 1:49:21 | 1:49:23 | |
Yeah, maybe. | 1:49:23 | 1:49:24 | |
But a motive, as you and I both painfully know, is not a case. | 1:49:24 | 1:49:29 | |
I'm torn, because the Rice murder was clearly an afterthought, | 1:49:29 | 1:49:32 | |
but I'd love to pursue it a little more. | 1:49:32 | 1:49:33 | |
But I'm reluctant to fish around and cause problems for everybody. | 1:49:33 | 1:49:37 | |
Well, if something develops we can pursue it. | 1:49:37 | 1:49:39 | |
I doubt anything's gonna drop into our laps. | 1:49:39 | 1:49:41 | |
CLOCK TICKS | 1:49:42 | 1:49:45 | |
CREAKING | 1:50:17 | 1:50:18 | |
RATTLING | 1:50:23 | 1:50:25 | |
RATTLING CONTINUES | 1:50:36 | 1:50:38 | |
Chris. | 1:51:34 | 1:51:36 | |
Nola. | 1:51:46 | 1:51:47 | |
It wasn't easy. | 1:51:49 | 1:51:51 | |
But when the time came, I could pull the trigger. | 1:51:52 | 1:51:55 | |
You never know who your neighbours are till there's a crisis. | 1:51:57 | 1:52:00 | |
You can learn to push the guilt under the rug and go on. | 1:52:01 | 1:52:05 | |
You have to - | 1:52:06 | 1:52:08 | |
otherwise it overwhelms you. | 1:52:08 | 1:52:10 | |
-MRS EASTBY: -And what about me? | 1:52:10 | 1:52:12 | |
What about the next-door neighbour? | 1:52:13 | 1:52:15 | |
I had no involvement in this awful affair. | 1:52:16 | 1:52:19 | |
Is there no problem about me having to die - | 1:52:20 | 1:52:23 | |
as an innocent bystander? | 1:52:23 | 1:52:25 | |
The innocent are sometimes slain to make way for a grander scheme. | 1:52:27 | 1:52:31 | |
You were collateral damage. | 1:52:33 | 1:52:35 | |
So was your own child. | 1:52:35 | 1:52:37 | |
Sophocles said... | 1:52:42 | 1:52:44 | |
.."To never have been born may be the greatest boon of all." | 1:52:45 | 1:52:50 | |
Prepare to pay the price, Chris. | 1:52:52 | 1:52:54 | |
Your actions were clumsy, full of holes - | 1:52:55 | 1:52:59 | |
almost like someone begging to be found out. | 1:52:59 | 1:53:02 | |
It would be fitting if I were apprehended... | 1:53:06 | 1:53:08 | |
..and punished. | 1:53:09 | 1:53:11 | |
At least there would be some small sign of justice. | 1:53:12 | 1:53:15 | |
Some small measure of hope for the possibility of meaning. | 1:53:16 | 1:53:22 | |
Chris Wilton killed them. | 1:53:24 | 1:53:26 | |
I see how he did it. | 1:53:26 | 1:53:28 | |
-WOMAN: -What? | 1:53:28 | 1:53:29 | |
It's as we speculated and said it was too elaborate, | 1:53:30 | 1:53:33 | |
but that's what he did. | 1:53:33 | 1:53:35 | |
He killed the next-door neighbour first to throw us off the scent | 1:53:35 | 1:53:37 | |
and set up the appearance of a robbery. | 1:53:37 | 1:53:39 | |
He waited in the hall. | 1:53:39 | 1:53:41 | |
He knew she'd be back same time as usual, | 1:53:41 | 1:53:42 | |
and he killed her, making it appear she surprised a burglar running out. | 1:53:42 | 1:53:45 | |
He planned it all so he could make the theatre in time | 1:53:45 | 1:53:47 | |
to strengthen his alibi if one became necessary. | 1:53:47 | 1:53:49 | |
Now, I haven't figured out the weapon problem, | 1:53:49 | 1:53:52 | |
and I know it's a lot to ask a jury, | 1:53:52 | 1:53:54 | |
but the correctness of it came to me in my sleep, | 1:53:54 | 1:53:56 | |
and I am going to break this case. | 1:53:56 | 1:53:58 | |
-I hate to be the bearer of bad news, Mike. -What? | 1:53:58 | 1:54:01 | |
Not that your dream isn't of primary interest... | 1:54:01 | 1:54:02 | |
What's the bad news? | 1:54:02 | 1:54:04 | |
There was another shooting in the area last night, 4am. | 1:54:04 | 1:54:06 | |
Drug addict killed - looks like a drug sale turned nasty. | 1:54:06 | 1:54:09 | |
What - and he confessed to killing two women before he died? | 1:54:09 | 1:54:12 | |
No. He didn't have to. | 1:54:12 | 1:54:14 | |
The old woman's wedding ring was right in his pocket. | 1:54:14 | 1:54:17 | |
-No. -Name and date engraved right on it. | 1:54:18 | 1:54:20 | |
I don't believe it. | 1:54:21 | 1:54:23 | |
I know. I know. Your case looked good. Lots of motive. | 1:54:23 | 1:54:27 | |
But his motive was pretty strong too - heroin. | 1:54:27 | 1:54:29 | |
Junkie with a long string of convictions. | 1:54:29 | 1:54:32 | |
Killed by one of his own, no doubt. | 1:54:32 | 1:54:34 | |
Come on. I'll buy you breakfast. | 1:54:34 | 1:54:36 | |
You can traumatise me with the rest of your dreams. | 1:54:36 | 1:54:39 | |
No, wait. | 1:54:39 | 1:54:40 | |
What if Wilton did it, threw the jewels away, this guy finds them? | 1:54:40 | 1:54:44 | |
I don't know. See what tonight's dream tells you. | 1:54:45 | 1:54:48 | |
I'm sure a jury will be interested. | 1:54:48 | 1:54:50 | |
Come on. | 1:54:50 | 1:54:52 | |
I give up. | 1:54:54 | 1:54:56 | |
I knew Wilton didn't do it. | 1:54:56 | 1:54:57 | |
He's a cruel schmuck who cheated on his wife. | 1:54:57 | 1:54:59 | |
You see those pictures of Nola Rice, you can see why, though. | 1:55:00 | 1:55:03 | |
What a world. Am I right, hey? | 1:55:04 | 1:55:06 | |
Careful, careful. I'm always afraid they'll drop. | 1:55:06 | 1:55:09 | |
-Oh, chill out, Dad. -Babies are so, so soft. | 1:55:09 | 1:55:12 | |
Right. Champagne. | 1:55:12 | 1:55:14 | |
-I think he's got your eyes, Chloe. -Really? | 1:55:14 | 1:55:17 | |
I think he's got your colouring, darling. I really do. | 1:55:17 | 1:55:19 | |
Mummy, you can't tell anything yet. They change all the time. | 1:55:19 | 1:55:22 | |
My nephew. | 1:55:22 | 1:55:25 | |
-Uncle Tom. Oh, look. -No, he does look like Christopher. | 1:55:25 | 1:55:27 | |
Actually, speaking of which, | 1:55:27 | 1:55:29 | |
didn't you move into Alan Sinclair's old office? | 1:55:29 | 1:55:30 | |
-Mm-hm. -Lucky swine. | 1:55:30 | 1:55:32 | |
Oh, Mummy, look, he's dreaming. | 1:55:32 | 1:55:34 | |
Let's work on number two. Come on. | 1:55:34 | 1:55:35 | |
Come on! He is a handsome boy. Look at that face. | 1:55:35 | 1:55:39 | |
-Yeah, he's gorgeous. -All right, here we are. | 1:55:39 | 1:55:40 | |
Eleanor, please... There we go. | 1:55:40 | 1:55:44 | |
-Ah. -You stay there, darling. | 1:55:44 | 1:55:45 | |
To Terrence Elliot Wilton. | 1:55:48 | 1:55:51 | |
With parents like Chloe and Chris, | 1:55:51 | 1:55:53 | |
this child will be great at anything he sets his mind to. | 1:55:53 | 1:55:57 | |
You know, I don't care if he's great. I just hope that he's lucky. | 1:55:57 | 1:56:01 | |
Oh, lovely. | 1:56:01 | 1:56:03 | |
I bet you any money the next one's a girl. | 1:56:10 | 1:56:13 | |
Mmm. | 1:56:14 | 1:56:16 | |
-Here we are. To Terrence. ALL: -To Terrence. | 1:56:25 | 1:56:29 | |
-TOM: -And all that sail on him. | 1:56:29 | 1:56:31 | |
Subtitles by the Australian Caption Centre | 1:57:23 | 1:57:27 |