Browse content similar to Second Chorus. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
BELL TOLLS | 0:01:10 | 0:01:13 | |
BAND PLAYS BALLAD | 0:01:17 | 0:01:21 | |
TRUMPET SOLO | 0:01:25 | 0:01:28 | |
The leader's Danny O'Neill. | 0:01:47 | 0:01:49 | |
-You know him? -Sure. He's the best trumpet player this college ever had. | 0:01:49 | 0:01:55 | |
-Let's get closer. -I thought so. | 0:01:55 | 0:01:57 | |
SECOND TRUMPET PLAYS | 0:02:07 | 0:02:10 | |
MUSIC ENDS | 0:02:17 | 0:02:20 | |
Great, wasn't it, Ellen? | 0:02:23 | 0:02:27 | |
-Hi, Stu. Where have you been? -I've been around. -I was just saying I ought to see more of old Stu. | 0:02:28 | 0:02:36 | |
-Well, we'd better go sit down, Ellen. See you. -Your playing was wonderful. | 0:02:36 | 0:02:41 | |
-Thanks. -You don't think she meant you, do you? -You don't think she meant YOU, do you? | 0:02:41 | 0:02:48 | |
You don't think she'd fall for that station-house music of yours? | 0:02:48 | 0:02:53 | |
It's not so much my music. It's my personality. | 0:02:53 | 0:02:57 | |
-Hello, Stu. -Oh, Mr O'Neill, | 0:02:57 | 0:03:01 | |
-won't you join us? -Oh, thank you. | 0:03:01 | 0:03:03 | |
See you later, son. | 0:03:03 | 0:03:06 | |
Well, Stu... | 0:03:06 | 0:03:08 | |
-Do you want something? -Me? No, no, no. | 0:03:08 | 0:03:12 | |
-I've been wanting to meet you for some time, Mr O'Neill. -Wonderful. | 0:03:12 | 0:03:17 | |
-Like the band? -I didn't mean that I wanted to meet the band, although they did back you up well. -Thanks. | 0:03:17 | 0:03:25 | |
Any special number you'd like? | 0:03:25 | 0:03:28 | |
The Call Me Up And Call Me Down Blues. | 0:03:28 | 0:03:31 | |
-The what? -The Call Me Up And Call Me Down Blues. | 0:03:31 | 0:03:36 | |
Oh...I know what you mean. I haven't got the number. | 0:03:36 | 0:03:40 | |
I'm sure you'll be able to get it. | 0:03:40 | 0:03:44 | |
Why don't you go and look for it? | 0:03:44 | 0:03:47 | |
No hurry. It's such a long time since you and I got together. Make the most of it. It's heartwarming. | 0:03:47 | 0:03:54 | |
Nothing like old college friends. | 0:03:54 | 0:03:58 | |
All for one... | 0:03:58 | 0:04:00 | |
and...and all for one. | 0:04:00 | 0:04:03 | |
Yes, sir. I think I'd better be getting back. | 0:04:03 | 0:04:07 | |
-So long, Stu. -So long. | 0:04:07 | 0:04:10 | |
All right, boys, number nine. | 0:04:16 | 0:04:19 | |
BAND TUNES UP | 0:04:19 | 0:04:23 | |
-Why can't you go on a picnic? -Mr Dunn is inside. -He wouldn't be any fun. -This is a collection agency. | 0:04:46 | 0:04:53 | |
-Not an escort bureau. -Is this fellow annoying you, Miss Miller? | 0:04:53 | 0:04:58 | |
Hello. I'm just seeing Miss Miller about the encyclopaedias. | 0:04:58 | 0:05:03 | |
-I can take care of it. -Miss Miller served me with the summons. I'll explain. -What is there to explain? | 0:05:03 | 0:05:10 | |
-You bought encyclopaedias for which you've never paid. -I didn't buy them. -You're wasting my time. -See? | 0:05:10 | 0:05:17 | |
As I say, seven years ago I must have broken a mirror because THAT walked in and became my room-mate. | 0:05:17 | 0:05:25 | |
-I was only a simple freshman. -Now you're a simple sophomore? -You're being unkind. | 0:05:25 | 0:05:31 | |
-We worked hard to stay in college. -It's not easy for us bright guys to flunk. -What are you talking about? | 0:05:31 | 0:05:39 | |
-As long as we stay in college, the band makes us a comfortable living. -That's right. 5,000-6,000 a year. | 0:05:39 | 0:05:47 | |
It's a nice life - cultural, relaxing, gay. | 0:05:47 | 0:05:51 | |
Anyway, this room-mate ordered a set of encyclopaedias in my name. | 0:05:51 | 0:05:56 | |
-That's gratitude(!) It was a present. You were crazy about 'em. -I was until I got the bill. -Ellen! | 0:05:56 | 0:06:04 | |
-What's this? -Mr O'Neill, Mr Taylor - Mr Dunn. | 0:06:04 | 0:06:08 | |
Oh, yes... Oh, yes! | 0:06:08 | 0:06:11 | |
Step right in. | 0:06:11 | 0:06:14 | |
-Look, Mr Dunn, we're temporarily embarrassed. -We're at college. | 0:06:18 | 0:06:23 | |
-Just college kids. -You've been at college for seven years. -Takes time. | 0:06:23 | 0:06:28 | |
-Especially when you're struggling. -You ain't broke, ain't struggling. | 0:06:28 | 0:06:33 | |
-You doubt our word? -You said it. Pay up or go to jail. That's final. | 0:06:33 | 0:06:38 | |
-Final, eh? -Final? | 0:06:38 | 0:06:40 | |
-Final! -Well, maybe we ought to ask for an extension. -Yeah. -Hit it. | 0:06:40 | 0:06:46 | |
-OK, Dunnsy-boy... -We do make money. -Haven't got any right now. -Give us a month. -One month. -I won't listen! | 0:06:46 | 0:06:54 | |
-We'll be around for years. -We're no fly-by-nights. -My word is my bond. -Have that money here tomorrow! | 0:06:54 | 0:07:01 | |
-No! -No. | 0:07:07 | 0:07:09 | |
That's a sordid little fellow, isn't he? Huh! Sordid little place. | 0:07:09 | 0:07:15 | |
-Must be a sordid life for a lovely girl. -Nothing sordid about it. | 0:07:15 | 0:07:20 | |
-Except the people we deal with. -Pity we can't take her out of this. -Like some fresh air? -Sorry. | 0:07:20 | 0:07:27 | |
I have work to do. | 0:07:27 | 0:07:29 | |
-She's very businesslike. -Yes. -I like that in a secretary. | 0:07:31 | 0:07:36 | |
In fact, I'd like to have a secretary like that. | 0:07:36 | 0:07:40 | |
You know, there's an awful lot of work running a band. | 0:07:40 | 0:07:45 | |
-Come to think of it, we do need a secretary. -But I don't need a job. | 0:07:45 | 0:07:51 | |
So she doesn't need a... | 0:07:51 | 0:07:53 | |
Whatever it is, I won't do it. | 0:07:57 | 0:08:00 | |
-I wanna tell you... -Ssh! | 0:08:00 | 0:08:02 | |
Mr Dunn, I wanna do the right thing. | 0:08:04 | 0:08:07 | |
-We don't care about the encyclopaedia company. -We care about YOU. | 0:08:07 | 0:08:13 | |
Maybe I said a few hasty words, boys. Let bygones be bygones, eh? | 0:08:13 | 0:08:18 | |
-Two dollars? But the bill's 110. -That's for you to fix things. -What? | 0:08:18 | 0:08:24 | |
Are you asking me to take a bribe? | 0:08:24 | 0:08:26 | |
-A 2 bribe? -Dunn, we're men of the world. -We'll keep it under our hats. | 0:08:26 | 0:08:31 | |
-You can depend on us. She'll tell you. -Who? -Miss Miller. -Miss Miller. | 0:08:31 | 0:08:36 | |
Miss...? Miss Miller! | 0:08:36 | 0:08:39 | |
-Come in here! Did you intimate to these gents that I could be bribed? -Not bribed - fixed. | 0:08:39 | 0:08:46 | |
-I didn't say any such thing! -Oh... -Yes, you did, Miss Miller. | 0:08:46 | 0:08:51 | |
-She didn't want us to tell you. -Don't believe him! -I heard you. | 0:08:51 | 0:08:56 | |
Wait a minute! | 0:08:56 | 0:08:58 | |
-I'll have you deadbeats put in jail! As for you, Miss Miller, you are fired! -Oh! | 0:08:58 | 0:09:05 | |
Thanks a lot, old man. | 0:09:05 | 0:09:08 | |
Thanks, old boy. | 0:09:08 | 0:09:10 | |
Miss Miller? Miss Miller? Miss Miller? | 0:09:10 | 0:09:14 | |
-Wait. -You've caused enough trouble. | 0:09:14 | 0:09:17 | |
-It was a kindly gesture. -I haven't a reference. -I don't demand one. | 0:09:17 | 0:09:22 | |
-We know you. -Yeah. -You really want me to work for you? -Sure. | 0:09:22 | 0:09:26 | |
-What's your salary? -18 a week. -He'll double it. -Yeah... Yeah. | 0:09:26 | 0:09:31 | |
-Well... -Hit it. | 0:09:31 | 0:09:33 | |
BOTH TALK AT ONCE | 0:09:33 | 0:09:37 | |
All right, I'll take it. | 0:09:37 | 0:09:39 | |
-When do I start? -Right now. -I'll tell you something. | 0:09:39 | 0:09:44 | |
-Dunn can be bought, but his price isn't 2, it's 10. -Here. You wanted to take care of it. -Hey... | 0:09:44 | 0:09:51 | |
Well, here we are. | 0:09:54 | 0:09:56 | |
You can have half the desk, quarter of that rack, and just go to work. | 0:09:56 | 0:10:02 | |
-There's one detail you've omitted - my duties. -Type a little. -Telephone a little. -Keep the leader happy. | 0:10:02 | 0:10:09 | |
-Keep your eye on the brass section. -It's a job. -Lining up engagements is no cinch. -What's so difficult? | 0:10:09 | 0:10:16 | |
-Operator, get me the Riverdale Country Club. -Oh, no. -We've tried. | 0:10:16 | 0:10:21 | |
-Who's in charge there? -Mr Bent. -A real sourpuss. -Hello, Mr Bent? | 0:10:21 | 0:10:26 | |
This is Mr O'Neill's secretary. Mr Danny O'Neill, the orchestra leader. | 0:10:26 | 0:10:31 | |
You're planning a Halloween dance? | 0:10:31 | 0:10:34 | |
Harvey's Cornell Clippers? We entertain, too. (Do we?) | 0:10:34 | 0:10:38 | |
-We can dream up something. -Our entertainment's terrific. | 0:10:38 | 0:10:43 | |
Until you've seen the Perennials you haven't lived. | 0:10:43 | 0:10:47 | |
Oh, it isn't that I don't admire Emil Coleman, but isn't his music a little rowdy? | 0:10:47 | 0:10:54 | |
Now, Mr O'Neill's salon ensemble play everything gently, but with a lilt. | 0:10:54 | 0:11:01 | |
-All his boys are from such nice families. -Very well. | 0:11:01 | 0:11:05 | |
-We'll expect them at 7.30. -Thank you. | 0:11:05 | 0:11:08 | |
Believe me, my outfit are killers. Just what you need for one-nighters. | 0:11:08 | 0:11:13 | |
-Can they pack 'em in like Dorsey? -Solid, Jack. -Murder. | 0:11:13 | 0:11:18 | |
I can come the day before the dance and help you with the decorations. | 0:11:18 | 0:11:23 | |
-If you want me to. -We took a poll on the campus and almost everybody voted for Artie Shaw's band. | 0:11:23 | 0:11:30 | |
Artie Shaw? Who's Artie Shaw? | 0:11:30 | 0:11:33 | |
BAND PLAYS SWING | 0:11:33 | 0:11:36 | |
MUSIC ENDS, DANCERS APPLAUD | 0:12:51 | 0:12:56 | |
You were terrific, chief. Yeah, yeah. Water, please. | 0:13:00 | 0:13:05 | |
That prom - is it set? They hired that college band. | 0:13:05 | 0:13:09 | |
Danny O'Neill's Perennials. > O'Neill again? This is the fourth time. > | 0:13:09 | 0:13:15 | |
Either they've got a great band or a fine manager. I gotta hear them. | 0:13:15 | 0:13:20 | |
They'll graduate next week. Huh! Not the Perennials. | 0:13:20 | 0:13:25 | |
It's OK, boys! No graduation this year. I flunked three courses. | 0:13:25 | 0:13:30 | |
ALL CONGRATULATE HIM | 0:13:30 | 0:13:33 | |
All right, boys. Break it up. | 0:13:33 | 0:13:36 | |
-Danny, you're wonderful! -Danny, we made it again. What's the matter? | 0:13:36 | 0:13:42 | |
Well, Hank, I... I don't know how to tell you. | 0:13:42 | 0:13:46 | |
What do you mean? I passed? | 0:13:46 | 0:13:50 | |
Listen, I couldn't graduate. Not with my marks. Are you kidding me? | 0:13:50 | 0:13:56 | |
There must be some mistake. I'm not gonna take this lying down. | 0:13:58 | 0:14:03 | |
I'm gonna see the Dean. They can't do this to me! | 0:14:03 | 0:14:07 | |
Oh, Danny... | 0:14:09 | 0:14:11 | |
Poor old Hank. He got careless. | 0:14:11 | 0:14:14 | |
-You didn't have anything to do with this, did you? -Why, Ellen! | 0:14:14 | 0:14:19 | |
-Of course, peace and quiet won't hurt. -Poor Hank. -You still have me. | 0:14:19 | 0:14:24 | |
I guess we'll just have to carry on as good old Hank would have wanted us to. | 0:14:24 | 0:14:31 | |
-It seems to me... -It seems to you? -I said, it seems to me... | 0:14:31 | 0:14:36 | |
-You said, it seems to you? -Seems to me I smell a mouse. | 0:14:36 | 0:14:40 | |
Somewhere about the house. | 0:14:40 | 0:14:43 | |
-# It seems to me... -Seems to you? -I said, it seems to me... -You said, it seems to you? | 0:14:43 | 0:14:48 | |
# That such an embarrassing situation Calls for concentration | 0:14:48 | 0:14:53 | |
-# Do you dig me, Jack? -We dig you, Jack | 0:14:53 | 0:14:56 | |
-# Can you think of a plan? -We solid can -Get me out of a mess? -Yes, yes, yes | 0:14:56 | 0:15:01 | |
-# We'll start the music and play it back -Solid, Jack! -Solid, Jack! | 0:15:01 | 0:15:06 | |
-# Can you sing and dance? -I'll take a chance | 0:15:08 | 0:15:11 | |
-# Are your boots on right? -I got 'em laced up tight | 0:15:11 | 0:15:14 | |
-# Is Miss Miller a killer? -From a Spanish villa -Is her dancing mellow? -As a cello | 0:15:14 | 0:15:19 | |
# Then it seems to me, obviously You want to go right into your terpsichore | 0:15:19 | 0:15:25 | |
-# What will it be? -Don't look at me | 0:15:25 | 0:15:27 | |
# Now, let me see What will it be? | 0:15:27 | 0:15:31 | |
# I never could do the conga Could never get through the conga | 0:15:31 | 0:15:36 | |
# But if you say, "Do the conga" I ain't hep to that step, but I'll dig it | 0:15:36 | 0:15:41 | |
# I never could see mazurkas They're poison to me, mazurkas | 0:15:41 | 0:15:46 | |
# But if it's to be mazurkas I ain't hep to that step, but I'll dig it | 0:15:46 | 0:15:51 | |
-# When they invented the charleston He was a total flop! -Right | 0:15:51 | 0:15:56 | |
# But if you want a Charleston I'll never stop, dance till I drop | 0:15:56 | 0:16:00 | |
# I never could dig the polka The corniest jig, the polka | 0:16:00 | 0:16:04 | |
# But if you say, "Dig the polka" I ain't hep to that step, but I'll dig it... # | 0:16:04 | 0:16:09 | |
INSTRUMENTAL BREAK | 0:16:11 | 0:16:14 | |
-Hi, Hank. -Hello, there. | 0:18:33 | 0:18:35 | |
-Get anywhere with the Dean? -No. | 0:18:35 | 0:18:38 | |
-That article I wrote on the decline of the harpsichord and her sister instruments put me across. -That so? | 0:18:38 | 0:18:45 | |
Yeah. It's a funny thing. I don't even remember writing that article. | 0:18:45 | 0:18:50 | |
-Yet the Dean said it was so good he couldn't flunk me. -Tough luck. | 0:18:50 | 0:18:55 | |
-Cheer up, boy. It's probably all for the best. What's that? -What? | 0:18:55 | 0:19:01 | |
What's that? | 0:19:01 | 0:19:03 | |
-Encyclopaedia. -Oh. | 0:19:03 | 0:19:05 | |
Think of it, Hank. You'll go into your father's textile business. | 0:19:05 | 0:19:10 | |
A cog in a great industry, stamping your personality on miles of tweed, | 0:19:10 | 0:19:16 | |
making the wheels turn, punching the clock, listening to the song of the looms. | 0:19:16 | 0:19:23 | |
What volume is that? | 0:19:23 | 0:19:25 | |
It's, er... | 0:19:25 | 0:19:28 | |
-Ham to Ilk. Why? -Oh, nothing. | 0:19:28 | 0:19:30 | |
Music wasn't for you, Hank. You could never have got anywhere with that beat-up trumpet. | 0:19:30 | 0:19:37 | |
Your medium's textiles. Your father is a textile man. So was his father. | 0:19:37 | 0:19:43 | |
You've got wool in your blood, Hank. | 0:19:43 | 0:19:45 | |
What's the bookmark for? | 0:19:47 | 0:19:50 | |
Oh, it's an article that rather interested the Dean. | 0:19:50 | 0:19:54 | |
A funny thing about that article. It's almost identical with my thesis. | 0:19:54 | 0:20:01 | |
-Interesting coincidence. -Yeah, that's what the Dean thought. | 0:20:01 | 0:20:05 | |
I tried to persuade him that the marginal notes weren't mine. | 0:20:05 | 0:20:10 | |
-In fact, I tried to convince him that the handwriting wasn't yours. -Yeah? -Yeah. -What did he say? | 0:20:10 | 0:20:17 | |
He said you were fired. | 0:20:17 | 0:20:20 | |
-You dog. -Easy. -Low, conniving dog. -You, too, have to face the world. | 0:20:20 | 0:20:25 | |
Fall into your father's concrete. You've got concrete in your bones. | 0:20:25 | 0:20:31 | |
Danny! Hey, hurry! | 0:20:31 | 0:20:34 | |
Wonderful news! Look, telegram. | 0:20:36 | 0:20:38 | |
-"Will be in town Saturday. Would like to look over your outfit. Artie Shaw." -Say! | 0:20:38 | 0:20:45 | |
-Shaw wants to look me over. -You? Look US over. -All right - us. | 0:20:45 | 0:20:50 | |
-I wonder how soon he'll want me to start? -He found out I'm available. | 0:20:50 | 0:20:56 | |
-You'll be available indefinitely. -I must find Ellen a new job. | 0:20:56 | 0:21:01 | |
-No. Once I get set, I'll send for you. -Very kind. | 0:21:01 | 0:21:05 | |
Let's get organised. Tell the boys to be early. | 0:21:05 | 0:21:09 | |
Summer uniforms. And you - you go home and run your scales. | 0:21:09 | 0:21:14 | |
BAND PLAYS DANCE NUMBER | 0:21:17 | 0:21:20 | |
I'll be out in a few minutes. | 0:21:20 | 0:21:24 | |
Artie Shaw! | 0:21:24 | 0:21:26 | |
MUSIC ENDS | 0:21:35 | 0:21:38 | |
-Artie Shaw - he's here. -Good. Thanks. | 0:21:42 | 0:21:45 | |
Hey, what about the buck you promised me? | 0:21:45 | 0:21:49 | |
All right, all right. Beat it. | 0:21:49 | 0:21:52 | |
OK, gang. Sweet Sue. | 0:21:55 | 0:21:57 | |
-Pst, Hank. Shaw - he's coming in now. -Swell. Thanks, pal. | 0:21:57 | 0:22:02 | |
Come on, give out. | 0:22:02 | 0:22:04 | |
I'll bring you some change(!) | 0:22:07 | 0:22:09 | |
-Nice, easy background on this, boys. -Save your lip till Shaw comes. | 0:22:12 | 0:22:17 | |
-I'll take the lead. -You kidding? -I'm OK. I've been in the woodshed. -You've been in the cornfield. Boys. | 0:22:17 | 0:22:25 | |
LIVELY TUNE | 0:22:25 | 0:22:28 | |
SECOND TRUMPET PLAYS | 0:22:38 | 0:22:41 | |
Say, that's quite a little shindig. | 0:22:58 | 0:23:01 | |
-Thanks, Mr Shaw. -Band on straight salary? -No, percentage. -Smart. | 0:23:01 | 0:23:06 | |
-Thanks again. -Where's Mr Miller? -Mr Miller? -The manager of the band. | 0:23:06 | 0:23:12 | |
Oh, THAT Mr Miller. There she is. | 0:23:12 | 0:23:16 | |
Mr Shaw, Mr Miller. I mean... | 0:23:24 | 0:23:27 | |
-We've been expecting you. -Swell. | 0:23:27 | 0:23:30 | |
-I'd like to talk to you. -Fine. | 0:23:30 | 0:23:33 | |
TRUMPET SOLOS "COMPETE" | 0:23:52 | 0:23:55 | |
-Won't you stay and hear the band? -I'd like to but I'm playing a date. | 0:24:15 | 0:24:20 | |
-Nice talking to you. -Good night. | 0:24:20 | 0:24:23 | |
BIG FINISH | 0:24:28 | 0:24:31 | |
-Thanks(!) -No trouble. | 0:24:31 | 0:24:33 | |
-Where is he? -He's gone. -Gone? | 0:24:35 | 0:24:38 | |
-Where's Shaw? -Gone. You ruined it. -I was terrific. When do I start? | 0:24:38 | 0:24:43 | |
Take ten. What was his proposition? | 0:24:43 | 0:24:46 | |
-It surprised me. -Quibbled about salary, huh? -I don't work Sundays. | 0:24:46 | 0:24:51 | |
-What gives? When do I start? -You don't. | 0:24:51 | 0:24:55 | |
-What? Well, then, what did he want? -Me. | 0:24:55 | 0:25:00 | |
-Ellen! -Oh, Danny. -I brought you this. Oh... | 0:25:12 | 0:25:16 | |
-I guess I'm a little late. -Danny, how darling of you. | 0:25:16 | 0:25:21 | |
-Hank's inside getting the ticket. -Is he? Ellen, I hate to see you go. | 0:25:21 | 0:25:27 | |
-SHOUTING OVER ENGINE NOISE -I hate to go. -I'd hoped that... | 0:25:27 | 0:25:31 | |
-What, Danny? -Oh, nothing. It was silly. | 0:25:31 | 0:25:35 | |
-No, what was it? -Excuse me. You're sprouting. | 0:25:35 | 0:25:39 | |
Popcorn. Hold it for the lady. Your ticket, Ellen. I'll tell the conductor where to let you off. | 0:25:39 | 0:25:46 | |
-Be good and don't talk to strange men. -I won't. See you in New York. | 0:25:55 | 0:26:01 | |
-I hope so... -Yes... -I don't know. Portland's a long way from New York. | 0:26:01 | 0:26:07 | |
Well, you'll be there, Hank? | 0:26:07 | 0:26:09 | |
-No, I've got to pay attention to those mills in Fall River. -I won't see either of you? -No. | 0:26:09 | 0:26:16 | |
-I'm afraid not. -Aboard! | 0:26:16 | 0:26:19 | |
-Goodbye, idiots. -Watch her orchids. | 0:26:19 | 0:26:23 | |
Goodbye. | 0:26:23 | 0:26:25 | |
Bye! | 0:26:25 | 0:26:28 | |
-When do you start for Portland? -Tonight. | 0:26:30 | 0:26:34 | |
-When do you leave for Fall River? -Oh, about an hour. | 0:26:34 | 0:26:38 | |
-I'll see you off. -No, don't bother. You've got to pack. -Yeah. | 0:26:38 | 0:26:44 | |
-Well, this is it. -Right. So long, Danny. | 0:26:44 | 0:26:48 | |
-So long. It's been a lot of fun. -You bet. Take care of yourself. -I'll drop you a line. -Do that. | 0:26:48 | 0:26:55 | |
A college band? Whoever heard of a good college band? | 0:27:09 | 0:27:13 | |
We were under the impression that it was an important affair. It is? | 0:27:13 | 0:27:19 | |
Well, in that case, I know you'll want Mr Shaw. That's fine, thank you. | 0:27:19 | 0:27:25 | |
BARRAGE OF QUESTIONS | 0:27:25 | 0:27:28 | |
-Couple of relatives. What's cooking, Ellen? -We closed the Atlantic City job on our own terms. -That's swell. | 0:27:28 | 0:27:36 | |
-And the intercollegiate prom. -My hunch about you was pretty good. | 0:27:36 | 0:27:41 | |
-I'm glad. Mr Shaw, I wonder if I could ask you a favour? -Of course. | 0:27:41 | 0:27:46 | |
About two trumpet players. | 0:27:46 | 0:27:48 | |
I always pick my own men, Ellen. | 0:27:48 | 0:27:51 | |
-I don't... -All I want you to do is hear these boys. -Are they in town? | 0:27:51 | 0:27:56 | |
-One's in Portland, the other's in Fall River. Can be here in a jiffy. -Lot of travelling. -They won't mind. | 0:27:56 | 0:28:03 | |
-If you think they're good, I'll listen to 'em. -Thank you. | 0:28:03 | 0:28:08 | |
Call the Western Union boy to pick up two telegrams. | 0:28:08 | 0:28:12 | |
-What floor is Artie Shaw on? 17th. -17th. | 0:28:16 | 0:28:21 | |
-Going up. -Hold it, buddy. | 0:28:21 | 0:28:24 | |
What floor is Artie Shaw on? | 0:28:28 | 0:28:31 | |
ALL: 17th. | 0:28:31 | 0:28:34 | |
Aren't you going to Fall River the hard way? | 0:28:38 | 0:28:42 | |
-I suppose this elevator stops at Portland(!) -Last stop, 22nd floor. | 0:28:42 | 0:28:48 | |
-So you're gonna give a lot of time to the mills. -I have as much right here as you have. -Face facts, Hank. | 0:28:48 | 0:28:56 | |
Ellen can't get us both in the band. | 0:28:56 | 0:28:58 | |
-I'll get a try-out with Artie Shaw if I have to tear down the building. -17th floor next. | 0:28:58 | 0:29:05 | |
-Here's a present for you, Sam. -Have one on me, Sam. | 0:29:05 | 0:29:10 | |
-Oh, excuse me. -Where's Artie Shaw's office, please? -That way. -Thanks. | 0:29:15 | 0:29:20 | |
-Mr O'Neill... -Taylor. -..to see Miss Miller. | 0:29:24 | 0:29:27 | |
-Miss Miller is very busy. -She'll see me. -We were at college together. | 0:29:27 | 0:29:32 | |
-Is that 34 or 54 Highcroft Road? -34. | 0:29:32 | 0:29:36 | |
Wait a minute, what have you got? | 0:29:36 | 0:29:39 | |
-Why, this is for me. -Yeah. | 0:29:39 | 0:29:41 | |
-Hank, Shaw's sending for me. -Me too. I knew he would. | 0:29:41 | 0:29:46 | |
-Any answers? -We'll take care of it. Here. -Thanks. -That's all right. | 0:29:46 | 0:29:52 | |
-What do you make of this? -Look, Fall River. -Say... | 0:29:52 | 0:29:56 | |
Excuse me. | 0:29:56 | 0:29:58 | |
-Something's funny. -Yeah. -He walked out on us at the prom. -Yeah. -Deliberately? | 0:30:01 | 0:30:08 | |
Why? He wanted us to cool our heels a while so we'd work for peanuts. | 0:30:08 | 0:30:13 | |
-He got Ellen here, thinking we'd work for nothing on account of her. -That's it. | 0:30:13 | 0:30:20 | |
-He can't treat a friend of ours like that. -No, sir. -I'll fix him. | 0:30:20 | 0:30:25 | |
-I'll ask for 25 a week more. -50. | 0:30:25 | 0:30:27 | |
-Young lady, tell Shaw we'll see him. -Mr Shaw is busy. -We'll tell him. Thanks. -Hey, wait a minute. | 0:30:27 | 0:30:35 | |
-Hi, Shaw. -Just a minute. You'll have to wait outside. | 0:30:35 | 0:30:39 | |
-I'm your new trumpet player. -Me too. We got your wire. | 0:30:39 | 0:30:43 | |
What? Oh, yeah. Well, you certainly took your time getting here. | 0:30:43 | 0:30:48 | |
We had other offers to consider. | 0:30:48 | 0:30:51 | |
-Drop down at the hotel tonight, play with the band. -Swell. -Love to. | 0:30:51 | 0:30:56 | |
See you then. I'm pretty busy now. | 0:30:56 | 0:30:59 | |
-All right. Which is Miss Miller's office? -Across the hall. -Thanks. | 0:30:59 | 0:31:04 | |
-Think I'll have a little talk with her. -Yeah. | 0:31:04 | 0:31:08 | |
OK, Artie. | 0:31:08 | 0:31:11 | |
Ellen! | 0:31:14 | 0:31:16 | |
Danny! I can't believe my eyes! | 0:31:16 | 0:31:20 | |
-It's so good to see you! -Kinda surprised you, huh? | 0:31:20 | 0:31:24 | |
-Surprise. -Where did you come from? -Artie's office. -Talking business. | 0:31:24 | 0:31:29 | |
-Portland? -Its loss is your gain. -Fall River? -It'll have to suffer. | 0:31:29 | 0:31:35 | |
-Did Artie say anything about a try-out? -Sure. -Wonderful! -We haven't promised him anything. | 0:31:35 | 0:31:42 | |
DANCE NUMBER | 0:31:42 | 0:31:45 | |
-Straight ahead? -Hey... -Evening, Cap. I'm the new trumpet player with Artie Shaw. -I ain't seen you before. | 0:31:52 | 0:32:00 | |
You're gonna see plenty of me from now on. | 0:32:00 | 0:32:04 | |
If my brother drops in, tell him Shaw's not giving any auditions. | 0:32:04 | 0:32:09 | |
If he makes a fuss, throw him out. | 0:32:09 | 0:32:12 | |
-You know how these family jealousies are. -What's your name? | 0:32:12 | 0:32:16 | |
Danny O... | 0:32:16 | 0:32:19 | |
O'Taylor. | 0:32:19 | 0:32:21 | |
-You're early. -I was lonesome. Hadn't seen you since late this afternoon. | 0:32:34 | 0:32:39 | |
-Not a bad house. How long are we booked here for? -You're only booked for one number. -A mere formality. | 0:32:39 | 0:32:47 | |
-Where's Hank? -Hank? How do I know? | 0:32:47 | 0:32:50 | |
-Am I my brother's keeper? -I thought he was coming with you. -He probably couldn't face being turned down. | 0:32:50 | 0:32:58 | |
-Poor boy. I wish I could do something to help him. -Oh, yes(!) | 0:32:58 | 0:33:03 | |
Ellen, I'm very fond of Hank. | 0:33:03 | 0:33:05 | |
If not for those encyclopaedias I might never have met you. | 0:33:05 | 0:33:10 | |
I'll always be grateful to him for that. Won't you? | 0:33:10 | 0:33:15 | |
-Danny, this is no time... -Yes, it is. | 0:33:15 | 0:33:18 | |
Yesterday I was a schoolboy. Today I'm a man with his career assured, a man with plans for the future. | 0:33:18 | 0:33:25 | |
You ought to be warming up. | 0:33:25 | 0:33:28 | |
I've been warmed up a long time. | 0:33:28 | 0:33:31 | |
Ellen... | 0:33:31 | 0:33:33 | |
BAND PLAYS ON | 0:33:33 | 0:33:36 | |
Shall I take the vocal? | 0:33:36 | 0:33:39 | |
# Would you like to be the love of my life | 0:33:39 | 0:33:43 | |
# For always | 0:33:43 | 0:33:47 | |
# And always... | 0:33:47 | 0:33:51 | |
# Watch over me? | 0:33:51 | 0:33:54 | |
# To square my blunders | 0:33:54 | 0:33:59 | |
# And share my dreams | 0:33:59 | 0:34:03 | |
# One day with caviar | 0:34:03 | 0:34:06 | |
# Next day a chocolate bar | 0:34:06 | 0:34:11 | |
# Would you like to take the merry-go-round? | 0:34:11 | 0:34:16 | |
# I'll lead you | 0:34:16 | 0:34:20 | |
# I'll need you | 0:34:20 | 0:34:23 | |
# Just wait till you see | 0:34:23 | 0:34:27 | |
# I hope in your horoscope | 0:34:27 | 0:34:30 | |
# There is room for a dope who adores you | 0:34:30 | 0:34:34 | |
# That would make the only dream of my life | 0:34:34 | 0:34:40 | |
# Come true | 0:34:40 | 0:34:44 | |
# For the love of my life | 0:34:44 | 0:34:48 | |
# Is you... # | 0:34:48 | 0:34:51 | |
Ellen... | 0:34:53 | 0:34:56 | |
So I'm your brother, huh(?) | 0:34:58 | 0:35:01 | |
-I was afraid you wouldn't make it. -Don't worry about me. -Ellen, go. | 0:35:01 | 0:35:06 | |
-No, stick around. -What happened? -Danny framed me. -I wanted to be alone with you. -He admits it all. | 0:35:06 | 0:35:13 | |
-Wait... -That doorman hit me on the lip. -Too bad. -Like to even it up? | 0:35:13 | 0:35:18 | |
Boys, please! You have to go on in a minute. | 0:35:18 | 0:35:23 | |
Let's forget it. I'll tell Artie you're here. Good luck, darlings. | 0:35:23 | 0:35:28 | |
-You haven't forgotten the trumpet players? -No. I'll be right with you. | 0:35:37 | 0:35:42 | |
MUSIC ENDS | 0:36:03 | 0:36:05 | |
OK, let's go. I'll put your boys on in the next set. First, give me a hand with that character. | 0:36:09 | 0:36:16 | |
He's an awful ear-bender. | 0:36:16 | 0:36:19 | |
Well, well. Mr Chisholm, Miss Miller. How do you do? | 0:36:25 | 0:36:29 | |
That last number jump for you? Oh, very peppy. | 0:36:29 | 0:36:33 | |
What chord did we finish on? B flat. I missed it again. | 0:36:33 | 0:36:38 | |
Won't you two join me? I can't. Miss Miller can stay. | 0:36:38 | 0:36:42 | |
Is Miss Miller hep? Hep as they come. | 0:36:42 | 0:36:46 | |
Fascinating, your swing jargon. See you later, Mr Chisholm. So long, Gate. | 0:36:46 | 0:36:52 | |
That's short for Alligator. Please sit. | 0:36:52 | 0:36:56 | |
-Are you a musician? -I should have been but I was forced to give it up. | 0:36:56 | 0:37:01 | |
-I said music and Father said bottle-caps. Father won. -What a pity. | 0:37:01 | 0:37:06 | |
-The banjo is your instrument? -No, the flat-backed mandolin. | 0:37:06 | 0:37:11 | |
Boys, what do you want to play? | 0:37:11 | 0:37:14 | |
-How about I'm Yours? -A pretty tough arrangement. -I'll play anything. | 0:37:14 | 0:37:19 | |
OK. How about you? | 0:37:19 | 0:37:21 | |
-Pick one. -I'll leave the book with you. Look 'em over. -Oh, Artie... | 0:37:21 | 0:37:26 | |
-On the question of who plays first, I suggest alphabetical order. -OK. | 0:37:26 | 0:37:31 | |
We're on in about three minutes. | 0:37:31 | 0:37:35 | |
-Not gonna look over your part? -I couldn't hit a bad note if I tried. | 0:37:35 | 0:37:40 | |
-Not tonight. -Why is tonight an exception? -Oh, I don't know. | 0:37:40 | 0:37:45 | |
-Makes a difference when you know someone's depending on you. -What? | 0:37:45 | 0:37:50 | |
Nothing, nothing. Nothing at all. | 0:37:50 | 0:37:53 | |
Who's depending on you? | 0:37:53 | 0:37:56 | |
Nobody. | 0:37:56 | 0:37:58 | |
-Forget it. -Say, you were alone here with Ellen when I came in. | 0:37:58 | 0:38:03 | |
-For almost the first time since I've known her. -What happened? What did you say to her? | 0:38:03 | 0:38:10 | |
Look, Hank, Ellen and I... | 0:38:10 | 0:38:12 | |
It's no concern of yours, | 0:38:12 | 0:38:15 | |
-but when I get set with Shaw, Ellen and I... -You proposed. What did she say? | 0:38:15 | 0:38:22 | |
She just gave me her tender, unspoken yes. | 0:38:22 | 0:38:26 | |
-How do you know it wasn't an unspoken no? -A fellow can tell. | 0:38:26 | 0:38:31 | |
-It was an occasion when silence was more eloquent than words. -Yeah? -Yeah. | 0:38:31 | 0:38:37 | |
All right, that's the way it is. | 0:38:37 | 0:38:40 | |
Wish you all the happiness in the world. | 0:38:40 | 0:38:44 | |
-Have me over for dinner some time. -Thanks. | 0:38:44 | 0:38:48 | |
I'm glad you're not gonna let this come between us. | 0:38:48 | 0:38:53 | |
-OK, here we go. -Here, Danny. | 0:39:20 | 0:39:22 | |
You know what I wish you, Danny boy. | 0:39:22 | 0:39:26 | |
MUSIC STARTS | 0:39:29 | 0:39:33 | |
SMOOTH TRUMPET SOLO | 0:39:37 | 0:39:40 | |
PLAYS WRONG NOTES | 0:39:51 | 0:39:54 | |
RESUMES AT WRONG TEMPO | 0:39:55 | 0:39:59 | |
WRONG NOTE | 0:40:01 | 0:40:04 | |
OFF-KEY | 0:40:13 | 0:40:16 | |
WRONG NOTE | 0:40:22 | 0:40:26 | |
-Fascinating music. -I can't understand it. | 0:40:27 | 0:40:31 | |
HORRIBLY OFF-KEY | 0:40:34 | 0:40:38 | |
Well, that was just dandy. | 0:40:48 | 0:40:51 | |
I'll be sure and call you. If anything else comes up, take it. | 0:40:51 | 0:40:56 | |
You sure you know what you're doing? | 0:40:57 | 0:41:01 | |
-Say the word. -OK, fellas. One, two. | 0:41:01 | 0:41:04 | |
MUSIC STARTS | 0:41:04 | 0:41:08 | |
OUT OF STEP I've got music in my feet. | 0:41:12 | 0:41:16 | |
TRUMPET FLOURISH | 0:41:27 | 0:41:32 | |
COMMOTION AND ARGUING | 0:42:02 | 0:42:06 | |
BAND RESUMES | 0:42:06 | 0:42:09 | |
Excuse me. | 0:42:20 | 0:42:22 | |
FURIOUS ARGUING | 0:42:27 | 0:42:30 | |
EVERYONE SHOUTS | 0:42:30 | 0:42:33 | |
I'm finished with you! | 0:42:37 | 0:42:40 | |
I'm finished with both of you! Please! You've ruined everything. | 0:42:40 | 0:42:45 | |
After all you pretended to think of me. I tried so hard. | 0:42:45 | 0:42:49 | |
-Just... -I never want to see you again! | 0:42:49 | 0:42:53 | |
ARGUING RESUMES | 0:42:53 | 0:42:56 | |
-Who have you played with? -O'Neill's Perennials. -Never heard of them. | 0:43:04 | 0:43:09 | |
-Heard of Artie Shaw? -Were you associated with him? -Associated? | 0:43:09 | 0:43:14 | |
-I made a deeper impression on him than any trumpet player. -One moment, please. | 0:43:14 | 0:43:21 | |
TOOTLING | 0:43:21 | 0:43:24 | |
Artie, one thing about last night. | 0:43:24 | 0:43:27 | |
-Maybe I... -If it's about those... -No, it's about Mr Chisholm. | 0:43:27 | 0:43:31 | |
-TOOT-TOOT -No, I mean it. | 0:43:31 | 0:43:35 | |
BUZZ Yeah? | 0:43:35 | 0:43:38 | |
Who? Him? | 0:43:38 | 0:43:40 | |
Are you kidding? Well, throw him out. | 0:43:40 | 0:43:43 | |
-Anything serious? -Nah. | 0:43:43 | 0:43:47 | |
-Out! -All right. | 0:43:47 | 0:43:49 | |
-Hello. Tell Tommy that Hank Taylor is here, will you? -Get off the desk. | 0:43:51 | 0:43:56 | |
Right. | 0:43:56 | 0:43:59 | |
Mr Chisholm talks a lot, but he's sweet. He has the soul of an artist but his money's stifling it. | 0:43:59 | 0:44:06 | |
You've always wanted to give a concert. I can get him to back you. | 0:44:06 | 0:44:11 | |
TOOTLING | 0:44:11 | 0:44:13 | |
Is he like those Krunchy Krinkle breakfast food guys, with an angle? | 0:44:13 | 0:44:19 | |
-It'll be with no strings attached. -No musts about what to play? -None. | 0:44:19 | 0:44:24 | |
-No bottle-cap ads? -Honour bright. | 0:44:24 | 0:44:26 | |
-TOOT-TOOT OK, sounds swell if you can do it. -Good. I'll get to work on it. | 0:44:26 | 0:44:33 | |
BUZZ Yeah? | 0:44:33 | 0:44:36 | |
What? Him? Throw him out. | 0:44:36 | 0:44:39 | |
I've got offers from Miller, Goodman. I've got plenty of jobs. | 0:44:40 | 0:44:45 | |
Don't say I didn't give you a chance. | 0:44:45 | 0:44:49 | |
-I'll put a wager on Magic Melody. -Lester, you're always willing to back something musical. | 0:44:55 | 0:45:02 | |
-Artists need a man like you. -Oh? | 0:45:02 | 0:45:05 | |
FANFARE | 0:45:05 | 0:45:09 | |
JAZZY FLOURISH | 0:45:10 | 0:45:13 | |
Old English hunting song, I believe. | 0:45:18 | 0:45:21 | |
ELLEN GIGGLES My dear, are you choking? | 0:45:21 | 0:45:25 | |
RUSSIAN FOLK MUSIC | 0:45:25 | 0:45:28 | |
This place is one of my finds. | 0:45:34 | 0:45:37 | |
They're all real musicians. Too bad they're not better known. | 0:45:37 | 0:45:41 | |
I might be able to help. I can give these musicians to the world. | 0:45:41 | 0:45:46 | |
-Your first duty is to the American artist. -So it is. | 0:45:46 | 0:45:50 | |
RAPID BALALAIKA PLAYING | 0:45:50 | 0:45:54 | |
Hoy! | 0:46:04 | 0:46:06 | |
Hoy! | 0:46:16 | 0:46:18 | |
Centuries of Slavic ballads have gone into that. | 0:46:20 | 0:46:24 | |
TRUMPET SOLO | 0:46:26 | 0:46:29 | |
Hoy! | 0:46:36 | 0:46:38 | |
SHOUTS OF "HOY" | 0:46:38 | 0:46:40 | |
Hoy! | 0:46:40 | 0:46:43 | |
Hey, there. Vas gut. | 0:46:43 | 0:46:46 | |
Vas gut? Vas purrfect. | 0:46:46 | 0:46:48 | |
SLOW, DRAMATIC INTRO | 0:46:59 | 0:47:02 | |
# Vodka bublishki The love of my life | 0:47:08 | 0:47:13 | |
# Ochi strassnya | 0:47:13 | 0:47:18 | |
# Ipi crassya | 0:47:18 | 0:47:21 | |
# Avec bit borscht | 0:47:21 | 0:47:24 | |
# Api rubbinov | 0:47:24 | 0:47:28 | |
# Ninotchka ratov | 0:47:28 | 0:47:31 | |
# Romanov caviar | 0:47:31 | 0:47:35 | |
# Ur shiske shocolat bar... # | 0:47:35 | 0:47:40 | |
He's miles away, perhaps dreaming of some girl on the steppes of Russia. | 0:47:40 | 0:47:45 | |
You can tell he's loved and suffered. | 0:47:45 | 0:47:49 | |
# And always... | 0:47:49 | 0:47:53 | |
# Watch over me | 0:47:53 | 0:47:56 | |
# Oh, play... | 0:47:56 | 0:47:58 | |
# A pick and a pluck on the strings of your old balalaika... # | 0:47:58 | 0:48:05 | |
Oh, please take me home. I can't stand this any longer. | 0:48:05 | 0:48:10 | |
HE HUMS | 0:48:10 | 0:48:14 | |
# For the love of my life... | 0:48:14 | 0:48:19 | |
# Is...YOU! # | 0:48:19 | 0:48:24 | |
-Hoy! -Hoy! | 0:48:24 | 0:48:26 | |
I appreciate you letting me back this concert, Mr Shaw. | 0:48:26 | 0:48:31 | |
Not at all. And I'm grateful to you, Ellen. | 0:48:31 | 0:48:35 | |
I'm back in my true medium. How much did you say should I arrange for? | 0:48:35 | 0:48:40 | |
-Roughly 15,000. -20 would be safer. The name of J Lester Chisholm must stand for only the best. | 0:48:40 | 0:48:47 | |
She's always thinking of me. What a jewel you have in her. | 0:48:47 | 0:48:51 | |
I'm finding that out. And what an inspiration. | 0:48:51 | 0:48:56 | |
Mother thinks that every girl who's attracted to me is after our money. | 0:48:56 | 0:49:01 | |
-BUZZ -Come in. | 0:49:12 | 0:49:15 | |
-Oh, Lester! -Stay where you are. | 0:49:15 | 0:49:19 | |
Don't move. You don't know what a picture you make in the candlelight. | 0:49:19 | 0:49:24 | |
You've brought your mandolin. | 0:49:24 | 0:49:27 | |
-For you. -Oh, you shouldn't have. | 0:49:27 | 0:49:30 | |
Why not? Tonight's our night to celebrate. I thought we might have a quiet evening of music, you and I. | 0:49:30 | 0:49:37 | |
Duets make a home a home. | 0:49:37 | 0:49:40 | |
-Can I use your house phone? -Certainly. -Thank you. -Who do you wish to speak to? -Miss Miller. | 0:49:40 | 0:49:46 | |
Who's calling? | 0:49:46 | 0:49:49 | |
Mr... | 0:49:49 | 0:49:51 | |
Dunn. | 0:49:51 | 0:49:53 | |
Mr Dunn. | 0:49:53 | 0:49:57 | |
-RING -Hello. | 0:49:57 | 0:50:00 | |
It's Danny. I've been trying to get in touch with you. I'm downstairs. | 0:50:00 | 0:50:05 | |
No, I...I can't see you tonight. | 0:50:05 | 0:50:09 | |
No, no, I'm not being vindictive. I just can't see you... Of course Hank isn't here! | 0:50:09 | 0:50:15 | |
Danny, we'll talk tomorrow. | 0:50:15 | 0:50:18 | |
No, he isn't! | 0:50:18 | 0:50:20 | |
Ellen, wait a minute... | 0:50:24 | 0:50:27 | |
Good night, Mr Dunn. | 0:50:27 | 0:50:30 | |
Er...good night. | 0:50:30 | 0:50:33 | |
Mr Dunn. | 0:50:36 | 0:50:39 | |
That was just an old college friend. We won't be disturbed again. | 0:50:39 | 0:50:44 | |
Shall we continue? | 0:50:44 | 0:50:46 | |
TUNELESS PLUCKING ON MANDOLIN | 0:50:46 | 0:50:51 | |
# Beautiful dreamer | 0:50:51 | 0:50:54 | |
# Wake unto me | 0:50:54 | 0:50:56 | |
# Starlight and dewdrops | 0:50:56 | 0:50:59 | |
# Are waiting for thee | 0:50:59 | 0:51:03 | |
# Beautiful dreamer | 0:51:03 | 0:51:05 | |
# Queen of my song | 0:51:05 | 0:51:09 | |
# List while I woo thee | 0:51:09 | 0:51:13 | |
# With soft melodies... # THUMP | 0:51:13 | 0:51:18 | |
-What was that? -B flat. -No, a noise. Is someone in there? -Hardly. That's my bedroom. | 0:51:18 | 0:51:24 | |
MANDOLIN PLAYS | 0:51:24 | 0:51:28 | |
-Don't be nervous. -I'm not a bit nervous. | 0:51:38 | 0:51:42 | |
See? Just as I told you. It's your imagination. | 0:51:42 | 0:51:46 | |
GROWLING | 0:51:53 | 0:51:56 | |
Yes, boy. Yes, boy. | 0:51:59 | 0:52:01 | |
SNUFFLING AND HOWLING | 0:52:01 | 0:52:06 | |
Shut up! | 0:52:06 | 0:52:09 | |
Ow! | 0:52:11 | 0:52:13 | |
-Hank! -What do you hear from college? | 0:52:14 | 0:52:18 | |
What are you doing under this bed? | 0:52:18 | 0:52:21 | |
Looking for a collar button(!) I got as much right as you have. | 0:52:21 | 0:52:26 | |
Say, if you're in here, I wonder who's out there? | 0:52:26 | 0:52:30 | |
That's right. I thought it was you. | 0:52:30 | 0:52:33 | |
-Better investigate. -No, wait. We don't want to upset Ellen today. | 0:52:33 | 0:52:38 | |
-That's right, not today. -So that's why you came up. I thought so. | 0:52:38 | 0:52:43 | |
-What? -You just happened to call on the day Shaw announced his concert. | 0:52:43 | 0:52:48 | |
I read about it in the paper, but I'm too busy to help Artie out. | 0:52:48 | 0:52:53 | |
-I'm working like a horse. -You're working? -Sure. -Not with Dorsey? -No. | 0:52:53 | 0:52:59 | |
He wouldn't change his style to suit me. I've got an engagement just out of town. Very big audience. | 0:52:59 | 0:53:07 | |
-Fourth trumpet, huh? -No, sir. Strictly solo stuff. | 0:53:07 | 0:53:11 | |
-Why? Is the concert the reason for your visit? -Who, me? -Yeah. -No, I'm much too busy for that. | 0:53:11 | 0:53:19 | |
-Doing what? -After I quit Whiteman... -You quit Whiteman? -Sure. Too big a band. I'd lose my individuality. | 0:53:19 | 0:53:26 | |
-Same thing happened to Bix. -So you're unemployed? -No, not at all. | 0:53:26 | 0:53:32 | |
I've hooked up with a terrific European outfit. I never dreamed such things could be done to music. | 0:53:32 | 0:53:40 | |
-I wonder what's going on out there? -Sounds like she's auditioning. | 0:53:40 | 0:53:45 | |
Shaw's got a mandolin section? | 0:53:45 | 0:53:48 | |
OFF-KEY NOTE | 0:53:48 | 0:53:50 | |
-How about a breather? -Wonderful idea. | 0:53:50 | 0:53:53 | |
-Sometimes it's a little tiring. -Yes. | 0:53:53 | 0:53:56 | |
Let's have a toast to the concert. | 0:53:56 | 0:53:59 | |
< Ellen, you make me feel like a boy again. | 0:54:01 | 0:54:05 | |
-Really? -You've made me believe that money isn't a handicap. CORK POPS | 0:54:05 | 0:54:11 | |
I have something to look forward to. | 0:54:11 | 0:54:14 | |
Well, to our big night. | 0:54:14 | 0:54:17 | |
To our big night. | 0:54:17 | 0:54:20 | |
She's being taken advantage of. | 0:54:20 | 0:54:23 | |
She seems to be liking it. | 0:54:25 | 0:54:27 | |
I've seen him before. Where was it? The Russian rest... The Little Bear. | 0:54:30 | 0:54:35 | |
I saw him with her at the racetrack. | 0:54:35 | 0:54:39 | |
-We've got to get her out of this. -What are we waiting for? | 0:54:39 | 0:54:44 | |
-Another glass? -Oh, I don't think I should. -Well, you know best. | 0:54:44 | 0:54:50 | |
-Ellen, you're different from other girls. -I can hardly believe that. | 0:54:50 | 0:54:55 | |
So innocent! You wouldn't believe the carryings-on. I've been told. | 0:54:55 | 0:55:01 | |
-CLATTER What's that? Somebody's out there. -You're imagining things again. -Look. | 0:55:01 | 0:55:08 | |
Psst! | 0:55:08 | 0:55:10 | |
PIERCING WHISTLE | 0:55:10 | 0:55:13 | |
What in the world...? | 0:55:13 | 0:55:16 | |
-Not home, is he, Ellen? -Who is it? | 0:55:16 | 0:55:19 | |
Danny! Oh, it's, er... It's just the neighbour. | 0:55:21 | 0:55:25 | |
He always wants to borrow something. Excuse me. | 0:55:25 | 0:55:30 | |
Danny? Danny, is it you? | 0:55:30 | 0:55:33 | |
Is that guy here again? | 0:55:33 | 0:55:35 | |
-Pardon me, Mr... -Chisholm. | 0:55:35 | 0:55:38 | |
Oh, Chisholm, yes. Ellen told me about you. | 0:55:38 | 0:55:43 | |
I guess she's getting rid of him. Well, she better. | 0:55:43 | 0:55:47 | |
I told her flatly it was either him or me. | 0:55:47 | 0:55:51 | |
I used to trust that guy. I went to college with him. | 0:55:51 | 0:55:55 | |
I shared my room, my time, my troubles. I won't share Ellen. | 0:55:55 | 0:56:00 | |
I didn't know. I better be going. | 0:56:00 | 0:56:03 | |
-No, I didn't mean you. Stick around. Make yourself at home. Do you need anything? -No. -Glad to have met you. | 0:56:03 | 0:56:11 | |
-DOOR SLAMS -Oh, mercy! | 0:56:11 | 0:56:15 | |
-Danny, how dare you come up here? -I'm glad I came up. -Well, I'm not. | 0:56:15 | 0:56:21 | |
-You need me. -What? -I'm not blaming you. -What are you talking about? | 0:56:21 | 0:56:26 | |
-You don't know what you're getting into. It's not your fault. Hank and I realise that. -Hank is here? -Yes. | 0:56:26 | 0:56:33 | |
-Inside, taking care of it. -Heavens! | 0:56:33 | 0:56:36 | |
-Oh, dear... -Lester! Lester, wait a minute! Lester! | 0:56:36 | 0:56:42 | |
-You didn't tell me you were married. -I'm not. -Who was that man? -Hank. | 0:56:42 | 0:56:48 | |
Ellen, I can't believe it. You of all people! Oh dear, oh dear! | 0:56:48 | 0:56:53 | |
-I'll send him away. -Don't make it worse, Ellen. I can't stand it. | 0:56:53 | 0:56:58 | |
-I'm leaving for Cincinnati in the morning. -What about the concert? | 0:56:58 | 0:57:03 | |
Tell Mr Shaw I appreciate the chance he gave me, but I can't accept it. | 0:57:03 | 0:57:08 | |
-Lester, you can't throw away your whole musical career. -My musical career is over. Here. | 0:57:08 | 0:57:15 | |
I'll never touch it again. | 0:57:15 | 0:57:17 | |
"Oh," he says, "I didn't know." | 0:57:17 | 0:57:20 | |
-Poor Mr Chisholm. -Poor Mr Chisholm. | 0:57:20 | 0:57:24 | |
# Poor Mr Chisholm | 0:57:24 | 0:57:27 | |
# Played on the mandolin | 0:57:27 | 0:57:31 | |
# But he couldn't win Cos he tried to swing | 0:57:31 | 0:57:36 | |
# And he broke a string every time! # | 0:57:36 | 0:57:39 | |
"Oh," he says, "I better go." | 0:57:39 | 0:57:42 | |
# Poor Mr Chisholm | 0:57:42 | 0:57:44 | |
-# Just couldn't... -Dig the jive | 0:57:44 | 0:57:49 | |
# When he did arrive at the proper note, he... # | 0:57:49 | 0:57:54 | |
-Ellen... -This is for the best. -It may have been drastic. -Brutal. | 0:57:54 | 0:57:59 | |
-But you'll thank us later. -I will? I suppose Artie will thank you, too. | 0:57:59 | 0:58:04 | |
-Artie? -What's Artie got to do with Mr Chisholm? -Nothing in the world. | 0:58:04 | 0:58:09 | |
He was the backer of the concert! | 0:58:09 | 0:58:12 | |
-The concert? -Oh... | 0:58:12 | 0:58:15 | |
SWING FINALE | 0:58:17 | 0:58:20 | |
All right, let's go again. | 0:58:23 | 0:58:25 | |
Ellen! You've got to listen to me. | 0:58:27 | 0:58:30 | |
What I've got to do is tell Artie the concert's off, then leave town. | 0:58:30 | 0:58:36 | |
Ellen, I'm sorry about this trouble. | 0:58:36 | 0:58:39 | |
You know how I feel about you. Remember the other night when I took the vocal? I wasn't kidding. | 0:58:39 | 0:58:46 | |
The merry-go-round. You weren't kidding. | 0:58:46 | 0:58:50 | |
-That's all over. -It's too late. -No, it isn't. Act as if nothing's happened. I'll get Chisholm. | 0:58:50 | 0:58:57 | |
-How? -Don't worry. Don't say anything to Shaw. -What can I say? | 0:58:57 | 0:59:01 | |
-You can do it. Give me an hour. -All right, Danny. One hour. | 0:59:01 | 0:59:07 | |
That's right. | 0:59:07 | 0:59:09 | |
Hurry up. He's checking out. | 0:59:15 | 0:59:18 | |
What 20,000? Oh, that. Send it back to Cincinnati. I'm going back... | 0:59:23 | 0:59:29 | |
On second thought, just leave it. | 0:59:29 | 0:59:31 | |
You bounder! Leave this room! | 0:59:31 | 0:59:34 | |
-I brought your mandolin. -Leave! -Easy. | 0:59:34 | 0:59:38 | |
-We've come to clear Ellen's name. -I won't hear her name mentioned. | 0:59:38 | 0:59:43 | |
-Don't say that. -Who are you? -A man who wants to see justice done. | 0:59:43 | 0:59:48 | |
-All right, talk. -No, I can't. -Come clean! -All right. | 0:59:48 | 0:59:52 | |
I have a confession to make. | 0:59:52 | 0:59:55 | |
-I've never done this before in my life. I lied to you. -Go on. -All right. Ellen is innocent. | 0:59:55 | 1:00:02 | |
-I saw with my own eyes... -He framed her. -I am not Ellen's husband. | 1:00:02 | 1:00:08 | |
-I know that. -What? | 1:00:08 | 1:00:10 | |
-Who are you? -Me? -He's her brother, Hank. | 1:00:10 | 1:00:15 | |
Brother? Aren't you ashamed? | 1:00:15 | 1:00:17 | |
-Yes. -Why did you create this false impression? | 1:00:17 | 1:00:22 | |
-I...I...I was trying to protect her. -Hit it. -Look here... | 1:00:22 | 1:00:26 | |
-We didn't know you. -How much you meant to her. -So important to her. | 1:00:26 | 1:00:31 | |
I didn't realise. What have I done? | 1:00:31 | 1:00:35 | |
-You acted shabbily. -Misjudged her. -Jumped to brutal conclusions. | 1:00:35 | 1:00:39 | |
-Do you think she'll ever forgive me? -There's a chance. -Crawl back to her on your knees. -Beg her to forgive. | 1:00:39 | 1:00:47 | |
I will. Will this interfere with letting me back the concert? | 1:00:47 | 1:00:52 | |
-Well, I don't think so. -No. | 1:00:52 | 1:00:55 | |
-But you better hurry. -I will. | 1:00:55 | 1:00:57 | |
I'll get my hat and gloves. | 1:00:57 | 1:01:00 | |
You make yourselves at home. | 1:01:00 | 1:01:03 | |
-# Poor Mr Chisholm... # -We've done right. -It's about time. | 1:01:03 | 1:01:08 | |
-Makes you feel good. Self-sacrifice, doing unto others... -That's the life. | 1:01:08 | 1:01:14 | |
But a little self-sacrifice goes a long way. | 1:01:14 | 1:01:18 | |
We ought to think of our own careers. | 1:01:18 | 1:01:22 | |
We are the friends of Shaw's backer. | 1:01:22 | 1:01:25 | |
But we mustn't use Chisholm. | 1:01:28 | 1:01:30 | |
-We owe it to Ellen not to take any more chances. -Ellen won't respect two failures. | 1:01:30 | 1:01:37 | |
-If it wasn't for us, the concert would be off. -He owes us a break. | 1:01:37 | 1:01:43 | |
-Here I go. If there's ever anything I can do... -Glad to do a good turn. | 1:01:43 | 1:01:48 | |
-Anything WE can do for you? -You've done enough. -Like helping you select numbers for the concert. | 1:01:48 | 1:01:55 | |
-I don't select them. I hardly dare venture an opinion. -You should. | 1:01:55 | 1:02:00 | |
-I'm only the backer. -ONLY? -You're the impresario, the most important man in the organisation. | 1:02:00 | 1:02:07 | |
-Be a guiding hand. -Choose the music. -Pick the men. -It's your duty. | 1:02:07 | 1:02:12 | |
-You're letting Shaw down. -This is terrible. No-one told me this. | 1:02:12 | 1:02:17 | |
-I'd have been delighted to do it. -Not too late. -Work fast. | 1:02:17 | 1:02:22 | |
-I don't know where to start. -First, line up a number. | 1:02:22 | 1:02:27 | |
-I can't think. -You remember Rolling Back To Mammy On The Big River Blues? | 1:02:27 | 1:02:33 | |
-Rolling Back To Mammy On The Big River Blues? -That's it! -He's got it! | 1:02:33 | 1:02:38 | |
-Perhaps I can think of something better. A folk song? -A folk song. I've got one. | 1:02:38 | 1:02:44 | |
Listen to this. | 1:02:44 | 1:02:47 | |
HE PLAYS "Poor Mr Chisholm" | 1:02:47 | 1:02:51 | |
You're gonna like this, Chiz. This is back to the good earth. Play! | 1:02:51 | 1:02:56 | |
-BLUESY RHYTHM What's it called? -Hoedown The Bayou. | 1:02:56 | 1:03:00 | |
Hear that? That's New Orleans. | 1:03:00 | 1:03:03 | |
I went there. I don't recognise it. | 1:03:03 | 1:03:06 | |
-You don't? -Why, I can almost smell the delta. -I CAN smell the delta. | 1:03:06 | 1:03:11 | |
-Can't you smell the delta? -I have a cold. -The mandolin will cure it. | 1:03:11 | 1:03:17 | |
You pick this up, Chiz. Pick it up. | 1:03:17 | 1:03:19 | |
-Yeah, son, the train won't wait. -That's it! | 1:03:19 | 1:03:24 | |
We're sailing up that river on the Memphis-Chattanooga. Hold on, Chiz. | 1:03:24 | 1:03:29 | |
Hear steamboat whistles blowing? Tote that barge! Pull that bale! | 1:03:29 | 1:03:34 | |
-Solid south, solid north. Solid, Jack. -Solid, Jack! | 1:03:34 | 1:03:38 | |
Wagon wheels a-creaking westward. Now we're rolling past on the Kansas-Cincinnati. | 1:03:38 | 1:03:45 | |
-Cincinnati! My home town! -His home town! Everybody's home town! Cincinnati! | 1:03:45 | 1:03:51 | |
-Boys, words fail me. I must see Shaw at once. -That's the spirit, Chisholm. Don't let America down. | 1:03:51 | 1:03:59 | |
-It's my duty as a backer? -You can do anything. -Anything? -Certainly. | 1:03:59 | 1:04:04 | |
Your epic number will be given a fine presentation. I'll go further. | 1:04:04 | 1:04:09 | |
-Yes? -I'll play in it myself, on my mandolin. | 1:04:09 | 1:04:13 | |
Rhythm, on B I'll set the tempo. At C, trombones make an entrance, | 1:04:18 | 1:04:23 | |
saxes come in strong and strings pick it up. | 1:04:23 | 1:04:27 | |
-Oh, Ellen, can you ever forgive me? -Lester... | 1:04:27 | 1:04:31 | |
I don't deserve it. I let you down, but I'm going to make up for it. Shaw, can I see you a minute? | 1:04:31 | 1:04:39 | |
Hi. Take ten, fellas. | 1:04:39 | 1:04:41 | |
Mr Chisholm, glad you dropped in. | 1:04:41 | 1:04:44 | |
I didn't just drop in, Mr Shaw. Sit down, please. And you, Ellen. | 1:04:44 | 1:04:49 | |
I've shirked my duties, but I'll make up for it with a folk song. Folk song? | 1:04:49 | 1:04:55 | |
It's got everything - sweeping prairies, creaking wagons. Sounds peachy. | 1:04:55 | 1:05:01 | |
Like this. HUMS "Poor Mr Chisholm" | 1:05:01 | 1:05:05 | |
# Hoedown the Bayou... # Can't you smell the delta? | 1:05:05 | 1:05:09 | |
HE WHISTLES Chattanooga, Louisiana. Solid north, solid south. | 1:05:09 | 1:05:15 | |
Hoedown, boy. Wooo! That's the steamboat whistle. | 1:05:15 | 1:05:19 | |
That's my home town. It's your home town, everybody's home town. | 1:05:19 | 1:05:25 | |
Cincinnati! Are you kidding? It'll sweep the country. Play it. | 1:05:25 | 1:05:31 | |
-Wait, Artie. -Prairies, wagons, steamboats(!) | 1:05:31 | 1:05:34 | |
-That's its sweep. -It's not a bad song. | 1:05:34 | 1:05:38 | |
How can I tell from that? Get me someone who can play it. I'll get you the composer. | 1:05:38 | 1:05:45 | |
-I've fixed it. -Good boy. -Great job. | 1:05:46 | 1:05:49 | |
-Give him all you got. -Right. -Wait. I could back you up on the mandolin. | 1:05:49 | 1:05:55 | |
-No, don't give away the surprise. -Practice comes first. | 1:05:55 | 1:05:59 | |
-Besides, you're no song-plugger. -Selling songs to bandleaders. -OK. I'll explain it as you play. | 1:05:59 | 1:06:06 | |
-Er... -Stay here, Chiz. Too many people might make Shaw nervous. | 1:06:06 | 1:06:10 | |
-I might be needed. -Come on, I'll buy you a cigar. -I don't like cigars. | 1:06:10 | 1:06:15 | |
Don't worry, I'll smoke it myself. | 1:06:15 | 1:06:19 | |
-Artie, he'll be here in a minute. -I'm holding up the rehearsal. -Hello. | 1:06:19 | 1:06:24 | |
Oh, it's you again. | 1:06:24 | 1:06:27 | |
-I guess so. -Artie, don't let something that's over and done with stand in the way of a good song. -OK. | 1:06:27 | 1:06:35 | |
-This better be good. -Yes, sir. | 1:06:35 | 1:06:38 | |
BLUESY INTRO | 1:06:40 | 1:06:43 | |
# Poor Mr Chisholm Played on the mandolin | 1:06:43 | 1:06:48 | |
# But he couldn't win Cos he tried to swing | 1:06:48 | 1:06:52 | |
# And he broke a string every time | 1:06:52 | 1:06:55 | |
# Poor Mr Chisholm Just couldn't dig the jive | 1:06:58 | 1:07:03 | |
# When he did arrive at the proper note | 1:07:03 | 1:07:07 | |
# He arrived by boat every time | 1:07:07 | 1:07:10 | |
# He tried to jazz up his mandolin | 1:07:12 | 1:07:16 | |
# But never could quite control it | 1:07:16 | 1:07:20 | |
# He always brought Bach and Handel in | 1:07:20 | 1:07:24 | |
# When he took a lick He always broke a pick | 1:07:24 | 1:07:28 | |
# Poor Mr Chisholm | 1:07:28 | 1:07:30 | |
# You're quite a gay old blade With your serenade | 1:07:30 | 1:07:35 | |
# But you're corny, Jack Better truck on back to Butte | 1:07:35 | 1:07:39 | |
# Get a uke | 1:07:39 | 1:07:41 | |
# You disgrace your kin On the mandolin | 1:07:41 | 1:07:46 | |
# Every time. # | 1:07:46 | 1:07:48 | |
Did you like the tune, Artie? | 1:07:50 | 1:07:52 | |
Kinda cute. Make an arrangement and maybe we can find a spot for it. | 1:07:52 | 1:07:57 | |
-No trouble this time. -Don't worry. And thanks. -Mr Chisholm playing a mandolin. That'd be something. | 1:07:57 | 1:08:05 | |
I'm within the hour. | 1:08:05 | 1:08:07 | |
Chisholm is back. I'm making an arrangement. I've settled down. | 1:08:07 | 1:08:12 | |
You happened to get the brass ring. | 1:08:12 | 1:08:15 | |
-This is your big chance, Danny. -I hope. | 1:08:15 | 1:08:19 | |
-Did he understand it? -Did he go for it? -Hook, line and Cincinnati. -Nice going. -Calls for a celebration. | 1:08:24 | 1:08:32 | |
-Well, fellow artists, I give you the concert. -We accept it. | 1:08:32 | 1:08:38 | |
-Lester, we're proud of you. -I'm only the backer. | 1:08:39 | 1:08:44 | |
-That's a very important role. -It's not as though I was a performer. | 1:08:44 | 1:08:49 | |
Well, now, look... | 1:08:49 | 1:08:52 | |
-We've just about killed this bottle. How about a refill? -Oh, excuse me. | 1:08:52 | 1:08:58 | |
You won't tell her while I'm gone? | 1:08:58 | 1:09:01 | |
-Not a chance. -Don't worry about it. -Lester, wait. | 1:09:01 | 1:09:06 | |
-Tell me what? -A little surprise. | 1:09:06 | 1:09:08 | |
-Oh, let's tell her, fellows. I'm going to play in the concert. -Lester, you're not. -I am. | 1:09:08 | 1:09:15 | |
I knew you'd be delighted. Wine is what we need. | 1:09:15 | 1:09:20 | |
Wine! | 1:09:20 | 1:09:23 | |
-The merry-go-round's still on. -All we did was flatter him a bit. | 1:09:23 | 1:09:27 | |
-If we disillusioned him, he'd call it off. -And Shaw? -Shaw won't know. | 1:09:27 | 1:09:32 | |
-Hank's gonna keep Chisholm away. -Oh, no. -I'll be busy with my arrangement. -I'll make a bargain. | 1:09:32 | 1:09:39 | |
-Get me a job with Shaw and I'll look after Chisholm. -Sure. I'll do my best. -You'll do better than that. | 1:09:39 | 1:09:47 | |
MOODY CLARINET SOLO | 1:09:47 | 1:09:50 | |
SWEEPING STRINGS | 1:09:56 | 1:09:59 | |
TEMPO INCREASES | 1:10:26 | 1:10:29 | |
SWING NUMBER | 1:10:32 | 1:10:35 | |
DRUM SOLO | 1:11:06 | 1:11:09 | |
DRUMS AND CLARINET DUET | 1:11:09 | 1:11:13 | |
CRESCENDO OF HIGH NOTES | 1:13:08 | 1:13:11 | |
MURMURS OF APPROVAL | 1:13:15 | 1:13:18 | |
OK, take five. | 1:13:18 | 1:13:20 | |
-That'll get it, Artie. -Wonderful. -Glad you liked it. | 1:13:22 | 1:13:26 | |
-Here's my arrangement. -Did you make those changes? -Yeah. I don't know how good it'll sound after that. | 1:13:26 | 1:13:33 | |
There's a favour I want to ask you. | 1:13:33 | 1:13:36 | |
-You're gonna use extra trumpets. I know a fellow... -Not your partner? | 1:13:36 | 1:13:41 | |
Can't get through a number without falling off the stand. Nothing doing. | 1:13:41 | 1:13:46 | |
-Danny, what are we going to do about poor Hank? -We'll keep trying. | 1:13:46 | 1:13:51 | |
Ninety-six - two, three. | 1:13:51 | 1:13:55 | |
Ninety-seven - two, three. Ninety-eight - two, three. | 1:13:55 | 1:13:59 | |
Ninety-nine - two, three. | 1:13:59 | 1:14:02 | |
And a hundred - and stop. | 1:14:02 | 1:14:05 | |
A hundred times without a slip. | 1:14:05 | 1:14:08 | |
No, no. You were pretty fuzzy there on 37. You were a quarter of a beat off on 67. | 1:14:08 | 1:14:15 | |
One more 100 and we'll turn in. | 1:14:15 | 1:14:18 | |
Two days to the concert. I better tell Artie our secret. | 1:14:18 | 1:14:22 | |
-Not yet. It's too late, anyhow. -No, the band's staying late to rehearse. -You haven't practised enough. | 1:14:22 | 1:14:29 | |
-I've practised for ten days - 12 hours a day, six hours a night. I'll go stale. -Are you ready? | 1:14:29 | 1:14:36 | |
PICKS OUT NOTES | 1:14:40 | 1:14:43 | |
Two... | 1:14:43 | 1:14:45 | |
"Tonight Artie Shaw will present a newcomer to the musical world." | 1:14:48 | 1:14:53 | |
Newcomer - that must mean me. | 1:14:53 | 1:14:56 | |
What? Yeah, sure, sure, sure. | 1:14:56 | 1:14:59 | |
-What's the matter, Henry? Worried about the rehearsal? -No. You? -No. | 1:14:59 | 1:15:04 | |
-There are few troubles that sleep won't cure. -Watch your own health. | 1:15:04 | 1:15:09 | |
-I've got insomnia. -That's too bad. | 1:15:09 | 1:15:12 | |
KNOCK AT DOOR Come in. | 1:15:12 | 1:15:15 | |
-Good afternoon, Mr Chisholm. Hello. What about a drink? -Good idea. -I wanna spruce up a bit. | 1:15:15 | 1:15:22 | |
Hello. Give me the Majestic Theatre. | 1:15:25 | 1:15:28 | |
It's better so. | 1:15:32 | 1:15:35 | |
What? What's that? | 1:15:37 | 1:15:40 | |
What about it? Yeah? Wait a minute. | 1:15:40 | 1:15:44 | |
Excuse me, Chiz. This is personal. | 1:15:44 | 1:15:47 | |
Say, Danny, you wouldn't lie to me at a time like this, would you? | 1:15:47 | 1:15:52 | |
All set. You're in. Get down here. | 1:15:52 | 1:15:55 | |
This makes up for a lot of things, Danny. What - Chisholm? | 1:15:55 | 1:16:00 | |
Wait a minute. | 1:16:00 | 1:16:03 | |
Don't you worry about Chisholm. I've got a plan to keep him here. So long. | 1:16:03 | 1:16:09 | |
-Good news? -Depends on your point of view. One man's drink is another man's poison. -Yes. | 1:16:16 | 1:16:23 | |
Everything happens for the best. It's always darkest just before dawn. | 1:16:23 | 1:16:29 | |
-Right. The lad worthwhile is the lad who can smile when the rest of the world's gone wrong. -Right. | 1:16:29 | 1:16:36 | |
We'll have it over here. | 1:16:38 | 1:16:41 | |
-If ever anything comes between us, remember I had your best interests at heart. -That cuts both ways. | 1:16:45 | 1:16:53 | |
-Well, happy days. -Happy dreams. | 1:16:55 | 1:16:58 | |
-Bottoms up. -Bottoms up. | 1:17:04 | 1:17:08 | |
BAND PLAYS SWING | 1:17:33 | 1:17:36 | |
There must be some answer. Well, never mind. | 1:17:41 | 1:17:45 | |
I can't raise Hank anywhere. | 1:17:47 | 1:17:50 | |
-I had nothing to do with this. -Last week I'd have said you had. This week, no. | 1:17:50 | 1:17:56 | |
You're improving, Danny. I think I'll make you my manager. | 1:17:56 | 1:18:00 | |
APPLAUSE | 1:18:00 | 1:18:03 | |
Thank you. Ladies and gentlemen, we have a little blues number | 1:18:08 | 1:18:13 | |
which came to my attention bearing the title Hoedown The Bayou. | 1:18:13 | 1:18:18 | |
Since then it has grown up and been transformed into something special. | 1:18:18 | 1:18:23 | |
The man who wrote it - Danny O'Neill. | 1:18:23 | 1:18:26 | |
-APPLAUSE -Go on. | 1:18:26 | 1:18:31 | |
-How does it feel? -All right. | 1:18:34 | 1:18:37 | |
OK, it's all yours. | 1:18:37 | 1:18:39 | |
DRAMATIC INTRO | 1:18:49 | 1:18:53 | |
FLOURISH OF STRINGS | 1:19:06 | 1:19:10 | |
MUSIC SOARS GRACEFULLY | 1:19:14 | 1:19:17 | |
BLUESY RHYTHM | 1:19:21 | 1:19:24 | |
MUSIC ENDS | 1:22:12 | 1:22:15 | |
APPLAUSE | 1:22:15 | 1:22:18 | |
-Wonderful! -I'm gonna have to hire you. -Thanks, Artie. -But only because I don't wanna lose a good secretary. | 1:22:26 | 1:22:34 | |
ALL SHOUT ENTHUSIASTICALLY | 1:22:37 | 1:22:40 | |
Artie Shaw! Artie Shaw! | 1:22:40 | 1:22:43 | |
Nobody! | 1:22:43 | 1:22:45 | |
SNORING | 1:22:45 | 1:22:47 | |
Ninety-nine... | 1:22:47 | 1:22:50 | |
A hundred... Take it again. | 1:22:50 | 1:22:53 | |
# I hope in your horoscope There is room for a dope | 1:22:56 | 1:23:02 | |
# Who adores you... # | 1:23:02 | 1:23:04 | |
Vas gut? | 1:23:10 | 1:23:13 | |
Vas purrfect. | 1:23:13 | 1:23:15 | |
Subtitles by John Macdonald, Subtext for BBC Subtitling - 2000 | 1:23:17 | 1:23:22 |