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This film contains very strong language. | 0:00:02 | 0:00:09 | |
< SHE TAPS OUT PHONE NUMBER | 0:01:18 | 0:01:22 | |
Ronnie? Hey. It's Leece. | 0:01:25 | 0:01:28 | |
I know. I want to, baby. | 0:01:28 | 0:01:31 | |
Look, I just can't. I've been... | 0:01:31 | 0:01:34 | |
abducted! | 0:01:34 | 0:01:36 | |
I don't know, but she looks a lot like my older sister. | 0:01:36 | 0:01:40 | |
Yeah, the Surgeon General. | 0:01:40 | 0:01:42 | |
You know. | 0:01:43 | 0:01:45 | |
Me too. | 0:01:46 | 0:01:48 | |
Ditto. | 0:01:48 | 0:01:50 | |
I can't talk here. | 0:01:50 | 0:01:52 | |
Take my number and call me back. Area code 303 560... | 0:01:52 | 0:01:56 | |
Ronnie? | 0:01:56 | 0:01:57 | |
Jenny? | 0:01:57 | 0:01:59 | |
That was low. | 0:01:59 | 0:02:01 | |
That was really low. | 0:02:01 | 0:02:03 | |
Thank you(!) | 0:02:03 | 0:02:05 | |
OK. Fine. | 0:02:13 | 0:02:14 | |
I'll stay a month. A month won't be so bad. | 0:02:14 | 0:02:17 | |
Sorry, but Snowfield can't exactly compare to LA, | 0:02:17 | 0:02:22 | |
activity-wise. | 0:02:22 | 0:02:23 | |
Besides, Mom's gonna need me to go back soon. | 0:02:23 | 0:02:27 | |
Mom will be fine, Lisa. | 0:02:27 | 0:02:30 | |
Anyway, it's healthier up here. | 0:02:30 | 0:02:33 | |
Less smog, less gunfire. | 0:02:33 | 0:02:36 | |
I like smog and gunfire. | 0:02:36 | 0:02:38 | |
-Less Ronnie. -You don't know him. | 0:02:38 | 0:02:42 | |
I know the type. | 0:02:40 | 0:02:42 | |
He's cute. | 0:02:42 | 0:02:45 | |
They always are. | 0:02:45 | 0:02:47 | |
Well, how many people live here? | 0:03:08 | 0:03:11 | |
400 in the winter. In the summer, with the tourists, it can be 4,000. | 0:03:11 | 0:03:16 | |
I guess it's kind of cute, in a dorky sort of way. | 0:03:18 | 0:03:22 | |
Is it always this quiet? | 0:03:22 | 0:03:25 | |
No. | 0:03:25 | 0:03:26 | |
No, it isn't. | 0:03:26 | 0:03:28 | |
Hilda! We're home. | 0:04:13 | 0:04:16 | |
You'll love Hilda. Housekeeper of the gods. | 0:04:16 | 0:04:20 | |
This morning she was promising apple pie. | 0:04:20 | 0:04:23 | |
No message... | 0:04:34 | 0:04:37 | |
Jenny! Jenny! | 0:04:42 | 0:04:44 | |
Go. Stand over there. Go! | 0:04:44 | 0:04:47 | |
Looks like somebody beat the shit out of her. | 0:04:55 | 0:04:58 | |
No. | 0:04:58 | 0:04:59 | |
She died suddenly. | 0:04:59 | 0:05:02 | |
How do you know? | 0:05:02 | 0:05:05 | |
There's no blood. | 0:05:05 | 0:05:07 | |
There's no sign of...a struggle. | 0:05:08 | 0:05:10 | |
God! | 0:05:14 | 0:05:16 | |
What's going on? | 0:05:24 | 0:05:26 | |
SHE TAPS THE RECEIVER | 0:05:26 | 0:05:28 | |
Phone's dead. | 0:05:28 | 0:05:30 | |
Being out of order now is kinda strange. | 0:05:30 | 0:05:33 | |
What if she was killed? | 0:05:35 | 0:05:38 | |
What if the killer's still in the house? | 0:05:38 | 0:05:42 | |
ENGINE DOESN'T START | 0:05:55 | 0:05:57 | |
Shit! | 0:05:57 | 0:05:58 | |
The police station's four blocks. | 0:05:59 | 0:06:02 | |
We'll walk. | 0:06:02 | 0:06:04 | |
OK. | 0:06:04 | 0:06:05 | |
-Are you OK? -Mmm. I just feel sick. | 0:06:13 | 0:06:16 | |
We're almost there. | 0:06:16 | 0:06:19 | |
PHONE RINGS | 0:06:19 | 0:06:22 | |
It's a disease, Jenny! | 0:06:35 | 0:06:37 | |
-Wait. -I don't wanna die like this! | 0:06:37 | 0:06:40 | |
Lisa, we're not gonna die! | 0:06:40 | 0:06:43 | |
Calm down. | 0:06:43 | 0:06:44 | |
You brought me here! | 0:06:44 | 0:06:46 | |
I'm sorry. | 0:06:50 | 0:06:54 | |
You're just scared. | 0:06:52 | 0:06:54 | |
I am too. | 0:06:54 | 0:06:56 | |
Just let me do this. | 0:06:58 | 0:07:00 | |
Check the phone. | 0:07:02 | 0:07:04 | |
Anybody...? | 0:07:17 | 0:07:19 | |
BLOOD SQUELCHES | 0:07:21 | 0:07:23 | |
Nothing. | 0:07:25 | 0:07:26 | |
You weren't shooting at a disease, were you, Paul? | 0:07:31 | 0:07:35 | |
He got off three rounds. | 0:07:35 | 0:07:38 | |
More. | 0:07:38 | 0:07:39 | |
He's a pro, right? He hits what he aims at. | 0:07:39 | 0:07:42 | |
So? | 0:07:42 | 0:07:43 | |
Where's the blood? | 0:07:43 | 0:07:45 | |
If it's a disease, what's the gun for? | 0:07:51 | 0:07:54 | |
Whatever. | 0:07:54 | 0:07:56 | |
Do you know how to use it? | 0:07:56 | 0:07:58 | |
I understand the concept. | 0:07:58 | 0:08:01 | |
It's like this. | 0:08:03 | 0:08:05 | |
See? LA's good for something. | 0:08:10 | 0:08:12 | |
Everybody's dead. | 0:08:36 | 0:08:39 | |
No. It can't be. | 0:08:39 | 0:08:41 | |
Not a whole town. | 0:08:41 | 0:08:43 | |
Is there a nuke plant around here? | 0:08:43 | 0:08:46 | |
No. | 0:08:46 | 0:08:47 | |
Big military base? | 0:08:47 | 0:08:50 | |
No. | 0:08:50 | 0:08:51 | |
I thought maybe...it's radiation? | 0:08:51 | 0:08:56 | |
Radiation doesn't kill in a blink. | 0:08:58 | 0:09:00 | |
Besides... | 0:09:00 | 0:09:02 | |
there'd be burns, lesions. | 0:09:02 | 0:09:05 | |
SHE REPEATEDLY TRIES IGNITION | 0:09:09 | 0:09:12 | |
It was running before. | 0:09:12 | 0:09:15 | |
I saw it! | 0:09:15 | 0:09:17 | |
Jacob and Anna Lieberman. This is their bakery. They're always here. | 0:09:23 | 0:09:28 | |
KNOCKING | 0:09:29 | 0:09:31 | |
Let's go round the back. | 0:09:33 | 0:09:35 | |
GATE CREAKS | 0:09:36 | 0:09:38 | |
HEAVY CREAK | 0:10:01 | 0:10:05 | |
Something's there! | 0:10:02 | 0:10:05 | |
Keep moving! | 0:10:05 | 0:10:06 | |
Jacob? | 0:10:12 | 0:10:14 | |
Anna? | 0:10:15 | 0:10:16 | |
The stump's like cauterized! | 0:10:29 | 0:10:32 | |
Some freaking maniac! | 0:10:32 | 0:10:34 | |
One maniac couldn't wipe out a whole town. | 0:10:34 | 0:10:37 | |
LOUD BUZZING | 0:10:37 | 0:10:40 | |
BUZZING STOPS | 0:10:45 | 0:10:46 | |
It's just a bundt cake. | 0:11:00 | 0:11:05 | |
It's just a bundt cake. | 0:11:03 | 0:11:05 | |
THEY SCREAM | 0:11:31 | 0:11:33 | |
Not that way. Out the front. | 0:11:33 | 0:11:36 | |
PHONE RINGS | 0:11:37 | 0:11:40 | |
DISTORTED WHISPERING | 0:11:52 | 0:11:56 | |
Who are you? | 0:11:56 | 0:11:58 | |
WHISPERING CONTINUES | 0:11:58 | 0:12:00 | |
What do you want? | 0:12:00 | 0:12:02 | |
WHISPERING | 0:12:02 | 0:12:03 | |
Come on. | 0:12:03 | 0:12:05 | |
THEY SCREAM | 0:12:30 | 0:12:32 | |
How are you doin'? | 0:12:37 | 0:12:39 | |
What the hell's goin' on here? | 0:12:40 | 0:12:43 | |
Stu, let's go! | 0:12:50 | 0:12:52 | |
Stu? | 0:12:56 | 0:12:57 | |
Stu, you OK? | 0:13:02 | 0:13:04 | |
Yeah. | 0:13:08 | 0:13:09 | |
Fine. | 0:13:11 | 0:13:12 | |
OK. | 0:13:13 | 0:13:14 | |
Can we go yet? | 0:13:15 | 0:13:17 | |
No. Not yet. I want to get a forensics guy here. | 0:13:17 | 0:13:21 | |
A coroner. | 0:13:21 | 0:13:23 | |
JENNY: You can't do that. | 0:13:23 | 0:13:26 | |
Sheriff! | 0:13:26 | 0:13:28 | |
What? | 0:13:27 | 0:13:28 | |
You can't bring people here. It could be toxic. | 0:13:28 | 0:13:32 | |
Whatever got those two was definitely toxic! | 0:13:32 | 0:13:36 | |
They were decapitated. | 0:13:36 | 0:13:38 | |
Not Deputy Henderson or Hilda. That was something else. | 0:13:40 | 0:13:44 | |
We should get them outta here. | 0:13:50 | 0:13:53 | |
You don't know what it is. | 0:13:53 | 0:13:57 | |
Calm down. | 0:13:55 | 0:13:57 | |
You don't want... | 0:13:57 | 0:14:01 | |
I'm in charge here, all right? | 0:13:58 | 0:14:01 | |
I'm gonna go outside, get on the radio, | 0:14:01 | 0:14:05 | |
and figure this thing out. | 0:14:05 | 0:14:07 | |
OK? | 0:14:12 | 0:14:13 | |
OK. Let's go. | 0:14:13 | 0:14:16 | |
Paul Henderson called us. | 0:14:16 | 0:14:18 | |
The line went dead. We came as soon as we could. | 0:14:18 | 0:14:22 | |
He used to be FBI, like me and Bryce. | 0:14:22 | 0:14:25 | |
He was a good cop. | 0:14:25 | 0:14:27 | |
Paul was attacked. Why didn't he see it coming? | 0:14:27 | 0:14:31 | |
Paul didn't make mistakes. | 0:14:31 | 0:14:34 | |
-Just one. -Excuse me? | 0:14:34 | 0:14:37 | |
HOOTER BLASTS | 0:14:38 | 0:14:41 | |
HOOTER BLASTS AGAIN | 0:14:45 | 0:14:49 | |
SIRENS, BELLS, ALARMS, HOOTERS ALL GO OFF AT ONCE | 0:14:55 | 0:15:00 | |
THE NOISE STOPS | 0:15:32 | 0:15:36 | |
THE SIGN CREAKS | 0:15:36 | 0:15:38 | |
If anybody was alive wouldn't that have brought them out? | 0:15:38 | 0:15:43 | |
LOUD CRASH | 0:15:43 | 0:15:45 | |
JENNY: Those lights - the Candleglow Inn. | 0:15:45 | 0:15:49 | |
Stu! | 0:15:49 | 0:15:50 | |
Steve, bring them. | 0:15:50 | 0:15:52 | |
Stu! | 0:15:52 | 0:15:54 | |
Stu! | 0:15:54 | 0:15:55 | |
Hey, Stu! | 0:15:56 | 0:15:58 | |
Are you OK? | 0:15:58 | 0:16:00 | |
Yeah. | 0:16:02 | 0:16:03 | |
OK. Cos I need you to be OK here. | 0:16:05 | 0:16:08 | |
All right? | 0:16:08 | 0:16:10 | |
I'm OK. Are you OK? | 0:16:12 | 0:16:15 | |
Yeah. | 0:16:16 | 0:16:17 | |
OK, then. | 0:16:20 | 0:16:21 | |
JENNY: Since we've been here, have you heard any barking? | 0:16:21 | 0:16:26 | |
No. | 0:16:26 | 0:16:27 | |
Seen any dogs or cats? | 0:16:27 | 0:16:29 | |
No. | 0:16:29 | 0:16:31 | |
It's off season. Only four rooms booked. | 0:16:35 | 0:16:39 | |
All upstairs. | 0:16:39 | 0:16:41 | |
Let's try the manager's office. | 0:16:41 | 0:16:43 | |
So... | 0:16:43 | 0:16:44 | |
Where do you wanna start...chief? | 0:16:44 | 0:16:47 | |
MUSIC PLAYS | 0:16:51 | 0:16:54 | |
# I fall to pieces... # | 0:16:59 | 0:17:06 | |
HE LOADS HIS GUN | 0:17:06 | 0:17:09 | |
# Each time I see you again | 0:17:09 | 0:17:12 | |
# I fall to pieces | 0:17:15 | 0:17:22 | |
# How can I be just your friend? | 0:17:24 | 0:17:30 | |
# You want me to act like we've never kissed | 0:17:31 | 0:17:38 | |
# You want me to forget | 0:17:39 | 0:17:42 | |
# Pretend we've never met | 0:17:42 | 0:17:47 | |
# And I've tried | 0:17:47 | 0:17:50 | |
# And I've tried but I haven't yet | 0:17:50 | 0:17:55 | |
# You walk by | 0:17:55 | 0:17:58 | |
# And I fall to pieces... # | 0:17:58 | 0:18:02 | |
# I fall to pieces | 0:18:14 | 0:18:21 | |
# Each time someone speaks your name | 0:18:23 | 0:18:28 | |
# I fall to pieces | 0:18:30 | 0:18:37 | |
# Time only adds to the flame | 0:18:39 | 0:18:45 | |
# You tell me to find someone else to love... # | 0:18:46 | 0:18:54 | |
Holy shit! | 0:18:59 | 0:19:01 | |
# And I fall to pieces... # | 0:19:21 | 0:19:25 | |
Hi. | 0:20:16 | 0:20:18 | |
You wanna tell me what happened here? | 0:20:22 | 0:20:25 | |
-< -What are you doin'? | 0:20:41 | 0:20:43 | |
Oh, Jesus! I was just, er... | 0:20:46 | 0:20:49 | |
Looking for clues? | 0:20:49 | 0:20:53 | |
Yeah. | 0:20:51 | 0:20:53 | |
-Watch the hallway, all right? -OK. | 0:20:53 | 0:20:56 | |
-(OK? -Yeah.) | 0:21:07 | 0:21:09 | |
-(Feel sick? -No.) | 0:21:09 | 0:21:11 | |
Doctor? | 0:21:13 | 0:21:15 | |
Stay here. | 0:21:18 | 0:21:20 | |
Be careful. | 0:21:22 | 0:21:23 | |
Watch the hallway, Stu. | 0:21:23 | 0:21:26 | |
This door was locked from the inside. I had to break it open. | 0:21:26 | 0:21:31 | |
There's nobody in there, so...how'd she get out? | 0:21:31 | 0:21:35 | |
-Through a window? -There is no window. | 0:21:35 | 0:21:39 | |
Look at this. | 0:21:39 | 0:21:41 | |
Hey. | 0:21:48 | 0:21:49 | |
You wanna see somethin'? | 0:21:50 | 0:21:52 | |
What? | 0:21:53 | 0:21:54 | |
You wanna see somethin'? | 0:21:54 | 0:21:56 | |
No! | 0:21:56 | 0:21:58 | |
Who's Timothy Flyte? | 0:21:58 | 0:22:00 | |
No idea. I was hoping you'd know. | 0:22:00 | 0:22:02 | |
He's no-one local. | 0:22:02 | 0:22:05 | |
-Do you think it's the killer? -Yeah. | 0:22:05 | 0:22:08 | |
Woman locks herself in to escape him and writes his name, | 0:22:08 | 0:22:11 | |
but why not write a clear message? | 0:22:11 | 0:22:14 | |
She wrote it in lipstick. But where's the tube? | 0:22:14 | 0:22:18 | |
Vanished, along with whoever used it, from a locked, windowless room. | 0:22:19 | 0:22:25 | |
JANGLING NOISE | 0:22:27 | 0:22:30 | |
What is this? | 0:23:01 | 0:23:03 | |
Paul? | 0:23:05 | 0:23:06 | |
-SHANNING: -It wasn't here before. | 0:23:06 | 0:23:09 | |
A gold tooth. | 0:23:10 | 0:23:12 | |
Like Nazis. Concentration camps. They took anything of value. | 0:23:12 | 0:23:17 | |
Don't touch. | 0:23:17 | 0:23:19 | |
Buttons. | 0:23:19 | 0:23:21 | |
-SHANNING: -Stripped to their skins. | 0:23:21 | 0:23:25 | |
Beyond the skin. | 0:23:23 | 0:23:25 | |
-LISA: -Jenny, what...is that? | 0:23:25 | 0:23:28 | |
It's a pacemaker. | 0:23:28 | 0:23:30 | |
-STU SNIGGERS -You're kidding! | 0:23:30 | 0:23:33 | |
This guy... | 0:23:35 | 0:23:37 | |
This guy's got an edge. | 0:23:37 | 0:23:39 | |
There's no guest named Timothy Flyte. | 0:23:39 | 0:23:42 | |
Seven people checked in. We only found one body. | 0:23:42 | 0:23:46 | |
Where's everybody else? | 0:23:46 | 0:23:48 | |
Maybe they're alive...somewhere. | 0:23:48 | 0:23:54 | |
STU SNIGGERS | 0:23:50 | 0:23:54 | |
It wasn't a mistake. I think we were supposed to come here | 0:23:57 | 0:24:02 | |
and find that message. | 0:24:02 | 0:24:04 | |
I'm gonna run the name "Flyte" by headquarters, | 0:24:04 | 0:24:08 | |
and see what it writes. What? | 0:24:08 | 0:24:10 | |
I don't like this, Ben. | 0:24:10 | 0:24:12 | |
-That was not here before! -No way. | 0:24:12 | 0:24:16 | |
RADIO: # Fall to pieces | 0:24:18 | 0:24:22 | |
# Each time I see you again | 0:24:24 | 0:24:28 | |
STU WHISTLES ALONG # I fall to pieces... # | 0:24:30 | 0:24:39 | |
WOMAN SCREAMS | 0:24:39 | 0:24:41 | |
-WOMAN: -Help me! -Cover me! Steve, wait! | 0:24:41 | 0:24:44 | |
-SHANNING: -NO! | 0:24:47 | 0:24:49 | |
'The message read, "Timothy Flyte, the Ancient Enemy."' | 0:25:02 | 0:25:07 | |
-F-L-Y-T-E. -'Ten-four, Sheriff.' | 0:25:07 | 0:25:10 | |
Set up a road block and close the entire town. | 0:25:10 | 0:25:13 | |
Nothing gets in, nothing gets out. | 0:25:13 | 0:25:16 | |
And I want armed federal assistance. | 0:25:16 | 0:25:19 | |
'Ten-one. Receiving poorly, Sheriff.' | 0:25:19 | 0:25:22 | |
Fort Sherwood has an anti-terrorist unit for bacteriological threat. | 0:25:22 | 0:25:27 | |
-'Breaking up...' -Come on! | 0:25:27 | 0:25:30 | |
Fort Sherwood! | 0:25:30 | 0:25:31 | |
I want big fire power. Just send everyone they have. | 0:25:31 | 0:25:36 | |
I have officers dead. Maybe hundreds dead. | 0:25:36 | 0:25:40 | |
'Sheriff...' | 0:25:40 | 0:25:42 | |
Joe! | 0:25:42 | 0:25:43 | |
Come on, Joe! | 0:25:43 | 0:25:44 | |
Hello? | 0:25:44 | 0:25:45 | |
DISTORTED WHISPERING | 0:25:47 | 0:25:50 | |
What IS this? | 0:25:54 | 0:25:55 | |
Same thing I heard on the phone. | 0:25:55 | 0:25:58 | |
DISTORTED WHISPERING | 0:25:58 | 0:26:00 | |
They didn't get the message. | 0:26:00 | 0:26:02 | |
There won't be any help coming. | 0:26:02 | 0:26:04 | |
Of course there will, Lisa. | 0:26:04 | 0:26:07 | |
Not in time. | 0:26:08 | 0:26:10 | |
So... | 0:26:12 | 0:26:14 | |
Guess we're on our own. | 0:26:14 | 0:26:17 | |
Wait a minute, Stu. | 0:26:17 | 0:26:19 | |
Hey! Nobody goes off on their own. We still have a chain of command. | 0:26:19 | 0:26:25 | |
This must be a managed response. | 0:26:25 | 0:26:28 | |
Managed response?! | 0:26:29 | 0:26:31 | |
Sorry, Sheriff, I don't have my book. Is that an FBI term? | 0:26:33 | 0:26:37 | |
-What's your problem, Stu? -Nothin'. | 0:26:37 | 0:26:40 | |
Just trying to learn to be a better cop. | 0:26:41 | 0:26:45 | |
You know what? That doctor sure is cute. | 0:27:08 | 0:27:12 | |
I'm not having this conversation, Stu. | 0:27:12 | 0:27:15 | |
What conversation, Sheriff? | 0:27:15 | 0:27:19 | |
ANY conversation. | 0:27:17 | 0:27:19 | |
You two hit it off. Be a shame... | 0:27:19 | 0:27:21 | |
I don't know what your problem is, but it's not funny. Cut it out! | 0:27:21 | 0:27:27 | |
I like the little sister, though. You notice...? | 0:27:27 | 0:27:30 | |
STOP! | 0:27:32 | 0:27:34 | |
Shut up, all right? Enough! | 0:27:34 | 0:27:36 | |
Whoa! | 0:27:36 | 0:27:37 | |
Easy, chief. | 0:27:37 | 0:27:39 | |
Easy. | 0:27:39 | 0:27:40 | |
I got witnesses. | 0:27:40 | 0:27:42 | |
Why don't you just calm down? | 0:27:45 | 0:27:48 | |
HE SIGHS | 0:27:50 | 0:27:52 | |
Ow! | 0:27:53 | 0:27:55 | |
Sheriff, is that what you meant by "managed response"? | 0:27:56 | 0:28:00 | |
PHONE RINGS | 0:28:02 | 0:28:04 | |
DISTORTED GURGLING DOWN THE PHONE | 0:28:18 | 0:28:21 | |
DISTORTED WHISPERING | 0:28:25 | 0:28:28 | |
Who are you? | 0:28:40 | 0:28:42 | |
DISTORTED SCREAM | 0:28:42 | 0:28:46 | |
DIALLING TONE | 0:28:53 | 0:28:55 | |
WHIRRING NOISE | 0:28:58 | 0:29:01 | |
-What was that? -It came from over here. | 0:29:01 | 0:29:06 | |
The window! | 0:29:06 | 0:29:08 | |
-Is that a bird? -No way. | 0:29:12 | 0:29:15 | |
Even if help's coming it won't be until daybreak. | 0:29:58 | 0:30:02 | |
I wouldn't worry. | 0:30:03 | 0:30:06 | |
Whatever it was won't be coming back in here. | 0:30:06 | 0:30:09 | |
What makes you so sure of that? | 0:30:10 | 0:30:13 | |
Well, for one thing, we probably shot it about 30 times, Sheriff. | 0:30:15 | 0:30:20 | |
You mean it's dead? | 0:30:22 | 0:30:24 | |
STU SCREAMS | 0:30:44 | 0:30:47 | |
OH, NO! | 0:31:09 | 0:31:12 | |
Oh! | 0:31:20 | 0:31:21 | |
THE WIND WHISTLES | 0:31:48 | 0:31:50 | |
It ate through his face. | 0:31:58 | 0:32:01 | |
Consumed...the eyes, | 0:32:02 | 0:32:04 | |
most of the soft tissue... | 0:32:04 | 0:32:08 | |
..and the entire brain. | 0:32:09 | 0:32:11 | |
It's impossible. The brain alone weighs 6 or 7lbs. | 0:32:11 | 0:32:15 | |
It devoured it...in seconds! | 0:32:15 | 0:32:18 | |
And it almost got Lisa. | 0:32:20 | 0:32:22 | |
No. | 0:32:23 | 0:32:25 | |
It wanted Deputy Wargle first. | 0:32:25 | 0:32:28 | |
It wants men like him most of all. | 0:32:28 | 0:32:31 | |
What do you mean, men like him? | 0:32:31 | 0:32:34 | |
Well, it's the devil, don't you think? | 0:32:34 | 0:32:37 | |
Come up from hell tonight. | 0:32:37 | 0:32:39 | |
I think he wants to dance with us. | 0:32:41 | 0:32:44 | |
THUNDER RUMBLES | 0:32:56 | 0:32:59 | |
SIREN WAILS | 0:33:09 | 0:33:12 | |
HE TAPS TYPEWRITER KEYS | 0:33:23 | 0:33:25 | |
-< -Dr Flyte? | 0:33:41 | 0:33:43 | |
Wilson and Hawthorne. FBI. | 0:33:44 | 0:33:46 | |
We're here to ask about a series of articles you wrote. | 0:33:47 | 0:33:52 | |
The FBI reads Wide World News?! | 0:33:53 | 0:33:56 | |
Only if it's about the... Ancient Enemy. | 0:33:56 | 0:34:00 | |
Based on a treatise I wrote at Oxford. | 0:34:00 | 0:34:03 | |
Got you kicked out. | 0:34:03 | 0:34:07 | |
They weren't quite that rude! | 0:34:04 | 0:34:07 | |
It's a pretty radical theory. | 0:34:07 | 0:34:10 | |
I believed that any theory, supported by evidence, | 0:34:10 | 0:34:14 | |
became open to debate. | 0:34:14 | 0:34:16 | |
But I learned how vindictive the academic community can be. | 0:34:16 | 0:34:21 | |
They're swine. Polite swine, but swine nonetheless. | 0:34:21 | 0:34:25 | |
Convincing the world to consider a new idea | 0:34:25 | 0:34:28 | |
takes perseverance and willingness to fight in any media forum. | 0:34:28 | 0:34:33 | |
Which is why a big-time, payroll biologist like yourself works here. | 0:34:33 | 0:34:39 | |
No. I need the money. | 0:34:39 | 0:34:41 | |
Doctor, come with us. | 0:34:41 | 0:34:45 | |
What for? I'm merely exercising... | 0:34:42 | 0:34:45 | |
It's a matter of national security. | 0:34:45 | 0:34:48 | |
Are you OK? | 0:35:14 | 0:35:16 | |
SLOW DRIPS | 0:35:18 | 0:35:21 | |
How's your sister holding up? | 0:35:34 | 0:35:37 | |
I don't know. She's had a rough time. | 0:35:37 | 0:35:41 | |
Our mother is not exactly... the best role model. | 0:35:42 | 0:35:46 | |
-How do you mean? -She drinks. | 0:35:46 | 0:35:49 | |
I thought bringing Lisa up here would...help. | 0:35:49 | 0:35:53 | |
Help you or help her? | 0:35:54 | 0:35:57 | |
Both of us. | 0:35:57 | 0:35:59 | |
I have this need to... take charge. | 0:36:01 | 0:36:05 | |
Yeah, I noticed that. | 0:36:05 | 0:36:08 | |
So...Harvard, | 0:36:24 | 0:36:26 | |
a few years with the FBI. | 0:36:26 | 0:36:30 | |
What are you doing here? | 0:36:30 | 0:36:33 | |
He had a gun. | 0:36:49 | 0:36:52 | |
He was hiding in a closet. | 0:36:52 | 0:36:55 | |
And the gun turned out to be a toy. | 0:36:57 | 0:37:00 | |
Carrying his picture with you... | 0:37:06 | 0:37:08 | |
Why torture yourself? | 0:37:08 | 0:37:11 | |
He shouldn't be forgotten. | 0:37:13 | 0:37:15 | |
I need an escort. | 0:37:23 | 0:37:26 | |
I'll do it. | 0:37:24 | 0:37:26 | |
OK. All set. | 0:37:43 | 0:37:45 | |
This is so embarrassing. | 0:37:45 | 0:37:48 | |
-I'll be right outside. -OK. | 0:37:48 | 0:37:51 | |
GLUTINOUS SQUELCHING | 0:38:00 | 0:38:04 | |
Don't be stupid. | 0:38:26 | 0:38:29 | |
TOILET FLUSHES | 0:38:32 | 0:38:34 | |
You wanna see somethin'? | 0:39:19 | 0:39:22 | |
You... | 0:39:24 | 0:39:25 | |
-..are so fuckin' cute. -No! | 0:39:26 | 0:39:30 | |
Jenny! | 0:39:32 | 0:39:33 | |
There's nobody in there. | 0:39:47 | 0:39:50 | |
Yes, there was! | 0:39:50 | 0:39:52 | |
They...couldn't just evaporate. | 0:40:01 | 0:40:03 | |
Like the bathroom at the inn - no windows, a locked door... | 0:40:03 | 0:40:08 | |
HELICOPTER BLADES WHIRR | 0:40:18 | 0:40:22 | |
Yes! | 0:40:23 | 0:40:25 | |
Hey! | 0:40:25 | 0:40:26 | |
They're here! | 0:40:26 | 0:40:28 | |
Thank God! | 0:40:28 | 0:40:30 | |
What the hell...? | 0:40:40 | 0:40:42 | |
Come on! | 0:40:42 | 0:40:43 | |
Reconnaissance. Infrared photography. He's not gonna stop. | 0:40:48 | 0:40:53 | |
I'm getting you guys outta here. | 0:41:00 | 0:41:03 | |
I am a legal resident of the United States. | 0:41:04 | 0:41:07 | |
I have rights. If I'm under arrest I have the right to an attorney. | 0:41:07 | 0:41:13 | |
If I'm not under arrest, this could easily be construed as kidnapping! | 0:41:13 | 0:41:18 | |
If you lot at this newspaper know where Elvis is, we'd like to know. | 0:41:20 | 0:41:26 | |
What? | 0:41:27 | 0:41:28 | |
We've been looking for him for a long time. | 0:41:28 | 0:41:31 | |
-< -Yes, sir. | 0:41:31 | 0:41:34 | |
The King sure is slippery. | 0:41:34 | 0:41:36 | |
-AS ELVIS: -# Uh-huh-huh! # | 0:41:36 | 0:41:39 | |
You can't stay here alone, 40 miles from anyplace, anybody! | 0:41:43 | 0:41:48 | |
I gotta be here when the feds show up. Just go, OK? | 0:41:48 | 0:41:52 | |
ENGINE DOESN'T START | 0:41:52 | 0:41:54 | |
-Come on! -All right, pop the hood. | 0:41:54 | 0:41:57 | |
You gotta be kidding me! | 0:42:00 | 0:42:03 | |
Looks like it's been crushed in a hydraulic press. | 0:42:03 | 0:42:07 | |
DISTORTED WOMAN'S SCREAM | 0:42:07 | 0:42:09 | |
Help me! Please! | 0:42:09 | 0:42:11 | |
Please! Someone! Aaagh! Help me! | 0:42:11 | 0:42:15 | |
No-one's really out there. | 0:42:15 | 0:42:18 | |
It's trying to bait us, like your deputy at the inn. | 0:42:18 | 0:42:22 | |
OK. Let's... Let's go back inside. | 0:42:22 | 0:42:25 | |
Guns won't do it. | 0:42:31 | 0:42:33 | |
We're not just about guns, Dr Flyte. | 0:42:33 | 0:42:34 | |
Why not shoot me dead right now, and save a lot of trouble? | 0:42:36 | 0:42:40 | |
Do you people hire ONLY stunt drivers? | 0:42:42 | 0:42:45 | |
We're interested in the "Ancient Enemy" - the hard science. | 0:42:45 | 0:42:50 | |
History is filled with mysterious disappearances, | 0:42:51 | 0:42:55 | |
for which there's no adequate explanation. | 0:42:55 | 0:42:58 | |
For instance? | 0:42:58 | 0:43:00 | |
December 10, 1939, in the hills outside Nanking, China, | 0:43:00 | 0:43:05 | |
3,000 Chinese soldiers vanished before reaching the battlefield. | 0:43:05 | 0:43:11 | |
No bodies, no graves, no witnesses. | 0:43:11 | 0:43:14 | |
Consider the Mayan cities of Copan, Piedras Negras, Palenque, in 610AD - | 0:43:15 | 0:43:20 | |
deserted overnight. | 0:43:20 | 0:43:22 | |
Hundreds of thousands missing. | 0:43:22 | 0:43:25 | |
Theories of disease or war don't explain why there were no graves. | 0:43:25 | 0:43:30 | |
Families vanished after preparing dinners, but before eating them. | 0:43:30 | 0:43:36 | |
And the disappearance of an English colony on Roanoke Island in 1590. | 0:43:36 | 0:43:42 | |
Many others. | 0:43:42 | 0:43:43 | |
Just what is this thing? | 0:43:45 | 0:43:47 | |
Chaos. | 0:43:47 | 0:43:49 | |
Chaos in the flesh. | 0:43:49 | 0:43:51 | |
This is our field lab. | 0:43:58 | 0:44:00 | |
Bacteriologically secure, built to withstand point-blank mortar fire. | 0:44:00 | 0:44:05 | |
No terrorist can take this thing out. | 0:44:05 | 0:44:08 | |
We're acting after a transmission from Snowfield and an aerial recon. | 0:44:08 | 0:44:14 | |
Our scientific team cover every contingency. | 0:44:14 | 0:44:17 | |
Dr Flyte's name was found in Snowfield. | 0:44:17 | 0:44:20 | |
A victim scrawled it on a mirror. | 0:44:20 | 0:44:23 | |
They must've seen something to lend credence to Dr Flyte's theory. | 0:44:23 | 0:44:29 | |
Oh, well... Breakfast and dinner here. | 0:44:51 | 0:44:54 | |
We're never gonna get out of here! | 0:44:54 | 0:44:57 | |
I don't know what the hell this thing is, but it's playing with us. | 0:44:57 | 0:45:03 | |
The lights, noises on the phone, the moth. | 0:45:03 | 0:45:06 | |
If we keep our heads straight, we'll get out of here. | 0:45:06 | 0:45:10 | |
-I promise. -How can you be so sure? | 0:45:10 | 0:45:14 | |
VEHICLES APPROACH | 0:45:31 | 0:45:34 | |
Maybe we are gonna make it. | 0:46:22 | 0:46:25 | |
Sheriff Hammond. I thought deputies Wargle and Shanning were here. | 0:46:25 | 0:46:30 | |
Yes. They were...killed during the night. | 0:46:30 | 0:46:34 | |
Then it is ongoing? | 0:46:34 | 0:46:37 | |
Flyte. How do you fit into this? | 0:46:37 | 0:46:39 | |
Reluctantly. | 0:46:39 | 0:46:41 | |
We need to know what the threat is - biological, chemical, or other. | 0:46:41 | 0:46:47 | |
Er... | 0:46:47 | 0:46:48 | |
Well, I'm... I'm leaning toward "other". | 0:46:48 | 0:46:52 | |
LOUD BUZZING | 0:46:58 | 0:47:00 | |
Bernstein House. 214 Vail Street. | 0:47:04 | 0:47:08 | |
They were evidently about to have dinner... | 0:47:08 | 0:47:12 | |
when... | 0:47:12 | 0:47:14 | |
something happened. | 0:47:14 | 0:47:17 | |
Residence of Dr Jennifer Pailey. | 0:47:17 | 0:47:20 | |
Severe trauma, perhaps toxicological injury. | 0:47:20 | 0:47:24 | |
'In the 48 hours prior to these events,' | 0:47:28 | 0:47:31 | |
did you receive reports of power failures, lights in the sky? | 0:47:31 | 0:47:37 | |
We haven't seen any flying saucers. | 0:47:37 | 0:47:40 | |
There should be a major junction box about here. | 0:47:42 | 0:47:47 | |
We'll tap into it, power up the lab. | 0:47:47 | 0:47:50 | |
-< -Doctor! | 0:48:12 | 0:48:13 | |
Look at this. | 0:48:18 | 0:48:20 | |
Recording. | 0:48:24 | 0:48:25 | |
At the base of the statue of Mary, al...almost like an...an offering. | 0:48:25 | 0:48:30 | |
There's a large accumulation of metal buttons, | 0:48:30 | 0:48:34 | |
wristwatches, jewellery... | 0:48:34 | 0:48:36 | |
All metal. | 0:48:36 | 0:48:37 | |
Not an offering. | 0:48:37 | 0:48:39 | |
Undigested remains. | 0:48:39 | 0:48:42 | |
And a little something preserved and put aside for later, | 0:48:44 | 0:48:49 | |
like a spider might do it. | 0:48:49 | 0:48:52 | |
Got something, Harker. | 0:48:53 | 0:48:55 | |
Some kind of breach in the trunk lines. | 0:48:55 | 0:48:58 | |
Explains the interrupted phone service. | 0:48:58 | 0:49:01 | |
GEIGER COUNTER CLICKS | 0:49:07 | 0:49:09 | |
CLICKING INTENSIFIES | 0:49:15 | 0:49:18 | |
DISTORTED VOICE OF BOY SINGING | 0:49:21 | 0:49:25 | |
Where's it coming from? | 0:49:28 | 0:49:31 | |
-BOY: -# Yes, Jesus loves me | 0:49:31 | 0:49:34 | |
# Yes, Jesus loves me | 0:49:35 | 0:49:38 | |
# Yes, Jesus loves me | 0:49:39 | 0:49:42 | |
# The Bible tells me so | 0:49:42 | 0:49:47 | |
# Yes, Jesus loves me | 0:49:48 | 0:49:51 | |
# Yes, Jesus loves me | 0:49:52 | 0:49:55 | |
-MUCH LOUDER: -# Yes, Jesus loves me | 0:49:56 | 0:50:00 | |
# The Bible tells me so. # | 0:50:00 | 0:50:05 | |
There's nothing. | 0:50:26 | 0:50:28 | |
MAN YELLS | 0:50:29 | 0:50:32 | |
Jesus...! | 0:50:34 | 0:50:36 | |
HE CALMS DOWN | 0:50:36 | 0:50:38 | |
HE PANTS | 0:50:38 | 0:50:40 | |
It's... It's sludge, man! | 0:50:40 | 0:50:43 | |
It's just... plain, old stinkin' sewage. | 0:50:43 | 0:50:48 | |
DISTORTED WHISPERING | 0:50:48 | 0:50:51 | |
Oh, my God. | 0:51:14 | 0:51:16 | |
You make that connection? | 0:52:02 | 0:52:05 | |
What've you got? | 0:52:05 | 0:52:07 | |
In the next tunnel. | 0:52:07 | 0:52:09 | |
DISTORTED SCREAM | 0:52:09 | 0:52:11 | |
Velazquez, what the hell is that? Get your ass outta there! | 0:52:11 | 0:52:16 | |
NO!! | 0:52:16 | 0:52:17 | |
Get out! | 0:52:19 | 0:52:21 | |
Now! | 0:52:21 | 0:52:22 | |
Aaagh! | 0:52:22 | 0:52:24 | |
-Help me, Jesus! -Get out! | 0:52:24 | 0:52:26 | |
YELLING | 0:52:28 | 0:52:30 | |
-Aaagh! -Velazquez! | 0:52:34 | 0:52:37 | |
YELLING AND SCREECHING | 0:52:37 | 0:52:39 | |
Velazquez! | 0:52:41 | 0:52:43 | |
Jesus Christ! | 0:52:43 | 0:52:45 | |
DISTORTED, INHUMAN SCREECH | 0:52:45 | 0:52:47 | |
Sgt Harker, meet me outside CBW now! | 0:52:50 | 0:52:52 | |
I'm registering no toxic fumes of any kind. | 0:52:56 | 0:53:00 | |
DOOR SLAMS | 0:53:00 | 0:53:02 | |
Here, friend! | 0:53:13 | 0:53:15 | |
Here. At least HE lived through it. | 0:53:15 | 0:53:17 | |
Come on. | 0:53:17 | 0:53:20 | |
But HOW did he live through it? | 0:53:20 | 0:53:22 | |
Yeah. Yeah. | 0:53:22 | 0:53:25 | |
Good dog, huh? | 0:53:28 | 0:53:30 | |
It's OK. Good dog, huh? | 0:53:30 | 0:53:33 | |
That's a good boy. | 0:53:33 | 0:53:35 | |
Better... | 0:53:35 | 0:53:36 | |
Better get away from him. | 0:53:36 | 0:53:39 | |
DOG GROWLS DEEPLY | 0:53:46 | 0:53:49 | |
Jesus Christ! What the hell? | 0:53:49 | 0:53:51 | |
Get back! | 0:53:51 | 0:53:52 | |
AAAAGH! | 0:53:54 | 0:53:56 | |
NO!! | 0:54:00 | 0:54:01 | |
Run! | 0:54:01 | 0:54:03 | |
YELLING | 0:54:03 | 0:54:05 | |
Get up here! | 0:54:07 | 0:54:09 | |
-< DISTORTED: -Flyte. | 0:55:23 | 0:55:25 | |
You were brought here, Dr Flyte. | 0:55:34 | 0:55:37 | |
Do your research. | 0:55:37 | 0:55:39 | |
Write the gospel. | 0:55:39 | 0:55:41 | |
Go. | 0:55:41 | 0:55:42 | |
It's here! | 0:56:06 | 0:56:08 | |
It's everywhere around us! | 0:56:08 | 0:56:10 | |
Oh, Jesus! | 0:56:15 | 0:56:17 | |
What is this?! | 0:56:21 | 0:56:24 | |
AAAAGH! | 0:56:24 | 0:56:26 | |
AAAGGGGHH!! | 0:56:26 | 0:56:28 | |
AAAGH...! | 0:56:28 | 0:56:32 | |
HE CHOKES | 0:56:32 | 0:56:34 | |
IT SCREECHES | 0:57:07 | 0:57:11 | |
-DISTORTED: -My flesh. | 0:57:23 | 0:57:25 | |
Study it. | 0:57:25 | 0:57:28 | |
Write the gospel. | 0:57:28 | 0:57:30 | |
But do not try to leave. | 0:57:30 | 0:57:34 | |
Witnesses to the miracle. | 0:57:35 | 0:57:39 | |
I have to run an analysis. | 0:57:57 | 0:58:00 | |
And that's...what I was born to do. | 0:58:00 | 0:58:04 | |
That lab is a tank. We'll get in it and get the hell out. | 0:58:04 | 0:58:09 | |
Against this, the lab's vulnerable. | 0:58:09 | 0:58:11 | |
There are a hundred ways... it could stop us. | 0:58:11 | 0:58:16 | |
Why aren't we dead like the rest of them? | 0:58:29 | 0:58:32 | |
I think it needed us. | 0:58:33 | 0:58:36 | |
To get to Flyte. | 0:58:36 | 0:58:38 | |
It's like he's some kind of... | 0:58:38 | 0:58:41 | |
disciple, or something. | 0:58:41 | 0:58:43 | |
"Write the gospel." | 0:58:43 | 0:58:45 | |
And now Flyte's here. | 0:58:45 | 0:58:48 | |
If it can think, really think... then we're finished. | 0:58:54 | 0:58:58 | |
Maybe it's like flatworm learning. | 0:59:00 | 0:59:04 | |
What? | 0:59:04 | 0:59:05 | |
Some can learn to negotiate a maze. | 0:59:05 | 0:59:08 | |
If you grind them up and feed them to another batch of flatworms, | 0:59:08 | 0:59:13 | |
they can run the maze first try. | 0:59:13 | 0:59:15 | |
They absorb knowledge and the flesh. | 0:59:15 | 0:59:18 | |
They gave me a tour. | 0:59:28 | 0:59:31 | |
The oldest living thing on earth. | 0:59:36 | 0:59:39 | |
Wouldn't we have heard of it? It wasn't shy! | 0:59:39 | 0:59:43 | |
It lives out of sight in the earth. In deep geological structures. | 0:59:43 | 0:59:48 | |
But it comes up to feed. | 0:59:48 | 0:59:50 | |
Rarely. | 0:59:50 | 0:59:52 | |
Mostly it sifts life forms from the soil, | 0:59:52 | 0:59:55 | |
like a whale sifts plankton. | 0:59:55 | 0:59:58 | |
No doubt it feeds on marine life too. | 0:59:58 | 1:00:02 | |
It may lie dormant between feedings for decades. | 1:00:02 | 1:00:06 | |
Over centuries, only a tiny part of its prey has been human beings. | 1:00:06 | 1:00:11 | |
From them it's absorbed knowledge, | 1:00:11 | 1:00:14 | |
acquired intelligence. | 1:00:14 | 1:00:16 | |
It can assume the form of anything it's absorbed? | 1:00:16 | 1:00:20 | |
Even imaginary creatures a victim may have seen in a movie, | 1:00:20 | 1:00:25 | |
or even dreamed about. | 1:00:25 | 1:00:27 | |
So it knows everything people here knew about you. | 1:00:27 | 1:00:31 | |
And about me. | 1:00:31 | 1:00:34 | |
What's happening? | 1:00:57 | 1:00:58 | |
-COMPUTER VOICE: -Vocal mode initiated. | 1:00:58 | 1:01:04 | |
-DISTORTED: -Tell the world the end begins here. | 1:01:04 | 1:01:07 | |
-Who are you? -I am Baal. | 1:01:07 | 1:01:11 | |
I am Belial. | 1:01:11 | 1:01:13 | |
Demons. Devils. | 1:01:13 | 1:01:15 | |
Some victims must've thought it WAS the devil. | 1:01:15 | 1:01:19 | |
It absorbed that concept from them, and believes that's what it is. | 1:01:19 | 1:01:24 | |
Why kill these people? | 1:01:24 | 1:01:26 | |
They are cattle. | 1:01:26 | 1:01:28 | |
You let us live. | 1:01:28 | 1:01:29 | |
One of your species theorised my existence. | 1:01:29 | 1:01:32 | |
It's like learning a difficult trick. | 1:01:32 | 1:01:36 | |
Flyte. | 1:01:36 | 1:01:37 | |
He is my Matthew, Mark, Luke and John. | 1:01:37 | 1:01:42 | |
Only in me can you achieve immortality. | 1:01:42 | 1:01:46 | |
Not in God, not in Christ. | 1:01:46 | 1:01:49 | |
Only me. | 1:01:49 | 1:01:51 | |
If we do what you say... will you let us live? | 1:01:53 | 1:01:57 | |
STATIC | 1:01:57 | 1:01:59 | |
CRASH | 1:02:02 | 1:02:06 | |
What's happening? | 1:02:03 | 1:02:06 | |
COMPUTER: Warning - lab stability threatened. | 1:02:06 | 1:02:10 | |
All right, enough! | 1:02:10 | 1:02:12 | |
It's not a devil, just a fucking animal! It can be killed! | 1:02:12 | 1:02:16 | |
It wiped out the dinosaurs - tough fucking customers! | 1:02:16 | 1:02:21 | |
I'm saying I know it's got a weakness! | 1:02:21 | 1:02:24 | |
What weakness? | 1:02:24 | 1:02:26 | |
Ego! Satan had a big ego to think he was greater than God! | 1:02:26 | 1:02:31 | |
And he took a fall. | 1:02:31 | 1:02:34 | |
Right! | 1:02:32 | 1:02:34 | |
That's why it manipulated us into bringing Dr Flyte here. | 1:02:34 | 1:02:39 | |
It wanted you to see it... Show me how to kill this fucking thing. | 1:02:39 | 1:02:45 | |
If we could kill it we wouldn't have a tissue sample! | 1:02:45 | 1:02:49 | |
It only THINKS it's all-powerful. | 1:02:49 | 1:02:52 | |
It's lived too long without fear. | 1:02:52 | 1:02:55 | |
Nothing could touch it. That makes it vulnerable. | 1:02:55 | 1:02:59 | |
HE TAPS KEYBOARD | 1:03:01 | 1:03:05 | |
So what are all these other things we've seen? | 1:03:31 | 1:03:35 | |
Drones. Phantoms. | 1:03:35 | 1:03:38 | |
Sent on a task. Then they return to the mother mass underground. | 1:03:38 | 1:03:43 | |
CRASH | 1:03:43 | 1:03:45 | |
COMPUTER: Warning - lab stability threatened. | 1:03:45 | 1:03:49 | |
I guess so. | 1:03:49 | 1:03:50 | |
How big is this thing? | 1:03:50 | 1:03:53 | |
Big. | 1:03:53 | 1:03:55 | |
-How do you know? -Logical deduction. | 1:03:55 | 1:03:58 | |
Logic from a guy who writes about Bigfoot for a living. | 1:03:58 | 1:04:03 | |
What about chemicals or acid? | 1:04:03 | 1:04:05 | |
You'd need a truckload. How would you deliver it to the target? | 1:04:05 | 1:04:10 | |
Nukes? | 1:04:10 | 1:04:11 | |
How do you find the target, deliver a bomb to it, | 1:04:11 | 1:04:15 | |
and be sure you got it all? | 1:04:15 | 1:04:17 | |
CRASH | 1:04:17 | 1:04:19 | |
COMPUTER: Warning - microbe sample vault is open. | 1:04:23 | 1:04:28 | |
Warning - microbe sample vault is open. | 1:04:28 | 1:04:32 | |
Aaaggh! | 1:04:32 | 1:04:33 | |
SOLDIERS YELL | 1:04:55 | 1:04:57 | |
Thank you. | 1:05:08 | 1:05:10 | |
You're welcome. | 1:05:11 | 1:05:13 | |
Are you OK? | 1:05:20 | 1:05:22 | |
I was just wondering... | 1:05:22 | 1:05:25 | |
What? | 1:05:25 | 1:05:26 | |
Do you think that all those people it took are still trapped, unaware? | 1:05:26 | 1:05:31 | |
No. No, they're gone. | 1:05:31 | 1:05:34 | |
Dead and gone. | 1:05:34 | 1:05:36 | |
Being trapped inside it would be like going to hell. | 1:05:36 | 1:05:40 | |
It's not that way. | 1:05:41 | 1:05:43 | |
I don't wanna go to hell. | 1:05:50 | 1:05:53 | |
What...? | 1:05:59 | 1:06:01 | |
You've got something? | 1:06:02 | 1:06:04 | |
Petrolatum. | 1:06:15 | 1:06:17 | |
This thing is a lot more complex than petroleum jelly, | 1:06:17 | 1:06:22 | |
but there's a similar ratio of hydrocarbons | 1:06:22 | 1:06:26 | |
and more minerals and chemicals than you'd find in the human body. | 1:06:26 | 1:06:31 | |
Hydrocarbons... | 1:06:31 | 1:06:34 | |
I wonder... | 1:06:36 | 1:06:38 | |
What is it? | 1:06:44 | 1:06:48 | |
Samples of bacteria, virus, | 1:06:46 | 1:06:48 | |
plus a selection of manmade microbes. | 1:06:48 | 1:06:51 | |
Oh, glorious day. | 1:06:51 | 1:06:54 | |
On the double! | 1:06:55 | 1:06:57 | |
CBW 123, this is command post. Do you copy? | 1:06:59 | 1:07:03 | |
What've you got? | 1:07:03 | 1:07:08 | |
CBW hasn't reported in. I can't raise them. | 1:07:04 | 1:07:08 | |
< Major, check this out. | 1:07:08 | 1:07:11 | |
-Jenny...? -It's all right. | 1:07:23 | 1:07:25 | |
It could hear us only through the electronics. Not now. | 1:07:27 | 1:07:31 | |
What's in the vial? | 1:07:31 | 1:07:33 | |
Biosan 14 - genetically engineered bacteria. | 1:07:33 | 1:07:36 | |
-Manmade disease? -No. Harmless to us. | 1:07:36 | 1:07:39 | |
It eats crude oil and excretes ecologically harmless byproducts. | 1:07:39 | 1:07:45 | |
They use it to break up oil spills. | 1:07:45 | 1:07:47 | |
Biosan 14 is new and aggressive. | 1:07:47 | 1:07:50 | |
It can survive only in an oil-rich environment. | 1:07:50 | 1:07:54 | |
Each micro-organism reproduces itself every 11 seconds. | 1:07:54 | 1:07:59 | |
It could swarm through oil. | 1:07:59 | 1:08:01 | |
They carry it in case terrorists contaminate an oilfield with it. | 1:08:01 | 1:08:06 | |
You're saying that we can use this stuff | 1:08:06 | 1:08:09 | |
to attack the Ancient Enemy like it was an oil spill, and infect it? | 1:08:09 | 1:08:15 | |
If its hydrocarbon structures are similar to petroleum, | 1:08:15 | 1:08:20 | |
it's a big stretch, but... | 1:08:20 | 1:08:23 | |
It's gonna wonder why the power's off. It knows we're up to something. | 1:08:23 | 1:08:28 | |
It doesn't fear us. It believes it's immortal. | 1:08:28 | 1:08:31 | |
Maybe it is. | 1:08:31 | 1:08:33 | |
Is one vial enough? | 1:08:33 | 1:08:34 | |
If it reproduces every 11 seconds we could culture more in an hour. | 1:08:34 | 1:08:39 | |
True. OK. | 1:08:39 | 1:08:41 | |
We need to get at the mother mass, | 1:08:41 | 1:08:44 | |
and we need a delivery system for this stuff. | 1:08:44 | 1:08:48 | |
And if we do that... will it kill it all? | 1:08:48 | 1:08:51 | |
Unless there's a nucleus, a small inner core, | 1:08:51 | 1:08:55 | |
that can tear loose and survive. | 1:08:55 | 1:08:57 | |
I just wanted you to say yes. | 1:08:57 | 1:09:00 | |
HE SIGHS | 1:09:41 | 1:09:43 | |
DOG GROWLS | 1:10:14 | 1:10:16 | |
GROWLS AGAIN | 1:10:24 | 1:10:26 | |
Jesus Christ...! | 1:11:13 | 1:11:15 | |
CONFUSED, OVERLAPPING WHISPERS | 1:11:24 | 1:11:27 | |
WHISPERING GETS CLOSER | 1:12:18 | 1:12:21 | |
WEIRD SCREECHING NOISE | 1:12:23 | 1:12:27 | |
SILENCE | 1:12:30 | 1:12:32 | |
I only wanna tell the world. | 1:13:15 | 1:13:18 | |
DOOR HISSES OPEN | 1:13:53 | 1:13:55 | |
So, how do you propose to draw the whole mass of it to us? | 1:14:33 | 1:14:38 | |
What? | 1:14:39 | 1:14:41 | |
No. | 1:14:47 | 1:14:48 | |
No. | 1:14:49 | 1:14:50 | |
Oh, no... | 1:14:52 | 1:14:55 | |
I'm here. | 1:15:33 | 1:15:35 | |
Your...witness. | 1:15:36 | 1:15:39 | |
If I'm to tell the world, I need to see. | 1:15:42 | 1:15:46 | |
All of you, | 1:15:47 | 1:15:49 | |
not just a drone. | 1:15:49 | 1:15:51 | |
You wonder what's going on in there. | 1:16:00 | 1:16:03 | |
They're preparing a weapon... | 1:16:03 | 1:16:06 | |
..possibly a means to destroy you. | 1:16:07 | 1:16:10 | |
I don't fucking believe it. He's selling us out, saving his own ass. | 1:16:10 | 1:16:15 | |
Let him play his hand. | 1:16:15 | 1:16:17 | |
Specifically, it's a genetically engineered bacterium, | 1:16:17 | 1:16:22 | |
capable of devouring your flesh. | 1:16:22 | 1:16:24 | |
Capable, they think, of killing you. | 1:16:24 | 1:16:28 | |
What they don't understand | 1:16:28 | 1:16:31 | |
is that death is for mortals, not for gods. | 1:16:31 | 1:16:36 | |
Even after all they've witnessed tonight, | 1:16:36 | 1:16:40 | |
they still don't believe. | 1:16:40 | 1:16:42 | |
They still think you're only an animal, only a thing. | 1:16:42 | 1:16:46 | |
Show yourself. | 1:16:52 | 1:16:54 | |
Gods have nothing to fear. | 1:16:57 | 1:17:00 | |
Or do they? | 1:17:06 | 1:17:09 | |
DISTANT RUMBLING AND HOWLING | 1:17:11 | 1:17:15 | |
OVERLAPPING WHISPERING | 1:17:35 | 1:17:38 | |
WHISPERING GETS LOUDER | 1:17:49 | 1:17:52 | |
Er... Er... Now... | 1:18:14 | 1:18:16 | |
N-N-Now... w-would be a g-good time. | 1:18:16 | 1:18:20 | |
NOW! | 1:18:23 | 1:18:24 | |
SCREECHING | 1:18:27 | 1:18:28 | |
-It's really pissed off. -Infected. | 1:18:34 | 1:18:37 | |
Jenny, Lisa, in the lab. | 1:18:37 | 1:18:40 | |
Run! | 1:18:47 | 1:18:49 | |
I think we got it, Jenny! | 1:18:49 | 1:18:52 | |
We gotta get off the street! | 1:18:52 | 1:18:55 | |
I think it's infected. | 1:18:59 | 1:19:01 | |
Maybe. | 1:19:01 | 1:19:02 | |
It's crawling away to die. | 1:19:02 | 1:19:05 | |
Makes it even more dangerous. | 1:19:05 | 1:19:07 | |
Well, fuck you! | 1:19:09 | 1:19:11 | |
Dead yet? | 1:19:15 | 1:19:17 | |
WHOOSHING AND SQUEALING | 1:19:52 | 1:19:55 | |
Let's just go. | 1:19:57 | 1:19:59 | |
Argh! | 1:20:02 | 1:20:04 | |
Come on, you bastard. | 1:20:11 | 1:20:14 | |
Oh! | 1:20:20 | 1:20:22 | |
You got some guns. | 1:20:22 | 1:20:24 | |
Ladies, you wouldn't shoot an unarmed man, would you? | 1:20:24 | 1:20:29 | |
That was a dumb question. | 1:20:29 | 1:20:32 | |
# I...fall to pieces | 1:20:50 | 1:20:55 | |
# Wah-wah-wah-wooo... | 1:20:55 | 1:20:58 | |
# Each time I see you again. # | 1:20:58 | 1:21:03 | |
OUCH! | 1:21:04 | 1:21:06 | |
-HE SNIGGERS -You wanna see somethin'? | 1:21:06 | 1:21:09 | |
It's limbo time! How low can you go? | 1:21:26 | 1:21:30 | |
Get down! | 1:21:30 | 1:21:32 | |
Go! | 1:21:35 | 1:21:36 | |
HE VOMITS | 1:21:40 | 1:21:43 | |
HEY! | 1:21:50 | 1:21:52 | |
You gonna flip me a Mickey? | 1:21:52 | 1:21:56 | |
SCREECHING | 1:22:16 | 1:22:19 | |
ROARING AND SCREECHING | 1:22:24 | 1:22:28 | |
HE GROANS | 1:22:45 | 1:22:48 | |
What did you do to me?! | 1:22:55 | 1:22:57 | |
AAAAGGHH! | 1:22:57 | 1:22:59 | |
INHUMAN SCREECH | 1:23:03 | 1:23:06 | |
Lisa? | 1:23:29 | 1:23:30 | |
SHE SOBS | 1:23:32 | 1:23:34 | |
-BOY'S VOICE: -I'm going to let you live. | 1:24:01 | 1:24:03 | |
-DEMONIC VOICE: -Let you live in me...forever. | 1:24:03 | 1:24:06 | |
Fuck you! | 1:24:06 | 1:24:08 | |
Ohhh... | 1:24:12 | 1:24:14 | |
-BOY/DEMON VOICE: -Always that urge to shoot little boys. | 1:24:30 | 1:24:35 | |
No, this time I'm gonna miss. | 1:24:35 | 1:24:38 | |
HE ROARS AND SCREECHES | 1:24:56 | 1:24:59 | |
HUMAN SCREAMS ECHO | 1:25:08 | 1:25:12 | |
SILENCE | 1:25:17 | 1:25:18 | |
It's all right. | 1:25:48 | 1:25:50 | |
It's gone. | 1:25:51 | 1:25:53 | |
All those souls... Maybe...they're at peace. | 1:25:55 | 1:26:00 | |
Yes. One wonders. | 1:26:00 | 1:26:03 | |
Still, it won. | 1:26:04 | 1:26:06 | |
What do you mean? | 1:26:06 | 1:26:08 | |
It wanted me to tell the world. And that's what I'm going to do. | 1:26:08 | 1:26:13 | |
HELICOPTER BLADES WHIRR | 1:26:15 | 1:26:18 | |
'The earth endures. | 1:26:23 | 1:26:25 | |
'Over the eons, countless species have flourished, then perished. | 1:26:26 | 1:26:31 | |
'In the town of Snowfield,' | 1:26:31 | 1:26:34 | |
four of us met, and bested, an inhuman intelligence. | 1:26:34 | 1:26:39 | |
Not from the stars, | 1:26:39 | 1:26:41 | |
but from the deep and secret realms | 1:26:41 | 1:26:43 | |
of our own infinitely mysterious world. | 1:26:43 | 1:26:47 | |
This supremely powerful life form, | 1:26:47 | 1:26:50 | |
so adaptable, seemingly immortal, | 1:26:50 | 1:26:53 | |
is it gone? | 1:26:53 | 1:26:55 | |
If not... | 1:26:55 | 1:26:58 | |
it may one day be the cause of humanity's extinction. | 1:26:58 | 1:27:03 | |
Believe that crap? | 1:27:03 | 1:27:10 | |
Stranger things happen. Patti said Glen was abducted by aliens. | 1:27:04 | 1:27:10 | |
Glen ran off to LA, and you would too if you was married to Patti. | 1:27:10 | 1:27:15 | |
SNIGGERING | 1:27:15 | 1:27:16 | |
Does that sound funny to you? | 1:27:16 | 1:27:19 | |
Officer? | 1:27:19 | 1:27:21 | |
No, ma'am. | 1:27:24 | 1:27:25 | |
Hey... | 1:27:26 | 1:27:27 | |
You wanna see somethin'? | 1:27:28 | 1:27:31 | |
# I fall to pieces | 1:27:31 | 1:27:38 | |
# Each time I see you again | 1:27:39 | 1:27:45 | |
# I fall to pieces | 1:27:47 | 1:27:55 | |
# How can I be just your friend? | 1:27:56 | 1:28:02 | |
# You want me to act like we've never kissed | 1:28:03 | 1:28:11 | |
# You want me to forget | 1:28:11 | 1:28:15 | |
# Pretend we've never met | 1:28:15 | 1:28:20 | |
# And I've tried and I've tried | 1:28:20 | 1:28:24 | |
# But I haven't yet | 1:28:24 | 1:28:27 | |
# You walk by | 1:28:27 | 1:28:30 | |
# And I fall to pieces. # | 1:28:30 | 1:28:36 |