Browse content similar to National Treasure. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
THUNDER | 0:00:14 | 0:00:16 | |
DOOR CREAKING | 0:00:16 | 0:00:19 | |
FLOORBOARDS CREAKING | 0:00:33 | 0:00:36 | |
SIGHS | 0:00:45 | 0:00:47 | |
Grandpa! | 0:01:11 | 0:01:12 | |
You're not supposed to be up here...looking at that. | 0:01:12 | 0:01:16 | |
I just wanted to know. | 0:01:16 | 0:01:18 | |
Yeah. Well, you're old enough, I suppose. | 0:01:18 | 0:01:21 | |
You should know the story. | 0:01:22 | 0:01:25 | |
OK, here we go. | 0:01:26 | 0:01:29 | |
It was 1832... | 0:01:29 | 0:01:33 | |
on a night | 0:01:33 | 0:01:35 | |
much like this... | 0:01:35 | 0:01:38 | |
-HORSE WHINNIES -Hyah! -Come on, boys! Come on! | 0:01:39 | 0:01:41 | |
Hyah! | 0:01:41 | 0:01:43 | |
'Charles Carroll was the last surviving signer | 0:01:43 | 0:01:47 | |
'of the Declaration of Independence. | 0:01:47 | 0:01:50 | |
'He was also a member of a secret society known as the Masons, | 0:01:50 | 0:01:54 | |
'and...he knew he was dying. | 0:01:54 | 0:01:58 | |
'He woke up his stable boy in the middle of the night | 0:01:58 | 0:02:01 | |
'and ordered him to take him to the White House | 0:02:01 | 0:02:03 | |
'to see Andrew Jackson, because it was urgent that he speak to the President.' | 0:02:03 | 0:02:08 | |
Did he talk to him? | 0:02:08 | 0:02:10 | |
No. He never got the chance. | 0:02:10 | 0:02:14 | |
The President wasn't there that night. | 0:02:14 | 0:02:16 | |
COUGHING | 0:02:16 | 0:02:17 | |
But Charles Carroll had a secret. | 0:02:17 | 0:02:21 | |
So he took into his confidence the one person he could - | 0:02:21 | 0:02:25 | |
my grandfather's grandfather... | 0:02:25 | 0:02:28 | |
Thomas Gates. | 0:02:28 | 0:02:30 | |
What was his secret? | 0:02:30 | 0:02:32 | |
A treasure. | 0:02:34 | 0:02:36 | |
THUNDER RUMBLES | 0:02:36 | 0:02:39 | |
A treasure beyond all imagining. | 0:02:39 | 0:02:41 | |
DISTANT SHOUTING | 0:02:41 | 0:02:44 | |
A treasure that had been fought over for centuries | 0:02:44 | 0:02:48 | |
by tyrants, pharaohs, emperors, warlords. | 0:02:48 | 0:02:54 | |
And every time it changed hands, it grew larger. | 0:02:54 | 0:02:57 | |
And then, suddenly... | 0:02:57 | 0:03:00 | |
SNAP! | 0:03:00 | 0:03:01 | |
..it vanished. | 0:03:01 | 0:03:03 | |
-THUDDING -It didn't reappear for more than 1,000 years, | 0:03:04 | 0:03:08 | |
when knights from the First Crusade discovered secret vaults | 0:03:08 | 0:03:12 | |
beneath the Temple of Solomon. | 0:03:12 | 0:03:15 | |
The knights who found the vaults believed | 0:03:15 | 0:03:17 | |
that the treasure was too great for any one man - not even a king. | 0:03:17 | 0:03:21 | |
They brought the treasure back to Europe | 0:03:21 | 0:03:25 | |
and took the name the "Knights Templar". | 0:03:25 | 0:03:27 | |
Over the next century, they smuggled it out of Europe, | 0:03:30 | 0:03:34 | |
and they formed a new brotherhood called the Freemasons, | 0:03:34 | 0:03:37 | |
in honour of the builders of the Great Temple. | 0:03:37 | 0:03:39 | |
War followed. | 0:03:40 | 0:03:42 | |
By the time of the American Revolution, | 0:03:42 | 0:03:44 | |
the treasure had been hidden again. | 0:03:44 | 0:03:46 | |
By then, the Masons included | 0:03:46 | 0:03:48 | |
George Washington, Benjamin Franklin, Paul Revere. | 0:03:48 | 0:03:52 | |
They knew they had to make sure | 0:03:52 | 0:03:54 | |
the treasure would never fall into the hands of the British. | 0:03:54 | 0:03:59 | |
So they devised a series of clues and maps to its location. | 0:03:59 | 0:04:02 | |
Over time, the clues were lost or forgotten, | 0:04:02 | 0:04:05 | |
until only one remained. | 0:04:05 | 0:04:07 | |
And that was the secret that Charles Carroll | 0:04:07 | 0:04:10 | |
entrusted to young Thomas Gates. | 0:04:10 | 0:04:12 | |
Charlotte. | 0:04:18 | 0:04:20 | |
The secret lies | 0:04:20 | 0:04:22 | |
with Charlotte. | 0:04:22 | 0:04:24 | |
Who's Charlotte? | 0:04:24 | 0:04:26 | |
Oh, not even Mr Carroll knew that. | 0:04:26 | 0:04:30 | |
Now, look here, Ben, the Freemasons among our Founding Fathers left us clues | 0:04:30 | 0:04:35 | |
like these. | 0:04:35 | 0:04:37 | |
The unfinished pyramid, the all-seeing eye - | 0:04:37 | 0:04:41 | |
symbols of the Knights Templar, | 0:04:41 | 0:04:44 | |
guardians of the treasure. | 0:04:44 | 0:04:45 | |
They're speaking to us | 0:04:45 | 0:04:47 | |
-through these. -You mean laughing at us. | 0:04:47 | 0:04:51 | |
You know what that dollar represents? The entire Gates family fortune. | 0:04:51 | 0:04:56 | |
Six generations of fools chasing after fool's gold. | 0:04:56 | 0:05:00 | |
It's not about the money, Patrick. | 0:05:00 | 0:05:03 | |
It's never been about the money. | 0:05:03 | 0:05:04 | |
Come on, son. Time to go. | 0:05:04 | 0:05:06 | |
You can... | 0:05:06 | 0:05:08 | |
say your goodbyes. | 0:05:08 | 0:05:11 | |
Grandpa? | 0:05:17 | 0:05:18 | |
Hmm? | 0:05:18 | 0:05:21 | |
Are we knights? | 0:05:21 | 0:05:23 | |
HE CHUCKLES: Do you wanna be? | 0:05:23 | 0:05:27 | |
All right. | 0:05:28 | 0:05:29 | |
Um...kneel. | 0:05:29 | 0:05:31 | |
Benjamin Franklin Gates, | 0:05:42 | 0:05:45 | |
you take upon yourself the duty of the Templars, the Freemasons | 0:05:45 | 0:05:50 | |
and the family Gates. | 0:05:50 | 0:05:53 | |
Do you so swear? | 0:05:53 | 0:05:56 | |
I so swear. | 0:05:56 | 0:05:57 | |
I was thinking about Henson and Peary crossing this kind of terrain | 0:06:18 | 0:06:23 | |
with nothing more than dogsleds and on foot. | 0:06:23 | 0:06:26 | |
-Can you imagine? -It's extraordinary. | 0:06:26 | 0:06:29 | |
BEEPING | 0:06:33 | 0:06:35 | |
We getting closer? | 0:06:35 | 0:06:36 | |
Assuming Ben's theory is correct | 0:06:36 | 0:06:39 | |
and my tracking model's accurate, | 0:06:39 | 0:06:41 | |
we should be getting very close. | 0:06:41 | 0:06:43 | |
But don't go by me. I broke a shoelace this morning. | 0:06:43 | 0:06:46 | |
It's...it's a bad omen. | 0:06:50 | 0:06:51 | |
Shall we turn around and go home? | 0:06:51 | 0:06:53 | |
Or we could pull over and just throw him out here. | 0:06:53 | 0:06:55 | |
-MOCKING LAUGH -OK. | 0:06:57 | 0:06:59 | |
Riley, you're not missing that little windowless cubicle we found you in, are you? | 0:06:59 | 0:07:03 | |
No, no, absolutely not. | 0:07:03 | 0:07:05 | |
LOUD BEEPING | 0:07:05 | 0:07:06 | |
Why are we stopping? | 0:07:22 | 0:07:23 | |
I thought we were looking for a ship? | 0:07:23 | 0:07:25 | |
I don't see any ship. | 0:07:25 | 0:07:26 | |
Oh, she's out there. | 0:07:26 | 0:07:29 | |
STEADY BEEPING | 0:07:31 | 0:07:34 | |
Look... | 0:07:37 | 0:07:40 | |
this is a waste of time. | 0:07:40 | 0:07:42 | |
How could a ship wind up way out here? | 0:07:42 | 0:07:45 | |
Well, I'm no expert, but it could be | 0:07:45 | 0:07:48 | |
that the hydrothermic properties of this region | 0:07:48 | 0:07:51 | |
produce hurricane-force ice storms that cause the ocean | 0:07:51 | 0:07:54 | |
to freeze, and then melt, and then refreeze, | 0:07:54 | 0:07:57 | |
resulting in a semi-solid, migrating landmass | 0:07:57 | 0:08:02 | |
that would land a ship right around here. | 0:08:02 | 0:08:06 | |
STEADY BEEPING | 0:08:08 | 0:08:11 | |
RAPID CLICKING | 0:08:15 | 0:08:18 | |
GRUNTING | 0:08:22 | 0:08:23 | |
SHARP CLANGING | 0:08:29 | 0:08:31 | |
SIGHS | 0:08:31 | 0:08:33 | |
Hello, beautiful. | 0:08:53 | 0:08:55 | |
SHIPPEN: Have Viktor check the fuel in the generators. | 0:09:02 | 0:09:04 | |
POWELL: No problem. I've got it. | 0:09:04 | 0:09:06 | |
Two years ago, if you hadn't shown up, | 0:09:06 | 0:09:08 | |
hadn't believed the treasure was real, | 0:09:08 | 0:09:11 | |
I don't know if I ever would have found Charlotte. | 0:09:11 | 0:09:13 | |
You would have found it, I have no doubt. | 0:09:13 | 0:09:15 | |
That's why I didn't think it was as crazy an investment as everyone said. | 0:09:15 | 0:09:20 | |
I'm just relieved that I'm not as crazy as everyone says. | 0:09:20 | 0:09:23 | |
Or said my dad was. Or my granddad. | 0:09:23 | 0:09:26 | |
Or my great-granddad. | 0:09:26 | 0:09:29 | |
OK! | 0:09:29 | 0:09:31 | |
Let's go. | 0:09:31 | 0:09:32 | |
IAN: Let's go find some treasure. | 0:09:33 | 0:09:35 | |
POWELL: Yeah, bring us back something. | 0:09:35 | 0:09:38 | |
SMASHING, HINGES SQUEAKING | 0:09:47 | 0:09:49 | |
WOOD CREAKING | 0:09:51 | 0:09:53 | |
RILEY GASPING LOUDLY | 0:10:11 | 0:10:14 | |
God! | 0:10:15 | 0:10:17 | |
You handled that well. | 0:10:20 | 0:10:22 | |
This is it. | 0:10:22 | 0:10:23 | |
It's a cargo hold. | 0:10:25 | 0:10:27 | |
You think it's in the barrels? | 0:10:38 | 0:10:41 | |
METALLIC CLANG | 0:10:41 | 0:10:43 | |
SNIFFS | 0:10:57 | 0:11:00 | |
Gunpowder. | 0:11:00 | 0:11:01 | |
-HOLLOW POP -Oh! Oh! -OK. | 0:11:01 | 0:11:05 | |
Why would the captain be guarding this barrel? | 0:11:10 | 0:11:14 | |
SOFT CRACKLING | 0:11:18 | 0:11:20 | |
I found something! | 0:11:37 | 0:11:39 | |
What is it? | 0:11:45 | 0:11:47 | |
Oh. | 0:11:53 | 0:11:55 | |
HINGES SQUEAK | 0:11:55 | 0:11:57 | |
Do you guys know | 0:12:03 | 0:12:05 | |
what this is? | 0:12:05 | 0:12:07 | |
Is it a billion-dollar pipe? | 0:12:07 | 0:12:09 | |
It's a Meerschaum pipe. Ah, that's beautiful. | 0:12:09 | 0:12:13 | |
Look at the intricacy of the scrollwork on the stem. | 0:12:13 | 0:12:17 | |
It is a... million-dollar pipe? | 0:12:17 | 0:12:20 | |
No. It's a clue. | 0:12:20 | 0:12:22 | |
Let me see that. | 0:12:22 | 0:12:25 | |
No, wait. Don't break it. | 0:12:25 | 0:12:27 | |
We are one step closer to the treasure, gentlemen. | 0:12:27 | 0:12:30 | |
Ben, I thought you said that the treasure would be on the Charlotte. | 0:12:30 | 0:12:33 | |
No. "The secret lies with Charlotte." | 0:12:33 | 0:12:35 | |
I said it COULD be here. | 0:12:35 | 0:12:37 | |
It's Templar symbols. | 0:12:53 | 0:12:56 | |
"The legend writ, | 0:13:02 | 0:13:04 | |
"the stain effected, | 0:13:04 | 0:13:06 | |
"the key in Silence undetected. | 0:13:06 | 0:13:10 | |
"Fifty-five in iron pen, | 0:13:10 | 0:13:13 | |
"Mr Matlack can't offend." | 0:13:13 | 0:13:16 | |
It's a riddle. | 0:13:19 | 0:13:21 | |
I need to think. | 0:13:24 | 0:13:26 | |
"The legend writ, | 0:13:29 | 0:13:31 | |
"the stain effected." | 0:13:31 | 0:13:34 | |
What legend? | 0:13:34 | 0:13:37 | |
There's the legend of the Templar treasure, | 0:13:37 | 0:13:39 | |
and the stain effects the legend. | 0:13:39 | 0:13:42 | |
How? "The key in silence undetected." | 0:13:42 | 0:13:46 | |
Wait. | 0:13:46 | 0:13:49 | |
The legend, the key... | 0:13:49 | 0:13:52 | |
Now, there's something. | 0:13:52 | 0:13:53 | |
A map. | 0:13:53 | 0:13:55 | |
Maps have legends, maps have keys. | 0:13:55 | 0:13:57 | |
It's a map, an invisible map, so now... | 0:13:57 | 0:14:00 | |
Wait a minute. What do you mean, invisible? | 0:14:00 | 0:14:02 | |
An invisible map? | 0:14:02 | 0:14:04 | |
"The stain effected" could refer to a dye | 0:14:04 | 0:14:06 | |
or a reagent used to bring about a certain result. | 0:14:06 | 0:14:10 | |
Combined with the "key in silence undetected", | 0:14:10 | 0:14:13 | |
the implication is that the effect | 0:14:13 | 0:14:15 | |
is to make what was undetectable detectable. | 0:14:15 | 0:14:18 | |
Unless... "the key in silence" could be... | 0:14:18 | 0:14:23 | |
Prison. | 0:14:23 | 0:14:24 | |
Albuquerque. | 0:14:25 | 0:14:27 | |
See, I can do it, too. Snorkel. | 0:14:27 | 0:14:30 | |
That's where the map is. Like he said, | 0:14:30 | 0:14:32 | |
"fifty-five in iron pen". Iron pen is a prison. | 0:14:32 | 0:14:35 | |
Or it could be, since the primary writing medium | 0:14:35 | 0:14:37 | |
of the time was iron gall ink, the pen is... | 0:14:37 | 0:14:41 | |
it's just a pen. But then why not say a pen? | 0:14:41 | 0:14:44 | |
Why...why say "iron pen"? | 0:14:44 | 0:14:47 | |
Cos it's a prison. | 0:14:47 | 0:14:50 | |
Wait a minute. "Iron pen". | 0:14:50 | 0:14:51 | |
The iron does not describe the ink in the pen, | 0:14:51 | 0:14:54 | |
it describes what was penned. | 0:14:54 | 0:14:57 | |
It was iron, it was firm, it was mineral. | 0:14:57 | 0:15:00 | |
No, no, no, no, wait a minute, wait a minute. That's stupid. | 0:15:00 | 0:15:03 | |
It was...it was firm, it was adamant, | 0:15:03 | 0:15:06 | |
it was resolved. | 0:15:06 | 0:15:08 | |
It was resolved. | 0:15:09 | 0:15:12 | |
"Mr Matlack can't offend." | 0:15:12 | 0:15:14 | |
Timothy Matlack was the official scribe | 0:15:14 | 0:15:16 | |
of the Continental Congress. | 0:15:16 | 0:15:17 | |
Calligrapher, not writer. | 0:15:17 | 0:15:19 | |
And to make sure he could not offend the map, | 0:15:19 | 0:15:21 | |
it was put on the back of a resolution | 0:15:21 | 0:15:24 | |
that he transcribed, a resolution | 0:15:24 | 0:15:26 | |
that 55 men signed. | 0:15:26 | 0:15:29 | |
The Declaration of Independence. | 0:15:32 | 0:15:35 | |
Oh. | 0:15:36 | 0:15:38 | |
Come on, there's no, er, invisible map on the back | 0:15:40 | 0:15:43 | |
of the Declaration of Independence. | 0:15:43 | 0:15:45 | |
That's clever, really. | 0:15:45 | 0:15:46 | |
A document of that importance would ensure the map's survival. | 0:15:46 | 0:15:49 | |
And you said there were several Masons signed it, yeah? | 0:15:49 | 0:15:53 | |
Yeah. | 0:15:53 | 0:15:54 | |
Nine, for sure. | 0:15:54 | 0:15:56 | |
We'll have to arrange a way to examine it. | 0:15:57 | 0:15:59 | |
This is one of the most important | 0:15:59 | 0:16:02 | |
documents in history. | 0:16:02 | 0:16:03 | |
They're not just gonna let us waltz in there | 0:16:03 | 0:16:05 | |
and run chemical tests on it. | 0:16:05 | 0:16:08 | |
Then what do you propose we do? | 0:16:08 | 0:16:09 | |
I don't know! | 0:16:09 | 0:16:10 | |
We could borrow it. | 0:16:13 | 0:16:15 | |
Steal it? | 0:16:16 | 0:16:18 | |
I don't think so. | 0:16:20 | 0:16:21 | |
Ben, the treasure of the Knights Templar | 0:16:21 | 0:16:24 | |
is the treasure of all treasures. | 0:16:24 | 0:16:26 | |
Oh, I didn't know that. Really(?) | 0:16:26 | 0:16:28 | |
Look, Ben, I understand your bitterness, I really do. | 0:16:30 | 0:16:34 | |
You spent your entire life searching for this treasure, | 0:16:34 | 0:16:36 | |
only to have the respected historical community | 0:16:36 | 0:16:38 | |
treat you and your family | 0:16:38 | 0:16:40 | |
with mockery and contempt. | 0:16:40 | 0:16:42 | |
You should be able to rub this treasure | 0:16:42 | 0:16:44 | |
in their arrogant faces. | 0:16:44 | 0:16:45 | |
And I want you to have a chance to do that. | 0:16:45 | 0:16:48 | |
How? | 0:16:48 | 0:16:50 | |
We all have our areas of expertise. | 0:16:50 | 0:16:54 | |
You don't think mine are limited to writing cheques, do you? | 0:16:54 | 0:16:57 | |
In another life... | 0:16:57 | 0:16:59 | |
I arranged a number of operations of... | 0:16:59 | 0:17:04 | |
questionable legality. | 0:17:04 | 0:17:06 | |
I'd take his word for it if I were you. | 0:17:08 | 0:17:11 | |
So don't worry. | 0:17:13 | 0:17:14 | |
I'll make all the arrangements. | 0:17:14 | 0:17:17 | |
No. | 0:17:18 | 0:17:19 | |
I'd really need your help here. | 0:17:25 | 0:17:27 | |
Ian...I'm not gonna let you steal | 0:17:27 | 0:17:30 | |
the Declaration of Independence. | 0:17:30 | 0:17:32 | |
OK. | 0:17:32 | 0:17:34 | |
From this point on, | 0:17:34 | 0:17:36 | |
all you're going to be is a hindrance. | 0:17:36 | 0:17:38 | |
-Hey! -What are you gonna do? | 0:17:41 | 0:17:43 | |
You gonna shoot me, Shaw? | 0:17:43 | 0:17:44 | |
Well, you can't shoot me. | 0:17:46 | 0:17:47 | |
There's more to the riddle. Information you don't have. | 0:17:47 | 0:17:50 | |
I do. I'm the only one who can figure it out, | 0:17:50 | 0:17:54 | |
and you know that. | 0:17:54 | 0:17:55 | |
He's bluffing. | 0:17:55 | 0:17:57 | |
We've played poker together, Ian. | 0:17:57 | 0:17:59 | |
You know I can't bluff. | 0:17:59 | 0:18:00 | |
Tell me what I need to know, Ben... | 0:18:00 | 0:18:03 | |
or I'll shoot your friend. | 0:18:03 | 0:18:05 | |
-Hey! -Quiet, Riley! | 0:18:05 | 0:18:07 | |
Your job's finished here. | 0:18:07 | 0:18:10 | |
Look where you're standing - | 0:18:12 | 0:18:14 | |
all that gunpowder. You shoot me, I drop this, | 0:18:14 | 0:18:19 | |
we all go up. | 0:18:19 | 0:18:21 | |
Ben... | 0:18:22 | 0:18:23 | |
What happens when the flare burns down? | 0:18:23 | 0:18:26 | |
Tell me what I need to know, Ben. | 0:18:29 | 0:18:31 | |
You need to know... | 0:18:32 | 0:18:34 | |
..if Shaw can catch. | 0:18:35 | 0:18:37 | |
Nice try, though, you... | 0:18:42 | 0:18:44 | |
GRUNTS AND YELPS | 0:18:44 | 0:18:46 | |
GUNSHOTS | 0:18:52 | 0:18:54 | |
Get out, Shaw! | 0:18:54 | 0:18:56 | |
Fool! | 0:19:04 | 0:19:06 | |
Riley, get over here! | 0:19:11 | 0:19:13 | |
What is this? | 0:19:18 | 0:19:19 | |
Smuggler's hold. Get in. | 0:19:19 | 0:19:21 | |
Move! Get out of here! | 0:19:25 | 0:19:27 | |
-What? -Move, get out! | 0:19:27 | 0:19:29 | |
Follow me! | 0:19:29 | 0:19:32 | |
Let's go, let's go. Let's go! | 0:19:35 | 0:19:37 | |
Get down! | 0:19:44 | 0:19:45 | |
OK, let's go, | 0:20:15 | 0:20:17 | |
before someone sees the smoke. | 0:20:17 | 0:20:19 | |
COUGHING | 0:20:31 | 0:20:32 | |
There's an Inuit village about nine miles east of here. | 0:20:48 | 0:20:51 | |
It's popular with bush pilots. | 0:20:51 | 0:20:53 | |
All right. | 0:20:53 | 0:20:56 | |
GROANING | 0:20:56 | 0:20:58 | |
Then what are we gonna do? | 0:21:00 | 0:21:01 | |
Start making our way back home. | 0:21:01 | 0:21:04 | |
No, I meant about Ian. | 0:21:04 | 0:21:05 | |
He's gonna steal the Declaration of Independence, Ben. | 0:21:05 | 0:21:08 | |
We stop him. | 0:21:08 | 0:21:11 | |
Is it really so hard to believe | 0:21:27 | 0:21:29 | |
that someone's gonna try to steal | 0:21:29 | 0:21:30 | |
the Declaration of independence? | 0:21:30 | 0:21:32 | |
The FBI gets 10,000 tips a week. | 0:21:32 | 0:21:33 | |
They're not going to worry | 0:21:33 | 0:21:35 | |
about something they're sure is safe. | 0:21:35 | 0:21:37 | |
But anyone that can do anything | 0:21:37 | 0:21:38 | |
will think we're crazy. | 0:21:38 | 0:21:39 | |
And anyone crazy enough to believe us | 0:21:39 | 0:21:41 | |
isn't gonna wanna help. | 0:21:41 | 0:21:42 | |
We don't need someone crazy. | 0:21:42 | 0:21:44 | |
But one step short of crazy, what do you get? | 0:21:44 | 0:21:46 | |
Obsessed. | 0:21:46 | 0:21:48 | |
Passionate. | 0:21:48 | 0:21:50 | |
Excuse me. | 0:21:57 | 0:21:59 | |
-Dr Chase can see you now, Mr Brown. -Thank you. | 0:22:04 | 0:22:07 | |
"Mr Brown"? | 0:22:07 | 0:22:08 | |
The family name doesn't get a lot of respect | 0:22:08 | 0:22:10 | |
in the academic community. | 0:22:10 | 0:22:11 | |
Huh. Bein' kept down by the man. | 0:22:11 | 0:22:14 | |
A very cute man. | 0:22:15 | 0:22:18 | |
Thank you. | 0:22:18 | 0:22:19 | |
Good afternoon, gentlemen. | 0:22:19 | 0:22:21 | |
Hi. | 0:22:21 | 0:22:22 | |
Abigail Chase. | 0:22:22 | 0:22:23 | |
Paul Brown. | 0:22:23 | 0:22:25 | |
Nice to meet you. | 0:22:25 | 0:22:26 | |
Bill. | 0:22:26 | 0:22:27 | |
Nice to meet you, Bill. | 0:22:27 | 0:22:29 | |
How may I help you? | 0:22:29 | 0:22:30 | |
Well, your accent - Pennsylvania Dutch? | 0:22:30 | 0:22:33 | |
Saxony German. | 0:22:33 | 0:22:34 | |
-Oh! -You're not American? | 0:22:34 | 0:22:37 | |
Oh, I am an American. I just wasn't born here. Please don't touch that. | 0:22:37 | 0:22:41 | |
Sorry. A neat collection. | 0:22:41 | 0:22:42 | |
George Washington's campaign buttons. | 0:22:42 | 0:22:44 | |
You're missing the, er, 1789 inaugural, though. | 0:22:44 | 0:22:48 | |
-I found one once. -That's very fortunate for you. | 0:22:48 | 0:22:50 | |
Now, you told my assistant that this was an urgent matter. | 0:22:50 | 0:22:53 | |
Uh, yes, ma'am. | 0:22:53 | 0:22:55 | |
Well, I'm gonna get straight to the point. | 0:22:55 | 0:22:57 | |
Someone's gonna steal the Declaration of Independence. | 0:23:00 | 0:23:02 | |
It's true. | 0:23:05 | 0:23:07 | |
I think I'd better put you gentlemen in touch with the FBI... | 0:23:07 | 0:23:11 | |
We've been to the FBI. | 0:23:11 | 0:23:12 | |
-And...? -They assured us | 0:23:12 | 0:23:14 | |
that the Declaration cannot possibly be stolen. | 0:23:14 | 0:23:16 | |
-They're right. -My friend and I are less certain. | 0:23:16 | 0:23:19 | |
However, if we were given the privilege | 0:23:19 | 0:23:21 | |
of examining the document... | 0:23:21 | 0:23:23 | |
we would be able to tell you for certain if it were actually in any danger. | 0:23:23 | 0:23:27 | |
What do you think you're gonna find? | 0:23:27 | 0:23:29 | |
We believe that there's, | 0:23:29 | 0:23:31 | |
er, an... | 0:23:31 | 0:23:33 | |
encryption on the back. | 0:23:33 | 0:23:36 | |
An encryption, like a code? | 0:23:36 | 0:23:38 | |
-Yes, ma'am. -Of what? | 0:23:38 | 0:23:40 | |
Uh... | 0:23:40 | 0:23:42 | |
a cartograph. | 0:23:42 | 0:23:44 | |
-A map? -Yes, ma'am. | 0:23:44 | 0:23:46 | |
A map of what? | 0:23:46 | 0:23:48 | |
The location of... | 0:23:48 | 0:23:50 | |
CLEARS THROAT | 0:23:50 | 0:23:52 | |
Of...hidden items of... | 0:23:52 | 0:23:55 | |
historic and... intrinsic value. | 0:23:55 | 0:24:00 | |
A treasure map? | 0:24:01 | 0:24:02 | |
That's where we lost the FBI. | 0:24:02 | 0:24:04 | |
You're treasure hunters, aren't you? | 0:24:04 | 0:24:06 | |
We're more like... treasure protectors. | 0:24:07 | 0:24:10 | |
Mr Brown, I have personally seen the back | 0:24:10 | 0:24:12 | |
of the Declaration of Independence. | 0:24:12 | 0:24:14 | |
And I promise you, the only thing there | 0:24:14 | 0:24:16 | |
is a notation that reads | 0:24:16 | 0:24:17 | |
"Original declaration of Independence. Dated..." | 0:24:17 | 0:24:20 | |
"...Independence. Dated four of July, 1776." | 0:24:20 | 0:24:23 | |
-Yes, ma'am. -But no map. | 0:24:23 | 0:24:25 | |
SIGHS | 0:24:31 | 0:24:33 | |
It's invisible. | 0:24:37 | 0:24:39 | |
Oh, right. | 0:24:39 | 0:24:42 | |
And that's where we lost the Department of Homeland Security. | 0:24:42 | 0:24:45 | |
What led you to assume there's this invisible map? | 0:24:45 | 0:24:49 | |
We found an engraving on the stem of a 200-year-old pipe. | 0:24:49 | 0:24:53 | |
Owned by Freemasons. | 0:24:53 | 0:24:54 | |
May I see the pipe? | 0:24:54 | 0:24:56 | |
Uh, we don't have it. | 0:24:56 | 0:24:59 | |
Did Bigfoot take it(?) | 0:25:01 | 0:25:03 | |
It was nice meeting you. | 0:25:03 | 0:25:05 | |
Nice to meet you, too. | 0:25:05 | 0:25:07 | |
Hey, you know, that really is a nice collection. | 0:25:07 | 0:25:10 | |
It must have taken you a long time to hunt down all that history. | 0:25:10 | 0:25:13 | |
If it's any consolation, you had me convinced. | 0:25:17 | 0:25:20 | |
It's not. | 0:25:20 | 0:25:22 | |
I was thinking, what if we go public? | 0:25:22 | 0:25:24 | |
Plaster the story all over the internet. It's not like... | 0:25:24 | 0:25:28 | |
we have our reputations to worry about. | 0:25:28 | 0:25:31 | |
Although I don't think that's exactly gonna scare Ian away. | 0:25:31 | 0:25:35 | |
180 years of searching, and I'm three feet away. | 0:25:35 | 0:25:39 | |
Of all the words written here about freedom, | 0:25:39 | 0:25:42 | |
there's a line that's at the heart of all the others. | 0:25:42 | 0:25:45 | |
"But when a long train of abuses | 0:25:45 | 0:25:47 | |
"and usurpations, pursuing invariably the same Object, | 0:25:47 | 0:25:51 | |
"evinces a design to reduce them under absolute despotism, | 0:25:51 | 0:25:55 | |
"it is their right, | 0:25:55 | 0:25:56 | |
"it is their duty, to throw off such Government | 0:25:56 | 0:25:59 | |
"and provide new Guards for their future security." | 0:25:59 | 0:26:04 | |
People don't talk that way any more. | 0:26:04 | 0:26:06 | |
Beautiful. Huh. | 0:26:06 | 0:26:08 | |
No idea what you said. | 0:26:08 | 0:26:10 | |
It means if there's something wrong, | 0:26:10 | 0:26:12 | |
those who have the ability to take action | 0:26:12 | 0:26:15 | |
have the responsibility to take action. | 0:26:15 | 0:26:17 | |
HE SIGHS And I'm gonna steal it. | 0:26:21 | 0:26:24 | |
CLEARS THROAT | 0:26:25 | 0:26:26 | |
What? | 0:26:26 | 0:26:28 | |
I'm gonna steal the Declaration of Independence. | 0:26:28 | 0:26:31 | |
Uh...Ben? | 0:26:36 | 0:26:37 | |
This is huge. | 0:26:39 | 0:26:42 | |
Prison-huge. | 0:26:42 | 0:26:45 | |
-You are gonna go to prison, you know that. -Yeah. Probably. | 0:26:45 | 0:26:48 | |
So that would bother most people. | 0:26:48 | 0:26:52 | |
Ian's gonna try to steal it. | 0:26:52 | 0:26:54 | |
And if he succeeds, he'll destroy the Declaration. | 0:26:54 | 0:26:57 | |
The fact is, | 0:26:57 | 0:26:58 | |
the only way to protect the Declaration is to steal it. | 0:26:58 | 0:27:01 | |
It's upside down. | 0:27:01 | 0:27:02 | |
I don't think there's a choice. | 0:27:04 | 0:27:06 | |
Ben, for God's sakes... | 0:27:07 | 0:27:10 | |
it's like stealing a national monument. | 0:27:10 | 0:27:12 | |
Uh, OK, it's, it's like stealing him. | 0:27:12 | 0:27:15 | |
It...it can't be done. | 0:27:15 | 0:27:17 | |
Not it shouldn't be done. | 0:27:17 | 0:27:19 | |
It CAN'T be done. | 0:27:19 | 0:27:20 | |
Let me prove it to you. | 0:27:20 | 0:27:24 | |
OK, Ben, pay attention. | 0:27:24 | 0:27:26 | |
I've brought you to the Library of Congress. | 0:27:26 | 0:27:29 | |
Why? Because it's the biggest library in the world. | 0:27:29 | 0:27:32 | |
Over 20 million books. | 0:27:32 | 0:27:34 | |
And they're all saying the same exact thing - | 0:27:34 | 0:27:37 | |
"Listen to Riley." | 0:27:37 | 0:27:39 | |
What we have here, my friend, | 0:27:39 | 0:27:41 | |
is an entire layout of the archives... | 0:27:41 | 0:27:44 | |
short of builder's blueprints. | 0:27:44 | 0:27:47 | |
You've got, er, construction orders, | 0:27:47 | 0:27:49 | |
phone lines, water and sewage - it's all here. | 0:27:49 | 0:27:54 | |
Now, when the Declaration's on display, OK, | 0:27:54 | 0:27:58 | |
it is surrounded by guards, and video monitors, | 0:27:58 | 0:28:01 | |
and little families from Iowa, and little kids | 0:28:01 | 0:28:03 | |
on their eighth-grade field trip. | 0:28:03 | 0:28:05 | |
And beneath an inch of bullet-proof glass | 0:28:05 | 0:28:07 | |
is an army of sensors and heat monitors that will go off | 0:28:07 | 0:28:10 | |
if someone gets too close with a high fever. | 0:28:10 | 0:28:13 | |
Now, when it's not on display, | 0:28:13 | 0:28:16 | |
it is lowered into a four-foot-thick concrete, | 0:28:16 | 0:28:21 | |
steel-plated vault | 0:28:21 | 0:28:24 | |
that happens to be equipped with an electronic combination lock, | 0:28:24 | 0:28:28 | |
and biometric access denial systems. | 0:28:28 | 0:28:31 | |
You know, Thomas Edison tried and failed nearly 2,000 times to develop | 0:28:31 | 0:28:35 | |
the carbonised cotton thread filament for the incandescent light bulb. | 0:28:35 | 0:28:38 | |
-Edison? -And when asked about it, he said, "I didn't fail. | 0:28:38 | 0:28:41 | |
"I found out 2,000 ways how not to make a light bulb." | 0:28:41 | 0:28:44 | |
But he only needed to find one way to make it work. | 0:28:44 | 0:28:48 | |
The preservation room. | 0:28:49 | 0:28:51 | |
Enjoy. Go ahead. | 0:28:51 | 0:28:53 | |
Do you know what the preservation room is for? | 0:28:54 | 0:28:56 | |
Wha...? Delicious jams and jellies? | 0:28:56 | 0:29:00 | |
No, that's where they clean, repair and maintain | 0:29:00 | 0:29:02 | |
all the documents and the storage housings when they're not on display or in the vault. | 0:29:02 | 0:29:06 | |
Now, when the case needs work, | 0:29:06 | 0:29:08 | |
they take it out of the vault, directly across the hall, | 0:29:08 | 0:29:10 | |
and into the preservation room. | 0:29:10 | 0:29:13 | |
The best time for us, or Ian, to steal it would be during the gala this weekend | 0:29:13 | 0:29:16 | |
when the guards are distracted by the VIPs upstairs. | 0:29:16 | 0:29:19 | |
But we'll make our way to the preservation room, | 0:29:19 | 0:29:22 | |
where there's much less security. | 0:29:22 | 0:29:25 | |
Huh. | 0:29:26 | 0:29:28 | |
Well, if Ian... | 0:29:28 | 0:29:31 | |
er... | 0:29:31 | 0:29:33 | |
The preservation... Hmm. | 0:29:33 | 0:29:35 | |
The gala. | 0:29:35 | 0:29:36 | |
This might be possible. | 0:29:39 | 0:29:41 | |
It might. | 0:29:41 | 0:29:44 | |
COMPUTER BEEPS | 0:30:13 | 0:30:14 | |
Uh... | 0:30:14 | 0:30:16 | |
and we are in. | 0:30:16 | 0:30:18 | |
STATIC CRACKLING | 0:30:21 | 0:30:22 | |
There you are. | 0:30:29 | 0:30:31 | |
Hello. | 0:30:31 | 0:30:33 | |
BEEPS | 0:30:33 | 0:30:34 | |
STATIC CRACKLES | 0:30:34 | 0:30:35 | |
BEEPS | 0:30:35 | 0:30:37 | |
The hallway... | 0:30:37 | 0:30:39 | |
CRACKLES AND BEEPS | 0:30:40 | 0:30:42 | |
That's what I want. | 0:30:44 | 0:30:46 | |
Game on. | 0:30:59 | 0:31:00 | |
DINGS | 0:31:02 | 0:31:04 | |
CAMERA SHUTTER CLICKING | 0:31:18 | 0:31:21 | |
BEEPS | 0:31:26 | 0:31:27 | |
I'll buy that. | 0:31:33 | 0:31:35 | |
Cool. | 0:31:40 | 0:31:42 | |
This just came for you. | 0:32:11 | 0:32:13 | |
I hope it's not from Stan. | 0:32:15 | 0:32:17 | |
"For the woman who has everything else... | 0:32:19 | 0:32:21 | |
"Thanks for listening, Paul Brown." | 0:32:21 | 0:32:24 | |
RECORDER BEEPING | 0:32:51 | 0:32:54 | |
LASER WHINES | 0:32:54 | 0:32:57 | |
ALARM BEEPING | 0:32:59 | 0:33:01 | |
PHONE RINGING | 0:33:04 | 0:33:06 | |
Abigail Chase. | 0:33:06 | 0:33:08 | |
ELEVATOR DINGS | 0:33:08 | 0:33:10 | |
Hey, Mike. | 0:33:23 | 0:33:25 | |
'Let's do this by the book.' | 0:33:29 | 0:33:30 | |
'Hallway is secure.' | 0:33:30 | 0:33:31 | |
-Keep the document level. -No problem. | 0:33:31 | 0:33:34 | |
ABIGAIL: 'What have you got?' | 0:33:34 | 0:33:36 | |
A heat sensor went off in the Declaration frame. | 0:33:36 | 0:33:38 | |
Run full diagnostics, then I want them all changed out. | 0:33:38 | 0:33:40 | |
Our evil plan is working. | 0:33:40 | 0:33:44 | |
VALET BLOWS WHISTLE | 0:34:02 | 0:34:04 | |
Ben, are you sure that we should do this? | 0:34:22 | 0:34:25 | |
BEN OVER HEADSET: 'Riley.' | 0:34:26 | 0:34:28 | |
Can you hear me? | 0:34:28 | 0:34:30 | |
'Unfortunately, yeah. | 0:34:30 | 0:34:31 | |
'We're all set in here.' | 0:34:31 | 0:34:33 | |
Go around to the front, and present your invitation. | 0:34:33 | 0:34:36 | |
You're gonna have to show ID. | 0:34:36 | 0:34:38 | |
Go ahead, man. | 0:34:38 | 0:34:39 | |
-Hey, how's it going? -Howdy. | 0:34:41 | 0:34:44 | |
WOMAN: I need your invitation and your IDs, please. | 0:34:49 | 0:34:53 | |
'How do you look?' | 0:35:08 | 0:35:11 | |
-Not bad. -'Mazel tov.' | 0:35:12 | 0:35:15 | |
This is it. | 0:35:22 | 0:35:23 | |
BRAKES SQUEAK | 0:35:23 | 0:35:26 | |
PLAYING CHAMBER MUSIC | 0:35:43 | 0:35:45 | |
BUZZ OF CONVERSATION | 0:35:47 | 0:35:49 | |
SHE SIGHS | 0:35:53 | 0:35:56 | |
For you. | 0:35:56 | 0:35:57 | |
-Oh, Mr Brown. -Dr Chase. | 0:35:58 | 0:36:01 | |
'What are YOU doing here?' | 0:36:01 | 0:36:03 | |
Is that that hot girl? | 0:36:03 | 0:36:04 | |
'How does she look?' | 0:36:04 | 0:36:05 | |
I made a last-minute donation. A pretty big one. | 0:36:05 | 0:36:08 | |
Well, on that subject, thank you for your wonderful gift. | 0:36:08 | 0:36:11 | |
-Oh, you did get it? -Yes. | 0:36:11 | 0:36:13 | |
Oh, good, OK. | 0:36:13 | 0:36:14 | |
Thank you. You know, I really couldn't accept | 0:36:14 | 0:36:17 | |
something like that normally, but I really want it, so... | 0:36:17 | 0:36:19 | |
'Well,' | 0:36:19 | 0:36:21 | |
-you needed it. -'Come on, Romeo, get out of there.' | 0:36:21 | 0:36:24 | |
I have been wondering, though, | 0:36:24 | 0:36:26 | |
what the engraving indicated on, um, | 0:36:26 | 0:36:28 | |
the pipe that Bigfoot took. | 0:36:28 | 0:36:29 | |
Hi. | 0:36:29 | 0:36:31 | |
Here you go. | 0:36:31 | 0:36:32 | |
Oh, er, Dr Herbert, this is Mr Brown. | 0:36:32 | 0:36:35 | |
-Hi. -Hi, there. | 0:36:35 | 0:36:36 | |
'Who's the stiff?' | 0:36:36 | 0:36:38 | |
Well, here, why don't you let me take that, | 0:36:38 | 0:36:40 | |
so you can take that off his hands. | 0:36:40 | 0:36:42 | |
Thank you. | 0:36:42 | 0:36:43 | |
A toast, yeah? | 0:36:44 | 0:36:46 | |
To high treason. | 0:36:46 | 0:36:48 | |
That's what these men were committing | 0:36:48 | 0:36:50 | |
when they signed the Declaration. | 0:36:50 | 0:36:52 | |
Had we lost the war, | 0:36:52 | 0:36:53 | |
they would've been hanged, beheaded, | 0:36:53 | 0:36:55 | |
drawn and quartered... | 0:36:55 | 0:36:57 | |
Oh! Oh, my personal favourite - | 0:36:57 | 0:36:59 | |
had their entrails cut out and burned! | 0:36:59 | 0:37:01 | |
Yeah. | 0:37:01 | 0:37:03 | |
So, here's to the men | 0:37:03 | 0:37:06 | |
who did what was considered wrong | 0:37:06 | 0:37:08 | |
in order to do what they knew was right. | 0:37:08 | 0:37:11 | |
What they knew was right. | 0:37:13 | 0:37:14 | |
Well...good night. | 0:37:25 | 0:37:27 | |
-Good night. -Good night. | 0:37:27 | 0:37:29 | |
Yeah! | 0:37:45 | 0:37:46 | |
OK, go! Go! | 0:37:49 | 0:37:50 | |
This better work. | 0:38:02 | 0:38:04 | |
EXPLOSION | 0:38:04 | 0:38:06 | |
Clear! | 0:38:09 | 0:38:11 | |
-On. -Door one. | 0:38:15 | 0:38:18 | |
30 seconds. | 0:38:18 | 0:38:19 | |
How's it look? | 0:38:28 | 0:38:30 | |
It's working. | 0:38:32 | 0:38:33 | |
It's working. | 0:38:33 | 0:38:35 | |
Unbelievable. | 0:38:35 | 0:38:36 | |
ELECTRONIC ZAPPING | 0:38:51 | 0:38:54 | |
Second door, 90 seconds. | 0:38:56 | 0:38:58 | |
GRUNTS | 0:38:59 | 0:39:01 | |
BEEP | 0:39:01 | 0:39:03 | |
BEEPING | 0:39:06 | 0:39:07 | |
-BUZZING -Well done, boys. | 0:39:10 | 0:39:13 | |
BEEPING | 0:39:13 | 0:39:15 | |
We're in the elevator. | 0:39:25 | 0:39:27 | |
OK, I'm gonna turn off the surveillance cameras. Ready? | 0:39:27 | 0:39:30 | |
'In five, four,' | 0:39:30 | 0:39:33 | |
three...now. | 0:39:33 | 0:39:35 | |
Ben Gates, | 0:39:37 | 0:39:38 | |
you are now the Invisible Man. | 0:39:38 | 0:39:41 | |
-I'm here. -'Give me the letters for her password.' | 0:39:45 | 0:39:48 | |
What you got for me? | 0:39:48 | 0:39:49 | |
Hit me with it. | 0:39:53 | 0:39:54 | |
A-E-F-G- | 0:39:54 | 0:39:57 | |
L-O-R-V-Y. | 0:39:57 | 0:40:00 | |
'Anagrams being listed.' | 0:40:00 | 0:40:02 | |
OK. | 0:40:02 | 0:40:04 | |
-HE SIGHS -Top results... | 0:40:04 | 0:40:07 | |
"A glove fry", "a very golf," | 0:40:07 | 0:40:10 | |
"Fargo levy," er, "Gravy floe", "Valey frog." | 0:40:10 | 0:40:14 | |
Also "ago fly rev," | 0:40:14 | 0:40:17 | |
er, "Grove fly a", "are fly gov," | 0:40:17 | 0:40:22 | |
"Era fly gov," | 0:40:22 | 0:40:23 | |
-"Elf gov ray..." -It's "valley forge". | 0:40:23 | 0:40:25 | |
"Valley forge?" I don't have that on my computer. | 0:40:25 | 0:40:29 | |
"Valley forge" - she pressed "E" and "L" twice. | 0:40:29 | 0:40:31 | |
Valley Forge was a turning point in the American Revolution. | 0:40:31 | 0:40:33 | |
Can I marry your brain? | 0:40:33 | 0:40:35 | |
'We're in.' | 0:40:40 | 0:40:42 | |
'Hello.' | 0:40:46 | 0:40:47 | |
Ben, you're doing great. | 0:40:53 | 0:40:55 | |
BEEP | 0:41:00 | 0:41:01 | |
MECHANICAL WHIRRING. | 0:41:01 | 0:41:04 | |
'Ben, pick it up.' | 0:41:04 | 0:41:06 | |
'You got about one...' | 0:41:14 | 0:41:15 | |
BEEP | 0:41:19 | 0:41:20 | |
We're on video. | 0:41:20 | 0:41:22 | |
I lost my feed. | 0:41:22 | 0:41:23 | |
-What? -I lost my feed, Ben. | 0:41:23 | 0:41:26 | |
'I don't know where anyone is. I have nothing.' | 0:41:26 | 0:41:28 | |
I have n... Ben, I have nothing. | 0:41:28 | 0:41:30 | |
Get out of there. Get out of there now. | 0:41:30 | 0:41:33 | |
I'm taking the whole thing. I'll get it out in the elevator. | 0:41:33 | 0:41:35 | |
What are you talking... Is it heavy? | 0:41:35 | 0:41:38 | |
Shaw. Door three, one minute. | 0:41:42 | 0:41:46 | |
Gates. | 0:42:01 | 0:42:02 | |
What was that? | 0:42:06 | 0:42:07 | |
BELL DINGS | 0:42:07 | 0:42:10 | |
Who's shooting? | 0:42:11 | 0:42:13 | |
He's got the bloody map. | 0:42:15 | 0:42:16 | |
'Are you still there?' | 0:42:16 | 0:42:18 | |
-Ben? -I'm in the elevator. | 0:42:18 | 0:42:21 | |
Ian's here. | 0:42:21 | 0:42:23 | |
There was, er, shooting. | 0:42:23 | 0:42:25 | |
I hate that guy. | 0:42:25 | 0:42:26 | |
Hey, Rebecca. | 0:42:31 | 0:42:32 | |
Do you have a Paul Brown on that list? | 0:42:32 | 0:42:35 | |
Paul Brown? | 0:42:35 | 0:42:37 | |
Uh, no, not here. | 0:42:37 | 0:42:38 | |
BELL DINGS | 0:42:38 | 0:42:40 | |
CHAMBER MUSIC PLAYING | 0:42:40 | 0:42:43 | |
Good night. | 0:42:51 | 0:42:53 | |
Are you trying to steal that? | 0:43:00 | 0:43:02 | |
Oh, er... | 0:43:04 | 0:43:05 | |
It's 35. | 0:43:08 | 0:43:10 | |
EXHALES For this? | 0:43:10 | 0:43:12 | |
-Yeah. -That's a lot. | 0:43:12 | 0:43:14 | |
Hey, I don't make the prices. | 0:43:14 | 0:43:17 | |
Let's see, um... | 0:43:19 | 0:43:20 | |
CHUCKLES NERVOUSLY I have 32... | 0:43:22 | 0:43:25 | |
..fifty-seven? | 0:43:29 | 0:43:31 | |
We take Visa. | 0:43:31 | 0:43:34 | |
This is Mike. Sublevel three. I have an alert. | 0:43:43 | 0:43:45 | |
SING-SONGY: Where are you, Ben? | 0:43:45 | 0:43:48 | |
Where are you? | 0:44:11 | 0:44:14 | |
Stop talking. Start the van. | 0:44:14 | 0:44:16 | |
Ben, the... | 0:44:23 | 0:44:25 | |
er, the mean de-declaration lady's behind you. | 0:44:25 | 0:44:29 | |
Hey! | 0:44:32 | 0:44:33 | |
Oh, it's you. Hello. | 0:44:34 | 0:44:37 | |
Mr Brown, what's going on? What's that? | 0:44:37 | 0:44:40 | |
It's a souvenir. | 0:44:40 | 0:44:42 | |
Really? | 0:44:42 | 0:44:43 | |
Stop chatting and get in the van. | 0:44:43 | 0:44:45 | |
Code red, code red. We have a break-in. | 0:44:50 | 0:44:53 | |
Lock it down. Nobody leaves the building. | 0:44:53 | 0:44:55 | |
Get the FBI on the phone. | 0:44:55 | 0:44:58 | |
Did you enjoy the party? | 0:45:00 | 0:45:01 | |
Yeah. | 0:45:01 | 0:45:03 | |
ALARMS RINGING | 0:45:03 | 0:45:05 | |
Oh, my God. | 0:45:06 | 0:45:07 | |
Oh, my God, you did not?! | 0:45:07 | 0:45:10 | |
-No, no... -Security! | 0:45:10 | 0:45:11 | |
Over here! Give me that! | 0:45:11 | 0:45:14 | |
It's yours. Take it. | 0:45:14 | 0:45:15 | |
Security! Over here! | 0:45:15 | 0:45:18 | |
Security! | 0:45:18 | 0:45:20 | |
-Got you! -Go! | 0:45:20 | 0:45:22 | |
Viktor! Move! | 0:45:22 | 0:45:24 | |
-We can't just let her go! -We can. Go! | 0:45:24 | 0:45:27 | |
Security, over here! | 0:45:27 | 0:45:29 | |
Wait, no, hold it! Hold it! | 0:45:29 | 0:45:32 | |
-What? -Oh, bad. | 0:45:34 | 0:45:35 | |
-What do you want? -Give me the document! | 0:45:35 | 0:45:36 | |
Bad, bad, bad! | 0:45:36 | 0:45:37 | |
Argh! | 0:45:39 | 0:45:41 | |
-Hand it to me! -Let me go! | 0:45:42 | 0:45:43 | |
-Just bring her! -No! No! | 0:45:43 | 0:45:45 | |
TYRES SCREECHING | 0:45:48 | 0:45:51 | |
Let's... Go! go! | 0:45:51 | 0:45:54 | |
TYRES SCREECHING | 0:45:56 | 0:45:58 | |
And just who might you be? | 0:46:03 | 0:46:05 | |
SIRENS BLARING | 0:46:05 | 0:46:08 | |
Once we catch them, what are we going to do? | 0:46:08 | 0:46:10 | |
I'm working on it. | 0:46:10 | 0:46:12 | |
All right, right. | 0:46:13 | 0:46:15 | |
Why don't you just pass me that document? | 0:46:16 | 0:46:18 | |
Then we can all go home. | 0:46:18 | 0:46:20 | |
HORN HONKING | 0:46:22 | 0:46:24 | |
-TYRES SCREECHING -Whoa! | 0:46:27 | 0:46:29 | |
Oh, no. | 0:46:32 | 0:46:33 | |
We're skidding, skidding, skidding. | 0:46:47 | 0:46:50 | |
SCREAMING | 0:46:52 | 0:46:55 | |
-Oh, no. -Holy Lord. | 0:46:55 | 0:46:57 | |
HORN HONKS | 0:46:57 | 0:46:58 | |
Help! | 0:47:01 | 0:47:03 | |
She falls, the document falls! | 0:47:03 | 0:47:05 | |
Get me next to her! | 0:47:06 | 0:47:08 | |
SHE SCREAMS | 0:47:12 | 0:47:14 | |
HORN HONKING | 0:47:14 | 0:47:16 | |
SHE WHIMPERS | 0:47:18 | 0:47:19 | |
SHE SCREAMS | 0:47:23 | 0:47:26 | |
-Thank you. -No! | 0:47:28 | 0:47:30 | |
-HE CHUCKLES -Got it. Go on. | 0:47:30 | 0:47:33 | |
Abigail! | 0:47:33 | 0:47:35 | |
Jump! | 0:47:38 | 0:47:39 | |
ABIGAIL SCREAMS | 0:47:39 | 0:47:42 | |
TYRES SCREECHING | 0:47:43 | 0:47:45 | |
-Lost 'em. -That's all right. | 0:47:48 | 0:47:49 | |
This...is what we need. | 0:47:49 | 0:47:52 | |
Well done, Gates(!) | 0:48:02 | 0:48:03 | |
Well done(!) | 0:48:03 | 0:48:06 | |
You all right? | 0:48:06 | 0:48:08 | |
No, the... Those lunatics, they took... | 0:48:08 | 0:48:09 | |
You're not hurt, are you? | 0:48:09 | 0:48:11 | |
-You're all lunatics! -You hungry? | 0:48:11 | 0:48:13 | |
-What?! -Are you all right? | 0:48:13 | 0:48:15 | |
Still on edge from being shot at, but I'll be OK. Thanks for asking(!) | 0:48:15 | 0:48:18 | |
Yeah, well, I'm not all right! | 0:48:18 | 0:48:20 | |
-Those men have the Declaration of Independence! -She lost it?! | 0:48:20 | 0:48:25 | |
They don't have it. | 0:48:25 | 0:48:27 | |
See? OK, now, can you please | 0:48:27 | 0:48:29 | |
-stop shouting? -Give me that! | 0:48:29 | 0:48:32 | |
You're still shouting, and it's really starting to annoy. | 0:48:32 | 0:48:35 | |
Now, you'd do well, Dr Chase, to be a bit more civilised. | 0:48:35 | 0:48:39 | |
If this is the real one, what did they get? | 0:48:39 | 0:48:42 | |
A souvenir. I thought it'd be a good idea to have | 0:48:42 | 0:48:45 | |
a duplicate. Turned out I was right. | 0:48:45 | 0:48:47 | |
Actually, I had to pay for the souvenir | 0:48:47 | 0:48:50 | |
and the real one, so you owe me 35 plus tax. | 0:48:50 | 0:48:54 | |
Genius! | 0:48:54 | 0:48:55 | |
Who were those men?! | 0:48:55 | 0:48:57 | |
The guys we warned you were going to steal the Declaration. | 0:48:57 | 0:48:59 | |
And you didn't believe us. | 0:48:59 | 0:49:02 | |
We did the only thing we could do to keep it safe. | 0:49:02 | 0:49:04 | |
Verdammt! Give me that! | 0:49:04 | 0:49:07 | |
You know something? You're shouting again. | 0:49:07 | 0:49:09 | |
Pretty sure she was swearing, too. | 0:49:09 | 0:49:11 | |
Well, we probably deserve that. | 0:49:11 | 0:49:14 | |
SIRENS BLARING | 0:49:14 | 0:49:16 | |
TYRES SCREECHING | 0:49:16 | 0:49:18 | |
WHISTLES BLOWING | 0:49:18 | 0:49:20 | |
SADUSKY: Ladies and gentlemen... | 0:49:20 | 0:49:22 | |
Ladies and gentlemen, my name is Peter Sadusky. | 0:49:22 | 0:49:25 | |
I'm the agent in charge. | 0:49:25 | 0:49:26 | |
I want to reassure you, you are not in danger in any way. | 0:49:26 | 0:49:29 | |
If we all cooperate, | 0:49:29 | 0:49:31 | |
we'll get through this with as little frustration as possible. | 0:49:31 | 0:49:34 | |
Thank you. | 0:49:34 | 0:49:37 | |
Get positive IDs and search everyone, | 0:49:37 | 0:49:41 | |
including the security staff. | 0:49:41 | 0:49:42 | |
-If they refuse, detain 'em and get warrants. -HENDRICKS CLEARS THROAT | 0:49:42 | 0:49:45 | |
Yes, Agent Hendricks? You have something? | 0:49:45 | 0:49:49 | |
-Um... -This isn't the day for "um." | 0:49:49 | 0:49:51 | |
We got a tip several days ago that someone was going to steal the Declaration of Independence. | 0:49:51 | 0:49:56 | |
Do we have a name on the tipster? | 0:49:56 | 0:49:58 | |
There was no file opened. | 0:49:58 | 0:50:00 | |
We, er, didn't find the information credible. | 0:50:00 | 0:50:03 | |
SIGHS: How about now? | 0:50:03 | 0:50:06 | |
There is not a treasure map on the back | 0:50:06 | 0:50:09 | |
of the Declaration of Independence. | 0:50:09 | 0:50:11 | |
And there's no chance anyone can steal this...either. | 0:50:11 | 0:50:14 | |
I levelled with you | 0:50:14 | 0:50:15 | |
100 percent. Everything I told you was the truth. | 0:50:15 | 0:50:18 | |
I want that document, Mr Brown. | 0:50:18 | 0:50:20 | |
OK, my name's not Brown. | 0:50:20 | 0:50:22 | |
It's Gates. I levelled with you 98%. | 0:50:22 | 0:50:25 | |
Wait a minute, did you just say Gates? | 0:50:25 | 0:50:27 | |
Gates? You're that family with the conspiracy theory | 0:50:29 | 0:50:32 | |
-about the founding fathers? -It's not a conspiracy theory. | 0:50:32 | 0:50:36 | |
Per se. | 0:50:36 | 0:50:37 | |
I take it back. You're not liars. You're insane. | 0:50:37 | 0:50:41 | |
There's a copy of the Declaration on display now? | 0:50:41 | 0:50:43 | |
-Yes, we decided to... -Leave it there. | 0:50:43 | 0:50:45 | |
The guests know something happened, but they don't know what. | 0:50:45 | 0:50:48 | |
They got him with a taser at the service entrance. | 0:50:48 | 0:50:50 | |
He doesn't remember a thing. Also, we found bullet casings. | 0:50:50 | 0:50:53 | |
Did we get a description from the other guards? | 0:50:53 | 0:50:56 | |
-Which guards? -The guards that were fired upon. | 0:50:56 | 0:50:58 | |
There weren't any other guards on patrol down here. | 0:50:58 | 0:51:02 | |
So...who was shooting? | 0:51:02 | 0:51:05 | |
Who were they shooting at? | 0:51:05 | 0:51:07 | |
And why weren't they getting along? | 0:51:07 | 0:51:10 | |
You can't seriously intend to run chemical tests | 0:51:10 | 0:51:13 | |
on the Declaration of Independence in the back of a moving van. | 0:51:13 | 0:51:16 | |
We have a clean room all set up - EDS suits, | 0:51:16 | 0:51:17 | |
-a particulate air filtration system, the whole shebang. -Really? | 0:51:17 | 0:51:21 | |
We can't go back there. | 0:51:21 | 0:51:23 | |
What? Why not? | 0:51:23 | 0:51:25 | |
This is the guy. | 0:51:25 | 0:51:26 | |
Dr Herbert said Dr Chase introduced him as Mr Brown. | 0:51:26 | 0:51:29 | |
Not on the guest list. | 0:51:29 | 0:51:30 | |
The gift store clerk - she said he seemed... | 0:51:30 | 0:51:32 | |
Well, she said "flustered". | 0:51:32 | 0:51:34 | |
He tried to walk out with a copy of the Declaration without paying. | 0:51:34 | 0:51:37 | |
COMPUTER BEEPS He paid with a Visa. | 0:51:37 | 0:51:40 | |
Charge to Benjamin Gates. | 0:51:40 | 0:51:44 | |
A credit card slip?! | 0:51:44 | 0:51:46 | |
Dude, we're on the grid. | 0:51:46 | 0:51:48 | |
They're going to have your records from forever - they're going to have | 0:51:48 | 0:51:51 | |
-my records from forever. -I know. | 0:51:51 | 0:51:53 | |
It's a matter of minutes before the FBI shows up at my front door. | 0:51:53 | 0:51:55 | |
-What do we do? -We need those letters. | 0:51:55 | 0:51:58 | |
What letters? | 0:51:58 | 0:51:59 | |
You know, get off the road. Take a right. | 0:52:02 | 0:52:04 | |
What letters? | 0:52:04 | 0:52:06 | |
You have the original Silence Dogood letters? | 0:52:06 | 0:52:09 | |
Did you steal those, too? | 0:52:09 | 0:52:12 | |
We have scans of the originals. Quiet, please. | 0:52:12 | 0:52:14 | |
How'd you get scans? | 0:52:14 | 0:52:16 | |
Oh, I know the person who has the originals. Now, shush. | 0:52:16 | 0:52:19 | |
Why do you need them? | 0:52:22 | 0:52:24 | |
She really can't shut her mouth, can she? | 0:52:24 | 0:52:26 | |
I'll tell you what, look. | 0:52:26 | 0:52:28 | |
I will let you hold onto this | 0:52:28 | 0:52:30 | |
if you'll promise to shut up, please. Thank you. | 0:52:30 | 0:52:34 | |
-Ben, you know what you have to do. -I know what to do. | 0:52:35 | 0:52:39 | |
I'm just trying to think of anything else we could do. | 0:52:39 | 0:52:42 | |
Well, not to be a, er, | 0:52:42 | 0:52:44 | |
nudge, but you do realise how many people we have after us... | 0:52:44 | 0:52:48 | |
We probably have our own satellite by now. | 0:52:48 | 0:52:50 | |
It took you all of two seconds to decide to steal | 0:52:52 | 0:52:56 | |
the Declaration of Independence. | 0:52:56 | 0:52:58 | |
But I didn't think I was going to have to tell my dad about it. | 0:52:58 | 0:53:00 | |
GRUNTS Hey, not cool. | 0:53:00 | 0:53:02 | |
Not cool! | 0:53:02 | 0:53:04 | |
Let me go! | 0:53:04 | 0:53:06 | |
OK. You're let go. Go, shoo. | 0:53:06 | 0:53:08 | |
I'm not going, not without the Declaration. | 0:53:08 | 0:53:11 | |
You're not going WITH the Declaration. | 0:53:11 | 0:53:14 | |
Yes, I am. I'm not letting it out of my sight, so I'm going. | 0:53:14 | 0:53:16 | |
Wait, you're not going with US with the Declaration. | 0:53:16 | 0:53:20 | |
-Yes, I am. -No, you're not. | 0:53:20 | 0:53:24 | |
Look, if you wanted to leave me behind, | 0:53:24 | 0:53:26 | |
you shouldn't have told me where you were going. | 0:53:26 | 0:53:29 | |
HE SIGHS | 0:53:29 | 0:53:32 | |
RILEY GROANS | 0:53:32 | 0:53:33 | |
Clear. | 0:53:43 | 0:53:45 | |
What the...? | 0:53:47 | 0:53:49 | |
SADUSKY: Now we're getting somewhere. | 0:53:51 | 0:53:54 | |
DAWES: They're digital scans of letters to the editor of the "New England Courant." | 0:53:55 | 0:53:58 | |
Written 1722. | 0:53:58 | 0:54:00 | |
They're all from the same person, | 0:54:00 | 0:54:03 | |
"Your humble servant, Silence Dogood." | 0:54:03 | 0:54:05 | |
Gentlemen... | 0:54:19 | 0:54:23 | |
why is this word capitalised? | 0:54:23 | 0:54:26 | |
Because it's important? | 0:54:26 | 0:54:29 | |
Because it's a name. | 0:54:31 | 0:54:34 | |
OK, I got it. | 0:54:34 | 0:54:36 | |
When Ben Franklin was only 15 years old, | 0:54:36 | 0:54:37 | |
he secretly wrote 14 letters to his brother's newspaper | 0:54:37 | 0:54:40 | |
pretending to be a middle-aged widow named Silence Dogood. | 0:54:40 | 0:54:42 | |
These letters were written by Benjamin Franklin. | 0:54:42 | 0:54:46 | |
Looks OK. | 0:54:53 | 0:54:55 | |
Park a couple of blocks away. | 0:54:55 | 0:54:57 | |
How long do you think we got? | 0:54:57 | 0:54:58 | |
I'm going to give them a couple hours, at least. | 0:54:58 | 0:55:00 | |
I hope. | 0:55:00 | 0:55:02 | |
What do we do about her? I've got some duct tape in the back. | 0:55:02 | 0:55:05 | |
No, that won't be necessary. She won't be any trouble. | 0:55:05 | 0:55:08 | |
-Promise you won't be any trouble? -I promise. | 0:55:08 | 0:55:10 | |
See? She's curious. | 0:55:10 | 0:55:13 | |
HENDRICKS: Here's what I got on Gates. | 0:55:16 | 0:55:17 | |
A degree in American history from Georgetown, | 0:55:17 | 0:55:21 | |
a degree in mechanical engineering at MIT, | 0:55:21 | 0:55:23 | |
Navy ROTC in Naval diving and salvage training centre. | 0:55:23 | 0:55:27 | |
Hmm. What in the world did this guy want to be when he grew up? | 0:55:27 | 0:55:30 | |
We keep our focus on Gates. | 0:55:30 | 0:55:33 | |
Run him to ground. | 0:55:33 | 0:55:34 | |
Compile a family and friends list, | 0:55:34 | 0:55:36 | |
closest relative first. | 0:55:36 | 0:55:38 | |
I want to find out who this guy is. | 0:55:38 | 0:55:42 | |
RINGS DOORBELL | 0:55:42 | 0:55:44 | |
Dad. | 0:55:49 | 0:55:51 | |
Where's the party? | 0:55:53 | 0:55:55 | |
Uh, well, er, I'm in a little trouble. | 0:55:55 | 0:56:00 | |
Is she pregnant? | 0:56:00 | 0:56:02 | |
Well, if she is, are you gonna leave the woman | 0:56:02 | 0:56:04 | |
carrying your grandchild standing out in the cold? | 0:56:04 | 0:56:07 | |
I look pregnant? | 0:56:07 | 0:56:10 | |
This better not be about that dumb treasure. | 0:56:14 | 0:56:16 | |
Well, have a... have a seat. | 0:56:23 | 0:56:25 | |
Make yourselves comfortable. There's some pizza. | 0:56:25 | 0:56:28 | |
-It's still warm, I think. -Dad... | 0:56:28 | 0:56:31 | |
I need the Silence Dogood letters. | 0:56:31 | 0:56:34 | |
Yeah, it's about the treasure. | 0:56:34 | 0:56:37 | |
-And he dragged you two into this nonsense?! -Literally. | 0:56:37 | 0:56:40 | |
I volunteered. | 0:56:40 | 0:56:41 | |
Well, unvolunteer...before you waste your life. | 0:56:41 | 0:56:45 | |
-Knock it off, Dad. -Sure, sure, I know, | 0:56:45 | 0:56:47 | |
I'm the family kook. I have a job, a house, health insurance. | 0:56:47 | 0:56:50 | |
At least I had your mother, for however brief a time. | 0:56:50 | 0:56:53 | |
At least I had you. | 0:56:53 | 0:56:54 | |
What do you have? Him?! | 0:56:54 | 0:56:56 | |
Look, if you just give us the letters, we're gone. | 0:56:58 | 0:57:01 | |
You disappoint me, Ben. | 0:57:01 | 0:57:03 | |
Well, maybe that's the real Gates family legacy. | 0:57:03 | 0:57:05 | |
Sons who disappoint their fathers. | 0:57:05 | 0:57:07 | |
Get out. Take your troubles with you. | 0:57:10 | 0:57:12 | |
I found the "Charlotte." | 0:57:17 | 0:57:19 | |
The "Charlotte"? | 0:57:24 | 0:57:26 | |
You mean she was a ship? | 0:57:26 | 0:57:28 | |
Yeah, she was beautiful. It was amazing, Dad. | 0:57:28 | 0:57:31 | |
And the treasure? | 0:57:31 | 0:57:32 | |
HE SIGHS No, no... | 0:57:32 | 0:57:34 | |
but we found another clue that led us here. | 0:57:34 | 0:57:36 | |
Yeah, and that'll lead you to another clue. | 0:57:36 | 0:57:38 | |
And that's all you'll ever find | 0:57:38 | 0:57:40 | |
is another clue - don't you get it, Ben? | 0:57:40 | 0:57:41 | |
I finally figured it out. | 0:57:41 | 0:57:43 | |
The legend says that the treasure was buried | 0:57:43 | 0:57:45 | |
to keep it from the British. But what really happened | 0:57:45 | 0:57:47 | |
was the legend was invented | 0:57:47 | 0:57:49 | |
to keep the British occupied searching for buried treasure. | 0:57:49 | 0:57:52 | |
The treasure is a myth. | 0:57:52 | 0:57:54 | |
I refuse to believe that. | 0:57:54 | 0:57:58 | |
Well, you can believe what you want. You're a grown person. | 0:58:03 | 0:58:06 | |
What am I doing? | 0:58:06 | 0:58:07 | |
Do what you want, Ben. Do what you want. | 0:58:07 | 0:58:10 | |
He's probably right. | 0:58:10 | 0:58:13 | |
You don't even know if there is another clue. | 0:58:13 | 0:58:16 | |
Well, I can think of a way where we could find out. | 0:58:19 | 0:58:21 | |
And we can find out right now. | 0:58:21 | 0:58:23 | |
Looks like animal skin. | 0:58:40 | 0:58:42 | |
How old is it? | 0:58:42 | 0:58:44 | |
-At least 200 years. -Really? You sure? | 0:58:44 | 0:58:48 | |
Pretty darn. | 0:58:48 | 0:58:50 | |
Now if this thing's in invisible ink, how do we look at it? | 0:58:50 | 0:58:52 | |
Throw it in the oven. | 0:58:52 | 0:58:53 | |
-No. -No. -Uh-uh. | 0:58:53 | 0:58:55 | |
Ferrous sulphate inks can only be brought out with heat. | 0:58:55 | 0:58:58 | |
Yes, but this is... | 0:58:58 | 0:58:59 | |
It's...very old. This is very old, | 0:58:59 | 0:59:02 | |
and we can't risk compromising the map. | 0:59:02 | 0:59:04 | |
You need a reagent. | 0:59:04 | 0:59:07 | |
Dad, it's really late. Why don't you get some rest? | 0:59:07 | 0:59:11 | |
-I'm fine. -Lemons. | 0:59:11 | 0:59:13 | |
Uh, you can't do that. | 0:59:20 | 0:59:22 | |
But it has to be done. | 0:59:22 | 0:59:23 | |
Then someone who is trained to handle antique documents | 0:59:23 | 0:59:26 | |
is gonna do it. | 0:59:26 | 0:59:27 | |
OK. | 0:59:27 | 0:59:29 | |
OK. | 0:59:32 | 0:59:35 | |
Now, er, if there is a secret message... | 0:59:35 | 0:59:37 | |
it'll probably be marked, er, by a symbol | 0:59:37 | 0:59:40 | |
in the upper right-hand corner. | 0:59:40 | 0:59:43 | |
That's right. | 0:59:43 | 0:59:44 | |
I am so getting fired for this. | 0:59:48 | 0:59:50 | |
ABIGAIL SIGHS | 1:00:18 | 1:00:20 | |
I told you. You need heat. | 1:00:20 | 1:00:24 | |
BOTH BLOWING | 1:00:31 | 1:00:33 | |
See? | 1:00:40 | 1:00:41 | |
We need more juice. | 1:00:43 | 1:00:45 | |
We need more heat. | 1:00:45 | 1:00:47 | |
HAIRDRYER WHIRRING | 1:00:49 | 1:00:51 | |
That's not a map. | 1:01:00 | 1:01:02 | |
-Is it? -More clues. | 1:01:02 | 1:01:05 | |
-What a surprise. -Are those latitudes and longitudes? | 1:01:05 | 1:01:07 | |
-This is why we need the Silence Dogood letters. -That's the key? | 1:01:07 | 1:01:11 | |
Yeah, "the key in Silence undetected." | 1:01:11 | 1:01:13 | |
Dad, can we have the letters now? | 1:01:13 | 1:01:15 | |
Will somebody please explain to me what these magic numbers are? | 1:01:15 | 1:01:19 | |
It's an Ottendorf cipher. | 1:01:19 | 1:01:20 | |
That's right. | 1:01:20 | 1:01:22 | |
Oh, OK. What's an Ottendorf cipher? | 1:01:22 | 1:01:25 | |
-They're just codes. -Each of these three numbers | 1:01:25 | 1:01:28 | |
corresponds to a word in a key. | 1:01:28 | 1:01:30 | |
Usually a random book or a newspaper article. | 1:01:30 | 1:01:34 | |
In this case, the Silence Dogood letters. | 1:01:34 | 1:01:36 | |
So it's like the page number | 1:01:36 | 1:01:37 | |
of the key text, the line on the page | 1:01:37 | 1:01:39 | |
and the letter in that line. | 1:01:39 | 1:01:41 | |
So, Dad, where are the letters? | 1:01:41 | 1:01:43 | |
You know, it's just by sheer happenstance | 1:01:43 | 1:01:46 | |
that his grandfather even found them. | 1:01:46 | 1:01:49 | |
-Dad. -They were in an antique desk | 1:01:49 | 1:01:51 | |
-from the press room... -Dad. | 1:01:51 | 1:01:53 | |
..of the "New England Courant," a newspaper. | 1:01:53 | 1:01:54 | |
Dad, where are the letters? | 1:01:54 | 1:01:56 | |
I don't have them, Son. | 1:01:56 | 1:01:58 | |
What? | 1:01:58 | 1:02:00 | |
I don't have them. | 1:02:00 | 1:02:02 | |
BEN CLEARS THROAT | 1:02:07 | 1:02:08 | |
Where are they? | 1:02:08 | 1:02:10 | |
I donated them to the Franklin Institute in Philadelphia. | 1:02:10 | 1:02:13 | |
Time to go. | 1:02:13 | 1:02:15 | |
I still can't believe it. All... | 1:02:16 | 1:02:18 | |
all this time, no-one knew what was on the back. | 1:02:18 | 1:02:21 | |
The back of what? | 1:02:21 | 1:02:22 | |
-Wa-a-a-a-ah! -No! | 1:02:22 | 1:02:25 | |
Oh, my God. Oh, my God. | 1:02:25 | 1:02:27 | |
-I know. -Oh, my God. What have you done? | 1:02:27 | 1:02:29 | |
-This is, this is... -I know! | 1:02:29 | 1:02:31 | |
This is the Declaration of Independence. | 1:02:31 | 1:02:33 | |
Yes. And it's very delicate. | 1:02:33 | 1:02:36 | |
You stole it? | 1:02:36 | 1:02:37 | |
Dad, I can explain, but I don't have time. | 1:02:37 | 1:02:40 | |
It was necessary. And you saw the cipher. | 1:02:40 | 1:02:42 | |
And that will lead to another clue, | 1:02:42 | 1:02:44 | |
and that will lead to another clue! There is no treasure. | 1:02:44 | 1:02:47 | |
I wasted 20 years of my life | 1:02:47 | 1:02:49 | |
and now you've destroyed yours. | 1:02:49 | 1:02:53 | |
And you pulled me into all this. | 1:02:53 | 1:02:55 | |
Well, we can't have that. | 1:02:55 | 1:02:57 | |
-DOORBELL RINGS -Come in! | 1:03:00 | 1:03:03 | |
I'm in here! | 1:03:05 | 1:03:07 | |
FBI , right? | 1:03:09 | 1:03:11 | |
You gonna untie me? | 1:03:14 | 1:03:16 | |
And you have no idea where he's going? | 1:03:19 | 1:03:20 | |
Well, wouldn't I have told you if I did? | 1:03:20 | 1:03:23 | |
-Would you? -He tied me to a chair. | 1:03:23 | 1:03:27 | |
The garage is empty, but there is a Cadillac Deville | 1:03:27 | 1:03:30 | |
-registered to Patrick Gates. -And he stole my car. | 1:03:30 | 1:03:33 | |
Don't worry, Mister Gates, we'll find your car. And your son. | 1:03:33 | 1:03:37 | |
Your dad's got a sweet ride. | 1:03:40 | 1:03:42 | |
I think we should change clothes. | 1:03:42 | 1:03:43 | |
I look kind of conspicuous, don't you think? | 1:03:45 | 1:03:48 | |
I'd love to go shopping, too, but we have no money. | 1:03:48 | 1:03:50 | |
Here, I took this from his house. | 1:03:50 | 1:03:52 | |
He usually tucks a few hundred dollars | 1:03:52 | 1:03:54 | |
somewhere between those pages. | 1:03:54 | 1:03:57 | |
-"Common sense." How appropriate. -When we gonna get there? | 1:03:57 | 1:04:00 | |
I'm hungry. This car smells weird. | 1:04:00 | 1:04:03 | |
Excuse me. | 1:04:46 | 1:04:48 | |
Excuse me. | 1:04:48 | 1:04:49 | |
Oops, sorry, sir. Excuse me. | 1:04:49 | 1:04:51 | |
That's OK. | 1:04:51 | 1:04:53 | |
HORN HONKS | 1:04:56 | 1:04:57 | |
"S-S-A-N-D." | 1:04:59 | 1:05:01 | |
OK. | 1:05:01 | 1:05:04 | |
Huh. You sure this is right? | 1:05:04 | 1:05:07 | |
OK. | 1:05:08 | 1:05:09 | |
No, "N." | 1:05:13 | 1:05:14 | |
That is an "N." | 1:05:14 | 1:05:15 | |
Doesn't look like an "N." | 1:05:15 | 1:05:17 | |
You know, here. | 1:05:18 | 1:05:20 | |
Last one, OK? | 1:05:20 | 1:05:23 | |
One more dollar. | 1:05:23 | 1:05:24 | |
Thank you. | 1:05:24 | 1:05:26 | |
Go get the last four letters. | 1:05:26 | 1:05:27 | |
Go get 'em, chief. Come on. | 1:05:27 | 1:05:31 | |
OK. "The vision to see the treasured past | 1:05:48 | 1:05:52 | |
"comes as the timely shadow | 1:05:52 | 1:05:55 | |
"crosses in front of the house of pass and..." | 1:05:55 | 1:05:58 | |
"Pass and..." what? | 1:05:58 | 1:06:00 | |
"Pass and...." | 1:06:14 | 1:06:16 | |
What's going on? | 1:06:41 | 1:06:43 | |
-I'm not sure. -What's up? | 1:06:45 | 1:06:48 | |
So you show up at your father's door, | 1:06:50 | 1:06:52 | |
and say you're in trouble and the first thing he assumes is I'm pregnant. | 1:06:52 | 1:06:56 | |
Is there a question in there? | 1:06:56 | 1:06:58 | |
I think there's an interesting story in there. | 1:06:58 | 1:07:01 | |
Well, my father thinks I've been a little too cavalier | 1:07:01 | 1:07:05 | |
-in my personal life. -I see. | 1:07:05 | 1:07:07 | |
Let me ask you something. Have you ever told someone, | 1:07:07 | 1:07:10 | |
-not a relative, "I love you"? -Yes. | 1:07:10 | 1:07:13 | |
More than one someone? | 1:07:14 | 1:07:15 | |
Yes. | 1:07:17 | 1:07:18 | |
Oh. Well, then my father would say you've been | 1:07:18 | 1:07:21 | |
a little too cavalier in your personal life, too. | 1:07:21 | 1:07:24 | |
So you get your sense of absolute certainty from him, do you? | 1:07:24 | 1:07:27 | |
Well, I'm sure I don't know what you mean. | 1:07:27 | 1:07:30 | |
Well, you're certain the treasure is real, | 1:07:30 | 1:07:32 | |
despite what anyone else thinks. | 1:07:32 | 1:07:34 | |
No, but I hope it's real. | 1:07:34 | 1:07:36 | |
I mean, I've dreamt it's real | 1:07:36 | 1:07:38 | |
since my grandfather told me about it. | 1:07:38 | 1:07:40 | |
But I want to hold it. I feel like I'm so close, I can taste it. | 1:07:40 | 1:07:43 | |
But I just... I just want to know | 1:07:43 | 1:07:46 | |
it's not just something in my head or in my heart. | 1:07:46 | 1:07:48 | |
People don't really talk that way, you know. | 1:07:51 | 1:07:54 | |
I know, but they think that way. | 1:07:54 | 1:07:58 | |
Hey. | 1:08:03 | 1:08:04 | |
-Did you get it? Riley? -Oh, I got it. | 1:08:04 | 1:08:07 | |
"The vision to see the treasured past | 1:08:07 | 1:08:09 | |
"comes as the timely shadow | 1:08:09 | 1:08:11 | |
"crosses in front of the house of Pass and Stow." | 1:08:11 | 1:08:16 | |
Now, "Pass and Stow", of course, referring to... | 1:08:16 | 1:08:18 | |
-BOTH: The Liberty Bell, yeah. -Why do you have to do that? | 1:08:18 | 1:08:21 | |
Well, John Pass and John Stow cast the bell. | 1:08:21 | 1:08:24 | |
OK. Well, then, what does the rest of this mean? | 1:08:24 | 1:08:27 | |
Wait a minute. "The vision to see the treasured past" | 1:08:27 | 1:08:29 | |
must refer to a way to read the map. | 1:08:29 | 1:08:31 | |
I thought the cipher was the map? | 1:08:31 | 1:08:33 | |
No, the cipher was a way to find the way to read the map. | 1:08:33 | 1:08:36 | |
And the way to read the map can be found | 1:08:36 | 1:08:37 | |
where the "timely shadow" crosses in front of the Liberty Bell. | 1:08:37 | 1:08:41 | |
Crosses in front of the house of the Liberty Bell - | 1:08:41 | 1:08:44 | |
Independence Hall. | 1:08:44 | 1:08:45 | |
Right, so "timely shadow," | 1:08:45 | 1:08:47 | |
it's a specific time. | 1:08:47 | 1:08:50 | |
-What time? -What time? What time? | 1:08:50 | 1:08:54 | |
Wait, wait, wait. You're going to love this. | 1:08:54 | 1:08:57 | |
Excuse me, can I see one of those, er, hundred-dollar bills | 1:08:57 | 1:09:00 | |
-I paid you with? -No. | 1:09:00 | 1:09:02 | |
Oh, well, er, here, I have this diver's watch. | 1:09:02 | 1:09:05 | |
It's called a submariner. I dive with it. | 1:09:05 | 1:09:08 | |
It's actually quite valuable. You can use it as collateral. | 1:09:08 | 1:09:10 | |
-Whatever. -Thank you. | 1:09:10 | 1:09:12 | |
On the back of a hundred-dollar bill is an etching of Independence Hall... | 1:09:12 | 1:09:15 | |
-Hello. -..based on a painting done in - | 1:09:15 | 1:09:17 | |
thank you - in the 1780s, who in this... | 1:09:17 | 1:09:19 | |
the artist was actually a friend of Benjamin Franklin's. | 1:09:19 | 1:09:22 | |
-It's wonderful. -Fascinating. | 1:09:22 | 1:09:23 | |
-Hold this. -OK. | 1:09:23 | 1:09:25 | |
I'm not going anywhere. | 1:09:27 | 1:09:29 | |
Now, I think that if we look at this clock tower... | 1:09:29 | 1:09:32 | |
..we may find the specific time. | 1:09:34 | 1:09:36 | |
-What do you see? -2:22. | 1:09:39 | 1:09:42 | |
-What time is it now? -Almost 3:00. | 1:09:42 | 1:09:45 | |
-SHE SIGHS -We missed it. | 1:09:45 | 1:09:49 | |
No, we didn't. We didn't miss it because, er... | 1:09:49 | 1:09:52 | |
You don't know this? | 1:09:52 | 1:09:54 | |
I-I know something about history that you don't know. | 1:09:54 | 1:09:57 | |
I'd be very excited to learn about it, Riley. | 1:09:57 | 1:09:59 | |
Hold on one second, let me just... | 1:09:59 | 1:10:01 | |
let me just take in this moment. | 1:10:01 | 1:10:02 | |
This is...this is cool. | 1:10:02 | 1:10:04 | |
Is this how you feel all the time? | 1:10:04 | 1:10:06 | |
Cos, you know... Except for now, of course. | 1:10:06 | 1:10:08 | |
-Riley! -All right. | 1:10:08 | 1:10:10 | |
What I know is that daylight savings | 1:10:10 | 1:10:13 | |
wasn't established until World War I. | 1:10:13 | 1:10:16 | |
If it's 3:00 PM now, OK, | 1:10:16 | 1:10:18 | |
that means in 1776, it would be 2:00 PM. | 1:10:18 | 1:10:21 | |
-Let's go. -Riley, you're a genius. | 1:10:21 | 1:10:23 | |
Yeah. | 1:10:23 | 1:10:25 | |
Do you actually know who the first person | 1:10:25 | 1:10:27 | |
to suggest daylight savings was? | 1:10:27 | 1:10:29 | |
BOTH: Benjamin Franklin. | 1:10:29 | 1:10:32 | |
Is this real? | 1:10:32 | 1:10:34 | |
Just tell me what you told my friend. | 1:10:34 | 1:10:37 | |
Just a bunch of letters. I can't remember. | 1:10:37 | 1:10:39 | |
Can you remember which ones | 1:10:39 | 1:10:41 | |
you were going to tell him next? | 1:10:41 | 1:10:43 | |
Yeah, here. | 1:10:43 | 1:10:46 | |
S-T-O-W. | 1:10:46 | 1:10:48 | |
Top results: Liberty Bell | 1:10:54 | 1:10:58 | |
and Independence Hall. | 1:10:58 | 1:10:59 | |
TOUR GUIDE: Imagine its impact | 1:11:01 | 1:11:03 | |
back in the 18th century. | 1:11:03 | 1:11:06 | |
It could have been seen for miles around, | 1:11:06 | 1:11:08 | |
which is exactly its purpose. | 1:11:08 | 1:11:10 | |
Because it served as a beacon, | 1:11:10 | 1:11:11 | |
as it were, for people to collect | 1:11:11 | 1:11:14 | |
and hear the reading of public documents. | 1:11:14 | 1:11:16 | |
Good stuff. | 1:11:28 | 1:11:30 | |
It gained a place in history on July 8th, 1776, | 1:11:30 | 1:11:34 | |
when the Liberty Bell tolled | 1:11:34 | 1:11:36 | |
for the first public reading of the Declaration of Independence. | 1:11:36 | 1:11:39 | |
Eventually, it was moved from its place | 1:11:39 | 1:11:41 | |
in Independence Hall steeple and given its own... | 1:11:41 | 1:11:44 | |
-Idiot. -Who? -Any questions? | 1:11:44 | 1:11:46 | |
-Me. -What? | 1:11:46 | 1:11:49 | |
It's not here. It's there. | 1:11:49 | 1:11:51 | |
Come on. | 1:11:51 | 1:11:53 | |
What bell is this? | 1:12:01 | 1:12:03 | |
It's the centennial bell. | 1:12:03 | 1:12:04 | |
It replaced the Liberty Bell in 1876. | 1:12:04 | 1:12:07 | |
There it is. | 1:12:14 | 1:12:16 | |
All right. I'm going to go down there, | 1:12:16 | 1:12:19 | |
and you meet me in the signing room. OK? All right. | 1:12:19 | 1:12:23 | |
All right, let's go. | 1:12:23 | 1:12:25 | |
3:22. My idea. | 1:12:25 | 1:12:28 | |
TOUR GUIDE: In 1778, British troops... | 1:13:31 | 1:13:33 | |
-Hey, what'd you score? -I found this. | 1:13:33 | 1:13:36 | |
Some kind of ocular device. | 1:13:36 | 1:13:38 | |
"The vision to see the treasured past." | 1:13:38 | 1:13:40 | |
Let me take this. | 1:13:40 | 1:13:42 | |
Oh, they're like early American X-ray specs. | 1:13:42 | 1:13:45 | |
Benjamin Franklin invented something like these. | 1:13:45 | 1:13:49 | |
Uh, I think he invented these. | 1:13:49 | 1:13:51 | |
Hmm. So, wh-what do we do with them? | 1:13:51 | 1:13:54 | |
We look through it. | 1:13:54 | 1:13:56 | |
-Here, help me. -Uh-huh. | 1:13:59 | 1:14:02 | |
-Careful. -Right. | 1:14:02 | 1:14:05 | |
HE SIGHS | 1:14:10 | 1:14:11 | |
What? | 1:14:11 | 1:14:13 | |
It's just that the last time this was here, | 1:14:13 | 1:14:15 | |
it was being signed. | 1:14:15 | 1:14:19 | |
Ben, there's another tour coming. | 1:14:20 | 1:14:22 | |
Turn it over. CLEARS THROAT | 1:14:22 | 1:14:24 | |
Careful. | 1:14:24 | 1:14:25 | |
Spectacles. CLEARS THROAT | 1:14:25 | 1:14:28 | |
SHOCKED SIGH | 1:14:31 | 1:14:33 | |
LAUGHS SOFTLY | 1:14:33 | 1:14:35 | |
What do you see? | 1:14:38 | 1:14:40 | |
What is it? Is it a treasure map? | 1:14:42 | 1:14:44 | |
It says "Heere at the wall." | 1:14:44 | 1:14:49 | |
Spelled with two E's. Take a look. | 1:14:49 | 1:14:52 | |
Huh. | 1:14:52 | 1:14:53 | |
Wow. | 1:14:55 | 1:14:57 | |
Why can't they just say "go to this place, | 1:14:57 | 1:15:00 | |
"and here's the treasure, spend wisely"? | 1:15:00 | 1:15:02 | |
Oh, no. | 1:15:02 | 1:15:03 | |
Oh, no. | 1:15:05 | 1:15:06 | |
-How'd they find us? -Well, Ian has nearly unlimited resources. | 1:15:08 | 1:15:12 | |
-And he's smart. -I don't think we can | 1:15:12 | 1:15:14 | |
get out of here without being spotted. | 1:15:14 | 1:15:16 | |
We don't want them to have the Declaration, or the glasses. | 1:15:16 | 1:15:18 | |
But we especially don't want them to have them both together. | 1:15:18 | 1:15:21 | |
So what do we do? | 1:15:21 | 1:15:22 | |
We separate the lock from the key. We're splitting up. | 1:15:22 | 1:15:26 | |
-Good idea. -Really? | 1:15:26 | 1:15:28 | |
I'll take this. And those. You keep that. | 1:15:28 | 1:15:30 | |
Meet me at the car and call me if you have any problems. | 1:15:30 | 1:15:33 | |
Like if we get caught and killed? | 1:15:33 | 1:15:36 | |
Yeah, that would be a big problem. | 1:15:36 | 1:15:38 | |
Take care of her. | 1:15:38 | 1:15:40 | |
-I will. -I will. | 1:15:40 | 1:15:42 | |
We're on him. | 1:15:50 | 1:15:52 | |
There he is. | 1:15:53 | 1:15:56 | |
-Let's walk this way. -Wait up. | 1:15:59 | 1:16:02 | |
IAN: Shaw, look. | 1:16:02 | 1:16:04 | |
-There's the others. -I got it. | 1:16:04 | 1:16:06 | |
Viktor, meet me at Fifth and Chestnut. Fifth and Chestnut. | 1:16:07 | 1:16:10 | |
They're heading your way. | 1:16:10 | 1:16:12 | |
HORNS HONKING | 1:16:33 | 1:16:36 | |
SHAW: Look out. Look out. | 1:16:36 | 1:16:38 | |
-Riley! -There they are. | 1:16:38 | 1:16:40 | |
-Time to run. -Keep up, Viktor. Move. Come on. | 1:16:41 | 1:16:44 | |
In here. | 1:16:51 | 1:16:52 | |
-Come on. -Follow me. | 1:16:58 | 1:17:00 | |
That way. | 1:17:04 | 1:17:06 | |
SHE PANTS | 1:17:12 | 1:17:14 | |
WOMAN: If you're not a steak, you don't belong here. | 1:17:14 | 1:17:17 | |
I'm just trying to hide from my ex-husband. | 1:17:17 | 1:17:20 | |
Who, baldy? | 1:17:20 | 1:17:22 | |
-Yes. -Honey, stay as long as you like. | 1:17:22 | 1:17:26 | |
SIGHS: Thank you. Thank you. | 1:17:26 | 1:17:28 | |
You want something? | 1:17:28 | 1:17:29 | |
-Do you want something? -Shut up. | 1:17:36 | 1:17:38 | |
I see why you left him. | 1:17:41 | 1:17:43 | |
Go around. Go around. | 1:17:48 | 1:17:51 | |
Gates! | 1:17:56 | 1:17:57 | |
GUNSHOTS | 1:18:05 | 1:18:07 | |
GRUNTS | 1:18:07 | 1:18:08 | |
Ow! Aw, come on! | 1:18:20 | 1:18:24 | |
-SHE YELPS -Shh...! | 1:18:32 | 1:18:34 | |
-Where were you? -Uh, hiding. Come on. Let's go, let's go. | 1:18:34 | 1:18:38 | |
TYRES SCREECHING | 1:18:38 | 1:18:41 | |
Ian. Ian, I've got 'em. They're heading toward City Hall. | 1:18:43 | 1:18:46 | |
-OK, I'm on my way. -Out of the way! | 1:18:46 | 1:18:49 | |
WOMAN CRIES OUT | 1:18:49 | 1:18:51 | |
GATE CLATTERING | 1:18:53 | 1:18:54 | |
HORN HONKS, TYRES SCREECH | 1:19:11 | 1:19:12 | |
They're headed for the Breezeway on the north side. | 1:19:16 | 1:19:19 | |
I'll be right there. | 1:19:19 | 1:19:21 | |
MCGREGOR: Hey, Gates. | 1:19:27 | 1:19:29 | |
Enough, man. | 1:19:36 | 1:19:38 | |
Give me the document. | 1:19:38 | 1:19:39 | |
All right, Phil. | 1:19:39 | 1:19:42 | |
GRUNTS | 1:19:50 | 1:19:52 | |
Watch out. Get out of my way! | 1:19:59 | 1:20:00 | |
HORN HONKING | 1:20:17 | 1:20:18 | |
SHAW SHOUTS | 1:20:43 | 1:20:45 | |
Leave them. Let them go. | 1:20:47 | 1:20:49 | |
We've got it. | 1:20:52 | 1:20:54 | |
DAWES: FBI. | 1:20:54 | 1:20:56 | |
-Have you seen this guy? -MAN: No. | 1:20:56 | 1:20:58 | |
Nope, I haven't seen him. | 1:20:58 | 1:21:01 | |
Ted. Philadelphia police found Gates's car. | 1:21:01 | 1:21:04 | |
-It's close. We got surveillance there now. -Let's go. | 1:21:04 | 1:21:07 | |
JOHNSON: Tell the boss we got the car. | 1:21:07 | 1:21:10 | |
PHONE RINGS What? | 1:21:10 | 1:21:12 | |
We lost it. | 1:21:12 | 1:21:13 | |
-What? -We lost the Declaration. Ian took it. | 1:21:13 | 1:21:15 | |
GROANS IN FRUSTRATION | 1:21:17 | 1:21:18 | |
Yeah, er, OK, you all right? | 1:21:18 | 1:21:20 | |
You both all right? | 1:21:20 | 1:21:22 | |
Yeah, yeah, we're all right. | 1:21:22 | 1:21:24 | |
Ben, I'm sorry. | 1:21:24 | 1:21:26 | |
We'll be fine. Meet me at the car. | 1:21:26 | 1:21:28 | |
Suspect has arrived. | 1:21:35 | 1:21:37 | |
Hello, Mr Gates. | 1:21:40 | 1:21:42 | |
Mr Gates, face your father's car, | 1:21:42 | 1:21:44 | |
and put your hands behind your back, please. | 1:21:44 | 1:21:46 | |
-We got one in custody. -Gates, you're a hard man to find. | 1:21:46 | 1:21:49 | |
Could you, could you please be careful? | 1:21:49 | 1:21:51 | |
DAWES: I've got it. | 1:21:51 | 1:21:53 | |
Riley...do you know how to get in touch with Ian? | 1:22:05 | 1:22:08 | |
Excuse me? | 1:22:10 | 1:22:12 | |
That's some story. | 1:22:16 | 1:22:17 | |
It's the same story I tried to tell you guys | 1:22:17 | 1:22:19 | |
before the Declaration was stolen. | 1:22:19 | 1:22:21 | |
-By you. -No, by Ian. | 1:22:21 | 1:22:23 | |
I stole it to stop him. I did it alone. | 1:22:23 | 1:22:25 | |
Dr Chase was not involved. | 1:22:25 | 1:22:28 | |
And Ian still ended up with the Declaration of Independence. | 1:22:28 | 1:22:31 | |
Because of you. | 1:22:31 | 1:22:33 | |
So here's your options. | 1:22:34 | 1:22:38 | |
Door number one, | 1:22:38 | 1:22:39 | |
you go to prison for a very long time. | 1:22:39 | 1:22:41 | |
Door number two, | 1:22:41 | 1:22:43 | |
we are going to get back the Declaration of Independence. | 1:22:43 | 1:22:47 | |
You help us find it, and... | 1:22:47 | 1:22:49 | |
you still go to prison for a very long time, | 1:22:49 | 1:22:51 | |
but you feel better inside. | 1:22:51 | 1:22:53 | |
Is there a door that doesn't lead to prison? | 1:22:53 | 1:22:56 | |
Someone's got to go to prison, Ben. | 1:22:56 | 1:22:59 | |
Yeah. | 1:22:59 | 1:23:01 | |
So what are these for? | 1:23:03 | 1:23:05 | |
It's a way to read the map. | 1:23:05 | 1:23:07 | |
Right. Knights Templar. | 1:23:07 | 1:23:10 | |
Freemasons. | 1:23:10 | 1:23:12 | |
Invisible treasure map. | 1:23:12 | 1:23:15 | |
-So what'd it say? -"Heere at the wall." | 1:23:15 | 1:23:17 | |
Nothing else. It's just another clue. | 1:23:17 | 1:23:23 | |
JOHNSON: It looks like Ian Howe could be a false identity. | 1:23:23 | 1:23:26 | |
Follow up with ATF and INS. Let's run the prints... | 1:23:26 | 1:23:29 | |
There's more to it. PHONE RINGS | 1:23:29 | 1:23:32 | |
HENDRICKS: Let's check the signal, folks. | 1:23:32 | 1:23:34 | |
JOHNSON: Lock it in. | 1:23:34 | 1:23:36 | |
-Are we set? -Checking source. -Unknown number. | 1:23:36 | 1:23:38 | |
PHONE RINGS | 1:23:38 | 1:23:40 | |
-Yes? -'Hello, Ben. | 1:23:43 | 1:23:45 | |
-'How are you?' -Um, chained to a desk. | 1:23:45 | 1:23:48 | |
'Sorry to hear that.' | 1:23:48 | 1:23:50 | |
I want you to meet me | 1:23:50 | 1:23:52 | |
on the flight deck of the USS Intrepid. You know where that is? | 1:23:52 | 1:23:54 | |
-New York. -Meet me there at 10:00 tomorrow morning. | 1:23:54 | 1:23:57 | |
And bring those glasses you found at Independence Hall. | 1:23:57 | 1:24:00 | |
Yeah, I know about the glasses. | 1:24:00 | 1:24:03 | |
We can take a look at the Declaration, | 1:24:03 | 1:24:05 | |
and then you can be on your way. | 1:24:05 | 1:24:07 | |
And I'm supposed to believe that? | 1:24:07 | 1:24:10 | |
I told you from the start, I only wanted to borrow it. | 1:24:10 | 1:24:12 | |
You can have it, and the glasses. | 1:24:12 | 1:24:15 | |
I'll even throw in the pipe from the Charlotte. | 1:24:15 | 1:24:18 | |
I'll be there. | 1:24:18 | 1:24:20 | |
And tell the FBI agents listening in on this call, | 1:24:20 | 1:24:23 | |
if they want the Declaration back | 1:24:23 | 1:24:25 | |
and not just a box of confetti, | 1:24:25 | 1:24:27 | |
then you'll come alone. | 1:24:27 | 1:24:30 | |
SADUSKY OVER RADIO: Take positions. | 1:24:42 | 1:24:43 | |
DAWES: Perimeter looks normal. | 1:24:43 | 1:24:45 | |
MAN: Can I get a status report? | 1:24:45 | 1:24:46 | |
-WOMAN: Crow's nest in position. Port side is quiet. -Copy that. | 1:24:46 | 1:24:49 | |
Gates is on the flight deck. | 1:24:58 | 1:25:00 | |
Eyes on Gates. Do not lose sight of primary mark. | 1:25:00 | 1:25:05 | |
I have a visual. | 1:25:05 | 1:25:07 | |
Gates, stay with the programme. | 1:25:07 | 1:25:09 | |
I hope your agents are all under four feet tall | 1:25:09 | 1:25:11 | |
and wearing little scarves, or Ian will know they're here. | 1:25:11 | 1:25:15 | |
As soon as he shows you the Declaration, we'll move in. | 1:25:15 | 1:25:17 | |
Don't try anything. Just let us handle it. | 1:25:17 | 1:25:20 | |
You know, Agent Sadusky, | 1:25:20 | 1:25:22 | |
something I've noticed about fishing, | 1:25:22 | 1:25:24 | |
it never works out so well for the bait. | 1:25:24 | 1:25:27 | |
Sir, we've got some traffic incoming - looks like | 1:25:33 | 1:25:36 | |
a sightseeing helicopter. | 1:25:36 | 1:25:38 | |
Unit Two, get an eyeball on that chopper. | 1:25:38 | 1:25:40 | |
Agent Michaels, get FAA flight plans | 1:25:40 | 1:25:42 | |
and authorisation records on that craft. | 1:25:42 | 1:25:44 | |
If that's not Mr Howe, I want to know who it is. | 1:25:44 | 1:25:46 | |
I got him. He's coming from the north. | 1:25:46 | 1:25:49 | |
Gates, are you with me? | 1:25:49 | 1:25:51 | |
Well, I'm sure not against you, if that's what you're asking. | 1:25:51 | 1:25:55 | |
BEEPING | 1:26:13 | 1:26:14 | |
STATIC AND INDISTINCT CHATTER | 1:26:14 | 1:26:17 | |
We've got some interference on Gates's mic, sir. | 1:26:17 | 1:26:19 | |
-This I know. -BEEPING | 1:26:19 | 1:26:22 | |
SHAW: Hello, Ben. | 1:26:22 | 1:26:24 | |
Thomas Edison needed only one way to make a light bulb. | 1:26:24 | 1:26:28 | |
Sound familiar? | 1:26:28 | 1:26:29 | |
'What the devil's going on up there? We can't see Gates.' | 1:26:33 | 1:26:36 | |
Go to the starboard observation point behind the F-16, and here's what you do. | 1:26:36 | 1:26:40 | |
-STATIC AND GARBLED TALKING -Gates? Gates? | 1:26:40 | 1:26:43 | |
DAWES OVER PA: Air tour helicopter, | 1:26:43 | 1:26:46 | |
you are in controlled airspace. Vacate immediately. | 1:26:46 | 1:26:48 | |
SADUSKY: Who's got Gates? | 1:26:48 | 1:26:50 | |
-All agents, report in. -I can't see anything. My position's negative. | 1:26:50 | 1:26:52 | |
-Did Gates speak to anybody? -Target is moving. | 1:26:52 | 1:26:55 | |
-He's heading towards the stern. -I've got him. | 1:26:55 | 1:26:57 | |
He's coming this way. | 1:26:57 | 1:26:59 | |
SADUSKY: Anyone got a view of our friend Ian Howe? | 1:26:59 | 1:27:02 | |
No, Ian Howe is not at the stern, sir. | 1:27:02 | 1:27:03 | |
JOHNSON: Then why is he heading there? | 1:27:03 | 1:27:06 | |
COLFAX: He's at the observation deck. | 1:27:06 | 1:27:08 | |
BEN SIGHS: Sadusky, I'm still not against you. | 1:27:08 | 1:27:13 | |
But I found door number three, and I'm taking it. | 1:27:13 | 1:27:17 | |
-What's he talking about? -Move in. Move in. Move in on Gates. | 1:27:17 | 1:27:21 | |
SADUSKY: Divers are a go. | 1:27:30 | 1:27:32 | |
-Snipers go to Action Zebra. -Pursue at own risk. | 1:27:32 | 1:27:34 | |
-I repeat, pursue at own risk. -You first. | 1:27:34 | 1:27:37 | |
Holy mackerel! He set us up. | 1:27:37 | 1:27:40 | |
SADUSKY: Agent Dawes, do you have a visual? | 1:28:01 | 1:28:03 | |
Can you see Gates in the water? | 1:28:03 | 1:28:05 | |
Sir, it's the Hudson, nothing is visible. | 1:28:05 | 1:28:08 | |
Smart fish. | 1:28:08 | 1:28:11 | |
PANTING | 1:28:21 | 1:28:23 | |
SHAW: Hello, Ben. Welcome to New Jersey. | 1:28:28 | 1:28:31 | |
What'd you do with Abigail and Riley? | 1:28:31 | 1:28:34 | |
-Hope these fit. We had to guess your sizes. -I said, what'd you do | 1:28:34 | 1:28:37 | |
with Abigail and Riley? | 1:28:37 | 1:28:38 | |
He's the only one who could've told you that line about Edison. | 1:28:38 | 1:28:40 | |
Did you bring the glasses? | 1:28:40 | 1:28:42 | |
I don't know - tell me what's happening here. | 1:28:42 | 1:28:44 | |
Ask your girlfriend. She's the one calling all the shots now. | 1:28:44 | 1:28:48 | |
She won't shut up. | 1:28:48 | 1:28:51 | |
PHONE RINGING | 1:28:53 | 1:28:55 | |
SHAW: Yeah, hello? | 1:28:55 | 1:28:57 | |
It's for you. | 1:28:57 | 1:28:58 | |
Hello? | 1:29:00 | 1:29:01 | |
ABIGAIL: Hi, sweetie. How's your day going? | 1:29:01 | 1:29:04 | |
'Uh, interesting, dear.' | 1:29:04 | 1:29:06 | |
So, what, you working with Ian now? | 1:29:06 | 1:29:08 | |
Turns out helping someone escape | 1:29:08 | 1:29:11 | |
from FBI custody is a criminal act. | 1:29:11 | 1:29:13 | |
And he's the only criminal we knew. So we called him and made a deal. | 1:29:13 | 1:29:16 | |
COUGHS | 1:29:16 | 1:29:17 | |
You're...you're...you're all right, yeah? I mean, you're safe? | 1:29:17 | 1:29:21 | |
Yeah, we both are. Riley's right here | 1:29:21 | 1:29:24 | |
doing something clever with a computer. | 1:29:24 | 1:29:26 | |
I'm tracking him through the G... Hey. | 1:29:26 | 1:29:29 | |
I'm tracking you through the GPS in Shaw's phone. | 1:29:29 | 1:29:31 | |
They take a turn anywhere we don't want, | 1:29:31 | 1:29:33 | |
we'll know it, so... don't worry. | 1:29:33 | 1:29:34 | |
If Ian tries to double-cross us, we can call the FBI | 1:29:34 | 1:29:38 | |
and tell them right where you are. | 1:29:38 | 1:29:40 | |
-And where to find Ian. -And where is that? | 1:29:40 | 1:29:42 | |
Right across the street from where we're hiding. | 1:29:42 | 1:29:45 | |
At the intersection of Wall Street and Broadway. | 1:29:45 | 1:29:48 | |
Well, you figured out the clue. | 1:29:48 | 1:29:50 | |
Simple. "Heere at the wall." Wall Street and Broadway. | 1:29:50 | 1:29:53 | |
Ben, there is a catch. | 1:29:55 | 1:29:58 | |
We made Ian believe he could have the treasure. | 1:29:58 | 1:30:01 | |
It was the only way we could get this far. | 1:30:01 | 1:30:03 | |
He's here. BEEPING | 1:30:03 | 1:30:05 | |
Here we go. | 1:30:11 | 1:30:14 | |
Ben, you all right? | 1:30:18 | 1:30:21 | |
No broken bones? | 1:30:21 | 1:30:23 | |
-A jump like that could kill a man. -No, it was cool. | 1:30:23 | 1:30:26 | |
You should try it sometime. | 1:30:26 | 1:30:27 | |
-CHUCKLES -The Declaration of Independence | 1:30:27 | 1:30:31 | |
and the Meerschaum pipe. | 1:30:31 | 1:30:33 | |
All yours. | 1:30:33 | 1:30:34 | |
-That's it? -That's it. | 1:30:36 | 1:30:39 | |
I knew you'd keep your promise. | 1:30:39 | 1:30:42 | |
Now, where is it? Where's my treasure? | 1:30:42 | 1:30:44 | |
It's right here. The map said "Heere at the wall," | 1:30:44 | 1:30:48 | |
spelled with two E's. | 1:30:48 | 1:30:49 | |
Wall Street follows the path of an actual wall | 1:30:49 | 1:30:51 | |
that the original Dutch settlers built to keep the British out. | 1:30:51 | 1:30:55 | |
The main gate was located | 1:30:55 | 1:30:56 | |
at a street called De Heere, also two E's. | 1:30:56 | 1:30:59 | |
Later De Heere Street was renamed Broadway | 1:30:59 | 1:31:01 | |
after the British got in, so... "Heere at the wall." | 1:31:01 | 1:31:04 | |
Broadway, Wall Street. | 1:31:04 | 1:31:06 | |
Cheerio. | 1:31:07 | 1:31:09 | |
Just a moment, Ben. | 1:31:10 | 1:31:11 | |
Ian, if you break our deal, | 1:31:11 | 1:31:14 | |
the FBI will be only a few minutes behind you. | 1:31:14 | 1:31:16 | |
You might get away, you might not. | 1:31:16 | 1:31:19 | |
Is that all the map said? | 1:31:22 | 1:31:25 | |
Every word. | 1:31:27 | 1:31:29 | |
Oh, Ben. | 1:31:31 | 1:31:33 | |
You know the key to running a convincing bluff? | 1:31:33 | 1:31:36 | |
Every once in a while, | 1:31:36 | 1:31:38 | |
you've got to be holding all the cards. | 1:31:38 | 1:31:41 | |
Dad. | 1:31:50 | 1:31:52 | |
Is there anything else you want to tell me? | 1:31:54 | 1:31:58 | |
Trinity Church. | 1:32:01 | 1:32:03 | |
We have to go inside Trinity Church. | 1:32:03 | 1:32:05 | |
Good. Excellent. Well, why don't you ask Dr Chase and Riley to join us? | 1:32:09 | 1:32:13 | |
I'm sure they're around here somewhere. | 1:32:13 | 1:32:15 | |
Are you all right? | 1:32:21 | 1:32:23 | |
What do you think? I'm a hostage. | 1:32:24 | 1:32:27 | |
SHAW: Sit. Sit down. | 1:32:28 | 1:32:30 | |
Let him go, Ian. | 1:32:30 | 1:32:32 | |
-When we find the treasure. -No, now. | 1:32:32 | 1:32:34 | |
Or you can figure out the clues for yourself. | 1:32:34 | 1:32:37 | |
Good luck. | 1:32:37 | 1:32:39 | |
Ben, I don't think you fully appreciate | 1:32:39 | 1:32:43 | |
the gravity of the situation. | 1:32:43 | 1:32:44 | |
Let's have a look at that map. | 1:32:52 | 1:32:55 | |
Well, that's, er... | 1:33:31 | 1:33:32 | |
It's really quite something. It's, er... | 1:33:32 | 1:33:35 | |
It really is remarkable. Take a look. | 1:33:35 | 1:33:38 | |
-"Parkington Lane." -"Beneath Parkington Lane." | 1:33:44 | 1:33:48 | |
But why would the map lead us here, then... | 1:33:48 | 1:33:51 | |
take us somewhere else? | 1:33:51 | 1:33:52 | |
What's the purpose? | 1:33:52 | 1:33:53 | |
-PATRICK: Just another clue. -Dad. | 1:33:53 | 1:33:56 | |
Well, you're right, Parkington Lane has to be here somewhere. | 1:33:56 | 1:33:59 | |
A street inside the church? | 1:33:59 | 1:34:02 | |
Not inside. Beneath. | 1:34:02 | 1:34:05 | |
Beneath the church. | 1:34:05 | 1:34:07 | |
-I'm so sorry, Ben. -None of this is your fault. | 1:34:11 | 1:34:14 | |
MCGREGOR: Come on. | 1:34:14 | 1:34:15 | |
(Look...) | 1:34:24 | 1:34:26 | |
cooperation only lasts as long as the status quo is unchanged. | 1:34:26 | 1:34:30 | |
As soon as this guy gets to wherever this thing ends, | 1:34:30 | 1:34:34 | |
he won't need you anymore. Or-or any of us. | 1:34:34 | 1:34:36 | |
So, we find a way to make sure | 1:34:36 | 1:34:38 | |
the status quo changes in our favour. | 1:34:38 | 1:34:41 | |
How? | 1:34:41 | 1:34:43 | |
I'm still working on it. | 1:34:43 | 1:34:45 | |
Well, I guess I better work on it, too, then. | 1:34:45 | 1:34:48 | |
Hey! Par... Hey, I found it! Him! | 1:34:48 | 1:34:51 | |
Ben! It's a name. | 1:34:51 | 1:34:55 | |
Parkington Lane. He was a third-degree | 1:34:57 | 1:35:00 | |
Master mason of the Blue Lo... Hey! | 1:35:00 | 1:35:03 | |
POWELL: Easy. | 1:35:17 | 1:35:20 | |
Careful no-one steps on him. | 1:35:23 | 1:35:25 | |
Put it down. | 1:35:25 | 1:35:27 | |
RILEY: OK... | 1:35:33 | 1:35:35 | |
who wants to go down the creepy tunnel inside the tomb first? | 1:35:35 | 1:35:39 | |
IAN: Right. | 1:35:39 | 1:35:41 | |
Mcgregor, Viktor, you stay here. | 1:35:41 | 1:35:44 | |
And if anyone should come out without me, | 1:35:44 | 1:35:47 | |
well, use your imagination. | 1:35:47 | 1:35:50 | |
Shall we? | 1:35:53 | 1:35:54 | |
You got a light? | 1:36:11 | 1:36:13 | |
Careful. | 1:36:30 | 1:36:32 | |
Watch your step. | 1:36:32 | 1:36:34 | |
Come here. | 1:36:39 | 1:36:41 | |
Why does that never happen to me? | 1:36:51 | 1:36:53 | |
What's this? | 1:36:59 | 1:37:02 | |
WOOD CREAKING | 1:37:10 | 1:37:12 | |
BEN: It's a chandelier. | 1:37:15 | 1:37:17 | |
Here. | 1:37:26 | 1:37:28 | |
Ah, look at the elevators. | 1:37:44 | 1:37:46 | |
PATRICK: Dumbwaiter system. | 1:37:46 | 1:37:48 | |
How do a bunch of guys with hand tools build all this? | 1:37:48 | 1:37:50 | |
Same way they built the pyramids. | 1:37:50 | 1:37:52 | |
And the Great Wall of China. | 1:37:52 | 1:37:54 | |
Yeah. The aliens helped them. | 1:37:54 | 1:37:57 | |
Right. What are we waiting for? | 1:37:57 | 1:37:59 | |
I'm not going out on that thing. 200 years of termite damage and rot. | 1:37:59 | 1:38:03 | |
Dad, do what he says. | 1:38:03 | 1:38:06 | |
SOFT CREAKING | 1:38:10 | 1:38:12 | |
Watch your step. | 1:38:25 | 1:38:26 | |
We're right under the Trinity graveyard. | 1:38:29 | 1:38:31 | |
That's probably why no-one ever found this. | 1:38:31 | 1:38:33 | |
RUMBLING | 1:38:33 | 1:38:36 | |
What is that? | 1:38:38 | 1:38:39 | |
Subway. | 1:38:44 | 1:38:45 | |
RUMBLING FADES | 1:38:45 | 1:38:48 | |
Shaw! Shaw! Oh, God, Shaw. | 1:38:51 | 1:38:55 | |
Hold on! Hold on! | 1:39:10 | 1:39:12 | |
GRUNTING | 1:39:12 | 1:39:16 | |
Get on the elevator. Jump! | 1:39:16 | 1:39:18 | |
HE GRUNTS | 1:39:18 | 1:39:20 | |
Ben! Grab my hand. | 1:39:20 | 1:39:23 | |
-Come on. -Here! | 1:39:25 | 1:39:27 | |
Abigail! Get on! | 1:39:27 | 1:39:28 | |
-Jump! -HE YELLS | 1:39:32 | 1:39:35 | |
HE GASPS | 1:39:38 | 1:39:40 | |
Here. | 1:39:43 | 1:39:45 | |
ABIGAIL SCREAMS | 1:39:45 | 1:39:48 | |
SCREAMING | 1:39:51 | 1:39:53 | |
Ben! | 1:39:53 | 1:39:55 | |
Get down there. Get down there! | 1:39:55 | 1:39:57 | |
GASPS: The Declaration. | 1:40:02 | 1:40:04 | |
Do you trust me? | 1:40:07 | 1:40:08 | |
Yes. | 1:40:08 | 1:40:09 | |
Oh, no! Ben! | 1:40:22 | 1:40:24 | |
Hang on! | 1:40:30 | 1:40:32 | |
Son! | 1:40:40 | 1:40:42 | |
I'm sorry. I'm sorry I dropped you. | 1:40:49 | 1:40:51 | |
-I had to save the Declaration... -No, don't be. | 1:40:51 | 1:40:54 | |
I would've done exactly the same thing to you. | 1:40:54 | 1:40:56 | |
Really? | 1:40:56 | 1:40:58 | |
I would've dropped you both. | 1:40:59 | 1:41:01 | |
Freaks. | 1:41:01 | 1:41:03 | |
CLANKING AND CREAKING | 1:41:03 | 1:41:06 | |
Get on. | 1:41:09 | 1:41:11 | |
PANTING: Ian... | 1:41:11 | 1:41:14 | |
it's not worth it. | 1:41:14 | 1:41:16 | |
Do you imagine any one of your lives | 1:41:16 | 1:41:19 | |
is more valuable to me than Shaw's? | 1:41:19 | 1:41:21 | |
We go on. | 1:41:21 | 1:41:24 | |
Status quo. | 1:41:24 | 1:41:25 | |
Keep the status quo. | 1:41:25 | 1:41:27 | |
CREAKING AND CLANKING | 1:41:29 | 1:41:32 | |
RILEY: Now what? | 1:41:34 | 1:41:36 | |
PATRICK: This is... | 1:41:36 | 1:41:38 | |
This is where it all leads. | 1:41:38 | 1:41:40 | |
OK. Let's go. | 1:41:49 | 1:41:52 | |
RILEY: What is this? | 1:42:33 | 1:42:35 | |
So, where's the treasure? | 1:42:35 | 1:42:37 | |
Well? | 1:42:41 | 1:42:42 | |
RILEY: This is it? | 1:42:44 | 1:42:46 | |
We came all this way for a dead end? | 1:42:46 | 1:42:49 | |
Yes. | 1:42:49 | 1:42:51 | |
HE LAUGHS | 1:42:51 | 1:42:53 | |
RILEY: There's got be something more. | 1:42:53 | 1:42:55 | |
Riley, there's nothing more. | 1:42:55 | 1:42:57 | |
-Another clue... -No, there are no more clues! | 1:42:57 | 1:42:59 | |
That's it, OK? It's over! End of the road! The treasure's gone! | 1:42:59 | 1:43:02 | |
Moved! Taken somewhere else. | 1:43:02 | 1:43:04 | |
You're not playing games with me, are you, Ben? | 1:43:04 | 1:43:08 | |
Hmm? You know where it is. | 1:43:08 | 1:43:11 | |
No. | 1:43:12 | 1:43:14 | |
OK, go. | 1:43:18 | 1:43:21 | |
Hey, wait a minute. | 1:43:21 | 1:43:23 | |
Hey! Hey! Wait, wait, wait. | 1:43:23 | 1:43:25 | |
-Ian! -We'll be trapped! | 1:43:25 | 1:43:27 | |
-Don't do this! -You can't just leave us here. | 1:43:27 | 1:43:29 | |
Yes, I can...unless Ben tells me the next clue. | 1:43:29 | 1:43:33 | |
There isn't another clue. | 1:43:33 | 1:43:35 | |
Ian, listen. Why don't you come back down here, and we | 1:43:35 | 1:43:39 | |
-could talk through this together? -Don't speak again. | 1:43:39 | 1:43:41 | |
OK. | 1:43:41 | 1:43:43 | |
The clue. Where's the treasure? | 1:43:43 | 1:43:48 | |
Ben. | 1:43:48 | 1:43:50 | |
-COCKS TRIGGER. -The lantern. | 1:43:52 | 1:43:54 | |
Dad. | 1:43:54 | 1:43:55 | |
The status quo has changed, Son. | 1:43:56 | 1:43:58 | |
Don't. | 1:43:58 | 1:44:00 | |
It's part of freemason teachings. | 1:44:03 | 1:44:05 | |
In King Solomon's temple, there was a winding staircase. | 1:44:07 | 1:44:11 | |
It signified the journey that had to be made to find | 1:44:11 | 1:44:14 | |
the light of truth. The lantern is the clue. | 1:44:14 | 1:44:17 | |
-And what does it mean? -SIGHS: Boston. | 1:44:17 | 1:44:21 | |
-It's Boston. -The old north church in Boston, | 1:44:21 | 1:44:23 | |
where Thomas Newton hung a lantern | 1:44:23 | 1:44:26 | |
in the steeple to signal Paul Revere | 1:44:26 | 1:44:28 | |
that the British were coming. One if by land, two if by sea. | 1:44:28 | 1:44:31 | |
One lantern under the winding staircase of the steeple. | 1:44:31 | 1:44:34 | |
-That's where we have to look. -Go up. Thank you. | 1:44:34 | 1:44:37 | |
Hey. Hey, hey, y-you have to take us with you. | 1:44:37 | 1:44:39 | |
Why? So you can escape in Boston? | 1:44:39 | 1:44:42 | |
Besides, with you out of the picture, | 1:44:42 | 1:44:45 | |
-there's less baggage to carry. -What if we lied? | 1:44:45 | 1:44:47 | |
Did you? | 1:44:47 | 1:44:49 | |
What if there's another clue? | 1:44:49 | 1:44:52 | |
Then I'll know right where to find you. | 1:44:52 | 1:44:54 | |
See you, Ben. | 1:44:56 | 1:44:58 | |
GEARS CLICKING | 1:44:58 | 1:45:00 | |
-No! -RILEY: Wa...there's no other way out! | 1:45:00 | 1:45:02 | |
-Come back! -You're gonna need us, Ian. | 1:45:02 | 1:45:05 | |
-We're all gonna die. -It's gonna be OK, Riley. | 1:45:05 | 1:45:08 | |
I'm sorry I yelled at you. | 1:45:08 | 1:45:12 | |
It's OK, kiddo. | 1:45:12 | 1:45:13 | |
OK, boys, what's going on? | 1:45:13 | 1:45:16 | |
The British came by sea. It was two lanterns. Not one. | 1:45:16 | 1:45:19 | |
Ian needed another clue, so we gave it to him. | 1:45:19 | 1:45:22 | |
It was a fake. It was a fake clue! | 1:45:22 | 1:45:25 | |
The all-seeing eye. | 1:45:25 | 1:45:27 | |
Through the all-seeing eye. | 1:45:27 | 1:45:30 | |
That means, by the time Ian figures it out and comes | 1:45:30 | 1:45:33 | |
back here, we'll still be trapped and h-he'll shoot us then. | 1:45:33 | 1:45:37 | |
Either way, we're gonna die. | 1:45:37 | 1:45:40 | |
Nobody's gonna die. | 1:45:40 | 1:45:42 | |
There's another way out. | 1:45:42 | 1:45:44 | |
Where? | 1:45:44 | 1:45:46 | |
Through the treasure room. | 1:45:46 | 1:45:47 | |
RUMBLING | 1:45:49 | 1:45:51 | |
Here. | 1:45:54 | 1:45:56 | |
DIRT AND STONES PATTERING | 1:45:59 | 1:46:02 | |
Riley. | 1:46:05 | 1:46:07 | |
Looks like... | 1:46:32 | 1:46:35 | |
someone got here first. | 1:46:35 | 1:46:36 | |
I'm sorry, Ben. | 1:46:36 | 1:46:39 | |
It's gone. | 1:46:40 | 1:46:42 | |
Listen, Ben... | 1:46:44 | 1:46:46 | |
It may have even been gone | 1:46:46 | 1:46:48 | |
before Charles Carroll told the story to Thomas Gates. | 1:46:48 | 1:46:51 | |
It doesn't matter. | 1:46:51 | 1:46:54 | |
I know, cos you were right. | 1:46:54 | 1:46:57 | |
No, I wasn't right. | 1:46:57 | 1:46:59 | |
This room is real, Ben. | 1:46:59 | 1:47:03 | |
And that means the treasure is real. | 1:47:03 | 1:47:06 | |
We're in the company of some of | 1:47:06 | 1:47:07 | |
the most brilliant minds in history | 1:47:07 | 1:47:10 | |
because you found what they left behind for us to find, | 1:47:10 | 1:47:13 | |
and understood the meaning of it. | 1:47:13 | 1:47:15 | |
You did it, Ben. For all of us. | 1:47:15 | 1:47:17 | |
Your grandfather, and all of us. | 1:47:17 | 1:47:21 | |
And I've never been so happy to be proven wrong. | 1:47:21 | 1:47:25 | |
I just... | 1:47:35 | 1:47:37 | |
really thought I was gonna find the treasure. | 1:47:37 | 1:47:41 | |
OK, then we just keep looking for it. | 1:47:42 | 1:47:47 | |
I'm in. | 1:47:50 | 1:47:52 | |
OK. | 1:47:56 | 1:47:57 | |
Not to be Johnny Rain Cloud here, but that's not gonna happen. | 1:47:59 | 1:48:03 | |
Cos, as far as I can see, we're still trapped down here. | 1:48:03 | 1:48:07 | |
-Yeah. -Now, now, Ben, | 1:48:07 | 1:48:09 | |
where's this other way out? | 1:48:09 | 1:48:11 | |
Well, that's it, it doesn't make | 1:48:11 | 1:48:13 | |
any sense, because the first thing the builders would have done, | 1:48:13 | 1:48:16 | |
after getting down here, was cut a secondary shaft | 1:48:16 | 1:48:18 | |
-back out for air... -Right. | 1:48:18 | 1:48:21 | |
..in case of cave-ins. | 1:48:21 | 1:48:23 | |
Could it really be that simple? | 1:48:43 | 1:48:45 | |
"The secret lies with Charlotte." | 1:48:50 | 1:48:53 | |
CLANKING | 1:48:58 | 1:49:00 | |
SCRAPING | 1:49:10 | 1:49:14 | |
RUMBLING | 1:49:16 | 1:49:18 | |
Scrolls from the library at Alexandria. | 1:50:17 | 1:50:20 | |
-SIGHS -Could this be possible? | 1:50:20 | 1:50:24 | |
Huh. It's a big...bluish-green man... | 1:50:42 | 1:50:45 | |
..with a strange-looking goatee. | 1:50:48 | 1:50:49 | |
I'm guessing that's significant. | 1:50:49 | 1:50:52 | |
Yeah! | 1:51:39 | 1:51:41 | |
Riley, are you crying? | 1:51:52 | 1:51:54 | |
Look. | 1:51:54 | 1:51:56 | |
Stairs. | 1:51:56 | 1:51:58 | |
THUD | 1:52:06 | 1:52:08 | |
Hi. | 1:52:14 | 1:52:16 | |
Do you have a cell phone I could borrow? | 1:52:16 | 1:52:19 | |
Just like that? | 1:52:30 | 1:52:32 | |
Just like that. | 1:52:32 | 1:52:34 | |
You do know you just handed me your biggest bargaining chip? | 1:52:34 | 1:52:38 | |
The Declaration of Independence is not a bargaining chip. | 1:52:38 | 1:52:40 | |
Not to me. | 1:52:40 | 1:52:42 | |
Have a seat. | 1:52:42 | 1:52:44 | |
So what's your offer? | 1:52:44 | 1:52:46 | |
Aw, how about a bribe? | 1:52:46 | 1:52:49 | |
Say, er, ten billion dollars? | 1:52:49 | 1:52:53 | |
I take it you found the treasure? | 1:52:54 | 1:52:56 | |
It's about five storeys beneath your shoes. | 1:52:56 | 1:52:59 | |
Hmm. | 1:52:59 | 1:53:02 | |
You know, the Templars and the Freemasons believed | 1:53:02 | 1:53:04 | |
that the treasure was too great for any one man to have. | 1:53:04 | 1:53:08 | |
Not even a king. That's why they went to such lengths to keep it hidden. | 1:53:08 | 1:53:12 | |
That's right. | 1:53:12 | 1:53:14 | |
And the founding fathers | 1:53:14 | 1:53:15 | |
believed the same thing about government. | 1:53:15 | 1:53:18 | |
I figure their solution will work for the treasure, too. | 1:53:18 | 1:53:22 | |
Give it to the people. | 1:53:22 | 1:53:24 | |
Divide it amongst the Smithsonian, | 1:53:24 | 1:53:25 | |
the Louvre, the Cairo Museum. | 1:53:25 | 1:53:27 | |
There's thousands of years of world history down there. | 1:53:27 | 1:53:31 | |
And it belongs to the world. | 1:53:31 | 1:53:33 | |
And everybody in it. | 1:53:33 | 1:53:35 | |
You really don't understand the concept of a bargaining chip. | 1:53:35 | 1:53:38 | |
OK. Here's what I want. | 1:53:39 | 1:53:42 | |
Dr Chase gets off completely clean. | 1:53:42 | 1:53:44 | |
Not even a little Post-It on her service record. | 1:53:44 | 1:53:47 | |
-OK. -Well, I want the credit for the find | 1:53:47 | 1:53:52 | |
to go to the entire Gates family, | 1:53:52 | 1:53:54 | |
with the assistance of Mr Riley Poole. | 1:53:54 | 1:53:56 | |
What about you? | 1:53:56 | 1:53:58 | |
I'd really love not to go to prison. | 1:53:58 | 1:54:00 | |
I can't even begin to describe | 1:54:00 | 1:54:02 | |
how much I would love not to go to prison. | 1:54:02 | 1:54:05 | |
Someone's got to go to prison, Ben. | 1:54:05 | 1:54:09 | |
Well, if you've got a helicopter, | 1:54:09 | 1:54:12 | |
I think I can help with that. | 1:54:12 | 1:54:14 | |
-Freeze! -FBI! | 1:54:21 | 1:54:24 | |
SIRENS BLARING | 1:54:24 | 1:54:26 | |
You're under arrest, Mr Howe. | 1:54:37 | 1:54:39 | |
We've got you on kidnapping, attempted murder | 1:54:39 | 1:54:42 | |
and trespassing on government property. | 1:54:42 | 1:54:45 | |
HE SCOFFS | 1:54:45 | 1:54:47 | |
Yeah, you got it, chief. Thank you. Bye. | 1:54:54 | 1:54:56 | |
They want us in Cairo next week for the opening of the exhibit. | 1:54:56 | 1:55:00 | |
-They're sending a private jet. -That's fun. | 1:55:00 | 1:55:03 | |
Yeah, big whoop. | 1:55:03 | 1:55:05 | |
We could have had a whole fleet of private jets. | 1:55:05 | 1:55:07 | |
Ten percent, Ben. | 1:55:07 | 1:55:08 | |
They offered you ten percent and you turn it down. | 1:55:08 | 1:55:10 | |
Riley, we've been over this. | 1:55:10 | 1:55:12 | |
It was too much. I couldn't accept it. | 1:55:12 | 1:55:14 | |
I still have a splinter that's been festering for three months, from an old piece of wood. | 1:55:14 | 1:55:18 | |
OK, I tell you what. | 1:55:18 | 1:55:19 | |
The next time we find a treasure | 1:55:19 | 1:55:20 | |
that redefines history for all mankind, | 1:55:20 | 1:55:23 | |
you make the call on the finder's fee. | 1:55:23 | 1:55:25 | |
That's not as funny. | 1:55:25 | 1:55:26 | |
What do you care? You got the girl. | 1:55:26 | 1:55:29 | |
-It's true. -It's true. | 1:55:29 | 1:55:32 | |
Rub it in. Enjoy your spoils. | 1:55:33 | 1:55:37 | |
While I sit on one percent... | 1:55:37 | 1:55:41 | |
One stinking percent. Half of one percent, actually. | 1:55:41 | 1:55:44 | |
One percent again... Unbelievable. | 1:55:44 | 1:55:47 | |
I'm sorry for your suffering, Riley. | 1:55:47 | 1:55:49 | |
For the record, Ben... I like the house. | 1:55:49 | 1:55:53 | |
I chose this estate because in 1812 Charles Carroll met... | 1:55:53 | 1:55:56 | |
Yeah, someone that did something in history that had fun. | 1:55:56 | 1:55:59 | |
-That's great, wonderful. -ENGINE STARTS | 1:55:59 | 1:56:01 | |
Could have had a bigger house. | 1:56:01 | 1:56:03 | |
-I made something for you. -You did? | 1:56:10 | 1:56:13 | |
-Mm-hmm. -What? | 1:56:13 | 1:56:14 | |
-A map. -A map...? | 1:56:14 | 1:56:18 | |
But...w-where does it lead to? | 1:56:18 | 1:56:20 | |
You'll figure it out. | 1:56:20 | 1:56:21 | |
ABIGAIL LAUGHS | 1:56:26 | 1:56:28 |