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SHE SNORTS | 0:01:16 | 0:01:19 | |
(Em...) | 0:01:52 | 0:01:54 | |
"The unclean shall not pass over it but it shall be for others. | 0:04:01 | 0:04:07 | |
< "Whoever walks the road, all day through, | 0:04:07 | 0:04:12 | |
"shall not go astray. | 0:04:12 | 0:04:14 | |
"Stand in the ways and see." | 0:04:14 | 0:04:17 | |
'Sometimes I don't understand life and why it has to be so hard. | 0:04:17 | 0:04:21 | |
'My life was never the same again after my parents died. | 0:04:21 | 0:04:26 | |
'They gave me so much and then left me feeling alone, living on this farm with my cousin Em | 0:04:26 | 0:04:32 | |
'and her awful stepmother, Aunt Sannie. Or Tant Sannie, as the Afrikaners always say.' | 0:04:32 | 0:04:37 | |
Damn the heat. | 0:04:37 | 0:04:39 | |
'Em's father also died and now we only have each other. | 0:04:44 | 0:04:49 | |
'Our only escape from that woman was the farm manager. | 0:04:49 | 0:04:52 | |
'Uncle Otto and his son Waldo were our best friends. | 0:04:52 | 0:04:56 | |
'She treated them very badly, but they were much better than her, and our only hope.' | 0:04:56 | 0:05:03 | |
You, what are you doing here, boy? Go herd some sheep! | 0:05:04 | 0:05:09 | |
Otto, get that son of yours working! | 0:05:09 | 0:05:11 | |
Run along. Come, boy! | 0:05:13 | 0:05:15 | |
Always sitting around. | 0:05:18 | 0:05:20 | |
Lazy little devil. | 0:05:22 | 0:05:24 | |
'I'd been begging Tant Sannie to send me to school so I could get away from her. She finally gave in.' | 0:05:24 | 0:05:30 | |
-Why d'you want to go? -If you're clever you can do whatever you want. | 0:05:30 | 0:05:34 | |
-I don't want to go. -You don't need to. | 0:05:34 | 0:05:38 | |
When you're 17 you'll get all the sheep and be rich like Charlotte. | 0:05:38 | 0:05:41 | |
Everyone will want to marry you. But I have nothing, I must learn. | 0:05:41 | 0:05:46 | |
Lyndall, you're like a sister. I'll give you some of MY sheep. | 0:05:46 | 0:05:50 | |
I don't want YOUR sheep. I want things of my own. | 0:05:52 | 0:05:55 | |
-But you have things. -Ugly things. -Don't say that, Lyndall, it's not true. -Yes, it is. | 0:05:55 | 0:06:02 | |
-Look what I found. -..A diamond! | 0:06:02 | 0:06:06 | |
It's yours, to keep. | 0:06:06 | 0:06:08 | |
It's only a crystal, Em. ..But it's beautiful. I'll take it to school with me. | 0:06:08 | 0:06:15 | |
Come see something, Waldo. | 0:06:15 | 0:06:17 | |
-But the sheep. -The sheep can wait. Come on, Waldo. | 0:06:17 | 0:06:21 | |
Come. | 0:06:27 | 0:06:29 | |
DOG WHIMPERS | 0:06:29 | 0:06:33 | |
(If she catches us she'll be angry.) | 0:06:45 | 0:06:48 | |
-She always is. -What d'you want to show me? | 0:06:48 | 0:06:51 | |
When I'm grown up I'll wear diamonds. | 0:06:58 | 0:07:01 | |
-Real diamonds in my hair, just like her. -But where will you find them, Lyndall? | 0:07:01 | 0:07:07 | |
-There aren't any diamonds on this farm. -There's nothing on this farm. | 0:07:07 | 0:07:11 | |
-Lyndall? Em? -Except her. | 0:07:11 | 0:07:14 | |
Where ARE those girls?! | 0:07:14 | 0:07:17 | |
She mustn't find you in here! | 0:07:17 | 0:07:19 | |
I knew it! | 0:07:20 | 0:07:22 | |
I knew you would be in my bedroom. | 0:07:26 | 0:07:29 | |
My special plate! Broken! | 0:07:32 | 0:07:34 | |
-You ungrateful children, English man's ugliness, you broke...! -It was me, Tant Sannie. Me. | 0:07:36 | 0:07:42 | |
Out, get out! You ungrateful children. After all the love I've given you! Lyndall! | 0:07:42 | 0:07:47 | |
One more step, one more wrong step and no more school for you. | 0:07:47 | 0:07:51 | |
I take good care of you like I promised Em's father on his deathbed. | 0:07:51 | 0:07:57 | |
My most special, broken. | 0:07:57 | 0:08:00 | |
I could have beaten her! | 0:08:01 | 0:08:03 | |
Man, help me! | 0:08:07 | 0:08:08 | |
Stupid girl! | 0:08:12 | 0:08:15 | |
Help me. | 0:08:19 | 0:08:21 | |
Give me that! | 0:08:23 | 0:08:25 | |
..I should never have married Em's father. | 0:08:25 | 0:08:28 | |
I'd have beaten her but last night I heard rustling and grunting behind the door. Know what? | 0:08:31 | 0:08:36 | |
It was that bloody Englishman, Em's father, coming to haunt me. | 0:08:36 | 0:08:40 | |
He ghosts by night, AND by day. | 0:08:40 | 0:08:42 | |
And he wouldn't want to see his child beaten. Not him. | 0:08:42 | 0:08:46 | |
Weak, foolish man. | 0:08:46 | 0:08:49 | |
Lyndall, why don't YOUR beads fall off your needle? | 0:09:32 | 0:09:36 | |
-I try. -Come and eat. | 0:09:36 | 0:09:38 | |
-Where's that cousin of yours? -Reading. -Enough with those books now! | 0:09:55 | 0:10:00 | |
Lyndall! | 0:10:00 | 0:10:02 | |
'It gave me so much pleasure, irritating Tant Sannie with my books. | 0:10:10 | 0:10:14 | |
'She was really scared of them.' | 0:10:14 | 0:10:17 | |
Sorry. | 0:10:18 | 0:10:20 | |
Let us pray. | 0:10:23 | 0:10:26 | |
MAIDS CHATTER | 0:10:43 | 0:10:47 | |
GIRLS LAUGH HAPPILY | 0:10:52 | 0:10:55 | |
-Hello, Waldo! -Come on, Waldo, let's go see the bushmen. | 0:11:15 | 0:11:19 | |
LAUGHTER | 0:11:45 | 0:11:48 | |
When will you finish your book? | 0:12:03 | 0:12:06 | |
Tonight. | 0:12:06 | 0:12:08 | |
And then what will you read? | 0:12:08 | 0:12:10 | |
Nothing. | 0:12:10 | 0:12:11 | |
Unless Tant Sannie buys us more books... But she won't. She saves every penny for herself. | 0:12:11 | 0:12:17 | |
GIRLS: She's a miserable old woman! | 0:12:17 | 0:12:20 | |
You know, they never had books. | 0:12:24 | 0:12:27 | |
I think they're funny little people. | 0:12:29 | 0:12:31 | |
Imagine. They used to kneel here, painting. | 0:12:31 | 0:12:35 | |
They must have looked very hard to find the juice to make the paint. | 0:12:35 | 0:12:39 | |
Now the Boers have gone and shot them. And all the buck have gone. | 0:12:39 | 0:12:43 | |
Only we are here. But we'll be gone soon. | 0:12:43 | 0:12:45 | |
And only these rocks will stay looking at everything. | 0:12:45 | 0:12:50 | |
Look! | 0:12:52 | 0:12:53 | |
Who is he? | 0:12:55 | 0:12:57 | |
DOG WHIMPERS | 0:12:57 | 0:13:01 | |
BARKING | 0:13:01 | 0:13:04 | |
DOG BARKS, THEY GIGGLE | 0:13:06 | 0:13:10 | |
'Then everything changed for us. | 0:13:15 | 0:13:17 | |
'A stranger arrived on the farm and convinced Uncle Otto to let him stay.' | 0:13:17 | 0:13:23 | |
I'm not a child and I wasn't born yesterday. | 0:13:23 | 0:13:26 | |
You can't take me in. One wink of my eye and I see everything. | 0:13:26 | 0:13:30 | |
I'll have no tramps sleeping on my farm. By the devil, no. | 0:13:30 | 0:13:35 | |
(His nose, it's so big!) | 0:13:35 | 0:13:37 | |
He is no tramp, Tant Sannie. He's a highly respectable man. | 0:13:40 | 0:13:45 | |
Where's his horse? If he had money he'd have a horse. | 0:13:45 | 0:13:49 | |
Men who walk are thieves, liars, murderers, rum's priests and seducers. | 0:13:49 | 0:13:55 | |
I see the devil in his nose, and look at his hat! | 0:13:55 | 0:13:59 | |
And to come walking into the house as though he arrived on horseback! | 0:13:59 | 0:14:02 | |
Dutch do not like people who walk in this country. | 0:14:02 | 0:14:07 | |
My dear friend, I would've bought another horse | 0:14:07 | 0:14:10 | |
but crossing a river I lost my purse and £500. | 0:14:10 | 0:14:14 | |
I spent five days on the riverbank trying to find it, but couldn't. | 0:14:14 | 0:14:18 | |
If I had I'd have bought another horse. | 0:14:18 | 0:14:21 | |
No, he goes tonight. See how he looks at me, a poor unprotected woman? | 0:14:21 | 0:14:26 | |
If he wrongs me, who'll do me right? | 0:14:26 | 0:14:29 | |
I think if you didn't look at her quite so much it might be advisable. | 0:14:29 | 0:14:33 | |
-She might imagine you liked her too well. -Certainly, I won't look at her. | 0:14:33 | 0:14:38 | |
You might not be a Scotch man or anything of that kind, might you? It's the English she hates. | 0:14:41 | 0:14:47 | |
ACCENT CHANGES: My dear fellow, I've not a drop of English blood in my veins. | 0:14:47 | 0:14:52 | |
-I'm Irish, every inch of me. Father Irish, mother Irish. -Good. | 0:14:52 | 0:14:56 | |
You might not be married, might you? | 0:14:56 | 0:14:58 | |
If you had a wife and children now, Dutch do not like those who are not married, no. | 0:14:58 | 0:15:05 | |
-I have a dear wife and three sweet little children. -Oh, I know. | 0:15:05 | 0:15:09 | |
Two lovely girls and a noble boy, Siobhan, Megan and Ruaridh. | 0:15:09 | 0:15:13 | |
My, um... All Englishmen are ugly. | 0:15:15 | 0:15:17 | |
Did you ever see such a red rag-nosed thing, with broken boots? | 0:15:17 | 0:15:22 | |
Take him to your room, but I'm warning you, Otto, any sin he commits I'll lay at your door. | 0:15:22 | 0:15:29 | |
Bonaparte Blenkins, Ma'am. | 0:15:29 | 0:15:31 | |
May the Lord bless and protect you. | 0:15:32 | 0:15:34 | |
But for you I'd be sleeping the fields crowned by the dews of heaven. | 0:15:34 | 0:15:38 | |
You see, Tant Sannie? He's a good man. Good man. | 0:15:38 | 0:15:42 | |
'Uncle Otto always gave people the benefit of the doubt, | 0:15:44 | 0:15:48 | |
'but how could he be so sure of this man, so far from his home?' | 0:15:48 | 0:15:52 | |
-It's strange he should have such a great name. -Blenkins(?) | 0:15:58 | 0:16:02 | |
Not Blenkins, Em, Bonaparte. | 0:16:02 | 0:16:04 | |
# Bonaparte, Bonaparte | 0:16:04 | 0:16:05 | |
# My wife gets sick in the middle of the week but Sundays not. # | 0:16:05 | 0:16:09 | |
-It's a funny name. -There was a man called Bonaparte once. | 0:16:09 | 0:16:12 | |
I know. The prophet the lions ate. | 0:16:12 | 0:16:14 | |
No, Em, he was the man I like best, the greatest man who ever lived. | 0:16:14 | 0:16:19 | |
-What did HE do? -He wasn't born great. | 0:16:19 | 0:16:21 | |
He was common like us, but he was master of the world. An emperor. | 0:16:21 | 0:16:26 | |
He must have been very happy. | 0:16:26 | 0:16:28 | |
He had what he wanted and that's better than being happy. | 0:16:28 | 0:16:32 | |
He was powerful so everyone feared him. Finally they beat him. | 0:16:32 | 0:16:37 | |
-They sent him to an island far away and kept him there. -Then what? | 0:16:37 | 0:16:41 | |
-He was all alone, with only guards watching him. -And then? | 0:16:41 | 0:16:46 | |
-He never got away. He died in that island. -The end is so sad. | 0:16:46 | 0:16:50 | |
It's a terrible, hateful ending, and the worst is, it's true. | 0:16:50 | 0:16:54 | |
Only fairytales end nicely. | 0:16:54 | 0:16:57 | |
-You've read it. -The book only says what he did. Not what he thought. | 0:16:57 | 0:17:02 | |
-I know what he thought. Books don't tell you everything. -No. They never tell you what you want to know. | 0:17:02 | 0:17:07 | |
The book says where we are standing right now used to be a lake. | 0:17:07 | 0:17:12 | |
Those hills were the shores of lake. | 0:17:12 | 0:17:15 | |
When I was little I used to think that a giant was buried under it. | 0:17:15 | 0:17:19 | |
But now I know the waters must have made it. ..But how? | 0:17:19 | 0:17:23 | |
-Waldo, God put the hills there. -But how? -By wanting. -How did wanting bring it here? -Because it did. | 0:17:23 | 0:17:30 | |
Come, Lyndall. | 0:17:33 | 0:17:36 | |
Shh... | 0:17:50 | 0:17:53 | |
Uncle Otto, how long did that man say he had been walking? | 0:18:11 | 0:18:15 | |
Since this morning. A gentleman not accustomed to walking. Horse died, poor fellow. | 0:18:15 | 0:18:21 | |
-Do you believe him, Uncle Otto? -Believe him? Why, of course I do. | 0:18:21 | 0:18:26 | |
He himself told me the story three times. | 0:18:26 | 0:18:29 | |
But if he had walked for only one day his boots wouldn't look like that. And if his horse... | 0:18:29 | 0:18:35 | |
He told me himself. | 0:18:35 | 0:18:38 | |
Look how he lies there, worn-out. | 0:18:38 | 0:18:41 | |
That's a poor fellow. Poor fellow. | 0:18:41 | 0:18:44 | |
-I think... -(I think you think too much. You'll wake him.) | 0:18:45 | 0:18:49 | |
I think he might be lying. Goodnight, Uncle Otto. | 0:18:56 | 0:19:00 | |
-Goodnight, Waldo. -Goodnight, Lyndall. | 0:19:00 | 0:19:02 | |
Goodnight, Lyndall. | 0:19:02 | 0:19:04 | |
Waldo, it's not so difficult. ..Oh, yeah. | 0:19:22 | 0:19:27 | |
Take this. | 0:19:27 | 0:19:29 | |
Like this. | 0:19:31 | 0:19:33 | |
Oh, it's good. > | 0:19:33 | 0:19:35 | |
Oh, no, no, no, no Waldo. It's enough for today. | 0:19:39 | 0:19:43 | |
You should practise a little bit more. Mmh? | 0:19:43 | 0:19:47 | |
-You were a student of history, I see. -Yes, perhaps a little. | 0:19:47 | 0:19:51 | |
So you will doubtless have heard of my great, my celebrated kinsman, Napoleon Bonaparte. | 0:19:51 | 0:19:57 | |
Yes, of course. | 0:19:57 | 0:19:59 | |
I, sir, was born on this hour on an April afternoon 3 and 50, 40 years ago. | 0:19:59 | 0:20:06 | |
"There's only one name for this child", said the nurse. | 0:20:06 | 0:20:09 | |
He has the nose of his noble kinsman and so Bonaparte Blenkins became my name. | 0:20:09 | 0:20:15 | |
Bonaparte Blenkins, yes, sir! | 0:20:15 | 0:20:19 | |
There's a stream on my maternal side that connects with a stream on his maternal side. | 0:20:19 | 0:20:24 | |
The connection is one which cannot be comprehended | 0:20:26 | 0:20:29 | |
by one unaccustomed to the study of aristocratic pedigrees, | 0:20:29 | 0:20:32 | |
-but the connection is close. -I didn't know Napoleon was Irish. | 0:20:32 | 0:20:36 | |
On the mother's side. And, eh, how long have you been on this farm? | 0:20:36 | 0:20:42 | |
Oh, 50 years. | 0:20:43 | 0:20:45 | |
There's the work you see and... | 0:20:45 | 0:20:47 | |
And then... | 0:20:52 | 0:20:53 | |
A woman - say no more, my friend. | 0:20:53 | 0:20:57 | |
I understand. | 0:20:57 | 0:20:59 | |
I understand that snare. | 0:20:59 | 0:21:00 | |
That honey pot of delicious... | 0:21:00 | 0:21:03 | |
There was a child. | 0:21:03 | 0:21:05 | |
Tant Sannie has been good to us. | 0:21:08 | 0:21:10 | |
And Waldo's mother was sent... | 0:21:10 | 0:21:13 | |
No, run away. She let her stay. | 0:21:13 | 0:21:16 | |
She's a good woman. She has given me sheep every year since I arrived. | 0:21:16 | 0:21:21 | |
Generous woman. And a wealthy one. | 0:21:21 | 0:21:24 | |
The admiration of a good woman is above diamonds. | 0:21:24 | 0:21:29 | |
I think I shall wander out into the benign air and taste the gentle cool of morning. | 0:21:29 | 0:21:34 | |
Exercise is always beneficial. | 0:21:34 | 0:21:36 | |
Uncle Otto, how do we know he's related to Bonaparte? | 0:21:42 | 0:21:45 | |
That's what I hate. "How that's true?" How do you know that anything is true? | 0:21:45 | 0:21:49 | |
Because we are told so. | 0:21:49 | 0:21:51 | |
If you begin to question everything, wanting proof, proof, proof, what will we have left to believe? | 0:21:51 | 0:21:58 | |
How do you know that God talked to Moses? Accept that Moses wrote it. | 0:21:58 | 0:22:03 | |
< Help! Help! | 0:22:03 | 0:22:05 | |
Somebody help me, please! | 0:22:05 | 0:22:08 | |
Save me! | 0:22:08 | 0:22:09 | |
Save me! | 0:22:11 | 0:22:13 | |
Argh! | 0:22:14 | 0:22:15 | |
It turned to me, it looked me in the face. | 0:22:18 | 0:22:21 | |
My life hung upon a cord. I walked in the valley of the shadow of death. | 0:22:21 | 0:22:25 | |
I never knew so young a bird to chase before. | 0:22:25 | 0:22:28 | |
-Unless he doesn't like you. -I'm sorry. You are frightened. The birds are bad things, too. | 0:22:28 | 0:22:34 | |
-You know that. -I forgive you, my friend. Whatever the consequences, I forgive you. | 0:22:34 | 0:22:38 | |
Give me your hand. | 0:22:38 | 0:22:40 | |
-I bear you no ill feeling. -You are very kind. Thank you. | 0:22:40 | 0:22:43 | |
My nerves. Always delicate. | 0:22:43 | 0:22:45 | |
Highly strung. Broken, broken. | 0:22:45 | 0:22:48 | |
You could not spare a little wine? | 0:22:48 | 0:22:50 | |
-A little brandy, perhaps? -Oh, yes. Yes. | 0:22:50 | 0:22:52 | |
For my friend to be attacked so... | 0:22:52 | 0:22:55 | |
The bird has never done this before. | 0:22:55 | 0:22:58 | |
-Thank you. -And... How do you feel now? | 0:22:58 | 0:23:03 | |
A little more, thanks. | 0:23:03 | 0:23:06 | |
Bless you. | 0:23:07 | 0:23:08 | |
My old friend has seen his final days. | 0:23:10 | 0:23:13 | |
You have protected me from the burning rays of summer, the cutting winds of winter. | 0:23:13 | 0:23:18 | |
Henceforth, bare headed must your master go. | 0:23:18 | 0:23:23 | |
Goodbye, old hat. Goodbye. | 0:23:25 | 0:23:27 | |
-Uncle Otto, you don't have to... -Just go. | 0:23:31 | 0:23:33 | |
It's not what you have been accustomed to, but it might be of some use. | 0:23:33 | 0:23:38 | |
My friend, you are allowing yourself to feel guilty on my account. | 0:23:38 | 0:23:42 | |
I shall go bare headed. | 0:23:42 | 0:23:44 | |
No, I have no use for that. | 0:23:44 | 0:23:45 | |
None at all. Please take it. | 0:23:45 | 0:23:47 | |
Then I'll take it. | 0:23:47 | 0:23:50 | |
The hat may not be as good as the old one was, but it will serve. | 0:23:50 | 0:23:55 | |
-Yes, it will serve. -Oh, it's good. | 0:23:55 | 0:23:58 | |
I, eh... I should be on my way... | 0:24:02 | 0:24:06 | |
when the sun gets lower. | 0:24:06 | 0:24:08 | |
But you do not have to leave. | 0:24:08 | 0:24:11 | |
Tant Sannie has given her consent and... | 0:24:11 | 0:24:14 | |
Oh, my friend, I must seek work. | 0:24:14 | 0:24:16 | |
Idleness for only a day is unacceptable and painful. | 0:24:16 | 0:24:21 | |
Painful. | 0:24:21 | 0:24:23 | |
Work, labour. That is the secret of all true happiness. | 0:24:23 | 0:24:27 | |
Yes, but tomorrow is the Sabbath. And you cannot go and look for work on the Sabbath. | 0:24:27 | 0:24:33 | |
Oh, yes. The blessed Sabbath. | 0:24:33 | 0:24:36 | |
You must find it hard, without the administration of the Lord's word in this desolate spot. | 0:24:36 | 0:24:43 | |
Well, yes. We do our best. We meet together and I say a few words and perhaps I am not wholly lost, | 0:24:43 | 0:24:50 | |
-not quite. -How extraordinary. At home I do the same. | 0:24:50 | 0:24:53 | |
Oh, those were blessed times. | 0:24:53 | 0:24:56 | |
Were that they might return. | 0:24:56 | 0:24:58 | |
Then it's settled. You will stay for the service tomorrow. | 0:24:58 | 0:25:01 | |
I will speak to Tant Sannie, yes I will. And then... | 0:25:01 | 0:25:04 | |
You might take the service in my place, if you want to. | 0:25:06 | 0:25:10 | |
My friend, it would give me great pleasure, | 0:25:10 | 0:25:15 | |
but these worn-out clothes, I could not possibly enter the Lord's house. | 0:25:15 | 0:25:20 | |
'At times like these, Uncle Otto's good nature could not be borne.' | 0:25:20 | 0:25:25 | |
Not the latest fashion, | 0:25:25 | 0:25:27 | |
-but I think it's perfect. -If you insist, but only if you insist. | 0:25:27 | 0:25:32 | |
-Please, take it. -Thank you, sir. | 0:25:32 | 0:25:35 | |
Tell me, my friend, | 0:25:38 | 0:25:40 | |
who's the girl, exactly? | 0:25:40 | 0:25:42 | |
That's Lyndall. | 0:25:42 | 0:25:44 | |
Em's cousin. | 0:25:44 | 0:25:46 | |
Both her parents dead... It's a poor thing. | 0:25:46 | 0:25:50 | |
Oh, the Lord bless and protect her. | 0:25:50 | 0:25:53 | |
That man. | 0:25:53 | 0:25:55 | |
-The Irishman? -I like him. | 0:25:55 | 0:25:57 | |
He tells interesting stories. | 0:25:57 | 0:26:00 | |
-He tells lies, that's what he tells. -He'll be gone soon, Lyndall. | 0:26:01 | 0:26:05 | |
I hate this place. I hate the dust and dirt and the stones people think are diamonds. | 0:26:05 | 0:26:12 | |
It's where we live, Lyndall. | 0:26:12 | 0:26:14 | |
I hate it. | 0:26:14 | 0:26:16 | |
I can't wait to leave. | 0:26:18 | 0:26:20 | |
The last time I was in Germany. | 0:26:27 | 0:26:29 | |
It was many years ago. Let me see. | 0:26:29 | 0:26:33 | |
I think it looks good. | 0:26:36 | 0:26:38 | |
Clean as a whistle. | 0:26:38 | 0:26:41 | |
Marvellous. | 0:26:41 | 0:26:43 | |
'There was one thing Tant Sannie had profound reverence for. | 0:27:01 | 0:27:05 | |
'And that was Sunday service.' | 0:27:05 | 0:27:07 | |
Good morning. | 0:27:17 | 0:27:19 | |
Good morning, Tant Sannie. | 0:27:20 | 0:27:21 | |
-Bonaparte takes the service today. -'Appearances can change a man, but not his heart.' | 0:27:27 | 0:27:31 | |
Oh Lord, bless this house and all who are in it. | 0:27:31 | 0:27:36 | |
'But what would Tant Sannie know about heart?' | 0:27:36 | 0:27:39 | |
He looks just like the... | 0:27:39 | 0:27:42 | |
I wish I hadn't called him a thief and a Roman Catholic. | 0:27:42 | 0:27:45 | |
So, let us pray. | 0:27:47 | 0:27:49 | |
Happy are those | 0:27:58 | 0:28:00 | |
who reject evil. | 0:28:00 | 0:28:03 | |
Happy are those who give freely to others. | 0:28:05 | 0:28:09 | |
Who do not think only of themselves. | 0:28:11 | 0:28:13 | |
-Happy are those who believe in the Lord... -MURMURING | 0:28:17 | 0:28:21 | |
..and follow his guidance. | 0:28:21 | 0:28:23 | |
-And love. -MURMURING | 0:28:25 | 0:28:29 | |
This is a man of God. | 0:28:29 | 0:28:32 | |
-Amen. -Amen. | 0:28:32 | 0:28:35 | |
Do you think he remembers that I shook my fist in his face? | 0:28:37 | 0:28:41 | |
All liars shall have their part in the lake which | 0:28:52 | 0:28:55 | |
burneth with fire and brimstone, which is the second death. | 0:28:55 | 0:29:01 | |
We shall not, my dear friends, detain you long. Few, very few words, are all I have. | 0:29:07 | 0:29:12 | |
Oh, my beloved friends, | 0:29:15 | 0:29:17 | |
who would leave this earth? | 0:29:17 | 0:29:21 | |
Here are joys innumerable. | 0:29:21 | 0:29:24 | |
Your clothes, beds, delicious food, my friends. | 0:29:25 | 0:29:30 | |
Our precious bodies were given us to cherish and to love. | 0:29:33 | 0:29:38 | |
Oh, let us do so. | 0:29:38 | 0:29:41 | |
Oh, let us care for and love them. | 0:29:41 | 0:29:44 | |
May the Lord add his blessings. | 0:29:51 | 0:29:52 | |
So, let us sing. | 0:30:08 | 0:30:09 | |
# The King of love my Shepherd is | 0:30:16 | 0:30:21 | |
# Whose goodness faileth never | 0:30:21 | 0:30:26 | |
# I nothing lack if I am His | 0:30:26 | 0:30:31 | |
# And He is mine forever | 0:30:31 | 0:30:37 | |
# Where streams of living water flow | 0:30:39 | 0:30:44 | |
# My ransomed soul He leadeth... # | 0:30:44 | 0:30:49 | |
He is like the elders, you know? | 0:31:05 | 0:31:07 | |
The ones that sit in the top pew in the church on Sundays. | 0:31:07 | 0:31:10 | |
The nicely oiled hair, so holy and respectable. | 0:31:10 | 0:31:14 | |
The little swallowtail coats. | 0:31:14 | 0:31:17 | |
There's no doubt that he is a respectable man. | 0:31:18 | 0:31:21 | |
A gentleman. | 0:31:25 | 0:31:26 | |
Go. | 0:31:32 | 0:31:34 | |
Morning. | 0:31:40 | 0:31:42 | |
Yes. | 0:31:45 | 0:31:47 | |
Good day. | 0:31:48 | 0:31:49 | |
-Good day, madam. -Coffee? | 0:31:49 | 0:31:52 | |
Delighted. | 0:31:52 | 0:31:55 | |
-Sugar? -One, please. | 0:31:55 | 0:31:57 | |
-Thank you. -Take a seat. | 0:32:02 | 0:32:04 | |
-Oh, it's hot. -It is indeed. | 0:32:17 | 0:32:20 | |
Oh, you will, I trust you, madam, excuse this exhibition of feelings, | 0:32:36 | 0:32:42 | |
but this picture | 0:32:42 | 0:32:44 | |
reminds me of my... | 0:32:44 | 0:32:46 | |
best beloved, my dear wife, saint of heaven. | 0:32:46 | 0:32:51 | |
This beautiful woman is... | 0:32:51 | 0:32:53 | |
Ah, yes. The eyes, the mouth, the nose, the chin. | 0:32:56 | 0:33:03 | |
Fair expression. Extraordinary. | 0:33:03 | 0:33:06 | |
Put more sugar in. | 0:33:08 | 0:33:09 | |
Thank you. | 0:33:13 | 0:33:14 | |
The pudding is ready and the meat is on the table. | 0:33:17 | 0:33:20 | |
Thank you. You will excuse me, Tant Sannie. | 0:33:20 | 0:33:24 | |
But he is married. All the good ones are taken. | 0:33:32 | 0:33:36 | |
You can see that he's a God-fearing man and he knows how to behave himself. | 0:33:36 | 0:33:41 | |
If he's ugly, would the Lord make him? | 0:33:41 | 0:33:44 | |
And are we to judge the Lord's handy work? | 0:33:44 | 0:33:46 | |
It is better to be ugly and good, than pretty and bad. | 0:33:46 | 0:33:51 | |
Though, of course, it is nice if one is both. | 0:33:51 | 0:33:55 | |
I think it doesn't matter. | 0:33:55 | 0:33:58 | |
-You said that you were looking for a situation? -Mm-hmm. | 0:34:07 | 0:34:11 | |
Just supposing, really supposing, if someone should make an offer | 0:34:11 | 0:34:15 | |
to you to become schoolmaster on the farm and teach one or two children. | 0:34:15 | 0:34:22 | |
That would give you, let's say, £40 a year. | 0:34:22 | 0:34:26 | |
Would you accept it? | 0:34:26 | 0:34:28 | |
That would depend on circumstances. | 0:34:28 | 0:34:31 | |
Money is no consideration with me. | 0:34:31 | 0:34:34 | |
Should I find a place where a gentleman would be treated as a gentleman I would accept it. | 0:34:34 | 0:34:39 | |
However small the remuneration. | 0:34:39 | 0:34:41 | |
There would also be a room to sleep in. Quite comfortable. | 0:34:41 | 0:34:44 | |
And food, of course. | 0:34:44 | 0:34:47 | |
That would be something to consider. | 0:34:47 | 0:34:49 | |
I think I shall go up and see Tant Sannie. | 0:34:49 | 0:34:52 | |
I go up often on Sunday afternoon and have a general conversation. | 0:34:52 | 0:34:57 | |
To see her. I mean, nothing in particular. | 0:34:57 | 0:35:00 | |
Yeah. I shall go up. | 0:35:00 | 0:35:03 | |
I go up to Tant Sannie. | 0:35:03 | 0:35:05 | |
You promised. You promised Em's father before he died that you'd send us to school. | 0:35:15 | 0:35:19 | |
Now, you don't need to go. You've got Mr Blenkins to teach you. | 0:35:19 | 0:35:22 | |
I never meant for Lyndall not to go to school. I thought he could teach Em and... | 0:35:22 | 0:35:26 | |
He's not a teacher, he's a liar. | 0:35:26 | 0:35:28 | |
-Show some charity. The Good Book says... -Not to suffer fools. | 0:35:28 | 0:35:31 | |
-He is a learned man. -He is not! | 0:35:31 | 0:35:34 | |
He's a liar and a thief! | 0:35:34 | 0:35:36 | |
That's enough! Go to your room! | 0:35:36 | 0:35:38 | |
-That girl could do with some discipline. -She needs to learn. -Respect. | 0:35:45 | 0:35:49 | |
No, just things and Waldo too, he needs to learn. | 0:35:49 | 0:35:52 | |
He's clever, Tant Sannie. And I was hoping that | 0:35:52 | 0:35:56 | |
he could join the girls. | 0:35:56 | 0:35:57 | |
Your pup? To learn? Yes. | 0:35:57 | 0:35:59 | |
-At my expense? -Yes, with my help. | 0:35:59 | 0:36:02 | |
-You take me for a fool? -I take you for a kind woman, a good one. | 0:36:02 | 0:36:05 | |
And you will do the right thing. | 0:36:05 | 0:36:07 | |
I mean, the boy is clever. | 0:36:07 | 0:36:09 | |
Isn't it enough that I have your shame on my farm? | 0:36:09 | 0:36:12 | |
I know my shame, Tant Sannie. | 0:36:12 | 0:36:14 | |
And it is not the boy's fault. | 0:36:14 | 0:36:16 | |
And now you want to teach him like a white man? | 0:36:16 | 0:36:19 | |
He's a good boy and he needs a chance. | 0:36:19 | 0:36:23 | |
SOBBING | 0:36:27 | 0:36:29 | |
Why did he have to come to this farm? | 0:36:32 | 0:36:34 | |
-Why? -Don't worry, Lyndall. | 0:36:34 | 0:36:37 | |
Maybe you can go to school next year. | 0:36:37 | 0:36:38 | |
I hate him. It's taken me so long to make Tant Sannie send me to school, | 0:36:40 | 0:36:44 | |
now he comes along and spoils everything. | 0:36:44 | 0:36:47 | |
It won't be so bad. We can go to school together. | 0:36:47 | 0:36:50 | |
It'll be fun, I promise. | 0:36:50 | 0:36:52 | |
When I'm grown up I'll know everything. | 0:36:52 | 0:36:55 | |
I'll be rich, very rich. | 0:36:55 | 0:36:57 | |
I'll have all the power and no-one will be able to hurt me. | 0:36:57 | 0:37:01 | |
"Through desire, | 0:37:03 | 0:37:05 | |
"man, having separated himself, | 0:37:05 | 0:37:09 | |
"seeketh and intermeddleth with all wisdom. | 0:37:09 | 0:37:14 | |
"A fool's lips enter into contention and his mouth calleth for strokes. | 0:37:14 | 0:37:20 | |
"A fool's mouth is his destruction... | 0:37:22 | 0:37:25 | |
"..and his lips are the snare of his soul." | 0:37:26 | 0:37:30 | |
What's out there that you find so interesting, Lyndall? | 0:37:34 | 0:37:38 | |
I was wondering if you knew the signs of the Zodiac. | 0:37:41 | 0:37:44 | |
-That's not a fit subject for a girl to talk about. -D'you know who Copernicus was? | 0:37:44 | 0:37:48 | |
-History is this afternoon, Lyndall. -But you do know who Copernicus was? | 0:37:48 | 0:37:52 | |
Yes, I do. | 0:37:52 | 0:37:54 | |
He was a Roman emperor who burned Christians alive and a golden pig, | 0:37:54 | 0:37:59 | |
who, himself, was eaten by worms while alive. | 0:37:59 | 0:38:02 | |
-Where do you think you're going? -Lyndall, please don't go. | 0:38:08 | 0:38:11 | |
We'll see what Tant Sannie has to say about this, won't we, Em? | 0:38:11 | 0:38:16 | |
That girl's more trouble than she's worth. | 0:38:36 | 0:38:39 | |
To walk out like that on such a respectable gentleman. | 0:38:39 | 0:38:44 | |
You have beautiful feet, Tant Sannie. | 0:38:55 | 0:38:57 | |
Such delicate feet. I like feet like that. | 0:38:57 | 0:39:01 | |
They're just feet. | 0:39:01 | 0:39:03 | |
Such delicate ones. | 0:39:06 | 0:39:07 | |
I'll talk to the girl. | 0:39:10 | 0:39:12 | |
Big women have always been so good to me. | 0:39:20 | 0:39:23 | |
Is your wife also big? | 0:39:23 | 0:39:25 | |
You must always put pure cream in his coffee, you hear me? | 0:39:36 | 0:39:39 | |
SOBBING | 0:39:50 | 0:39:52 | |
Em, what's the matter? | 0:39:56 | 0:39:58 | |
Lyndall made him angry and he's given me Chapter John to learn. | 0:39:58 | 0:40:04 | |
-He said he'll teach me to behave myself when Lyndall troubles him. -What did she do? | 0:40:04 | 0:40:11 | |
Whenever he talks, she just looks at the door like she doesn't hear him. | 0:40:11 | 0:40:18 | |
Today, she just walked out. | 0:40:18 | 0:40:21 | |
She said she would never come back | 0:40:21 | 0:40:23 | |
to the school again, and she always does what she says. | 0:40:23 | 0:40:27 | |
And now I'll sit here every day alone. | 0:40:27 | 0:40:31 | |
Maybe Tant Sannie will send him away. | 0:40:36 | 0:40:39 | |
No. He'll never go away. | 0:40:39 | 0:40:41 | |
-You should stop crying. I'll tell you something, a secret. -What? | 0:40:47 | 0:40:52 | |
Promise you won't tell anyone? | 0:40:52 | 0:40:54 | |
I promise. | 0:40:54 | 0:40:56 | |
-I've made a machine. -A machine?! | 0:40:56 | 0:40:59 | |
Yes, a machine for shearing sheep. | 0:40:59 | 0:41:02 | |
Where is it? | 0:41:02 | 0:41:04 | |
Here. This is a model. When it's done, they'll have to make a larger one then maybe | 0:41:04 | 0:41:09 | |
-I'll make enough money to send Lyndall to school. -Show it to me. -No. Not till it's done. | 0:41:09 | 0:41:15 | |
It's a beautiful secret. | 0:41:15 | 0:41:17 | |
Hurry up, our girl. Come on! | 0:41:41 | 0:41:43 | |
Get that chimney clean! | 0:41:43 | 0:41:45 | |
SQUAWKING | 0:42:02 | 0:42:04 | |
It's been long since Bonaparte visited us. | 0:42:31 | 0:42:34 | |
You should be finished fixing the corral tomorrow. | 0:42:43 | 0:42:46 | |
Maybe you could come and help me when you're finished with the sheep. | 0:42:46 | 0:42:52 | |
Or maybe I could help you? | 0:42:55 | 0:42:56 | |
-What? -With that thing you keep the secret. | 0:42:59 | 0:43:03 | |
Oh, that's good. | 0:43:18 | 0:43:20 | |
That's very good for the shearing, yes? | 0:43:20 | 0:43:23 | |
-But it was meant to be a secret, a surprise for you. -Surprise? | 0:43:23 | 0:43:27 | |
It's a good surprise, Waldo. | 0:43:27 | 0:43:28 | |
No! | 0:43:38 | 0:43:39 | |
Wait here. | 0:43:43 | 0:43:44 | |
No! | 0:43:50 | 0:43:52 | |
My wife! My wife! | 0:43:52 | 0:43:58 | |
Go to him, Otto. Help the poor man. | 0:44:01 | 0:44:04 | |
What is it, my friend? Tell me, please tell me. | 0:44:04 | 0:44:07 | |
My dear wife! | 0:44:07 | 0:44:10 | |
My saint, my angel is dead! | 0:44:10 | 0:44:12 | |
She's dead! | 0:44:12 | 0:44:14 | |
Go on, Otto, comfort him. | 0:44:14 | 0:44:16 | |
Poor man. Maybe I can help. | 0:44:20 | 0:44:22 | |
-Please let me see. -No, no. | 0:44:22 | 0:44:26 | |
-It's hard to lose your woman, I know. -I know just the thing - pop. | 0:44:29 | 0:44:33 | |
Pop and brandy. Bring it to me now. | 0:44:33 | 0:44:35 | |
Get it from my room, | 0:44:35 | 0:44:36 | |
my room. | 0:44:36 | 0:44:37 | |
-SOBBING -Shh, shh. | 0:44:42 | 0:44:44 | |
Don't cry. I know how it was. | 0:44:52 | 0:44:56 | |
When my first husband died they could do nothing with me | 0:44:56 | 0:45:00 | |
till I'd eaten pig's trotter and honey and little roasted cake. | 0:45:00 | 0:45:04 | |
-I know. -SOBBING | 0:45:04 | 0:45:09 | |
You're very kind to comfort me. | 0:45:10 | 0:45:13 | |
She was my wife. | 0:45:13 | 0:45:16 | |
The woman, my wife, I could live. | 0:45:16 | 0:45:18 | |
But the woman is my wife, I could die. | 0:45:18 | 0:45:22 | |
-My sweet wife, will I ever see her again? -Pop and brandy, that's the answer. | 0:45:22 | 0:45:27 | |
No, no, I can't. | 0:45:27 | 0:45:30 | |
I shall die, I shall die. | 0:45:30 | 0:45:31 | |
Nothing should pass my lips, I should be suffocated. | 0:45:31 | 0:45:35 | |
-Bless you, dear lady. -'Bonaparte's wife conveniently died. | 0:45:41 | 0:45:46 | |
'She probably never existed in the first place.' | 0:45:46 | 0:45:48 | |
-Thank you. -'He must've mailed the letter to himself.' | 0:45:48 | 0:45:53 | |
Now he'll stay for ever. | 0:45:54 | 0:45:58 | |
He's cruel. I hate him! | 0:45:58 | 0:46:01 | |
He is maybe hard, | 0:46:01 | 0:46:04 | |
but Mr Blenkins has a good heart. | 0:46:04 | 0:46:07 | |
God, God is cruel. He took his wife, he took my mother off the farm. | 0:46:07 | 0:46:11 | |
Why your mother left had nothing to do with God. | 0:46:11 | 0:46:14 | |
It was men, men and women. | 0:46:14 | 0:46:16 | |
God is not cruel. | 0:46:16 | 0:46:18 | |
We are the ones who fail him. | 0:46:18 | 0:46:20 | |
We are the ones who have to work every day to change ourselves, | 0:46:20 | 0:46:25 | |
however hard it is to love, to be kind, | 0:46:25 | 0:46:28 | |
to be charitable. | 0:46:28 | 0:46:31 | |
-But why? -Why? | 0:46:31 | 0:46:34 | |
Because we're all human. | 0:46:34 | 0:46:36 | |
Human, we're all human. | 0:46:36 | 0:46:38 | |
'Maybe if Waldo had never gone to the mill that day, things wouldn't have turned out the way they did.' | 0:47:00 | 0:47:05 | |
< You think I can't see? You think I can't count? | 0:47:05 | 0:47:11 | |
-What else have you been stealing, huh? -Nothing, miss. -What else? | 0:47:11 | 0:47:15 | |
-Nothing. -You're not going to fool me any more, you hear me? | 0:47:15 | 0:47:18 | |
I've got eyes on all of you from now on. The cheek of it! All those sheep and you think I won't see? | 0:47:18 | 0:47:24 | |
You devil spawn! You get out of here and get off my farm! | 0:47:24 | 0:47:29 | |
Tant Sannie, you can't do this. | 0:47:29 | 0:47:32 | |
Her child is only like this. | 0:47:32 | 0:47:34 | |
Her husband will come back with the sheep, I'm sure of it. | 0:47:34 | 0:47:37 | |
-He has stolen them, I know he has! -No, no, no, I will not believe he stole them. I know that man. | 0:47:37 | 0:47:42 | |
I know him three years. He's a good man, he wouldn't steal. | 0:47:42 | 0:47:45 | |
Tant Sannie, I mean, we are all God's children. | 0:47:45 | 0:47:52 | |
What's she to you, huh? One of your mistakes? | 0:47:52 | 0:47:55 | |
You were always too soft on them. | 0:47:55 | 0:47:58 | |
I know my sins, but her husband will come back with the sheep. | 0:47:58 | 0:48:02 | |
I stake my job on it! | 0:48:02 | 0:48:04 | |
If your husband doesn't come back with those sheep, | 0:48:09 | 0:48:13 | |
you are off this farm. Do you understand? | 0:48:13 | 0:48:15 | |
-Yes. -Run! | 0:48:15 | 0:48:16 | |
OTTO SINGS | 0:48:24 | 0:48:28 | |
Why? | 0:48:45 | 0:48:47 | |
-Why do you let them treat you like this? -Who? | 0:48:47 | 0:48:49 | |
Them. | 0:48:49 | 0:48:51 | |
Tant Sannie and that man. | 0:48:51 | 0:48:53 | |
I know what you think about Bonaparte. | 0:48:53 | 0:48:55 | |
But when I was young man, I was an angry man, but then I learnt that anger does nothing but turn on you. | 0:48:59 | 0:49:06 | |
-But Uncle Otto... -You, too, Lyndall. | 0:49:06 | 0:49:09 | |
You have so much anger, so much anger. | 0:49:09 | 0:49:11 | |
You love my books, yes? | 0:49:13 | 0:49:15 | |
I watch you with them. You love my books, but you never look at the most important one. | 0:49:15 | 0:49:23 | |
"Love isn't selfish or quick tempered. | 0:49:25 | 0:49:29 | |
"It doesn't keep a record of wrongs that others do. | 0:49:29 | 0:49:32 | |
"Love rejoices in the truth, but not in evil. | 0:49:32 | 0:49:36 | |
"There are three things - faith, hope and love. | 0:49:36 | 0:49:39 | |
"But of these three - the greatest is love." | 0:49:39 | 0:49:44 | |
-KNOCKING -I hope I'm not disturbing you, my friend. | 0:49:46 | 0:49:50 | |
No, no. Come in, take a seat. We can have some coffee together. | 0:49:50 | 0:49:54 | |
Come, Em. | 0:49:54 | 0:49:55 | |
Condolences on your wife. | 0:49:58 | 0:50:00 | |
So, please. | 0:50:06 | 0:50:08 | |
My friend, I come not for mere creature comforts, | 0:50:08 | 0:50:11 | |
but for an hour of brotherly discourse with a kindred spirit. | 0:50:11 | 0:50:15 | |
What joy it is to be once more in your society. | 0:50:15 | 0:50:19 | |
It grieves me deeply, my dear friend, that you and Tant Sannie should have had some slight... | 0:50:19 | 0:50:25 | |
unpleasantness this afternoon. | 0:50:25 | 0:50:27 | |
It's all right now. A few sheep missing. | 0:50:27 | 0:50:30 | |
I'll make it good myself. I give my 15 sheep and work on the other 8. | 0:50:30 | 0:50:37 | |
You should not have to make good the lost sheep when it isn't your fault. | 0:50:37 | 0:50:40 | |
I'd rather do that than see the poor man's wife turned out into the fields. | 0:50:40 | 0:50:44 | |
Now that's what I call cruelty. | 0:50:44 | 0:50:46 | |
Diabolical cruelty. The person that could do such a thing. | 0:50:46 | 0:50:51 | |
I mean, I, I could run them through with a knife! | 0:50:53 | 0:50:56 | |
But Tant Sannie gives her word the maid shall remain for some days, | 0:51:00 | 0:51:04 | |
-and she will keep her word. I know all will be well. -Tant Sannie is a hard woman. | 0:51:04 | 0:51:08 | |
No, no, she has her heart on the right side, and if I may say so, | 0:51:11 | 0:51:16 | |
I have an affection for her which I think she returns. | 0:51:16 | 0:51:20 | |
There's not one person on this farm | 0:51:20 | 0:51:22 | |
for whom I have not affection, Mr Blenkins. | 0:51:22 | 0:51:26 | |
It's not the same for all of us. | 0:51:28 | 0:51:30 | |
'Sometimes I wished Uncle Otto wasn't so good and kind. | 0:51:34 | 0:51:39 | |
'He went to find the sheep just so the maid could stay on the farm. | 0:51:39 | 0:51:43 | |
'Never saw any bad in anyone, even though there is good and bad in all of us.' | 0:51:43 | 0:51:48 | |
Tell me why you're here. | 0:52:03 | 0:52:04 | |
Missus. | 0:52:06 | 0:52:08 | |
Did she give you food? | 0:52:08 | 0:52:10 | |
Here's this. Take it. | 0:52:12 | 0:52:16 | |
Here. You must try and get to the next farm. | 0:52:19 | 0:52:22 | |
Come, I'll help you. Come. | 0:52:22 | 0:52:25 | |
'By the time Uncle Otto got back, it was too late.' | 0:52:27 | 0:52:30 | |
Lyndall, Em, you are crying. What's the matter? | 0:52:43 | 0:52:48 | |
You child of a dog! | 0:52:48 | 0:52:49 | |
Come here! | 0:52:49 | 0:52:51 | |
You old vagabond of a prying German! | 0:52:53 | 0:52:57 | |
-What is it? -I have the heart of the devil, do I? | 0:52:57 | 0:53:01 | |
You could run me through with a knife, could you? | 0:53:01 | 0:53:04 | |
-I couldn't drive the maid away because I was afraid of you, was I? -What?! | 0:53:04 | 0:53:08 | |
I loved you, did I? | 0:53:08 | 0:53:10 | |
I wanted to marry you, do I? | 0:53:10 | 0:53:12 | |
-Do I, you devil's tongue, you rat's tail! -I don't understand. | 0:53:12 | 0:53:17 | |
Ask him, ask him. He knows. | 0:53:17 | 0:53:21 | |
You thought he wouldn't tell me, but he did. | 0:53:21 | 0:53:23 | |
He did, you old fool! You old beggar! | 0:53:23 | 0:53:25 | |
-He lies! -Do not approach me, do not address me, lost man! | 0:53:25 | 0:53:31 | |
This woman has been your benefactress and how have you rewarded her? | 0:53:31 | 0:53:36 | |
Beastly, beastly, beastly! | 0:53:36 | 0:53:38 | |
-What have you been poisoning her mind with? -Get off my land, you dog! | 0:53:38 | 0:53:43 | |
-You will not let me speak? -You've spoken enough. | 0:53:43 | 0:53:46 | |
-I would've been a rich woman if it wasn't for your laziness. -Quite. | 0:53:46 | 0:53:50 | |
You would have been poor, Tant Sannie. And you are even poorer now. | 0:53:50 | 0:53:55 | |
Poor in spirit and poor in charity. | 0:53:55 | 0:53:58 | |
You dare talk to me about charity! | 0:53:58 | 0:54:02 | |
After I kept you and that little half-caste of yours like I did! | 0:54:02 | 0:54:06 | |
And you stand there all righteous! | 0:54:06 | 0:54:10 | |
Well, it doesn't fool me any more. Oh, no! | 0:54:10 | 0:54:12 | |
Yes, I've sinned, but it was done for love. | 0:54:12 | 0:54:16 | |
This, this is different kind of sin. | 0:54:16 | 0:54:19 | |
This is pride and anger and greed | 0:54:19 | 0:54:23 | |
and lies! And he, he has lied! | 0:54:23 | 0:54:25 | |
And you, you're a foolish woman. | 0:54:27 | 0:54:30 | |
I will not live with fools and liars. | 0:54:30 | 0:54:34 | |
I feel sorry for you, Tant Sannie. | 0:54:34 | 0:54:36 | |
Sorry. | 0:54:36 | 0:54:38 | |
Do not fret so much. All will be well. | 0:54:45 | 0:54:48 | |
If you are here by sunrise, my labourers will drag you | 0:54:48 | 0:54:51 | |
in the sand till there's no bone left in your body! | 0:54:51 | 0:54:55 | |
-She's an evil, wicked woman! -We all sinneth. | 0:54:55 | 0:54:58 | |
I'll keep everything, even your horse, for all the sheep that you lost! | 0:54:58 | 0:55:03 | |
Be off my land by sunrise! | 0:55:03 | 0:55:05 | |
Come, Em. | 0:55:05 | 0:55:08 | |
We won't stay to listen to such lies! | 0:55:08 | 0:55:11 | |
-Uncle Otto! -So you will defy me too, you Englishman's ugliness! | 0:55:11 | 0:55:17 | |
Don't you...! | 0:55:17 | 0:55:18 | |
CRYING | 0:55:19 | 0:55:21 | |
Leave her alone! | 0:55:21 | 0:55:24 | |
You, off my farm! | 0:55:26 | 0:55:28 | |
See what you've done! | 0:55:28 | 0:55:30 | |
Good riddance. | 0:55:32 | 0:55:35 | |
-You little devils! I'll teach you! -CRYING | 0:55:35 | 0:55:38 | |
Let us out or I'll break the door down! | 0:55:43 | 0:55:45 | |
"My chickens, you did not come to say goodbye to me. | 0:56:06 | 0:56:11 | |
"I go to meet Waldo at the mill and he will follow me. | 0:56:11 | 0:56:15 | |
"God knows there's land where all things are made right, | 0:56:15 | 0:56:19 | |
"but that land is not here. | 0:56:19 | 0:56:21 | |
"Hold your heads high, my chickens, and always be proud of your actions. | 0:56:25 | 0:56:30 | |
"Nothing is mine, otherwise I would say, 'Lyndall, take my books. Em, my stores' | 0:56:30 | 0:56:36 | |
"Now I say nothing. | 0:56:36 | 0:56:40 | |
"I know the things are mine and it is not righteous, | 0:56:40 | 0:56:43 | |
"but I'm silent. Let it be. | 0:56:43 | 0:56:47 | |
"I have said too much today. | 0:56:49 | 0:56:50 | |
"I've done too much, but I feel it. | 0:56:50 | 0:56:55 | |
"Do not cry too much for the old man. | 0:56:55 | 0:56:59 | |
"I go out to seek my fortune | 0:56:59 | 0:57:02 | |
"and maybe I will come back with it in the bank. | 0:57:02 | 0:57:05 | |
"There's one thing I must tell you. | 0:57:05 | 0:57:09 | |
"It concerns Waldo's mama and my shame. | 0:57:09 | 0:57:13 | |
"She was my shame. She was a good woman and I loved her. | 0:57:13 | 0:57:18 | |
"My shame was I didn't protect her, | 0:57:18 | 0:57:23 | |
"but stood by and allowed her to be driven from me. | 0:57:23 | 0:57:26 | |
"I love my children. Do they think of me? | 0:57:28 | 0:57:32 | |
"I am old Otto, going out to seek his fortune." | 0:57:32 | 0:57:36 | |
Oh! Argh. | 0:57:49 | 0:57:50 | |
HE GASPS | 0:57:52 | 0:57:54 | |
HE GASPS | 0:58:14 | 0:58:17 | |
Tomorrow, I'll smooth the cogs and tighten the screws a little. | 0:58:29 | 0:58:34 | |
Then I'll show it to everyone. | 0:58:34 | 0:58:37 | |
I could get about £50 for it. | 0:58:37 | 0:58:40 | |
I'll send Lyndall to school. | 0:58:40 | 0:58:41 | |
I'll get a black hat for Papa and a sewing kit for Em. | 0:58:41 | 0:58:45 | |
I'll get a box full of books that will tell me everything. | 0:58:45 | 0:58:49 | |
Why crystals grow into such beautiful shapes, | 0:58:49 | 0:58:53 | |
why black people are black and why the sunlight warms up things. | 0:58:53 | 0:58:57 | |
Then I'll read and read and read. | 0:58:57 | 0:59:01 | |
Where are you running so fast with your rosy cheeks, my boy? | 0:59:22 | 0:59:26 | |
The barn. | 0:59:26 | 0:59:27 | |
You won't find anyone in right now. | 0:59:27 | 0:59:29 | |
-Not your good old father anyway. -Where is he? | 0:59:29 | 0:59:32 | |
Behind the camps. | 0:59:32 | 0:59:35 | |
-What's he doing there? -We couldn't keep him any more. | 0:59:35 | 0:59:39 | |
It was too hot. | 0:59:39 | 0:59:40 | |
Papa! Papa! | 0:59:42 | 0:59:45 | |
'We never saw Uncle Otto again. | 0:59:54 | 0:59:56 | |
'Our hearts were broken. | 1:00:05 | 1:00:07 | |
'What would become of us? | 1:00:07 | 1:00:10 | |
'I really didn't know.' | 1:00:10 | 1:00:12 | |
I knew I'd find you here. | 1:00:28 | 1:00:30 | |
You must try and forget, Waldo. | 1:00:33 | 1:00:35 | |
But why did he have to die? | 1:00:38 | 1:00:41 | |
People get old, Waldo, | 1:00:41 | 1:00:43 | |
but we have to keep going. | 1:00:43 | 1:00:46 | |
There are so many things we have to do. | 1:00:48 | 1:00:52 | |
Not because we want to, but because we have to. | 1:00:52 | 1:00:55 | |
Maybe it'll all make sense when you're older. | 1:00:57 | 1:00:59 | |
We have to be strong. | 1:01:02 | 1:01:04 | |
That Waldo took himself off this morning as cool as you please and didn't do a stroke of work all day. | 1:01:11 | 1:01:17 | |
I'll have none of that now. | 1:01:17 | 1:01:19 | |
I suppose he's sorry that his father's dead. | 1:01:19 | 1:01:22 | |
It's natural, you know. | 1:01:22 | 1:01:25 | |
I cried all morning when my father died. | 1:01:25 | 1:01:28 | |
You can always get a new husband, but you can never get a new father. | 1:01:28 | 1:01:32 | |
There'll be no slacking now I'm master of this farm. Hurry up! | 1:01:32 | 1:01:36 | |
You can't spend all day at his grave. | 1:02:05 | 1:02:08 | |
I'll go and check on the lambs. | 1:02:08 | 1:02:12 | |
-What have you there, me lad, besides your bag? -Nothing. | 1:02:12 | 1:02:15 | |
Oh, don't lie. | 1:02:15 | 1:02:18 | |
-Come on, let me see. -DOG BARKS | 1:02:18 | 1:02:21 | |
Isn't that an ingenious little machine. Where did you get it? | 1:02:21 | 1:02:27 | |
It's mine. Give it back, please? | 1:02:27 | 1:02:29 | |
How does it work now? I've never seen anything so ingenious. | 1:02:29 | 1:02:33 | |
It's for shearing sheep. | 1:02:33 | 1:02:35 | |
Oh. Aren't you the clever lad? | 1:02:35 | 1:02:39 | |
We must get you a patent, my boy. | 1:02:39 | 1:02:42 | |
Your fortune is made. | 1:02:42 | 1:02:43 | |
Three years and there'll not be a farm in this colony where it isn't being used. | 1:02:43 | 1:02:48 | |
You're a genius. A great genius, that's what you are. | 1:02:48 | 1:02:51 | |
-How long have you worked on it? -Nine months. | 1:02:51 | 1:02:54 | |
Oh! | 1:02:54 | 1:02:56 | |
I have never seen anything like it. | 1:02:56 | 1:02:59 | |
There's just one little improvement, one very little improvement I should like to make. | 1:02:59 | 1:03:05 | |
Looks better now, doesn't it? | 1:03:13 | 1:03:14 | |
You're a genius, my boy, that's what you are(!) | 1:03:18 | 1:03:22 | |
A born genius. | 1:03:22 | 1:03:25 | |
On this farm, you work for your keep. Do you hear? | 1:03:31 | 1:03:34 | |
DOG BARKS | 1:03:39 | 1:03:40 | |
No. | 1:03:41 | 1:03:43 | |
DOG WHINES | 1:03:50 | 1:03:52 | |
-Allow me. -Thank you. | 1:04:01 | 1:04:03 | |
More? | 1:04:07 | 1:04:08 | |
Enough? | 1:04:15 | 1:04:16 | |
You know, Tant Sannie, one might become very lonely | 1:04:32 | 1:04:36 | |
living on a farm as large as this one if one did not have companionship. | 1:04:36 | 1:04:42 | |
One could get lonely. | 1:04:42 | 1:04:44 | |
One does get lonely. | 1:04:44 | 1:04:46 | |
-You've thought of marrying? -Of course. | 1:04:46 | 1:04:49 | |
But I can't marry until Em turns 17 or I lose the farm. | 1:04:49 | 1:04:54 | |
Oh. | 1:04:54 | 1:04:56 | |
Jacob worked seven years and seven years again for his wife. | 1:04:56 | 1:05:00 | |
Trana hasn't been for a while. | 1:05:17 | 1:05:19 | |
It'll be nice to see her. | 1:05:19 | 1:05:21 | |
She'd asked Tant Sannie to invite her. | 1:05:21 | 1:05:23 | |
That's a good idea. She can help us with our sewing. | 1:05:25 | 1:05:28 | |
Yes. | 1:05:28 | 1:05:30 | |
She could. | 1:05:30 | 1:05:31 | |
Ooh! Hello, Tant Sannie! | 1:06:08 | 1:06:11 | |
Look, there's Em! Hurry up, hurry up! | 1:06:22 | 1:06:25 | |
Get your bags into my room. | 1:06:25 | 1:06:27 | |
-Hurry up and be careful. -Trana! | 1:06:27 | 1:06:29 | |
-Em! -How are you? | 1:06:29 | 1:06:32 | |
Hello! | 1:06:32 | 1:06:33 | |
-I love your dress. -Who's that girl? | 1:06:35 | 1:06:38 | |
The missus' niece. | 1:06:40 | 1:06:43 | |
Her pa's got money and he's built like you've never seen. | 1:06:43 | 1:06:46 | |
And a farm! | 1:06:46 | 1:06:47 | |
With goats, sheep and horses. | 1:06:47 | 1:06:50 | |
They milk ten cows in winter. | 1:06:50 | 1:06:52 | |
-She'll be a nice mouthful for the man that gets her. -Indeed. | 1:06:56 | 1:07:00 | |
The young men are after her like flies around a bowl of milk. | 1:07:00 | 1:07:04 | |
She wants to be married in four months, but she doesn't know who. | 1:07:04 | 1:07:07 | |
It was like that with me. | 1:07:07 | 1:07:09 | |
I sat up with young men four, five nights a week. | 1:07:09 | 1:07:13 | |
And when the time comes, they'll come riding in again as soon as they know I'm ready. | 1:07:13 | 1:07:18 | |
-Where are you going? -To my room. | 1:07:18 | 1:07:19 | |
I'll be in for supper. | 1:07:19 | 1:07:21 | |
Bonaparte Blenkins, ma'am. | 1:07:26 | 1:07:28 | |
Pleased to meet you. | 1:07:28 | 1:07:29 | |
Only four months to go before you're married, Trana. | 1:08:37 | 1:08:41 | |
You'll have to choose one of those young men soon. | 1:08:41 | 1:08:44 | |
Yah. | 1:08:44 | 1:08:46 | |
Father's glad I came. | 1:08:46 | 1:08:48 | |
I think he's getting tired of all the men coming riding into see me. | 1:08:48 | 1:08:51 | |
They'll be coming for Em soon. | 1:08:51 | 1:08:54 | |
And for Lyndall. | 1:08:56 | 1:08:59 | |
More potatoes, Trana? | 1:08:59 | 1:09:01 | |
I would, but they make you fat. | 1:09:01 | 1:09:03 | |
Oh, I find fat women attractive. | 1:09:03 | 1:09:07 | |
Pa does also. He has good taste. | 1:09:07 | 1:09:11 | |
Tant, why does the Irishman always sigh so when he looks at me? | 1:09:29 | 1:09:34 | |
It's because he thinks you look like me. I am telling you, Trana, | 1:09:34 | 1:09:42 | |
that man is mad in love with me. | 1:09:42 | 1:09:45 | |
But he's not going to get me as easily as he thinks. | 1:09:45 | 1:09:48 | |
He's going to have to ask more than once. | 1:09:48 | 1:09:51 | |
-Why does he always bump against a person when he passes? -Because you're always in the way. | 1:09:56 | 1:10:03 | |
He's very ugly, you know? | 1:10:06 | 1:10:09 | |
Oh, man, Trana. | 1:10:09 | 1:10:10 | |
It's just because we're not used to such noses in this country. | 1:10:10 | 1:10:15 | |
In his country, he says all the people have such noses. | 1:10:15 | 1:10:18 | |
And the redder your nose, the higher you are. | 1:10:18 | 1:10:22 | |
He's related to Queen Victoria, you know? | 1:10:22 | 1:10:24 | |
And when his aunt with the dropsy dies, he'll have enough money to buy all the farms in the district. | 1:10:26 | 1:10:32 | |
And he's only 35. | 1:10:35 | 1:10:37 | |
Even though you'd think he was 45. | 1:10:37 | 1:10:39 | |
And he says he could kill himself quite easily | 1:10:43 | 1:10:48 | |
if he wanted to marry a woman and she won't. | 1:10:48 | 1:10:52 | |
Em! | 1:11:09 | 1:11:11 | |
Em!! | 1:11:11 | 1:11:13 | |
Get Waldo. | 1:12:45 | 1:12:48 | |
DOG BARKS | 1:13:09 | 1:13:12 | |
Hurry, Waldo. Don't let anyone see! | 1:13:12 | 1:13:15 | |
Hurry, Waldo. | 1:13:16 | 1:13:18 | |
They must have belonged to Em's father. | 1:13:30 | 1:13:33 | |
I don't think they're very nice. They aren't stories. | 1:13:42 | 1:13:46 | |
But you can take any you want. | 1:13:46 | 1:13:49 | |
"Mechanical engineering." | 1:13:54 | 1:13:57 | |
What are you doing up there, huh? | 1:14:37 | 1:14:40 | |
Tant Sannie doesn't keep wine up there, so what? Something to eat? | 1:14:40 | 1:14:45 | |
What's that under your coat? | 1:14:45 | 1:14:47 | |
-Nothing. -Nothing? Well, if it's nothing then let me see. | 1:14:47 | 1:14:51 | |
-Let me see! -Waldo, Tant Sannie wants us all in the kitchen. | 1:14:51 | 1:14:55 | |
I don't want you going up there. It's Tant Sannie's property. D'you hear me, boy?! | 1:14:55 | 1:15:01 | |
Blighter! | 1:15:01 | 1:15:02 | |
Oh, Waldo, my boy. | 1:15:34 | 1:15:37 | |
What d'you keep up in the loft? | 1:15:53 | 1:15:56 | |
Dried skins, empty bottles. | 1:15:56 | 1:15:59 | |
No sugar, perhaps? | 1:15:59 | 1:16:01 | |
No, just dried peaches. | 1:16:01 | 1:16:04 | |
Dried peaches, huh?! | 1:16:04 | 1:16:07 | |
Waldo was up there last night eating those peaches. | 1:16:07 | 1:16:10 | |
He's a great fool to eat my peaches. They're full of mites and hard as stones. | 1:16:12 | 1:16:18 | |
SOFTLY: Waldo? | 1:16:25 | 1:16:28 | |
Waldo! | 1:16:28 | 1:16:30 | |
BARKING | 1:16:30 | 1:16:34 | |
Answer me as you would your own father, in whose place I now stand here. | 1:16:39 | 1:16:44 | |
Did you or did you not eat those peaches in the loft? | 1:16:44 | 1:16:48 | |
Go on, say you took them, boy. Then he won't beat you so much. | 1:16:48 | 1:16:53 | |
So, you have nothing to say to us? | 1:16:55 | 1:16:58 | |
When a boy goes knocking about the loft it's natural to suppose he's been up to some mischief. | 1:16:58 | 1:17:03 | |
Where there is mischief, it must be taken out. | 1:17:03 | 1:17:07 | |
Waldo, confess to me this instant. You ate those peaches. | 1:17:07 | 1:17:10 | |
I think a little punishment might perhaps be beneficial. | 1:17:13 | 1:17:17 | |
It will enable you, Waldo, to reflect on the enormity of the sin that you have committed. | 1:17:17 | 1:17:23 | |
You may also think about the submission that you owe to those that are older and wiser than you are, | 1:17:23 | 1:17:27 | |
whose duty it is to check and correct you. | 1:17:27 | 1:17:31 | |
Excuse me, ladies. | 1:17:31 | 1:17:34 | |
Very sorry, Waldo. | 1:17:41 | 1:17:44 | |
Exceedingly sorry that you have chosen to act in this manner. | 1:17:44 | 1:17:50 | |
WHIMPERING | 1:17:50 | 1:17:53 | |
Well, perhaps a naked back... | 1:17:53 | 1:17:56 | |
WALDO CRIES IN PAIN | 1:17:59 | 1:18:03 | |
-What's going on? -Bonaparte's giving Waldo a thrashing. -No! -And he deserves it, too. | 1:18:07 | 1:18:13 | |
Lyndall! Lyndall! | 1:18:13 | 1:18:16 | |
Lyndall! | 1:18:19 | 1:18:21 | |
Lyndall, Bonaparte's beating Waldo! | 1:18:21 | 1:18:23 | |
-Please, beg him to stop! -The more you beg, the more he won't. -I think he wants to kill him! | 1:18:23 | 1:18:28 | |
Come on! | 1:18:28 | 1:18:30 | |
Papa... | 1:18:37 | 1:18:39 | |
Papa... | 1:18:39 | 1:18:41 | |
That'll teach him. | 1:18:41 | 1:18:44 | |
Where d'you think you're going? | 1:19:00 | 1:19:02 | |
-..Are you going to let her take it? -Why don't YOU stop her? -You take it from her. | 1:19:02 | 1:19:08 | |
-I thought you were master of the farm now. -YOU had the key. -YOU gave it to me! | 1:19:08 | 1:19:13 | |
Get some warm water, Em. | 1:19:28 | 1:19:30 | |
DOG CRIES | 1:19:36 | 1:19:39 | |
We won't be young always, Waldo. | 1:20:03 | 1:20:06 | |
One day we'll also have power. | 1:20:06 | 1:20:08 | |
Waldo, what's in this box? | 1:20:25 | 1:20:28 | |
I don't know. I've never seen it before. | 1:20:30 | 1:20:34 | |
Open it. | 1:20:34 | 1:20:36 | |
He must have been saving it. For so long. | 1:20:53 | 1:20:58 | |
-Now Lyndall can go to school. -And you can make your machine again. -No. My machine's dead. | 1:20:58 | 1:21:04 | |
It's not, Waldo. Otto wouldn't want you to do that. | 1:21:05 | 1:21:09 | |
You made it once, you can do it again. I know you can. | 1:21:09 | 1:21:13 | |
She's right, Waldo. And Em can get a sewing machine. | 1:21:15 | 1:21:18 | |
There's enough money here for us to do anything. | 1:21:18 | 1:21:21 | |
-The hills are SO beautiful. -Otto always thought so. | 1:22:35 | 1:22:40 | |
-Guess what. I got the part I need to finish the machine. -Can I see? | 1:22:54 | 1:22:59 | |
'Trana set the cat amongst the chickens. | 1:23:11 | 1:23:14 | |
'There's nothing a rogue likes more than a plump farmer's daughter with a rich dowry.' | 1:23:14 | 1:23:21 | |
Come. | 1:23:21 | 1:23:24 | |
I think... It's time! | 1:23:24 | 1:23:27 | |
CLOCK CHIMES | 1:23:37 | 1:23:40 | |
What was that? | 1:23:51 | 1:23:54 | |
Me, Tant Sannie, closing my book. | 1:23:54 | 1:23:57 | |
And what book is this now? You know how much trouble these books cause. | 1:23:57 | 1:24:01 | |
Just a book. From Em's father. | 1:24:01 | 1:24:04 | |
From the loft. | 1:24:04 | 1:24:06 | |
Goodnight, Tant Sannie. Sleep well. | 1:24:08 | 1:24:11 | |
Come, Em. | 1:24:11 | 1:24:13 | |
Goodnight. | 1:24:14 | 1:24:17 | |
INAUDIBLE | 1:24:25 | 1:24:27 | |
I can just see what an ungodly book it is, you can't even say the name. | 1:24:27 | 1:24:31 | |
Aren't there enough curses on this farm without asking Almighty God to punish us more? | 1:24:34 | 1:24:39 | |
Didn't my minister tell me when I was confirmed, never to read | 1:24:41 | 1:24:45 | |
any book except my Bible, and that the devil was in all other books? | 1:24:45 | 1:24:48 | |
And I never have read any other book. And I never will. | 1:24:48 | 1:24:52 | |
-But Missus, I am scared of the loft, it's dark. -Hold your tongue and get up there! | 1:24:55 | 1:25:00 | |
-Missus, I... -Don't talk back to me, get up! -Please. -Quickly. -It's dark, Missus. -Quickly! | 1:25:03 | 1:25:08 | |
-It's scary. -'Tant Sannie was so predictable, and my plan fell into place.' | 1:25:08 | 1:25:14 | |
It's a box filled with books! | 1:25:14 | 1:25:17 | |
-Yes, Missus. -This is what happens when you leave things to servants. | 1:25:17 | 1:25:21 | |
But they'll move faster when I marry Bonaparte, oh, yes. | 1:25:21 | 1:25:24 | |
# Thy fair body, oh my girl Shall Bonaparte possess | 1:25:24 | 1:25:29 | |
-# His fingers in thy money box... # -Trana! | 1:25:30 | 1:25:34 | |
Trana? ..Sir. | 1:25:34 | 1:25:37 | |
Mr Blenkins, sir. | 1:25:37 | 1:25:39 | |
-Have you seen Trana? -Nope. | 1:25:39 | 1:25:44 | |
Tant Sannie asked me to tell her that she's gone to the farm for the day. | 1:25:44 | 1:25:48 | |
-..Oh, I'll tell her. -Thank you. | 1:25:48 | 1:25:51 | |
-I found it, Missus! -Wait, I'm coming up. | 1:25:54 | 1:25:58 | |
Fatter women than me go up ladders. | 1:25:58 | 1:26:00 | |
Help me, man! | 1:26:06 | 1:26:08 | |
Pull! ..Argh! | 1:26:21 | 1:26:23 | |
Let me see these ungodly things. | 1:26:40 | 1:26:43 | |
What d'you want? I must get my aunt. | 1:26:52 | 1:26:55 | |
Sit there, my love. | 1:26:59 | 1:27:01 | |
Make yourself comfortable. Put your feet up. | 1:27:02 | 1:27:05 | |
-My aunt is just down the road. -Your aunt has gone out somewhere. | 1:27:05 | 1:27:09 | |
Long have I waited for this auspicious event, to be with your angelic beauty. | 1:27:09 | 1:27:16 | |
Long, long, endless hours have I yearned to spend a solitary moment by your side. | 1:27:17 | 1:27:25 | |
How long have I desired this moment, but that wicked wrinkled old aunt | 1:27:25 | 1:27:30 | |
-of yours is always casting her suspicious shadows on us. -Wah! | 1:27:30 | 1:27:32 | |
Look into my eyes, Trana. Oh, those eyes. | 1:27:32 | 1:27:36 | |
-Mirrors to the soul, mirrors to the glorious creature that lies within. -Whoa! No! | 1:27:36 | 1:27:41 | |
< Oh, but yes, my angel, yes. | 1:27:41 | 1:27:44 | |
Do you have heartburn? | 1:27:44 | 1:27:45 | |
-Wait here. -Your nose, so perfectly pointed to the heavens, and your bosom filled with sweet honey. | 1:27:45 | 1:27:52 | |
I don't understand. You mustn't! My aunt will be right back. | 1:27:52 | 1:27:57 | |
Comfort me with apples. Oh, what I would give to have such sweetness pass my lips. | 1:27:57 | 1:28:02 | |
For I am sick of love. | 1:28:02 | 1:28:05 | |
-Your hands, my love, so delicate, so soft. -Stop it, please! | 1:28:05 | 1:28:09 | |
How I desire them to touch me, even for just one fleeting moment. | 1:28:09 | 1:28:15 | |
-My father will be very angry if you touch them. -(Get that!) | 1:28:15 | 1:28:19 | |
Thy eyes are like doves within thy cheeks. Thy hair is as a flock of goats that appear from Mount Gilead. | 1:28:19 | 1:28:27 | |
Thy teeth are even shore like a flock of sheep. | 1:28:27 | 1:28:29 | |
-Sheep?! -And everyone bears twins and none is barren among them. -Cease! | 1:28:29 | 1:28:35 | |
Come, open. | 1:28:35 | 1:28:37 | |
Angel, I cannot bear to be apart from ya. I love ya, Trana. | 1:28:37 | 1:28:42 | |
-What do you mean?! -I want you to marry me. | 1:28:42 | 1:28:45 | |
But no, I don't want to marry you! | 1:28:45 | 1:28:47 | |
Oh, yes, yes, you must! I cannot bear to be without ya. | 1:28:47 | 1:28:51 | |
Please! Don't try to kill yourself because I don't. | 1:28:51 | 1:28:55 | |
-Let go! -Argh, Trana! Trana, I love you! | 1:28:55 | 1:28:59 | |
Don't abandon me, I love you! | 1:28:59 | 1:29:01 | |
I love you, Trana, I love you! I love... | 1:29:01 | 1:29:05 | |
Oh! Oh! | 1:29:05 | 1:29:06 | |
Oh, oh! | 1:29:06 | 1:29:08 | |
-Oh! -You! You fake! You impostor! | 1:29:11 | 1:29:15 | |
-My dove, you misunderstand. -I misunderstand nothing! | 1:29:15 | 1:29:18 | |
-You bloody Irishman! -You're treating me very badly. | 1:29:18 | 1:29:22 | |
Can a man not talk with a lady without salted meat and pickled water being thrown at him? | 1:29:22 | 1:29:28 | |
-Sannie, I'm a gentleman. -Mr "I'm a gentleman". -I'm coming for you. | 1:29:28 | 1:29:32 | |
You bloody foreigners! | 1:29:32 | 1:29:34 | |
You're all the same. You'll be sorry. | 1:29:34 | 1:29:38 | |
Don't call her. I always thought you such promising children, though you mayn't have known it. | 1:30:14 | 1:30:20 | |
Give me that! Come! | 1:30:20 | 1:30:22 | |
-Just you wait, Mr "I'm a gentleman". -I'm just about to depart. | 1:30:22 | 1:30:27 | |
-Farewell, my children. May the good Lord bless you. -Get him! | 1:30:27 | 1:30:31 | |
Get him! | 1:30:31 | 1:30:32 | |
Don't let him get away! Ya! Get him! | 1:30:37 | 1:30:40 | |
Don't come back to my farm again! | 1:30:45 | 1:30:48 | |
Run! Ya! Run! | 1:30:48 | 1:30:50 | |
There he goes, man, yes! Ah, you bloody Englishman, you don't come back here! | 1:30:50 | 1:30:56 | |
-Run! -CHILDREN GIGGLE | 1:30:56 | 1:31:00 | |
Christian! Catch a sheep for me, please. | 1:31:02 | 1:31:05 | |
'Bonaparte got his just deserts. 'Twas glorious. | 1:31:13 | 1:31:18 | |
'Tant Sannie was very sheepish after that whole episode and eventually let me go to school. | 1:31:18 | 1:31:23 | |
'Em stayed on the farm, she loved so much. | 1:31:25 | 1:31:28 | |
'And Waldo went on to make a small fortune. | 1:31:28 | 1:31:32 | |
'Adults will never hurt us ever again.' | 1:31:32 | 1:31:36 | |
Subtitles by Red Bee Media Ltd | 1:32:18 | 1:32:22 | |
E-mail [email protected] | 1:32:22 | 1:32:25 |