Browse content similar to Becoming Jane. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
BIRDSONG | 0:00:12 | 0:00:14 | |
SOLEMN TICKING | 0:00:33 | 0:00:35 | |
The boundaries... | 0:00:35 | 0:00:37 | |
of... | 0:00:37 | 0:00:39 | |
..propriety... | 0:00:41 | 0:00:43 | |
..vigorously... | 0:00:46 | 0:00:48 | |
..assaulted. | 0:00:49 | 0:00:51 | |
'..propriety were...' | 0:00:58 | 0:01:00 | |
SIGHS EXCLAIMS | 0:01:02 | 0:01:05 | |
PLAYS SINGLE NOTE | 0:01:10 | 0:01:13 | |
PLAYS FLUENT SCALE | 0:01:16 | 0:01:18 | |
PLAYS SLOW, HAUNTING MELODY | 0:01:19 | 0:01:22 | |
DOVES COO PEACEFULLY | 0:01:27 | 0:01:30 | |
MUSIC CONTINUES SNORING | 0:01:34 | 0:01:36 | |
ALL SNORT AND SQUEAL | 0:01:38 | 0:01:41 | |
'The boundaries of...propriety | 0:01:53 | 0:01:56 | |
'were vigorously assaulted.' | 0:01:56 | 0:01:58 | |
The boundaries of propriety were vigorously assaulted, | 0:01:58 | 0:02:01 | |
as was certainly right, but not quite breached, as was also right. | 0:02:01 | 0:02:05 | |
Nevertheless... | 0:02:05 | 0:02:06 | |
..she was not pleased. | 0:02:08 | 0:02:11 | |
STRIKES UP LOUD, VIGOROUS TUNE | 0:02:13 | 0:02:16 | |
SQUEAKS PROTESTINGLY | 0:02:17 | 0:02:19 | |
CONTINUES TO PLAY LOUDLY AND ENTHUSIASTICALLY | 0:02:19 | 0:02:22 | |
-GASPS -What is it? -Jane! | 0:02:29 | 0:02:31 | |
Oh. | 0:02:33 | 0:02:35 | |
JANE! | 0:02:44 | 0:02:46 | |
CONTINUES TO PLAY | 0:02:46 | 0:02:49 | |
Oh, dear me! | 0:02:52 | 0:02:54 | |
That girl needs a husband. | 0:02:54 | 0:02:56 | |
But who's good enough? Nobody. | 0:02:57 | 0:03:00 | |
I blame you for that. | 0:03:02 | 0:03:04 | |
Being too much the model of perfection? | 0:03:04 | 0:03:07 | |
-LAUGHS -I've shared your bed for 32 years. | 0:03:07 | 0:03:11 | |
Perfection is something I've not encountered. | 0:03:11 | 0:03:14 | |
Yet. | 0:03:14 | 0:03:16 | |
CHUCKLES | 0:03:16 | 0:03:18 | |
Oh! Stop it! Mr Austen! | 0:03:19 | 0:03:22 | |
It's Sunday! Stop! No! | 0:03:22 | 0:03:25 | |
-It's... -CHUCKLES | 0:03:25 | 0:03:27 | |
The utmost of a woman's character is expressed... | 0:03:27 | 0:03:31 | |
in the duties of daughter, | 0:03:31 | 0:03:33 | |
sister, | 0:03:33 | 0:03:35 | |
and, eventually...wife and mother. | 0:03:35 | 0:03:40 | |
It is secured by soft attraction, virtuous love... | 0:03:40 | 0:03:45 | |
and quiet in the early morning. | 0:03:45 | 0:03:47 | |
If a woman happens to have a particular superiority, | 0:03:48 | 0:03:52 | |
for example a profound mind, it is best kept a profound secret. | 0:03:52 | 0:03:56 | |
'Humour is liked more, but wit...? No. | 0:03:56 | 0:04:01 | |
'It is the most treacherous talent of them all.' | 0:04:01 | 0:04:04 | |
Now, George, old fellow, you know you have to stay. | 0:04:04 | 0:04:08 | |
-Jenny! -George... | 0:04:08 | 0:04:10 | |
There. | 0:04:10 | 0:04:12 | |
Hurry along, Jane! We'll be late! | 0:04:17 | 0:04:21 | |
When Her Ladyship calls, we must obey. | 0:04:21 | 0:04:23 | |
Come along, Jane! | 0:04:54 | 0:04:56 | |
Lady Gresham, may I introduce my niece, | 0:05:06 | 0:05:09 | |
Comtesse de Fueillide. | 0:05:09 | 0:05:11 | |
And Mr Fowle, Cassandra's fiance. | 0:05:12 | 0:05:15 | |
Comtesse...? Then, you presume to be French? | 0:05:15 | 0:05:19 | |
-By marriage. -Monsieur le Comte is not here to pay his respects. | 0:05:19 | 0:05:23 | |
A prior engagement. Monsieur le Comte was obliged to pay them | 0:05:23 | 0:05:27 | |
-to Madame la Guillotine. -TREMULOUSLY: -Oh...! | 0:05:27 | 0:05:31 | |
I see your nephew is with us again. Mr Wisley? | 0:05:33 | 0:05:38 | |
Wisley is indispensable to my happiness. | 0:05:39 | 0:05:42 | |
Oh, do sit down. | 0:05:45 | 0:05:48 | |
Mr Fowle and Cassandra are only recently engaged. | 0:05:53 | 0:05:58 | |
When shall you marry? | 0:05:58 | 0:06:00 | |
-Not for some time, Your Ladyship. -Why not? | 0:06:00 | 0:06:03 | |
I am also engaged for the West Indies | 0:06:03 | 0:06:05 | |
with Lord Craven's expedition against the French, as chaplain. | 0:06:05 | 0:06:08 | |
What has Craven offered you? | 0:06:08 | 0:06:11 | |
-I have hopes of a parish on my return. -How much is it worth? | 0:06:11 | 0:06:15 | |
CHUCKLES UNCOMFORTABLY Enough to marry on, | 0:06:15 | 0:06:18 | |
in a modest way. | 0:06:18 | 0:06:21 | |
SIGHS | 0:06:22 | 0:06:24 | |
Mr Wisley, | 0:06:24 | 0:06:26 | |
did you know the Basingstoke Assemblies resume? Very soon, | 0:06:26 | 0:06:30 | |
I believe. Jane does enjoy a ball. | 0:06:30 | 0:06:34 | |
Wisley can't abide them. | 0:06:34 | 0:06:37 | |
But, sir, a ball is an indispensable blessing | 0:06:42 | 0:06:46 | |
to the juvenile part of the neighbourhood. | 0:06:46 | 0:06:48 | |
Everything agreeable in the way of talking and sitting down together, | 0:06:48 | 0:06:52 | |
all managed with the utmost decorum. | 0:06:52 | 0:06:54 | |
An amiable man could not object. | 0:06:54 | 0:06:58 | |
Then, I find I am converted. | 0:07:02 | 0:07:04 | |
'Displayed, like a brood mare!' | 0:07:04 | 0:07:08 | |
Mr Wisley is a highly eligible young gentleman. | 0:07:08 | 0:07:12 | |
-Oh, Mother! -You know our situation, Jane! | 0:07:12 | 0:07:16 | |
And he's Lady Gresham's favourite nephew, and heir. | 0:07:16 | 0:07:19 | |
One day he shall inherit this! | 0:07:19 | 0:07:22 | |
-SIGHS LONGINGLY -Excellent prospects! | 0:07:22 | 0:07:25 | |
CHUCKLES TEASINGLY | 0:07:28 | 0:07:31 | |
-His small fortune will not buy me. -What -will -buy you, cousin? | 0:07:31 | 0:07:36 | |
Oof! | 0:07:37 | 0:07:39 | |
CROWDS CHEERS AND SHOUTS | 0:07:39 | 0:07:41 | |
He's getting a pasting! | 0:07:41 | 0:07:43 | |
-More wary in the world, Mr Lefroy! -CHUCKLES | 0:07:43 | 0:07:46 | |
-Hit him! -ALL YELL | 0:07:46 | 0:07:49 | |
LAUGHS | 0:07:51 | 0:07:53 | |
-You can pay me for that later! -Huzzah! Huzzah! | 0:07:53 | 0:07:57 | |
Go on, hit him! | 0:08:04 | 0:08:07 | |
-ALL CHEER -Lefroy! | 0:08:07 | 0:08:09 | |
ALL SHOUT AND LAUGH | 0:08:13 | 0:08:15 | |
-Glass of wine with you, sir? -Madam. | 0:08:21 | 0:08:24 | |
GRUNTS | 0:08:27 | 0:08:29 | |
Displaying to advantage, I see, Lefroy. | 0:08:31 | 0:08:34 | |
Like the sword, Austen! | 0:08:34 | 0:08:36 | |
-How long before you have to go back to the sticks? -A day. | 0:08:38 | 0:08:41 | |
-So short? -Mm. Doghouse. Debts. But one must cut some sort of a figure, | 0:08:41 | 0:08:45 | |
-even in the militia. -Especially when condemned to a parsonage. | 0:08:45 | 0:08:49 | |
-Yes. Still... -Who is the sour-faced little virgin? | 0:08:49 | 0:08:54 | |
Er, your pardon, ma'am. | 0:08:54 | 0:08:57 | |
Mr Tom Lefroy, may I present Mr John Warren? | 0:08:59 | 0:09:02 | |
My father is preparing us both for holy orders. | 0:09:02 | 0:09:06 | |
Er, I understand you've visited Hampshire, Mr Lefroy. | 0:09:06 | 0:09:10 | |
-Last year. -CHUCKLES -Long visit, was it? | 0:09:10 | 0:09:14 | |
Very long, Mr Warren. Almost three hours. | 0:09:14 | 0:09:16 | |
Mr Austen...a kiss, a kiss! | 0:09:16 | 0:09:19 | |
-Oops! -Oh! | 0:09:19 | 0:09:22 | |
-Where should we go? Vauxhall Gardens? -Been there. | 0:09:23 | 0:09:26 | |
Oh, Lefroy, there's a Tahitian love fest on at White's. | 0:09:26 | 0:09:30 | |
-Crockfords? -Done that. Or...it did me. | 0:09:30 | 0:09:34 | |
Wh-Wh-What is a Tahitian love fest? | 0:09:34 | 0:09:37 | |
BOTH CHUCKLE | 0:09:45 | 0:09:47 | |
Warren! | 0:09:47 | 0:09:49 | |
Theft of one pig is a crime, heinous to be sure, | 0:10:03 | 0:10:08 | |
-but two pigs are... -DOOR BANGS OPEN | 0:10:08 | 0:10:11 | |
Two pigs is a violent assault on the very sanctity | 0:10:11 | 0:10:16 | |
of private property itself. | 0:10:16 | 0:10:19 | |
-WHISPERS APOLOGETICALLY: -You...and your kind | 0:10:21 | 0:10:25 | |
are a canker on the body social. | 0:10:25 | 0:10:28 | |
And cankers are cut...out. | 0:10:30 | 0:10:34 | |
Transportation for life. | 0:10:34 | 0:10:37 | |
Next! | 0:10:37 | 0:10:39 | |
-Why are you here in London, sir? -To learn the law. | 0:10:39 | 0:10:42 | |
Which has no other end but what? | 0:10:42 | 0:10:44 | |
The preservation of the rights of property. | 0:10:44 | 0:10:47 | |
-Against? -The mob. | 0:10:47 | 0:10:49 | |
Therefore order is kept... | 0:10:49 | 0:10:52 | |
-..because we have... -A standing army? | 0:10:53 | 0:10:56 | |
Good manners, sir. And prudence. Do you know that word? Prudence? | 0:10:56 | 0:11:00 | |
Yes. | 0:11:00 | 0:11:02 | |
Consider myself. I was born rich, certainly, | 0:11:02 | 0:11:07 | |
but I remained rich by virtue of exceptional conduct. | 0:11:07 | 0:11:10 | |
I have shown...restraint. | 0:11:10 | 0:11:14 | |
Your mother, my sister, became poor because she did not. | 0:11:15 | 0:11:18 | |
-She married my father for love. -And that's why you have so many | 0:11:18 | 0:11:21 | |
brothers and sisters back there in Limerick. | 0:11:21 | 0:11:24 | |
If you hope...I say hope. | 0:11:28 | 0:11:32 | |
If you aspire to inherit my property... | 0:11:32 | 0:11:36 | |
..you must prove yourself more worthy. | 0:11:37 | 0:11:41 | |
But what do we find? We find dissipation | 0:11:41 | 0:11:44 | |
wild enough to glut the imaginings of a Hottentot, braggadocio, | 0:11:44 | 0:11:48 | |
wild companions, | 0:11:48 | 0:11:51 | |
gambling, running around St James's like a neck-or-nothing young blood | 0:11:51 | 0:11:55 | |
of the fancy. What kind of lawyer will that make? | 0:11:55 | 0:11:59 | |
Typical. | 0:11:59 | 0:12:01 | |
Humour. | 0:12:07 | 0:12:10 | |
Well, you're going to need that, because I'm teaching you a lesson. | 0:12:10 | 0:12:15 | |
I am sending you to stay with your other relations, the Lefroys. | 0:12:18 | 0:12:22 | |
Uncle...they live in the country! | 0:12:24 | 0:12:27 | |
Deep...in the country. | 0:12:27 | 0:12:30 | |
CHUCKLES | 0:12:30 | 0:12:32 | |
ROOKS CAW | 0:12:32 | 0:12:35 | |
-Jane? -Hmm? | 0:12:47 | 0:12:50 | |
Can you...? | 0:12:50 | 0:12:52 | |
Thank you. | 0:12:54 | 0:12:56 | |
I think you two quite the prettiest sisters in England. | 0:12:56 | 0:12:59 | |
CHUCKLES | 0:12:59 | 0:13:01 | |
Mr Fowle will be enchanted. | 0:13:01 | 0:13:04 | |
San Domingo is half a world away. | 0:13:04 | 0:13:07 | |
-He'll forget me. -Oh, impossible! | 0:13:09 | 0:13:12 | |
Look at the memory you're giving him tonight. | 0:13:12 | 0:13:15 | |
LAUGHS Cassie... | 0:13:15 | 0:13:17 | |
his heart will stop at the very sight of you, | 0:13:17 | 0:13:19 | |
or he doesn't deserve to live. | 0:13:19 | 0:13:22 | |
Yes, I am aware of the contradiction embodied in that sentence. | 0:13:22 | 0:13:26 | |
CLATTER OF HOOVES AND CARRIAGE WHEELS Who is it? | 0:13:26 | 0:13:30 | |
Jane! | 0:13:32 | 0:13:35 | |
Henry! LAUGHS | 0:13:35 | 0:13:37 | |
Oh! Oh, wonderful! | 0:13:37 | 0:13:40 | |
Hello, John. It's very good to see you. | 0:13:40 | 0:13:44 | |
ALL CHATTER | 0:13:44 | 0:13:46 | |
George! | 0:13:48 | 0:13:50 | |
-Leave your brother alone! -BOTH LAUGH | 0:13:50 | 0:13:54 | |
-MURMUR OF CONVERSATION -Jane! | 0:13:54 | 0:13:57 | |
Jane! Have you heard? My father's nephew is staying with us. | 0:13:57 | 0:14:01 | |
-From London! -He is... -A brilliant young lawyer. | 0:14:01 | 0:14:04 | |
-Lucy, please. -With a reputation! -For lateness? | 0:14:04 | 0:14:07 | |
RINGS ON CUP | 0:14:07 | 0:14:10 | |
Hat off, George! Father's ready! | 0:14:10 | 0:14:12 | |
Thank you, John. | 0:14:14 | 0:14:16 | |
The family is always moving, in great ways and small. | 0:14:16 | 0:14:19 | |
Firstly, the small. | 0:14:19 | 0:14:21 | |
Henry is back from Oxford with his degree... | 0:14:21 | 0:14:25 | |
-thank goodness. -Well done. -ALL LAUGH | 0:14:25 | 0:14:28 | |
And our friend John, my new student. Then the great - | 0:14:28 | 0:14:32 | |
Cassandra, who is forsaking us for her brother Edward | 0:14:32 | 0:14:35 | |
and his family at the coast, whilst Robert voyages to the West Indies | 0:14:35 | 0:14:39 | |
with Lord Craven's expedition. And then, together, | 0:14:39 | 0:14:42 | |
they can embark on that most great and most serious journey of life. | 0:14:42 | 0:14:47 | |
Miss Austen, I understand you will be favouring us with a reading? | 0:14:47 | 0:14:51 | |
-Do, Jane. -ALL MURMUR ENCOURAGEMENT | 0:14:51 | 0:14:54 | |
Advice from a young lady, | 0:15:04 | 0:15:06 | |
on the engagement of her beloved sister, Cassandra... | 0:15:06 | 0:15:09 | |
to a Fowle. ALL LAUGH | 0:15:09 | 0:15:13 | |
His addresses were offered in a manner violent enough | 0:15:16 | 0:15:19 | |
to be flattering. The boundaries of propriety were vigorously assaulted, | 0:15:19 | 0:15:23 | |
as was only right, but not quite breached, as was also right. | 0:15:23 | 0:15:27 | |
Nevertheless... DOOR BANGS | 0:15:27 | 0:15:29 | |
Er...may I introduce my young nephew, Mr Thomas Lefroy. | 0:15:39 | 0:15:45 | |
And he's more than welcome. Join us, sir. Join us. | 0:15:46 | 0:15:50 | |
Green velvet coat! | 0:15:51 | 0:15:53 | |
Vastly fashionable! | 0:15:53 | 0:15:55 | |
You'll find this vastly amusing. | 0:15:57 | 0:16:00 | |
"His addresses were... | 0:16:03 | 0:16:06 | |
"The boundaries of propriety were vigorously assaulted, | 0:16:07 | 0:16:11 | |
"as was only right, but not quite breached, | 0:16:11 | 0:16:14 | |
"as was also right. Nevertheless, she was not... | 0:16:14 | 0:16:18 | |
"..her sentiments noble, her person lovely, | 0:16:18 | 0:16:21 | |
"her figure elegant..." CHUCKLES | 0:16:21 | 0:16:24 | |
-God, there's writing on both sides of those pages! -Ssh, damn it! | 0:16:26 | 0:16:30 | |
"..yesterday I repelled Lord Graham and his six million, | 0:16:30 | 0:16:34 | |
"which would have lasted me almost a twelvemonth... | 0:16:34 | 0:16:37 | |
-"..With the colonies." -Oh! | 0:16:38 | 0:16:40 | |
ALL LAUGH CONTINUES UNDER BACKGROUND MUSIC | 0:16:40 | 0:16:44 | |
"..a treasure greater than all the jewels in India, | 0:16:44 | 0:16:47 | |
-"an adoring heart." -God! | 0:16:47 | 0:16:49 | |
"Pray, madam, what am I to expect in return?" | 0:16:49 | 0:16:52 | |
"Expect? Well, you may expect to have me pleased from time to time." | 0:16:52 | 0:16:56 | |
-Is this who I am?! -ALL CHUCKLE | 0:16:56 | 0:16:59 | |
"And a sweet, gentle, | 0:16:59 | 0:17:02 | |
"pleading, innocent, delicate, | 0:17:02 | 0:17:05 | |
"sympathetic, loyal, untutored, adoring female heart." | 0:17:05 | 0:17:10 | |
The end. CHUCKLES ALL LAUGH | 0:17:15 | 0:17:18 | |
-Bravo, Jane! -Well done, Jane! -ALL BUT TOM APPLAUD | 0:17:18 | 0:17:22 | |
Mm. Well done. | 0:17:24 | 0:17:27 | |
-MURMUR OF CONVERSATION -She speaks so well! | 0:17:30 | 0:17:33 | |
ALL CHATTER | 0:17:33 | 0:17:35 | |
Excessively charming, I thought! | 0:17:37 | 0:17:40 | |
Accomplished enough, perhaps. | 0:17:40 | 0:17:42 | |
But a metropolitan mind may be less susceptible to juvenile self-regard. | 0:17:43 | 0:17:48 | |
CHUCKLES UNCOMFORTABLY | 0:17:49 | 0:17:51 | |
STRIKES UP DETERMINED BUT SLIGHTLY AWKWARD TUNE | 0:18:03 | 0:18:07 | |
-LOUD AND OFF-KEY -# In airy dreams... | 0:18:09 | 0:18:12 | |
-ENTHUSIASTICALLY, STILL FLAT -# Love to see... | 0:18:19 | 0:18:24 | |
-# Do you... -AIMS FOR HIGH NOTE AND MISSES | 0:18:36 | 0:18:38 | |
# Often think on... | 0:18:38 | 0:18:42 | |
# Me? # | 0:18:42 | 0:18:46 | |
APPLAUDS | 0:18:46 | 0:18:48 | |
Careful there, old fellow. | 0:19:18 | 0:19:21 | |
Fine piece, Mr Lefroy. | 0:19:22 | 0:19:24 | |
-Handled a gun before, have you, Tom? -"Tom"...! -SQUEALS | 0:19:25 | 0:19:29 | |
DOGS BARK GASPS | 0:19:30 | 0:19:32 | |
PANTS IN TERROR | 0:19:32 | 0:19:35 | |
-Tom...! -Uncle? | 0:19:38 | 0:19:41 | |
Why not try a walk? | 0:19:41 | 0:19:44 | |
There's some very fine country around about. | 0:19:45 | 0:19:48 | |
-Very fine. -A walk... | 0:19:48 | 0:19:51 | |
Miss! | 0:20:43 | 0:20:45 | |
Miss? Miss? Miss! | 0:20:45 | 0:20:47 | |
Miss, I... Oof! | 0:20:47 | 0:20:50 | |
-BITES BACK A GIGGLE -Miss? | 0:20:50 | 0:20:53 | |
Er, Miss... Miss, er... | 0:20:55 | 0:20:58 | |
-Austen! -Ah. Mr Lefroy. | 0:20:58 | 0:21:01 | |
Oh... Yes, I know. But I am alone. | 0:21:01 | 0:21:05 | |
Except for me. | 0:21:05 | 0:21:07 | |
-Exactly. -Oh, come! | 0:21:07 | 0:21:09 | |
What rules of conduct apply in this rural situation? | 0:21:09 | 0:21:13 | |
We have been introduced, have we not? | 0:21:13 | 0:21:16 | |
What value is there in an introduction | 0:21:16 | 0:21:18 | |
when you cannot even remember my name - | 0:21:18 | 0:21:21 | |
indeed, you can barely stay awake in my presence? | 0:21:21 | 0:21:24 | |
-Madam. -These scruples must seem very provincial | 0:21:26 | 0:21:29 | |
to a gentleman of such elevated airs, but I do not devise these rules. | 0:21:29 | 0:21:33 | |
I am merely obliged to obey them. | 0:21:33 | 0:21:35 | |
I have been told that there is much to see upon a walk, | 0:21:36 | 0:21:40 | |
but all I've detected so far is a tendency to green above | 0:21:40 | 0:21:43 | |
-and brown below. -Well, others have detected more. | 0:21:43 | 0:21:47 | |
It is celebrated. There is even a book about Selborne Wood. | 0:21:47 | 0:21:50 | |
Oh! | 0:21:50 | 0:21:52 | |
A novel, perhaps. | 0:21:52 | 0:21:54 | |
Novels... | 0:21:57 | 0:21:59 | |
being poor, insipid things read by mere women - | 0:21:59 | 0:22:02 | |
even, God forbid, written by mere women? | 0:22:02 | 0:22:05 | |
-Ah. We are talking of your reading. -As if the writing of women | 0:22:05 | 0:22:08 | |
did not display the greatest powers of mind, knowledge of human nature, | 0:22:08 | 0:22:12 | |
the liveliest effusions of wit and the best-chosen language imaginable! | 0:22:12 | 0:22:16 | |
-Was I deficient in rapture? -In consciousness! | 0:22:16 | 0:22:20 | |
It was... | 0:22:20 | 0:22:22 | |
It was... | 0:22:24 | 0:22:27 | |
..accomplished. | 0:22:28 | 0:22:30 | |
It was ironic. | 0:22:35 | 0:22:37 | |
-You are sure I've not offended you? -Not at all! | 0:22:42 | 0:22:45 | |
SIGHS | 0:22:50 | 0:22:51 | |
BABBLE OF VOICES | 0:22:51 | 0:22:54 | |
BANGS LOUDLY | 0:22:54 | 0:22:56 | |
My lords, ladies and gentlemen, The Grand Vizier's Flight! | 0:22:56 | 0:23:00 | |
-May I have the honour? -How kind, cousin. | 0:23:04 | 0:23:07 | |
-Miss Austen. -Oh, Mr Wisley. | 0:23:15 | 0:23:17 | |
May I have the...pleasure of this next dance? | 0:23:17 | 0:23:21 | |
BOTH CHATTER AND LAUGH | 0:23:23 | 0:23:25 | |
-Oh, no, we're so late! -Take care! | 0:23:27 | 0:23:30 | |
-Oh, thank you, Tom! Hurry! -Lucy! | 0:23:30 | 0:23:33 | |
ORCHESTRA PLAYS LIVELY BUT FORMAL DANCE TUNE | 0:23:33 | 0:23:37 | |
-Agh! -Oh! | 0:23:51 | 0:23:54 | |
I am mortified. | 0:23:57 | 0:24:00 | |
I practise, but it...won't...stick. | 0:24:01 | 0:24:04 | |
What a lovely pair they make. | 0:24:13 | 0:24:15 | |
-Ah, sister! -What do you make of Mr Lefroy? | 0:24:17 | 0:24:20 | |
-Oh, we are honoured by his presence. -You think? -He does, | 0:24:20 | 0:24:24 | |
with his preening Irish-cum-Bond-Street airs! | 0:24:24 | 0:24:27 | |
-Jane! -Well, refusing to dance, when there are so few gentlemen! | 0:24:27 | 0:24:30 | |
-Jane! -Are all your friends so disagreeable? | 0:24:30 | 0:24:33 | |
-Where exactly in Ireland does he come from? -Limerick, Miss Austen. | 0:24:33 | 0:24:37 | |
I would regard it as a mark of extreme favour | 0:24:44 | 0:24:47 | |
if you would stoop to honour me with this next dance. | 0:24:47 | 0:24:50 | |
LIVELY, ELEGANT MUSIC STRIKES UP | 0:24:52 | 0:24:55 | |
Being the first to dance with me, I feel it only fair to inform you | 0:24:56 | 0:25:00 | |
-that you carry the standard for Hampshire hospitality. -Ah! | 0:25:00 | 0:25:04 | |
Then, your country reputation depends on my report. | 0:25:04 | 0:25:07 | |
This is called a country dance, after the French, contredanse... | 0:25:07 | 0:25:12 | |
..not because it is exhibited at an uncouth rural assembly, | 0:25:15 | 0:25:18 | |
with glutinous pies... | 0:25:18 | 0:25:21 | |
..execrable Madeira... | 0:25:23 | 0:25:25 | |
and truly anarchic dancing. | 0:25:25 | 0:25:27 | |
You judge the company severely, madam. | 0:25:27 | 0:25:30 | |
-I was describing your thoughts. -Allow me to think for myself. | 0:25:30 | 0:25:33 | |
Let me do the same, and come to a different conclusion. | 0:25:33 | 0:25:36 | |
-Will you give so much to a woman? -It must depend upon the woman, | 0:25:36 | 0:25:40 | |
and what she thinks of me. | 0:25:40 | 0:25:43 | |
You are... | 0:25:43 | 0:25:45 | |
above being pleased. | 0:25:45 | 0:25:48 | |
And I think that you, Miss... What was it? | 0:25:49 | 0:25:52 | |
-Austen, Mr... -Lefroy. | 0:25:52 | 0:25:55 | |
I think that you, Miss Austen... | 0:25:56 | 0:25:58 | |
..consider yourself a cut above the company. | 0:26:00 | 0:26:03 | |
Me? | 0:26:04 | 0:26:05 | |
You, ma'am... | 0:26:07 | 0:26:09 | |
-secretly. -MUSIC CONCLUDES AND STOPS | 0:26:09 | 0:26:12 | |
ALL APPLAUD | 0:26:13 | 0:26:16 | |
-How many times did you stand up with that gentleman, Jane? -Twice? | 0:26:21 | 0:26:25 | |
Twice would have been partial. Thrice would have been absolutely... | 0:26:25 | 0:26:29 | |
-Flagrant. -Careful, Jane. Lucy's right. | 0:26:29 | 0:26:31 | |
Mr Lefroy does have a reputation. | 0:26:31 | 0:26:34 | |
Presumably as the most disagreeable, insolent, arrogant, | 0:26:34 | 0:26:38 | |
impudent... | 0:26:38 | 0:26:40 | |
..insufferable... | 0:26:41 | 0:26:43 | |
impertinent...of men! | 0:26:43 | 0:26:46 | |
Too many adjectives. | 0:26:52 | 0:26:54 | |
What is she trying to say?! | 0:27:07 | 0:27:10 | |
On your toes, gentlemen! No singles. | 0:27:10 | 0:27:13 | |
-ALL GASP AND APPLAUD -Bowl us in! | 0:27:16 | 0:27:19 | |
I never feel more French than when I watch cricket. | 0:27:24 | 0:27:27 | |
-Out! -Not out. No. | 0:27:30 | 0:27:33 | |
I begin to suspect you of flirting with my brother. | 0:27:39 | 0:27:42 | |
Flirting is a woman's trade. One must keep in practice. | 0:27:42 | 0:27:46 | |
SHOUTS | 0:27:47 | 0:27:49 | |
-ALL CHATTER AND LAUGH -Well played. | 0:27:50 | 0:27:53 | |
So, we're depending on you. | 0:27:53 | 0:27:55 | |
-Oh, it's Mr Warren's... -Thank you. -..turn. | 0:27:57 | 0:28:01 | |
John Warren! | 0:28:02 | 0:28:04 | |
Good luck, Mr Warren. | 0:28:05 | 0:28:07 | |
John never was very good, though. | 0:28:07 | 0:28:09 | |
ALL APPLAUD | 0:28:09 | 0:28:11 | |
-Easy! -Hit the ball, sir! | 0:28:20 | 0:28:23 | |
-ALL LAUGH -Run, Warren! Run! Run! -Jolly good show! | 0:28:23 | 0:28:28 | |
Watch! | 0:28:29 | 0:28:31 | |
Yeah! | 0:28:33 | 0:28:35 | |
-ALL APPLAUD -Prodigious, Tom! Prodigious! | 0:28:35 | 0:28:37 | |
LAUGHS | 0:28:37 | 0:28:39 | |
-Thank you, Warren. On your way. -Same again, Tom. | 0:28:41 | 0:28:44 | |
Well done, Mr Warren! | 0:28:45 | 0:28:48 | |
Bad ball. A terrible wicket. I hope you're not too disappointed. | 0:28:48 | 0:28:52 | |
Four more to win, Wisley. | 0:28:54 | 0:28:58 | |
-Who's next? -Come on! | 0:28:58 | 0:29:00 | |
-She can't... -Jane! | 0:29:01 | 0:29:03 | |
-What on earth are you going to do? -Irrepressible! -She can. | 0:29:03 | 0:29:08 | |
APPLAUSE | 0:29:08 | 0:29:10 | |
Go easy, Tom. | 0:29:22 | 0:29:25 | |
Be gentle, Lefroy! | 0:29:29 | 0:29:31 | |
DOG BARKS ALL APPLAUD | 0:29:50 | 0:29:52 | |
Run, Jane! Run! | 0:29:52 | 0:29:54 | |
-Move! -Run! | 0:29:54 | 0:29:57 | |
ALL SHOUT | 0:29:59 | 0:30:02 | |
One more! | 0:30:05 | 0:30:07 | |
Not out. | 0:30:09 | 0:30:11 | |
ALL CHEER | 0:30:11 | 0:30:13 | |
-LAUGHS -Lefroy! | 0:30:13 | 0:30:15 | |
She was so good! | 0:30:25 | 0:30:27 | |
-You've played this game before. -No choice. Raised by brothers. | 0:30:30 | 0:30:35 | |
Time for a swim, I think. | 0:30:35 | 0:30:37 | |
-Well played, Henry. -I dedicate our victory | 0:30:41 | 0:30:44 | |
to la Comtesse de Fueillide. | 0:30:44 | 0:30:46 | |
-There's a decent bit of river over the hill. -Oh, yes? | 0:30:49 | 0:30:52 | |
ALL SHOUT AND LAUGH | 0:30:53 | 0:30:55 | |
Careful! | 0:30:58 | 0:30:59 | |
ALL YELL HAPPILY | 0:30:59 | 0:31:02 | |
-Not this time, Lefroy! -Why not? | 0:31:25 | 0:31:28 | |
-DOG BARKS -Down, boy. | 0:31:52 | 0:31:54 | |
-Father, have you seen Tom? -No, Lucy, I've not. | 0:31:57 | 0:32:01 | |
Besotted! | 0:32:05 | 0:32:07 | |
Natural enough at 15. | 0:32:07 | 0:32:10 | |
Love and sense are enemies at any age. | 0:32:10 | 0:32:12 | |
-Mrs Lefroy, may I explore your library? -Of course. | 0:32:12 | 0:32:15 | |
Lucy would marry him tomorrow. And what a terrible husband he'd make! | 0:32:18 | 0:32:22 | |
I suppose you mean his reputation. | 0:32:22 | 0:32:25 | |
Experience can recommend a man. | 0:32:25 | 0:32:28 | |
MALE VOICE CHUCKLES | 0:32:46 | 0:32:48 | |
STAIRS CREAK | 0:33:01 | 0:33:04 | |
-Miss Austen! -Oh! Mr Lefroy. | 0:33:05 | 0:33:08 | |
-And reading! CHUCKLES -Yes. | 0:33:10 | 0:33:13 | |
I have been looking through your book of the wood, | 0:33:13 | 0:33:17 | |
-Mr White's Natural History. -Oh! How do you like it? | 0:33:17 | 0:33:20 | |
-I cannot get on. It is too disturbing. -Disturbing?! | 0:33:20 | 0:33:24 | |
Mmm! | 0:33:24 | 0:33:26 | |
Take this observation. | 0:33:26 | 0:33:28 | |
"Swifts, on a fine morning in May, flying this way, that way, | 0:33:28 | 0:33:33 | |
"sailing around at a great height perfectly happily. | 0:33:33 | 0:33:37 | |
"Then... Then one leaps onto the back of another, | 0:33:37 | 0:33:41 | |
"grasps tightly, and, forgetting to fly, | 0:33:41 | 0:33:45 | |
"they both sink down and down... in a great dying fall, | 0:33:45 | 0:33:50 | |
"fathom after fathom, | 0:33:50 | 0:33:52 | |
"until the female utters..." | 0:33:52 | 0:33:54 | |
Yes? | 0:34:00 | 0:34:02 | |
"..the female utters a loud, piercing cry... | 0:34:05 | 0:34:09 | |
"..of ecstasy." | 0:34:12 | 0:34:14 | |
Is this conduct commonplace in the natural history of Hampshire? | 0:34:19 | 0:34:23 | |
Er... SNAPS BOOK SHUT CHUCKLES | 0:34:24 | 0:34:27 | |
Your ignorance is understandable, | 0:34:27 | 0:34:30 | |
since you lack... What shall we call it? | 0:34:30 | 0:34:34 | |
..the history? | 0:34:34 | 0:34:37 | |
-Propriety commands me to ignorance. -Condemns you to it, | 0:34:38 | 0:34:43 | |
and your writing to the status of female accomplishment. | 0:34:43 | 0:34:46 | |
If you wish to practise the art of fiction, | 0:34:46 | 0:34:49 | |
to be the equal of a masculine author, | 0:34:49 | 0:34:52 | |
experience is vital. | 0:34:52 | 0:34:55 | |
I see. | 0:34:57 | 0:34:59 | |
And, er...what qualifies you to offer this advice? | 0:34:59 | 0:35:04 | |
-I know more of the world. -CHUCKLES | 0:35:05 | 0:35:08 | |
A great deal more, I gather. | 0:35:08 | 0:35:10 | |
Enough to know that your horizons must be... | 0:35:10 | 0:35:14 | |
widened... | 0:35:14 | 0:35:17 | |
..by an extraordinary young man. | 0:35:19 | 0:35:21 | |
By a very dangerous young man! | 0:35:21 | 0:35:24 | |
One who has no doubt infected the hearts of many a young...woman... | 0:35:24 | 0:35:28 | |
-with the soft corruption... -Read this, | 0:35:28 | 0:35:31 | |
and you will understand. | 0:35:31 | 0:35:33 | |
"When the philosopher heard that the fortress of virtue | 0:35:40 | 0:35:44 | |
"had already been subdued, he began to give a large scope | 0:35:44 | 0:35:47 | |
"to his desires. His appetite was not of that squeamish kind | 0:35:47 | 0:35:51 | |
-"which cannot feed on a dainty..." -'"..because another has tasted it."' | 0:35:51 | 0:35:54 | |
-He's not tasting this dainty. -What, dear? | 0:35:54 | 0:35:58 | |
JANE READS, TOM BLENDING IN "Nor had her face much appearance | 0:35:58 | 0:36:01 | |
"of beauty, but her clothes, being torn | 0:36:01 | 0:36:04 | |
"from all the upper part of the body, her breasts..." | 0:36:04 | 0:36:06 | |
'"..which were well formed and extremely white, | 0:36:06 | 0:36:10 | |
'"attracted the eyes of her deliverer, and for a few moments, | 0:36:10 | 0:36:13 | |
-'"they stood silent..."' -"..and gazing at each other." | 0:36:13 | 0:36:18 | |
CHURCH BELL RINGS | 0:36:29 | 0:36:32 | |
LOW MURMUR OF CONVERSATION | 0:36:33 | 0:36:36 | |
I have read your book. | 0:36:40 | 0:36:42 | |
-I have read your book... and disapprove. -Course you do. | 0:36:43 | 0:36:47 | |
But of what? The scenes? Characters? | 0:36:47 | 0:36:50 | |
-The prose? -No. | 0:36:50 | 0:36:52 | |
-All good. -The morality? | 0:36:52 | 0:36:56 | |
-Flawed. CHUCKLES -Of course it is. | 0:36:56 | 0:36:59 | |
But why? Vice leads to difficulty, virtue to reward. | 0:36:59 | 0:37:03 | |
-Bad characters come to bad ends. -Exactly. But, in life... | 0:37:03 | 0:37:07 | |
bad characters often thrive. Take yourself. | 0:37:07 | 0:37:11 | |
LAUGHS | 0:37:11 | 0:37:13 | |
And a novel must show how the world truly is - | 0:37:13 | 0:37:16 | |
how characters genuinely think, how events actually occur. | 0:37:16 | 0:37:20 | |
A novel should somehow... | 0:37:20 | 0:37:22 | |
er...reveal the true source of our actions. | 0:37:22 | 0:37:26 | |
What of my hero's feelings? | 0:37:27 | 0:37:30 | |
It seems to me, sir, that your hero's very vigorous feelings | 0:37:30 | 0:37:33 | |
caused him, and everyone connected with him, a great deal of trouble. | 0:37:33 | 0:37:37 | |
Ah, well, if the book has troubled you... | 0:37:37 | 0:37:40 | |
-But an author must know trouble. -What sort of trouble? | 0:37:40 | 0:37:44 | |
All sorts of trouble. | 0:37:44 | 0:37:46 | |
BABBLE OF VOICES AND LAUGHTER | 0:37:48 | 0:37:51 | |
LIVELY DRUMBEAT SHOUTING | 0:37:51 | 0:37:54 | |
Bampton Fair! Vastly entertaining. Monstrous good idea, Jane. | 0:37:55 | 0:37:59 | |
Yes, Miss Austen. Not your usual society. | 0:37:59 | 0:38:02 | |
Show a little imagination, Mr Lefroy. | 0:38:02 | 0:38:05 | |
SHOUTING LIVELY FIDDLE MUSIC | 0:38:05 | 0:38:07 | |
GASPS LAUGHS | 0:38:22 | 0:38:24 | |
SQUEALS | 0:38:31 | 0:38:32 | |
Trouble here enough! | 0:38:32 | 0:38:35 | |
And freedom - the freedom of men. | 0:38:35 | 0:38:38 | |
-Do not you envy it? -When I have the intense pleasure | 0:38:38 | 0:38:42 | |
of observing it so closely? | 0:38:42 | 0:38:45 | |
Harder! Hit him harder! | 0:38:45 | 0:38:47 | |
There's a fool, to go to it with a professional. | 0:38:47 | 0:38:51 | |
-Go on, lad! -You know about this, of course. | 0:38:51 | 0:38:55 | |
-Of course. -Vastly fashionable pastime in London. | 0:38:55 | 0:38:59 | |
EXCLAIMS CROWD SHOUTS | 0:39:02 | 0:39:05 | |
Beating a man to a pulp... What are you doing? | 0:39:06 | 0:39:10 | |
CROWD ROARS | 0:39:10 | 0:39:12 | |
Mr Lefroy... Stop! | 0:39:12 | 0:39:14 | |
-Stop! -Let us see how you fare against me, sir! | 0:39:20 | 0:39:23 | |
ALL SHOUT EXCITEDLY | 0:39:24 | 0:39:26 | |
-Five shillings on the gent. We'll take it. -ALL CHATTER | 0:39:29 | 0:39:33 | |
-Who's he, then? -ALL SHOUT | 0:39:34 | 0:39:37 | |
-Thank you. -Keep 'em comin'! | 0:39:39 | 0:39:42 | |
-Knock him out! -Tom! | 0:39:42 | 0:39:44 | |
Hit him, man! | 0:39:44 | 0:39:46 | |
-Tom... -Up! | 0:39:47 | 0:39:49 | |
You must stop! | 0:39:49 | 0:39:52 | |
Come on, Lefroy! | 0:39:54 | 0:39:56 | |
Up, sir! | 0:39:59 | 0:40:01 | |
-Stop! -Tom! | 0:40:01 | 0:40:04 | |
Lucy! | 0:40:06 | 0:40:08 | |
ALL CHEER | 0:40:10 | 0:40:12 | |
-That's twice he's done that to me. -You spend money like water! | 0:40:13 | 0:40:17 | |
I'm afraid it's damn low water with me. | 0:40:17 | 0:40:21 | |
-I'm afraid I'm short, sir. -Take it. | 0:40:21 | 0:40:23 | |
How embarrassing! | 0:40:23 | 0:40:26 | |
Mr Lefroy? Mr Lefroy?! | 0:40:30 | 0:40:32 | |
Mr Lefroy! | 0:40:32 | 0:40:34 | |
Was I deficient in propriety? | 0:40:38 | 0:40:41 | |
Why did you do that? | 0:40:43 | 0:40:45 | |
Couldn't waste all those expensive boxing lessons. | 0:40:45 | 0:40:49 | |
Forgive me if I suspect in you a sense of justice. | 0:40:52 | 0:40:55 | |
CHUCKLES COUGHS | 0:40:55 | 0:40:57 | |
I am a lawyer. Justice plays no part in the law. | 0:40:58 | 0:41:03 | |
Is that what you believe? | 0:41:03 | 0:41:05 | |
I believe what I must. | 0:41:09 | 0:41:11 | |
I beg your leave. | 0:41:14 | 0:41:16 | |
A heart has stirred. | 0:41:24 | 0:41:26 | |
It's a summer squall. Mr Lefroy will soon be gone, | 0:41:26 | 0:41:30 | |
and Mr Wisley will still be waiting...I hope. | 0:41:30 | 0:41:34 | |
-The man's a booby. -Oh, he will grow out of that, | 0:41:34 | 0:41:38 | |
and she could fix him with very little trouble. | 0:41:38 | 0:41:41 | |
-You could persuade her. -To sacrifice her happiness? | 0:41:41 | 0:41:45 | |
Jane should have...not the man who offers the best price, | 0:41:45 | 0:41:49 | |
-but the man she wants! -Oh, Mr Austen! | 0:41:49 | 0:41:52 | |
Must we have this conversation day in and day out?! | 0:41:52 | 0:41:56 | |
The girl will end up in the gutter, if we carry on like this! | 0:41:56 | 0:42:00 | |
DOOR SLAMS | 0:42:00 | 0:42:02 | |
Janie! | 0:42:16 | 0:42:18 | |
Mr Austen! | 0:42:18 | 0:42:20 | |
Where are you?! | 0:42:21 | 0:42:24 | |
RINGS BELL | 0:42:31 | 0:42:33 | |
So kind of you to return the call. | 0:42:47 | 0:42:50 | |
-Will you take a dish of tea, ma'am? -Green tea? | 0:42:53 | 0:42:57 | |
Brown, Your Ladyship. | 0:42:57 | 0:43:00 | |
Then, no. | 0:43:00 | 0:43:02 | |
Where is your youngest daughter? | 0:43:06 | 0:43:08 | |
She's visiting the poor...ma'am. | 0:43:10 | 0:43:13 | |
BOTH LAUGH | 0:43:15 | 0:43:17 | |
Jane! Jane! | 0:43:25 | 0:43:27 | |
At last! Lady Gresham and Mr Wisley have come to call. | 0:43:30 | 0:43:34 | |
Where have you been?! | 0:43:34 | 0:43:36 | |
Ma'am. Sir. | 0:43:38 | 0:43:40 | |
Well, perhaps the young people would like to take a walk. | 0:43:41 | 0:43:45 | |
I see a pretty little wilderness at the side of the house. | 0:43:45 | 0:43:49 | |
Excuse me. | 0:43:49 | 0:43:52 | |
Jane! | 0:43:56 | 0:43:58 | |
-What is she doing? -Writing. | 0:44:01 | 0:44:04 | |
Can anything be done about it? | 0:44:05 | 0:44:08 | |
Miss Austen, you may know that... | 0:44:12 | 0:44:16 | |
I have known you for some considerable time, | 0:44:16 | 0:44:20 | |
during my visits to Steventon... | 0:44:20 | 0:44:23 | |
The garden is...so affecting... in this season. | 0:44:23 | 0:44:27 | |
Indeed. | 0:44:27 | 0:44:29 | |
The impression you have given me has been - | 0:44:29 | 0:44:32 | |
Flowers, particularly. | 0:44:32 | 0:44:34 | |
What I'm trying to say... is that I... | 0:44:34 | 0:44:37 | |
I have a respectable property of £2,000 a year, | 0:44:37 | 0:44:40 | |
and addition to greater expectations as Lady Gresham's heir, | 0:44:40 | 0:44:44 | |
-to which it may be indelicate to refer. -Oh, indelicate. yes. | 0:44:44 | 0:44:47 | |
It's yours...if we marry. All of it, yours. | 0:44:47 | 0:44:51 | |
Mr Wisley... | 0:44:54 | 0:44:56 | |
Your offer is most sincere, I can see, | 0:45:00 | 0:45:04 | |
and gentlemanlike, and it honours me, truly. | 0:45:04 | 0:45:07 | |
But...for all you are, and all you offer, I... | 0:45:08 | 0:45:13 | |
Yes. | 0:45:15 | 0:45:17 | |
CLEARS THROAT | 0:45:19 | 0:45:22 | |
Sometimes affection is a shy flower that takes time to blossom. | 0:45:27 | 0:45:30 | |
Lying to tradesmen! Mending, scratching, scraping! | 0:45:37 | 0:45:42 | |
Endlessly, endlessly making do! | 0:45:42 | 0:45:45 | |
I understand that our circumstances are difficult. | 0:45:45 | 0:45:48 | |
-There is no money for you. -Surely something could be done! | 0:45:48 | 0:45:52 | |
What we can put by must go to your brothers! You will have nothing, | 0:45:52 | 0:45:56 | |
-unless you marry. -I will not marry without affection, | 0:45:56 | 0:45:59 | |
-like my mother! -And now I have to dig my own damn potatoes! | 0:45:59 | 0:46:03 | |
Would you rather be a poor old maid? Ridiculous? | 0:46:12 | 0:46:16 | |
Despised? The butt of jokes? The legitimate sport | 0:46:16 | 0:46:19 | |
of any village lout with a stone and an impudent tongue? | 0:46:19 | 0:46:23 | |
Affection... | 0:46:28 | 0:46:31 | |
is desirable. | 0:46:31 | 0:46:33 | |
Money... is absolutely indispensable. | 0:46:33 | 0:46:37 | |
I could live by my... | 0:46:44 | 0:46:46 | |
Your what? | 0:46:49 | 0:46:51 | |
-I could live by my... -Pen?! | 0:46:53 | 0:46:55 | |
Let's knock that notion on the head once and for all. | 0:46:55 | 0:46:59 | |
What's this? Trouble... | 0:46:59 | 0:47:01 | |
amongst my women? | 0:47:01 | 0:47:04 | |
Come. Take hands, and there's an end. | 0:47:04 | 0:47:08 | |
-Where are you going? Miss! -To feed the pigs, ma'am! | 0:47:08 | 0:47:12 | |
He could give you a splendid home. | 0:47:29 | 0:47:31 | |
-A comfortable life. -Father... | 0:47:33 | 0:47:35 | |
Consider. | 0:47:36 | 0:47:38 | |
This is likely to be your best offer. | 0:47:38 | 0:47:41 | |
Wisley?! CHUCKLES | 0:47:41 | 0:47:44 | |
It is true, so far he has not impressed us... | 0:47:44 | 0:47:47 | |
-"A booby." -He should grow out of that. | 0:47:47 | 0:47:50 | |
Nothing...destroys spirit... | 0:48:02 | 0:48:06 | |
..like poverty. | 0:48:07 | 0:48:09 | |
I saw Queen Marie Antoinette wear something the same at a ball once. | 0:48:19 | 0:48:23 | |
Am I making a show? | 0:48:25 | 0:48:27 | |
I am, I know. | 0:48:27 | 0:48:29 | |
What trouble we take to make them like us, when we like them! | 0:48:32 | 0:48:35 | |
Henry? | 0:48:37 | 0:48:39 | |
Er...Eliza, my brother is much younger than you. | 0:48:41 | 0:48:45 | |
And poorer. | 0:48:45 | 0:48:47 | |
He knows that I care for him sincerely. | 0:48:49 | 0:48:52 | |
I know that he is handsome... | 0:48:52 | 0:48:54 | |
Handsome young men must have a living, as well as the plain. | 0:48:54 | 0:48:57 | |
-You'd encourage him to take you for money? -Men do. | 0:48:57 | 0:49:01 | |
-That does not make it honourable. -I'm a sensible woman. | 0:49:01 | 0:49:04 | |
Thank God I am not, by your description. | 0:49:04 | 0:49:06 | |
If you were, you might ascertain that your Irish friend | 0:49:09 | 0:49:12 | |
has not a penny, and could not marry without it. | 0:49:12 | 0:49:15 | |
Consider that at the ball tonight. | 0:49:15 | 0:49:18 | |
In any event, he'll be gone tomorrow, back to Bond Street | 0:49:19 | 0:49:22 | |
where he can do no more harm. | 0:49:22 | 0:49:24 | |
LOW MURMUR OF CONVERSATION | 0:50:47 | 0:50:50 | |
Good evening, Miss Austen. | 0:51:12 | 0:51:15 | |
ALL CHATTER QUIETLY | 0:51:15 | 0:51:17 | |
DIALOGUE MUTED UNDER HAUNTING INCIDENTAL MUSIC | 0:51:29 | 0:51:32 | |
VIOLINIST PLAYS INTRO TO LILTING, ELEGANT TUNE | 0:51:57 | 0:52:02 | |
ORCHESTRA JOINS IN | 0:52:02 | 0:52:05 | |
MUSIC DRAWS TO STATELY CONCLUSION | 0:53:55 | 0:53:59 | |
LOW MURMUR OF CONVERSATION | 0:54:04 | 0:54:06 | |
ALL CONVERSE QUIETLY | 0:54:17 | 0:54:20 | |
-Jane Austen, ma'am. -Pleasure. | 0:54:24 | 0:54:27 | |
CONVERSATION BECOMES INDISTINCT SUBJECTIVELY TO JANE | 0:54:27 | 0:54:30 | |
You dance with passion. | 0:54:30 | 0:54:33 | |
No sensible woman would demonstrate passion... | 0:54:33 | 0:54:37 | |
if the purpose were to attract a husband. | 0:54:37 | 0:54:39 | |
As opposed to a lover? | 0:54:43 | 0:54:45 | |
Rest easy, Mr Lefroy. I have no expectation on either count. | 0:54:49 | 0:54:53 | |
-I did not mean to hurt... -Oh, no. Of course not. Excuse me. | 0:54:53 | 0:54:57 | |
Just over-warm. Er, pardon me. | 0:54:57 | 0:55:00 | |
CONVERSATION CONTINUES, INDISTINCT | 0:55:04 | 0:55:07 | |
-Ah! Miss Austen! -Excuse me. | 0:55:11 | 0:55:13 | |
This is unbearable. My father is pressing for an early ordination, | 0:55:47 | 0:55:52 | |
while my own inclination is to the scarlet of a captaincy | 0:55:52 | 0:55:55 | |
in His Majesty's regulars. | 0:55:55 | 0:55:58 | |
But I do not have the money to purchase one. | 0:55:58 | 0:56:01 | |
I do. | 0:56:01 | 0:56:03 | |
Well, that, of course, is impossible. | 0:56:05 | 0:56:08 | |
Oh, Henry! Do not disguise yourself, not to me. | 0:56:08 | 0:56:11 | |
Scarlet...will suit you very well. | 0:56:14 | 0:56:18 | |
-Miss Austen! -JANE AND ELIZA GASP | 0:56:20 | 0:56:23 | |
There you are! | 0:56:23 | 0:56:24 | |
I cannot believe that I am obliged to have this conversation. | 0:56:33 | 0:56:38 | |
Your Ladyship? | 0:56:38 | 0:56:40 | |
Mr Wisley's mother, my own dear sister, died young. | 0:56:42 | 0:56:46 | |
I have no children of my own. | 0:56:46 | 0:56:49 | |
I hope you never come to understand the pain of that condition. | 0:56:49 | 0:56:53 | |
Let us simply say...my nephew's wishes are close to my heart... | 0:56:55 | 0:57:00 | |
..however extraordinary they may be. | 0:57:02 | 0:57:05 | |
Well... | 0:57:07 | 0:57:09 | |
your health seems robust. | 0:57:09 | 0:57:12 | |
You have the usual accomplishments. | 0:57:13 | 0:57:16 | |
Your person is agreeable. | 0:57:16 | 0:57:19 | |
But...when a young woman such as yourself | 0:57:21 | 0:57:25 | |
receives the addresses from a gentleman such as my nephew, | 0:57:25 | 0:57:29 | |
it is her duty to accept at once! | 0:57:29 | 0:57:32 | |
But what do we find? | 0:57:32 | 0:57:35 | |
-Independent thought? -Exactly. | 0:57:37 | 0:57:39 | |
My nephew, Miss Austen, | 0:57:39 | 0:57:42 | |
condescends far indeed, | 0:57:42 | 0:57:45 | |
in offering to the daughter of an obscure and impecunious clergyman. | 0:57:45 | 0:57:50 | |
Impecunious? Your Ladyship is mistaken. | 0:57:50 | 0:57:54 | |
I am never...mistaken. | 0:57:54 | 0:57:57 | |
Your father is in grave financial difficulties. | 0:57:57 | 0:58:01 | |
But all is not lost. | 0:58:02 | 0:58:04 | |
He has a daughter upon whom fortune has smiled. | 0:58:05 | 0:58:09 | |
Mr Wisley is a good opportunity for Jane. | 0:58:24 | 0:58:27 | |
She should accept him at once! | 0:58:29 | 0:58:31 | |
Do...not you think? | 0:58:33 | 0:58:35 | |
-Lucy! -What? What... Mother! | 0:58:36 | 0:58:40 | |
I have learned of Mr Wisley's marriage proposal. | 0:59:05 | 0:59:08 | |
My congratulations. | 0:59:09 | 0:59:11 | |
Is there an alternative, for a well-educated young woman | 0:59:11 | 0:59:15 | |
-of small fortune? -How can you have him? | 0:59:15 | 0:59:19 | |
Even with his thousands and his houses, | 0:59:20 | 0:59:23 | |
how can you, of all people, dispose of yourself without affection? | 0:59:23 | 0:59:27 | |
How can I dispose of myself with it? | 0:59:31 | 0:59:34 | |
You are leaving tomorrow. | 0:59:36 | 0:59:38 | |
-Did I do that well? -Very, very well. | 1:00:14 | 1:00:18 | |
I wanted, just once, to do it well. | 1:00:18 | 1:00:23 | |
< MEN CHATTER | 1:00:23 | 1:00:25 | |
I have no money, no property, | 1:00:29 | 1:00:32 | |
I am entirely dependent upon that bizarre old lunatic, my uncle. | 1:00:32 | 1:00:35 | |
I cannot yet offer marriage. But you must know what I feel. | 1:00:35 | 1:00:40 | |
Jane, I'm yours. | 1:00:41 | 1:00:43 | |
God, I'm yours. I'm yours, heart and soul. | 1:00:43 | 1:00:48 | |
Much good that is. | 1:00:50 | 1:00:52 | |
Let me decide that. | 1:00:53 | 1:00:55 | |
What will we do? | 1:01:00 | 1:01:02 | |
What we must. | 1:01:04 | 1:01:07 | |
'"My dearest Cassandra, my heart has wings. | 1:01:14 | 1:01:17 | |
'"Doubts and deliberations are ended. | 1:01:17 | 1:01:20 | |
'"Soon I shall escape the attentions of that great lady | 1:01:20 | 1:01:23 | |
'"and her scintillating nephew. | 1:01:23 | 1:01:26 | |
'"Eliza, Henry and I will join you at the coast, | 1:01:26 | 1:01:29 | |
'"but we are obliged to break our journey in London. | 1:01:29 | 1:01:31 | |
'"Tom has cleverly secured an invitation | 1:01:31 | 1:01:34 | |
'"to stay with his uncle, the judge. | 1:01:34 | 1:01:35 | |
'"Let us hope we can convince him of my eligibility. | 1:01:35 | 1:01:38 | |
'"Please destroy this disgraceful letter | 1:01:38 | 1:01:40 | |
'"the moment you have recovered from your astonishment. | 1:01:40 | 1:01:43 | |
'"Yours affectionately, and in haste, Jane.'" | 1:01:43 | 1:01:46 | |
Tom! Our guests have arrived. | 1:01:50 | 1:01:53 | |
Decorum. | 1:02:01 | 1:02:03 | |
-Countess. -Sir. | 1:02:03 | 1:02:05 | |
-Welcome... -Madame le Comtesse. | 1:02:05 | 1:02:08 | |
Madame le Comtesse. | 1:02:08 | 1:02:09 | |
Seldom, too seldom, my house receives the presence of nobility. | 1:02:09 | 1:02:14 | |
And, of course, its friends. Please. | 1:02:14 | 1:02:17 | |
Your stay is short. There's not a moment to lose. | 1:02:17 | 1:02:21 | |
My nephew has devised a plan of metropolitan amusement. | 1:02:21 | 1:02:27 | |
-Pleasure is, as you would say, Madame, his forte. -Ah, is it? | 1:02:27 | 1:02:33 | |
LAUGHTER | 1:02:33 | 1:02:35 | |
Which battle was it, Tom? | 1:02:35 | 1:02:37 | |
-Ah. Villers-en-Cauchies. -Very good. | 1:02:37 | 1:02:40 | |
Thousands slain. Served those Frenchies out. | 1:02:40 | 1:02:43 | |
Oh. Saving your presence, ma'am. | 1:02:43 | 1:02:47 | |
Be not afraid of abusing the Jacobins on my account, Judge. | 1:02:47 | 1:02:50 | |
-They guillotined my husband. -Oh, savages. Beasts. | 1:02:50 | 1:02:54 | |
-And his property? -Confiscated. | 1:02:54 | 1:02:56 | |
A disaster. | 1:02:56 | 1:02:58 | |
Of course, by then, much of my wealth was portable, so... | 1:02:58 | 1:03:02 | |
-Ah. -CHUCKLES | 1:03:02 | 1:03:04 | |
Yes, portable property is happiness in a pocketbook. LAUGHTER | 1:03:04 | 1:03:08 | |
Do I detect you in irony? | 1:03:09 | 1:03:12 | |
It is my considered opinion that irony is insult with a smiling face. | 1:03:15 | 1:03:21 | |
-CHUCKLES -Indeed. | 1:03:21 | 1:03:24 | |
No. | 1:03:25 | 1:03:26 | |
No? | 1:03:27 | 1:03:29 | |
No, irony is the bringing together of contradictory truths | 1:03:29 | 1:03:35 | |
to make out of the contradiction a new truth with a laugh or a smile, | 1:03:35 | 1:03:38 | |
and I confess that a truth must come with one or the other, | 1:03:38 | 1:03:42 | |
or I account it as false and a denial of the nature of humanity itself. | 1:03:42 | 1:03:47 | |
CHUCKLES | 1:03:49 | 1:03:51 | |
My cousin is a writer. | 1:03:55 | 1:03:58 | |
Of what? | 1:03:58 | 1:04:00 | |
Jane? | 1:04:00 | 1:04:02 | |
Novels. | 1:04:04 | 1:04:06 | |
-A young woman of family? -CLEARS THROAT -Yes, uncle, | 1:04:07 | 1:04:13 | |
and tomorrow we go and visit another, Mrs Radcliffe. | 1:04:13 | 1:04:16 | |
She keeps herself to herself, but I know her husband through the law. | 1:04:16 | 1:04:20 | |
-Who? -The authoress, Mrs Radcliffe. | 1:04:20 | 1:04:24 | |
-As writing is her profession. -Her what? | 1:04:24 | 1:04:27 | |
£500, uncle, for the last novel, The Mysteries of Udolpho. | 1:04:27 | 1:04:30 | |
-And £800, I believe, for her next. -The Italian. -Above £1,000? | 1:04:30 | 1:04:34 | |
-CHUCKLES -The times, the times. | 1:04:35 | 1:04:39 | |
You live so quietly. | 1:04:53 | 1:04:55 | |
And yet your novels are filled with romance, danger, terror. | 1:04:55 | 1:05:00 | |
Everything my life is not. | 1:05:02 | 1:05:05 | |
Oh. Apparently. | 1:05:05 | 1:05:07 | |
-Of what do you wish to write? -Um... | 1:05:07 | 1:05:11 | |
-..of the heart. -Oh. Do you know it? | 1:05:13 | 1:05:16 | |
Not all of it. | 1:05:18 | 1:05:20 | |
In time, you will. | 1:05:20 | 1:05:23 | |
But even if that fails, that's what the imagination's for. | 1:05:23 | 1:05:28 | |
Your imagination has brought you independence. | 1:05:31 | 1:05:35 | |
At a cost to myself and to my husband. | 1:05:36 | 1:05:40 | |
Poor William. | 1:05:41 | 1:05:42 | |
To have a wife who has a mind is considered not quite proper. | 1:05:42 | 1:05:46 | |
To have a wife with a literary reputation... | 1:05:46 | 1:05:49 | |
nothing short of scandalous. | 1:05:49 | 1:05:51 | |
But it must be possible. | 1:05:55 | 1:05:57 | |
-To live as both wife and author? -Oh. | 1:05:58 | 1:06:02 | |
I think so. | 1:06:02 | 1:06:03 | |
Though never easy. | 1:06:05 | 1:06:06 | |
SNORING | 1:06:26 | 1:06:28 | |
Could I really have this? | 1:06:43 | 1:06:46 | |
What, precisely? | 1:06:46 | 1:06:48 | |
You. LAUGHS | 1:06:48 | 1:06:50 | |
Me, how? | 1:06:50 | 1:06:53 | |
-This life with you. -Yes. | 1:06:53 | 1:06:55 | |
-Lefroy. -Hush. The judge. | 1:06:57 | 1:07:00 | |
-The man's like a rampant dog. -SIGHS | 1:07:00 | 1:07:03 | |
He will be generous. I'm sure of it. | 1:07:04 | 1:07:07 | |
-You'll speak with him? -Tomorrow, I promise. | 1:07:08 | 1:07:11 | |
I really must say good night. | 1:07:11 | 1:07:14 | |
-Good night. -Good night. | 1:07:14 | 1:07:16 | |
-Miss Austen? -SIGHS | 1:07:18 | 1:07:20 | |
-Yes? -Good night. | 1:07:20 | 1:07:22 | |
You know, I think my mother is right. | 1:07:29 | 1:07:31 | |
A husband, and the sooner, the better. | 1:07:31 | 1:07:33 | |
GRUNTS | 1:07:51 | 1:07:53 | |
DOG BARKS | 1:08:00 | 1:08:02 | |
DISTANT BELL TOLLS | 1:08:10 | 1:08:13 | |
Five girls of little fortune. | 1:08:16 | 1:08:21 | |
"..sensibly and as warmly as a man | 1:08:29 | 1:08:33 | |
"violently in love can be supposed to do... | 1:08:33 | 1:08:35 | |
"Mr Wickham was the happy man | 1:08:36 | 1:08:38 | |
"towards whom almost every female eye was turned... | 1:08:38 | 1:08:40 | |
"..No comparison... | 1:08:40 | 1:08:42 | |
"..Partial, prejudiced, absurd... | 1:08:47 | 1:08:51 | |
"Watch for the first appearance of Pemberley Woods... | 1:08:51 | 1:08:56 | |
"The happiness which this reply produced... | 1:08:56 | 1:08:59 | |
"It will not do. My feelings will not be repressed..." | 1:08:59 | 1:09:02 | |
KNOCK AT DOOR | 1:09:16 | 1:09:18 | |
CLOCK CHIMES | 1:09:42 | 1:09:44 | |
-Good morning, sir. -Good morning? | 1:09:51 | 1:09:55 | |
-Has the world turned topsy? -Sir? | 1:09:58 | 1:10:02 | |
I trust the countess is enjoying her visit? | 1:10:03 | 1:10:07 | |
-I... I gather she is, sir. I... -Fine woman, very fine woman. | 1:10:07 | 1:10:10 | |
Indeed. I'd hoped to discuss a certain matter. | 1:10:12 | 1:10:16 | |
Your allowance is beyond negotiation. | 1:10:16 | 1:10:19 | |
SIGHS | 1:10:22 | 1:10:25 | |
Now that you have had the opportunity | 1:10:25 | 1:10:27 | |
to become acquainted with Miss Austen yourself, | 1:10:27 | 1:10:30 | |
I am sure you will find, as I do, | 1:10:30 | 1:10:32 | |
-that she is a remarkable young woman. -YELLS | 1:10:32 | 1:10:35 | |
-This is an outrage! -If you will allow me to speak, sir. | 1:10:36 | 1:10:40 | |
-There is no need. This letter makes it absolutely clear. -Letter? | 1:10:40 | 1:10:44 | |
Now I know what you were at down in Hampshire. | 1:10:44 | 1:10:47 | |
It is from Steventon. | 1:10:47 | 1:10:49 | |
Is it true that you have practiced upon me with this chit? | 1:10:49 | 1:10:52 | |
I wished you to know the young lady. I wished to introduce her | 1:10:52 | 1:10:55 | |
-to your affections discreetly. -Aye! Blind me with the rich widow, | 1:10:55 | 1:10:59 | |
and then insinuate that penniless little husband-hunter! | 1:10:59 | 1:11:03 | |
-Moderation, sir, I beg you! -That ironical little authoress. | 1:11:03 | 1:11:06 | |
I wished you to know her for yourself. | 1:11:06 | 1:11:09 | |
I was certain her merit would speak for her. | 1:11:09 | 1:11:11 | |
-Consider, sir, my happiness is in your hands. -Happiness? | 1:11:11 | 1:11:16 | |
Damn it, nephew, I had rather you were a whore-mongering blackguard | 1:11:18 | 1:11:22 | |
with a chance of reform | 1:11:22 | 1:11:23 | |
than a love-sick whelp sunk in a bad marriage. | 1:11:23 | 1:11:27 | |
My uncle has refused to give his consent. | 1:11:42 | 1:11:45 | |
-The letter has done its work. -Who sent it? | 1:11:45 | 1:11:49 | |
Lady Gresham? | 1:11:52 | 1:11:54 | |
Or her nephew. | 1:11:55 | 1:11:57 | |
They think that they can do what they like with us, | 1:12:03 | 1:12:07 | |
-but I will not accept this. -We have no choice. | 1:12:07 | 1:12:10 | |
Of course we do. | 1:12:11 | 1:12:13 | |
I...depend entirely upon... | 1:12:24 | 1:12:28 | |
Upon your uncle. | 1:12:33 | 1:12:36 | |
Mmm. | 1:12:36 | 1:12:39 | |
And I depend on you. | 1:12:39 | 1:12:42 | |
So what will you do? | 1:12:47 | 1:12:50 | |
What I must. | 1:12:51 | 1:12:54 | |
I have a duty to my family, Jane. I must think of them as well as... | 1:12:54 | 1:12:59 | |
Tom... | 1:12:59 | 1:13:01 | |
Is that... is that all you have to say to me? | 1:13:03 | 1:13:06 | |
Goodbye, Mr Lefroy. | 1:13:22 | 1:13:24 | |
The sentence of this court is that you be taken to the place | 1:14:16 | 1:14:20 | |
whence you came and thence to a place of execution | 1:14:20 | 1:14:24 | |
and that you be there hanged by the neck until you are dead. | 1:14:24 | 1:14:29 | |
May the Lord have mercy on your soul. | 1:14:30 | 1:14:33 | |
Next. | 1:14:41 | 1:14:43 | |
GAVEL CLANGS | 1:14:47 | 1:14:49 | |
He has behaved so ill to you, Jane. | 1:14:55 | 1:14:57 | |
Perhaps soon we can return home to Steventon. | 1:15:03 | 1:15:06 | |
Is there any news of Robert? | 1:15:08 | 1:15:10 | |
-He has arrived in San Domingo at last. -Good. Good. | 1:15:16 | 1:15:20 | |
Good. | 1:15:22 | 1:15:23 | |
-LAUGHTER -Glass of wine with you, sir? | 1:15:47 | 1:15:49 | |
Yes. | 1:15:51 | 1:15:52 | |
Yes, a toast from one member of the profession to another. | 1:15:52 | 1:15:56 | |
I'm sorry to have been so disobliging in the past. | 1:17:08 | 1:17:11 | |
Mr Wisley? | 1:17:17 | 1:17:19 | |
So, the infamous Mrs Radcliffe. | 1:17:23 | 1:17:27 | |
Was she really as gothic as her novels? | 1:17:27 | 1:17:31 | |
Not in externals, | 1:17:33 | 1:17:35 | |
but her inner landscape is quite picturesque, I suspect. | 1:17:35 | 1:17:38 | |
True of us all. | 1:17:38 | 1:17:40 | |
WHISPERING | 1:17:40 | 1:17:42 | |
THUNDER RUMBLES | 1:17:47 | 1:17:50 | |
WHISPERS | 1:18:37 | 1:18:39 | |
Oh. | 1:18:39 | 1:18:41 | |
-There's a message for Reverend Austen. -Thank you. | 1:18:43 | 1:18:47 | |
Uncle? | 1:19:11 | 1:19:13 | |
What is it? | 1:19:28 | 1:19:30 | |
SOBS | 1:19:34 | 1:19:36 | |
GASPS AND SOBS | 1:19:50 | 1:19:53 | |
It seemed he died very soon after landing in San Domingo. | 1:20:28 | 1:20:32 | |
My God, he was hardly there. | 1:20:32 | 1:20:34 | |
What was the disease? | 1:20:35 | 1:20:37 | |
Yellow fever. Lord Craven, he wrote. | 1:20:38 | 1:20:42 | |
He said that if he had known he was engaged to be married, | 1:20:42 | 1:20:46 | |
he would never have taken him. | 1:20:46 | 1:20:48 | |
Jane, there's something else. | 1:20:55 | 1:20:58 | |
Mr Lefroy, Tom. | 1:20:59 | 1:21:02 | |
What? | 1:21:03 | 1:21:05 | |
I would keep this from you if I could. | 1:21:05 | 1:21:08 | |
He's here visiting Mrs Lefroy and I... | 1:21:08 | 1:21:11 | |
He is engaged. | 1:21:11 | 1:21:13 | |
So soon? | 1:21:22 | 1:21:25 | |
A letter? | 1:21:56 | 1:21:58 | |
Um, no. | 1:21:59 | 1:22:01 | |
No, it's something I began in London. | 1:22:01 | 1:22:04 | |
It is the tale of a young woman. Two young women. | 1:22:08 | 1:22:12 | |
Better than their circumstances. | 1:22:14 | 1:22:17 | |
So many are. | 1:22:17 | 1:22:19 | |
And two young gentlemen who receive much better than their desserts as so very many do. | 1:22:19 | 1:22:26 | |
Mmm. | 1:22:28 | 1:22:29 | |
How does the story begin? | 1:22:33 | 1:22:35 | |
-Badly. -And then? -It gets worse. | 1:22:35 | 1:22:39 | |
With, I hope, some humour. | 1:22:41 | 1:22:43 | |
How does it end? | 1:22:48 | 1:22:50 | |
They both make triumphant, happy endings. | 1:22:55 | 1:22:58 | |
Brilliant marriages? | 1:23:00 | 1:23:03 | |
Incandescent marriages to very rich men. | 1:23:03 | 1:23:08 | |
CHUCKLES | 1:23:08 | 1:23:10 | |
You asked me a question. | 1:23:20 | 1:23:24 | |
I am ready to give you an answer. | 1:23:25 | 1:23:27 | |
But there is one matter to be settled. | 1:23:27 | 1:23:29 | |
I cannot make you out, Mr Wisley. | 1:23:32 | 1:23:35 | |
At times, you are the most gentlemanlike man I know, | 1:23:37 | 1:23:41 | |
and yet you would... | 1:23:41 | 1:23:42 | |
Yet. What a sad word. | 1:23:42 | 1:23:46 | |
And yet...you write yourself most tellingly to great effect. | 1:23:46 | 1:23:51 | |
-I'm speaking, of course, of your letter. -What letter? | 1:23:52 | 1:23:55 | |
Was your aunt the correspondent on your behalf? | 1:23:55 | 1:23:59 | |
What matter. | 1:24:01 | 1:24:02 | |
-Um... -One way or another, passion makes fools of us all. | 1:24:02 | 1:24:05 | |
I hope, in time, passion may regain your better opinion. | 1:24:05 | 1:24:08 | |
The emotion is absurd. | 1:24:08 | 1:24:10 | |
When you consider the sex to whom it is often directed, | 1:24:11 | 1:24:14 | |
indistinguishable from folly. | 1:24:14 | 1:24:16 | |
I thank you for the honour of your proposal. I accept. Good day. | 1:24:17 | 1:24:21 | |
BIRDS SQUAWK | 1:24:32 | 1:24:34 | |
George, George. | 1:24:47 | 1:24:49 | |
Mr Wisley is... He's an honourable man. | 1:24:49 | 1:24:53 | |
You'll always have a place with me. | 1:24:53 | 1:24:57 | |
Miss Austen. | 1:25:00 | 1:25:02 | |
Mr Lefroy. | 1:25:04 | 1:25:06 | |
Sir. | 1:25:14 | 1:25:16 | |
I believe I must congratulate you, Mr Lefroy. | 1:25:18 | 1:25:23 | |
And you've come to visit an old friend at such a time. | 1:25:24 | 1:25:27 | |
How considerate. | 1:25:27 | 1:25:29 | |
I have come... | 1:25:35 | 1:25:37 | |
to offer an explanation, belatedly... | 1:25:37 | 1:25:40 | |
..for my conduct. I cannot think how to describe it. | 1:25:42 | 1:25:45 | |
Tell me about your lady, Mr Lefroy. | 1:25:45 | 1:25:47 | |
From where does she come? | 1:25:49 | 1:25:51 | |
She's from County Wexford. | 1:25:53 | 1:25:54 | |
Your own country. Excellent. | 1:25:54 | 1:25:58 | |
What was it that won her? Your manner, smiles and pleasing address? | 1:26:01 | 1:26:06 | |
No, no, not at all. | 1:26:12 | 1:26:14 | |
No, had I really experienced that emotion, | 1:26:14 | 1:26:18 | |
I should, at present, detest the very sight of him. | 1:26:18 | 1:26:21 | |
And you are mistaken. | 1:26:21 | 1:26:22 | |
I'm even impartial towards the gloriously endowed Miss Wexford... | 1:26:22 | 1:26:27 | |
I cannot do this. | 1:26:27 | 1:26:29 | |
And so you would marry Wisley? | 1:26:38 | 1:26:40 | |
Please? | 1:26:46 | 1:26:48 | |
If there is a shred of truth or justice inside of you, | 1:26:50 | 1:26:54 | |
-you cannot marry him. -Oh, no, Mr Lefroy. | 1:26:54 | 1:26:56 | |
Justice, by your own admission, you know little of, truth even less. | 1:26:56 | 1:27:00 | |
Jane, I have tried. I have tried and I cannot live this lie. | 1:27:00 | 1:27:04 | |
Can you? | 1:27:05 | 1:27:06 | |
Jane, can you? | 1:27:07 | 1:27:10 | |
What value will there be in life if we are not together? | 1:27:13 | 1:27:17 | |
Run away with me. | 1:27:24 | 1:27:26 | |
An elopement? | 1:27:28 | 1:27:30 | |
That is exactly what I propose. | 1:27:31 | 1:27:34 | |
We'll post to London, by Friday be in Scotland, and man and wife. | 1:27:34 | 1:27:39 | |
-Leave everything? -Everything. | 1:27:41 | 1:27:44 | |
It is the only way we can be together. | 1:27:44 | 1:27:46 | |
You'll lose everything. | 1:28:06 | 1:28:08 | |
Family, place. For what? | 1:28:08 | 1:28:13 | |
A lifetime of drudgery on a pittance? | 1:28:13 | 1:28:15 | |
A child every year and no means to lighten the load? | 1:28:16 | 1:28:19 | |
-How will you write, Jane? -I do not know. | 1:28:19 | 1:28:23 | |
But happiness is within my grasp and I cannot help myself. | 1:28:23 | 1:28:26 | |
There is no sense in this. | 1:28:26 | 1:28:28 | |
If you could have your Robert back, | 1:28:32 | 1:28:35 | |
even like this, would you do it? | 1:28:35 | 1:28:39 | |
Oh... | 1:28:44 | 1:28:45 | |
-Please conceal my departure as long as possible. -Wait. | 1:28:45 | 1:28:50 | |
Here. | 1:28:52 | 1:28:54 | |
Take these. Now go, quickly. | 1:28:55 | 1:28:58 | |
CLASSICAL MUSIC | 1:29:10 | 1:29:12 | |
< ROOSTER CROWS | 1:29:19 | 1:29:22 | |
Come. If we hurry, we can still make the morning coach. | 1:29:33 | 1:29:36 | |
You are sure? | 1:29:36 | 1:29:38 | |
Be careful. | 1:29:44 | 1:29:45 | |
-Is it coming? -Not yet. | 1:29:48 | 1:29:50 | |
Take my hand. All right? | 1:29:53 | 1:29:55 | |
Hurry. I can hear it approaching. | 1:29:56 | 1:29:59 | |
Here it is. | 1:30:03 | 1:30:05 | |
Whoa. Whoa. Whoa. | 1:30:11 | 1:30:13 | |
Two to London. We'll settle at first rest. | 1:30:14 | 1:30:16 | |
-Yes? -Right you are, sir. | 1:30:16 | 1:30:18 | |
Hampshire, your home county. | 1:30:48 | 1:30:51 | |
It was. | 1:30:52 | 1:30:53 | |
BOTH LAUGH | 1:30:57 | 1:30:59 | |
RUMBLING | 1:30:59 | 1:31:01 | |
Stuck. Everybody out, ladies and gentlemen, please. | 1:31:02 | 1:31:06 | |
-We need to lighten the load. -No, let me, let me. | 1:31:08 | 1:31:11 | |
I shall require you gentlemen to give me a hand, | 1:31:11 | 1:31:13 | |
put your shoulders into it. | 1:31:13 | 1:31:15 | |
Now, sir, if you can push on the coach itself. | 1:31:18 | 1:31:20 | |
Excuse me, sir. Young gentleman? | 1:31:20 | 1:31:23 | |
-Yes, yes. -You on the other side, sir, thank you. | 1:31:23 | 1:31:26 | |
-Young gentleman, please come along. -All right. | 1:31:26 | 1:31:29 | |
Mind helping us? Thank you. | 1:31:29 | 1:31:30 | |
Right, all together now then, sirs, please? | 1:31:31 | 1:31:34 | |
MEN GRUNT | 1:31:35 | 1:31:37 | |
-One, two and a three and push! -MEN GRUNT | 1:31:39 | 1:31:42 | |
Go, gentlemen. Come on. | 1:31:42 | 1:31:45 | |
'"Dear Tom. How timely was the arrival of the money you sent."' | 1:31:45 | 1:31:51 | |
One, two and three! | 1:31:52 | 1:31:55 | |
'"It was so very much appreciated by your father and I. | 1:32:00 | 1:32:04 | |
'"You're so kind to share your uncle's allowance. | 1:32:04 | 1:32:07 | |
'"Indeed, I do not dare think how we would survive without it."' | 1:32:07 | 1:32:10 | |
MEN GRUNT | 1:32:10 | 1:32:11 | |
Well done. Well done. Thank you, sirs. | 1:32:15 | 1:32:18 | |
All right, ladies and gentlemen, | 1:32:19 | 1:32:21 | |
back on the coach as soon as you can, thank you. | 1:32:21 | 1:32:23 | |
We are ready. | 1:32:33 | 1:32:35 | |
-Worried? -No. | 1:32:40 | 1:32:42 | |
-Is it the loss of your reputation? -No. | 1:32:44 | 1:32:48 | |
-The loss of yours. -I do not... -Please, sir, come along. | 1:32:50 | 1:32:53 | |
The coach is departing. | 1:32:53 | 1:32:55 | |
Come. | 1:32:55 | 1:32:57 | |
DOGS BARK | 1:33:21 | 1:33:23 | |
Changing horses. 20 minutes only. | 1:33:31 | 1:33:33 | |
House of office at the back of the inn. All down, quick as you like. | 1:33:33 | 1:33:37 | |
How many brothers and sisters do you have in Limerick, Tom? | 1:33:59 | 1:34:02 | |
Enough. Why? | 1:34:02 | 1:34:05 | |
What are the names of your brothers and sisters? | 1:34:07 | 1:34:11 | |
They... | 1:34:11 | 1:34:13 | |
On whom do they depend? | 1:34:15 | 1:34:18 | |
SIGHS Your reputation is destroyed. | 1:34:22 | 1:34:25 | |
Your profligacy is a beautiful sham. | 1:34:27 | 1:34:31 | |
-I can earn money. -It will not be enough. | 1:34:42 | 1:34:46 | |
I will rise. | 1:34:46 | 1:34:49 | |
With a High Court Judge as your enemy? And a penniless wife? | 1:34:49 | 1:34:53 | |
God knows how many mouths depending on you? | 1:34:55 | 1:34:57 | |
My sweet, sweet friend, you will sink, and we will all sink with you. | 1:34:58 | 1:35:03 | |
-I will... -< -Hampshire Flyer. | 1:35:03 | 1:35:06 | |
-< -Hampshire Flyer's leaving in five minutes. | 1:35:06 | 1:35:08 | |
No! No, Jane. | 1:35:12 | 1:35:16 | |
I will never give you up. | 1:35:16 | 1:35:19 | |
-Tom... -Don't speak or think... | 1:35:19 | 1:35:23 | |
Just love me. Do you love me? | 1:35:23 | 1:35:27 | |
Yes. CHUCKLES | 1:35:29 | 1:35:31 | |
But if our love destroys your family, it will destroy itself. | 1:35:32 | 1:35:35 | |
-No. -Yes. | 1:35:35 | 1:35:37 | |
In a long, slow degradation of guilt and regret and blame. | 1:35:37 | 1:35:42 | |
That is nonsense. | 1:35:42 | 1:35:44 | |
Truth. | 1:35:46 | 1:35:49 | |
Made from a contradiction. | 1:35:49 | 1:35:52 | |
But it must come with a smile. | 1:35:54 | 1:35:56 | |
Or else I shall count it as false and we shall have had no love at all. | 1:35:58 | 1:36:01 | |
Please. | 1:36:06 | 1:36:07 | |
Goodbye. | 1:36:15 | 1:36:17 | |
Typical bloody runaway. Will I, won't I? | 1:36:33 | 1:36:36 | |
Miss. Miss. | 1:36:55 | 1:36:57 | |
All right, off you go. | 1:37:02 | 1:37:04 | |
CLOCK TICKS | 1:38:04 | 1:38:06 | |
Hello? | 1:38:21 | 1:38:23 | |
-Where is everyone? -Looking for you, Miss. Looking everywhere. | 1:38:27 | 1:38:30 | |
-Thank you, Jenny. -Mr Warren. | 1:38:32 | 1:38:34 | |
Your family tried to keep the matter from the servants, but, er... | 1:38:38 | 1:38:41 | |
Where is that blackguard Lefroy? If Henry finds him, he'll kill him! | 1:38:43 | 1:38:46 | |
He won't find him. | 1:38:46 | 1:38:49 | |
And if he does, he won't kill him. | 1:38:49 | 1:38:52 | |
There is no need. | 1:38:52 | 1:38:54 | |
-SIGHS -What, er... | 1:38:56 | 1:38:58 | |
happened? | 1:38:58 | 1:39:01 | |
Nothing happened. | 1:39:01 | 1:39:04 | |
I see. | 1:39:05 | 1:39:06 | |
I see. | 1:39:07 | 1:39:09 | |
Jane... | 1:39:18 | 1:39:19 | |
STAMMERS NERVOUSLY | 1:39:19 | 1:39:22 | |
I may have less personal charm than Lefroy, | 1:39:22 | 1:39:26 | |
superficial charm to some eyes, | 1:39:26 | 1:39:29 | |
to others, it is mere affectation, but I... | 1:39:29 | 1:39:32 | |
-I have no hopes... -Hopes? | 1:39:32 | 1:39:35 | |
Oh, you cannot begin to imagine... | 1:39:35 | 1:39:39 | |
John, thank you for the great honour of your offer, but... | 1:39:39 | 1:39:44 | |
Are there no other women in Hampshire?! | 1:39:44 | 1:39:47 | |
SIGHS | 1:39:47 | 1:39:49 | |
It was you who wrote the judge. | 1:40:06 | 1:40:09 | |
You must consider how much I've always loved you. | 1:40:13 | 1:40:18 | |
PIANO PLAYS SOFTLY | 1:40:23 | 1:40:26 | |
PLAYS MOURNFUL TUNE | 1:40:37 | 1:40:40 | |
Well? | 1:41:03 | 1:41:05 | |
You came back to us. | 1:41:09 | 1:41:11 | |
Leave it. | 1:41:38 | 1:41:40 | |
Mr Austen, I must inform you that I shall not attend service today. | 1:41:43 | 1:41:47 | |
-Not in the presence of this young woman. -Indeed. | 1:41:47 | 1:41:50 | |
-If I must speak plainly... -Aunt. | 1:41:50 | 1:41:52 | |
I believe your youngest daughter has been on a journey? | 1:41:52 | 1:41:55 | |
Your ladyship considers travel a crime? | 1:41:55 | 1:41:58 | |
Unsanctioned travel. | 1:41:58 | 1:42:00 | |
Furthermore, be aware that my nephew has withdrawn his addresses | 1:42:00 | 1:42:04 | |
to someone without family, fortune, | 1:42:04 | 1:42:08 | |
importance, | 1:42:08 | 1:42:09 | |
and fatally tainted by suspicion. | 1:42:09 | 1:42:12 | |
Oh, she has family, madam. | 1:42:12 | 1:42:15 | |
Indeed she has. | 1:42:15 | 1:42:18 | |
Importance may depend upon other matters | 1:42:19 | 1:42:21 | |
than your Ladyship can conceive. | 1:42:21 | 1:42:24 | |
As to fortune, a young woman might depend upon herself. | 1:42:24 | 1:42:28 | |
An interesting notion, Miss Austen. | 1:42:30 | 1:42:33 | |
Oblige me a walk along the river to enlarge upon the topic. | 1:42:39 | 1:42:43 | |
Wisley! | 1:42:45 | 1:42:47 | |
I am sorry if my conduct... | 1:42:53 | 1:42:56 | |
has disappointed you, Mr Wisley. | 1:42:56 | 1:42:59 | |
It seems you cannot bring yourself to marry without affection. | 1:43:00 | 1:43:04 | |
Or even with it. | 1:43:04 | 1:43:06 | |
I respect you for that... | 1:43:07 | 1:43:09 | |
and share your opinion. Neither can I. | 1:43:09 | 1:43:12 | |
I'd always hoped to win your love in time. | 1:43:13 | 1:43:16 | |
But I am vain enough to want to be loved myself, rather than my money. | 1:43:16 | 1:43:20 | |
Do we part as friends? | 1:43:20 | 1:43:22 | |
We do. | 1:43:24 | 1:43:26 | |
-So, you will live... -By my pen. Yes. | 1:43:29 | 1:43:32 | |
Will all your stories have happy endings? | 1:43:35 | 1:43:39 | |
My characters will have, after a little bit of trouble... | 1:43:39 | 1:43:44 | |
..all that they desire. | 1:43:45 | 1:43:48 | |
The good do not always come to good end. | 1:43:49 | 1:43:52 | |
It is a truth universally acknowledged. | 1:43:54 | 1:43:57 | |
"..that a single man in possession of a good fortune | 1:43:58 | 1:44:01 | |
"must be in want of a wife." CHURCH BELLS RING | 1:44:01 | 1:44:04 | |
Henry! | 1:44:04 | 1:44:06 | |
"However little known the feelings or views of such a man may be | 1:44:06 | 1:44:10 | |
"on his first entering a neighbourhood, | 1:44:10 | 1:44:12 | |
"this truth is so well fixed in the minds of the surrounding families..." | 1:44:12 | 1:44:16 | |
CHEERING | 1:44:16 | 1:44:17 | |
"..that he is considered as the rightful property | 1:44:17 | 1:44:19 | |
"of someone or other of their daughters. | 1:44:19 | 1:44:22 | |
"'My dear Mr Bennet,' said his lady to him one day, | 1:44:22 | 1:44:25 | |
"'have you heard that Netherfield Park is let at last?' | 1:44:25 | 1:44:28 | |
"Mr Bennet replied that he had not..." | 1:44:28 | 1:44:30 | |
MUSIC: "Deh Vieni Non Tardar" from Mozart's The Marriage of Figaro | 1:44:30 | 1:44:34 | |
APPLAUSE | 1:45:59 | 1:46:02 | |
Is it Miss Austen? THE Miss Austen? | 1:46:20 | 1:46:23 | |
No, madam. That courtesy, according to the customs of precedence, | 1:46:23 | 1:46:27 | |
belongs to my elder sister. | 1:46:27 | 1:46:28 | |
Miss Jane Austen, the authoress of Pride and Prejudice? | 1:46:28 | 1:46:32 | |
My sister wishes to remain anonymous, | 1:46:32 | 1:46:34 | |
-but your kind regards are much appreciated. -Thank you. | 1:46:34 | 1:46:39 | |
Please, come through. | 1:47:11 | 1:47:13 | |
I shall never forgive Henry for this. | 1:47:13 | 1:47:15 | |
Yes, you will. We always forgive him for everything. | 1:47:15 | 1:47:19 | |
Best behaviour. | 1:47:21 | 1:47:22 | |
Jane...an old friend. | 1:47:22 | 1:47:26 | |
Late as ever. | 1:47:26 | 1:47:28 | |
Madam le Comtesse, Miss Austen. | 1:47:29 | 1:47:32 | |
Mr Lefroy. | 1:47:34 | 1:47:36 | |
Please allow me to introduce to you your most avid of admirers, | 1:47:43 | 1:47:47 | |
my daughter, Miss Lefroy. | 1:47:47 | 1:47:50 | |
Miss Austen, what a pleasure to meet you. | 1:47:51 | 1:47:54 | |
Will you read for us this evening? | 1:47:56 | 1:47:59 | |
Well, you see, my sister never reads. | 1:47:59 | 1:48:01 | |
Otherwise, how else is she supposed to remain anonymous? | 1:48:01 | 1:48:04 | |
-But... -Jane! | 1:48:04 | 1:48:07 | |
I will make an exception. | 1:48:14 | 1:48:16 | |
If my new friend wishes it. | 1:48:16 | 1:48:20 | |
Come sit by me. | 1:48:20 | 1:48:23 | |
She is lovely, Tom. | 1:48:33 | 1:48:35 | |
"She began now to comprehend that | 1:48:37 | 1:48:40 | |
"he was exactly the man who, in disposition and talents, | 1:48:40 | 1:48:44 | |
"would most suit her. | 1:48:44 | 1:48:47 | |
"His understanding and temper, though unlike her own, | 1:48:47 | 1:48:50 | |
"would have answered all her wishes. | 1:48:50 | 1:48:53 | |
"It was an union that must have been to the advantage of both. | 1:48:55 | 1:48:59 | |
"By her ease and liveliness, his mind might have been softened, | 1:48:59 | 1:49:03 | |
"his manners improved, | 1:49:03 | 1:49:05 | |
"and from his judgment, information and knowledge of the world, | 1:49:05 | 1:49:11 | |
"she must have received benefit of greater importance. | 1:49:11 | 1:49:14 | |
"But no such happy marriage could now teach the admiring multitude what... | 1:49:15 | 1:49:21 | |
"connubial felicity really was." | 1:49:21 | 1:49:25 | |
APPLAUSE | 1:49:28 | 1:49:30 | |
Subtitles by Red Bee Media Ltd | 1:50:52 | 1:50:55 |