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Here comes somebody. | 0:01:53 | 0:01:55 | |
Must be Bill Doolin. | 0:01:57 | 0:01:59 | |
Doolin couldn't ride like that | 0:01:58 | 0:02:00 | |
if you tied him on. | 0:02:00 | 0:02:02 | |
Morning, boys. | 0:02:06 | 0:02:08 | |
What's the matter? | 0:02:08 | 0:02:09 | |
Didn't you ever see a girl before? | 0:02:09 | 0:02:11 | |
Who are you? | 0:02:11 | 0:02:13 | |
Name's Cheyenne. My uncle Bill Doolin sent me. | 0:02:13 | 0:02:16 | |
Been riding since 2am. | 0:02:16 | 0:02:17 | |
I'll answer questions over coffee. | 0:02:17 | 0:02:19 | |
I've heard Bill speak of you. | 0:02:19 | 0:02:22 | |
I-I thought you were a kid. | 0:02:22 | 0:02:24 | |
Oh, I was, once. | 0:02:24 | 0:02:25 | |
I'm John Younger. This is my brother Jim. | 0:02:25 | 0:02:28 | |
That's Cole. | 0:02:28 | 0:02:29 | |
You're Billy The Kid. | 0:02:31 | 0:02:32 | |
< You must be Yeager | 0:02:32 | 0:02:34 | |
< and the Sundance Kid. | 0:02:34 | 0:02:35 | |
< Uncle Bill talked about you. | 0:02:35 | 0:02:37 | |
He didn't explain nothing in his letter. | 0:02:36 | 0:02:40 | |
He's got his eye on a Braxton bank. | 0:02:40 | 0:02:43 | |
That's why he sent me instead of coming himself. | 0:02:43 | 0:02:46 | |
We rode here to rob a small-town bank? | 0:02:46 | 0:02:49 | |
For starters. He's after the whole new territory. | 0:02:49 | 0:02:52 | |
We want this bank for a stake before it moves. | 0:02:52 | 0:02:56 | |
Everybody's closing out their accounts. | 0:02:56 | 0:02:58 | |
It's chuck-full of cash. | 0:02:58 | 0:03:00 | |
Wait. You said "we". | 0:03:00 | 0:03:02 | |
That's right. | 0:03:02 | 0:03:03 | |
Any objections? | 0:03:03 | 0:03:05 | |
Yeah. Busting banks is men's work. | 0:03:05 | 0:03:07 | |
Belle Starr did all right. | 0:03:07 | 0:03:09 | |
You ain't Belle Starr. > | 0:03:09 | 0:03:11 | |
Suppose you make your complaints to Uncle Bill. | 0:03:11 | 0:03:14 | |
He figured you in? | 0:03:13 | 0:03:15 | |
'Course. We've got it all planned. | 0:03:15 | 0:03:18 | |
It's all right with us. | 0:03:18 | 0:03:20 | |
< It's his show, Sundance. | 0:03:20 | 0:03:21 | |
CHEYENNE: Let's go, then... | 0:03:21 | 0:03:23 | |
all that's going. | 0:03:23 | 0:03:25 | |
It'll be a pleasure. | 0:03:25 | 0:03:26 | |
What's all the commotion? | 0:03:43 | 0:03:44 | |
All the ranchers have to move out, too. | 0:03:44 | 0:03:47 | |
Place belongs to Vance Cordell. | 0:03:47 | 0:03:49 | |
Read in the paper he was having an auction. | 0:03:49 | 0:03:53 | |
Vance Cordell? I know that name. | 0:03:52 | 0:03:55 | |
Uncle Bill said he used to be a Texas Ranger. | 0:03:55 | 0:03:59 | |
That's it. Now I remember. | 0:03:59 | 0:04:01 | |
He a friend of yours? | 0:04:01 | 0:04:03 | |
Not exactly. | 0:04:03 | 0:04:04 | |
'It's your only legal chance | 0:04:08 | 0:04:10 | |
'to steal this herd of cattle from Vance Cordell. | 0:04:10 | 0:04:13 | |
'It's burglary. It's highway robbery. | 0:04:13 | 0:04:15 | |
'You can do it without using a gun.' | 0:04:15 | 0:04:18 | |
What am I offered for this cattle herd, | 0:04:18 | 0:04:21 | |
finest north of the Panhandle? | 0:04:21 | 0:04:24 | |
< What am I offered? | 0:04:24 | 0:04:25 | |
< Don't stand there with blank faces. Say something. | 0:04:25 | 0:04:28 | |
< How much will you give me a head? | 0:04:28 | 0:04:31 | |
16.> | 0:04:31 | 0:04:32 | |
That's a weak start, but it's a start anyway. | 0:04:32 | 0:04:35 | |
All right. 16, I've got. | 0:04:35 | 0:04:37 | |
Do I hear 20? | 0:04:37 | 0:04:39 | |
We better get away | 0:04:39 | 0:04:40 | |
before he persuades me to bid on my cattle. | 0:04:40 | 0:04:43 | |
If he gets them up to 25 a head, | 0:04:43 | 0:04:47 | |
I'll be satisfied. | 0:04:47 | 0:04:48 | |
Will you? | 0:04:48 | 0:04:49 | |
Sure. That's a fair price. | 0:04:49 | 0:04:51 | |
I mean will you be satisfied living away from here? | 0:04:51 | 0:04:55 | |
You know, Madge, you're a worrier. | 0:04:55 | 0:04:57 | |
It's worth worrying about. | 0:04:57 | 0:04:59 | |
I don't want to get to California | 0:04:59 | 0:05:01 | |
and feel you only did it to please me. | 0:05:01 | 0:05:04 | |
We're not just kids at our first picnic. | 0:05:04 | 0:05:07 | |
We're old enough to know our own minds. | 0:05:07 | 0:05:09 | |
Keep that promise to marry me, | 0:05:09 | 0:05:12 | |
and I'll live anywhere. | 0:05:12 | 0:05:13 | |
I act more like a scared old maid | 0:05:13 | 0:05:16 | |
than a widow with a growing son. | 0:05:16 | 0:05:19 | |
I want my boy, Johnny, | 0:05:19 | 0:05:21 | |
growing up in a peaceful, orderly country. | 0:05:21 | 0:05:23 | |
You've got that coming. | 0:05:23 | 0:05:25 | |
No country will stay peaceful long after Johnny gets there. | 0:05:25 | 0:05:29 | |
Oh, Vance. | 0:05:29 | 0:05:30 | |
Now, that's more like it. | 0:05:29 | 0:05:32 | |
Go back to town | 0:05:32 | 0:05:34 | |
before your dad gives his bank away. | 0:05:34 | 0:05:37 | |
I'll meet you later when this is over. | 0:05:36 | 0:05:39 | |
Grey Eagle, get Johnny. | 0:05:39 | 0:05:41 | |
Tell him his mother's ready to leave. | 0:05:41 | 0:05:43 | |
What will you do when Mr Cordell leaves? | 0:05:43 | 0:05:46 | |
I don't know. | 0:05:46 | 0:05:48 | |
Maybe I come to California. | 0:05:48 | 0:05:50 | |
OK. 19, I've got. | 0:05:52 | 0:05:53 | |
Don't stand so close. | 0:05:53 | 0:05:55 | |
That wheel might back up on you. | 0:05:55 | 0:05:57 | |
Who'll give me 20? | 0:05:57 | 0:05:59 | |
I'll make it 20! | 0:05:59 | 0:06:00 | |
Better hurry or your mother will leave you. | 0:06:00 | 0:06:03 | |
No, she won't. | 0:06:03 | 0:06:04 | |
< I've got to say this. | 0:06:04 | 0:06:06 | |
< While I've been standing here talking to you... | 0:06:06 | 0:06:09 | |
if you're in town, drop in for supper. | 0:06:09 | 0:06:12 | |
Ain't you going to kiss her | 0:06:12 | 0:06:14 | |
like you do when I'm not around? | 0:06:14 | 0:06:17 | |
Johnny, that's a very good idea. | 0:06:16 | 0:06:19 | |
Giddyup, boys. | 0:06:19 | 0:06:21 | |
Goodbye. | 0:06:21 | 0:06:22 | |
A bank's for putting money in and taking it out. | 0:06:48 | 0:06:52 | |
I want to take some out. | 0:06:52 | 0:06:54 | |
Muley, you're not a depositor. | 0:06:54 | 0:06:56 | |
Your pa's bank president. He runs it, right? | 0:06:56 | 0:06:59 | |
That doesn't matter. There are rules. | 0:06:59 | 0:07:01 | |
Don't the president make rules? | 0:07:01 | 0:07:03 | |
Yes, but... | 0:07:03 | 0:07:04 | |
I want to see the president. | 0:07:04 | 0:07:06 | |
Very well. | 0:07:06 | 0:07:08 | |
You stay right there. I'll see if he's busy. | 0:07:09 | 0:07:12 | |
I'll wait till he ain't. | 0:07:12 | 0:07:14 | |
Make it quick, daughter. | 0:07:20 | 0:07:21 | |
I got to go meet the train. | 0:07:21 | 0:07:24 | |
Muley Wilson's outside. | 0:07:24 | 0:07:25 | |
He wants to borrow money. | 0:07:25 | 0:07:27 | |
I said we couldn't possibly make a loan | 0:07:27 | 0:07:30 | |
without proper collateral. | 0:07:30 | 0:07:31 | |
No collateral? You done right. | 0:07:31 | 0:07:33 | |
This institution's a bank. | 0:07:33 | 0:07:34 | |
It's going to be run like one. | 0:07:34 | 0:07:37 | |
Bring him in. I'll tell him. | 0:07:37 | 0:07:39 | |
Come in. | 0:07:39 | 0:07:40 | |
What's wrong with you, | 0:07:40 | 0:07:42 | |
trying to borrow money without collateral? | 0:07:42 | 0:07:44 | |
Well, I... | 0:07:43 | 0:07:44 | |
you better go back to your cashier's cage. | 0:07:44 | 0:07:47 | |
Don't you know that a bank's an institution | 0:07:47 | 0:07:50 | |
that will lend money to a man | 0:07:50 | 0:07:53 | |
only upon his furnishing absolute proof | 0:07:53 | 0:07:56 | |
that he don't need it? | 0:07:56 | 0:07:57 | |
(How much you want?) | 0:07:57 | 0:07:59 | |
I kind of need about 300, John. | 0:07:59 | 0:08:02 | |
What do you want it for? > | 0:08:02 | 0:08:04 | |
A wagon and some farming implements | 0:08:04 | 0:08:07 | |
to make the run. | 0:08:06 | 0:08:08 | |
How long have I knowed you? | 0:08:08 | 0:08:10 | |
< About three years. | 0:08:10 | 0:08:12 | |
Here's 100 for every year I've knowed you. | 0:08:12 | 0:08:15 | |
It's yours on one condition. > | 0:08:15 | 0:08:17 | |
Anything you say, Mr President. | 0:08:17 | 0:08:18 | |
You settle in Guthrie. | 0:08:18 | 0:08:20 | |
If I catch you making eyes towards Oklahoma City, | 0:08:20 | 0:08:23 | |
I'll shoot you down | 0:08:23 | 0:08:24 | |
like I would a loco coyote. | 0:08:24 | 0:08:27 | |
Guthrie's my first love, John. You're my second. | 0:08:27 | 0:08:30 | |
Your daughter had me worried for a minute. | 0:08:30 | 0:08:33 | |
Madge got newfangled notions | 0:08:33 | 0:08:34 | |
about bookkeeping, | 0:08:34 | 0:08:35 | |
chattel mortgages, and promissory notes. | 0:08:35 | 0:08:37 | |
She'll get over it in time. | 0:08:37 | 0:08:40 | |
There ain't much point | 0:08:40 | 0:08:41 | |
in writing things down in books | 0:08:41 | 0:08:44 | |
when most of the people you do business with | 0:08:44 | 0:08:47 | |
can't write themselves. | 0:08:47 | 0:08:49 | |
All right. Come on. Get out of here. Hurry. | 0:08:48 | 0:08:52 | |
And don't bother me again! | 0:08:52 | 0:08:54 | |
No collateral, no money. | 0:08:54 | 0:08:56 | |
The nerve of that Muley. I told him. | 0:08:56 | 0:08:58 | |
Well, where's Johnny? | 0:08:58 | 0:09:00 | |
If he's going to ride shotgun with me, | 0:09:00 | 0:09:03 | |
he'd better hustle. | 0:09:03 | 0:09:04 | |
He's waiting in the buckboard. | 0:09:04 | 0:09:06 | |
Oh, yeah. | 0:09:06 | 0:09:07 | |
< Did you give him bills or coin? | 0:09:07 | 0:09:10 | |
Bills. | 0:09:10 | 0:09:11 | |
Sorry to keep you waiting. | 0:09:16 | 0:09:18 | |
That's all right, Grandpa. | 0:09:18 | 0:09:19 | |
Is your gun loaded? | 0:09:19 | 0:09:20 | |
Sure is. | 0:09:20 | 0:09:21 | |
Yes, sirree. | 0:09:21 | 0:09:22 | |
You keep your eyes open now. | 0:09:22 | 0:09:25 | |
You bet I will. | 0:09:25 | 0:09:26 | |
Yeah. Giddyup, boy. | 0:09:26 | 0:09:28 | |
Speaking of ice cream, | 0:09:29 | 0:09:31 | |
did I ever tell you about the time... | 0:09:31 | 0:09:33 | |
we weren't speaking about ice cream. | 0:09:33 | 0:09:36 | |
You just said ice cream, didn't you? | 0:09:36 | 0:09:39 | |
No, you did. | 0:09:39 | 0:09:40 | |
All right. Somebody did. | 0:09:40 | 0:09:42 | |
Did I ever tell you about the time | 0:09:42 | 0:09:44 | |
I drove 26 miles to Lawrence, Kansas, in blistering heat | 0:09:44 | 0:09:48 | |
just to get a freezerful of ice cream | 0:09:48 | 0:09:51 | |
for Grandma when we courted? | 0:09:51 | 0:09:53 | |
Ice cream would have melted in blistering heat. | 0:09:53 | 0:09:56 | |
Melted? The weather was so changeable in Kansas, | 0:09:56 | 0:09:59 | |
before I got halfway back to the house, | 0:09:59 | 0:10:02 | |
it blowed up a blizzard, | 0:10:02 | 0:10:04 | |
and I durn near froze to death. | 0:10:04 | 0:10:06 | |
I'd have froze stiffer than an injun's upper lip, | 0:10:06 | 0:10:09 | |
except for one thing that saved my life. | 0:10:09 | 0:10:12 | |
Well, ain't you going to ask me | 0:10:12 | 0:10:15 | |
what the one thing was that saved my life? | 0:10:15 | 0:10:18 | |
It was probably so much colder than ice cream | 0:10:18 | 0:10:21 | |
you snuggled up close to the freezer and kept warm. | 0:10:21 | 0:10:25 | |
Hmm. If you don't look out, young fella, | 0:10:25 | 0:10:28 | |
you'll grow up to be just like your ma. | 0:10:28 | 0:10:31 | |
Giddyup, Mary. | 0:10:31 | 0:10:32 | |
TRAIN WHISTLE BLOWS | 0:10:39 | 0:10:41 | |
Here she comes. | 0:10:42 | 0:10:44 | |
Let's go down and watch her come in. | 0:10:44 | 0:10:47 | |
Now you keep your eyes open, Johnny. | 0:11:03 | 0:11:06 | |
Sure will, Grandpa. | 0:11:06 | 0:11:07 | |
Leslie, I've come for a certain express package | 0:11:14 | 0:11:17 | |
about so long, about so wide. | 0:11:17 | 0:11:20 | |
It's from a certain bank in Kansas | 0:11:20 | 0:11:23 | |
to a certain bank right here in town. | 0:11:23 | 0:11:25 | |
I know just where it is. | 0:11:25 | 0:11:28 | |
Give me the package for the bank of Braxton. | 0:11:31 | 0:11:35 | |
All ready for you. | 0:11:35 | 0:11:36 | |
Sign here, John. | 0:11:37 | 0:11:40 | |
Yeah. | 0:11:40 | 0:11:41 | |
Much obliged, boys. | 0:11:44 | 0:11:45 | |
Welcome. | 0:11:45 | 0:11:46 | |
There's a lot of money in there, Johnny. | 0:11:48 | 0:11:51 | |
That's all right, Grandpa. | 0:11:51 | 0:11:53 | |
I'll protect it. | 0:11:53 | 0:11:54 | |
Yeah. Giddyup, boy. | 0:11:54 | 0:11:56 | |
CLICKING | 0:11:56 | 0:11:58 | |
What do you want? | 0:12:28 | 0:12:29 | |
I'll take that first. | 0:12:29 | 0:12:31 | |
Now put your hands down | 0:12:31 | 0:12:33 | |
and walk into that closet. | 0:12:32 | 0:12:34 | |
THUD | 0:12:43 | 0:12:45 | |
I'd like a ticket to St Joe, please. | 0:12:54 | 0:12:56 | |
St Joe? | 0:12:58 | 0:12:59 | |
We've got to work fast, Uncle Bill. | 0:13:02 | 0:13:04 | |
They're on our trail. | 0:13:04 | 0:13:06 | |
Posse? | 0:13:06 | 0:13:07 | |
Army. | 0:13:07 | 0:13:08 | |
That'll be 12.60, please. | 0:13:08 | 0:13:10 | |
You're in one of the most conservative banks | 0:13:16 | 0:13:19 | |
in the territory. | 0:13:19 | 0:13:20 | |
Yesirree, Bob. | 0:13:20 | 0:13:22 | |
If you're going to settle near Guthrie, | 0:13:22 | 0:13:24 | |
you'll make no mistake banking with John J Pettit. | 0:13:24 | 0:13:28 | |
We take it in fast, | 0:13:28 | 0:13:30 | |
pay it out just as fast when you want it. | 0:13:30 | 0:13:34 | |
Ask any depositor. We paid out 10,000 today. | 0:13:34 | 0:13:37 | |
We'll pay out twice that much tomorrow | 0:13:37 | 0:13:40 | |
before we close for good. Yesirree, Bob. | 0:13:40 | 0:13:43 | |
290, 295, 300. There you are, Mrs Moore. | 0:13:43 | 0:13:46 | |
Thanks, Madge. | 0:13:46 | 0:13:47 | |
When John leaves the meeting with those cattlemen, | 0:13:47 | 0:13:50 | |
tell him I was here. | 0:13:50 | 0:13:52 | |
I will. | 0:13:52 | 0:13:53 | |
And I'll see him in Guthrie | 0:13:53 | 0:13:55 | |
when he gets his bank started. | 0:13:55 | 0:13:57 | |
I will, Mrs Moore. | 0:13:57 | 0:13:59 | |
Got a telegram here for the Bank of Braxton. | 0:14:01 | 0:14:04 | |
Oh, I'll take it. | 0:14:04 | 0:14:06 | |
You're new here, aren't you? | 0:14:07 | 0:14:09 | |
Well, this is my first job in the territory. | 0:14:09 | 0:14:13 | |
Oh, excuse me. | 0:14:13 | 0:14:14 | |
I'm sorry to interrupt, | 0:14:20 | 0:14:21 | |
but I think you ought to see this. | 0:14:21 | 0:14:24 | |
What is it, daughter? | 0:14:24 | 0:14:26 | |
Hmm. Very interesting. | 0:14:28 | 0:14:29 | |
Listen to this, gents. | 0:14:29 | 0:14:31 | |
It says we can expect a visit | 0:14:30 | 0:14:33 | |
from the country's leading outlaws. | 0:14:33 | 0:14:35 | |
Ha ha. "Billy The Kid, | 0:14:35 | 0:14:38 | |
"the Younger brothers, | 0:14:38 | 0:14:39 | |
"George Mason, | 0:14:39 | 0:14:41 | |
"and the Sundance Kid." | 0:14:41 | 0:14:42 | |
Let them come. We're ready. | 0:14:42 | 0:14:44 | |
They'll get the worst of it. | 0:14:44 | 0:14:47 | |
That kind of talk sure impresses us, Mr Pettit. | 0:14:47 | 0:14:50 | |
You're ready for outlaws? | 0:14:50 | 0:14:51 | |
That rope runs up to the ceiling to a bell | 0:14:51 | 0:14:55 | |
you can hear all over town. | 0:14:55 | 0:14:58 | |
It means grab your guns and come a-running | 0:14:57 | 0:15:00 | |
cos the bank's being robbed. | 0:15:00 | 0:15:02 | |
Thanks. That's all we wanted to know. | 0:15:02 | 0:15:05 | |
Hey, you ain't the fellas | 0:15:05 | 0:15:07 | |
I was talking about, are you? | 0:15:07 | 0:15:09 | |
You catch on fast. | 0:15:09 | 0:15:11 | |
You be quiet, nobody'll get hurt. | 0:15:11 | 0:15:13 | |
Mason, watch them. Let's go. | 0:15:13 | 0:15:14 | |
You're the most unethical, | 0:15:21 | 0:15:22 | |
ornery bandits I ever done business with. | 0:15:22 | 0:15:27 | |
Everything's working out just like you said, Bill. | 0:15:27 | 0:15:29 | |
You know what to do. Get at it! | 0:15:29 | 0:15:32 | |
Get them up. Quiet. | 0:15:35 | 0:15:37 | |
Hey, can we put our hands down? | 0:15:43 | 0:15:46 | |
Sure. If you want to get shot. | 0:15:46 | 0:15:49 | |
Hey, folks! | 0:16:17 | 0:16:18 | |
That's the bell of the bank that's ringing. | 0:16:18 | 0:16:21 | |
Somebody's robbing the bank! | 0:16:21 | 0:16:22 | |
Come on! | 0:16:22 | 0:16:24 | |
Here they come. | 0:16:29 | 0:16:30 | |
Let's go! | 0:16:30 | 0:16:31 | |
Mason, come on. | 0:16:34 | 0:16:35 | |
Come on, Cheyenne! | 0:16:37 | 0:16:39 | |
I'll be right with you. | 0:16:39 | 0:16:41 | |
Where do you think you're going? | 0:16:47 | 0:16:50 | |
Oh, uh... | 0:16:50 | 0:16:52 | |
back to my office. | 0:16:52 | 0:16:53 | |
Place looks pretty deserted, doesn't it? | 0:17:23 | 0:17:25 | |
Yes. Pretty lonesome. | 0:17:25 | 0:17:27 | |
Grey Eagle! > | 0:17:58 | 0:17:59 | |
Take my horse. Go into town and get Doc Green. | 0:18:01 | 0:18:05 | |
We need him here quick. | 0:18:05 | 0:18:07 | |
All right. Hold it, cowboy. | 0:19:11 | 0:19:13 | |
You'd better get back to bed. | 0:19:13 | 0:19:16 | |
I mean it. Stay where you are. | 0:19:16 | 0:19:19 | |
Take off your gun belt. | 0:19:18 | 0:19:21 | |
Hurry up, cowboy. > | 0:19:21 | 0:19:22 | |
Don't rush me. | 0:19:22 | 0:19:24 | |
Stop calling me cowboy. I'm a retired rancher. | 0:19:24 | 0:19:27 | |
Retired forever if you try anything. | 0:19:27 | 0:19:29 | |
Why should I? | 0:19:29 | 0:19:31 | |
It's unusual finding a girl riding around | 0:19:31 | 0:19:34 | |
with a bullet hole in her arm. | 0:19:33 | 0:19:37 | |
Never mind. Kick the gun over. | 0:19:37 | 0:19:39 | |
You'd better wait until the doctor gets here, | 0:19:39 | 0:19:42 | |
if you know what's good for you. | 0:19:42 | 0:19:45 | |
Turn around. | 0:19:45 | 0:19:46 | |
You got a funny way of saying thanks. | 0:19:46 | 0:19:49 | |
I said turn... | 0:19:49 | 0:19:51 | |
Might as well lock up and go home. | 0:19:56 | 0:19:59 | |
Ain't nothing left to lock up. | 0:19:59 | 0:20:02 | |
Dad-blamed bandits took everything | 0:20:02 | 0:20:03 | |
but the cuckoo clock. | 0:20:03 | 0:20:05 | |
If Vance had been here, | 0:20:05 | 0:20:06 | |
they wouldn't have done it. | 0:20:06 | 0:20:08 | |
Vance will stop for supper | 0:20:08 | 0:20:10 | |
if nothing detains him. | 0:20:10 | 0:20:12 | |
Supper? Come on. Let's go. | 0:20:12 | 0:20:14 | |
(Doc?) | 0:20:23 | 0:20:24 | |
(Doc.) | 0:20:24 | 0:20:25 | |
(Yeah?) | 0:20:25 | 0:20:26 | |
(How is she?) | 0:20:26 | 0:20:28 | |
Oh, nothing dangerous. | 0:20:28 | 0:20:29 | |
Unless complications set in, | 0:20:29 | 0:20:30 | |
which isn't likely. | 0:20:30 | 0:20:32 | |
Grey Eagle will give you breakfast and take you back. | 0:20:32 | 0:20:36 | |
OK, if you need me, send for me. | 0:20:36 | 0:20:39 | |
Thanks for coming over, Doc. | 0:20:39 | 0:20:41 | |
Bye. | 0:20:41 | 0:20:42 | |
(Goodbye, Doc.) | 0:20:42 | 0:20:43 | |
Good morning, Cheyenne. How do you feel? | 0:20:46 | 0:20:49 | |
You know my name? | 0:20:50 | 0:20:52 | |
Doc Green told me. | 0:20:52 | 0:20:53 | |
The whole territory is buzzing about that holdup. | 0:20:53 | 0:20:56 | |
So, you're Bill Doolin's niece. | 0:20:56 | 0:20:58 | |
Did they...did they get Uncle Bill? | 0:20:58 | 0:21:02 | |
Not that slippery old codger. Hmmph. | 0:21:02 | 0:21:05 | |
You're fond of him, right? | 0:21:07 | 0:21:09 | |
And proud of it. | 0:21:09 | 0:21:11 | |
I don't supposed you'd understand | 0:21:11 | 0:21:13 | |
about things like that. | 0:21:13 | 0:21:14 | |
Why not? I know Bill. | 0:21:14 | 0:21:16 | |
You do? | 0:21:16 | 0:21:17 | |
Every peace officer around does. | 0:21:17 | 0:21:19 | |
I could've liked him, | 0:21:19 | 0:21:20 | |
if we hadn't been on opposite sides. | 0:21:20 | 0:21:23 | |
I don't like how he raised his relatives. > | 0:21:23 | 0:21:26 | |
I do. | 0:21:26 | 0:21:27 | |
How old are you? | 0:21:27 | 0:21:29 | |
None of your business. | 0:21:29 | 0:21:31 | |
I think the best medicine for you | 0:21:31 | 0:21:34 | |
is an old-fashioned spanking. | 0:21:34 | 0:21:35 | |
It might jar those crazy ideas > | 0:21:35 | 0:21:38 | |
out of your head. > | 0:21:38 | 0:21:39 | |
You wouldn't dare. | 0:21:39 | 0:21:41 | |
Look, there's nothing smart about being outside the law. | 0:21:41 | 0:21:44 | |
It means you haven't the brains or courage | 0:21:44 | 0:21:47 | |
to be like everyone else. | 0:21:47 | 0:21:49 | |
We did OK yesterday. | 0:21:49 | 0:21:50 | |
You got quick money and a hole in your arm. | 0:21:50 | 0:21:54 | |
Next time, you'll pick up more gold and more lead. | 0:21:54 | 0:21:58 | |
Pretty soon, you'll be one of the richest outlaws | 0:21:58 | 0:22:01 | |
buried on boot hill. | 0:22:01 | 0:22:02 | |
That's the chance you take. | 0:22:02 | 0:22:04 | |
< Sure, maybe you won't die. | 0:22:04 | 0:22:06 | |
< You'll live as long as Bill, | 0:22:06 | 0:22:09 | |
and the way he does... | 0:22:09 | 0:22:11 | |
half the time in jail, | 0:22:11 | 0:22:13 | |
the other, in some dismal hideout. | 0:22:13 | 0:22:15 | |
A fine way to live. | 0:22:15 | 0:22:17 | |
And you know a better way? | 0:22:17 | 0:22:19 | |
< There are women who work. | 0:22:19 | 0:22:22 | |
Hmmph. I can just see myself waiting tables. | 0:22:22 | 0:22:25 | |
Some women even get married and raise families, | 0:22:25 | 0:22:28 | |
if they're not busy robbing banks. | 0:22:28 | 0:22:30 | |
Look, break up the prayer meeting. | 0:22:30 | 0:22:32 | |
HORSES APPROACH | 0:22:32 | 0:22:34 | |
It's broken up. The posse's here. | 0:22:38 | 0:22:41 | |
What are you going to do? | 0:22:41 | 0:22:43 | |
See them. | 0:22:43 | 0:22:44 | |
Just relax. There are no more guns around. | 0:22:44 | 0:22:47 | |
What's the trouble, Ed? | 0:22:56 | 0:22:58 | |
We're looking for a girl outlaw, | 0:22:57 | 0:23:00 | |
from the gang that robbed the Braxton Bank. | 0:23:00 | 0:23:03 | |
She was carrying valuable bonds. | 0:23:03 | 0:23:05 | |
I'll keep my eyes open. | 0:23:05 | 0:23:07 | |
Don't take chances just cos she's a girl. | 0:23:07 | 0:23:09 | |
< She's tough. | 0:23:09 | 0:23:10 | |
I'll be careful. | 0:23:10 | 0:23:11 | |
Good. Boys, let's water up here. | 0:23:11 | 0:23:14 | |
Help yourselves. | 0:23:14 | 0:23:15 | |
Thanks, Vance. | 0:23:15 | 0:23:16 | |
Why didn't you turn me in? | 0:23:28 | 0:23:30 | |
I've got a better idea. | 0:23:30 | 0:23:32 | |
I'm going to let you turn yourself in. | 0:23:32 | 0:23:35 | |
You'll get off a lot easier. | 0:23:35 | 0:23:37 | |
Thanks. | 0:23:37 | 0:23:39 | |
How's your arm? | 0:23:44 | 0:23:46 | |
Oh, I wouldn't worry about it. | 0:23:46 | 0:23:48 | |
It'll have plenty of time to heal in jail. | 0:23:48 | 0:23:52 | |
Looks deserted. Maybe she's hid out down there. | 0:23:58 | 0:24:01 | |
Maybe it's a trap. | 0:24:01 | 0:24:03 | |
There's one way to find out. | 0:24:03 | 0:24:05 | |
DOOR OPENS | 0:25:15 | 0:25:16 | |
Look what we found outside, | 0:25:16 | 0:25:18 | |
saddled up and ready to leave. | 0:25:18 | 0:25:21 | |
He said Cheyenne hasn't been here. | 0:25:21 | 0:25:23 | |
He's a liar. Look at that. | 0:25:23 | 0:25:25 | |
Come on, let's hear about it. | 0:25:25 | 0:25:28 | |
You heard him... talk. | 0:25:30 | 0:25:33 | |
Where is that girl? | 0:25:33 | 0:25:34 | |
Take it easy, Sundance. | 0:25:34 | 0:25:36 | |
She has been here, hasn't she? | 0:25:36 | 0:25:38 | |
Yes, but she go away. | 0:25:38 | 0:25:41 | |
Did she go away with Cordell? | 0:25:41 | 0:25:44 | |
They must've gone back to Braxton. | 0:25:45 | 0:25:48 | |
We got to catch him before he turns those bonds in. | 0:25:48 | 0:25:51 | |
And Cheyenne. | 0:25:51 | 0:25:52 | |
Where is she? | 0:25:52 | 0:25:54 | |
Let's go. | 0:25:54 | 0:25:55 | |
We'll get nothing out of him. | 0:25:55 | 0:25:57 | |
I'll get something out of him. | 0:25:57 | 0:26:00 | |
You go along. I'll catch up. | 0:26:00 | 0:26:02 | |
Come on, Billy. | 0:26:02 | 0:26:03 | |
No. | 0:26:14 | 0:26:15 | |
No! | 0:26:15 | 0:26:16 | |
I'm leaving you at the top of the next hill. | 0:26:33 | 0:26:37 | |
Braxton's on the other side. | 0:26:37 | 0:26:39 | |
You'd trust me to go the rest of the way alone? | 0:26:39 | 0:26:43 | |
I've got your word, haven't I? | 0:26:43 | 0:26:45 | |
Suppose I decide to make a break for it? | 0:26:45 | 0:26:49 | |
I don't think you will. | 0:26:49 | 0:26:51 | |
But suppose I do? | 0:26:51 | 0:26:52 | |
I'd go after you and bring you back. | 0:26:52 | 0:26:55 | |
That's what I thought. | 0:26:55 | 0:26:56 | |
I'd be a good cowhand. | 0:27:08 | 0:27:11 | |
Take it easy, fella, and you won't get hurt. | 0:27:13 | 0:27:16 | |
Hello, Vance. | 0:27:16 | 0:27:18 | |
Hello, Cole. | 0:27:19 | 0:27:20 | |
Like old home week, isn't it? | 0:27:23 | 0:27:25 | |
Sort of so, | 0:27:25 | 0:27:26 | |
except things have changed a little this time. | 0:27:26 | 0:27:29 | |
Take his gun, Kid. | 0:27:29 | 0:27:31 | |
Cheyenne. | 0:27:31 | 0:27:32 | |
You get the bonds? | 0:27:33 | 0:27:34 | |
Right here. | 0:27:34 | 0:27:35 | |
Too bad. All that good preaching gone to waste. | 0:27:35 | 0:27:38 | |
It still makes sense. | 0:27:38 | 0:27:39 | |
Think, before you make another mistake. | 0:27:39 | 0:27:42 | |
You almost convinced me a couple of times, | 0:27:42 | 0:27:45 | |
but I'll... | 0:27:45 | 0:27:46 | |
What is all this? | 0:27:46 | 0:27:47 | |
A discussion we had. | 0:27:47 | 0:27:49 | |
Keep gabbing, and you'll die like your Indian. | 0:27:49 | 0:27:51 | |
Why, you... | 0:27:51 | 0:27:52 | |
Easy, Cordell. | 0:27:52 | 0:27:53 | |
Sundance, your mouth's too big. | 0:27:53 | 0:27:55 | |
What's he going to do about it? | 0:27:55 | 0:27:58 | |
Give me a gun, and I'll show you. | 0:27:58 | 0:28:00 | |
Sure, I'll give you a gun. | 0:28:00 | 0:28:04 | |
Let's get out of here. | 0:28:07 | 0:28:09 | |
Hurry up, Billy. Let's go. | 0:28:12 | 0:28:14 | |
I'll think I'll check out here. | 0:28:14 | 0:28:17 | |
What's wrong? | 0:28:17 | 0:28:18 | |
You. I don't like the way you operate. | 0:28:18 | 0:28:21 | |
You're getting particular, aint you? | 0:28:21 | 0:28:23 | |
I always was. That's why I'm pulling out. | 0:28:23 | 0:28:25 | |
If you want to be a lone wolf, nobody's going to stop you. | 0:28:25 | 0:28:29 | |
That's right. Nobody's going to stop me. | 0:28:29 | 0:28:31 | |
Like to come along, Cheyenne? | 0:28:33 | 0:28:34 | |
Thanks, Kid, but I'll stick with Uncle Bill. | 0:28:34 | 0:28:37 | |
I wouldn't, if I were you. | 0:28:39 | 0:28:42 | |
He's got eyes in the back of his head. | 0:28:42 | 0:28:46 | |
With Mason getting killed in the Braxton holdup, | 0:28:53 | 0:28:55 | |
and Billy The Kid running out on us, | 0:28:55 | 0:28:58 | |
our cut's getting bigger and bigger. | 0:28:58 | 0:29:01 | |
Don't worry. Billy's still going to get his share. | 0:29:01 | 0:29:04 | |
Mason won't. | 0:29:04 | 0:29:05 | |
What if Mason had a wife? | 0:29:04 | 0:29:07 | |
It ain't likely. > | 0:29:07 | 0:29:09 | |
VANCE: 'Some women even get married and raise families, | 0:29:09 | 0:29:12 | |
'if they're not too busy robbing banks, of course.' | 0:29:12 | 0:29:15 | |
Doolin sure picked himself a hideout. | 0:29:15 | 0:29:18 | |
You could spend your life here, | 0:29:18 | 0:29:20 | |
and nobody would find you. | 0:29:20 | 0:29:22 | |
I wouldn't mind that. | 0:29:22 | 0:29:24 | |
Plenty of liquor | 0:29:24 | 0:29:25 | |
and the right kind of entertainment. | 0:29:25 | 0:29:27 | |
I hope we get there before dark. > | 0:29:27 | 0:29:30 | |
Vance:'Half the time in jail, | 0:29:30 | 0:29:32 | |
'and the other half in some dismal hideout. | 0:29:32 | 0:29:35 | |
'That's a fine way to spend a life.' | 0:29:35 | 0:29:38 | |
Hold it, boys. | 0:29:39 | 0:29:40 | |
Get down off those horses. | 0:29:40 | 0:29:43 | |
What's the matter with you? You gone loco? | 0:29:45 | 0:29:48 | |
I've just come to my senses. | 0:29:48 | 0:29:50 | |
Take it easy, Kid. | 0:29:50 | 0:29:51 | |
Try that again, I'll put one between your eyes. | 0:29:51 | 0:29:55 | |
Now, turn around, and give me your guns. | 0:29:55 | 0:29:58 | |
I don't get it. | 0:29:59 | 0:30:00 | |
She's double-crossing us. | 0:30:00 | 0:30:01 | |
That money won't do any good. We'll find you. | 0:30:01 | 0:30:05 | |
That'll be easy. Look in the nearest jail. | 0:30:05 | 0:30:08 | |
You're giving yourself up? | 0:30:08 | 0:30:09 | |
That's right. Tell Uncle Bill I'm sorry. | 0:30:09 | 0:30:12 | |
Well, maybe he'll understand. | 0:30:12 | 0:30:13 | |
I'll remember this, too. | 0:30:13 | 0:30:15 | |
OK, you remember, I'll forget. | 0:30:15 | 0:30:17 | |
That's a great bunch, those friends of yours. | 0:30:32 | 0:30:35 | |
Grey Eagle wasn't even carrying a gun. | 0:30:35 | 0:30:38 | |
I'm awfully sorry, | 0:30:38 | 0:30:39 | |
but they're not my friends any more. | 0:30:39 | 0:30:42 | |
What made you change your mind? | 0:30:42 | 0:30:45 | |
Well, that's a woman's privilege, isn't it? | 0:30:45 | 0:30:48 | |
Maybe I got to thinking about what you said... | 0:30:48 | 0:30:51 | |
you know, getting a job | 0:30:51 | 0:30:53 | |
and maybe someday getting married | 0:30:53 | 0:30:55 | |
and... | 0:30:55 | 0:30:56 | |
Well, it's all right here, | 0:30:57 | 0:30:59 | |
and here's a souvenir for you, too. | 0:30:59 | 0:31:02 | |
Where did you leave them? | 0:31:05 | 0:31:07 | |
That's not part of the deal. | 0:31:07 | 0:31:10 | |
Someday I'll be giving this back to the Sundance Kid. | 0:31:12 | 0:31:16 | |
Nervous? | 0:31:20 | 0:31:21 | |
I'm scared to death. | 0:31:21 | 0:31:25 | |
Easy does it. Anything happens to Iron Betsy, | 0:31:25 | 0:31:28 | |
there won't be no bank. | 0:31:28 | 0:31:30 | |
Dave, take Grey Eagle up to the burial ground. | 0:31:31 | 0:31:34 | |
I'll meet you there later. | 0:31:34 | 0:31:36 | |
Ok, Vance, I'll take care of him. | 0:31:36 | 0:31:39 | |
Oh, Judge. | 0:31:39 | 0:31:40 | |
Yes, Vance. | 0:31:41 | 0:31:43 | |
Here's a young lady that has something to say to you. | 0:31:43 | 0:31:47 | |
I guess you're looking for me. | 0:31:47 | 0:31:49 | |
The name is Cheyenne. | 0:31:49 | 0:31:51 | |
The girl outlaw. Where did you catch her? | 0:31:51 | 0:31:54 | |
I didn't. She came in voluntarily. | 0:31:54 | 0:31:56 | |
She's giving herself up? | 0:31:56 | 0:31:58 | |
Her own free will. Remember that. | 0:31:58 | 0:32:01 | |
I see. | 0:32:01 | 0:32:02 | |
What's the matter? Need any help? | 0:32:02 | 0:32:05 | |
There's nothing the matter. | 0:32:05 | 0:32:06 | |
I got a surprise for you. | 0:32:06 | 0:32:09 | |
Here are all your bonds, safe and sound. > | 0:32:09 | 0:32:11 | |
Where did you get them? | 0:32:11 | 0:32:13 | |
This lady brought them. > | 0:32:13 | 0:32:15 | |
I'm sure obliged to her. | 0:32:15 | 0:32:17 | |
Why, she's one of the... | 0:32:17 | 0:32:19 | |
Yeah, they know all about it. | 0:32:19 | 0:32:21 | |
Oh. They do, huh? | 0:32:21 | 0:32:23 | |
Well, we're sure back in business, Vance. | 0:32:23 | 0:32:26 | |
I'll have to take her to Fort Smith for trial, | 0:32:26 | 0:32:29 | |
but I'll remember what you said. | 0:32:29 | 0:32:31 | |
Well, I guess this is goodbye. | 0:32:31 | 0:32:34 | |
Thanks for everything. | 0:32:34 | 0:32:35 | |
Good luck, Cheyenne. | 0:32:35 | 0:32:37 | |
Hello, Madge. | 0:32:45 | 0:32:46 | |
What happened? | 0:32:46 | 0:32:48 | |
The outlaws came to my ranch while I was away. | 0:32:47 | 0:32:51 | |
The Sundance Kid got gun-crazy and killed Grey Eagle. | 0:32:51 | 0:32:55 | |
Oh. | 0:32:55 | 0:32:56 | |
What did she mean, "thanks for everything"? | 0:32:56 | 0:32:59 | |
I got Doc Green to patch up her arm. | 0:32:59 | 0:33:02 | |
What made her give herself up? | 0:33:02 | 0:33:04 | |
She decided it was the best thing to do. | 0:33:04 | 0:33:08 | |
You mean, you decided. | 0:33:08 | 0:33:09 | |
Call it half and half. | 0:33:09 | 0:33:11 | |
What are you going to do about Grey Eagle? | 0:33:11 | 0:33:14 | |
Let the law handle it. | 0:33:14 | 0:33:16 | |
You're sure? | 0:33:16 | 0:33:17 | |
Don't worry. We've still got that date for California. | 0:33:17 | 0:33:20 | |
I'll see you at the train. | 0:33:20 | 0:33:23 | |
All right, step up. | 0:33:39 | 0:33:40 | |
Step back in the car. | 0:33:40 | 0:33:43 | |
Goodbye, Mary. | 0:33:43 | 0:33:44 | |
Goodbye, Timmy. I'll sure miss you. | 0:33:44 | 0:33:46 | |
I'll send for you when I get a place. | 0:33:46 | 0:33:49 | |
I'll be waiting. | 0:33:49 | 0:33:51 | |
Frank, I'll hold the supplies in Kansas City | 0:33:51 | 0:33:54 | |
till I hear from you. | 0:33:54 | 0:33:55 | |
You will as soon as I get our store up. | 0:33:55 | 0:33:58 | |
Good luck, Frank. Goodbye. | 0:33:58 | 0:34:01 | |
This is the last train out of Braxton! | 0:34:03 | 0:34:06 | |
All aboard! | 0:34:06 | 0:34:07 | |
Well, looks like you're on your way. | 0:34:08 | 0:34:11 | |
Have you seen Vance? | 0:34:11 | 0:34:12 | |
Maybe he got delayed. | 0:34:12 | 0:34:14 | |
You and Johnny take it easy. | 0:34:14 | 0:34:16 | |
We'll let you know when everything's in shape. | 0:34:16 | 0:34:19 | |
I don't want to take it easy. | 0:34:19 | 0:34:22 | |
I want to go on the run and guard that safe. | 0:34:22 | 0:34:26 | |
Say, all of our assets are in that safe. | 0:34:26 | 0:34:29 | |
Take good care of your ma now, Johnny. | 0:34:29 | 0:34:32 | |
Look, Mom, there he is! | 0:34:32 | 0:34:35 | |
Vance! Vance, here we are! | 0:34:38 | 0:34:41 | |
Sorry I'm late, but I'll see you soon. | 0:34:46 | 0:34:48 | |
Get a wedding dress. | 0:34:48 | 0:34:50 | |
What colour? | 0:34:50 | 0:34:51 | |
Blue, like your eyes. | 0:34:51 | 0:34:52 | |
TRAIN WHISTLE BLOWS | 0:34:52 | 0:34:54 | |
Goodbye. | 0:34:54 | 0:34:55 | |
Goodbye. | 0:34:56 | 0:34:57 | |
Johnny, take care of your mother. | 0:34:57 | 0:34:59 | |
Sure will. | 0:34:59 | 0:35:00 | |
Madge, take care of yourself. | 0:35:00 | 0:35:02 | |
Write to me, Vance. | 0:35:02 | 0:35:04 | |
I will. Now get inside. | 0:35:04 | 0:35:06 | |
Whoa. | 0:35:18 | 0:35:19 | |
Well, John, this is the end of Braxton. | 0:35:19 | 0:35:22 | |
Yep, and the beginning of Guthrie. | 0:35:22 | 0:35:24 | |
Let's go. | 0:35:24 | 0:35:25 | |
All right. | 0:35:25 | 0:35:26 | |
Giddyup, boys! | 0:35:26 | 0:35:28 | |
Whoa. All set, John? | 0:35:49 | 0:35:50 | |
Yep. Don't forget now, Vance. | 0:35:50 | 0:35:52 | |
Get me something smack-dab | 0:35:52 | 0:35:54 | |
in the centre of town. | 0:35:54 | 0:35:56 | |
A bank's got to be where folks can see it. | 0:35:55 | 0:35:59 | |
I'll do my best. | 0:35:59 | 0:36:00 | |
One minute. Pass the word. | 0:36:00 | 0:36:02 | |
Yes, sir. | 0:36:02 | 0:36:03 | |
See you there. | 0:36:03 | 0:36:05 | |
Good luck. | 0:36:05 | 0:36:06 | |
Hey, how long does it take you to shave? | 0:38:19 | 0:38:23 | |
Oh, about 15 or 20 minutes. Why? | 0:38:23 | 0:38:26 | |
Let me see. 7 times 20 is 140. | 0:38:26 | 0:38:28 | |
That's over 2 hours a week. Times 52 is... | 0:38:28 | 0:38:33 | |
You realise you lose | 0:38:33 | 0:38:34 | |
four days out of your life every year | 0:38:34 | 0:38:37 | |
just hacking your whiskers off? | 0:38:37 | 0:38:39 | |
That's why you've got a beard? | 0:38:39 | 0:38:41 | |
Sure! Why, in 10 years, | 0:38:41 | 0:38:44 | |
you've wasted over a month, | 0:38:44 | 0:38:46 | |
a whole month wasted, just shaving. | 0:38:46 | 0:38:48 | |
If nobody shaved, everybody would look like you. | 0:38:48 | 0:38:51 | |
What's wrong with that? | 0:38:51 | 0:38:52 | |
What's wrong with that? | 0:38:52 | 0:38:54 | |
Aw. Tack that up for me, will you? | 0:38:54 | 0:38:57 | |
Sure. | 0:38:57 | 0:38:58 | |
Hmm. | 0:39:01 | 0:39:02 | |
Hello, Vance. | 0:39:04 | 0:39:05 | |
Let's have some service here. | 0:39:05 | 0:39:07 | |
What kind of bank is this? | 0:39:07 | 0:39:09 | |
There's where we do business, | 0:39:09 | 0:39:11 | |
right over at the window. | 0:39:11 | 0:39:13 | |
Muley, you're my first customer. | 0:39:13 | 0:39:15 | |
You come to pay me the 300 you owe me? | 0:39:15 | 0:39:19 | |
John, you got the pig by the tail. | 0:39:19 | 0:39:22 | |
Fact is, I had in mind to borrow 200. | 0:39:22 | 0:39:25 | |
Lending department ain't open yet, just the receiving. | 0:39:25 | 0:39:28 | |
Wait, I spent that money you give me before | 0:39:28 | 0:39:31 | |
for a wagon and tools. | 0:39:31 | 0:39:33 | |
I need a barn to keep them in. | 0:39:33 | 0:39:36 | |
It seems I've done everything but plow your ground. | 0:39:36 | 0:39:40 | |
You could help Sundays. | 0:39:40 | 0:39:41 | |
Yeah, uh... | 0:39:41 | 0:39:42 | |
sign there. | 0:39:42 | 0:39:44 | |
Hello, Vance. | 0:39:45 | 0:39:46 | |
Oh, hello, Colonel. | 0:39:46 | 0:39:48 | |
From the looks of that, | 0:39:47 | 0:39:49 | |
I guess civilization's really here now. | 0:39:49 | 0:39:52 | |
It's a beginning, anyway. | 0:39:52 | 0:39:53 | |
Makes you wonder, though, | 0:39:53 | 0:39:55 | |
where do they all come from? | 0:39:55 | 0:39:57 | |
Sometimes that's an unhealthy question to ask. | 0:39:57 | 0:40:00 | |
It's been quiet so far. | 0:40:00 | 0:40:02 | |
With a mob like this, | 0:40:02 | 0:40:04 | |
there'll be lots of weeding out | 0:40:04 | 0:40:07 | |
before Guthrie becomes a real town. | 0:40:07 | 0:40:09 | |
We won't be around for that. | 0:40:09 | 0:40:11 | |
I'm ordered to clear out | 0:40:11 | 0:40:13 | |
when the rush is over. | 0:40:13 | 0:40:15 | |
See you later, Vance. | 0:40:15 | 0:40:17 | |
So long, Colonel. | 0:40:17 | 0:40:18 | |
All right, get out. | 0:40:36 | 0:40:38 | |
And keep your hands up. | 0:40:38 | 0:40:39 | |
Hurry up. | 0:40:41 | 0:40:42 | |
Stick 'em up. | 0:40:45 | 0:40:46 | |
Doggone it, Johnny. | 0:40:48 | 0:40:49 | |
You might have got yourself shot. | 0:40:49 | 0:40:51 | |
What are you doing here? | 0:40:51 | 0:40:54 | |
We didn't send for you. | 0:40:53 | 0:40:55 | |
Absence makes the heart grow fonder, | 0:40:55 | 0:40:58 | |
but there's no sense overdoing it. Where is he? | 0:40:58 | 0:41:01 | |
Who, Vance? | 0:41:01 | 0:41:02 | |
He's at army headquarters. | 0:41:02 | 0:41:04 | |
Where? | 0:41:04 | 0:41:05 | |
Across the street. What do you think of the bank? | 0:41:05 | 0:41:08 | |
I didn't come all these miles to see a bank. | 0:41:08 | 0:41:11 | |
Pardon me. | 0:41:26 | 0:41:27 | |
Excuse, please. | 0:41:27 | 0:41:28 | |
Well, there he is. | 0:41:28 | 0:41:30 | |
Ain't you going to let him know you're here? | 0:41:30 | 0:41:33 | |
Shh, Dad. | 0:41:33 | 0:41:34 | |
Well, Vance, | 0:41:36 | 0:41:37 | |
guess that just about winds us up here. | 0:41:37 | 0:41:40 | |
You've done a fine job, Colonel. | 0:41:40 | 0:41:43 | |
Thanks. Take care of yourself. | 0:41:43 | 0:41:44 | |
Have you decided who takes over? | 0:41:44 | 0:41:47 | |
That's why I asked you to come here. | 0:41:47 | 0:41:50 | |
Folks, you'll be living in the territory, | 0:41:50 | 0:41:52 | |
so I wanted to make sure the man I appointed marshal | 0:41:52 | 0:41:56 | |
met with your approval. | 0:41:56 | 0:41:58 | |
By virtue of his experience as a Texas Ranger, | 0:41:58 | 0:42:01 | |
the man best qualified for the job | 0:42:01 | 0:42:04 | |
is Mr Cordell here. | 0:42:04 | 0:42:05 | |
Hooray! Hooray! | 0:42:05 | 0:42:07 | |
I appreciate the confidence, | 0:42:09 | 0:42:11 | |
ladies and gentlemen. | 0:42:11 | 0:42:12 | |
However, I'm afraid I can't accept. | 0:42:12 | 0:42:15 | |
I'm not staying here. | 0:42:15 | 0:42:16 | |
I'm pulling out myself soon. | 0:42:16 | 0:42:18 | |
It isn't a permanent job. | 0:42:18 | 0:42:20 | |
It's just a temporary appointment | 0:42:20 | 0:42:22 | |
until regular peace officers | 0:42:22 | 0:42:23 | |
can be trained and made available. | 0:42:23 | 0:42:26 | |
I understand, sir, but... | 0:42:26 | 0:42:27 | |
Perhaps I haven't made myself entirely clear. | 0:42:27 | 0:42:30 | |
I'm operating under direct authority | 0:42:30 | 0:42:32 | |
from the President of the United States. | 0:42:32 | 0:42:36 | |
(Hurry, if you're going to stop this.) | 0:42:36 | 0:42:38 | |
Wait a minute. | 0:42:38 | 0:42:39 | |
They're going to make him marshal. | 0:42:39 | 0:42:42 | |
It isn't just a question of personal convenience. | 0:42:42 | 0:42:44 | |
It's...well, it involves more | 0:42:44 | 0:42:46 | |
than my own plans. | 0:42:46 | 0:42:48 | |
There's 30,000 of us in this territory, | 0:42:48 | 0:42:51 | |
and we want protection. | 0:42:51 | 0:42:52 | |
I realise that. | 0:42:52 | 0:42:53 | |
It's just that I... | 0:42:53 | 0:42:55 | |
get him to a doctor. | 0:43:07 | 0:43:08 | |
Look out. Let me through. | 0:43:12 | 0:43:14 | |
What's wrong, Steve? | 0:43:14 | 0:43:15 | |
Holdup outside of three forks. | 0:43:15 | 0:43:17 | |
Shot Tom Allen. | 0:43:17 | 0:43:18 | |
How many? | 0:43:18 | 0:43:19 | |
Three, but I only saw one. | 0:43:19 | 0:43:21 | |
Recognise him? | 0:43:21 | 0:43:22 | |
Looked like the Sundance Kid. | 0:43:22 | 0:43:24 | |
Sundance Kid, eh? I'll take care of it. | 0:43:24 | 0:43:27 | |
Thank you, Colonel. | 0:43:27 | 0:43:29 | |
Colonel, I'll take the job. | 0:43:29 | 0:43:31 | |
Good, Vance. Good. | 0:43:31 | 0:43:33 | |
I'm going to swear you in right now. | 0:43:33 | 0:43:36 | |
You're probably familiar with the oath of office | 0:43:36 | 0:43:39 | |
of United States Marshal. | 0:43:39 | 0:43:41 | |
Did you hear that? | 0:43:41 | 0:43:42 | |
Uncle Vance is going to be the marshal. | 0:43:42 | 0:43:44 | |
By virtue of the authority vested in me, | 0:43:44 | 0:43:47 | |
I appoint you United States Marshal. | 0:43:47 | 0:43:50 | |
Hooray! Hooray! Yay! | 0:43:50 | 0:43:53 | |
Vance, look who's here! | 0:44:01 | 0:44:03 | |
Hello, Johnny. Where did you come from? | 0:44:03 | 0:44:06 | |
Is your mother here? | 0:44:06 | 0:44:08 | |
She heard everything. | 0:44:07 | 0:44:09 | |
Excuse me. | 0:44:09 | 0:44:10 | |
Madge. | 0:44:13 | 0:44:15 | |
Madge. | 0:44:15 | 0:44:16 | |
Hello, Vance. | 0:44:16 | 0:44:17 | |
What a happy surprise. | 0:44:17 | 0:44:18 | |
I guess we both got one. | 0:44:18 | 0:44:22 | |
It won't be for long. | 0:44:22 | 0:44:23 | |
I'll train some new men to take over. | 0:44:23 | 0:44:26 | |
We'll leave as soon as... | 0:44:26 | 0:44:28 | |
As soon as you get Sundance. | 0:44:28 | 0:44:31 | |
That's what you want. | 0:44:30 | 0:44:32 | |
It's part of the job. | 0:44:32 | 0:44:34 | |
I understand, Vance. | 0:44:35 | 0:44:37 | |
Twos right! | 0:44:39 | 0:44:40 | |
Twos right! | 0:44:40 | 0:44:42 | |
Ho! | 0:44:42 | 0:44:43 | |
If you was younger, | 0:44:54 | 0:44:56 | |
I'd take you across my knee and... | 0:44:56 | 0:44:59 | |
What's the matter? | 0:44:59 | 0:45:00 | |
What do you think? | 0:45:00 | 0:45:02 | |
Vance said you're postponing the wedding. | 0:45:02 | 0:45:04 | |
That's right. | 0:45:04 | 0:45:05 | |
Fine time to walk out on him. | 0:45:05 | 0:45:08 | |
I'm not walking out on him. | 0:45:08 | 0:45:10 | |
Vance understands. | 0:45:10 | 0:45:11 | |
You ought to marry him now. | 0:45:11 | 0:45:14 | |
Just cos your first husband was an officer... | 0:45:14 | 0:45:17 | |
We agreed to wait. | 0:45:16 | 0:45:18 | |
Every night, if Vance were late, | 0:45:18 | 0:45:20 | |
I'd think of the last time I waited | 0:45:20 | 0:45:23 | |
and how they brought Johnny's father home. | 0:45:23 | 0:45:26 | |
Maybe men can get over things like that, | 0:45:26 | 0:45:29 | |
but I could never go through it again. | 0:45:29 | 0:45:32 | |
I wouldn't be any good for him. | 0:45:32 | 0:45:35 | |
Oh, leave me alone. | 0:45:35 | 0:45:36 | |
You think I don't want to marry him? | 0:45:36 | 0:45:39 | |
Sure, sure. I understand, honey. | 0:45:39 | 0:45:44 | |
I guess I'd better | 0:45:44 | 0:45:46 | |
stick to the dad-blamed banking business. | 0:45:46 | 0:45:49 | |
81, 82, 83, | 0:46:00 | 0:46:03 | |
84, 85, 86, | 0:46:03 | 0:46:07 | |
87, 88, 89, 90. | 0:46:07 | 0:46:11 | |
91, 92, 93, 94... | 0:46:11 | 0:46:15 | |
Sometimes you're not very smart, Sundance. | 0:46:15 | 0:46:17 | |
This is one of the times. | 0:46:17 | 0:46:20 | |
It won't walk in by itself. | 0:46:19 | 0:46:22 | |
Somebody has to get it. | 0:46:22 | 0:46:24 | |
We didn't have to come here | 0:46:24 | 0:46:26 | |
for chicken feed like that. | 0:46:26 | 0:46:28 | |
You're not doing better. | 0:46:28 | 0:46:29 | |
We will when I say so. | 0:46:29 | 0:46:32 | |
You start fooling around with penny ante stuff, | 0:46:32 | 0:46:35 | |
you'll have posses before the pickings are ripe. | 0:46:35 | 0:46:38 | |
All right, Bill. But Sundance thought... | 0:46:38 | 0:46:40 | |
never mind what Sundance thought. | 0:46:40 | 0:46:42 | |
I planned this, and I'll run it. | 0:46:42 | 0:46:45 | |
Anybody wants to operate different, | 0:46:45 | 0:46:46 | |
he checks out right now. | 0:46:46 | 0:46:48 | |
You been riding me ever since we started. | 0:46:50 | 0:46:53 | |
You heard the deal. | 0:46:53 | 0:46:55 | |
Make up your mind. | 0:46:55 | 0:46:56 | |
< Hey, Doolin! | 0:46:57 | 0:46:59 | |
< Here comes the Dalton boys! | 0:46:59 | 0:47:01 | |
Howdy, Danny. | 0:47:05 | 0:47:06 | |
Hiya, Bob. | 0:47:06 | 0:47:07 | |
Hiya, Danny. | 0:47:07 | 0:47:08 | |
Hi, Emmett. Hi, Grat. | 0:47:08 | 0:47:10 | |
Hiya, Bob. | 0:47:11 | 0:47:12 | |
What do you say? > | 0:47:12 | 0:47:14 | |
Hello, Bob. | 0:47:14 | 0:47:15 | |
Hello, Bob. | 0:47:15 | 0:47:16 | |
Good to see you again. | 0:47:16 | 0:47:18 | |
Jim, nice to see you. | 0:47:18 | 0:47:20 | |
Hiya, Doolin. | 0:47:20 | 0:47:21 | |
How's that sheriff's lead in your leg? | 0:47:21 | 0:47:23 | |
Reliable as ever, Bob. | 0:47:23 | 0:47:25 | |
Gives off sparks when things ain't right. | 0:47:25 | 0:47:28 | |
Sure is miserable country you picked. | 0:47:28 | 0:47:30 | |
Where's them banks you wrote us about? | 0:47:30 | 0:47:32 | |
He's saving them up for our old age. | 0:47:32 | 0:47:35 | |
Me and Sundance was just about to settle something. | 0:47:37 | 0:47:40 | |
Might as well get in on it. | 0:47:40 | 0:47:42 | |
Army's been running this country, but they're leaving. | 0:47:42 | 0:47:45 | |
I don't want to start anything | 0:47:45 | 0:47:47 | |
till they're back where they belong. | 0:47:47 | 0:47:49 | |
Then them new deputies won't know what hit them. | 0:47:49 | 0:47:53 | |
Sounds OK to me. | 0:47:53 | 0:47:54 | |
Another thing. | 0:47:54 | 0:47:55 | |
Keep the homesteaders neutral. | 0:47:55 | 0:47:57 | |
If we need something, we'll pay for it. | 0:47:57 | 0:48:00 | |
They won't get hurt if they play square. | 0:48:00 | 0:48:02 | |
That's just common sense. | 0:48:02 | 0:48:04 | |
What's there to settle about that? | 0:48:04 | 0:48:06 | |
Somebody has to be boss. | 0:48:06 | 0:48:09 | |
We've ridden before. We'll string along. | 0:48:08 | 0:48:11 | |
It's your party. | 0:48:11 | 0:48:13 | |
Are we going to stand here gabbing all day? | 0:48:13 | 0:48:17 | |
Why don't you get rid of him? | 0:48:17 | 0:48:20 | |
He's a good man | 0:48:20 | 0:48:21 | |
if you keep him in front of you. | 0:48:21 | 0:48:24 | |
Arkansas, take care of the horses. | 0:48:24 | 0:48:26 | |
Judge Harper. When did you get in? | 0:48:39 | 0:48:42 | |
Just now. | 0:48:41 | 0:48:42 | |
Business or pleasure? | 0:48:42 | 0:48:44 | |
Both. How's the new job coming? | 0:48:44 | 0:48:46 | |
All right, I guess. Sit down. | 0:48:46 | 0:48:49 | |
Any news of Doolin? | 0:48:49 | 0:48:50 | |
Not since that holdup. | 0:48:50 | 0:48:52 | |
Maybe he pulled out. | 0:48:52 | 0:48:53 | |
You know Doolin. | 0:48:53 | 0:48:54 | |
In an unorganised territory, | 0:48:54 | 0:48:56 | |
he'd never pull out after one job. | 0:48:56 | 0:48:59 | |
What do you make of it? | 0:48:59 | 0:49:01 | |
I'm sure he's got something up his sleeve. | 0:49:01 | 0:49:04 | |
The longer he waits, | 0:49:04 | 0:49:05 | |
the bigger it's going to be. | 0:49:05 | 0:49:07 | |
CLICKING | 0:49:07 | 0:49:08 | |
Now, who's in there? | 0:49:08 | 0:49:10 | |
Why don't you go see? | 0:49:10 | 0:49:12 | |
< Cheyenne. | 0:49:18 | 0:49:19 | |
What are you doing here? | 0:49:19 | 0:49:21 | |
Just practising. | 0:49:21 | 0:49:22 | |
I'm not Cheyenne any more. | 0:49:22 | 0:49:24 | |
I'm back to Jeanie McBride again. | 0:49:24 | 0:49:26 | |
Uh-huh. | 0:49:26 | 0:49:27 | |
Say, let me look at you. | 0:49:27 | 0:49:30 | |
You've changed more than your name. | 0:49:30 | 0:49:33 | |
I'd hardly know you. | 0:49:33 | 0:49:34 | |
I can't tell whether that's a compliment. | 0:49:34 | 0:49:37 | |
Tell him why you're here. | 0:49:37 | 0:49:39 | |
The judge thought, | 0:49:39 | 0:49:40 | |
that is, if it's all right with you... | 0:49:40 | 0:49:43 | |
he'll parole me if... | 0:49:43 | 0:49:45 | |
The function of the law is to rehabilitate | 0:49:45 | 0:49:48 | |
as well as punish. | 0:49:48 | 0:49:49 | |
She'll be better off working in an honest job | 0:49:49 | 0:49:52 | |
than sitting in a reformatory. | 0:49:52 | 0:49:54 | |
That's swell, Judge, but... | 0:49:54 | 0:49:56 | |
I've got to be paroled TO someone, | 0:49:56 | 0:49:58 | |
and I've got to have a job, | 0:49:58 | 0:50:01 | |
and we thought, if you were looking for a telegrapher... | 0:50:01 | 0:50:04 | |
I didn't know you could handle this. | 0:50:04 | 0:50:07 | |
Uncle Bill taught me. It came in handy. | 0:50:07 | 0:50:10 | |
How about it, Vance? | 0:50:10 | 0:50:11 | |
You're hired. | 0:50:14 | 0:50:15 | |
I promise you won't be sorry. | 0:50:15 | 0:50:18 | |
Thanks. | 0:50:18 | 0:50:19 | |
I've got the papers right here. | 0:50:19 | 0:50:21 | |
I also brought the marriage license. | 0:50:21 | 0:50:24 | |
Thought you might as well sign them both. | 0:50:24 | 0:50:27 | |
Sign the parole right there. | 0:50:27 | 0:50:28 | |
OK. | 0:50:28 | 0:50:29 | |
I got to go back in a couple of days. | 0:50:29 | 0:50:33 | |
You and Madge ready? | 0:50:33 | 0:50:34 | |
We'll have to catch you next time. | 0:50:34 | 0:50:37 | |
We decided to postpone until after the marshal job. | 0:50:37 | 0:50:40 | |
Don't wait too long, or I'll marry her. > | 0:50:40 | 0:50:43 | |
Cheyenne, have you got a place to stay? | 0:50:43 | 0:50:45 | |
Well, not yet. | 0:50:45 | 0:50:47 | |
I wasn't sure I was staying. | 0:50:47 | 0:50:49 | |
Madge is at the hotel. | 0:50:49 | 0:50:51 | |
She'll look after you until you find a place. | 0:50:51 | 0:50:54 | |
That will be nice. | 0:50:54 | 0:50:57 | |
KNOCK AT DOOR | 0:50:59 | 0:51:01 | |
Coming. | 0:51:01 | 0:51:02 | |
Vance. | 0:51:06 | 0:51:07 | |
Hello, Madge. | 0:51:07 | 0:51:08 | |
You remember Chey... I mean, Jeanie McBride. | 0:51:08 | 0:51:11 | |
Yes, I remember her. | 0:51:11 | 0:51:12 | |
Our last meeting wasn't fortunate. | 0:51:12 | 0:51:14 | |
I hope I'll live it down. | 0:51:14 | 0:51:17 | |
Well, won't you come in? | 0:51:17 | 0:51:19 | |
Thanks. | 0:51:20 | 0:51:21 | |
Jeanie's just been paroled to me. | 0:51:21 | 0:51:23 | |
She'll work in the office. | 0:51:23 | 0:51:25 | |
I got her a room so you could look after her. | 0:51:25 | 0:51:30 | |
Why, yes, of course. | 0:51:30 | 0:51:31 | |
I told Vance... oh, I mean, Mr Cordell... | 0:51:31 | 0:51:35 | |
You were right. Nobody calls me mister here. | 0:51:34 | 0:51:37 | |
It's not fair to ask you to do this. > | 0:51:37 | 0:51:40 | |
I'm glad to do it. | 0:51:40 | 0:51:42 | |
Good. Then you can keep each other company. | 0:51:42 | 0:51:45 | |
Thanks to you both. | 0:51:45 | 0:51:47 | |
I'd better go and unpack. | 0:51:47 | 0:51:49 | |
I'll see you later, Mrs Allen. | 0:51:49 | 0:51:51 | |
That's mighty fine of you. | 0:51:53 | 0:51:55 | |
She's going to need friends. | 0:51:55 | 0:51:57 | |
Seemed to me she could take care of herself. | 0:51:57 | 0:52:00 | |
Well, uh...come on, honey. | 0:52:00 | 0:52:01 | |
Give her a chance. | 0:52:01 | 0:52:03 | |
All right. On one condition. | 0:52:03 | 0:52:05 | |
Name it. | 0:52:05 | 0:52:06 | |
You never sweep in when I'm doing laundry. | 0:52:06 | 0:52:09 | |
Why, you look beautiful. | 0:52:09 | 0:52:10 | |
Go downstairs and wait while I get dressed. | 0:52:10 | 0:52:13 | |
See you later. | 0:52:13 | 0:52:14 | |
Yes. | 0:52:14 | 0:52:15 | |
How'd it go? | 0:52:26 | 0:52:27 | |
They'll get along like a couple of sisters. | 0:52:27 | 0:52:30 | |
Good. I knew we could depend on Madge. | 0:52:30 | 0:52:33 | |
That's quite a fire. | 0:52:50 | 0:52:51 | |
Looks like everybody in town's down there. | 0:52:51 | 0:52:54 | |
Yep. Everybody but us. | 0:52:54 | 0:52:56 | |
That was the idea. | 0:52:56 | 0:52:58 | |
All right, boys. | 0:53:03 | 0:53:04 | |
You see that knot hole on the hitching post? | 0:53:12 | 0:53:16 | |
Yes, sir. | 0:53:16 | 0:53:17 | |
You line up on that. | 0:53:17 | 0:53:19 | |
Now, you don't jerk the trigger. | 0:53:19 | 0:53:22 | |
You just squeeze it a little mite. | 0:53:22 | 0:53:24 | |
Understand? | 0:53:24 | 0:53:25 | |
You bet, Mr Pettit. | 0:53:25 | 0:53:27 | |
Just squeeze it a little mite. | 0:53:27 | 0:53:29 | |
Hmm...yeah. | 0:53:29 | 0:53:30 | |
You're going to be all right, son. | 0:53:30 | 0:53:33 | |
Thank you. | 0:53:33 | 0:53:34 | |
I'll make him a good shot. | 0:53:34 | 0:53:36 | |
That's what we need. | 0:53:36 | 0:53:38 | |
What's our next move? | 0:53:37 | 0:53:39 | |
I've blocked the territory out into districts. | 0:53:39 | 0:53:42 | |
That's a lot of ground to cover. | 0:53:42 | 0:53:45 | |
Here's a message that just came from Ardmore. | 0:53:45 | 0:53:48 | |
Round up the boys, Dave. | 0:53:58 | 0:54:00 | |
Looks like they've started. | 0:54:00 | 0:54:02 | |
Yes, sir. | 0:54:02 | 0:54:03 | |
Looks like we'd better get started, too. | 0:54:03 | 0:54:06 | |
CLICKING | 0:54:10 | 0:54:11 | |
Howdy, Mister. | 0:54:59 | 0:55:00 | |
Howdy. | 0:55:00 | 0:55:01 | |
We've lost some outlaws' trail up by Shawnee. | 0:55:01 | 0:55:04 | |
Have you seen them? | 0:55:04 | 0:55:06 | |
I wouldn't know who's outlaws and who wasn't. | 0:55:06 | 0:55:09 | |
Have you seen any strangers? | 0:55:09 | 0:55:11 | |
I never notice strangers, Mister. | 0:55:11 | 0:55:13 | |
It seems all you farmers find it convenient | 0:55:13 | 0:55:15 | |
to keep your eyes and ears shut. | 0:55:15 | 0:55:18 | |
I try to mind my own business. | 0:55:18 | 0:55:21 | |
Outlaws are your business, too. | 0:55:21 | 0:55:23 | |
This is your country. | 0:55:23 | 0:55:24 | |
We can't fight robbery if people don't help us. | 0:55:24 | 0:55:28 | |
My fight with the soil is all I can handle. | 0:55:28 | 0:55:32 | |
We're not asking you to fight. We want information. | 0:55:32 | 0:55:35 | |
I got a family. | 0:55:35 | 0:55:36 | |
Them bandits ain't bothering me. | 0:55:36 | 0:55:38 | |
I won't giving them reason to. | 0:55:38 | 0:55:40 | |
I understand your feelings, friend, | 0:55:40 | 0:55:42 | |
but withholding information from the law | 0:55:42 | 0:55:44 | |
isn't going to make this territory safe | 0:55:44 | 0:55:47 | |
for your wife and family. | 0:55:47 | 0:55:49 | |
When you realise that, | 0:55:49 | 0:55:50 | |
contact my office in Guthrie. | 0:55:50 | 0:55:52 | |
So long. | 0:55:52 | 0:55:53 | |
< So long. | 0:55:53 | 0:55:54 | |
Hello. | 0:57:05 | 0:57:06 | |
I saw the light on. I thought... | 0:57:06 | 0:57:09 | |
He isn't back yet. | 0:57:09 | 0:57:10 | |
You must be expecting him. | 0:57:10 | 0:57:12 | |
I never expect him. I just work here. | 0:57:12 | 0:57:15 | |
All night? | 0:57:15 | 0:57:16 | |
I like my job. | 0:57:18 | 0:57:19 | |
Yes, I know. | 0:57:19 | 0:57:21 | |
You haven't said yet when he'll be back. | 0:57:21 | 0:57:24 | |
I couldn't tell you. | 0:57:24 | 0:57:26 | |
If you'd care to leave... | 0:57:26 | 0:57:27 | |
Oh, I'll wait. | 0:57:27 | 0:57:29 | |
Suit yourself. | 0:57:30 | 0:57:32 | |
Would you like some coffee? > | 0:57:34 | 0:57:36 | |
No, thanks. | 0:57:36 | 0:57:37 | |
I'm sorry you resent my coming down here. | 0:57:37 | 0:57:40 | |
I am engaged to him. | 0:57:40 | 0:57:42 | |
Yes, I know, but you don't want to get married | 0:57:42 | 0:57:45 | |
until you can have things your way. | 0:57:45 | 0:57:48 | |
You don't care about his work. | 0:57:48 | 0:57:50 | |
You never try to do anything to help him. | 0:57:50 | 0:57:54 | |
You love him, too. | 0:57:54 | 0:57:55 | |
Suppose I am? | 0:57:55 | 0:57:57 | |
What will you do about it? | 0:57:57 | 0:57:59 | |
What would you do if you were me? | 0:57:59 | 0:58:02 | |
If I were you, I'd marry him right away. | 0:58:02 | 0:58:05 | |
Fortunately, however, you're not in my place. | 0:58:04 | 0:58:08 | |
It'd be better for him if I were. | 0:58:07 | 0:58:10 | |
I don't care to discuss it. | 0:58:10 | 0:58:12 | |
It may not be ladylike to talk like this. | 0:58:12 | 0:58:15 | |
Thank goodness I'm not a lady. | 0:58:15 | 0:58:17 | |
If I loved a man, | 0:58:17 | 0:58:19 | |
I wouldn't wait for orange blossoms | 0:58:19 | 0:58:22 | |
and a California honeymoon. | 0:58:22 | 0:58:23 | |
< I'd marry him in a blizzard in the desert. | 0:58:23 | 0:58:27 | |
Are you all through? | 0:58:27 | 0:58:28 | |
Why, did I shock you? | 0:58:28 | 0:58:31 | |
No. Before you try any harder, let me tell you something. | 0:58:31 | 0:58:36 | |
I was raised in frontier country. | 0:58:36 | 0:58:38 | |
I loaded guns for my parents during Indian raids. | 0:58:38 | 0:58:41 | |
I was alone when my child was born. > | 0:58:41 | 0:58:44 | |
Don't confuse good manners with softness. | 0:58:44 | 0:58:47 | |
DOOR OPENS | 0:58:47 | 0:58:48 | |
Well, doesn't anyone ever go to sleep around here? | 0:58:48 | 0:58:51 | |
We were waiting for you. | 0:58:51 | 0:58:53 | |
Any luck? | 0:58:53 | 0:58:54 | |
Same old story... hit and run. | 0:58:54 | 0:58:56 | |
It's like trying to catch ghosts. | 0:58:56 | 0:58:58 | |
Where'd the coffee come from? | 0:58:58 | 0:59:00 | |
I thought you'd need it. | 0:59:00 | 0:59:02 | |
Jeanie must have told you I'd be late. | 0:59:02 | 0:59:05 | |
Some messages came. | 0:59:05 | 0:59:06 | |
Anything important? | 0:59:06 | 0:59:07 | |
No. | 0:59:07 | 0:59:08 | |
I'll look at them tomorrow. | 0:59:08 | 0:59:10 | |
You look tired, Jeanie. | 0:59:10 | 0:59:11 | |
Go home and get some sleep. | 0:59:11 | 0:59:14 | |
That's a good idea. | 0:59:14 | 0:59:16 | |
Good night. | 0:59:16 | 0:59:17 | |
Good night. | 0:59:17 | 0:59:18 | |
Good night, Vance. | 0:59:21 | 0:59:22 | |
I'll see you tomorrow. | 0:59:22 | 0:59:24 | |
Good night, Jeanie. | 0:59:24 | 0:59:25 | |
Ah, that's fine. | 0:59:27 | 0:59:29 | |
Mmm. That sure hits the spot. | 0:59:33 | 0:59:36 | |
Tired? | 0:59:36 | 0:59:37 | |
A little. | 0:59:37 | 0:59:38 | |
You know, Madge, they really ran us ragged. | 0:59:38 | 0:59:41 | |
First, they were here. | 0:59:41 | 0:59:43 | |
Then, two days later, they were over here. | 0:59:42 | 0:59:45 | |
Then back this way, then up to Osage. | 0:59:45 | 0:59:48 | |
Not even the Doolin gang can move that fast. | 0:59:48 | 0:59:51 | |
They must be operating in teams. | 0:59:51 | 0:59:54 | |
What can you do? | 0:59:54 | 0:59:55 | |
I want to see if there's a pattern. | 0:59:55 | 0:59:58 | |
If there is, maybe next time I can be there first. | 0:59:58 | 1:00:02 | |
Let me see now. | 1:00:02 | 1:00:03 | |
Vance. | 1:00:03 | 1:00:04 | |
There's still too many places for them to hit. | 1:00:04 | 1:00:08 | |
Would you like to get married right away? | 1:00:08 | 1:00:11 | |
Hmm? | 1:00:11 | 1:00:12 | |
I just proposed to you. | 1:00:12 | 1:00:14 | |
I beat you to that. | 1:00:14 | 1:00:17 | |
I mean right away. Tomorrow. | 1:00:17 | 1:00:19 | |
What brought this on? | 1:00:19 | 1:00:21 | |
Well, that's not a very romantic answer. | 1:00:21 | 1:00:25 | |
You're not looking at a romantic guy, right now. | 1:00:25 | 1:00:28 | |
Well, it was just an idea. | 1:00:28 | 1:00:31 | |
Look, Madge, you know better than that. | 1:00:31 | 1:00:34 | |
We decided to wait until this was over, | 1:00:34 | 1:00:37 | |
and we were right. | 1:00:37 | 1:00:39 | |
We wouldn't be having | 1:00:39 | 1:00:40 | |
much home life these days. | 1:00:40 | 1:00:42 | |
I'd better finish my work... | 1:00:45 | 1:00:47 | |
Oh, then I'll go. | 1:00:47 | 1:00:49 | |
I don't want to disturb you. | 1:00:49 | 1:00:51 | |
Thanks for the coffee. | 1:00:51 | 1:00:52 | |
And the proposal. | 1:00:54 | 1:00:57 | |
Vance. | 1:00:57 | 1:00:58 | |
Hmm? | 1:00:58 | 1:00:59 | |
I hope you catch them very soon. | 1:00:59 | 1:01:02 | |
Don't work too late. | 1:01:02 | 1:01:03 | |
I won't. | 1:01:03 | 1:01:04 | |
Good night. | 1:01:04 | 1:01:05 | |
Good night. | 1:01:05 | 1:01:06 | |
HE BURPS | 1:01:17 | 1:01:19 | |
Excuse me. | 1:01:19 | 1:01:20 | |
CRASH | 1:01:24 | 1:01:25 | |
CRASH | 1:01:27 | 1:01:28 | |
Scared you, didn't it? | 1:01:30 | 1:01:32 | |
Kind of fooled you. | 1:01:31 | 1:01:33 | |
Nothing but the wind. | 1:01:33 | 1:01:35 | |
Come on, boy. Get along now. | 1:01:38 | 1:01:40 | |
Whoa! | 1:01:40 | 1:01:42 | |
Giddyup! Ya! | 1:01:45 | 1:01:47 | |
Giddyup! Ya! | 1:01:47 | 1:01:48 | |
100... | 1:01:58 | 1:01:59 | |
200... | 1:01:59 | 1:02:00 | |
300... | 1:02:00 | 1:02:01 | |
400... | 1:02:01 | 1:02:02 | |
500... | 1:02:02 | 1:02:03 | |
600... | 1:02:03 | 1:02:04 | |
700, 800. | 1:02:04 | 1:02:06 | |
You'll soon be owning the bank. | 1:02:06 | 1:02:08 | |
What would I do with it? > | 1:02:08 | 1:02:11 | |
I swear I don't know. | 1:02:11 | 1:02:13 | |
I sometimes wonder what I'm doing with it. | 1:02:13 | 1:02:16 | |
That was 800, wasn't it? | 1:02:16 | 1:02:17 | |
You counted it. | 1:02:17 | 1:02:19 | |
Yeah, yeah. | 1:02:18 | 1:02:20 | |
800. | 1:02:20 | 1:02:22 | |
There you are, Emily. | 1:02:23 | 1:02:24 | |
Just for that, you can dance with me tonight. | 1:02:24 | 1:02:28 | |
There'll be no dancing tonight. | 1:02:28 | 1:02:30 | |
John! | 1:02:33 | 1:02:34 | |
John! | 1:02:34 | 1:02:35 | |
Here's that 500 I owe you, John. | 1:02:35 | 1:02:38 | |
What are you doing here, Muley? | 1:02:38 | 1:02:41 | |
Go around the window where I do business. | 1:02:41 | 1:02:43 | |
What can I do for you? | 1:02:43 | 1:02:46 | |
Here, John. Take it quick. | 1:02:46 | 1:02:48 | |
Well, what's the rush? | 1:02:47 | 1:02:49 | |
Say, you look like you seen a ghost. | 1:02:49 | 1:02:52 | |
I did, John. | 1:02:52 | 1:02:53 | |
Greatest ghost you ever seen. | 1:02:53 | 1:02:55 | |
Aw... | 1:02:55 | 1:02:56 | |
I seen it with my own eyes | 1:02:56 | 1:02:59 | |
sweeping the saloon at Braxton. | 1:02:59 | 1:03:01 | |
A ghost sweeping out a saloon. | 1:03:01 | 1:03:03 | |
You got to quit drinking, Muley. | 1:03:03 | 1:03:06 | |
I did. | 1:03:06 | 1:03:07 | |
When I seen that ghost. | 1:03:06 | 1:03:08 | |
I guess I better put that ghost on my payroll. | 1:03:08 | 1:03:12 | |
There's 10, 20, 30... | 1:03:12 | 1:03:14 | |
Hello, Sheriff. | 1:03:18 | 1:03:20 | |
Howdy, John. | 1:03:20 | 1:03:21 | |
Wait, I'll walk home with you. | 1:03:20 | 1:03:23 | |
Closing up early today? | 1:03:23 | 1:03:24 | |
That's the best part of being president. | 1:03:24 | 1:03:27 | |
Open when you want, close when you're tired. | 1:03:27 | 1:03:30 | |
I done enough business this morning | 1:03:30 | 1:03:33 | |
to last all week. | 1:03:32 | 1:03:34 | |
I got them coming and going. | 1:03:34 | 1:03:36 | |
Emily dropped in and deposited 800. | 1:03:36 | 1:03:39 | |
Just as she left, | 1:03:39 | 1:03:40 | |
Muley Wilson come busting in, all het up. | 1:03:40 | 1:03:43 | |
He paid back 500. | 1:03:43 | 1:03:45 | |
Good. Good. | 1:03:44 | 1:03:46 | |
Claimed he seen a ghost sweeping the Braxton saloon. | 1:03:46 | 1:03:49 | |
A ghost! | 1:03:49 | 1:03:50 | |
That's what he said. | 1:03:50 | 1:03:51 | |
Anything that makes Muley pay up, | 1:03:51 | 1:03:54 | |
I ain't arguing with. | 1:03:54 | 1:03:55 | |
He figured the spirits was getting ready | 1:03:55 | 1:03:58 | |
to give him a private party. | 1:03:58 | 1:04:00 | |
If my other customers get the same idea... | 1:04:00 | 1:04:03 | |
John, did Emily say where she was going? | 1:04:03 | 1:04:06 | |
No, but she sure was all dressed up. | 1:04:06 | 1:04:09 | |
Fit to kill! | 1:04:09 | 1:04:10 | |
You don't know it, but you closed too early. | 1:04:10 | 1:04:14 | |
You're going to open up again. | 1:04:14 | 1:04:16 | |
Wait a minute here... | 1:04:16 | 1:04:17 | |
There they are, Vance. | 1:04:30 | 1:04:32 | |
These are the bills she gave you? | 1:04:34 | 1:04:37 | |
Put them on top, all together. | 1:04:37 | 1:04:40 | |
Brand-new. | 1:04:43 | 1:04:44 | |
Right out of a bank vault. | 1:04:44 | 1:04:46 | |
I may be crazy, | 1:04:50 | 1:04:51 | |
but tell Jeanie to contact Ardmore and Tulsa. | 1:04:51 | 1:04:54 | |
Have them send their deputies | 1:04:54 | 1:04:56 | |
to meet me outside Braxton fast as they can. | 1:04:56 | 1:04:59 | |
Are the bandits there? | 1:04:59 | 1:05:02 | |
You're too nosy. | 1:05:02 | 1:05:03 | |
I'll get my men together. | 1:05:03 | 1:05:05 | |
You got one together right now. | 1:05:05 | 1:05:07 | |
How's it going, Jeanie? | 1:05:24 | 1:05:25 | |
I sent the messages. | 1:05:25 | 1:05:27 | |
Good. Take care of things while I'm gone. | 1:05:27 | 1:05:30 | |
You're in full charge, remember. | 1:05:29 | 1:05:31 | |
You remember, and you take care of yourself. | 1:05:31 | 1:05:34 | |
I will. | 1:05:34 | 1:05:35 | |
Gangway! Let me through there, boys. | 1:05:35 | 1:05:38 | |
Vance, come on! What are we waiting for? | 1:05:41 | 1:05:44 | |
I know how you feel, but you're not a deputy. | 1:05:44 | 1:05:48 | |
The heck I ain't! | 1:05:48 | 1:05:49 | |
I found where you keep your badges. | 1:05:49 | 1:05:52 | |
Deputy John Pettit, let's go. | 1:05:54 | 1:05:56 | |
Jeanie, keep your fingers crossed. | 1:05:56 | 1:05:58 | |
Good luck. | 1:05:58 | 1:05:59 | |
Vance! | 1:06:02 | 1:06:03 | |
I thought I'd missed you. | 1:06:04 | 1:06:07 | |
Hurry back. | 1:06:06 | 1:06:07 | |
I'll have the coffee waiting. | 1:06:07 | 1:06:09 | |
Good. And keep it hot. | 1:06:09 | 1:06:11 | |
All right, boys. | 1:06:14 | 1:06:16 | |
# Remember the girl you left behind | 1:06:57 | 1:07:02 | |
# Although you are far away | 1:07:02 | 1:07:08 | |
# Be sure that her clouds stay silver-lined | 1:07:08 | 1:07:13 | |
# Be true to her and come back some day | 1:07:13 | 1:07:19 | |
# Save all your kisses for someone who cares | 1:07:19 | 1:07:24 | |
# It's you she misses So answer her prayers | 1:07:24 | 1:07:29 | |
# And when you return you're sure to find... # | 1:07:29 | 1:07:34 | |
Wipe off that sour look, Doolin. | 1:07:34 | 1:07:36 | |
You're spoiling the party. | 1:07:36 | 1:07:38 | |
We're supposed to be enjoying ourselves. | 1:07:38 | 1:07:40 | |
You'll enjoy yourself more | 1:07:40 | 1:07:41 | |
by staying away from me. | 1:07:41 | 1:07:43 | |
Take it easy, Sundance. | 1:07:43 | 1:07:45 | |
Let's go. | 1:07:45 | 1:07:46 | |
Bill, just like old times, ain't it? | 1:08:03 | 1:08:06 | |
Yeah. | 1:08:06 | 1:08:08 | |
You don't seem to be having no fun. | 1:08:09 | 1:08:12 | |
No. | 1:08:12 | 1:08:13 | |
I ain't. | 1:08:13 | 1:08:14 | |
Looks like the rest aren't showing up. | 1:08:27 | 1:08:30 | |
What will you do? | 1:08:30 | 1:08:32 | |
Can't afford to wait any longer. | 1:08:32 | 1:08:35 | |
Kind of scary, ain't it, | 1:08:42 | 1:08:44 | |
being the only people in the whole town? | 1:08:44 | 1:08:47 | |
It'd be more scary | 1:08:47 | 1:08:48 | |
if we wasn't the only people in the whole town. | 1:08:48 | 1:08:52 | |
The people in Guthrie sure would be surprised | 1:08:52 | 1:08:55 | |
to see me now. | 1:08:55 | 1:08:56 | |
Who'd think this old saloon would see another party? | 1:08:56 | 1:09:00 | |
It's like something coming back from the dead. | 1:09:00 | 1:09:04 | |
Hey, what's the matter? | 1:09:04 | 1:09:07 | |
I don't know. | 1:09:07 | 1:09:09 | |
I just got a feeling something's wrong. | 1:09:09 | 1:09:13 | |
Come on inside. | 1:09:13 | 1:09:15 | |
DOOLIN: Wait a minute! | 1:09:33 | 1:09:35 | |
Hold that music. | 1:09:35 | 1:09:37 | |
Turn off the lights. | 1:09:37 | 1:09:39 | |
What's the matter, Doolin? | 1:09:40 | 1:09:42 | |
I don't know...yet. | 1:09:41 | 1:09:43 | |
Why stop the music? | 1:09:43 | 1:09:44 | |
Hold on, Doolin. | 1:09:44 | 1:09:46 | |
I suppose your leg is acting up again. | 1:09:52 | 1:09:54 | |
What if it is? | 1:09:54 | 1:09:56 | |
Let's look around, Cole. | 1:09:56 | 1:09:58 | |
Your rheumatism ain't busting up this party. | 1:09:58 | 1:10:01 | |
I thought we settled this. | 1:10:01 | 1:10:03 | |
I'm giving the orders. | 1:10:03 | 1:10:04 | |
Not tonight, you're not. | 1:10:04 | 1:10:07 | |
Somebody's got to cut you down to size, Sundance. | 1:10:07 | 1:10:11 | |
I guess now's the time. | 1:10:11 | 1:10:13 | |
GUNSHOT | 1:10:18 | 1:10:19 | |
Turn off those lights. | 1:10:19 | 1:10:21 | |
We've got you surrounded, Doolin. | 1:10:24 | 1:10:26 | |
Come out with your hands up. | 1:10:26 | 1:10:28 | |
Emily, get your girls out of the way. | 1:10:36 | 1:10:38 | |
Cole, Chick, Bob, Emmett, Grat - follow me. | 1:10:38 | 1:10:41 | |
All right, haul it out. | 1:11:27 | 1:11:29 | |
Emmett, open those doors as soon as I light this. | 1:11:39 | 1:11:43 | |
Push it into the street. | 1:11:43 | 1:11:45 | |
Soon as it hits, run. | 1:11:45 | 1:11:46 | |
What about you, Bill? | 1:11:46 | 1:11:48 | |
I'll take care of myself. | 1:11:48 | 1:11:50 | |
Hurry up. | 1:12:54 | 1:12:55 | |
We want to be gone by sundown. | 1:12:55 | 1:12:58 | |
Stick around. | 1:12:58 | 1:12:59 | |
This is a big territory. | 1:12:59 | 1:13:01 | |
Not big enough. | 1:13:01 | 1:13:02 | |
Bill had the idea, | 1:13:02 | 1:13:04 | |
only he didn't run fast enough. | 1:13:04 | 1:13:06 | |
I'll get the horses. | 1:13:06 | 1:13:08 | |
So long. | 1:13:08 | 1:13:09 | |
Where you heading for? | 1:13:11 | 1:13:12 | |
To Kansas, I guess. | 1:13:12 | 1:13:14 | |
See you. | 1:13:14 | 1:13:15 | |
So long. | 1:13:15 | 1:13:16 | |
So long. | 1:13:16 | 1:13:17 | |
Anybody got any extra shells? | 1:13:20 | 1:13:22 | |
What's the matter? You deaf? | 1:13:24 | 1:13:26 | |
We heard you. | 1:13:26 | 1:13:27 | |
I need them myself. | 1:13:27 | 1:13:29 | |
You think it's my fault? | 1:13:29 | 1:13:31 | |
What do you think? | 1:13:31 | 1:13:33 | |
If you'd listened, we wouldn't be packing. | 1:13:33 | 1:13:35 | |
So I talked out of turn. | 1:13:35 | 1:13:38 | |
If you're pals of Doolin's, | 1:13:38 | 1:13:40 | |
why don't you help me bust him loose? | 1:13:40 | 1:13:43 | |
You talk big, Sundance. | 1:13:43 | 1:13:44 | |
They've got every deputy guarding him. | 1:13:44 | 1:13:46 | |
They've got to move him for the trial. | 1:13:46 | 1:13:49 | |
Sure. They'll put up a sign, | 1:13:49 | 1:13:51 | |
"Bill Doolin leaving on train nine." | 1:13:51 | 1:13:53 | |
Suppose I can get that information. | 1:13:53 | 1:13:56 | |
How? | 1:13:56 | 1:13:57 | |
Ride into town with me. | 1:13:57 | 1:13:59 | |
After you get the information. | 1:13:59 | 1:14:01 | |
I'll get it. | 1:14:01 | 1:14:02 | |
Anybody with me? | 1:14:02 | 1:14:04 | |
Arkansas and me are with you. | 1:14:04 | 1:14:07 | |
Hello, Cheyenne. | 1:14:37 | 1:14:39 | |
I didn't know you, all dressed up. | 1:14:39 | 1:14:42 | |
What do you want? | 1:14:42 | 1:14:43 | |
We come to help you. | 1:14:43 | 1:14:45 | |
I don't need your help. | 1:14:45 | 1:14:47 | |
You wouldn't want to see your Uncle Bill jailed for life? | 1:14:47 | 1:14:52 | |
Just tell us when they're taking him away. | 1:14:52 | 1:14:54 | |
You want me to double-cross | 1:14:54 | 1:14:57 | |
the people that trust me, is that it? | 1:14:57 | 1:14:59 | |
I'm getting what I came after | 1:14:59 | 1:15:02 | |
one way or another. | 1:15:02 | 1:15:03 | |
It's up to you. | 1:15:03 | 1:15:05 | |
I'm not telling you anything. | 1:15:05 | 1:15:07 | |
I'm asking you for the last time nice. | 1:15:07 | 1:15:10 | |
When are they taking him? | 1:15:10 | 1:15:12 | |
I won't tell you. | 1:15:12 | 1:15:13 | |
HORSE APPROACHES | 1:15:13 | 1:15:14 | |
Help! Help! | 1:15:14 | 1:15:15 | |
Come here. | 1:15:15 | 1:15:17 | |
We'll have the whole territory on our trail. | 1:15:41 | 1:15:44 | |
Let's get out of here. | 1:15:44 | 1:15:46 | |
< Let's go. | 1:16:00 | 1:16:01 | |
HE CRIES | 1:16:48 | 1:16:50 | |
Hey, Sundance! | 1:17:18 | 1:17:20 | |
What's the matter? | 1:17:24 | 1:17:26 | |
My horse has gone lame. | 1:17:25 | 1:17:27 | |
What should I do? | 1:17:27 | 1:17:29 | |
You'll have to let me ride double. | 1:17:29 | 1:17:32 | |
This ain't no country for a man to be on foot. | 1:17:31 | 1:17:36 | |
Take off your saddle. Give it to Bill. | 1:17:36 | 1:17:39 | |
Hey, Sundance. | 1:18:05 | 1:18:06 | |
< What's the matter? | 1:18:08 | 1:18:09 | |
I'm tired of running. | 1:18:09 | 1:18:11 | |
Let's wait and finish it right here. | 1:18:11 | 1:18:14 | |
Not me. | 1:18:14 | 1:18:15 | |
If you're staying here, you stay alone. | 1:18:15 | 1:18:17 | |
OK, I'll wait alone. | 1:18:17 | 1:18:19 | |
At least I won't finish like Arkansas. | 1:18:19 | 1:18:22 | |
GUNSHOT | 1:20:18 | 1:20:19 | |
Give me a chance, Cordell. | 1:21:40 | 1:21:42 | |
Like you gave Grey Eagle and Cheyenne? | 1:21:42 | 1:21:45 | |
That was an accident. | 1:21:45 | 1:21:47 | |
I said I'd give you your gun back, | 1:21:47 | 1:21:50 | |
but first we have some things to settle. | 1:21:49 | 1:21:53 | |
Muley, we got to answer this letter. | 1:24:19 | 1:24:21 | |
Been laying around here for a long time. | 1:24:21 | 1:24:24 | |
Put down what I tell you. | 1:24:24 | 1:24:27 | |
"Dear Jim, | 1:24:26 | 1:24:27 | |
"Enclosed find the 1,000 you asked for. | 1:24:27 | 1:24:30 | |
"That's what I'd like to write, | 1:24:30 | 1:24:33 | |
"but your security's terrible. You don't get the money, | 1:24:33 | 1:24:36 | |
"John J Pettit." | 1:24:36 | 1:24:37 | |
I wish I'd never seen this dad-blasted banking business. | 1:24:37 | 1:24:41 | |
KNOCK AT DOOR | 1:24:41 | 1:24:43 | |
What about some service over here? | 1:24:43 | 1:24:45 | |
Well, what can I do for you? | 1:24:45 | 1:24:48 | |
We want to borrow 5,000. | 1:24:48 | 1:24:50 | |
If your collateral's OK, we can make a deal. | 1:24:50 | 1:24:53 | |
Will this do? | 1:24:53 | 1:24:55 | |
You're borrowing 5,000 on your wedding ring? | 1:24:55 | 1:24:57 | |
It's worth lots more than that to me. | 1:24:57 | 1:25:00 | |
That's a lot of money. | 1:25:00 | 1:25:02 | |
It's a long ways to California for me to collect. | 1:25:02 | 1:25:06 | |
You might as well tell him, Madge. | 1:25:06 | 1:25:08 | |
Oklahoma needs Vance more than California. | 1:25:08 | 1:25:11 | |
You're settling in Guthrie, permanent? | 1:25:11 | 1:25:13 | |
Well, you kids have got yourself a bank. | 1:25:13 | 1:25:16 | |
It's yours lock, stock and barrel. | 1:25:16 | 1:25:18 | |
Hey, wait a minute... | 1:25:18 | 1:25:20 | |
Come back here, Vance, and go to work. | 1:25:20 | 1:25:23 | |
Muley, change your coat. | 1:25:23 | 1:25:24 | |
Hook up a team. | 1:25:24 | 1:25:26 | |
We're going to California. | 1:25:26 | 1:25:27 | |
I'm with you, John. | 1:25:27 | 1:25:29 | |
Well, come on then. | 1:25:28 | 1:25:30 | |
Don't fool around here. | 1:25:30 | 1:25:31 | |
Subtitles by the National Captioning Institute - 1990 | 1:25:37 | 1:25:41 | |
E-mail us at [email protected] | 1:25:41 | 1:25:44 |