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Johnnie - YELLOW Lina - BLUE | 0:00:09 | 0:00:14 | |
Beaky - GREEN | 0:00:15 | 0:00:18 | |
RUMBLE OF TRAIN | 0:00:55 | 0:00:58 | |
WHISTLE BLOWING | 0:00:58 | 0:01:01 | |
DOOR SLIDING | 0:01:01 | 0:01:03 | |
I beg your pardon, was that your leg? I had no idea we were entering a tunnel. | 0:01:03 | 0:01:11 | |
I'm so sorry, I hope I didn't hurt you. | 0:01:11 | 0:01:15 | |
A man in the next compartment is smoking a vile cigar. | 0:01:15 | 0:01:20 | |
You don't smoke, do you? No, I don't. | 0:01:20 | 0:01:23 | |
Thank goodness. After last night my head couldn't stand it. | 0:01:23 | 0:01:29 | |
Your tickets, please. | 0:01:37 | 0:01:40 | |
Thank you, miss. | 0:01:46 | 0:01:48 | |
I'm afraid you're in the wrong compartment, sir. | 0:01:48 | 0:01:52 | |
It's a first-class compartment. | 0:01:52 | 0:01:55 | |
This is a third-class ticket. What sort of line sells third-class tickets at that price? | 0:01:55 | 0:02:02 | |
I am very sorry, sir. That will be 5/4 extra, sir. | 0:02:02 | 0:02:06 | |
Have you change for a fiver? Yes, sir. Don't bother, I don't have one. | 0:02:06 | 0:02:12 | |
Do you suppose the line will settle for 5/2?? | 0:02:17 | 0:02:21 | |
No, I don't suppose it would. | 0:02:23 | 0:02:26 | |
I hate to presume on our short acquaintance but have you change? I'm afraid... | 0:02:30 | 0:02:37 | |
There you are, that'll do. That stamp. | 0:02:37 | 0:02:40 | |
Thank you very much. | 0:02:40 | 0:02:43 | |
There, 5/2? and three half-pence. | 0:02:43 | 0:02:46 | |
That's 5/4. It's legal tender. | 0:02:46 | 0:02:49 | |
Legal tender. | 0:02:49 | 0:02:51 | |
Write to your mother. | 0:02:54 | 0:02:56 | |
Mr Aysgarth, may I? | 0:03:30 | 0:03:33 | |
Would you step forward, Mrs Fitzpatrick? | 0:03:33 | 0:03:37 | |
Mr Aysgarth, please. | 0:03:37 | 0:03:39 | |
Could I have more of your smile? | 0:03:40 | 0:03:43 | |
Not at this hour of the morning! | 0:03:43 | 0:03:46 | |
Good morning, Johnnie! We were looking for you everywhere. | 0:03:46 | 0:03:51 | |
Excuse me, would you mind? I'm SO sorry. | 0:03:51 | 0:03:56 | |
See you later, Johnnie. Come Alice, Jessie. | 0:03:56 | 0:04:00 | |
They're very bright this morning. | 0:04:00 | 0:04:03 | |
That's good. Very good. Could I have a little smile? You remember? | 0:04:03 | 0:04:09 | |
It can't be the same girl! | 0:04:19 | 0:04:22 | |
Do you know her? Yes, but lay off, Johnnie. You have enough on your hands. | 0:04:24 | 0:04:30 | |
She's not up your alley. I'm bored with people in my alley. Introduce me, please. | 0:04:30 | 0:04:37 | |
No, she's a carefully brought up lady. I'll have to do it myself. | 0:04:37 | 0:04:42 | |
CHURCH BELLS RINGING | 0:04:54 | 0:04:57 | |
Lina, may we come in? I'm sorry, I didn't see you. | 0:05:06 | 0:05:10 | |
May I introduce Mr Aysgarth? | 0:05:12 | 0:05:15 | |
How do you do? How do you do? | 0:05:17 | 0:05:19 | |
We were passing, and Johnnie insisted on meeting you. | 0:05:19 | 0:05:23 | |
Why? | 0:05:23 | 0:05:24 | |
I'm told the sight of an eligible male is a rare treat down here! | 0:05:24 | 0:05:30 | |
Johnnie's terrible! | 0:05:30 | 0:05:32 | |
Hadn't you better hurry? | 0:05:32 | 0:05:35 | |
Hurry for what? For church! | 0:05:35 | 0:05:38 | |
Did you come to take me to church? Well... If you want to come. | 0:05:38 | 0:05:44 | |
We'd love to have you. How kind. I think I WILL come. | 0:05:44 | 0:05:49 | |
Good. Put on that saucy hat you wore on the train. | 0:05:49 | 0:05:53 | |
I will. Excuse me. I'll be down in a moment. | 0:05:53 | 0:05:58 | |
We better sit down, girls. | 0:05:58 | 0:06:01 | |
Where are you rushing to? To church, Mother. | 0:06:15 | 0:06:19 | |
Shall I go with you? No, thank you. I'm going with the Barnhams. But you don't like them! I know. | 0:06:19 | 0:06:21 | |
Shall I go with you? No, thank you. I'm going with the Barnhams. But you don't like them! I know. | 0:06:21 | 0:06:26 | |
Really! Most extraordinary. | 0:06:26 | 0:06:30 | |
You're not really going to church? Certainly I am! We're going for a walk. Don't be ridiculous! | 0:06:55 | 0:07:03 | |
I'll toss you for it. | 0:07:03 | 0:07:05 | |
Mother...! | 0:07:09 | 0:07:11 | |
What did you think I was trying to do? Kill you? | 0:07:21 | 0:07:25 | |
Nothing less than murder could justify such violent self-defence. Let me go. | 0:07:25 | 0:07:32 | |
You thought I was going to kiss you. Weren't you? No. I was trying to fix your hair. | 0:07:32 | 0:07:40 | |
What's wrong with my hair? I'm glad you asked me that. | 0:07:40 | 0:07:46 | |
Are you serious? Of course. | 0:07:46 | 0:07:49 | |
Frankly, I can't understand men like you. You always give me the feeling you're laughing at me. | 0:07:49 | 0:07:56 | |
No, I give you my word. | 0:07:56 | 0:07:59 | |
But your hair's all wrong. It has such wonderful possibilities. | 0:07:59 | 0:08:04 | |
I became a hairdresser just now. What's wrong with it? Let me show you. | 0:08:04 | 0:08:11 | |
Let me see. | 0:08:12 | 0:08:15 | |
Don't do that! Why not? | 0:08:15 | 0:08:17 | |
Because your ucipital mapilary is quite beautiful. What's that? | 0:08:17 | 0:08:23 | |
That. | 0:08:24 | 0:08:26 | |
You don't need to touch it. | 0:08:26 | 0:08:29 | |
You look good. | 0:08:31 | 0:08:33 | |
It must be a novelty by contrast with the women you're photographed with. | 0:08:37 | 0:08:44 | |
How do I compare to your horse? | 0:08:44 | 0:08:47 | |
If I ever got the bit between your teeth I'd have no trouble handling you. | 0:08:47 | 0:08:54 | |
Supposing I turned round, neighed and kissed you? | 0:08:54 | 0:08:58 | |
You've done enough fooling with my hair. | 0:08:58 | 0:09:02 | |
You don't look good like that. Does your family call you monkeyface? | 0:09:04 | 0:09:10 | |
I still think my way was best. | 0:09:12 | 0:09:15 | |
I must go or I'll be late. If my father saw me come in late AND beautiful, | 0:09:20 | 0:09:27 | |
he'd have a stroke. | 0:09:27 | 0:09:29 | |
Please don't bother to come any further. I'll be back at 3 pm. I can't come out this afternoon. | 0:09:36 | 0:09:44 | |
Yes, you can. No, I have to make calls for my mother. Liar. | 0:09:44 | 0:09:49 | |
Don't forget, three o'clock. | 0:09:49 | 0:09:52 | |
MAN'S VOICE: Lina will never marry, she's not the marrying sort. | 0:09:52 | 0:09:58 | |
WOMAN'S VOICE: She IS rather spinsterish. | 0:09:58 | 0:10:02 | |
What's wrong with that? All women are not alike. Lina has intellect and a fine, solid character. | 0:10:02 | 0:10:09 | |
Sorry I'm late. | 0:10:34 | 0:10:36 | |
Could I have some well-done, please? Yes, miss. | 0:10:38 | 0:10:42 | |
What kept you so long at church, dear? I didn't go. I went for a walk. | 0:10:42 | 0:10:49 | |
With a man. | 0:10:49 | 0:10:52 | |
A man? Yes, his name's John Aysgarth. | 0:10:52 | 0:10:54 | |
- John Aysgarth? - Tom Aysgarth's boy? | 0:10:54 | 0:10:57 | |
Pity he's turned out so wild. Rough luck on Tom. | 0:10:58 | 0:11:02 | |
What's this? Horseradish? It's not out of a bottle, is it? | 0:11:02 | 0:11:08 | |
Of course not, dear. | 0:11:08 | 0:11:10 | |
Good. Things out of a bottle never taste the same. | 0:11:10 | 0:11:15 | |
Why did you say Johnnie Aysgarth is wild? | 0:11:15 | 0:11:18 | |
He was turned out of a club for cheating at cards, wasn't he? | 0:11:18 | 0:11:24 | |
I don't know. I didn't ask him. | 0:11:24 | 0:11:26 | |
What's he doing down here? | 0:11:26 | 0:11:29 | |
Staying with Lord Middleham, who wouldn't have invited him if he was a cheat. Maybe it was a woman. | 0:11:29 | 0:11:38 | |
He was a co-respondent, or something, I believe. | 0:11:38 | 0:11:42 | |
I can't remember everything! | 0:11:42 | 0:11:45 | |
I am seeing him again, this afternoon. | 0:11:45 | 0:11:49 | |
You're wanted on the telephone, miss. | 0:11:51 | 0:11:55 | |
Hello, Johnnie. | 0:12:05 | 0:12:07 | |
You can't? | 0:12:08 | 0:12:09 | |
Oh, of course, I understand. | 0:12:11 | 0:12:14 | |
Thank you for calling. | 0:12:14 | 0:12:17 | |
I'd love to, next time you come down again. | 0:12:18 | 0:12:22 | |
Hello? Is Mr John Aysgarth there, please? | 0:12:55 | 0:12:59 | |
Oh, he isn't? Well, I thought perhaps... | 0:13:00 | 0:13:04 | |
Are you expecting him for the Hunt Ball? This is... | 0:13:04 | 0:13:09 | |
It doesn't matter. I'll ring again. | 0:13:09 | 0:13:12 | |
Nothing, Miss McLaidlaw. Are you sure? Positive. | 0:13:13 | 0:13:18 | |
Couldn't it accidentally have been put in someone else's letterbox? | 0:13:18 | 0:13:23 | |
I'm sure it would have been returned if that had happened. Thank you. | 0:13:23 | 0:13:30 | |
Regent OO21, please. | 0:13:36 | 0:13:40 | |
No reply? Thank you. | 0:13:45 | 0:13:48 | |
KNOCK ON DOOR Lina! | 0:14:12 | 0:14:15 | |
Lina! | 0:14:15 | 0:14:17 | |
Hello, Mother. | 0:14:17 | 0:14:19 | |
It's 7 pm. Aren't you going to wear your new dress? | 0:14:21 | 0:14:25 | |
No, Mother, I'm not in the mood. | 0:14:25 | 0:14:29 | |
What's the matter? | 0:14:29 | 0:14:31 | |
Tonight my head's splitting. Mother, I'm not going to the Ball. | 0:14:31 | 0:14:35 | |
Not going? What'll your father say? Perhaps some aspirin? | 0:14:35 | 0:14:41 | |
You haven't a temperature, have you? | 0:14:41 | 0:14:44 | |
KNOCK ON DOOR Come in. | 0:14:44 | 0:14:47 | |
Where is your aspirin? In my bureau. | 0:14:47 | 0:14:51 | |
A telegram, miss. | 0:14:51 | 0:14:53 | |
Here is the aspirin, dear. | 0:15:18 | 0:15:21 | |
What for? Your headache. That's gone. I'll be down soon. | 0:15:21 | 0:15:27 | |
Really, Lina, I don't understand! | 0:15:27 | 0:15:29 | |
I say, Lina, I say! | 0:16:11 | 0:16:14 | |
Yes, Reggie? What about our dance? | 0:16:14 | 0:16:17 | |
Why, of course. Poor Reggie! | 0:16:17 | 0:16:19 | |
Good! | 0:16:19 | 0:16:21 | |
Is that Lina dancing with Wetherby? Yes. | 0:16:25 | 0:16:30 | |
I didn't recognise her. I hardly know her myself. | 0:16:30 | 0:16:34 | |
General, there is someone to see you. | 0:16:36 | 0:16:39 | |
There's a gentleman at the door who says he's with your party. The name is Aysgarth. | 0:16:39 | 0:16:47 | |
Aysgarth? Must be a mistake. | 0:16:47 | 0:16:50 | |
General McLaidlaw? I'm John Aysgarth. | 0:16:51 | 0:16:55 | |
I don't recall inviting you in my party. | 0:16:55 | 0:16:59 | |
I thought you had, or I would never have come from London. | 0:16:59 | 0:17:03 | |
Well, I... I don't know what to say. | 0:17:03 | 0:17:06 | |
I suggest you say something, General. | 0:17:06 | 0:17:09 | |
Hello, Johnnie. Hello, Lina. Hello, Johnnie. | 0:17:15 | 0:17:17 | |
I'm sorry I'm late. I believe it's our dance. | 0:17:17 | 0:17:22 | |
Hello, Monkeyface. Hello. | 0:17:30 | 0:17:33 | |
Hello, Monkeyface. Hello, Johnnie. | 0:17:34 | 0:17:38 | |
But we can't do this! | 0:17:54 | 0:17:56 | |
Where are we going? Which is your car? ..Over there. | 0:17:57 | 0:18:02 | |
Roll up the window before you catch cold. | 0:18:04 | 0:18:08 | |
Have you ever been kissed in a car before? Johnnie. Johnnie what? | 0:18:18 | 0:18:24 | |
I'm no good at joking. I don't know how to flirt. I'm serious! | 0:18:24 | 0:18:30 | |
Have you ever been kissed in a car? Never. | 0:18:30 | 0:18:34 | |
Would you like to be? | 0:18:37 | 0:18:39 | |
Yes. | 0:18:39 | 0:18:41 | |
You're the first woman I've met who said 'yes' when she meant 'yes'. | 0:18:50 | 0:18:56 | |
What do the others say? Anything but 'yes'! | 0:18:56 | 0:19:00 | |
But they kiss you? Usually. | 0:19:00 | 0:19:03 | |
Have there... Have there what, Monkeyface? | 0:19:03 | 0:19:07 | |
Have there been many? I'm afraid so, quite a few. | 0:19:07 | 0:19:11 | |
One night, I started to count them, you know like sheep when you can't sleep. I passed out on number 73. | 0:19:11 | 0:19:19 | |
Are you always as frank with them? No, no, not particularly. | 0:19:19 | 0:19:24 | |
Am I different? No, no, it isn't that. | 0:19:24 | 0:19:28 | |
It's because, with you, I think it's the best way to get results. | 0:19:28 | 0:19:33 | |
I hope I'm not saying the wrong thing... | 0:19:33 | 0:19:37 | |
but I love you. | 0:19:37 | 0:19:40 | |
You haven't said the wrong thing. STARTS CAR | 0:19:42 | 0:19:46 | |
Where are we going? I don't know. Anywhere. | 0:19:46 | 0:19:50 | |
I think I'm falling in love with you, and I don't like it. That's why I stayed away a week. | 0:19:50 | 0:19:57 | |
I didn't think it would happen like this. No, I saw an entirely different sort of person. So did I. | 0:19:57 | 0:20:05 | |
We'd meet at a garden party, and he'd call on me in the evenings. | 0:20:05 | 0:20:12 | |
We're coming to my house. Would you like to stop for a drink? | 0:20:12 | 0:20:17 | |
No, I'm going to get you back to that Ball as fast as possible. | 0:20:17 | 0:20:22 | |
Get out. | 0:20:27 | 0:20:29 | |
Why have you stopped? | 0:20:32 | 0:20:35 | |
I'm sure I don't know. | 0:20:35 | 0:20:37 | |
Well, come on. | 0:20:37 | 0:20:40 | |
I saw you coming up the drive, miss. We stopped for a drink, Burton. | 0:20:46 | 0:20:51 | |
Shall we go in the study? | 0:20:51 | 0:20:54 | |
You sit down and I'll mix you a drink. I think you need one. | 0:20:55 | 0:21:00 | |
You must be made of iron. | 0:21:00 | 0:21:02 | |
Why? How can you be so calm? I'M shaking. | 0:21:02 | 0:21:07 | |
The least you could do is swoon away. I'm surprised, too. | 0:21:07 | 0:21:12 | |
I think it's because, for the first time in my life I know what I want. | 0:21:12 | 0:21:17 | |
Are you courting me? | 0:21:31 | 0:21:33 | |
I'm afraid I am. | 0:21:33 | 0:21:36 | |
This is a wonderful moment. | 0:21:37 | 0:21:40 | |
Here we are in my home, the house that I was born in. | 0:21:40 | 0:21:45 | |
Alone together, in my favourite room. Do you like this room? | 0:21:45 | 0:21:50 | |
Very much. | 0:21:50 | 0:21:52 | |
Well, well, what are YOU doing here? | 0:21:56 | 0:22:00 | |
Oh, I say, old boy, isn't that going a bit too far? | 0:22:03 | 0:22:07 | |
He doesn't like me. I know. | 0:22:07 | 0:22:10 | |
He doesn't trust me from here to there, do you? | 0:22:12 | 0:22:16 | |
You're right! Stop it before it's too late. | 0:22:16 | 0:22:20 | |
Tell her everything you're thinking - that I'm no good to her. Warn her, speak up! | 0:22:20 | 0:22:27 | |
Do you hear him? Very distinctly. | 0:22:28 | 0:22:31 | |
He's not exaggerating a thing, dear. It's all true, every word he isn't saying. | 0:22:31 | 0:22:39 | |
I love him, Father. Did you see him jump? I did. | 0:22:39 | 0:22:43 | |
Well, watch this one. | 0:22:46 | 0:22:49 | |
Sir, I have the honour of asking for your daughter's hand in marriage. | 0:22:49 | 0:22:55 | |
What do you say to that? | 0:22:55 | 0:22:58 | |
My, oh my. | 0:23:00 | 0:23:02 | |
You heard him that time, didn't you? | 0:23:02 | 0:23:06 | |
It doesn't matter. It doesn't matter. Poor Monkeyface. | 0:23:06 | 0:23:10 | |
WALTZ MUSIC PLAYING Do you hear the music? | 0:23:16 | 0:23:20 | |
Very clearly. | 0:23:20 | 0:23:22 | |
Let's dance. Let's dance before I... before we... | 0:23:23 | 0:23:28 | |
Let's dance. | 0:23:28 | 0:23:30 | |
I was just going down to the post. | 0:24:12 | 0:24:15 | |
Could you stop at Marshall's, | 0:24:15 | 0:24:18 | |
and get me some of this green wool? Where did I put it? | 0:24:18 | 0:24:24 | |
Here it is. | 0:24:25 | 0:24:27 | |
Be sure it's the same green. | 0:24:27 | 0:24:30 | |
Yes, Mother. | 0:24:30 | 0:24:32 | |
Is there anything I can do for you, Father? No, dear. | 0:24:38 | 0:24:44 | |
Don't be late for tea, dear. | 0:25:02 | 0:25:05 | |
Oh, that one goes up on the landing. | 0:25:53 | 0:25:57 | |
How do you like it, Mrs Aysgarth? If you don't like it, blame Mr Bailey. | 0:25:57 | 0:26:04 | |
He decorated the place. But, if you do like it... I ADORE it! It's wonderful! | 0:26:04 | 0:26:12 | |
Good, because I engaged Mr Bailey. That's true, I must say, Mr Aysgarth. | 0:26:12 | 0:26:17 | |
Mr Aysgarth, I shall have to be getting along. | 0:26:17 | 0:26:21 | |
What shall we do about the bill? Drop it on that table, old boy. | 0:26:21 | 0:26:26 | |
Yes. Thank you, Mr Aysgarth. | 0:26:26 | 0:26:29 | |
May I wish you both the very best of everything. | 0:26:35 | 0:26:39 | |
Thank you. Goodbye, Mr Bailey. | 0:26:39 | 0:26:42 | |
I never dreamt I'd have such a gorgeous place. Are you sure you can afford it? | 0:26:43 | 0:26:49 | |
Oh, I've forgotten your name. Ethel, sir. | 0:26:49 | 0:26:53 | |
What about tea, Ethel? Very good, sir. | 0:26:53 | 0:26:56 | |
What do you think of Ethel? She seems perfect. | 0:26:56 | 0:27:01 | |
WALTZ MUSIC PLAYING | 0:27:09 | 0:27:12 | |
Where are we? The Hunt Ball. | 0:27:13 | 0:27:16 | |
Where else? Venice. | 0:27:16 | 0:27:18 | |
And? Naples, Capri, Monte Carlo, and Nice. And? Paris. | 0:27:18 | 0:27:24 | |
Paris. Ahem! | 0:27:24 | 0:27:26 | |
A telegram for you, sir. Thank you...Ethel. | 0:27:26 | 0:27:31 | |
It isn't bad news, is it, dear? | 0:27:36 | 0:27:39 | |
Oh, no, it's from an old friend. He wants ?1,000. Could you spare that? What does he want it for? | 0:27:39 | 0:27:47 | |
Probably because I borrowed it from him. Why? | 0:27:47 | 0:27:52 | |
Because I wanted you to be happy on honeymoon. Were you happy? | 0:27:52 | 0:27:57 | |
Didn't you have money of your own? | 0:27:57 | 0:28:00 | |
Not a shilling. | 0:28:00 | 0:28:02 | |
But, I thought... I had the impression... | 0:28:02 | 0:28:05 | |
Don't worry your darling head about it. I'll take care of old Henry. | 0:28:05 | 0:28:12 | |
Johnnie, I still don't understand. Are you broke? | 0:28:12 | 0:28:16 | |
Monkeyface...I've been broke all my life. | 0:28:16 | 0:28:19 | |
Why didn't you tell me? Every time I mentioned... What about this extravagant house? | 0:28:19 | 0:28:26 | |
A girl like you will come into money some day. | 0:28:27 | 0:28:32 | |
I can't quite get this into my head. | 0:28:33 | 0:28:37 | |
Were you thinking of my inheritance when you...? I don't know what to say. Now, darling, really. | 0:28:37 | 0:28:44 | |
It's silly to wait. Why not be comfortable now? | 0:28:44 | 0:28:48 | |
Johnnie...I'm just beginning to understand you. | 0:28:48 | 0:28:53 | |
You're a baby. | 0:28:53 | 0:28:56 | |
I know you didn't marry me for my money. But my income will never pay for all this. | 0:28:56 | 0:29:04 | |
What about your father? | 0:29:05 | 0:29:07 | |
I couldn't possibly ask my father, OR my mother. She was so restrained when she met us at the station. | 0:29:09 | 0:29:17 | |
Anyway, you wouldn't want to live on your wife's allowance? No. | 0:29:17 | 0:29:23 | |
Well, then. | 0:29:23 | 0:29:25 | |
Answer me, Johnnie. | 0:29:25 | 0:29:27 | |
I suppose if the worst comes to the worst...I suppose I'll have to... What? | 0:29:30 | 0:29:37 | |
Well, borrow some more. I haven't touched Middleham yet. | 0:29:37 | 0:29:41 | |
I think you must be mad. | 0:29:43 | 0:29:45 | |
Monkeyface, marrying you was the sanest thing I ever did! | 0:29:45 | 0:29:51 | |
Come on, give it to me. | 0:29:54 | 0:29:57 | |
It's much too heavy for a little girl like you. Clear off the table. | 0:29:57 | 0:30:02 | |
Here, take that. | 0:30:03 | 0:30:06 | |
Is there any cake, Ethel? | 0:30:06 | 0:30:08 | |
Yes, sir. Well, go along and get it. | 0:30:08 | 0:30:12 | |
Thank you. | 0:30:18 | 0:30:20 | |
Johnnie. Uh-huh? | 0:30:22 | 0:30:24 | |
There's to be no more borrowing. You've got to go to work. Work? | 0:30:24 | 0:30:30 | |
Yes. Put on old clothes and go out with a shovel? | 0:30:30 | 0:30:35 | |
Don't be flippant. What DO you mean? | 0:30:35 | 0:30:38 | |
You're a dreamer, darling. Let's be practical about this. | 0:30:39 | 0:30:43 | |
Do you realise that in order to be a plumber or carpenter...? Darling, you haven't been around. | 0:30:43 | 0:30:51 | |
They have to be apprentices, then... There are all sorts of jobs. | 0:30:51 | 0:30:58 | |
Let's have some tea and talk it over. We can make out a list of jobs. Might be fun! | 0:30:58 | 0:31:05 | |
I'll get a pencil and paper. | 0:31:05 | 0:31:08 | |
PHONE RINGS It's there behind you. | 0:31:08 | 0:31:12 | |
Hello? | 0:31:12 | 0:31:14 | |
Hello, Mother. | 0:31:14 | 0:31:16 | |
It's wonderful. A most beautiful house! | 0:31:16 | 0:31:20 | |
Would you tell Father how badly I felt? ..Oh, he is? | 0:31:20 | 0:31:25 | |
Wait a minute till I tell Johnnie. | 0:31:25 | 0:31:28 | |
Father is sending us a wedding present. I can't tell you how much this means to me. Me, too. | 0:31:28 | 0:31:36 | |
..Yes. Father! Yes. | 0:31:36 | 0:31:39 | |
Ask when he's sending it. It's coming by messenger. | 0:31:39 | 0:31:44 | |
Invite them for dinner. Tell him we're job-hunting. Doesn't hurt to impress him. | 0:31:44 | 0:31:51 | |
Johnnie, you ARE the limit! How can you be so gay about something you should be ashamed of? | 0:31:51 | 0:31:59 | |
What, Father? | 0:31:59 | 0:32:01 | |
Johnnie and I were just having a sober and comprehensive talk about that very subject, | 0:32:01 | 0:32:08 | |
and he has ideas on the kind of job he'd like. DOOR OPENS | 0:32:08 | 0:32:14 | |
Messenger from General McLaidlaw. | 0:32:14 | 0:32:17 | |
Bring it in! It's arrived, Father. | 0:32:17 | 0:32:19 | |
I THINK I know what it is. | 0:32:22 | 0:32:26 | |
Johnnie, you'll be thrilled. It IS ! How wonderful! | 0:32:26 | 0:32:31 | |
They've been in the family, years. Father's had offers to sell them, | 0:32:31 | 0:32:36 | |
but he never would. How many more? | 0:32:36 | 0:32:40 | |
Just these two, sir. He's sent both! These are Father's most precious possessions. You don't say. | 0:32:40 | 0:32:49 | |
Our first heirlooms to be handed down to our children, and grandchildren. Indeed. | 0:32:49 | 0:32:55 | |
Father, you're so good to me you make me want to cry. | 0:32:57 | 0:33:01 | |
CHAIR CREAKS | 0:33:02 | 0:33:05 | |
What was that? | 0:33:06 | 0:33:08 | |
Yes, you've made me VERY happy. | 0:33:08 | 0:33:11 | |
You've made Johnnie happy, too. | 0:33:13 | 0:33:15 | |
Just a minute, Father, he wants to say something. | 0:33:15 | 0:33:19 | |
(Say something very nice. These chairs really belong in a museum.) | 0:33:20 | 0:33:26 | |
Hello, General! ..Yes, but shouldn't you have sent them to a museum? We're thrilled! | 0:33:26 | 0:33:33 | |
What? A job? | 0:33:33 | 0:33:35 | |
Lina and I were going into that. I have excellent opportunities. | 0:33:35 | 0:33:41 | |
I've just received a letter from my cousin, Captain Melbeck. | 0:33:41 | 0:33:46 | |
..Yes, he is a splendid chap. | 0:33:46 | 0:33:49 | |
He wants someone to manage his estate. I thought I'd take the job. ..I'm glad you approve. | 0:33:49 | 0:33:56 | |
We'll get together soon. Goodbye, sir. | 0:33:56 | 0:34:00 | |
That was a fib about Captain Melbeck. | 0:34:02 | 0:34:05 | |
Was it? | 0:34:05 | 0:34:08 | |
You had this letter all the time? Yes. Why didn't you tell me? | 0:34:17 | 0:34:22 | |
Because I never dreamed I'd use it, anymore than I dreamed we'd receive these two beautiful chairs. | 0:34:24 | 0:34:31 | |
Hello! Nice place old Johnnie's got here. Old Georgian house? | 0:34:47 | 0:34:52 | |
It would cost a packet to redecorate. | 0:34:52 | 0:34:55 | |
Who are you? I'm Beaky Thwaite. | 0:34:55 | 0:34:58 | |
You must be old Johnnie's wife? Yes, I am. | 0:34:58 | 0:35:01 | |
Didn't he ever tell you about me? Beaky? Oh, you're BEAKY ! | 0:35:02 | 0:35:07 | |
I thought I'd just pop in for a cup of tea. | 0:35:07 | 0:35:11 | |
I've heard so much about you. I ran into Johnnie last week at Newbury races. The races? | 0:35:11 | 0:35:18 | |
I mean, didn't he tell you? | 0:35:18 | 0:35:21 | |
Johnnie has a job. Besides, he's given up betting. He has, has he? Don't you believe it. Not Johnnie. | 0:35:21 | 0:35:30 | |
Don't mind Johnnie cutting up. Besides, he thinks you're a topper. Yes, he does. So do I, what? | 0:35:30 | 0:35:38 | |
Won't you sit down, Mr Thwaite? I don't see why not. | 0:35:38 | 0:35:43 | |
Something wrong? There were two chairs here this morning. | 0:35:43 | 0:35:48 | |
Disappeared, have they? Apparently. Were they expensive? | 0:35:48 | 0:35:53 | |
Yes, they were. They were museum pieces. | 0:35:53 | 0:35:56 | |
That Johnnie! He'll be the death of me. | 0:35:58 | 0:36:01 | |
Don't you understand? No. | 0:36:01 | 0:36:03 | |
I'll bet you Johnnie's sold them. What for? | 0:36:03 | 0:36:07 | |
For money! A fellow must pay his racing debts. | 0:36:07 | 0:36:10 | |
Johnnie dropped a packet of money at Newbury. These bookies don't trust a chap like Johnnie for long. | 0:36:10 | 0:36:18 | |
I don't believe a word you're saying. | 0:36:18 | 0:36:20 | |
Put my foot in it again? You mustn't take it so seriously. | 0:36:20 | 0:36:25 | |
After all, it's Johnnie! Wonderful chap, but I needn't tell you that! | 0:36:25 | 0:36:32 | |
He wouldn't sell them without asking me. | 0:36:32 | 0:36:36 | |
Here he is! Don't tell him I said a word. | 0:36:36 | 0:36:39 | |
If you want to see Johnnie at his best, mention chairs. He'll soon invent a howling lie! | 0:36:39 | 0:36:48 | |
Beaky! | 0:36:48 | 0:36:50 | |
Johnnie, how are you, old bean? I just popped in to see you. | 0:36:50 | 0:36:55 | |
How's my little Monkeyface? Hmm? | 0:36:56 | 0:36:59 | |
What's the matter, darling? Nothing. Why? | 0:36:59 | 0:37:03 | |
Your wife seems to be missing some chairs. Beaky, your pipe is not lit. Let me get a match. | 0:37:03 | 0:37:11 | |
Catch, Beaky! | 0:37:15 | 0:37:17 | |
About those chairs, old bean? | 0:37:17 | 0:37:20 | |
Hmm? The missing chairs. Oh, yes. | 0:37:20 | 0:37:24 | |
I imagine the American took them. American? | 0:37:24 | 0:37:28 | |
Didn't I tell you about him? How stupid of me. | 0:37:28 | 0:37:32 | |
He dropped by about a week ago. Friend of Melbeck. | 0:37:32 | 0:37:36 | |
Go on, old man. Anyway, he admired the chairs. Offered a hundred each for them. Anyone would take that. | 0:37:36 | 0:37:45 | |
I wouldn't. | 0:37:45 | 0:37:47 | |
Oh, wouldn't you really, dear? | 0:37:49 | 0:37:52 | |
Well, that never occurred to me. | 0:37:52 | 0:37:54 | |
In fact, I told him you would. | 0:37:54 | 0:37:57 | |
Why didn't you mention it? Sorry, darling, but I thought I did. | 0:37:57 | 0:38:02 | |
If they're gone, they're gone. They're gone all right! | 0:38:02 | 0:38:07 | |
Shall we...change for dinner? You ARE an angel. | 0:38:07 | 0:38:12 | |
Hold on a minute. He offered a hundred a piece for them? Yes. | 0:38:13 | 0:38:17 | |
Let's see the cheque. He'll send it. | 0:38:17 | 0:38:21 | |
I bet you ?10 to a shilling you wouldn't let your wife ask Melbeck if he saw this American. | 0:38:21 | 0:38:28 | |
Are you implying my husband is a liar? Beaky's only joking. | 0:38:28 | 0:38:33 | |
I prefer jokes on other subjects. | 0:38:33 | 0:38:36 | |
Are you staying for dinner? Dinner? I'm spending the weekend. | 0:38:36 | 0:38:41 | |
Johnnie's friends are welcome as long as they remain Johnnie's friends. | 0:38:41 | 0:38:48 | |
Hello, Isobel. Hello, my dear. | 0:39:01 | 0:39:04 | |
Admiring your display? It's nice, isn't it? | 0:39:04 | 0:39:08 | |
Are you going my way? Yes, I am. | 0:39:08 | 0:39:11 | |
How's Johnnie? He's fine. I've just bought your latest for him. He's read all your stories. | 0:39:11 | 0:39:18 | |
What's the matter? | 0:39:18 | 0:39:20 | |
I-I just remembered something. | 0:39:20 | 0:39:23 | |
Will you excuse me, Isobel? Certainly. | 0:39:23 | 0:39:25 | |
I'll see you for dinner soon? Delighted. Goodbye. | 0:39:25 | 0:39:30 | |
Hello, old girl. | 0:39:34 | 0:39:36 | |
Mr Thwaite, I owe you an apology. | 0:39:36 | 0:39:40 | |
Good! I mean, what for? I'll explain later. | 0:39:40 | 0:39:45 | |
I've done you an injustice. Thanks very much. I forgive you from the bottom of my heart. | 0:39:45 | 0:39:52 | |
You seem hot under the collar. It must be about Johnnie. | 0:39:52 | 0:39:57 | |
Excuse me... You mustn't be angry with Johnnie, it's a waste of time. | 0:39:57 | 0:40:02 | |
If you want to get sore with me that's different. I annoy everyone. | 0:40:02 | 0:40:07 | |
Lina! Beaky! Would you mind? I want to speak to Johnnie alone. Out in the garden? | 0:40:07 | 0:40:14 | |
Hello, hello, hello! Don't move. I must watch the expressions on your faces. | 0:40:14 | 0:40:21 | |
What have you got there? You'll soon find out. | 0:40:21 | 0:40:26 | |
Ethel, what have we got to drink in the house? Gin, brandy, champagne. Bring them all. | 0:40:26 | 0:40:33 | |
Remember that necklace you admired in the shop window? It's yours. | 0:40:33 | 0:40:38 | |
And... No, that's for Ethel. Beaky, a little present for you. | 0:40:38 | 0:40:43 | |
It's a stick. The finest malacca money can buy. Thanks, old bean. | 0:40:43 | 0:40:48 | |
Darling, do you remember this? | 0:40:48 | 0:40:51 | |
I saw the hungry eye you gave it. It's yours! | 0:40:51 | 0:40:55 | |
Some hats for you. I never did like your hats. | 0:40:56 | 0:41:01 | |
Remember that funny little hat you wore? Johnnie... | 0:41:01 | 0:41:05 | |
If you don't like the hats you can return them. | 0:41:05 | 0:41:09 | |
Oh, I've got a little present for myself. | 0:41:09 | 0:41:12 | |
I say, old girl, it's a nice stick. Strong, eh? | 0:41:12 | 0:41:17 | |
Oh, dog, eh? That's right. | 0:41:20 | 0:41:22 | |
But Johnnie, what's this all about? | 0:41:24 | 0:41:27 | |
I backed the winner of the Goodwood Cup. | 0:41:27 | 0:41:31 | |
A 10 - 1 shot, and I had ?200 on him. | 0:41:31 | 0:41:34 | |
Why, that's ?2,000! Beaky, that's amazing! | 0:41:34 | 0:41:37 | |
What? The way you worked that out. That sum. What? You're pulling my leg! | 0:41:37 | 0:41:43 | |
Darling, you're quiet. I suppose you disapprove of my betting? | 0:41:43 | 0:41:48 | |
Not with ?2,000 in her lap! Smile, darling, it's all for you. | 0:41:48 | 0:41:53 | |
Smile, darling. Where did you get ?200? | 0:41:53 | 0:41:58 | |
That's not a very tactful question. Where did you get it? For the chairs. | 0:41:58 | 0:42:04 | |
You gambled all your money on a horse? | 0:42:04 | 0:42:07 | |
Well, I owed the bookies money. You know how bookies are! | 0:42:07 | 0:42:12 | |
I got the ?200 to pay them off, but then along came this hot tip... Give us a smile. | 0:42:12 | 0:42:19 | |
You tickle her chin, I'll make faces. Will that work? | 0:42:19 | 0:42:24 | |
Any smiles? No. Do you know any other tricks? | 0:42:25 | 0:42:29 | |
Yes, I'll make a noise like a duck. | 0:42:29 | 0:42:33 | |
QUACKS Shall I do this at the same time? | 0:42:33 | 0:42:37 | |
QUACKS Come on, dear. | 0:42:37 | 0:42:40 | |
Oh, I forgot something! Look, it's a receipt from a certain shop for a certain pair of chairs. | 0:42:40 | 0:42:49 | |
They'll deliver within the hour. | 0:42:49 | 0:42:51 | |
Oh, look, she's smiling! | 0:42:52 | 0:42:55 | |
By jove, she is. | 0:42:55 | 0:42:57 | |
Well done, old bean. | 0:42:58 | 0:43:00 | |
Look, Ethel's done her stuff. | 0:43:01 | 0:43:04 | |
What about celebrating? Trust Beaky to say the right thing at the right time. Come on, then. | 0:43:04 | 0:43:12 | |
I could do with a pull at the beaker. | 0:43:17 | 0:43:21 | |
Ethel, a present for you. Turn around. | 0:43:21 | 0:43:24 | |
Oh, Mr Aysgarth. | 0:43:25 | 0:43:27 | |
Oh, it's much too good for me. Not for you, Ethel. | 0:43:27 | 0:43:32 | |
Oh, thank you, sir. Don't mention it. | 0:43:32 | 0:43:35 | |
Oh, what will my young man say? | 0:43:35 | 0:43:37 | |
Ethel, don't forget the box. Yes, sir. | 0:43:37 | 0:43:41 | |
And don't forget my hat. Oh, no, sir. | 0:43:41 | 0:43:44 | |
This is yours, old girl. Thank you. | 0:43:44 | 0:43:47 | |
This is yours, old bean. Thank you. | 0:43:47 | 0:43:49 | |
What have you got there, brandy? Just this once. | 0:43:49 | 0:43:53 | |
You know that's not good for you. All right. Oh, maybe just this once. | 0:43:53 | 0:43:59 | |
I drink to the last bet made by Johnnie Aysgarth. To the last bet. | 0:43:59 | 0:44:06 | |
BREAKING GLASS | 0:44:08 | 0:44:11 | |
COUGHING | 0:44:11 | 0:44:13 | |
VIOLENT COUGHING | 0:44:19 | 0:44:22 | |
Johnnie, get some water, quick. | 0:44:24 | 0:44:27 | |
It won't help. I've seen this happen before. | 0:44:27 | 0:44:31 | |
That's no use, darling. It will either kill him, or go away by itself. | 0:44:31 | 0:44:38 | |
S-s-sorry, old bean. | 0:44:48 | 0:44:50 | |
One of these days, it will kill him. | 0:44:53 | 0:44:56 | |
Hello, Mrs Aysgarth. Mrs Newsham. | 0:45:02 | 0:45:05 | |
What a lot of books! Do you read them all? No, they're for Johnnie. | 0:45:05 | 0:45:11 | |
Johnnie? Since when has he...? | 0:45:11 | 0:45:13 | |
Oh, detective stories. Yes, he adores them. | 0:45:13 | 0:45:17 | |
He's settled down to rural life? And it seems to agree with him. | 0:45:17 | 0:45:22 | |
Abandoned all his vices? What vices? | 0:45:22 | 0:45:26 | |
Such as betting at the races, for instance? | 0:45:26 | 0:45:30 | |
He's too busy with his job. | 0:45:30 | 0:45:32 | |
Oh? He must have taken an afternoon off. | 0:45:32 | 0:45:36 | |
He was at the Merchester races on Tuesday. Was he? How interesting! | 0:45:36 | 0:45:41 | |
Good afternoon. | 0:45:41 | 0:45:43 | |
Good afternoon, Mrs Aysgarth. Is Mr Aysgarth in? | 0:46:00 | 0:46:04 | |
Mr Aysgarth? Why, no. | 0:46:04 | 0:46:07 | |
When do you expect him? I couldn't say. Perhaps you'd like to talk to Capt. Melbeck? Please. | 0:46:07 | 0:46:15 | |
Mrs Aysgarth to see you, sir. | 0:46:15 | 0:46:17 | |
Well, come in. | 0:46:18 | 0:46:20 | |
What a pleasure to see you. Good afternoon. Do sit down. | 0:46:21 | 0:46:26 | |
Thank you. | 0:46:26 | 0:46:28 | |
I don't want to impose upon you, but you're Johnnie's cousin as well as his employer, | 0:46:29 | 0:46:37 | |
and I wanted to talk to you as I am so worried. Of course. | 0:46:37 | 0:46:42 | |
But I told him I wouldn't prosecute. | 0:46:42 | 0:46:45 | |
Of course... I don't understand. | 0:46:46 | 0:46:49 | |
I told him I wouldn't prosecute. | 0:46:49 | 0:46:51 | |
What are you talking about? | 0:46:52 | 0:46:54 | |
What reason did he give you when I discharged him? When did you discharge him? | 0:46:54 | 0:47:00 | |
Six weeks ago. | 0:47:00 | 0:47:03 | |
Captain Melbeck, I haven't a very keen sense of humour. | 0:47:04 | 0:47:09 | |
If this is a joke I wish you'd tell me. It's not funny to me. | 0:47:09 | 0:47:14 | |
We had an unexpected audit, and the account showed a deficit of ?2,000. | 0:47:14 | 0:47:20 | |
When I looked into Johnnie's records... | 0:47:20 | 0:47:23 | |
I'm terribly sorry, Mrs Aysgarth, he should have told you. It's perfectly all right. | 0:47:23 | 0:47:30 | |
You say you won't prosecute? Not for the time being. | 0:47:30 | 0:47:30 | |
You say you won't prosecute? Not for the time being. | 0:47:30 | 0:47:35 | |
I'll give him every opportunity of replacing the money, but, after all... | 0:47:35 | 0:47:42 | |
Yes, of course. | 0:47:42 | 0:47:44 | |
Thank you very much, Capt. Melbeck. | 0:47:44 | 0:47:47 | |
Goodbye. | 0:47:51 | 0:47:53 | |
Good afternoon, madam. Is Mr Aysgarth home? No, madam. | 0:47:56 | 0:48:01 | |
DOOR OPENS | 0:49:14 | 0:49:16 | |
Then you've heard? | 0:49:21 | 0:49:24 | |
Yes, I've heard. | 0:49:24 | 0:49:26 | |
I'm terribly sorry, darling. This telegram came from the doctor. It tells how it happened. | 0:49:29 | 0:49:37 | |
"..And to my dear sister, Emily Scudamore I bequeath an annuity of ?1,000. | 0:49:58 | 0:50:05 | |
"To my niece, Miss Elsie Chilling, the sum of ?5,000. | 0:50:05 | 0:50:10 | |
"To my two dear cousins, Robert and Jane Atwood, ?500 each. | 0:50:10 | 0:50:16 | |
"The residue of my estate, my house and property therein, I leave to my beloved wife, Martha. | 0:50:16 | 0:50:24 | |
"I wish that she continue the annual allowance of ?500 to my daughter. | 0:50:24 | 0:50:29 | |
"Also... Also, to my daughter, Lina, | 0:50:29 | 0:50:33 | |
"and her husband, John Aysgarth, I bequeath the portrait of myself, | 0:50:33 | 0:50:38 | |
"painted by the distinguished Sir Joshua Nettlewood." | 0:50:38 | 0:50:43 | |
I could do with a drink. I'll get you one. No, I'll get it myself. | 0:50:48 | 0:50:54 | |
You win, old boy. | 0:51:16 | 0:51:18 | |
Lina. | 0:51:30 | 0:51:32 | |
Yes, dear? | 0:51:32 | 0:51:34 | |
Do you ever have any regrets that we married? Why do you ask? | 0:51:34 | 0:51:39 | |
Your father would have left you more than his portrait if you'd been anybody but Mrs John Aysgarth. | 0:51:39 | 0:51:47 | |
Is that what you meant? You haven't answered. | 0:51:47 | 0:51:52 | |
What about you? Have you any regrets? | 0:51:52 | 0:51:55 | |
Monkeyface, marrying you is the one thing I've never changed my mind about. | 0:51:56 | 0:52:01 | |
Do you really mean that? Yes, I really do. | 0:52:01 | 0:52:04 | |
All I want is to spend the rest of my life with you. If you were to die first... If I died first...? | 0:52:04 | 0:52:12 | |
Listen, what about you? | 0:52:15 | 0:52:18 | |
I couldn't stop loving you if I tried. | 0:52:18 | 0:52:22 | |
Have you tried? | 0:52:22 | 0:52:24 | |
Yes. Once. | 0:52:25 | 0:52:27 | |
When? | 0:52:28 | 0:52:30 | |
When I learned you'd lost your job with Captain Melbeck, | 0:52:30 | 0:52:34 | |
How long have you known? | 0:52:37 | 0:52:39 | |
Since last Friday. | 0:52:39 | 0:52:42 | |
Who told you? Captain Melbeck. I met him. | 0:52:42 | 0:52:45 | |
Did he tell you why? | 0:52:47 | 0:52:49 | |
No. | 0:52:49 | 0:52:51 | |
Suppose you tell me why. | 0:52:51 | 0:52:54 | |
Well, we just didn't get along. | 0:52:54 | 0:52:57 | |
It's quite nice here. Shall we stop and look at the sea? | 0:52:57 | 0:53:02 | |
Why didn't you get along with him? | 0:53:09 | 0:53:11 | |
He's a bit of an old fogey. | 0:53:11 | 0:53:14 | |
I suppose my ideas were too daring for him. | 0:53:14 | 0:53:17 | |
I've always had the notion that the secret of success is to start at the top. | 0:53:17 | 0:53:23 | |
You think I'm talking through my hat? Well, I'm not. The way to make money is to think big. | 0:53:23 | 0:53:30 | |
Look at this view, for instance. Why isn't something done about it? | 0:53:30 | 0:53:36 | |
If I had ?10,000, or better still ?20,000, I could start a development here. | 0:53:36 | 0:53:43 | |
All you need is ?20,000? | 0:53:47 | 0:53:50 | |
Hmm. Or ?30,000. An extra ?10,000 wouldn't hurt a bit. | 0:53:50 | 0:53:57 | |
This is the ground plan, Beaky. We could put a large hotel there? | 0:53:57 | 0:54:03 | |
Yes. Down here we could build beach huts. Beech nuts? Huts. | 0:54:03 | 0:54:08 | |
Hello. What goes on here, anyway? | 0:54:08 | 0:54:10 | |
We're organising a real estate company. We're about to buy a beautiful piece of land. | 0:54:10 | 0:54:18 | |
You'll need financing for all this. Have you found someone to put up the money? | 0:54:18 | 0:54:24 | |
Of course. Who? Me. | 0:54:25 | 0:54:28 | |
Oh, I see. | 0:54:30 | 0:54:32 | |
The idea's mine, but the money's Beaky's. | 0:54:32 | 0:54:35 | |
Beaky borrows against his securities, | 0:54:35 | 0:54:39 | |
then we issue stock and... Let me show you, dear. | 0:54:39 | 0:54:44 | |
The company is going to be in my name. Yes, but... | 0:54:44 | 0:54:48 | |
Look, darling, let me show you how simple it is. | 0:54:48 | 0:54:52 | |
Does Beaky understand it? Perfectly...I think. | 0:54:53 | 0:54:58 | |
Captain Melbeck would like to talk to you, sir. | 0:54:58 | 0:55:03 | |
Oh, thank you, Ethel. | 0:55:04 | 0:55:06 | |
I'll take it in the study. Excuse me. All right, old man. | 0:55:06 | 0:55:11 | |
Now, Beaky, please explain it to me. | 0:55:11 | 0:55:15 | |
Well, you see... I rather like this feeling of big business. | 0:55:15 | 0:55:20 | |
I keep telling you not to worry. I'll be able to repay you in two weeks. | 0:55:21 | 0:55:27 | |
We buy up this land and then we sell part of it. That's 100% profit in no time. | 0:55:27 | 0:55:34 | |
On the other part, we build something. To whom do you sell the land? | 0:55:34 | 0:55:41 | |
That shouldn't be difficult. Isn't it time you grew up? | 0:55:41 | 0:55:46 | |
You're scolding me. You need it. Do I? Yes. Shall I stand in the corner? | 0:55:46 | 0:55:53 | |
Beaky, you're not being fair to Johnnie. That's a bit thick. | 0:55:55 | 0:56:00 | |
Why, he gets a salary, writes his own cheques. Exactly. | 0:56:00 | 0:56:05 | |
What's wrong with that? | 0:56:05 | 0:56:07 | |
Lina's been telling me you're a bit soft in the head. It sounded like that to me. | 0:56:07 | 0:56:14 | |
Beaky, hadn't you better change for dinner? | 0:56:14 | 0:56:18 | |
Darling, Beaky's staying with us for a few days. Thank you. Shan't be a jiffy. | 0:56:18 | 0:56:24 | |
What right have you to interfere in my affairs? | 0:56:26 | 0:56:30 | |
But I wasn't really...I... I was only... You were only what? | 0:56:30 | 0:56:36 | |
I was only telling Beaky he shouldn't leave everything to you. | 0:56:37 | 0:56:42 | |
He should take responsibility, too. You're not experienced business men. | 0:56:42 | 0:56:48 | |
What the devil do you know about business? Very little. | 0:56:48 | 0:56:53 | |
You might have ruined the scheme. But if it weren't any good? That's MY business, not YOURS. | 0:56:53 | 0:57:01 | |
If I say it's good, it's good. | 0:57:01 | 0:57:04 | |
I'm going through with this deal, and I don't want any interference from anyone! Is that clear? Yes. | 0:57:04 | 0:57:11 | |
Hello, Monkeyface. You frightened me. I didn't see you come. | 0:57:21 | 0:57:26 | |
I thought you might like to know, I'm calling off the real estate plan. Why? What happened? Nothing. | 0:57:28 | 0:57:34 | |
Does Beaky know about this? No. Not yet. | 0:57:34 | 0:57:38 | |
Why are you doing it? I don't know. Perhaps the land isn't any good. | 0:57:38 | 0:57:43 | |
Or perhaps I don't like the idea of risking Beaky's money, or perhaps I'm too lazy. | 0:57:43 | 0:57:50 | |
Are you still angry over last night? No, I'm not angry. | 0:57:50 | 0:57:55 | |
Are you sure? You've never spoken so sharply to me before and I was afraid... Afraid of what? | 0:57:55 | 0:58:02 | |
I was afraid you'd stop loving me. | 0:58:02 | 0:58:06 | |
No, Monkeyface, I'm not angry, and I love you very much. | 0:58:06 | 0:58:11 | |
Every time I play anagrams, I can only make 3-letter words. | 0:58:22 | 0:58:27 | |
D-o-u-b. No such word. Doubt. | 0:58:27 | 0:58:31 | |
F-u-l. Doubtful. Thank you, old girl. | 0:58:31 | 0:58:34 | |
If you say there's no good going ahead, don't let's do so. | 0:58:34 | 0:58:39 | |
I still don't understand why we have to look at it. | 0:58:39 | 0:58:44 | |
I won't be responsible for calling the scheme off, | 0:58:44 | 0:58:48 | |
without first proving to you it's no good. If you say it's no good, that satisfies me. | 0:58:48 | 0:58:57 | |
After all, it was your idea. | 0:58:57 | 0:59:00 | |
Go up there early tomorrow and look. | 0:59:00 | 0:59:03 | |
Why so insistent? Because I won't be responsible. | 0:59:03 | 0:59:07 | |
That's a long one. There's no such word. | 0:59:07 | 0:59:12 | |
I don't want to go up there in the morning. It will be cold. | 0:59:12 | 0:59:17 | |
Oh, well, what time do we start? | 0:59:17 | 0:59:20 | |
With an 'ER' I could make that 'murderer'. | 0:59:20 | 0:59:24 | |
I'd say about seven o'clock. | 0:59:24 | 0:59:27 | |
Is Mr Aysgarth having breakfast? No, ma'am. He left about two hours ago in Mr Thwaite's car. | 1:00:33 | 1:00:41 | |
WHISTLING | 1:02:43 | 1:02:46 | |
Put in the plug now. | 1:03:15 | 1:03:18 | |
How's that, old bean? | 1:03:18 | 1:03:21 | |
Hello, old girl. Hello, darling. | 1:03:26 | 1:03:29 | |
WALTZ MUSIC ON VICTROLA | 1:03:34 | 1:03:37 | |
Well, well, what's all this? I've only been away a few hours. It seems like a thousand years. | 1:03:40 | 1:03:48 | |
I feel that, too. It was nothing. I came very close to losing my life! | 1:03:48 | 1:03:54 | |
You nearly lost your life? Very close to it. | 1:03:55 | 1:04:00 | |
Let's drop the subject. No. Go on, Beaky. | 1:04:00 | 1:04:04 | |
We were on top of the cliff. I agreed with Johnnie about the soil. | 1:04:04 | 1:04:10 | |
I was trying to turn my car near the edge of the cliff. Was Johnnie in the car? No. | 1:04:10 | 1:04:17 | |
It's not worth talking about. | 1:04:17 | 1:04:20 | |
I didn't realise I was backing the car up to the edge, but I was. | 1:04:20 | 1:04:25 | |
If Johnnie hadn't grabbed the brake I'd be in Kingdom come. | 1:04:25 | 1:04:29 | |
Johnnie saved your life. He did! Came jolly close to losing his own, too. | 1:04:29 | 1:04:36 | |
You don't know how much this means to me. | 1:04:36 | 1:04:39 | |
It means a good bit to me, too. The old fellow deserves a reward. | 1:04:39 | 1:04:45 | |
How about a night out? Aren't you going to Paris, Beaky? Paris? | 1:04:45 | 1:04:50 | |
I've got to cancel the arrangements for my securities. | 1:04:50 | 1:04:54 | |
Why don't you come over with me? | 1:04:55 | 1:04:57 | |
You forget I'm a married man. But I might drive up to London and have that evening out. | 1:04:57 | 1:05:05 | |
How about that? Do let him come! | 1:05:05 | 1:05:08 | |
Well, it seems to me... That I should look for a job. But I'd have more chance in London. | 1:05:08 | 1:05:16 | |
Yes, he would. Do let him come! I don't see how I can stop him! | 1:05:16 | 1:05:21 | |
Pity you won't come to Paris. | 1:05:21 | 1:05:24 | |
Did I tell you what happened to me last time I was in Paris? | 1:05:24 | 1:05:29 | |
I met the most charming girl. I gave her a spot of dinner. It wasn't till later... Ahem! | 1:05:29 | 1:05:37 | |
Sorry, old bean. Sorry, old girl. | 1:05:37 | 1:05:40 | |
Nearly put my foot in it again, have I? | 1:05:41 | 1:05:45 | |
DOG BARKS | 1:05:56 | 1:05:58 | |
An Inspector Hodgson is here. In Mr Aysgarth's absence he wants to speak to you. | 1:06:02 | 1:06:09 | |
Show him to the study, will you, Ethel, please? Very good, madam. | 1:06:13 | 1:06:18 | |
Come this way, please. Thank you. | 1:06:24 | 1:06:27 | |
Mrs Aysgarth? | 1:06:35 | 1:06:38 | |
I am Inspector Hodgson. We're from the county police. This is Mr Benson. How do you do? | 1:06:38 | 1:06:46 | |
Won't you sit down? Thank you. | 1:06:46 | 1:06:49 | |
I believe your husband's not in? No, he's been in London two days. | 1:06:49 | 1:06:54 | |
I thought you might be able to help us. Of course. | 1:06:54 | 1:06:58 | |
Won't you have some tea? No, thank you. | 1:06:58 | 1:07:02 | |
I believe you know a Mr Thwaite? Yes. He's a friend of my husband's. | 1:07:02 | 1:07:07 | |
I don't know how to put it, quite. | 1:07:07 | 1:07:09 | |
Perhaps it would be easier if I showed you today's paper. | 1:07:10 | 1:07:15 | |
Excuse me, please. | 1:07:16 | 1:07:19 | |
I'm sorry. This is... The shock. You see... | 1:07:54 | 1:07:59 | |
We knew him so very well. | 1:07:59 | 1:08:01 | |
I'm sorry, ma'am, but our enquiries are on behalf of the Paris police. | 1:08:01 | 1:08:06 | |
They found papers on Mr Thwaite which indicated he'd just formed a corporation with your husband. | 1:08:06 | 1:08:15 | |
What do the French police believe caused the death? | 1:08:17 | 1:08:21 | |
This is a copy of a telegram we received from Paris. | 1:08:21 | 1:08:26 | |
"Thwaite visited the place in another Englishman's company. | 1:08:31 | 1:08:36 | |
"Both men had been drinking. On arrival, Thwaite ordered a bottle of brandy. | 1:08:36 | 1:08:43 | |
"According to a waiter, Thwaite's companion asked for the brandy to be served in large beakers. | 1:08:43 | 1:08:50 | |
"Apparently as a result of a bet, Thwaite filled one of these beakers to the brim, and drank it all. | 1:08:50 | 1:08:58 | |
"The other man left minutes before the actual tragedy happened. | 1:08:58 | 1:09:03 | |
"French police have not succeeded in establishing his identity. | 1:09:03 | 1:09:09 | |
"According to the waiter, who has a slight understanding of English, | 1:09:09 | 1:09:13 | |
"his name would appear to be Awlbeam or Holebeam." | 1:09:13 | 1:09:18 | |
I'm sorry to upset you, but do you know of any friend of Mr Thwaite's who'd answer to such a name? | 1:09:18 | 1:09:27 | |
Perhaps Mrs Aysgarth could enlighten us about this corporation. I believe I can. | 1:09:27 | 1:09:35 | |
They did not go into real estate, and Mr Thwaite went to Paris to dissolve the corporation. | 1:09:35 | 1:09:43 | |
He apparently died before he could do this. | 1:09:43 | 1:09:47 | |
Any further questions? No, thank you. | 1:09:47 | 1:09:50 | |
Thank you very much, Mrs Aysgarth. Thank you. | 1:09:50 | 1:09:54 | |
Oh, I-I'm sorry. | 1:10:02 | 1:10:04 | |
When does Mr Aysgarth return? This evening. | 1:10:10 | 1:10:14 | |
Would you ask him to ring me? Of course. | 1:10:15 | 1:10:18 | |
Goodbye, Inspector Hodgson. Goodbye. | 1:10:18 | 1:10:21 | |
Benson! Oh... Goodbye, Mrs Aysgarth. | 1:10:21 | 1:10:25 | |
He didn't go to Paris. | 1:11:02 | 1:11:04 | |
He didn't go to Paris, I tell you! | 1:11:04 | 1:11:07 | |
PHONE RINGS Hogarth Club. | 1:11:13 | 1:11:17 | |
May I speak to Mr Aysgarth, please? | 1:11:17 | 1:11:20 | |
When do you expect him? | 1:11:20 | 1:11:23 | |
He left yesterday morning? | 1:11:23 | 1:11:26 | |
No, it doesn't matter, thank you. | 1:11:26 | 1:11:29 | |
Hello, Monkeyface. | 1:11:52 | 1:11:55 | |
You've read about Beaky, have you? | 1:12:05 | 1:12:08 | |
I was terribly fond of Beaky. | 1:12:10 | 1:12:12 | |
Were you? | 1:12:12 | 1:12:15 | |
Yes, dear. I loved that silly, good-hearted fool. | 1:12:15 | 1:12:19 | |
Did you? | 1:12:19 | 1:12:21 | |
Of course I did. Next to you, I loved him more than anybody. | 1:12:21 | 1:12:26 | |
Next to me... | 1:12:26 | 1:12:28 | |
Poor Monkeyface. | 1:12:28 | 1:12:31 | |
Here I am thinking only of myself and forgetting about you. You liked him, too. | 1:12:32 | 1:12:38 | |
I liked him very much. | 1:12:39 | 1:12:42 | |
The police were here. | 1:12:43 | 1:12:46 | |
What did they want? | 1:12:47 | 1:12:50 | |
They wanted you to help them. | 1:12:50 | 1:12:52 | |
They had a telegram from Paris. | 1:12:53 | 1:12:55 | |
There was an Englishman who made a bet. | 1:12:55 | 1:12:59 | |
Yes, the whole story was in the late edition. What else? | 1:12:59 | 1:13:03 | |
The Inspector wants you to phone him. | 1:13:03 | 1:13:07 | |
He thought perhaps you could help identify this Englishman. | 1:13:07 | 1:13:11 | |
What did you tell them? Did you mention the corporation? | 1:13:15 | 1:13:20 | |
Naturally. I told them that Beaky was planning to dissolve it... | 1:13:20 | 1:13:25 | |
I wish you'd left all that to me. What else did you tell them? | 1:13:27 | 1:13:32 | |
That's about all. I said I expected you from London at any moment. | 1:13:32 | 1:13:39 | |
Hello? Hello, Wickstead Police Station, please. | 1:13:46 | 1:13:50 | |
Hello. Hello, Inspector. | 1:13:53 | 1:13:55 | |
This is John Aysgarth. I've just got home. | 1:13:55 | 1:13:59 | |
I drove up to London with him on Tuesday. We dined at the Savoy. | 1:14:00 | 1:14:05 | |
..Yes. Then I saw him off at Croydon Airport. | 1:14:05 | 1:14:08 | |
No, I stayed in London until this afternoon. | 1:14:10 | 1:14:14 | |
At my club. Yes. | 1:14:14 | 1:14:17 | |
Yes. | 1:14:18 | 1:14:20 | |
Not at all, Inspector. | 1:14:21 | 1:14:24 | |
Isobel? | 1:14:45 | 1:14:47 | |
Lina, how nice! I don't see as much of you as I'd like. | 1:14:47 | 1:14:52 | |
How sweet of you. I was so interested in your last book, I had to talk to you about it. | 1:14:52 | 1:15:00 | |
What a thrilling compliment! | 1:15:00 | 1:15:02 | |
Had your tea? Yes, I have, thank you. | 1:15:04 | 1:15:07 | |
I never knew you were a murder story fan. Neither did I until now. | 1:15:07 | 1:15:12 | |
Did you really like it? I was fascinated by your villain... | 1:15:12 | 1:15:16 | |
My hero, you mean. I always think of my murderers as my heroes. You were saying? | 1:15:16 | 1:15:24 | |
When he enticed his victim across the bridge, knowing it was sawn... AND his victim couldn't swim. | 1:15:24 | 1:15:32 | |
Would you call that an actual murder? From a moral standpoint, it IS murder. | 1:15:32 | 1:15:41 | |
Oh, I suppose it is. | 1:15:41 | 1:15:44 | |
What does Johnnie think? Johnnie? I haven't discussed it with him. | 1:15:44 | 1:15:49 | |
It's the same situation with this friend of his. The same? | 1:15:49 | 1:15:54 | |
That brandy business is just like my footbridge. Was it an accident? This brandy thing isn't new at all. | 1:15:54 | 1:16:02 | |
It's been done before? And in real life, too. | 1:16:02 | 1:16:06 | |
I have it here. Richard Palmer got rid of one victim that way. | 1:16:06 | 1:16:11 | |
A man called Abbey. Was he hanged? | 1:16:11 | 1:16:13 | |
"Trial of Richard Palmer." Where can it be? | 1:16:13 | 1:16:18 | |
The fool got bored with brandy, and went on with poison. | 1:16:18 | 1:16:23 | |
He WAS a fool. Maybe I put it under the 'T's'. | 1:16:23 | 1:16:27 | |
If he had stuck to brandy... That's interesting! | 1:16:27 | 1:16:31 | |
Suppose I ask my brother? He's the Home Office analyst. | 1:16:31 | 1:16:36 | |
Conducts post mortems and all that. | 1:16:36 | 1:16:38 | |
It really doesn't matter, Isobel. | 1:16:38 | 1:16:41 | |
It's not important. T - T - T. I don't want to trouble you. | 1:16:41 | 1:16:46 | |
Now I remember! It's in your own house. What is? | 1:16:46 | 1:16:51 | |
"The Trial of Richard Palmer". Johnnie borrowed it two weeks ago. | 1:16:51 | 1:16:56 | |
Goodbye, Isobel. Goodbye, my dear. | 1:16:56 | 1:16:58 | |
TELEPHONE RINGS | 1:18:02 | 1:18:06 | |
Hello. | 1:18:07 | 1:18:09 | |
No, he isn't in. This is Mrs Aysgarth. | 1:18:09 | 1:18:12 | |
This is the Guarantors Assurance Company. Would you tell Mr Aysgarth he should get our reply tomorrow? | 1:18:12 | 1:18:22 | |
Yes, I will. Thank you. | 1:18:22 | 1:18:24 | |
KNOCK ON DOOR | 1:18:42 | 1:18:44 | |
Good morning, madam. | 1:18:45 | 1:18:47 | |
Morning. Are there any letters? Three for Mr Aysgarth and a magazine for you, ma'am. | 1:18:47 | 1:18:55 | |
Hello, Ethel. Hello, I've brought your morning tea and the post. | 1:19:08 | 1:19:13 | |
Hello, darling. Any letters for me? | 1:19:13 | 1:19:16 | |
Three. | 1:19:16 | 1:19:18 | |
Thank you, dear. | 1:19:23 | 1:19:25 | |
Well, well, well. Good news? | 1:20:07 | 1:20:11 | |
I've got a letter from old Spotty. He's going to India. | 1:20:11 | 1:20:15 | |
What a life! Says he wishes he had time to pop down and see us. | 1:20:15 | 1:20:20 | |
Oh, dear me. Poor old Spotty. | 1:20:21 | 1:20:24 | |
Oh, well. | 1:20:25 | 1:20:27 | |
Do you mind if I take my bath before you, dear? No, dear. | 1:20:28 | 1:20:33 | |
DOOR OPENS | 1:20:41 | 1:20:43 | |
May I have some more soap, Monkeyface? | 1:20:43 | 1:20:47 | |
Yes, there's some in the cupboard above the washbasin. | 1:20:48 | 1:20:53 | |
Darling, you're not shivering, are you? I've a bit of a chill. | 1:21:13 | 1:21:18 | |
Cold in all this sunshine? Let me warm you up. How do you feel now? Better? Much. | 1:21:18 | 1:21:25 | |
Perhaps this will help. | 1:21:25 | 1:21:28 | |
Darling, what are we doing tonight? | 1:21:31 | 1:21:34 | |
We're going to Isobel's to dine. What a bore. | 1:21:34 | 1:21:37 | |
GENERAL CONVERSATION | 1:21:46 | 1:21:49 | |
In your book, you say the fellow comes into the room, | 1:21:49 | 1:21:54 | |
locks it and strums the piano. Then someone shoots him? | 1:21:54 | 1:21:59 | |
Why lock the door just to play the piano? | 1:21:59 | 1:22:04 | |
Was he ashamed of his playing? | 1:22:04 | 1:22:07 | |
No, a certain note on the piano was wired to a revolver. When the victim struck the note...! | 1:22:07 | 1:22:14 | |
I don't care for that. You're slipping. | 1:22:14 | 1:22:18 | |
Why? It's too complicated. It should be simpler. | 1:22:18 | 1:22:23 | |
Am I right, Dr Sedbusk? | 1:22:23 | 1:22:25 | |
You're right, as long as you don't get caught. | 1:22:25 | 1:22:28 | |
Do the wine, Phil? Yes, Issie. | 1:22:28 | 1:22:31 | |
How would you do it simply? I'd use the most obvious method. | 1:22:31 | 1:22:36 | |
It's important not to be suspected. For instance? ..Poison. | 1:22:36 | 1:22:42 | |
Use the first one that came to mind say, arsenic. | 1:22:42 | 1:22:45 | |
Ahhh, arsenic! I remember... | 1:22:45 | 1:22:49 | |
in Gloucester where we exhumed the body, four years after, | 1:22:49 | 1:22:55 | |
and there was still enough poison, even in the hair. But did you get the murderer? | 1:22:55 | 1:23:01 | |
Let me see... No, I don't think we did. | 1:23:01 | 1:23:05 | |
This very minute there are hundreds of people who have committed murder | 1:23:05 | 1:23:11 | |
and are walking about freely. | 1:23:11 | 1:23:14 | |
Do you suppose those murderers are happy? | 1:23:14 | 1:23:17 | |
I don't see why they shouldn't be. Fear of discovery, my lad. | 1:23:17 | 1:23:22 | |
So long as the tiniest hair from your head can be identified... | 1:23:22 | 1:23:27 | |
Surely by now there exists a poison that can't be traced? | 1:23:27 | 1:23:31 | |
What about it, Doctor? | 1:23:34 | 1:23:36 | |
A very interesting corpse dropped in the other day. | 1:23:36 | 1:23:41 | |
No, please, I saw that look you exchanged. There IS an untraceable poison, isn't there? | 1:23:41 | 1:23:48 | |
No such thing. I bet you know, Doctor. | 1:23:48 | 1:23:51 | |
What is it? Not in a million years. | 1:23:51 | 1:23:54 | |
Come. After all, do I look like a murderer? | 1:23:54 | 1:23:58 | |
That's interesting. What do you think, Issie? | 1:23:58 | 1:24:01 | |
Issie can always tell if a person is capable of murder, by their face. | 1:24:01 | 1:24:06 | |
I usually can. | 1:24:06 | 1:24:09 | |
You couldn't hurt a fly, Bertram, unless it was already dead. | 1:24:09 | 1:24:14 | |
What about Mrs Aysgarth? I'm afraid not. | 1:24:14 | 1:24:19 | |
Lina hasn't got the nerve, any more than I have. As for you! | 1:24:19 | 1:24:25 | |
Trying to look mysterious! You couldn't commit a murder if you tried. | 1:24:25 | 1:24:31 | |
No, I don't believe I could. | 1:24:33 | 1:24:36 | |
Johnnie, you're locking up. What about Ethel? | 1:24:40 | 1:24:44 | |
Ethel won't be back till morning. | 1:24:44 | 1:24:47 | |
What about Cook? Have you forgotten? Cook's away on a holiday. | 1:24:47 | 1:24:54 | |
Darling, you're shivering again. Do you think you're catching cold? | 1:25:25 | 1:25:30 | |
I think that's what it must be. | 1:25:30 | 1:25:33 | |
We'll have to tuck you into bed. Take off your coat. Please don't. | 1:25:33 | 1:25:39 | |
This reminds me of the day we first met, when you wouldn't let me undo your blouse's top button. | 1:25:39 | 1:25:47 | |
I shall never forget it. | 1:25:49 | 1:25:51 | |
Well, get undressed, old girl, what are you waiting for? Johnnie, I'd like to be alone tonight. | 1:25:55 | 1:26:02 | |
Would you mind sleeping in your dressing room? | 1:26:02 | 1:26:06 | |
Of course I'd mind. | 1:26:07 | 1:26:10 | |
Please, Johnnie, I haven't been sleeping well lately. | 1:26:10 | 1:26:15 | |
I understand. You used to sleep badly when I wasn't here, and now... | 1:26:15 | 1:26:21 | |
All right. If that's the way you feel about it. Good night. | 1:26:21 | 1:26:26 | |
Feeling better? Yes, thank you. | 1:26:51 | 1:26:54 | |
Hello, Isobel. | 1:26:54 | 1:26:57 | |
How are you, my dear? All right. | 1:26:57 | 1:27:00 | |
I've been asleep all day, haven't I? | 1:27:00 | 1:27:04 | |
Isobel's brother gave you a sleeping pill this morning. Your nerves seemed to be all upset. | 1:27:04 | 1:27:11 | |
Bertram had a look at you, although he doesn't usually attend living people. He said you needed sleep. | 1:27:11 | 1:27:18 | |
I'll run down and tell Ethel to fix something for your supper. | 1:27:18 | 1:27:24 | |
He's one in a million, your Johnnie. Isn't he? | 1:27:27 | 1:27:32 | |
Have you been here all afternoon? | 1:27:32 | 1:27:34 | |
Naturally. And I warn you, if you leave me much longer with Johnnie, my career will soon be over. | 1:27:34 | 1:27:42 | |
He flirted with you, I suppose? Worse than that! He's worming all my secrets out of me. | 1:27:42 | 1:27:49 | |
I suspect him of writing a detective story. | 1:27:49 | 1:27:53 | |
What secrets? He's always pestering me. I always swear I won't tell him, but I do. | 1:27:53 | 1:28:00 | |
Did you tell him anything today? Did I? Bertram was furious. Said he'd never confide in me again. | 1:28:00 | 1:28:08 | |
But honestly, have YOU ever been able to deny Johnnie anything? No. | 1:28:08 | 1:28:13 | |
It was about that poison, wasn't it? Don't remind me! I'm ashamed and mortified. | 1:28:13 | 1:28:20 | |
If he writes a story on that one before I do, I'll deserve it. | 1:28:20 | 1:28:25 | |
Imagine, a substance in daily use. Anyone can lay his hands on it. | 1:28:25 | 1:28:30 | |
And, within a minute after taking, the victim's out of the way. It's undetectable after death. | 1:28:30 | 1:28:38 | |
Is whatever it is, painful? | 1:28:39 | 1:28:42 | |
Not in the least. In fact, I think it would be a most pleasant death. | 1:28:42 | 1:28:47 | |
Good night, Lina. | 1:29:58 | 1:30:00 | |
You're still annoyed with me, aren't you? | 1:30:34 | 1:30:38 | |
No, I still don't feel well, that's all. | 1:30:38 | 1:30:41 | |
And a few days at your mother's would do more good than staying at home! Mother telephoned me... | 1:30:41 | 1:30:48 | |
She got on the phone awfully early. Mother gets up early. | 1:30:48 | 1:30:53 | |
I happened to mention I was a bit nervy, and I agreed to spend a few days with her. | 1:30:53 | 1:31:00 | |
All right. I'll get the car ready. Oh no, I'll drive myself. I prefer to drive you. | 1:31:00 | 1:31:06 | |
I think I'll take the short cut. | 1:32:05 | 1:32:07 | |
Johnnie! | 1:32:11 | 1:32:13 | |
Aaaaah! | 1:32:13 | 1:32:15 | |
Johnnie. Johnnie! | 1:32:15 | 1:32:17 | |
Aaargh! SCREECH TO A HALT | 1:32:18 | 1:32:21 | |
Lina, what's got into you? Lina! | 1:32:22 | 1:32:25 | |
Stop it! I've had enough! How much do you think a man can bear? | 1:32:25 | 1:32:31 | |
You shrink away from me as if you hated me! | 1:32:31 | 1:32:35 | |
You almost killed us back there, because you pulled away when I was trying to save you from falling out | 1:32:35 | 1:32:43 | |
You don't have to put up with me any more. | 1:32:44 | 1:32:47 | |
Johnnie, where are you going? | 1:32:47 | 1:32:49 | |
First, I'm taking you to your mother's. Then what? I won't bother you again. | 1:32:49 | 1:32:55 | |
Johnnie, you mean you're going to... Johnnie! | 1:32:55 | 1:33:00 | |
Why were you asking about the poison? | 1:33:00 | 1:33:03 | |
Johnnie, you were going to kill yourself! | 1:33:03 | 1:33:07 | |
Yes, but I saw that was a cheap way out. | 1:33:07 | 1:33:11 | |
So I'm going to see it out. Prison term as well. Prison? The money? | 1:33:11 | 1:33:16 | |
I can't pay it back. I tried when I went with Beaky. | 1:33:16 | 1:33:20 | |
To Paris? I went to Liverpool. I tried to borrow on your insurance but it didn't work. Liverpool! | 1:33:20 | 1:33:28 | |
You didn't go to Paris? Of course not! | 1:33:28 | 1:33:31 | |
Think I'd have let some idiot give Beaky that brandy? | 1:33:31 | 1:33:36 | |
Johnnie, if I'd only known! It's my fault, too. | 1:33:36 | 1:33:40 | |
I was only thinking of myself, not your ordeal. | 1:33:40 | 1:33:44 | |
If I'd been really close to you you could have confided in me! | 1:33:44 | 1:33:49 | |
But you were ashamed to come to me. If I'd only understood, Johnnie. | 1:33:49 | 1:33:54 | |
But we'll make it different now. | 1:33:54 | 1:33:57 | |
People don't change overnight, Lina. I'm no good! | 1:33:57 | 1:34:01 | |
Let's turn back. Let's go home and see it through together. No. | 1:34:01 | 1:34:07 | |
It won't work. It will work! I know it will. | 1:34:07 | 1:34:11 | |
This isn't your problem, Lina. | 1:34:11 | 1:34:14 | |
But it IS ! You can't shut me out! | 1:34:14 | 1:34:16 | |
Turn the car around and let's go home. Please, Johnnie. No, Lina, no. | 1:34:16 | 1:34:23 | |
My darling... | 1:34:24 | 1:34:26 | |
Subtitles by Hazel Nairn. BBC Scotland. | 1:34:55 | 1:34:58 | |
So, heart-shaped box of slugs... | 1:35:25 | 1:35:27 | |
Ooh! Skunk-scented candle! | 1:35:27 | 1:35:29 | |
Mmm! | 1:35:29 | 1:35:30 | |
There may not be Easter eggs... | 1:35:30 | 1:35:32 | |
One free foot massage. A mud facial! | 1:35:32 | 1:35:34 | |
Coupons! | 1:35:34 | 1:35:35 |