Browse content similar to The Aviator. Check below for episodes and series from the same categories and more!
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WATER TRICKLES | 0:00:49 | 0:00:51 | |
Q-U-A-R... | 0:01:08 | 0:01:12 | |
..A-N-T... | 0:01:15 | 0:01:17 | |
..I-N-E. | 0:01:19 | 0:01:21 | |
Quarantine. | 0:01:25 | 0:01:27 | |
Q-U-A-R... | 0:01:27 | 0:01:30 | |
..A-N-T... | 0:01:33 | 0:01:36 | |
..I-N-E. | 0:01:36 | 0:01:39 | |
Quarantine. | 0:01:40 | 0:01:42 | |
-You know the cholera? -Yes, Mother. | 0:01:42 | 0:01:45 | |
-You've seen the signs on the houses where the coloureds live? -Yes. | 0:01:45 | 0:01:49 | |
-You know the typhus? -I do, Mother. | 0:01:49 | 0:01:53 | |
You know what they can do to you? | 0:01:55 | 0:01:58 | |
Yes, Mother. | 0:01:58 | 0:02:01 | |
You are not safe. | 0:02:04 | 0:02:06 | |
AEROPLANE ENGINE ROARS | 0:02:09 | 0:02:11 | |
You're directing this movie, Howard, but what you're asking, we can't do. | 0:02:12 | 0:02:16 | |
Don't tell me I can't do it or it can't be done! | 0:02:16 | 0:02:19 | |
The gyro forces are too much. You send these planes into... | 0:02:19 | 0:02:23 | |
It's the goddamn climax of the picture! You make it work! | 0:02:23 | 0:02:27 | |
Decrease the vertical trajectory. It won't stall. I've done it. | 0:02:27 | 0:02:32 | |
-We're short two cameras. We need to cut... -We're not cutting anything. | 0:02:32 | 0:02:36 | |
-I'll get those cameras. -Mr Hughes, I'm Noah Dietrich. | 0:02:36 | 0:02:40 | |
-Your office said I might find you here. -You're a man on the come. | 0:02:40 | 0:02:44 | |
I read your resume. You know what I'm looking for? | 0:02:44 | 0:02:48 | |
You're looking for a second in command of Hughes Tools, | 0:02:48 | 0:02:51 | |
someone to oversee the financial aspects. | 0:02:51 | 0:02:54 | |
I looking for somebody to run it. You only need to know one thing - | 0:02:54 | 0:02:59 | |
my folks, they're gone now, so it's my money. | 0:02:59 | 0:03:02 | |
What I choose to do may seem crazy to those sons of bitches in Houston, | 0:03:02 | 0:03:06 | |
and I'm sure it does, but it all makes good sense to me. | 0:03:06 | 0:03:09 | |
-Got it. -Good. | 0:03:09 | 0:03:11 | |
You made what, 5,200 a year your last job? I'll pay you 10,000. | 0:03:11 | 0:03:15 | |
Guess I'll be working twice as hard. | 0:03:15 | 0:03:18 | |
You'll be working four times as hard. I just got you half price. | 0:03:18 | 0:03:22 | |
Welcome aboard. You're my voice now. Make 'em understand. | 0:03:22 | 0:03:25 | |
Some of those folks still call me Junior. Tell them it's Mr Hughes. | 0:03:25 | 0:03:30 | |
-You bet. When do we go to Houston? -We don't. | 0:03:30 | 0:03:32 | |
Cholera epidemic in 1913, 2,000 dead. | 0:03:32 | 0:03:35 | |
The whole place is pestilential swamp. Typhus, malaria, cholera. | 0:03:35 | 0:03:39 | |
You name it, they got it. | 0:03:39 | 0:03:41 | |
You see that, Mr Dietrich? | 0:03:41 | 0:03:44 | |
You are looking at the largest private air force in the world. | 0:03:44 | 0:03:48 | |
-What do you think of that now? -It's your money. | 0:03:48 | 0:03:52 | |
Start 'em up! | 0:03:52 | 0:03:55 | |
DRAMATIC CLASSICAL MUSIC | 0:03:55 | 0:03:57 | |
# I'll build a stairway to paradise | 0:04:32 | 0:04:36 | |
# With a new step every day | 0:04:36 | 0:04:39 | |
# I'm going to get there at any price | 0:04:39 | 0:04:42 | |
# Stand aside, I'm on my way | 0:04:42 | 0:04:46 | |
# I've got the blues | 0:04:46 | 0:04:47 | |
# And up above it's so fair | 0:04:47 | 0:04:50 | |
# Shoes, go on and carry me there | 0:04:50 | 0:04:52 | |
# I'll build a stairway to paradise | 0:04:52 | 0:04:56 | |
# With a new step every day... # | 0:04:56 | 0:04:59 | |
TRUMPET SOLO | 0:04:59 | 0:05:02 | |
# I'll build a stairway to paradise... # | 0:05:14 | 0:05:17 | |
I saw the rough cut of Tod Browning's London After Midnight. | 0:05:17 | 0:05:21 | |
Lon Chaney is incredible! It's his best performance in a long time. | 0:05:21 | 0:05:25 | |
It's gonna be a big hit. The cards are great. | 0:05:25 | 0:05:28 | |
Hello, Mr Mayer. | 0:05:28 | 0:05:31 | |
I don't know if you remember me. My name's Howard Hughes. | 0:05:31 | 0:05:35 | |
-I was wondering if I could have a moment. -Oh, yeah, Howard Hughes. | 0:05:35 | 0:05:39 | |
The airplane picture, right? I remember. | 0:05:39 | 0:05:42 | |
-Hell's Angels. You've heard of it. Good. -Yes. | 0:05:42 | 0:05:45 | |
Could I have a moment of your time? I need a few cameras. | 0:05:45 | 0:05:48 | |
Yeah? | 0:05:48 | 0:05:50 | |
-Two to be exact. -Mm-hmm. | 0:05:50 | 0:05:53 | |
I bought every one I could find, but we're shooting our dogfight sequence | 0:05:53 | 0:05:57 | |
and I need two more. Do you think MGM could help me out? | 0:05:57 | 0:06:00 | |
-With what? -Cameras. | 0:06:00 | 0:06:03 | |
With the actual cameras? We don't usually help out the competition. | 0:06:03 | 0:06:07 | |
-Oh. -So, how many cameras do you have now? | 0:06:07 | 0:06:11 | |
24. | 0:06:11 | 0:06:12 | |
Wait a minute... | 0:06:14 | 0:06:17 | |
-You have 24 cameras? -That's right. -And you need two more? -Yeah. | 0:06:19 | 0:06:24 | |
-You don't think you've got it with 24? -No. No, sir. | 0:06:24 | 0:06:28 | |
You know, I think we have them all... They're all used, right? | 0:06:28 | 0:06:32 | |
-All 26 of them. -HE SNIGGERS | 0:06:32 | 0:06:35 | |
-Jesus Christ, son! -Howard. -Howard. | 0:06:35 | 0:06:38 | |
Let me give you some advice. Why don't you take your oil money...? | 0:06:38 | 0:06:41 | |
-Drill bits. -OK, take your drill-bit money and put it in the bank. | 0:06:41 | 0:06:45 | |
If you make a movie your way, there isn't a distributor who'll want it, | 0:06:45 | 0:06:50 | |
you're not gonna find anyone who wants to see it, | 0:06:50 | 0:06:53 | |
and you won't have any more oil money. | 0:06:53 | 0:06:56 | |
So welcome to Hollywood. | 0:06:56 | 0:06:59 | |
Yeah, I'll be sure to remember that, Mr Mayer. | 0:06:59 | 0:07:02 | |
-Good luck. -All right. | 0:07:02 | 0:07:05 | |
He needs 26 to make it work?! He's out of his mind. | 0:07:05 | 0:07:07 | |
I looked down at my pants. It was a strange situation. | 0:07:14 | 0:07:18 | |
Boss. Scram, love boat. Let's go. | 0:07:18 | 0:07:21 | |
Another soda. You know what I mean. | 0:07:21 | 0:07:24 | |
Milk, please. In the bottle with the cap on. | 0:07:24 | 0:07:27 | |
-What did His Highness say? -Son of a bitch won't part with one camera. | 0:07:27 | 0:07:32 | |
Why don't you try and make do with what you have? | 0:07:32 | 0:07:34 | |
What I have isn't enough, not for how I see it. | 0:07:34 | 0:07:38 | |
My name depends on this picture. If it doesn't work, I'm back to Houston | 0:07:39 | 0:07:43 | |
making drill bits for the rest of my life! | 0:07:43 | 0:07:46 | |
Couldn't you find a way to do with the cameras you have? | 0:07:46 | 0:07:49 | |
You oughta here about DeMille at Paramount. | 0:07:49 | 0:07:52 | |
-He's shooting his Bible picture, but he's doing it in Fresno! -John. | 0:07:52 | 0:07:56 | |
-Johnny! -Yeah? | 0:07:56 | 0:07:59 | |
-You're a press agent, are you not? -Yeah. | 0:07:59 | 0:08:02 | |
-You're supposed to know all the ins and outs of Hollywood. Do you? -Yeah. | 0:08:02 | 0:08:06 | |
Then you leave the big ideas to me. | 0:08:06 | 0:08:10 | |
-Yeah, of course, boss. -Cigars, cigarettes, Sen-Sen? | 0:08:10 | 0:08:13 | |
Thelma. I thought you were at the Brown Derby with Trixie. | 0:08:13 | 0:08:17 | |
-No, Teresa. -Margaret, yeah. -What happened to her? | 0:08:17 | 0:08:20 | |
-She lost her shoes... -Thank God that's settled! -Sorry. | 0:08:20 | 0:08:24 | |
Thelma, this is Howard Hughes. | 0:08:24 | 0:08:26 | |
We were discussing how he wants me to pull a camera out of my ass. | 0:08:26 | 0:08:30 | |
-Cigarette? -Oh, no, thanks. I don't smoke. | 0:08:30 | 0:08:34 | |
You are just hitting on all six cylinders, aren't you? God! | 0:08:37 | 0:08:42 | |
Would you do me a favour? Would you just smile for me one time? | 0:08:42 | 0:08:48 | |
Yeah, you see, you've got a short upper lip. | 0:08:51 | 0:08:54 | |
Makes for a much nicer smile. | 0:08:54 | 0:08:56 | |
See, I wonder what gives a beautiful woman like you pleasure? | 0:08:59 | 0:09:03 | |
Say you're just standing there, right, | 0:09:03 | 0:09:07 | |
and I just touch you like this just with my fingertips. | 0:09:07 | 0:09:12 | |
Do you like that? | 0:09:12 | 0:09:14 | |
Do you? | 0:09:14 | 0:09:17 | |
See, I wanna learn what pleases you. | 0:09:21 | 0:09:24 | |
I wanna learn everything about you. | 0:09:24 | 0:09:28 | |
Would you let me do that? | 0:09:28 | 0:09:30 | |
Would you give me that job? | 0:09:30 | 0:09:33 | |
Er... I'm off in a half an hour. | 0:09:36 | 0:09:40 | |
-Well, I'm in room... -217. | 0:09:41 | 0:09:44 | |
217. | 0:09:44 | 0:09:46 | |
See you there. | 0:09:47 | 0:09:50 | |
# Shake that thing! # | 0:09:50 | 0:09:51 | |
Johnny, get on the horn to Universal and Warners. | 0:09:53 | 0:09:56 | |
I need two more cameras by Saturday. Steal them if you have to! | 0:09:56 | 0:10:01 | |
Abso-tively, boss. Abso-tively. | 0:10:01 | 0:10:06 | |
'Rumours coming from a lonely airstrip out in Van Nuys. | 0:10:06 | 0:10:10 | |
'Sources whisper that Texas industrialist Howard Hughes | 0:10:10 | 0:10:13 | |
'just won't stop pouring money into his war epic and do we mean epic! | 0:10:13 | 0:10:17 | |
'137 pilots, 87 airplanes, 35 cameramen, 2,000 extras! | 0:10:17 | 0:10:23 | |
'How long will it be before this costs as much as the real war?' | 0:10:23 | 0:10:27 | |
Goddamn it! Why do they look so slow?! They look like models! | 0:10:27 | 0:10:32 | |
-Son of a bitch. -Howard? | 0:10:40 | 0:10:44 | |
Without something standing still behind the planes, | 0:10:46 | 0:10:50 | |
we've got no idea how fast we're moving. | 0:10:50 | 0:10:53 | |
We got no sense of relative motion. | 0:10:53 | 0:10:56 | |
Call over to UCLA. Get me the best meteorologist they've got in an hour. | 0:10:56 | 0:11:01 | |
-Hey, do you want the good news or the bad news? -Bad news. | 0:11:05 | 0:11:09 | |
We installed the 450 radio, but the struts won't take the vibration. | 0:11:09 | 0:11:13 | |
Minute we fire her up, the struts start cracking. | 0:11:13 | 0:11:16 | |
-What's the good news? -There isn't any. | 0:11:16 | 0:11:19 | |
Goddamn it, Odie. If the 450's too big, we figure something else out. | 0:11:19 | 0:11:23 | |
We've done everything. We've rebuilt her from top to toe. | 0:11:23 | 0:11:27 | |
If we drain the fuel tank, she might make 180mph. | 0:11:27 | 0:11:30 | |
-I want minimum 200. -I want a date with Theda Bara, | 0:11:30 | 0:11:34 | |
-but that ain't gonna happen. -Don't be so sure. So... | 0:11:34 | 0:11:37 | |
If the struts won't hold, we get rid of the struts. | 0:11:37 | 0:11:41 | |
No. Then the top wing falls off. | 0:11:41 | 0:11:44 | |
Then let it. | 0:11:45 | 0:11:47 | |
-What? -Who says we need a top wing? | 0:11:47 | 0:11:52 | |
I mean, who says we need anything? | 0:11:52 | 0:11:54 | |
-A monoplane? -A cantilevered monoplane. | 0:11:56 | 0:11:59 | |
To hell with the top wing and struts. | 0:11:59 | 0:12:02 | |
-Put in a 550 Wasp engine. -100-octane fuel. | 0:12:02 | 0:12:05 | |
-That would give us horsepower of what? -700. | 0:12:05 | 0:12:08 | |
We squeeze that to 1,000, we got the fastest plane ever built! | 0:12:09 | 0:12:13 | |
Er... | 0:12:14 | 0:12:16 | |
I've just gotta say, we've already spent over 200,000 rebuilding this. | 0:12:16 | 0:12:20 | |
Ah, to hell with it! | 0:12:20 | 0:12:24 | |
Tear it up, Odie. | 0:12:24 | 0:12:26 | |
Go on! | 0:12:26 | 0:12:28 | |
Well... | 0:12:31 | 0:12:34 | |
The cumulonimbus formations about which you speak | 0:12:34 | 0:12:38 | |
that look like... | 0:12:38 | 0:12:41 | |
Giant breasts full of milk. I want clouds, dammit! | 0:12:42 | 0:12:46 | |
Yes, clouds that look like giant breasts full of milk | 0:12:46 | 0:12:51 | |
cannot exactly be guaranteed for any particular location. | 0:12:51 | 0:12:55 | |
So you might have... | 0:12:55 | 0:12:58 | |
to wait. | 0:12:58 | 0:13:00 | |
Then we'll wait. | 0:13:01 | 0:13:04 | |
Look, whatever they pay you at UCLA, I'm doubling it. | 0:13:05 | 0:13:08 | |
You work for me now. Find some clouds. | 0:13:08 | 0:13:11 | |
Find some clouds! Find some clouds! | 0:13:12 | 0:13:15 | |
Welcome to Hell's Angels. | 0:13:15 | 0:13:18 | |
Thank you. | 0:13:20 | 0:13:22 | |
We have been to Chatsworth, Santa Cruz, Encino, | 0:13:30 | 0:13:33 | |
San Diego, Van Nuys and Bakersfield. It has been eight months! | 0:13:33 | 0:13:38 | |
-Where are my goddamn clouds, huh?! -They move, Mr Hughes! | 0:13:38 | 0:13:42 | |
-Clouds move! That's what they do! They move! -See that? | 0:13:42 | 0:13:46 | |
It is costing 5,271 a day to keep those planes on the ground. | 0:13:46 | 0:13:51 | |
You find me some goddamn clouds, huh?! | 0:13:51 | 0:13:55 | |
-Nice day. -Yeah, very funny. | 0:14:01 | 0:14:04 | |
Listen, I got a call from Houston. They're getting nervous about this. | 0:14:04 | 0:14:08 | |
-Stop showing them the damn bills! -That would be illegal. | 0:14:08 | 0:14:12 | |
No. Maybe it's a bit naughty. | 0:14:12 | 0:14:14 | |
Hughes Tool is incorporated in Texas. They must see the bills. | 0:14:14 | 0:14:18 | |
Incorporate a new division out here. We'll call it "Hughes Aircraft". | 0:14:18 | 0:14:23 | |
-Do we need these rivets? -Yeah, or the reverse thrust would rip it off. | 0:14:23 | 0:14:27 | |
They're gonna give me drag. | 0:14:27 | 0:14:29 | |
-Wind resistance on rivets? -I want her slippery. | 0:14:29 | 0:14:32 | |
-There's tax consequences to incorporating here. -Take care of it. | 0:14:32 | 0:14:36 | |
Mr Hughes! Mr Hughes! Oakland! | 0:14:36 | 0:14:40 | |
-We have clouds in Oakland! -You mean it this time?! -Yes! | 0:14:40 | 0:14:44 | |
Goddamn it, yes! I can promise you clouds in Oakland! | 0:14:44 | 0:14:49 | |
All right, don't get all jittery. OAKLAND! | 0:14:49 | 0:14:52 | |
OAKLAND! | 0:14:52 | 0:14:55 | |
We're going to Oakland! Oakland! | 0:14:55 | 0:14:58 | |
Down and to the left! | 0:15:32 | 0:15:35 | |
That's perfect! | 0:15:57 | 0:15:59 | |
'Yes, young Howard Hughes has pulled it off! | 0:16:06 | 0:16:10 | |
'After two years, Hell's Angels has finally finished filming. | 0:16:10 | 0:16:14 | |
'There's gonna be one heck of a wrap party in Hollywood. | 0:16:14 | 0:16:17 | |
'The price tag - a staggering 2 million. | 0:16:17 | 0:16:20 | |
'If every human in America buys a ticket, he might make a profit!' | 0:16:20 | 0:16:25 | |
First the clouds don't come and then the planes break and they crash. | 0:16:28 | 0:16:32 | |
You've had everything but a damn plague of locusts on this thing! | 0:16:32 | 0:16:36 | |
You have to admit, honestly, did you ever think you'd finish the thing? | 0:16:36 | 0:16:42 | |
Come with me. | 0:16:44 | 0:16:46 | |
Darling, if I'm a success in this show, we're gonna move from here. | 0:16:47 | 0:16:52 | |
-Oh, no. -Yes, we're gonna move to the Bronx. | 0:16:52 | 0:16:55 | |
Lot of green grass and people you know - the Ginsbergs, Goldbergs, | 0:16:55 | 0:17:00 | |
a whole lot of 'bergs. I don't know them all. | 0:17:00 | 0:17:03 | |
See, this is what the people want. Silent pictures are yesterday's news. | 0:17:03 | 0:17:07 | |
We've gotta re-shoot Hell's Angels for sound. | 0:17:07 | 0:17:10 | |
-How much of it? -All of it. | 0:17:12 | 0:17:14 | |
Before you ask, I'll tell you. An additional 1.7 million. We got that? | 0:17:14 | 0:17:19 | |
No. | 0:17:19 | 0:17:21 | |
Well, we'll make it. Take care of that, would you? | 0:17:21 | 0:17:25 | |
Now get this. | 0:17:25 | 0:17:26 | |
# Blue skies smiling at me, me, me, me | 0:17:26 | 0:17:29 | |
# Nothing but little blue skies do I see | 0:17:29 | 0:17:32 | |
# Do-do-do. # | 0:17:32 | 0:17:35 | |
'In the halls of 7,000 Romaine, | 0:17:36 | 0:17:38 | |
'it goes on day after day, month after month. | 0:17:38 | 0:17:41 | |
'Howard Hughes is now editing some 25 miles of film. | 0:17:41 | 0:17:44 | |
'Heck, I say release it now and give the world its first 560-hour movie!' | 0:17:44 | 0:17:50 | |
Pat, Mr Hughes needs this reel in the projection room right now. | 0:17:50 | 0:17:54 | |
'Enough is enough, Mr Hughes. | 0:17:54 | 0:17:56 | |
'Are you ever gonna let us actually see this little epic of yours?' | 0:17:56 | 0:18:00 | |
Hurry up! | 0:18:00 | 0:18:02 | |
-Who is it? -Noah. -Come on in. | 0:18:21 | 0:18:24 | |
Been on the phone to Houston for three solid hours. | 0:18:26 | 0:18:29 | |
-We're fixing every goddamn book we have. -Wait. | 0:18:29 | 0:18:32 | |
Yeah. Run reel ten again. I think we're duplicating a shot here. | 0:18:32 | 0:18:37 | |
Tell Jimmy I want ten chocolate-chip cookies. | 0:18:37 | 0:18:40 | |
Medium chips, none too close to the outside. Got it? | 0:18:40 | 0:18:43 | |
Did you remember that goddamn shot from reel ten? | 0:18:43 | 0:18:47 | |
No, I don't remember anything from reel ten. I don't know what that is. | 0:18:47 | 0:18:51 | |
I'm a businessman, Howard, and so are you. | 0:18:51 | 0:18:55 | |
Now, look, this has been a great ride, | 0:18:55 | 0:18:58 | |
we've had a hell of a lot of fun, | 0:18:58 | 0:19:01 | |
but you're losing 25,000 a day doing this. | 0:19:01 | 0:19:04 | |
Every day. | 0:19:04 | 0:19:06 | |
So, what are my options? | 0:19:11 | 0:19:14 | |
This time I don't know that you have any. | 0:19:14 | 0:19:19 | |
I'm afraid you've gotta close it down, dig your way out. | 0:19:19 | 0:19:23 | |
I'm sorry, Howard. | 0:19:29 | 0:19:31 | |
I truly am. | 0:19:31 | 0:19:34 | |
'Reel ten, Mr Hughes.' | 0:19:40 | 0:19:43 | |
Mortgage Tool Co. Every asset. | 0:19:48 | 0:19:52 | |
You heard me. | 0:19:52 | 0:19:55 | |
-If you do that, you could lose everything. -I won't. | 0:19:55 | 0:19:58 | |
I won't. | 0:20:00 | 0:20:03 | |
All right. | 0:20:03 | 0:20:06 | |
I'll get into it. | 0:20:06 | 0:20:08 | |
Thanks, Noah. | 0:20:08 | 0:20:10 | |
CHEERING | 0:20:42 | 0:20:44 | |
'More than half a million good souls lining Hollywood Boulevard. | 0:20:44 | 0:20:48 | |
'Look at the automobiles. There are at least 45,000 cars here | 0:20:48 | 0:20:52 | |
-'making it the greatest traffic jam. -Hughes has a lump in his throat. | 0:20:52 | 0:20:56 | |
'Six months after the market crashes and after the death of three pilots, | 0:20:56 | 0:21:00 | |
'he's unveiling his 4 million baby. | 0:21:00 | 0:21:03 | |
'It's the most expensive movie ever. Nothing five-and-dime for Hughes. | 0:21:03 | 0:21:07 | |
'Nothing like tonight has ever been seen before and I can certainly say | 0:21:07 | 0:21:11 | |
-'it will never be seen again. -500,000 people crowd the streets | 0:21:11 | 0:21:15 | |
'to glimpse the stars and celebrities. | 0:21:15 | 0:21:18 | |
'Three companies of marines were called to assist special police. | 0:21:18 | 0:21:23 | |
'This is an industry town and nobody makes a movie outside a studio. | 0:21:23 | 0:21:27 | |
'Sure, some Hollywood insiders at the Brown Derby... | 0:21:27 | 0:21:31 | |
'Now, ladies and gentleman, I can just see Mr Hughes' car arriving. | 0:21:31 | 0:21:35 | |
'Mr Hughes escorts the lovely starlet Jean Harlow. | 0:21:35 | 0:21:38 | |
'He discovered her for this picture and her platinum blonde locks | 0:21:38 | 0:21:43 | |
'and hot jazz baby-doll style are gonna make her a big star.' | 0:21:43 | 0:21:47 | |
Hughes! Mr Hughes, how about a word?! | 0:22:12 | 0:22:15 | |
Big night for you, Mr Hughes. | 0:22:16 | 0:22:19 | |
Big night for you tonight. | 0:22:20 | 0:22:22 | |
Very big. Very big. | 0:22:22 | 0:22:25 | |
Tell us what it was like making this fabulous picture. | 0:22:25 | 0:22:29 | |
Yes. | 0:22:30 | 0:22:32 | |
Er...yeah. So four million clams from your own pocket. | 0:22:32 | 0:22:36 | |
Nervous how the flick will fly? | 0:22:36 | 0:22:39 | |
Big night. You enjoy the show. | 0:22:41 | 0:22:44 | |
Yes, well, let me present the feminine star | 0:22:44 | 0:22:49 | |
-of this spectacle, Hell's Angels, Miss Jean Harlow. -Thank you. | 0:22:49 | 0:22:53 | |
I would like to use this occasion to thank Mr Hughes for this chance. | 0:22:53 | 0:22:58 | |
-Thank you. -Thank you. | 0:22:58 | 0:23:01 | |
Now I'd like to ask Roscoe Arbuckle to introduce his lion cub, Gilmore. | 0:23:01 | 0:23:05 | |
What the hell's the matter with you? Can't you remember my name? | 0:23:05 | 0:23:09 | |
Sorry. Roscoe Turner and this would be Gilmore. | 0:23:09 | 0:23:13 | |
Murder! That's what this dirty-rotten politician war is! | 0:23:57 | 0:24:02 | |
SHE GIGGLES | 0:24:35 | 0:24:37 | |
Stand up, Slim. Take a bow. | 0:24:37 | 0:24:40 | |
Reel four played way too long. | 0:24:53 | 0:24:55 | |
Get Harry and the team out of the party. I wanna cut a few shots. | 0:24:55 | 0:24:59 | |
Find Glen Odekirk. Write this down. Flush rivets. | 0:24:59 | 0:25:02 | |
-Flush rivets. -Flush rivets. | 0:25:02 | 0:25:04 | |
-Split, Boss. -Here he is! | 0:25:04 | 0:25:07 | |
CHEERING | 0:25:07 | 0:25:10 | |
'Variety says, "This one won't miss." | 0:25:10 | 0:25:13 | |
-'Thrilling! -Awesome beyond description! | 0:25:13 | 0:25:16 | |
-'The most extraordinary output! -I haven't seen a film so enthralling! | 0:25:16 | 0:25:20 | |
'It cost 4 million and it has four million thrills!' | 0:25:20 | 0:25:25 | |
MUSIC: "Thanks" by Bing Crosby | 0:25:25 | 0:25:27 | |
# And thanks for unforgettable nights | 0:25:29 | 0:25:34 | |
# I never can replace | 0:25:36 | 0:25:39 | |
# And memories that linger like a haunting tune | 0:25:40 | 0:25:45 | |
# It is better to have loved you, dear, and lost | 0:25:47 | 0:25:52 | |
# Than never to have loved at all | 0:25:52 | 0:25:56 | |
# Yes, it's better, for no matter what the cost | 0:25:56 | 0:26:01 | |
# I held the world in sway, an emperor for a day | 0:26:01 | 0:26:05 | |
# And thanks again | 0:26:05 | 0:26:09 | |
# For taking me on the road to paradise | 0:26:09 | 0:26:15 | |
# We lost our way, but still I must convey my thanks. # | 0:26:16 | 0:26:22 | |
I, er, read in the magazines that you play golf. | 0:26:26 | 0:26:30 | |
-On occasion. -How about nine holes? | 0:26:30 | 0:26:34 | |
Now, Mr Hughes? | 0:26:36 | 0:26:38 | |
If it would be convenient, Miss Hepburn. | 0:26:38 | 0:26:42 | |
You're not extending enough on your follow-through. | 0:27:03 | 0:27:07 | |
Follow-through is everything in golf and in life. Don't you find? | 0:27:07 | 0:27:11 | |
-Saw your Scarface picture. Violent. -Realistic. | 0:27:11 | 0:27:15 | |
Movies are movies, not life. | 0:27:15 | 0:27:17 | |
Now, the stage, the stage is real - real flesh and blood, | 0:27:17 | 0:27:21 | |
human beings there in front of you, buster. | 0:27:21 | 0:27:24 | |
Can't look away, can't munch popcorn. Do you like the theatre? | 0:27:24 | 0:27:29 | |
-No. -Oh, I adore the theatre! | 0:27:29 | 0:27:31 | |
I'm only alive on stage. We'll see some Ibsen, | 0:27:31 | 0:27:35 | |
if the Republicans haven't outlawed him by now! | 0:27:35 | 0:27:38 | |
-You're not a Republican? How did you vote in '32? -I didn't. | 0:27:38 | 0:27:41 | |
You must! It's your sacred franchise. | 0:27:41 | 0:27:45 | |
-Heard you were wooing Ginger Rogers. What about that? -She's a friend. | 0:27:48 | 0:27:52 | |
Men can't be friends with women. They possess them or leave them be. | 0:27:52 | 0:27:57 | |
It's a primitive urge from cave-man days. It's in Darwin. | 0:27:57 | 0:28:00 | |
Hunt the flesh, kill the flesh, eat the flesh. That's the male sex. | 0:28:00 | 0:28:05 | |
Excuse me?! | 0:28:05 | 0:28:07 | |
Well, if you're deaf, you must own up to it. | 0:28:07 | 0:28:11 | |
Get a hearing aid or see my father. He's a urologist, | 0:28:11 | 0:28:14 | |
but it's all tied up in the body. | 0:28:14 | 0:28:16 | |
Me, I keep healthy. I take seven showers a day to keep clean, | 0:28:16 | 0:28:20 | |
also because I'm what's referred to as "outdoorsy". | 0:28:20 | 0:28:24 | |
I'm not "outdoorsy", I'm athletic. | 0:28:24 | 0:28:27 | |
I sweat! There it is. Now we both know the sordid truth. | 0:28:27 | 0:28:31 | |
I sweat and you're deaf. Aren't we a fine pair of misfits? | 0:28:31 | 0:28:35 | |
Three. | 0:28:39 | 0:28:40 | |
Noble effort. | 0:28:48 | 0:28:50 | |
I suppose you're wooing me now? | 0:28:52 | 0:28:55 | |
Ah, well... | 0:28:55 | 0:28:57 | |
Not enough. | 0:29:16 | 0:29:18 | |
Not enough. These rivets have to be completely flush. | 0:29:18 | 0:29:21 | |
I want every screw and joint countersunk. | 0:29:21 | 0:29:24 | |
I want no wind resistance on the fuselage. | 0:29:24 | 0:29:27 | |
She has got to be clean, Odie. Understand? | 0:29:27 | 0:29:30 | |
-OK. -I don't know what else to tell you. | 0:29:30 | 0:29:33 | |
-What have you got for me? -The thing is, TWA needs a new plane. | 0:29:33 | 0:29:38 | |
Oh, yeah? What kind of plane? | 0:29:38 | 0:29:41 | |
-The DC-3 has 21 day-time seats and 14 overnight berths. -Bigger? | 0:29:41 | 0:29:45 | |
Try 50 seats with a ceiling of 12,000 feet. | 0:29:45 | 0:29:48 | |
No. 20,000. Think about it, Jack. What does 20,000 feet give you? | 0:29:48 | 0:29:53 | |
-Less turbulence. -Right. It's above the weather. | 0:29:53 | 0:29:56 | |
You wanna fly above the weather. Only 1% of America has been on an airline. | 0:29:56 | 0:30:01 | |
Why? Cos they're scared to death, Jack, and they should be. | 0:30:01 | 0:30:05 | |
7,000 feet is bumpy as shit. If we build a plane to fly above weather, | 0:30:05 | 0:30:10 | |
we could get every man, woman and child to feel safe up there. | 0:30:10 | 0:30:14 | |
An airplane that can fly in the substratosphere across the country, | 0:30:14 | 0:30:18 | |
across the world. | 0:30:18 | 0:30:20 | |
-Now, that is the future. You with me? -Yeah. -Shoot straight with me | 0:30:20 | 0:30:24 | |
cos I don't want this if your board doesn't have the balls. | 0:30:24 | 0:30:28 | |
-Would they support us? -They're tight bastards. | 0:30:28 | 0:30:30 | |
-Financial picture? -Not great. | 0:30:30 | 0:30:32 | |
-Last year's deficit? -770,000. | 0:30:32 | 0:30:35 | |
-What's it selling at? -About 8 a share. | 0:30:35 | 0:30:38 | |
That's the lowest it's been, huh? I could do that. | 0:30:38 | 0:30:41 | |
-Do what? -Buy it. -You wanna buy the airline?! | 0:30:41 | 0:30:46 | |
For crying out loud, we don't want pencil pushers getting in the way. | 0:30:46 | 0:30:50 | |
Give me brass tacks now. What does controlling interest in TWA cost me? | 0:30:50 | 0:30:54 | |
Call it 15 million. | 0:30:54 | 0:30:57 | |
HE WHISTLES | 0:30:57 | 0:30:59 | |
That is a chunk of change, huh? | 0:30:59 | 0:31:02 | |
You call Noah Dietrich. You have him start buying. | 0:31:04 | 0:31:08 | |
Hold on. Are you sure? You wanna think about it for five minutes?! | 0:31:08 | 0:31:13 | |
I got a tiger by the tail. I ain't gonna let it go. | 0:31:13 | 0:31:17 | |
Good evening, Mr Hughes. Welcome. Your table is ready. | 0:31:25 | 0:31:29 | |
-How goes the aviation, Mr Hughes? -Just fine, Pete. -I'm so glad. | 0:31:30 | 0:31:34 | |
-Good evening, Mr Hughes. Madam. -It's Miss. | 0:31:36 | 0:31:40 | |
-Miss. The usual, Mr Hughes? -Please, yeah. | 0:31:40 | 0:31:43 | |
May I recommend for the lady clementine soup | 0:31:43 | 0:31:46 | |
followed by roast wild duck with currant glaze and poached pears? | 0:31:46 | 0:31:50 | |
That sounds fine. | 0:31:50 | 0:31:52 | |
Your kind of a joint, is it? | 0:31:54 | 0:31:57 | |
Wouldn't have thought. | 0:31:57 | 0:32:00 | |
They're open late. I go to a hot-dog stand, too. They're open till four. | 0:32:00 | 0:32:04 | |
Are they? | 0:32:04 | 0:32:07 | |
How marvellous. | 0:32:07 | 0:32:10 | |
# Happy feet I've got those happy feet | 0:32:15 | 0:32:18 | |
# Give them a low-down beat | 0:32:18 | 0:32:20 | |
# And they begin dancing. # | 0:32:20 | 0:32:23 | |
Howard! Howard! | 0:32:23 | 0:32:26 | |
Hi. Son of a gun. | 0:32:26 | 0:32:29 | |
This is Johnny Meyer. I suppose you could call him my press agent. | 0:32:29 | 0:32:34 | |
Loved you in Alice Adams. | 0:32:34 | 0:32:36 | |
-I'm sure you know Errol. -Mr Flynn, yes. | 0:32:36 | 0:32:39 | |
Kate. Kate of the clench-jawed Hepburns. Enchanting as always. | 0:32:39 | 0:32:43 | |
You should use Lux on your hands. I do. | 0:32:43 | 0:32:46 | |
-Katie, you and Howard oughta cook up a picture. -Hey! My chair! | 0:32:46 | 0:32:52 | |
I think not. Don't you read Variety, Mr Meyer? | 0:32:52 | 0:32:57 | |
I'm box-office poison. I'm on the outs, the skids, the doldrums, | 0:32:57 | 0:33:02 | |
-day-old fish not worth the eating, so they tell me. -Hell with them. | 0:33:02 | 0:33:05 | |
Hell with them, my dear. Soulless pricks to a man. | 0:33:05 | 0:33:09 | |
Johnny says you're thinking about doing a Western of all things. | 0:33:09 | 0:33:12 | |
-Are you making a Western, Howard? -Yeah, I'm making a Western. | 0:33:16 | 0:33:20 | |
-Gonna call it The Outlaw. -You know what it's about? S-E-X. | 0:33:20 | 0:33:24 | |
-It's all about S-E-X. -It's a Western. | 0:33:24 | 0:33:28 | |
-You can't have fornication in a Western. -Not real sex, movie sex. | 0:33:28 | 0:33:32 | |
What Scarface did for gangster films, Outlaw will do for Westerns. | 0:33:32 | 0:33:35 | |
Put the sex and guts and blood right up there on the screen. | 0:33:35 | 0:33:39 | |
-Don't mind us. -New-York-cut steak, 12 peas, bottle of milk with a cap. | 0:33:39 | 0:33:44 | |
You're the only star who can't afford cigarettes. | 0:33:44 | 0:33:47 | |
I hope your food isn't getting cold on another table somewhere. | 0:33:47 | 0:33:52 | |
-We're here all night. Don't worry. -So, Howard... Howard. | 0:33:52 | 0:33:56 | |
If you're serious about putting carnality back on the screen, | 0:33:56 | 0:34:01 | |
you must swear to let me in on the casting session. | 0:34:01 | 0:34:05 | |
I have somewhat of an eye, an eye for talent. Isn't that right? | 0:34:06 | 0:34:10 | |
-You've gotta give up prancing in tights first! -It paid for my yacht! | 0:34:10 | 0:34:15 | |
You must all come sailing with me. Catalina, eh? | 0:34:15 | 0:34:18 | |
Yeah, Catalina. Sounds grand. | 0:34:18 | 0:34:21 | |
I coaxed the luscious Miss de Havilland | 0:34:21 | 0:34:23 | |
and her equally luscious sister to accompany me. | 0:34:23 | 0:34:26 | |
I fear their mother will insist on coming to preserve their virtue. | 0:34:26 | 0:34:30 | |
We shall assault these monuments of pristine Britannic beauty! | 0:34:30 | 0:34:35 | |
-What do you say, Howard? -Yeah? | 0:34:35 | 0:34:37 | |
-Yeah. -Yeah? | 0:34:37 | 0:34:40 | |
I gotta... I gotta go. If you'll excuse us, we have to be somewhere. | 0:34:43 | 0:34:49 | |
-You are somewhere, Howard, you mad man! -Somewhere else. Excuse us. | 0:34:49 | 0:34:53 | |
Ciao. Help yourself to the poached pears. I hear they're divine. | 0:34:53 | 0:34:58 | |
Well, Howard Hughes, ladies and gentlemen. | 0:34:58 | 0:35:02 | |
Was that meant for me? | 0:35:02 | 0:35:04 | |
My hero. God! Hollywood talk bores me silly! | 0:35:04 | 0:35:07 | |
There are more important things. Mussolini for one. | 0:35:07 | 0:35:11 | |
-Where are we going? -Do you feel like an adventure? | 0:35:11 | 0:35:14 | |
Do your worst, Mr Hughes. | 0:35:14 | 0:35:16 | |
-You limey bastard! -I'm a Tasmanian bastard, you ignorant prick! | 0:35:16 | 0:35:20 | |
-'At a way, Errol. -Let me at him! Let me fix your face! | 0:35:20 | 0:35:24 | |
That's Mr Mayer's house. | 0:35:55 | 0:35:57 | |
You know where Jack Warner lives? | 0:35:57 | 0:36:01 | |
What's that on the steering wheel? | 0:36:08 | 0:36:11 | |
Cellophane. If you knew what kind of crap people carry on their hands... | 0:36:11 | 0:36:15 | |
What kind of crap? | 0:36:15 | 0:36:18 | |
You don't wanna know. | 0:36:18 | 0:36:20 | |
-Hold on to the wheel for a bit. -Whoa! | 0:36:25 | 0:36:28 | |
SHE GIGGLES | 0:36:28 | 0:36:31 | |
That's too hard. Relax your hands. | 0:36:35 | 0:36:37 | |
You've gotta feel the vibration of the engine through your fingertips. | 0:36:43 | 0:36:48 | |
-Feel that? -Yes. | 0:36:48 | 0:36:51 | |
That's good. | 0:36:53 | 0:36:56 | |
Golly. | 0:36:56 | 0:36:58 | |
Well, she's all yours. | 0:37:01 | 0:37:03 | |
-Where are you going?! -I think there's some milk back here. | 0:37:03 | 0:37:07 | |
-Just keep on steady now. -All right. | 0:37:07 | 0:37:11 | |
-Howard. -Yeah? | 0:37:28 | 0:37:31 | |
-There's a rather alarming mountain. -Pull back on the wheel a smidge. | 0:37:31 | 0:37:35 | |
Go on. | 0:37:35 | 0:37:38 | |
Golly! | 0:37:41 | 0:37:43 | |
I don't think I've ever met someone who actually uses the word "golly"! | 0:37:49 | 0:37:53 | |
-You OK? You want me to take over? -When I'm getting the hang of it? | 0:38:01 | 0:38:05 | |
-You, er... You want some milk? -Please. | 0:38:10 | 0:38:14 | |
Utterly smashing! We'll do it again! I'm free Wednesday. | 0:38:34 | 0:38:38 | |
-Little early for golf, though, don't you think? -I live right there. | 0:38:38 | 0:38:43 | |
-Feel like a drink? -Lead on. | 0:38:43 | 0:38:45 | |
Now, that makes for a challenging par four! | 0:38:45 | 0:38:49 | |
My decorator picked out the wallpaper and such. | 0:38:49 | 0:38:53 | |
He's queer as a bedbug, but... I just hate this room. | 0:38:53 | 0:38:58 | |
It gives me the willies. | 0:38:58 | 0:39:01 | |
I'm about to be swallowed up by the latest issue of Town & Country. | 0:39:01 | 0:39:05 | |
What room do you like? | 0:39:13 | 0:39:16 | |
My study. | 0:39:16 | 0:39:18 | |
Take me there. | 0:39:19 | 0:39:22 | |
You are the tallest woman I know. | 0:39:37 | 0:39:40 | |
And all sharp elbows and knees. Beware. | 0:39:40 | 0:39:45 | |
Will you fly me to work tomorrow? | 0:40:07 | 0:40:10 | |
It is tomorrow. | 0:40:12 | 0:40:14 | |
# That's the only thing | 0:40:17 | 0:40:19 | |
# I've plenty of, oh, baby | 0:40:19 | 0:40:24 | |
# Dream a while | 0:40:24 | 0:40:27 | |
# Scheme a while | 0:40:27 | 0:40:29 | |
# We're sure to find, baby | 0:40:29 | 0:40:33 | |
# Happiness and I guess... # | 0:40:33 | 0:40:36 | |
SHE SCATS | 0:40:36 | 0:40:39 | |
# Gee, I'd like to see you | 0:40:41 | 0:40:45 | |
# Looking swell, baby | 0:40:45 | 0:40:48 | |
# Diamond bracelets | 0:40:48 | 0:40:51 | |
# Woolworths doesn't sell, my pretty baby | 0:40:51 | 0:40:56 | |
# Till that lucky day, oh, you lucky day | 0:40:57 | 0:41:01 | |
# You know darn well, oh, babe... # | 0:41:01 | 0:41:05 | |
Watch the fuel gauge. She's got minimum fuel to keep weight down. | 0:41:05 | 0:41:09 | |
Two runs, that's it. After that, you're on vapours. | 0:41:09 | 0:41:12 | |
Then you crash and die. Easy flying. Don't worry about speed | 0:41:12 | 0:41:15 | |
and don't think about the record. | 0:41:15 | 0:41:18 | |
I wish you'd let someone else take her up. | 0:41:18 | 0:41:20 | |
Why should I let someone else have all the fun? See you in a bit. | 0:41:20 | 0:41:25 | |
Contact! | 0:41:45 | 0:41:47 | |
Whoo! | 0:42:45 | 0:42:47 | |
-Whoo-hoo! -339. | 0:43:11 | 0:43:14 | |
Goddamn! | 0:43:16 | 0:43:19 | |
STOPWATCH TICKS | 0:43:36 | 0:43:37 | |
347. | 0:43:39 | 0:43:41 | |
(Son of a bitch!) | 0:43:42 | 0:43:43 | |
352. | 0:44:13 | 0:44:15 | |
352! CHEERING | 0:44:15 | 0:44:17 | |
Good girl! | 0:44:17 | 0:44:19 | |
ENGINE SPLUTTERS | 0:44:23 | 0:44:25 | |
ENGINE STOPS | 0:44:25 | 0:44:27 | |
Dammit! | 0:44:28 | 0:44:30 | |
Goddammit! | 0:44:34 | 0:44:36 | |
-Oh, God! -There goes our meal ticket. -Come on! | 0:44:36 | 0:44:40 | |
SIRENS WAIL | 0:45:08 | 0:45:10 | |
Howard! Howard! | 0:45:17 | 0:45:20 | |
-How did we do? -352 on the last run. | 0:45:20 | 0:45:25 | |
HE LAUGHS She'll go faster. | 0:45:25 | 0:45:29 | |
Country Mouse! | 0:45:29 | 0:45:31 | |
Kate! Katie! | 0:45:31 | 0:45:33 | |
'Upstairs, City Mouse.' | 0:45:33 | 0:45:35 | |
Hello. Good Lord, what happened to you?! | 0:45:37 | 0:45:41 | |
-I had a hard landing. I cut my foot. -I'll take care of it. | 0:45:41 | 0:45:44 | |
-You tell me everything. -You cannot imagine what it was like. | 0:45:44 | 0:45:48 | |
You cannot imagine the speed! She was like a winged bullet! | 0:45:48 | 0:45:52 | |
-What did you make? -Oh, around, er... | 0:45:52 | 0:45:55 | |
..352. | 0:45:56 | 0:45:58 | |
You did it. | 0:46:03 | 0:46:05 | |
-Fastest man on the planet. -Hot dog! | 0:46:06 | 0:46:10 | |
-I'm so proud of you! -She did it, baby. | 0:46:10 | 0:46:13 | |
-You knew she would. -She was fine. She was just fine. | 0:46:13 | 0:46:16 | |
Now let me see your foot. | 0:46:16 | 0:46:19 | |
-Good God! You're covered in blood! -No, that's just beet juice. | 0:46:21 | 0:46:25 | |
-I crashed into a beet field. -What?! -I crashed in a beet field! | 0:46:25 | 0:46:29 | |
THEY LAUGH | 0:46:29 | 0:46:32 | |
Let me get you cleaned up. | 0:46:32 | 0:46:35 | |
Heavens, what is this? Electrical tape? | 0:46:35 | 0:46:37 | |
Yeah. Odie just slammed it on. | 0:46:37 | 0:46:40 | |
All I could think about was getting home to see you. | 0:46:40 | 0:46:45 | |
I'm so proud of you. | 0:46:50 | 0:46:52 | |
-Now, this is gonna sting a little bit. -Argh! | 0:46:56 | 0:47:00 | |
Oh, this is useless. Come to the bathroom. | 0:47:00 | 0:47:03 | |
-Don't get beet juice on the carpet! -I won't. | 0:47:03 | 0:47:07 | |
-Argh! Too hot! -Don't be a baby. | 0:47:07 | 0:47:10 | |
Was the press there? | 0:47:11 | 0:47:14 | |
Er, some. But, er... | 0:47:14 | 0:47:17 | |
..Carl and everyone should be on the wires by now. | 0:47:17 | 0:47:21 | |
What is it? | 0:47:29 | 0:47:31 | |
Kate? | 0:47:33 | 0:47:35 | |
I've been famous, for better or worse, for a long time now and... | 0:47:38 | 0:47:44 | |
..I wonder if you know what it really means. | 0:47:45 | 0:47:50 | |
Yeah, I had my fair share of press on Hell's Angels. | 0:47:50 | 0:47:54 | |
I'm used to it. | 0:47:54 | 0:47:56 | |
Are you? | 0:47:58 | 0:48:01 | |
Howard, we're... | 0:48:04 | 0:48:06 | |
We're not like everyone else. | 0:48:08 | 0:48:11 | |
Too many acute angles. Too many...eccentricities. | 0:48:13 | 0:48:17 | |
You have to be very careful not to... | 0:48:17 | 0:48:21 | |
..let people in or they'll make us into freaks. | 0:48:22 | 0:48:26 | |
Kate, they can't get in here. We're safe. | 0:48:26 | 0:48:30 | |
Oh. Oh. | 0:48:30 | 0:48:33 | |
They can always get in. | 0:48:33 | 0:48:35 | |
When... When my brother k-killed himself, | 0:48:36 | 0:48:40 | |
there were photographers at the funeral. | 0:48:40 | 0:48:43 | |
There's no decency to it! | 0:48:44 | 0:48:48 | |
You know, sometimes I... | 0:48:59 | 0:49:02 | |
..I get these feelings, Katie. | 0:49:04 | 0:49:07 | |
I get these ideas, these... | 0:49:10 | 0:49:13 | |
..crazy ideas about, er... | 0:49:16 | 0:49:20 | |
..things that may not... things that may not really be there. | 0:49:21 | 0:49:27 | |
Yeah. | 0:49:28 | 0:49:31 | |
Sometimes I truly feel that I'm...losing my mind. | 0:49:36 | 0:49:42 | |
And if I did, it would... | 0:49:50 | 0:49:53 | |
..be like flying blind. | 0:49:55 | 0:49:58 | |
Do you understand? | 0:50:04 | 0:50:07 | |
You taught me to fly, Howard. | 0:50:10 | 0:50:13 | |
I'll take the wheel. | 0:50:16 | 0:50:18 | |
FANFARE | 0:50:29 | 0:50:32 | |
'Smashing all records, | 0:50:32 | 0:50:34 | |
'Howard Hughes outdoes Jules Verne's wildest dreams, | 0:50:34 | 0:50:37 | |
'around the world from New York to New York in four days, | 0:50:37 | 0:50:40 | |
'even beating Wylie Post's mark by over three days. | 0:50:40 | 0:50:43 | |
'Aviation history is written, when his Lockheed monoplane returns. | 0:50:43 | 0:50:48 | |
'A daring aviator, a true pioneer of the world's airways. | 0:50:48 | 0:50:53 | |
'New York to Paris, he cuts Lindbergh's time in half. | 0:50:53 | 0:50:56 | |
'Then on to Moscow. 35 hours out of New York, | 0:50:56 | 0:50:59 | |
'he roars across Siberia's trackless wastes. 60 hours out of New York, | 0:50:59 | 0:51:03 | |
'he heads for Alaska, most hazardous hop of all. | 0:51:03 | 0:51:06 | |
'Continuing the terrific pace, he comes home, | 0:51:06 | 0:51:09 | |
'bringing new laurels to American aviation. | 0:51:09 | 0:51:12 | |
'Hughes and his crew may find...' | 0:51:12 | 0:51:15 | |
You won't believe this. Howard Hughes has bought control of TWA. | 0:51:21 | 0:51:26 | |
I thought Mr Hughes was flying around the world. | 0:51:28 | 0:51:31 | |
Apparently he did it while he was flying, over the radio. | 0:51:31 | 0:51:35 | |
I have heard some disquieting rumours about Mr Hughes. | 0:51:41 | 0:51:45 | |
I'd like to know everything there is to know about Mr Hughes. | 0:51:45 | 0:51:49 | |
I'd like you to attend to that for me...thoroughly. | 0:51:52 | 0:51:57 | |
-"The Pantages is glittering tonight!" -Howard! This way! | 0:51:57 | 0:52:01 | |
Mr Hughes, how was your flight?! | 0:52:01 | 0:52:04 | |
Miss Hepburn, when are you gonna name the day?! | 0:52:04 | 0:52:06 | |
Over here, Mr Hughes. What's the next movie, Howard? | 0:52:06 | 0:52:10 | |
Right here, Howard. How many records are you gonna set? | 0:52:10 | 0:52:14 | |
Come on, Howard. Give us a smile. It won't kill you! | 0:52:14 | 0:52:18 | |
-Raise your head a little. -Over here. Don't forget this side! | 0:52:18 | 0:52:21 | |
When are you flying around the world again? Are you gonna fly with Kate? | 0:52:21 | 0:52:25 | |
-Did you get lonely without her? -Have you talked to Lindbergh yet? | 0:52:25 | 0:52:29 | |
Mr Hughes, where's Linda Darnell tonight? | 0:52:29 | 0:52:33 | |
-Right here, Mr Hughes. -Are you talking more famous than Lindbergh?! | 0:52:33 | 0:52:37 | |
You know, fame is supposed to be my turf. | 0:52:37 | 0:52:41 | |
LB! | 0:52:43 | 0:52:45 | |
If you don't get more distinguished every time I see you. | 0:52:48 | 0:52:51 | |
You look so beautiful. | 0:52:51 | 0:52:53 | |
< Mr Randolph Scott and his handsome... | 0:53:02 | 0:53:06 | |
Don't worry about it, Howard. She's just working the room. | 0:53:10 | 0:53:14 | |
It's her job, baby. | 0:53:14 | 0:53:16 | |
< Southern tigress Ava Gardner dazzles the room tonight. | 0:53:18 | 0:53:22 | |
< She's the new star of the MGM galaxy. | 0:53:22 | 0:53:25 | |
< And believe you me... | 0:53:25 | 0:53:29 | |
Well, Jane Eyre has been selling popcorn for over 100 years. | 0:53:30 | 0:53:35 | |
TOILET FLUSHES | 0:53:48 | 0:53:50 | |
Hello. | 0:54:14 | 0:54:17 | |
Hello. | 0:54:18 | 0:54:20 | |
Could you reach me a towel? | 0:54:24 | 0:54:27 | |
I, er... | 0:54:34 | 0:54:37 | |
I really, er...can't do that. | 0:54:37 | 0:54:40 | |
I'm sorry. | 0:54:40 | 0:54:43 | |
HE GASPS | 0:55:04 | 0:55:06 | |
I'm an idiot. I'm a complete idiot and I'm sorry. | 0:55:06 | 0:55:11 | |
-Forget it. -No, I'm a vain, preening ass | 0:55:11 | 0:55:15 | |
-without a single redeeming feature. -No, you have very good teeth. | 0:55:15 | 0:55:19 | |
SHE LAUGHS Come on. | 0:55:19 | 0:55:22 | |
I've got a better idea. Take me flying. | 0:55:22 | 0:55:25 | |
-Or better yet, I'll take you flying. -Do your worst, Miss Hepburn. | 0:55:25 | 0:55:29 | |
# Some of these days You're gonna miss me, honey... # | 0:55:30 | 0:55:34 | |
Don't be so squirmy. You'll get on famously with Father and Mother. | 0:55:37 | 0:55:41 | |
I'm sure they'll like you, too, once they get to know you. | 0:55:41 | 0:55:45 | |
# You'll be so sorry when I'm away | 0:55:45 | 0:55:48 | |
# Now you're gonna be lonely Just for me only. # | 0:55:48 | 0:55:53 | |
-Hello! -Kath, hello! | 0:55:53 | 0:55:56 | |
Kathy! | 0:55:56 | 0:55:58 | |
-Who's that with the camera? -That's my ex-husband, Ludlow. | 0:55:59 | 0:56:04 | |
-Father and Mother are mad about him. -What the hell is he doing here?! | 0:56:04 | 0:56:09 | |
Oh, he's here all the time. | 0:56:09 | 0:56:11 | |
Hello! | 0:56:11 | 0:56:13 | |
Sorry we're late. | 0:56:13 | 0:56:15 | |
-Hello, darling! -Mom! | 0:56:15 | 0:56:18 | |
-Dad! -Darling! | 0:56:18 | 0:56:20 | |
-Uncle Willy! -Oh, who have we got here? | 0:56:20 | 0:56:23 | |
Don't feel self-conscious. | 0:56:23 | 0:56:25 | |
Attention, please! This is Howard. | 0:56:25 | 0:56:29 | |
Howard, welcome. | 0:56:29 | 0:56:31 | |
-Don't worry, he's had his lunch! -THEY LAUGH | 0:56:31 | 0:56:35 | |
He likes you. That's unusual. | 0:56:35 | 0:56:38 | |
We pay our devotion to the arts here. A colony we created. | 0:56:38 | 0:56:42 | |
Julian's a painter. Abstract, of course. | 0:56:42 | 0:56:45 | |
Why paint something real when you can just take a picture? | 0:56:45 | 0:56:48 | |
Where do you stand on politics, Mr Hughes? | 0:56:48 | 0:56:51 | |
-Excuse me? -We're all socialists here. | 0:56:51 | 0:56:54 | |
Oh, we are not. | 0:56:54 | 0:56:57 | |
-You've met Mr Roosevelt. What make you of him? -HE CLEARS HIS THROAT | 0:56:57 | 0:57:02 | |
-What are you sniggering at? -What was that? | 0:57:02 | 0:57:06 | |
-You just sniggered. -No, no. The dog seems to be crushing my feet. | 0:57:06 | 0:57:11 | |
-Oh, my God! -Buster! | 0:57:11 | 0:57:14 | |
-SHE LAUGHS -Don't you like dogs? | 0:57:14 | 0:57:17 | |
-I will not have you sniggering at Mr Roosevelt. Please leave. -I wasn't. | 0:57:17 | 0:57:22 | |
-Everyone likes dogs. -Perhaps he had a bad experience. | 0:57:22 | 0:57:25 | |
-Does it stick in your craw that Howard gets more press than you? -A bad experience with a dog? -No. No. | 0:57:25 | 0:57:30 | |
-You were such a shy creature. -Perhaps it was a very large dog. | 0:57:30 | 0:57:35 | |
-The press can be a damn nuisance. -Was it a Doberman? | 0:57:35 | 0:57:39 | |
-Or a dachshund? -Neither, sir. | 0:57:39 | 0:57:41 | |
-Dachshunds are little dogs, dear. -They should be lined up and shot. | 0:57:41 | 0:57:46 | |
-What's that Spanish painting? -The Goya? -The Goya, yes. | 0:57:46 | 0:57:51 | |
Yes, Mexicans. Poor lambs. | 0:57:51 | 0:57:54 | |
-What was that called? -That's the vulgar press. Read much, Mr Hughes? | 0:57:54 | 0:57:58 | |
-I try to stay up to snuff on the trade journals. -Snuff?! | 0:58:01 | 0:58:05 | |
-These would be flying magazines? -What? What was that? | 0:58:05 | 0:58:10 | |
-He's a little deaf. -You read flying magazines? | 0:58:10 | 0:58:14 | |
-Trade journals on engineering, aviation. -We read books. | 0:58:14 | 0:58:19 | |
-Mm-hmm. -Howard has to read journals cos he's designing a new aeroplane. | 0:58:19 | 0:58:24 | |
Oh, really? Do tell. | 0:58:24 | 0:58:26 | |
Well, er... | 0:58:29 | 0:58:31 | |
..it's quite exciting, actually. | 0:58:31 | 0:58:34 | |
It's a spy plane for the air corps. | 0:58:34 | 0:58:37 | |
A twin-engine plane with, I must admit, some unique design features. | 0:58:37 | 0:58:42 | |
-You see, it has these two booms... -Luddy built a bird house once. | 0:58:42 | 0:58:46 | |
-Do you remember that, dear? -Yes, well, a mere trifle, darling. | 0:58:46 | 0:58:50 | |
I remember the painting. It's called May 18-0-something. | 0:58:50 | 0:58:54 | |
-Goya is vastly overrated. All the Spaniards are. -Nonsense! | 0:58:54 | 0:58:57 | |
-Picasso is sacred. -I'm a urologist. | 0:58:57 | 0:58:59 | |
-It was quite aesthetic. -Picasso is a sacred monster. | 0:58:59 | 0:59:03 | |
-The birds didn't like it, but bats do. -I'll bet. | 0:59:03 | 0:59:07 | |
-Do speak up, dear. -Nothing. Nothing, Mrs Hepburn. | 0:59:07 | 0:59:11 | |
Why speak? I can't abide people who speak but have nothing to say. | 0:59:11 | 0:59:15 | |
Did you go to mechanics school to learn all this airplane guff? | 0:59:15 | 0:59:18 | |
-No. No, I didn't. -Howard just flew round the world in three days. | 0:59:18 | 0:59:23 | |
-We've had enough about airplanes. -How did you make all that money? | 0:59:23 | 0:59:27 | |
-We don't care about money here, Mr Hughes. -That's cos you have it. | 0:59:27 | 0:59:31 | |
Would you repeat that? | 0:59:34 | 0:59:37 | |
You don't care about money because you've always had it. | 0:59:37 | 0:59:41 | |
-How did you... -Excuse me, I'm speaking. -OK. | 0:59:41 | 0:59:44 | |
-Thank you. -All right. | 0:59:44 | 0:59:47 | |
Some of us choose to work for a living. Speaking of which, | 0:59:47 | 0:59:50 | |
I have more of that "airplane guff" to attend to. Excuse me. | 0:59:50 | 0:59:56 | |
Hmm, seems a rather high-strung chap. | 1:00:03 | 1:00:07 | |
You're a fine bunch of bullies, aren't you? | 1:00:07 | 1:00:11 | |
-Have you talked to Mr Mayer about doing Jane Eyre? -He won't budge. | 1:00:11 | 1:00:15 | |
Too arty. I'm convinced the man hasn't made anything longer than... | 1:00:15 | 1:00:19 | |
No fair kicking. You have to use the mallet. | 1:00:22 | 1:00:26 | |
Really, though, darling, you can't retire from the battle like that | 1:00:28 | 1:00:32 | |
-or they'll never respect you. -Katie, I don't understand. | 1:00:32 | 1:00:35 | |
You were like a different person in there. | 1:00:35 | 1:00:38 | |
Oh, they just expect me to be a certain way. | 1:00:38 | 1:00:41 | |
There's only one real Kate and that's your Kate. | 1:00:42 | 1:00:47 | |
"And over in Hollywood, aviation tycoon Howard Hughes, | 1:00:49 | 1:00:53 | |
"seems to be cooking something big. Even as he edits his newest picture, | 1:00:53 | 1:00:57 | |
"he's been secretly meeting with the US Air Corps. | 1:00:57 | 1:01:00 | |
"We applaud his patriotism and look forward to his newest..." | 1:01:00 | 1:01:03 | |
Do you know how many Allied ships we lost because of U-boat attacks? | 1:01:03 | 1:01:07 | |
-No. -681 ships. Just this year, so far. | 1:01:07 | 1:01:10 | |
The army needs a new airplane to fly the troops over to Europe. | 1:01:10 | 1:01:14 | |
These ships, they're sitting ducks for the U-boats. | 1:01:14 | 1:01:17 | |
-You want to build a troop carrier plane. -Stop thinking like an insect. | 1:01:17 | 1:01:20 | |
Not just a plane to carry troops, a plane to carry everything. | 1:01:20 | 1:01:24 | |
The troops and the jeeps and the tanks and what-not! Take a look. | 1:01:24 | 1:01:28 | |
No, other side. | 1:01:29 | 1:01:31 | |
I figure around 200 feet from nose to tail, wingspan around 300. | 1:01:32 | 1:01:37 | |
We'll need about 24,000 horsepower. | 1:01:37 | 1:01:40 | |
Now, this, this is just what Kaiser and the army are looking for. | 1:01:41 | 1:01:44 | |
-They'll pay for it this time. -Christ! What are you getting us into? | 1:01:44 | 1:01:47 | |
It's a big plane, so I'm calling it the Hercules. Swell name, isn't it? | 1:01:47 | 1:01:52 | |
-How heavy do you imagine this is? -I'd say around 200 tons. | 1:01:52 | 1:01:56 | |
Well, I didn't say it was gonna be easy. | 1:01:59 | 1:02:01 | |
All right, boys, rig up something like this. | 1:02:01 | 1:02:04 | |
It should give proper uplift ratios, | 1:02:04 | 1:02:07 | |
reducing the need for additional torque support on the front. | 1:02:07 | 1:02:10 | |
We're not getting enough production out of Jane Russell's breasts. | 1:02:10 | 1:02:13 | |
I want smooth titties, gentlemen. Smooth titties. | 1:02:13 | 1:02:17 | |
It's all in engineering, isn't it? | 1:02:18 | 1:02:20 | |
Howard, do you really think they're gonna let you | 1:02:20 | 1:02:23 | |
-put out a whole movie just about tits? -Sure! Who doesn't like tits? | 1:02:23 | 1:02:28 | |
. | 2:59:50 | 2:59:57 | |
Afternoon, gentlemen. Sorry I'm late. | 3:00:08 | 3:00:11 | |
Will the secretary record that Mr Hughes has arrived, | 3:00:11 | 3:00:14 | |
and that this session is now called to order? | 3:00:14 | 3:00:17 | |
Mr Hughes, members of the committee, | 3:00:17 | 3:00:20 | |
I have reviewed Mr Hughes's photoplay, entitled The Outlaw. | 3:00:20 | 3:00:23 | |
I can state that I have never seen anything quite so unacceptable | 3:00:23 | 3:00:26 | |
as the shots of the mammaries of the character named Rio. | 3:00:26 | 3:00:30 | |
For almost half the picture, the girl's mammaries, | 3:00:30 | 3:00:33 | |
which are quite large and prominent, are shockingly uncovered. | 3:00:33 | 3:00:38 | |
For this reason, I have concluded | 3:00:38 | 3:00:40 | |
the picture appeals only to prurient interest | 3:00:40 | 3:00:43 | |
and should be denied the Motion Picture Association's approval. | 3:00:43 | 3:00:46 | |
Really, Mr Hughes...! | 3:00:46 | 3:00:50 | |
-Thank you, Mr Breen. Mr Hughes. -Thank you, Mr Chairman. | 3:00:50 | 3:00:53 | |
Mr Breen. It's good to see you again. I haven't seen you all | 3:00:53 | 3:00:56 | |
since that situation with all the violence in Scarface. | 3:00:56 | 3:01:00 | |
This situation revolves around Miss Russell's mammaries. | 3:01:00 | 3:01:03 | |
Mr Breen feels they are too prominent, | 3:01:03 | 3:01:06 | |
more prominent than other mammaries have been up on the screen. | 3:01:06 | 3:01:09 | |
Well, I hope to dispel that notion. | 3:01:09 | 3:01:12 | |
Jean Harlow... | 3:01:15 | 3:01:17 | |
..Ann Sheridan... | 3:01:18 | 3:01:21 | |
..Irene Dunne, Claudette Colbert... | 3:01:22 | 3:01:24 | |
..Rita Hayworth, | 3:01:25 | 3:01:27 | |
Betty Grable and the lovely Miss Jane Russell. | 3:01:27 | 3:01:31 | |
Now, all these shots, save for Miss Russell, | 3:01:31 | 3:01:34 | |
were enlarged from pictures that received Mr Breen's seal of approval. | 3:01:34 | 3:01:38 | |
As you've probably noticed by now, they all contain...mammaries. | 3:01:39 | 3:01:44 | |
I will ask my associate to join me now. | 3:01:44 | 3:01:47 | |
May I introduce Dr Ludlow Branson of Columbia University. | 3:01:47 | 3:01:51 | |
Dr Branson...is a mathematician of some note. Yes. | 3:01:53 | 3:02:00 | |
And he will now demonstrate that, in fact, Miss Russell's mammaries | 3:02:00 | 3:02:05 | |
are no more prominent than any of these other fine ladies'. | 3:02:05 | 3:02:09 | |
Doctor? | 3:02:12 | 3:02:15 | |
Doctor? | 3:02:15 | 3:02:17 | |
You forgot your callipers. | 3:02:17 | 3:02:20 | |
Oh... | 3:02:20 | 3:02:22 | |
Er...gentlemen, Mr Hughes... | 3:02:25 | 3:02:28 | |
Er...let us commence | 3:02:29 | 3:02:33 | |
by calling this mammary exhibit number one. | 3:02:33 | 3:02:37 | |
Now, you'll see that the length of the actual cleavage, | 3:02:37 | 3:02:42 | |
if I may, | 3:02:42 | 3:02:44 | |
is...five inches and a quarter. | 3:02:44 | 3:02:49 | |
-Now, if we move to Mammary exhib... -"Dateline Hollywoodland, | 3:02:49 | 3:02:53 | |
"movie tycoon, Howard Hughes, must have the greatest job in the land. | 3:02:53 | 3:02:56 | |
"Each and every night, the guy has to escort a different beautiful woman | 3:02:56 | 3:03:00 | |
"to a different dazzling event. The TWA king always talks up his airline | 3:03:00 | 3:03:04 | |
"as he escorts a succession of eye-catching women..." | 3:03:04 | 3:03:07 | |
FANFARE | 3:03:07 | 3:03:10 | |
The Hercules, ladies and gentlemen. The Hercules! | 3:03:10 | 3:03:13 | |
-A plane, a boat, a flying city! -Now, don't forget every bill comes to me. | 3:03:13 | 3:03:18 | |
They don't pay for anything. Those men decide whether to fund the plane, | 3:03:18 | 3:03:22 | |
-so I need them real happy. You do what it takes. -You betcha, boss. | 3:03:22 | 3:03:26 | |
How about the girls? How are they in the bomb department? | 3:03:26 | 3:03:29 | |
Let's put it this way, it'll be a regular boob buffet. | 3:03:29 | 3:03:32 | |
The gentlemen from the air corps won't have trouble scoring tonight. | 3:03:32 | 3:03:36 | |
Inside, 700 brave American soldiers, a dozen Sherman tanks, | 3:03:36 | 3:03:40 | |
all winging their way over the Atlantic, | 3:03:40 | 3:03:43 | |
free from the threat of the U-boats below. | 3:03:43 | 3:03:46 | |
Could Jules Verne himself ever have imagined anything so magnificent? | 3:03:46 | 3:03:50 | |
Could he have imagined her wingspan, longer than a football field? | 3:03:50 | 3:03:54 | |
-Don't you see how this demeans me? -Since when do you care | 3:03:54 | 3:03:57 | |
-about the scandal rags? -Every picture of you and another woman | 3:03:57 | 3:04:00 | |
is like a slap in the face. Don't you understand that? | 3:04:00 | 3:04:04 | |
-That's overstating it just a bit. -Joan Crawford, Ginger Rogers, | 3:04:04 | 3:04:07 | |
Linda Darnell, Joan Fontaine and now Bette Davis, for God's sake! | 3:04:07 | 3:04:11 | |
Look...they're Crackerjack candy. They don't mean anything to me. | 3:04:13 | 3:04:17 | |
Ohhh, very nice(!) | 3:04:17 | 3:04:20 | |
Well, you're the one that said that all men are predators, right? | 3:04:22 | 3:04:26 | |
I mean, it's all in... Darwin. Remember? | 3:04:26 | 3:04:28 | |
And am I to expect this behaviour to continue after the wedding? | 3:04:28 | 3:04:32 | |
What is really bothering you, Kate? Is it the women or the publicity? | 3:04:32 | 3:04:36 | |
Can't you eat ice cream from a bowl like everyone else in the world? | 3:04:41 | 3:04:45 | |
PHONE RINGS | 3:04:45 | 3:04:48 | |
Don't you dare! | 3:04:54 | 3:04:57 | |
Yeah? | 3:05:07 | 3:05:11 | |
No, Odie, this is not a good time. | 3:05:11 | 3:05:14 | |
For Christ's sakes, we can't make the Hercules | 3:05:14 | 3:05:17 | |
if we don't have any aluminium. Wait. | 3:05:17 | 3:05:20 | |
No, I can hear you better now. Tell the War Production Board | 3:05:20 | 3:05:23 | |
that this is an essential strategic operation. | 3:05:23 | 3:05:26 | |
If they're giving aluminium to Douglas and Boeing, | 3:05:26 | 3:05:29 | |
-they can give some to Hughes Aircraft. -Don't set the ice cream... | 3:05:29 | 3:05:34 | |
Think of something else. If we can't get aluminium, find another way. | 3:05:34 | 3:05:38 | |
Christ! I don't know. We'll find some alloy that works just as well. | 3:05:38 | 3:05:42 | |
Right. Look... | 3:05:42 | 3:05:44 | |
If we can't get any aluminium, we'll use wood. | 3:05:44 | 3:05:47 | |
-You can't make a 200-ton plane out of wood. -Why not? | 3:05:47 | 3:05:50 | |
-It's a flying boat, right? What do they make boats out of? -Oak. | 3:05:50 | 3:05:53 | |
Think of the Hercules like a flying Spanish galleon. | 3:05:53 | 3:05:56 | |
Spanish galleons can weigh 1200 tons. | 3:05:56 | 3:05:59 | |
Good luck today, huh? | 3:05:59 | 3:06:02 | |
We just have to find the right wood. Something light but strong. | 3:06:02 | 3:06:05 | |
-Morning, Kate. -Pine, cedar, maybe birch. | 3:06:05 | 3:06:08 | |
Catch! | 3:06:18 | 3:06:20 | |
From my farm. | 3:06:23 | 3:06:26 | |
If you like it, I can get you a bushel. | 3:06:26 | 3:06:28 | |
Trouble with Mr Hughes? | 3:06:40 | 3:06:43 | |
There's too much Howard Hughes in Howard Hughes. | 3:06:48 | 3:06:52 | |
That's the trouble. | 3:06:53 | 3:06:56 | |
JAZZ PLAYS ON RADIO | 3:07:05 | 3:07:07 | |
Beautiful! | 3:07:08 | 3:07:11 | |
Don't you even take Christmas off? | 3:07:12 | 3:07:15 | |
Nice to see you, Bob. Sorry, I've got grease on my hands. | 3:07:15 | 3:07:18 | |
Have we got something to show you. | 3:07:18 | 3:07:20 | |
Take a look. The XF-11 reconnaissance flier. | 3:07:24 | 3:07:27 | |
Spy plane, really. Designed every inch of her myself. | 3:07:27 | 3:07:31 | |
She's got a top speed of 450, | 3:07:31 | 3:07:34 | |
which means she can outrun anything they throw against her. | 3:07:34 | 3:07:37 | |
After the Japs stole my H-1 design for their Zeros, | 3:07:37 | 3:07:40 | |
I figured I needed to do one better. Yeah. She's my Buck Rogers ship. | 3:07:40 | 3:07:47 | |
-She's a looker. -OK, what have you got for me? | 3:07:47 | 3:07:51 | |
Jiminy Cricket! | 3:07:58 | 3:08:00 | |
Seating capacity for 60. Wingspan, 123 feet. | 3:08:00 | 3:08:04 | |
Four double Cyclone engines. Her ceiling's 25,000 feet. | 3:08:04 | 3:08:07 | |
-Gross weight? -86,000. Wing loading of 41lbs. | 3:08:07 | 3:08:11 | |
Less drag on the plane in thinner air. | 3:08:11 | 3:08:14 | |
So high cruise power, you're looking at a top speed of around 340? | 3:08:14 | 3:08:17 | |
Giving her a range of about 3,000 miles. | 3:08:17 | 3:08:20 | |
-Cross-country. -Non-stop. | 3:08:22 | 3:08:25 | |
Bob...you know something? You are a son of a bitch! | 3:08:26 | 3:08:30 | |
Yeah. Bob, you got something on your suit. | 3:08:41 | 3:08:45 | |
-Hmm? -Yeah. On your lapel there. | 3:08:45 | 3:08:48 | |
You got something on your lapel. | 3:08:48 | 3:08:51 | |
Right there, Bob. | 3:08:53 | 3:08:56 | |
You missed it. Right there. | 3:08:57 | 3:09:00 | |
Clean it off, would you? Here. Thanks. | 3:09:00 | 3:09:05 | |
Now throw it away. | 3:09:08 | 3:09:11 | |
No, over there. | 3:09:13 | 3:09:16 | |
Thanks. | 3:09:20 | 3:09:22 | |
So...what do you call her? | 3:09:22 | 3:09:25 | |
-The Constellation. But we can change that. -No, no, no. | 3:09:25 | 3:09:28 | |
It's pretty. I like her. | 3:09:28 | 3:09:31 | |
What kind of deal can you give me? What kind of deal can you give me? | 3:09:32 | 3:09:36 | |
We'll give you the first 40 planes off the assembly line. | 3:09:36 | 3:09:39 | |
-That gives us two years' exclusivity with her. -Hell, more than that. | 3:09:39 | 3:09:42 | |
United and American don't have the imagination for a plane like this. | 3:09:42 | 3:09:46 | |
Two years ahead of Juan Trippe then. | 3:09:46 | 3:09:49 | |
-How much? -450,000 each. | 3:09:54 | 3:09:58 | |
That's 18 million for the first four. | 3:09:58 | 3:10:01 | |
TWA can't afford that. The damn airline's flat broke. | 3:10:01 | 3:10:05 | |
Guess I'll just Have to pay for 'em myself. | 3:10:09 | 3:10:12 | |
Build them, Bob. Send the bill to Noah Dietrich. | 3:10:12 | 3:10:15 | |
Oh, and thank you. | 3:10:15 | 3:10:17 | |
Merry Christmas. | 3:10:20 | 3:10:23 | |
"You have just placed the largest order for airplanes in history! | 3:10:23 | 3:10:27 | |
-"They sent a bill for 18million!" -Don't get hysterical on me, Noah. | 3:10:27 | 3:10:31 | |
-It isn't good for you -"This is a lot of money for planes." | 3:10:31 | 3:10:34 | |
-Yes, I know it's a lot of money. -"It's too damn much." | 3:10:34 | 3:10:37 | |
-"You think I got it in petty cash?" -I should have told you earlier. | 3:10:37 | 3:10:40 | |
-It slipped my mind. -"Slipped your mind?!" -Right. | 3:10:40 | 3:10:44 | |
-I'll get back to you. -"How could 18 million slip your mind?" -Bye. | 3:10:44 | 3:10:47 | |
Hey, honey. What are you doing home? | 3:10:47 | 3:10:51 | |
You're not one for tears and, well, neither am I, | 3:10:55 | 3:10:59 | |
so it's best to come out with it. | 3:10:59 | 3:11:02 | |
I've met someone. I've fallen in love and I'm moving out. | 3:11:05 | 3:11:09 | |
If I could make it any more gentle, | 3:11:11 | 3:11:15 | |
I would but I...can't. | 3:11:15 | 3:11:19 | |
So...there we both are. | 3:11:19 | 3:11:23 | |
Let's be honest. | 3:11:25 | 3:11:28 | |
It's all been a grand adventure, but it couldn't possibly last. | 3:11:28 | 3:11:32 | |
We're too alike, you and I. | 3:11:33 | 3:11:36 | |
-You met someone? -Someone more appropriate. | 3:11:38 | 3:11:42 | |
To me, I mean. | 3:11:42 | 3:11:44 | |
What...what does that mean, "more appropriate"? | 3:11:46 | 3:11:49 | |
Oh, someone more attuned to my needs. | 3:11:49 | 3:11:54 | |
-Look at me, Katie. Stop acting. -Oh, I'm not acting! | 3:11:54 | 3:12:00 | |
I wonder if you even know any more. | 3:12:04 | 3:12:07 | |
Don't be unkind. | 3:12:12 | 3:12:15 | |
You, er...you want to go? | 3:12:17 | 3:12:22 | |
Huh? | 3:12:22 | 3:12:24 | |
Go on. | 3:12:24 | 3:12:27 | |
Actresses are cheap in this town, darling. | 3:12:27 | 3:12:30 | |
-And I got a lot of money. -Howard! Please, this is beneath you. -No, no. | 3:12:30 | 3:12:34 | |
This is exactly me. You come in and tell me you're leaving me | 3:12:34 | 3:12:37 | |
and you have the nerve to expect graciousness? | 3:12:37 | 3:12:41 | |
I expect a little maturity. | 3:12:41 | 3:12:43 | |
I expect you to face the situation like an adult. | 3:12:43 | 3:12:46 | |
Don't talk down to me! Don't you ever talk down to me! | 3:12:46 | 3:12:50 | |
You are a movie star, nothing more! | 3:12:50 | 3:12:53 | |
DOWNBEAT JAZZ MUSIC | 3:13:14 | 3:13:17 | |
-PHONE RINGS -'Don't answer it.' | 3:14:00 | 3:14:04 | |
What is it, Howard? | 3:14:06 | 3:14:09 | |
Hey, Noah, I need you to get over to Penney's | 3:14:09 | 3:14:12 | |
-and buy me some new clothes. -Penney's isn't open. -Oh, shit! | 3:14:12 | 3:14:16 | |
-It's two in the morning. -Yeah, that's right. | 3:14:16 | 3:14:19 | |
Well, first thing tomorrow, then, all right? | 3:14:19 | 3:14:22 | |
I need two new suits off the rack. One light and one dark. | 3:14:22 | 3:14:25 | |
Three white shirts and three pairs of white tennis shoes. Got that? | 3:14:25 | 3:14:28 | |
-Yeah. -No. No. Make it Woolworths. | 3:14:28 | 3:14:31 | |
-Woolworths. -No. No. Penney's. Penney's. | 3:14:31 | 3:14:35 | |
All right, then. I'll get into it as soon as I can, Howard. | 3:14:35 | 3:14:39 | |
-Noah, do you have a recorder? -No. | 3:14:40 | 3:14:43 | |
Are you recording this conversation? | 3:14:43 | 3:14:46 | |
-No. -OK... I trust you. | 3:14:46 | 3:14:49 | |
-Howard? -Listen, I need those suits first thing tomorrow, all right? | 3:14:51 | 3:14:54 | |
-All right. -Wait, wait, did I say Penney's or Woolworths? | 3:14:54 | 3:14:57 | |
-Penney's -Better make it Sears. | 3:14:57 | 3:15:01 | |
All right, then. Sears. | 3:15:01 | 3:15:03 | |
I'm sorry, honey. | 3:15:06 | 3:15:09 | |
If I don't answer, he'll just call back. | 3:15:09 | 3:15:12 | |
Stop there, if you please, Miss Domergue. | 3:15:32 | 3:15:35 | |
Have you had surgery, Miss Domergue? | 3:15:40 | 3:15:43 | |
No. | 3:15:43 | 3:15:45 | |
Do you have scars of any kind? | 3:15:47 | 3:15:50 | |
No. | 3:15:50 | 3:15:53 | |
Wipe off your lipstick. | 3:15:54 | 3:15:57 | |
That's much better. | 3:16:01 | 3:16:03 | |
Now, you understand that you'd be under contract to me, personally? | 3:16:03 | 3:16:08 | |
Do you know what that means? | 3:16:08 | 3:16:11 | |
Turn around for me. | 3:16:19 | 3:16:21 | |
Very nice. You move well. | 3:16:29 | 3:16:33 | |
You live with your family, do you? | 3:16:35 | 3:16:38 | |
-Yes. -That's nice. | 3:16:39 | 3:16:43 | |
Tell me something. | 3:16:44 | 3:16:47 | |
How old are you, Miss Domergue? | 3:16:47 | 3:16:50 | |
15. | 3:16:52 | 3:16:55 | |
Holy mother... | 3:16:58 | 3:17:00 | |
BIG BAND MUSIC PLAYS | 3:17:03 | 3:17:06 | |
Well, a car picks me up every morning at eight and off I go. | 3:17:17 | 3:17:21 | |
I'm getting my high-school diploma. | 3:17:21 | 3:17:24 | |
-Howard thinks that education is important. -That's right. | 3:17:24 | 3:17:28 | |
And then after classes I'm off for elocution and grooming and fittings. | 3:17:28 | 3:17:33 | |
Well, blow me down! | 3:17:33 | 3:17:35 | |
Don't tell me Pan Am's working out of the Cocoanut Grove? | 3:17:35 | 3:17:38 | |
-Hello, Jack. -Hello, Juan. -Helen. Good to see you. | 3:17:38 | 3:17:41 | |
-How are you, Howard? -Good. Thanks. | 3:17:41 | 3:17:44 | |
-This is Miss Faith Domergue. -Sit down. -Pleasure. | 3:17:44 | 3:17:47 | |
-What are you doing out here? -I'm meeting with Douglas about the DC-4. | 3:17:47 | 3:17:51 | |
That's our new plane. It is gonna be a pip, let me tell you. | 3:17:51 | 3:17:54 | |
-How's the Constellation coming? -Good. | 3:17:54 | 3:17:58 | |
-Great. -So, how about letting me steal a peek? | 3:17:58 | 3:18:03 | |
I don't think so. | 3:18:05 | 3:18:08 | |
I should be cross with you. You stole Ray Loewy from us. | 3:18:08 | 3:18:11 | |
-He's doing our interior design. That's right. -He was doing ours. | 3:18:11 | 3:18:14 | |
-So...what are your colours? -Stop fishing! | 3:18:17 | 3:18:21 | |
So, do you have buttons or zippers? | 3:18:23 | 3:18:27 | |
I'm sorry? | 3:18:27 | 3:18:30 | |
Buttons or zippers? For the drapes on the sleeping berths. | 3:18:30 | 3:18:34 | |
Er, zippers. | 3:18:36 | 3:18:40 | |
Oh... | 3:18:41 | 3:18:43 | |
Buttons? | 3:18:47 | 3:18:50 | |
Uh-huh. | 3:18:52 | 3:18:55 | |
So, I suppose you'll be expanding on down to Mexico? | 3:18:58 | 3:19:01 | |
-Why do you say that? -Well, your range is 3,000 miles. | 3:19:01 | 3:19:05 | |
I imagine you'd expand from Los Angeles to Mexico | 3:19:05 | 3:19:08 | |
-and maybe on down to South America. -Good idea. Anyone got a pen? | 3:19:08 | 3:19:12 | |
Or across the Atlantic. | 3:19:12 | 3:19:15 | |
Now, honey, you've had enough of this ice cream. Give me that spoon. | 3:19:15 | 3:19:19 | |
You don't want to get your gloves all sticky. | 3:19:19 | 3:19:22 | |
Isn't that too far? | 3:19:24 | 3:19:27 | |
New York...to Newfoundland... | 3:19:30 | 3:19:34 | |
..to Ireland... | 3:19:35 | 3:19:38 | |
..to Paris. | 3:19:41 | 3:19:43 | |
Well, Pan Am welcomes you. | 3:19:49 | 3:19:53 | |
We're overbooked as it is. | 3:19:54 | 3:19:56 | |
It's such a burden doing it all on your own, let me tell you. | 3:19:56 | 3:20:00 | |
-So when's the Connie gonna be ready? -Next year, maybe. DC-four? | 3:20:00 | 3:20:03 | |
-Next year. -Well, we look forward to her, then. | 3:20:03 | 3:20:08 | |
And I to the Connie. | 3:20:08 | 3:20:11 | |
I've ordered the next 40 after you. | 3:20:11 | 3:20:14 | |
-Er, it's Miss...? -Domergue. -Domergue. Yes, of course. | 3:20:15 | 3:20:18 | |
-Was that a rumba or a samba you were doing out there? -It was a samba. | 3:20:18 | 3:20:22 | |
A samba, yes. Howard, I never knew you were such a good dancer. | 3:20:22 | 3:20:26 | |
Helen. Jack. | 3:20:27 | 3:20:29 | |
Good going(!) You just gave away our entire post-war strategy. | 3:20:31 | 3:20:34 | |
-He can't stop us. -He's Pan Am, Howard, he can stop anything! | 3:20:34 | 3:20:38 | |
-Waiter, Scotch. -I don't know what in the hell you're so giddy about. | 3:20:40 | 3:20:44 | |
Excuse me. | 3:20:44 | 3:20:46 | |
Agh. | 3:21:06 | 3:21:08 | |
HE TUTS | 3:21:18 | 3:21:20 | |
Jack! All right, I want you to get in touch with Mr Joyce | 3:22:32 | 3:22:36 | |
and Mr Berg, those are my boys in Washington. | 3:22:36 | 3:22:39 | |
Set up a meeting with Jesse Jones - Secretary of Commerce. | 3:22:39 | 3:22:42 | |
-Slow down. -We're gonna need terminals in Ireland and France. | 3:22:42 | 3:22:46 | |
If that shit ass thinks that he owns the entire goddamn world, | 3:22:46 | 3:22:49 | |
-he's got another thing comin'! -We gotta think about Mexico! | 3:22:49 | 3:22:53 | |
To hell with Mexico! No-one airline should have a monopoly | 3:22:53 | 3:22:56 | |
on flying the Atlantic! It just isn't fair! He owns Pan Am, Congress, | 3:22:56 | 3:23:00 | |
the Civil Aeronautics Board but he does NOT own the sky! | 3:23:00 | 3:23:03 | |
We are in a fight with that son of a bitch and I'm not gonna lose! | 3:23:03 | 3:23:07 | |
I've been fightin' Ivy League pricks like him my whole life! | 3:23:07 | 3:23:10 | |
And fire Ray Loewy. You goddamn heard me?! Fire Ray Loewy! | 3:23:10 | 3:23:14 | |
He's spyin' for Trippe! That shit-heel knew all about the buttons! | 3:23:14 | 3:23:18 | |
Spies in my midst, Jack. Spies in my midst. | 3:23:18 | 3:23:21 | |
# I'll be seeing you... # | 3:23:25 | 3:23:28 | |
-Hello, Howard. -Roland. | 3:23:36 | 3:23:38 | |
So...what can I do for ya? | 3:23:40 | 3:23:43 | |
'I want all the pictures you have of Kate Hepburn and Spencer Tracy, | 3:23:45 | 3:23:49 | |
'all the negatives, and I want you to kill the story.' | 3:23:49 | 3:23:53 | |
Howard, he's a married man, he's a Catholic, | 3:23:53 | 3:23:57 | |
they're both movies stars - fair game all around. | 3:23:57 | 3:24:01 | |
My office knows where I am, Howard. | 3:24:07 | 3:24:10 | |
I'm not gonna kill you, Roland... I don't do that. | 3:24:10 | 3:24:15 | |
-How much? -Not for sale. | 3:24:20 | 3:24:23 | |
'How much?' | 3:24:25 | 3:24:27 | |
Not...for sale. | 3:24:27 | 3:24:30 | |
SIGHS | 3:24:31 | 3:24:33 | |
You ever cheat on your wife, Roland? Hm? You ever screw a coloured girl? | 3:24:34 | 3:24:40 | |
You ever steal anything? You ever hurt anyone? | 3:24:41 | 3:24:44 | |
-Good night, Howard. -You ever go to a Communist Party meeting, Roland? | 3:24:46 | 3:24:51 | |
TWA stock. | 3:25:01 | 3:25:04 | |
How much? | 3:25:04 | 3:25:06 | |
-50,000 shares? -10. | 3:25:06 | 3:25:10 | |
All right. | 3:25:12 | 3:25:14 | |
This isn't gonna be that easy. | 3:25:16 | 3:25:19 | |
He's been making big contributions on both sides of the aisle | 3:25:19 | 3:25:23 | |
and Jack Frye is out there lobbying everybody in town. | 3:25:23 | 3:25:26 | |
The French and British ambassadors are all lined up on his side now. | 3:25:26 | 3:25:30 | |
I'm telling you, TWA is serious about going international. | 3:25:30 | 3:25:34 | |
OK...point Mr Hughes. | 3:25:34 | 3:25:36 | |
Very well. You know what I think? I think it's time for you | 3:25:36 | 3:25:40 | |
to introduce the Community Airline Bill. | 3:25:40 | 3:25:43 | |
-Is it done? -My people are finishing it now. I also have to get you | 3:25:43 | 3:25:47 | |
on the committee investigating the national defence. | 3:25:47 | 3:25:51 | |
On the committee or chairman? | 3:25:52 | 3:25:55 | |
You know, I could be much more effective as chairman. | 3:25:56 | 3:25:59 | |
It's a great public platform. You know, it generates a lot of press. | 3:25:59 | 3:26:03 | |
-Wasn't Truman chairman of that committee? -Yeah, quite. | 3:26:03 | 3:26:06 | |
Now he's vice president. Look what he did with it. I think, er... | 3:26:06 | 3:26:10 | |
I think chairman. | 3:26:11 | 3:26:14 | |
What do you think? | 3:26:14 | 3:26:16 | |
Chairman, that is interesting. | 3:26:17 | 3:26:19 | |
-Yeah. -Er, let me show you these specs for the, er, DC-4. | 3:26:19 | 3:26:23 | |
What do you think about Trans World Airlines? | 3:26:23 | 3:26:26 | |
Transcontinental and Western doesn't fit any more. | 3:26:26 | 3:26:29 | |
We're going international, we need a name that reflects that. | 3:26:29 | 3:26:33 | |
Trans World is good, kind of peppy. | 3:26:33 | 3:26:35 | |
TWA, right? Keep the same initials, | 3:26:35 | 3:26:38 | |
-that way you don't need to repaint any of the planes. -That's you, | 3:26:38 | 3:26:42 | |
always pinching pennies. Hand me my wrap. | 3:26:42 | 3:26:45 | |
Knock it off. | 3:26:59 | 3:27:01 | |
I have something for you. | 3:27:07 | 3:27:09 | |
Stay here. | 3:27:10 | 3:27:13 | |
-What the hell is this? -It's a present. | 3:27:17 | 3:27:20 | |
Go on, open it. | 3:27:20 | 3:27:23 | |
Oh...a box of trash. You shouldn't have. | 3:27:23 | 3:27:27 | |
Keep looking. Keep looking. | 3:27:27 | 3:27:30 | |
It's a Kashmiri sapphire, best in the world. | 3:27:33 | 3:27:36 | |
-I had my boys all over the damn globe lookin' for this. -Why? | 3:27:36 | 3:27:39 | |
Because. | 3:27:39 | 3:27:41 | |
Look. | 3:27:41 | 3:27:43 | |
-It matches your eyes. -I am not for sale. | 3:27:43 | 3:27:48 | |
-For Christ's sakes, Ava, it's just a present! -You can't buy me, Howard, | 3:27:48 | 3:27:52 | |
so stop trying! Don't buy me any more diamonds or sapphires | 3:27:52 | 3:27:55 | |
-or any other goddamn thing! You can buy me dinner. -Jesus, Ava. | 3:27:55 | 3:28:01 | |
It's bad enough I have to endure those filthy gym shoes of yours | 3:28:01 | 3:28:05 | |
but then I get all dolled up and we go out in this old jalopy. | 3:28:05 | 3:28:09 | |
-Ava...will you marry me? -No, Howard. | 3:28:10 | 3:28:14 | |
-Why not, for heaven's sake? -In the first place, I don't love you. | 3:28:14 | 3:28:18 | |
In the second place, I'm still married. | 3:28:18 | 3:28:21 | |
Look, you got girls stashed all over town! | 3:28:21 | 3:28:24 | |
You got a damn harem at the Bel-Air! | 3:28:24 | 3:28:26 | |
-Marry one of your girls. -I'm not gonna marry an employee! | 3:28:26 | 3:28:30 | |
Jesus Christ, how would that look?! | 3:28:30 | 3:28:32 | |
What is goin' on?! | 3:28:38 | 3:28:40 | |
Oh, my God! | 3:28:43 | 3:28:45 | |
-Goddammit! -Faith! | 3:28:45 | 3:28:48 | |
-Faith, what the hell...?! -Look out! -Goddamn you! | 3:28:49 | 3:28:52 | |
What the hell are you doin'?! | 3:28:52 | 3:28:55 | |
-BYSTANDER: -Hey! Are you OK, lady?! -What are you doing with her?! | 3:28:55 | 3:29:00 | |
We are going to dinner, that's all! | 3:29:00 | 3:29:03 | |
-Get that crazy bitch away from me! -Don't you love me any more?! | 3:29:03 | 3:29:06 | |
-Of course I love you, pork chop! -Look over here! Howard! -Hey! | 3:29:06 | 3:29:11 | |
PRESS SHOUT | 3:29:11 | 3:29:13 | |
Juan Trippe is working with Senator Brewster. If the bill becomes law | 3:29:14 | 3:29:20 | |
we are finished, my friend - Pan Am will have a legal monopoly | 3:29:20 | 3:29:23 | |
-on international travel. -How can they justify it?! It's un-American! | 3:29:23 | 3:29:27 | |
Brewster's saying that nationalised foreign carriers | 3:29:27 | 3:29:30 | |
can offer lower rates cos they don't have to compete, | 3:29:30 | 3:29:33 | |
so let's get rid of that competition and have a nationalised airline - | 3:29:33 | 3:29:37 | |
-Pan Am! -I'm not kowtowing to Washington or anyone else! | 3:29:37 | 3:29:40 | |
-Howard, I need you! -One sec, Odie! We are Trans WORLD Airlines, all right? | 3:29:40 | 3:29:45 | |
Get me something with a circle or a globe, for God's sake! HE WHISPERS | 3:29:45 | 3:29:49 | |
Speak up! HE MUTTERS I'm not making a SINGLE cut! | 3:29:49 | 3:29:53 | |
Tell him I will release it without a seal! I'm gonna talk to Hearst, | 3:29:53 | 3:29:56 | |
see what press he can give me, but it's gonna come down to a vote, | 3:29:56 | 3:30:00 | |
so we gotta get senators on our side. | 3:30:00 | 3:30:02 | |
-What do you want me to do? -Do what Trippe does - | 3:30:02 | 3:30:05 | |
-see who's up for re-election, make donations! -So bribe senators? | 3:30:05 | 3:30:10 | |
I don't want them bribed, I want it done legally. I want them bought. | 3:30:10 | 3:30:14 | |
And put investigators on Brewster. I need to know everything | 3:30:14 | 3:30:18 | |
about that shitbag - where he goes, what he says and who he screws! | 3:30:18 | 3:30:21 | |
-Get into it right now, Jack! -You got it. | 3:30:21 | 3:30:24 | |
Just give me a second. | 3:30:30 | 3:30:32 | |
-All right, what do you need? -Rudder and elevators. | 3:30:33 | 3:30:37 | |
These are fine but have Simon and Pete get back to me | 3:30:37 | 3:30:41 | |
-on the hydraulic assemblies. We need a secondary system here. -OK. | 3:30:41 | 3:30:45 | |
And, listen, we need to take another look at the wheel. | 3:30:46 | 3:30:50 | |
-Jesus! The damn wheel?! -Yeah. It just doesn't feel right. | 3:30:50 | 3:30:53 | |
Christ Almighty, you've seen 8,000 goddamn wheels! | 3:30:53 | 3:30:56 | |
-Choose one, please. Just one of them. -I know. | 3:30:56 | 3:30:59 | |
-This one? -I know. This one... this one is pretty close. | 3:30:59 | 3:31:04 | |
Pretty close. | 3:31:04 | 3:31:06 | |
-Odie. -Hm? | 3:31:40 | 3:31:42 | |
That man sweeping up over there... does he work for me? | 3:31:42 | 3:31:46 | |
-I mean, have you seen him before? -Name is Nick, something like that. | 3:31:46 | 3:31:50 | |
(Why is he looking at me?) | 3:31:52 | 3:31:54 | |
I don't know. | 3:31:56 | 3:31:58 | |
Fire him. And make sure they use damp brooms from now on. | 3:31:59 | 3:32:03 | |
-Respiratory diseases are expensive. I don't want a bunch of lawsuits. -OK. | 3:32:03 | 3:32:07 | |
Can we proceed with the instrument panel? The tool shop's - | 3:32:07 | 3:32:10 | |
-No, I wanna see the blueprints again. -The deadline is now unrealistic. | 3:32:10 | 3:32:15 | |
The war is gonna be over by the time she's done! I need you here | 3:32:15 | 3:32:19 | |
to help consult on decisions and you are dealing with movies! You - | 3:32:19 | 3:32:24 | |
Hey, Odie...take it easy... all right?! | 3:32:24 | 3:32:27 | |
I understand you're under a lotta pressure but it's gonna do me no good | 3:32:27 | 3:32:31 | |
if you crack up on me like that, all right? | 3:32:31 | 3:32:35 | |
-Take a couple of hours off, all right? You relax a little. -OK. | 3:32:35 | 3:32:39 | |
-See your wife. -OK. OK. | 3:32:39 | 3:32:42 | |
-Be sure to show me all the blueprints. -All right. | 3:32:44 | 3:32:47 | |
(Show me all the blueprints.) | 3:32:48 | 3:32:51 | |
(Show me all the blueprints.) I'm serious, now. | 3:32:51 | 3:32:54 | |
Show me all the blueprints. | 3:32:54 | 3:32:57 | |
-Show me all the blueprints. -Howard... -Show me all the blueprints. | 3:32:58 | 3:33:03 | |
Show me all the blueprints. Show me all the blueprints. | 3:33:03 | 3:33:06 | |
Show me all the blueprints. I want to get this done right, | 3:33:06 | 3:33:10 | |
so show me all the blueprints. Show me all the blueprints. | 3:33:10 | 3:33:13 | |
Show me all the blueprints. Show me all the blueprints. | 3:33:13 | 3:33:16 | |
-Show me all the blueprints. Show me all the blueprints. -Howard... | 3:33:16 | 3:33:20 | |
Show me all the blueprints. Show me all the blueprints. | 3:33:20 | 3:33:24 | |
Show me all the blueprints. Show me all the blueprints. | 3:33:24 | 3:33:27 | |
Show me all the blueprints. Show me all the blueprints. Show... | 3:33:27 | 3:33:32 | |
Mmf! | 3:33:37 | 3:33:40 | |
HE SIGHS | 3:33:44 | 3:33:46 | |
Quarantine. | 3:33:50 | 3:33:52 | |
Q, | 3:33:54 | 3:33:56 | |
U, | 3:33:56 | 3:33:58 | |
A, | 3:33:58 | 3:34:00 | |
R, | 3:34:00 | 3:34:02 | |
A, | 3:34:02 | 3:34:05 | |
N, | 3:34:05 | 3:34:07 | |
T, | 3:34:07 | 3:34:09 | |
I, | 3:34:09 | 3:34:11 | |
N... | 3:34:11 | 3:34:14 | |
..E. | 3:34:17 | 3:34:19 | |
Quarantine. | 3:34:21 | 3:34:23 | |
HE CHUCKLES | 3:34:31 | 3:34:33 | |
MUSIC: "Toccata and Fugue in D-Minor" by The Philadelphia Symphony Orchestra | 3:34:33 | 3:34:38 | |
General McEwan, Colonel Bertrang, thanks for coming down. | 3:35:00 | 3:35:03 | |
-Odie, you reading me OK? -Yeah, Howard, you're A-OK. | 3:35:03 | 3:35:07 | |
-RADIO: -"All right, flight controls Are active. She's all yours." | 3:35:12 | 3:35:16 | |
-She's spotless. No wiggle on the wheel or throttle. -"Take it easy." | 3:35:24 | 3:35:28 | |
-How does she sound, Howard? -She's whisperin' to me, buddy. | 3:35:44 | 3:35:48 | |
All right, make her sing. | 3:35:48 | 3:35:51 | |
Well, Odie, she can fly. | 3:36:10 | 3:36:12 | |
-Congratulations. -I'm glad to hear it. | 3:36:12 | 3:36:14 | |
Retract landing gear and climb to 5,000 feet on a heading of 2-7-0. | 3:36:14 | 3:36:18 | |
Retracting landing gear and climbing to 5,000ft on a heading of 2-7-0. | 3:36:18 | 3:36:23 | |
-Jesus, she's fast! -What's your airspeed? -292. | 3:36:28 | 3:36:31 | |
-"All right, take her back to 200." -No damn way! | 3:36:31 | 3:36:36 | |
All right, Howard, we gotta bring her home. | 3:36:58 | 3:37:02 | |
"Scheduled time has elapsed, so set course for | 3:37:02 | 3:37:05 | |
-"0-9-0..." -Give me ten more minutes. | 3:37:05 | 3:37:08 | |
-"Negative, Howard. Bring her home." -OK. OK. | 3:37:08 | 3:37:12 | |
Setting course for | 3:37:12 | 3:37:14 | |
0-9-0. | 3:37:14 | 3:37:16 | |
Preparing to descend. ENGINE SPLUTTERS | 3:37:16 | 3:37:21 | |
-Jesus! -"What is it, Howard?" | 3:37:22 | 3:37:25 | |
The right wing just dipped! I-I-I'm losing starboard engine! | 3:37:26 | 3:37:30 | |
Increasing power to 2800rpm! Cutting back! | 3:37:30 | 3:37:34 | |
Increasing starboard engine only! Cutting back! | 3:37:34 | 3:37:39 | |
-I'm losin' altitude! -Check starboard engine manifold pressure! | 3:37:39 | 3:37:43 | |
-It's good but RPMs are low! -"Are both starboard props turning?!" | 3:37:43 | 3:37:47 | |
Hold on! It looks like they are | 3:37:47 | 3:37:50 | |
-but she's pulling me back! -How bad is your cross control?! | 3:37:50 | 3:37:53 | |
I'm at full left rudder and full left aileron but she won't stay level! | 3:37:53 | 3:37:58 | |
-Howard, give us your position! -2,000ft over... | 3:37:58 | 3:38:01 | |
Oh, Christ, I don't know, Beverly Hills! 1500ft! | 3:38:01 | 3:38:05 | |
Oh, we're goin' down! I'm gonna try for the Wilshire Country Club, | 3:38:05 | 3:38:10 | |
-ninth hole! You reading me?! -"Wilshire Country Club, copy that!" | 3:38:10 | 3:38:13 | |
-"Reduce engines to 1,000!" -HE SCREAMS | 3:38:13 | 3:38:17 | |
I'm goin' down! I'm not gonna make it, BUDDY! | 3:38:17 | 3:38:21 | |
ENGINES ROARS Goddammit! | 3:38:24 | 3:38:28 | |
SHE SCREAMS | 3:38:38 | 3:38:40 | |
SCREAMING | 3:38:51 | 3:38:52 | |
SHE SCREAMS | 3:38:57 | 3:38:59 | |
Aaargh! | 3:39:14 | 3:39:17 | |
Ugh! Ugh! CRUNCHING | 3:39:27 | 3:39:30 | |
Aaaaaaaaaaargh! Argh! | 3:39:30 | 3:39:34 | |
HE COUGHS | 3:39:34 | 3:39:36 | |
HISSING Aaaaaaaaaaargh! | 3:39:38 | 3:39:41 | |
Ugh! Ugh! | 3:39:45 | 3:39:48 | |
Ugh! FIREBALL ROARS | 3:39:49 | 3:39:51 | |
SIRENS WAIL IN DISTANCE HE PANTS | 3:40:03 | 3:40:06 | |
-Is there anyone else inside?! Is there anyone else?! -No. | 3:40:26 | 3:40:30 | |
-I'm Howard Hughes, the aviator. -Come on! | 3:40:34 | 3:40:40 | |
Aaaaaaaaaaargh! | 3:40:44 | 3:40:45 | |
He has burns to 78% of his body. | 3:40:50 | 3:40:52 | |
Nine ribs are shattered, not broken, shattered, as are his nose, | 3:40:52 | 3:40:56 | |
his chin, his cheek, his left knee, his left elbow. | 3:40:56 | 3:41:00 | |
He has 60 lacerations on his face to the bone. | 3:41:00 | 3:41:02 | |
His chest was crushed, so his left lung has collapsed, | 3:41:02 | 3:41:06 | |
and his heart has shifted to the right side of his chest cavity. | 3:41:06 | 3:41:10 | |
Jesus God! | 3:41:10 | 3:41:12 | |
-He's getting blood transfusions now but, er... -Whose blood? | 3:41:12 | 3:41:17 | |
-I'm sorry? -Whose blood? | 3:41:17 | 3:41:19 | |
-From our stock. -Oh, he's not going to like that! | 3:41:19 | 3:41:24 | |
Mr Dietrich, I doubt he's ever gonna like or dislike anything again. | 3:41:24 | 3:41:28 | |
I'm terribly sorry. | 3:41:29 | 3:41:32 | |
Orange juice...it's, er... | 3:41:59 | 3:42:03 | |
..it's not fresh from the kitchen, so I... | 3:42:04 | 3:42:07 | |
..I have them make it here, so...so I can see. | 3:42:08 | 3:42:12 | |
Look at me. | 3:42:16 | 3:42:19 | |
I'm a monster. | 3:42:21 | 3:42:23 | |
Yeah, orange juice has nutritional value. | 3:42:23 | 3:42:27 | |
There's, er...there's some flies outside my window, though, | 3:42:29 | 3:42:34 | |
so... | 3:42:34 | 3:42:36 | |
Little Howard likes... | 3:42:38 | 3:42:40 | |
..citrus. | 3:42:42 | 3:42:45 | |
Don't he just. | 3:42:45 | 3:42:47 | |
Tell me. | 3:42:50 | 3:42:52 | |
An oil seal ripped off the starboard rear propeller. | 3:42:53 | 3:42:57 | |
When the pressure dropped, the prop reversed pitch. | 3:42:57 | 3:43:00 | |
Do you understand me? Howard, I'm sorry to have to tell you this now | 3:43:00 | 3:43:05 | |
but...there's something else. | 3:43:05 | 3:43:08 | |
-You following me? -Yeah. | 3:43:08 | 3:43:10 | |
The Air Force cancelled the contract on the Hercules. | 3:43:11 | 3:43:15 | |
The war's over now | 3:43:17 | 3:43:19 | |
and they say they don't need it any more. | 3:43:19 | 3:43:23 | |
I have to know what you want me to do. Should I release the staff? | 3:43:23 | 3:43:27 | |
How far... | 3:43:27 | 3:43:30 | |
..from finishing? | 3:43:31 | 3:43:34 | |
-About six months. -No, no...in money. | 3:43:34 | 3:43:39 | |
Seven million...maybe more. | 3:43:42 | 3:43:46 | |
Build it. | 3:43:50 | 3:43:52 | |
Build it, Odie. | 3:43:53 | 3:43:55 | |
Howard... | 3:43:56 | 3:43:58 | |
..a Constellation crashed outside Reading, Pennsylvania. | 3:43:59 | 3:44:03 | |
The Civil Aeronautics Board has grounded the whole fleet. | 3:44:03 | 3:44:07 | |
HE CHUCKLES | 3:44:10 | 3:44:12 | |
You know... Juan Trippe sent me flowers. | 3:44:17 | 3:44:22 | |
HE CHUCKLES | 3:44:22 | 3:44:25 | |
Take a look. | 3:44:25 | 3:44:27 | |
-What did you do with all the others? -I had them taken out. | 3:44:30 | 3:44:34 | |
They, er...they attract aphids. | 3:44:34 | 3:44:38 | |
Aphids are... they're just awful little creatures. | 3:44:38 | 3:44:42 | |
But, er... | 3:44:43 | 3:44:46 | |
..these ones... I wanted to see these ones | 3:44:48 | 3:44:53 | |
every day. | 3:44:53 | 3:44:55 | |
'Can white elephants really fly? | 3:45:02 | 3:45:05 | |
'It's the hull of the world's mightiest airplane - a flying boat | 3:45:05 | 3:45:09 | |
'built by Howard Hughes. 220ft long, it towers higher | 3:45:09 | 3:45:12 | |
'than a five-storey building. Power lines have to be cut | 3:45:12 | 3:45:16 | |
'as it starts the trip from Culver City, California, to the Pacific. | 3:45:16 | 3:45:19 | |
'Moving the 60-ton load is quite an engineering problem. | 3:45:19 | 3:45:23 | |
'You gotta ask, "Was anything this big ever supposed to fly?" | 3:45:23 | 3:45:27 | |
'There goes one wing section - 160ft long with 4 engine housings. | 3:45:27 | 3:45:32 | |
'Double that and you've got some idea of the wingspread. | 3:45:32 | 3:45:35 | |
'An airplane that challenges a mountain for sheer size.' | 3:45:35 | 3:45:39 | |
How long can they keep us grounded? | 3:45:45 | 3:45:48 | |
Until they finish investigating the crash. Could be months. | 3:45:48 | 3:45:51 | |
You're running a 14-million deficit! | 3:45:51 | 3:45:54 | |
-How are you gonna afford it?! -When we go international, | 3:45:54 | 3:45:57 | |
-we'll make it up. -Brewster's bill isn't going away. It passes | 3:45:57 | 3:46:01 | |
and you've bought these planes for nothing! | 3:46:01 | 3:46:04 | |
-We're fighting the bill. -How do you suggest we keep TWA flying? | 3:46:04 | 3:46:09 | |
We're pumping every damn cent into the Hercules, which, I might add, | 3:46:09 | 3:46:13 | |
the Air Force doesn't even want any more. I'm glad Jack | 3:46:13 | 3:46:16 | |
is feeling so sunny about things but I've seen the books. | 3:46:16 | 3:46:21 | |
We're in serious trouble. You've gotta make a choice - | 3:46:21 | 3:46:25 | |
you wanna be bankrupted by the big plane... or by the big airline? | 3:46:25 | 3:46:29 | |
Go see Thomas Parkinson at the Equitable in New York. | 3:46:36 | 3:46:40 | |
Get a loan against all the TWA equipment and capital. | 3:46:40 | 3:46:43 | |
Use the planes as collateral. Hell, use the desks, use the pens, | 3:46:43 | 3:46:47 | |
use everything we got. Try to get me 40 million. | 3:46:47 | 3:46:50 | |
And if TWA defaults on the loan? | 3:46:50 | 3:46:52 | |
Well, then, Juan Trippe buys us cheap. | 3:46:53 | 3:46:56 | |
Under my bed! You put a goddamn microphone under my bed! | 3:46:59 | 3:47:02 | |
I am concerned about you, baby! I just wanna make sure you're OK! | 3:47:02 | 3:47:06 | |
And that goddamn car has been with me 24 hours a day! | 3:47:06 | 3:47:10 | |
-It's there for your protection! -The only one I need protection from | 3:47:10 | 3:47:14 | |
is you, you sick bastard! You don't own me. | 3:47:14 | 3:47:17 | |
I'm not one of your whores and I'm not some damn airplane! | 3:47:17 | 3:47:20 | |
I will take all the bugs out, you just have to understand | 3:47:20 | 3:47:23 | |
-that I need to know where you are! -Why?! -Because I worry about you! | 3:47:23 | 3:47:27 | |
Bullshit! | 3:47:27 | 3:47:29 | |
What do you mean "all the bugs"? | 3:47:31 | 3:47:33 | |
What do you mean "all the bugs"? | 3:47:39 | 3:47:42 | |
-There's more. -How many? | 3:47:44 | 3:47:47 | |
I don't know, 12. 12 maybe and, er... | 3:47:47 | 3:47:51 | |
..on the telephones. | 3:47:52 | 3:47:54 | |
Oh, Christ, Howard, on the telephone? | 3:47:54 | 3:47:58 | |
-You listen to my phone calls? -No, no, no, honey, I would never do that! | 3:47:58 | 3:48:02 | |
I'd never do that! I... I just read the transcripts, that's all. | 3:48:02 | 3:48:07 | |
What do you wanna know, Howard? Was I screwing Artie Shaw last night | 3:48:11 | 3:48:16 | |
and Sinatra the night before?! You bet! Everyone told me | 3:48:16 | 3:48:19 | |
you were a goddamn lunatic but I didn't listen! It's no wonder Kate dumped you. | 3:48:19 | 3:48:23 | |
Shut your goddamn mouth! | 3:48:23 | 3:48:26 | |
Get out, you pathetic freak! | 3:48:29 | 3:48:33 | |
GET OUT! | 3:48:41 | 3:48:43 | |
-Is everything all right, sir?! -Take out all the bugs, huh? | 3:48:43 | 3:48:46 | |
-Except for the one on the bedroom phone. -Sir, the FBI are at the house. | 3:48:49 | 3:48:53 | |
This is outrageous! Everything in these offices is the property | 3:48:54 | 3:48:58 | |
-of Hughes Productions! My counsel is on the way! -Federal warrant. | 3:48:58 | 3:49:02 | |
Don't interfere with this search, sir. | 3:49:02 | 3:49:05 | |
'Howard Hughes has a new house guest.' | 3:49:23 | 3:49:26 | |
'No, it's not another beautiful starlet, this time it's the FBI.' | 3:49:26 | 3:49:30 | |
'Noah, you have got to help. This is the TENTH time they've been here!' | 3:49:30 | 3:49:34 | |
'Rumour has it that federal agents working for Senator Brewster | 3:49:34 | 3:49:37 | |
'have practically taken up residence in his Hollywood home.' | 3:49:37 | 3:49:41 | |
Look, they are touching things. Noah, Noah, they are touching things. | 3:49:41 | 3:49:46 | |
'Just keep yourself calm and I'll be down there as soon as I can.' | 3:49:46 | 3:49:50 | |
'Howard?' | 3:49:50 | 3:49:52 | |
'Howard?!' | 3:49:52 | 3:49:54 | |
KNOCK AT DOOR | 3:50:13 | 3:50:15 | |
-Howard, hello. -Owen, nice to see you again. | 3:50:17 | 3:50:20 | |
-Good to see you. Come inside. Emma, you can start up lunch now. -Sir. | 3:50:20 | 3:50:25 | |
-Well, really lovely room. It's nicely decorated. -Thank you. | 3:50:25 | 3:50:30 | |
-Here, have a seat. -Thanks. -Thanks for coming by. | 3:50:30 | 3:50:33 | |
I just thought you and I should have a chance to talk privately, | 3:50:33 | 3:50:36 | |
outside the office. | 3:50:36 | 3:50:39 | |
Well... I appreciate that, Owen. | 3:50:39 | 3:50:43 | |
So, you're coming out pretty strong against the CAB bill. | 3:50:50 | 3:50:54 | |
-You're coming on pretty strong for it. -Well, it's my bill, Howard. | 3:50:55 | 3:51:00 | |
Look, I believe...sincerely that America cannot afford | 3:51:01 | 3:51:05 | |
-to have more than one international carrier. -Hm. | 3:51:05 | 3:51:09 | |
So, I mean, do you think it's fair that...one airline | 3:51:09 | 3:51:13 | |
-should have a monopoly on - -A monopoly? No, no, no! No, no. | 3:51:13 | 3:51:17 | |
Oh, no! No, I think one airline could do it better | 3:51:17 | 3:51:21 | |
without competition. All I'm thinking about | 3:51:21 | 3:51:24 | |
are the interests, you know, the needs of the American passenger. | 3:51:24 | 3:51:28 | |
That's just beautiful. What is that? | 3:51:28 | 3:51:31 | |
What is that? Is that a...? | 3:51:34 | 3:51:36 | |
-Is that a yak, some kind of a yak? -No, that's a llama. | 3:51:37 | 3:51:41 | |
My wife picked that up when we were in Peru a year ago. | 3:51:41 | 3:51:44 | |
Son of a gun. A real llama. | 3:51:44 | 3:51:47 | |
-From Peru? -Yeah, a year ago. | 3:51:50 | 3:51:53 | |
-Yeah, it was about a year ago. -Oh. | 3:51:53 | 3:51:55 | |
-Lunch is served, Senator. -Good. OK, c'mon, let's go have some lunch. | 3:51:55 | 3:51:59 | |
Now, did you...did you actually get to see any llamas? | 3:52:00 | 3:52:04 | |
-No. No, my wife just liked the painting. -Ah. | 3:52:04 | 3:52:07 | |
Interesting animal. I'll have to read up on those. | 3:52:07 | 3:52:10 | |
How do you spell that, like, er, like Fernando Lamas? | 3:52:10 | 3:52:14 | |
No, no. No, it's, er... The animal's got two Ls. | 3:52:15 | 3:52:18 | |
Here, c'mon, have a seat. | 3:52:18 | 3:52:20 | |
It's brook trout. Hope you like fish. | 3:52:29 | 3:52:32 | |
I love it. | 3:52:34 | 3:52:36 | |
Thanks. | 3:52:36 | 3:52:38 | |
I know you're not a drinking man, so I hope water's OK. | 3:52:52 | 3:52:57 | |
Thanks. | 3:53:09 | 3:53:11 | |
All right, let's get down to business. Let's talk turkey. | 3:53:16 | 3:53:19 | |
-My investigators... -HE CHUCKLES | 3:53:20 | 3:53:23 | |
My investigators have turned up a lotta dirt. | 3:53:23 | 3:53:27 | |
It could be really embarrassing if this stuff got out. | 3:53:27 | 3:53:30 | |
I'd like to save you from that embarrassment. | 3:53:30 | 3:53:34 | |
That's very kind of you, Owen. | 3:53:34 | 3:53:36 | |
My committee has the power to hold public hearings. | 3:53:39 | 3:53:42 | |
-I'd like to spare you that. -Would you, now? | 3:53:44 | 3:53:48 | |
Look... you wanna go down in history | 3:53:49 | 3:53:52 | |
as a war profiteer, Howard? Is that what you want? | 3:53:52 | 3:53:57 | |
What do you want, Owen? | 3:53:59 | 3:54:02 | |
You agree to support...my CAB bill | 3:54:03 | 3:54:06 | |
-and I won't hold public hearings. -I can't do that. | 3:54:06 | 3:54:10 | |
-Why not? -I can't do that, Owen - the CAB would kill TWA. | 3:54:10 | 3:54:14 | |
Sell TWA to Pan Am. | 3:54:14 | 3:54:16 | |
You'll get a good price. You'll get a fair price, I'm telling you. | 3:54:17 | 3:54:22 | |
-And then? Then, you won't go public? -Right. That's right. | 3:54:22 | 3:54:25 | |
The investigation is closed. Nobody knows a thing. | 3:54:25 | 3:54:30 | |
It's better for everybody. | 3:54:30 | 3:54:32 | |
You know, Owen, I'm... I'm still wondering one thing. | 3:54:36 | 3:54:40 | |
-What's that? -You know the picture of the llama you got last year? | 3:54:40 | 3:54:43 | |
-Yeah. -Where'd you sail from? | 3:54:43 | 3:54:46 | |
We didn't sail, we flew. | 3:54:46 | 3:54:49 | |
-You flew? -Yeah. | 3:54:50 | 3:54:52 | |
Oh. | 3:54:52 | 3:54:54 | |
Are you sure you wanna do this, Owen? | 3:54:59 | 3:55:02 | |
You wanna go to war with me? | 3:55:03 | 3:55:06 | |
It isn't me, Howard, it's the United States government. | 3:55:10 | 3:55:14 | |
We just beat Germany and Japan. Who the hell are you? | 3:55:15 | 3:55:20 | |
You...you tell Juan Trippe somethin' for me, all right? | 3:55:25 | 3:55:29 | |
Tell him thanks for the flowers... and he can kiss... | 3:55:30 | 3:55:35 | |
..both sides of my ass. | 3:55:36 | 3:55:39 | |
HE PANTS | 3:55:42 | 3:55:44 | |
'Well, we have a long list of particulars, chief among them' | 3:56:02 | 3:56:05 | |
is that he defrauded the American government of 56 million | 3:56:05 | 3:56:09 | |
while we were at war when we could least afford it. While brave men | 3:56:09 | 3:56:13 | |
were dying Mr Hughes was picking the pocket of the American taxpayer. | 3:56:13 | 3:56:18 | |
I sleep | 3:56:18 | 3:56:20 | |
in this room... | 3:56:20 | 3:56:22 | |
..in the dark. | 3:56:24 | 3:56:26 | |
I'll have him dragged here if I have to. | 3:56:26 | 3:56:29 | |
I wanna see the whites of his lies. | 3:56:29 | 3:56:31 | |
I have a place | 3:56:31 | 3:56:33 | |
-where I sleep. -'He has a lot of questions to answer, Son...' | 3:56:33 | 3:56:37 | |
-I have a chair. -..particularly about that monstrous boondoggle of his, | 3:56:37 | 3:56:43 | |
that model airplane he's building. You know, that flying lumberyard! | 3:56:43 | 3:56:47 | |
-ALL LAUGH -That Spruce Goose. | 3:56:47 | 3:56:50 | |
-ALL LAUGH -'No, we'll get him here.' | 3:56:50 | 3:56:53 | |
That's just beautiful. | 3:56:57 | 3:56:59 | |
I like the desert. | 3:57:00 | 3:57:03 | |
It's hot there in the desert but it's clean. It's clean. | 3:57:05 | 3:57:10 | |
HE STAMPS FOOT I need to sleep! | 3:57:11 | 3:57:14 | |
I should drink something first. | 3:57:16 | 3:57:19 | |
I should drink something first. | 3:57:23 | 3:57:25 | |
Wait a minute. What if that milk is sour? | 3:57:29 | 3:57:34 | |
If that milk is bad, | 3:57:35 | 3:57:37 | |
I SHOULDN'T pick up the bottle of milk with my right hand | 3:57:37 | 3:57:42 | |
and I shouldn't take the...top off with my...left hand, | 3:57:42 | 3:57:48 | |
put it in my...pocket, | 3:57:48 | 3:57:52 | |
my left pocket. | 3:57:52 | 3:57:54 | |
KNOCK AT DOOR | 3:58:06 | 3:58:09 | |
Howard, it's Kate. > | 3:58:11 | 3:58:13 | |
I need to talk to you. Can you hear me? | 3:58:13 | 3:58:18 | |
-I'm coming in. -SHE KICKS DOOR | 3:58:20 | 3:58:22 | |
Howard, unlock this door immediately. | 3:58:27 | 3:58:30 | |
I can't, sweetie. | 3:58:38 | 3:58:41 | |
You mean you won't. | 3:58:43 | 3:58:45 | |
Howard, please let me see you. | 3:58:46 | 3:58:50 | |
-I haven't shaved. -Well? Neither have I. | 3:58:50 | 3:58:54 | |
C'mon. You... | 3:58:58 | 3:59:01 | |
You let me in. | 3:59:02 | 3:59:04 | |
I can hear you, Katie. | 3:59:09 | 3:59:12 | |
I could always hear you, even in the cockpit with the engines on. | 3:59:13 | 3:59:18 | |
Well, that's because I'm so goddamn loud. | 3:59:18 | 3:59:22 | |
Howard, I... | 3:59:27 | 3:59:29 | |
..I came to thank you. | 3:59:31 | 3:59:34 | |
I found out what you did for Spence and me - | 3:59:34 | 3:59:37 | |
buying those AWFUL pictures. | 3:59:37 | 3:59:40 | |
You love him. | 3:59:45 | 3:59:48 | |
He's everything I have. | 3:59:53 | 3:59:55 | |
SCRAPING | 3:59:59 | 4:00:01 | |
Howard? | 4:00:03 | 4:00:05 | |
I'm glad for you, Kate. Go away now, would you do that? | 4:00:06 | 4:00:11 | |
-Howard, please. -Go away...just for now. | 4:00:13 | 4:00:18 | |
I'll see you soon. | 4:00:18 | 4:00:20 | |
-We'll go flyin' together. -Yes. | 4:00:20 | 4:00:22 | |
Yes, please, you take me flying again. Howard, I can take the wheel. | 4:00:22 | 4:00:27 | |
Howard? | 4:00:33 | 4:00:36 | |
Howard, are you there? | 4:00:41 | 4:00:44 | |
Howard? | 4:00:48 | 4:00:50 | |
Howard, are you there? > | 4:00:52 | 4:00:54 | |
C'mon, Howard. > | 4:00:56 | 4:00:58 | |
Come in with the milk. Come in with the milk. | 4:01:28 | 4:01:31 | |
Come in with the milk. Come in with the milk. | 4:01:31 | 4:01:35 | |
He is to open the bag with his RIGHT hand | 4:01:35 | 4:01:38 | |
and hold the bag out to me at a 45-degree angle | 4:01:38 | 4:01:41 | |
so I may reach INTO the bag without... | 4:01:41 | 4:01:45 | |
..without touching the paper. | 4:01:46 | 4:01:48 | |
Repeated from the beginning. Repeated from the beginning. | 4:01:53 | 4:01:58 | |
Repeated from the beginning. | 4:01:58 | 4:02:01 | |
'If there is any variation of these instructions, | 4:02:11 | 4:02:15 | |
'even to the smallest degree, the entire process | 4:02:15 | 4:02:20 | |
'must be repeated from the beginning.' | 4:02:20 | 4:02:24 | |
Come in with the milk. Come in with the milk. | 4:02:24 | 4:02:28 | |
Come in with the milk. Come in with the milk. | 4:02:28 | 4:02:31 | |
'Come in with the milk. Come in with the milk.' | 4:02:31 | 4:02:34 | |
'Come in with the milk.' | 4:02:34 | 4:02:37 | |
Q, R... TRICKLING: | 4:02:37 | 4:02:40 | |
..N... | 4:02:40 | 4:02:42 | |
..T, | 4:02:44 | 4:02:46 | |
Q, | 4:02:46 | 4:02:49 | |
U... | 4:02:49 | 4:02:51 | |
..E, | 4:02:53 | 4:02:55 | |
I, | 4:02:55 | 4:02:58 | |
T, | 4:02:58 | 4:03:01 | |
I, | 4:03:01 | 4:03:03 | |
N, | 4:03:03 | 4:03:06 | |
E, | 4:03:06 | 4:03:08 | |
N, | 4:03:08 | 4:03:11 | |
E, | 4:03:11 | 4:03:13 | |
E, | 4:03:13 | 4:03:15 | |
I. | 4:03:15 | 4:03:17 | |
< Howard? | 4:03:27 | 4:03:29 | |
Hello?! | 4:03:31 | 4:03:33 | |
-Who is it?! -< Howard, it's Juan. | 4:03:34 | 4:03:37 | |
Juan! | 4:03:45 | 4:03:47 | |
Juan, right. | 4:03:47 | 4:03:50 | |
Yeah...we had an appointment, right? Yeah. | 4:03:50 | 4:03:53 | |
I remember that. Look, erm... I got a helluva cold in here, | 4:03:53 | 4:03:59 | |
so why don't you take a seat out there? I don't wanna get you sick. | 4:03:59 | 4:04:03 | |
I don't wanna get you sick. I don't wanna... | 4:04:03 | 4:04:07 | |
Thank you. | 4:04:15 | 4:04:17 | |
OK, Howard, I'm sitting. I've brought along our accountings. | 4:04:19 | 4:04:23 | |
Now, Pan Am is trading at thirteen and five-eighths, | 4:04:23 | 4:04:27 | |
-TWA at...four and a quarter. Now - -Aw, c'mon! | 4:04:27 | 4:04:32 | |
C'mon, c'mon, c'mon, c'mon! We both know I'm not gonna sell TWA! | 4:04:32 | 4:04:37 | |
Besides, you couldn't afford her, anyway! | 4:04:37 | 4:04:39 | |
Our domestic routes alone are worth more than TWICE Pan Am! | 4:04:39 | 4:04:43 | |
Well, considering our stock is trading at three times yours, | 4:04:43 | 4:04:47 | |
-I find that a...dubious claim, Howard. -What I... | 4:04:47 | 4:04:51 | |
What I mean is... you have no domestic routes, all right? | 4:04:53 | 4:04:57 | |
I mean, you get TWA, you span the globe. | 4:04:57 | 4:05:00 | |
Now, I'm not gonna sell and you know I'm not gonna sell. | 4:05:00 | 4:05:03 | |
Here's the point. Owen Brewster works for you! | 4:05:03 | 4:05:07 | |
Howard, I didn't elect Senator Brewster, | 4:05:07 | 4:05:10 | |
we can thank the voters of Maine for that. | 4:05:10 | 4:05:13 | |
Now...if I appear at his hearings, Juan, it could get nasty, | 4:05:20 | 4:05:26 | |
real nasty for all of us. | 4:05:26 | 4:05:28 | |
Well... I think considerably more so for you. | 4:05:28 | 4:05:32 | |
While the good people of America were losing sons at Anzio, | 4:05:32 | 4:05:36 | |
you produced a dirty movie and built airplanes that don't fly. | 4:05:36 | 4:05:40 | |
Well, that's just not fair, is it? | 4:05:40 | 4:05:42 | |
I mean, the XF-11 flew quite well for an hour and 45 minutes! | 4:05:42 | 4:05:46 | |
I mean, I wish you were up there with me, Juan! It was exhilarating! | 4:05:46 | 4:05:50 | |
Be that as it may, you still have to answer for the Spruce Goose. | 4:05:50 | 4:05:54 | |
THUD! It's called the Hercules! | 4:05:54 | 4:05:58 | |
-And it will fly, goddammit! -I certainly hope so - | 4:05:58 | 4:06:02 | |
the people deserve something for their 13 million. | 4:06:02 | 4:06:06 | |
I WON'T SELL TWA! | 4:06:06 | 4:06:08 | |
I WON'T! | 4:06:08 | 4:06:10 | |
I know that, Howard. | 4:06:14 | 4:06:16 | |
I know that... | 4:06:16 | 4:06:18 | |
..but I'm going to get it anyway. | 4:06:20 | 4:06:22 | |
You're going to default on your loan from Equitable | 4:06:22 | 4:06:25 | |
after Senator Brewster destroys your reputation | 4:06:25 | 4:06:28 | |
and you can't find additional capital for the airline. | 4:06:28 | 4:06:31 | |
The hearings will also show Hughes Aircraft to be mismanaged | 4:06:31 | 4:06:35 | |
and incompetent and...it will go bankrupt, too. | 4:06:35 | 4:06:39 | |
But you won't be insolvent, you'll still have Toolco. | 4:06:39 | 4:06:42 | |
Perhaps you'll head back to Houston to rebuild your empire. | 4:06:42 | 4:06:46 | |
I rather hope you do. By that time Pan Am will have bought TWA | 4:06:46 | 4:06:51 | |
and...painted all those magnificent Connies blue and white. | 4:06:51 | 4:06:56 | |
So when you do return it will be on a PAN AM plane. | 4:06:56 | 4:07:00 | |
Well... | 4:07:03 | 4:07:06 | |
..you seem to have me in a corner here, buddy... | 4:07:07 | 4:07:10 | |
Not a position in which I'm very comfortable. | 4:07:11 | 4:07:15 | |
I think you're gonna be less comfortable | 4:07:15 | 4:07:18 | |
at Senator Brewster's hearings. Very public, Howard... | 4:07:18 | 4:07:22 | |
..lots of cameras, newsmen. | 4:07:24 | 4:07:27 | |
I understand you're not particularly fond of crowds. | 4:07:28 | 4:07:32 | |
Perhaps we should spare you that. | 4:07:33 | 4:07:36 | |
Well, thank you | 4:07:38 | 4:07:41 | |
for your concern, Juan! I find that... | 4:07:41 | 4:07:45 | |
..very moving! It's been a real pleasure! | 4:07:46 | 4:07:52 | |
Noah will see you back to the airport now. | 4:07:53 | 4:07:57 | |
You fly safe. | 4:07:57 | 4:07:59 | |
You fly safe. | 4:08:02 | 4:08:04 | |
Thank you, Howard, and you take care of that cold. | 4:08:07 | 4:08:10 | |
Oh, don't you worry... I certainly will! | 4:08:10 | 4:08:15 | |
Bye-bye! HE SIGHS | 4:08:17 | 4:08:19 | |
(If you let him appear at those hearings, | 4:08:22 | 4:08:25 | |
the whole world will see what he has become.) | 4:08:25 | 4:08:27 | |
(People should remember him as he was.) | 4:08:27 | 4:08:30 | |
He'll have a subpoena in three days to appear in Washington... | 4:08:35 | 4:08:38 | |
..if you can get him out of there by then. | 4:08:40 | 4:08:43 | |
HE SCREAMS | 4:08:47 | 4:08:50 | |
SCREAMING | 4:09:01 | 4:09:03 | |
Mr Hughes? | 4:09:30 | 4:09:32 | |
I don't have any shoes. | 4:09:36 | 4:09:39 | |
-Could you get me some shoes? -Shoes? -Yeah. | 4:09:41 | 4:09:46 | |
How nice of you to dress for me(!) | 4:10:11 | 4:10:13 | |
Can I come in? | 4:10:16 | 4:10:19 | |
Yeah. | 4:10:19 | 4:10:21 | |
Yeah, you...you can come in. | 4:10:21 | 4:10:23 | |
Thank you for coming. | 4:10:29 | 4:10:33 | |
-Now, let's get a drink. -Wait, wait, wait! | 4:10:44 | 4:10:47 | |
Wait, wait, honey, you can't move! You're safe here. | 4:10:47 | 4:10:50 | |
-You're in the germ-free zone now, you understand? -I'll take my chances. | 4:10:50 | 4:10:55 | |
No, no, no, honey, wait, wait, wait! Er... | 4:10:55 | 4:10:58 | |
Love what you've done with the place(!) | 4:11:11 | 4:11:14 | |
Now...let me look at you. | 4:11:20 | 4:11:24 | |
-When do you go to Washington? -Erm...a week. | 4:11:28 | 4:11:32 | |
No, no, just under a week. I mean, I don't know the date today | 4:11:33 | 4:11:37 | |
-but, er, I have to be... I have to be, er... -All right, take it easy. | 4:11:37 | 4:11:42 | |
There's nothing there, Howard. | 4:11:55 | 4:11:58 | |
Mm. | 4:12:00 | 4:12:02 | |
-You know, I... I see things. -I know, baby. | 4:12:04 | 4:12:10 | |
Rinse your face off now. | 4:12:11 | 4:12:13 | |
Put your hands in the water and wash off the soap. | 4:12:22 | 4:12:25 | |
I'm right here. I'm not going anywhere. | 4:12:25 | 4:12:28 | |
Does that look clean to you? | 4:12:32 | 4:12:34 | |
Nothing's clean, Howard, but we do our best, right? | 4:12:34 | 4:12:38 | |
Yeah. | 4:12:39 | 4:12:41 | |
-What do you think? -I look all right. | 4:13:00 | 4:13:03 | |
-You look great. -Will you marry me? | 4:13:03 | 4:13:06 | |
You're too crazy for me. | 4:13:06 | 4:13:09 | |
I gotta go, baby. | 4:13:11 | 4:13:14 | |
OK. | 4:13:14 | 4:13:16 | |
Thanks. | 4:13:16 | 4:13:18 | |
You'd do it for me. | 4:13:23 | 4:13:25 | |
-MAN: -Hi, Howard. How ya doin'? -ALL CHATTER | 4:13:32 | 4:13:36 | |
-BANGING OF GAVEL -The committee will come to order. | 4:14:11 | 4:14:14 | |
Ladies and gentlemen, I must insist that we maintain quiet | 4:14:15 | 4:14:19 | |
during these proceedings. Mr Hughes, will you stand to be sworn?! | 4:14:19 | 4:14:23 | |
Do you solemnly swear that you will tell the truth, | 4:14:26 | 4:14:30 | |
the whole truth and nothing but the truth, so help you God?! | 4:14:30 | 4:14:33 | |
-I do. -Pardon me for speaking loudly | 4:14:33 | 4:14:36 | |
-but I understand you have some difficulty hearing! -That's all right. | 4:14:36 | 4:14:40 | |
Everybody knows I'm deaf, I'm not gonna try to hide it. | 4:14:40 | 4:14:43 | |
-LAUGHTER -Mr Hughes, it is the intention of this committee - | 4:14:43 | 4:14:48 | |
-Mr Hughes has a statement. -All right. | 4:14:48 | 4:14:52 | |
All right, you may proceed with this, er, statement, Mr Hughes. | 4:14:52 | 4:14:57 | |
Mr Hughes, do you have a statement? | 4:15:02 | 4:15:05 | |
I'm gonna... I'm gonna attempt to be, er, honest here. | 4:15:12 | 4:15:17 | |
My reputation is being destroyed, | 4:15:17 | 4:15:19 | |
so I'm might as well lay the cards on the table. | 4:15:19 | 4:15:23 | |
Senator Brewster...if you hadn't have gone too far overboard, | 4:15:23 | 4:15:26 | |
if you hadn't have put the red-hot iron in my side, | 4:15:26 | 4:15:30 | |
I might have been willing to take a shellacking in your publicity spree. | 4:15:30 | 4:15:34 | |
I might have been willing to sit back and take a certain amount of abuse | 4:15:34 | 4:15:38 | |
simply because, well... well, I am only a private citizen, | 4:15:38 | 4:15:43 | |
whereas you are a senator with all sorts of powers... | 4:15:43 | 4:15:47 | |
..but I think this circus has gone on long enough! GAVEL BANGS | 4:15:48 | 4:15:52 | |
-That's quite sufficient. -You have called me a liar, sir! | 4:15:52 | 4:15:56 | |
A liar, a thief and a war profiteer! | 4:15:56 | 4:15:58 | |
-The witness will restrain his - -Why not tell the truth for once?! | 4:15:58 | 4:16:02 | |
Why not tell the truth that this investigation was really born | 4:16:02 | 4:16:06 | |
on the day that TWA first invaded | 4:16:06 | 4:16:10 | |
-Juan Trippe's territory? -Sit down, Mr Hughes. | 4:16:10 | 4:16:13 | |
On the day that TWA first challenged the generally accepted theory | 4:16:13 | 4:16:17 | |
that only Juan Trippe's great Pan Am had the sacred right | 4:16:17 | 4:16:21 | |
-to fly the Atlantic! -You are not here to make a speech! | 4:16:21 | 4:16:24 | |
-ALL CHATTER -I asked for silence! I asked for quiet in this room! | 4:16:24 | 4:16:28 | |
We have in our possession receipts in the amount of 170,000 | 4:16:28 | 4:16:33 | |
acquired from Mr John Meyer. Mr Meyer works for you, does he not? | 4:16:33 | 4:16:37 | |
-He does. -And what is his official title? | 4:16:37 | 4:16:41 | |
Well, I... I don't exactly know, Senator. A lot of people work for me. | 4:16:42 | 4:16:46 | |
Can you explain why your press agent would pay out more than 170,000 | 4:16:46 | 4:16:52 | |
-to representatives of the Air Force? -I don't know. | 4:16:52 | 4:16:55 | |
-You'd have to ask him, Senator. -Would you produce him? | 4:16:55 | 4:16:58 | |
Produce him? | 4:16:58 | 4:17:00 | |
-Will you cause him to appear? -You had John Meyer on the stand | 4:17:00 | 4:17:04 | |
-for three days last week. -Well, we would like him to reappear. | 4:17:04 | 4:17:08 | |
Would you ask him to return? | 4:17:08 | 4:17:11 | |
Er...no, I don't think I will. | 4:17:15 | 4:17:19 | |
-LAUGHTER -Will you try to have him return? | 4:17:19 | 4:17:23 | |
Well...no, I don't think I'll try. | 4:17:24 | 4:17:28 | |
You don't think you'll try? | 4:17:28 | 4:17:30 | |
Er...no... I don't think so. LAUGHTER | 4:17:30 | 4:17:34 | |
The 170,000 paid out to the Air Force in the form of hotel suites, | 4:17:34 | 4:17:39 | |
TWA stock... female companionship... | 4:17:39 | 4:17:43 | |
..now is it possible that... these could be considered bribes? | 4:17:44 | 4:17:48 | |
I suppose you could call them that, yes. | 4:17:48 | 4:17:51 | |
-Would you repeat that? -I said | 4:17:52 | 4:17:55 | |
I suppose you could consider them bribes, yes. | 4:17:55 | 4:17:58 | |
Well, would you like to explain that, Mr Hughes? | 4:18:01 | 4:18:05 | |
I'm afraid you don't know how the aviation business works, Senator. | 4:18:05 | 4:18:09 | |
See, wining and dining Air Force dignitaries | 4:18:09 | 4:18:12 | |
is common in our business. We all want the big contracts. | 4:18:12 | 4:18:16 | |
All the major aircraft companies do it now. I don't know | 4:18:16 | 4:18:19 | |
whether it's a good system or not, I just know it is not illegal. | 4:18:19 | 4:18:23 | |
You are the law maker. | 4:18:23 | 4:18:25 | |
If you pass a law that states no-one can entertain Air Force officers, | 4:18:25 | 4:18:29 | |
well, hell, I'd be happy to abide by it. ALL CHATTER | 4:18:29 | 4:18:33 | |
Senator Brewster, your story is a pack of lies! | 4:18:33 | 4:18:38 | |
We're not gonna have this bickering. | 4:18:38 | 4:18:40 | |
Somewhere between 2 and 500. | 4:18:40 | 4:18:43 | |
If you believe you can intimidate any member of this committee, | 4:18:43 | 4:18:48 | |
I wanna advise you that you're mistaken! | 4:18:48 | 4:18:52 | |
I'll put this very simply. On February 12th at the Mayflower Hotel, | 4:18:52 | 4:18:56 | |
did you or did you not tell me that if I were to sell TWA to Pan Am | 4:18:56 | 4:19:02 | |
-that this investigation would be called off? -No. And I have asked you | 4:19:02 | 4:19:06 | |
to submit your questions in writing. | 4:19:06 | 4:19:08 | |
-How long have you known Juan Trippe? -For some time now and... | 4:19:08 | 4:19:12 | |
-That's not the question here. -Is it not true that Juan Trippe | 4:19:12 | 4:19:16 | |
donated 20,000 to your last campaign? I mean, he spoke to me | 4:19:16 | 4:19:19 | |
-as if you worked for him! GASPING -All right. | 4:19:19 | 4:19:23 | |
-I have a personal friendship - -Is it not true that you accept free tickets | 4:19:25 | 4:19:29 | |
from Pan Am so you can circle the globe in support of your CAB bill? | 4:19:29 | 4:19:32 | |
-No, it is not true. -Well, who wrote that bill? -We - | 4:19:32 | 4:19:35 | |
Who actually wrote the CAB bill, | 4:19:35 | 4:19:38 | |
-the actual words in the bill? You? -This is not how these hearings | 4:19:38 | 4:19:41 | |
-are going to be conducted. -I have it right here. | 4:19:41 | 4:19:45 | |
"Bill S987 to amend the Civil Aeronautics Act." | 4:19:45 | 4:19:49 | |
Now...you introduced this bill to the Senate. | 4:19:49 | 4:19:52 | |
A lot of words. Did you write all of them? | 4:19:55 | 4:19:59 | |
-Did you write ANY of them, Senator? -Now, look, Mr Hughes - | 4:20:00 | 4:20:03 | |
This entire bill was written by Pan Am executives | 4:20:03 | 4:20:06 | |
and designed to give that airline a monopoly on international travel | 4:20:06 | 4:20:10 | |
and you've been flogging this bill all around the world on their behalf. | 4:20:10 | 4:20:15 | |
I have duties that take me all over the world, Mr Hughes - | 4:20:15 | 4:20:19 | |
What the hell does a senator from Maine need to visit Peru for? | 4:20:19 | 4:20:22 | |
-ALL CHATTER -I was... I was seeking outlets | 4:20:22 | 4:20:26 | |
-for our trade goods. -Ah. | 4:20:26 | 4:20:29 | |
Buy a lot of lobsters down there, do they? LAUGHTER | 4:20:29 | 4:20:33 | |
Senator Brewster, how many times have you visited Juan Trippe's office | 4:20:34 | 4:20:38 | |
in New York in the last three months? | 4:20:38 | 4:20:42 | |
Huh? Would you like ME to tell you, Senator? | 4:20:42 | 4:20:46 | |
This has gone on long enough. Juan Trippe is a great American. | 4:20:46 | 4:20:50 | |
His airline has advanced the cause | 4:20:50 | 4:20:52 | |
of commercial aviation in this country for decades. | 4:20:52 | 4:20:55 | |
Juan Trippe is not a man who is interested in making money. | 4:20:55 | 4:20:59 | |
Hm. Well, I'm sure his stockholders would be happy to hear that. | 4:20:59 | 4:21:04 | |
-LAUGHTER -We're gonna clear this room. | 4:21:04 | 4:21:07 | |
-RADIO: -'James McNamara, speaking To you from the Howard Hughes | 4:21:07 | 4:21:11 | |
'2,000-ton flying boat - the world's largest aircraft. | 4:21:11 | 4:21:15 | |
'This is the sky giant which has prompted Congress | 4:21:15 | 4:21:18 | |
'to investigate the war contracts with Mr Hughes. | 4:21:18 | 4:21:21 | |
'Mr Hughes told newsmen | 4:21:21 | 4:21:23 | |
'that this test would be a taxi experiment. He pointed out | 4:21:23 | 4:21:28 | |
'that the plywood shell might ship some water | 4:21:28 | 4:21:31 | |
'under high-speed taxi pressure. He said that he would not | 4:21:31 | 4:21:35 | |
'take the craft into the air until next spring. | 4:21:35 | 4:21:38 | |
'He pronounced the craft an unknown quantity.' | 4:21:38 | 4:21:41 | |
Hiya, boys. APPLAUSE Ah, none of that! None of that. | 4:21:41 | 4:21:44 | |
'As we speak to you, we're about five feet in back of Mr Hughes | 4:21:44 | 4:21:48 | |
'and we are looking through a side window in the cockpit.' | 4:21:48 | 4:21:51 | |
Professor, why don't you come on up front here? | 4:21:51 | 4:21:55 | |
'We are 30ft high.' | 4:21:55 | 4:21:58 | |
Strap yourself in right there. You oughta be able to see just great. | 4:21:58 | 4:22:02 | |
'Huge crowds jammed the surrounding shoreline this morning.' | 4:22:02 | 4:22:06 | |
All right, boys...let's fire it up. | 4:22:06 | 4:22:09 | |
-One's good. -PROPELLER SPLUTTERS -Two's good. | 4:22:13 | 4:22:18 | |
Three's good. Four's good. | 4:22:18 | 4:22:21 | |
Five's good. | 4:22:21 | 4:22:23 | |
Six is good. Seven's good. Eight's good. | 4:22:23 | 4:22:27 | |
-Advancing master throttles. -Advancing master throttles. | 4:22:29 | 4:22:33 | |
'I have to do a great deal of screaming here into my microphone!' | 4:22:34 | 4:22:39 | |
Understood. Lowering 15 degrees of flap. | 4:22:39 | 4:22:42 | |
-Lowering 15 degrees of flap. Howard. -Uh-huh? | 4:22:42 | 4:22:46 | |
-She's gotta hit 70 to have any kind of chance. -Yeah, I know. I know. | 4:22:46 | 4:22:50 | |
'It's a beautiful day here off the coast of Southern California - | 4:22:50 | 4:22:55 | |
'warm sun...' | 4:22:55 | 4:22:57 | |
25mph! | 4:22:57 | 4:22:59 | |
30! | 4:22:59 | 4:23:02 | |
-35! -'Certainly, one would think these eight power plants | 4:23:02 | 4:23:05 | |
-'might shake the mighty craft to pieces but...' -Take it easy. | 4:23:05 | 4:23:09 | |
-40! -Throttling back for starboard turn 180! | 4:23:11 | 4:23:15 | |
Throttling back for starboard turn 180! | 4:23:15 | 4:23:17 | |
'The flight crew consists of four men. | 4:23:22 | 4:23:25 | |
'Mr Hughes, however, has added 11 maintenance men for this test, | 4:23:25 | 4:23:29 | |
'stationed at various places, | 4:23:29 | 4:23:31 | |
'checking points of stress and strain.' | 4:23:31 | 4:23:34 | |
-How does she sound, Odie? -Sounds good, Howard. | 4:23:36 | 4:23:40 | |
-Professor. -Yes? -Would you do me a favour? | 4:23:44 | 4:23:47 | |
Would you take a look out that window there | 4:23:47 | 4:23:50 | |
and tell me what the wind is doin'? | 4:23:50 | 4:23:53 | |
I would say that we have a 15-knot wind. | 4:23:57 | 4:24:02 | |
Would you call that a headwind, Professor? | 4:24:02 | 4:24:05 | |
-I would, Mr Hughes. -'I must insist that we maintain silence.' | 4:24:05 | 4:24:09 | |
We must have quiet. Mr Hughes, will you stand and be sworn? | 4:24:09 | 4:24:14 | |
Mr Hughes, did you receive 43 million | 4:24:14 | 4:24:18 | |
to manufacture 100 XF-11 spy planes for the United States Air Force? | 4:24:18 | 4:24:23 | |
I did. | 4:24:23 | 4:24:25 | |
How many functional planes | 4:24:25 | 4:24:27 | |
-did you deliver to the United States Air Force? -None. | 4:24:27 | 4:24:31 | |
-Would you lean a little closer to the microphone, sir? -None! | 4:24:31 | 4:24:35 | |
Did you receive 13 million | 4:24:35 | 4:24:38 | |
to manufacture a prototype of a flying boat | 4:24:38 | 4:24:42 | |
known as the Hercules? | 4:24:42 | 4:24:44 | |
I did. | 4:24:44 | 4:24:47 | |
-And did you deliver that plane? -I did not. | 4:24:47 | 4:24:51 | |
So, by your admission in this chamber, Mr Hughes, | 4:24:51 | 4:24:55 | |
you have received 56 million from the United States government | 4:24:55 | 4:25:00 | |
-for planes you never delivered? -That is correct. | 4:25:00 | 4:25:05 | |
Well, excuse me for asking, Mr Hughes, | 4:25:05 | 4:25:09 | |
but where did all that money go? | 4:25:09 | 4:25:12 | |
Well, it went into the planes, Senator, and a lot more. | 4:25:12 | 4:25:16 | |
More? Do tell, Mr Hughes, what other larcenies | 4:25:16 | 4:25:20 | |
-did you commit? -I mean I put MY money into the planes, Senator. | 4:25:20 | 4:25:25 | |
My money. | 4:25:25 | 4:25:28 | |
-See, the thing is that I care - -Mr Hughes, your personal finances | 4:25:29 | 4:25:33 | |
-are not - -Let him speak. | 4:25:33 | 4:25:36 | |
Proceed, Mr Hughes. | 4:25:40 | 4:25:42 | |
See, the thing is, I care very much about aviation. | 4:25:43 | 4:25:47 | |
It has been the great joy of my life, | 4:25:47 | 4:25:49 | |
that's why I put my own money into these planes | 4:25:49 | 4:25:52 | |
and I've lost millions and I'll go on losing millions, | 4:25:52 | 4:25:56 | |
it's just...what I do. | 4:25:56 | 4:25:59 | |
Now, if I've lost a lot of the government's money during the war, | 4:25:59 | 4:26:03 | |
I hope folks will put that into perspective. | 4:26:03 | 4:26:05 | |
You see, more than 60 other airplanes, | 4:26:05 | 4:26:08 | |
ordered from such firms as Lockheed, Douglas, Northrop and Boeing, | 4:26:08 | 4:26:12 | |
never saw action, either. | 4:26:12 | 4:26:14 | |
In all, more than 800 million was spent during the war | 4:26:14 | 4:26:18 | |
on planes that never flew. Over six BILLION on other weapons | 4:26:18 | 4:26:23 | |
that were never delivered, yet Hughes Aircraft, with her 56 million, | 4:26:23 | 4:26:29 | |
is the only firm under investigation here today. | 4:26:29 | 4:26:32 | |
Now, I cannot help but think that has a little more to do with TWA | 4:26:32 | 4:26:36 | |
-than planes that did not fly! -I think you've made your point. | 4:26:36 | 4:26:39 | |
One second. I have one more thing to say here to this committee | 4:26:39 | 4:26:44 | |
and that has to do with the Hercules. | 4:26:44 | 4:26:46 | |
Now, I am supposed to be...many things which are not complimentary. | 4:26:47 | 4:26:52 | |
I am supposed to be capricious, I have been called a playboy, | 4:26:53 | 4:26:56 | |
I have even been called an eccentric | 4:26:56 | 4:26:59 | |
but I do not believe that I have the reputation of being a liar. | 4:26:59 | 4:27:02 | |
And, needless to say, the Hercules was a monumental undertaking. | 4:27:03 | 4:27:07 | |
It is the largest plane ever built. It is over five storeys tall | 4:27:07 | 4:27:11 | |
with a wingspan longer than a football field! | 4:27:11 | 4:27:14 | |
I put the sweat of my life into this thing, | 4:27:14 | 4:27:17 | |
I got my reputation all rolled up in it and I have stated several times | 4:27:17 | 4:27:21 | |
that if the Hercules failed to fly, I will leave this country | 4:27:21 | 4:27:25 | |
and never come back! And I mean it! GASPING | 4:27:25 | 4:27:28 | |
Now, Senator Brewster... you can't subpoena me. | 4:27:28 | 4:27:32 | |
You can arrest me, you can even claim that I've folded up | 4:27:32 | 4:27:36 | |
and taken a run-out powder but, well... I've had | 4:27:36 | 4:27:39 | |
just about enough of this nonsense. Good afternoon. APPLAUSE | 4:27:39 | 4:27:42 | |
I had to do it, you know. REPORTERS FIRE QUESTIONS | 4:27:42 | 4:27:46 | |
-I'd love to see the Hercules in the air. -Thank you. | 4:27:48 | 4:27:51 | |
-Thank you so much. Thank you. Thank you. -Excuse us. | 4:27:51 | 4:27:56 | |
-Excuse us, please. Thank you. -Thank you. Thank you. Thank you. | 4:27:56 | 4:28:01 | |
Switch it off. | 4:28:01 | 4:28:03 | |
-The hearings aren't over yet. -The hearings are over. | 4:28:03 | 4:28:07 | |
The airline bill will be defeated in the Senate, | 4:28:08 | 4:28:11 | |
TWA will begin flights from New York to Paris, then onto Moscow, | 4:28:11 | 4:28:15 | |
to Japan, to Hawaii, to Los Angeles... | 4:28:15 | 4:28:19 | |
..to New York. | 4:28:21 | 4:28:24 | |
-Power coming up! -Power coming up! | 4:28:33 | 4:28:36 | |
RUMBLING | 4:28:36 | 4:28:39 | |
'Howard Hughes has alerted us. He has asked everyone to hold on. | 4:28:39 | 4:28:43 | |
'Tremendous horsepower picking up.' | 4:28:43 | 4:28:46 | |
-Let me hear it, Odie! -25mph! | 4:28:48 | 4:28:51 | |
-30! -'Here we go! | 4:28:51 | 4:28:55 | |
-'Here we go!' -35! -'The airspeed indicator | 4:28:55 | 4:28:58 | |
'has moved up to 25, 30, 35...' | 4:28:58 | 4:29:02 | |
-40! -'He pushes the throttle at 40.' | 4:29:02 | 4:29:06 | |
-45! -'45. More throttle. | 4:29:06 | 4:29:08 | |
-'45.' -50! -'50. | 4:29:08 | 4:29:11 | |
-'It's 50 over a choppy sea.' -55! "55." | 4:29:11 | 4:29:15 | |
-'It's 55.' -60! -'More throttle. 60.' | 4:29:15 | 4:29:19 | |
-65! -'65.' | 4:29:19 | 4:29:22 | |
-70! -'It's 70.' | 4:29:25 | 4:29:27 | |
-75! -'It's 75.' | 4:29:27 | 4:29:30 | |
RUMBLING STOPS | 4:29:31 | 4:29:33 | |
'And something momentarily has just cut out | 4:29:36 | 4:29:40 | |
'but we are airborne. We are airborne, ladies and gentlemen, | 4:29:40 | 4:29:44 | |
'and I don't believe that Howard Hughes meant this to be.' | 4:29:44 | 4:29:47 | |
ALL CHEER | 4:29:47 | 4:29:50 | |
'And we were really up in the air. | 4:29:50 | 4:29:52 | |
-'We were really up in the air.' -CHUCKLES | 4:29:52 | 4:29:56 | |
'Ladies and gentlemen, the Hughes, er, mammoth aircraft | 4:29:59 | 4:30:03 | |
'has flown this afternoon in, er, Los Angeles harbour. | 4:30:03 | 4:30:07 | |
'It certainly looks at this moment | 4:30:07 | 4:30:10 | |
'that Howard Hughes will be around in the United States | 4:30:10 | 4:30:13 | |
'for quite some time to come.' | 4:30:13 | 4:30:15 | |
We must understand that technologies like these | 4:30:26 | 4:30:29 | |
-are the way of the future. -TWA and Hughes Aircraft | 4:30:29 | 4:30:33 | |
are delighted to have you come here and witness this wonderful sight. | 4:30:33 | 4:30:37 | |
-Excuse us for just a second. -Sorry. | 4:30:37 | 4:30:39 | |
-Feel like going to Paris? -Now? -TWA is startin' flights to Europe, | 4:30:39 | 4:30:44 | |
-thought I might pilot the first one myself. -Good shopping in Paris. | 4:30:44 | 4:30:48 | |
-I'll buy you anything you want. -You can buy me dinner. | 4:30:48 | 4:30:51 | |
How about that? | 4:30:51 | 4:30:54 | |
-Dinner, then. We got a date? -OK, baby, you got a date. | 4:30:55 | 4:31:00 | |
I'll be back in a second. Don't you go anywhere, now, I mean it. | 4:31:00 | 4:31:04 | |
All right, listen, boys, something new - jet airplanes. | 4:31:04 | 4:31:08 | |
-Know anything about jets? -No, but it sounds expensive. | 4:31:08 | 4:31:11 | |
It will be but we gotta get started. | 4:31:11 | 4:31:13 | |
C'mon, walk with me. Whoever can start utilising jet technology | 4:31:14 | 4:31:18 | |
on commercial airliners is gonna win all the marbles. | 4:31:18 | 4:31:22 | |
-Odie, what do you know about the science? -A little. | 4:31:22 | 4:31:25 | |
I can work something to show you, some basic turbine stuff. | 4:31:25 | 4:31:28 | |
Noah...who are those fellas? | 4:31:32 | 4:31:35 | |
Do they work for me? | 4:31:36 | 4:31:39 | |
Everybody works for you, Howard. | 4:31:40 | 4:31:42 | |
Oh. | 4:31:44 | 4:31:46 | |
Lockheed worked on the F-80. | 4:31:48 | 4:31:51 | |
-Get Bob Gross, see if he can help us. -OK. | 4:31:51 | 4:31:53 | |
-What...now? -Of course now. We've gotta get into it. | 4:31:53 | 4:31:57 | |
-Jets are gonna be the way of the future. -It's 4:30. | 4:31:57 | 4:32:00 | |
Bob's in New York. | 4:32:00 | 4:32:02 | |
-7:30, he won't be in the office. -We'll get Nancy to figure out | 4:32:02 | 4:32:05 | |
what hotel he's at. Do you want a telephone call or a meeting? | 4:32:05 | 4:32:09 | |
We want a meeting, don't we, Howard? | 4:32:09 | 4:32:12 | |
You want me to bring him out here tomorrow, Howard? | 4:32:12 | 4:32:15 | |
-The way of the future. -Howard? | 4:32:15 | 4:32:17 | |
-Howard? -The way of the future. | 4:32:17 | 4:32:20 | |
-The way of the future. -Let's take a walk, Howard. | 4:32:20 | 4:32:23 | |
-The way of the future. -Give me a hand, will you? | 4:32:23 | 4:32:26 | |
The way of the future. The way of the future. | 4:32:26 | 4:32:29 | |
The way of the future. The way of the future. | 4:32:29 | 4:32:32 | |
The way of the future. The way of the future. | 4:32:32 | 4:32:35 | |
The way of the future. The way of the future. | 4:32:35 | 4:32:37 | |
The way of the future. The way of the future. | 4:32:37 | 4:32:40 | |
-The way of the future. The way of the future. -Stay here. | 4:32:40 | 4:32:44 | |
-I'll be right back, you understand, Howard? -The way of the future. | 4:32:44 | 4:32:47 | |
-The way of the future. -I'll get a doctor. No-one sees him like this. | 4:32:47 | 4:32:51 | |
The way of the future. The way of the future. | 4:32:51 | 4:32:55 | |
The way of the future. The way of the future. | 4:32:55 | 4:32:58 | |
The way of the future. The way of the future. | 4:32:58 | 4:33:01 | |
The way of the future. The way of the future. | 4:33:02 | 4:33:04 | |
'You are not safe.' | 4:33:10 | 4:33:13 | |
When I grow up, I'm gonna fly the fastest planes ever built, | 4:33:21 | 4:33:26 | |
make the biggest movies ever and be the richest man in the world. | 4:33:26 | 4:33:31 | |
(The way of the future.) | 4:33:44 | 4:33:46 | |
The way of the future. | 4:33:54 | 4:33:56 | |
The way of the future. | 4:34:03 | 4:34:06 | |
The way of the future. | 4:34:08 | 4:34:11 | |
The way of the future. | 4:34:12 | 4:34:14 | |
The way of the future. | 4:34:15 | 4:34:17 | |
MUSIC: "Moonlight Serenade" by Glenn Miller and His Orchestra | 4:34:20 | 4:34:24 | |
E-mail [email protected] | 4:35:22 | 4:35:25 |