Browse content similar to The Four Feathers. Check below for episodes and series from the same categories and more!
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DISTANT THUNDERING | 0:00:42 | 0:00:44 | |
MAN CHANTS | 0:00:46 | 0:00:49 | |
THUNDERING CONTINUES | 0:00:50 | 0:00:52 | |
THUNDER GROWS LOUDER | 0:01:11 | 0:01:14 | |
CHANTING CONTINUES | 0:01:14 | 0:01:17 | |
GRUNTING | 0:01:26 | 0:01:29 | |
GRUNTING | 0:01:31 | 0:01:34 | |
APPLAUSE | 0:01:34 | 0:01:36 | |
GRUNTING | 0:01:36 | 0:01:37 | |
GRUNTING | 0:01:39 | 0:01:41 | |
CROWD SHOUTS | 0:01:41 | 0:01:42 | |
Pass it left to Jack! | 0:01:44 | 0:01:46 | |
Pass the bloody thing, Tom! | 0:01:46 | 0:01:47 | |
Tom, pass it left! | 0:01:47 | 0:01:49 | |
Pass the ball! come on, Tom! | 0:01:49 | 0:01:50 | |
To Jack! | 0:01:50 | 0:01:51 | |
Go on, Tom! | 0:01:51 | 0:01:53 | |
GROANING | 0:01:53 | 0:01:55 | |
Tom! | 0:01:57 | 0:01:58 | |
What's that man's name?! | 0:02:00 | 0:02:02 | |
You see the girls, Jack? | 0:02:06 | 0:02:07 | |
Push on! move it, boys! come on! | 0:02:11 | 0:02:13 | |
WHISTLE BLOWS Stand tall! | 0:02:15 | 0:02:17 | |
There you go... straight. | 0:02:17 | 0:02:18 | |
Go on, vicar! | 0:02:19 | 0:02:20 | |
Sean! Sean! | 0:02:20 | 0:02:21 | |
GRUNTING | 0:02:23 | 0:02:26 | |
Go on, keep going! | 0:02:26 | 0:02:27 | |
PANTING | 0:02:30 | 0:02:32 | |
GROANING | 0:02:32 | 0:02:34 | |
YELLING | 0:02:36 | 0:02:38 | |
WHISTLE BLOWS | 0:02:40 | 0:02:42 | |
Break it up! | 0:02:42 | 0:02:43 | |
I need you on the field, lad. | 0:02:45 | 0:02:47 | |
Huh? you're all right. | 0:02:47 | 0:02:48 | |
Behind you! | 0:02:54 | 0:02:57 | |
Jack! | 0:02:59 | 0:03:00 | |
Take it, Jack! | 0:03:01 | 0:03:04 | |
CHEERS | 0:03:13 | 0:03:15 | |
Well done, old chap! | 0:03:16 | 0:03:19 | |
Well done, Jack. | 0:03:19 | 0:03:20 | |
Is there anything else left in there? | 0:03:20 | 0:03:22 | |
WHISTLE BLOWS | 0:03:27 | 0:03:29 | |
ALL SHOUT | 0:03:29 | 0:03:31 | |
ALL CHEER | 0:03:31 | 0:03:33 | |
How long you going to be in that bathtub, vicar? | 0:03:33 | 0:03:35 | |
As long as I like. | 0:03:35 | 0:03:37 | |
Stand tall, vicar. | 0:03:37 | 0:03:39 | |
CHEERS | 0:03:39 | 0:03:42 | |
Idiot! | 0:03:42 | 0:03:44 | |
LAUGHING | 0:03:44 | 0:03:45 | |
Willoughby, you look wonderful, darling. | 0:03:45 | 0:03:46 | |
Princess Willoughby. | 0:03:46 | 0:03:47 | |
Miss Willoughby. | 0:03:47 | 0:03:48 | |
Hey, Tom, there's a hair out of place there, boy. | 0:03:48 | 0:03:50 | |
When are you gentlemen going to grow up? | 0:03:50 | 0:03:52 | |
Did he just call us "gentlemen"? I believe he did. | 0:03:52 | 0:03:55 | |
I won't take that from anyone. Nor will I. | 0:03:55 | 0:03:56 | |
I like when you do this. | 0:03:56 | 0:03:59 | |
Not my hair! | 0:03:59 | 0:04:00 | |
Willoughby, this is... Not the hair! | 0:04:00 | 0:04:01 | |
Not the hair! | 0:04:01 | 0:04:03 | |
LAUGHING AND CHEERING | 0:04:03 | 0:04:06 | |
And don't think we're going to take you any more seriously | 0:04:06 | 0:04:09 | |
once you're promoted, Miss Willoughby. | 0:04:09 | 0:04:10 | |
We'll see about that. Whoo! | 0:04:10 | 0:04:12 | |
Ladies. | 0:04:12 | 0:04:13 | |
LADIES GIGGLE | 0:04:13 | 0:04:14 | |
Don't worry, vicar, they're only women. | 0:04:14 | 0:04:16 | |
They won't bite. | 0:04:16 | 0:04:17 | |
Just be quiet. | 0:04:17 | 0:04:17 | |
MUSIC PLAYS | 0:04:17 | 0:04:20 | |
Does it hurt? Er...yes. | 0:04:30 | 0:04:34 | |
What are you two lovebirds laughing about? | 0:04:35 | 0:04:36 | |
WOMAN: His eye. | 0:04:36 | 0:04:37 | |
Don't fall for it. | 0:04:37 | 0:04:38 | |
He colours it in with a pen. | 0:04:38 | 0:04:40 | |
I can draw you one if you're feeling left out. | 0:04:40 | 0:04:43 | |
Go on, then. | 0:04:43 | 0:04:45 | |
What? | 0:04:45 | 0:04:46 | |
Well, I want a black eye like Jack's. | 0:04:46 | 0:04:48 | |
If you really want one, Harry, | 0:04:49 | 0:04:51 | |
I can facilitate you. | 0:04:51 | 0:04:53 | |
Want a second black eye, Jack? | 0:04:53 | 0:04:54 | |
No! | 0:04:54 | 0:04:56 | |
That's good. | 0:04:59 | 0:05:01 | |
MUSIC CONTINUES | 0:05:07 | 0:05:10 | |
Are you nervous? | 0:05:18 | 0:05:19 | |
Stop it. | 0:05:19 | 0:05:20 | |
What? | 0:05:20 | 0:05:22 | |
What are you two doing? | 0:05:22 | 0:05:24 | |
Nothing. | 0:05:24 | 0:05:26 | |
I want to dance. | 0:05:26 | 0:05:28 | |
N-Not up there, Ethne. | 0:05:30 | 0:05:32 | |
Ethne, come down from there, please. | 0:05:32 | 0:05:34 | |
Not until you dance with me, Harry. | 0:05:34 | 0:05:36 | |
For God's sake, be careful. | 0:05:37 | 0:05:39 | |
Jack, tell her to get down. | 0:05:39 | 0:05:40 | |
When does she ever listen to me? | 0:05:40 | 0:05:42 | |
Ethne, listen to Jack, please. | 0:05:42 | 0:05:43 | |
Relax, Harry. Listen to me... | 0:05:43 | 0:05:46 | |
Thank you, Jack. | 0:05:46 | 0:05:47 | |
I will not pirouette. | 0:05:47 | 0:05:49 | |
Dance with me. | 0:05:49 | 0:05:50 | |
Right. | 0:05:50 | 0:05:51 | |
Oh, my God. Scary, isn't it? | 0:05:54 | 0:05:56 | |
ETHNE: Don't be such a bore, Harry. | 0:05:56 | 0:05:57 | |
I'm trying. | 0:05:59 | 0:06:00 | |
Ooh! | 0:06:00 | 0:06:01 | |
Oh! | 0:06:01 | 0:06:02 | |
Please be careful, OK? | 0:06:02 | 0:06:04 | |
It's not very funny, Ethne. | 0:06:04 | 0:06:05 | |
Excuse me, Mr Faversham, sir. | 0:06:05 | 0:06:06 | |
Your father is asking for you and Miss Eustace. | 0:06:06 | 0:06:08 | |
Oh. | 0:06:11 | 0:06:12 | |
Thank you. | 0:06:12 | 0:06:14 | |
Sir. Sir. | 0:06:18 | 0:06:20 | |
Colonel Sutch. | 0:06:20 | 0:06:21 | |
Harry, my boy. | 0:06:21 | 0:06:22 | |
How are you, sir? | 0:06:22 | 0:06:23 | |
Well, well. Ma'am. | 0:06:23 | 0:06:24 | |
Colonel Sutch. | 0:06:24 | 0:06:25 | |
I'm sorry to send for you, my dear. | 0:06:25 | 0:06:27 | |
I was hoping to steal you | 0:06:27 | 0:06:28 | |
for the last dance. | 0:06:28 | 0:06:29 | |
It'd be my pleasure, | 0:06:29 | 0:06:30 | |
General. | 0:06:30 | 0:06:31 | |
Your son won't dance with me. | 0:06:31 | 0:06:32 | |
Where were you? | 0:06:35 | 0:06:36 | |
Catching a breath of air, sir. | 0:06:36 | 0:06:39 | |
My dear. | 0:06:44 | 0:06:45 | |
WALTZ MUSIC PLAYS | 0:06:48 | 0:06:51 | |
She is very beautiful, Harry. | 0:06:52 | 0:06:55 | |
Yes, she is, sir. | 0:06:55 | 0:06:58 | |
I was thinking how proud my father would be | 0:06:58 | 0:06:59 | |
if he were here. | 0:06:59 | 0:07:00 | |
An officer who gave his life for his country | 0:07:00 | 0:07:03 | |
deserves far more respect than I do. | 0:07:03 | 0:07:05 | |
I wish I'd met him. | 0:07:05 | 0:07:07 | |
Are you ready, my dear? | 0:07:11 | 0:07:13 | |
With all my heart. | 0:07:15 | 0:07:17 | |
MUSIC STOPS | 0:07:20 | 0:07:22 | |
My lords, ladies and gentlemen - the General. | 0:07:24 | 0:07:27 | |
Dr Johnson once said | 0:07:35 | 0:07:38 | |
every man feels meanly about himself | 0:07:38 | 0:07:40 | |
for not having been a soldier. | 0:07:40 | 0:07:42 | |
Well, that's something no-one here tonight need fear. | 0:07:42 | 0:07:45 | |
Whether or not you've seen active service | 0:07:45 | 0:07:48 | |
you have shown yourselves willing to lay down your lives | 0:07:48 | 0:07:52 | |
and for that... | 0:07:52 | 0:07:53 | |
I salute you. | 0:07:53 | 0:07:55 | |
The Royal Cumbrians! | 0:07:55 | 0:07:56 | |
ALL: The Royal Cumbrians! | 0:07:56 | 0:07:58 | |
Now, in my mind, there is only one sacrifice more noble | 0:08:03 | 0:08:06 | |
than pledging one's life for one's country | 0:08:06 | 0:08:09 | |
and that is...loving... | 0:08:09 | 0:08:13 | |
and marrying a man who does. | 0:08:13 | 0:08:16 | |
Marry?! | 0:08:16 | 0:08:17 | |
Harry...and Ethne. | 0:08:17 | 0:08:20 | |
Harry and Ethne! | 0:08:20 | 0:08:22 | |
APPLAUSE | 0:08:22 | 0:08:25 | |
Bravo! | 0:08:26 | 0:08:27 | |
Bravo! Bravo! | 0:08:27 | 0:08:30 | |
Form a square! | 0:08:45 | 0:08:46 | |
Form a square! | 0:08:47 | 0:08:49 | |
PIANO PLAYS MELODY SOFTLY | 0:09:02 | 0:09:05 | |
LAUGHTER | 0:09:34 | 0:09:36 | |
Well, now that we've had such a public engagement... | 0:09:48 | 0:09:50 | |
can we have a nice, quiet wedding, please? | 0:09:50 | 0:09:53 | |
Not on your life! | 0:09:53 | 0:09:54 | |
I want the full works, the church near my home... | 0:09:54 | 0:09:57 | |
and then a rousing speech from your father... | 0:09:57 | 0:10:00 | |
Mm. | 0:10:00 | 0:10:01 | |
My father? | 0:10:01 | 0:10:02 | |
Mm-hmm. Mm-hmm. | 0:10:02 | 0:10:04 | |
"I'd like to congratulate my son. | 0:10:04 | 0:10:06 | |
"When I was his age, I was in charge of a full regiment." | 0:10:06 | 0:10:10 | |
He doesn't sound anything like that. | 0:10:10 | 0:10:11 | |
Oh, yes, he does. | 0:10:11 | 0:10:12 | |
Besides, YOU will be in charge of a regiment. | 0:10:12 | 0:10:14 | |
SHE MOANS SOFTLY | 0:10:17 | 0:10:20 | |
(Quiet!) | 0:10:21 | 0:10:22 | |
It'll be Jack and Isabelle's turn next. | 0:10:22 | 0:10:23 | |
Jack? Oh, no, Jack will never get married. | 0:10:23 | 0:10:25 | |
He's too much of a soldier. | 0:10:25 | 0:10:26 | |
So are you. | 0:10:26 | 0:10:27 | |
Yes, but not like him. | 0:10:27 | 0:10:29 | |
Yes, you are, more than him, more than any of them. | 0:10:29 | 0:10:34 | |
You're my husband. | 0:10:34 | 0:10:36 | |
# Good night, ladies | 0:10:36 | 0:10:37 | |
# Good night, ladies... # | 0:10:37 | 0:10:40 | |
Go away! | 0:10:40 | 0:10:41 | |
Please, ignore them. | 0:10:41 | 0:10:42 | |
Don't act like children! | 0:10:42 | 0:10:43 | |
# Merrily, we roll along Roll along, roll along | 0:10:43 | 0:10:47 | |
# Merrily, we roll along Until the morning comes | 0:10:47 | 0:10:50 | |
# Good night, gentlemen Good night, gentlemen... | 0:10:50 | 0:10:53 | |
# Good night, Ethne... | 0:10:53 | 0:10:55 | |
-ALL: -# Good night, Harry | 0:10:55 | 0:10:57 | |
# Good night, Ethne, We have to take him home! # | 0:10:57 | 0:11:01 | |
Hyah! hyah! | 0:11:07 | 0:11:08 | |
SWORDS CLANG | 0:11:10 | 0:11:11 | |
Come on, Harry, keep up! | 0:11:14 | 0:11:16 | |
Come on, John! | 0:11:18 | 0:11:20 | |
THEY SCREAM | 0:11:20 | 0:11:24 | |
Come on, Mr Castleton, get it out! | 0:11:31 | 0:11:34 | |
Mr Trench, carry on! | 0:11:34 | 0:11:35 | |
Mr Castleton's dead - | 0:11:35 | 0:11:36 | |
enemy spear through the foot! | 0:11:36 | 0:11:38 | |
Come on, get a move on! | 0:11:38 | 0:11:39 | |
Get it out! | 0:11:39 | 0:11:40 | |
Come on, let's go! come on! | 0:11:41 | 0:11:44 | |
Gentlemen, the Colonel! | 0:11:55 | 0:11:57 | |
Gentlemen... | 0:12:07 | 0:12:08 | |
I have some news. | 0:12:08 | 0:12:11 | |
An army of Mohammedan fanatics | 0:12:11 | 0:12:14 | |
under the command of their self-proclaimed messiah, the Mahdi, | 0:12:14 | 0:12:19 | |
has attacked a British fortress in the Sudan. | 0:12:19 | 0:12:23 | |
Our forces there fought a heroic | 0:12:23 | 0:12:26 | |
but, in the end, hopeless rearguard action. | 0:12:26 | 0:12:30 | |
They were slaughtered to a man. | 0:12:30 | 0:12:34 | |
As a result of these hostilities | 0:12:34 | 0:12:37 | |
several regiments, | 0:12:37 | 0:12:39 | |
including the Royal Cumbrians, | 0:12:39 | 0:12:42 | |
will be shipping out to the Sudan within the week. | 0:12:42 | 0:12:46 | |
Congratulations to you all. | 0:12:46 | 0:12:49 | |
This government has finally seen fit | 0:12:49 | 0:12:53 | |
to send its soldiers to war. | 0:12:53 | 0:12:55 | |
THEY CHEER | 0:12:55 | 0:12:57 | |
Finally, we're off! | 0:13:01 | 0:13:02 | |
Gentlemen... | 0:13:04 | 0:13:06 | |
God has endowed | 0:13:08 | 0:13:12 | |
the British race | 0:13:12 | 0:13:14 | |
with a worldwide empire | 0:13:14 | 0:13:16 | |
that they may execute | 0:13:16 | 0:13:19 | |
His sovereign purpose in the world. | 0:13:19 | 0:13:22 | |
The victories you will have over the heathen | 0:13:22 | 0:13:26 | |
are the victories of the nobler soul in man. | 0:13:26 | 0:13:31 | |
God save the Queen. | 0:13:31 | 0:13:32 | |
ALL: God save the Queen! | 0:13:32 | 0:13:35 | |
ALL HUM "GREENSLEEVES" | 0:13:37 | 0:13:40 | |
All together! | 0:13:43 | 0:13:45 | |
This is what nerves do | 0:13:45 | 0:13:47 | |
to grown men. | 0:13:47 | 0:13:48 | |
If we're going to go to war, | 0:13:48 | 0:13:49 | |
I wish we'd just get on with it. | 0:13:49 | 0:13:52 | |
Do you ever think about what it's going to be like | 0:13:52 | 0:13:55 | |
when we get there? | 0:13:55 | 0:13:57 | |
All the time. | 0:13:57 | 0:13:59 | |
Don't you? | 0:13:59 | 0:14:01 | |
I sometimes wonder | 0:14:01 | 0:14:02 | |
what a godforsaken desert in the middle of nowhere | 0:14:02 | 0:14:05 | |
has to do with Her Majesty the Queen. | 0:14:05 | 0:14:07 | |
What's going on? | 0:14:10 | 0:14:11 | |
What happened? | 0:14:11 | 0:14:12 | |
Aren't you afraid you won't come back? | 0:14:12 | 0:14:15 | |
Did you have a bad dream about me | 0:14:15 | 0:14:18 | |
or something? | 0:14:18 | 0:14:19 | |
Did I get my head lopped off | 0:14:19 | 0:14:20 | |
by one of those Mahdi savages? | 0:14:20 | 0:14:22 | |
Yes, Jack. | 0:14:23 | 0:14:24 | |
Of course, I'm scared. | 0:14:24 | 0:14:26 | |
Then, what... | 0:14:26 | 0:14:28 | |
...what makes you go? | 0:14:31 | 0:14:32 | |
I suppose...I'm going | 0:14:32 | 0:14:37 | |
because you're going - | 0:14:37 | 0:14:38 | |
you, Trench, Castleton, even Willoughby... | 0:14:38 | 0:14:43 | |
but especially you. | 0:14:43 | 0:14:45 | |
There's no-one I'd sooner trust my life with. | 0:14:47 | 0:14:50 | |
HE BREATHES ANXIOUSLY | 0:14:56 | 0:14:59 | |
What is this? | 0:15:47 | 0:15:48 | |
My papers, sir. | 0:15:48 | 0:15:50 | |
If it's leave you want, there's a different procedure. | 0:15:50 | 0:15:53 | |
Normally I wouldn't consider it in the circumstances | 0:15:53 | 0:15:56 | |
but given that you've just got engaged... | 0:15:56 | 0:15:58 | |
It isn't leave I want, sir. | 0:15:58 | 0:15:59 | |
I wish to resign my commission. | 0:16:03 | 0:16:05 | |
If I were you, I'd think very carefully | 0:16:10 | 0:16:13 | |
about what you're saying, Lieutenant. | 0:16:13 | 0:16:15 | |
I've made up my mind, sir. | 0:16:15 | 0:16:17 | |
We'll talk about this when you've spoken with your father. | 0:16:18 | 0:16:22 | |
It isn't his decision, sir. | 0:16:22 | 0:16:24 | |
I do not accept these papers, Lieutenant, | 0:16:25 | 0:16:28 | |
and I do not accept that one of my men would walk out on his regiment... | 0:16:28 | 0:16:32 | |
Sir... ..The week we are ship off to war! | 0:16:32 | 0:16:35 | |
Now, as far as I'm concerned, you were never here. | 0:16:37 | 0:16:41 | |
You can thank your father for that. | 0:16:43 | 0:16:46 | |
Sir... | 0:16:48 | 0:16:49 | |
..I wish to resign my commission. | 0:16:53 | 0:16:55 | |
Please leave these barracks immediately. | 0:16:59 | 0:17:02 | |
Whoa! | 0:17:25 | 0:17:27 | |
Ah, Miss Willoughby! | 0:17:30 | 0:17:31 | |
I thought I could smell the scent of fresh roses in the air. | 0:17:33 | 0:17:36 | |
MEN LAUGH Harry's resigned. | 0:17:36 | 0:17:38 | |
Resigned what? | 0:17:38 | 0:17:39 | |
His bloody commission, what do you think? | 0:17:39 | 0:17:41 | |
What did Hamilton do? | 0:17:44 | 0:17:45 | |
Refuse him leave to marry? Hamilton didn't do anything. | 0:17:45 | 0:17:48 | |
There was no excuse for it. "Excuse for it"? | 0:17:48 | 0:17:51 | |
You're talking about Harry. | 0:17:51 | 0:17:52 | |
He's right, Tom. He's engaged. It's natural to have doubts. | 0:17:52 | 0:17:55 | |
We're sent to war and the very next day he resigns? | 0:17:55 | 0:17:58 | |
There's no doubt about it. | 0:17:58 | 0:18:00 | |
What's that supposed to mean? | 0:18:00 | 0:18:01 | |
I think it's clear what it means. | 0:18:01 | 0:18:02 | |
Tom, don't be absurd. Shut up, Vicar. | 0:18:02 | 0:18:04 | |
It means he's a coward, Jack. | 0:18:04 | 0:18:05 | |
Then say that to his face. | 0:18:10 | 0:18:12 | |
I would've done, only he left the barracks before I had a chance. | 0:18:12 | 0:18:16 | |
All right, then, say it to my face. | 0:18:16 | 0:18:18 | |
Easy, Jack. | 0:18:18 | 0:18:19 | |
Harry's a disgrace! | 0:18:23 | 0:18:25 | |
He's disgraced the regiment! | 0:18:25 | 0:18:27 | |
Jack! | 0:18:27 | 0:18:28 | |
He's the best soldier in the regiment! | 0:18:28 | 0:18:29 | |
Obviously not when it counts. | 0:18:29 | 0:18:31 | |
Get off! | 0:18:34 | 0:18:35 | |
I will tell him but not to his face - he doesn't deserve it. | 0:18:36 | 0:18:40 | |
He deserves to be treated with the same contempt that he treated us. | 0:18:40 | 0:18:43 | |
What contempt? Did he talk to you about it? | 0:18:43 | 0:18:45 | |
Did he talk to any of you? | 0:18:45 | 0:18:46 | |
He's left our backs exposed and he doesn't have the courage to tell us. | 0:18:49 | 0:18:52 | |
He was my friend, too, Jack. | 0:18:59 | 0:19:01 | |
He'll be there. | 0:19:09 | 0:19:10 | |
This has to be answered. | 0:19:19 | 0:19:20 | |
ETHNE LAUGHS | 0:19:38 | 0:19:40 | |
Do you, Harry Faversham, | 0:19:40 | 0:19:43 | |
take this woman to be your lawful, wedded wife? | 0:19:43 | 0:19:46 | |
Yes, and you may kiss the bride. | 0:19:46 | 0:19:48 | |
You can't jump ahead. You have to let me enjoy my wedding. | 0:19:48 | 0:19:52 | |
It's your fault we won't be able to do it for another six months. | 0:19:52 | 0:19:56 | |
There's no reason why we can't get married now. | 0:19:56 | 0:19:58 | |
I've heard that before. | 0:19:58 | 0:20:00 | |
I've left the army. | 0:20:00 | 0:20:01 | |
SHE LAUGHS | 0:20:02 | 0:20:04 | |
No, Ethne, I... | 0:20:04 | 0:20:05 | |
I have...left the army. | 0:20:05 | 0:20:08 | |
Why? | 0:20:14 | 0:20:15 | |
Well, there was talk they may send us abroad... | 0:20:19 | 0:20:23 | |
..for a year or two. | 0:20:25 | 0:20:27 | |
I didn't want to wait that long to get married. | 0:20:30 | 0:20:33 | |
Well, I would've waited... | 0:20:33 | 0:20:35 | |
..or come with you. | 0:20:37 | 0:20:39 | |
My mother did the same for my father. | 0:20:39 | 0:20:41 | |
Yes, I know, but it isn't what I wanted for us. | 0:20:41 | 0:20:44 | |
You're all that matters to me now. | 0:20:47 | 0:20:50 | |
Where were they going to send you? | 0:20:52 | 0:20:54 | |
They weren't sure. | 0:20:59 | 0:21:01 | |
Mr Faversham. | 0:21:07 | 0:21:09 | |
Is this your friends' idea of a joke? | 0:21:57 | 0:22:00 | |
What is it, Harry? | 0:22:00 | 0:22:02 | |
Feathers of...of cowardice. Yesterday we... | 0:22:06 | 0:22:12 | |
were informed that our regiment would be shipping out to the Sudan... | 0:22:12 | 0:22:17 | |
..that we would be... sent to war. | 0:22:19 | 0:22:23 | |
You don't know where they were sending you, | 0:22:23 | 0:22:25 | |
you said so yourself, and you did it for me. | 0:22:25 | 0:22:28 | |
Ethne... Nobody in their right minds could call you a coward, | 0:22:28 | 0:22:32 | |
especially not your friends. | 0:22:32 | 0:22:34 | |
There's been a misunderstanding. You have to clear it up. | 0:22:34 | 0:22:36 | |
You have to go back to the regiment and clear it up. | 0:22:36 | 0:22:38 | |
No, I can't. | 0:22:38 | 0:22:39 | |
Then I will. | 0:22:39 | 0:22:41 | |
I'll go see Trent, Willoughby and Castleton myself | 0:22:41 | 0:22:44 | |
and tell them it's my fault you resigned, | 0:22:44 | 0:22:47 | |
that you did it for me. | 0:22:47 | 0:22:48 | |
It has nothing to do with you, Ethne! | 0:22:48 | 0:22:50 | |
Then why? | 0:22:55 | 0:22:56 | |
I never wanted to join the Army! | 0:22:59 | 0:23:03 | |
I did it for my father. | 0:23:09 | 0:23:11 | |
I thought I'd serve out my commission in a year or two, | 0:23:13 | 0:23:16 | |
keep everyone happy, and then I could just... | 0:23:16 | 0:23:18 | |
You'd what, wait till we were married to tell me the truth? | 0:23:18 | 0:23:21 | |
No, Ethne, I-I never meant to lie to you. | 0:23:21 | 0:23:24 | |
No, but you were quite happy to let me deceive myself. | 0:23:24 | 0:23:27 | |
Do you think people will let us forget this? | 0:23:27 | 0:23:31 | |
I don't care what people think, Ethne. | 0:23:31 | 0:23:34 | |
All I care about is us. | 0:23:34 | 0:23:36 | |
It's not about us, Harry. | 0:23:38 | 0:23:40 | |
It's not just about us. | 0:23:41 | 0:23:43 | |
What about Jack? He would give his life for you. | 0:23:43 | 0:23:46 | |
Don't you think I know that? | 0:23:46 | 0:23:47 | |
Then go back. | 0:23:47 | 0:23:49 | |
It's not too late. | 0:23:49 | 0:23:51 | |
Tell them you wouldn't have resigned if it weren't for me. | 0:23:51 | 0:23:54 | |
I would...have resigned... | 0:23:56 | 0:23:58 | |
..and I wouldn't have gone to war for anything... | 0:24:02 | 0:24:05 | |
or anyone. | 0:24:05 | 0:24:07 | |
Then you ARE a coward. | 0:24:10 | 0:24:13 | |
CROWD CHEERS | 0:24:21 | 0:24:25 | |
MILITARY BAND PLAYS | 0:24:25 | 0:24:28 | |
GROWLING | 0:24:32 | 0:24:34 | |
Fight for England! | 0:24:34 | 0:24:37 | |
CHEERING AND WHISTLING | 0:24:37 | 0:24:39 | |
"Avoid drinking local water and spirits, | 0:24:48 | 0:24:51 | |
"avoid local bar rooms and brothels | 0:24:51 | 0:24:54 | |
"and, above all, remember you're a Christian soldier." | 0:24:54 | 0:24:57 | |
Why'd they give this to me? | 0:24:57 | 0:24:59 | |
It must be for you, Vicar. | 0:24:59 | 0:25:01 | |
MEN LAUGH | 0:25:01 | 0:25:03 | |
Father? | 0:25:14 | 0:25:16 | |
After you. | 0:25:20 | 0:25:21 | |
May I speak with you, sir? | 0:25:24 | 0:25:25 | |
I don't know you. | 0:25:27 | 0:25:29 | |
I need to speak with you, sir. | 0:25:35 | 0:25:37 | |
CRIER: British attack the city of Korti! | 0:26:00 | 0:26:04 | |
British casualties in the Sudan! | 0:26:04 | 0:26:06 | |
CRIER CALLS ECHO | 0:26:06 | 0:26:08 | |
WOMEN SOB | 0:26:15 | 0:26:18 | |
WIND WHISTLES | 0:26:22 | 0:26:24 | |
CAMELS GRUNT | 0:26:29 | 0:26:31 | |
ARABIC CALL ECHOES | 0:26:39 | 0:26:42 | |
Something wrong, Jack? | 0:26:46 | 0:26:48 | |
Well, I don't know about you lot but I'm going to get a drink before Mustafa does. | 0:27:00 | 0:27:05 | |
THEY LAUGH | 0:27:05 | 0:27:06 | |
It's probably poisoned. | 0:27:08 | 0:27:09 | |
Mustafa, after you, mate. | 0:27:13 | 0:27:16 | |
MEN LAUGH | 0:27:16 | 0:27:18 | |
GUNSHOT FIRES | 0:27:18 | 0:27:21 | |
Take cover! Stay down! | 0:27:22 | 0:27:24 | |
Take cover! | 0:27:24 | 0:27:26 | |
Get down and stay down! | 0:27:26 | 0:27:28 | |
Get down! Take cover! | 0:27:28 | 0:27:30 | |
Where is he? Where is he? | 0:27:30 | 0:27:32 | |
Take cover! | 0:27:32 | 0:27:33 | |
Stay down! Stay down, everyone! | 0:27:33 | 0:27:35 | |
GUNSHOTS FIRE | 0:27:35 | 0:27:37 | |
Find him! find him! Where the bloody hell is he? | 0:27:37 | 0:27:39 | |
He's on the roof! Where?! Over there! Over there! | 0:27:39 | 0:27:43 | |
Get him! | 0:27:48 | 0:27:50 | |
Now! | 0:28:00 | 0:28:01 | |
WOMAN EXCLAIMS IN NATIVE LANGUAGE | 0:28:01 | 0:28:04 | |
Move! Right, sir. | 0:28:04 | 0:28:07 | |
WOMEN SCREAM | 0:28:12 | 0:28:14 | |
Hey! | 0:28:37 | 0:28:39 | |
Put the gun down. | 0:28:41 | 0:28:42 | |
Put the gun down. | 0:28:44 | 0:28:46 | |
Put the gun down! | 0:28:54 | 0:28:55 | |
WIND WHISTLES | 0:28:55 | 0:28:57 | |
Tell him to put the gun down! | 0:29:07 | 0:29:09 | |
MAN YELLS COMMAND IN NATIVE LANGUAGE | 0:29:09 | 0:29:12 | |
Put your gun down! | 0:29:12 | 0:29:15 | |
For God sakes, man, put your gun down! | 0:29:15 | 0:29:19 | |
Don't. | 0:29:27 | 0:29:28 | |
Hold your fire. | 0:29:32 | 0:29:34 | |
Put the gun down. | 0:29:36 | 0:29:37 | |
GUN COCKS Tell him to put his gun down! | 0:29:37 | 0:29:40 | |
Don't! Don't! Don't! | 0:29:40 | 0:29:41 | |
VILLAGERS ULULATE | 0:30:01 | 0:30:03 | |
ROCKS CLATTER | 0:30:03 | 0:30:05 | |
KNOCK AT DOOR | 0:30:13 | 0:30:15 | |
KNOCKING CONTINUES | 0:30:20 | 0:30:22 | |
What's done is done, Harry. | 0:30:26 | 0:30:28 | |
No, sir, it isn't. | 0:30:28 | 0:30:31 | |
Something like this happens... | 0:30:31 | 0:30:33 | |
..and you're lost. | 0:30:35 | 0:30:37 | |
You don't know who you are anymore, or what you're capable of. | 0:30:40 | 0:30:44 | |
Unless I do something, | 0:30:45 | 0:30:48 | |
this is how people will always remember me - | 0:30:48 | 0:30:53 | |
a feather. | 0:30:53 | 0:30:55 | |
And that is how I will always see myself - a coward. | 0:30:56 | 0:31:01 | |
All I know is I can't live with myself like this. | 0:31:01 | 0:31:06 | |
Who gave you the fourth feather? | 0:31:08 | 0:31:12 | |
Jack Durrance? | 0:31:14 | 0:31:15 | |
No, sir. | 0:31:17 | 0:31:19 | |
Ethne did. | 0:31:19 | 0:31:21 | |
HARRY: 'Dearest Ethne, Forgive me for all the shame I've caused you. | 0:31:38 | 0:31:42 | |
'I can only imagine the indignities you have suffered because of me.' | 0:31:42 | 0:31:46 | |
'I hope my leaving London will at least allow you to begin your life again, free of my shadow. | 0:31:57 | 0:32:03 | |
'I have no right to your trust, or claim to your love, | 0:32:03 | 0:32:07 | |
'but please believe I never set out to deceive you.' | 0:32:07 | 0:32:10 | |
'I don't know if an opportunity will ever arise to redeem myself | 0:32:11 | 0:32:16 | |
'but I have to believe it will | 0:32:16 | 0:32:18 | |
'and I have to believe that this time, I'll face up to my fears | 0:32:18 | 0:32:21 | |
'and prove to myself and others I'm not a coward.' | 0:32:21 | 0:32:25 | |
What did he pay you to bring him here? | 0:32:25 | 0:32:28 | |
Listen, Gustave, I wouldn't bring... | 0:32:28 | 0:32:29 | |
Take this. | 0:32:29 | 0:32:31 | |
Now get out. | 0:32:31 | 0:32:33 | |
Don't come back. | 0:32:34 | 0:32:36 | |
What do you want? | 0:32:39 | 0:32:41 | |
Can you take me to the British camp at Korti? | 0:32:42 | 0:32:44 | |
HE CHUCKLES Across the desert? | 0:32:44 | 0:32:46 | |
Yes. | 0:32:46 | 0:32:48 | |
Why? | 0:32:48 | 0:32:49 | |
HE CLEARS HIS THROAT Can you take me there or not? | 0:32:54 | 0:32:57 | |
For your time. | 0:33:04 | 0:33:05 | |
Can you speak Arabic? | 0:33:08 | 0:33:09 | |
I can learn. | 0:33:09 | 0:33:11 | |
Yes, but can you learn to look like an Arab? | 0:33:11 | 0:33:13 | |
If the Mahdi's men find you... | 0:33:13 | 0:33:16 | |
I'm taking a caravan of whores up to Korti next week. | 0:33:16 | 0:33:19 | |
Come and see me then. | 0:33:19 | 0:33:21 | |
WHISTLE BLOWS | 0:33:21 | 0:33:23 | |
Left, right, left, right, left, right, left. | 0:33:23 | 0:33:25 | |
Thank you. | 0:33:25 | 0:33:27 | |
Left, right, left, right, left, right, left. | 0:33:27 | 0:33:30 | |
HAMILTON: Congratulations, Jack. I'll give you a few weeks' leave. | 0:33:30 | 0:33:33 | |
Every report I receive singles you out for praise. | 0:33:33 | 0:33:36 | |
You and several other officers will be going to London to convince Parliament, | 0:33:39 | 0:33:43 | |
and the public opinion, | 0:33:43 | 0:33:44 | |
that it's high time this government ordered us out of Korti | 0:33:44 | 0:33:47 | |
to rescue General Gordon. | 0:33:47 | 0:33:49 | |
With your permission, I'd rather stay here with the regiment. | 0:33:49 | 0:33:52 | |
Why? | 0:33:52 | 0:33:53 | |
I don't feel I've done my duty yet. | 0:33:53 | 0:33:55 | |
I wouldn't want to let the others down. | 0:33:55 | 0:33:56 | |
Permission refused. | 0:33:56 | 0:33:59 | |
Sir, | 0:33:59 | 0:34:00 | |
why me? | 0:34:00 | 0:34:01 | |
Because you're a hero, Jack. | 0:34:01 | 0:34:04 | |
With all due respect, sir, | 0:34:04 | 0:34:05 | |
I don't think we've been fighting long enough | 0:34:05 | 0:34:08 | |
to have any heroes in this campaign. | 0:34:08 | 0:34:11 | |
WOMEN ULULATE | 0:34:17 | 0:34:20 | |
ULULATING CONTINUES | 0:34:20 | 0:34:23 | |
THEY SUSTAIN A HIGH NOTE | 0:34:25 | 0:34:28 | |
Shut up! | 0:34:28 | 0:34:29 | |
Keep them quiet, Saadi! What do I pay you for?! | 0:34:29 | 0:34:33 | |
They are princesses. | 0:34:45 | 0:34:47 | |
Can you imagine? Even the savages have royalty? | 0:34:47 | 0:34:50 | |
But the British soldiers pay me three Dirham an hour for them. | 0:34:50 | 0:34:54 | |
Well worth the trip to Korti. | 0:34:54 | 0:34:56 | |
Is this the Mahdi's territory? | 0:34:57 | 0:34:59 | |
Everywhere is Mahdi territory. | 0:35:00 | 0:35:02 | |
CAMEL LOWS | 0:35:08 | 0:35:10 | |
PRINCESS SPEAKS IN NATIVE LANGUAGE | 0:35:26 | 0:35:29 | |
What is it? | 0:35:33 | 0:35:35 | |
She doesn't like my manners? | 0:35:35 | 0:35:37 | |
PRINCESS SPEAKS IN NATIVE TONGUE | 0:35:37 | 0:35:38 | |
PRINCESSES MURMUR | 0:35:38 | 0:35:42 | |
SHOUT IN NATIVE LANGUAGE | 0:35:44 | 0:35:47 | |
Savage! | 0:35:51 | 0:35:52 | |
Stop it! | 0:35:53 | 0:35:55 | |
WOMEN SCREAM Stop! Stop doing this! | 0:35:55 | 0:35:57 | |
Stop it! Stop it! Stop it! | 0:35:57 | 0:36:00 | |
I'll teach you manners! | 0:36:00 | 0:36:02 | |
HARRY: Stop it! Enough! | 0:36:03 | 0:36:04 | |
GUSTAVE: That'll teach you manners! | 0:36:04 | 0:36:06 | |
HARRY: Enough! | 0:36:06 | 0:36:09 | |
< You think she'll thank you for what you did today? | 0:36:18 | 0:36:22 | |
I don't expect her to. | 0:36:22 | 0:36:24 | |
Of course you do - you saved her life. | 0:36:24 | 0:36:26 | |
< Tsk, tsk! Tsk! | 0:36:26 | 0:36:29 | |
HE CALLS IN FOREIGN LANGUAGE | 0:36:29 | 0:36:31 | |
SHE SPEAKS IN NATIVE LANGUAGE | 0:36:31 | 0:36:33 | |
They're like children. | 0:36:40 | 0:36:42 | |
They have no concept of gratitude or loyalty. | 0:36:42 | 0:36:45 | |
That's something you British don't understand. | 0:36:45 | 0:36:48 | |
You come here, | 0:36:50 | 0:36:51 | |
trying to civilise them with your Christian values. | 0:36:51 | 0:36:56 | |
Now, she'll thank you. | 0:37:11 | 0:37:14 | |
Don't be so proud, my friend. | 0:37:21 | 0:37:23 | |
PASSIONATE BREATHING | 0:37:23 | 0:37:26 | |
PRINCESS WHISPERS IN NATIVE LANGUAGE | 0:37:48 | 0:37:52 | |
THUDDING | 0:38:05 | 0:38:07 | |
SHE SHOUTS | 0:38:09 | 0:38:11 | |
WOMEN ULULATE | 0:38:20 | 0:38:23 | |
WIND BLOWS SOFTLY | 0:38:26 | 0:38:29 | |
CAMEL LOWS | 0:38:37 | 0:38:40 | |
JACK: There are followers of the Mahdi everywhere in the Sudan. | 0:39:00 | 0:39:04 | |
The rebel tribes are gathering forces under the leadership of the Mahdi to fight us. | 0:39:04 | 0:39:09 | |
We do not need more reinforcements. | 0:39:09 | 0:39:11 | |
All we need is for this government to give an order to march | 0:39:11 | 0:39:14 | |
and we will route the enemy | 0:39:14 | 0:39:16 | |
and preserve the dignity of our empire. | 0:39:16 | 0:39:19 | |
MURMURS OF SUPPORT AND APPLAUSE | 0:39:19 | 0:39:22 | |
JACK: Have you heard from Harry? | 0:39:25 | 0:39:27 | |
No. | 0:39:27 | 0:39:29 | |
Have you? | 0:39:31 | 0:39:32 | |
No. | 0:39:32 | 0:39:34 | |
Ethne, you can't blame yourself. | 0:39:35 | 0:39:38 | |
You make a stupid mistake and you pay for it for the rest of your life. | 0:39:38 | 0:39:41 | |
I can't forgive myself. | 0:39:41 | 0:39:44 | |
You had your reasons. | 0:39:45 | 0:39:46 | |
What reasons? | 0:39:46 | 0:39:48 | |
Pride? | 0:39:48 | 0:39:50 | |
Because I was afraid of what people would say. | 0:39:51 | 0:39:53 | |
What do I care what people said? | 0:39:55 | 0:39:58 | |
I loved him. | 0:39:58 | 0:39:59 | |
Ethne, you have to... | 0:39:59 | 0:40:01 | |
He came to me, Jack. | 0:40:01 | 0:40:03 | |
He came to me and I turned him away. | 0:40:05 | 0:40:07 | |
It's all right. | 0:40:07 | 0:40:09 | |
It won't be like this for the rest of your life. | 0:40:10 | 0:40:13 | |
I'll write to you, when I'm gone. | 0:40:15 | 0:40:19 | |
HE PANTS RASPILY | 0:40:27 | 0:40:30 | |
OFFICER: Left, right, left, right, left, right, left. | 0:41:26 | 0:41:29 | |
Left, right, left, right, left, right, left. | 0:41:29 | 0:41:33 | |
Left, right, left, right, left, right, left, right left, right, stop! | 0:41:33 | 0:41:39 | |
CHILDREN LAUGH | 0:42:05 | 0:42:08 | |
CROWD CHEERS | 0:42:23 | 0:42:25 | |
Referee, come on! That wasn't fair! | 0:42:35 | 0:42:38 | |
THEY CHEER | 0:42:42 | 0:42:44 | |
Congratulations! | 0:42:45 | 0:42:47 | |
Open up. He's got no teeth. Get rid of him. | 0:43:10 | 0:43:13 | |
Who's next?! | 0:43:13 | 0:43:15 | |
Come on, keep 'em coming, keep 'em coming. No, he's too small. | 0:43:15 | 0:43:18 | |
MAN SPEAKS IN NATIVE LANGUAGE | 0:43:18 | 0:43:21 | |
I want to see this man's teeth. | 0:43:21 | 0:43:22 | |
TRANSLATOR SHOUTS IN ARABIC | 0:43:22 | 0:43:25 | |
He looks strong enough. Put him with the baggage porters. | 0:43:25 | 0:43:27 | |
How many more we got? How many, Bill? | 0:43:27 | 0:43:30 | |
OK, we need another three of them. | 0:43:30 | 0:43:31 | |
THEY SHOUT IN ARABIC | 0:43:31 | 0:43:34 | |
What's going on?! | 0:43:34 | 0:43:36 | |
This man is from a tribe of slaves. They will not serve with him, sir. | 0:43:38 | 0:43:41 | |
Look, we need all the help we can get. | 0:43:41 | 0:43:43 | |
Baggage porter! | 0:43:43 | 0:43:45 | |
Get him through. | 0:43:45 | 0:43:47 | |
I can't believe it. Come on. Come on. Get him through. | 0:43:47 | 0:43:50 | |
Come on, next. | 0:43:50 | 0:43:52 | |
ETHNE: "My dearest Jack, | 0:43:52 | 0:43:55 | |
"I was so relieved to receive your last letter. | 0:43:55 | 0:43:58 | |
"While the whole country is celebrating | 0:43:58 | 0:44:00 | |
"your campaign against the Mahdi, | 0:44:00 | 0:44:02 | |
"all I feel is dread and all I think about | 0:44:02 | 0:44:05 | |
"are the precious times we spent together - you, Harry, and I. | 0:44:05 | 0:44:09 | |
"My father used to say that God takes away what's dearest to our hearts | 0:44:09 | 0:44:13 | |
"to remind us how much we take for granted. | 0:44:13 | 0:44:16 | |
"Now that it's too late, I wish I could turn back time. | 0:44:16 | 0:44:20 | |
"How differently I'd do things, given a second chance. | 0:44:20 | 0:44:24 | |
"Take good care of yourself, Jack. | 0:44:24 | 0:44:26 | |
"I don't mind if you don't come back covered in glory. | 0:44:26 | 0:44:29 | |
"Just come back safely. | 0:44:29 | 0:44:31 | |
"Your friend forever, Ethne." | 0:44:31 | 0:44:34 | |
Thoughtful of General Wolseley to give us these umbrellas, eh, Vicar? | 0:44:45 | 0:44:49 | |
I burn in the sun. | 0:44:49 | 0:44:51 | |
WHIP CRACKS | 0:45:08 | 0:45:10 | |
HE SHOUTS IN NATIVE LANGUAGE | 0:45:10 | 0:45:12 | |
Come on, now, faster! Faster! | 0:45:12 | 0:45:14 | |
HE YELLS | 0:45:14 | 0:45:16 | |
HORSE WHINNIES | 0:45:21 | 0:45:24 | |
Watch out! | 0:45:24 | 0:45:25 | |
DRUMS BEAT | 0:45:28 | 0:45:30 | |
MEN CHANT | 0:45:30 | 0:45:33 | |
HE SPEAKS IN NATIVE TONGUE | 0:45:42 | 0:45:45 | |
HE SPEAKS IN NATIVE TONGUE | 0:45:59 | 0:46:02 | |
Abou Fatma. | 0:46:33 | 0:46:34 | |
My name is Abou Fatma. | 0:46:37 | 0:46:41 | |
Vedu. | 0:46:41 | 0:46:43 | |
I was a scout for General Hicks. HARRY EXCLAIMS IN ARABIC | 0:46:43 | 0:46:47 | |
There are many in this camp who serve the Mahdi. | 0:46:49 | 0:46:52 | |
When they find out there's a British spy amongst them, | 0:46:52 | 0:46:56 | |
watching them, they'll kill him. | 0:46:56 | 0:46:59 | |
It won't be long... | 0:46:59 | 0:47:01 | |
Vedu. | 0:47:01 | 0:47:02 | |
Why would you warn me? | 0:47:13 | 0:47:14 | |
For money. | 0:47:19 | 0:47:20 | |
I can't pay you. | 0:47:20 | 0:47:21 | |
What's the feather for? | 0:47:24 | 0:47:25 | |
First time I killed a man. | 0:47:31 | 0:47:33 | |
Five men. | 0:47:38 | 0:47:39 | |
Wait. | 0:47:39 | 0:47:41 | |
Ten men. | 0:47:46 | 0:47:48 | |
This... | 0:47:48 | 0:47:49 | |
I will wear soon. | 0:47:49 | 0:47:52 | |
I'm a good soldier. | 0:47:55 | 0:47:57 | |
I...will protect you. | 0:47:58 | 0:48:01 | |
MEN CHANT, MUSIC PLAYS | 0:48:01 | 0:48:04 | |
MUSIC CONTINUES | 0:48:04 | 0:48:06 | |
WHISTLE BLOWS | 0:48:06 | 0:48:08 | |
Who did this?! | 0:48:17 | 0:48:18 | |
Who did this?! | 0:48:18 | 0:48:20 | |
Who did this?! | 0:48:22 | 0:48:24 | |
Who did this?! | 0:48:31 | 0:48:33 | |
Why would a British spy be hiding from his own soldiers? | 0:49:07 | 0:49:10 | |
I'm not a spy. | 0:49:10 | 0:49:11 | |
HORSE WHINNIES | 0:50:05 | 0:50:07 | |
Is that the same letter you read over and over again, | 0:50:07 | 0:50:09 | |
or do you get a different one each day? | 0:50:09 | 0:50:11 | |
He writes them to himself. | 0:50:14 | 0:50:16 | |
Read us a line. | 0:50:17 | 0:50:18 | |
Read your own. | 0:50:18 | 0:50:20 | |
Don't be so coy. You're amongst friends. | 0:50:20 | 0:50:23 | |
Come on, Jack, you can trust us. | 0:50:23 | 0:50:26 | |
"I'm so glad I came to hear you speak that day in London." | 0:50:34 | 0:50:38 | |
Come on, more than that! | 0:50:39 | 0:50:42 | |
Don't leave us hanging on - elaborate. | 0:50:42 | 0:50:45 | |
"It made me realise how much your friendship means to me. | 0:50:51 | 0:50:54 | |
"Come back safely and soon... | 0:50:54 | 0:50:58 | |
"..my dearest Jack." | 0:51:01 | 0:51:04 | |
Ooh! | 0:51:07 | 0:51:09 | |
Well, well, "My dearest Jack!" Who's the lucky lady? | 0:51:09 | 0:51:12 | |
Ethne. | 0:51:12 | 0:51:14 | |
I'm going to ask her to marry me. | 0:51:16 | 0:51:19 | |
Congratulations, Jack. That's fantastic, Jack. | 0:51:35 | 0:51:37 | |
She hasn't said yes. | 0:51:37 | 0:51:39 | |
Aah, she will. | 0:51:39 | 0:51:41 | |
HE MIMICS: "I realise how much I bloody love you." | 0:51:41 | 0:51:43 | |
"How much your friendship means to me." | 0:51:43 | 0:51:45 | |
Same thing. | 0:51:45 | 0:51:47 | |
Cheers, Jack. | 0:51:48 | 0:51:49 | |
Congratulations, Jack. | 0:51:53 | 0:51:55 | |
WIND HOWLS | 0:51:58 | 0:52:01 | |
CAMEL BELLOWS | 0:52:05 | 0:52:07 | |
WHISTLE BLOWS | 0:52:15 | 0:52:17 | |
ABOU: They look like the Mahdi's men. | 0:52:17 | 0:52:19 | |
I need to find out where he's going. | 0:52:19 | 0:52:21 | |
Deserters, sir. | 0:52:23 | 0:52:25 | |
Corporal, cease fire! | 0:52:35 | 0:52:38 | |
Harry. | 0:52:44 | 0:52:45 | |
Looks like they've stopped for the night. | 0:52:55 | 0:52:57 | |
Why is it so important to follow them? | 0:53:03 | 0:53:05 | |
The Mahdi spies will report on our troop movements. | 0:53:05 | 0:53:08 | |
Not the spies... | 0:53:08 | 0:53:09 | |
..your friends. | 0:53:11 | 0:53:13 | |
To help them...if I can. | 0:53:17 | 0:53:20 | |
Are you a deserter? | 0:53:27 | 0:53:29 | |
Something like that. | 0:53:34 | 0:53:36 | |
I was sent to fight and I ran away. | 0:53:41 | 0:53:44 | |
Why? | 0:53:47 | 0:53:49 | |
Why? | 0:53:50 | 0:53:51 | |
Well... | 0:53:54 | 0:53:56 | |
..I just... | 0:53:57 | 0:53:59 | |
There are many reasons why. | 0:54:01 | 0:54:03 | |
Mostly, I was afraid. | 0:54:09 | 0:54:11 | |
ABOU CHUCKLES | 0:54:23 | 0:54:25 | |
I found you half dead... crossing the desert alone. | 0:54:28 | 0:54:32 | |
You say you are afraid? | 0:54:32 | 0:54:35 | |
It's a different kind of fear. | 0:54:45 | 0:54:46 | |
Why are you protecting me? | 0:54:55 | 0:54:58 | |
God put you in my way. | 0:55:00 | 0:55:03 | |
I have no choice. | 0:55:03 | 0:55:05 | |
God? | 0:55:05 | 0:55:07 | |
Hmm. | 0:55:12 | 0:55:13 | |
An Englishman...and a Christian. | 0:55:13 | 0:55:17 | |
You must've done something terrible to offend him! | 0:55:20 | 0:55:23 | |
HARRY LAUGHS | 0:55:23 | 0:55:25 | |
ABOU LAUGHS WEAKLY | 0:55:28 | 0:55:31 | |
You laugh like an Englishman. | 0:55:31 | 0:55:34 | |
HARRY CLEARS HIS THROAT And how does an Englishman laugh? | 0:55:36 | 0:55:40 | |
ABOU LAUGHS AFFECTEDLY | 0:55:41 | 0:55:44 | |
LAUGHING CONTINUES | 0:55:48 | 0:55:51 | |
Abou... | 0:56:04 | 0:56:06 | |
they're leaving! | 0:56:06 | 0:56:07 | |
They're getting away. | 0:56:09 | 0:56:11 | |
We can't lose them! | 0:56:12 | 0:56:14 | |
All right, I'll... | 0:56:22 | 0:56:25 | |
I'll just sit here and wait for you. | 0:56:25 | 0:56:27 | |
Take your time. | 0:56:28 | 0:56:30 | |
Oh. | 0:56:34 | 0:56:35 | |
HORNS PLAY | 0:56:41 | 0:56:43 | |
That is the fortress of Abou Clea. | 0:57:01 | 0:57:04 | |
The British reinforcements are stationed there. | 0:57:04 | 0:57:07 | |
Why would the spies be going to a British fort? | 0:57:07 | 0:57:11 | |
ULULATING AND SHOUTING | 0:57:46 | 0:57:48 | |
SHOUTING GETS LOUDER | 0:57:48 | 0:57:51 | |
ABOU: The fort has been taken over by the Mahdi's army. | 0:58:20 | 0:58:23 | |
HARRY: But this is where our troops are heading. | 0:58:25 | 0:58:28 | |
YELLING | 0:58:37 | 0:58:39 | |
MAN SHOUTS IN NATIVE LANGUAGE | 0:58:52 | 0:58:55 | |
Abou! Warn my friends. | 0:58:57 | 0:58:59 | |
ABOU SHOUTS | 0:58:59 | 0:59:02 | |
MAN YELLS AN INSTRUCTION | 0:59:47 | 0:59:49 | |
BIRDS SCREECH OVERHEAD | 0:59:58 | 1:00:01 | |
Company, halt! | 1:00:12 | 1:00:15 | |
Company, halt! | 1:00:15 | 1:00:16 | |
Company, halt! | 1:00:16 | 1:00:18 | |
Hah! Hah! | 1:00:19 | 1:00:21 | |
HORSES NEIGH | 1:00:23 | 1:00:25 | |
Hyah. | 1:00:25 | 1:00:26 | |
Whoa! | 1:00:26 | 1:00:28 | |
HORSE SNORTS | 1:00:28 | 1:00:31 | |
DOGS BARK | 1:00:31 | 1:00:33 | |
HORSES WHINNY FRANTICALLY | 1:00:35 | 1:00:39 | |
God... | 1:00:40 | 1:00:42 | |
Hyah! Hyah! | 1:00:46 | 1:00:48 | |
Mr Trench! | 1:00:48 | 1:00:50 | |
William! | 1:00:50 | 1:00:50 | |
TRENCH: Get away from them! Leave them alone! You filthy... | 1:00:51 | 1:00:54 | |
Sir? You leave these bloody men alone! | 1:00:54 | 1:00:59 | |
TRENCH: Come back here! | 1:00:59 | 1:01:00 | |
DOGS YELP | 1:01:00 | 1:01:01 | |
HE RETCHES | 1:01:10 | 1:01:12 | |
Sir. | 1:01:33 | 1:01:34 | |
The Egyptians have captured an enemy scout. | 1:01:34 | 1:01:37 | |
Where did you find this man? | 1:01:43 | 1:01:44 | |
I came to you myself. | 1:01:44 | 1:01:46 | |
The Mahdi's men have captured your fort at Abou Clea. | 1:01:46 | 1:01:49 | |
This man is lying, sir. He's the one who stole the camels... | 1:01:49 | 1:01:52 | |
They will attack you here! | 1:01:52 | 1:01:53 | |
Tell him a British garrison would never fall to the Mahdi savages! | 1:01:57 | 1:02:02 | |
Ask him if he knows the penalty for being a spy. | 1:02:03 | 1:02:06 | |
I'm not a spy. | 1:02:06 | 1:02:08 | |
The Mahdi's men have left these bodies to keep you here. | 1:02:08 | 1:02:11 | |
Tell him I'll bury him alive if he speaks another word of English! | 1:02:11 | 1:02:13 | |
TRANSLATOR SPEAKS NATIVE LANGUAGE Ask who sent him here and why. | 1:02:13 | 1:02:17 | |
TRANSLATOR ASKS | 1:02:17 | 1:02:19 | |
HE SPEAKS IN NATIVE TONGUE | 1:02:24 | 1:02:27 | |
He says a British officer sent him, sir. | 1:02:27 | 1:02:29 | |
A general, no doubt. What was his name? | 1:02:29 | 1:02:31 | |
TRANSLATOR ASKS | 1:02:31 | 1:02:35 | |
Come here, son. I'll show you a British officer. | 1:02:40 | 1:02:42 | |
This is a British officer! | 1:02:42 | 1:02:45 | |
And this...is a British officer's blood. | 1:02:45 | 1:02:47 | |
Now lick it up... every bloody drop! | 1:02:47 | 1:02:50 | |
ABOU GRUNTS | 1:02:50 | 1:02:52 | |
Look! Don't be rash! | 1:02:56 | 1:02:58 | |
Take him away. Find out why the enemy sent him. | 1:02:58 | 1:03:01 | |
Use any means necessary. | 1:03:01 | 1:03:03 | |
The Muslims always bury their dead, even the enemy dead. | 1:03:03 | 1:03:05 | |
These bodies have been left here for a reason! | 1:03:05 | 1:03:08 | |
Come on, you! | 1:03:10 | 1:03:11 | |
Look, I think you should tell Hamilton. | 1:03:14 | 1:03:15 | |
I agree, Tom. | 1:03:16 | 1:03:17 | |
What for? | 1:03:17 | 1:03:19 | |
As a precaution, Tom. | 1:03:24 | 1:03:25 | |
This man was trying to mislead us. | 1:03:26 | 1:03:29 | |
I've made my decision. | 1:03:30 | 1:03:32 | |
I'm not going to waste the colonel's time by sending some half-naked savage to him with a tall tale. | 1:03:32 | 1:03:38 | |
WHIP SNAPS | 1:03:44 | 1:03:46 | |
ABOU SCREAMS | 1:03:54 | 1:03:56 | |
WOMEN ULULATE | 1:03:56 | 1:03:59 | |
What is it, Jack? | 1:04:05 | 1:04:07 | |
There's something up. | 1:04:07 | 1:04:10 | |
Thou God, who reigneth over all the earth, | 1:04:10 | 1:04:14 | |
who art the Lord of all our salvation, | 1:04:14 | 1:04:18 | |
give Your ear unto my prayer. | 1:04:18 | 1:04:20 | |
CHANTING: Allah uh akbar! | 1:04:20 | 1:04:22 | |
For Thou art greater than the common man. | 1:04:24 | 1:04:27 | |
Everything is as You wish it. Everything is as You will it. | 1:04:27 | 1:04:31 | |
If what we're doing is just... | 1:04:32 | 1:04:35 | |
..then give us the strength to serve You... | 1:04:36 | 1:04:39 | |
for that which I greatly feared has come upon me... | 1:04:39 | 1:04:41 | |
..and that which I was afraid of is come unto me. | 1:04:43 | 1:04:47 | |
Form a line. First company... | 1:04:55 | 1:04:57 | |
a section, if you please. | 1:04:57 | 1:04:58 | |
BUGLE PLAYS A CALL TO ARMS | 1:04:58 | 1:05:01 | |
One section will fix bayonets. | 1:05:04 | 1:05:06 | |
Fix! | 1:05:06 | 1:05:07 | |
Ready! | 1:05:12 | 1:05:14 | |
Present! | 1:05:14 | 1:05:15 | |
HORSE NEIGHS | 1:05:17 | 1:05:19 | |
Fire. Fire. | 1:05:19 | 1:05:20 | |
Fire! | 1:05:20 | 1:05:21 | |
Reload! | 1:05:21 | 1:05:22 | |
100 yards! | 1:05:26 | 1:05:27 | |
Present! | 1:05:27 | 1:05:29 | |
They're not armed, sir. | 1:05:29 | 1:05:30 | |
Fire. Fire. | 1:05:30 | 1:05:31 | |
Fire! | 1:05:31 | 1:05:32 | |
TRENCH: What in God's name are they doing? | 1:05:38 | 1:05:41 | |
Present! | 1:05:43 | 1:05:43 | |
Fire. Fire. Fire! | 1:05:47 | 1:05:50 | |
50 yards! | 1:05:54 | 1:05:55 | |
Present! | 1:05:56 | 1:05:57 | |
Fire. Fire. | 1:06:02 | 1:06:05 | |
Fire! | 1:06:05 | 1:06:06 | |
Thank you, Mr Willoughby Thank you, Sergeant. | 3:00:00 | 3:00:01 | |
Order...up! | 3:00:03 | 3:00:05 | |
Soldier...arm! | 3:00:07 | 3:00:10 | |
Left turn. | 3:00:10 | 3:00:13 | |
Left, right, left! | 3:00:13 | 3:00:16 | |
DISTANT ULULATING | 3:00:25 | 3:00:28 | |
ULULATING GROWS LOUDER | 3:00:34 | 3:00:36 | |
CAMELS GRUNT | 3:00:36 | 3:00:38 | |
THUNDERING HOOVES APPROACH | 3:00:43 | 3:00:46 | |
Form a square! | 3:00:47 | 3:00:49 | |
Form a square! | 3:00:49 | 3:00:51 | |
BUGLE PLAYS | 3:00:51 | 3:00:53 | |
SHOUTING | 3:00:57 | 3:00:59 | |
Form a square! | 3:01:19 | 3:01:21 | |
Bring over those camels! Line them up! | 3:01:21 | 3:01:23 | |
HORSE NEIGHS | 3:01:23 | 3:01:24 | |
Quickly now, take positions! | 3:01:24 | 3:01:26 | |
Number three section, fall in! | 3:01:31 | 3:01:33 | |
INDISTINCT SHOUTING | 3:01:33 | 3:01:36 | |
Steady. | 3:01:40 | 3:01:41 | |
Steady, boys, steady! | 3:01:41 | 3:01:44 | |
Be calm. | 3:01:44 | 3:01:46 | |
Nice and calm. | 3:01:48 | 3:01:50 | |
Be nice and calm. | 3:01:55 | 3:01:58 | |
SHOUTING | 3:01:58 | 3:02:00 | |
Battalion prepare the cavalry, Mr Willoughby. | 3:02:00 | 3:02:02 | |
Battalion, prepare the cavalry. | 3:02:02 | 3:02:03 | |
Make way for the cavalry! | 3:02:03 | 3:02:06 | |
SHOUTING | 3:02:07 | 3:02:09 | |
Number one company, prepare for volley. | 3:02:09 | 3:02:11 | |
Number one company, two rounds volley fire! | 3:02:11 | 3:02:13 | |
Number one company... | 3:02:13 | 3:02:15 | |
two rounds volley fire! | 3:02:15 | 3:02:18 | |
Steady on the right, Mr Castleton! | 3:02:21 | 3:02:23 | |
Pick your targets! | 3:02:28 | 3:02:30 | |
Fire! | 3:02:45 | 3:02:47 | |
HORSES WHINNY | 3:02:48 | 3:02:50 | |
Fire! | 3:02:50 | 3:02:51 | |
Fire! | 3:02:51 | 3:02:53 | |
Fire! | 3:02:53 | 3:02:55 | |
Hold the line! | 3:02:56 | 3:02:59 | |
Fire! | 3:03:03 | 3:03:04 | |
< Steady, Number Two Company. | 3:03:10 | 3:03:12 | |
Sir, we're being attacked from behind, sir! | 3:03:13 | 3:03:15 | |
Close in on the right, Castleton! | 3:03:19 | 3:03:21 | |
Officers to the front! | 3:03:22 | 3:03:25 | |
INDISTINCT ORDER | 3:03:25 | 3:03:26 | |
Present... | 3:03:26 | 3:03:28 | |
aim... | 3:03:28 | 3:03:29 | |
Castleton! | 3:03:29 | 3:03:32 | |
..fire! | 3:03:32 | 3:03:32 | |
Fire! | 3:03:35 | 3:03:37 | |
Fire! | 3:03:42 | 3:03:43 | |
Keep your horses a target! | 3:03:49 | 3:03:51 | |
Hold this line! | 3:03:51 | 3:03:53 | |
BUGLE PLAYS | 3:04:05 | 3:04:07 | |
The British Cavalry, sir! | 3:04:07 | 3:04:08 | |
They're retreating! | 3:04:10 | 3:04:12 | |
They're running! | 3:04:14 | 3:04:16 | |
All right, men, cease fire! | 3:04:17 | 3:04:19 | |
Cease fire! | 3:04:19 | 3:04:21 | |
Cease fire! | 3:04:22 | 3:04:24 | |
Congratulations, sir. | 3:04:24 | 3:04:25 | |
Battle's not over yet. | 3:04:25 | 3:04:26 | |
Yes! | 3:04:26 | 3:04:28 | |
We saw 'em off, lads! | 3:04:28 | 3:04:30 | |
Send out the skirmishers, Mr Willoughby. | 3:04:30 | 3:04:32 | |
Send out the skirmishers! | 3:04:32 | 3:04:33 | |
Well done, four section! | 3:04:33 | 3:04:35 | |
Vicar! | 3:04:35 | 3:04:36 | |
Come on, Vicar! | 3:04:36 | 3:04:38 | |
Vicar, come on! | 3:04:38 | 3:04:39 | |
BUGLE PLAYS | 3:04:39 | 3:04:41 | |
YELLING | 3:04:44 | 3:04:48 | |
Close the square! | 3:04:54 | 3:04:56 | |
Close the square! | 3:04:56 | 3:04:57 | |
Charge! | 3:05:03 | 3:05:05 | |
Deliver me from blood guiltiness, oh, God. | 3:05:32 | 3:05:34 | |
It's not the British! It's the Mahdi! | 3:06:12 | 3:06:16 | |
YELLING | 3:06:16 | 3:06:18 | |
Agh... | 3:06:20 | 3:06:22 | |
Get back! | 3:06:22 | 3:06:24 | |
Volley fire, if you please, Mr Willoughby! | 3:06:48 | 3:06:50 | |
The skirmishers, sir? | 3:06:50 | 3:06:52 | |
Hold this square at all costs, Mr Willoughby! | 3:06:52 | 3:06:55 | |
Get back to the square! Get back to the square! | 3:06:57 | 3:07:00 | |
Get back to the square! Go! | 3:07:01 | 3:07:04 | |
Get back to the square! Go! Go! | 3:07:04 | 3:07:08 | |
Vicar! | 3:07:08 | 3:07:10 | |
..My sins ever before me... | 3:07:10 | 3:07:12 | |
Volley fire, Mr Willoughby! | 3:07:12 | 3:07:14 | |
Now! | 3:07:14 | 3:07:15 | |
HE WHIMPERING | 3:07:17 | 3:07:20 | |
Mr Willoughby, I gave you a direct order! | 3:07:20 | 3:07:22 | |
Castleton! | 3:07:24 | 3:07:25 | |
Save me from my sins! | 3:07:32 | 3:07:34 | |
Vicar, get back to the square! | 3:07:37 | 3:07:40 | |
Go on, Trench! go on! Run! | 3:07:58 | 3:08:00 | |
Present... | 3:08:02 | 3:08:03 | |
Fire! | 3:08:07 | 3:08:09 | |
Don't shoot! | 3:08:13 | 3:08:14 | |
Vicar! | 3:08:18 | 3:08:20 | |
Close the square! | 3:08:32 | 3:08:34 | |
Mr Willoughby... | 3:08:34 | 3:08:36 | |
HE GROANS | 3:08:37 | 3:08:40 | |
HE SCREAMS | 3:08:47 | 3:08:49 | |
Jack... | 3:08:52 | 3:08:56 | |
What are your orders, sir? | 3:08:59 | 3:09:01 | |
Sir! | 3:09:01 | 3:09:02 | |
Sound the retreat! | 3:09:04 | 3:09:06 | |
BUGLE PLAYS | 3:09:06 | 3:09:08 | |
HE GRUNTS | 3:09:40 | 3:09:41 | |
"My dear Jack..." | 3:11:15 | 3:11:17 | |
HE MUMBLES | 3:11:17 | 3:11:20 | |
HE SIGHS | 3:11:58 | 3:12:00 | |
Uh... | 3:12:00 | 3:12:01 | |
I'm a fool. | 3:12:10 | 3:12:12 | |
I was a fool | 3:12:21 | 3:12:23 | |
to think that I could ever go back home. | 3:12:23 | 3:12:26 | |
I can't. | 3:12:28 | 3:12:30 | |
< COUGHING | 3:12:30 | 3:12:32 | |
HE COUGHS | 3:12:32 | 3:12:35 | |
INDISTINCT SHOUTING | 3:12:38 | 3:12:41 | |
Your friend needs help. | 3:12:41 | 3:12:43 | |
My friend knows how to help himself. | 3:12:43 | 3:12:46 | |
I can't see. | 3:12:46 | 3:12:49 | |
HE MOANS | 3:12:54 | 3:12:56 | |
I can't see. > | 3:12:56 | 3:13:00 | |
I can't see! | 3:13:17 | 3:13:18 | |
Oh! Don't! | 3:13:24 | 3:13:26 | |
Don't! Don't! Don't... | 3:13:26 | 3:13:28 | |
Who are you? | 3:13:29 | 3:13:31 | |
I have letters. | 3:13:31 | 3:13:32 | |
HE GROANS | 3:13:41 | 3:13:43 | |
Oh... | 3:13:51 | 3:13:53 | |
Who are you? | 3:14:01 | 3:14:02 | |
I can't see. | 3:14:09 | 3:14:10 | |
I can't see. | 3:14:10 | 3:14:12 | |
Shh. | 3:14:12 | 3:14:13 | |
HE SOBS | 3:14:13 | 3:14:15 | |
I can't see. | 3:14:15 | 3:14:17 | |
Shh. | 3:14:19 | 3:14:21 | |
SOBS BECOME LOUDER | 3:14:21 | 3:14:24 | |
Shh. Shh... | 3:14:24 | 3:14:26 | |
Hello, Jack. | 3:15:06 | 3:15:08 | |
Ethne. | 3:15:08 | 3:15:11 | |
How are you? | 3:15:21 | 3:15:23 | |
'I wanted to ask your advice, General. | 3:15:35 | 3:15:38 | |
'My advice? | 3:15:38 | 3:15:41 | |
Jack Durrance has... has asked me to marry him. | 3:15:41 | 3:15:45 | |
You don't need my advice. | 3:15:47 | 3:15:49 | |
Jack Durrance is a good man. | 3:15:49 | 3:15:52 | |
I haven't answered him yet. | 3:15:56 | 3:15:58 | |
I was wondering if you'd heard from Harry. | 3:16:05 | 3:16:08 | |
I've heard nothing | 3:16:09 | 3:16:11 | |
and, er... | 3:16:11 | 3:16:15 | |
I don't think I shall hear from him again. | 3:16:15 | 3:16:17 | |
I should've listened. | 3:16:21 | 3:16:25 | |
I miss him. | 3:16:27 | 3:16:29 | |
My son loved Jack Durrance like a brother. | 3:16:29 | 3:16:34 | |
I know he'd want you to be happy. | 3:16:34 | 3:16:38 | |
A few more weeks and he'll be able to ride without help. | 3:16:41 | 3:16:44 | |
Will that be the end of your penance? | 3:16:44 | 3:16:48 | |
THUNDER RUMBLES | 3:16:54 | 3:16:56 | |
Jack. | 3:16:58 | 3:17:00 | |
Oh-ho-ho-ho. | 3:17:00 | 3:17:01 | |
Not bad. | 3:17:01 | 3:17:03 | |
You should see me on a camel. | 3:17:03 | 3:17:06 | |
SHE LAUGHS | 3:17:06 | 3:17:07 | |
Lavender... | 3:17:10 | 3:17:12 | |
and onions. | 3:17:12 | 3:17:13 | |
Sunday lunch. | 3:17:13 | 3:17:15 | |
Take the horse | 3:17:15 | 3:17:17 | |
to the stables and you can have some. | 3:17:17 | 3:17:19 | |
Thank you, Robert, it's quite all right. | 3:17:36 | 3:17:38 | |
It's me, Jack. | 3:17:38 | 3:17:40 | |
Tom. | 3:17:43 | 3:17:45 | |
HE CHUCKLES | 3:17:59 | 3:18:01 | |
They finally made you captain, Miss Willoughby(!) | 3:18:04 | 3:18:07 | |
All those decorations. | 3:18:07 | 3:18:11 | |
You must have a few, yourself. | 3:18:12 | 3:18:14 | |
How'd you know I was visiting today? | 3:18:14 | 3:18:16 | |
I, er... | 3:18:16 | 3:18:17 | |
I saw Harry, Jack. | 3:18:23 | 3:18:25 | |
Where? | 3:18:31 | 3:18:32 | |
In the Sudan. | 3:18:33 | 3:18:35 | |
I was following our retreat. | 3:18:39 | 3:18:42 | |
We had a terrible time of it. | 3:18:42 | 3:18:43 | |
The enemy hounded us all the way. | 3:18:43 | 3:18:45 | |
The desert itself seemed to side with them. | 3:18:45 | 3:18:48 | |
We ran out of water, medical supplies... | 3:18:48 | 3:18:51 | |
even had to leave stragglers behind. | 3:18:51 | 3:18:53 | |
We lost more men on that retreat than we did at the battle. | 3:18:53 | 3:18:57 | |
Get out! | 3:19:00 | 3:19:02 | |
Didn't you hear what I said? Get out, or I'll have you whipped, you filthy wog! | 3:19:04 | 3:19:09 | |
Like you had my friend whipped? | 3:19:09 | 3:19:10 | |
Harry? | 3:19:17 | 3:19:19 | |
I sent a man to warn you | 3:19:21 | 3:19:23 | |
and you had him tortured for his pains. | 3:19:23 | 3:19:26 | |
I... | 3:19:29 | 3:19:30 | |
What would it have cost to listen? | 3:19:33 | 3:19:35 | |
I didn't know it was you. | 3:19:35 | 3:19:36 | |
You should've taken precautions, Tom. | 3:19:36 | 3:19:38 | |
I didn't know it was you. | 3:19:38 | 3:19:39 | |
For God's sake, what are you doing here? | 3:19:41 | 3:19:45 | |
JACK: And afterwards? | 3:20:02 | 3:20:03 | |
He, er...he asked me for some money and left. | 3:20:03 | 3:20:08 | |
To come back? | 3:20:08 | 3:20:09 | |
No. | 3:20:09 | 3:20:11 | |
No, there was a rumour going around | 3:20:11 | 3:20:14 | |
that some of our surviving soldiers | 3:20:14 | 3:20:16 | |
had been captured and taken to prison. | 3:20:16 | 3:20:18 | |
Harry thought Trench might be one of them. | 3:20:18 | 3:20:20 | |
He went after him? | 3:20:20 | 3:20:22 | |
I tried to stop him, Jack. | 3:20:22 | 3:20:23 | |
I told him they were only rumours, | 3:20:23 | 3:20:25 | |
that the chances of survival were...virtually none. | 3:20:25 | 3:20:29 | |
He wouldn't listen. | 3:20:29 | 3:20:31 | |
Did you come here to tell Ethne Harry was dead? | 3:20:31 | 3:20:36 | |
I don't know that he's dead, Jack. | 3:20:36 | 3:20:38 | |
So you've come to give her hope? | 3:20:38 | 3:20:40 | |
What would you do in my place? | 3:20:41 | 3:20:43 | |
Keep it to myself, Tom, | 3:20:43 | 3:20:46 | |
until I was sure. | 3:20:46 | 3:20:49 | |
HE SPEAKS IN NATIVE LANGUAGE | 3:20:51 | 3:20:53 | |
What did he say? | 3:21:06 | 3:21:08 | |
Your friend is dead. | 3:21:08 | 3:21:09 | |
I saw Trench taken alive. | 3:21:09 | 3:21:12 | |
Prisoners were taken to Omdurman last month. | 3:21:12 | 3:21:15 | |
Your army abandoned them. | 3:21:15 | 3:21:16 | |
The shame is no longer yours. | 3:21:16 | 3:21:18 | |
You're responsible to yourself and to God, | 3:21:18 | 3:21:21 | |
not to them. | 3:21:21 | 3:21:23 | |
I am responsible to my friend. | 3:21:24 | 3:21:26 | |
I will find him. | 3:21:26 | 3:21:28 | |
You have learned nothing. | 3:21:28 | 3:21:29 | |
You've done enough. | 3:21:29 | 3:21:30 | |
It's never enough, Abou. | 3:21:30 | 3:21:31 | |
Look, if the Mahdi's men find out I'm British, | 3:21:31 | 3:21:34 | |
they'll take me to their prison. | 3:21:34 | 3:21:35 | |
It's the only way I'll find my friend. | 3:21:35 | 3:21:37 | |
They will hang you. | 3:21:37 | 3:21:39 | |
Abou, you must | 3:21:39 | 3:21:39 | |
help me get into the prison. | 3:21:39 | 3:21:41 | |
I will not be responsible for your death. | 3:21:41 | 3:21:43 | |
How could you be responsible for my death? | 3:21:43 | 3:21:48 | |
I will die if it is God's will. | 3:21:52 | 3:21:54 | |
Yes? | 3:21:55 | 3:21:58 | |
You English walk too proudly on the Earth. | 3:22:00 | 3:22:03 | |
You are a fool... | 3:22:10 | 3:22:12 | |
..my friend. | 3:22:15 | 3:22:16 | |
HE MOANS | 3:22:24 | 3:22:26 | |
HE SHOUTS IN NATIVE LANGUAGE | 3:22:26 | 3:22:28 | |
Trench... | 3:22:47 | 3:22:49 | |
Trench! | 3:22:50 | 3:22:52 | |
Trench! Trench! | 3:22:53 | 3:22:56 | |
HE GROANS | 3:22:59 | 3:23:02 | |
Trench! | 3:23:02 | 3:23:03 | |
Trench! | 3:23:07 | 3:23:08 | |
Ibrahim! | 3:23:21 | 3:23:22 | |
Trench! | 3:23:22 | 3:23:23 | |
Don't lose our space! | 3:23:23 | 3:23:25 | |
Come on, son. You mustn't fall. | 3:23:27 | 3:23:29 | |
You mustn't fall. | 3:23:30 | 3:23:32 | |
All right? | 3:23:36 | 3:23:37 | |
Harry? | 3:23:48 | 3:23:50 | |
HE SHOUTS IN NATIVE LANGUAGE | 3:23:50 | 3:23:53 | |
Harry... | 3:23:59 | 3:24:01 | |
if you didn't come with the Army, then who sent you? | 3:24:01 | 3:24:04 | |
You did. | 3:24:06 | 3:24:08 | |
HE LAUGHS | 3:24:18 | 3:24:20 | |
All this way... for a feather. | 3:24:22 | 3:24:26 | |
I brought some money. | 3:24:27 | 3:24:29 | |
How much? | 3:24:34 | 3:24:35 | |
A hundred. | 3:24:35 | 3:24:37 | |
Hundred? | 3:24:40 | 3:24:43 | |
What's going on? | 3:24:52 | 3:24:53 | |
Who are those women? | 3:24:53 | 3:24:55 | |
They're all relatives of the men in here. | 3:24:55 | 3:24:59 | |
They bring them scraps of food. | 3:24:59 | 3:25:01 | |
Let's see if we can get you something to eat. | 3:25:01 | 3:25:04 | |
SHOUTING | 3:25:04 | 3:25:06 | |
What can we do with this money? | 3:25:06 | 3:25:08 | |
Well, there's no chance of bribing Idris. | 3:25:08 | 3:25:11 | |
His entire family was wiped out by one of our artillery attacks. | 3:25:11 | 3:25:15 | |
Now, Hassan, on the other hand, is infinitely corruptible. | 3:25:17 | 3:25:21 | |
For 100 Dirhams, he'll either help us escape... | 3:25:21 | 3:25:25 | |
or stab us in the back and keep the money. I'll see if I can talk to him. | 3:25:25 | 3:25:30 | |
The first thing I do when I get back | 3:25:30 | 3:25:32 | |
is book a table at Wilton's, a private room. | 3:25:32 | 3:25:36 | |
No bloody crowds. | 3:25:36 | 3:25:37 | |
Two pints of stout, please, guv'nor! | 3:25:37 | 3:25:42 | |
Not long now, Harry! | 3:25:42 | 3:25:44 | |
Not long now! | 3:25:44 | 3:25:45 | |
MAN SHOUTS, WHIP CRACKS | 3:25:59 | 3:26:01 | |
Trench. | 3:26:03 | 3:26:05 | |
Please, Trench, get up. Trench, come on. | 3:26:05 | 3:26:08 | |
HE SPEAKS IN NATIVE LANGUAGE | 3:26:08 | 3:26:10 | |
THEY ALL SHOUT | 3:27:30 | 3:27:31 | |
HE SCREAMS | 3:27:39 | 3:27:43 | |
HE YELLS | 3:27:43 | 3:27:45 | |
HE SHOUTS IN NATIVE LANGUAGE | 3:27:56 | 3:27:59 | |
HE GRUNTS | 3:28:03 | 3:28:06 | |
HE GROANS | 3:28:06 | 3:28:08 | |
HARRY SPEAKS IN NATIVE LANGUAGE | 3:28:12 | 3:28:16 | |
HE SHOUTS IN NATIVE LANGUAGE | 3:28:27 | 3:28:30 | |
HE SOBS | 3:28:34 | 3:28:36 | |
I have some money. | 3:29:41 | 3:29:42 | |
Money's no good for me. | 3:29:42 | 3:29:44 | |
I can't bribe the guards any more. | 3:29:47 | 3:29:51 | |
I have nothing left to lose... | 3:29:53 | 3:29:55 | |
..nothing left to live for... | 3:29:58 | 3:30:00 | |
But still, I'm frightened. | 3:30:03 | 3:30:05 | |
Fear always remains. | 3:30:22 | 3:30:24 | |
Pray for me, Abou. | 3:30:27 | 3:30:28 | |
Take as long as you like. | 3:30:30 | 3:30:32 | |
HE SOBS | 3:30:40 | 3:30:43 | |
I don't walk too proudly now. | 3:30:46 | 3:30:49 | |
(Stop.) | 3:30:59 | 3:31:01 | |
Have some food. | 3:31:11 | 3:31:12 | |
You're looking better. | 3:31:15 | 3:31:18 | |
You may not feel it, but you look it. | 3:31:19 | 3:31:21 | |
When I get better, will I look as bad as you? | 3:31:21 | 3:31:24 | |
We'll get you through this, Trench. | 3:31:25 | 3:31:27 | |
I don't want to get through this, Harry. | 3:31:29 | 3:31:32 | |
I don't think I can take it any more. | 3:31:34 | 3:31:36 | |
HE CHUCKLES | 3:31:36 | 3:31:38 | |
I had a visitor today. | 3:31:42 | 3:31:44 | |
He brought us a gift. | 3:31:45 | 3:31:47 | |
The poison will take a few hours to work. | 3:32:00 | 3:32:02 | |
You won't feel any pain. | 3:32:04 | 3:32:06 | |
That'll make a change. | 3:32:06 | 3:32:07 | |
Careful. | 3:32:13 | 3:32:14 | |
I didn't mean to be a pig about it. | 3:32:14 | 3:32:17 | |
How about we give them one last night of hell? | 3:32:20 | 3:32:23 | |
I'll drink to that! | 3:32:23 | 3:32:25 | |
THEY BOTH SCREAM | 3:32:25 | 3:32:28 | |
EVERYONE SCREAMS | 3:32:28 | 3:32:31 | |
MAN SHOUTS IN NATIVE LANGUAGE | 3:32:36 | 3:32:39 | |
SHOUTING CONTINUES | 3:32:52 | 3:32:55 | |
FLIES BUZZ | 3:33:25 | 3:33:27 | |
CHAINS CLANK, MEN MUMBLE | 3:33:29 | 3:33:31 | |
IN NATIVE LANGUAGE | 3:33:45 | 3:33:47 | |
FLIES BUZZ | 3:34:32 | 3:34:34 | |
CAMEL BRAYS | 3:34:46 | 3:34:49 | |
HE GASPS | 3:35:00 | 3:35:03 | |
Oh, Trench... | 3:35:03 | 3:35:04 | |
I can't feel anything in my legs. | 3:35:04 | 3:35:08 | |
The poison has paralysed your body. | 3:35:08 | 3:35:10 | |
It'll wear off soon. | 3:35:10 | 3:35:12 | |
I thought it was supposed to kill me. | 3:35:12 | 3:35:14 | |
Only for a while. | 3:35:14 | 3:35:16 | |
You mean, you knew? | 3:35:16 | 3:35:18 | |
I couldn't be short-changed. | 3:35:18 | 3:35:21 | |
That's the last time I let you buy the drink. | 3:35:21 | 3:35:24 | |
CAMEL BRAYS | 3:35:26 | 3:35:28 | |
How many bullets? | 3:35:46 | 3:35:48 | |
One. | 3:35:48 | 3:35:48 | |
Better make it count. | 3:35:51 | 3:35:54 | |
No. | 3:35:54 | 3:35:56 | |
I can't carry him. | 3:35:56 | 3:35:58 | |
You can. | 3:35:59 | 3:36:01 | |
Save my friend. | 3:36:01 | 3:36:03 | |
Save my friend. | 3:36:04 | 3:36:06 | |
GUNSHOT | 3:36:06 | 3:36:07 | |
HE YELLS | 3:36:09 | 3:36:11 | |
HORSE NEIGHS | 3:36:44 | 3:36:46 | |
HE GASPS | 3:37:01 | 3:37:04 | |
HORSE WHINNIES | 3:37:35 | 3:37:37 | |
HE GROWLS | 3:37:46 | 3:37:47 | |
GUNSHOT | 3:37:47 | 3:37:49 | |
SECOND GUNSHOT | 3:37:49 | 3:37:51 | |
HE GASPS | 3:38:20 | 3:38:22 | |
MUFFLED GRUNTING | 3:38:36 | 3:38:39 | |
HE GASPS | 3:38:39 | 3:38:42 | |
SCREAM CRESCENDOS | 3:38:52 | 3:38:56 | |
HE SCREAMS | 3:39:09 | 3:39:11 | |
HE SCREAMS HOARSELY | 3:39:19 | 3:39:22 | |
Look after your friend. | 3:40:04 | 3:40:05 | |
What will you do now? | 3:40:07 | 3:40:08 | |
Whatever God has chosen for me. | 3:40:10 | 3:40:12 | |
Do I look that bad? | 3:41:03 | 3:41:04 | |
Everyone said how... much you've changed. | 3:41:14 | 3:41:17 | |
I didn't believe them. | 3:41:20 | 3:41:23 | |
May I have it back? | 3:41:34 | 3:41:36 | |
That isn't why I came. | 3:41:39 | 3:41:41 | |
I'd still like it back. | 3:41:41 | 3:41:44 | |
HE SIGHS | 3:42:00 | 3:42:02 | |
I'm almost sorry to let it go. | 3:42:04 | 3:42:07 | |
It's brought me a lot of luck... over these past few months. | 3:42:12 | 3:42:18 | |
HE INHALES DEEPLY THEN EXHALES | 3:42:29 | 3:42:32 | |
Have you heard our news? | 3:42:39 | 3:42:41 | |
Yes. | 3:42:41 | 3:42:43 | |
How is Jack? | 3:42:48 | 3:42:50 | |
I think he's happy. | 3:42:52 | 3:42:54 | |
Good. | 3:42:54 | 3:42:56 | |
He deserves to be. | 3:43:00 | 3:43:03 | |
So do you. | 3:43:06 | 3:43:07 | |
It will pass. | 3:43:27 | 3:43:29 | |
You will meet someone soon. | 3:43:32 | 3:43:35 | |
Then you and her and Jack and I... | 3:43:35 | 3:43:38 | |
Yes. | 3:43:38 | 3:43:40 | |
..will set up tea and chat politely | 3:43:40 | 3:43:41 | |
as if...as if nothing ever happened with us before. | 3:43:41 | 3:43:45 | |
That won't happen, Ethne. | 3:43:51 | 3:43:53 | |
It has to happen. | 3:43:57 | 3:43:59 | |
It has to, because I love you... | 3:44:01 | 3:44:03 | |
Harry. | 3:44:03 | 3:44:05 | |
I love you, and I can't... | 3:44:09 | 3:44:12 | |
I'm sorry. | 3:44:19 | 3:44:21 | |
Was that Ethne's carriage outside? | 3:44:47 | 3:44:49 | |
She is giving me a ride to the station. | 3:44:51 | 3:44:54 | |
Why didn't she come out? | 3:44:54 | 3:44:57 | |
I think she wanted to give us a minute or two alone. | 3:44:57 | 3:45:01 | |
Do we need a minute or two alone, Harry? | 3:45:01 | 3:45:05 | |
I came to thank you, Jack. | 3:45:09 | 3:45:11 | |
For what? | 3:45:11 | 3:45:14 | |
For standing by me. | 3:45:14 | 3:45:16 | |
If you're talking about the feathers, I wasn't there. | 3:45:20 | 3:45:23 | |
Willoughby told me you were. | 3:45:23 | 3:45:25 | |
You don't owe me anything, Harry. | 3:45:30 | 3:45:33 | |
The wedding isn't for a month. Ethne is free to make up her own mind. | 3:45:33 | 3:45:37 | |
She's made up her mind. | 3:45:37 | 3:45:39 | |
You should trust her judgment. | 3:45:42 | 3:45:44 | |
DRINK POURS | 3:46:02 | 3:46:05 | |
To Castleton... | 3:47:29 | 3:47:31 | |
and all the others we left behind. | 3:47:31 | 3:47:33 | |
Indeed. | 3:47:33 | 3:47:34 | |
You remember the first time we led a cavalry charge in public? | 3:47:41 | 3:47:45 | |
Yes, I do, Jack. You wiped the floor with me. | 3:47:45 | 3:47:48 | |
I believe most of my horses ended up in the bandstand. | 3:47:48 | 3:47:51 | |
Yes, I did, and... yes, they did. | 3:47:51 | 3:47:54 | |
Ethne was there... | 3:47:57 | 3:47:59 | |
watching. | 3:47:59 | 3:48:01 | |
Yes, I remember. | 3:48:01 | 3:48:03 | |
You should. | 3:48:03 | 3:48:04 | |
You're the only one she danced with. | 3:48:04 | 3:48:08 | |
I've never been so jealous. | 3:48:08 | 3:48:11 | |
I wanted to prove to her that I was the better soldier. | 3:48:11 | 3:48:15 | |
You always were the better soldier, Jack. | 3:48:15 | 3:48:17 | |
Yes, of course, but... | 3:48:17 | 3:48:18 | |
She was the first person I looked for in the crowd... | 3:48:25 | 3:48:29 | |
and she was staring at you. | 3:48:29 | 3:48:31 | |
Everyone else was applauding me... | 3:48:34 | 3:48:37 | |
..and she was staring at you. | 3:48:38 | 3:48:40 | |
Nothing's changed. | 3:48:48 | 3:48:49 | |
She's beautiful... | 3:48:56 | 3:48:58 | |
isn't she? | 3:48:58 | 3:49:01 | |
Yes, she is. | 3:49:04 | 3:49:07 | |
JACK: 'You may be lost... but you are not forgotten. | 3:49:28 | 3:49:34 | |
'For those who have journeyed far | 3:49:38 | 3:49:41 | |
'to fight in foreign lands... | 3:49:41 | 3:49:44 | |
'..know that the soldier's greatest comfort' | 3:49:46 | 3:49:50 | |
is to have his friends close at hand. | 3:49:50 | 3:49:54 | |
Welcome home, Harry. | 3:49:54 | 3:49:56 | |
Thank you, sir. | 3:49:58 | 3:50:00 | |
In the heat of battle, | 3:50:01 | 3:50:04 | |
it ceases to be an idea | 3:50:04 | 3:50:07 | |
for which we fight... | 3:50:07 | 3:50:09 | |
or a flag. | 3:50:09 | 3:50:12 | |
Rather... | 3:50:13 | 3:50:16 | |
we fight for the man on our left... | 3:50:16 | 3:50:20 | |
..and we fight for the man on our right... | 3:50:22 | 3:50:26 | |
..and when armies have scattered | 3:50:29 | 3:50:31 | |
and when the empires fall away... | 3:50:31 | 3:50:35 | |
..all that remains... | 3:50:38 | 3:50:41 | |
..is the memory of those precious moments... | 3:50:42 | 3:50:47 | |
..we spent side by side. | 3:50:51 | 3:50:55 | |
CHURCH BELLS RING OUT | 3:51:01 | 3:51:05 | |
Forgive me. I did you a great wrong. | 3:51:23 | 3:51:27 | |
There is nothing to forgive. | 3:51:27 | 3:51:29 | |
Yes, there is. | 3:51:29 | 3:51:31 | |
I should've stood by you, Harry. | 3:51:31 | 3:51:33 | |
I should've understood. | 3:51:33 | 3:51:35 | |
I used to be so sure about everything. | 3:51:36 | 3:51:40 | |
We both were, Ethne. | 3:51:40 | 3:51:42 | |
And now? | 3:51:43 | 3:51:45 | |
And now... | 3:51:54 | 3:51:56 | |
Well... Well, now I have no choice, Ethne. | 3:51:58 | 3:52:03 | |
God put you in my way! | 3:52:03 | 3:52:05 | |
HE LAUGHS | 3:52:05 | 3:52:07 | |
HARRY AND ABOU'S LAUGHTER ECHOES | 3:52:07 | 3:52:12 | |
LAUGHTER CONTINUES ECHOING | 3:52:14 | 3:52:19 | |
Subtitles by WGBH | 3:52:52 | 3:52:56 | |
E-mail [email protected] | 3:52:56 | 3:52:59 |