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This programme contains some violent scenes. | 0:00:02 | 0:00:06 | |
Whose hand will I hold... | 0:02:30 | 0:02:32 | |
..so that I may walk? | 0:02:34 | 0:02:37 | |
HE WEEPS | 0:02:37 | 0:02:40 | |
MAN: We may question ourselves at moments such as these. | 0:02:52 | 0:02:59 | |
Did we make the right decision to settle here? | 0:02:59 | 0:03:03 | |
We are grateful for the time we have been given. | 0:03:14 | 0:03:17 | |
MOANING | 0:03:37 | 0:03:41 | |
What manner of spectacle has attracted your attention so splendidly? | 0:05:57 | 0:06:02 | |
I ought to carry it in my pocket to help me teach. | 0:06:02 | 0:06:05 | |
FLIES BUZZ | 0:06:11 | 0:06:13 | |
Who came upon this? | 0:06:13 | 0:06:15 | |
-Philip, did you move this? -No, Mr Walker. | 0:06:18 | 0:06:22 | |
FLIES BUZZ LOUDER | 0:06:22 | 0:06:25 | |
I inspected it carefully. Its head was twisted back | 0:06:31 | 0:06:33 | |
-And much of its fur removed. -I see. | 0:06:33 | 0:06:36 | |
It was murdered. | 0:06:36 | 0:06:38 | |
But who is the culprit? | 0:06:38 | 0:06:40 | |
Who has done this heinous act? | 0:06:40 | 0:06:44 | |
Those we don't speak of killed it. | 0:06:44 | 0:06:46 | |
There it is. | 0:06:46 | 0:06:48 | |
Why would such a notion come into your mind? | 0:06:48 | 0:06:51 | |
-They're meat eaters. -Mm. | 0:06:53 | 0:06:55 | |
They have large claws. | 0:06:55 | 0:06:58 | |
Children... | 0:06:58 | 0:07:00 | |
those we don't speak of | 0:07:00 | 0:07:02 | |
have not breached our borders for many years. | 0:07:02 | 0:07:06 | |
We do not go into their woods, | 0:07:06 | 0:07:10 | |
they do not come into our valley. | 0:07:10 | 0:07:13 | |
It is a truce. | 0:07:13 | 0:07:15 | |
We do not threaten them. | 0:07:15 | 0:07:17 | |
Why would they do this? | 0:07:17 | 0:07:19 | |
And we ought not to overlook the flight of the birds. | 0:07:19 | 0:07:24 | |
We didn't have it last year and I, for one, missed it desperately. | 0:07:24 | 0:07:28 | |
I know your wife missed the children dressed in feathers and such. | 0:07:28 | 0:07:34 | |
I am fond of it. | 0:07:34 | 0:07:36 | |
Mmm. | 0:07:36 | 0:07:38 | |
I do not have a say in this matter. | 0:07:38 | 0:07:40 | |
August Nicholson is chair of today's meeting. | 0:07:40 | 0:07:43 | |
DOOR OPENS | 0:07:43 | 0:07:45 | |
There is a young man who has requested a word with the elders. | 0:07:45 | 0:07:50 | |
Well, do have him come forward. | 0:07:50 | 0:07:53 | |
(Alice.) | 0:07:54 | 0:07:56 | |
Hello, Lucius. | 0:07:59 | 0:08:01 | |
My mother is unaware of the reason for my visit today. | 0:08:06 | 0:08:10 | |
She did not give her consent or consult me in any form. | 0:08:10 | 0:08:16 | |
The passing of little Daniel Nicholson from illness | 0:08:18 | 0:08:22 | |
and other events have weighed on my thoughts. | 0:08:22 | 0:08:25 | |
I ask permission to cross into the forbidden woods | 0:08:25 | 0:08:29 | |
and travel to the nearest town. | 0:08:29 | 0:08:31 | |
I will gather new medicines, and I will return. | 0:08:31 | 0:08:35 | |
With regards to those we don't speak of, | 0:08:35 | 0:08:38 | |
I am certain they will let me pass. | 0:08:38 | 0:08:41 | |
Creatures can sense emotion and fear. | 0:08:41 | 0:08:45 | |
They will see I am pure of intention, and not afraid. | 0:08:45 | 0:08:49 | |
The end. | 0:08:49 | 0:08:51 | |
What goes on in that head of yours? | 0:08:58 | 0:09:01 | |
Say something, Lucius. | 0:09:03 | 0:09:05 | |
Finton Coin is in the tower, | 0:09:08 | 0:09:11 | |
and I've promised to sit with him. | 0:09:11 | 0:09:13 | |
Hmm. | 0:09:13 | 0:09:15 | |
Do you ever think of the towns, Finton? | 0:09:17 | 0:09:21 | |
The towns? | 0:09:21 | 0:09:23 | |
What for? | 0:09:23 | 0:09:26 | |
They're wicked places where wicked people live. That's all. | 0:09:26 | 0:09:31 | |
Thank you, Lucius. | 0:09:34 | 0:09:36 | |
You're a good friend. | 0:09:38 | 0:09:40 | |
I do hope no-one saw you. | 0:09:44 | 0:09:47 | |
HOWLING | 0:09:47 | 0:09:50 | |
FLIES BUZZ | 0:10:01 | 0:10:04 | |
What we seem to have amongst us is a predator of some type. | 0:10:09 | 0:10:14 | |
Most likely a coyote or a wolf. | 0:10:14 | 0:10:18 | |
Its manner of... of killing and removing the fur, | 0:10:20 | 0:10:24 | |
but leaving the flesh torn, | 0:10:24 | 0:10:27 | |
may be a sign that this animal suffers from madness. | 0:10:27 | 0:10:32 | |
And for the next fortnight, we should be vigilant | 0:10:32 | 0:10:35 | |
for sightings of this coyote. | 0:10:35 | 0:10:37 | |
Keep careful watch over our little ones | 0:10:37 | 0:10:40 | |
as they play on the hills. | 0:10:40 | 0:10:43 | |
As for the other notion... | 0:10:45 | 0:10:49 | |
we do not believe our boundary has been breached. | 0:10:49 | 0:10:53 | |
Those we don't speak of | 0:10:53 | 0:10:56 | |
are much larger creatures than coyotes | 0:10:56 | 0:11:00 | |
and we would know if they had been here. | 0:11:00 | 0:11:05 | |
MURMURING | 0:11:05 | 0:11:07 | |
It's frightful, this business with the coyote, Papa. | 0:11:09 | 0:11:13 | |
-Do not feel worried, Kitty. -You are not troubled? | 0:11:13 | 0:11:15 | |
I'm certain it will all end soon. | 0:11:15 | 0:11:17 | |
Can we speak on other matters, then? | 0:11:17 | 0:11:20 | |
It would be a relief. | 0:11:20 | 0:11:22 | |
I'm in love! | 0:11:22 | 0:11:25 | |
I want your permission to marry, Papa. | 0:11:25 | 0:11:28 | |
There's a proper manner in which things should happen! | 0:11:28 | 0:11:31 | |
The boy would be standing next to you. | 0:11:31 | 0:11:33 | |
In a moment such as this, where is the boy, Kitty? | 0:11:33 | 0:11:36 | |
I haven't spoken to him as of yet. | 0:11:36 | 0:11:38 | |
The young man is unaware of your intentions? | 0:11:38 | 0:11:42 | |
He has a quiet way. | 0:11:42 | 0:11:44 | |
I was going to talk with him, Papa, but I won't talk with him without your blessings. | 0:11:44 | 0:11:49 | |
-Kitty! -It's Lucius Hunt. | 0:11:49 | 0:11:52 | |
-Lucius? -You think badly of him? | 0:11:54 | 0:11:58 | |
-No, I've been thinking about him recently. -He's not like the other boys, Papa. | 0:11:58 | 0:12:03 | |
He doesn't joke or bounce about. | 0:12:03 | 0:12:05 | |
No, he certainly does not. | 0:12:05 | 0:12:07 | |
Do I have your blessings, then? | 0:12:09 | 0:12:11 | |
HE SIGHS | 0:12:13 | 0:12:15 | |
Look, do me one favour first. | 0:12:18 | 0:12:20 | |
Do not tell anyone else of your burstings until you have spoken with the young man. | 0:12:20 | 0:12:25 | |
Good afternoon, Lucius. | 0:12:31 | 0:12:34 | |
I wanted to... to tell you something. | 0:12:37 | 0:12:42 | |
I love you, Lucius. | 0:12:44 | 0:12:47 | |
I love you... like the day is long! | 0:12:48 | 0:12:51 | |
I love you more than the sun and the moon together. | 0:12:51 | 0:12:55 | |
And if you feel the same way, then we should not hide it any longer. | 0:12:55 | 0:12:59 | |
It's a gift, love is! We should be thankful! | 0:12:59 | 0:13:03 | |
We should bellow it out with all the breath in our lungs! | 0:13:03 | 0:13:07 | |
Thank you! | 0:13:07 | 0:13:08 | |
Thank you! Thank you! | 0:13:08 | 0:13:12 | |
SHE SCREAMS AND SOBS | 0:13:15 | 0:13:18 | |
Shh, shh. | 0:13:18 | 0:13:20 | |
Shh. | 0:13:20 | 0:13:22 | |
# Baby, sleep Gently sleep | 0:13:26 | 0:13:31 | |
# Life is long and love is deep | 0:13:31 | 0:13:36 | |
# Time will be sweet for thee | 0:13:36 | 0:13:42 | |
# All the world to see | 0:13:42 | 0:13:45 | |
# Time to look about and know | 0:13:45 | 0:13:50 | |
# How the shadows come and go | 0:13:50 | 0:13:54 | |
# How the breeze stirs the trees | 0:13:54 | 0:13:59 | |
# How the blossoms grow. # | 0:13:59 | 0:14:03 | |
I often wondered if you and my son bonded | 0:14:13 | 0:14:17 | |
because neither of you is fond of speaking. | 0:14:17 | 0:14:19 | |
You're very kind. | 0:14:19 | 0:14:21 | |
You must pardon my manners. I haven't slept in many nights. | 0:14:21 | 0:14:26 | |
You are doing capital, Jamison. | 0:14:33 | 0:14:36 | |
Just a few more moments, huh? Gather your bravery. | 0:14:36 | 0:14:40 | |
Do not jostle about so. You'll ruin my shirt. | 0:14:40 | 0:14:44 | |
HE WHIMPERS | 0:14:44 | 0:14:46 | |
HOWLING | 0:14:46 | 0:14:49 | |
They made a sound when I made a sound, | 0:14:49 | 0:14:52 | |
-And they mimic before they attack. -Have courage, man. | 0:14:52 | 0:14:55 | |
That's a wives' tale. It isn't true. | 0:14:55 | 0:14:58 | |
Do not falter. Steel yourself! | 0:14:58 | 0:15:00 | |
You know, like a dog can smell you. | 0:15:05 | 0:15:08 | |
Pardon me, Mr Nicholson? | 0:15:08 | 0:15:10 | |
Hmm. | 0:15:10 | 0:15:12 | |
You may run from sorrow, as we have. | 0:15:14 | 0:15:18 | |
Sorrow will find you. | 0:15:18 | 0:15:20 | |
It can smell you. | 0:15:23 | 0:15:26 | |
RUSTLING | 0:15:45 | 0:15:48 | |
FOOTSTEPS | 0:15:54 | 0:15:56 | |
GROWLING | 0:15:56 | 0:15:59 | |
HOWLING | 0:16:02 | 0:16:05 | |
I didn't know you could run so fast. | 0:16:13 | 0:16:16 | |
We're still for running and staying... Hey! | 0:16:16 | 0:16:19 | |
Noah ought to be punished. | 0:16:21 | 0:16:23 | |
He whacked little Joseph with a stick again. | 0:16:23 | 0:16:26 | |
-Ouch! -No more hitting! Put it down! | 0:16:28 | 0:16:31 | |
Ow, ow, ow! | 0:16:31 | 0:16:33 | |
Why don't they grab it? | 0:16:33 | 0:16:35 | |
Noah Percy! | 0:16:45 | 0:16:48 | |
Stop your fussing right this moment. | 0:16:48 | 0:16:51 | |
-You're in trouble, you know. -No hitting, no hitting. | 0:17:03 | 0:17:07 | |
I'm to place you in the quiet room. | 0:17:07 | 0:17:09 | |
Um, I'll cry quarts. | 0:17:09 | 0:17:12 | |
-What if we strike a deal? -Yeah, capital idea. | 0:17:12 | 0:17:16 | |
It would be prudent to keep our deal a secret. Can you do that? | 0:17:16 | 0:17:20 | |
(Can I keep a secret?) Like a church mouse. | 0:17:20 | 0:17:24 | |
You needn't go to the quiet room | 0:17:24 | 0:17:26 | |
if you a take an oath to never strike any person again. | 0:17:26 | 0:17:32 | |
-No hitting, no hitting. -No. No hitting. | 0:17:32 | 0:17:35 | |
-No hitting, no hitting. -No hitting! | 0:17:35 | 0:17:40 | |
The deal is struck. | 0:17:40 | 0:17:43 | |
SHE SIGHS | 0:17:47 | 0:17:49 | |
We ought not return right away, huh? | 0:17:49 | 0:17:52 | |
What shall we do with our stolen time? | 0:17:52 | 0:17:55 | |
-Hmm. -Hmm. | 0:17:55 | 0:17:57 | |
-Hmm. Shall we have a foot race? -Yes. | 0:17:57 | 0:18:00 | |
-Up the hill to the resting rock? -No cheating. | 0:18:00 | 0:18:02 | |
What a deeply scandalous thing to say! I insist you take that back. Is that the school bell? | 0:18:02 | 0:18:08 | |
HE SHOUTS, SHE SHRIEKS | 0:18:13 | 0:18:15 | |
Ah, you cheated! | 0:18:15 | 0:18:17 | |
I know! I'm sorry! | 0:18:17 | 0:18:19 | |
SHE GIGGLES | 0:18:20 | 0:18:23 | |
Whoo! | 0:18:25 | 0:18:27 | |
My sister cried a lot. | 0:18:45 | 0:18:48 | |
You wonder how I recognised you? | 0:18:49 | 0:18:53 | |
Some people - just a handful, mind you - | 0:18:53 | 0:18:56 | |
give off the tiniest colour. | 0:18:56 | 0:18:58 | |
It's faint, like a haze. | 0:18:58 | 0:19:02 | |
It's the only thing I ever see in the darkness. | 0:19:02 | 0:19:05 | |
Papa has it, too. | 0:19:05 | 0:19:08 | |
Do you wonder what your colour is? | 0:19:10 | 0:19:12 | |
Well, that I won't tell you. It's not ladylike to speak of such things. You shouldn't even have asked. | 0:19:12 | 0:19:18 | |
FLUTTERING | 0:19:18 | 0:19:20 | |
You run like a boy. | 0:19:24 | 0:19:26 | |
Thank you. | 0:19:28 | 0:19:31 | |
I know why you denied my sister. | 0:19:35 | 0:19:38 | |
When I was younger... | 0:19:40 | 0:19:42 | |
you used to hold my arm when I walked. | 0:19:42 | 0:19:46 | |
Then suddenly, you stopped. | 0:19:46 | 0:19:48 | |
One day, I even tripped in your presence, and nearly fell. | 0:19:50 | 0:19:54 | |
I was faking, of course, | 0:19:54 | 0:19:56 | |
but still you did not hold me. | 0:19:56 | 0:19:58 | |
Sometimes we don't do things we want to do | 0:20:00 | 0:20:02 | |
so that others won't know we want to do them. | 0:20:02 | 0:20:06 | |
What? | 0:20:15 | 0:20:17 | |
FROG CROAKS | 0:20:17 | 0:20:19 | |
SHE LAUGHS | 0:20:19 | 0:20:21 | |
What's this? | 0:20:27 | 0:20:28 | |
Oh, berries. What a splendid present. | 0:20:30 | 0:20:33 | |
Be cautious. | 0:20:33 | 0:20:35 | |
You are holding the bad colour. | 0:20:35 | 0:20:38 | |
This colour attracts those we don't speak of. | 0:20:44 | 0:20:46 | |
You must bury it. | 0:20:46 | 0:20:49 | |
You ought not to pick that colour berry any more. | 0:20:50 | 0:20:54 | |
He picked it from his pocket. | 0:20:55 | 0:20:57 | |
What's wrong? Your breathing has changed. | 0:20:59 | 0:21:02 | |
I've never set eyes on these before. | 0:21:02 | 0:21:05 | |
You did not pick that now. Where did you find this? | 0:21:05 | 0:21:09 | |
Today at Resting Rock, Noah Percy handed Ivy Walker | 0:21:15 | 0:21:19 | |
berries of the bad colour. | 0:21:19 | 0:21:21 | |
When asked where he found these berries, | 0:21:21 | 0:21:23 | |
for they were not like others I have seen, | 0:21:23 | 0:21:25 | |
he pointed to the drawing upon Resting Rock. | 0:21:25 | 0:21:29 | |
It is my belief that Noah Percy has entered the woods, | 0:21:29 | 0:21:33 | |
and has done so on many occasions. | 0:21:33 | 0:21:37 | |
It is also my belief that, because of his innocence, | 0:21:37 | 0:21:40 | |
those creatures who reside in the woods did not harm him. | 0:21:40 | 0:21:44 | |
This strengthens my feeling that they will let me pass | 0:21:44 | 0:21:48 | |
if they sense I am not a threat. | 0:21:48 | 0:21:50 | |
We shall speak of the town, just this once, | 0:21:50 | 0:21:55 | |
and we shall never speak of it again. | 0:21:55 | 0:21:58 | |
Your father left for the market on a Tuesday, | 0:22:01 | 0:22:06 | |
at a quarter past nine in the morning. | 0:22:06 | 0:22:09 | |
He was found robbed and naked, | 0:22:12 | 0:22:15 | |
in the filthy river, two days later. | 0:22:15 | 0:22:18 | |
Why do you tell me this blackness? | 0:22:23 | 0:22:26 | |
So you will know the nature of what you desire. | 0:22:26 | 0:22:30 | |
I do not desire it. My intentions are true to my word. | 0:22:30 | 0:22:33 | |
I think of nothing but the people of this village. | 0:22:33 | 0:22:37 | |
Forgive me. I am but scared for my only son's life. | 0:22:37 | 0:22:42 | |
I am not the one with secrets. | 0:22:42 | 0:22:44 | |
What is your meaning? | 0:22:47 | 0:22:49 | |
There are secrets in every corner of this village. | 0:22:49 | 0:22:54 | |
Do you not feel it? | 0:22:54 | 0:22:57 | |
Do you not see it? | 0:22:57 | 0:22:59 | |
That is for my own well-being, | 0:22:59 | 0:23:02 | |
so the evil things from my past | 0:23:02 | 0:23:04 | |
are kept close and not forgotten. | 0:23:04 | 0:23:06 | |
-Forgetting would be to let them be born again in another form. -Then let us open it. -No! | 0:23:06 | 0:23:12 | |
Perhaps we should speak with Edward Walker together. | 0:23:12 | 0:23:15 | |
-He may be able... -He hides too. | 0:23:15 | 0:23:18 | |
He hides his feelings for you. | 0:23:19 | 0:23:21 | |
Oh. | 0:23:23 | 0:23:24 | |
Sometimes we don't do things, | 0:23:32 | 0:23:34 | |
yet others know we want to do things, so we don't do them. | 0:23:34 | 0:23:38 | |
What nonsense are you saying? | 0:23:42 | 0:23:46 | |
You needn't worry. | 0:23:49 | 0:23:51 | |
Nothing will happen to me. | 0:23:51 | 0:23:54 | |
You remind me of a colt sometimes. | 0:23:56 | 0:24:00 | |
What makes you think he has feelings for me? | 0:24:07 | 0:24:10 | |
He never touches you. | 0:24:14 | 0:24:16 | |
GROWLING | 0:25:55 | 0:25:58 | |
RUSTLING | 0:26:00 | 0:26:03 | |
GROWLING | 0:26:20 | 0:26:22 | |
There's no escape! | 0:26:25 | 0:26:27 | |
Oh, hello. | 0:26:30 | 0:26:33 | |
I was just playing a game with Noah. | 0:26:33 | 0:26:35 | |
The rascal must have gone to hide in my house again. | 0:26:35 | 0:26:39 | |
Houses are against the rules! | 0:26:39 | 0:26:41 | |
He knows that. | 0:26:41 | 0:26:43 | |
Are you all right? | 0:26:45 | 0:26:47 | |
We're tending to the children tonight, Kitty and I. | 0:26:49 | 0:26:53 | |
I should be with her. Be well. | 0:26:53 | 0:26:56 | |
I heard my parents speaking of you. | 0:27:01 | 0:27:04 | |
I know of your request to go to the towns. | 0:27:04 | 0:27:08 | |
I think it is noble, but I do not think it is right. | 0:27:08 | 0:27:12 | |
Are you not angry you have no sight? | 0:27:12 | 0:27:15 | |
I see the world, Lucius Hunt. | 0:27:16 | 0:27:20 | |
Just not as you see it. | 0:27:20 | 0:27:23 | |
What of Noah, then? | 0:27:30 | 0:27:32 | |
What if there are medicines for Noah that could help him be still and to learn? | 0:27:32 | 0:27:37 | |
May we stop speaking of this? It is putting knots in my stomach. | 0:27:37 | 0:27:41 | |
(Kitty is to be married.) | 0:27:46 | 0:27:49 | |
She's found love...again. | 0:27:50 | 0:27:53 | |
With Christop Crane. | 0:27:53 | 0:27:56 | |
You think it an odd choice, right? | 0:27:56 | 0:27:59 | |
You know, he won't sit back in his chair for fear of setting wrinkles on his shirts. | 0:27:59 | 0:28:04 | |
But he does have a gentlemanly way about him. | 0:28:04 | 0:28:07 | |
And he does care for my sister... deeply. | 0:28:07 | 0:28:11 | |
I think Kitty is blessed. | 0:28:13 | 0:28:15 | |
I am blessed as well. | 0:28:18 | 0:28:21 | |
My older sister is now spoken for. | 0:28:21 | 0:28:24 | |
I am now free to receive interest from anyone... | 0:28:24 | 0:28:27 | |
..who might have interest. | 0:28:29 | 0:28:32 | |
CHILDREN LAUGH | 0:28:35 | 0:28:38 | |
I'm going to get you! | 0:28:41 | 0:28:43 | |
Ohh, I got you! I got you! | 0:28:43 | 0:28:46 | |
Can you fetch a blanket for me? | 0:28:46 | 0:28:48 | |
Have you seen Noah? | 0:28:48 | 0:28:50 | |
LOUD THUMP | 0:29:04 | 0:29:07 | |
Lucius? | 0:29:08 | 0:29:10 | |
Lucius? | 0:29:26 | 0:29:29 | |
GROWLING | 0:29:31 | 0:29:33 | |
-Hurry, to the cellar! -Oh, good gracious! | 0:30:12 | 0:30:15 | |
BELL RINGS | 0:30:15 | 0:30:18 | |
-They're coming! They're coming! -Close the door! | 0:30:33 | 0:30:36 | |
-Noah, close the door. -They're coming. | 0:30:36 | 0:30:38 | |
-Close the door. -Coming! | 0:30:38 | 0:30:40 | |
NOAH LAUGHS | 0:30:40 | 0:30:43 | |
Here we go. | 0:30:43 | 0:30:45 | |
-Noah, come on inside! -Come on inside! | 0:30:45 | 0:30:48 | |
-Everyone, inside! -Everyone, inside! | 0:30:48 | 0:30:52 | |
BELL CONTINUES RINGING | 0:31:05 | 0:31:07 | |
GRUNTING | 0:31:08 | 0:31:10 | |
-Come on in! -Just close the door! | 0:31:14 | 0:31:18 | |
Lucius is outside, walking. | 0:31:18 | 0:31:20 | |
-They're coming! -He's inside safe somewhere! | 0:31:20 | 0:31:23 | |
Please, close the door! | 0:31:23 | 0:31:26 | |
He'll come back to make sure we're safe. | 0:31:28 | 0:31:30 | |
Ivy! Ivy, please! | 0:31:30 | 0:31:33 | |
HEAVY FOOTSTEPS | 0:31:40 | 0:31:42 | |
SCRATCHING | 0:31:49 | 0:31:51 | |
GROWLING | 0:31:51 | 0:31:53 | |
-Please! -No. | 0:32:00 | 0:32:03 | |
(Don't let them in.) | 0:32:04 | 0:32:06 | |
GRUNTING | 0:32:11 | 0:32:13 | |
GROWLING | 0:32:13 | 0:32:16 | |
Come on in. | 0:32:49 | 0:32:51 | |
THUMPING | 0:32:53 | 0:32:56 | |
RUSTLING | 0:33:08 | 0:33:10 | |
THUMPING | 0:33:16 | 0:33:18 | |
LOUD THUMP | 0:33:18 | 0:33:20 | |
CREAKING | 0:33:20 | 0:33:23 | |
By the markings we find this morning on our homes... | 0:33:32 | 0:33:38 | |
I feel they were warning us. They acted as if threatened. | 0:33:38 | 0:33:43 | |
The creatures have never attacked us without reason. | 0:33:43 | 0:33:47 | |
Does anyone here know of a reason... | 0:33:47 | 0:33:50 | |
..why these events may have occurred? | 0:33:51 | 0:33:54 | |
Who has written this note? | 0:34:01 | 0:34:04 | |
CLEARS THROAT | 0:34:13 | 0:34:16 | |
"Please read, so that all may hear. | 0:34:16 | 0:34:18 | |
"I have brought this burden upon us. | 0:34:18 | 0:34:21 | |
"On the day before last, I...crossed the forbidden line into Covington Woods..." | 0:34:24 | 0:34:29 | |
CROWD GASPS | 0:34:29 | 0:34:30 | |
"...and was witnessed there by those we don't speak of. | 0:34:30 | 0:34:35 | |
"I am deeply sorry. | 0:34:35 | 0:34:37 | |
"I have shamed myself and my family. | 0:34:37 | 0:34:40 | |
"I pray that my actions will cause no further pains. | 0:34:41 | 0:34:44 | |
"With deepest sorrow, Lucius Hunt." | 0:34:44 | 0:34:48 | |
CROWD MURMUR | 0:34:48 | 0:34:50 | |
-Is he in trouble? -HE LAUGHS | 0:35:16 | 0:35:20 | |
Do not fret. | 0:35:31 | 0:35:34 | |
You are fearless in a way that I shall never know. | 0:35:41 | 0:35:45 | |
NOISY CHATTER | 0:35:52 | 0:35:55 | |
We are grateful... | 0:35:56 | 0:35:59 | |
for the time we have been given. | 0:35:59 | 0:36:02 | |
LAUGHTER | 0:36:05 | 0:36:08 | |
DISTANT SINGING | 0:36:49 | 0:36:51 | |
I had an elder sister. | 0:36:51 | 0:36:55 | |
Mrs Clack, you've been keeping secrets. | 0:36:55 | 0:37:00 | |
Oh, Kitty reminds me of her so. | 0:37:00 | 0:37:03 | |
What manner of person was she? | 0:37:05 | 0:37:07 | |
-Saucy. -Oh. | 0:37:09 | 0:37:12 | |
And we fought endlessly. | 0:37:12 | 0:37:14 | |
May I ask her name? | 0:37:19 | 0:37:21 | |
Why did she not come to Covington Woods? | 0:37:23 | 0:37:27 | |
My sister did not live past her 23rd birthday. | 0:37:32 | 0:37:36 | |
A group of men took her life in an alley by our home. | 0:37:37 | 0:37:41 | |
Please rise! | 0:37:44 | 0:37:47 | |
Come on. | 0:37:47 | 0:37:49 | |
She's not gonna squeeze my shirt like that, is she? | 0:38:20 | 0:38:27 | |
Many blessings on this most joyous of days. | 0:38:36 | 0:38:40 | |
It was a rare and lovely ceremony, was it not? | 0:38:40 | 0:38:43 | |
Glorious. | 0:38:43 | 0:38:45 | |
I saw your hand move to your eyes on more than one occasion. | 0:38:47 | 0:38:51 | |
That must have been dust of some matter. | 0:38:51 | 0:38:54 | |
SCREAM | 0:39:59 | 0:40:01 | |
SCREAM | 0:40:06 | 0:40:07 | |
SCREAM | 0:40:09 | 0:40:11 | |
BOYS' VOICES: Mr Walker! | 0:40:11 | 0:40:13 | |
-Mr Walker! -Mr Walker! | 0:40:18 | 0:40:21 | |
They're in the village. | 0:40:40 | 0:40:43 | |
They left more warnings. | 0:40:43 | 0:40:45 | |
They wish us to leave. | 0:40:45 | 0:40:48 | |
That cannot be. | 0:40:48 | 0:40:50 | |
One saw us. | 0:40:50 | 0:40:53 | |
It ran off into the darkness. | 0:40:53 | 0:40:55 | |
You are certain? | 0:40:55 | 0:40:58 | |
Can you boys stay close to Ivy here? | 0:41:05 | 0:41:07 | |
She'll tell you some funny stories and have you laughing soon. | 0:41:07 | 0:41:10 | |
We will go together. | 0:41:18 | 0:41:20 | |
Livestock has been taken and skinned. | 0:42:15 | 0:42:18 | |
The hides and feathers are missing. | 0:42:18 | 0:42:21 | |
There are marks on the door where it was opened. | 0:42:21 | 0:42:26 | |
The marks are high. | 0:42:29 | 0:42:32 | |
Coyotes cannot reach that height. | 0:42:32 | 0:42:36 | |
SHE GASPS | 0:43:12 | 0:43:14 | |
The elders are going to have an inquiry tomorrow. | 0:43:35 | 0:43:39 | |
Each member of the village is to be questioned in the meeting hall. | 0:43:39 | 0:43:43 | |
To see how the border was breached? | 0:43:43 | 0:43:46 | |
Yes. | 0:43:46 | 0:43:47 | |
It is cold outside. | 0:43:52 | 0:43:54 | |
You ought to go in. | 0:43:54 | 0:43:56 | |
Why are you on this porch? | 0:43:59 | 0:44:01 | |
It is not safe. | 0:44:03 | 0:44:05 | |
There are other porches. | 0:44:05 | 0:44:07 | |
Do you find me too much of a tomboy? | 0:44:10 | 0:44:13 | |
I do long to do boy things... | 0:44:14 | 0:44:17 | |
like that game the boys play at the stump. | 0:44:17 | 0:44:21 | |
They put their backs to the woods, | 0:44:21 | 0:44:23 | |
and see how long they can wait before getting scared. | 0:44:23 | 0:44:29 | |
That's so exciting. | 0:44:29 | 0:44:31 | |
I understand you hold the record. | 0:44:33 | 0:44:37 | |
It will never be broken, they say. | 0:44:37 | 0:44:39 | |
It's just children's games. | 0:44:40 | 0:44:44 | |
How is it you are brave when all the rest of us shake in our boots? | 0:44:44 | 0:44:49 | |
I do not worry about what will happen, | 0:44:50 | 0:44:53 | |
only what needs to be done. | 0:44:53 | 0:44:56 | |
How did you know I was here? | 0:44:59 | 0:45:01 | |
I saw you at the window. | 0:45:01 | 0:45:05 | |
No... | 0:45:05 | 0:45:07 | |
I won't tell you your colour. | 0:45:07 | 0:45:10 | |
Stop asking. | 0:45:10 | 0:45:12 | |
When we are married, will you dance with me? | 0:45:17 | 0:45:20 | |
I find dancing very agreeable. | 0:45:20 | 0:45:24 | |
Why can you not say what is in your head? | 0:45:28 | 0:45:31 | |
Why can you not stop saying what is in yours? | 0:45:34 | 0:45:38 | |
Why must you lead, when I want to lead? | 0:45:39 | 0:45:44 | |
If I want to dance, I will ask you to dance. | 0:45:44 | 0:45:47 | |
If I want to speak, I will open my mouth and speak. | 0:45:47 | 0:45:52 | |
Everyone is forever plaguing me to speak further. | 0:45:53 | 0:45:57 | |
Why? What good is it to tell you | 0:45:57 | 0:45:59 | |
you are in my every thought from the time I wake? | 0:45:59 | 0:46:02 | |
What good can come from saying | 0:46:02 | 0:46:04 | |
I sometimes cannot think clearly, or do my work properly? | 0:46:04 | 0:46:09 | |
What gain can rise from my telling you | 0:46:09 | 0:46:12 | |
the only time I feel fear as others do... | 0:46:12 | 0:46:16 | |
is when I think of you in harm? | 0:46:16 | 0:46:18 | |
That is why I am on this porch, Ivy Walker. | 0:46:20 | 0:46:24 | |
I fear for your safety before all others. | 0:46:25 | 0:46:29 | |
And, yes... | 0:46:33 | 0:46:34 | |
...I will dance with you on our wedding night. | 0:46:36 | 0:46:40 | |
I had been to the storage shed twice | 0:46:58 | 0:47:00 | |
to fetch food prior to the wedding ceremony. | 0:47:00 | 0:47:02 | |
And the livestock was untouched at that time? | 0:47:02 | 0:47:05 | |
Yes, Mrs Hunt. All was as it should be. | 0:47:05 | 0:47:09 | |
Thank you, Beatrice. | 0:47:09 | 0:47:11 | |
I beg your pardon. | 0:47:18 | 0:47:20 | |
Is it true... | 0:47:22 | 0:47:24 | |
about Lucius and Ivy? | 0:47:24 | 0:47:26 | |
There are whispers all over the village. | 0:47:26 | 0:47:29 | |
We were informed early this morning of their intentions. | 0:47:33 | 0:47:38 | |
It is amazing to witness which two people love chooses to unite. | 0:47:38 | 0:47:42 | |
It follows no rules. | 0:47:42 | 0:47:45 | |
Kitty...I wanted to speak with you first. | 0:47:45 | 0:47:49 | |
I would not want you to feel pain, in any fashion. | 0:47:51 | 0:47:55 | |
You are my cherished one. | 0:47:55 | 0:47:59 | |
If you were to feel badly about Lucius, I would not have it. | 0:47:59 | 0:48:02 | |
One love to sacrifice another love is not right. | 0:48:02 | 0:48:07 | |
There is nothing you could do | 0:48:12 | 0:48:13 | |
that would sacrifice my love for you. | 0:48:13 | 0:48:17 | |
You are my cherished one as well. | 0:48:17 | 0:48:20 | |
God bless you and your life together. | 0:48:28 | 0:48:32 | |
KNOCK ON DOOR | 0:48:40 | 0:48:42 | |
What's happened? | 0:48:51 | 0:48:53 | |
Is this about Ivy and myself? | 0:49:01 | 0:49:04 | |
I know you are very fond of her. | 0:49:14 | 0:49:17 | |
I know she is fond of you. | 0:49:18 | 0:49:20 | |
There are different types of love. | 0:49:26 | 0:49:29 | |
HE MOANS | 0:50:05 | 0:50:07 | |
KNOCK ON DOOR | 0:50:38 | 0:50:40 | |
Noah? | 0:50:40 | 0:50:42 | |
You'll be late for the meeting hall. | 0:50:42 | 0:50:46 | |
Would you like your father to walk you there? | 0:50:46 | 0:50:49 | |
CREAKING Noah? | 0:50:49 | 0:50:52 | |
Oh, the bad... | 0:51:14 | 0:51:17 | |
the bad colour! | 0:51:17 | 0:51:19 | |
Oh! | 0:51:21 | 0:51:22 | |
The bad colour... | 0:51:26 | 0:51:29 | |
HE MOUTHS | 0:51:33 | 0:51:35 | |
Mama! | 0:51:37 | 0:51:39 | |
DOOR OPENS | 0:51:39 | 0:51:41 | |
-I beg your pardon. -What is it? | 0:51:46 | 0:51:48 | |
There's been an accident. | 0:51:48 | 0:51:50 | |
Noah Percy was found with quarts of blood upon his clothes and hands. | 0:52:01 | 0:52:07 | |
The blood was not his own, | 0:52:07 | 0:52:09 | |
and he will not speak as to whose it is. | 0:52:09 | 0:52:11 | |
God in heaven. | 0:52:11 | 0:52:14 | |
Ivy! | 0:52:14 | 0:52:15 | |
Is there anyone injured in here? | 0:52:15 | 0:52:19 | |
Has anyone been hurt in this home? | 0:52:19 | 0:52:22 | |
Is anyone in here? | 0:52:23 | 0:52:25 | |
Is anyone hurt in this house? | 0:52:25 | 0:52:28 | |
22, 23, 24... | 0:52:37 | 0:52:40 | |
..31, 32, 33... | 0:52:50 | 0:52:54 | |
Lucius? | 0:53:12 | 0:53:14 | |
Lucius Hunt! | 0:53:16 | 0:53:19 | |
You answer me right this moment! | 0:53:19 | 0:53:22 | |
< Is anyone hurt in this house? | 0:53:45 | 0:53:48 | |
< They're fine. | 0:53:50 | 0:53:52 | |
Mr Walker! | 0:53:52 | 0:53:55 | |
Joseph! | 0:53:58 | 0:53:59 | |
Papa...I cannot see his colour. | 0:54:03 | 0:54:07 | |
Come away. Come away. | 0:54:15 | 0:54:16 | |
-SHE SCREAMS -Come away! | 0:54:16 | 0:54:18 | |
Here, take her! Take her! | 0:54:18 | 0:54:21 | |
No! | 0:54:22 | 0:54:24 | |
He has suffered a great deal. | 0:54:28 | 0:54:30 | |
He may pass at any time. | 0:54:32 | 0:54:35 | |
Please give him all your prayers and good thoughts. | 0:54:39 | 0:54:43 | |
He will hear them. | 0:54:43 | 0:54:45 | |
DOOR UNLOCKS | 0:55:09 | 0:55:11 | |
Oh! | 0:55:29 | 0:55:30 | |
HE WAILS | 0:55:43 | 0:55:46 | |
YELLING AND BANGING | 0:55:48 | 0:55:50 | |
I am in love. | 0:55:59 | 0:56:01 | |
I know. | 0:56:01 | 0:56:03 | |
He is in love with me. | 0:56:04 | 0:56:07 | |
I know. | 0:56:08 | 0:56:11 | |
If he dies... | 0:56:12 | 0:56:13 | |
..all that is life to me will die with him. | 0:56:15 | 0:56:18 | |
I ask permission... | 0:56:21 | 0:56:26 | |
to travel through Covington Woods... | 0:56:26 | 0:56:28 | |
..and go to the towns... | 0:56:31 | 0:56:33 | |
..to retrieve medicines... | 0:56:35 | 0:56:38 | |
..that may save him. | 0:56:41 | 0:56:43 | |
Lucius Hunt. | 0:56:45 | 0:56:47 | |
You are my father. | 0:56:58 | 0:57:00 | |
I will listen to you in all things. | 0:57:00 | 0:57:03 | |
I will trust your decision. | 0:57:05 | 0:57:08 | |
I've done what I can to close the wounds. | 0:57:13 | 0:57:16 | |
There's an infection. | 0:57:16 | 0:57:19 | |
What can be done to mend him? | 0:57:19 | 0:57:21 | |
We can only pray. | 0:57:23 | 0:57:25 | |
If there were no limitations, what could be done? | 0:57:26 | 0:57:30 | |
What are you asking me? | 0:57:33 | 0:57:35 | |
Is there anything at all that can be done to mend the boy? | 0:57:39 | 0:57:45 | |
Please, Victor. Would you be so kind as to answer my question? | 0:57:49 | 0:57:53 | |
If the infection is contained, he may still survive. | 0:58:01 | 0:58:04 | |
I must speak up. | 0:58:07 | 0:58:09 | |
You have a restless spirit. | 0:58:11 | 0:58:14 | |
I know the thing that is in your head. | 0:58:14 | 0:58:17 | |
You're thinking of going to the towns. | 0:58:18 | 0:58:21 | |
Tell me I'm wrong! | 0:58:23 | 0:58:26 | |
You have made an oath, Edward, | 0:58:26 | 0:58:29 | |
as all have, never to go back. | 0:58:29 | 0:58:32 | |
It is a painful bargain, | 0:58:32 | 0:58:34 | |
but no good can come without sacrifice. These are your words. | 0:58:34 | 0:58:38 | |
You cannot break the oath. | 0:58:38 | 0:58:39 | |
-It is sacred! -It is a crime, what has happened to Lucius. | 0:58:39 | 0:58:44 | |
You have taken the oath. | 0:58:46 | 0:58:48 | |
You and the rest of the elders - are you listening to me? | 0:58:48 | 0:58:52 | |
You... | 0:58:52 | 0:58:54 | |
..have taken the oath. | 0:58:55 | 0:58:57 | |
The moment I heard my daughter's vision had finally failed her | 0:59:22 | 0:59:26 | |
and that she would forever be blind, | 0:59:26 | 0:59:30 | |
I was sitting in that very chair. | 0:59:30 | 0:59:32 | |
I was so ashamed. | 0:59:34 | 0:59:37 | |
What do you know about your grandfather? | 0:59:40 | 0:59:46 | |
He was the wealthiest man in the towns? | 0:59:46 | 0:59:49 | |
That he was. He had a gift for that. | 0:59:49 | 0:59:52 | |
If he was given one dollar, in less than a fortnight, | 0:59:52 | 0:59:55 | |
he would have turned it into five. | 0:59:55 | 0:59:57 | |
You do not know of money. It is not part of our life here. | 0:59:57 | 1:00:02 | |
Money can be a wicked thing. | 1:00:02 | 1:00:05 | |
It can turn men's hearts black - good men's hearts. | 1:00:05 | 1:00:09 | |
My father could not see this. For all his gifts, | 1:00:09 | 1:00:12 | |
he was a poor judge of a man's character. | 1:00:12 | 1:00:15 | |
Your grandfather was a good man, Ivy. His laugh could be heard three houses away. | 1:00:15 | 1:00:20 | |
He used to hold my hand as I hold yours. | 1:00:20 | 1:00:23 | |
He taught me strength and showed me love, | 1:00:23 | 1:00:26 | |
and told me to... | 1:00:26 | 1:00:28 | |
lead when others would only follow. | 1:00:28 | 1:00:32 | |
Your grandfather, James Walker, died in his sleep. | 1:00:36 | 1:00:39 | |
A man put a gun to his head and shot him while he dreamed. | 1:00:39 | 1:00:43 | |
I tell you this... | 1:00:43 | 1:00:45 | |
so you will understand some of the reasons | 1:00:45 | 1:00:48 | |
for my actions, and... | 1:00:48 | 1:00:50 | |
..and the actions of others. | 1:00:52 | 1:00:54 | |
You are a strong one, Ivy. | 1:00:57 | 1:00:59 | |
You lead when others would follow. | 1:00:59 | 1:01:02 | |
You see light when there is only darkness. | 1:01:02 | 1:01:05 | |
I trust you. | 1:01:10 | 1:01:12 | |
I trust you among all others. | 1:01:14 | 1:01:18 | |
Thank you, Father. | 1:01:21 | 1:01:24 | |
Ivy, do you know where you are? | 1:01:24 | 1:01:28 | |
At the old shed that is not to be used. | 1:01:28 | 1:01:30 | |
Yeah. | 1:01:33 | 1:01:34 | |
-Ivy. -Yes, Father? | 1:01:38 | 1:01:41 | |
Do your very best not to scream. | 1:01:41 | 1:01:44 | |
DOOR UNLOCKS | 1:01:46 | 1:01:49 | |
DOOR OPENS | 1:01:49 | 1:01:51 | |
What? | 1:01:51 | 1:01:53 | |
I am leaving to fetch you medicines. | 1:02:23 | 1:02:26 | |
I had a difficult time getting away. What is it? | 1:02:29 | 1:02:33 | |
HE SIGHS | 1:02:37 | 1:02:38 | |
Ivy... | 1:02:42 | 1:02:44 | |
has asked... | 1:02:44 | 1:02:47 | |
to go to the towns... | 1:02:47 | 1:02:50 | |
for medicines. | 1:02:50 | 1:02:53 | |
FOOTSTEPS APPROACH | 1:03:00 | 1:03:03 | |
Christop. | 1:04:29 | 1:04:30 | |
Christop...you needn't be scared. | 1:04:35 | 1:04:38 | |
We have the magic rocks. | 1:04:39 | 1:04:42 | |
They will keep us safe. | 1:04:42 | 1:04:44 | |
Why have we not heard of these rocks before? | 1:04:46 | 1:04:49 | |
Christop, please. | 1:04:49 | 1:04:52 | |
Do not leave us. | 1:04:52 | 1:04:53 | |
There is nothing to fear. | 1:04:53 | 1:04:55 | |
Then why do you wear the cloak of the safe colour? | 1:04:57 | 1:05:01 | |
We will light torches. | 1:05:01 | 1:05:03 | |
It will be safe. | 1:05:03 | 1:05:06 | |
It is forbidden. | 1:05:06 | 1:05:08 | |
Christop. | 1:05:09 | 1:05:11 | |
Ivy...there's something in these woods. | 1:05:56 | 1:06:01 | |
It turns my stomach to rot. | 1:06:03 | 1:06:05 | |
You will be safe. | 1:06:12 | 1:06:14 | |
They will not harm you, because you cannot see. | 1:06:14 | 1:06:17 | |
They will take pity on you, the way they took pity on Noah | 1:06:17 | 1:06:20 | |
when he ventured in the woods. | 1:06:20 | 1:06:23 | |
They will kill me, Ivy. | 1:06:26 | 1:06:29 | |
I cannot stay. | 1:06:29 | 1:06:31 | |
You're better in these woods than most boys. | 1:06:37 | 1:06:40 | |
-Anyone would say so. -It is my burden, Finton. | 1:06:40 | 1:06:44 | |
-You may go. -Come with me. | 1:06:46 | 1:06:48 | |
'Do your very best not to scream.' | 1:07:15 | 1:07:17 | |
There's an odd smell. | 1:07:31 | 1:07:34 | |
It is ahead of you. | 1:07:38 | 1:07:40 | |
What is it? | 1:07:42 | 1:07:45 | |
I cannot explain in words. | 1:07:45 | 1:07:47 | |
It is just a few steps. | 1:07:48 | 1:07:51 | |
Those we don't speak of! | 1:08:02 | 1:08:04 | |
Do not be frightened. | 1:08:04 | 1:08:08 | |
It is only...farce. | 1:08:08 | 1:08:11 | |
Do not be frightened. | 1:08:13 | 1:08:16 | |
There did exist rumours of... | 1:08:27 | 1:08:31 | |
creatures in these woods. | 1:08:31 | 1:08:33 | |
It is in one of the history books I used to teach in the towns. | 1:08:33 | 1:08:38 | |
The screams from the woods? | 1:08:38 | 1:08:41 | |
We created those sounds. | 1:08:42 | 1:08:44 | |
The ceremony of meat? | 1:08:46 | 1:08:48 | |
We remove it ourselves. An elder is always assigned. | 1:08:48 | 1:08:52 | |
The drills - they are farce, too? | 1:08:52 | 1:08:56 | |
We did not want anyone to go to the towns, Ivy. | 1:08:56 | 1:08:59 | |
What about the animals? | 1:09:02 | 1:09:05 | |
The skinned ones? Are the elders responsible for that, too? | 1:09:05 | 1:09:08 | |
I believe one of the elders is responsible. | 1:09:08 | 1:09:11 | |
It will not happen again. | 1:09:11 | 1:09:13 | |
There is no-one in this village who has not lost someone irreplaceable, | 1:09:13 | 1:09:17 | |
who has not felt loss so deeply | 1:09:17 | 1:09:19 | |
that they questioned the very merit of living at all. | 1:09:19 | 1:09:23 | |
It is a darkness I wished... | 1:09:23 | 1:09:27 | |
you would never know. | 1:09:27 | 1:09:29 | |
Forgive us our silly lies, Ivy. | 1:09:31 | 1:09:33 | |
They were not meant to harm. | 1:09:33 | 1:09:36 | |
I am...sad for you, Papa. | 1:09:44 | 1:09:49 | |
For all the elders. | 1:09:51 | 1:09:53 | |
On this paper has been written a tool of medicine. | 1:10:03 | 1:10:07 | |
It is common in the towns. You will go...with two escorts. | 1:10:07 | 1:10:13 | |
Follow the sounds of the stream. | 1:10:13 | 1:10:16 | |
A half day's journey will bring you to a hidden road. | 1:10:16 | 1:10:19 | |
At this hidden road, the two escorts will wait | 1:10:19 | 1:10:22 | |
as you continue. | 1:10:22 | 1:10:24 | |
You alone will follow the road... | 1:10:24 | 1:10:27 | |
..and leave Covington Woods. | 1:10:29 | 1:10:32 | |
You are to tell no-one in the towns where we are | 1:10:32 | 1:10:37 | |
and return with haste. | 1:10:37 | 1:10:39 | |
I cannot come with you. | 1:10:41 | 1:10:45 | |
You gave your heart to this boy. | 1:10:48 | 1:10:51 | |
He is in need. | 1:10:51 | 1:10:54 | |
Are you ready to take this burden, | 1:10:56 | 1:11:00 | |
which, by right, is yours and yours alone? | 1:11:00 | 1:11:04 | |
I am making fresh cloths for Lucius. He needs them. | 1:11:12 | 1:11:17 | |
Alice, I've sent for help. | 1:11:17 | 1:11:19 | |
I've sent Ivy to the towns. | 1:11:24 | 1:11:28 | |
You cannot. | 1:11:29 | 1:11:33 | |
It is all that I can give you. | 1:11:33 | 1:11:35 | |
It is all that I can give you. | 1:11:43 | 1:11:46 | |
I accept. | 1:11:49 | 1:11:52 | |
What have you done? | 1:12:10 | 1:12:13 | |
He is the victim of a crime. | 1:12:13 | 1:12:17 | |
We have agreed never to go back. Never! | 1:12:17 | 1:12:20 | |
What was the purpose of our leaving? | 1:12:20 | 1:12:23 | |
Let us not forget it was out of hope of something good and right. | 1:12:23 | 1:12:28 | |
You should not have made decisions without us. | 1:12:28 | 1:12:30 | |
I'm guilty, Robert! | 1:12:30 | 1:12:32 | |
I made a decision of the heart! | 1:12:33 | 1:12:36 | |
I cannot look into another's eyes | 1:12:36 | 1:12:38 | |
and see the same look I see in August's without justification! | 1:12:38 | 1:12:43 | |
It is too painful. I cannot bear it! | 1:12:43 | 1:12:47 | |
You have jeopardized everything we've made. | 1:12:47 | 1:12:50 | |
Who do you think will continue this place, this life? | 1:12:53 | 1:12:57 | |
Do you plan to live forever? | 1:12:59 | 1:13:01 | |
It is in them that our future lies. | 1:13:03 | 1:13:06 | |
It is in Ivy and Lucius that this... | 1:13:06 | 1:13:08 | |
this way of life will continue. | 1:13:08 | 1:13:11 | |
Yes, I have risked! | 1:13:11 | 1:13:12 | |
I hope I am always able to risk everything | 1:13:12 | 1:13:15 | |
for the just and right cause. | 1:13:15 | 1:13:18 | |
If we did not make this decision, | 1:13:21 | 1:13:23 | |
we could never again call ourselves innocent. | 1:13:23 | 1:13:26 | |
And that, in the end, is what we have protected here - | 1:13:26 | 1:13:29 | |
innocence! | 1:13:29 | 1:13:31 | |
That, I'm not ready to give up. | 1:13:31 | 1:13:35 | |
Let her go. | 1:13:41 | 1:13:43 | |
If it ends, it ends. | 1:13:45 | 1:13:48 | |
We can move towards hope. | 1:13:51 | 1:13:53 | |
It's what's beautiful about this place. | 1:13:53 | 1:13:56 | |
We must not run from heartache. | 1:13:56 | 1:13:59 | |
You know, my brother was slain in the towns. | 1:13:59 | 1:14:02 | |
The rest of my family died here. | 1:14:02 | 1:14:04 | |
Heartache is a part of life. We know that now. | 1:14:04 | 1:14:07 | |
Ivy's running toward hope. Let her run. | 1:14:07 | 1:14:11 | |
If this place is worthy, she'll be successful in her quest. | 1:14:11 | 1:14:16 | |
How could you have sent her? | 1:14:17 | 1:14:20 | |
She's blind. | 1:14:20 | 1:14:23 | |
She's more capable than most in this village... | 1:14:23 | 1:14:26 | |
..and she is led by love. | 1:14:27 | 1:14:30 | |
The world moves for love. | 1:14:32 | 1:14:35 | |
It kneels before it in awe. | 1:14:37 | 1:14:40 | |
# ..All the world to see | 1:14:51 | 1:14:55 | |
# Time to look about and know | 1:14:55 | 1:14:59 | |
# How the shadows come and go | 1:14:59 | 1:15:03 | |
# How the breeze stirs the trees | 1:15:03 | 1:15:07 | |
# How the blossoms grow | 1:15:07 | 1:15:11 | |
# Sleep, baby, sleep | 1:15:11 | 1:15:15 | |
# Sleep, gently, sleep... # | 1:15:15 | 1:15:19 | |
SHE SCREAMS | 1:15:46 | 1:15:48 | |
SHE WHIMPERS | 1:16:05 | 1:16:07 | |
'There did exist rumours of creatures in these woods. | 1:17:29 | 1:17:33 | |
'It is in one of the history books I used to teach in the towns.' | 1:17:33 | 1:17:36 | |
SHE WHIMPERS | 1:17:39 | 1:17:41 | |
CREAKING | 1:17:44 | 1:17:47 | |
RUSTLING | 1:18:08 | 1:18:10 | |
RUSTLING | 1:18:42 | 1:18:44 | |
GROWLING | 1:19:40 | 1:19:42 | |
GROWLING | 1:19:46 | 1:19:48 | |
It is not real. It is not real. | 1:19:55 | 1:20:00 | |
(gasping) | 1:20:01 | 1:20:03 | |
GROWLING | 1:20:21 | 1:20:23 | |
GROWLS | 1:20:41 | 1:20:44 | |
ROARS | 1:21:19 | 1:21:21 | |
SHE PANTS | 1:21:27 | 1:21:29 | |
Noah? | 1:22:33 | 1:22:35 | |
-Oh, my God! What is this? -What is this? | 1:22:37 | 1:22:41 | |
Where is he? | 1:22:41 | 1:22:42 | |
He found one of the suits we kept under the floorboards. | 1:22:46 | 1:22:49 | |
Oh, no! | 1:22:49 | 1:22:52 | |
Oh, God, the animals! | 1:22:52 | 1:22:55 | |
MOANING | 1:23:01 | 1:23:04 | |
WHIMPERING | 1:23:08 | 1:23:11 | |
His will to live is very strong. | 1:24:19 | 1:24:22 | |
'A half day's journey will bring you to a hidden road. | 1:25:02 | 1:25:06 | |
'You alone will follow the road... | 1:25:06 | 1:25:10 | |
'..and leave Covington Woods. | 1:25:12 | 1:25:14 | |
'You are to tell no-one in the towns where we are... | 1:25:16 | 1:25:19 | |
'..and return with haste.' | 1:25:20 | 1:25:23 | |
Ohh! | 1:26:05 | 1:26:07 | |
'My sister did not live past her 23rd birthday. | 1:27:24 | 1:27:28 | |
'A group of men raped and killed her. | 1:27:28 | 1:27:32 | |
'They stuffed her in a dumpster, | 1:27:32 | 1:27:35 | |
'three blocks from our apartment.' | 1:27:35 | 1:27:40 | |
'My brother worked in an emergency room downtown. | 1:27:40 | 1:27:43 | |
'A drug addict came in with a wound to his ribs. | 1:27:43 | 1:27:48 | |
'My brother tried to dress the wound. | 1:27:48 | 1:27:51 | |
'He pulled a gun from his jacket... | 1:27:51 | 1:27:54 | |
'and he shot my brother through his left eye.' | 1:27:54 | 1:27:58 | |
'My husband, Michael, left for the supermarket | 1:27:58 | 1:28:02 | |
'at a quarter past nine in the morning. | 1:28:02 | 1:28:04 | |
'He was found with no money and no clothes | 1:28:04 | 1:28:09 | |
'in the east river, three days later. | 1:28:09 | 1:28:12 | |
'My father was shot by a business partner, | 1:28:12 | 1:28:16 | |
'who then hanged himself in my father s closet. | 1:28:16 | 1:28:20 | |
'They had argued over money. | 1:28:20 | 1:28:23 | |
'I am a professor. I teach American history | 1:28:23 | 1:28:28 | |
'at the University of Pennsylvania. | 1:28:28 | 1:28:30 | |
'I have an idea... | 1:28:30 | 1:28:34 | |
'that I would like to talk to you about.' | 1:28:34 | 1:28:37 | |
-SIREN WAILS -Mile 27 - there's a girl. | 1:28:37 | 1:28:40 | |
I'm gonna check it out. | 1:28:40 | 1:28:42 | |
RADIO: 'Be careful.' | 1:28:42 | 1:28:44 | |
SIREN WAILS | 1:28:46 | 1:28:49 | |
You're not allowed to go in there. | 1:29:04 | 1:29:07 | |
Please return to your vehicle. | 1:29:07 | 1:29:09 | |
What was that noise? | 1:29:09 | 1:29:12 | |
What are you doing out here? | 1:29:14 | 1:29:17 | |
-How'd you get here? -Are you from the towns? | 1:29:17 | 1:29:21 | |
Where are you from? | 1:29:22 | 1:29:25 | |
The woods. | 1:29:29 | 1:29:31 | |
You came from the woods? | 1:29:34 | 1:29:36 | |
In there? | 1:29:39 | 1:29:41 | |
Will you help me? | 1:29:42 | 1:29:45 | |
I need to find a doctor of medicine. | 1:29:45 | 1:29:49 | |
-I must find these things. We must make haste. -Listen, ma'am. | 1:29:49 | 1:29:55 | |
I m just supposed to... | 1:29:55 | 1:29:57 | |
Is someone hurt? | 1:30:14 | 1:30:16 | |
Please, sir. We must make haste. | 1:30:18 | 1:30:22 | |
What...you live in there? | 1:30:26 | 1:30:28 | |
I do, sir. | 1:30:28 | 1:30:30 | |
WALKIE-TALKIE | 1:30:38 | 1:30:41 | |
-What is your name? -Kevin. | 1:30:42 | 1:30:45 | |
Kevin. | 1:30:45 | 1:30:47 | |
You have kindness in your voice. | 1:30:48 | 1:30:51 | |
I did not expect that. | 1:30:52 | 1:30:55 | |
We have guard shacks every ten miles around the perimeter of the preserve. | 1:31:00 | 1:31:04 | |
We keep medical supplies there in case of animal bites | 1:31:04 | 1:31:07 | |
or related injuries. | 1:31:07 | 1:31:09 | |
You can find the things written on the paper? | 1:31:09 | 1:31:13 | |
You... You have to wait here. | 1:31:13 | 1:31:17 | |
Please, sir. | 1:31:17 | 1:31:19 | |
Please...take this as payment. | 1:31:19 | 1:31:21 | |
Wait, you're not... | 1:31:28 | 1:31:30 | |
You're not tricking me, are you? | 1:31:30 | 1:31:33 | |
I do not understand. | 1:31:33 | 1:31:35 | |
What's your name? | 1:31:37 | 1:31:40 | |
Ivy. | 1:31:40 | 1:31:42 | |
Ivy Elizabeth Walker. | 1:31:44 | 1:31:46 | |
RADIO: 'There's an overturned trailer causing a one-hour delay at the Lincoln Tunnel. | 1:31:48 | 1:31:53 | |
'The body of seven-year-old Katrina Nelson was found today. She'd been missing for three days...' | 1:31:53 | 1:31:59 | |
DOOR CLOSES | 1:31:59 | 1:32:02 | |
'It's 35 degrees outside...' | 1:32:02 | 1:32:04 | |
What's with the girl? I tried calling you back on the walkie. You didn't answer. | 1:32:04 | 1:32:09 | |
It was just some teenagers. They were lost. | 1:32:09 | 1:32:12 | |
Can I give you some advice? Don't get into conversations. | 1:32:13 | 1:32:17 | |
You'll start getting into how some estate is paying all of us, | 1:32:17 | 1:32:22 | |
and no-one's allowed in there to disturb the animal sanctuary. | 1:32:22 | 1:32:25 | |
People's interest gets piqued. | 1:32:25 | 1:32:27 | |
It's a really easy gig, Kevin. | 1:32:27 | 1:32:30 | |
Maintain and protect the border. That's it. | 1:32:30 | 1:32:34 | |
A few years ago, it got out in the papers | 1:32:34 | 1:32:36 | |
that some government guys had been paid off to keep plane routes from flying over this place. | 1:32:36 | 1:32:42 | |
That was a very stressful time for me. | 1:32:42 | 1:32:44 | |
Don't cause me any troubles. | 1:32:44 | 1:32:46 | |
Do not get into conversations. | 1:32:46 | 1:32:49 | |
Hey, Jay, where's the maintenance ladder? | 1:33:38 | 1:33:40 | |
I need to fix a sign. | 1:33:43 | 1:33:45 | |
It's in the back. | 1:33:47 | 1:33:49 | |
BLEEPING | 1:34:31 | 1:34:34 | |
Ivy has returned with medicines from the towns. | 1:34:55 | 1:34:58 | |
She was attacked by a creature and killed it. | 1:34:58 | 1:35:01 | |
WOMAN SOBS | 1:35:03 | 1:35:05 | |
Noah! | 1:35:12 | 1:35:13 | |
We will find him. | 1:35:16 | 1:35:21 | |
We will give him... | 1:35:21 | 1:35:22 | |
..a proper burial. | 1:35:24 | 1:35:27 | |
We will tell the others... | 1:35:29 | 1:35:31 | |
..he was killed by the creatures. | 1:35:34 | 1:35:37 | |
Your son has made our stories real. | 1:35:41 | 1:35:44 | |
Noah has given us a chance to continue this place... | 1:35:48 | 1:35:52 | |
..if that is something... | 1:35:55 | 1:35:58 | |
..we still wish for. | 1:36:01 | 1:36:03 | |
I'm back, Lucius. | 1:37:12 | 1:37:14 | |
HEAVY BREATHING | 1:37:14 | 1:37:17 |