At First Sight

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This film contains some strong language.	0:00:02	0:00:04
WOMAN: So, Betsy, why am I doing this?	0:01:28	0:01:31
NEW WOMAN: You're tired, stressed,	0:01:31	0:01:32
and they're about to carry your overworked butt	0:01:32	0:01:34
out of the office on a stretcher	0:01:34	0:01:35
if you don't get some rest.	0:01:35	0:01:37
Besides, Duncan can take care of things.	0:01:37	0:01:38
Duncan? Are you kidding me?	0:01:38	0:01:40
Well, he is your partner,	0:01:40	0:01:42
and, believe it or not,	0:01:42	0:01:43
he is just as worried about you as I am.	0:01:43	0:01:45
Go. This is a vacation.	0:01:45	0:01:47
You're late already.	0:01:47	0:01:48
I'm not letting you put it off this time. OK?	0:01:48	0:01:51
OK. I'm-I'm not gonna put it off,	0:01:51	0:01:53
but I am taking those plans	0:01:53	0:01:55
because they're not good enough.	0:01:55	0:01:56
Now, how do you know that this spa	0:01:56	0:01:57
is any good, anyway?	0:01:57	0:01:59
Fine. I'm fine.	0:01:59	0:02:01
Don't forget to exercise.	0:02:03	0:02:05
Exercise? Exercise is not restful.	0:02:04	0:02:06
Are you sure you know where you're going?	0:02:06	0:02:07
Yes, I know where I'm going.	0:02:07	0:02:08
I'm very good with directions.	0:02:08	0:02:11
WOMAN: Betsy? I'm completely lost.	0:02:11	0:02:13
I'm sorry.	0:02:13	0:02:16
I thought I was on 128,	0:02:16	0:02:17
but I'm in the middle of the dark woods,	0:02:17	0:02:19
and, er, I don't like it.	0:02:19	0:02:21
Yeah. Hang-hang on a second.	0:02:24	0:02:26
OK. Wait. I've got... I've got the map.	0:02:26	0:02:29
I've got the map in front of me, and you know what?	0:02:29	0:02:31
There's-there's- no Bear Mountain.	0:02:31	0:02:33
There's no sign.	0:02:33	0:02:34
I've been looking for the sign.	0:02:34	0:02:36
Yeah, I did. I-I-I'm...	0:02:36	0:02:39
Oh, wow. Wait. There's the sign.	0:02:39	0:02:41
I got it. All right.	0:02:41	0:02:42
I'll see you in a week.	0:02:42	0:02:44
OK. Thanks. Bye.	0:02:44	0:02:47
STARTS CAR	0:02:53	0:02:54
OK. Your room's in the Timber Lodge,	0:02:59	0:03:02
which is straight out there to the left.	0:03:02	0:03:03
And in the main lodge,	0:03:03	0:03:05
we have a full weight room,	0:03:05	0:03:06
life cycles, step machines,	0:03:06	0:03:08
spa, yoga, aerobics, cycling workouts...	0:03:08	0:03:12
I was really hoping for, like, a quick fix.	0:03:12	0:03:15
Uh...	0:03:15	0:03:16
do you have anything that involves just lying down?	0:03:16	0:03:18
Massage?	0:03:18	0:03:20
Yeah.	0:03:20	0:03:22
Um, I'll have one a day, and not too early.	0:03:22	0:03:25
How is 10.00am?	0:03:25	0:03:27
11:00? Hmm.	0:03:27	0:03:29
Thank you. Good night. Good night.	0:03:29	0:03:31
WOMAN: Ohh.	0:03:34	0:03:35
Ohh, Virgil. Ohh.	0:03:35	0:03:39
God. Ohh... no, no, no, harder.	0:03:39	0:03:42
Just right...ohh.	0:03:42	0:03:45
Just...no. Don't stop.	0:03:45	0:03:46
Just a little more... just a little-ohh. Ohh.	0:03:46	0:03:48
MAN: Come on. Time's up. No, no, no, no. Ohh.	0:03:48	0:03:51
WOMAN SIGHS	0:03:51	0:03:54
Virgil, you are gonna have to come live with me.	0:03:54	0:03:56
No. What would your husband say?	0:03:56	0:03:58
Ahh.	0:03:58	0:03:59
VIRGIL: I'll see you.	0:03:59	0:04:00
That's it. I'm getting a divorce.	0:04:01	0:04:04
Amy, are you out there?	0:04:06	0:04:08
Yeah.	0:04:08	0:04:09
Come on in.	0:04:09	0:04:10
Hi. I'm Virgil. Hi.	0:04:16	0:04:19
Why don't you take your clothes off and hop up on the table?	0:04:19	0:04:21
I'll be there in a minute.	0:04:21	0:04:22
You sound like a genius at this.	0:04:22	0:04:23
Oh, yeah. I'm Einstein, Gandhi...	0:04:23	0:04:26
Virgil Adamson, massage therapist.	0:04:26	0:04:29
Do you want me sunny side up,	0:04:30	0:04:33
or down?	0:04:33	0:04:35
Mm, on your stomach.	0:04:35	0:04:37
I'm gonna start off somewhat deep.	0:04:39	0:04:43
And, uh, you let me know if you want	0:04:45	0:04:48
anything deeper.	0:04:48	0:04:50
Deeper is good.	0:04:50	0:04:51
Where I come from, all you get is shallow.	0:04:51	0:04:53
Ah. A New Yorker.	0:04:53	0:04:57
How'd you know that?	0:04:57	0:05:01
Oh, it's all here in the shoulders.	0:05:01	0:05:04
Here's that honking horn of the taxi you missed. Ha ha ha!	0:05:04	0:05:09
There's the rumble of the subway.	0:05:09	0:05:12
Right in here is the screech of the wheels	0:05:12	0:05:15
cos you're late, and that's why you have that tension.	0:05:15	0:05:18
You get into the city very often?	0:05:18	0:05:21
You want a talk or a...massage?	0:05:21	0:05:25
Ha! Shutting up now.	0:05:24	0:05:27
Mmm.	0:05:38	0:05:40
SHE BREATHES HEAVILY	0:05:45	0:05:47
SHE SOBS	0:05:54	0:05:55
That too deep?	0:05:55	0:05:56
No. Um...	0:05:58	0:05:59
it's just-it's fine.	0:06:00	0:06:02
Oh, it is too deep.	0:06:03	0:06:05
Maybe we should stop for today.	0:06:07	0:06:09
Here's a kleenex.	0:06:09	0:06:11
I don't...	0:06:12	0:06:14
don't know why I'm crying.	0:06:14	0:06:16
Must have been a lot of stuff built up, I guess.	0:06:20	0:06:22
Sorry.	0:06:22	0:06:23
Sure.	0:06:23	0:06:24
I'm gonna go now,	0:06:25	0:06:27
unless you'd like me to stay.	0:06:27	0:06:29
Could you, please?	0:06:29	0:06:31
Oh, sure.	0:06:31	0:06:33
Sure.	0:06:33	0:06:34
SHE SOBS	0:06:34	0:06:36
You always make the girls cry?	0:06:41	0:06:43
Always.	0:06:43	0:06:45
SHE GIGGLES Now, just relax.	0:06:45	0:06:47
OK.	0:06:47	0:06:48
SHE SIGHS	0:06:57	0:06:59
PEOPLE TALKING	0:07:50	0:07:53
WOMAN: Hey, Virgil.	0:07:55	0:07:56
Virgil...	0:07:56	0:07:57
VIRGIL: Hi, Carol.	0:07:57	0:07:58
You look good today.	0:07:58	0:07:59
Oh, thank you. What a compliment.	0:07:59	0:08:01
See you tomorrow.	0:08:01	0:08:02
Hey, Virgil!	0:08:05	0:08:06
PEOPLE CHAT	0:08:06	0:08:08
Hey!	0:08:10	0:08:11
Virgil.	0:08:12	0:08:13
Hi.	0:08:14	0:08:16
Hi.	0:08:16	0:08:17
Amy. Amy Benic.	0:08:17	0:08:19
Yeah. I didn't recognise you with your clothes on.	0:08:19	0:08:22
SHE LAUGHS	0:08:22	0:08:23
You fell asleep, so...	0:08:23	0:08:25
I thought it best if I just left.	0:08:25	0:08:27
Oh, thank you.	0:08:27	0:08:29
Oh, my God, you're the skater.	0:08:30	0:08:32
I saw you last night driving in.	0:08:32	0:08:33
Really?	0:08:33	0:08:35
Yeah. You're pretty good with that stick.	0:08:35	0:08:36
Are you on some team or something?	0:08:36	0:08:38
You a hockey fan?	0:08:38	0:08:39
Um... I don't know.	0:08:39	0:08:41
I don't really know very much about it,	0:08:41	0:08:42
but it-it looks like fun.	0:08:42	0:08:44
I used to skate as a kid, but I've got two left feet.	0:08:44	0:08:47
CAR HORN	0:08:47	0:08:48
Well...this is my ride.	0:08:48	0:08:51
Tommy.	0:08:53	0:08:55
Hey, Virg.	0:08:54	0:08:56
Well, I just wanted to apologise	0:08:59	0:09:00
for falling apart like that on your table.	0:09:00	0:09:02
Um, I was just in a weird place.	0:09:02	0:09:05
Sorry.	0:09:05	0:09:06
And now?	0:09:06	0:09:07
And now I'm feeling good,	0:09:07	0:09:09
so I wanted to thank you for what you did.	0:09:09	0:09:11
For making you cry?	0:09:11	0:09:13
-No. -I -made me cry,	0:09:13	0:09:15
but you were very kind to me. Thank you.	0:09:15	0:09:18
Virgil! Virgil, let's move it!	0:09:18	0:09:20
I should let you go.	0:09:20	0:09:21
I'm gonna see you tomorrow.	0:09:21	0:09:22
I booked another massage.	0:09:22	0:09:23
OK. I'll-I'll see you tomorrow.	0:09:23	0:09:25
Nice to see you.	0:09:25	0:09:26
OK. See you.	0:09:26	0:09:29
See you.	0:09:31	0:09:32
Oh, my God.	0:09:33	0:09:35
What?	0:09:35	0:09:36
I'm sorry. I didn't realise...wow.	0:09:37	0:09:42
Hey, hey, you already apologised once.	0:09:42	0:09:44
Oh, God.	0:09:44	0:09:45
No need to overdo it.	0:09:45	0:09:47
OK.	0:09:47	0:09:49
I'll see you tomorrow.	0:09:49	0:09:50
See you tomorrow.	0:09:50	0:09:52
Bye.	0:09:52	0:09:53
HORN HONKS	0:10:20	0:10:22
OPENS DOOR	0:10:22	0:10:24
Jesse, get off the bed.	0:10:27	0:10:28
DOG BARKS There you are.	0:10:28	0:10:32
Come here, boy.	0:10:32	0:10:35
You're more like a sleeping eye dog	0:10:35	0:10:36
than a seeing eye dog.	0:10:36	0:10:38
Come here, you.	0:10:38	0:10:41
Come on.	0:10:41	0:10:42
DOG BARKS Is the game on?	0:10:42	0:10:44
Come on.	0:10:45	0:10:46
Hey...	0:10:47	0:10:49
I met a girl today.	0:10:49	0:10:51
Oh, she had the most amazing voice. It was...	0:10:51	0:10:55
smooth, like butter.	0:10:55	0:10:58
And she smelled like...	0:10:58	0:11:00
cinnamon and nutmeg.	0:11:00	0:11:02
Sounds more like a recipe	0:11:02	0:11:03
for a coffee cake than a girl.	0:11:03	0:11:06
You're here.	0:11:06	0:11:07
I didn't hear you.	0:11:07	0:11:10
TV: ..As this game starts.	0:11:10	0:11:11
'Sundstrom goes for the puck. Winds it around...'	0:11:11	0:11:14
So, how are the kids?	0:11:14	0:11:16
Oh, the usual, they need a lot of attention.	0:11:16	0:11:18
Here.	0:11:18	0:11:20
Mmm.	0:11:20	0:11:21
So, who's the girl?	0:11:21	0:11:22
Oh, just a spa girl, a client.	0:11:22	0:11:27
Gone in a week.	0:11:27	0:11:28
Look. If you like coffee cake that much,	0:11:28	0:11:30
we can sprinkle some cinnamon on Jesse.	0:11:30	0:11:32
Too old for me.	0:11:32	0:11:35
Who - Jesse or the girl?	0:11:35	0:11:37
You're not jealous of a coffee cake, are you?	0:11:36	0:11:39
Coke?	0:11:39	0:11:41
I'm fine. Your lunch is ready.	0:11:41	0:11:45
Chicken's at 3.00.	0:11:45	0:11:46
and rice is at 6.00, beans are at 9.00,	0:11:46	0:11:49
and the news is at 11.00.	0:11:49	0:11:51
One of these days, I'm gonna switch 'em on you.	0:11:51	0:11:52
Yeah. One day, I'll play forward	0:11:52	0:11:55
for the New York Rangers.	0:11:55	0:11:56
SHE CHUCKLES	0:11:56	0:11:58
You know, you need better jokes.	0:11:58	0:12:00
Or a new sister.	0:12:00	0:12:01
Hmm. I'd work on the jokes, if I were you.	0:12:01	0:12:04
Aren't you gonna stay and watch some hockey?	0:12:05	0:12:07
You want to grade some spelling tests?	0:12:07	0:12:09
I'll be next door if you need me.	0:12:09	0:12:11
OK. Thanks a lot.	0:12:10	0:12:13
So, this girl...	0:12:14	0:12:16
we talked for a long time at the bus stop.	0:12:16	0:12:19
She thought I could see.	0:12:21	0:12:23
I really love coffee cake.	0:12:27	0:12:29
LOUIS ARMSTRONG: # Give me a kiss to build a dream on	0:12:29	0:12:33
# And my imagination will thrive upon that kiss	0:12:33	0:12:39
# Mmm, sweetheart I ask no more than this	0:12:39	0:12:43
# A kiss to build a dream on	0:12:43	0:12:49
# Give me a kiss before you leave me	0:12:50	0:12:53
# And my imagination	0:12:53	0:12:56
# Will feed my hungry heart... #	0:12:56	0:12:59
Aah! Oh!	0:12:59	0:13:01
Whoa! Oh!	0:13:01	0:13:03
Oh, shoot.	0:13:03	0:13:05
Ah.	0:13:05	0:13:06
My foot. Ohh. Ow.	0:13:07	0:13:08
KNOCK ON DOOR	0:13:08	0:13:10
Coming.	0:13:10	0:13:11
Coming! Hang on! Hang on!	0:13:11	0:13:12
Oh. OK.	0:13:12	0:13:15
KNOCK ON DOOR Coming.	0:13:15	0:13:17
Hi. Oh, my God. Hi.	0:13:19	0:13:22
My turn to apologise.	0:13:22	0:13:23
I should've told you I was blind.	0:13:23	0:13:26
Well, we're even.	0:13:26	0:13:28
Apologies cancel each other out.	0:13:28	0:13:30
Do you want to come in?	0:13:30	0:13:32
I'm sorry. I just got out of the shower.	0:13:32	0:13:33
I have to get changed.	0:13:33	0:13:35
Promise I won't look.	0:13:35	0:13:37
Ha ha.	0:13:37	0:13:38
Um, I sort of spilled some stuff on the floor.	0:13:42	0:13:46
Here. Why don't you sit down on the bed,	0:13:46	0:13:48
and I'm just gonna go change.	0:13:48	0:13:50
Be right back.	0:13:50	0:13:52
All right.	0:13:52	0:13:53
You know, you didn't have to come all the way back up here	0:13:54	0:13:56
just to apologise.	0:13:56	0:13:58
I was in the neighbourhood.	0:13:58	0:14:00
You were in the neighbourhood?	0:14:00	0:14:02
Oh, all right. I'll confess.	0:14:02	0:14:04
I was watching the hockey game with my dog,	0:14:03	0:14:05
and... I don't know. I was describing you.	0:14:05	0:14:09
What?	0:14:09	0:14:11
Yeah. I was describing you to my dog,	0:14:11	0:14:13
and how great you smelled,	0:14:13	0:14:14
and my sister thought I was describing a cake.	0:14:14	0:14:17
Anyway, I just started thinking of you here	0:14:17	0:14:19
in the midst of your tofu shake	0:14:19	0:14:21
and really, really boring yoghurt,	0:14:21	0:14:23
and thought maybe you'd want to get some fresh air	0:14:23	0:14:25
and take a walk around town...	0:14:25	0:14:27
just see what we see.	0:14:27	0:14:30
See what we see?	0:14:30	0:14:31
Figure of speech.	0:14:31	0:14:33
You mean, right here, right now?	0:14:33	0:14:35
Great. I'm blind and you're deaf. What a pair.	0:14:35	0:14:39
52 lamposts...	0:14:40	0:14:42
Up here on our left is my sister Jennie's school.	0:14:42	0:14:46
She's really great with these kids.	0:14:46	0:14:49
You see that guy across the street?	0:14:49	0:14:52
Over in the doorway. Uh...	0:14:52	0:14:54
He's chain-smoking, right?	0:14:54	0:14:55
Oh, my God, yeah.	0:14:55	0:14:57
Yeah. That's my friend Bruce.	0:14:57	0:14:59
We watch the game together sometimes.	0:14:59	0:15:01
CAR ENGINE RATTLES	0:15:01	0:15:02
Oh, here comes Nancy. She's the librarian -	0:15:02	0:15:05
gets me any book I want in braille.	0:15:05	0:15:07
Hey, Nancy.	0:15:07	0:15:08
Hey, Virgil. I got that book in for you.	0:15:08	0:15:10
Still haven't got that old jalopy fixed.	0:15:10	0:15:13
If I got it fixed, how would you know it was me? Hi.	0:15:13	0:15:17
Nancy, this is Amy. Amy, this is Nancy.	0:15:17	0:15:19
Hi, Amy. Nice to meet you.	0:15:19	0:15:21
Got to go. Have fun.	0:15:21	0:15:22
Be careful, honey. He's all hands.	0:15:22	0:15:24
Be nice. Yeah.	0:15:24	0:15:26
Nice town you have here.	0:15:28	0:15:30
Seems you're very popular with the ladies.	0:15:30	0:15:33
Oh, yeah. Moved here when I was 8.	0:15:33	0:15:36
They figured it was a good place for me to grow up in.	0:15:36	0:15:38
It's a bit geriatric, but it works.	0:15:38	0:15:41
Do you mind me asking how long you've been blind?	0:15:43	0:15:46
No, not at all.	0:15:46	0:15:48
It started when I was one	0:15:48	0:15:50
and completely gone by the time I was 3.	0:15:50	0:15:53
Congenital cataracts	0:15:53	0:15:54
with a healthy dose of retinitis pigmentosa	0:15:54	0:15:57
thrown in for good measure.	0:15:57	0:15:59
Huh. So...	0:15:59	0:16:01
so you see no bright lights?	0:16:01	0:16:03
Nothing?	0:16:03	0:16:05
Nope. Blind as a bat.	0:16:05	0:16:07
Actually, blinder.	0:16:07	0:16:08
Bats emit sonar. I wish I had that sonar.	0:16:08	0:16:12
I don't have a sixth sense.	0:16:12	0:16:13
I don't have a fifth one.	0:16:13	0:16:15
Never wrote a book like Helen Keller.	0:16:14	0:16:16
Wish I could play the piano like Ray Charles.	0:16:16	0:16:19
I really wish I could sing like Stevie Wonder,	0:16:19	0:16:22
but I can't.	0:16:22	0:16:23
Got it.	0:16:23	0:16:25
Huh.	0:16:25	0:16:26
So, what do you, er, think of our, er, little Sleepy Hollow?	0:16:28	0:16:34
Has a very nice feel to it.	0:16:34	0:16:37
Genuine lines, good use of space.	0:16:37	0:16:39
To be honest, I would've done something	0:16:39	0:16:41
a little bit more stimulating	0:16:40	0:16:42
with some of the newer buildings,	0:16:41	0:16:42
but that's just me.	0:16:42	0:16:44
Wow. What's you?	0:16:44	0:16:46
What are you, a writer for Architectural Digest?	0:16:46	0:16:49
No. I'm actually an architect.	0:16:49	0:16:51
That's what I do.	0:16:51	0:16:53
I have a partnership in a firm in New York.	0:16:53	0:16:54
Really? Yeah.	0:16:54	0:16:56
Wow.	0:16:56	0:16:59
Well...	0:16:59	0:17:01
this is the end.	0:17:01	0:17:03
Guess we should go back.	0:17:03	0:17:05
Well, what's out there	0:17:05	0:17:06
past the end of the street?	0:17:06	0:17:08
Nothing.	0:17:10	0:17:11
Well, there is a...	0:17:14	0:17:15
an old rundown building	0:17:15	0:17:17
off to the left,	0:17:17	0:17:18
kind of like an old gas station.	0:17:18	0:17:20
Would you describe it to me?	0:17:22	0:17:24
OK.	0:17:24	0:17:26
Um...it's kind of dilapidated,	0:17:26	0:17:29
and it's sitting	0:17:29	0:17:31
in between two great big trees in a field.	0:17:31	0:17:34
The trees are sort of like a man and a woman.	0:17:34	0:17:36
The man is asking the woman to dance,	0:17:36	0:17:38
and the woman is standing on her toes,	0:17:38	0:17:40
trying to decide if she's got the guts.	0:17:40	0:17:44
Oh, God. I'm an idiot.	0:17:44	0:17:45
What a stupid description. Ha ha ha!	0:17:45	0:17:47
No.	0:17:47	0:17:49
I really like that - dancing trees.	0:17:49	0:17:53
We better get going. It's starting to rain.	0:17:56	0:17:59
Well, there's a little breeze, but I...	0:17:59	0:18:02
Oh, my God.	0:18:02	0:18:03
THUNDER	0:18:03	0:18:04
OK. Oh, my God!	0:18:04	0:18:06
Uh, OK. Wait. Let's go this way.	0:18:06	0:18:08
VIRGIL CHUCKLES	0:18:12	0:18:14
Oh, my.	0:18:17	0:18:18
HE LAUGHS	0:18:18	0:18:19
I can't believe how fast that happens.	0:18:19	0:18:21
Do you like the rain? I love the rain.	0:18:21	0:18:24
Well, sometimes.	0:18:24	0:18:25
I love the rain.	0:18:25	0:18:27
Ohh. You feel everything at once.	0:18:29	0:18:32
It's the best way for me to understand dimension	0:18:32	0:18:36
in a room.	0:18:36	0:18:37
Can you hear it?	0:18:37	0:18:38
It's coming down off the ceiling, all the walls.	0:18:38	0:18:43
WALLS CREAK	0:18:43	0:18:44
Do you hear that?	0:18:44	0:18:45
It's hitting a puddle.	0:18:45	0:18:47
PLOP	0:18:47	0:18:48
It's echoing the sound across.	0:18:48	0:18:50
There's no walls.	0:18:50	0:18:51
RUNNING WATER	0:18:51	0:18:53
What's that?	0:18:53	0:18:54
Oh, a drainpipe.	0:18:54	0:18:57
You hear that? It's high up.	0:18:57	0:19:00
Rafters?	0:19:00	0:19:01
Yeah.	0:19:01	0:19:02
It's got its own rhythm. Hear that?	0:19:06	0:19:08
Ping ping ping ping.	0:19:08	0:19:10
And that. That sound way up.	0:19:10	0:19:13
Uh, it looks like there's...	0:19:14	0:19:17
No, no. Just listen.	0:19:17	0:19:19
Now come here. Close your eyes.	0:19:19	0:19:22
Listen with your whole body.	0:19:23	0:19:26
Feel it?	0:19:28	0:19:30
Right in your chest.	0:19:30	0:19:32
That's beautiful, that...	0:19:32	0:19:35
that little sound like a...	0:19:35	0:19:38
like a whisper.	0:19:38	0:19:39
Mmm.	0:19:39	0:19:41
It's the wind blowing a branch across the windows.	0:19:41	0:19:45
I can feel everything when it rains.	0:19:49	0:19:51
Wish it would rain inside,	0:19:51	0:19:54
rain all around us.	0:19:54	0:19:55
Heifunon.	0:19:57	0:20:00
What's that?	0:19:59	0:20:01
It's an architectural term.	0:20:01	0:20:04
It means "to share a feeling."	0:20:04	0:20:08
I don't think I've ever felt it like this before.	0:20:10	0:20:13
I wanted you to know I was smiling.	0:20:29	0:20:31
Virgil, before you lost your sight,	0:20:56	0:21:00
do you remember seeing anything at all?	0:21:00	0:21:04
I do.	0:21:04	0:21:05
One memory.	0:21:05	0:21:06
People say it's clouds,	0:21:09	0:21:12
but I don't think it was,	0:21:12	0:21:14
cos I could touch it.	0:21:14	0:21:17
It was a...	0:21:17	0:21:20
puffy thing.	0:21:20	0:21:23
Must've been important.	0:21:23	0:21:25
It's a good memory.	0:21:25	0:21:28
I remembered it all these years.	0:21:29	0:21:31
How about you? What's your first memory?	0:21:32	0:21:36
OK.	0:21:38	0:21:40
Um...	0:21:42	0:21:43
I was two. Or maybe three.	0:21:45	0:21:48
I remember being at the beach with my parents.	0:21:51	0:21:54
It was cold outside.	0:21:56	0:21:58
So...I had to snuggle down	0:21:58	0:22:00
between both of them in the sand	0:22:00	0:22:03
and we all watched the sunset over the horizon.	0:22:03	0:22:07
Horizon, that's a tough one.	0:22:07	0:22:10
If I can't feel it, I don't know what it is.	0:22:10	0:22:13
It's the line where the earth meet the sky.	0:22:13	0:22:16
It's the end of the world.	0:22:16	0:22:20
When I was a kid,	0:22:21	0:22:22
I used to think that if I walked far enough,	0:22:22	0:22:25
I could reach it.	0:22:25	0:22:27
I thought that if I could, ah...	0:22:27	0:22:29
if I could stand on it	0:22:29	0:22:31
and just look out over the edge...	0:22:31	0:22:35
that I would be able to see something more beautiful	0:22:35	0:22:39
than anything I had ever known.	0:22:39	0:22:43
No one's ever explained "horizon" to me before	0:22:43	0:22:46
so I could understand it.	0:22:46	0:22:49
SHE CHUCKLES	0:22:49	0:22:51
You're very good at what you do.	0:23:04	0:23:06
It's what I do.	0:23:06	0:23:07
It's what I can do.	0:23:07	0:23:09
Do you enjoy it?	0:23:09	0:23:10
Sometimes, I enjoy it.	0:23:10	0:23:13
Some times more than others.	0:23:14	0:23:17
This time?	0:23:18	0:23:21
This time...	0:23:21	0:23:22
This time I feel like I can...	0:23:22	0:23:26
see everything.	0:23:26	0:23:28
Everything?	0:23:30	0:23:32
BELL RINGS	0:23:32	0:23:33
Time's up.	0:23:35	0:23:37
Now I've got Mr Ketchum.	0:23:37	0:23:40
All 200 pounds of him.	0:23:40	0:23:42
Felt like we were just getting started.	0:23:43	0:23:45
Yeah.	0:23:45	0:23:46
Me, too.	0:23:46	0:23:47
Amy...	0:23:52	0:23:54
cos...	0:23:57	0:23:59
you're a client,	0:23:59	0:24:00
I'm not supposed to get that close to you.	0:24:00	0:24:02
You're not?	0:24:02	0:24:04
So what does that mean?	0:24:04	0:24:07
It means you have to stop paying me, you know.	0:24:07	0:24:10
Come over to my house for dinner	0:24:10	0:24:11
so we can finish the massage.	0:24:11	0:24:14
FOOD SIZZLES	0:24:19	0:24:21
PHONE RINGS	0:24:22	0:24:24
RING	0:24:25	0:24:28
Hello.	0:24:28	0:24:29
Hi, Virgil. It's Amy.	0:24:29	0:24:31
'Amy, hey.	0:24:31	0:24:32
'You're in for a real surprise. I'm cooking.'	0:24:32	0:24:35
So, what time you coming over?	0:24:35	0:24:36
Virgil, I can't come tonight. I'm so sorry.	0:24:36	0:24:40
I'm calling you from the road, actually.	0:24:39	0:24:42
I have to go back into the city.	0:24:41	0:24:43
An emergency's come up.	0:24:43	0:24:45
'It's just this project that I'm in charge of'	0:24:45	0:24:47
is going down the drain,	0:24:47	0:24:48
and I got to go back in and save it.	0:24:48	0:24:50
I'm...damn. I'm sorry.	0:24:50	0:24:53
'But I'm gonna come back, OK?' OK.	0:24:53	0:24:54
'I feel really terrible.' Bye.	0:24:54	0:24:57
'OK. Bye.'	0:24:57	0:24:58
FOOD SIZZLES	0:25:07	0:25:08
Stupid!	0:25:08	0:25:09
MAN: You're absolutely right, Mr Falk.	0:25:10	0:25:13
Something is missing. We realise that now,	0:25:13	0:25:15
and we just need some time to find out what.	0:25:15	0:25:18
MR FALK: 'Fine, but y'all know	0:25:18	0:25:20
'what kind of schedule we're on here.'	0:25:20	0:25:22
We will, er, we'll take care of it.	0:25:22	0:25:23
We won't let you down.	0:25:23	0:25:25
OK. All right.	0:25:27	0:25:28
Just...don't say it. Don't say it.	0:25:28	0:25:30
I know you were never happy with the design anyway.	0:25:30	0:25:33
I wasn't gonna say it.	0:25:33	0:25:35
Yeah, but you'd have tinkered with it	0:25:35	0:25:37
till it went away, right?	0:25:37	0:25:39
You know what this means to us.	0:25:39	0:25:41
I know.	0:25:41	0:25:42
I know the whole speech.	0:25:42	0:25:44
Good, then I won't have to make it.	0:25:44	0:25:46
We've got the guy hooked,	0:25:46	0:25:47
you've got your second chance.	0:25:47	0:25:50
By the way, we ALL deserve a second chance.	0:25:50	0:25:53
OK.	0:25:53	0:25:55
Now... see these two trees?	0:25:55	0:25:57
I think it's time to give them a second chance.	0:25:57	0:25:59
They're gonna stay.	0:25:59	0:26:00
We're gonna design the whole thing around them.	0:26:00	0:26:02
They are the most beautiful, natural thing	0:26:02	0:26:04
about the whole place.	0:26:04	0:26:05
And when I was in the car	0:26:05	0:26:06
on the way back from Pinecrest,	0:26:06	0:26:07
I came up with a new addition	0:26:07	0:26:08
for the Tribeca lobby.	0:26:08	0:26:10
It's just gonna add so much life to the place.	0:26:10	0:26:12
So what's going on here? A few days ago,	0:26:11	0:26:15
we sent off Hydra the three-headed monster,	0:26:15	0:26:16
and we get back Mary Poppins in return?	0:26:16	0:26:19
What, I can't have a couple of ideas?	0:26:19	0:26:22
OK! OK! You know, I had my little trip.	0:26:24	0:26:27
I rested, I exercised.	0:26:27	0:26:30
Thank you very much, Betsy. And, er...	0:26:30	0:26:35
I met a guy.	0:26:35	0:26:36
This is too modern for me.	0:26:38	0:26:40
Betsy, we're all friends here. Sit down, sit down...	0:26:40	0:26:43
or you'll be fired.	0:26:43	0:26:46
You met a guy. That's...	0:26:46	0:26:49
that's great. That's really great.	0:26:49	0:26:50
Super. Yeah. Thank you.	0:26:50	0:26:52
So, er...	0:26:52	0:26:53
spill the beans.	0:26:53	0:26:54
Nothing to spill, you know. He's a great guy.	0:26:54	0:26:57
He's smart, funny...	0:26:57	0:26:59
blind.	0:26:59	0:27:01
Oh. I thought you said he was blind.	0:27:01	0:27:03
He's blond.	0:27:03	0:27:05
That, too.	0:27:05	0:27:06
HE CHUCKLES	0:27:06	0:27:09
I'm sorry. That's fu...	0:27:09	0:27:12
Blind blind? Like, like...	0:27:12	0:27:13
white cane, tap tap tap blind?	0:27:13	0:27:18
Come on. I know you like a challenge.	0:27:18	0:27:20
Hell, you married me, but, er...	0:27:20	0:27:21
OK. Thank you very much for your understanding.	0:27:21	0:27:24
It's not...	0:27:24	0:27:26
it's not my problem anymore.	0:27:26	0:27:27
Duncan, don't be a jerk.	0:27:27	0:27:30
You still work here?	0:27:30	0:27:31
< Everyone's gone for the day.	0:27:39	0:27:42
That's OK.	0:27:42	0:27:43
I'm just gonna work here a little bit longer.	0:27:43	0:27:46
Just doing something...	0:27:46	0:27:48
What?	0:27:56	0:27:57
I just wanna know a little bit more about the guy. Is that so wrong?	0:27:57	0:28:01
Listen - my father had a problem with severe cataracts.	0:28:01	0:28:05
Do you have any idea what you're getting into?	0:28:05	0:28:08
Have you ever listened to the rain?	0:28:12	0:28:14
I mean, REALLY listened?	0:28:14	0:28:16
This like that "smell the roses" thing?	0:28:16	0:28:20
No. It is not.	0:28:21	0:28:24
But, see, I've...	0:28:25	0:28:26
For the past five years	0:28:26	0:28:28
I lived with a man with the depth of a soapdish.	0:28:28	0:28:31
The only time I ever saw him cry	0:28:31	0:28:34
was when he did our tax returns.	0:28:34	0:28:36
I need more than that.	0:28:36	0:28:38
And there's something about this guy.	0:28:39	0:28:43
He makes me feel like I-I'm waking up	0:28:44	0:28:46
after being asleep for a long time.	0:28:46	0:28:49
I'm inspired again, I can draw again...	0:28:49	0:28:52
and... the way that he touches me...	0:28:53	0:28:57
Here we go! It's the sex!	0:28:57	0:28:59
No! No sex! Not yet.	0:28:59	0:29:01
It's just that when...	0:29:02	0:29:05
when he touches me I feel like	0:29:05	0:29:07
he does it to know me better,	0:29:07	0:29:10
not to get something from me.	0:29:10	0:29:12
And, when he listens to me...	0:29:12	0:29:15
it's as though my words	0:29:15	0:29:17
are the last sounds on the planet.	0:29:17	0:29:19
Even though he doesn't know how I look,	0:29:19	0:29:22
I feel like he really knows who I am.	0:29:22	0:29:25
He just moves me, that's all.	0:29:26	0:29:28
Does he have a brother?	0:29:29	0:29:31
Whoo! Wayne Gretzky, look out.	0:29:45	0:29:48
Amy?	0:29:48	0:29:49
How long have you been here?	0:29:50	0:29:52
About an hour. Ha ha ha!	0:29:52	0:29:55
No. I went up to the lodge,	0:29:55	0:29:58
and you weren't there, so I guessed,	0:29:58	0:30:00
and here you are.	0:30:00	0:30:02
You're really good at that.	0:30:02	0:30:04
Thanks. My dad taught me.	0:30:04	0:30:08
So, how do you like my pond?	0:30:09	0:30:11
It's beautiful.	0:30:11	0:30:13
I'm so surprised you're here.	0:30:15	0:30:17
You want to go skating?	0:30:17	0:30:19
I didn't bring any skates.	0:30:19	0:30:20
Nah, come on. It's all right.	0:30:20	0:30:21
Wait. What do you mean?	0:30:21	0:30:24
Uh, this is ice. I don't have any skates.	0:30:24	0:30:26
Come on. I used to take my sister Jennie out	0:30:26	0:30:29
all the time like this.	0:30:29	0:30:31
Take my stick, put it over there on the branch.	0:30:31	0:30:33
OK.	0:30:33	0:30:35
Yeah? Ready?	0:30:38	0:30:39
OK. Now, don't think about skating.	0:30:39	0:30:42
Think about gliding.	0:30:42	0:30:44
So, don't think about the ice.	0:30:44	0:30:46
Don't look down.	0:30:46	0:30:48
Take your mind off it. Tell me about yourself.	0:30:48	0:30:50
How did you become an architect?	0:30:50	0:30:52
OK. I was in art school in college and...	0:30:52	0:30:57
Aah! Don't look down.	0:30:57	0:30:59
I didn't know what I was going to do with myself,	0:30:58	0:31:03
and then I met this guy	0:31:03	0:31:06
who was an architectural grad student,	0:31:06	0:31:09
and he opened up this whole new world for me.	0:31:09	0:31:12
Aah! Don't look down.	0:31:12	0:31:13
OK.	0:31:13	0:31:14
So, me and the grad student got married,	0:31:14	0:31:18
and we started a company...	0:31:18	0:31:19
Uhh!	0:31:19	0:31:20
Sorry. We're divorced now. It's OK.	0:31:20	0:31:23
Uh, we got divorced about a year ago,	0:31:23	0:31:26
but we're still working together,	0:31:26	0:31:27
which is kind of crazy.	0:31:27	0:31:30
What-uh, wait!	0:31:30	0:31:31
Whoa! Whoa!	0:31:31	0:31:34
You OK? Yeah.	0:31:34	0:31:36
Yeah.	0:31:36	0:31:38
SHE LAUGHS	0:31:38	0:31:40
You think I meant to do that?	0:31:45	0:31:47
Yeah. Did you?	0:31:47	0:31:50
Yeah.	0:31:50	0:31:52
Oh, God. This is so hard.	0:31:56	0:31:59
What?	0:31:59	0:32:00
Um, well...	0:32:00	0:32:02
I'm looking at you, right?	0:32:02	0:32:05
And there's this, er...	0:32:05	0:32:07
there's this little thing I do with my eyes	0:32:07	0:32:10
where I'm sort of glancing out	0:32:10	0:32:12
from under my eyelashes	0:32:12	0:32:13
and sort of giving you this sexy look,	0:32:13	0:32:16
and then I realised it doesn't matter to you.	0:32:16	0:32:19
No, it doesn't matter.	0:32:19	0:32:21
Here. Let me see.	0:32:23	0:32:26
Eyes.	0:32:31	0:32:32
Nose.	0:32:36	0:32:37
Mouth.	0:32:39	0:32:41
You're very beautiful.	0:32:45	0:32:47
Thank you.	0:32:48	0:32:50
So are you.	0:32:50	0:32:52
< SHOWER RUNNING	0:34:01	0:34:03
< VIRGIL SINGS	0:34:08	0:34:10
VIRGIL: # The memory of all that	0:34:22	0:34:27
# No, no, they can't take that away from me... #	0:34:27	0:34:31
JENNIE: Hello!	0:34:50	0:34:52
VIRGIL: Hi. I'm in the bathroom.	0:34:52	0:34:54
Oh! Hi.	0:34:55	0:34:56
Hi.	0:34:56	0:34:57
Um... I'm Jennie, Virgil's sister.	0:34:57	0:34:59
Hi. I'm Amy Benic.	0:34:59	0:35:02
Nice to meet you.	0:35:02	0:35:04
You, too.	0:35:03	0:35:05
Hi. Hi.	0:35:06	0:35:08
Here, here.	0:35:08	0:35:10
So, I was at the market,	0:35:10	0:35:11
picking up a few things before school,	0:35:11	0:35:13
and I thought you might like...	0:35:13	0:35:14
apples...and bananas.	0:35:14	0:35:17
He's being a show-off, Amy.	0:35:17	0:35:18
He smells them a mile away.	0:35:18	0:35:20
The apples are on the bottom shelf.	0:35:20	0:35:21
Two o'clock. I know. Thanks.	0:35:21	0:35:23
Do you, er...do you want some coffee?	0:35:23	0:35:26
OK.	0:35:26	0:35:27
Amy, how long are you in town?	0:35:27	0:35:30
CRASH Owww!	0:35:30	0:35:31
You OK?	0:35:31	0:35:32
Yeah. Yeah, I'm fine.	0:35:32	0:35:33
No, you're not. You're bleeding.	0:35:33	0:35:35
VIRGIL: No.	0:35:35	0:35:36
First thing with a blind man, Amy,	0:35:36	0:35:37
you don't change anything.	0:35:37	0:35:38
It's too dangerous.	0:35:38	0:35:39
Jennie...	0:35:39	0:35:41
Listen, it's OK. It's all right.	0:35:41	0:35:42
Damn it! I said I'm OK!	0:35:42	0:35:44
It's just a chair. Happens to everybody. Really.	0:35:44	0:35:48
I've got parent meetings tonight,	0:35:48	0:35:50
so your dinner's in the freezer,	0:35:50	0:35:52
and it's in the lower corner.	0:35:52	0:35:54
It's nice to have met you, Amy.	0:35:55	0:35:57
You, too, Jennie. Thanks.	0:35:57	0:35:59
She's just being an older sister.	0:36:03	0:36:06
She's just being jealous.	0:36:06	0:36:07
Do you want some coffee?	0:36:07	0:36:09
Yeah. OK.	0:36:09	0:36:11
TYPING	0:36:23	0:36:26
Hey...	0:36:56	0:36:57
Virgil. Hi.	0:36:58	0:37:00
Hey, I've been looking all over for you.	0:37:00	0:37:02
I have some great news.	0:37:02	0:37:04
That Atlanta project of yours?	0:37:04	0:37:06
Oh, no. Something much better.	0:37:06	0:37:09
Can I ask you something?	0:37:09	0:37:10
Sure. I'm all ears.	0:37:10	0:37:14
Hi. Hey.	0:37:16	0:37:18
Let me catch my breath.	0:37:20	0:37:22
OK.	0:37:22	0:37:23
OK.	0:37:24	0:37:26
Have you ever wondered	0:37:26	0:37:27
what it would be like to see?	0:37:27	0:37:29
Sure.	0:37:29	0:37:31
Like, er...	0:37:31	0:37:33
whether there's life on Mars,	0:37:33	0:37:37
or whether or not the aliens built the pyramids.	0:37:37	0:37:41
OK, but if there were a chance,	0:37:41	0:37:44
if something could be done	0:37:44	0:37:46
to give you sight,	0:37:46	0:37:47
would you take it?	0:37:47	0:37:49
Well...	0:37:49	0:37:51
ha ha! What are we talking about here?	0:37:51	0:37:54
Ha!	0:37:54	0:37:56
Um, I saw that article on Dr Aaron.	0:37:56	0:37:59
Who?	0:37:59	0:38:00
He-he's the leading eye surgeon	0:38:00	0:38:02
on the Eastern Seaboard,	0:38:02	0:38:03
and I called him up	0:38:03	0:38:05
at Manhattan Eye and Ear,	0:38:05	0:38:07
and spoke to him about you.	0:38:07	0:38:09
I'm sorry, you called this guy?	0:38:09	0:38:12
Yes.	0:38:12	0:38:13
And he just faxed me back,	0:38:13	0:38:15
and he said that he would be	0:38:15	0:38:16
very excited to see you	0:38:16	0:38:17
because he thinks that in your case	0:38:17	0:38:19
there might be a chance of reversal.	0:38:19	0:38:21
What do you think?	0:38:21	0:38:23
I guess I'm, er,	0:38:25	0:38:28
I forgot that it's Help the Handicapped Week.	0:38:28	0:38:31
I-I-I thought you'd be excited.	0:38:31	0:38:34
I-what-what's the problem?	0:38:34	0:38:35
That's the point, Amy.	0:38:35	0:38:36
There is no damn problem.	0:38:36	0:38:38
Hi.	0:38:44	0:38:45
Hi, Jennie.	0:38:45	0:38:46
Did great work today.	0:38:46	0:38:48
See you tomorrow.	0:38:48	0:38:49
WOMAN: OK, thanks.	0:38:49	0:38:51
Hi.	0:38:50	0:38:52
Amy, right?	0:38:52	0:38:53
Right.	0:38:53	0:38:54
Um, could I speak to you for a minute?	0:38:54	0:38:55
Yeah. Something wrong?	0:38:55	0:38:57
Well, there's something that I don't understand.	0:38:57	0:38:59
I saw that article on Dr Aaron,	0:38:59	0:39:01
and I called him,	0:39:01	0:39:02
and he's willing to see Virgil.	0:39:02	0:39:05
In fact, he's really anxious to see him,	0:39:05	0:39:06
but when I told Virgil about him,	0:39:06	0:39:08
he acted as if I was trying to...	0:39:08	0:39:09
What don't you understand?	0:39:09	0:39:12
Well, if I had spent almost my entire life blind,	0:39:12	0:39:17
and there was even the remotest possibility	0:39:16	0:39:18
that I could regain my sight,	0:39:18	0:39:20
I would be all over that.	0:39:20	0:39:22
When there's something that you've adapted to, accepted,	0:39:22	0:39:24
you go and change it without knowing the consequences?	0:39:24	0:39:28
We're very happy here, Amy.	0:39:30	0:39:32
Virgil has everything he needs.	0:39:32	0:39:34
Wait.	0:39:38	0:39:39
EVERYTHING that he needs?	0:39:39	0:39:41
Does he need to go through life blind	0:39:41	0:39:43
if there's the possibility that he could see?	0:39:43	0:39:47
Look, I would give him my own eyes	0:39:47	0:39:48
if it would help him see, but it won't.	0:39:48	0:39:50
I learned a long time ago to stop believing in miracles.	0:39:50	0:39:52
Look, I see where you're coming from.	0:39:52	0:39:54
YES, you do, and Virgil doesn't.	0:39:54	0:39:56
Why can't you accept that?	0:39:56	0:39:58
He spent the first eight years of his life	0:39:57	0:40:00
having his eyes probed, pierced, prodded,	0:40:00	0:40:03
poked at by doctors,	0:40:03	0:40:04
faith healers, spiritualists,	0:40:04	0:40:06
shaman, medicine men.	0:40:06	0:40:07
My father had them lined up outside the door.	0:40:07	0:40:10
It hurt and disappointed all of us,	0:40:10	0:40:12
and it almost killed him.	0:40:12	0:40:13
He doesn't need to go through that again.	0:40:13	0:40:15
So now maybe you understand.	0:40:16	0:40:19
RADIO: 'Empty net. Score!'	0:40:24	0:40:25
No, no, no! I can't believe you guys	0:40:25	0:40:27
are doing this to me.	0:40:27	0:40:29
Ugh! I can check better than you guys.	0:40:29	0:40:31
What, Virgil?	0:40:31	0:40:33
'..By Rector. We've got a...'	0:40:33	0:40:35
Amy?	0:40:35	0:40:36
Hey.	0:40:36	0:40:37
Hi, Amy. Just a...	0:40:39	0:40:42
Ranger game. HE CHUCKLES	0:40:42	0:40:46
Are they losing?	0:40:47	0:40:48
Well, no. I'd prefer to think of it as not winning.	0:40:48	0:40:53
Hi.	0:40:53	0:40:55
Hi.	0:40:54	0:40:56
Do you want to, er, come in,	0:40:56	0:40:58
get a coke or, um, a beer or something?	0:40:58	0:41:01
No, I'm fine.	0:41:01	0:41:02
I just, er...	0:41:02	0:41:04
I just wanted to come see you	0:41:04	0:41:05
before I had to go back to the city.	0:41:05	0:41:07
Oh. Spa days are over?	0:41:07	0:41:12
I've got to go back to work.	0:41:11	0:41:13
I just wanted to apologise	0:41:15	0:41:16
for stomping in your life like Bigfoot today.	0:41:16	0:41:20
It wasn't my place. I'm sorry.	0:41:20	0:41:22
Here. Here.	0:41:22	0:41:23
See, um, see the tree over there, across the drive?	0:41:26	0:41:31
Yeah.	0:41:31	0:41:33
How far away is it?	0:41:33	0:41:35
Guessing about 25 feet.	0:41:35	0:41:38
Mm. To you maybe, but to me,	0:41:38	0:41:40
it's 14 steps.	0:41:40	0:41:43
14 steps, and I get to the tree,	0:41:43	0:41:45
but if I think about something else,	0:41:45	0:41:47
if I go too slow,	0:41:47	0:41:48
or if I rush,	0:41:48	0:41:50
then I smash right into it.	0:41:50	0:41:54
OK.	0:41:58	0:41:59
Well, I guess that,	0:42:00	0:42:02
you know, I should go pack.	0:42:02	0:42:06
Oh, you like smashing into trees?	0:42:06	0:42:09
Amy?	0:42:38	0:42:41
I'm over here.	0:42:41	0:42:42
I couldn't sleep.	0:42:44	0:42:45
Well, come back in bed.	0:42:45	0:42:47
JENNIE: What is it you like about this girl?	0:43:19	0:43:21
VIRGIL: I want you to hear one thing.	0:43:21	0:43:22
What? That I'm happy.	0:43:22	0:43:24
That's wonderful, but haven't you been	0:43:24	0:43:25
through this enough?	0:43:25	0:43:26
You're not being fair.	0:43:26	0:43:27
I just don't want to see you get hurt, that's all.	0:43:27	0:43:29
That's your point? Yes.	0:43:29	0:43:31
So what's your advice?	0:43:31	0:43:32
What are you trying to say?	0:43:32	0:43:33
I'm worried about you, that's all.	0:43:33	0:43:35
No, that's not true.	0:43:35	0:43:36
That's not the point.	0:43:36	0:43:37
Yes, it is the point.	0:43:37	0:43:38
That's what you're saying,	0:43:38	0:43:39
but it's not what you're doing.	0:43:39	0:43:40
No. You're acting like a child.	0:43:40	0:43:41
You are, too.	0:43:41	0:43:42
CAR STARTS	0:43:42	0:43:44
Hi.	0:43:55	0:43:56
Hi.	0:43:56	0:43:57
Is everything all right?	0:43:57	0:43:58
Yeah.	0:43:58	0:44:00
No.	0:44:00	0:44:01
I didn't like the feeling last night	0:44:01	0:44:03
of waking up and...	0:44:03	0:44:06
thinking you weren't there.	0:44:06	0:44:08
Let's go to New York.	0:44:11	0:44:12
LOUIS ARMSTRONG: # Bum ba da doop Dee doo	0:44:12	0:44:14
# Doo doo	0:44:14	0:44:15
# The way you wear your hat	0:44:15	0:44:18
# The way you sip your tea	0:44:18	0:44:23
# The memory of all that	0:44:23	0:44:28
# No, no, they can't take that away from me	0:44:28	0:44:33
# The way your smile... #	0:44:33	0:44:34
AMY: Honey, it is the most beautiful New York day -	0:44:34	0:44:38
crisp and clear	0:44:38	0:44:39
and there are these little, white, puffy clouds	0:44:39	0:44:41
above the city, maybe like the ones that you saw.	0:44:41	0:44:43
No, the ones I saw I could hold in my hand.	0:44:43	0:44:47
Watch out for that car!	0:44:47	0:44:48
Oh.	0:44:48	0:44:51
# No, they can't take that away from me. #	0:44:51	0:44:57
MAN: The cataracts are acting like a curtain	0:44:57	0:45:00
across the window of sight,	0:45:00	0:45:02
and if the disease to the retina	0:45:02	0:45:04
is reduced or in check -	0:45:04	0:45:06
which is impossible to know at this point -	0:45:06	0:45:08
but if that is the case,	0:45:08	0:45:09
using this new procedure,	0:45:09	0:45:10
there's a very good possibility	0:45:10	0:45:12
we can give you sight.	0:45:12	0:45:14
Sounds expensive.	0:45:14	0:45:16
Well, I think there's an opportunity	0:45:16	0:45:17
for all of us here.	0:45:17	0:45:19
Not often do we get to restore sight	0:45:19	0:45:21
to someone with extended blindness.	0:45:21	0:45:23
I'm sure we can get the institute	0:45:23	0:45:25
to pick up the bill here.	0:45:25	0:45:26
I've been through all this before.	0:45:26	0:45:29
Yeah, well, believe me, I know,	0:45:29	0:45:31
but it's nothing as invasive	0:45:31	0:45:32
as what you went through as a child.	0:45:32	0:45:34
I mean, 25 years ago, cataract surgery was in the dark ages.	0:45:34	0:45:38
We've come a long way since then,	0:45:38	0:45:40
and Dr Goldman here	0:45:40	0:45:42
will be performing the surgery.	0:45:42	0:45:44
He's one of our best.	0:45:44	0:45:46
What if it doesn't work?	0:45:46	0:45:48
Well...	0:45:48	0:45:49
then you'd be no worse off	0:45:49	0:45:50
than you are now.	0:45:50	0:45:52
I mean, basically,	0:45:53	0:45:54
what have you got to lose?	0:45:54	0:45:56
CAR HORN HONKS	0:45:56	0:45:57
SIRENS	0:45:57	0:45:58
AMY: So this is my place.	0:45:58	0:46:00
There's a great park right around the corner.	0:46:00	0:46:02
We're in Tribeca if you want to go take a walk.	0:46:02	0:46:04
Hold it, hold it. Sorry.	0:46:04	0:46:05
Ethan, watch out.	0:46:05	0:46:06
Hey. This, my friend,	0:46:06	0:46:09
is Virgil.	0:46:09	0:46:10
Virgil, Ethan.	0:46:10	0:46:11
Ethan.	0:46:11	0:46:12
Are you blind?	0:46:12	0:46:14
Yeah. Cool. See you.	0:46:14	0:46:16
See you.	0:46:16	0:46:18
Kids think I'm cool.	0:46:18	0:46:19
You are.	0:46:19	0:46:20
OK, here we are.	0:46:21	0:46:23
This is my loft.	0:46:25	0:46:27
Can I put this down here?	0:46:27	0:46:28
Yeah. Anywhere. I'll just get it.	0:46:28	0:46:30
OK. Can I do some blind 101?	0:46:32	0:46:35
If you just walk me down the centre	0:46:35	0:46:38
and point out all the obstacles.	0:46:38	0:46:40
If you want to move anything,	0:46:40	0:46:41
once you move it,	0:46:41	0:46:42
then don't move it again.	0:46:42	0:46:44
Otherwise, crash.	0:46:44	0:46:47
OK. Got it.	0:46:47	0:46:49
Well, to our right is the living room section.	0:46:48	0:46:52
There's a couch and some low tables	0:46:52	0:46:54
and a chair at two o'clock.	0:46:54	0:46:55
OK. Over here at 10, there is a post,	0:46:55	0:47:00
and I've hit this many times, so...	0:47:00	0:47:02
over to the right is - a little bit -	0:47:02	0:47:05
Whoa. A little further right.	0:47:05	0:47:07
The bed. Ohh.	0:47:07	0:47:08
And right in front of it there is	0:47:08	0:47:09
a low table that you could hurt	0:47:09	0:47:11
your shin on.	0:47:11	0:47:12
Uh, three o'clock, there is a TV,	0:47:12	0:47:15
and...	0:47:15	0:47:16
this is, er, my desk here.	0:47:16	0:47:18
I have a computer,	0:47:18	0:47:20
and I've got my model here of...	0:47:20	0:47:24
What's this?	0:47:24	0:47:26
It's a sculpture.	0:47:26	0:47:29
You did it.	0:47:30	0:47:31
Yeah. Art school.	0:47:31	0:47:35
It's not very good.	0:47:34	0:47:35
It's a mother holding her baby.	0:47:35	0:47:39
That's beautiful.	0:47:39	0:47:41
Ah, whatever.	0:47:41	0:47:42
I mean, I could never finish it.	0:47:42	0:47:44
OK, come on.	0:47:44	0:47:46
And then we have reached	0:47:48	0:47:49
the end of the room	0:47:49	0:47:50
to the wall of windows.	0:47:50	0:47:52
Hmm. Do they open?	0:47:52	0:47:54
Yeah.	0:47:54	0:47:55
CAR HORNS HONKING	0:47:55	0:47:56
Oh! Shoot!	0:47:56	0:47:58
Sorry.	0:47:57	0:47:59
It's the wind.	0:47:58	0:48:00
Sorry about that.	0:48:01	0:48:02
It's OK.	0:48:02	0:48:04
Just stuff.	0:48:04	0:48:05
What are they?	0:48:07	0:48:09
Um, they're my plans.	0:48:09	0:48:11
Uh, they're designs for different jobs that I'm working on,	0:48:11	0:48:14
like the Atlanta mall that we're bidding on	0:48:14	0:48:16
or, I don't know...	0:48:16	0:48:17
we have the Tribeca lobby.	0:48:17	0:48:18
It's just what I do.	0:48:18	0:48:19
What are the plans?	0:48:21	0:48:23
They drawings?	0:48:23	0:48:24
Yeah, some of them are drawings.	0:48:24	0:48:27
The one you're touching is a drawing.	0:48:27	0:48:29
Some of them are computer generated and blueprints,	0:48:29	0:48:31
but I drew this one.	0:48:31	0:48:33
What are you thinking about?	0:48:44	0:48:45
I want to have this operation.	0:48:48	0:48:52
You mean it?	0:48:52	0:48:53
Yes.	0:48:58	0:49:00
COMPUTER: 'IA map.	0:49:01	0:49:03
'US hydrosonic.	0:49:03	0:49:05
'US Stanko.	0:49:07	0:49:09
'US pulse.	0:49:09	0:49:11
'US IA.'	0:49:11	0:49:12
Looks good. All right, balance all.	0:49:12	0:49:14
And the hydrodissection now, please.	0:49:16	0:49:19
Cortical cleavage.	0:49:19	0:49:22
COMPUTER: 'Irrigation...'	0:49:22	0:49:23
First cut.	0:49:23	0:49:25
IA map.	0:49:25	0:49:26
Coffee?	0:49:27	0:49:29
Oh, thanks.	0:49:29	0:49:31
It's pretty bad.	0:49:31	0:49:33
So, Virgil never talks about his parents.	0:49:37	0:49:39
Do they know?	0:49:39	0:49:41
Our mom died when I was 18,	0:49:41	0:49:43
and Virgil was just a teenager...	0:49:43	0:49:46
and, our, er...father, well, he left us	0:49:46	0:49:49
quite a while ago.	0:49:49	0:49:51
Oh, I'm sorry. I didn't know.	0:49:51	0:49:53
Ugh. You're right. That is bad.	0:49:57	0:49:59
Ha ha!	0:49:59	0:50:02
That must've been tough on you,	0:50:02	0:50:03
taking care of him all alone	0:50:03	0:50:05
after your mom died.	0:50:05	0:50:07
No. He's my brother.	0:50:07	0:50:09
Great.	0:50:11	0:50:12
And now the Sinskey hook, please.	0:50:12	0:50:16
COMPUTER: 'US hydrosonic. US IA...'	0:50:16	0:50:18
I can see the optic nerve now and retina.	0:50:18	0:50:20
'US pulse.'	0:50:20	0:50:23
Patch.	0:50:23	0:50:24
That's it. Let's patch him up, Tracy.	0:50:24	0:50:27
Terrific.	0:50:27	0:50:28
DOOR OPENS Hello?	0:50:32	0:50:35
Hi.	0:50:38	0:50:40
Hi. How you doing?	0:50:42	0:50:44
How you feeling?	0:50:45	0:50:48
Well, a bit like a tequila hangover,	0:50:48	0:50:52
but I can't remember the party.	0:50:52	0:50:53
The doctor said that you did great.	0:50:53	0:50:55
Did it hurt a lot?	0:50:55	0:50:57
Just the operation.	0:50:57	0:50:59
Hey, how's my hair?	0:50:59	0:51:01
I'd hate for my first seeing day	0:51:01	0:51:03
to be a bad hair day.	0:51:03	0:51:04
Heh...looks good.	0:51:04	0:51:07
Who are those, um, people?	0:51:07	0:51:09
There's a camera crew.	0:51:09	0:51:11
DR AARON: For posterity.	0:51:11	0:51:12
We're gonna make you famous here,	0:51:12	0:51:14
and we're sending this closed circuit	0:51:14	0:51:15
into one of our conference rooms.	0:51:15	0:51:17
Is that OK? Sure.	0:51:17	0:51:19
OK. You ready to get started?	0:51:19	0:51:21
Yeah. Let's...	0:51:21	0:51:22
..see what we see.	0:51:23	0:51:24
All right.	0:51:24	0:51:27
You mean, er, right now?	0:51:27	0:51:29
OK.	0:51:29	0:51:31
Is that all right?	0:51:30	0:51:31
Yeah...just a little nervous.	0:51:31	0:51:33
DR AARON: OK. All right.	0:51:33	0:51:36
Let's start taking the first one off.	0:51:36	0:51:38
This is just the outside.	0:51:39	0:51:42
DR AARON: OK. Phase one.	0:51:49	0:51:51
Take off the, er... right patch.	0:51:53	0:51:57
And the left.	0:52:02	0:52:04
OK...and there we go.	0:52:06	0:52:09
OK.	0:52:11	0:52:12
So, what do you see?	0:52:19	0:52:20
VIRGIL: Oh, my God.	0:52:24	0:52:25
DR AARON: Well, what do you see?	0:52:34	0:52:36
I don't know.	0:52:36	0:52:38
Can you see Amy?	0:52:38	0:52:39
I'm over here, Virgil.	0:52:41	0:52:42
I don't know.	0:52:46	0:52:47
Can you see your sister?	0:52:49	0:52:51
Virgil, are you OK? You OK?	0:52:51	0:52:54
Oh, god.	0:52:54	0:52:55
This isn't right. Something's wrong.	0:52:55	0:52:57
What's wrong? There's a problem.	0:52:57	0:52:58
It's gonna be fine. It just takes a little...	0:52:58	0:53:00
No, it's not fine. Don't say it's fine.	0:53:00	0:53:01
This can't be seeing.	0:53:01	0:53:03
What do you see?	0:53:03	0:53:04
Aah! Ohh!	0:53:04	0:53:05
Oh, that's bad!	0:53:05	0:53:07
OK...	0:53:07	0:53:08
Oh, god! Aah!	0:53:10	0:53:11
Stop moving!	0:53:11	0:53:12
Get the lights out.	0:53:12	0:53:13
Get them out of here, please.	0:53:13	0:53:14
What can we do for you?	0:53:14	0:53:16
OK, Virgil, they've gone.	0:53:16	0:53:17
Now let's everybody just calm down.	0:53:17	0:53:19
OK. All right, um...	0:53:19	0:53:20
DR AARON: It's OK. They've left.	0:53:20	0:53:23
Just think. Something's wrong.	0:53:23	0:53:25
This can't be seeing.	0:53:25	0:53:26
Just relax. It's OK.	0:53:26	0:53:28
I'm OK.	0:53:28	0:53:29
What can we do?	0:53:29	0:53:32
Um, give me something in my hands.	0:53:32	0:53:35
OK.	0:53:35	0:53:36
OK.	0:53:37	0:53:39
OK... OK...	0:53:40	0:53:44
Good. Now, just use your sense of touch.	0:53:44	0:53:48
Just associate.	0:53:48	0:53:49
Now, what do you see in front of you?	0:53:49	0:53:51
Oh...	0:53:51	0:53:53
Use your touch.	0:53:53	0:53:54
OK, Virgil.	0:53:55	0:53:56
It's a can.	0:54:16	0:54:17
Yeah, heh heh. Good.	0:54:17	0:54:19
What's going on?	0:54:19	0:54:20
Well, he-he's associating.	0:54:20	0:54:21
His fingers tell his brain,	0:54:21	0:54:23
and then his brain tells his eyes,	0:54:23	0:54:24
and then he recognises what's in front of him.	0:54:24	0:54:27
OK, Virgil...let's give your eyes a rest, OK?	0:54:30	0:54:35
We should all be very happy.	0:54:35	0:54:38
We've got something.	0:54:38	0:54:39
It's the damnedest thing.	0:54:46	0:54:48
I mean, with extended blindness...	0:54:48	0:54:49
Doctor, excuse me. May I speak to you?	0:54:49	0:54:51
Sure.	0:54:51	0:54:53
What the hell just happened in there?	0:54:53	0:54:54
Is that what you call seeing?	0:54:54	0:54:56
Look, it's a little complicated.	0:54:56	0:54:58
It is clear that he is seeing.	0:54:58	0:55:00
He's picking up images.	0:55:00	0:55:02
Apparently, his retina is intact.	0:55:02	0:55:05
For all intents and purposes, it's a success.	0:55:05	0:55:08
A success? He's all lost in there.	0:55:08	0:55:10
He can't see me. He can't see his sister.	0:55:10	0:55:12
He can't see anything except a coke can.	0:55:12	0:55:14
And he could only do that	0:55:14	0:55:15
after he held it in his hands.	0:55:15	0:55:16
He could do that before.	0:55:16	0:55:17
Believe me, he can see you.	0:55:17	0:55:18
He just doesn't understand what he sees.	0:55:18	0:55:21
So, is this temporary?	0:55:22	0:55:23
Will this go away?	0:55:23	0:55:25
Well, there is a visual therapist.	0:55:25	0:55:28
It's a fellow named Phil Webster.	0:55:28	0:55:30
He's a little unorthodox,	0:55:30	0:55:31
but I think he's probably our best bet,	0:55:31	0:55:33
considering the unique aspects of this case.	0:55:33	0:55:36
Now, I'll contact him right away,	0:55:36	0:55:38
but there's no guarantees.	0:55:38	0:55:39
He might be able to help us.	0:55:39	0:55:41
No guarantee?	0:55:41	0:55:42
Look, we are all on new ground here.	0:55:42	0:55:45
Let's try to be optimistic.	0:55:45	0:55:47
I mean, he can see.	0:55:47	0:55:49
Uh, hello.	0:56:05	0:56:07
Oh...	0:56:10	0:56:12
Ow.	0:56:20	0:56:21
Mm.	0:56:30	0:56:31
Mm!	0:56:31	0:56:32
Hello?	0:56:34	0:56:35
Amy?	0:57:50	0:57:51
No, it's Jen.	0:57:54	0:57:56
So, this is you.	0:58:06	0:58:08
This is me.	0:58:09	0:58:12
Mm.	0:58:13	0:58:15
Everything's gonna be all right	0:58:18	0:58:19
soon as we can get you home.	0:58:19	0:58:21
I'm not gonna go home.	0:58:21	0:58:22
I'm gonna stay right here in New York,	0:58:22	0:58:24
where the doctors are	0:58:24	0:58:25
and where they can take care of me.	0:58:25	0:58:28
I can't stay here,	0:58:28	0:58:29
and you can't go through this alone.	0:58:29	0:58:33
Who's gonna take care of...	0:58:33	0:58:34
Amy.	0:58:38	0:58:39
She's gonna look after you?	0:58:42	0:58:46
She doesn't know anything	0:58:46	0:58:47
about the blind.	0:58:47	0:58:48
But I'm not blind anymore, Jennie.	0:58:48	0:58:51
OK...two weeks.	0:58:51	0:58:54
No. Not one day. I'm not...	0:58:54	0:58:58
I'm not gonna do anything to lose her.	0:58:58	0:59:01
OK.	0:59:06	0:59:07
Hey.	0:59:13	0:59:15
Hey.	0:59:15	0:59:16
Virgil's finishing getting ready.	0:59:17	0:59:20
Would you mind walking me to my car?	0:59:20	0:59:22
Are you all right?	0:59:22	0:59:23
No. I'm scared to death.	0:59:23	0:59:27
I've spent my whole life	0:59:27	0:59:29
looking for holes he might fall in.	0:59:29	0:59:32
I'd run up ahead and cover them up.	0:59:32	0:59:35
Everywhere I look here, I see holes.	0:59:35	0:59:39
Well, hopefully,	0:59:39	0:59:41
he'll start seeing them for himself.	0:59:40	0:59:43
Believe me, I don't want him to get hurt	0:59:43	0:59:45
any more than you do.	0:59:45	0:59:47
You know what hurt Virgil the most	0:59:47	0:59:49
was his father leaving.	0:59:49	0:59:52
He thought it had to do with his blindness,	0:59:51	0:59:54
that somehow he hadn't tried hard enough,	0:59:54	0:59:56
or he could've been better.	0:59:56	0:59:57
I'm not going anywhere, Jennie.	1:00:00	1:00:02
Amy, a blind child can't see those close to them,	1:00:02	1:00:04
so they never learn how to reach out.	1:00:04	1:00:06
If he's unhappy or in pain or confused,	1:00:06	1:00:10
Virgil won't reach out.	1:00:10	1:00:11
He goes behind a wall, a place we can't go to.	1:00:11	1:00:16
He just needs to have somebody be there for him	1:00:16	1:00:18
when he comes back.	1:00:18	1:00:20
OK.	1:00:23	1:00:24
OK...	1:00:35	1:00:38
well, this is it. This is home.	1:00:38	1:00:42
Oh, god!	1:00:42	1:00:43
Whoa. You OK?	1:00:43	1:00:46
Stop the world. I want to get off.	1:00:46	1:00:47
We'll go slow. What's that?	1:00:47	1:00:49
Oh, it's a shadow, sweetie.	1:00:49	1:00:51
It's nothing.	1:00:51	1:00:52
You can walk right through it, see?	1:00:52	1:00:54
Hey, Virgil. It's Ethan.	1:00:57	1:00:59
Hey.	1:00:58	1:01:00
Are you all right? You look kind of funny.	1:01:00	1:01:02
I can see what you look like from here.	1:01:02	1:01:04
OK, we're gonna go upstairs now, Ethan.	1:01:05	1:01:08
See you later. Hey, Zach!	1:01:08	1:01:09
I feel like such a child.	1:01:09	1:01:12
It's OK.	1:01:12	1:01:13
We're gonna find that Webster guy,	1:01:13	1:01:14
and we're gonna get his help, OK?	1:01:14	1:01:16
Just keep your eyes closed	1:01:23	1:01:24
for one second longer, OK?	1:01:24	1:01:25
OK.	1:01:25	1:01:26
OK.	1:01:30	1:01:32
Ohh...	1:01:32	1:01:33
Oh, no.	1:01:33	1:01:34
I'm sorry, sweetie.	1:01:34	1:01:35
No, I want to see it.	1:01:35	1:01:37
It's too much.	1:01:37	1:01:38
Does this look like this all the time?	1:01:40	1:01:42
No. Oh, god...	1:01:41	1:01:43
while we were at the hospital,	1:01:43	1:01:45
I asked Betsy to come over here.	1:01:45	1:01:47
I wanted to make it special.	1:01:47	1:01:48
I'm sorry.	1:01:48	1:01:51
Maybe I better sit down for a second.	1:01:51	1:01:52
I'm kind of dizzy.	1:01:52	1:01:54
I'm sorry.	1:01:58	1:01:59
No...it's great.	1:01:59	1:02:01
Let me just look at you, though.	1:02:01	1:02:02
Can you see me?	1:02:05	1:02:07
Yes.	1:02:07	1:02:08
Can I see all of you?	1:02:11	1:02:13
All of me?	1:02:13	1:02:14
Like, ALL of me? Oh, god.	1:02:14	1:02:18
If you want to.	1:02:18	1:02:20
I'm so nervous. I can't believe this.	1:02:20	1:02:21
What if you don't like what you see?	1:02:21	1:02:23
Oh, that's impossible.	1:02:23	1:02:27
I'll close my eyes.	1:02:27	1:02:29
No, no, no, no.	1:02:29	1:02:31
This is your first seeing day.	1:02:31	1:02:32
You have to see everything.	1:02:32	1:02:34
MAN: All right, OK. Virgil, it says here	1:03:47	1:03:50
you went blind as a child	1:03:50	1:03:52
before you developed a visual vocabulary.	1:03:52	1:03:54
You have a problem with depth of field,	1:03:54	1:03:57
space, shape, size, and distance.	1:03:57	1:04:00
It's fascinating.	1:04:00	1:04:01
There's only been 20 cases of this	1:04:01	1:04:03
in the last 200 years.	1:04:03	1:04:05
Basically, your eyes work, but your brain	1:04:05	1:04:07
hasn't learned to process the information.	1:04:07	1:04:11
You are mentally blind.	1:04:11	1:04:13
Neurologists call this "visual agnosia".	1:04:13	1:04:15
Well, I call it pretty screwed up.	1:04:15	1:04:18
That's a much better term.	1:04:18	1:04:19
I'll bring it up at the next meeting.	1:04:19	1:04:22
Although it would be difficult	1:04:22	1:04:23
to get grant money	1:04:23	1:04:25
for the "pretty screwed up foundation."	1:04:25	1:04:26
I have something I'd like to read to you.	1:04:27	1:04:30
Oh, Rugalah? I made it myself.	1:04:30	1:04:34
Damn it.	1:04:35	1:04:36
Ah, my glasses - I can never find 'em.	1:04:36	1:04:38
Mrs Finster, help!	1:04:38	1:04:41
Thank you. Happens all the time.	1:04:44	1:04:47
OK. Alberto Valvo.	1:04:47	1:04:50
Sight restoration after long-term blindness.	1:04:50	1:04:54
Ah..."one must die as a blind person	1:04:54	1:04:58
"to be born again as a sighted person.	1:04:58	1:05:01
"However, it is the interim,	1:05:01	1:05:04
"the limbo between two worlds	1:05:04	1:05:05
"that is so terrible."	1:05:05	1:05:07
There you go, pal. You're in limbo.	1:05:09	1:05:12
What, that's it? Limbo?	1:05:12	1:05:15
That book doesn't have anything else	1:05:15	1:05:17
that might help us with Virgil's condition?	1:05:17	1:05:19
Limbo's not that bad. It's like New Jersey.	1:05:19	1:05:22
You can see where all the good stuff is happening.	1:05:22	1:05:24
You just have to get there.	1:05:24	1:05:26
I know, I know.	1:05:26	1:05:27
You were expecting Anne Bancroft -	1:05:27	1:05:29
a dramatic breakthrough out by the water pump.	1:05:29	1:05:32
I'm sorry. I'm just a professor.	1:05:32	1:05:34
I teach people how to teach the blind	1:05:34	1:05:37
how to become independent.	1:05:36	1:05:38
Unfortunately, there's no manual	1:05:38	1:05:40
on what you're going through.	1:05:40	1:05:42
I'd like to help,	1:05:42	1:05:43
but like the rest of things in life,	1:05:43	1:05:45
it's really up to you.	1:05:45	1:05:47
Are you crazy? I'm completely confused.	1:05:48	1:05:51
You said you'd like to help,	1:05:51	1:05:53
so we came here for help.	1:05:53	1:05:55
All right, all right. You want a lesson?	1:05:55	1:05:58
Yes.	1:05:58	1:05:59
All right... here we go.	1:05:59	1:06:01
Lesson number one...	1:06:01	1:06:03
Repeat after me.	1:06:04	1:06:05
The rain in Spain	1:06:05	1:06:07
stays main... Look, I'm kidding.	1:06:07	1:06:10
It's a joke.	1:06:10	1:06:11
What's this?	1:06:13	1:06:15
It's - it's an apple.	1:06:18	1:06:21
Good, good. You've now won the toaster oven.	1:06:21	1:06:25
OK...	1:06:25	1:06:26
What's this?	1:06:30	1:06:31
It's an apple.	1:06:33	1:06:34
Good, but is it an apple	1:06:34	1:06:36
or just a picture of an apple?	1:06:36	1:06:39
OK...so, er, this is a joke, right?	1:06:44	1:06:48
What are you saying,	1:06:48	1:06:50
that...my eyes lie?	1:06:50	1:06:53
Well, your eyesight	1:06:53	1:06:54
can and will play tricks on you.	1:06:54	1:06:55
No matter what I teach you,	1:06:55	1:06:57
no matter what exercises I could give you,	1:06:57	1:06:59
they'll still play tricks on you.	1:06:59	1:07:00
You've got to learn to trust your instincts.	1:07:00	1:07:02
I don't have any instincts.	1:07:02	1:07:03
My instinct is to close my eyes	1:07:03	1:07:05
and feel my way out of your office.	1:07:05	1:07:07
There you go.	1:07:07	1:07:08
That's a self- preservation instinct,	1:07:08	1:07:10
but you have others.	1:07:10	1:07:11
Look, you have to learn to see,	1:07:11	1:07:13
just like you learned to speak.	1:07:13	1:07:16
Perception, sight...life...	1:07:16	1:07:19
is about experience, about reaching out	1:07:19	1:07:22
and exploring the world for yourself.	1:07:22	1:07:24
It's not enough to just see.	1:07:24	1:07:26
We-we've gotta look as well.	1:07:25	1:07:29
DR AARON: Immediately following the operation,	1:07:28	1:07:30
the patient experienced extreme disorientation.	1:07:30	1:07:36
The images and colours had no meaning for him,	1:07:36	1:07:38
but now, just weeks after surgery,	1:07:38	1:07:42
Mr Adamson has mastered the ability	1:07:42	1:07:44
to define shape and distance,	1:07:44	1:07:48
giving him confidence to move about his environment.	1:07:48	1:07:51
However, he still becomes confused by new images,	1:07:53	1:07:55
just as a child would be fascinated	1:07:55	1:07:59
by everyday objects we may take for granted.	1:07:59	1:08:02
Look up.	1:08:02	1:08:04
What is it?	1:08:05	1:08:06
It's art. Dubuffet.	1:08:06	1:08:10
This is art?	1:08:10	1:08:13
Oh, now that has to be art. Look at that.	1:08:13	1:08:15
That is beautiful.	1:08:15	1:08:17
No, that's just somebody being destructive.	1:08:19	1:08:23
It says "pig shit".	1:08:23	1:08:25
'And though his progress is steady,'	1:08:25	1:08:27
Virgil is still very reliant on his touch	1:08:27	1:08:31
to interpret objects in his surroundings...	1:08:31	1:08:33
It's a dog!	1:08:33	1:08:35
I'm sorry. Yes.	1:08:38	1:08:39
'..and his understanding of three-dimensionality	1:08:40	1:08:42
'is very limited and confounding to him.'	1:08:42	1:08:45
Oh, wow, listen to the bells.	1:08:45	1:08:48
What's that? That lump.	1:08:48	1:08:49
Oh, that's-that's a homeless person.	1:08:52	1:08:54
You just walked right past him.	1:08:54	1:08:56
You didn't even look.	1:08:56	1:08:58
Well, I mean, some things	1:08:58	1:09:01
you choose not to see.	1:09:01	1:09:02
You can't look at everything, Virgil.	1:09:02	1:09:04
I don't want to look away. I want to see.	1:09:04	1:09:06
I want to see everything.	1:09:06	1:09:07
What the hell you lookin' at? Get outta here!	1:09:07	1:09:10
DR AARON: He also has great difficulty with scanning.	1:09:10	1:09:13
Basically, that's putting the whole picture together.	1:09:13	1:09:15
I've got over ten years' experience at Bear Mountain	1:09:20	1:09:23
in all kinds, really -	1:09:23	1:09:24
deep tissue, therapeutic, shiatsu.	1:09:24	1:09:27
That's fine. Let's get you started.	1:09:27	1:09:29
Here's your I-9, W-4, workman's comp -	1:09:29	1:09:32
basic employment package.	1:09:32	1:09:33
Just fill these out,	1:09:33	1:09:34
take 'em over to accounting at the back of the gym.	1:09:34	1:09:37
Oh, gosh, you know what? I forgot my glasses.	1:09:40	1:09:42
I'm just gonna take these home and fill it out,	1:09:42	1:09:45
and I'll just bring it back, OK?	1:09:45	1:09:47
All right.	1:09:47	1:09:48
This includes his ability to read,	1:09:48	1:09:51
meaning he has a total lack of visual memory.	1:09:51	1:09:54
Sweetie, it might help if you kind of take...	1:10:00	1:10:04
No, it won't help, Amy.	1:10:04	1:10:05
I told you before, it's not helping.	1:10:05	1:10:07
I know what I'm supposed to do.	1:10:07	1:10:08
I just can't do it, OK? I can't read.	1:10:08	1:10:10
By the time I get to the last letter,	1:10:10	1:10:12
I can't remember the first one.	1:10:12	1:10:14
I can't fill out a damn application.	1:10:14	1:10:15
I have to have somebody else do it for me	1:10:15	1:10:17
like I was a blind person, but I'm not blind.	1:10:17	1:10:20
Your helping isn't helping.	1:10:20	1:10:21
OK. I'm sorry.	1:10:24	1:10:26
'This is an unexpected physiological flaw'	1:10:27	1:10:30
and one that we hope Virgil will be able to overcome.	1:10:30	1:10:34
Well, that's it for today. Thank you.	1:10:36	1:10:39
Mr Adamson, I'm from NYN. Can you give us a little idea of what you're going through?	1:10:42	1:10:48
That really hurts.	1:10:48	1:10:50
- Do you need that light? - Yes.	1:10:50	1:10:53
Did the operation meet with your expectations?	1:10:53	1:10:57
PHONE RINGS	1:10:57	1:10:59
Information?	1:10:59	1:11:01
Pine Crest, New York. Jenny Adamson.	1:11:01	1:11:04
Um...here, maybe... try this.	1:11:05	1:11:08
What's that?	1:11:08	1:11:09
You tell me.	1:11:09	1:11:11
I don't know. It's a crocodile.	1:11:12	1:11:14
Come on, concentrate.	1:11:14	1:11:16
I don't want to concentrate, Amy.	1:11:16	1:11:18
Can't we just have one meal where it's not about my eyes?	1:11:18	1:11:21
I just want to sit here and eat.	1:11:21	1:11:24
I'm just trying to be helpful.	1:11:24	1:11:26
Let's talk about something else.	1:11:26	1:11:28
How was your day? What happened?	1:11:28	1:11:31
Fine. Nothing.	1:11:31	1:11:33
No. We were invited to a party tomorrow night -	1:11:33	1:11:37
Duncan's birthday.	1:11:37	1:11:39
Is that it?	1:11:40	1:11:42
What do you mean, "is that it?"	1:11:43	1:11:45
I'm telling you something	1:11:45	1:11:47
I thought maybe you'd have a response to.	1:11:47	1:11:50
I'm sorry. Is that not enough?	1:11:50	1:11:51
OK. I'll go. Uh...	1:11:53	1:11:57
why haven't you finished your sculpture?	1:11:57	1:12:00
Where did that come from?	1:12:01	1:12:03
I want to know. I'm there every day,	1:12:02	1:12:04
and I, um, think it's perfect, that it's beautiful,	1:12:04	1:12:07
but you said you didn't like it,	1:12:07	1:12:09
and that it wasn't finished, and the way you said it	1:12:09	1:12:12
made me think that you never would, so that's why I'm asking.	1:12:11	1:12:14
Look, it's something I care a lot about,	1:12:16	1:12:18
and I can't get right.	1:12:18	1:12:19
It's something I see in my head,	1:12:19	1:12:20
and I can't do it right.	1:12:20	1:12:22
It's beautiful, and I can't match it.	1:12:22	1:12:23
I'm failing it.	1:12:23	1:12:25
So...maybe I'm not an artist.	1:12:25	1:12:27
HE SIGHS	1:12:30	1:12:31
What's that?	1:12:32	1:12:34
It's a lobster.	1:12:37	1:12:39
People eat this?	1:12:40	1:12:41
OK, measuring cup.	1:12:44	1:12:46
Try again.	1:12:46	1:12:47
Hey, you cheated!	1:12:47	1:12:50
You told me you couldn't touch.	1:12:50	1:12:52
Sometimes you have to touch.	1:12:52	1:12:53
DOORBELL RINGS	1:12:53	1:12:55
Cheese grater.	1:12:55	1:12:56
Hello?	1:12:59	1:13:00
It's me.	1:13:00	1:13:02
Jenny!	1:13:02	1:13:04
Hi.	1:13:04	1:13:06
What are you doing here?	1:13:06	1:13:07
You're being so mysterious. Just tell me why we're here.	1:13:07	1:13:11
Well...um...	1:13:11	1:13:13
our father's here.	1:13:13	1:13:15
What?	1:13:15	1:13:16
I recognised his voice the minute I answered the phone.	1:13:16	1:13:20
Which one is he?	1:13:20	1:13:21
There he is. With the clipboard and phone.	1:13:22	1:13:26
No, I can't see him.	1:13:26	1:13:28
Yes, you can. He's our father.	1:13:28	1:13:32
He heard about the operation and asked to see you.	1:13:32	1:13:35
I'm not ready.	1:13:35	1:13:36
No, Jenny.	1:13:36	1:13:37
Virgil?	1:14:03	1:14:05
Hi.	1:14:15	1:14:17
Hi.	1:14:17	1:14:18
Were you asleep?	1:14:19	1:14:22
No, I just...	1:14:22	1:14:24
forget about the light sometimes.	1:14:24	1:14:27
I've been thinking about that party, and...	1:14:55	1:14:59
we don't have to go if you don't want to.	1:14:59	1:15:04
It's your partner's birthday party. You want me to meet your friends.	1:15:04	1:15:09
Yeah.	1:15:11	1:15:12
DISCO SONG PLAYING	1:15:15	1:15:17
A glass of red or white?	1:15:26	1:15:27
Which one's red?	1:15:30	1:15:31
That's red. That's white.	1:15:31	1:15:34
That's the white. You want white?	1:15:35	1:15:36
# I need it now or never	1:15:38	1:15:41
# There's something goin' on	1:15:41	1:15:42
# So together	1:15:42	1:15:45
# I need it now or never... #	1:15:45	1:15:49
Quiet! Shh!	1:15:49	1:15:50
Be quiet, everybody. He's coming.	1:15:50	1:15:51
He's coming. Kill the lights.	1:15:51	1:15:53
Kill the lights.	1:15:53	1:15:54
VIRGIL: What's happening?	1:15:54	1:15:55
They're turning off the lights for the surprise.	1:15:55	1:15:58
What?	1:16:01	1:16:02
Nothing. Just a hair out of place.	1:16:02	1:16:03
What is this?	1:16:06	1:16:07
What-you didn't?	1:16:07	1:16:09
ALL: Surprise!	1:16:09	1:16:12
Is he all right?	1:16:15	1:16:17
LAUGHTER	1:16:17	1:16:18
Yeah. He's just kidding around.	1:16:18	1:16:19
He always plays jokes.	1:16:19	1:16:20
Save me some cake.	1:16:20	1:16:23
FAUCET RUNNING	1:16:23	1:16:25
Hey, you. I've been looking for you.	1:16:30	1:16:31
How's it all going, huh?	1:16:31	1:16:32
OK.	1:16:32	1:16:34
He's progressing slowly,	1:16:34	1:16:35
but he's doing the best he can.	1:16:35	1:16:37
Actually, I was asking about the mall designs,	1:16:37	1:16:39
but, er, it's OK.	1:16:39	1:16:41
It's understandable.	1:16:41	1:16:42
So how is it going?	1:16:42	1:16:44
It's not quite what you expected, is it?	1:16:44	1:16:47
What do you mean?	1:16:47	1:16:49
I mean, you like this guy, you want to help him out.	1:16:49	1:16:53
Sometimes good intentions aren't enough.	1:16:52	1:16:55
I mean, look at me. I'm still a jerk.	1:16:55	1:16:58
Yeah, you are.	1:16:58	1:17:00
Well, happy birthday, jerk.	1:17:03	1:17:04
Aah. So, er, of course you know	1:17:12	1:17:14
that we are expected in Atlanta tomorrow	1:17:14	1:17:16
with the completed plans.	1:17:15	1:17:17
Duncan, I can't go.	1:17:17	1:17:19
There's just too much going on.	1:17:19	1:17:20
Hey.	1:17:21	1:17:23
Virgil, I wanted you to meet Duncan.	1:17:23	1:17:25
Duncan, Virgil.	1:17:25	1:17:26
Hey, Virgil. How's it goin'?	1:17:25	1:17:27
Congratulations, man. It's good to see you.	1:17:27	1:17:29
Well, these days, it's good to see anything.	1:17:29	1:17:31
Come on, Duncan. Let's dance.	1:17:31	1:17:33
Ah, duty calls.	1:17:33	1:17:34
Listen, Amy, sorry about Atlanta.	1:17:34	1:17:37
Could've used you.	1:17:37	1:17:38
What was -	1:17:42	1:17:43
what is that - Atlanta?	1:17:43	1:17:45
Oh, he tried to spring a meeting on me for tomorrow,	1:17:45	1:17:47
but I told him I wouldn't go.	1:17:47	1:17:49
Did you change your hair?	1:17:49	1:17:52
I just combed it.	1:17:52	1:17:53
# Sometimes my arms get tired	1:17:53	1:17:55
# Pushing obstacles aside	1:17:55	1:17:58
# But still I strive	1:17:58	1:18:00
# With not much to show... #	1:18:00	1:18:01
Do you think what Webster said is true,	1:18:01	1:18:03
that the eyes lie to us?	1:18:03	1:18:05
No, I don't.	1:18:07	1:18:09
So, what does you kissing Duncan say?	1:18:09	1:18:12
Oh, god, no...	1:18:12	1:18:14
You kissed him, right?	1:18:14	1:18:15
Yeah... What does that say?	1:18:15	1:18:16
It says it's his birthday.	1:18:16	1:18:17
I haven't seen a kiss like that before.	1:18:17	1:18:21
Well, that's what a birthday kiss looks like.	1:18:21	1:18:25
What's this look mean?	1:18:25	1:18:27
What look?	1:18:27	1:18:28
This look. You look strange.	1:18:28	1:18:30
I don't understand what your face means.	1:18:30	1:18:31
Nothing.	1:18:31	1:18:32
I've never seen it before. What does it mean?	1:18:32	1:18:34
It doesn't mean anything. We're just talking.	1:18:34	1:18:37
I'm just looking back at you. It doesn't mean anything.	1:18:37	1:18:40
Let's dance.	1:18:40	1:18:42
# I believe	1:18:42	1:18:46
# There's a purpose for me	1:18:46	1:18:48
# I need a purpose	1:18:48	1:18:51
# I need a purpose to live	1:18:51	1:18:53
# Oh, yes, I know, I know... #	1:18:53	1:18:54
NEW SONG BEGINS	1:18:54	1:18:55
# Ways to have a good time... #	1:18:55	1:19:01
Don't you want to dance anymore?	1:19:01	1:19:03
Hey, we could try this. It's fun.	1:19:03	1:19:04
# It's fun to stay at the YMCA... #	1:19:04	1:19:07
They're just doing letters.	1:19:07	1:19:09
Do you want to try?	1:19:09	1:19:11
Just...	1:19:11	1:19:12
You just...	1:19:13	1:19:14
I don't belong here.	1:19:14	1:19:16
# It's fun to stay at the YMCA... #	1:19:16	1:19:19
It's just a stupid dance, Virgil.	1:19:19	1:19:21
Hey, look...	1:19:21	1:19:22
No, fuck looking!	1:19:22	1:19:24
Oh, my God.	1:19:26	1:19:28
Take me home.	1:19:28	1:19:29
Are you OK?	1:19:29	1:19:31
Honey, are you all right?	1:19:33	1:19:35
Just take me home.	1:19:35	1:19:37
PAPER RUSTLING	1:19:56	1:19:58
God. You never stop, do you?	1:20:01	1:20:04
Well, gotta get it right.	1:20:05	1:20:09
Besides, my plane leaves first thing in the morning.	1:20:09	1:20:12
Plane?	1:20:12	1:20:13
I didn't think you were going.	1:20:14	1:20:16
I'll only be gone a day or two.	1:20:18	1:20:20
I've given you problems, huh?	1:20:23	1:20:25
What...	1:20:25	1:20:27
this or us?	1:20:27	1:20:30
Us.	1:20:30	1:20:32
Amy, I...	1:20:34	1:20:35
I wake up every morning,	1:20:35	1:20:36
and I...	1:20:36	1:20:38
stare and stare...	1:20:38	1:20:40
..and I'm looking at a total stranger.	1:20:43	1:20:47
You don't see me?	1:20:47	1:20:49
I was talking about me.	1:20:49	1:20:53
You, I feel like...	1:20:54	1:20:56
..I saw you better when I was blind.	1:20:58	1:21:01
Well, you're not blind anymore,	1:21:00	1:21:02
and I'm sorry if that disappoints you.	1:21:02	1:21:05
TYPING ON KEYBOARD	1:21:05	1:21:06
Look, I'm done here.	1:21:06	1:21:07
It's late, and I've got to get up early...	1:21:07	1:21:11
and I'm gonna go to bed	1:21:11	1:21:12
before we both say things that we don't mean.	1:21:12	1:21:14
MAN: Come on, Katie. Mom's waiting.	1:21:42	1:21:43
Bye.	1:21:47	1:21:49
Here you go.	1:21:48	1:21:50
Hey, Virgil.	1:21:49	1:21:51
So you came crawling back, huh?	1:21:51	1:21:53
Bye.	1:21:53	1:21:54
You want to join us?	1:21:56	1:21:57
I could use your help here.	1:21:57	1:21:58
Oh, no. I'll just...	1:21:58	1:22:00
wait here till you get done.	1:22:00	1:22:01
OK. Casey?	1:22:01	1:22:02
Come on. Let's call it a day.	1:22:02	1:22:04
VIRGIL: How is it working with the kids?	1:22:07	1:22:10
Aren't they great? They're the best,	1:22:10	1:22:11
and they're the easiest	1:22:11	1:22:13
because they're so eager	1:22:13	1:22:15
to make their way in the world.	1:22:15	1:22:16
It's the adults who get stubborn.	1:22:16	1:22:19
Where did you go to blind school?	1:22:19	1:22:20
I didn't.	1:22:20	1:22:21
My father, er...	1:22:21	1:22:23
I was just in regular school.	1:22:23	1:22:25
I picked it up on my own.	1:22:25	1:22:27
Oh. Great.	1:22:27	1:22:29
Apple.	1:22:36	1:22:37
We've gotta move on to vegetables.	1:22:37	1:22:40
Come on. I got a place for you.	1:22:40	1:22:42
Should relax those eyes a bit.	1:22:42	1:22:44
VIRGIL: Seeing sucks.	1:22:46	1:22:48
You gotta be kidding.	1:22:48	1:22:50
It sucks.	1:22:50	1:22:51
You can say that sitting in these prime viewing seats?	1:22:51	1:22:54
Yes.	1:22:54	1:22:55
- Get your head examined. - I'm serious.	1:22:55	1:22:56
When I was blind, I couldn't see.	1:22:58	1:22:59
Don't laugh.	1:22:59	1:23:01
I mean that people don't have any expectations then.	1:23:01	1:23:03
They know what you are -	1:23:03	1:23:05
or they think they know -	1:23:05	1:23:06
and that's it.	1:23:06	1:23:07
They get on with it. They deal with it.	1:23:07	1:23:09
Yeah. Didn't exactly get what you counted on here, did you?	1:23:09	1:23:12
Oh, boy...	1:23:12	1:23:13
and now - here's where it gets complicated -	1:23:13	1:23:15
now I can see,	1:23:15	1:23:16
but I don't know what I can see,	1:23:16	1:23:18
and then, because your eyes play tricks on you,	1:23:18	1:23:21
you see things that you don't want to see...	1:23:21	1:23:24
like jealousy.	1:23:24	1:23:26
What's most important to you right now? Seeing, or...	1:23:27	1:23:31
Amy.	1:23:31	1:23:33
As I thought.	1:23:33	1:23:34
We're not talking eyes, but heart.	1:23:34	1:23:37
Look, the other night I was watching TV -	1:23:37	1:23:40
one of the disadvantages of regaining sight, by the way -	1:23:40	1:23:44
and there was this famous pianist.	1:23:44	1:23:46
A what?	1:23:46	1:23:48
Piano player.	1:23:48	1:23:49
He was about 6-700 years old.	1:23:49	1:23:51
- Is this going to be a long story? - Could be.	1:23:51	1:23:54
They bring out this 7-year old prodigy.	1:23:54	1:23:56
He plays Chopin backwards and forwards,	1:23:56	1:23:59
with one hand tied behind his back, spinning plates.	1:23:59	1:24:01
And the old master listened appreciatively.	1:24:01	1:24:06
At the end, he said, "You played the piano very well.	1:24:06	1:24:10
"Maybe one day you will learn to make music."	1:24:10	1:24:14
I think I know what you're saying.	1:24:16	1:24:18
I don't know if I'll ever be able to make music.	1:24:18	1:24:23
Here. See my hand?	1:24:23	1:24:25
Yeah.	1:24:25	1:24:26
All right.	1:24:26	1:24:27
Now focus on it.	1:24:27	1:24:29
Forget about everything else -	1:24:29	1:24:30
and that will be difficult here -	1:24:30	1:24:33
but just look.	1:24:33	1:24:34
And your point is?	1:24:38	1:24:39
OK. So that's what, seeing?	1:24:39	1:24:42
No, grasshopper.	1:24:42	1:24:43
That's looking. Looking.	1:24:43	1:24:46
You watched the fist.	1:24:46	1:24:47
You see it's going to hit you,	1:24:47	1:24:48
but did you want it to hit you?	1:24:48	1:24:50
No. No. That's looking.	1:24:50	1:24:51
Virgil, my advice after three beers -	1:24:51	1:24:53
you'll see a lot, but none of that matters	1:24:53	1:24:55
if you lose sight of what you want.	1:24:55	1:24:57
I love it.	1:25:01	1:25:03
But I don't care for the trees.	1:25:06	1:25:10
I think we should lose them.	1:25:13	1:25:15
JAZZ TRIO PLAYS	1:25:18	1:25:19
# On the sidewalk	1:25:19	1:25:20
# Sunday morning	1:25:21	1:25:23
# Lies a body oozing life... #	1:25:24	1:25:29
The man just doesn't care for trees. I don't know.	1:25:31	1:25:35
They were the best part of the location.	1:25:35	1:25:39
We'll have to change them, that's all.	1:25:39	1:25:42
You'll come up with something better.	1:25:42	1:25:44
Hey, um...	1:25:45	1:25:47
let me buy you a drink, huh?	1:25:47	1:25:49
Get those creative juices flowing.	1:25:49	1:25:52
Oh, I don't know.	1:25:52	1:25:54
Come on. No, look.	1:25:54	1:25:55
They're playing our song.	1:25:55	1:25:57
Mack The Knife was our song?	1:25:57	1:25:59
Come on.	1:25:59	1:26:00
# Easy come	1:26:01	1:26:04
# Easy go... #	1:26:05	1:26:08
See?	1:26:10	1:26:12
Not so bad, huh?	1:26:12	1:26:14
Not so bad.	1:26:14	1:26:17
It's nice dancing together again.	1:26:21	1:26:24
Yeah.	1:26:25	1:26:27
Remember the first time?	1:26:30	1:26:32
Your sister's wedding in Connecticut?	1:26:34	1:26:38
Yeah.	1:26:38	1:26:40
It was beautiful with all those red leaves falling.	1:26:40	1:26:45
I'd love to go back.	1:26:45	1:26:47
So would I.	1:26:47	1:26:49
So, what happened to us, Amy?	1:26:52	1:26:53
Why'd you give up on us?	1:26:53	1:26:55
I don't know.	1:26:56	1:26:57
I think we... did it too fast.	1:26:57	1:27:00
You know? I was just a kid then...	1:27:00	1:27:02
falling in love with architecture.	1:27:02	1:27:05
I never fell in love with architecture, but...	1:27:05	1:27:07
I know I fell in love with you.	1:27:07	1:27:09
That's bullshit.	1:27:10	1:27:12
Well, hey. It used to work.	1:27:12	1:27:15
THEY LAUGH	1:27:15	1:27:17
# Easy go	1:27:20	1:27:25
# We never dreamt of romancin'... #	1:27:29	1:27:35
Oh, god. I'm sorry. I can't do this.	1:27:35	1:27:39
This is wrong. I have to go home.	1:27:39	1:27:41
You have to go home?	1:27:41	1:27:43
To be a baby-sitter?	1:27:45	1:27:48
Don't say that.	1:27:48	1:27:49
Amy.	1:27:54	1:27:56
# Easy come	1:27:57	1:28:00
# Easy go. #	1:28:02	1:28:08
Virgil?	1:28:13	1:28:14
Virgil.	1:28:22	1:28:24
He's gone, Amy.	1:28:24	1:28:25
Gone? Gone where?	1:28:25	1:28:27
The park. Said he was looking for something.	1:28:27	1:28:30
Virgil!	1:28:48	1:28:49
Hey, Virgil!	1:28:51	1:28:53
HONKING	1:28:57	1:28:58
Virgil, watch out! Watch out!	1:28:58	1:29:01
What are you doing? What are you doing?	1:29:04	1:29:07
I was watching the cab as it changed	1:29:07	1:29:09
and got closer to me.	1:29:09	1:29:10
It's perspective.	1:29:10	1:29:12
Yeah, but you're gonna get yourself killed	1:29:12	1:29:14
doing that in the middle of the street.	1:29:14	1:29:16
I didn't mean to scare you. I'm sorry.	1:29:16	1:29:19
Oh, boy.	1:29:21	1:29:23
I went to the loft, and you weren't there,	1:29:23	1:29:26
and I thought that you had left.	1:29:25	1:29:28
I thought about it.	1:29:28	1:29:30
So I came out here...	1:29:31	1:29:34
to try and see the horizon	1:29:34	1:29:36
that you described so beautifully.	1:29:35	1:29:38
Oh.	1:29:40	1:29:42
Oh, well, you can't see it from here.	1:29:42	1:29:44
There's too many buildings.	1:29:43	1:29:46
Oh, but that doesn't mean it's not still here, right?	1:29:46	1:29:49
Just because you can't see it	1:29:49	1:29:50
doesn't mean it doesn't exist.	1:29:50	1:29:52
Right.	1:29:52	1:29:53
Just because you can't see things	1:29:53	1:29:56
doesn't mean that they don't exist.	1:29:56	1:29:58
I mean, that...	1:29:58	1:29:59
that's what faith is, right?	1:29:59	1:30:01
What's that look?	1:30:04	1:30:05
What does that look mean? That's a new look.	1:30:05	1:30:08
Virgil, I have to tell you something.	1:30:09	1:30:13
I was getting confused,	1:30:12	1:30:14
but that doesn't excuse how I've acted.	1:30:14	1:30:19
See, I thought I saw you	1:30:19	1:30:21
slipping further and further away from me.	1:30:21	1:30:23
And I didn't see that you were slipping away from me.	1:30:23	1:30:27
Amy, I, oh...	1:30:27	1:30:30
I don't know why I didn't tell you	1:30:30	1:30:32
but I want to say this. When...	1:30:32	1:30:35
Well, Jenny came to see me	1:30:35	1:30:37
and I went to see my father.	1:30:37	1:30:39
And I couldn't see him.	1:30:39	1:30:42
I was afraid.	1:30:42	1:30:44
Felt like I was letting him down.	1:30:44	1:30:47
Like I feel like I've let you down.	1:30:47	1:30:50
The only thing I ever wanted...	1:30:50	1:30:54
was to be whole...	1:30:54	1:30:57
not just to be able to ride a bike	1:30:57	1:31:00
or play in the playground like other kids	1:31:00	1:31:03
or go on a date...	1:31:03	1:31:06
but to be whole -	1:31:08	1:31:09
to be needed by somebody	1:31:09	1:31:12
like I needed them...	1:31:12	1:31:14
and the first time	1:31:16	1:31:18
I ever felt like that in my whole life was with you.	1:31:18	1:31:21
I know I have a lot to learn,	1:31:24	1:31:27
but I can see...	1:31:27	1:31:29
and I don't want you to give up on me.	1:31:31	1:31:33
I won't, Virgil.	1:31:35	1:31:37
When I was in Atlanta,	1:31:40	1:31:41
I realised how much that I need you...	1:31:41	1:31:44
and I want you to come home with me.	1:31:46	1:31:48
Up until the operation five weeks ago,	1:31:51	1:31:54
Virgil had been a touch person,	1:31:54	1:31:58
someone whose vocabulary,	1:31:58	1:32:01
whose whole sensibility,	1:32:01	1:32:03
whose picture of the world	1:32:03	1:32:05
is based on tactile, nonvisual terms,	1:32:05	1:32:08
but now as a sighted person,	1:32:08	1:32:11
by focusing single-mindedly on his goal,	1:32:11	1:32:15
Virgil has a newfound ability	1:32:15	1:32:17
to understand distance and shape,	1:32:17	1:32:22
colour, perspective...	1:32:22	1:32:24
and though there are still miles to go	1:32:26	1:32:28
in his learning process,	1:32:28	1:32:29
for all medical intents and purposes,	1:32:29	1:32:31
he is...becoming a seeing person.	1:32:31	1:32:34
Hey.	1:32:34	1:32:35
What?	1:32:35	1:32:36
You want me to see, don't you?	1:32:36	1:32:38
Aren't I supposed to look?	1:32:38	1:32:39
Oh, my God.	1:32:39	1:32:41
What?	1:32:41	1:32:42
She is so flirting with you.	1:32:42	1:32:44
What?	1:32:44	1:32:46
What's that look?	1:32:46	1:32:47
What look?	1:32:47	1:32:48
That look. You've got so many looks.	1:32:48	1:32:51
Uh, it was probably a jealous look.	1:32:51	1:32:55
It was the response to that look.	1:32:58	1:33:00
OK? All right.	1:33:00	1:33:02
You want to see my other looks?	1:33:02	1:33:03
OK. This is what sad looks like.	1:33:03	1:33:07
Here is jubilation.	1:33:09	1:33:12
Yippee!	1:33:12	1:33:14
Careful.	1:33:14	1:33:15
This is, er...	1:33:15	1:33:16
terrible fear.	1:33:16	1:33:19
Extreme suspicion.	1:33:19	1:33:22
It's all your fault.	1:33:24	1:33:25
I have an idea.	1:33:25	1:33:27
SHE BARKS LIKE A SEAL	1:33:27	1:33:28
Reow!	1:33:31	1:33:34
# The way you haunt my dreams	1:33:34	1:33:38
# No, no... #	1:33:38	1:33:39
This is...	1:33:39	1:33:40
"I love you."	1:33:40	1:33:42
Oh, this look I love.	1:33:42	1:33:44
# We may never, never meet again	1:33:44	1:33:49
# On the bumpy road to love	1:33:49	1:33:55
# Though I'll always, always keep the memory of... #	1:33:55	1:34:00
'Yesterday, the clouds!'	1:34:01	1:34:04
No. In the sky, not my eyes.	1:34:04	1:34:07
Oh, purple.	1:34:07	1:34:09
Purple is the most amazing colour.	1:34:09	1:34:12
And Amy said yesterday that we saw birds,	1:34:12	1:34:15
and, um...	1:34:15	1:34:17
um...what were they?	1:34:17	1:34:18
Pigeons. Pigeons.	1:34:18	1:34:20
Tell her about the fish market.	1:34:19	1:34:21
Dozens of them.	1:34:21	1:34:22
And the fish market.	1:34:22	1:34:23
Salmon and, er, crabs and octopus.	1:34:23	1:34:26
How does anyone eat an octopus?	1:34:26	1:34:28
OK. Now, I don't know when I'll be back,	1:34:28	1:34:31
but I'll call you soon. All right?	1:34:31	1:34:33
OK.	1:34:33	1:34:35
Me, too. Bye.	1:34:35	1:34:36
OK. Close your eyes.	1:34:36	1:34:38
Present.	1:34:42	1:34:44
A tie.	1:34:44	1:34:47
That's a large tie, too.	1:34:46	1:34:49
There's gonna be an opening for the lobby,	1:34:51	1:34:53
and they're gonna have a party,	1:34:53	1:34:56
and I thought that we could both dress up to celebrate	1:34:56	1:34:58
because it's your first time	1:34:58	1:34:59
seeing any of my work finished.	1:34:59	1:35:00
That's great.	1:35:00	1:35:01
What's the matter?	1:35:05	1:35:06
Nothing. It's - it's really great.	1:35:06	1:35:09
I like it a lot.	1:35:09	1:35:11
You sure?	1:35:11	1:35:12
It looks like it fits.	1:35:12	1:35:14
You look great in it.	1:35:16	1:35:18
Thanks.	1:35:18	1:35:19
Hey, Virg.	1:35:45	1:35:47
Virg? Where you goin'?	1:35:47	1:35:49
OK.	1:35:58	1:35:59
What does that mean?	1:36:04	1:36:05
What?	1:36:05	1:36:06
This, um...you did with your mouth.	1:36:06	1:36:09
What does that mean?	1:36:09	1:36:10
Well, er...	1:36:10	1:36:11
I'm only -	1:36:11	1:36:13
I'm registering sparks of activity -	1:36:13	1:36:15
retinal sparks - followed by nothing.	1:36:15	1:36:20
Uh, how long has this been going on?	1:36:20	1:36:22
Couple of days.	1:36:22	1:36:24
Have a seat.	1:36:24	1:36:26
Your, er...	1:36:28	1:36:29
your retinal function is down 10%.	1:36:29	1:36:32
I'm afraid the retinal disease	1:36:32	1:36:34
seems to have returned.	1:36:34	1:36:36
But you corrected that.	1:36:36	1:36:37
You-I was healed of that, so...	1:36:37	1:36:39
Well, I...	1:36:39	1:36:42
I mean, I don't know whether, er,	1:36:42	1:36:45
you didn't have the blood vessels	1:36:45	1:36:47
to supply enough oxygen to your retinas.	1:36:47	1:36:50
I wish there were an easy way to say this.	1:36:50	1:36:54
When?	1:37:02	1:37:03
Well, it's hard to say.	1:37:05	1:37:07
Uh...a month.	1:37:07	1:37:10
Two weeks.	1:37:10	1:37:11
Today?	1:37:13	1:37:14
I don't know.	1:37:17	1:37:19
You look good.	1:38:23	1:38:26
Hey. How do I look?	1:38:27	1:38:30
I want some answers.	1:38:32	1:38:35
Why did you leave?	1:38:35	1:38:37
Did you leave because I was blind or because I gave up on your idea of me seeing?	1:38:37	1:38:43
To the point. I like that. Something you got from me.	1:38:43	1:38:47
You make jokes?	1:38:47	1:38:49
I haven't seen you in 20 years, you find out I can see and you make jokes?	1:38:49	1:38:53
Virg, can we talk about this later?	1:38:53	1:38:55
No. Answer my qusetion. Why did you leave?	1:38:55	1:38:58
I woke up very morning and looked at you and failure.	1:39:01	1:39:06
My own failures.	1:39:06	1:39:08
If I couldn't get my own son to see then...	1:39:08	1:39:11
It's water under the bridge now. Right?	1:39:13	1:39:17
You can see!	1:39:17	1:39:19
I knew you could.	1:39:19	1:39:22
Yeah, I can see...	1:39:22	1:39:25
and I'm going blind again.	1:39:26	1:39:28
You're the first person I've told.	1:39:30	1:39:33
I wanted to see your face. I wanted to look in your eyes while you explain my whole life.	1:39:34	1:39:40
You know what you did to Jennie? You know what you did to my Mom?	1:39:40	1:39:44
You shouldn't have done that. Dad.	1:39:44	1:39:47
You shouldn't have left.	1:39:47	1:39:50
You shouldn't have left.	1:39:51	1:39:54
Yeah. A little bit higher, like an inch, half inch.	1:40:27	1:40:30
Good.	1:40:30	1:40:32
Uh...hold that thought. Wait.	1:40:31	1:40:34
Hey.	1:40:34	1:40:35
What are you doing here?	1:40:37	1:40:39
God, I didn't want you to see it yet.	1:40:41	1:40:43
It's not done.	1:40:43	1:40:44
I came to see you.	1:40:44	1:40:45
I wanted to tell you something.	1:40:45	1:40:48
I had this idea, OK? Now, bear with me,	1:40:51	1:40:53
but because things are going so great right now	1:40:53	1:40:55
and you're doing so well,	1:40:55	1:40:56
and we're almost done with this job,	1:40:56	1:40:58
and I think I've got the Atlanta mall coming in,	1:40:57	1:40:59
so we've got some more money coming in,	1:40:59	1:41:01
I thought that maybe we could take a trip,	1:41:01	1:41:04
a sort of, um, a seeing celebration.	1:41:03	1:41:07
A seeing celebration.	1:41:07	1:41:10
Yeah. I thought that we could go to Egypt,	1:41:10	1:41:13
and you and I could both see the pyramids	1:41:13	1:41:15
for the first time together.	1:41:15	1:41:16
Amy...	1:41:16	1:41:18
And then I could take you to Paris,	1:41:18	1:41:19
and I could show you the Notre Dame cathedral	1:41:19	1:41:22
with the gargoyles	1:41:22	1:41:23
and the water with the light on it	1:41:23	1:41:25
and the stained glass.	1:41:25	1:41:26
It's so beautiful. You're gonna love it.	1:41:26	1:41:28
There are so many things that I want to show you.	1:41:28	1:41:31
The windows and the water,	1:41:31	1:41:32
and we'd just have the most wonderful time.	1:41:32	1:41:35
What do you think?	1:41:35	1:41:36
I think...	1:41:41	1:41:43
there is...	1:41:45	1:41:47
there is one place I'd like to see.	1:41:47	1:41:49
SHOUTING AND CHEERING	1:41:49	1:41:51
HORN BLOWS	1:41:52	1:41:53
CROWD DROWNS OUT SPEECH	1:42:03	1:42:06
HORN BLOWS	1:42:34	1:42:35
Virgil.	1:43:47	1:43:48
Virgil.	1:43:48	1:43:50
Are you OK?	1:43:55	1:43:56
The puffy thing.	1:43:56	1:43:58
This is the puffy thing? This is the cloud?	1:43:59	1:44:01
You found the puffy thing?	1:44:02	1:44:04
Oh, my God. It's cotton candy.	1:44:04	1:44:07
Oh, my God.	1:44:07	1:44:09
AMY: Thank you so much for taking me here.	1:44:20	1:44:22
This was wonderful.	1:44:22	1:44:23
You OK?	1:44:31	1:44:32
Yeah, I've just...	1:44:33	1:44:35
I'm having a bad eye day.	1:44:35	1:44:39
It's a lot to take in.	1:44:40	1:44:41
I'm OK now. It's just...	1:44:43	1:44:45
Oh, sorry.	1:44:45	1:44:47
There's people that want to get by over here.	1:44:46	1:44:49
What?	1:44:48	1:44:49
There's people over here on the right.	1:44:49	1:44:51
Oh, I'm sorry.	1:44:51	1:44:52
Honey, what's going on?	1:44:58	1:45:00
What's happening with your eyes?	1:45:00	1:45:02
Blackouts.	1:45:04	1:45:05
This was the longest.	1:45:05	1:45:08
I just want to go home, OK?	1:45:08	1:45:11
But, baby, wait one second.	1:45:11	1:45:13
Has...has this happened before today?	1:45:13	1:45:17
I'm going blind.	1:45:22	1:45:24
What?	1:45:24	1:45:26
What do you mean?	1:45:28	1:45:29
What's wrong? I mean, what...	1:45:29	1:45:32
you've had blackouts?	1:45:32	1:45:33
Maybe your eyes were just overworked.	1:45:33	1:45:34
You've been seeing so much.	1:45:34	1:45:36
You've been getting so excited.	1:45:36	1:45:38
No.	1:45:38	1:45:39
We can go to the doctor,	1:45:39	1:45:40
and he'll tell us what's happening.	1:45:40	1:45:43
Maybe, you know, it's just been too fast.	1:45:43	1:45:45
Amy, Amy, can we just go home?	1:45:45	1:45:47
Baby, let's go to the doctor.	1:45:51	1:45:53
I saw Dr Aaron. There's nothing they can do.	1:45:53	1:45:56
We'll go to another doctor. Let's go to another doctor.	1:45:56	1:45:58
Amy, what do you want me to say?	1:45:58	1:46:00
Want me to explain it in some different way?	1:46:00	1:46:02
I'm going blind.	1:46:02	1:46:03
Well, this...	1:46:03	1:46:04
That's what's happening. I'm going blind.	1:46:04	1:46:07
I just...	1:46:07	1:46:09
want to go home.	1:46:10	1:46:12
Baby, don't give up.	1:46:12	1:46:14
We got...we got...	1:46:14	1:46:15
I just want to go home.	1:46:15	1:46:17
It was a good game.	1:46:25	1:46:27
What are you doing?	1:46:44	1:46:45
I'm leaving.	1:46:46	1:46:48
What do you mean?	1:46:48	1:46:50
You're leaving this apartment,	1:46:50	1:46:53
you're leaving New York,	1:46:53	1:46:54
or you're leaving me?	1:46:54	1:46:56
I'm going home.	1:46:56	1:46:58
What, are you going home to Jennie?	1:47:00	1:47:03
Is she gonna take care of you now?	1:47:08	1:47:10
I'm not going through this bullshit again.	1:47:10	1:47:12
Bullshit?	1:47:12	1:47:14
Is that what this has been to you?	1:47:14	1:47:17
Yes, it's bullshit.	1:47:17	1:47:18
Who are we kidding?	1:47:18	1:47:20
I'm blind. I can't see.	1:47:20	1:47:23
OK? I don't belong here. I'm not meant to see.	1:47:23	1:47:26
Damn right, you're blind.	1:47:26	1:47:27
I'm standing right here for you,	1:47:27	1:47:29
and you don't even look.	1:47:29	1:47:31
Why are you shutting me out?	1:47:32	1:47:33
Why didn't you tell me what was going on with you?	1:47:33	1:47:37
Do you know...	1:47:38	1:47:40
why I remembered the cotton candy?	1:47:40	1:47:42
Because it's the one thing in my life	1:47:42	1:47:44
I remember with my father that was good.	1:47:44	1:47:46
Everything else after I went blind	1:47:46	1:47:47
is him pushing and pushing,	1:47:47	1:47:48
trying to make me into something that I'm not,	1:47:48	1:47:50
and then he turns his back on me when his plans fail.	1:47:50	1:47:53
But I'm not turning my back on you.	1:47:53	1:47:55
I promised you that I wouldn't give up on you,	1:47:55	1:47:57
and I'm not.	1:47:57	1:47:58
I'm not asking you to give up on me!	1:47:58	1:48:00
I'm asking you to give up on the idea of me seeing!	1:48:00	1:48:03
Didn't you want something more out of your life?	1:48:03	1:48:05
That's all I wanted to give you a chance for.	1:48:05	1:48:08
Did you think you would sit on that school bus	1:48:08	1:48:11
and work in that spa the rest of your life?	1:48:11	1:48:14
Didn't you have dreams?	1:48:14	1:48:16
Didn't you want to see or learn or do more than that?	1:48:16	1:48:18
You have so much to give of yourself.	1:48:18	1:48:21
And so much to be taken away.	1:48:21	1:48:24
It's not...	1:48:24	1:48:26
damn it.	1:48:27	1:48:29
Your sculpture.	1:48:31	1:48:33
I'm sorry.	1:48:37	1:48:38
It's just...	1:48:40	1:48:42
both didn't get what we wanted.	1:48:42	1:48:44
I wanted you.	1:48:45	1:48:47
Did you ever think for one minute	1:48:49	1:48:52
it wouldn't work out,	1:48:51	1:48:53
that I might not be able to see?	1:48:53	1:48:55
Did you ever think about what it would be like to...	1:48:58	1:49:01
just be with me...	1:49:01	1:49:04
the blind man?	1:49:04	1:49:06
That's my answer.	1:49:12	1:49:14
SHE SOBS	1:49:25	1:49:28
There's Jessie! Ah!	1:49:52	1:49:55
Look at you!	1:49:55	1:49:56
Let me look at you.	1:49:56	1:49:58
What a beautiful colour you are.	1:49:58	1:50:00
Look up, dog.	1:50:01	1:50:03
Everything's the same as when you left.	1:50:05	1:50:06
Nothing's changed.	1:50:06	1:50:09
CHILDREN TALKING	1:50:25	1:50:27
BOY: Come on, hurry!	1:50:31	1:50:33
Ha ha ha!	1:50:33	1:50:35
You're gonna miss it!	1:50:35	1:50:37
DOOR OPENS	1:51:47	1:51:48
JENNIE: Hello! Hi.	1:51:48	1:51:50
Hi.	1:51:50	1:51:51
Hey, Jess.	1:51:53	1:51:55
Hi.	1:51:56	1:51:57
I picked up some things at the store.	1:51:58	1:52:01
Some t-shirts, socks. You're probably out.	1:52:01	1:52:04
You are so beautiful.	1:52:04	1:52:06
Why didn't you tell me you were beautiful?	1:52:07	1:52:10
I just told you what you needed to know, that's all.	1:52:11	1:52:15
Look at me.	1:52:15	1:52:17
Why do people look away?	1:52:18	1:52:20
What do you want?	1:52:23	1:52:26
I want to see you.	1:52:26	1:52:28
Isn't there anything more you want?	1:52:28	1:52:30
You spent your whole life as blind as I was.	1:52:30	1:52:34
Virgil, please.	1:52:34	1:52:36
This is your home.	1:52:36	1:52:37
Don't worry about things that don't matter to you.	1:52:37	1:52:40
You're safe here, where everybody knows you.	1:52:40	1:52:42
You matter to me, Jennie.	1:52:42	1:52:43
This was a great place to grow up.	1:52:43	1:52:45
It was very safe.	1:52:45	1:52:48
But I grew up.	1:52:48	1:52:50
I can't even imagine the things you gave up for me.	1:52:51	1:52:54
I just want to look at you.	1:52:54	1:52:56
Look at me, Jennie.	1:52:56	1:52:58
I want to say thank you.	1:52:58	1:53:00
I love you from the bottom of my soul,	1:53:00	1:53:02
and I want to give you your life back.	1:53:02	1:53:05
I can't.	1:53:13	1:53:15
Yes, you can.	1:53:16	1:53:18
Jennie...	1:53:21	1:53:22
I'm reaching out.	1:53:25	1:53:26
VIRGIL: 'Growing up blind, I had two dreams.	1:54:33	1:54:37
'One was to see...	1:54:37	1:54:39
'and the other was to play hockey	1:54:39	1:54:41
'for the New York Rangers.	1:54:41	1:54:42
'After the miracle of my brief period of sight,	1:54:44	1:54:49
'if I had to choose,	1:54:49	1:54:51
'I think I'd rather play hockey for the New York Rangers.	1:54:51	1:54:54
LAUGHTER	1:54:54	1:54:55
'It wasn't that seeing was so bad.	1:54:55	1:54:58
'I saw a lot of things.	1:54:58	1:54:59
'Um...	1:54:59	1:55:01
'some were really beautiful.	1:55:01	1:55:04
'Others were scary.	1:55:04	1:55:06
'Some things I'm already forgetting...	1:55:06	1:55:10
'a particular look in a pair of eyes.	1:55:11	1:55:16
'Clouds.	1:55:15	1:55:17
'Those images will stay with me	1:55:20	1:55:22
'long after the light fades.	1:55:22	1:55:25
'As a blind man, I think that I see, um,	1:55:27	1:55:31
'a lot better than I did while I was sighted...	1:55:31	1:55:36
'because I don't really think we see with our eyes.	1:55:36	1:55:40
'I think we live in darkness	1:55:40	1:55:43
'when we don't look at what's real about ourselves	1:55:43	1:55:48
'or about others or about life.	1:55:48	1:55:52
'I think, er, no operation can do that,	1:55:52	1:55:57
'and...	1:55:57	1:55:59
'when you see what's real about yourself,	1:55:59	1:56:04
'then you've seen a lot...'	1:56:04	1:56:06
Good boy!	1:56:06	1:56:07
'And you don't eyes for that.'	1:56:07	1:56:09
Wanna bite?	1:56:09	1:56:11
You missed.	1:56:26	1:56:27
Missed?	1:56:27	1:56:29
Amy?	1:56:29	1:56:30
Hey.	1:56:30	1:56:33
Hi.	1:56:33	1:56:34
Um...	1:56:39	1:56:42
I was just in the neighbourhood.	1:56:42	1:56:44
No. Phil told me that you're working here,	1:56:46	1:56:50
and I thought maybe I could find you in the park.	1:56:50	1:56:52
I rushed, didn't I?	1:56:55	1:56:57
14 paces to the tree,	1:56:57	1:56:58
and I made us slam right into it.	1:56:58	1:57:01
We tried.	1:57:01	1:57:03
Are you happy?	1:57:03	1:57:05
Heh. I'm trying to be.	1:57:05	1:57:09
Work is good. I went out on my own.	1:57:09	1:57:11
What happened to Duncan?	1:57:11	1:57:13
He's building mini-malls.	1:57:13	1:57:15
Where's Jessie?	1:57:18	1:57:19
Jessie's at home with Jennie.	1:57:19	1:57:21
This is Pierce.	1:57:21	1:57:22
Ha.	1:57:22	1:57:23
My new dog.	1:57:23	1:57:25
He's a good boy.	1:57:25	1:57:27
Hello, Pierce.	1:57:27	1:57:29
Hello, sweetie.	1:57:29	1:57:30
Virgil, I finished the sculpture.	1:57:34	1:57:37
I didn't know where it was going to go,	1:57:37	1:57:40
but that was OK.	1:57:40	1:57:42
I really enjoyed letting it take on its own life,	1:57:43	1:57:46
letting it be just what it was,	1:57:46	1:57:49
without me pushing or doubting myself.	1:57:49	1:57:52
And what it was was beautiful.	1:57:53	1:57:56
I saw the horizon.	1:57:57	1:57:59
It's out there.	1:57:59	1:58:03
Even though I may not ever be able to touch it,	1:58:03	1:58:08
it's worth reaching for.	1:58:08	1:58:10
You showed me that.	1:58:13	1:58:15
Thank you.	1:58:19	1:58:21
Um...	1:58:28	1:58:29
do you want to walk?	1:58:30	1:58:32
See what we see?	1:58:32	1:58:33
Yeah, just see what we see.	1:58:35	1:58:38
# I used to walk between the shadows #	1:59:07	1:59:13
Lead on, McDuff.	1:59:13	1:59:15
# Lost in a world that moved too fast	1:59:15	1:59:21
# I was afraid I'd always be alone	1:59:23	1:59:32
# Then I saw your face	1:59:32	1:59:37
# At last	1:59:36	1:59:38
# I found my way, even in the dark	1:59:40	1:59:48
# Though at times, it seemed too far	1:59:48	1:59:55
# I knew if I listened to my heart	1:59:57	2:00:05
# I'd find that love is where you are	2:00:05	2:00:14
# I close my eyes and see tomorrow	2:00:26	2:00:34
# My dreams begin and end with you	2:00:33	2:00:41
# I hear you say you'll be there... #	2:00:41	2:00:46
Subtitles by The National Captioning Institute	2:00:46	2:00:51
E-mail us at [email protected]	2:00:51	2:00:55

At First Sight

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