Browse content similar to The Three Burials of Melquiades Estrada. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This film contains strong language. | 0:00:02 | 0:00:11 | |
There's some coyotes hopping around across the road from that windmill. | 0:01:55 | 0:01:59 | |
-What are they doing? -Hell, I don't know. | 0:01:59 | 0:02:04 | |
Looks like they're eating something, I guess. | 0:02:04 | 0:02:08 | |
-Wanna shoot a coyote? -Hell, yes! | 0:02:09 | 0:02:13 | |
That's a dead son of a bitch. | 0:02:31 | 0:02:33 | |
Fuck. | 0:02:45 | 0:02:46 | |
HE RETCHES | 0:02:46 | 0:02:49 | |
-When did they find him? -Some time this morning. | 0:02:49 | 0:02:52 | |
-He was buried on the hill near Boracho Peak. -Who killed him? | 0:02:52 | 0:02:55 | |
No clue. Was he involved in drugs, or smuggling, anything like that? | 0:02:55 | 0:02:59 | |
Melquiades? | 0:02:59 | 0:03:01 | |
-No. -I need a mask. | 0:03:03 | 0:03:06 | |
HE CONTINUES TO SPLUTTER | 0:03:06 | 0:03:08 | |
Jo Edna, let Earl tend to the hot dogs and the hamburgers. | 0:03:19 | 0:03:23 | |
He'll bring charcoal, the ice and the foldin' chairs - the whole nine yards. | 0:03:23 | 0:03:27 | |
You just be sure Aunt Minnie don't have to worry about a place to go | 0:03:27 | 0:03:31 | |
to the bathroom. Tell Charnelle she can forget about a car on Saturday | 0:03:31 | 0:03:34 | |
if she don't show up. | 0:03:34 | 0:03:37 | |
I love you, too, baby. Gotta go. | 0:03:37 | 0:03:40 | |
This beauty has two bedrooms, each one with its own bathroom. | 0:03:40 | 0:03:44 | |
Central AC and heat throughout. | 0:03:44 | 0:03:46 | |
All homes come standard equipped with electric oven, | 0:03:46 | 0:03:50 | |
washer, dryer and dishwasher. | 0:03:50 | 0:03:52 | |
The Waste King garbage disposal is optional, of course, | 0:03:52 | 0:03:55 | |
but it's a good option, because we charge a factory, wholesale price, | 0:03:55 | 0:03:59 | |
no installation fee, and it's top-of-the-line equipment. | 0:03:59 | 0:04:03 | |
We're strictly top of the line. | 0:04:04 | 0:04:07 | |
"Strictly top of the line all the time." That's our motto. | 0:04:07 | 0:04:11 | |
How much does this house cost? | 0:04:11 | 0:04:14 | |
60,000. | 0:04:14 | 0:04:16 | |
But if you're really interested, | 0:04:16 | 0:04:19 | |
I can get you a 10% discount. I think. | 0:04:19 | 0:04:23 | |
-Where y'all from? -Cincinnati. -Oh! Long way from home, huh? | 0:04:26 | 0:04:31 | |
What line of work brings you to Texas? | 0:04:31 | 0:04:34 | |
-Border patrol. -Oh. | 0:04:34 | 0:04:37 | |
We're always a long way from home. | 0:04:37 | 0:04:40 | |
-HE CHUCKLES -Yeah. All right. | 0:04:40 | 0:04:43 | |
Well, actually this mobile residence has the highest resale value | 0:04:43 | 0:04:47 | |
of any domestic residence in its price range in the southwest | 0:04:47 | 0:04:51 | |
time and time again. | 0:04:51 | 0:04:53 | |
-I don't know. -Well, we also have | 0:04:55 | 0:04:58 | |
some great previously-owned mobile residences in the lower price ranges | 0:04:58 | 0:05:03 | |
if that would be your requirement. | 0:05:03 | 0:05:05 | |
TRAFFIC BLARES | 0:05:06 | 0:05:09 | |
THEY ALL LAUGH | 0:05:25 | 0:05:27 | |
THEY WHOOP AND CHUCKLE | 0:05:27 | 0:05:30 | |
THEY FALL SILENT | 0:05:32 | 0:05:35 | |
HE COUGHS | 0:06:10 | 0:06:12 | |
Hey, Perkins. | 0:06:12 | 0:06:14 | |
Here's the stuff that your friend had on him. | 0:06:14 | 0:06:18 | |
-Do you know who they are? -His wife and kids. | 0:06:20 | 0:06:23 | |
-Any idea how to get hold of them? -Well, they live in... | 0:06:23 | 0:06:27 | |
..Mexico. | 0:06:28 | 0:06:30 | |
Can I keep this? | 0:06:34 | 0:06:36 | |
Yeah, I guess. For a while. We're gonna have to do an autopsy on him. | 0:06:36 | 0:06:40 | |
When you get through, I want you to give Melquiades to me. | 0:06:40 | 0:06:44 | |
-Hell, I can't do that. Are you crazy? -No... | 0:06:44 | 0:06:47 | |
..I'm not. | 0:06:49 | 0:06:51 | |
SHE CHUCKLES AT TV | 0:06:51 | 0:06:54 | |
I gotta go. | 0:06:59 | 0:07:01 | |
-All right, see you tonight. -Come back early, though. I get real bored here. | 0:07:06 | 0:07:10 | |
Haven't you made friends with the neighbours? | 0:07:10 | 0:07:13 | |
No. I don't like them. | 0:07:15 | 0:07:17 | |
-I'm gonna buy you a Nintendo so you don't get so bored. -OK. | 0:07:20 | 0:07:24 | |
And take me to the mall this Saturday in Odessa. | 0:07:24 | 0:07:28 | |
OK, babe. I know where it is. | 0:07:28 | 0:07:30 | |
The deceased died of a gunshot wound of an AR-15 .223 bullet. | 0:07:35 | 0:07:38 | |
It entered just left of the sternum between the fourth and fifth rib, | 0:07:38 | 0:07:42 | |
impact caused the lung to burst. Took him 15, 20 minutes to die. | 0:07:42 | 0:07:46 | |
I would estimate he died seven days ago. The trajectory of the bullet | 0:07:46 | 0:07:50 | |
-indicates the shot was fired from 300 yards away. -He was gunned down. | 0:07:50 | 0:07:54 | |
Listen Bud, we need to bury him now. | 0:07:54 | 0:07:56 | |
Refrigeration in this dump has broke down | 0:07:56 | 0:07:59 | |
-and I gotta be back in El Paso tomorrow morning. -OK. Bury him. | 0:07:59 | 0:08:02 | |
We need to notify his relatives. | 0:08:02 | 0:08:04 | |
He ain't got any. | 0:08:06 | 0:08:08 | |
-CB RADIO: -'217, clear.' | 0:08:10 | 0:08:12 | |
'359, clear.' | 0:08:20 | 0:08:23 | |
'This is 749. I have a group of 15 people crossing at Piedras Negras.' | 0:08:35 | 0:08:39 | |
'About a half a mile in front of me. Over.' | 0:08:39 | 0:08:43 | |
-Where are they? -Right down there in that drawer. | 0:09:03 | 0:09:07 | |
Alto! On the ground! | 0:09:11 | 0:09:14 | |
On the ground! On the ground! | 0:09:14 | 0:09:17 | |
Get down! Alto, goddamit! | 0:09:17 | 0:09:21 | |
Take these. | 0:09:35 | 0:09:36 | |
Hey! Alto! | 0:09:36 | 0:09:39 | |
Stop! | 0:09:39 | 0:09:42 | |
Alto! Alto! | 0:09:54 | 0:09:56 | |
Papa! Papa! | 0:10:09 | 0:10:12 | |
Stay down, bitch. | 0:10:15 | 0:10:17 | |
Stay down. | 0:10:26 | 0:10:28 | |
-How many got away? -Three. -Well, somebody's gotta pick strawberries. | 0:10:35 | 0:10:39 | |
You were way overboard there, boy. | 0:10:41 | 0:10:44 | |
No, sir. | 0:10:45 | 0:10:47 | |
Fuck it, they were trying to get away. | 0:10:47 | 0:10:49 | |
I want you to think about how much trouble I can get into | 0:10:49 | 0:10:53 | |
if you keep beating these people up. I don't like trouble. Not at all. | 0:10:53 | 0:10:57 | |
I'm awful sorry about Mel. | 0:11:30 | 0:11:33 | |
So am I. | 0:11:33 | 0:11:35 | |
He was a good Mexican. | 0:11:35 | 0:11:38 | |
Pete, you've been cooped up in here for two days. | 0:11:41 | 0:11:45 | |
You need to get outside and do something. | 0:11:45 | 0:11:49 | |
What's that to you? | 0:11:49 | 0:11:52 | |
Brought you some jerky. | 0:12:01 | 0:12:04 | |
I found these shells out there where Mel's goats is on the loose. | 0:12:08 | 0:12:13 | |
They was about 300 yards up the hill. | 0:12:13 | 0:12:16 | |
They might mean something. | 0:12:16 | 0:12:19 | |
# I got nine million pictures | 0:12:28 | 0:12:31 | |
# Stacked up in boxes in the hall | 0:12:34 | 0:12:37 | |
# I got nine million pictures | 0:12:44 | 0:12:47 | |
# Stacked up in boxes in the hall | 0:12:50 | 0:12:53 | |
# Let me tell you people something | 0:13:00 | 0:13:02 | |
-# I only got three pictures... # -You ladies fine? | 0:13:04 | 0:13:08 | |
How's your eggs, sweetie? | 0:13:14 | 0:13:16 | |
Bob's watching us. | 0:13:41 | 0:13:43 | |
It's been a while since we've had some time together. | 0:13:45 | 0:13:49 | |
You dirty bitch. | 0:13:49 | 0:13:51 | |
I could see you tomorrow. | 0:13:51 | 0:13:53 | |
BELL CONTINUES | 0:13:53 | 0:13:55 | |
-< Miss. -Just a second. | 0:13:58 | 0:14:01 | |
Same place? | 0:14:04 | 0:14:06 | |
Same place. | 0:14:06 | 0:14:08 | |
What's it gonna be? | 0:14:17 | 0:14:19 | |
-What do you want? -I want to talk to you. | 0:14:24 | 0:14:27 | |
We found that stuff where we found Melquiades' goats. | 0:14:31 | 0:14:35 | |
Don't you wanna look at it? | 0:14:39 | 0:14:41 | |
No, I don't. I wanna sit here and have my breakfast. | 0:14:41 | 0:14:45 | |
-Talk to me about that in business hours. -It may be some kind of proof. | 0:14:45 | 0:14:49 | |
Hey. How many .223 shells you think there are laying out there? | 0:14:49 | 0:14:52 | |
Hell, some of 'em gonna have your fingerprints on 'em. | 0:14:52 | 0:14:56 | |
That shit won't mean shit in court just cos you found it under a bush. | 0:14:56 | 0:14:59 | |
I've got a legal system to think about here. | 0:14:59 | 0:15:04 | |
You goddamn son of a bitch! | 0:15:13 | 0:15:15 | |
-TV: -'You were out late last night and the one before.' | 0:15:19 | 0:15:23 | |
'You've been late for dinner the last four nights.' | 0:15:23 | 0:15:26 | |
'Work. Work is hard. Real hard.' | 0:15:26 | 0:15:30 | |
'I work hard.' | 0:15:30 | 0:15:32 | |
-Lou Ann, what's for dinner? -Stuffed zucchini and broccoli. | 0:15:38 | 0:15:42 | |
-That's it? -I'm on a diet. | 0:15:42 | 0:15:45 | |
'Is someone else paying the bills, putting a roof over your head?' | 0:15:45 | 0:15:50 | |
-'Johnny, I know there's someone else. I know it.' -'Ridiculous.' | 0:15:50 | 0:15:54 | |
You're not fat. | 0:15:54 | 0:15:56 | |
Yes, I am. A little bit. | 0:15:56 | 0:15:59 | |
No way! | 0:15:59 | 0:16:01 | |
You're my red-hot mama. | 0:16:01 | 0:16:04 | |
'She's prettier than me. She's free and happy and has long, red hair.' | 0:16:04 | 0:16:08 | |
-Stop it. -'I'm not stupid, Johnny. I've got eyes in my head.' | 0:16:08 | 0:16:11 | |
'That girl will wreck your life. And mine. That's what'll happen.' | 0:16:11 | 0:16:15 | |
'You're throwing your life away, Johnny. Don't do it. Please don't.' | 0:16:17 | 0:16:20 | |
'I need you. I love you. Please.' | 0:16:22 | 0:16:25 | |
'You see, right there. That's exactly what I'm talking about.' | 0:16:25 | 0:16:29 | |
'It's always the same. Always the same!' | 0:16:29 | 0:16:33 | |
'Oh, Johnny.' | 0:16:33 | 0:16:35 | |
'What's happening to us?' | 0:16:35 | 0:16:37 | |
'We used to be so happy.' | 0:16:37 | 0:16:40 | |
'Don't you remember when we were living in River Valley?' | 0:16:40 | 0:16:44 | |
'Yes, darling. I remember River Valley.' | 0:16:47 | 0:16:50 | |
'We were happy then. And we'll be happy again. I know it.' | 0:16:50 | 0:16:55 | |
'Please, don't cry.' | 0:16:55 | 0:16:58 | |
'There will always be a River Valley for us.' | 0:16:58 | 0:17:02 | |
'I hope so, Johnny. I hope so.' | 0:17:02 | 0:17:05 | |
# As I reach for the switch | 0:17:06 | 0:17:09 | |
# That turns out my lights | 0:17:09 | 0:17:14 | |
# I wonder who turned out the lights | 0:17:14 | 0:17:18 | |
# In your world tonight... # | 0:17:18 | 0:17:22 | |
Thanks. | 0:17:30 | 0:17:33 | |
You're getting to be a regular customer around here. | 0:17:34 | 0:17:37 | |
Well, I don't have a lot to do right now. | 0:17:38 | 0:17:41 | |
Hyar! Hyar! Hyar! | 0:18:07 | 0:18:09 | |
Come on. Bring 'em, bring 'em. | 0:18:17 | 0:18:19 | |
Yeah, she's good. | 0:18:28 | 0:18:31 | |
Ah, don't worry. This happens to Bob sometimes, too. | 0:19:09 | 0:19:14 | |
Well, it goddamn well don't happen to me. First fucking time it has. | 0:19:16 | 0:19:20 | |
-I don't give a shit what happens to Bob. -Yeah, I know. | 0:19:20 | 0:19:25 | |
Viagra works for Bob. | 0:19:27 | 0:19:30 | |
I'll turn truck-stop queer and blow-job giver before I use that. | 0:19:30 | 0:19:34 | |
That's what Bob said. | 0:19:37 | 0:19:39 | |
Fuck Bob. | 0:19:43 | 0:19:44 | |
BOTH CHATTER INDISTINCTLY | 0:19:59 | 0:20:02 | |
-What's your favourite rifle round? -What? | 0:20:13 | 0:20:15 | |
-What kind of rifle do you all shoot? You all shoot the same? -There are 15. | 0:20:15 | 0:20:19 | |
-.223 is standard. Why? -I was just curious. I always use a .3030 myself. | 0:20:19 | 0:20:24 | |
Lever action. | 0:20:27 | 0:20:29 | |
Open sight. | 0:20:30 | 0:20:32 | |
THEY CHATTER INDISTINCTLY | 0:20:37 | 0:20:40 | |
-COUNTRY MUSIC PLAYS ON RADIO -# ..with nine kids and a wife | 0:21:00 | 0:21:04 | |
# Yeah, but I've been a workin' man dang near all my life | 0:21:04 | 0:21:08 | |
# I'm gonna work, yeah | 0:21:08 | 0:21:11 | |
# As long as my two hands are fit to use | 0:21:11 | 0:21:15 | |
# I drink my beer at a tavern | 0:21:15 | 0:21:17 | |
# And sing a little bit of these workin' man's blues | 0:21:17 | 0:21:21 | |
# I keep my nose on the grindstone | 0:21:24 | 0:21:27 | |
# I work hard every day | 0:21:27 | 0:21:29 | |
# I might get a little tired on the weekend after I draw my pay | 0:21:29 | 0:21:32 | |
# But I go back workin' | 0:21:32 | 0:21:34 | |
-# From Monday... # -MUSIC STOPS | 0:21:34 | 0:21:37 | |
Hello! | 0:22:36 | 0:22:38 | |
GUNSHOT | 0:23:00 | 0:23:02 | |
Shit! Fuck! | 0:23:02 | 0:23:04 | |
GUNSHOT | 0:23:20 | 0:23:22 | |
GUNSHOT | 0:23:30 | 0:23:32 | |
-How do we register him? -Write down "Melquiades". | 0:24:03 | 0:24:07 | |
Melquiades what? Where was he from? | 0:24:10 | 0:24:13 | |
Mexico. Maybe Coahuila. | 0:24:13 | 0:24:17 | |
Cincinnati's really pretty in the springtime. | 0:24:31 | 0:24:35 | |
-There's lots of malls. -I bet you miss it. | 0:24:36 | 0:24:40 | |
We're glad to be here. | 0:24:41 | 0:24:44 | |
-You know, wherever the job takes us. -But this is different. | 0:24:45 | 0:24:49 | |
Yeah. | 0:24:49 | 0:24:51 | |
We were both real popular in high school. | 0:24:54 | 0:24:57 | |
Now it just seems like we don't know anybody any more. | 0:24:58 | 0:25:01 | |
-Ah, living out here takes some getting used to, I guess. -Yeah. | 0:25:01 | 0:25:06 | |
-I guess it does. -It must seem...a little different. | 0:25:06 | 0:25:11 | |
Do you know where, like, the mall's at in Odessa? | 0:25:15 | 0:25:18 | |
Sure. It's easy to find. | 0:25:18 | 0:25:21 | |
DOG WHINES | 0:25:31 | 0:25:33 | |
Hey, man. | 0:25:56 | 0:25:58 | |
You OK? | 0:25:58 | 0:26:00 | |
Mmm-hmm. No. | 0:26:00 | 0:26:02 | |
These working hours? | 0:26:09 | 0:26:12 | |
Well, we're about to close. | 0:26:12 | 0:26:14 | |
You need to investigate them border patrols. They use a .223. | 0:26:14 | 0:26:18 | |
Want me to investigate the Kennedy assassination while I'm at it? | 0:26:18 | 0:26:22 | |
Before you start bitching, find out what that fucker was involved with. | 0:26:22 | 0:26:26 | |
Melquiades wasn't involved with nothing. | 0:26:26 | 0:26:28 | |
By the way, we already buried him. | 0:26:34 | 0:26:36 | |
I told you to notify me. | 0:26:36 | 0:26:39 | |
Seemed like you'd at least... | 0:26:39 | 0:26:41 | |
..notify me. | 0:26:43 | 0:26:45 | |
You're not his family. I don't have to notify you about a goddamn thing. | 0:26:46 | 0:26:50 | |
He was a wetback. | 0:26:50 | 0:26:53 | |
MUSIC: "The Cheatin' Hotel" by Hank Williams Jr | 0:28:23 | 0:28:26 | |
# When you check in the cheatin' hotel | 0:28:33 | 0:28:37 | |
# You'll be back | 0:28:37 | 0:28:39 | |
# For another spin at the wheel | 0:28:42 | 0:28:46 | |
# Or race at the track | 0:28:46 | 0:28:49 | |
# They're off and running down at the barn | 0:28:51 | 0:28:55 | |
# This is Heather and this is John | 0:28:55 | 0:28:59 | |
# They're all down at the cheatin' hotel... # | 0:28:59 | 0:29:04 | |
Hey, Bob, how long we been married? | 0:29:04 | 0:29:07 | |
Er, 12...? | 0:29:07 | 0:29:10 | |
Hell, I don't know. | 0:29:16 | 0:29:19 | |
What is it? | 0:29:21 | 0:29:23 | |
# ..Their husbands meet them an hour later | 0:29:26 | 0:29:30 | |
# She'll have friends all around the table | 0:29:30 | 0:29:34 | |
# And introduce the old man | 0:29:34 | 0:29:37 | |
# As one of her latest flames | 0:29:37 | 0:29:41 | |
# They go out on the dance floor... # | 0:29:43 | 0:29:47 | |
Could I see some photo ID, sir? | 0:30:45 | 0:30:47 | |
THEY ALL LAUGH | 0:30:47 | 0:30:49 | |
Girls, this is Melquiades. Melquiades, this is Rachel and... | 0:30:52 | 0:30:56 | |
-Lou Ann. -Oh. Lou Ann. -Nice to meet you. | 0:30:56 | 0:30:59 | |
You work with Pete, right? | 0:30:59 | 0:31:03 | |
# Dang me, dang me | 0:31:15 | 0:31:18 | |
# They're gonna get a rope and hang me from the highest tree | 0:31:18 | 0:31:21 | |
# Woman, would you weep for me? # | 0:31:21 | 0:31:24 | |
That's y'all right down there. 205. | 0:31:25 | 0:31:27 | |
-Tres horas. -Uh-uh. I gotta be back in two hours, so una hora. | 0:31:29 | 0:31:34 | |
Wanna watch TV? | 0:32:17 | 0:32:19 | |
Watch television? | 0:32:19 | 0:32:21 | |
Want to...? | 0:32:21 | 0:32:23 | |
-Tele...vision. -Oh. Si. Esta bien. | 0:32:25 | 0:32:29 | |
ORGASMIC GROANS | 0:32:33 | 0:32:36 | |
I'm sorry. | 0:32:36 | 0:32:39 | |
Music. | 0:32:47 | 0:32:49 | |
Musica. | 0:32:49 | 0:32:50 | |
Ah. Musica. Si. OK. | 0:32:50 | 0:32:53 | |
COUNTRY & WESTERN MUSIC PLAYS | 0:32:57 | 0:33:00 | |
Wanna dance? | 0:33:00 | 0:33:02 | |
# This could be the one | 0:33:39 | 0:33:41 | |
# The night you love me... # | 0:33:41 | 0:33:44 | |
-You're not coming? -No, I'll wait here. | 0:34:11 | 0:34:14 | |
-You've always liked the mall. -I'll wait. | 0:34:14 | 0:34:16 | |
-But I don't wanna hurry. I wanna shop. -I will wait for you here. | 0:34:18 | 0:34:22 | |
Don't smoke. | 0:34:33 | 0:34:35 | |
# ..then I wish you all the best | 0:35:18 | 0:35:22 | |
# It's your happiness | 0:35:22 | 0:35:25 | |
# That matters | 0:35:25 | 0:35:28 | |
# Most of all... # | 0:35:28 | 0:35:31 | |
-I love this song! -...locas! | 0:35:31 | 0:35:34 | |
I understand you people, believe you me I do, and we are not locas! | 0:35:34 | 0:35:38 | |
No way! | 0:35:38 | 0:35:40 | |
# ..I'll be there | 0:35:42 | 0:35:45 | |
# Before the next tear drop falls | 0:35:45 | 0:35:50 | |
# Si te quire de verdad | 0:35:53 | 0:35:57 | |
# Y te da felicidad | 0:35:58 | 0:36:02 | |
# Te deseo | 0:36:03 | 0:36:05 | |
# Lo mas bueno | 0:36:05 | 0:36:08 | |
# Palos dos | 0:36:08 | 0:36:11 | |
# Pero si te hace llorar | 0:36:13 | 0:36:17 | |
# A mime puedes hablar | 0:36:18 | 0:36:22 | |
# Y estare | 0:36:22 | 0:36:25 | |
# Contigo cuando... # | 0:36:25 | 0:36:27 | |
-Shit, what time is? -6.20. -Oh, fuck! Bob's gonna kill me. | 0:36:27 | 0:36:31 | |
-When will I see you again? -Oh, I can't all next week. | 0:36:32 | 0:36:35 | |
-Is it the sheriff's turn? -Stop it! You know how things are. -All right. | 0:36:35 | 0:36:39 | |
Don't mix things up. You're the one I love, darling. The only one. Belmont's somethin' else. | 0:36:39 | 0:36:44 | |
-What about Bob? -That's different. Bob's my husband. You understand! | 0:36:44 | 0:36:49 | |
Mwah. | 0:36:49 | 0:36:51 | |
# ..And if he ever leaves you blue | 0:36:53 | 0:36:57 | |
-# Just remember I love you... # -Bye. -Bye. | 0:36:58 | 0:37:03 | |
# ..And I'll be there | 0:37:03 | 0:37:05 | |
# Before the next teardrop falls | 0:37:05 | 0:37:10 | |
# And I'll be there | 0:37:12 | 0:37:15 | |
# Before the next | 0:37:15 | 0:37:17 | |
# Teardrop falls. # | 0:37:17 | 0:37:20 | |
Tch! Tch! Tch! Tch! Tch! | 0:37:57 | 0:37:59 | |
Come on. Come on, come on, come on! | 0:38:04 | 0:38:07 | |
GUNFIRE | 0:38:39 | 0:38:42 | |
Hey, man. | 0:39:03 | 0:39:05 | |
You OK? | 0:39:05 | 0:39:07 | |
You bueno? Huh? | 0:39:10 | 0:39:13 | |
You bueno? | 0:39:27 | 0:39:29 | |
-There you go. -Thanks. | 0:39:39 | 0:39:41 | |
-Morning. -Hi. I need to talk to you about that dead Mexican y'all found. | 0:39:41 | 0:39:46 | |
What about him? | 0:39:46 | 0:39:48 | |
-I'd rather talk outside. -All right. | 0:39:48 | 0:39:51 | |
Sir, our new officer, Mike Norton, the, er, little prick... | 0:40:00 | 0:40:06 | |
..apparently he was out there on Boracho Peak, OK? | 0:40:07 | 0:40:11 | |
Shots were fired. And he returned. | 0:40:11 | 0:40:15 | |
Now, there was only two of 'em out there - | 0:40:15 | 0:40:18 | |
Mike Norton, new kid from Cincinnati, and that wetback. | 0:40:18 | 0:40:21 | |
-Shots were fired. Who fired at who? -He fired at him first. | 0:40:21 | 0:40:25 | |
Now, I don't want any shit. | 0:40:25 | 0:40:27 | |
CAR APPROACHES | 0:40:35 | 0:40:37 | |
-What are you doing here? -I need to talk to you. | 0:40:56 | 0:40:59 | |
What about? | 0:41:00 | 0:41:02 | |
-Belmont came by the cafe today. -So what? | 0:41:02 | 0:41:06 | |
-Border patrol by the name of Gomez came looking for him. -So what? | 0:41:06 | 0:41:09 | |
Gomez told him who killed that Mexican. | 0:41:12 | 0:41:14 | |
Don't fool with me, girl. | 0:41:21 | 0:41:24 | |
Hell, no. He told Belmont one of the other border patrols | 0:41:24 | 0:41:28 | |
-killed him in a shoot-out. -Did he say his name? -Yeah. | 0:41:28 | 0:41:31 | |
A guy named Mike Norton. | 0:41:31 | 0:41:34 | |
-You heard him say that? -Said his name like three times. | 0:41:34 | 0:41:38 | |
-What are they gonna do with him? -He didn't say. | 0:41:38 | 0:41:41 | |
HORN HONKS | 0:41:51 | 0:41:54 | |
TYRES SCREECH | 0:41:56 | 0:41:57 | |
-What the hell's wrong with you?! -You gotta arrest him. | 0:42:01 | 0:42:04 | |
-Who do you think you are? -You gotta arrest the man who killed Melquiades. | 0:42:04 | 0:42:08 | |
-Who the hell would that be? -Norton. -With what evidence? | 0:42:08 | 0:42:12 | |
-You know damn well who killed Mel. -I don't know a goddamn thing. | 0:42:12 | 0:42:16 | |
You know damn well who killed Mel. You ain't gonna arrest him, are you? | 0:42:16 | 0:42:21 | |
You'd better get out of here before I throw your ass in jail. | 0:42:21 | 0:42:24 | |
You ain't gonna arrest him! | 0:42:29 | 0:42:31 | |
CHILDREN CHATTER | 0:42:37 | 0:42:40 | |
-Who is it? -I'm here for Patrolman Norton. Captain Gomez sent me. | 0:43:58 | 0:44:02 | |
Yeah, just a second. | 0:44:02 | 0:44:05 | |
SHE SCREAMS | 0:44:08 | 0:44:11 | |
-Agh! -You scream again, I'll kill you. | 0:44:11 | 0:44:14 | |
Put your hands over your head. | 0:44:17 | 0:44:20 | |
-Have you got any handcuffs? -Yeah. In my uniform belt. | 0:44:22 | 0:44:26 | |
Go get them handcuffs and the uniform and bring 'em here. And keep quiet. | 0:44:26 | 0:44:30 | |
Do what he says, Lou Ann. | 0:44:30 | 0:44:33 | |
Put that uniform on and then them handcuffs. | 0:44:39 | 0:44:42 | |
You tell her what you did? | 0:44:51 | 0:44:54 | |
What did he do? | 0:44:57 | 0:44:59 | |
Agh! Agh! Oh! | 0:45:13 | 0:45:15 | |
You need to try to relax. | 0:45:23 | 0:45:25 | |
You might get cold. | 0:45:35 | 0:45:37 | |
You call the police and I'm gonna have to kill him, darling. | 0:45:41 | 0:45:45 | |
TV: 'There's the rain coming now through Cincinnati. | 0:45:51 | 0:45:54 | |
'We could be looking at heavy amounts of rain on Friday, | 0:45:54 | 0:45:58 | |
'so flash-flooding will be a huge concern for us.' | 0:45:58 | 0:46:01 | |
Get out. | 0:46:27 | 0:46:29 | |
Are you gonna kill me? | 0:46:31 | 0:46:33 | |
Get out. | 0:46:37 | 0:46:39 | |
Dig him up. | 0:46:59 | 0:47:01 | |
-Who? -Melquiades Estrada, you stupid gringo son of a bitch. | 0:47:03 | 0:47:07 | |
You killed him, now dig him up. | 0:47:07 | 0:47:09 | |
'Today's storm that swept into Ohio sent dozens of vehicles | 0:47:12 | 0:47:15 | |
'sliding off the roadways, caused hundreds of businesses to close. | 0:47:15 | 0:47:19 | |
'The good news here is no-one was seriously injured.' | 0:47:19 | 0:47:23 | |
Ogh! Ugh! | 0:47:36 | 0:47:38 | |
Get him out. | 0:47:41 | 0:47:43 | |
DISTANT CHEERING & SCREAMING | 0:47:56 | 0:47:58 | |
Agh. Oh! Agh! | 0:48:09 | 0:48:12 | |
HE SCREAMS | 0:48:12 | 0:48:14 | |
HE CONTINUES TO SCREAM | 0:48:16 | 0:48:19 | |
PERKINS CHUCKLES SOFTLY | 0:48:35 | 0:48:37 | |
Get out. | 0:48:37 | 0:48:39 | |
Get around here. | 0:48:48 | 0:48:50 | |
Take him in the house. | 0:48:55 | 0:48:57 | |
Sit him on that bed. | 0:49:04 | 0:49:06 | |
Turn that light on. | 0:49:15 | 0:49:18 | |
Sit down at this table. In that chair. | 0:49:22 | 0:49:26 | |
Melquiades lived here. | 0:49:30 | 0:49:33 | |
That was his bed. | 0:49:33 | 0:49:35 | |
He kept his clothes right over there. | 0:49:35 | 0:49:39 | |
That was his plate. | 0:49:43 | 0:49:47 | |
That was his cup. | 0:49:48 | 0:49:51 | |
Drink it. | 0:49:59 | 0:50:01 | |
No. | 0:50:05 | 0:50:06 | |
Drink from that cup. | 0:50:11 | 0:50:14 | |
These was his work clothes. | 0:50:32 | 0:50:35 | |
Put them work clothes on. | 0:50:37 | 0:50:40 | |
Then put them dress clothes on Melquiades. | 0:50:40 | 0:50:43 | |
Come here. | 0:52:46 | 0:52:48 | |
Sit down in that chair. | 0:52:53 | 0:52:56 | |
I'll take them boots. | 0:53:00 | 0:53:03 | |
Aw, shit! | 0:53:04 | 0:53:07 | |
HE GROANS | 0:53:07 | 0:53:09 | |
All right. | 0:53:09 | 0:53:11 | |
Let's go. | 0:53:11 | 0:53:13 | |
Oh, fuck... | 0:53:13 | 0:53:15 | |
HE GROANS AGAIN | 0:53:15 | 0:53:17 | |
You fucker. | 0:53:17 | 0:53:19 | |
Why'd he leave that uniform laying there like that for? | 0:53:48 | 0:53:51 | |
Because he's crazy. | 0:53:51 | 0:53:54 | |
What time'd we find this guy's wife? | 0:53:59 | 0:54:02 | |
About nine o'clock this morning. | 0:54:02 | 0:54:04 | |
It's goddamn crazy son of a bitch. | 0:54:08 | 0:54:12 | |
What do you think? | 0:54:12 | 0:54:15 | |
I think this son of a bitch is crazy. | 0:54:19 | 0:54:23 | |
Right now, they should be somewhere here heading for Mexico. | 0:54:34 | 0:54:38 | |
-What about that heat-seeking radar? -It don't work. | 0:54:38 | 0:54:41 | |
They found four steers in a canyon this morning, | 0:54:41 | 0:54:45 | |
about three o'clock. | 0:54:45 | 0:54:47 | |
-What about the rangers? -I told them we had it covered. | 0:54:47 | 0:54:51 | |
There's a thousand ways he can go to Mexico. | 0:54:51 | 0:54:53 | |
That son'bitch is so fucking nuts, he might head north for Canada. | 0:54:53 | 0:54:56 | |
We're gonna start with the Lago, the Sierra de Diablo, | 0:54:56 | 0:55:00 | |
and the Arroyo Negro. Where y'all going? | 0:55:00 | 0:55:03 | |
Rest of the United States, I reckon. | 0:55:03 | 0:55:06 | |
Do what? | 0:55:06 | 0:55:08 | |
We'll head southeast over at Aldridge Canyon. | 0:55:09 | 0:55:12 | |
Where are we going? | 0:55:32 | 0:55:35 | |
THERE'S NOWHERE TO GO, MAN! | 0:55:37 | 0:55:39 | |
We're not going up there, are we? | 0:55:44 | 0:55:47 | |
Shit! | 0:55:47 | 0:55:49 | |
Well, hell! | 0:56:53 | 0:56:56 | |
MOBILE RINGS | 0:57:02 | 0:57:05 | |
This is Frank Belmont. | 0:57:07 | 0:57:09 | |
RACHEL: 'What are ya doing?' | 0:57:09 | 0:57:12 | |
I'm at work. | 0:57:12 | 0:57:14 | |
'Am I gonna see you tonight?' | 0:57:14 | 0:57:16 | |
Yeah. | 0:57:16 | 0:57:19 | |
Yeah, all right. | 0:57:19 | 0:57:20 | |
'Same time, same place?' | 0:57:20 | 0:57:23 | |
-Yeah. I guess. -'Good.' | 0:57:24 | 0:57:28 | |
'Stop at the store and pick up a pack of Kotex.' | 0:57:28 | 0:57:31 | |
Uh-huh. | 0:57:32 | 0:57:34 | |
HORSE WHINNIES | 0:58:34 | 0:58:36 | |
Shit! Shit! | 0:59:07 | 0:59:09 | |
Get out. | 0:59:12 | 0:59:13 | |
Get out! | 0:59:13 | 0:59:15 | |
Shit! | 0:59:26 | 0:59:28 | |
Shit! Shit! | 0:59:28 | 0:59:30 | |
What am I doing here? | 0:59:30 | 0:59:32 | |
It's our duty, sir. | 0:59:33 | 0:59:35 | |
Shut up. | 0:59:35 | 0:59:37 | |
COCKS GUN | 1:00:01 | 1:00:03 | |
Where are you going? | 1:00:03 | 1:00:06 | |
He stinks, man! I can't sleep. | 1:00:06 | 1:00:08 | |
Get back over there where you was at. | 1:00:08 | 1:00:11 | |
Hey. | 1:00:47 | 1:00:49 | |
Hey, you. | 1:00:51 | 1:00:53 | |
My name's Pete. | 1:00:53 | 1:00:55 | |
Well, Pete... | 1:00:57 | 1:00:59 | |
..the ants are eating your friend. | 1:01:00 | 1:01:04 | |
Fuck. | 1:01:07 | 1:01:09 | |
Agh! Damn! | 1:01:13 | 1:01:15 | |
NORTON COUGHS | 1:01:45 | 1:01:46 | |
DISTANT RADIO VOICES | 1:02:18 | 1:02:21 | |
RADIO TALK BECOMES MORE ANIMATED | 1:02:32 | 1:02:35 | |
Get down. Don't try nothing. | 1:02:41 | 1:02:43 | |
Who's there? | 1:03:00 | 1:03:03 | |
HE KNOCKS LOUDLY | 1:03:08 | 1:03:10 | |
-Buenos dias. -RADIO STOPS | 1:03:13 | 1:03:16 | |
I don't speak Spanish. What do you want? | 1:03:16 | 1:03:19 | |
We want some water for our horses. | 1:03:19 | 1:03:23 | |
Well, help yourself, then. | 1:03:24 | 1:03:26 | |
I like listening to this Mexican radio station. | 1:03:26 | 1:03:29 | |
I can't understand anything, | 1:03:29 | 1:03:31 | |
but I like the way Spanish sounds, don't you? | 1:03:31 | 1:03:35 | |
Yes, sir. | 1:03:35 | 1:03:37 | |
Sounds all right. | 1:03:37 | 1:03:39 | |
Smells like something dead around here. | 1:03:39 | 1:03:41 | |
I killed a deer a coupla days ago. Starting to turn. | 1:03:41 | 1:03:45 | |
Well, you better throw it away. It's rotten. | 1:03:46 | 1:03:49 | |
I wanna keep the hide. You got any salt I could use to cure it? | 1:03:49 | 1:03:53 | |
No, son. I barely got enough salt to put on the dinner table. | 1:03:53 | 1:03:57 | |
Have you got any alcohol? | 1:03:57 | 1:03:59 | |
I got a jug of anti-freeze. | 1:03:59 | 1:04:02 | |
Would that work? | 1:04:02 | 1:04:04 | |
Suck on this hose. | 1:04:19 | 1:04:22 | |
Them ants won't eat him any more after this. | 1:04:48 | 1:04:51 | |
You're crazy. | 1:04:52 | 1:04:54 | |
You're totally fucking crazy, man. | 1:04:55 | 1:04:58 | |
Y'all come and eat! | 1:04:58 | 1:05:00 | |
Let us pray. | 1:05:33 | 1:05:36 | |
Dear Lord, | 1:05:47 | 1:05:49 | |
we thank you for this meal, | 1:05:49 | 1:05:51 | |
and for bringing me these friends, and our daily bread, | 1:05:51 | 1:05:54 | |
and all the animals and all the beasts of the field. | 1:05:54 | 1:05:57 | |
Amen. | 1:05:57 | 1:06:00 | |
Do you live alone? | 1:06:10 | 1:06:12 | |
I've got a son that comes and sees me every month and brings me food. | 1:06:12 | 1:06:17 | |
But it's been six months since he was here. | 1:06:17 | 1:06:20 | |
What do you live on? | 1:06:23 | 1:06:25 | |
I got some things stored away. | 1:06:26 | 1:06:29 | |
Thank you. | 1:06:40 | 1:06:41 | |
-I'd like to ask you a favour. -Anything you want. | 1:06:41 | 1:06:44 | |
I wanted to ask you... | 1:06:44 | 1:06:46 | |
..if you can shoot me. | 1:06:48 | 1:06:51 | |
My son ain't coming back. | 1:06:53 | 1:06:57 | |
He'll come back. | 1:07:00 | 1:07:02 | |
No. He told me he had cancer. | 1:07:02 | 1:07:06 | |
He told me to go back to town with him. | 1:07:06 | 1:07:10 | |
But I don't wanna go cos I've always lived here. | 1:07:11 | 1:07:15 | |
We can't do it. | 1:07:15 | 1:07:17 | |
I don't wanna offend God | 1:07:17 | 1:07:19 | |
by killing myself. | 1:07:19 | 1:07:21 | |
It's a problem. | 1:07:21 | 1:07:24 | |
We don't wanna offend God, either. | 1:07:26 | 1:07:29 | |
It'd be the best thing to do! | 1:07:29 | 1:07:31 | |
You're good people. | 1:07:35 | 1:07:38 | |
You need to go ahead and shoot me. | 1:07:40 | 1:07:43 | |
You know, I'm innocent, actually. | 1:07:44 | 1:07:48 | |
I didn't mean to kill your friend, man. | 1:07:48 | 1:07:51 | |
H-He shot at me. All right? | 1:07:52 | 1:07:55 | |
And I swear to God, really, if I could... | 1:07:56 | 1:08:00 | |
If you let me go, I promise, | 1:08:05 | 1:08:07 | |
I swear, | 1:08:07 | 1:08:09 | |
I promise I will not press charges. | 1:08:09 | 1:08:12 | |
-Where's that son'bitch at? -I don't know. | 1:08:13 | 1:08:17 | |
You ought to. You've been fucking him. | 1:08:17 | 1:08:20 | |
We don't talk a lot. | 1:08:23 | 1:08:26 | |
God almighty! | 1:08:51 | 1:08:53 | |
Get this horse off me. | 1:08:55 | 1:08:58 | |
Get up! Get up! | 1:08:58 | 1:09:00 | |
Come on! | 1:09:00 | 1:09:02 | |
Come on! Come on! Come on! | 1:09:02 | 1:09:04 | |
Goddamn! Get up! | 1:09:10 | 1:09:13 | |
HORSE WHINNIES Whoa, Bill! | 1:09:13 | 1:09:16 | |
HE SCREAMS | 1:12:02 | 1:12:05 | |
Fuck! Fuck! Fuck! | 1:12:06 | 1:12:08 | |
HE WEEPS WITH FRUSTRATION | 1:12:08 | 1:12:11 | |
HE SCREAMS | 1:12:11 | 1:12:13 | |
RATTLE SNAKE HISSES | 1:13:26 | 1:13:29 | |
Agh! Agh! | 1:13:29 | 1:13:32 | |
HE SCREAMS | 1:13:32 | 1:13:35 | |
Agh! Agh! | 1:13:35 | 1:13:37 | |
Shit! | 1:13:39 | 1:13:41 | |
HE CONTINUES TO SCREAM | 1:13:42 | 1:13:45 | |
HELP! HELP! | 1:13:45 | 1:13:48 | |
Agh! HELP! | 1:13:48 | 1:13:52 | |
SPANISH SONG PLAYS ON RADIO | 1:13:57 | 1:14:00 | |
HELICOPTER WHIRRS | 1:14:11 | 1:14:13 | |
-Good afternoon, sir. -How do you do? | 1:14:24 | 1:14:26 | |
Sir, have you seen anyone coming through this general area | 1:14:26 | 1:14:30 | |
on horseback here lately? Like, maybe two men. | 1:14:30 | 1:14:32 | |
Horseback? Maybe with a coupla pack horses or a mule? | 1:14:32 | 1:14:37 | |
I ain't seen anybody in 30 years. | 1:14:37 | 1:14:39 | |
All right! I am sorry, sir. | 1:14:39 | 1:14:42 | |
Have you heard anyone come this way in the past few days or hours? | 1:14:42 | 1:14:47 | |
-Are y'all cops? -No, sir. We're actually with border control. | 1:14:47 | 1:14:51 | |
-Ain't no Mexicans come through here! -We're not looking for Mexicans. | 1:14:51 | 1:14:57 | |
-No-one come through. -Are you sure? | 1:14:58 | 1:15:01 | |
The hell no, I'm not sure! But I don't think so. | 1:15:01 | 1:15:05 | |
OK. Do you need anything? | 1:15:05 | 1:15:08 | |
No. | 1:15:10 | 1:15:11 | |
All right, we're moving on. | 1:15:13 | 1:15:15 | |
Buenos dias! | 1:16:31 | 1:16:32 | |
-We didn't do nothing, mister. -I know it. What happened to him? | 1:16:38 | 1:16:42 | |
He was bit by a snake. He's dying. | 1:16:42 | 1:16:45 | |
You know where we can get some help? | 1:16:45 | 1:16:49 | |
I know a girl who is good with herbs. Maybe she can cure him. | 1:16:49 | 1:16:53 | |
But she lives across the border. | 1:16:53 | 1:16:55 | |
-Is it far? -The border is not far. | 1:16:55 | 1:16:59 | |
It's all around. | 1:16:59 | 1:17:01 | |
They are looking for a gringo who kidnapped a migrant. | 1:17:01 | 1:17:05 | |
You're that gringo. | 1:17:07 | 1:17:10 | |
Can you help me get him across? I don't want him to die. | 1:17:17 | 1:17:21 | |
I'm leaving. | 1:17:45 | 1:17:46 | |
You're leaving? | 1:17:46 | 1:17:48 | |
Yes. | 1:17:48 | 1:17:51 | |
I hate this place. | 1:17:52 | 1:17:54 | |
Maybe he'll come back. | 1:17:54 | 1:17:56 | |
I don't care. | 1:17:56 | 1:17:58 | |
He'll come back, honey. | 1:17:58 | 1:18:00 | |
I don't care. | 1:18:00 | 1:18:02 | |
The son of a bitch is beyond redemption. | 1:18:03 | 1:18:06 | |
I'm leaving. | 1:18:20 | 1:18:22 | |
Can you get us across? | 1:18:28 | 1:18:30 | |
Yes. But I've never crossed people from this side to that side. | 1:18:30 | 1:18:34 | |
Especially on horses. | 1:18:34 | 1:18:37 | |
-OK, take us. -What about the price? -What price? | 1:18:37 | 1:18:40 | |
The price to cross you. | 1:18:40 | 1:18:42 | |
One thousand a person. | 1:18:42 | 1:18:45 | |
I don't have a thousand dollars. | 1:18:45 | 1:18:47 | |
Three thousand dollars. | 1:18:47 | 1:18:49 | |
A thousand for you, a thousand for the gringo. | 1:18:49 | 1:18:52 | |
And a thousand for the dead guy. | 1:18:52 | 1:18:54 | |
Shit! | 1:18:54 | 1:18:56 | |
I'll find a way to get across. | 1:18:56 | 1:18:59 | |
OK, let's make a deal. | 1:19:01 | 1:19:04 | |
Give me your rifle, | 1:19:04 | 1:19:05 | |
and your horse... | 1:19:05 | 1:19:07 | |
HELICOPTER WHIRRS No. | 1:19:07 | 1:19:10 | |
I'll give you the horse. | 1:19:22 | 1:19:24 | |
But not my horse. The other horse. | 1:19:24 | 1:19:27 | |
-And the rifle. -Just the horse. | 1:19:27 | 1:19:30 | |
OK! | 1:19:36 | 1:19:38 | |
This is where we cross. | 1:19:49 | 1:19:51 | |
-Is the water deep? -A little. | 1:19:51 | 1:19:54 | |
NORTON GRUNTS IN CONFUSION | 1:19:56 | 1:19:59 | |
Hey! | 1:19:59 | 1:20:01 | |
Hell! No, goddamn it! | 1:20:01 | 1:20:03 | |
-Hell! -HE YELPS IN PAIN | 1:20:03 | 1:20:06 | |
HE SCREAMS | 1:20:06 | 1:20:08 | |
Fuck you! Fuck you, sons of bitches! | 1:20:11 | 1:20:14 | |
To hell with this! You sons of bitches! | 1:20:14 | 1:20:17 | |
Fuck you! | 1:20:17 | 1:20:19 | |
I don't need this bullshit! I mean it! | 1:20:19 | 1:20:23 | |
I'm... Agh! | 1:20:23 | 1:20:24 | |
Agh! Fuck you! Fuck you! | 1:20:24 | 1:20:29 | |
HE YELPS | 1:20:29 | 1:20:31 | |
HE YELPS IN AGONY | 1:22:32 | 1:22:34 | |
SHE PLAYS OFF-KEY | 1:25:09 | 1:25:11 | |
PHONE RINGS | 1:25:13 | 1:25:16 | |
PHONE RINGS | 1:25:35 | 1:25:38 | |
Sans Restaurant. How may I help you? This is Rachel. | 1:25:38 | 1:25:41 | |
'Rachel.' | 1:25:41 | 1:25:44 | |
Pete? Where are you? | 1:25:44 | 1:25:47 | |
'I'm in Mexico.' | 1:25:47 | 1:25:49 | |
You know that border patrol is on your ass? | 1:25:49 | 1:25:51 | |
What's Belmont doing? | 1:25:51 | 1:25:55 | |
He went on vacation. Said he had nothing to do with it, | 1:25:55 | 1:25:58 | |
it's between you and border patrol, and he wanted to go to Sea World. | 1:25:58 | 1:26:01 | |
'Rachel...' | 1:26:07 | 1:26:09 | |
..I want you to come to Mexico. | 1:26:10 | 1:26:13 | |
'What for?' | 1:26:13 | 1:26:15 | |
Marry me. Be my wife. | 1:26:16 | 1:26:21 | |
Are you crazy? I can't do that. | 1:26:22 | 1:26:25 | |
'Why not?' | 1:26:25 | 1:26:28 | |
Because I love Bob, Pete. | 1:26:28 | 1:26:31 | |
You said I was the only one you loved. | 1:26:32 | 1:26:36 | |
Pete, you don't understand. I have to go. Take care. | 1:26:38 | 1:26:42 | |
We'll get you home pretty soon, Melquiades. | 1:28:24 | 1:28:28 | |
Any day now. | 1:28:28 | 1:28:31 | |
You look like hell, son. | 1:28:37 | 1:28:40 | |
Good morning. | 1:29:20 | 1:29:22 | |
Where am I? | 1:29:26 | 1:29:28 | |
-HE SPEAKS IN SPANISH -..Mexico. | 1:29:28 | 1:29:30 | |
Mexico. Shit. | 1:29:30 | 1:29:33 | |
-Who are you, man? -Your private friend, dude. | 1:29:34 | 1:29:38 | |
She's going to check you up. | 1:29:43 | 1:29:45 | |
Easy. Easy! | 1:29:45 | 1:29:49 | |
Hmm. | 1:29:49 | 1:29:51 | |
Drink. | 1:29:51 | 1:29:53 | |
HE SCREAMS | 1:30:05 | 1:30:07 | |
We'll have to walk it from here. | 1:31:53 | 1:31:56 | |
Shit. | 1:32:00 | 1:32:02 | |
Come here. | 1:32:10 | 1:32:12 | |
You try to run away, I'll kill ya. I guess you know that by now. | 1:32:53 | 1:32:58 | |
Yes, sir. | 1:32:58 | 1:32:59 | |
TV: 'Do you even know how much they cost?' | 1:33:11 | 1:33:13 | |
'Do you even know what the mileage on your little foreign car is?' | 1:33:13 | 1:33:16 | |
'Do you even know when the oil change is due? Tell me.' | 1:33:16 | 1:33:20 | |
-'Johnny, is there someone else? -What do you mean? | 1:33:20 | 1:33:24 | |
'Someone else what? Someone else putting a roof over your head - | 1:33:24 | 1:33:28 | |
'Johnny, you've been so distant, so far away. | 1:33:28 | 1:33:31 | |
'I cook, I clean house. I wonder what your mother would say. | 1:33:31 | 1:33:35 | |
Mother has no say. Do you think she cares about me or you?' | 1:33:35 | 1:33:40 | |
TV CONTINUES | 1:33:43 | 1:33:46 | |
Si. Por favour. | 1:33:47 | 1:33:51 | |
Possibly. Possibly. | 1:33:51 | 1:33:53 | |
Te? Cafe? | 1:33:53 | 1:33:55 | |
Gracias. | 1:34:00 | 1:34:03 | |
-TV: -'You're throwing your life away, Johnny! Don't do it!' | 1:34:49 | 1:34:54 | |
I know this one! I know this one. | 1:34:54 | 1:34:57 | |
'Please! Please! | 1:34:57 | 1:35:00 | |
'That's it. That's exactly it right there! It's always the same! | 1:35:00 | 1:35:05 | |
'Johnny, what happened to us?' | 1:35:05 | 1:35:09 | |
Let's go. | 1:35:12 | 1:35:14 | |
Gracias, senor. | 1:35:14 | 1:35:16 | |
HE SOBS | 1:35:34 | 1:35:38 | |
-Aceptas dolares? -Yes. It's two dollars. | 1:36:32 | 1:36:35 | |
-You speak English? -Yeah. | 1:36:35 | 1:36:37 | |
Everyone here speak English. | 1:36:37 | 1:36:39 | |
We were worked on the other side. | 1:36:39 | 1:36:41 | |
-What are you doing here? -Looking for a town called Jimenez. | 1:36:41 | 1:36:45 | |
Jimenez? | 1:36:45 | 1:36:47 | |
Hmm, no. There's no place like that here. | 1:36:47 | 1:36:51 | |
Uh-uh. | 1:36:56 | 1:36:57 | |
-Manuel. -Hmm? | 1:36:57 | 1:37:00 | |
Jimenez? | 1:37:02 | 1:37:05 | |
No. Not around here. | 1:37:05 | 1:37:07 | |
They said it was a little village about ten kilometres away. | 1:37:11 | 1:37:16 | |
Uh-uh. No. | 1:37:18 | 1:37:21 | |
The only village around here is Coahuila. | 1:37:21 | 1:37:25 | |
Do you know this woman? Her name's Maria. | 1:37:25 | 1:37:30 | |
Yeah, I know her. | 1:37:30 | 1:37:33 | |
But her name's not Maria. It's Rosa. | 1:37:34 | 1:37:38 | |
Do you know that man? | 1:37:40 | 1:37:42 | |
His name is Melquiades Estrada. | 1:37:42 | 1:37:46 | |
No. | 1:37:47 | 1:37:49 | |
What's he doing with that woman? | 1:37:52 | 1:37:54 | |
I don't know! | 1:37:54 | 1:37:57 | |
Why don't you ask her? | 1:38:00 | 1:38:03 | |
She lives around the corner. | 1:38:03 | 1:38:07 | |
Do you speak English? | 1:38:19 | 1:38:22 | |
Por que. | 1:38:22 | 1:38:24 | |
Senora... | 1:38:26 | 1:38:28 | |
..Melquiades was a good friend, | 1:38:29 | 1:38:31 | |
and I'm sorry to tell you he's passed away. | 1:38:31 | 1:38:34 | |
Who is... Melquiades? | 1:38:34 | 1:38:38 | |
Melquiades - your husband. | 1:38:38 | 1:38:41 | |
He's passed away. We brought his body back from Texas. | 1:38:41 | 1:38:44 | |
Well... | 1:38:49 | 1:38:51 | |
..this is you and that's him. | 1:38:51 | 1:38:54 | |
Please. You can tell me the truth. | 1:39:01 | 1:39:04 | |
He was a good friend of mine. | 1:39:04 | 1:39:07 | |
You were married to him, weren't you? | 1:39:07 | 1:39:09 | |
Senora... | 1:39:16 | 1:39:18 | |
No... I don't know him. | 1:39:39 | 1:39:43 | |
-Do you know anything about a little town called Jimenez? -No. | 1:39:46 | 1:39:50 | |
It doesn't exist around here. | 1:39:51 | 1:39:54 | |
-Your friend lied to you. -No, he didn't. -Sure, he did. | 1:40:19 | 1:40:23 | |
There's no Jimenez, man. Wake up. | 1:40:31 | 1:40:34 | |
-The place doesn't exist. -Yes, it does. | 1:41:07 | 1:41:10 | |
THERE IS NO FUCKING JIMENEZ, MAN! | 1:41:14 | 1:41:18 | |
Don't you see? There's no Jimenez! | 1:41:20 | 1:41:23 | |
It exists. | 1:41:23 | 1:41:25 | |
This looks like Jimenez. | 1:42:32 | 1:42:35 | |
It's just like Mel said it was. | 1:42:41 | 1:42:44 | |
That's the good water. | 1:42:48 | 1:42:50 | |
And... | 1:42:53 | 1:42:55 | |
That's the house. | 1:42:57 | 1:42:59 | |
Store's right over yonder. | 1:43:02 | 1:43:05 | |
Graveyard. | 1:43:10 | 1:43:12 | |
Garden right there. | 1:43:21 | 1:43:24 | |
See? | 1:43:25 | 1:43:27 | |
Just like that right there. | 1:43:30 | 1:43:34 | |
See? | 1:43:34 | 1:43:35 | |
Yeah. | 1:43:38 | 1:43:40 | |
This is it. | 1:43:42 | 1:43:44 | |
You found it, Pete. | 1:43:46 | 1:43:48 | |
Well...get down. | 1:43:51 | 1:43:55 | |
HE SIGHS DEEPLY | 1:45:29 | 1:45:31 | |
You've got a grave to dig. | 1:45:32 | 1:45:35 | |
-What? -Ask for forgiveness. | 1:46:52 | 1:46:56 | |
Ask for forgiveness right now or go to hell right now. | 1:46:57 | 1:47:00 | |
I don't believe in hell. | 1:47:00 | 1:47:03 | |
HE SCREAMS | 1:47:03 | 1:47:05 | |
No! | 1:47:08 | 1:47:12 | |
I'm sorry! I swear to God I'm sorry. | 1:47:12 | 1:47:16 | |
HE SOBS | 1:47:19 | 1:47:21 | |
I swear to God! I swear to God! | 1:47:30 | 1:47:34 | |
I did not mean to kill him. | 1:47:34 | 1:47:36 | |
It was a mistake. | 1:47:38 | 1:47:40 | |
HE CONTINUES TO SOB | 1:47:40 | 1:47:42 | |
I didn't want it to happen. | 1:47:52 | 1:47:55 | |
That hurt me. I-I regret it... | 1:48:04 | 1:48:08 | |
every single day. | 1:48:08 | 1:48:10 | |
Forgive me. | 1:48:12 | 1:48:15 | |
Forgive me... Melquiades. | 1:48:15 | 1:48:19 | |
For taking your life, forgive me. | 1:48:23 | 1:48:26 | |
Forgive me. | 1:48:26 | 1:48:28 | |
-HE WHIMPERS -Forgive me. | 1:48:29 | 1:48:31 | |
You can go now. | 1:49:25 | 1:49:28 | |
Where? | 1:49:40 | 1:49:41 | |
To your wife. | 1:49:43 | 1:49:45 | |
Wherever. | 1:49:46 | 1:49:48 | |
I always... | 1:50:00 | 1:50:02 | |
I always thought that you'd end up killing me. | 1:50:04 | 1:50:07 | |
You can keep the horse, son. | 1:50:10 | 1:50:14 | |
HORSE WHINNIES | 1:51:01 | 1:51:03 | |
Are you gonna be all right? | 1:51:07 | 1:51:10 | |
Subtitles by Red Bee Media Ltd E-mail [email protected] | 1:51:24 | 1:51:28 |