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There are times when a man takes stock of himself, | 0:01:49 | 0:01:53 | |
he asks himself a question - | 0:01:53 | 0:01:55 | |
"Have I won or lost? | 0:01:55 | 0:01:58 | |
"Has my life made any sense? | 0:01:58 | 0:02:00 | |
"What's the pay-off?" | 0:02:00 | 0:02:04 | |
I was the richest man in the world, but I couldn't take it with me. | 0:02:04 | 0:02:09 | |
I'd no heir to leave it to. | 0:02:09 | 0:02:12 | |
The one man who should've had it wasn't there. | 0:02:12 | 0:02:16 | |
I wasn't alone. There was somebody with me - my friend Juan Castro. | 0:02:16 | 0:02:21 | |
He was quite a guy. | 0:02:21 | 0:02:24 | |
We'd gone through enough together to know each other pretty well. | 0:02:24 | 0:02:28 | |
It wasn't until that moment, right at the end, that I understood what made Juan do the things he did, | 0:02:28 | 0:02:35 | |
and what had made me go along with him. | 0:02:35 | 0:02:38 | |
All this happened in the days when Mexico was fighting for freedom. | 0:02:40 | 0:02:45 | |
There'd been two liberators, but one had turned dictator. | 0:02:45 | 0:02:50 | |
It's a habit liberators often get into, and it tends to confuse the people they've liberated. | 0:02:50 | 0:02:57 | |
Some of the liberated ones had been enslaved again, | 0:02:57 | 0:03:01 | |
blood had flowed, the enemy had taken savage reprisal. | 0:03:01 | 0:03:06 | |
"Death to Villa." It was not healthy then to be a friend of Villa's, | 0:03:12 | 0:03:18 | |
nor was Villa himself in good shape. | 0:03:18 | 0:03:21 | |
He'd been chased back into Northern Mexico, where he knew every foot of the terrain | 0:03:21 | 0:03:28 | |
and could fight brilliantly, | 0:03:28 | 0:03:30 | |
provided he had ammunition, guns and horses or money to buy them. | 0:03:30 | 0:03:34 | |
Money was his main problem and he wasn't too particular how he got it. | 0:03:34 | 0:03:40 | |
That's where I came in... | 0:03:40 | 0:03:42 | |
You might, er, say that I was in the finance business. | 0:03:44 | 0:03:48 | |
BOY SPEAKS SPANISH | 0:04:18 | 0:04:21 | |
Vamos! Vamos! Vamos! | 0:04:21 | 0:04:23 | |
GUNSHOT | 0:04:36 | 0:04:38 | |
Let's go! Let's get out of here! | 0:04:56 | 0:04:59 | |
There are many ways to sweat... | 0:05:27 | 0:05:29 | |
but steam is the best. | 0:05:29 | 0:05:32 | |
Better than digging ditches. | 0:05:36 | 0:05:38 | |
But too much is no good. | 0:05:41 | 0:05:44 | |
What would you like, senor? | 0:06:05 | 0:06:07 | |
Oh...thanks. Everything. The works! | 0:06:07 | 0:06:10 | |
Mmm! Wonderful, huh? | 0:06:13 | 0:06:15 | |
Paper. | 0:06:25 | 0:06:27 | |
Gracias. | 0:06:27 | 0:06:28 | |
-Yes, senor? -Tequila. -Yes, senor. | 0:06:31 | 0:06:34 | |
-Anything else, senor? -Not right now. | 0:06:47 | 0:06:49 | |
-Watch! -Oh, senor, a thousand apologies. | 0:07:16 | 0:07:20 | |
OK. | 0:07:20 | 0:07:22 | |
I must buy you a new drink. | 0:07:22 | 0:07:25 | |
Waiter! | 0:07:25 | 0:07:27 | |
Si, senor? Two more, please. | 0:07:27 | 0:07:30 | |
Yes, senor. | 0:07:30 | 0:07:31 | |
You got what you wanted. Now, adios! | 0:07:31 | 0:07:34 | |
But I insist. | 0:07:34 | 0:07:37 | |
Anything else, senor? No, thanks. | 0:07:41 | 0:07:44 | |
Salud. | 0:07:45 | 0:07:47 | |
And my apology. | 0:07:47 | 0:07:49 | |
There's one more job to be done. | 0:07:50 | 0:07:53 | |
Sorry. I told the boys this was my last one. | 0:07:53 | 0:07:57 | |
You were paid well. This one will pay twice what you've ever received. | 0:07:57 | 0:08:02 | |
-The answer's still no. -Can you give me any reason? -Yeah... | 0:08:02 | 0:08:07 | |
Smell me! | 0:08:07 | 0:08:09 | |
-Senor! -Go - get a good whiff of me! | 0:08:09 | 0:08:12 | |
What do you smell? | 0:08:19 | 0:08:22 | |
Perhaps some hair tonic and other things. | 0:08:22 | 0:08:26 | |
You said it! Other things. I smell like a perfume factory! Why? | 0:08:26 | 0:08:30 | |
Cos I'm tired of sweaty clothes, eating beans and hiding in cellars! | 0:08:30 | 0:08:36 | |
Sure you paid me well! You had to! I earned it! | 0:08:36 | 0:08:39 | |
But from here on in, I'm gonna smell sweet, | 0:08:39 | 0:08:43 | |
sleep good and live high on the hog! | 0:08:43 | 0:08:45 | |
Your revolution is washed up! | 0:08:45 | 0:08:48 | |
I'm looking for new comrades! | 0:08:48 | 0:08:51 | |
Juan will be disappointed. | 0:08:52 | 0:08:55 | |
Sorry. I have to meet somebody. Adios. | 0:08:55 | 0:08:58 | |
Juan? Juan who? | 0:08:58 | 0:09:01 | |
Juan Castro, your amigo. | 0:09:01 | 0:09:04 | |
Castro? What's he doing now, besides spoiling my afternoon? | 0:09:06 | 0:09:10 | |
Preparing another project in the district of Santo Tomas. | 0:09:13 | 0:09:17 | |
This one he'll have to do alone. | 0:09:17 | 0:09:19 | |
This is the place... | 0:09:21 | 0:09:24 | |
Castro's already there. He will conduct the start of the operation. | 0:09:24 | 0:09:28 | |
-You will proceed... -I'm not proceeding any place! | 0:09:28 | 0:09:32 | |
Tell Castro to stop interfering with my study of bird life. | 0:09:32 | 0:09:36 | |
But, senor... | 0:09:36 | 0:09:39 | |
This is a good place. | 0:10:10 | 0:10:13 | |
It will happen here. | 0:10:13 | 0:10:15 | |
The password? | 0:10:47 | 0:10:48 | |
Relax, hombre! It is I - Farolito! | 0:10:48 | 0:10:51 | |
So I see - but I still must know the password. | 0:10:51 | 0:10:54 | |
With a sentry, the rifle comes first, then the password! | 0:10:54 | 0:10:59 | |
-Viva Pancho. -Viva! Thank you, mi colonel. | 0:10:59 | 0:11:03 | |
Water the horses. | 0:11:03 | 0:11:05 | |
Si, mi colonel. | 0:11:05 | 0:11:07 | |
-He is the colonel for the train operation. -Juan Castro, senora. | 0:11:10 | 0:11:15 | |
I am Laria Morales. Did you have to wake him before he challenged you? | 0:11:15 | 0:11:19 | |
This is not guerilla discipline. | 0:11:19 | 0:11:22 | |
-Excuse me, Colonel. -You have a good hide-out here, very good. | 0:11:22 | 0:11:26 | |
-Where's the headquarters? -This way, mi colonel. | 0:11:26 | 0:11:30 | |
This is my husband Capitan Pablo Morales. Colonel Castro. | 0:11:54 | 0:11:59 | |
Hello, Pablo! | 0:12:05 | 0:12:07 | |
So, it is you. | 0:12:07 | 0:12:10 | |
You know each other, then? | 0:12:10 | 0:12:13 | |
You did not tell me. | 0:12:13 | 0:12:15 | |
Your husband and I did a little work together once. | 0:12:15 | 0:12:19 | |
It was a long time ago... | 0:12:19 | 0:12:23 | |
You're not happy I was sent here, Pablo? | 0:12:25 | 0:12:28 | |
Not unhappy... | 0:12:28 | 0:12:30 | |
I didn't know - that is all. | 0:12:32 | 0:12:34 | |
-Not much for an operation like the train. -There'll be enough. | 0:12:41 | 0:12:45 | |
The train is in two parts. | 0:12:45 | 0:12:47 | |
An engine with soldiers, then another engine, then the train. Not easy. | 0:12:47 | 0:12:51 | |
-You don't like the operation? -How is one to like it? | 0:12:51 | 0:12:55 | |
We must do our best, that is all. | 0:12:57 | 0:13:00 | |
A little drop after your journey. | 0:13:00 | 0:13:02 | |
Thank you, senora. | 0:13:02 | 0:13:04 | |
Tell me, Pablo... | 0:13:07 | 0:13:10 | |
what else makes you unhappy? | 0:13:10 | 0:13:12 | |
What are your thoughts on the train? | 0:13:12 | 0:13:15 | |
All your thoughts... | 0:13:15 | 0:13:17 | |
Better now than later. | 0:13:17 | 0:13:20 | |
Much better. | 0:13:20 | 0:13:22 | |
-Up to now, things have been good here, my colonel. -Good! | 0:13:22 | 0:13:26 | |
-Glad to hear it. -Not that we do not work... | 0:13:26 | 0:13:30 | |
We have been freighters as much as soldiers. I have my mules and I pack the freight that Pancho needs. | 0:13:30 | 0:13:37 | |
I know the trails... None know them better than I. | 0:13:37 | 0:13:41 | |
If you did not know one trail in particular, you wouldn't be needed. | 0:13:41 | 0:13:46 | |
It's not for your handsome face you're needed - or for your courage. | 0:13:46 | 0:13:51 | |
Courage is good, my colonel. So is intelligence. | 0:13:51 | 0:13:55 | |
-This plan needs more of the first because it lacks the second. -What does it lack? | 0:13:55 | 0:14:01 | |
-I have seen trains fly apart - it's a satisfactory sight... -Mm-hm. | 0:14:01 | 0:14:05 | |
I've seen them drop into canyons, roll off mountains... | 0:14:05 | 0:14:09 | |
-I've seen them buried in tunnels - all satisfying things... -Mmm... | 0:14:09 | 0:14:13 | |
But to capture a train? | 0:14:13 | 0:14:16 | |
A train with soldiers... | 0:14:16 | 0:14:19 | |
soldiers with rifles, perhaps also with artillery - | 0:14:19 | 0:14:22 | |
that takes more strength than we have here. | 0:14:22 | 0:14:26 | |
Suppose I told you there would be help at the train? | 0:14:26 | 0:14:31 | |
I would want to know what it was, | 0:14:31 | 0:14:33 | |
otherwise I'd say it's a bad plan. | 0:14:33 | 0:14:36 | |
-I'd say it to Pancho Villa himself. -You would, huh? | 0:14:36 | 0:14:41 | |
Well, Pancho Villa is not here... | 0:14:43 | 0:14:46 | |
and, not being here, Pancho Villa needs men who are loyal to him. | 0:14:46 | 0:14:51 | |
I, too, need such men. | 0:14:53 | 0:14:55 | |
He talks this way! Don't take it seriously. | 0:15:14 | 0:15:18 | |
When it comes to action, he is good. | 0:15:18 | 0:15:20 | |
You will see. This is just talk. | 0:15:20 | 0:15:23 | |
It's a good thing you know the trail across the mountains, Pablo... | 0:15:23 | 0:15:28 | |
it's a good thing. | 0:15:28 | 0:15:31 | |
Well, let's have a drink, huh? And let's be friends. | 0:15:32 | 0:15:36 | |
Salud! | 0:15:43 | 0:15:45 | |
To you, Colonel! | 0:15:46 | 0:15:48 | |
-And to the train! -To the train! | 0:15:48 | 0:15:51 | |
-And to Pancho Villa! -Good luck. | 0:15:51 | 0:15:54 | |
I'm full. Also I'm sleepy. | 0:16:03 | 0:16:06 | |
-For this business tomorrow, we all need sleep. Good night, mi colonel. -Good night, Pablo. | 0:16:06 | 0:16:12 | |
You coming, woman? In a minute. | 0:16:12 | 0:16:15 | |
The packs will stay where they are. Farolito, you take care of them. | 0:16:15 | 0:16:20 | |
He will not steal the packs. | 0:16:24 | 0:16:26 | |
How do you know? | 0:16:26 | 0:16:29 | |
The soldiers would pay 100,000 pesos for those packs and information. | 0:16:29 | 0:16:34 | |
You must believe me. He is cautious, but not treacherous. | 0:16:34 | 0:16:38 | |
Senora, I tell you something. | 0:16:38 | 0:16:41 | |
Traitors have a certain smell that I don't like. | 0:16:42 | 0:16:45 | |
Your husband has that smell. | 0:16:45 | 0:16:48 | |
He will do well - you will see. | 0:16:48 | 0:16:51 | |
Excuse me, Colonel, but there is someone else that must eat. | 0:16:51 | 0:16:56 | |
-This person could not eat with us. -She could, but I don't like the men to look at her. -Another woman here? | 0:16:56 | 0:17:02 | |
An American. Her father ran a mine near here up in the mountains. | 0:17:02 | 0:17:07 | |
-They were good to us. -How? | 0:17:07 | 0:17:09 | |
They gave us medicine, also sometimes ammunition. | 0:17:09 | 0:17:13 | |
One day, our enemies attacked them. | 0:17:13 | 0:17:16 | |
Why? | 0:17:16 | 0:17:18 | |
They wanted the mine... also, I think, the woman. | 0:17:18 | 0:17:21 | |
They killed the father, all who worked there ran off... | 0:17:21 | 0:17:25 | |
We saved the girl. Would you like to see her? | 0:17:25 | 0:17:29 | |
Why not? | 0:17:30 | 0:17:32 | |
I would ask something for this girl, mi Colonel - take her with you after you've taken the train. | 0:17:37 | 0:17:44 | |
-You ask too much. -Take her. She will help. | 0:17:44 | 0:17:48 | |
Where you are going, she can find her way home. I cannot protect her here. | 0:17:48 | 0:17:53 | |
-Does she want to go or is this your idea? -She will tell you herself. | 0:17:53 | 0:17:58 | |
I brought someone to see you. | 0:18:01 | 0:18:03 | |
Colonel Juan Castro of the Army of the Republic. Senorita Ruth Harris. | 0:18:03 | 0:18:08 | |
-Pleasure, senorita. -It's a great honour to meet you, Colonel. | 0:18:08 | 0:18:12 | |
Please sit down. | 0:18:12 | 0:18:15 | |
-Have we disturbed your work? -It's not really work. | 0:18:16 | 0:18:20 | |
I'm sort of keeping a record in this old ledger, | 0:18:20 | 0:18:23 | |
what I've seen in your country. | 0:18:23 | 0:18:26 | |
Oh? You a writer? | 0:18:26 | 0:18:28 | |
No, I'm afraid not. I came to Mexico with the idea of teaching school. | 0:18:28 | 0:18:33 | |
I speak a little Spanish and I like children, especially the ones here. | 0:18:33 | 0:18:38 | |
But teachers also learn and Mexico has been a very good school for me. | 0:18:38 | 0:18:43 | |
I have been to that school. | 0:18:43 | 0:18:45 | |
It's not an easy one. | 0:18:45 | 0:18:48 | |
-It can be very terrible. -But you are not against it? | 0:18:48 | 0:18:51 | |
I mean, the, er, revolution? | 0:18:51 | 0:18:54 | |
Shall I be against that which has given a purpose to my life? | 0:18:54 | 0:18:59 | |
-Laria tells me you want to go with us. -Oh, I do, Colonel, I do! | 0:18:59 | 0:19:04 | |
-Will you take me? -Maybe... But you must understand, there are certain conditions. | 0:19:04 | 0:19:10 | |
What are they? | 0:19:10 | 0:19:12 | |
It is very difficult for me to tell you because you are a woman, | 0:19:12 | 0:19:16 | |
but, er... | 0:19:16 | 0:19:19 | |
if you lose your courage, I leave you wherever you are. | 0:19:19 | 0:19:23 | |
If you turn traitor... | 0:19:23 | 0:19:26 | |
I kill you. | 0:19:26 | 0:19:28 | |
You still want to go? | 0:19:29 | 0:19:32 | |
-Yes, I do! -Why? | 0:19:37 | 0:19:39 | |
I wish to do everything I can to help your cause. | 0:19:39 | 0:19:43 | |
I will think about it. Good night, senorita. | 0:19:45 | 0:19:49 | |
-Lash it tight. -That I can do. | 0:20:01 | 0:20:04 | |
But can I take a train? That is something else. | 0:20:06 | 0:20:10 | |
There will be help. | 0:20:10 | 0:20:12 | |
-Trust my word. -I trust my eyes, my ears and my fingers. | 0:20:12 | 0:20:16 | |
-I'm losing the ability to trust anything else. -Then, trust me! | 0:20:16 | 0:20:20 | |
-See what happens. -TRAIN WHISTLE | 0:20:20 | 0:20:22 | |
-Excuse me, senor, you promised to play me a tune on the big fiddle. -So? | 0:20:55 | 0:21:00 | |
As a favour, play it now. | 0:21:00 | 0:21:02 | |
I have to be in the mood. I'm not in the mood. | 0:21:04 | 0:21:08 | |
Please, I have waited. | 0:21:08 | 0:21:11 | |
-If it's a tune you want, I'll whistle. -Anyone can whistle! | 0:21:11 | 0:21:16 | |
Not like I can! Listen. | 0:21:16 | 0:21:18 | |
HE WHISTLES "La Cucaracha" | 0:21:18 | 0:21:21 | |
Shh! That is Pancho Villa's marching song. | 0:21:21 | 0:21:25 | |
PEOPLE JOIN IN | 0:21:25 | 0:21:29 | |
# La cucaracha, la cucaracha... # | 0:21:32 | 0:21:35 | |
I command you to stop this singing! | 0:21:35 | 0:21:38 | |
SINGING CONTINUES I command you to stop this singing! | 0:21:38 | 0:21:43 | |
Where is the first engine? | 0:21:49 | 0:21:52 | |
On the curve. | 0:21:52 | 0:21:54 | |
OK, music lover, you wanna hear some music? Listen to this! | 0:22:36 | 0:22:41 | |
I told you there'd be help. | 0:22:58 | 0:23:00 | |
Farolito! | 0:23:04 | 0:23:06 | |
Take some men and take out that gun. | 0:23:08 | 0:23:10 | |
Hello, gringo! | 0:24:05 | 0:24:07 | |
-Hey, amigo! -Good to see you with la cucaracha again! Just in time! | 0:24:07 | 0:24:13 | |
I wouldn't be late for you! Was it all right? | 0:24:13 | 0:24:16 | |
Very good! Come on! Vamos! | 0:24:16 | 0:24:21 | |
Hey! Perfume! Always been a pushover for perfume! | 0:24:40 | 0:24:44 | |
Reminds me of a gal in San Antonio. | 0:24:44 | 0:24:47 | |
25 an ounce. | 0:24:49 | 0:24:51 | |
With this here, you could buy all the perfume in San Antonio... | 0:24:51 | 0:24:57 | |
and San Antonio too! | 0:24:57 | 0:24:59 | |
Open this thing for me. | 0:24:59 | 0:25:01 | |
Hey, amigo... | 0:25:13 | 0:25:15 | |
you're right! With this, I could buy all the perfume in San Antonio. | 0:25:15 | 0:25:19 | |
The colonel said there'd be help - I did not know it would be as good. | 0:25:22 | 0:25:27 | |
-We always go first cabin. ..Who's he? -He's a mule driver. | 0:25:27 | 0:25:31 | |
-He fights well, but he talks too much. -Pablo Morales. | 0:25:31 | 0:25:36 | |
-At your service, senor. -Thank you. | 0:25:36 | 0:25:38 | |
Ricardo, no drink until we get there. | 0:26:06 | 0:26:10 | |
Yes, mi colonel. | 0:26:10 | 0:26:13 | |
Bryan's my name. | 0:26:16 | 0:26:18 | |
Pleased to meet you. Ruth Harris. | 0:26:18 | 0:26:21 | |
-I didn't know this outfit had American gals. Travel bureau running a service? -Not exactly... | 0:26:21 | 0:26:27 | |
-If they did, you wouldn't have that. It'd scare the tourists! -That's my life-insurance policy, la cucaracha! | 0:26:27 | 0:26:36 | |
-We're about to eat, so could you put it down? -We might need it before the night's over. -Oh...! | 0:26:36 | 0:26:43 | |
It's sort of heavy. | 0:26:46 | 0:26:48 | |
Put it somewhere, go over there, get a plate and join the line. | 0:26:48 | 0:26:53 | |
Yes, ma'am. | 0:26:55 | 0:26:57 | |
Hi, gringo, I see you have met the American soldadera! | 0:27:01 | 0:27:05 | |
Yeah. How did she get here? | 0:27:05 | 0:27:08 | |
Her father ran a copper mine in the mountains. He was killed. | 0:27:08 | 0:27:12 | |
-The other woman? -Laria Morales. Pablo's wife. She's not coming. -The Harris girl will? -I think so! | 0:27:12 | 0:27:18 | |
After we deliver the gold to Pancho Villa, I'll send her to the US. | 0:27:18 | 0:27:23 | |
-Where do we deliver the gold? -Just before the pass in Yaqui country. | 0:27:23 | 0:27:28 | |
After the first six hours, who carries her - you? | 0:27:28 | 0:27:31 | |
No, I watched her. She's good. | 0:27:31 | 0:27:34 | |
-Strong, works hard... -And she's pretty. | 0:27:34 | 0:27:38 | |
Gringo, I tell you something... | 0:27:38 | 0:27:41 | |
makes no difference to me if she'd two left feet and a monkey face... | 0:27:41 | 0:27:45 | |
-as long as she fights for Pancho Villa! -So she fights? | 0:27:45 | 0:27:50 | |
-She has one left foot and one right foot and what they hold up is well-proportioned. -Yes... | 0:27:50 | 0:27:56 | |
-I don't want my throat cut for those proportions. -I wouldn't cut your throat for a woman, nor you mine! | 0:27:56 | 0:28:03 | |
But for the gold...maybe! | 0:28:03 | 0:28:06 | |
Remember, I'm taking care of the gold! | 0:28:06 | 0:28:09 | |
Senorita? | 0:28:11 | 0:28:13 | |
-Yes, Colonel? -I made up my mind. You can go with us. | 0:28:13 | 0:28:17 | |
-Gracias! -But you look funny with these clothes in the mountains. | 0:28:17 | 0:28:22 | |
-Well... -She has other ones over there. | 0:28:22 | 0:28:25 | |
Ah, you women! | 0:28:27 | 0:28:29 | |
Cabrito stew - you're to be congratulated. My favourite dish. | 0:28:37 | 0:28:41 | |
You were a great help to Colonel Castro and my husband at the train. | 0:28:41 | 0:28:46 | |
-Husbands of beautiful women are a speciality of mine! -Enjoy your supper! -Gracias! | 0:28:46 | 0:28:52 | |
-I'm very grateful to you. -What for? I don't get it. | 0:29:06 | 0:29:10 | |
Colonel Castro just told me he's going to take me to the mountains. He wasn't very sure before. | 0:29:10 | 0:29:17 | |
I must owe his decision to you. | 0:29:17 | 0:29:19 | |
I didn't want you to go along. It was his idea. | 0:29:19 | 0:29:23 | |
Oh... | 0:29:23 | 0:29:25 | |
Doesn't make much difference. I seem to be going. | 0:29:25 | 0:29:29 | |
Neither much difference or sense! | 0:29:29 | 0:29:32 | |
I still don't get why you're here. | 0:29:32 | 0:29:35 | |
Just where do you think I belong? | 0:29:35 | 0:29:38 | |
Giving a manicure, laying on some nice white beach, getting a tan(!) | 0:29:38 | 0:29:43 | |
I've never had time for such things. | 0:29:43 | 0:29:46 | |
Believe it or not, I was a teacher. | 0:29:46 | 0:29:49 | |
What's happened to me since I came down here... It's like a dream... | 0:29:50 | 0:29:55 | |
like a nightmare. | 0:29:55 | 0:29:57 | |
I don't think I'd have got through it without Laria and these men. They're great people. | 0:29:59 | 0:30:05 | |
There's nobody as generous as people who have nothing. | 0:30:05 | 0:30:09 | |
Oh, but they have much, they believe in so much. | 0:30:09 | 0:30:13 | |
What's happening here is what happened in our revolution! | 0:30:13 | 0:30:19 | |
-Maybe. I never thought of it that way. -Why are you here? Haven't you thought about that either? | 0:30:19 | 0:30:26 | |
Yeah! I think about that on the first day of each month. That's payday! | 0:30:26 | 0:30:32 | |
What you believe in isn't changed by being paid for fighting for it. | 0:30:32 | 0:30:37 | |
What I believe in is taking care of number one! | 0:30:37 | 0:30:41 | |
I'm here because the dough is good! | 0:30:41 | 0:30:44 | |
You're being very explicit. Excuse me if I don't go along with that! | 0:30:44 | 0:30:48 | |
-No man would fight like you did just for money! -In my business, bums don't live long. | 0:30:48 | 0:30:55 | |
-I don't need Washington, just his hatchet! -You're a mercenary? | 0:30:55 | 0:30:59 | |
That's a three-dollar word. If you mean hired gun, yeah, that's me. | 0:31:01 | 0:31:06 | |
-This is ridiculous! -I'm just putting you straight! | 0:31:06 | 0:31:09 | |
I came here to thank you. I still thank you for what you do, even if you do it for the wrong reasons! | 0:31:09 | 0:31:16 | |
Here are the clothes! I'll make you look like a real soldier! | 0:31:20 | 0:31:24 | |
-Oh, no! -It will be safer. Come on. | 0:31:24 | 0:31:27 | |
-Shall we be taking this dynamite with us? -Sure we are! | 0:31:28 | 0:31:32 | |
It'll take a mule. I could use the mules for the gold. | 0:31:32 | 0:31:36 | |
Pablo, what we have in those bags, we don't talk about! | 0:31:36 | 0:31:40 | |
It's none of your business. It belongs to Pancho Villa! | 0:31:40 | 0:31:44 | |
-Sometimes I feel you do not trust me. -I trust you all right... | 0:31:44 | 0:31:48 | |
as far as I can spit! | 0:31:48 | 0:31:51 | |
Farolito, line up the mules! | 0:31:55 | 0:31:57 | |
We're going! Come on! | 0:31:57 | 0:32:00 | |
Goodbye, little one. | 0:32:06 | 0:32:08 | |
-Make me proud of you! -I will, Laria! | 0:32:08 | 0:32:11 | |
-I'll never forget what you did for me. -We shall see each other again. | 0:32:11 | 0:32:15 | |
-I'll pray that everything goes well. -I will too. | 0:32:15 | 0:32:19 | |
Farolito, la cucaracha. | 0:32:23 | 0:32:26 | |
HE SPEAKS IN NATIVE TONGUE | 0:33:22 | 0:33:24 | |
They are five or six hours away. | 0:33:29 | 0:33:31 | |
-Farolito, get me a rope. -Yes. | 0:34:49 | 0:34:52 | |
Get those packs. | 0:35:01 | 0:35:03 | |
I'll help him. | 0:35:17 | 0:35:20 | |
Throw down another rope. | 0:35:42 | 0:35:45 | |
Let me feel it. | 0:36:10 | 0:36:13 | |
-What for? -You can tell the worth of gold by its weight. | 0:36:13 | 0:36:17 | |
-Why not take one? -Because they're Pancho Villa's. | 0:36:17 | 0:36:20 | |
Every one of them is Pancho Villa's! All except this one! | 0:36:22 | 0:36:27 | |
Hurry up down there! What's taking you so long? | 0:36:38 | 0:36:42 | |
I wish I had a package of that gold. | 0:37:02 | 0:37:06 | |
What would you buy? First I'd get married. | 0:37:06 | 0:37:09 | |
What's wrong with that? You're stupid! | 0:37:09 | 0:37:12 | |
Marry a girl with a dowry. My girl has no dowry! | 0:37:12 | 0:37:15 | |
I want the whole village at my wedding, wine, an ox... | 0:37:15 | 0:37:19 | |
Then I want a house made of wood, | 0:37:19 | 0:37:22 | |
with a stone chimney. A house, a wife! | 0:37:22 | 0:37:25 | |
Good things! Peasant things! | 0:37:25 | 0:37:28 | |
What would you buy with a whole package of the pieces? | 0:37:28 | 0:37:31 | |
A big diamond ring to wear here with a stone as big as a walnut, | 0:37:31 | 0:37:36 | |
sharp, so as to be handy in a fight. | 0:37:36 | 0:37:39 | |
A ring is good! And a silver saddle and an automobile! | 0:37:39 | 0:37:43 | |
Where will you put the saddle - on top of the automobile(?) | 0:37:43 | 0:37:48 | |
Pablo... | 0:37:53 | 0:37:55 | |
come here. | 0:37:55 | 0:37:57 | |
-I don't like all this talk about the gold. -No, mi colonel? | 0:38:03 | 0:38:07 | |
I told you - what's inside of those bags is not gold. | 0:38:07 | 0:38:12 | |
-For you and for me, it's manure. -Yes, mi colonel. | 0:38:12 | 0:38:16 | |
-Only for Pancho Villa is that gold. -Yes, mi colonel. | 0:38:16 | 0:38:20 | |
Yes, no, mi colonel! Have you forgotten how to talk? | 0:38:20 | 0:38:24 | |
-No, Colonel. -You talked plenty when you didn't like my plan. | 0:38:24 | 0:38:28 | |
-Maybe you still don't like it? -I'm living with it. | 0:38:28 | 0:38:32 | |
I warn you once more - | 0:38:32 | 0:38:35 | |
-stop thinking about the gold! -Like the other trip, when I thought of the gold and you took it from me! | 0:38:35 | 0:38:41 | |
That was a long time ago. Remember what I said. | 0:38:41 | 0:38:46 | |
Come on. | 0:38:46 | 0:38:47 | |
Automobiles with silver saddles! | 0:38:51 | 0:38:54 | |
I want these animals in good shape. | 0:38:56 | 0:38:59 | |
Look at that bruise! Look at it! | 0:39:03 | 0:39:05 | |
Do something about it. Lighten its load. | 0:39:05 | 0:39:09 | |
Look at those sores. Look at that. No reason for that. | 0:39:12 | 0:39:17 | |
Do I have to tell you your business? How long have you packed mules? | 0:39:17 | 0:39:22 | |
-Long enough for you not to have to tell me. -Well, do something about it! | 0:39:22 | 0:39:26 | |
-Packed pretty full? -Too full! | 0:39:40 | 0:39:42 | |
Sit down. | 0:40:10 | 0:40:12 | |
Gracias. | 0:40:12 | 0:40:15 | |
-Better? -You have a marvellous brand of smelling salt. | 0:40:30 | 0:40:34 | |
Household remedies are always handy. | 0:40:34 | 0:40:37 | |
-Thank you. -You keep it. | 0:40:38 | 0:40:40 | |
Thanks. | 0:40:40 | 0:40:43 | |
-I always seem to be thanking you for something. -For nothing, as they say here. -That's very gracious of you. | 0:40:43 | 0:40:50 | |
Don't make me step out of character. | 0:40:50 | 0:40:52 | |
I'd like to. Not the real one - only the character you've made up. | 0:40:52 | 0:40:57 | |
I think the real one is a very fine man. | 0:40:57 | 0:41:00 | |
-And the other one? -Oh, he's a good shot, a guy with la cucaracha... | 0:41:00 | 0:41:06 | |
Tom, how'd you ever get so good with guns? | 0:41:06 | 0:41:10 | |
It's a job. | 0:41:10 | 0:41:12 | |
I can think of a lot safer and pleasanter ones. | 0:41:12 | 0:41:16 | |
Growing up in a border town, a gun's the pleasantest thing there is. | 0:41:16 | 0:41:20 | |
Every time one goes off, somebody makes money. Once I found that out, I had it made! | 0:41:20 | 0:41:26 | |
A pupil has a question. | 0:41:26 | 0:41:28 | |
Tell her to raise her hand. | 0:41:28 | 0:41:30 | |
I read somewhere, that a person must be very careful what they want in life. They're so likely to get it. | 0:41:32 | 0:41:40 | |
-That's no question. -What will you do with this money after you've got it? | 0:41:40 | 0:41:45 | |
-That's what keeps puzzling me. -There's something I want to get. | 0:41:45 | 0:41:50 | |
-What is that? -A revolution. | 0:41:50 | 0:41:52 | |
Oh, is that all? Your own revolution all tied up with a nice pink bow! | 0:41:52 | 0:41:57 | |
To have a revolution, you don't need a nice pink bow! | 0:42:00 | 0:42:03 | |
Revolutions are for money! That's what starts them and what they make! | 0:42:03 | 0:42:07 | |
That's when the hired guns like me go in to collect on everything - | 0:42:07 | 0:42:12 | |
oil wells, railways, the schoolbooks you learn about wars in! | 0:42:12 | 0:42:15 | |
That's why I want a revolution! | 0:42:15 | 0:42:18 | |
-What will you do when it's over? -I'll get a house with a nice big porch and smoke dollar cigars! | 0:42:18 | 0:42:25 | |
-I'll enjoy myself! -How will you stand yourself, all alone - | 0:42:25 | 0:42:30 | |
or will you have a sweet little wife beside you? | 0:42:30 | 0:42:33 | |
It won't need to be a big porch, cos you're not having children! | 0:42:33 | 0:42:37 | |
What would I do with kids, anyway? | 0:42:37 | 0:42:40 | |
Oh, you're so hard-boiled, too hard-boiled to be true! | 0:42:40 | 0:42:45 | |
Maybe I ought to believe this tougher-than-nails exterior is you! | 0:42:45 | 0:42:49 | |
It would make things simpler. | 0:42:49 | 0:42:52 | |
For nothing, as we say here! | 0:43:00 | 0:43:03 | |
All right, hombres, vamanos! | 0:43:03 | 0:43:07 | |
Hombres, vamanos! | 0:43:07 | 0:43:09 | |
-What about the mules, mi colonel? -Give them half loads. | 0:43:12 | 0:43:16 | |
Put some bags on my horse. | 0:43:16 | 0:43:19 | |
What's the idea? The men are beat. They need a rest. | 0:43:19 | 0:43:23 | |
What do you think the soldiers are doing - playing dominoes? | 0:43:23 | 0:43:27 | |
HE SPEAKS SPANISH | 0:45:04 | 0:45:07 | |
-How far are they, amigo? -About three hours away. | 0:46:29 | 0:46:33 | |
Hey, gringo! | 0:46:36 | 0:46:38 | |
This is where we split up. | 0:46:38 | 0:46:40 | |
-You, Pablo, the senorita, go ahead. Take ten men and the mules. I stay here. -Where do we meet Pancho Villa? | 0:46:40 | 0:46:47 | |
About a day's march from here. I meet you there, if God wills it. | 0:46:47 | 0:46:51 | |
You may trust me, mi colonel! | 0:46:51 | 0:46:54 | |
-I think you're making a mistake. -Why? -You'll need me here. | 0:46:54 | 0:46:59 | |
I need you to watch him. | 0:46:59 | 0:47:02 | |
-Without you, he would get rich too quick. Go on, gringo! That's an order. Adios. -Colonel! | 0:47:02 | 0:47:08 | |
I want to stay. If there's going to be fighting, I wanna be part of it! | 0:47:08 | 0:47:13 | |
I'd like to fight with a gun, instead of a cooking pot. | 0:47:13 | 0:47:17 | |
-To fight with a gun, one must know how to shoot. -I know how. | 0:47:17 | 0:47:21 | |
Shoot that cactus. | 0:47:26 | 0:47:29 | |
I guess I go back to the kitchen. | 0:47:33 | 0:47:35 | |
Don't worry. A man on a horse is a bigger target. | 0:47:35 | 0:47:40 | |
You can stay. | 0:47:40 | 0:47:42 | |
Ruth, mind if I make a suggestion? | 0:47:46 | 0:47:49 | |
Not unless I have to take it. | 0:47:49 | 0:47:51 | |
Tell Castro you changed your mind. | 0:47:54 | 0:47:56 | |
But I haven't changed my mind. I'm glad he's letting me stay and fight. | 0:47:56 | 0:48:01 | |
Do you know what you're up against? | 0:48:01 | 0:48:04 | |
-I think so. -Castro doesn't care if he lives or dies. | 0:48:04 | 0:48:07 | |
-His one idea is to get the gold to Villa! -That's how we all started! | 0:48:07 | 0:48:11 | |
-People dies for ideals. That's progress. -Yeah, but I don't buy it! | 0:48:11 | 0:48:17 | |
Isn't it possible Castro believes in more than grabbing what he wants? | 0:48:17 | 0:48:22 | |
Maybe compared to his beliefs, his life isn't so important. | 0:48:22 | 0:48:27 | |
So he fights, so he's a hero, so he dies for Villa and we applaud? | 0:48:27 | 0:48:33 | |
-Where does it leave you? -Where would it leave me if I went with you? | 0:48:33 | 0:48:36 | |
It might not be a case of getting left. We could go a long way. | 0:48:36 | 0:48:42 | |
I don't belong with you. | 0:48:43 | 0:48:45 | |
You don't belong among the corpses of a rearguard either! | 0:48:45 | 0:48:49 | |
With out me and this, you have no chance, and I'm going with Pablo! | 0:48:49 | 0:48:54 | |
-I heard the orders. -I'm paid to obey them whether I like 'em or not! | 0:48:54 | 0:48:58 | |
Tom... | 0:48:58 | 0:49:00 | |
goodbye. With all that gold, you'll buy a dandy revolution! | 0:49:00 | 0:49:04 | |
You think I'm going to grab the gold and keep going? | 0:49:07 | 0:49:11 | |
If you can get away with it, yes! | 0:49:11 | 0:49:13 | |
Are you ready, Senor Bryan? | 0:49:15 | 0:49:18 | |
Yeah. Let's go. | 0:49:20 | 0:49:22 | |
HE SPEAKS INDIAN | 0:50:45 | 0:50:47 | |
The guides think it's a bad place. They could have seen us. | 0:50:47 | 0:50:51 | |
If I went around with a few men, I could get behind them. Good. | 0:50:51 | 0:50:56 | |
GUNFIRE | 0:51:48 | 0:51:50 | |
-Sounds as if our amigo is in trouble. -Yeah. | 0:51:50 | 0:51:55 | |
-How far is it to where we meet Pancho Villa? -Not far now. | 0:51:55 | 0:51:59 | |
-I'll see you there tomorrow. Make sure you're there! -Si, senor! | 0:51:59 | 0:52:04 | |
I shouldn't have left. | 0:53:26 | 0:53:29 | |
You and the cucaracha came back - that's the main thing. | 0:53:30 | 0:53:34 | |
All right. Let's take care of the wounded and bury the dead. | 0:53:34 | 0:53:40 | |
-Then we move out. -What's your hurry, amigo? There's no more soldiers. | 0:53:40 | 0:53:45 | |
I'm thinking about Pablo and those 20 mules. | 0:53:45 | 0:53:49 | |
We'll rest tonight. | 0:53:49 | 0:53:51 | |
Forgive me, Tom. | 0:53:56 | 0:53:58 | |
HE PLAYS A TUNE | 0:54:08 | 0:54:11 | |
-Hey! -What's the matter with you? | 0:54:44 | 0:54:47 | |
You know something? You're pretty. | 0:54:47 | 0:54:49 | |
I'm clean, that's all. A bath makes all the difference. | 0:54:49 | 0:54:53 | |
-I'm glad you noticed. -I noticed. I just didn't have time to think about it. -You'll need these! | 0:54:53 | 0:55:00 | |
You keep it. I gave it to you - before you got mad at me. | 0:55:00 | 0:55:04 | |
-I guess I've grown up since yesterday. -Why yesterday? | 0:55:04 | 0:55:08 | |
When you think you're gonna die, you grow up fast. | 0:55:08 | 0:55:12 | |
-Do you believe that happens? -Yeah, I guess so. | 0:55:12 | 0:55:16 | |
I didn't think we had a chance up on that hill. | 0:55:21 | 0:55:25 | |
-Neither did I. That's why I came back. -You saved our lives. | 0:55:25 | 0:55:29 | |
That's important, but you coming back, I can't believe what that means to me. I can trust you now. | 0:55:29 | 0:55:37 | |
-It's what I'm paid to do. -Sorry. Don't go with that pose any more. | 0:55:37 | 0:55:41 | |
-Castro told you to go - you could've kept right on going. -Didn't seem like the right time. | 0:55:41 | 0:55:47 | |
I won't lie to you. I'd like to have the gold, but I'm hired to do a job and I'll do it, | 0:55:47 | 0:55:54 | |
-but if there's any argument, I'll get what's mine. -I hope that time never comes, | 0:55:54 | 0:56:00 | |
cos right now I feel I have everything I want. | 0:56:00 | 0:56:04 | |
-What's wrong, amigo? This the right spot? -Yeah... | 0:56:47 | 0:56:52 | |
This is the place. | 0:56:52 | 0:56:54 | |
There's the trail to the Yaqui country. | 0:56:56 | 0:56:59 | |
Over there is the trail from the west. | 0:57:02 | 0:57:06 | |
Where's Pancho Villa? | 0:57:09 | 0:57:11 | |
Yeah...where IS Pancho Villa? | 0:57:11 | 0:57:15 | |
Where is Pancho Villa? > | 0:57:15 | 0:57:17 | |
-Yes, where is he? -What's the matter with you? | 0:57:17 | 0:57:21 | |
You loco? You lost your mind? | 0:57:21 | 0:57:24 | |
No, I have regained it! Look! | 0:57:24 | 0:57:27 | |
HE WHISTLES | 0:57:27 | 0:57:29 | |
Put those guns down... Put them down! | 0:57:32 | 0:57:37 | |
You dirty traitor! | 0:57:44 | 0:57:46 | |
Traitor? Am I a traitor because I claim what belongs to me? | 0:57:46 | 0:57:50 | |
Nothing belongs to you. If Pancho Villa isn't here now, he'll be here later. | 0:57:50 | 0:57:57 | |
Better put your gun down, Pablo. | 0:57:57 | 0:57:59 | |
You monkeys better do the same. | 0:57:59 | 0:58:02 | |
-Pancho Villa does not care for traitors. -What Pancho Villa cares for or does not care for | 0:58:02 | 0:58:09 | |
fails to worry me! | 0:58:09 | 0:58:13 | |
You are my prisoner. ..And you are my prisoner. | 0:58:13 | 0:58:17 | |
..And you, senorita, I must advise, are also my prisoner. | 0:58:17 | 0:58:21 | |
You have been in the army a long time. You have seen men tied to gun carriages and left in the sun, | 0:58:21 | 0:58:28 | |
-left out to die because they stole from Pancho Villa. -I have seen it. | 0:58:28 | 0:58:32 | |
I have seen them too after the vultures have picked their eyes out. I decided this wouldn't happen to me. | 0:58:32 | 0:58:39 | |
I was not sure what would happen after my usefulness was over. | 0:58:39 | 0:58:44 | |
-The journey is not over yet. -It is for me. | 0:58:44 | 0:58:48 | |
I have guided you well, have I not? | 0:58:51 | 0:58:54 | |
You, mi colonel, might have wanted this gold for yourself. | 0:58:54 | 0:59:00 | |
All I know is Pancho Villa is not here, though you and I are. | 0:59:00 | 0:59:04 | |
Stay there, please, Mr Bryan, where I can see you. | 0:59:04 | 0:59:07 | |
I like it better when I can see everybody. | 0:59:07 | 0:59:11 | |
Listen all of you! I'll tell you of the strange trick fate played on the colonel! | 0:59:11 | 0:59:18 | |
Once before we come to this very place. | 0:59:18 | 0:59:22 | |
We were freighting gold, but for another regime. | 0:59:22 | 0:59:25 | |
Senor Castro was a soldier then and I was the officer in charge, | 0:59:25 | 0:59:29 | |
and here, right here, my amigo Castro took the gold. | 0:59:29 | 0:59:33 | |
He took it to Villa, who was then unknown, | 0:59:33 | 0:59:36 | |
and I had to go into hiding. | 0:59:36 | 0:59:39 | |
I had to live in the rocks like a rattlesnake. | 0:59:39 | 0:59:43 | |
He travels like a fox. | 0:59:43 | 0:59:45 | |
You remember that, mi colonel? | 0:59:45 | 0:59:48 | |
Don't you think it is odd that fate has turned the tables? | 0:59:48 | 0:59:53 | |
What I did, I did for Pancho Villa and the revolution, | 0:59:53 | 0:59:57 | |
the same revolution you joined later when you thought you were a man. | 0:59:57 | 1:00:01 | |
Si, I joined later, and I have fought my way for Pancho Villa, | 1:00:01 | 1:00:05 | |
but I have not been paid for that or this trip either! I will collect my wages now! | 1:00:05 | 1:00:12 | |
These men will collect theirs! Ahora, muchasos! | 1:00:12 | 1:00:16 | |
It's funny to see a man lose his head and try to carry more than a mule. | 1:00:45 | 1:00:51 | |
Amigos, if you want that gold, take the mules too. | 1:00:51 | 1:00:55 | |
-The mules belong to me. -You see? | 1:00:55 | 1:00:58 | |
You must be crazy. How far you think you can carry those bags? How will he carry his? | 1:00:58 | 1:01:05 | |
He's a mule driver! He'll carry it on the mules. | 1:01:05 | 1:01:09 | |
-We have heard about enough from you. -No, you haven't. | 1:01:09 | 1:01:13 | |
I tell you something... | 1:01:13 | 1:01:16 | |
You're a coward and a traitor. | 1:01:18 | 1:01:21 | |
You better kill me now. | 1:01:21 | 1:01:24 | |
Go ahead and do it, because if you don't, I kill you with my bare hands for Pancho Villa!. | 1:01:24 | 1:01:30 | |
Amigo! | 1:01:35 | 1:01:36 | |
He's had enough, amigo. | 1:02:17 | 1:02:20 | |
Any man who has a gun in his hand after three will be in bad health. | 1:02:20 | 1:02:25 | |
One, two... | 1:02:25 | 1:02:28 | |
Why don't you kill him too? | 1:02:29 | 1:02:32 | |
You stopped me from doing it. Go on. Kill him! | 1:02:32 | 1:02:36 | |
-He has to do something for us. -You'd better kill him. It'll be too late. | 1:02:36 | 1:02:41 | |
It's already too late. Pablo's going north! | 1:02:41 | 1:02:45 | |
If you want to go with him, go! The rest go with the colonel and me. | 1:02:45 | 1:02:50 | |
-If we go with Pablo, do we get our guns back? -No. | 1:02:50 | 1:02:55 | |
You will take some food and your canteens with you. Those who go with us will have a tough march ahead | 1:02:55 | 1:03:02 | |
and a small reward at the end. | 1:03:02 | 1:03:04 | |
All right, amigos, who goes? | 1:03:04 | 1:03:07 | |
And who stays? | 1:03:07 | 1:03:10 | |
-Farolito! -Yes, sir? | 1:03:12 | 1:03:15 | |
-You and Miss Harris go with Pablo. She'll need a friend to protect her. -Very well. -Have I no choice? | 1:03:15 | 1:03:21 | |
Colonel! | 1:03:23 | 1:03:26 | |
It's better this way, senorita. | 1:03:26 | 1:03:28 | |
You go back to your own country. | 1:03:28 | 1:03:31 | |
No harm will come to you. | 1:03:31 | 1:03:33 | |
Colonel...you are a man who keeps faith with his ideals. | 1:03:33 | 1:03:38 | |
-There are not many men like that. I shall remember you always. -Goodbye and God be with you. | 1:03:38 | 1:03:46 | |
All right, pick up the gold and put it on the mules. | 1:03:46 | 1:03:50 | |
-Thanks for your concern, Mr Bryan(!) -A lady's welfare comes first. | 1:03:50 | 1:03:55 | |
The only thing that comes first with you is your greed. | 1:03:55 | 1:03:59 | |
-I thought there was a trace of decency in you. I must have imagined it! -You wanted to see history made. | 1:03:59 | 1:04:05 | |
-Maybe it smells sweeter in a school house. -It does! I hope this makes your kind of history smell sweeter! | 1:04:05 | 1:04:12 | |
Tom, I hope you get that big house. It's not much to have and you're going to be a man without anything! | 1:04:14 | 1:04:20 | |
That's a matter of opinion. I wanted you to get back home safe. | 1:04:20 | 1:04:25 | |
Well, the sooner the better! Being with you has been an education and I think I've graduated! | 1:04:25 | 1:04:31 | |
-Give Pablo two supply mules. -Si. | 1:04:31 | 1:04:34 | |
All right, Pablo, vamanos! | 1:04:34 | 1:04:36 | |
I liked her. She was a good soldadera. | 1:04:50 | 1:04:54 | |
I liked her too. We'll miss her. | 1:04:54 | 1:04:57 | |
-Now we go look for Pancho Villa. -No, we won't! | 1:04:57 | 1:05:00 | |
Tie him up. | 1:05:07 | 1:05:09 | |
Tie him up! | 1:05:09 | 1:05:11 | |
As Pancho Villa isn't here to claim the gold, someone's going to get it, and I think it's gonna be me. | 1:05:13 | 1:05:20 | |
The smell of a traitor is catching. What are you going to do? | 1:05:22 | 1:05:26 | |
-I'm going into the Yaqui country, amigo. There's a pass on the other side. You know it? -I know it well. | 1:05:26 | 1:05:32 | |
Get through the pass, we'll divide the gold. There's enough for us all. | 1:05:32 | 1:05:37 | |
There is not enough for you nor for me. Anybody who steals that is my enemy. Even you, whom I like. | 1:05:37 | 1:05:45 | |
Then, we'll have to be enemies. But let me advise you - be careful. | 1:05:45 | 1:05:50 | |
Let's go. | 1:05:50 | 1:05:52 | |
OK... | 1:05:52 | 1:05:54 | |
gringo. | 1:05:54 | 1:05:56 | |
Hold it! | 1:06:10 | 1:06:12 | |
Somebody take care of him. | 1:06:30 | 1:06:33 | |
The house rules are nobody touches the guns and ammunition but me. | 1:06:33 | 1:06:38 | |
Move out. | 1:07:02 | 1:07:04 | |
Save your ammunition, gringo. | 1:07:53 | 1:07:56 | |
-He'll die like the others. -We'll all die if we don't get some water soon. -You're a funny one. | 1:07:56 | 1:08:02 | |
First you want gold, now you want water. Why don't you want one thing at a time? | 1:08:02 | 1:08:08 | |
-Trouble is, you can't drink gold. -That's an idea - to drink gold. | 1:08:08 | 1:08:13 | |
How about a little tequila with gold? What a drink! | 1:08:13 | 1:08:17 | |
Stay here! Take cover till I come back. | 1:08:50 | 1:08:53 | |
Stay where you are! Raise your hands! Who are you? | 1:09:14 | 1:09:20 | |
I'm Pablo Morales, a leader of guerillas. I have important information for your commander. | 1:09:20 | 1:09:26 | |
How do I know this is not some stinking guerilla trick? I can show you where they are! | 1:09:26 | 1:09:32 | |
What does he want? He says he can take us to some guerillas. Move. | 1:09:32 | 1:09:37 | |
A sentry has brought in an old man, a guerilla. | 1:09:42 | 1:09:45 | |
-Why do you bother me when I'm eating? -Excuse me, Colonel, but he knows about the train robbery. | 1:09:45 | 1:09:53 | |
Why didn't you say so in the first place? Bring him in. | 1:09:53 | 1:09:57 | |
-What is your name? -Pablo Morales. | 1:10:03 | 1:10:05 | |
-Your occupation? -Leader of guerillas. | 1:10:05 | 1:10:09 | |
-What information have you? -Information has a price. | 1:10:09 | 1:10:13 | |
It concerns the gold from the train and those who took it. | 1:10:13 | 1:10:17 | |
How do you know there was gold if you weren't there? | 1:10:17 | 1:10:21 | |
Whether I was there or not, I did not take the train alone. | 1:10:21 | 1:10:26 | |
And your price? | 1:10:26 | 1:10:29 | |
1,000 pesos... also amnesty for myself. | 1:10:29 | 1:10:32 | |
He told our patrol where to find his band. They have been brought in with an American girl. | 1:10:32 | 1:10:39 | |
I don't have to give you amnesty nor pesos either. I will be the judge. Now speak up! | 1:10:39 | 1:10:45 | |
The gold is in sacks on the backs of 20 mules, my mules. | 1:10:45 | 1:10:50 | |
Those who stole the gold from the train also stole the mules from me. | 1:10:50 | 1:10:55 | |
-That is not important. -They've gone to Yaqui country. I know it well. I can take you to them and the gold. | 1:10:55 | 1:11:02 | |
Is this not information of value? | 1:11:02 | 1:11:05 | |
If what you say is true, you shall be well paid. | 1:11:05 | 1:11:08 | |
If it is false, you shall die. | 1:11:08 | 1:11:11 | |
Bring in the others. | 1:11:11 | 1:11:13 | |
-What is your name? -They call me Farolito. | 1:11:24 | 1:11:29 | |
-Occupation? -Soldier of Pancho Villa. -Your name? | 1:11:29 | 1:11:32 | |
-Ricardo Sanchez. -Occupation? -Soldier of Pancho Villa. | 1:11:32 | 1:11:36 | |
-Your name? -Manuel Mena. -Occupation? -Soldier of Pancho Villa. | 1:11:36 | 1:11:41 | |
-Shoot 'em. -Wait! | 1:11:41 | 1:11:43 | |
By what right do you execute these men? They're soldiers! | 1:11:43 | 1:11:47 | |
-I see no reason to explain to you, senorita Americana. -I fought with them. | 1:11:47 | 1:11:52 | |
-I'm neither more nor less guilty than them. Condemn them, you condemn me. -Your spirit is commendable. | 1:11:52 | 1:11:59 | |
-It is also stupid. I'm sending you to Tampico. Also a word of advice. -From a killer?! | 1:11:59 | 1:12:04 | |
Hear what I say. Next time you wonder what makes guns go off, stay at home. ..List all their names. | 1:12:04 | 1:12:12 | |
-Execute all of them... -No! -Escort her to Tampico. -No! | 1:12:12 | 1:12:16 | |
The flourishing of the selfish is an illusion, Pablo. In spite of you, the cause of your people will win. | 1:12:16 | 1:12:23 | |
You will have no place to hide. | 1:12:23 | 1:12:26 | |
Morales, we leave at once for the Yaqui country. Follow me. | 1:12:26 | 1:12:31 | |
There is a water hole. | 1:12:39 | 1:12:41 | |
It's dry. | 1:12:52 | 1:12:54 | |
Water is not easy to find. | 1:13:00 | 1:13:02 | |
Sometimes you have to dig for it. | 1:13:02 | 1:13:05 | |
So start digging. | 1:13:05 | 1:13:08 | |
Like this, huh? | 1:13:08 | 1:13:10 | |
Hey, we've found wa... | 1:13:38 | 1:13:41 | |
They're gone! | 1:13:47 | 1:13:49 | |
We're alone now, gringo. | 1:13:54 | 1:13:56 | |
It's not a good place to be alone. | 1:13:56 | 1:13:59 | |
We're enemies in name only, but try that again, I'll kill you | 1:14:06 | 1:14:11 | |
Go on! Kill me! | 1:14:11 | 1:14:13 | |
You think you can find your way out of here alone? | 1:14:13 | 1:14:17 | |
Go on! | 1:14:17 | 1:14:19 | |
Kill me! | 1:14:21 | 1:14:23 | |
I'm warning you, amigo... be careful! | 1:14:45 | 1:14:48 | |
You better be careful... | 1:14:48 | 1:14:51 | |
gringo! | 1:14:51 | 1:14:53 | |
Colonel! | 1:15:22 | 1:15:23 | |
This is the peak I spoke of. | 1:15:26 | 1:15:29 | |
-There is a pass below, the only way out. -Send details in. | 1:15:29 | 1:15:34 | |
We will station ourselves here. | 1:15:34 | 1:15:37 | |
Each detail report to me by signal. | 1:15:37 | 1:15:40 | |
Look! | 1:16:24 | 1:16:25 | |
Do the Indians signal like that? | 1:16:35 | 1:16:37 | |
The Indians here work for the soldiers. | 1:16:37 | 1:16:41 | |
Maybe it's an accident, trick of the light. | 1:16:41 | 1:16:44 | |
This is no accident. Might be a trick. | 1:16:44 | 1:16:48 | |
-I don't like this. -What would the soldiers be doing here? -Looking for us. -Impossible! -You think so? | 1:16:48 | 1:16:55 | |
A buzzard sang to them. | 1:16:55 | 1:16:57 | |
Pablo? | 1:16:57 | 1:17:00 | |
Uh-huh. Gringo, we are going to have a very busy afternoon. | 1:17:00 | 1:17:05 | |
Yeah... | 1:17:06 | 1:17:08 | |
Yeah...looks that way. | 1:17:08 | 1:17:11 | |
-What are you doing? You loco? -Come on! Help! | 1:17:40 | 1:17:44 | |
Bulletproof fort. | 1:17:47 | 1:17:50 | |
A million dollars of protection! | 1:17:50 | 1:17:53 | |
-Maybe you're right. -You said it. You can't drink gold, but it will stop a bullet. | 1:18:02 | 1:18:08 | |
We're going to trade a lot of lead for this gold. | 1:18:14 | 1:18:19 | |
-The exchange rate will be high, amigo. -OK. -Need the dynamite too! | 1:18:19 | 1:18:24 | |
And la cucaracha! | 1:18:24 | 1:18:26 | |
-They have located the gold. -Where is it? | 1:18:53 | 1:18:57 | |
-This side of the pass. Five miles away. -Call in all scouts. | 1:18:57 | 1:19:01 | |
Hey, gringo, how about another tequila cocktail with gold? | 1:19:13 | 1:19:17 | |
-Send the bellboy for more ice, will you? -Si, senor. | 1:19:17 | 1:19:21 | |
What's that? | 1:19:22 | 1:19:25 | |
They have chosen a good place to defend. It will cost many lives. | 1:19:31 | 1:19:35 | |
Let us give them a chance to surrender. Someone must go. | 1:19:35 | 1:19:39 | |
Not you - you're too valuable. | 1:19:39 | 1:19:42 | |
You, my friend. How would you like to be the one? | 1:19:42 | 1:19:46 | |
-I, mi colonel? -Yes, you. | 1:19:46 | 1:19:48 | |
You can have a chat with your old friends. Make a white flag for him. | 1:19:48 | 1:19:53 | |
-You know what you have to say? -I know, but... -But what? Speak! | 1:19:53 | 1:19:59 | |
They will kill me! | 1:19:59 | 1:20:01 | |
I'll be heartbroken if they do, but, if you don't go, I'll kill you! | 1:20:01 | 1:20:06 | |
Here. Tell them if they surrender now, their lives will be spared. All we want is the gold. | 1:20:13 | 1:20:21 | |
May I at least have this? If they don't listen, I... | 1:20:21 | 1:20:25 | |
Excellent idea. | 1:20:25 | 1:20:28 | |
Go. | 1:20:29 | 1:20:31 | |
-Maybe they want to talk. -This talks better! -Wait! | 1:20:53 | 1:20:58 | |
Let's see what they want. | 1:20:58 | 1:21:00 | |
You up there! | 1:21:15 | 1:21:17 | |
I have a message for you! | 1:21:17 | 1:21:19 | |
You recognise that voice, amigo? | 1:21:21 | 1:21:23 | |
It's a buzzard, our Pablito! | 1:21:23 | 1:21:25 | |
-The buzzard comes to sing again. -Can you hear me? | 1:21:25 | 1:21:30 | |
We can hear you! What do you want? | 1:21:32 | 1:21:34 | |
What did you do with the girl and the rest of my men? | 1:21:34 | 1:21:39 | |
She's on her way to Tampico. The others were captured with me. | 1:21:39 | 1:21:43 | |
Come out and your lives will be spared. | 1:21:43 | 1:21:47 | |
Look at him, gringo? Isn't he cute? | 1:21:47 | 1:21:49 | |
Carrying a little white flag. | 1:21:49 | 1:21:52 | |
Yeah... | 1:21:52 | 1:21:54 | |
The colonel has given me his word. What do you say? | 1:21:54 | 1:21:58 | |
He comes as a friend...? | 1:21:58 | 1:22:01 | |
If he's your friend, you don't need any enemies! | 1:22:01 | 1:22:05 | |
Gringo, let me have him. | 1:22:05 | 1:22:07 | |
OK. | 1:22:07 | 1:22:09 | |
We have about one chance in 50... maybe one chance in 950! | 1:22:31 | 1:22:35 | |
-Let's not talk about chances, amigo. -Then, we will die well. -Indeed! | 1:22:36 | 1:22:42 | |
-We've had it. No more ammo. -The cucaracha can no longer talk. | 1:23:54 | 1:23:59 | |
-Let's go higher before they attack again. -We can still make it tough. | 1:24:02 | 1:24:07 | |
Plenty tough! | 1:24:07 | 1:24:09 | |
Let's go, gringo! | 1:24:14 | 1:24:17 | |
-Just a minute! That's mine. -Oh, I forgot. | 1:24:43 | 1:24:47 | |
-You threw it away! -I threw away a lot of bad luck! | 1:24:51 | 1:24:54 | |
Since I saw that gold, I wanted all of it, to stop you getting it. | 1:24:54 | 1:24:59 | |
What are you talking about? You thought I wanted it? | 1:24:59 | 1:25:04 | |
-Of course! -Gold means nothing to me, gringo. | 1:25:04 | 1:25:07 | |
That was for Pancho Villa. There was something else I want... | 1:25:07 | 1:25:13 | |
-but you had that! -Me? -The love of that American girl. | 1:25:13 | 1:25:17 | |
-I never had it. -She was in love with you! Are you blind? | 1:25:17 | 1:25:22 | |
-She was in love with some guy she dreamed up, not me! -Why did you send her away? -She was in danger. | 1:25:22 | 1:25:28 | |
-She knew that. She'd have stayed. -I decided otherwise. | 1:25:28 | 1:25:33 | |
I think you should find her, amigo. She's for you. | 1:25:34 | 1:25:38 | |
Now now she isn't... | 1:25:38 | 1:25:40 | |
for me, nor for you! | 1:25:40 | 1:25:43 | |
Hey, gringo, why don't we divide what we have left? | 1:25:45 | 1:25:49 | |
In other words, a 50/50 split of nothing? | 1:25:52 | 1:25:56 | |
Yeah... | 1:25:56 | 1:25:58 | |
Well, anyway... | 1:25:58 | 1:26:00 | |
we kept faith with Pancho Villa. | 1:26:00 | 1:26:03 | |
I wish I'd never heard his name. | 1:26:03 | 1:26:06 | |
-Castro, you're a jackass! -Yeah... -An ugly jackass! | 1:26:06 | 1:26:10 | |
Even the buzzards don't want you! | 1:26:10 | 1:26:13 | |
They want me as much as they want you! | 1:26:17 | 1:26:20 | |
Undertakers' convention. The only birds who work for the enemy. | 1:27:06 | 1:27:10 | |
Yeah... | 1:27:10 | 1:27:12 | |
Look at that bald-headed one up there. Looks like General Pilon! | 1:27:12 | 1:27:17 | |
Hey, gringo, if we are lucky, we might meet thgat girl in Tampico. | 1:27:24 | 1:27:28 | |
Hey, I'd like that! Did you ever use the Tampico Club? | 1:27:28 | 1:27:32 | |
-Ever try their tortillas... -HE WHISTLES "La Cucaracha" | 1:27:32 | 1:27:37 | |
It's not really tortilla. It's more an omelette with apple sauce... | 1:27:37 | 1:27:41 | |
rolled up, sugar on top... | 1:27:41 | 1:27:43 | |
put rum over it and light it. How does that sound? | 1:27:43 | 1:27:48 | |
If you don't like that, you can order something else. | 1:27:48 | 1:27:52 | |
-Hey, amigo... -GUNSHOT | 1:27:54 | 1:27:57 | |
Amigo... | 1:28:04 | 1:28:06 | |
Right, boys, you can go to work in a minute, but not on this bunch - I'll bury them! | 1:28:15 | 1:28:21 | |
GUNFIRE | 1:28:21 | 1:28:25 | |
You've tasted everything, you buzzards! | 1:30:39 | 1:30:43 | |
But if you'd ever tasted Juan Castro, you'd have tasted a man! | 1:30:43 | 1:30:49 | |
Subtitles by Red Bee Media Ltd | 1:31:16 | 1:31:19 | |
E-mail us at [email protected] | 1:31:19 | 1:31:22 |