
Browse content similar to Mrs Palfrey at the Claremont. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
'She came from a world of sensible choices. | 0:00:12 | 0:00:15 | |
'Nothing in her life had prepared her for the loud confusion of her unexpected present.' | 0:00:15 | 0:00:20 | |
What is the name of the hotel, ma'am? | 0:00:36 | 0:00:38 | |
The Claremont. Do you know it? | 0:00:38 | 0:00:41 | |
There are lots of old hotels in Lancaster Gate. | 0:00:41 | 0:00:44 | |
-Have you stayed there before? -Oh, no. No, I haven't. | 0:00:44 | 0:00:47 | |
I saw it advertised in a magazine when I was visiting my daughter in Scotland. | 0:00:47 | 0:00:53 | |
It sounded nice. | 0:00:53 | 0:00:55 | |
It mentioned excellent cuisine. | 0:00:55 | 0:00:57 | |
Excellent cuisine? | 0:00:57 | 0:00:59 | |
Here, in England? | 0:00:59 | 0:01:02 | |
No good food in England. | 0:01:02 | 0:01:04 | |
SPORTS COMMENTARY | 0:01:27 | 0:01:30 | |
'..In off the foot of the left post! | 0:01:30 | 0:01:32 | |
'Charlton are shattered but Yorke has scored for Manchester United.' | 0:01:32 | 0:01:37 | |
-Thank you. -Could you help me...? | 0:01:37 | 0:01:39 | |
Well, really. | 0:01:39 | 0:01:40 | |
I had imagined something quite different. | 0:01:49 | 0:01:52 | |
Morning, ma'am. | 0:02:00 | 0:02:02 | |
Welcome to the Claremont. | 0:02:02 | 0:02:05 | |
Help you with the bags? | 0:02:05 | 0:02:07 | |
Please. Thank you. | 0:02:07 | 0:02:08 | |
Follow me, ma'am. | 0:02:15 | 0:02:18 | |
Ah! | 0:02:36 | 0:02:38 | |
-Good morning. -Good morning. | 0:02:39 | 0:02:42 | |
I'm Mrs Arthur Palfrey. I have a reservation. | 0:02:42 | 0:02:46 | |
Oh, yes, Mrs Palfrey. | 0:02:46 | 0:02:48 | |
Welcome to the Claremont. We've been expecting you. | 0:02:48 | 0:02:51 | |
Single room by the month. | 0:02:51 | 0:02:54 | |
Now, dinner is served at 7pm promptly. | 0:02:54 | 0:02:57 | |
Breakfast is from 7am until 9am and you will find the menus posted in the lift. | 0:02:57 | 0:03:02 | |
-You're not a vegetarian, are you? -What? | 0:03:02 | 0:03:05 | |
-You're not a vegetarian. -No. | 0:03:05 | 0:03:07 | |
Oh, good, because we don't cater for them. Summers. | 0:03:07 | 0:03:12 | |
-Is it a nice room? -Oh, yes. | 0:03:12 | 0:03:14 | |
One of our very best. | 0:03:14 | 0:03:16 | |
Thank you. | 0:03:18 | 0:03:21 | |
Right, this way, Miss. | 0:03:21 | 0:03:23 | |
HE GRUNTS | 0:03:32 | 0:03:35 | |
Could you hold that, Miss? | 0:03:39 | 0:03:41 | |
That's it. | 0:03:44 | 0:03:46 | |
Oh, dear. | 0:03:53 | 0:03:55 | |
All this...stuff... | 0:03:57 | 0:04:01 | |
Oh, I tell you what... | 0:04:16 | 0:04:18 | |
Oh, the bath is down the hall to your left. | 0:04:21 | 0:04:24 | |
I suggest you let the water run for about five minutes if you want it hot. | 0:04:24 | 0:04:30 | |
Oh, oh, thank you, ma'am. | 0:04:30 | 0:04:33 | |
If I was you, I'd get up nice and early... | 0:04:34 | 0:04:38 | |
..to avoid the rush. | 0:04:41 | 0:04:43 | |
Thank you. | 0:04:44 | 0:04:46 | |
CAR HORNS BLARE | 0:05:05 | 0:05:07 | |
Oh, dear. | 0:05:13 | 0:05:15 | |
First impressions, as Mama used to say. | 0:05:42 | 0:05:46 | |
BUZZES | 0:05:46 | 0:05:49 | |
Oh, Lord. | 0:05:49 | 0:05:51 | |
Oh, dear. | 0:06:21 | 0:06:23 | |
-Good evening, ma'am. -Good evening. | 0:06:27 | 0:06:30 | |
Follow me. | 0:06:30 | 0:06:33 | |
This will be your regular table. | 0:06:38 | 0:06:40 | |
I'm Violet, your regular waitress, and if you'd like to | 0:06:40 | 0:06:43 | |
keep your own things on the table, let me know. | 0:06:43 | 0:06:46 | |
Oh that's kind of you. I do have a special marmalade I prefer. | 0:06:46 | 0:06:49 | |
And perhaps my own packet of crispbread. | 0:06:49 | 0:06:52 | |
Leave them with me and I'll see that they're at your place each morning. | 0:06:52 | 0:06:56 | |
Thank you. | 0:06:56 | 0:06:58 | |
Are you going to the theatre? | 0:06:58 | 0:07:00 | |
Perhaps. | 0:07:01 | 0:07:03 | |
-There you go. -Thank you. | 0:07:17 | 0:07:20 | |
HE MUTTERS | 0:08:14 | 0:08:16 | |
Good evening. I'm Elvira Arbuthnot. | 0:08:42 | 0:08:46 | |
I thought of introducing myself and coming to your rescue. | 0:08:46 | 0:08:51 | |
Oh, thank you. I'm Sarah Palfrey. | 0:08:51 | 0:08:54 | |
I know. | 0:08:54 | 0:08:55 | |
Rule number one, we underdress for dinner here. | 0:08:55 | 0:09:00 | |
An attempt to blend in with the surroundings. | 0:09:00 | 0:09:02 | |
Oh, dear. | 0:09:02 | 0:09:04 | |
I'm on my way to the television room. | 0:09:04 | 0:09:06 | |
Takes me a long time to get there so I leave a bit before everyone else. | 0:09:06 | 0:09:11 | |
We take our coffee there and watch the latest serial on the telly. | 0:09:11 | 0:09:14 | |
I'd be glad if you joined me, if you're not faint of heart. | 0:09:14 | 0:09:19 | |
Well, what on earth do you watch? | 0:09:20 | 0:09:23 | |
One of those gruesome American things? | 0:09:23 | 0:09:26 | |
Yes, Sex And The City. | 0:09:26 | 0:09:29 | |
I watch it in weekly doses, like a medicine. | 0:09:29 | 0:09:33 | |
It makes me feel better knowing I'm not going to be around much longer. | 0:09:33 | 0:09:37 | |
Mrs Burton, Sex And The City. | 0:09:39 | 0:09:42 | |
Coming. | 0:09:42 | 0:09:44 | |
I'm Shirley. Shirley Burton. | 0:09:45 | 0:09:48 | |
Welcome to the Claremont. | 0:09:48 | 0:09:51 | |
Why, thank you. | 0:09:51 | 0:09:52 | |
I'm Sarah Palfrey. | 0:09:52 | 0:09:54 | |
So I've been told. | 0:09:54 | 0:09:56 | |
Will you be joining us tonight for our little escapade? | 0:09:56 | 0:09:59 | |
No, not tonight. | 0:09:59 | 0:10:02 | |
You don't know what you're missing, dear, it's a rerun of a rerun. | 0:10:02 | 0:10:05 | |
I've seen it at least three times. | 0:10:05 | 0:10:08 | |
Ooh, spicy! | 0:10:08 | 0:10:10 | |
Mrs Burton! > | 0:10:10 | 0:10:12 | |
Something we desperately need round here. | 0:10:12 | 0:10:16 | |
Oh, Arthur... | 0:10:41 | 0:10:44 | |
what have I got myself into? | 0:10:44 | 0:10:47 | |
Violet! | 0:10:54 | 0:10:56 | |
I don't want any strawberry jam. | 0:10:59 | 0:11:01 | |
But you always have strawberry jam. | 0:11:01 | 0:11:04 | |
Precisely - I'm sick and tired of strawberry jam. | 0:11:04 | 0:11:07 | |
I'm allowed to make some changes, aren't I? Remember, I'm a guest here, not an inmate. | 0:11:07 | 0:11:12 | |
Would you like to try some of my marmalade? | 0:11:17 | 0:11:21 | |
Oh, no thank you, Mrs Palfrey, I'm just exercising my rights. | 0:11:21 | 0:11:25 | |
Keeps my heart going. | 0:11:25 | 0:11:27 | |
Oh. Good for you. | 0:11:27 | 0:11:30 | |
A little thing I learned from Mrs Thatcher. | 0:11:30 | 0:11:32 | |
Good morning. How do you do? I'm Vera Post. | 0:11:32 | 0:11:35 | |
Good morning. I'm Sarah Palfrey. | 0:11:35 | 0:11:37 | |
Yes, I know. I hope we're going to have the pleasure of having you here for a long time. | 0:11:37 | 0:11:43 | |
How long do you plan to stay? | 0:11:43 | 0:11:45 | |
I'm not sure. I'm taking it month by month. | 0:11:45 | 0:11:48 | |
Good. Do you have relatives in London? | 0:11:48 | 0:11:51 | |
Yes, I have a grandson, Desmond. | 0:11:51 | 0:11:55 | |
He works at the British Archives. | 0:11:55 | 0:11:57 | |
Marvellous. I suppose we'll be seeing a lot of him, then. | 0:11:57 | 0:12:01 | |
Well, he is a very busy young man. | 0:12:01 | 0:12:03 | |
They all are. | 0:12:03 | 0:12:05 | |
I have my whole family in Bournemouth but they come to visit me constantly. | 0:12:05 | 0:12:09 | |
-How lovely for you. -I'm seriously considering moving there myself. | 0:12:09 | 0:12:14 | |
That would be nice. | 0:12:16 | 0:12:18 | |
The weather is certainly milder. | 0:12:18 | 0:12:21 | |
Yes, and it's such a lively place. There's so much going on. | 0:12:21 | 0:12:25 | |
I would have thought there was always something going on in London. | 0:12:25 | 0:12:29 | |
It's true, but one just doesn't seem to go to it. Widow, are you? | 0:12:29 | 0:12:33 | |
Mrs Post, isn't it a bit too early for interrogations? | 0:12:33 | 0:12:38 | |
-I'm sorry, I didn't mean to... -No, no, no, it's quite all right. | 0:12:38 | 0:12:42 | |
Yes, I am a widow. | 0:12:42 | 0:12:44 | |
So am I. | 0:12:44 | 0:12:46 | |
-So is Mrs Arbuthnot. -Twice. | 0:12:46 | 0:12:49 | |
Orange marmalade. | 0:12:51 | 0:12:53 | |
That all right, Your Highness? | 0:12:53 | 0:12:55 | |
Temper, temper, my child. | 0:12:55 | 0:12:57 | |
Anything special for you ladies? | 0:12:59 | 0:13:01 | |
No, thank you. | 0:13:02 | 0:13:04 | |
I've been thinking of calling my grandson and inviting him here for lunch. | 0:13:06 | 0:13:12 | |
-On a Sunday. -Sunday? | 0:13:12 | 0:13:13 | |
Sundays, the roast beef is almost decent. | 0:13:13 | 0:13:17 | |
PHONE RINGS | 0:13:21 | 0:13:24 | |
-'Hello.' -Hello, Desmond. | 0:13:25 | 0:13:28 | |
-'..Leave a message.' -Oh, Lord. It's one of those things. | 0:13:28 | 0:13:32 | |
BEEP | 0:13:32 | 0:13:35 | |
Hello, Desmond. | 0:13:35 | 0:13:37 | |
It's your grandmother. | 0:13:37 | 0:13:39 | |
I'm sure your mother has told you that I'm here in London | 0:13:39 | 0:13:42 | |
and I would like to invite you to lunch here on Sunday, if you're not busy. | 0:13:42 | 0:13:48 | |
I would love to see you and show you off. | 0:13:48 | 0:13:51 | |
So call me at the Claremont Hotel whenever you can. | 0:13:51 | 0:13:56 | |
All right? | 0:13:56 | 0:13:58 | |
Well, I'll say goodbye now then, dear. | 0:13:58 | 0:14:03 | |
-BEEP -Oh, no! Hello, Desmond?! | 0:14:03 | 0:14:06 | |
DIAL TONE | 0:14:06 | 0:14:07 | |
Of course it's not working now. | 0:14:07 | 0:14:10 | |
'As the weeks flew by, | 0:14:15 | 0:14:16 | |
'she did her best to convince herself she was...all right.' | 0:14:16 | 0:14:21 | |
Telephone. | 0:14:21 | 0:14:23 | |
Mr Osborne, telephone. | 0:14:23 | 0:14:26 | |
'Her days started to meld into one, long waiting hour.' | 0:14:37 | 0:14:42 | |
Mrs Burton, telephone. | 0:14:45 | 0:14:47 | |
'She began to run out of excuses or explanations for why her grandson never called | 0:14:49 | 0:14:54 | |
'when suddenly she realised that nobody ever called.' | 0:14:54 | 0:14:58 | |
Mrs Palfrey! | 0:15:03 | 0:15:05 | |
"Schook" is not a word. | 0:15:05 | 0:15:07 | |
RADIO: So, it will be a rainy day... | 0:15:12 | 0:15:14 | |
Did you hear that? | 0:15:14 | 0:15:16 | |
-NORTHERN ACCENT: -"Rainy day." | 0:15:16 | 0:15:18 | |
We are going to have a "rainy day". | 0:15:18 | 0:15:22 | |
There was a time when our radio announcers could actually pronounce the phrase "rainy day". | 0:15:22 | 0:15:28 | |
Good Lord - what is the BBC coming to? | 0:15:28 | 0:15:32 | |
I don't know, sir. | 0:15:32 | 0:15:34 | |
'..for the next few days is more rain...' | 0:15:34 | 0:15:37 | |
-Excuse me, do you think it's going to rain? -Probably. | 0:15:37 | 0:15:41 | |
Oh, dear. How far away is the Post Office? | 0:15:41 | 0:15:45 | |
Last turning on the right, second left. | 0:15:45 | 0:15:48 | |
Very well. I'll take my chances. | 0:15:48 | 0:15:50 | |
Oh, Mrs Palfrey, I'm so glad I caught you. Would you do me the slightest favour? | 0:15:50 | 0:15:54 | |
I'm just on my way to the Post Office. | 0:15:54 | 0:15:57 | |
Perfect! Would you be kind enough to stop at the library and pick up a book for me? | 0:15:57 | 0:16:01 | |
They have it waiting for me at the front desk. It's right on your way. Here is my library card. Thank you. | 0:16:01 | 0:16:07 | |
Fourth turning on the right, second on the left. You can't miss it. | 0:16:12 | 0:16:17 | |
Thank you. | 0:16:18 | 0:16:19 | |
'It took her several drafts to write the perfect letter to her daughter, | 0:16:27 | 0:16:30 | |
'expressing, with restraint, her concern for Desmond's silence. | 0:16:30 | 0:16:35 | |
'As at many other times in her life, she questioned how the contents of her letter would be interpreted. | 0:16:35 | 0:16:41 | |
'Would she appear needy, or lonely? | 0:16:41 | 0:16:44 | |
'Or both?' | 0:16:44 | 0:16:46 | |
THUNDER | 0:16:52 | 0:16:55 | |
Oh, Lord. | 0:16:57 | 0:16:59 | |
Let me help you. | 0:17:23 | 0:17:25 | |
I'm quite all right, thank you. | 0:17:25 | 0:17:29 | |
No, you're not. | 0:17:29 | 0:17:31 | |
Why don't you come in, sit down for a minute. | 0:17:32 | 0:17:35 | |
Come on. | 0:17:38 | 0:17:40 | |
Take my hand. | 0:17:43 | 0:17:45 | |
Mind the step. | 0:17:45 | 0:17:48 | |
I think I've cut my knee. | 0:17:49 | 0:17:52 | |
There's a step just coming here. | 0:17:52 | 0:17:56 | |
All right? | 0:17:57 | 0:18:00 | |
Just give me one moment. | 0:18:00 | 0:18:03 | |
At least we avoided the paparazzi. | 0:18:12 | 0:18:14 | |
Let me see this leg. | 0:18:14 | 0:18:17 | |
It's not that deep and you'll probably live another day. | 0:18:20 | 0:18:23 | |
I've got some disinfectant somewhere. | 0:18:23 | 0:18:25 | |
You're very kind. | 0:18:28 | 0:18:30 | |
My name is Ludovic Meyer. And I'm not joking. | 0:18:30 | 0:18:32 | |
To add insult to injury, people call me Ludo. | 0:18:36 | 0:18:39 | |
-I'm Sarah Palfrey. -You're pulling my leg. -Oh, no, I'm not. | 0:18:39 | 0:18:45 | |
Well then, we have something in common. | 0:18:45 | 0:18:47 | |
We both have ridiculous names. | 0:18:47 | 0:18:49 | |
I'm sorry I don't have any cotton wool for this but I can assure you this shirt is 100% cotton. | 0:18:49 | 0:18:54 | |
-You mustn't do that. Ouch! -Does that sting? | 0:18:54 | 0:18:59 | |
Just a little. | 0:18:59 | 0:19:01 | |
-How does that feel? -That's better. | 0:19:05 | 0:19:08 | |
-Are you sure? -Yes. | 0:19:08 | 0:19:11 | |
Can you stand on it? | 0:19:11 | 0:19:12 | |
I'll try. | 0:19:15 | 0:19:17 | |
Yes. | 0:19:24 | 0:19:25 | |
Yes, that's... | 0:19:25 | 0:19:28 | |
Yes. It was more shock than anything. | 0:19:28 | 0:19:32 | |
Brilliant. Would you like a cup of tea? | 0:19:32 | 0:19:36 | |
Oh, no, no thank you. I've been enough of a nuisance already. | 0:19:36 | 0:19:40 | |
Nonsense, I was just going to make one for myself. | 0:19:40 | 0:19:43 | |
Were you really? | 0:19:43 | 0:19:45 | |
Scout's honour. | 0:19:45 | 0:19:47 | |
In that case, yes, it would be very nice. | 0:19:48 | 0:19:51 | |
Excellent. Have a seat. | 0:19:51 | 0:19:54 | |
Just got off work in time for your rescue. | 0:19:57 | 0:20:01 | |
Well, that was very lucky for me. | 0:20:01 | 0:20:03 | |
Just trying to find another mug. Don't usually have guests. | 0:20:03 | 0:20:07 | |
Have you not lived here very long? | 0:20:07 | 0:20:09 | |
Oh, it's not mine. I'm house-sitting. | 0:20:09 | 0:20:12 | |
I get it rent-free. | 0:20:12 | 0:20:14 | |
I do other jobs for money. | 0:20:14 | 0:20:17 | |
Are you a musician? | 0:20:17 | 0:20:19 | |
-What makes you say that? -Well... | 0:20:19 | 0:20:21 | |
Oh, no, no. I'm just a busker. | 0:20:21 | 0:20:24 | |
-A busker? -One of those people who plays on the street for money. | 0:20:24 | 0:20:30 | |
I...am a writer. | 0:20:32 | 0:20:36 | |
Without a laptop. | 0:20:36 | 0:20:37 | |
I sit in coffee shops and write until they ask me to leave. | 0:20:37 | 0:20:42 | |
Then I come home to my old faithful Remington Quiet Model 1 and... | 0:20:42 | 0:20:47 | |
Ding! Until the neighbours shout obscenities at me. | 0:20:48 | 0:20:53 | |
KETTLE WHISTLES | 0:20:54 | 0:20:57 | |
Have you had anything published? | 0:21:04 | 0:21:07 | |
No, of course I haven't. | 0:21:07 | 0:21:09 | |
But I'm still trying. | 0:21:09 | 0:21:11 | |
Well, it takes time. | 0:21:13 | 0:21:14 | |
You're very young. | 0:21:14 | 0:21:16 | |
-I've been hearing that for the past 26 years. -26? | 0:21:16 | 0:21:21 | |
My grandson is 26. | 0:21:21 | 0:21:24 | |
Oh, goodness me, look at the time! I'm going to be late for dinner. | 0:21:29 | 0:21:33 | |
-Are you going far? -No, not far - | 0:21:33 | 0:21:35 | |
the Claremont Hotel at Lancaster Gate. | 0:21:35 | 0:21:38 | |
Well, I'll whistle up a cab for you. | 0:21:38 | 0:21:40 | |
Thank you. | 0:21:40 | 0:21:42 | |
WHISTLE Taxi! | 0:21:50 | 0:21:53 | |
Your cab awaits, ma'am. | 0:22:09 | 0:22:11 | |
I would be delighted if you would come and have dinner with me one evening. | 0:22:13 | 0:22:17 | |
-At the Claremont? -I'd like to repay your kindness in some way. | 0:22:17 | 0:22:21 | |
That would be...very grand. | 0:22:21 | 0:22:25 | |
Would Saturday suit you? | 0:22:25 | 0:22:27 | |
Why not? Saturday would be lovely. | 0:22:27 | 0:22:31 | |
There you are! I had begun to fear you'd been abducted. | 0:22:37 | 0:22:41 | |
Not quite. But I did have a little adventure. | 0:22:41 | 0:22:44 | |
So did Lady Chatterley, from the looks of it. | 0:22:44 | 0:22:48 | |
Oh, yes, I'm sorry. I dropped it, quite unintentionally of course. | 0:22:48 | 0:22:52 | |
Nevertheless, it was very kind of you. | 0:22:52 | 0:22:54 | |
I'm having a guest for dinner on Saturday, a young gentleman. | 0:22:55 | 0:23:00 | |
Finally! | 0:23:00 | 0:23:02 | |
We are finally going to get to meet this mythical grandson. | 0:23:02 | 0:23:06 | |
Oh, how lovely! | 0:23:06 | 0:23:08 | |
Is he married? Does he have a girlfriend? | 0:23:08 | 0:23:10 | |
No, I don't think so. | 0:23:10 | 0:23:13 | |
Oh! Splendid. | 0:23:13 | 0:23:16 | |
Oh, dear. | 0:23:17 | 0:23:19 | |
Excuse me. I was wondering if you lived around here. | 0:23:50 | 0:23:54 | |
I do - how can I help you? | 0:23:54 | 0:23:56 | |
I'm looking for a young man, | 0:23:56 | 0:23:58 | |
he lives in one of these basement flats. | 0:23:58 | 0:24:01 | |
He's a writer. | 0:24:01 | 0:24:03 | |
-His name is Ludovic Meyer. -Mrs Palfrey! | 0:24:03 | 0:24:05 | |
Oh! There he is now. Sorry. | 0:24:05 | 0:24:08 | |
-Hello! -Oh, Ludo. Thank goodness I found you. | 0:24:08 | 0:24:12 | |
-How's your leg? -The leg's fine. | 0:24:12 | 0:24:14 | |
I'm afraid I've gone and put my foot in it. | 0:24:14 | 0:24:17 | |
I may steal that line, if you don't mind. | 0:24:18 | 0:24:21 | |
What, sorry? | 0:24:21 | 0:24:22 | |
Nothing. Would you like some tea? | 0:24:22 | 0:24:26 | |
Oh, no, no thank you. | 0:24:26 | 0:24:28 | |
I had to come and tell you because I have got myself into a bit of a mess. | 0:24:28 | 0:24:32 | |
-Don't tell me, the police are after you. -Oh, no. | 0:24:32 | 0:24:34 | |
Please don't laugh, this is serious. | 0:24:34 | 0:24:37 | |
Sorry. Go on. | 0:24:37 | 0:24:39 | |
Quite recklessly, I've announced that I have a young visitor for dinner on Saturday | 0:24:40 | 0:24:46 | |
-and everybody assumed it was my grandson, Desmond. -So? | 0:24:46 | 0:24:50 | |
Well, I didn't deny it. | 0:24:50 | 0:24:54 | |
I just let it go, it was such a surprise. | 0:24:54 | 0:24:57 | |
You see, he never came to visit. | 0:24:57 | 0:24:59 | |
He didn't even call. | 0:24:59 | 0:25:01 | |
So, they all refer to him as my "mythical" grandson. | 0:25:01 | 0:25:04 | |
I don't see the problem. Why don't I be your grandson for the evening? | 0:25:04 | 0:25:08 | |
Oh, would you? | 0:25:08 | 0:25:09 | |
-Of course. -Would you really? -Of course. | 0:25:09 | 0:25:13 | |
Between you and me, I never really had a grandmother. | 0:25:13 | 0:25:16 | |
-Everybody has a grandmother. -True, but I never met mine. | 0:25:16 | 0:25:20 | |
Oh. Oh, well thank you, thank you. | 0:25:20 | 0:25:23 | |
-This is for you. -Oh, you shouldn't have. | 0:25:23 | 0:25:26 | |
It's what grandmothers do. | 0:25:26 | 0:25:29 | |
Open it up. | 0:25:29 | 0:25:32 | |
I hope it fits. It's 100% cotton, you know. | 0:25:32 | 0:25:36 | |
It's lovely, thank you. | 0:25:36 | 0:25:39 | |
Now, what do I call you? | 0:25:39 | 0:25:41 | |
Grandmother, Granny? If I call you Mrs Palfrey in front of everyone... | 0:25:41 | 0:25:45 | |
Oh. Well, when he was a tiny tot, | 0:25:45 | 0:25:48 | |
Desmond used to call me Sasa. | 0:25:48 | 0:25:52 | |
-Who's Desmond? -My real... | 0:25:52 | 0:25:55 | |
My other grandson! | 0:25:56 | 0:25:59 | |
Right, and what does Desmond wear? | 0:26:00 | 0:26:02 | |
Don't worry, I'll work something out. | 0:26:05 | 0:26:08 | |
Till Saturday, Sasa. | 0:26:08 | 0:26:10 | |
I do hope he's got a decent pair of shoes. | 0:26:17 | 0:26:20 | |
Hello, Sasa. | 0:26:30 | 0:26:32 | |
You look ravishing. | 0:26:32 | 0:26:33 | |
Why, you look very nice too. | 0:26:33 | 0:26:36 | |
-Are you ready for our entrance? -Absolutely. | 0:26:36 | 0:26:39 | |
By the way, what's my name again? | 0:26:39 | 0:26:41 | |
Oh, dear. | 0:26:41 | 0:26:43 | |
Desmond. | 0:26:43 | 0:26:44 | |
D-E-S-M-O-N-D, Desmond. | 0:26:44 | 0:26:47 | |
Who's Desmond? | 0:26:47 | 0:26:49 | |
Relax. | 0:26:49 | 0:26:51 | |
I'm a brilliant actor. | 0:26:51 | 0:26:54 | |
When I have to be. | 0:26:54 | 0:26:56 | |
-MUTTERING: -Oh, it's Mrs Palfrey. | 0:27:07 | 0:27:09 | |
Thank you. | 0:27:32 | 0:27:34 | |
Would you pour the wine, dear? | 0:27:40 | 0:27:42 | |
Of course. | 0:27:42 | 0:27:44 | |
Oh, Mrs Post. Good evening. | 0:27:52 | 0:27:54 | |
-Is this your grandson? -I'm Desmond. | 0:27:54 | 0:27:57 | |
Of course, I can see, the resemblance is uncanny. | 0:27:57 | 0:28:01 | |
Oh but please, sit down. | 0:28:01 | 0:28:04 | |
Yes, so nice finally to meet you, we've heard so much about you. | 0:28:04 | 0:28:09 | |
Are you enjoying your job in the archives? | 0:28:09 | 0:28:11 | |
I can't imagine such an important thing. | 0:28:11 | 0:28:15 | |
-Are you open on Sundays? -No. -Yes. | 0:28:15 | 0:28:17 | |
Oh, sorry, did you say open? | 0:28:17 | 0:28:19 | |
I thought you said, did I work on Sundays? | 0:28:19 | 0:28:21 | |
We are open, 365 days a year, seven days a week, we're open. | 0:28:21 | 0:28:26 | |
I hope we can see more of you in the future. | 0:28:26 | 0:28:29 | |
I have a niece. She's quite lovely. | 0:28:29 | 0:28:32 | |
She comes to visit me on Thursdays. | 0:28:32 | 0:28:34 | |
You didn't tell me he was such a good-looking young man. | 0:28:34 | 0:28:38 | |
-I, I, I suppose you have a girlfriend, do you? -Mrs Post! | 0:28:38 | 0:28:43 | |
Postpone interrogations for later. | 0:28:43 | 0:28:46 | |
Let them have dinner in peace! | 0:28:46 | 0:28:48 | |
Sorry. I don't mean to... | 0:28:50 | 0:28:52 | |
-Good evening. -Mrs Arbuthnot. | 0:28:54 | 0:28:56 | |
-I'm... -I know. Welcome to the Claremont, young man. | 0:28:56 | 0:29:01 | |
I hope you have a strong stomach. | 0:29:01 | 0:29:04 | |
Good Lord, we're trapped in a Terence Rattigan play. | 0:29:10 | 0:29:13 | |
Mrs Arbuthnot has been at the Claremont for years. | 0:29:16 | 0:29:20 | |
Yes, I can see. | 0:29:20 | 0:29:22 | |
It's entered her soul. | 0:29:25 | 0:29:27 | |
People aren't always what they seem. | 0:29:29 | 0:29:32 | |
She was very kind to me on my first night here. | 0:29:32 | 0:29:35 | |
No, you're quite right. | 0:29:35 | 0:29:38 | |
As the poet would say, we see into the life of things. | 0:29:38 | 0:29:41 | |
That's Wordsworth. | 0:29:41 | 0:29:43 | |
Indeed. Do you enjoy him? | 0:29:43 | 0:29:45 | |
Oh yes! He's my travelling companion, I take him everywhere. And you? | 0:29:45 | 0:29:50 | |
I like him, but William Blake's my man. | 0:29:50 | 0:29:53 | |
Oh! That was Arthur's favourite poet. | 0:29:53 | 0:29:57 | |
-Who's Arthur? -(Your grandfather, dear!) | 0:29:57 | 0:30:00 | |
Oh yes, of course. | 0:30:00 | 0:30:02 | |
Well, there you are, it runs in the family. | 0:30:02 | 0:30:06 | |
-Thank you. -Thank you. | 0:30:06 | 0:30:09 | |
How do you do? | 0:30:12 | 0:30:14 | |
Fine, thank you. | 0:30:14 | 0:30:16 | |
Bye-bye. | 0:30:28 | 0:30:30 | |
You know, I'm enjoying this too much. | 0:30:35 | 0:30:39 | |
Do you think that's wicked? | 0:30:39 | 0:30:40 | |
No, enjoy it as much as you can. | 0:30:40 | 0:30:43 | |
I've never enjoyed myself more. | 0:30:43 | 0:30:45 | |
With my clothes on. | 0:30:45 | 0:30:47 | |
Thanks. | 0:31:05 | 0:31:07 | |
May I be brutally frank? | 0:31:13 | 0:31:15 | |
Oh dear. I don't know. | 0:31:15 | 0:31:18 | |
What are you doing here? | 0:31:18 | 0:31:22 | |
-You don't seem to belong. -Well, that's a long story. | 0:31:22 | 0:31:26 | |
I must confess I feel quite comfortable here. | 0:31:26 | 0:31:30 | |
And safe. | 0:31:30 | 0:31:31 | |
According to Mrs Arbuthnot, you're not allowed to die here. | 0:31:31 | 0:31:36 | |
Well, that may be wishful thinking on her part. | 0:31:36 | 0:31:39 | |
I don't know. I imagined you travelling the world, visiting exotic places. | 0:31:41 | 0:31:46 | |
Oh, I did that, | 0:31:46 | 0:31:47 | |
in the past, with Arthur. | 0:31:47 | 0:31:49 | |
Grandpapa. | 0:31:49 | 0:31:52 | |
He would have liked you very much. | 0:31:52 | 0:31:56 | |
And vice versa. | 0:31:56 | 0:31:58 | |
I'm so, so sorry to interrupt. | 0:31:58 | 0:32:01 | |
Er, Mrs Burton. | 0:32:01 | 0:32:04 | |
I'm just off to the theatre with some friends and I didn't want to | 0:32:04 | 0:32:08 | |
miss the grand opportunity of meeting your grandson. | 0:32:08 | 0:32:11 | |
Hello, darling. Shirley. | 0:32:11 | 0:32:13 | |
-Shirley Burton. -Desmond, how do you do? | 0:32:13 | 0:32:16 | |
Oh, I see that good looks and charm runs in the family. | 0:32:16 | 0:32:21 | |
That's very kind of you. | 0:32:21 | 0:32:23 | |
You have good genes, Mrs Palfrey. | 0:32:23 | 0:32:26 | |
Isn't it remarkable how people see what they want to see? | 0:32:33 | 0:32:37 | |
Yes. Remarkable. | 0:32:41 | 0:32:43 | |
You don't have to see me out. | 0:32:52 | 0:32:53 | |
I don't have to, but I want to. | 0:32:53 | 0:32:56 | |
I don't know how to thank you. | 0:32:56 | 0:32:59 | |
You have no idea how much this has meant to me. | 0:32:59 | 0:33:04 | |
Well, it's reciprocal. | 0:33:04 | 0:33:06 | |
-You've given me ideas, Mrs Palfrey. -Oh? | 0:33:06 | 0:33:09 | |
A story is shaping up in my mind. | 0:33:09 | 0:33:13 | |
Something you could help me with. | 0:33:13 | 0:33:15 | |
Oh, tell me. | 0:33:15 | 0:33:18 | |
Would you share with me | 0:33:18 | 0:33:20 | |
some of the things that matter to you, from your life? | 0:33:20 | 0:33:24 | |
And in return I can show you some from mine. | 0:33:24 | 0:33:26 | |
Most of the things that mattered to me are not around any more. | 0:33:26 | 0:33:31 | |
They live in here. | 0:33:31 | 0:33:33 | |
And here. | 0:33:35 | 0:33:36 | |
That's exactly what I mean. | 0:33:36 | 0:33:40 | |
Mrs Palfrey. | 0:33:55 | 0:33:58 | |
He is divine. | 0:33:58 | 0:34:01 | |
I can't wait for him to meet my niece. | 0:34:01 | 0:34:04 | |
Something tells me, Mrs Palfrey, that we will end up being relatives. | 0:34:04 | 0:34:08 | |
Mrs Post, please don't frighten the poor woman! | 0:34:08 | 0:34:12 | |
Mrs Palfrey, hello. | 0:34:14 | 0:34:17 | |
Although we haven't officially met, I am Lorna de Salis, and this is my son, Willie. | 0:34:17 | 0:34:21 | |
-How do you do? -We are staying at the Claremont for a brief period | 0:34:21 | 0:34:24 | |
until the renovations of our apartment are complete. | 0:34:24 | 0:34:28 | |
We are theatre people. | 0:34:28 | 0:34:29 | |
Oh, we have come from generations of theatre people. | 0:34:29 | 0:34:33 | |
And although I have recently retired from the stage, | 0:34:33 | 0:34:37 | |
Willie runs an amateur dramatic group for young actors | 0:34:37 | 0:34:41 | |
whom he believes to hold great promise. | 0:34:41 | 0:34:44 | |
And sometimes I help out. | 0:34:44 | 0:34:46 | |
Do you think your grandson might be interested in joining our little group? I mean, Willie thinks he has | 0:34:46 | 0:34:52 | |
-the makings of a splendid leading man, don't you, dear? -Oh, indeed I do, mother. | 0:34:52 | 0:34:58 | |
Um, I don't know. | 0:34:58 | 0:35:00 | |
I mean, he's a write... He's very busy at the archives. | 0:35:00 | 0:35:06 | |
Archives?! | 0:35:06 | 0:35:08 | |
Yes, at the British Museum. | 0:35:08 | 0:35:10 | |
But a face like that can't be locked away in the archives! | 0:35:10 | 0:35:15 | |
It should be seen. On the stage. | 0:35:15 | 0:35:17 | |
On the box. On the screen... | 0:35:17 | 0:35:19 | |
Willie, dear. | 0:35:19 | 0:35:22 | |
Now, calm yourself, remember your blood pressure. | 0:35:22 | 0:35:26 | |
He can be rather exuberant at times. | 0:35:26 | 0:35:28 | |
But what makes him such a brilliant actor. | 0:35:28 | 0:35:31 | |
Now, do let us know what your grandson thinks. | 0:35:31 | 0:35:35 | |
I shall. | 0:35:35 | 0:35:36 | |
Good evening. | 0:35:36 | 0:35:38 | |
To meet a young man in this day and age with such impeccable manners, | 0:35:41 | 0:35:47 | |
tells me more about YOU, Mrs Palfrey, than about him. | 0:35:47 | 0:35:51 | |
Well, thank you, Mr Osborne, but I think a little credit should go to my daughter. | 0:35:51 | 0:35:56 | |
There's more to you than meets the eye, | 0:35:56 | 0:36:01 | |
Mrs Palfrey. | 0:36:01 | 0:36:03 | |
Mrs Palfrey. | 0:36:37 | 0:36:39 | |
Telephone. Your grandson. | 0:36:39 | 0:36:42 | |
-Desmond? -Good morning, Sasa, listen. I've been writing all night. | 0:36:53 | 0:36:56 | |
Oh, it IS you. | 0:36:56 | 0:36:58 | |
You've been a great success at the Claremont. | 0:36:58 | 0:37:01 | |
You mean, WE have been a great success at the Claremont. | 0:37:01 | 0:37:04 | |
Sasa, have you noticed what an unusually beautiful day it is? | 0:37:04 | 0:37:10 | |
And Mrs Arbuthnot smiled like a dragonfly as she awaited the soup she knew would come. | 0:37:10 | 0:37:18 | |
Now, what do you think? | 0:37:19 | 0:37:21 | |
Do you recognise yourself? Am I getting it right? | 0:37:21 | 0:37:24 | |
I don't think accuracy should interfere with a good story. | 0:37:24 | 0:37:28 | |
But you didn't know me when I was happily married. | 0:37:28 | 0:37:32 | |
-I was lucky enough to find the almost perfect man. -Almost? | 0:37:32 | 0:37:38 | |
He left me too early. | 0:37:38 | 0:37:39 | |
We were still in love. | 0:37:39 | 0:37:41 | |
But what he did | 0:37:43 | 0:37:45 | |
by dying before me, | 0:37:45 | 0:37:47 | |
was to make me call on strengths I never knew I had, | 0:37:47 | 0:37:52 | |
to appreciate independence, | 0:37:52 | 0:37:55 | |
and not to fear the approach of my own last days on earth. | 0:37:55 | 0:38:01 | |
But at your age, one is not equipped to think that way, thank God. | 0:38:01 | 0:38:05 | |
Ludo. | 0:38:07 | 0:38:09 | |
Rosie. | 0:38:11 | 0:38:13 | |
Hello. | 0:38:13 | 0:38:15 | |
Erm... | 0:38:15 | 0:38:17 | |
I don't think you've met my grandmother. | 0:38:17 | 0:38:20 | |
Your grandmother? | 0:38:22 | 0:38:23 | |
Sasa, this is Rosie. | 0:38:23 | 0:38:25 | |
Remember, I told you about her. | 0:38:25 | 0:38:28 | |
Oh, yes, forgive me, darling. | 0:38:28 | 0:38:30 | |
You know I forget everything these days. How do you do? | 0:38:30 | 0:38:33 | |
Er, Sasa, would you excuse us for just one moment? | 0:38:33 | 0:38:38 | |
Rosie. Rosie! | 0:38:43 | 0:38:45 | |
Rosie. | 0:38:48 | 0:38:49 | |
What the hell happened to you? | 0:38:49 | 0:38:51 | |
I woke up one morning and you were gone. Vanished. | 0:38:51 | 0:38:54 | |
Just a pair of dirty socks to remember you by. | 0:38:54 | 0:38:57 | |
Well, from our last time together, I thought I was doing you a favour. | 0:38:57 | 0:38:59 | |
-Oh, you were. -You deserve better than me, anyway. | 0:38:59 | 0:39:02 | |
I do. | 0:39:02 | 0:39:04 | |
And now that we've cleared that up, | 0:39:04 | 0:39:06 | |
-what's with the grandmother? -What do you mean? | 0:39:06 | 0:39:09 | |
-Your grandmother's dead. -Yeah, most humans have TWO grandmothers, Rosie. | 0:39:09 | 0:39:12 | |
So, she's the American one? | 0:39:12 | 0:39:15 | |
Yeah. Can't you tell? | 0:39:15 | 0:39:17 | |
What do I know? | 0:39:19 | 0:39:21 | |
When I first saw the two of you from a distance, I thought, | 0:39:23 | 0:39:27 | |
"Ludo's entering a new stage." | 0:39:27 | 0:39:30 | |
Harold and Maude, if you know what I mean. | 0:39:30 | 0:39:33 | |
Yeah, well, you got it wrong, as usual. | 0:39:33 | 0:39:36 | |
It's nice to see you, Rosie. | 0:39:36 | 0:39:38 | |
Wish I could say the same. | 0:39:38 | 0:39:40 | |
I was wondering why a young man with so many qualities didn't have a girlfriend. | 0:39:46 | 0:39:50 | |
Or a wife. | 0:39:50 | 0:39:52 | |
My qualities are more honeymoon than mortgage. | 0:39:52 | 0:39:55 | |
Sorry? | 0:39:55 | 0:39:58 | |
I just mean, I'm not very successful in the relationship department. | 0:39:58 | 0:40:02 | |
-Oh. -For instance, I have a mother... | 0:40:02 | 0:40:04 | |
I suspected as much. | 0:40:04 | 0:40:06 | |
..who I haven't seen in months. | 0:40:08 | 0:40:10 | |
Oh, why? | 0:40:10 | 0:40:12 | |
I don't know. We live on different planets. | 0:40:12 | 0:40:15 | |
I sometimes visit hers, but she never visits mine. | 0:40:15 | 0:40:19 | |
I always leave feeling like a stranger. | 0:40:19 | 0:40:22 | |
I am afraid I know exactly what you mean. | 0:40:24 | 0:40:27 | |
And your father? | 0:40:29 | 0:40:32 | |
My father never made it. | 0:40:32 | 0:40:34 | |
He got tired, and died. | 0:40:36 | 0:40:39 | |
Oh. | 0:40:40 | 0:40:42 | |
It's very important to praise people a lot, early on. | 0:40:43 | 0:40:47 | |
Otherwise they might die of disappointment. | 0:40:48 | 0:40:51 | |
My mother's disappointed in me. | 0:40:53 | 0:40:57 | |
Well, she shouldn't be. | 0:40:57 | 0:40:59 | |
I'd very much like to meet her. | 0:41:01 | 0:41:04 | |
Well, what's the matter? | 0:41:07 | 0:41:09 | |
Sorry! It's just the thought of you two together. | 0:41:10 | 0:41:14 | |
It's nothing, really. | 0:41:16 | 0:41:18 | |
Just the thought. | 0:41:18 | 0:41:20 | |
Quite bizarre. | 0:41:20 | 0:41:21 | |
Now, I think I'd like something quite different this morning. | 0:41:41 | 0:41:45 | |
Fresh orange juice. Not the stuff out of a bottle. | 0:41:45 | 0:41:49 | |
And scrambled eggs. | 0:41:49 | 0:41:51 | |
Whatever you say, ma'am. | 0:41:51 | 0:41:53 | |
SHE SIGHS | 0:41:53 | 0:41:55 | |
Ah, there you are. | 0:42:04 | 0:42:06 | |
Desmond! Oh, what on earth are you doing here? | 0:42:08 | 0:42:12 | |
You called me. | 0:42:12 | 0:42:14 | |
But that was weeks ago! | 0:42:14 | 0:42:17 | |
We can't talk here. We must go somewhere more private. | 0:42:17 | 0:42:20 | |
Don't say a word, just follow me. | 0:42:27 | 0:42:29 | |
What the hell is going on, Grandmother? | 0:42:32 | 0:42:34 | |
Ssh! Lower your voice. | 0:42:34 | 0:42:37 | |
-They don't encourage visitors here, especially relatives. -That's absurd. | 0:42:37 | 0:42:42 | |
Yes, I agree it is absurd but those are the rules. | 0:42:42 | 0:42:46 | |
Now, if you want to have lunch or dinner with me, I'd be delighted, | 0:42:46 | 0:42:49 | |
but we can't do it here, and you must give me a little more notice. | 0:42:49 | 0:42:54 | |
So you choose a day. | 0:42:54 | 0:42:55 | |
Well, I'm rather busy these days. | 0:42:55 | 0:42:58 | |
-I'm writing a book. -What? | 0:42:58 | 0:43:00 | |
On Cycladic art. | 0:43:00 | 0:43:02 | |
Well, that should be interesting. | 0:43:02 | 0:43:05 | |
Well, shall I report back to Mother? | 0:43:05 | 0:43:07 | |
After all, that's why I am here. | 0:43:07 | 0:43:09 | |
Well, don't worry about that. | 0:43:09 | 0:43:11 | |
I'll tell her. Now, you really must go, Desmond, off you go. | 0:43:11 | 0:43:16 | |
I'd like to get back to my breakfast. | 0:43:16 | 0:43:18 | |
Who was that, Mrs Palfrey? | 0:43:32 | 0:43:35 | |
My accountant. | 0:43:35 | 0:43:37 | |
Oh, accountants! | 0:43:37 | 0:43:39 | |
Why is it they all look the same? | 0:43:39 | 0:43:42 | |
I do love him, you know, and he's very capable. | 0:43:42 | 0:43:44 | |
But he does have the most dreadful sense of timing. | 0:43:44 | 0:43:47 | |
One must never love one's accountant, Mrs Palfrey. | 0:43:47 | 0:43:51 | |
True. | 0:43:51 | 0:43:53 | |
-What is this? -Scrambled egg. | 0:43:59 | 0:44:03 | |
-Just like you ordered. -Did I? | 0:44:03 | 0:44:06 | |
I must be losing my mind. | 0:44:08 | 0:44:10 | |
Whatever you say, ma'am. | 0:44:10 | 0:44:12 | |
HE CLEARS HIS THROAT | 0:44:16 | 0:44:18 | |
Mrs Palfrey, may I approach? | 0:44:18 | 0:44:21 | |
What is it, Major? | 0:44:22 | 0:44:24 | |
Major? Do I look like a major? | 0:44:24 | 0:44:27 | |
It will be news to my sister. | 0:44:27 | 0:44:29 | |
I'm sorry, Mr Osborne. | 0:44:29 | 0:44:31 | |
My mind is completely elsewhere. | 0:44:31 | 0:44:34 | |
I have had an unusually agitated morning. | 0:44:34 | 0:44:38 | |
Please, sit down. | 0:44:38 | 0:44:40 | |
I completely forgot what I was going to say. | 0:44:49 | 0:44:53 | |
Well, it happens. | 0:44:56 | 0:44:58 | |
We all of us forget things from time to time. | 0:44:58 | 0:45:01 | |
No matter how old we are. | 0:45:01 | 0:45:03 | |
I've remembered | 0:45:06 | 0:45:08 | |
why I came over here. I... | 0:45:08 | 0:45:10 | |
I wanted to extend an invitation. | 0:45:10 | 0:45:14 | |
Oh? | 0:45:14 | 0:45:16 | |
Would you do me the honour to be my guest at a masonic do? | 0:45:16 | 0:45:21 | |
What does one do at a masonic do, Mr Osborne? | 0:45:21 | 0:45:26 | |
No chanting, I hope. | 0:45:26 | 0:45:28 | |
Or human sacrifices. | 0:45:28 | 0:45:31 | |
Oh. No, no, no, no. No, no. Ha-ha. | 0:45:31 | 0:45:36 | |
No. Nothing like that. | 0:45:36 | 0:45:38 | |
It's, it's a ladies' night. | 0:45:38 | 0:45:40 | |
They'd be delighted if you were to come. | 0:45:40 | 0:45:43 | |
And I'd be delighted if you were to be my guest. | 0:45:43 | 0:45:47 | |
I would love to come, Mr Osborne. | 0:45:50 | 0:45:52 | |
HE LAUGHS | 0:45:54 | 0:45:57 | |
It's a conspiracy. | 0:46:00 | 0:46:02 | |
You should have seen me pushing my grandson out of the hotel. | 0:46:02 | 0:46:06 | |
-I am going to be ostracised when they find out. -By whom? | 0:46:06 | 0:46:10 | |
I'm surprised at you, Mrs P. | 0:46:10 | 0:46:12 | |
Where's your backbone? | 0:46:12 | 0:46:13 | |
Calm down, it's only my mother. | 0:46:13 | 0:46:15 | |
Only! | 0:46:15 | 0:46:17 | |
Hello, Mum. | 0:46:22 | 0:46:24 | |
So, what ARE you doing? | 0:46:34 | 0:46:38 | |
I'm writing. | 0:46:38 | 0:46:40 | |
I mean, for a living. | 0:46:40 | 0:46:42 | |
You're beginning to sound like an American. | 0:46:42 | 0:46:44 | |
Flattery will get you nowhere. | 0:46:44 | 0:46:46 | |
You have to admit I'm a broad-minded person. | 0:46:51 | 0:46:54 | |
I don't see my son for months, and then he comes and visits me with YOU, | 0:46:54 | 0:46:58 | |
and I haven't asked for a single explanation. | 0:46:58 | 0:47:01 | |
Mrs Meyer, there is nothing to explain. | 0:47:01 | 0:47:04 | |
I am a sort of honorary grandmother. | 0:47:04 | 0:47:07 | |
Cover your ears, I'm going to embarrass you. | 0:47:09 | 0:47:12 | |
I think I'll get some more tea. | 0:47:12 | 0:47:14 | |
You know, | 0:47:17 | 0:47:19 | |
your son is a man of many talents. | 0:47:19 | 0:47:22 | |
And he showed me great kindness when I was in distress. | 0:47:22 | 0:47:27 | |
I think you should be proud that you have brought him up to be the man he is today. | 0:47:27 | 0:47:33 | |
And, in case you were not aware of it, | 0:47:33 | 0:47:37 | |
you have been often on his mind. | 0:47:37 | 0:47:39 | |
And that is why | 0:47:41 | 0:47:43 | |
I was curious, | 0:47:43 | 0:47:45 | |
and wanted to meet you. | 0:47:45 | 0:47:47 | |
But please forgive me if I seem intrusive. | 0:47:49 | 0:47:51 | |
It may not seem like it, but I fought to give him the best. | 0:47:55 | 0:48:00 | |
I never had the luxury of having a husband to fall back on. | 0:48:00 | 0:48:04 | |
I raised him all by myself, and I'm damn proud of it, too. | 0:48:04 | 0:48:09 | |
I don't regret it for a single second. | 0:48:09 | 0:48:11 | |
I'd do it all over again if I had to. | 0:48:11 | 0:48:14 | |
But, sometimes, things just don't work out how you hope. | 0:48:14 | 0:48:19 | |
What do YOU want? | 0:48:30 | 0:48:31 | |
Ravishing. | 0:48:54 | 0:48:56 | |
Positively ravishing. | 0:48:56 | 0:49:00 | |
Mr Osborne, I suspect you have some Italian blood in you. | 0:49:00 | 0:49:05 | |
Irish. | 0:49:05 | 0:49:07 | |
Ah. That explains it. | 0:49:07 | 0:49:11 | |
Shall we go? | 0:49:11 | 0:49:13 | |
"HERE COMES THE BRIDE" IS PLAYED ON PIANO | 0:49:21 | 0:49:24 | |
I sense a bad situation developing here. | 0:49:24 | 0:49:27 | |
No! | 0:49:28 | 0:49:31 | |
# It's never too late to have a fling | 0:49:31 | 0:49:35 | |
# Autumn is just as nice as spring | 0:49:35 | 0:49:38 | |
# Cos it's never too late to fall in love | 0:49:38 | 0:49:43 | |
# Boop be doop, boop be doop, boop be doop | 0:49:43 | 0:49:46 | |
# It's never too late to wink an eye | 0:49:46 | 0:49:49 | |
# I'll do it until the day I die | 0:49:49 | 0:49:52 | |
# And it's never too late to fall in love | 0:49:52 | 0:49:57 | |
# Boop be doop, boop be doop, boop be doop | 0:49:57 | 0:49:59 | |
# If I say I'm too old for you... # | 0:49:59 | 0:50:03 | |
THEY MUMBLE WORDS OF SONG | 0:50:03 | 0:50:06 | |
# ..The old one tastes much nicer | 0:50:09 | 0:50:11 | |
# It's never too late to... # | 0:50:11 | 0:50:15 | |
THEY MUMBLE WORDS OF SONG | 0:50:15 | 0:50:18 | |
# ..And it's never too late to fall in love. # | 0:50:18 | 0:50:22 | |
Two, three, four, five, six, yah! | 0:50:22 | 0:50:25 | |
HUM OF CONVERSATION | 0:50:27 | 0:50:31 | |
No, I haven't been to France for over five years. | 0:50:46 | 0:50:51 | |
But Paris is my favourite city. | 0:50:51 | 0:50:53 | |
Well, that was an improvement on dinner at the Claremont. | 0:51:16 | 0:51:21 | |
A very pleasant evening, thank you. | 0:51:21 | 0:51:24 | |
Shall we walk for a bit? | 0:51:24 | 0:51:27 | |
And then, when we're tired, we could take a taxi. | 0:51:27 | 0:51:31 | |
If you think you're up to it. | 0:51:31 | 0:51:34 | |
Mrs Palfrey, I could fly! | 0:51:34 | 0:51:37 | |
-Oh. -Oh, dear. | 0:51:39 | 0:51:41 | |
I haven't been this comfortable with a woman since... | 0:51:44 | 0:51:48 | |
since the last time that I was comfortable with a woman. | 0:51:48 | 0:51:52 | |
May I call you Sarah? | 0:51:52 | 0:51:54 | |
It IS my name. | 0:51:54 | 0:51:56 | |
It gets a bit lonely at the Claremont sometimes, don't you think? | 0:51:56 | 0:52:01 | |
Sometimes. | 0:52:01 | 0:52:04 | |
I'm not cut out to be a widower, you know. | 0:52:04 | 0:52:06 | |
And it occurred to me that if we joined forces, | 0:52:06 | 0:52:10 | |
-we could have a better job of it altogether. -Joined forces? | 0:52:10 | 0:52:15 | |
We'd have a lovely little cottage down in Tunbridge Wells. | 0:52:15 | 0:52:18 | |
I've a couple of chums down there. | 0:52:18 | 0:52:20 | |
I'm not sure I quite understand! | 0:52:20 | 0:52:24 | |
We'd have someone to keep house for us. | 0:52:24 | 0:52:26 | |
We could go out on a spree sometimes. | 0:52:26 | 0:52:29 | |
We could do some entertaining. | 0:52:29 | 0:52:31 | |
We could give cheese-and-wine parties. | 0:52:31 | 0:52:34 | |
Cheese and wine parties? Oh! | 0:52:34 | 0:52:38 | |
Mr Osborne, please don't go on. | 0:52:38 | 0:52:41 | |
I think it's time we went to look for a taxi. | 0:52:41 | 0:52:44 | |
Not just any old cheese. | 0:52:44 | 0:52:45 | |
Not that mousetrap stuff that they serve up at the Claremont, no, no, no, no. No. | 0:52:45 | 0:52:52 | |
Um, something with a real bit of bite in it. | 0:52:52 | 0:52:55 | |
Black Diamond. Or a good wedge of Brie... | 0:52:55 | 0:52:59 | |
I'm not a wealthy man. | 0:53:00 | 0:53:02 | |
But I'm wealthy enough to give a woman the life she deserves. | 0:53:02 | 0:53:07 | |
Mr Osborne, | 0:53:07 | 0:53:09 | |
I came as your guest this evening, | 0:53:09 | 0:53:11 | |
thinking it was simply a friendly invitation. | 0:53:11 | 0:53:14 | |
Are you now suggesting that we live in sin? | 0:53:14 | 0:53:17 | |
Worse. | 0:53:17 | 0:53:20 | |
Much worse. | 0:53:20 | 0:53:21 | |
I'm asking you to marry me. | 0:53:22 | 0:53:24 | |
Oh, ho... | 0:53:24 | 0:53:26 | |
SHE LAUGHS | 0:53:26 | 0:53:28 | |
Oh, please forgive me. | 0:53:28 | 0:53:31 | |
That's very kind of you. | 0:53:31 | 0:53:33 | |
But I hope it is the whisky talking, and not you. | 0:53:33 | 0:53:38 | |
I was never more sober in my life. | 0:53:38 | 0:53:41 | |
Look at me! | 0:53:41 | 0:53:43 | |
Now, no more, no more, Mr Osborne. | 0:53:58 | 0:54:02 | |
Please come and sit down. | 0:54:03 | 0:54:05 | |
Mrs Palfrey... | 0:54:09 | 0:54:11 | |
Sarah... | 0:54:11 | 0:54:13 | |
will you make me the happiest man in the world? | 0:54:13 | 0:54:16 | |
Mr Osborne, please don't. | 0:54:16 | 0:54:19 | |
Now, let me help you, come, sit down. | 0:54:19 | 0:54:22 | |
I want you to listen to me. | 0:54:22 | 0:54:24 | |
I'm all ears. | 0:54:27 | 0:54:29 | |
Now, most of my life | 0:54:29 | 0:54:31 | |
I've been somebody's daughter, somebody's wife, and somebody's mother. | 0:54:31 | 0:54:37 | |
I would like to spend the rest of my time here, being simply myself. | 0:54:37 | 0:54:43 | |
I do not intend ever to marry again. | 0:54:43 | 0:54:47 | |
But I have lots of room for friends. | 0:54:47 | 0:54:49 | |
Will you be my friend? | 0:54:51 | 0:54:53 | |
-I am greedy. -Well, perhaps you should work on that. | 0:54:57 | 0:55:01 | |
And now, shall we find that taxi? | 0:55:04 | 0:55:08 | |
HARMONICA PLAYS | 0:55:19 | 0:55:21 | |
# There's a lovely lady that you really should see | 0:55:44 | 0:55:47 | |
# To you she may be Sarah but to me she's Mrs P | 0:55:47 | 0:55:49 | |
# She's got a hat on her head | 0:55:49 | 0:55:51 | |
# And a stocking on her wounded knee... # | 0:55:51 | 0:55:54 | |
That was very nice but quite uncalled for. | 0:55:54 | 0:55:56 | |
You get embarrassed so easily. | 0:55:56 | 0:55:58 | |
I was not embarrassed. | 0:55:58 | 0:56:00 | |
You were, too. I saw you blushing. | 0:56:00 | 0:56:03 | |
I thought I was too early. | 0:56:03 | 0:56:05 | |
I didn't want to distract you from your work. | 0:56:05 | 0:56:07 | |
I clocked off an hour ago, I was just waiting for you. | 0:56:07 | 0:56:10 | |
We're having dinner in my flat. I've got everything prepared. | 0:56:10 | 0:56:13 | |
Are you a chef as well? | 0:56:13 | 0:56:14 | |
Well, you be the judge of that. | 0:56:14 | 0:56:16 | |
Now... | 0:56:28 | 0:56:29 | |
Mmm. | 0:56:36 | 0:56:39 | |
-How delicious. -Really? | 0:56:39 | 0:56:41 | |
Really. | 0:56:41 | 0:56:43 | |
-What do you call this dish? -Tagliatelle a la Zucchini a la Ludwig. | 0:56:46 | 0:56:50 | |
Golly Moses. | 0:56:50 | 0:56:52 | |
'Maybe it was the wine. | 0:56:56 | 0:56:58 | |
'Or a friendship that was growing out of a kind of need.' | 0:56:58 | 0:57:01 | |
Sometimes I feel I was born in the wrong time. | 0:57:03 | 0:57:06 | |
Why do you say that? | 0:57:06 | 0:57:08 | |
I don't know. | 0:57:09 | 0:57:12 | |
I suppose I miss the simplicity of the olden days. | 0:57:12 | 0:57:16 | |
How do you now they were simpler? | 0:57:16 | 0:57:18 | |
I'm afraid that's rather a romantic view of a past you never knew. | 0:57:18 | 0:57:23 | |
And if you'll forgive my saying so, it seems like an excuse not to deal with your present. | 0:57:23 | 0:57:30 | |
It's funny. That's what Rosie kept telling me. | 0:57:30 | 0:57:32 | |
-Oh, dear, sorry. -No, it's fine. | 0:57:32 | 0:57:36 | |
It's fine. | 0:57:36 | 0:57:38 | |
I always consider the source when I'm being analysed | 0:57:38 | 0:57:41 | |
and she had an agenda. You do not. | 0:57:41 | 0:57:44 | |
I wasn't analysing. I was... | 0:57:44 | 0:57:48 | |
simply making an observation as your friend. | 0:57:48 | 0:57:51 | |
And a very astute observation it was. | 0:57:53 | 0:57:56 | |
I was reading this paper the other day and... | 0:58:00 | 0:58:03 | |
there's this quiz. | 0:58:03 | 0:58:05 | |
A personality quiz designed to measure your capacity for friendship. | 0:58:05 | 0:58:09 | |
What? | 0:58:09 | 0:58:11 | |
-You mean a quiz can determine all that? -Well, I don't know. Shall we find out? -Well, why not. | 0:58:11 | 0:58:16 | |
Good. Let's start with a toughy. | 0:58:16 | 0:58:18 | |
Do you prefer to be a guest or a host? | 0:58:18 | 0:58:20 | |
Well, I enjoyed our evening together at the hotel, | 0:58:20 | 0:58:25 | |
but I must confess I prefer being here. | 0:58:25 | 0:58:28 | |
If you were kept waiting by a friend you had arranged to meet, | 0:58:31 | 0:58:36 | |
would you, A, wait patiently and be forgiving when he or she arrived, | 0:58:36 | 0:58:40 | |
B, go on waiting but have a row when whoever it was turned up, | 0:58:40 | 0:58:43 | |
or, C, give up and go home angry? | 0:58:43 | 0:58:47 | |
Well, I know you wouldn't keep me waiting, unless there was a very good reason. | 0:58:47 | 0:58:53 | |
So, I would wait patiently for you to come and then enjoy our time together. | 0:58:53 | 0:58:58 | |
Not just me. | 0:58:58 | 0:59:01 | |
Anyone. | 0:59:01 | 0:59:03 | |
Well, there isn't anyone else at the moment. | 0:59:03 | 0:59:07 | |
You're the only one I can think of. | 0:59:07 | 0:59:09 | |
I, eh, I haven't many friends myself. | 0:59:12 | 0:59:16 | |
One needs money to have friends. | 0:59:18 | 0:59:21 | |
They've all got cars and jobs. | 0:59:22 | 0:59:24 | |
One shouldn't let one's friends slip away. | 0:59:25 | 0:59:29 | |
Well there's very little I can do about it. | 0:59:30 | 0:59:32 | |
Well, look, you know, we can do better than this. | 0:59:34 | 0:59:37 | |
Let's make our own quiz. | 0:59:37 | 0:59:38 | |
-All right. -OK, your favourite film? | 0:59:38 | 0:59:42 | |
Well, that would have to be Brief Encounter. | 0:59:42 | 0:59:45 | |
-Brief Encounter? -Have you never seen it? | 0:59:45 | 0:59:47 | |
I may have, I can't remember. | 0:59:47 | 0:59:49 | |
If you had, you'd remember. | 0:59:49 | 0:59:52 | |
I was 18 when I first saw it. | 0:59:53 | 0:59:55 | |
It was my first date with Arthur. | 0:59:55 | 0:59:58 | |
And by the end, | 0:59:58 | 1:00:00 | |
we were both weeping so shamelessly | 1:00:00 | 1:00:03 | |
that there was nothing else for us to do | 1:00:03 | 1:00:07 | |
but fall in love. | 1:00:07 | 1:00:09 | |
Er... your favourite place? | 1:00:12 | 1:00:15 | |
On Saturdays, | 1:00:16 | 1:00:19 | |
before our daughter, Elizabeth, was born, | 1:00:19 | 1:00:21 | |
we used to slip away to the Castle Inn, which is next door to the abbey at Beaulieu. | 1:00:21 | 1:00:27 | |
And we'd have a sumptuous dinner | 1:00:27 | 1:00:29 | |
and then spend the rest of the evening...together. | 1:00:29 | 1:00:35 | |
And on Sundays, we'd lie in bed until noon, have a late lunch | 1:00:40 | 1:00:45 | |
and then sit on a bench by the river and watch the sun go down. | 1:00:45 | 1:00:50 | |
Oh, it was perfect. | 1:00:50 | 1:00:53 | |
Your favourite song? | 1:01:09 | 1:01:11 | |
For All We Know. | 1:01:13 | 1:01:15 | |
For all we know what? | 1:01:15 | 1:01:17 | |
No, that's the name of the song! | 1:01:17 | 1:01:19 | |
Though you're probably too young to know it. | 1:01:19 | 1:01:22 | |
Yeah, probably. | 1:01:23 | 1:01:25 | |
# For all we know | 1:01:29 | 1:01:35 | |
# We may never meet again | 1:01:41 | 1:01:47 | |
# Before you go | 1:01:49 | 1:01:54 | |
# Make this moment sweet again | 1:01:57 | 1:02:03 | |
# We won't say good night | 1:02:06 | 1:02:12 | |
# Until the last minute | 1:02:12 | 1:02:17 | |
# I'll hold out my hand | 1:02:19 | 1:02:25 | |
# And my heart will be in it | 1:02:27 | 1:02:33 | |
# For all we know | 1:02:35 | 1:02:41 | |
# This may only be a dream | 1:02:43 | 1:02:46 | |
# But we come and we go | 1:02:50 | 1:02:56 | |
# Like the ripples of a stream | 1:02:59 | 1:03:04 | |
# For all... we know. # | 1:03:08 | 1:03:15 | |
Well, that was a wonderful night, Desmond, thank you, my dear. | 1:03:38 | 1:03:42 | |
The pleasure is all mine. | 1:03:42 | 1:03:45 | |
Goodnight, Grandmama. | 1:03:47 | 1:03:49 | |
# Tomorrow was made for some | 1:03:51 | 1:03:54 | |
# Tomorrow may never come | 1:03:54 | 1:03:57 | |
# For all we know. # | 1:03:57 | 1:04:00 | |
Your grandson is most lyrical, Mrs Palfrey. | 1:04:02 | 1:04:06 | |
Yes, I'm afraid he gets it from me. | 1:04:06 | 1:04:09 | |
Divine. | 1:04:11 | 1:04:12 | |
Sorry. | 1:04:34 | 1:04:37 | |
It's Brief Encounter. | 1:04:37 | 1:04:39 | |
One of my favourites. | 1:04:41 | 1:04:42 | |
-Your's too? -Maybe. Probably. | 1:04:44 | 1:04:46 | |
-I haven't seen it. -Oh, that's serious. | 1:04:46 | 1:04:50 | |
You know what? I've seen it hundreds of times. I can wait a day or so. | 1:04:53 | 1:04:58 | |
Make sure you bring it back tomorrow. | 1:04:58 | 1:05:00 | |
I haven't got a player. | 1:05:02 | 1:05:04 | |
How do you intend to see it? | 1:05:06 | 1:05:08 | |
I was going to cross that bridge when I came to it. | 1:05:08 | 1:05:11 | |
I'd say you're on that bridge right now. | 1:05:12 | 1:05:15 | |
Do you...think I should jump? | 1:05:15 | 1:05:20 | |
Not with Celia Johnson. | 1:05:20 | 1:05:22 | |
I don't believe she can swim. | 1:05:24 | 1:05:27 | |
Hi. Thanks. | 1:05:34 | 1:05:35 | |
-Excuse me, miss. -Yes. | 1:05:40 | 1:05:42 | |
I don't suppose... | 1:05:42 | 1:05:45 | |
Sorry. | 1:05:47 | 1:05:49 | |
I suppose... | 1:05:49 | 1:05:51 | |
I could invite you to watch it with me. | 1:05:51 | 1:05:53 | |
If I knew you a little better. | 1:05:55 | 1:05:57 | |
My name is Gwendolyn Gooth. | 1:05:58 | 1:06:01 | |
Honestly? | 1:06:01 | 1:06:03 | |
My name is Ludovic Meyer. | 1:06:03 | 1:06:05 | |
Honestly? Well, that's reassuring. | 1:06:07 | 1:06:12 | |
We both have ridiculous names. | 1:06:12 | 1:06:14 | |
Bye-bye! | 1:06:18 | 1:06:21 | |
Oh, she waved! | 1:06:25 | 1:06:28 | |
Bye-bye! | 1:06:28 | 1:06:29 | |
Come back soon. | 1:06:34 | 1:06:36 | |
Can I help you?! | 1:06:56 | 1:06:58 | |
Do you allow relatives to visit? | 1:06:58 | 1:07:01 | |
This is a hotel, madam. | 1:07:01 | 1:07:03 | |
I know that. | 1:07:03 | 1:07:04 | |
But my son has told me that relatives are not permitted. | 1:07:04 | 1:07:07 | |
Then you were misinformed, madam, or your son was. | 1:07:07 | 1:07:11 | |
The Claremont is open to anyone... or almost anyone. How can I help you? | 1:07:11 | 1:07:16 | |
My a mother is one of your guests here. | 1:07:16 | 1:07:18 | |
Her name is Mrs Arthur Palfrey. | 1:07:18 | 1:07:21 | |
Mrs Palfrey?! Well, yes of course, why didn't you say so? | 1:07:21 | 1:07:25 | |
-You must be Elizabeth. -Yes, indeed. And you are? | 1:07:25 | 1:07:29 | |
-The manager. Summers! -Yes? | 1:07:29 | 1:07:34 | |
Mrs Palfrey, your daughter. | 1:07:39 | 1:07:42 | |
-Mother! -Elizabeth! What are you...? | 1:07:44 | 1:07:47 | |
Don't get up! | 1:07:47 | 1:07:49 | |
Well! This is a surprise. | 1:07:49 | 1:07:52 | |
If I'd known you were coming, I'd have arranged something more festive. | 1:07:52 | 1:07:57 | |
Please, Mother, I didn't come here for fun. | 1:07:57 | 1:07:59 | |
Is there something wrong? | 1:07:59 | 1:08:00 | |
As a matter of fact, there is. | 1:08:00 | 1:08:02 | |
Desmond called me. He's quite beside himself. | 1:08:02 | 1:08:05 | |
He said you got rid of him very quickly with some strange excuse. | 1:08:05 | 1:08:10 | |
-Did I? -You told him that visits from relatives weren't allowed. | 1:08:10 | 1:08:14 | |
But according to the manager, that's not true. | 1:08:14 | 1:08:17 | |
Well the truth is, I called him several times and he never even bothered to reply. | 1:08:17 | 1:08:23 | |
And then he turned up here totally unannounced at a most inopportune moment. | 1:08:23 | 1:08:29 | |
-What do you mean?! -I had other plans. | 1:08:29 | 1:08:32 | |
If you remember, Elizabeth, | 1:08:32 | 1:08:33 | |
I came to live in London in order not to be your responsibility. | 1:08:33 | 1:08:37 | |
And to accustom myself to a little practical independence. | 1:08:37 | 1:08:42 | |
So, am I right in thinking that you don't want us to come and visit you? | 1:08:42 | 1:08:46 | |
No, dear, no, no, no, not at all. | 1:08:46 | 1:08:49 | |
It's just, please understand, I'm making a life of my own here. | 1:08:49 | 1:08:54 | |
And quite enjoying it. | 1:08:54 | 1:08:57 | |
I thought you'd be glad for me. | 1:08:57 | 1:09:00 | |
Well, I am. | 1:09:00 | 1:09:01 | |
But it's my duty to see that you're safe and properly looked after. | 1:09:01 | 1:09:06 | |
Do you see that distinguished looking gentleman with the moustache sitting over there. | 1:09:10 | 1:09:16 | |
What about him? | 1:09:16 | 1:09:18 | |
-He's asked me to marry him. -What?! | 1:09:19 | 1:09:23 | |
Don't look so astonished! | 1:09:23 | 1:09:26 | |
Naturally, I've turned him down, but a romantic friendship at my time of life, | 1:09:28 | 1:09:33 | |
well, it's quite invigorating. | 1:09:33 | 1:09:37 | |
Really, Mother! Don't you think it's a bit late in life for you to... | 1:09:37 | 1:09:42 | |
I just can't believe you're serious. | 1:09:42 | 1:09:46 | |
Oh, and what can't you believe that I... | 1:09:46 | 1:09:48 | |
-Oh! -Summers! | 1:09:52 | 1:09:55 | |
Get an ambulance! Now! | 1:10:00 | 1:10:05 | |
It's all right, Mrs Arbuthnot. | 1:10:06 | 1:10:09 | |
Help is on its way. | 1:10:09 | 1:10:11 | |
Thank you, Mrs Palfrey. | 1:10:11 | 1:10:14 | |
Don't worry, we aren't allowed to die here. | 1:10:14 | 1:10:20 | |
-However... -Don't try to speak. | 1:10:20 | 1:10:23 | |
Tell them not to hurry on my account. | 1:10:23 | 1:10:26 | |
I'm ready, you know, my dear. | 1:10:26 | 1:10:30 | |
I've been ready for a long time. | 1:10:31 | 1:10:35 | |
'I'm ready now, my dear. | 1:11:03 | 1:11:07 | |
'I've been ready for a long time.' | 1:11:11 | 1:11:14 | |
Our appointment, Mrs P, was on that corner over there. | 1:11:42 | 1:11:48 | |
I stood there like an idiot for about 20 minutes. | 1:11:50 | 1:11:54 | |
I was propositioned by three women, one man and a dog. | 1:11:54 | 1:11:57 | |
What is it, Mrs P? | 1:12:00 | 1:12:02 | |
I...I think I may...be coming down with something. | 1:12:02 | 1:12:08 | |
I don't feel at all well. | 1:12:08 | 1:12:10 | |
Perhaps...we must postpone... our visit to Bewley Castle. | 1:12:10 | 1:12:17 | |
Oh. | 1:12:18 | 1:12:19 | |
Oh, I'm sorry. | 1:12:19 | 1:12:22 | |
Gwendolyn was so looking forward to meeting you. | 1:12:22 | 1:12:26 | |
Oh, and I'm most anxious to meet her too. | 1:12:26 | 1:12:30 | |
But when I'm a bit more up to it. | 1:12:30 | 1:12:34 | |
Don't worry. | 1:12:34 | 1:12:35 | |
We can do it another day. | 1:12:35 | 1:12:37 | |
-Let me walk you back. -Would you, please? | 1:12:39 | 1:12:42 | |
That would be very kind. | 1:12:42 | 1:12:44 | |
Thank you, my friend... | 1:12:49 | 1:12:52 | |
..in charge of cheerfulness. | 1:12:54 | 1:12:56 | |
Is that attached to some other sentence, or is it supposed to hang there in mid air? | 1:12:56 | 1:13:01 | |
Ludovic Meyer... | 1:13:01 | 1:13:04 | |
in charge of cheerfulness. | 1:13:04 | 1:13:08 | |
That should complete the thought. | 1:13:10 | 1:13:12 | |
Lucky me, | 1:13:18 | 1:13:20 | |
to have tripped into your life. | 1:13:20 | 1:13:22 | |
And vice versa. | 1:13:22 | 1:13:24 | |
Mrs P? | 1:13:32 | 1:13:33 | |
What shall I do not to make Gwendolyn jealous of you? | 1:13:35 | 1:13:40 | |
I should give you my birth certificate. | 1:13:40 | 1:13:44 | |
I've always wanted to visit Bewley. | 1:13:51 | 1:13:53 | |
My parents tell me it's quite unique. | 1:13:53 | 1:13:55 | |
Yes, it is rather special. Like you. | 1:13:55 | 1:14:00 | |
Has he instructed you to say that to all his girlfriends? | 1:14:00 | 1:14:05 | |
No, dear, only you. | 1:14:05 | 1:14:07 | |
No, I didn't mean that! | 1:14:09 | 1:14:11 | |
'She danced around her memories with the agile step of a young girl. | 1:14:48 | 1:14:53 | |
'Her stories became vivid to the young couple's eyes. | 1:14:53 | 1:14:57 | |
'And all of a sudden, the past became the present, for a little while'. | 1:14:57 | 1:15:01 | |
Bravo! | 1:15:19 | 1:15:21 | |
I've looked out of that window with Arthur on many a Sunday... | 1:15:35 | 1:15:40 | |
..and known that the memory of such happiness would never leave me. | 1:15:42 | 1:15:48 | |
And in time, if you're lucky... | 1:15:50 | 1:15:54 | |
Do you believe in destiny, Mrs Palfrey? | 1:15:59 | 1:16:02 | |
Yes, I think I do. | 1:16:02 | 1:16:05 | |
Why do you ask? | 1:16:05 | 1:16:08 | |
I was just thinking about you, and Brief Encounter. | 1:16:08 | 1:16:13 | |
If it hadn't been for that, I wouldn't have met Ludo. | 1:16:13 | 1:16:16 | |
I'm flattered to think that I might have played some small part in it, | 1:16:16 | 1:16:20 | |
but, you know, if things are meant to happen... | 1:16:20 | 1:16:24 | |
destiny might lead us to the path, | 1:16:24 | 1:16:27 | |
but the rest of it is up to us. | 1:16:27 | 1:16:30 | |
Always remember to make the most of every moment. | 1:16:32 | 1:16:37 | |
That's the single most important lesson of my life. | 1:16:37 | 1:16:40 | |
Will you two stop talking about me? It's getting a bit embarrassing. | 1:16:49 | 1:16:52 | |
Excuse me, who are you? | 1:16:54 | 1:16:57 | |
We can exist without you, you know? | 1:16:57 | 1:16:59 | |
And in case you hadn't heard, we are the stronger sex. | 1:16:59 | 1:17:02 | |
Yes, well, I'm finding that out the hard way. | 1:17:02 | 1:17:04 | |
Why don't you two go off for a while? | 1:17:08 | 1:17:10 | |
I'd like to just sit here and think. | 1:17:11 | 1:17:14 | |
We'll join up again for tea. | 1:17:14 | 1:17:17 | |
-Sure. -Yes. | 1:17:17 | 1:17:20 | |
You'd be very proud of our adopted grandson. | 1:17:36 | 1:17:39 | |
'Even the most romantic aspects of her life were framed in a square of realistic practicality. | 1:17:47 | 1:17:52 | |
'She knew there were signs to move on. | 1:17:54 | 1:17:56 | |
'However, the question this time was, where to, | 1:17:56 | 1:18:00 | |
'and what for?' | 1:18:00 | 1:18:03 | |
Arthur? | 1:20:58 | 1:20:59 | |
"My dear Ludo, I've been meaning to write | 1:21:18 | 1:21:21 | |
"and say how much I enjoyed the day we spent together at Bewley Castle. | 1:21:21 | 1:21:25 | |
"If you can find the time, I would very much like to take you both to dinner. | 1:21:25 | 1:21:30 | |
"I promise not to subject you to the Claremont cuisine again. | 1:21:30 | 1:21:34 | |
"Call me whenever you can. | 1:21:34 | 1:21:36 | |
"Love, Sasa." | 1:21:36 | 1:21:38 | |
Writing to Desmond? | 1:21:38 | 1:21:40 | |
Yes, indeed. | 1:21:42 | 1:21:43 | |
We've been wondering why we haven't seen him here for a while. | 1:21:43 | 1:21:46 | |
He's a young man. | 1:21:46 | 1:21:48 | |
He has a life of his own. | 1:21:48 | 1:21:51 | |
I've encouraged him to stay away from the Claremont, | 1:21:51 | 1:21:54 | |
not to waste his precious time with me and the other corpses. | 1:21:54 | 1:21:59 | |
Oh, come on, Mrs Palfrey, what's going on? | 1:21:59 | 1:22:01 | |
We've been observing you. | 1:22:01 | 1:22:03 | |
We couldn't help but notice that you haven't been yourself recently. | 1:22:03 | 1:22:06 | |
Oh, really, Mr Osborne? | 1:22:06 | 1:22:09 | |
And who am I being? I think it might be better if you | 1:22:09 | 1:22:13 | |
were all to spend your time observing each other, and leave me in peace. | 1:22:13 | 1:22:18 | |
Mrs Palfrey! | 1:22:18 | 1:22:21 | |
Sarah! What have I said? | 1:22:21 | 1:22:23 | |
Mr Osborne, I came here for a little privacy, not to be observed. | 1:22:25 | 1:22:30 | |
And not to be the subject of a lot of idle gossip. | 1:22:30 | 1:22:36 | |
I don't wish to be rude or unkind, | 1:22:36 | 1:22:38 | |
but I would be enormously grateful if you would all stop observing me. | 1:22:38 | 1:22:43 | |
I'm sorry, Mr Osborne. | 1:22:43 | 1:22:45 | |
I know that you meant well. | 1:22:45 | 1:22:48 | |
But I would like to be invisible for a little while. | 1:22:48 | 1:22:52 | |
If that isn't too much to ask! | 1:22:52 | 1:22:55 | |
SARAH SCREAMS | 1:23:00 | 1:23:02 | |
Call an ambulance! | 1:23:11 | 1:23:12 | |
Sarah? Sarah? | 1:23:23 | 1:23:27 | |
Sarah. | 1:23:27 | 1:23:29 | |
-Any news? -Her hip. | 1:23:39 | 1:23:41 | |
She's broke her hip. | 1:23:41 | 1:23:44 | |
Oh, no! Oh, poor Mrs Palfrey. Once the hip goes... | 1:23:44 | 1:23:49 | |
-Always looking on the bright side, Vera(!) -I'm just being realistic. | 1:23:49 | 1:23:52 | |
No, dear, just being yourself. | 1:23:52 | 1:23:55 | |
Well, I've just delivered Mrs Palfrey's letter | 1:23:57 | 1:24:01 | |
to a basement flat in Westbourne Grove. | 1:24:01 | 1:24:04 | |
-Who could she possibly know there? -I'm looking for Mrs Palfrey? | 1:24:04 | 1:24:08 | |
-Sir... -Mr Meyer? Mr Ludovic Meyer? | 1:24:11 | 1:24:14 | |
-Excuse me? -I've just delivered a letter to you from Mrs Palfrey! | 1:24:14 | 1:24:18 | |
I'm not Mr Meyer, I'm Mrs Palfrey's grandson, Desmond. | 1:24:18 | 1:24:21 | |
Ooh! | 1:24:21 | 1:24:24 | |
Excuse me, young man, whoever you are, Mrs Palfrey has only one grandson. | 1:24:24 | 1:24:28 | |
Yes, that is correct, me. | 1:24:28 | 1:24:30 | |
You don't look anything like her. | 1:24:30 | 1:24:32 | |
Perhaps you'd care to describe her. | 1:24:32 | 1:24:34 | |
No, I don't think I would. | 1:24:34 | 1:24:36 | |
-Call the police. -Hold on a moment. | 1:24:36 | 1:24:38 | |
So, it is true you don't allow relatives to visit here, yes? | 1:24:38 | 1:24:42 | |
True. Particularly fake relatives. | 1:24:42 | 1:24:46 | |
This IS an insane asylum! | 1:24:46 | 1:24:50 | |
I beg your pardon? | 1:24:52 | 1:24:53 | |
Don't let him get away! | 1:24:53 | 1:24:55 | |
-Stop the faker! -Let him go! Desmond! | 1:24:55 | 1:24:58 | |
Desmond, he was trying to pretend to be you. | 1:24:58 | 1:25:01 | |
-Who was? -He was. | 1:25:01 | 1:25:03 | |
Why have you got Mr Meyer's letter in your hand, Desmond? | 1:25:03 | 1:25:07 | |
Er...well, um... | 1:25:09 | 1:25:13 | |
it seems the cat's out of the bag. | 1:25:13 | 1:25:17 | |
I'm Ludovic Meyer. | 1:25:17 | 1:25:20 | |
Explain yourself, young fellow. | 1:25:20 | 1:25:22 | |
Well, I do a bit of writing on the side. | 1:25:22 | 1:25:25 | |
Ah, nom de plume. | 1:25:25 | 1:25:27 | |
..Under the name Ludovic Meyer. | 1:25:27 | 1:25:31 | |
Well, why didn't you tell us in the first place? | 1:25:31 | 1:25:34 | |
We can keep a secret, you know? | 1:25:34 | 1:25:37 | |
I should change it to an English name, one that sticks in the memory and is easy to pronounce. | 1:25:37 | 1:25:42 | |
Yes, I'll consider that. | 1:25:42 | 1:25:45 | |
Where's my grandmother? | 1:25:45 | 1:25:46 | |
Hello, my Sasa. | 1:26:33 | 1:26:34 | |
I...I've been...very silly. | 1:26:36 | 1:26:40 | |
Had another fall. | 1:26:42 | 1:26:44 | |
Well, you don't need to worry about anything now. I'm here. | 1:26:46 | 1:26:49 | |
I don't want to die surrounded by so many strangers. | 1:26:52 | 1:27:00 | |
I need some privacy. | 1:27:00 | 1:27:03 | |
You're not going to die. | 1:27:06 | 1:27:09 | |
When Elizabeth comes, | 1:27:14 | 1:27:17 | |
she'll...she'll see to it that I have my own room. | 1:27:17 | 1:27:22 | |
I'll see to it. | 1:27:22 | 1:27:25 | |
Oh, dear Ludo, I...I would love it if you could. | 1:27:25 | 1:27:31 | |
I...I would like my own nightgowns too. | 1:27:35 | 1:27:42 | |
And...my book of poetry. | 1:27:46 | 1:27:50 | |
I lie here...trying to remember. | 1:27:50 | 1:27:55 | |
But I... they seem to have... | 1:27:57 | 1:28:01 | |
they all seem to have gone away. | 1:28:01 | 1:28:06 | |
I wandered lonely as a cloud | 1:28:12 | 1:28:15 | |
That floats on high o'er vales and hills... | 1:28:15 | 1:28:19 | |
Why, Wordsworth? | 1:28:19 | 1:28:21 | |
Indeed, Mrs P. | 1:28:21 | 1:28:25 | |
All at once, I saw a crowd | 1:28:25 | 1:28:29 | |
A host of golden daffodils | 1:28:29 | 1:28:32 | |
Something...something... | 1:28:32 | 1:28:38 | |
Continuous... | 1:28:42 | 1:28:43 | |
..as the stars that shine Twinkling in the Milky Way | 1:28:43 | 1:28:49 | |
I've lost and lost and lost a line It's gone and run away! | 1:28:51 | 1:28:55 | |
And oft, when on my couch I lie | 1:29:07 | 1:29:10 | |
In vacant or in pensive mood | 1:29:10 | 1:29:16 | |
They flash upon the inner eye | 1:29:16 | 1:29:22 | |
Which is the bliss of solitude | 1:29:22 | 1:29:27 | |
And then my heart with pleasure fills | 1:29:27 | 1:29:34 | |
-And... -SHE SPLUTTERS | 1:29:35 | 1:29:38 | |
Excuse me, sir, you'll have to leave now. | 1:29:44 | 1:29:47 | |
Desmond! | 1:29:58 | 1:29:59 | |
Is it true? | 1:29:59 | 1:30:01 | |
What do you mean? | 1:30:01 | 1:30:04 | |
-They said...there might be complications. -Pneumonia. | 1:30:04 | 1:30:08 | |
Isn't it? | 1:30:08 | 1:30:09 | |
I don't know. You'll have to ask the doctor. | 1:30:09 | 1:30:13 | |
They won't let us in to see her, even for a little while. | 1:30:13 | 1:30:16 | |
It's only immediate family. | 1:30:16 | 1:30:19 | |
But we're her family, too, Desmond. | 1:30:20 | 1:30:23 | |
Of course you are. | 1:30:27 | 1:30:29 | |
You all are. It's only for a little while, | 1:30:31 | 1:30:34 | |
just until she gets better, which won't be long. | 1:30:34 | 1:30:36 | |
I think we should all go home. | 1:30:36 | 1:30:38 | |
I promise to call you the moment I hear anything. | 1:30:38 | 1:30:41 | |
Ah, there you are. | 1:30:57 | 1:30:59 | |
I was wondering where you were. | 1:30:59 | 1:31:02 | |
I'm right here. | 1:31:02 | 1:31:05 | |
I've missed you so much. | 1:31:05 | 1:31:10 | |
I had a beautiful dream last night. | 1:31:12 | 1:31:16 | |
I saw you and me, | 1:31:19 | 1:31:21 | |
standing together | 1:31:21 | 1:31:25 | |
on the day we got married. | 1:31:25 | 1:31:29 | |
Do you remember, Arthur? | 1:31:31 | 1:31:33 | |
Oh, yes. | 1:31:38 | 1:31:40 | |
Oh, yes, I do. | 1:31:40 | 1:31:42 | |
I thought you were the handsomest man in the whole world. | 1:31:42 | 1:31:48 | |
And I knew you were the loveliest girl. | 1:31:48 | 1:31:51 | |
I would like to do it all over again. | 1:31:53 | 1:31:58 | |
We will. | 1:31:58 | 1:32:01 | |
Good night, my Sasa. | 1:32:26 | 1:32:28 | |
Mrs P, I have a surprise for you. | 1:33:22 | 1:33:24 | |
You could have at least told me that she'd died. | 1:34:44 | 1:34:47 | |
Well, we did leave several messages. | 1:34:47 | 1:34:49 | |
Yes, but I got back only in time to hear the message and catch the train. | 1:34:49 | 1:34:53 | |
Poor Mother, all alone. | 1:34:53 | 1:34:55 | |
She wasn't alone. Her grandson was here with her all the time. | 1:34:55 | 1:34:59 | |
He would read poetry to her. | 1:34:59 | 1:35:01 | |
Desmond? That's impossible. | 1:35:01 | 1:35:03 | |
I've only just spoken to him on the phone. He couldn't be here by now. | 1:35:03 | 1:35:06 | |
Well, perhaps it was her other grandson. | 1:35:06 | 1:35:09 | |
My dear lady, she only has one grandson, Desmond! | 1:35:09 | 1:35:14 | |
Well, madam, there has been a gentleman coming in here every day, | 1:35:14 | 1:35:18 | |
reading poetry to your mother. | 1:35:18 | 1:35:19 | |
'There are people that cross our lives in tiny fractions of time, | 1:35:19 | 1:35:25 | |
'in the briefest of encounters, | 1:35:25 | 1:35:27 | |
'and yet they leave an indelible mark in our hearts. | 1:35:27 | 1:35:30 | |
'In our minds. | 1:35:30 | 1:35:32 | |
'Thank you and goodbye, Sasa. | 1:35:32 | 1:35:36 | |
'Forever yours, Ludo'. | 1:35:36 | 1:35:40 | |
Good morning. | 1:35:40 | 1:35:42 | |
Hello, dear. | 1:35:45 | 1:35:47 | |
# We won't say goodbye | 1:35:47 | 1:35:53 | |
# Until the last minute | 1:35:53 | 1:35:58 | |
# I'll hold out my hand | 1:35:58 | 1:36:03 | |
# And my heart will be in it | 1:36:03 | 1:36:08 | |
# For all we know | 1:36:11 | 1:36:14 | |
# This may only be a dream | 1:36:14 | 1:36:18 | |
# We come and go | 1:36:20 | 1:36:24 | |
# Like a ripple on a stream | 1:36:24 | 1:36:28 | |
# So love me tonight | 1:36:29 | 1:36:31 | |
# Tomorrow was made for some | 1:36:31 | 1:36:39 | |
# Tomorrow may never come | 1:36:39 | 1:36:45 | |
# For all we know | 1:36:45 | 1:36:52 | |
# For all we know | 1:37:53 | 1:37:56 | |
# This may only be a dream | 1:37:58 | 1:38:02 | |
# We come and go | 1:38:05 | 1:38:10 | |
# Like a ripple on a stream | 1:38:12 | 1:38:17 | |
# So love me tonight | 1:38:20 | 1:38:26 | |
# Tomorrow was made for some | 1:38:26 | 1:38:33 | |
# Tomorrow may never come | 1:38:36 | 1:38:40 | |
# For all we...know. # | 1:38:40 | 1:38:47 | |
Subtitles by Red Bee Media Ltd | 1:38:47 | 1:38:50 | |
E-mail [email protected] | 1:38:50 | 1:38:55 |