
Browse content similar to The Hunchback of Notre Dame. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
BELLS CHIME | 0:01:37 | 0:01:40 | |
I've never heard a more beautiful Angelus. | 0:01:55 | 0:01:59 | |
Who is the bell-ringer of Notre Dame? | 0:01:59 | 0:02:03 | |
Quasimodo, Your Majesty. The people call him The Hunchback. | 0:02:03 | 0:02:08 | |
What an odd name. | 0:02:08 | 0:02:11 | |
Now, Master Fisher, let's see what reason my High Justice had for asking me to come to your shop. | 0:02:11 | 0:02:18 | |
What do you call this apparatus? A printing press, Your Majesty. | 0:02:18 | 0:02:23 | |
What is it for? To print books. | 0:02:23 | 0:02:26 | |
For whom? For the people. They will learn to read. | 0:02:26 | 0:02:31 | |
I can print a volume like this one in a few weeks, quite inexpensively. | 0:02:31 | 0:02:36 | |
Imagine, Frollo, a few weeks! | 0:02:36 | 0:02:40 | |
When I ordered my prayer book, it took them years to copy it out, and cost me a fortune. | 0:02:40 | 0:02:47 | |
The printed book is less beautiful but the printing press is a miracle. | 0:02:47 | 0:02:53 | |
-A horrifying miracle. -Horrifying? This small press? | 0:02:53 | 0:02:57 | |
Small things have a way of overmastering the great. | 0:02:57 | 0:03:03 | |
-This small press can destroy a kingdom. -Come, my High Justice, don't exaggerate. | 0:03:03 | 0:03:10 | |
< What is that? | 0:03:10 | 0:03:13 | |
The first page of a new book, Your Majesty. Let me see. | 0:03:13 | 0:03:18 | |
"On the Freedom of Thought." Who wrote it? | 0:03:20 | 0:03:24 | |
Pierre Gringoire. Who is he? A French poet. | 0:03:24 | 0:03:29 | |
A heretic, sire. To spread him is to communicate disease. | 0:03:29 | 0:03:34 | |
It may benefit France if people can get books and learn to read. | 0:03:34 | 0:03:40 | |
To me, it's a new form of expression of thought. Out there is the old form. | 0:03:40 | 0:03:47 | |
All over France, in every city, there stand cathedrals like this, triumphal monuments of the past. | 0:03:47 | 0:03:55 | |
They tower over the houses like mighty guardians of the Christian faith. | 0:03:55 | 0:04:02 | |
Every arch, every column, every statue | 0:04:02 | 0:04:06 | |
is a carved leaf out of our history, a book in stone, glorifying the spirit of France. | 0:04:06 | 0:04:13 | |
The cathedrals are the hand-writing of the past. The press is of OUR time. And I won't stop it. | 0:04:13 | 0:04:21 | |
-Break the press and hang the printer. They will destroy our old and holy order. -No. | 0:04:21 | 0:04:28 | |
I will protect France from printed books, and from witches and gypsies, | 0:04:28 | 0:04:33 | |
the foreign race that is overrunning all of Europe. | 0:04:33 | 0:04:38 | |
Why do you stop us? No gypsies can enter Paris without a permit. | 0:04:54 | 0:04:59 | |
Why can't we? You're gypsies, foreigners. | 0:04:59 | 0:05:04 | |
You came yesterday. We come today. | 0:05:04 | 0:05:08 | |
SHOUTING | 0:05:14 | 0:05:18 | |
Let them pass. It's Fools' Day. We don't want these foreigners. | 0:05:18 | 0:05:23 | |
WOMAN SCREAMS | 0:05:24 | 0:05:28 | |
What's the matter? The hunchback of Notre Dame crossed my path. | 0:05:28 | 0:05:35 | |
Go home and light the candle. | 0:05:35 | 0:05:37 | |
That won't help. He's possessed. Are you going to the festival? | 0:05:37 | 0:05:43 | |
There are too many thieves there. | 0:05:43 | 0:05:47 | |
They'll get you you at home just as well. | 0:05:47 | 0:05:51 | |
What's he trying to do? | 0:06:45 | 0:06:48 | |
He thinks the Earth is round and is trying to walk to the Indies. | 0:06:48 | 0:06:53 | |
Some geographers and mathematicians also believe the Earth is round. | 0:06:53 | 0:06:58 | |
Do you recollect that letter we had from Christopher Columbus | 0:06:58 | 0:07:03 | |
who wrote that he could travel west and reach the Indies? It's flat. | 0:07:03 | 0:07:09 | |
I'm tempted to endow the venture. Our country could not afford to. | 0:07:09 | 0:07:14 | |
Columbus is the laughing stock of the Court of Spain. | 0:07:14 | 0:07:19 | |
The future may prove he was right. It isn't round. | 0:07:19 | 0:07:25 | |
What are you mumbling about? The Earth isn't round. It's flat. | 0:07:25 | 0:07:31 | |
Oh, let's listen to the play. | 0:07:31 | 0:07:34 | |
The old can never last. The new is claiming its place. | 0:07:34 | 0:07:40 | |
It's foolish to cling to the past. | 0:07:40 | 0:07:43 | |
Believe in the future's face. | 0:07:43 | 0:07:47 | |
Regretfully, death is the fate of noble and peasant alike. | 0:07:47 | 0:07:52 | |
You are born in a womb. And end in a tomb. | 0:07:52 | 0:07:57 | |
The King's coming. | 0:08:07 | 0:08:10 | |
Pennies...pennies... pennies... | 0:08:11 | 0:08:16 | |
-How's business? -Bad. | 0:08:16 | 0:08:18 | |
-How's business? -They're all watching that play. | 0:08:18 | 0:08:22 | |
You rest and live and rest again. Beware you do not live in vain. | 0:08:22 | 0:08:29 | |
-And if you eat too much, you throw it up again! -CROWD LAUGH | 0:08:29 | 0:08:37 | |
- You stupid, ignorant drunkards. You...! I offer you truth. - We don't want your truth. | 0:08:37 | 0:08:45 | |
We will choose the King of Fools. CROWD CHEER | 0:08:53 | 0:08:57 | |
Applicants come forth. Men, women, the ugliest face wins the crown. | 0:08:57 | 0:09:03 | |
UGLY FACES! | 0:09:03 | 0:09:05 | |
UGLY FACES! | 0:09:05 | 0:09:08 | |
How do you like his face? | 0:09:10 | 0:09:13 | |
NO! NO! | 0:09:13 | 0:09:16 | |
NO! | 0:09:23 | 0:09:26 | |
NO! | 0:09:26 | 0:09:29 | |
The ugly is very appealing to man. | 0:09:34 | 0:09:36 | |
-It's a matter of taste. -No, it's instinct. One shrinks from the ugly yet wants to look at it. | 0:09:36 | 0:09:44 | |
-We extract pleasure from horror. -Only the mob, sire. | 0:09:44 | 0:09:48 | |
Think so? Look at our friends. They don't look uninterested. | 0:09:48 | 0:09:53 | |
- Horrible! - The prettiest ugliness I've seen! | 0:09:57 | 0:10:01 | |
Beautiful. What? | 0:10:01 | 0:10:04 | |
That girl, what a beauty! | 0:10:04 | 0:10:06 | |
I've never seen her before. She IS pretty. | 0:10:09 | 0:10:13 | |
What's her name? Esmeralda. | 0:10:24 | 0:10:27 | |
Esmeralda. | 0:10:27 | 0:10:29 | |
The people like her. Lend me half a livre. Half a livre? | 0:10:34 | 0:10:39 | |
-Afraid I won't repay you? -She's a gypsy. -She's pretty. | 0:10:39 | 0:10:45 | |
Doesn't she make your pulse beat faster? What about you, Doctor? | 0:10:51 | 0:10:55 | |
I'm a widower four times, but I could begin over again. | 0:10:55 | 0:11:00 | |
What's the matter? | 0:11:08 | 0:11:11 | |
That eye, staring at me. | 0:11:11 | 0:11:14 | |
Somebody's in there! | 0:11:14 | 0:11:17 | |
- It's an animal! - Let's get under there and see what it is. | 0:11:17 | 0:11:22 | |
Get under there. Go after him. Get him! | 0:11:22 | 0:11:27 | |
It's Quasimodo, the hunchback of Notre Dame. | 0:11:32 | 0:11:36 | |
No, don't spoil their fun, Frollo. Stay here. | 0:12:00 | 0:12:06 | |
RIPPLE OF LAUGHTER | 0:12:10 | 0:12:13 | |
Make him the king! | 0:12:15 | 0:12:19 | |
Well, Quasimodo, we didn't know you were SO ugly. | 0:12:28 | 0:12:32 | |
We've never been so close to you before. Now we want to make you King of Fools. What do you say? | 0:12:32 | 0:12:40 | |
What's the matter? Are you deaf? | 0:12:44 | 0:12:47 | |
A plague to you! I offer you the fools' crown and you bite me! | 0:12:48 | 0:12:53 | |
< The bell's have made him deaf. < Maybe he's dumb too. | 0:12:53 | 0:12:57 | |
That makes him the perfect king. He can speak. He doesn't like to. | 0:12:57 | 0:13:02 | |
Show him the crown. | 0:13:02 | 0:13:05 | |
By unanimous vote, we now proclaim you King of Fools. | 0:13:08 | 0:13:13 | |
CROWD CHEER | 0:13:26 | 0:13:29 | |
# King Quasimodo, Quasimodo Ruler of fools, we bow | 0:13:33 | 0:13:40 | |
# All ye rabble, scum and scavengers of France | 0:13:40 | 0:13:44 | |
# Mark ye the fool with crown upon his ugly brow. | 0:13:44 | 0:13:48 | |
# Hail to the idiot King Quasimodo, Quasimodo | 0:13:48 | 0:13:54 | |
# King of the fools is Quasimodo | 0:13:54 | 0:13:56 | |
# Hail to the King King of the Fools Cockadoodle-doo. # | 0:13:56 | 0:14:03 | |
I am the true King of Fools. I battle for beauty and the ugly gets crowned. | 0:14:03 | 0:14:10 | |
What greater fool is there than I? | 0:14:10 | 0:14:13 | |
# ..Mark ye the fool with crown upon his ugly brow | 0:14:13 | 0:14:20 | |
# Hail to the idiot king Shout and sing, Quasimodo Quasimodo, King of the Fools... # | 0:14:20 | 0:14:27 | |
Stop! | 0:14:27 | 0:14:29 | |
He can't take away our King! | 0:14:52 | 0:14:55 | |
No bills, only petitions. But the actors must be paid. | 0:15:31 | 0:15:36 | |
This is no time to ask for money. It never is. | 0:15:36 | 0:15:40 | |
-Here, don't push. -I must see the King. | 0:15:40 | 0:15:44 | |
Gypsy! Let me see your city permit. | 0:15:44 | 0:15:48 | |
Get her! Stop her! | 0:15:48 | 0:15:51 | |
Stop her! | 0:15:58 | 0:16:00 | |
Sanctuary. | 0:16:03 | 0:16:05 | |
We must arrest her. Church is sanctuary for all. | 0:16:05 | 0:16:10 | |
Gypsies can't enter Paris now. | 0:16:10 | 0:16:13 | |
The power of the law ends at this threshold. | 0:16:13 | 0:16:17 | |
It's no use. The King himself could do nothing here. | 0:16:17 | 0:16:22 | |
Don't be afraid. You are safe here. | 0:16:25 | 0:16:29 | |
Why are they after you? | 0:16:29 | 0:16:33 | |
I'm a gypsy. | 0:16:34 | 0:16:37 | |
That's not your fault. It's an act of God. | 0:16:37 | 0:16:41 | |
Take her to the bell-tower. Quasimodo will look after her. | 0:16:41 | 0:16:47 | |
Quasimodo is not here. Where is he? I don't know, Your Grace. | 0:16:47 | 0:16:52 | |
-Where is my brother? -His Grace is in the vestry, preparing for the evening service. | 0:16:59 | 0:17:06 | |
Claude... | 0:17:20 | 0:17:22 | |
-I must speak to you. -What is it? | 0:17:22 | 0:17:25 | |
It's about Quasimodo. He made a spectacle of himself in front of the King and all the people. | 0:17:25 | 0:17:32 | |
-Where is he now? -Up in his tower. Tell him he must have nothing to do with anyone outside the Church. | 0:17:32 | 0:17:40 | |
He's your foundling. You picked him up on the church steps, not I. | 0:17:40 | 0:17:45 | |
Ever since he was a child, he has looked to you as his protector. | 0:17:45 | 0:17:51 | |
CHOIR: # Maria mater gratiae custodinos... # | 0:18:46 | 0:18:53 | |
Quasimodo is back now. I'll take you to him. | 0:18:53 | 0:18:58 | |
Who's that? | 0:19:00 | 0:19:03 | |
The Virgin Mary, the Mother of God. | 0:19:03 | 0:19:06 | |
The Mother of God. | 0:19:16 | 0:19:18 | |
If we open our hearts to her with faith, she comforts us. | 0:19:18 | 0:19:23 | |
How can I speak to her? | 0:19:25 | 0:19:27 | |
Kneel down and pray, like the others. | 0:19:27 | 0:19:31 | |
I've never prayed before... | 0:19:43 | 0:19:46 | |
..but the priest told me you help all those who are in need. | 0:19:47 | 0:19:52 | |
Give me happiness. Give me always a good home. | 0:19:54 | 0:19:58 | |
Give me a rich husband. Give me beauty. | 0:19:58 | 0:20:01 | |
Give me a rich harvest. Give me prosperity. | 0:20:01 | 0:20:05 | |
Take all I have, but please help my people. They're in danger... | 0:20:05 | 0:20:11 | |
What are you doing in Notre Dame? | 0:20:11 | 0:20:14 | |
I'm praying. | 0:20:14 | 0:20:17 | |
You cannot. You are a heathen. | 0:20:17 | 0:20:20 | |
-Who are you? You're not a priest and yet you look like one. -I am what I wish to be. | 0:20:21 | 0:20:28 | |
-Get up. You desecrate the stones on which you kneel. -I? | 0:20:28 | 0:20:33 | |
-You dance publicly, awakening sinful desire in every man. -Dancing isn't sinful. | 0:20:33 | 0:20:40 | |
-Get up! -Leave me alone! | 0:20:40 | 0:20:42 | |
Your hand! | 0:20:44 | 0:20:47 | |
The mark of the devil is on it. | 0:20:47 | 0:20:49 | |
You witch! For saying that, I shall have you hanged. | 0:20:50 | 0:20:54 | |
Now I know who you are. Mother of God, don't let him hang me. | 0:20:54 | 0:21:00 | |
-Protect me! -Praying won't help you. You come from an evil race. | 0:21:00 | 0:21:05 | |
-You know nothing about my people. -Honest people don't live by magic. | 0:21:05 | 0:21:10 | |
If we had the power of magic, would we choose to be outcasts, to be poor and persecuted? | 0:21:10 | 0:21:18 | |
-All gypsies should be destroyed. -You mustn't talk like that in here. The Mother of God is listening. | 0:21:18 | 0:21:26 | |
I'm a heathen, yet I could be here all my life and never have an evil thought. Never speak. Just be here. | 0:21:26 | 0:21:34 | |
Look... | 0:21:35 | 0:21:37 | |
That window up there, glowing in red, with the setting sun breaking through, | 0:21:37 | 0:21:44 | |
and how the light floats around the tall columns. They're like the high pines in the forest. | 0:21:44 | 0:21:52 | |
It's so quiet and peaceful here, almost quieter than in the woods, where the birds chatter and sing. | 0:21:52 | 0:21:59 | |
-The birds and deer eat out of my hand. They're not shy when you're kind to them. -I know. | 0:21:59 | 0:22:08 | |
YOU like animals? | 0:22:09 | 0:22:12 | |
Yes. | 0:22:12 | 0:22:14 | |
You say that? | 0:22:14 | 0:22:17 | |
YOU? | 0:22:17 | 0:22:20 | |
Then you cannot hate as much as you pretend to. Somewhere in your heart there must be love. | 0:22:21 | 0:22:29 | |
I know. | 0:22:29 | 0:22:32 | |
I see it...in your eyes. | 0:22:32 | 0:22:35 | |
God showed me your goodness. He'll show me how to help my people. | 0:22:35 | 0:22:40 | |
Mother of God, gypsies are cruelly driven from country to country, so I HAVE to speak to the King. | 0:22:40 | 0:22:47 | |
-If he is kind, he WILL do something to help my people. Please make him listen to me. -He will. | 0:22:47 | 0:22:54 | |
You will be heard. | 0:22:56 | 0:22:59 | |
But you must give me a good reason. | 0:22:59 | 0:23:02 | |
-They tell me gypsies are thieves. -That's not true. When we steal, it's because we're hungry. | 0:23:04 | 0:23:11 | |
My people have good hearts. We love you. You have a good heart too because you've promised to help us. | 0:23:11 | 0:23:20 | |
You little witch. I merely meant that I might consider it. | 0:23:24 | 0:23:28 | |
Where do you live? Where shall I send you my answer? | 0:23:28 | 0:23:34 | |
-To Notre Dame? -Yes, Your Majesty. | 0:23:34 | 0:23:38 | |
-Good. I'll send my message here. -Oh, thank you! Thank you! | 0:23:38 | 0:23:44 | |
Thank you, Mother of God. Thank you. Thank you! | 0:23:44 | 0:23:49 | |
-I must go and tell my people. -Wait. | 0:23:49 | 0:23:52 | |
-Why? -You live here in sanctuary, don't you? | 0:23:52 | 0:23:56 | |
Yes. | 0:23:56 | 0:23:59 | |
Don't worry. You'll enjoy living in the bell-tower high above Paris. | 0:23:59 | 0:24:04 | |
I often like to go there myself. Come, let me show you. | 0:24:04 | 0:24:09 | |
The bell-ringer will watch over you. | 0:24:17 | 0:24:19 | |
Don't be afraid. It's Quasimodo, the bell-ringer. He's harmless. | 0:24:32 | 0:24:37 | |
Don't run away. Come with me. | 0:24:45 | 0:24:48 | |
Help! Help! | 0:25:15 | 0:25:17 | |
You beast! You monster! Let me go! Let me go! | 0:26:22 | 0:26:27 | |
-Let me go! -You unholy monster! LET HER GO. | 0:26:27 | 0:26:33 | |
Help! | 0:26:33 | 0:26:34 | |
Save her! > What are you yelling about? | 0:26:34 | 0:26:39 | |
There! The hunchback. | 0:26:39 | 0:26:41 | |
He's running away with the gypsy dancer! | 0:26:41 | 0:26:45 | |
Save her! | 0:26:45 | 0:26:48 | |
Stop him, Phoebus! | 0:26:56 | 0:26:58 | |
Where did he go? | 0:27:02 | 0:27:05 | |
There he goes. Get him! | 0:27:05 | 0:27:08 | |
We've got him. Take the girl. | 0:27:12 | 0:27:15 | |
- What's happened? - The guards have caught a criminal. - It's the hunchback. | 0:27:15 | 0:27:20 | |
You beast! | 0:27:20 | 0:27:23 | |
Let me hang him. Tie him up well. | 0:27:28 | 0:27:33 | |
Stop biting! | 0:27:33 | 0:27:35 | |
What's your name? | 0:27:35 | 0:27:38 | |
Esmeralda. | 0:27:38 | 0:27:42 | |
I'll remember it. | 0:27:42 | 0:27:44 | |
And I'll see you again. | 0:27:44 | 0:27:48 | |
Come on, you beast. Come on! | 0:27:49 | 0:27:52 | |
Come on, we'll go inside. | 0:27:56 | 0:27:58 | |
-No, I'd better wait out here. -Never wait for a man. | 0:27:58 | 0:28:03 | |
-He'll come back. -He will. Sure as his name is Phoebus. | 0:28:03 | 0:28:08 | |
Phoebus. | 0:28:10 | 0:28:12 | |
Congratulations. You got him. Thanks to your yelling so loudly. | 0:28:12 | 0:28:17 | |
I'd arouse all Paris against that. Is the gypsy your sweetheart? | 0:28:17 | 0:28:23 | |
Most special, Captain Phoebus. And remember, I will repay you, not she. | 0:28:23 | 0:28:30 | |
Oh! | 0:28:30 | 0:28:32 | |
Pennies, sir. Pennies, sir. | 0:28:48 | 0:28:52 | |
Pennies, sir. | 0:28:52 | 0:28:55 | |
SINISTER LAUGHTER | 0:28:57 | 0:29:00 | |
Pennies, sir. | 0:29:23 | 0:29:26 | |
Where's the King? He's busy. You'll have to wait. | 0:30:11 | 0:30:15 | |
The moment I saw her, she went straight to my heart. | 0:30:15 | 0:30:20 | |
Esmeralda, you belong to us now. | 0:30:20 | 0:30:24 | |
Who's the King here? I and nobody else gives the kiss of initiation. | 0:30:24 | 0:30:30 | |
Many of your tribe have found this a haven. You too will find peace and a home here. | 0:30:31 | 0:30:38 | |
-What's the matter? -He won't pay his daily share. | 0:30:44 | 0:30:48 | |
Leave him alone! | 0:30:48 | 0:30:51 | |
You know what the rules are. Pay your share or... | 0:30:57 | 0:31:01 | |
I'll give you a count of three to change your mind. | 0:31:05 | 0:31:09 | |
One... | 0:31:09 | 0:31:11 | |
two... | 0:31:11 | 0:31:13 | |
three. | 0:31:13 | 0:31:14 | |
Who's that? | 0:31:19 | 0:31:21 | |
A stranger who was prowling around. | 0:31:21 | 0:31:24 | |
How did he get in? Is the guard asleep? Let me see him. | 0:31:24 | 0:31:30 | |
Bow down before the King of Beggars. | 0:31:32 | 0:31:36 | |
-Who are you? -Permit me to introduce myself. | 0:31:36 | 0:31:40 | |
Maitre Gringoire, doctor of the seven liberal arts. Er...I... | 0:31:40 | 0:31:46 | |
-Do you know where you are? -The Court of Miracles where the blind can see and the lame walk. | 0:31:46 | 0:31:55 | |
-Do you know what'll happen to you? -I can imagine. Let me hang him. | 0:31:55 | 0:32:00 | |
-He's a spy. -He's a doctor. I'm a poet. | 0:32:00 | 0:32:05 | |
-Anyone caught here who's not a beggar or a thief must hang. -No! | 0:32:05 | 0:32:10 | |
-It's a rule. -I'm not a spy. You can't. No. | 0:32:10 | 0:32:15 | |
What a pity! My ballad could make you immortal. | 0:32:17 | 0:32:21 | |
What? | 0:32:21 | 0:32:23 | |
What did you say? Say it again. | 0:32:23 | 0:32:27 | |
I...intended to write a poem in your honour to glorify your reign. | 0:32:27 | 0:32:33 | |
-Let me hang him! -Quiet! You won't cheat me? | 0:32:33 | 0:32:37 | |
-You will live in history. Imagine! -Don't put your oar in. | 0:32:37 | 0:32:43 | |
Besides, I belong here. As a poet, I am already a vagabond and I can learn quickly to be a thief. | 0:32:43 | 0:32:51 | |
I will amuse you with a rhyming eloquence you've never dreamed of. | 0:32:51 | 0:32:56 | |
Good intentions are not enough. You'll have to undergo a test. | 0:32:56 | 0:33:01 | |
We'll see if you're any good. Get the bellboy ready! | 0:33:01 | 0:33:05 | |
Bring it down! | 0:33:05 | 0:33:08 | |
-Up on the stool. One leg. -I'll break my neck. -Save us a hanging. | 0:33:13 | 0:33:19 | |
Take the purse out of that pocket. If one bell jingles, you've failed. | 0:33:19 | 0:33:25 | |
-And then? -Then you hang. | 0:33:25 | 0:33:28 | |
Can YOU do it? | 0:33:28 | 0:33:31 | |
I'm above that sort of thing. I cut throats. I don't cut purses. | 0:33:31 | 0:33:36 | |
SHOUTS OF ENCOURAGEMENT | 0:33:36 | 0:33:40 | |
Don't tinkle, please, little bells. | 0:33:43 | 0:33:45 | |
Don't jingle. | 0:33:45 | 0:33:48 | |
My...life depends on you. | 0:33:49 | 0:33:53 | |
There must be something easier I could try. Yes. Take the bellboy's place. | 0:34:05 | 0:34:12 | |
Too bad! And I'd almost come to like him. | 0:34:12 | 0:34:16 | |
-Clopin... -Huh? -Why not give him a chance to marry one of the girls? | 0:34:16 | 0:34:21 | |
-Wait! -Let me hang him. | 0:34:22 | 0:34:26 | |
SHRILL WHISTLE | 0:34:27 | 0:34:30 | |
Girls, poet for sale! Poet for sale! Poet for sale! | 0:34:30 | 0:34:34 | |
What does that mean? If one of our girls will marry you, you are free. | 0:34:34 | 0:34:41 | |
And I can't hang you. A charming idea. | 0:34:41 | 0:34:45 | |
Going-ng-ng. | 0:34:48 | 0:34:50 | |
Going-ng-ng. | 0:34:53 | 0:34:55 | |
Goodbye. And thank you, my friend. | 0:34:55 | 0:34:59 | |
-Gone. -Gone. That neck! | 0:34:59 | 0:35:02 | |
Wait! | 0:35:02 | 0:35:04 | |
-Are you going to hang that man? -Unless you take him for your husband. | 0:35:10 | 0:35:16 | |
I'll take him. | 0:35:17 | 0:35:20 | |
Well? | 0:35:20 | 0:35:22 | |
Do you want her or not? | 0:35:22 | 0:35:24 | |
My rope! | 0:35:27 | 0:35:30 | |
The wedding jug. | 0:35:31 | 0:35:34 | |
Take it from Esmeralda, drink and break it. | 0:35:34 | 0:35:38 | |
CHEERING | 0:35:56 | 0:35:58 | |
And he had SUCH a nice neck. | 0:36:00 | 0:36:03 | |
Let's escort them to the bridal chamber. | 0:36:03 | 0:36:07 | |
# Ta-ra ta-ta Under the gallows tonight | 0:36:07 | 0:36:11 | |
# Ta-ra, ta-ta Beggars are wed tonight | 0:36:11 | 0:36:15 | |
# Happy are the cats and mice Even the lice | 0:36:15 | 0:36:21 | |
# Ta-ra, ta-ta Under the gallows tonight | 0:36:21 | 0:36:25 | |
# Ta-ra, ta-ta Beggars are wed tonight | 0:36:25 | 0:36:29 | |
# Happy are the cats and mice Even the lice | 0:36:29 | 0:36:35 | |
# Jump and sing until it's light This is a beggar's wedding night. # | 0:36:35 | 0:36:43 | |
We must have a light. | 0:36:49 | 0:36:52 | |
Here is flint and tinder. | 0:36:56 | 0:36:58 | |
-Now a little wood. -Let me help you. | 0:37:11 | 0:37:14 | |
No. The woman builds the fire. | 0:37:14 | 0:37:17 | |
-It was a man who first brought it to Earth. -Who? -Prometheus. -Who is that? | 0:37:17 | 0:37:22 | |
A god who held a rod to the sun until it burned into flame. | 0:37:22 | 0:37:27 | |
He created clay creatures, blew into them and they came to life. | 0:37:27 | 0:37:31 | |
And they too could make fires to warm their bodies. | 0:37:31 | 0:37:36 | |
-As we do? -Just as we do. | 0:37:36 | 0:37:40 | |
Oh, Esmeralda, I feel as if... How can I tell you how I feel? | 0:37:40 | 0:37:44 | |
This day, first the people ridiculed me, then I found you, | 0:37:44 | 0:37:49 | |
then I lost you, | 0:37:49 | 0:37:52 | |
and now... | 0:37:52 | 0:37:54 | |
here we are together... | 0:37:54 | 0:37:57 | |
married. | 0:37:57 | 0:38:00 | |
For such a miracle I waited through the dark and endless night. | 0:38:00 | 0:38:05 | |
When before my days I hated, | 0:38:05 | 0:38:09 | |
now I welcome Phoebus' light - | 0:38:09 | 0:38:13 | |
Phoebus, King of Day! | 0:38:13 | 0:38:16 | |
Esmeralda! | 0:38:16 | 0:38:18 | |
-What did I say to hurt you? -Nothing. | 0:38:18 | 0:38:22 | |
Oh, you must tell me. | 0:38:22 | 0:38:26 | |
-Who is Phoebus? -Phoebus? The sun god. | 0:38:26 | 0:38:31 | |
-The sun god. -Why do you ask? | 0:38:31 | 0:38:34 | |
I love a man named Phoebus. | 0:38:40 | 0:38:43 | |
Phoebus? Not that captain who saved you from the hunchback? | 0:38:46 | 0:38:51 | |
Yes. | 0:38:51 | 0:38:54 | |
So you don't love me. It was nothing but pity, pity, pity. | 0:38:54 | 0:38:59 | |
I'm sorry if I hurt you. | 0:39:02 | 0:39:05 | |
Well, since you won't have me as your husband, maybe you'll have me for your friend. | 0:39:07 | 0:39:14 | |
My friend? | 0:39:14 | 0:39:16 | |
-Do you know what friendship is? -Like brother and sister, like two petals on the same flower. | 0:39:16 | 0:39:24 | |
-And love? -That's to be two, and at the same time, one. | 0:39:24 | 0:39:28 | |
I love you! I'm ready to live with you as it shall please you. | 0:39:28 | 0:39:33 | |
As husband and wife, or as brother and sister. | 0:39:33 | 0:39:38 | |
-I'm enough of a philosopher to hold everything in the proper balance. -You're a juggler! -I can't juggle. | 0:39:38 | 0:39:45 | |
You can learn. I'll teach you. | 0:39:45 | 0:39:48 | |
Look. | 0:39:49 | 0:39:51 | |
Oh, that's wonderful. | 0:39:57 | 0:39:59 | |
-I could never do it. -Try it. | 0:39:59 | 0:40:02 | |
-It's no use... -Don't talk. | 0:40:04 | 0:40:06 | |
Balance it. | 0:40:06 | 0:40:09 | |
It's no use. | 0:40:09 | 0:40:11 | |
WOMEN SCREAM | 0:40:13 | 0:40:16 | |
Something must have happened. The whole court... | 0:40:18 | 0:40:22 | |
Esmeralda? | 0:40:22 | 0:40:24 | |
ESMERALDA! | 0:40:24 | 0:40:27 | |
-What's the matter? -He has to arrest all the gypsies. -Only the girls. | 0:40:27 | 0:40:33 | |
Round them up! Round them up! | 0:40:33 | 0:40:35 | |
Good morning, Your Honour. | 0:40:44 | 0:40:46 | |
-What is it? -The gypsy girls are ready for your inspection. | 0:40:46 | 0:40:52 | |
The one I'm looking for is not here. Release them. | 0:41:11 | 0:41:15 | |
-Did you find out in which prison Quasimodo is being held? -Not yet. -Find out at once. -Yes, Your Honour. | 0:41:15 | 0:41:23 | |
Quiet! Quiet! | 0:41:35 | 0:41:38 | |
Speak up, prisoner. The judge is deaf. | 0:41:38 | 0:41:42 | |
Your name? | 0:41:43 | 0:41:46 | |
Age? | 0:41:51 | 0:41:53 | |
Your profession? | 0:41:56 | 0:41:59 | |
Emile, have you got all the prisoner's answers down? | 0:42:04 | 0:42:11 | |
LAUGHTER | 0:42:11 | 0:42:13 | |
You are accused... | 0:42:25 | 0:42:28 | |
of... | 0:42:28 | 0:42:30 | |
..disturbing the peace, | 0:42:31 | 0:42:34 | |
abducting a woman, | 0:42:34 | 0:42:36 | |
resisting the King's guards. | 0:42:36 | 0:42:39 | |
What is your defence? Quick and to the point! | 0:42:42 | 0:42:47 | |
Quasimodo. | 0:42:47 | 0:42:48 | |
Guilty? | 0:42:48 | 0:42:50 | |
Twenty-five. | 0:42:50 | 0:42:52 | |
For that you shall be whipped. | 0:42:52 | 0:42:55 | |
Bell-ringer. | 0:42:55 | 0:42:57 | |
Your Honour, the prisoner is deaf. He hears nothing. | 0:42:59 | 0:43:04 | |
Ah, that's different. | 0:43:05 | 0:43:08 | |
For that insolence, you shall spend another hour on the pillory. | 0:43:10 | 0:43:15 | |
Next case. | 0:43:15 | 0:43:18 | |
TRUMPETERS BLOW FANFARE | 0:43:20 | 0:43:25 | |
"We hereby announce that Quasimodo is to receive 50 strokes of the cat o'nine tails for attacking a woman. | 0:43:29 | 0:43:37 | |
"Thereafter he will be exposed for one hour to public disgrace." CROWD BOOS | 0:43:37 | 0:43:43 | |
-To think that yesterday on the same spot, they crowned him their king. Today... -That's life. | 0:43:47 | 0:43:55 | |
He's getting what he deserves. | 0:43:58 | 0:44:00 | |
If the nobles got what they deserved we wouldn't have enough pillories. | 0:44:00 | 0:44:06 | |
Oh, Master Pierrat! | 0:44:10 | 0:44:13 | |
CROWD CHEERS | 0:44:13 | 0:44:15 | |
One. | 0:44:45 | 0:44:47 | |
-I can't stand it. -You could if you'd been whipped once. -Have you? -Twice. | 0:44:48 | 0:44:53 | |
-Now I buy protection. -From whom? -The nobility. | 0:44:53 | 0:44:57 | |
-The guardians of the old and holy traditions. -Yes. They buy it from the King and sell it to us. | 0:44:57 | 0:45:05 | |
After the war - and don't forget, it lasted 100 years - | 0:45:05 | 0:45:10 | |
thousands of us went from door to door asking for honest work. | 0:45:10 | 0:45:15 | |
And we were whipped for begging. | 0:45:15 | 0:45:17 | |
-The ruling class didn't say, "Work or starve." They said, "Starve for you shall not work." -And I starved. | 0:45:17 | 0:45:26 | |
-Many did, so I founded the Beggars' Guild. -Of which I am member 7419. | 0:45:26 | 0:45:31 | |
You needn't be ashamed. We're not great thieves like the nobles. | 0:45:31 | 0:45:37 | |
-They plunder the nation. -The moral difference is in our favour. -Right. One day we'll write a book on it. | 0:45:37 | 0:45:45 | |
We will but right now we must stop the whipping of that poor devil. | 0:45:45 | 0:45:50 | |
-Only the Chief Justice can do that. -Isn't the Archbishop his brother? -I don't think he can help, but try. | 0:45:52 | 0:46:00 | |
Twenty-nine...thirty... | 0:46:03 | 0:46:07 | |
thirty-one... | 0:46:07 | 0:46:09 | |
That's no whipping. He hasn't shed a tear. It's the whipper's fault. | 0:46:14 | 0:46:20 | |
What do you mean? Our whipper would make him cry. He's better than ours? | 0:46:20 | 0:46:27 | |
Isn't there any way to stop the whipping? | 0:46:38 | 0:46:43 | |
I wish I had the power. Quasimodo belongs to the world of the Church. | 0:46:43 | 0:46:48 | |
Yes. But if he ventures into the world outside, he must accept its laws. | 0:46:48 | 0:46:55 | |
There is a higher power who watches...and avenges. | 0:46:55 | 0:47:00 | |
..Forty-nine...fifty. | 0:47:03 | 0:47:06 | |
< The prisoner shall remain for one full hour on the pillory. | 0:47:06 | 0:47:10 | |
The cellars of the Palace of Justice are overflowing with prisoners. | 0:47:39 | 0:47:44 | |
It's not the thief and murderer, but the thousands of heretics and free thinkers that are our problem. | 0:47:44 | 0:47:51 | |
-We have to build more prisons. -No, we need more executions. You're too lenient. What did you find out? | 0:47:51 | 0:47:59 | |
-He has already been sentenced. -Where is he? -At the pillory. | 0:47:59 | 0:48:04 | |
Water. | 0:48:13 | 0:48:15 | |
WATER. | 0:48:23 | 0:48:25 | |
WATER. | 0:48:26 | 0:48:28 | |
WAT... | 0:48:31 | 0:48:33 | |
Water... | 0:49:15 | 0:49:17 | |
Water. | 0:49:17 | 0:49:20 | |
-See that? -I thought he loved the hunchback. | 0:49:20 | 0:49:24 | |
Never trust a man with pinched nostrils and thin lips. | 0:49:24 | 0:49:29 | |
-Esmeralda! Where have you been? -I went to tell my people that the King promised to help us. | 0:49:29 | 0:49:37 | |
< Water! | 0:49:37 | 0:49:38 | |
Water! | 0:49:40 | 0:49:42 | |
CROWD: Water(!) | 0:49:42 | 0:49:44 | |
WATER! | 0:49:44 | 0:49:46 | |
CROWD: Water! | 0:49:46 | 0:49:49 | |
< Wa-ter! | 0:49:49 | 0:49:51 | |
CROWD LAUGH | 0:49:51 | 0:49:54 | |
There's your water. | 0:49:54 | 0:49:56 | |
Claude, I couldn't prevent it. | 0:51:45 | 0:51:48 | |
-Before I knew what was happening, he was already sentenced. -What do you think made him pursue the girl? | 0:51:48 | 0:51:55 | |
He never did anything like it before. He wouldn't disgrace us, unless he was forced to. | 0:51:55 | 0:52:03 | |
I know how disappointed you are in him, but we must bear our burden in patience. | 0:52:03 | 0:52:10 | |
The hour is up. Release him. | 0:52:14 | 0:52:16 | |
Get up! Get up! | 0:52:30 | 0:52:33 | |
She gave me water. | 0:53:30 | 0:53:33 | |
"Are we not all God's creatures, placed in the centre of the universe to rule with love, | 0:53:59 | 0:54:07 | |
"as our Father in Heaven? | 0:54:07 | 0:54:09 | |
"The time has come to regard our fellow men with respect, | 0:54:09 | 0:54:14 | |
"for only thus will we reach the fulfilment of our destiny." | 0:54:14 | 0:54:19 | |
No wonder Frollo fears the printed book. | 0:54:19 | 0:54:24 | |
The printing press seems to be a great invention. It is. Ouch! | 0:54:24 | 0:54:31 | |
You're hurting me. I wouldn't have to rub so hard if Your Majesty bathed more often. | 0:54:31 | 0:54:38 | |
How often? Twice a year, at least. | 0:54:38 | 0:54:42 | |
Would that make me live longer? | 0:54:42 | 0:54:45 | |
It would. Good. I want to live 100 years... | 0:54:45 | 0:54:48 | |
< ..And more, with your new elixir. | 0:54:48 | 0:54:51 | |
BELLS RING What's the matter? | 0:54:51 | 0:54:55 | |
Why are the bells ringing at this hour? And so strangely. What's the matter with Quasimodo? | 0:54:55 | 0:55:03 | |
See? It IS Quasimodo. | 0:55:13 | 0:55:17 | |
He's getting crazier every day. Yes, he certainly has changed. | 0:55:26 | 0:55:32 | |
What do you mean? It started when that gypsy girl give him some water. | 0:55:32 | 0:55:37 | |
Yes, he keeps mumbling her name. Maybe he's in love with her. | 0:55:37 | 0:55:43 | |
MUSIC AND LAUGHTER | 0:55:53 | 0:55:57 | |
Who is she? The gypsy dancer. | 0:56:06 | 0:56:11 | |
Gringoire, what are you doing? | 0:56:11 | 0:56:14 | |
-The world looks beautiful this way. One should always look at it standing on one's head. -Be sensible! | 0:56:14 | 0:56:21 | |
-It's monstrous to be as sensible as I am. -Remember why you're here. | 0:56:21 | 0:56:26 | |
To divert the noble Lords and Ladies from the ennui of their empty lives. | 0:56:26 | 0:56:31 | |
-Are you ready? -Yes, I am. | 0:56:31 | 0:56:35 | |
Come on, Bimbo. Don't forget your cue, Esmeralda. | 0:56:35 | 0:56:41 | |
What have I done? Why do you pursue me? | 0:56:47 | 0:56:52 | |
What have you done? | 0:56:52 | 0:56:55 | |
You have wakened in me all that should have stayed dormant. | 0:56:55 | 0:57:01 | |
I have sought a tranquil existence, and had it until I saw you. | 0:57:01 | 0:57:07 | |
Since then, my powers have failed me for I cannot rid myself of you. | 0:57:10 | 0:57:16 | |
In every book I read, I see your face. | 0:57:16 | 0:57:21 | |
In every sound, I hear your voice, | 0:57:21 | 0:57:24 | |
or the jingle of your tambourine. | 0:57:24 | 0:57:27 | |
I have questioned my conscience through the deep hours of the night, only to waken in greater confusion. | 0:57:28 | 0:57:36 | |
-They are waiting for me. -I don't want them to see you dance. | 0:57:36 | 0:57:41 | |
-You're breaking my wrist. -I did not mean to hurt you. | 0:57:41 | 0:57:45 | |
Come away from here. I can't bear it that all these men will see you dance. I want you for myself alone. | 0:57:45 | 0:57:53 | |
If I can't have that, it will be my end... | 0:57:56 | 0:58:01 | |
and yours. | 0:58:01 | 0:58:04 | |
Ladies and gentlemen, next on our programme, the flower of Egypt, the dancing wonder, Esmeralda. | 0:58:04 | 0:58:12 | |
Ladies and gentlemen, this is really not Esmeralda. | 0:58:18 | 0:58:22 | |
It is Aristotle, the mathematician, the miracle goat. He can tell how much money you have in your purse. | 0:58:22 | 0:58:30 | |
How much money have I? LAUGHTER | 0:58:30 | 0:58:35 | |
BAND STRIKES UP | 0:58:44 | 0:58:47 | |
< Isn't that the gypsy girl? | 0:59:17 | 0:59:20 | |
Come on, Fleur. Let's all dance. | 0:59:41 | 0:59:43 | |
Bimbo, this is no party for us. Come on, Aristotle. | 0:59:58 | 1:00:03 | |
Who are you? Where do you come from? | 1:00:14 | 1:00:17 | |
Speak up. I'm a soldier, accustomed to being obeyed. | 1:00:17 | 1:00:22 | |
Here I sit and talk to you as if I had never seen a girl before, never held one in my arms. | 1:00:22 | 1:00:29 | |
Why do I do this? Why? | 1:00:29 | 1:00:32 | |
-Because you love me. -I love you? | 1:00:32 | 1:00:35 | |
-For ever? -For ever's a long time. | 1:00:35 | 1:00:38 | |
I'm a soldier and gamble swiftly with life and death. | 1:00:38 | 1:00:42 | |
I'm willing to throw my life away for you today but tomorrow... Love is only a PART of my life. | 1:00:42 | 1:00:50 | |
It's a very sweet part, I admit. | 1:00:50 | 1:00:53 | |
To me it is everything, all my life. | 1:00:53 | 1:00:57 | |
There's someone here! | 1:00:57 | 1:00:59 | |
-What is it? -Don't worry. | 1:01:01 | 1:01:04 | |
Phoebus! | 1:01:07 | 1:01:10 | |
Now I see why Luna guards the night for the soul to pray. | 1:01:10 | 1:01:18 | |
How I welcome Phoebus' light. | 1:01:18 | 1:01:21 | |
Phoebus, King of Day. | 1:01:22 | 1:01:26 | |
Esmeralda... | 1:01:36 | 1:01:38 | |
-Say again you love me. -I love you. | 1:01:38 | 1:01:41 | |
-More than anything in the world? -I can't do more than love you. -I can. | 1:01:41 | 1:01:46 | |
-You're a woman. -So you won't love me after tonight? -Perhaps not. | 1:01:46 | 1:01:51 | |
-Let's get away from here. There's somebody near us. I'm afraid. -Let's stay, my love. | 1:01:51 | 1:01:58 | |
WOMAN SCREAMS | 1:02:04 | 1:02:07 | |
Murder! Murder! Murder! Captain Phoebus has been killed. | 1:02:07 | 1:02:14 | |
MURDER! | 1:02:14 | 1:02:16 | |
< The gypsy...she did it. < Yes, there's the knife. < Arrest her. | 1:02:20 | 1:02:25 | |
Guillaume, why don't you stop him? | 1:02:49 | 1:02:52 | |
It's impossible. We can't make him stop. | 1:02:52 | 1:02:56 | |
We've tried everything. Go and get more help. | 1:02:58 | 1:03:04 | |
He'll waken all Paris. | 1:03:05 | 1:03:08 | |
BELLS STOP | 1:03:08 | 1:03:10 | |
He's stopped. | 1:03:10 | 1:03:13 | |
-Jean! -Claude. I've been looking for you. | 1:03:29 | 1:03:33 | |
I'm glad you came. We couldn't stop Quasimodo. I thought he'd gone mad. | 1:03:33 | 1:03:38 | |
Where have you been? I've been waiting for you all evening. | 1:03:38 | 1:03:44 | |
I want you to hear some new music. There's a young Italian composer. He's written the most beautiful... | 1:03:46 | 1:03:53 | |
What's the matter? | 1:03:53 | 1:03:56 | |
-You may not want a murderer in your room. -What do you mean? | 1:03:57 | 1:04:02 | |
I have killed a man | 1:04:02 | 1:04:04 | |
out of love for a woman who has bewitched me. | 1:04:04 | 1:04:09 | |
I know she is the trap that Satan has set for me. You are the servant of God. You must help me. | 1:04:09 | 1:04:17 | |
Claude, speak. | 1:04:25 | 1:04:28 | |
"He that smiteth a man so that he shall die, shall be surely put to death." | 1:04:30 | 1:04:37 | |
-"I shall appoint a place whither he shall flee." -I can't help you. | 1:04:37 | 1:04:43 | |
-Then she must die. -Who must die? | 1:04:49 | 1:04:52 | |
-This gypsy girl who has made me a murderer. -But she is not guilty. | 1:04:52 | 1:04:57 | |
-Yes, she is. She has bewitched me, so she must die. -For your crime? | 1:04:57 | 1:05:03 | |
-That's the devil's logic, you can't believe that. -I do. | 1:05:03 | 1:05:08 | |
A sorceress once bewitched Bruno di Firenze. He had her burned and was saved. | 1:05:08 | 1:05:15 | |
-This girl's death shall be my redemption. -You can't commit another crime. | 1:05:15 | 1:05:22 | |
I would commit any crime to free myself of her. | 1:05:22 | 1:05:26 | |
Then my duty is to help the girl. | 1:05:26 | 1:05:29 | |
Claude! | 1:05:29 | 1:05:31 | |
You are my brother. | 1:05:39 | 1:05:42 | |
I am no longer your brother. | 1:05:42 | 1:05:44 | |
-Who's there? -Gringoire. | 1:06:11 | 1:06:14 | |
-Gringoire. -Darling. | 1:06:17 | 1:06:20 | |
-You don't believe I killed him? -I know you didn't. | 1:06:20 | 1:06:24 | |
-How is Aristotle? I have a cabbage for him. -Thank you, for Aristotle. | 1:06:24 | 1:06:30 | |
Your hands are like ice. You're not afraid, are you? | 1:06:30 | 1:06:35 | |
Not now. | 1:06:37 | 1:06:39 | |
Oh, Gringoire, why did I ever come to Paris? | 1:06:39 | 1:06:43 | |
Don't cry, darling. | 1:06:43 | 1:06:46 | |
I keep thinking and thinking | 1:06:46 | 1:06:48 | |
how I came here to soften the King's heart toward my people, | 1:06:48 | 1:06:53 | |
and how my own silly heart betrayed me. | 1:06:53 | 1:06:58 | |
-I deserve to die. -You will not. I will get you free. | 1:06:58 | 1:07:02 | |
-You will look after my people when I'm gone? -Don't talk like that. | 1:07:02 | 1:07:07 | |
-Gringoire... -Yes, darling? | 1:07:09 | 1:07:12 | |
Forgive me, even though it IS too late. | 1:07:12 | 1:07:16 | |
For what? | 1:07:16 | 1:07:19 | |
About Captain Phoebus. | 1:07:19 | 1:07:21 | |
Even before he was killed, I knew he didn't love me. I was a fool. | 1:07:21 | 1:07:27 | |
Don't speak of it. | 1:07:27 | 1:07:29 | |
-You're not angry with me? -Never. | 1:07:29 | 1:07:32 | |
Oh, thank you, Gringoire! | 1:07:32 | 1:07:35 | |
-I hear someone coming. -Don't go. | 1:07:37 | 1:07:40 | |
I must work to get you free. | 1:07:40 | 1:07:43 | |
What is it? Quiet. There's somebody talking. | 1:07:54 | 1:07:58 | |
It seems to come from over there. | 1:07:58 | 1:08:02 | |
Look, it's Quasimodo. | 1:08:03 | 1:08:06 | |
How can we save her? How can we save her? How can we save her? | 1:08:06 | 1:08:12 | |
Here is the appeal. Quick, Master Fisher, quick. | 1:08:13 | 1:08:17 | |
We'll print it at once. To the people of Paris... Not so fast. | 1:08:17 | 1:08:22 | |
When can we get 100 copies? Tomorrow. But who will distribute them? | 1:08:22 | 1:08:27 | |
Every student, every beggar in the Court of Miracles. Let me see. | 1:08:27 | 1:08:32 | |
"Parisians, day after day innocent people disappear to the dungeons..." | 1:08:32 | 1:08:38 | |
By order of the High Justice. Destroy this devilish apparatus. | 1:08:43 | 1:08:48 | |
You may destroy the form but not the spirit. | 1:08:51 | 1:08:55 | |
Parisians, mark my words. Today it is an innocent gypsy girl, tomorrow it may be yourselves. | 1:08:55 | 1:09:03 | |
-Let us appeal to the King... -Witness... | 1:09:03 | 1:09:07 | |
This is not a public square. Observe the dignity of the court or I will put you in prison. | 1:09:07 | 1:09:14 | |
COURT MURMURS | 1:09:14 | 1:09:17 | |
Silence in the court! | 1:09:17 | 1:09:20 | |
Silence! > | 1:09:20 | 1:09:23 | |
Show him the evidence. | 1:09:23 | 1:09:26 | |
Does this belong to the gypsy? | 1:09:26 | 1:09:29 | |
Yes. | 1:09:31 | 1:09:33 | |
-This dagger killed Captain Phoebus. -How could she have killed a man much stronger than herself? | 1:09:33 | 1:09:40 | |
It's obvious she was just defending herself against the real murderer. | 1:09:40 | 1:09:46 | |
-You know she's innocent. These witnesses have proved it. -Sit down. | 1:09:46 | 1:09:52 | |
COURT MURMURS | 1:09:53 | 1:09:56 | |
Silence in the court. > | 1:09:56 | 1:10:00 | |
-Your Honour, surely it's time to use the torture on this stubborn wench. -No. Bring in the other prisoner. | 1:10:00 | 1:10:07 | |
PEOPLE ALL TALK AT ONCE | 1:10:15 | 1:10:18 | |
Silence! Silence in the court! > | 1:10:18 | 1:10:21 | |
ARISTOTLE BLEATS | 1:10:25 | 1:10:28 | |
Witchcraft is proved. They work together. | 1:10:28 | 1:10:32 | |
-I protest in the name of man who is not to be judged by superstition. -Remove the witness. | 1:10:32 | 1:10:39 | |
It's a shame when the fate of a girl depends on the behaviour of a goat. | 1:10:39 | 1:10:44 | |
Judges should learn goat's language. | 1:10:44 | 1:10:47 | |
Do you still deny that Satan is your master? | 1:10:54 | 1:10:58 | |
That you were sent to destroy man's body and soul, and deliver him into hell? | 1:10:58 | 1:11:05 | |
I am innocent. | 1:11:05 | 1:11:09 | |
Show her what she has to expect if she refuses to admit her guilt. | 1:11:12 | 1:11:18 | |
It wasn't her! | 1:11:36 | 1:11:39 | |
If you want to know who it was, it was me. | 1:11:39 | 1:11:43 | |
FAINT LAUGHTER | 1:11:47 | 1:11:49 | |
LAUGHTER SPREADS | 1:11:49 | 1:11:53 | |
Silence in court! > | 1:12:05 | 1:12:09 | |
SILENCE! > | 1:12:09 | 1:12:11 | |
Do you confess now? | 1:12:20 | 1:12:22 | |
I am innocent. | 1:12:22 | 1:12:25 | |
-Your Honour, there is nothing left but the torture. -Proceed. | 1:12:25 | 1:12:31 | |
- What do you think? - She didn't kill that captain. | 1:12:37 | 1:12:42 | |
- She'll confess under torture. - They all do. | 1:12:42 | 1:12:46 | |
Is the doctor here? 'Yes.' Proceed. | 1:13:02 | 1:13:05 | |
Mercy. MERCY! | 1:13:09 | 1:13:11 | |
ESMERALDA SCREAMS | 1:13:11 | 1:13:14 | |
Your Honour, His Majesty the King is in the courtroom. | 1:13:17 | 1:13:23 | |
Let's stay here. I detest trials but our archbishop has made my existence unbearable | 1:13:23 | 1:13:30 | |
with his appeals on behalf of this girl. | 1:13:30 | 1:13:35 | |
Silence. | 1:13:57 | 1:13:59 | |
The prisoner has confessed. | 1:13:59 | 1:14:02 | |
Monsieur le Procurator, we are ready to hear your requisitions. | 1:14:02 | 1:14:08 | |
"Coram stryga demonstrata et crimine patente..." | 1:14:08 | 1:14:13 | |
-What's he saying? -He's demanding the death penalty. | 1:14:13 | 1:14:19 | |
"..ecclesiae cathedralis atque sententiam in virtute cujus ista stryga cum sua capella | 1:14:19 | 1:14:26 | |
"in Place Notre Dame executatae sint." | 1:14:26 | 1:14:29 | |
We will now take the vote. | 1:14:30 | 1:14:33 | |
Wait! > | 1:14:38 | 1:14:40 | |
What's this? | 1:14:47 | 1:14:50 | |
Blood. | 1:14:53 | 1:14:55 | |
Did you confess under torture? | 1:14:57 | 1:15:00 | |
Yes. | 1:15:00 | 1:15:03 | |
But...I am innocent. | 1:15:03 | 1:15:07 | |
You say you're innocent. They say you're guilty. I'll find out. | 1:15:07 | 1:15:12 | |
Untie her. | 1:15:12 | 1:15:15 | |
Come here. | 1:15:15 | 1:15:17 | |
Let us submit her to trial by ordeal. | 1:15:20 | 1:15:24 | |
Is this the dagger found in her hand? | 1:15:26 | 1:15:30 | |
Here is my dagger. | 1:15:30 | 1:15:33 | |
If you touch yours, you will be judged guilty. If you touch mine, you will be innocent. Blindfold her. | 1:15:33 | 1:15:40 | |
Choose. | 1:15:49 | 1:15:51 | |
The judgement is against you. | 1:16:12 | 1:16:15 | |
I'm sorry. | 1:16:15 | 1:16:18 | |
Gypsy girl, you are to be taken barefoot, with a rope around your neck, before Notre Dame | 1:16:21 | 1:16:28 | |
to do public penance, | 1:16:28 | 1:16:31 | |
then to be hanged on the gallows with your accomplice, the goat. | 1:16:31 | 1:16:36 | |
# A bird was my mother | 1:16:50 | 1:16:53 | |
# My father another | 1:16:53 | 1:16:56 | |
# Over the water... # | 1:16:58 | 1:17:01 | |
CROWD SHOUTS | 1:17:01 | 1:17:05 | |
Esmeralda! | 1:17:34 | 1:17:36 | |
-Gringoire! -Esmeralda! | 1:17:36 | 1:17:39 | |
CHOIR SING "KYRIE ELEISON" | 1:18:07 | 1:18:12 | |
You have been kind to me. | 1:18:57 | 1:19:00 | |
I kneel before you, innocent of crime. | 1:19:00 | 1:19:04 | |
This girl cannot do public penance on holy ground because she is not guilty. | 1:19:04 | 1:19:11 | |
She'll hang without public penance. | 1:19:11 | 1:19:14 | |
-You won't dare. -She is a witch and must die. | 1:19:15 | 1:19:19 | |
# Hallelujah! Hallelujah! | 1:20:35 | 1:20:41 | |
# Hallelujah! Exultate! Jubilate...! # | 1:20:41 | 1:20:48 | |
Sanctuary! Sanctuary! | 1:20:50 | 1:20:52 | |
# Hallelujah! Hallelujah! Hallelujah! Hallelujah! # | 1:20:52 | 1:21:01 | |
Sanctuary! Sanctuary! | 1:21:03 | 1:21:07 | |
Thank heaven. The sanctuary will save her. | 1:21:07 | 1:21:11 | |
She killed one of us and must die. The King must suspend sanctuary. | 1:21:11 | 1:21:16 | |
Sanctuary! Sanctuary! | 1:21:18 | 1:21:21 | |
She's my wife. I must see her. Not now. | 1:21:26 | 1:21:29 | |
But Quasimodo... He will not harm her. | 1:21:29 | 1:21:32 | |
He did once before. That was not his fault. | 1:21:32 | 1:21:36 | |
Eat. | 1:21:49 | 1:21:52 | |
Eat. | 1:21:52 | 1:21:54 | |
I am going away so that you don't have to see my ugly face when you're eating. | 1:21:55 | 1:22:02 | |
Come here. | 1:22:08 | 1:22:11 | |
You called me back. | 1:22:47 | 1:22:49 | |
I'm deaf, you know. | 1:22:49 | 1:22:53 | |
You would think there would be nothing more wrong with me, wouldn't you? But I'm deaf too. | 1:22:53 | 1:23:01 | |
It's horrible. | 1:23:01 | 1:23:03 | |
I never realised till now how... | 1:23:13 | 1:23:17 | |
..ugly I am... | 1:23:19 | 1:23:21 | |
..because you're so beautiful. | 1:23:26 | 1:23:29 | |
I'm not a man. | 1:23:35 | 1:23:38 | |
I'm not a beast. | 1:23:39 | 1:23:41 | |
I'm about as shapeless as the man in the moon. | 1:23:46 | 1:23:51 | |
Oh, I...I...I'm deaf, you know, | 1:24:03 | 1:24:07 | |
but...but you CAN speak to me... by signs. | 1:24:07 | 1:24:13 | |
Why did you save me? | 1:24:16 | 1:24:20 | |
You ask me why I saved you! | 1:24:25 | 1:24:30 | |
Oh... | 1:24:31 | 1:24:33 | |
Oh, I tried to carry you off... | 1:24:33 | 1:24:37 | |
..and the next day you gave me a drink of water... | 1:24:39 | 1:24:45 | |
..and a little pity. | 1:24:46 | 1:24:48 | |
Listen... | 1:24:57 | 1:24:59 | |
You must never leave the church | 1:24:59 | 1:25:03 | |
or they'll... | 1:25:03 | 1:25:07 | |
They'll...hang you. | 1:25:07 | 1:25:12 | |
That'd kill me. | 1:25:20 | 1:25:23 | |
Yes. | 1:25:25 | 1:25:27 | |
It's good in the church. | 1:25:27 | 1:25:30 | |
It's high...high. | 1:25:30 | 1:25:32 | |
Look. | 1:25:32 | 1:25:35 | |
Look...people. | 1:25:44 | 1:25:47 | |
Little people. | 1:25:47 | 1:25:50 | |
Look. Look here. | 1:25:50 | 1:25:54 | |
Up there, friends! | 1:25:54 | 1:25:56 | |
Up there! | 1:25:56 | 1:25:59 | |
Babies! | 1:25:59 | 1:26:01 | |
Jacqui! | 1:26:01 | 1:26:03 | |
Gabrielle! | 1:26:03 | 1:26:05 | |
Guillaume! | 1:26:05 | 1:26:07 | |
Big Marie. | 1:26:07 | 1:26:10 | |
She... She made me deaf, you know. | 1:26:13 | 1:26:17 | |
Yes. | 1:26:17 | 1:26:19 | |
I can hear my friends. | 1:26:24 | 1:26:27 | |
Shall I play them for you? | 1:26:27 | 1:26:30 | |
I am proud to be the first to sign. | 1:27:21 | 1:27:24 | |
I never heard of such an outrage! | 1:27:27 | 1:27:30 | |
An imbecile takes the law into his own hands and the King approves. | 1:27:30 | 1:27:35 | |
We will not be governed by the mob. The church cannot repeal a sentence. | 1:27:35 | 1:27:41 | |
When the King reads this, he will do away with sanctuary for all time. | 1:27:41 | 1:27:47 | |
Count Frollo... | 1:27:49 | 1:27:51 | |
Your signature. | 1:27:53 | 1:27:56 | |
Your name will make the King decide in our favour. That girl must hang. This resolution will seal her fate. | 1:27:56 | 1:28:04 | |
I have something to say to you... | 1:29:08 | 1:29:11 | |
What is it, my child? | 1:29:52 | 1:29:56 | |
Gringoire. | 1:29:56 | 1:29:58 | |
Gringoire. | 1:30:00 | 1:30:02 | |
Gringoire! Gringoire! | 1:30:02 | 1:30:04 | |
Every man in the Court of Miracles is ready to fight for Esmeralda. | 1:30:04 | 1:30:11 | |
We'll keep our right of sanctuary. | 1:30:11 | 1:30:13 | |
I've got to finish this appeal to the King...to the people. | 1:30:13 | 1:30:19 | |
-The printer is waiting. -Words won't save her. Force will. | 1:30:19 | 1:30:24 | |
-I don't believe in force. -You're a dreamer. Do you want to prove your point or save Esmeralda? | 1:30:24 | 1:30:31 | |
-Stop arguing like lawyers. DO something. -Right. -No, wait. | 1:30:31 | 1:30:37 | |
Till they hang Esmeralda. My army of beggars is ready to march. | 1:30:37 | 1:30:42 | |
No, Clopin. You must wait. | 1:30:42 | 1:30:45 | |
-What for? -My pamphlet will work. | 1:30:45 | 1:30:49 | |
-Remember the power of the nobility. -The King will read this. | 1:30:49 | 1:30:53 | |
He failed before with the printing press. We march. Get ready! | 1:30:53 | 1:31:00 | |
This pamphlet is being distributed by craftsmen and students in Paris? | 1:31:00 | 1:31:06 | |
Throughout the whole country. | 1:31:06 | 1:31:08 | |
-My craftsmen are awakening. -The result of your printing press. | 1:31:08 | 1:31:13 | |
Read on! | 1:31:13 | 1:31:16 | |
"The people have faith in the King and are sure that while the courts use torture instead of common sense, | 1:31:16 | 1:31:23 | |
-"he will refuse the nobles' demands to end the sanctuary of Notre Dame." -A thrust at you, Frollo. | 1:31:23 | 1:31:31 | |
What's that? | 1:31:31 | 1:31:34 | |
SHOUTING IN STREET | 1:31:34 | 1:31:37 | |
Why are they gathering out there? | 1:31:41 | 1:31:44 | |
Olivier. > | 1:31:44 | 1:31:46 | |
Sire. What's going on? > | 1:31:46 | 1:31:48 | |
The people have come here to make sure you will not suspend sanctuary. | 1:31:48 | 1:31:55 | |
-What does all this mean? -This pamphlet, sire. | 1:31:59 | 1:32:03 | |
Oh. I see. | 1:32:08 | 1:32:11 | |
I see. | 1:32:11 | 1:32:14 | |
This poet is cleverer than I thought. | 1:32:17 | 1:32:21 | |
This bold new way of appealing by printed petition is creating a sort of public opinion | 1:32:23 | 1:32:30 | |
that is forcing decisions even on kings. | 1:32:30 | 1:32:35 | |
Impertinent. | 1:32:35 | 1:32:37 | |
But I like it. It's different. | 1:32:37 | 1:32:41 | |
Public opinion is dangerous, sire. | 1:32:43 | 1:32:45 | |
For whom? | 1:32:45 | 1:32:48 | |
Your Majesty, the archbishop has arrived. Let him come in. > | 1:32:48 | 1:32:52 | |
Sanctuary is being threatened... Have you read this? | 1:32:52 | 1:32:56 | |
I have and all the people are aroused. Good. | 1:32:56 | 1:33:01 | |
My people, go on! Destroy these false nobles who want to be kings. Hang, pillage, sack them! | 1:33:01 | 1:33:09 | |
Sire, they will destroy Notre Dame. What do you mean? | 1:33:09 | 1:33:15 | |
The beggars fear that the girl isn't safe and are storming Notre Dame. | 1:33:15 | 1:33:20 | |
I won't have that! It's your fault. < My fault? | 1:33:20 | 1:33:25 | |
- If you hadn't interfered, the girl would have been hanged. - But the gypsy girl is innocent. | 1:33:25 | 1:33:33 | |
< Huh? She is innocent. | 1:33:33 | 1:33:37 | |
If you're so sure she is innocent, you must know the real murderer. | 1:33:37 | 1:33:42 | |
Who is it? Speak up! | 1:33:45 | 1:33:49 | |
Your Majesty... | 1:33:49 | 1:33:51 | |
< Who are you protecting? | 1:33:51 | 1:33:54 | |
I'm waiting for my brother to speak. | 1:33:58 | 1:34:01 | |
Is this a personal matter between you two? | 1:34:01 | 1:34:05 | |
-It's the hunchback. -No. | 1:34:05 | 1:34:08 | |
Then who is it? | 1:34:08 | 1:34:11 | |
-Who is the murderer? -I am. | 1:34:13 | 1:34:16 | |
I did it and I'd do it again. | 1:34:17 | 1:34:20 | |
I don't understand. | 1:34:27 | 1:34:30 | |
< He's madly in love with the gypsy girl. | 1:34:30 | 1:34:34 | |
And he condemned her to death? | 1:34:34 | 1:34:37 | |
Because she didn't love him. | 1:34:37 | 1:34:40 | |
Frollo, a murderer. | 1:34:40 | 1:34:43 | |
Olivier! Who are you? Maitre Gringoire. | 1:34:49 | 1:34:53 | |
I would talk with you. Arrest Frollo. Quick. Quick! | 1:34:53 | 1:34:57 | |
Come in. | 1:34:57 | 1:35:00 | |
DOOR SLAMS | 1:35:12 | 1:35:16 | |
I, Clopin, King of the Beggars, summon you, Archbishop of Paris, to give up the gypsy girl. | 1:36:24 | 1:36:31 | |
We've come to save her from the nobles who want to hang her. | 1:36:31 | 1:36:36 | |
Open the door or we'll break into your church. | 1:36:36 | 1:36:41 | |
What's all this about? | 1:37:14 | 1:37:16 | |
-Who are you? -Craftsmen. -Craftsmen? | 1:37:16 | 1:37:19 | |
We've read Gringoire's pamphlet and are here to defend the sanctity of Notre Dame. No-one shall violate it. | 1:37:19 | 1:37:27 | |
-Not even the nobles? -Not even the nobles. -I don't believe you. | 1:37:27 | 1:37:33 | |
Charge! | 1:37:33 | 1:37:35 | |
People. They've come to hang you but...but I'll keep them away. | 1:38:26 | 1:38:32 | |
If you don't leave here they can't catch you. I won't let anybody in. | 1:38:32 | 1:38:37 | |
If you are afraid... | 1:38:37 | 1:38:40 | |
pull the rope. I can hear the bell. | 1:38:40 | 1:38:44 | |
Are you all cowards? | 1:39:59 | 1:40:02 | |
You can't let the nobles hang an innocent girl. She's one of us. | 1:40:02 | 1:40:08 | |
Are you afraid of a stick of wood? Where's your courage? | 1:40:08 | 1:40:13 | |
Come on, we'll save her, set her free. Come on! Come on! | 1:40:13 | 1:40:18 | |
Come on! Fight! Don't sneak away like frightened rats. | 1:40:18 | 1:40:23 | |
Oh! AH-H ! | 1:40:26 | 1:40:29 | |
What are you afraid of? It's only Quasimodo, the bell-ringer. | 1:40:33 | 1:40:38 | |
We should thank him for furnishing us with a battering ram. Come on! | 1:40:38 | 1:40:44 | |
Forward, lads! | 1:41:40 | 1:41:42 | |
Forward... | 1:41:46 | 1:41:48 | |
Forward, lads. | 1:41:50 | 1:41:52 | |
Molten metal, molten metal, molten metal. | 1:42:45 | 1:42:49 | |
Aha! | 1:43:51 | 1:43:53 | |
Ha-ha-ha-ha! | 1:43:57 | 1:43:59 | |
AH-HA-HA! | 1:44:12 | 1:44:14 | |
Ha-ha! | 1:44:25 | 1:44:27 | |
Ha-ha-ha... | 1:44:30 | 1:44:32 | |
Ha-ha-ha-ha-ha! | 1:44:32 | 1:44:36 | |
Ha-ha-ha-ha-ah-ha-ha. | 1:44:36 | 1:44:38 | |
BELL RINGS | 1:44:38 | 1:44:41 | |
FROLLO SCREAMS | 1:46:57 | 1:46:59 | |
TRUMPET FANFARE | 1:47:09 | 1:47:12 | |
Parisians, Parisians... | 1:47:18 | 1:47:21 | |
she's free! We've won! The King has pardoned her. | 1:47:21 | 1:47:26 | |
HURRAY-AY-AY! | 1:47:26 | 1:47:29 | |
Disperse and go your ways in peace. | 1:47:32 | 1:47:36 | |
The girl has been pardoned and her people are free to live anywhere in France. | 1:47:36 | 1:47:43 | |
We've won... Gringoire! | 1:47:43 | 1:47:47 | |
Clopin! | 1:47:53 | 1:47:55 | |
Why didn't you wait? I told you I'd save her without using force. | 1:47:58 | 1:48:03 | |
I thought that was just a poet's dream. | 1:48:04 | 1:48:08 | |
Don't thank me. Thank Quasimodo for saving you from hanging, | 1:48:20 | 1:48:25 | |
and Gringoire, whose little printed papers set you free. | 1:48:25 | 1:48:29 | |
-Gringoire! -Esmeralda. Your Grace. | 1:48:33 | 1:48:37 | |
CROWD CHEER | 1:48:44 | 1:48:47 | |
Why was I not made of stone, like these? | 1:49:16 | 1:49:20 | |
Subtitles by Dorothy Moore BBC 1987 | 1:50:02 | 1:50:05 |