Browse content similar to Blade Runner. Check below for episodes and series from the same categories and more!
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INTERCOM: 'Next subject - Kowalski, Leon. | 0:04:20 | 0:04:23 | |
'Engineer, waste disposal. | 0:04:23 | 0:04:25 | |
'File section - new employee, six days.' | 0:04:25 | 0:04:29 | |
KNOCK AT DOOR | 0:04:29 | 0:04:31 | |
Come in. | 0:04:31 | 0:04:32 | |
HE SIGHS | 0:04:37 | 0:04:39 | |
'Level 9, we have a B1 security alert. | 0:04:39 | 0:04:41 | |
'Stand by for...' | 0:04:41 | 0:04:44 | |
Sit down. | 0:04:44 | 0:04:46 | |
OK if I talk? | 0:04:50 | 0:04:52 | |
I get nervous when I take tests. | 0:04:52 | 0:04:54 | |
Just please don't move. | 0:04:54 | 0:04:56 | |
Sorry. | 0:04:56 | 0:04:58 | |
I already had an IQ test this year. | 0:05:01 | 0:05:04 | |
Reaction time is a factor here, | 0:05:04 | 0:05:06 | |
so please pay attention. | 0:05:06 | 0:05:08 | |
Answer as quickly as you can. | 0:05:08 | 0:05:10 | |
Sure. | 0:05:10 | 0:05:11 | |
"1187 Huntervosser." | 0:05:13 | 0:05:15 | |
That's the hotel where I live. | 0:05:15 | 0:05:18 | |
Nice place? | 0:05:18 | 0:05:19 | |
Sure, I guess. | 0:05:19 | 0:05:21 | |
Is that part of the test? | 0:05:21 | 0:05:22 | |
No. | 0:05:22 | 0:05:24 | |
Just warming you up. | 0:05:24 | 0:05:26 | |
It's not fancy or anything. | 0:05:26 | 0:05:28 | |
You're in a desert, walking in the sand... | 0:05:28 | 0:05:31 | |
Is this the test? | 0:05:31 | 0:05:32 | |
Yes. | 0:05:32 | 0:05:34 | |
You're in a desert, walking... | 0:05:34 | 0:05:36 | |
What one? | 0:05:36 | 0:05:37 | |
What? What desert? | 0:05:37 | 0:05:39 | |
It doesn't make any difference. | 0:05:39 | 0:05:41 | |
It's completely hypothetical. | 0:05:41 | 0:05:42 | |
How come I'd be there? | 0:05:42 | 0:05:44 | |
Maybe you want to be by yourself. | 0:05:44 | 0:05:46 | |
You see a tortoise, Leon. | 0:05:46 | 0:05:49 | |
It's crawling towards you. | 0:05:49 | 0:05:50 | |
Tortoise? | 0:05:50 | 0:05:51 | |
What's that? | 0:05:51 | 0:05:53 | |
Know what a turtle is? | 0:05:55 | 0:05:57 | |
Of course. | 0:05:57 | 0:05:58 | |
Same thing. | 0:05:58 | 0:05:59 | |
Never seen a turtle. | 0:05:59 | 0:06:01 | |
But I understand. | 0:06:03 | 0:06:05 | |
You flip the tortoise on its back, Leon. | 0:06:05 | 0:06:07 | |
Do you make up these questions, Mr Holden? | 0:06:07 | 0:06:10 | |
The tortoise lays on its back, | 0:06:10 | 0:06:13 | |
its belly baking in the sun. | 0:06:13 | 0:06:15 | |
It can't turn itself over, | 0:06:15 | 0:06:17 | |
not without your help. | 0:06:17 | 0:06:19 | |
But you're not helping. | 0:06:19 | 0:06:21 | |
What do you mean? | 0:06:21 | 0:06:22 | |
You're not helping. | 0:06:22 | 0:06:24 | |
Why is that, Leon? | 0:06:24 | 0:06:25 | |
They're just questions, Leon. | 0:06:33 | 0:06:35 | |
In answer to your query, | 0:06:35 | 0:06:37 | |
they're written down for me. | 0:06:37 | 0:06:40 | |
It's a test designed to provoke an emotional response. | 0:06:40 | 0:06:44 | |
Shall we continue? | 0:06:45 | 0:06:48 | |
Describe in single words | 0:06:49 | 0:06:50 | |
the good things that come into your mind | 0:06:50 | 0:06:54 | |
about your mother. | 0:06:54 | 0:06:55 | |
My mother? | 0:06:55 | 0:06:56 | |
Yeah. | 0:06:56 | 0:06:58 | |
Let me tell you about my mother. | 0:06:58 | 0:07:01 | |
INTERCOM: A new life awaits you in the off-world colony, | 0:07:16 | 0:07:20 | |
the chance to begin again | 0:07:20 | 0:07:22 | |
in a golden land of opportunity and adventure. | 0:07:22 | 0:07:26 | |
INTERCOM: A new life awaits you in the off-world colony, | 0:07:51 | 0:07:55 | |
the chance to begin again | 0:07:55 | 0:07:57 | |
in a golden land of opportunity and adventure. | 0:07:57 | 0:08:01 | |
HE SPEAKS JAPANESE | 0:08:01 | 0:08:02 | |
HE SPEAKS JAPANESE | 0:08:14 | 0:08:16 | |
Give me four. | 0:08:16 | 0:08:17 | |
JAPANESE | 0:08:17 | 0:08:19 | |
No. Four. Two, two-four. | 0:08:19 | 0:08:22 | |
JAPANESE | 0:08:22 | 0:08:23 | |
And noodles. | 0:08:25 | 0:08:26 | |
JAPANESE | 0:08:26 | 0:08:28 | |
MAN SPEAKS KOREAN | 0:08:39 | 0:08:41 | |
HE SPEAKS IN CITYSPEAK | 0:08:42 | 0:08:45 | |
He say you under arrest, Mr Deckard. | 0:08:48 | 0:08:51 | |
Got the wrong guy, pal. | 0:08:51 | 0:08:54 | |
CITYSPEAK | 0:08:54 | 0:08:56 | |
He say you Blade Runner. | 0:08:58 | 0:09:00 | |
Tell him I'm eating. | 0:09:00 | 0:09:02 | |
Captain Bryant... | 0:09:02 | 0:09:03 | |
CONTINUES IN CITYSPEAK | 0:09:03 | 0:09:06 | |
Bryant, huh? | 0:09:06 | 0:09:09 | |
'Yellow 3. | 0:09:23 | 0:09:24 | |
'Climb and maintain 4,000. | 0:09:24 | 0:09:27 | |
'When approaching pad six, use caution. | 0:09:27 | 0:09:30 | |
INDISTINCT DISTANT VOICES SPEAK DIFFERENT LANGUAGES | 0:09:38 | 0:09:42 | |
Hiya, Deck. | 0:10:53 | 0:10:54 | |
Bryant. | 0:10:54 | 0:10:55 | |
You wouldn't have come if I just asked you to. | 0:10:55 | 0:10:58 | |
Sit down, pal. | 0:10:58 | 0:10:59 | |
Don't be an ass, Deckard. | 0:10:59 | 0:11:01 | |
I've got four skin-jobs walking the streets. | 0:11:01 | 0:11:04 | |
They jumped the shuttle off-world, | 0:11:19 | 0:11:21 | |
killed the crew and passengers. | 0:11:21 | 0:11:23 | |
They found the shuttle drifting off the coast two weeks ago, so we know they're around. | 0:11:23 | 0:11:29 | |
Embarrassing. | 0:11:29 | 0:11:30 | |
No, sir, not embarrassing cos no-one's going to find out they're here. | 0:11:30 | 0:11:34 | |
You're going to spot 'em and air 'em out. | 0:11:34 | 0:11:36 | |
I don't work here anymore. | 0:11:36 | 0:11:39 | |
Give it to Holden. | 0:11:39 | 0:11:40 | |
He's good. | 0:11:40 | 0:11:41 | |
I did. | 0:11:41 | 0:11:42 | |
He can breathe OK, as long as nobody unplugs him. | 0:11:42 | 0:11:45 | |
He's not good enough. Not good as you. | 0:11:45 | 0:11:49 | |
I need you, Deck. | 0:11:49 | 0:11:50 | |
This is a bad one, | 0:11:50 | 0:11:52 | |
the worst yet. | 0:11:52 | 0:11:53 | |
I need the old Blade Runner. | 0:11:53 | 0:11:56 | |
I need your magic. | 0:11:56 | 0:11:57 | |
I was quit when I come in here, Bryant. | 0:11:57 | 0:12:01 | |
I'm twice as quit now. | 0:12:01 | 0:12:03 | |
Stop right where you are. | 0:12:03 | 0:12:04 | |
Do you know the score, pal? | 0:12:04 | 0:12:07 | |
If you're not cop, you're little people. | 0:12:07 | 0:12:10 | |
No choice, huh? | 0:12:21 | 0:12:23 | |
No choice, pal. | 0:12:24 | 0:12:26 | |
'I already had an IQ test. | 0:12:26 | 0:12:28 | |
'I've never had one of these. | 0:12:28 | 0:12:31 | |
'Reaction time's a factor. | 0:12:31 | 0:12:32 | |
'Answer as quickly as you can. | 0:12:32 | 0:12:35 | |
'Yeah, sure. | 0:12:35 | 0:12:36 | |
'"1187 Huntervosser." | 0:12:36 | 0:12:38 | |
'Yeah. That's the hotel. | 0:12:38 | 0:12:41 | |
'What? | 0:12:41 | 0:12:42 | |
'Where I live. | 0:12:42 | 0:12:43 | |
'Nice place? | 0:12:43 | 0:12:44 | |
'Yeah, sure, I guess.' | 0:12:44 | 0:12:45 | |
Six replicants escaped from the off-world colonies two weeks ago, | 0:12:45 | 0:12:49 | |
three male, three female. | 0:12:49 | 0:12:51 | |
They slaughtered 23 people and jumped a shuttle. | 0:12:51 | 0:12:54 | |
An aerial patrol spotted the ship. | 0:12:54 | 0:12:56 | |
No sight of the crew. | 0:12:56 | 0:12:58 | |
Three nights ago, they tried to break in the Tyrell Corporation. | 0:12:58 | 0:13:01 | |
Two got electrocuted. We lost the others. | 0:13:01 | 0:13:05 | |
On the possibility they might try infiltrating as employees, | 0:13:05 | 0:13:09 | |
I had Holden run Voight-Kampff tests on the new workers. | 0:13:09 | 0:13:13 | |
Looks like he got himself one. | 0:13:13 | 0:13:16 | |
'You see a tortoise crawling towards you. | 0:13:16 | 0:13:19 | |
'Tortoise? What's that?' | 0:13:19 | 0:13:20 | |
That's Leon, ammunition loader on intergalactic runs. | 0:13:20 | 0:13:24 | |
He can lift 400-pound atomic loads all day and night. | 0:13:24 | 0:13:27 | |
The only way to hurt him is to kill him. | 0:13:27 | 0:13:29 | |
What do they risk coming back to Earth for? | 0:13:29 | 0:13:32 | |
What do they want out of the Tyrell Corporation? | 0:13:32 | 0:13:35 | |
You tell me, pal. | 0:13:35 | 0:13:37 | |
That's what you're here for. | 0:13:37 | 0:13:39 | |
What's this? | 0:13:49 | 0:13:50 | |
Nexus 6. | 0:13:50 | 0:13:52 | |
Roy Batty. | 0:13:52 | 0:13:53 | |
Incept date-2016. | 0:13:53 | 0:13:55 | |
Combat model. | 0:13:55 | 0:13:56 | |
Optimum self-sufficiency. | 0:13:56 | 0:13:58 | |
Probably the leader. | 0:13:59 | 0:14:01 | |
This is Zhora. | 0:14:04 | 0:14:05 | |
She's trained for an off-world kick murder squad. | 0:14:05 | 0:14:08 | |
Talk about beauty and the beast. She's both. | 0:14:08 | 0:14:11 | |
The fourth skin-job is Pris, | 0:14:17 | 0:14:19 | |
a basic pleasure model. | 0:14:19 | 0:14:20 | |
The standard item for military clubs | 0:14:20 | 0:14:23 | |
in the outer colonies. | 0:14:23 | 0:14:24 | |
They copy humans in every way except their emotions. | 0:14:25 | 0:14:29 | |
The designers reckoned that after a few years, | 0:14:29 | 0:14:32 | |
they might develop their own emotional responses - | 0:14:32 | 0:14:35 | |
hate, love, fear, anger, envy - | 0:14:35 | 0:14:37 | |
so they built in a fail-safe device. Which is what? | 0:14:37 | 0:14:40 | |
A four-year life span. | 0:14:40 | 0:14:43 | |
There's a Nexus six at the Tyrell Corporation. | 0:14:48 | 0:14:50 | |
I want you to put the machine on it. | 0:14:50 | 0:14:54 | |
And if the machine doesn't work? | 0:14:54 | 0:14:56 | |
Do you like our owl? | 0:16:24 | 0:16:25 | |
It's artificial? | 0:16:29 | 0:16:31 | |
Of course it is. | 0:16:31 | 0:16:33 | |
Must be expensive. | 0:16:35 | 0:16:36 | |
Very. | 0:16:38 | 0:16:39 | |
I'm Rachael. | 0:16:39 | 0:16:41 | |
Deckard. | 0:16:41 | 0:16:42 | |
You feel our work is not a benefit to the public. | 0:16:45 | 0:16:49 | |
Replicants are like any other machine. | 0:16:49 | 0:16:51 | |
They're either a benefit or a hazard. | 0:16:51 | 0:16:54 | |
If they're a benefit, it's not my problem. | 0:16:54 | 0:16:57 | |
May I ask you a personal question? | 0:16:57 | 0:17:00 | |
Sure. | 0:17:00 | 0:17:01 | |
Have you ever retired a human by mistake? | 0:17:06 | 0:17:08 | |
No. | 0:17:09 | 0:17:11 | |
But in your position, that is a risk. | 0:17:11 | 0:17:13 | |
MAN: Is this to be an empathy test? | 0:17:13 | 0:17:16 | |
Capillary dilation of the so-called blush response? | 0:17:16 | 0:17:20 | |
Fluctuation of the pupil? | 0:17:20 | 0:17:23 | |
Involuntary dilation of the iris? | 0:17:24 | 0:17:27 | |
We call it Voight-Kampff for short. | 0:17:29 | 0:17:32 | |
Mr Deckard, Dr Elden Tyrell. | 0:17:32 | 0:17:34 | |
Demonstrate it. I want to see it work. | 0:17:35 | 0:17:38 | |
Where's the subject? | 0:17:38 | 0:17:40 | |
I want to see it work on a person. | 0:17:40 | 0:17:45 | |
What's that going to prove? | 0:17:45 | 0:17:46 | |
Indulge me. | 0:17:46 | 0:17:48 | |
On you? | 0:17:48 | 0:17:50 | |
Try her. | 0:17:50 | 0:17:52 | |
It's too bright in here. | 0:17:56 | 0:17:58 | |
Mind if I smoke? | 0:18:34 | 0:18:35 | |
It won't affect the test. | 0:18:36 | 0:18:39 | |
I'm going to ask you a series of questions. | 0:18:41 | 0:18:44 | |
Just relax and answer them as simply as you can. | 0:18:44 | 0:18:48 | |
It's your birthday. | 0:18:54 | 0:18:56 | |
Someone gives you a calfskin wallet. | 0:18:56 | 0:18:58 | |
I wouldn't accept it. | 0:18:58 | 0:19:00 | |
Also, I'd report the person who gave it to me | 0:19:00 | 0:19:03 | |
to the police. | 0:19:03 | 0:19:04 | |
You've got a little boy. | 0:19:04 | 0:19:06 | |
He shows you his butterfly collection, | 0:19:06 | 0:19:08 | |
plus the killing jar. | 0:19:08 | 0:19:10 | |
I'd take him to the doctor. | 0:19:13 | 0:19:15 | |
You're watching television. You realise a wasp is crawling on your arm. | 0:19:21 | 0:19:25 | |
I'd kill it. | 0:19:25 | 0:19:26 | |
In a magazine, you see a nude photo of a girl. | 0:19:30 | 0:19:33 | |
Is this testing whether I'm a replicant or a lesbian? | 0:19:33 | 0:19:37 | |
Just answer the questions, please. | 0:19:37 | 0:19:39 | |
You show it to your husband. | 0:19:43 | 0:19:45 | |
He hangs it on your bedroom wall. | 0:19:45 | 0:19:48 | |
I wouldn't let him. | 0:19:48 | 0:19:50 | |
Why not? | 0:19:52 | 0:19:53 | |
I should be enough for him. | 0:19:53 | 0:19:55 | |
One more question. | 0:19:59 | 0:20:01 | |
You're watching a stage play. | 0:20:01 | 0:20:03 | |
A banquet is in progress. | 0:20:03 | 0:20:05 | |
The guests are enjoying an appetiser of raw oysters. | 0:20:05 | 0:20:08 | |
The entree consists of boiled dog. | 0:20:08 | 0:20:11 | |
Would you step out for a few moments, Rachael? | 0:20:28 | 0:20:31 | |
Thank you. | 0:20:40 | 0:20:41 | |
She's a replicant, isn't she? | 0:20:43 | 0:20:44 | |
I'm impressed. | 0:20:44 | 0:20:46 | |
How many questions | 0:20:46 | 0:20:47 | |
does it usually take to spot one? | 0:20:47 | 0:20:50 | |
I don't get it. | 0:20:50 | 0:20:52 | |
How many questions? | 0:20:52 | 0:20:53 | |
20, 30, Cross-referenced. | 0:20:53 | 0:20:54 | |
It took more than 100 for Rachael. | 0:20:54 | 0:20:57 | |
She doesn't know. | 0:20:57 | 0:20:58 | |
She's beginning to suspect, I think. | 0:20:58 | 0:21:01 | |
How can it not know what it is? | 0:21:01 | 0:21:04 | |
Commerce is our goal here at Tyrell. | 0:21:04 | 0:21:06 | |
"More human than human" is our motto. | 0:21:06 | 0:21:09 | |
Rachael is an experiment, nothing more. | 0:21:09 | 0:21:13 | |
We began to recognise in them strange obsession. | 0:21:13 | 0:21:16 | |
After all, they are emotionally inexperienced, | 0:21:16 | 0:21:18 | |
with only a few years | 0:21:18 | 0:21:20 | |
in which to store up the experiences | 0:21:20 | 0:21:23 | |
which we take for granted. | 0:21:23 | 0:21:25 | |
If we gift them with a past, | 0:21:25 | 0:21:27 | |
we create a cushion for their emotions, | 0:21:27 | 0:21:30 | |
and we can control them better. | 0:21:30 | 0:21:33 | |
Memories. | 0:21:33 | 0:21:35 | |
You're talking about memories. | 0:21:35 | 0:21:36 | |
'Reaction time is a factor. | 0:21:46 | 0:21:48 | |
'Answer as quickly as you can.' | 0:21:48 | 0:21:51 | |
'Sure. | 0:21:51 | 0:21:52 | |
'"1187 Huntervosser." | 0:21:52 | 0:21:53 | |
'That's the hotel where I live. | 0:21:53 | 0:21:55 | |
'Nice place? | 0:21:55 | 0:21:56 | |
'Is that part of the test? | 0:21:56 | 0:21:58 | |
'No.' | 0:21:58 | 0:21:58 | |
Kowalski... | 0:22:27 | 0:22:29 | |
Time... | 0:24:12 | 0:24:15 | |
enough. | 0:24:15 | 0:24:16 | |
TAPPING | 0:24:20 | 0:24:22 | |
Did you get your precious photos? | 0:24:33 | 0:24:36 | |
Someone was there. | 0:24:39 | 0:24:41 | |
Man? | 0:24:41 | 0:24:43 | |
Police... | 0:24:47 | 0:24:48 | |
man? | 0:24:48 | 0:24:49 | |
MAN SPEAKS CHINESE | 0:25:24 | 0:25:26 | |
Ha ha! | 0:25:37 | 0:25:38 | |
MAN CONTINUES SPEAKING CHINESE | 0:25:52 | 0:25:53 | |
CHINESE | 0:26:13 | 0:26:14 | |
Fiery the angels fell. | 0:26:18 | 0:26:22 | |
Deep thunder rolled around their shores, | 0:26:22 | 0:26:25 | |
burning with the fires of Orc. | 0:26:25 | 0:26:28 | |
CHINESE | 0:26:28 | 0:26:30 | |
You not come here! | 0:26:30 | 0:26:32 | |
Illegal! | 0:26:32 | 0:26:34 | |
Hey. Hey! | 0:26:37 | 0:26:39 | |
Cold! | 0:26:40 | 0:26:41 | |
Those are my eyes! Freezing! | 0:26:41 | 0:26:43 | |
Yes. | 0:26:53 | 0:26:55 | |
Questions. | 0:26:55 | 0:26:57 | |
Hey! | 0:27:03 | 0:27:06 | |
Hey! | 0:27:08 | 0:27:09 | |
Morphology. | 0:27:17 | 0:27:19 | |
Longevity. | 0:27:19 | 0:27:20 | |
Incept dates. | 0:27:20 | 0:27:21 | |
Don't know. | 0:27:21 | 0:27:23 | |
I don't know such stuff. | 0:27:25 | 0:27:27 | |
I just do eyes, see? | 0:27:27 | 0:27:29 | |
Just eyes. | 0:27:29 | 0:27:31 | |
Genetic design. Just eyes. | 0:27:31 | 0:27:34 | |
You Nexus, huh? | 0:27:36 | 0:27:39 | |
I design your eyes. | 0:27:39 | 0:27:41 | |
Chew, if only you could see | 0:27:41 | 0:27:45 | |
what I've seen with your eyes. | 0:27:45 | 0:27:48 | |
Now...questions. | 0:27:48 | 0:27:51 | |
I don't know answers. | 0:27:51 | 0:27:54 | |
Who does? | 0:27:54 | 0:27:56 | |
Tyrell. | 0:27:59 | 0:28:01 | |
He-he knows everything. | 0:28:01 | 0:28:03 | |
Tyrell Corporation? | 0:28:03 | 0:28:06 | |
He's big boss, big genius. | 0:28:06 | 0:28:10 | |
He design your mind, your brain. | 0:28:10 | 0:28:12 | |
Ah. Smart. | 0:28:12 | 0:28:15 | |
Cold. | 0:28:17 | 0:28:18 | |
Not an easy man to see. | 0:28:21 | 0:28:25 | |
Me cold. | 0:28:25 | 0:28:27 | |
I guess. | 0:28:28 | 0:28:30 | |
S-S-Sebastian. | 0:28:35 | 0:28:37 | |
He-he take... take you there. | 0:28:37 | 0:28:40 | |
He take you. | 0:28:40 | 0:28:41 | |
Sebastian who? | 0:28:41 | 0:28:44 | |
J-J.F. S-Sebastian. Sebast...Sebas... | 0:28:46 | 0:28:52 | |
Now... | 0:28:52 | 0:28:54 | |
where... | 0:28:57 | 0:29:00 | |
would we find this... | 0:29:00 | 0:29:03 | |
JF Sebastian? | 0:29:03 | 0:29:06 | |
Let's continue, shall we? | 0:29:06 | 0:29:08 | |
Describe in single words | 0:29:08 | 0:29:09 | |
only the good things | 0:29:09 | 0:29:11 | |
that come into your mind | 0:29:11 | 0:29:12 | |
about your mother. | 0:29:12 | 0:29:14 | |
My mother? | 0:29:14 | 0:29:15 | |
Yeah. | 0:29:15 | 0:29:16 | |
I'll tell you about my mother. | 0:29:16 | 0:29:18 | |
'Voice-print identification. Your floor number, please.' | 0:29:39 | 0:29:43 | |
Deckard, 97. | 0:29:43 | 0:29:44 | |
'97. Thank you.' | 0:29:44 | 0:29:46 | |
I wanted to see you. | 0:30:07 | 0:30:09 | |
So I waited. | 0:30:14 | 0:30:16 | |
Let me help you. | 0:30:16 | 0:30:17 | |
What do I need help for? | 0:30:20 | 0:30:23 | |
BEEP | 0:30:23 | 0:30:24 | |
I don't know why he told you what he did. | 0:30:24 | 0:30:27 | |
Talk to him. | 0:30:27 | 0:30:28 | |
He wouldn't see me. | 0:30:28 | 0:30:31 | |
You want a drink. No? | 0:30:43 | 0:30:45 | |
No? | 0:30:46 | 0:30:48 | |
You think I'm a replicant, don't you? | 0:30:54 | 0:30:57 | |
Look. | 0:31:02 | 0:31:03 | |
It's me with my mother. | 0:31:04 | 0:31:06 | |
Yeah? | 0:31:07 | 0:31:09 | |
Remember when you were six? | 0:31:16 | 0:31:17 | |
You and your brother | 0:31:17 | 0:31:19 | |
snuck into an empty building through a basement window. | 0:31:19 | 0:31:23 | |
You were going to play doctor. | 0:31:23 | 0:31:25 | |
He showed you his. | 0:31:25 | 0:31:27 | |
When it got to be your turn, you ran, remember? | 0:31:27 | 0:31:30 | |
You ever tell anybody that? | 0:31:32 | 0:31:34 | |
Your mother. Tyrell? Anybody, huh? | 0:31:34 | 0:31:37 | |
You remember the spider that lived outside your window? | 0:31:39 | 0:31:42 | |
Orange body, green legs. | 0:31:42 | 0:31:43 | |
Watched her build a web all summer. | 0:31:43 | 0:31:46 | |
Then one day, there was a big egg in it. | 0:31:46 | 0:31:50 | |
The egg hatched... | 0:31:50 | 0:31:52 | |
The egg hatched. | 0:31:52 | 0:31:53 | |
And? | 0:31:53 | 0:31:54 | |
And a hundred baby spiders came out. | 0:31:54 | 0:31:57 | |
And they ate her. | 0:31:59 | 0:32:00 | |
Th...implants. | 0:32:02 | 0:32:06 | |
Those aren't your memories. | 0:32:06 | 0:32:08 | |
They're somebody else's. | 0:32:08 | 0:32:09 | |
They're Tyrell's niece's. | 0:32:09 | 0:32:11 | |
OK. Bad joke. | 0:32:19 | 0:32:22 | |
I made a bad joke. | 0:32:22 | 0:32:25 | |
You're not a replicant. Go home, OK? | 0:32:25 | 0:32:29 | |
No. Really. I'm sorry. | 0:32:31 | 0:32:34 | |
Go home. | 0:32:34 | 0:32:36 | |
Want a drink? | 0:32:48 | 0:32:50 | |
I'll get you a drink. | 0:32:51 | 0:32:54 | |
I'll get a glass. | 0:32:54 | 0:32:56 | |
POLICE SIREN | 0:33:32 | 0:33:34 | |
Hey! | 0:36:31 | 0:36:33 | |
You forgot your bag. | 0:36:38 | 0:36:39 | |
I'm lost. | 0:36:49 | 0:36:51 | |
Don't worry. I won't hurt you. | 0:36:53 | 0:36:55 | |
What's your name? | 0:36:58 | 0:37:00 | |
Pris. | 0:37:00 | 0:37:02 | |
Mine's JF Sebastian. | 0:37:02 | 0:37:03 | |
Hi. | 0:37:03 | 0:37:04 | |
Hi. | 0:37:04 | 0:37:06 | |
Oh, where were you going? | 0:37:08 | 0:37:11 | |
Home? | 0:37:12 | 0:37:14 | |
I don't have one. | 0:37:15 | 0:37:17 | |
We scared each other pretty good, didn't we? | 0:37:20 | 0:37:22 | |
We sure did. | 0:37:22 | 0:37:23 | |
Ha ha! | 0:37:23 | 0:37:25 | |
I'm hungry, JF. | 0:37:30 | 0:37:31 | |
I got stuff inside. | 0:37:31 | 0:37:34 | |
You want to come in? | 0:37:34 | 0:37:36 | |
I was hoping you'd say that. | 0:37:36 | 0:37:39 | |
You live in this building all by yourself? | 0:38:10 | 0:38:14 | |
Yeah. I live here pretty much alone right now. | 0:38:14 | 0:38:18 | |
No housing shortage around here. | 0:38:18 | 0:38:20 | |
Plenty of room for everybody. | 0:38:21 | 0:38:24 | |
PRIS COUGHS | 0:38:31 | 0:38:33 | |
Watch out for the water. | 0:38:33 | 0:38:35 | |
You must get lonely here, JF. | 0:38:37 | 0:38:39 | |
Mmm. Not really. I make friends. | 0:38:39 | 0:38:43 | |
They're toys. My friends are toys. | 0:38:44 | 0:38:47 | |
I make them. It's a hobby. I'm a genetic designer. Do you know what that is? | 0:38:47 | 0:38:52 | |
No. | 0:38:52 | 0:38:53 | |
Now. | 0:38:56 | 0:38:57 | |
Oh. | 0:38:59 | 0:39:00 | |
Yoo-hoo! Home again! | 0:39:01 | 0:39:04 | |
Home again, home again, jiggety-jig. | 0:39:09 | 0:39:12 | |
Good evening, JF. | 0:39:12 | 0:39:14 | |
Good evening, fellas. | 0:39:14 | 0:39:15 | |
Oh! | 0:39:20 | 0:39:21 | |
They're my friends. | 0:39:26 | 0:39:28 | |
I made them. | 0:39:28 | 0:39:29 | |
Where are your folks? | 0:39:29 | 0:39:30 | |
I'm sort of an orphan. | 0:39:30 | 0:39:32 | |
Oh. What about your friends? | 0:39:32 | 0:39:34 | |
I have some, but I have to find them. | 0:39:34 | 0:39:38 | |
I'll let them know where I am tomorrow. | 0:39:38 | 0:39:40 | |
Oh. | 0:39:40 | 0:39:41 | |
Can I take those things for you? | 0:39:43 | 0:39:46 | |
They're soaked, aren't they? | 0:39:46 | 0:39:48 | |
UNICORN WHINNIES | 0:40:37 | 0:40:38 | |
BEEP | 0:41:07 | 0:41:08 | |
BEEP | 0:41:09 | 0:41:10 | |
Enhance 224 to 176. | 0:41:23 | 0:41:26 | |
BEEPING | 0:41:26 | 0:41:27 | |
CLICKING | 0:41:31 | 0:41:34 | |
Enhance. | 0:41:41 | 0:41:42 | |
Stop. | 0:41:42 | 0:41:44 | |
Move in. | 0:41:58 | 0:41:59 | |
Stop. | 0:41:59 | 0:42:00 | |
Pull out. Track right. | 0:42:02 | 0:42:04 | |
Stop. | 0:42:04 | 0:42:06 | |
Centre and pull back. | 0:42:07 | 0:42:09 | |
Stop. | 0:42:11 | 0:42:13 | |
Track 45 right. | 0:42:13 | 0:42:16 | |
Stop. | 0:42:18 | 0:42:19 | |
Centre and stop. | 0:42:19 | 0:42:21 | |
Enhance 34 to 36. | 0:42:26 | 0:42:29 | |
Pan right and pull back. | 0:42:39 | 0:42:42 | |
Stop. | 0:42:42 | 0:42:44 | |
Enhance 34 to 46. | 0:42:49 | 0:42:50 | |
Pull back. | 0:43:01 | 0:43:03 | |
Wait a minute. Go right. | 0:43:04 | 0:43:07 | |
Stop. | 0:43:07 | 0:43:09 | |
Enhance 57 to 19. | 0:43:09 | 0:43:11 | |
Track 45 left. | 0:43:13 | 0:43:15 | |
Stop. | 0:43:17 | 0:43:19 | |
Enhance 15 to 23. | 0:43:20 | 0:43:23 | |
Give me a hard copy right there. | 0:43:33 | 0:43:35 | |
Fish? | 0:44:30 | 0:44:31 | |
I think it was manufactured locally. | 0:44:46 | 0:44:50 | |
Finest quality. | 0:44:53 | 0:44:55 | |
Superior workmanship. | 0:44:55 | 0:44:58 | |
There is a maker's serial number... | 0:44:58 | 0:45:02 | |
9906947-XB-71. | 0:45:02 | 0:45:08 | |
Interesting. | 0:45:08 | 0:45:09 | |
Not fish. Snake scale. | 0:45:09 | 0:45:14 | |
Snake? | 0:45:14 | 0:45:15 | |
Try Abdul Ben Hassan. | 0:45:15 | 0:45:17 | |
He make this snake. | 0:45:17 | 0:45:20 | |
HE TAPS | 0:46:10 | 0:46:12 | |
HE SPEAKS IN HIS OWN LANGUAGE | 0:46:16 | 0:46:18 | |
Abdul Hassan? | 0:46:19 | 0:46:20 | |
I'm a police officer. | 0:46:22 | 0:46:23 | |
I'd like to ask you a few questions. | 0:46:23 | 0:46:26 | |
Artificial snake licence XB71 - that's you? | 0:46:26 | 0:46:28 | |
This is your work, huh? | 0:46:28 | 0:46:30 | |
Who'd you sell it to? | 0:46:30 | 0:46:32 | |
My work? Not too many could afford such quality. | 0:46:32 | 0:46:36 | |
How many? | 0:46:36 | 0:46:37 | |
Very few. | 0:46:37 | 0:46:38 | |
How few? | 0:46:38 | 0:46:39 | |
Look, my friend... | 0:46:39 | 0:46:40 | |
Taffey Lewis. Down in first sector. Chinatown. | 0:46:40 | 0:46:43 | |
Bartender. | 0:47:19 | 0:47:20 | |
Taffey Lewis. | 0:47:24 | 0:47:26 | |
Taffey? | 0:47:31 | 0:47:32 | |
I'd like to ask you a few questions. | 0:47:33 | 0:47:36 | |
Blow me. | 0:47:36 | 0:47:38 | |
You ever buy snakes from the Egyptian, Taffey? | 0:47:39 | 0:47:41 | |
All the time, pal. | 0:47:41 | 0:47:43 | |
You ever see this girl, huh? | 0:47:44 | 0:47:47 | |
Never seen her. Buzz off. | 0:47:48 | 0:47:50 | |
Your licences in order, pal? | 0:47:50 | 0:47:52 | |
Hey, Louis. The man is dry. | 0:47:52 | 0:47:54 | |
Give him one on the house, OK? | 0:47:54 | 0:47:57 | |
See you. | 0:47:57 | 0:47:58 | |
Hello. | 0:48:38 | 0:48:40 | |
I've had people walk out on me before, | 0:48:41 | 0:48:44 | |
but not when... I was being so charming. | 0:48:44 | 0:48:48 | |
I'm in a bar here now | 0:48:48 | 0:48:50 | |
down in the fourth sector... | 0:48:50 | 0:48:53 | |
Taffey Lewis's, on the line. | 0:48:53 | 0:48:55 | |
Why don't you come on down here and have a drink? | 0:48:55 | 0:48:57 | |
I don't think so, Mr Deckard. | 0:48:57 | 0:48:59 | |
That's not my kind of place. | 0:48:59 | 0:49:03 | |
We'll go someplace else. | 0:49:03 | 0:49:04 | |
Ladies and gentlemen, | 0:49:20 | 0:49:22 | |
Taffey Lewis presents Miss Salome and the snake. | 0:49:22 | 0:49:27 | |
Watch her take the pleasures from the serpent | 0:49:27 | 0:49:32 | |
that once corrupted man. | 0:49:32 | 0:49:35 | |
Excuse me, Miss Salome. Can I talk to you? | 0:50:16 | 0:50:19 | |
I'm from the American federation of variety artists. | 0:50:19 | 0:50:22 | |
Oh, yeah? | 0:50:22 | 0:50:23 | |
I'm not here to make you join. | 0:50:23 | 0:50:26 | |
That's not my department. | 0:50:26 | 0:50:28 | |
Actually, er... | 0:50:28 | 0:50:30 | |
I'm from the confidential committee on moral abuses. | 0:50:31 | 0:50:35 | |
Committee of moral abuses? | 0:50:36 | 0:50:38 | |
There's been reports that the management | 0:50:38 | 0:50:40 | |
has taken liberties with the artists here. | 0:50:40 | 0:50:43 | |
I don't know nothing about it. | 0:50:43 | 0:50:45 | |
Have you felt yourself to be exploited? | 0:50:45 | 0:50:48 | |
How do you mean, exploited? | 0:50:48 | 0:50:50 | |
Well, like, to get this job. | 0:50:50 | 0:50:52 | |
I mean, did you do or were you asked to do | 0:50:52 | 0:50:57 | |
anything that's lewd or unsavoury | 0:50:57 | 0:50:59 | |
or otherwise repulsive to...to your person? | 0:50:59 | 0:51:02 | |
Huh? | 0:51:02 | 0:51:04 | |
Are you for real? | 0:51:06 | 0:51:07 | |
Oh, yeah. | 0:51:07 | 0:51:09 | |
I'd like to check your dressing room. | 0:51:09 | 0:51:12 | |
For what? | 0:51:12 | 0:51:13 | |
For, er, for holes. | 0:51:13 | 0:51:15 | |
Holes? | 0:51:15 | 0:51:16 | |
Well, you'd be surprised what a guy would go through | 0:51:16 | 0:51:20 | |
to glimpse a beautiful body. | 0:51:20 | 0:51:22 | |
Huh. | 0:51:22 | 0:51:23 | |
No, I wouldn't. | 0:51:25 | 0:51:27 | |
Uh, little dirty holes they, er, drill in the walls | 0:51:27 | 0:51:31 | |
so they can watch a lady undress. | 0:51:31 | 0:51:34 | |
Is this a real snake? | 0:52:06 | 0:52:07 | |
Of course it's not real. | 0:52:07 | 0:52:09 | |
I can't afford a real snake. | 0:52:09 | 0:52:12 | |
HISSING | 0:52:12 | 0:52:14 | |
So, if somebody does try to exploit me, who do I go to? | 0:52:27 | 0:52:30 | |
Me. | 0:52:30 | 0:52:31 | |
You're a dedicated man. Dry me. | 0:52:31 | 0:52:33 | |
Oh! | 0:52:37 | 0:52:38 | |
Hey! Oh! | 0:53:01 | 0:53:02 | |
HORN HOOTS | 0:53:24 | 0:53:26 | |
KLAXON SOUNDS | 0:53:42 | 0:53:44 | |
Cross now. | 0:53:44 | 0:53:49 | |
# Hare, hare | 0:53:51 | 0:53:55 | |
# Hare, hare. # | 0:53:55 | 0:53:56 | |
Cross now. | 0:54:25 | 0:54:40 | |
Don't walk. | 0:54:40 | 0:54:46 | |
Don't walk. Don't walk. | 0:54:46 | 0:54:48 | |
Oh! | 0:55:02 | 0:55:03 | |
Cross now. Cross now. | 0:55:03 | 0:55:05 | |
Cross now. | 0:55:05 | 0:55:14 | |
Cross now. Cross now. | 0:55:14 | 0:55:16 | |
Move! Get out of the way! | 0:55:16 | 0:55:18 | |
Deckard. | 0:56:59 | 0:57:01 | |
B26354. | 0:57:01 | 0:57:03 | |
Move on. | 0:57:10 | 0:57:18 | |
A minute. | 0:57:23 | 0:57:24 | |
Yeah, what do you want? | 0:57:26 | 0:57:28 | |
Tsingtao. | 0:57:28 | 0:57:29 | |
Is this enough? | 0:57:37 | 0:57:39 | |
Yeah. | 0:57:39 | 0:57:39 | |
Bryant. | 0:57:48 | 0:57:50 | |
You look almost as bad as that skin-job you left on the sidewalk. | 0:58:10 | 0:58:13 | |
I'm going home. | 0:58:13 | 0:58:15 | |
Could learn from this guy, gaff. | 0:58:15 | 0:58:17 | |
He's a goddamn one-man slaughterhouse, that's what he is. | 0:58:17 | 0:58:20 | |
Four more to go. Let's go. | 0:58:20 | 0:58:23 | |
Three. | 0:58:23 | 0:58:24 | |
There's three to go. | 0:58:25 | 0:58:27 | |
There's four. | 0:58:27 | 0:58:29 | |
That skin-job you VK'd at the Tyrell Corporation - Rachael - disappeared, vanished. | 0:58:29 | 0:58:34 | |
Didn't know she was a replicant. | 0:58:34 | 0:58:37 | |
Something to do with a brain implant. | 0:58:37 | 0:58:39 | |
Come on, gaff. | 0:58:39 | 0:58:41 | |
Drink some for me, huh? | 0:58:41 | 0:58:43 | |
Leon. | 0:59:25 | 0:59:27 | |
How old am I? | 0:59:27 | 0:59:28 | |
I don't know. | 0:59:32 | 0:59:33 | |
My birthday's April 10, 2017. | 0:59:36 | 0:59:38 | |
How long do I live? | 0:59:38 | 0:59:40 | |
Four years. | 0:59:40 | 0:59:41 | |
More than you. | 0:59:48 | 0:59:49 | |
Painful to live in fear, isn't it? | 0:59:54 | 0:59:57 | |
Nothing's worse than having an itch | 1:00:01 | 1:00:04 | |
you can never scratch. | 1:00:04 | 1:00:05 | |
I agree. | 1:00:05 | 1:00:07 | |
Wake up! | 1:00:18 | 1:00:19 | |
Time to die. | 1:00:19 | 1:00:20 | |
GUNSHOT | 1:00:22 | 1:00:23 | |
Shakes? | 1:00:54 | 1:00:55 | |
Me, too. | 1:00:56 | 1:00:58 | |
I get them bad. | 1:01:02 | 1:01:04 | |
Part of the business. | 1:01:10 | 1:01:11 | |
I'm not in the business. | 1:01:18 | 1:01:20 | |
I AM the business. | 1:01:33 | 1:01:35 | |
WATER RUNNING | 1:02:10 | 1:02:13 | |
What if I go north? | 1:03:03 | 1:03:05 | |
Disappear. | 1:03:09 | 1:03:11 | |
Would you come after me? | 1:03:15 | 1:03:17 | |
Hunt me? | 1:03:18 | 1:03:20 | |
No. | 1:03:25 | 1:03:26 | |
No, I wouldn't. | 1:03:28 | 1:03:30 | |
I owe you one. | 1:03:36 | 1:03:38 | |
But somebody would. | 1:03:52 | 1:03:54 | |
Deckard... | 1:04:06 | 1:04:07 | |
You know those files on me? | 1:04:10 | 1:04:12 | |
The incept date, the longevity, | 1:04:14 | 1:04:17 | |
those things. | 1:04:17 | 1:04:19 | |
You saw them? | 1:04:20 | 1:04:22 | |
They're... | 1:04:26 | 1:04:27 | |
classified. | 1:04:27 | 1:04:29 | |
But you're a policeman. | 1:04:29 | 1:04:31 | |
I... | 1:04:31 | 1:04:33 | |
didn't look at them. | 1:04:33 | 1:04:35 | |
You know that Voight-Kampff test of yours? | 1:04:37 | 1:04:40 | |
Do you ever take that test yourself? | 1:04:40 | 1:04:43 | |
Deckard? | 1:04:55 | 1:04:56 | |
PLAYING PIANO | 1:05:54 | 1:05:55 | |
I dreamt music. | 1:07:20 | 1:07:22 | |
PLAYING PIANO | 1:07:24 | 1:07:26 | |
I didn't know if I could play. | 1:07:27 | 1:07:30 | |
I remember lessons. | 1:07:30 | 1:07:33 | |
I don't know if it's me or Tyrell's niece. | 1:07:35 | 1:07:38 | |
You play beautifully. | 1:07:43 | 1:07:45 | |
And now you kiss me. | 1:08:52 | 1:08:55 | |
I can't rely on... | 1:08:55 | 1:08:58 | |
Say kiss me. | 1:08:58 | 1:09:00 | |
Kiss me. | 1:09:03 | 1:09:04 | |
I want you. | 1:09:16 | 1:09:17 | |
I want you. | 1:09:21 | 1:09:22 | |
Again. | 1:09:22 | 1:09:23 | |
I want you. | 1:09:23 | 1:09:26 | |
Put your hands on me. | 1:09:29 | 1:09:31 | |
CUCKOO CLOCK CHIMES | 1:09:59 | 1:10:02 | |
SHE SNIFFS | 1:10:27 | 1:10:29 | |
What are you doing? | 1:10:48 | 1:10:50 | |
I'm sorry. | 1:10:50 | 1:10:51 | |
Just peeking. | 1:10:51 | 1:10:53 | |
Oh. | 1:10:53 | 1:10:54 | |
How do I look? | 1:10:55 | 1:10:57 | |
You...you look better. | 1:10:57 | 1:10:59 | |
Just better? | 1:10:59 | 1:11:00 | |
Well, you look beautiful. | 1:11:00 | 1:11:03 | |
Thanks. | 1:11:07 | 1:11:08 | |
How old are you? | 1:11:15 | 1:11:16 | |
25. | 1:11:18 | 1:11:20 | |
What's your problem? | 1:11:21 | 1:11:22 | |
Methuselah syndrome. | 1:11:22 | 1:11:24 | |
What's that? | 1:11:24 | 1:11:25 | |
My glands... they grow old too fast. | 1:11:25 | 1:11:28 | |
Is that why you're still on Earth? | 1:11:28 | 1:11:31 | |
Yeah. | 1:11:31 | 1:11:32 | |
I couldn't pass the medical. | 1:11:32 | 1:11:33 | |
Anyway, I kind of like it here. | 1:11:36 | 1:11:39 | |
I like you... | 1:11:41 | 1:11:43 | |
just the way you are. | 1:11:43 | 1:11:45 | |
Hi, Roy! | 1:11:47 | 1:11:48 | |
Gosh... You really got some nice toys here. | 1:11:51 | 1:11:55 | |
This is the friend I was telling you about. | 1:11:55 | 1:11:58 | |
This is my saviour, JF Sebastian. | 1:11:58 | 1:12:01 | |
Sebastian. | 1:12:01 | 1:12:03 | |
I like a man that stays put. | 1:12:03 | 1:12:06 | |
You live here all by yourself, do you? | 1:12:06 | 1:12:10 | |
Yes. | 1:12:10 | 1:12:12 | |
How about some breakfast? | 1:12:22 | 1:12:25 | |
I was just going to make some. | 1:12:25 | 1:12:27 | |
Well? | 1:12:35 | 1:12:36 | |
Leon... | 1:12:39 | 1:12:40 | |
What's going on? | 1:12:40 | 1:12:42 | |
I've... | 1:12:42 | 1:12:43 | |
There's only two of us now. | 1:12:46 | 1:12:48 | |
Then we're stupid, and we'll die. | 1:12:50 | 1:12:53 | |
No, we won't. | 1:12:56 | 1:12:59 | |
No. | 1:13:31 | 1:13:32 | |
Knight takes queen, see? | 1:13:32 | 1:13:34 | |
Won't do it. | 1:13:34 | 1:13:36 | |
Why are you staring at us, Sebastian? | 1:13:44 | 1:13:47 | |
Because... | 1:13:47 | 1:13:49 | |
You're so different. | 1:13:49 | 1:13:50 | |
You're so perfect. | 1:13:52 | 1:13:54 | |
Yes. | 1:13:56 | 1:13:58 | |
What generation are you? | 1:13:58 | 1:14:01 | |
Nexus 6. | 1:14:08 | 1:14:10 | |
Ah! I knew it | 1:14:10 | 1:14:11 | |
because I do genetic design work | 1:14:11 | 1:14:14 | |
for the Tyrell Corporation. | 1:14:14 | 1:14:15 | |
There's some of me in you. | 1:14:15 | 1:14:18 | |
Show me something. | 1:14:18 | 1:14:20 | |
Like what? | 1:14:20 | 1:14:22 | |
Like anything. | 1:14:22 | 1:14:24 | |
We're no computers, Sebastian. | 1:14:26 | 1:14:28 | |
We're physical. | 1:14:28 | 1:14:29 | |
I think, Sebastian, therefore I am. | 1:14:32 | 1:14:36 | |
Very good, Pris. | 1:14:37 | 1:14:39 | |
Now show him why. | 1:14:39 | 1:14:40 | |
Huh! | 1:15:01 | 1:15:02 | |
Ha-ha! | 1:15:02 | 1:15:04 | |
We've got a lot in common. | 1:15:05 | 1:15:08 | |
What do you mean? | 1:15:08 | 1:15:09 | |
Similar problems. | 1:15:09 | 1:15:11 | |
Accelerated decrepitude. | 1:15:11 | 1:15:12 | |
I don't know much about biomechanics, Roy. I wish I did. | 1:15:14 | 1:15:17 | |
Umm! | 1:15:17 | 1:15:19 | |
If we don't find help soon, | 1:15:19 | 1:15:21 | |
Pris hasn't got long to live. | 1:15:21 | 1:15:24 | |
We can't allow that. | 1:15:24 | 1:15:27 | |
Is he good? | 1:15:28 | 1:15:30 | |
Who? | 1:15:30 | 1:15:31 | |
Your opponent. | 1:15:31 | 1:15:33 | |
Oh, Dr Tyrell? | 1:15:33 | 1:15:35 | |
I've only beaten him once in chess. | 1:15:35 | 1:15:38 | |
He's a genius. | 1:15:38 | 1:15:39 | |
He designed you. | 1:15:41 | 1:15:42 | |
Maybe he could help. | 1:15:44 | 1:15:46 | |
I'd be happy to mention it to him. | 1:15:47 | 1:15:49 | |
Better if I talk to him in person. | 1:15:51 | 1:15:54 | |
But I understand he's a sort of hard man to get to. | 1:15:57 | 1:16:02 | |
Yes. | 1:16:02 | 1:16:04 | |
Very. | 1:16:04 | 1:16:05 | |
Will you help us? | 1:16:09 | 1:16:11 | |
I can't. | 1:16:11 | 1:16:13 | |
We need you, Sebastian. | 1:16:13 | 1:16:15 | |
You're our best and only friend. | 1:16:15 | 1:16:17 | |
We're so happy you found us. | 1:16:30 | 1:16:33 | |
Ha-ha! | 1:16:33 | 1:16:35 | |
I don't think anybody else would have helped us. | 1:16:35 | 1:16:39 | |
66,000 Prosser and Ankovich. | 1:17:26 | 1:17:29 | |
Hmm... | 1:17:29 | 1:17:31 | |
Trade. | 1:17:31 | 1:17:32 | |
Trade at... | 1:17:32 | 1:17:33 | |
INTERCOM: 'Blue entry. | 1:17:33 | 1:17:36 | |
'A Mr JF Sebastian. | 1:17:36 | 1:17:39 | |
'16417.' | 1:17:39 | 1:17:42 | |
'At this hour? | 1:17:44 | 1:17:46 | |
'What can I do for you, Sebastian?' | 1:17:46 | 1:17:48 | |
Queen to bishop 6. Check. | 1:17:51 | 1:17:53 | |
Nonsense. | 1:17:59 | 1:18:01 | |
Just a moment. | 1:18:01 | 1:18:03 | |
Queen to bishop 6. | 1:18:05 | 1:18:08 | |
Ridiculous. | 1:18:08 | 1:18:10 | |
Queen. | 1:18:16 | 1:18:17 | |
Bishop 6. | 1:18:19 | 1:18:20 | |
Hmm... | 1:18:22 | 1:18:23 | |
'Knight... | 1:18:26 | 1:18:28 | |
'takes... | 1:18:28 | 1:18:29 | |
'Queen. | 1:18:29 | 1:18:30 | |
What's on your mind, Sebastian? | 1:18:37 | 1:18:39 | |
What are you thinking about? | 1:18:39 | 1:18:41 | |
Bishop to king 7. | 1:18:42 | 1:18:44 | |
Check. | 1:18:44 | 1:18:45 | |
Bishop to king 7. Checkmate, I think. | 1:18:46 | 1:18:50 | |
Got a brainstorm, huh, Sebastian? | 1:18:50 | 1:18:54 | |
Milk and cookies kept you awake, huh? | 1:18:54 | 1:18:57 | |
'Let's discuss this. | 1:18:57 | 1:18:58 | |
'You better come up, Sebastian.' | 1:18:58 | 1:19:01 | |
Mr Tyrell? | 1:19:17 | 1:19:19 | |
I... | 1:19:21 | 1:19:22 | |
I brought a friend. | 1:19:22 | 1:19:25 | |
I'm surprised you didn't come here sooner. | 1:19:30 | 1:19:34 | |
It's not an easy thing to meet your maker. | 1:19:41 | 1:19:44 | |
And what can he do for you? | 1:19:44 | 1:19:48 | |
Can the maker repair what he makes? | 1:19:48 | 1:19:51 | |
Would you... | 1:19:51 | 1:19:53 | |
like to be modified? | 1:19:53 | 1:19:55 | |
Stay here. | 1:19:55 | 1:19:57 | |
Had in mind something a little more radical. | 1:20:02 | 1:20:06 | |
What... | 1:20:06 | 1:20:07 | |
What seems to be the problem? | 1:20:07 | 1:20:11 | |
Death. | 1:20:11 | 1:20:12 | |
Death? | 1:20:12 | 1:20:13 | |
Well, I'm afraid that's a little out of my jurisdiction. | 1:20:13 | 1:20:17 | |
I want more life, | 1:20:17 | 1:20:19 | |
Father. | 1:20:19 | 1:20:21 | |
The facts of life. | 1:20:26 | 1:20:27 | |
To make an alteration in the... | 1:20:30 | 1:20:32 | |
evolvement of an organic life system is fatal. | 1:20:32 | 1:20:35 | |
A coding sequence cannot be revised | 1:20:35 | 1:20:37 | |
once it's been established. | 1:20:37 | 1:20:38 | |
Why not? | 1:20:38 | 1:20:39 | |
Because by the second day of incubation, | 1:20:39 | 1:20:42 | |
any cells that have undergone reversion mutations | 1:20:42 | 1:20:47 | |
give rise to revertant colonies | 1:20:47 | 1:20:49 | |
like rats leaving a sinking ship. | 1:20:49 | 1:20:51 | |
Then the ship sinks. | 1:20:51 | 1:20:53 | |
What about EMS recombination? | 1:20:53 | 1:20:55 | |
We've already tried it. | 1:20:55 | 1:20:57 | |
Ethyl Methane Sulphonate is an alkylating agent | 1:20:57 | 1:21:00 | |
and a potent mutagen. | 1:21:00 | 1:21:02 | |
It created a virus so lethal, | 1:21:02 | 1:21:04 | |
the subject was dead before he left the table. | 1:21:04 | 1:21:08 | |
Then a repressive protein that blocks the operating cells. | 1:21:08 | 1:21:11 | |
It wouldn't obstruct replication, | 1:21:11 | 1:21:13 | |
but it does give rise to an error in replication | 1:21:13 | 1:21:17 | |
so that the newly-formed DNA strand carries the mutation, | 1:21:17 | 1:21:21 | |
and you've got a virus again. | 1:21:21 | 1:21:23 | |
But, er...this... | 1:21:23 | 1:21:24 | |
All of this is...academic. | 1:21:24 | 1:21:28 | |
You were made as well as we could make you. | 1:21:28 | 1:21:32 | |
But not to last. | 1:21:32 | 1:21:33 | |
The light that burns twice as bright | 1:21:33 | 1:21:36 | |
burns half as long. | 1:21:36 | 1:21:37 | |
And you have burned so very, very brightly, Roy. | 1:21:37 | 1:21:41 | |
Look at you. | 1:21:41 | 1:21:44 | |
You're the prodigal son. | 1:21:44 | 1:21:46 | |
You're quite a prize. | 1:21:46 | 1:21:49 | |
I've done... | 1:21:55 | 1:21:57 | |
questionable things. | 1:21:57 | 1:21:58 | |
Also extraordinary things. | 1:21:58 | 1:22:00 | |
Revel in your time. | 1:22:00 | 1:22:02 | |
Nothing the God of biomechanics | 1:22:06 | 1:22:08 | |
wouldn't let you in Heaven for. | 1:22:08 | 1:22:11 | |
Aah! | 1:22:28 | 1:22:31 | |
Sorry, Sebastian | 1:23:01 | 1:23:03 | |
Come! Come! | 1:23:04 | 1:23:07 | |
SIREN BLARES, POLICE RADIO TRANSMITTING | 1:23:26 | 1:23:29 | |
'Tactical alert now in quadrant 19, 12th sector. | 1:23:31 | 1:23:34 | |
'Report to units.' INDISTINCT RESPONSE | 1:23:34 | 1:23:37 | |
'Sectors one through 19...' | 1:23:37 | 1:23:38 | |
SPEAKING IN GERMAN | 1:23:38 | 1:23:40 | |
BRYANT: 'Body identified with Tyrell is a 25-year-old male Caucasian | 1:23:51 | 1:23:56 | |
'named Sebastian, JF Sebastian. | 1:23:56 | 1:23:59 | |
'Address - Bradbury Apartments, ninth sector. NF-46751. | 1:23:59 | 1:24:03 | |
'Now, I want you to go down there.' | 1:24:03 | 1:24:06 | |
POLICE: This sector's closed. What are you doing here? | 1:24:09 | 1:24:12 | |
I'm working. What are you doing? | 1:24:12 | 1:24:14 | |
Arresting you. That's what I'm doing. | 1:24:14 | 1:24:17 | |
I'm Deckard, Blade Runner 26354. | 1:24:17 | 1:24:19 | |
I'm filed and monitored. | 1:24:19 | 1:24:20 | |
Hold on. Checking. | 1:24:20 | 1:24:22 | |
OK, checked and cleared. | 1:24:26 | 1:24:28 | |
Have a better one. | 1:24:28 | 1:24:30 | |
DIALLING VIDEOPHONE | 1:24:32 | 1:24:35 | |
Hello? | 1:24:39 | 1:24:40 | |
Hi. Is JF there? | 1:24:40 | 1:24:42 | |
Who is it? This is Eddie, an old friend of JF's. | 1:24:42 | 1:24:45 | |
Oh... | 1:24:45 | 1:24:47 | |
That's no way to treat a friend. | 1:24:47 | 1:24:50 | |
CLUNK! | 1:24:53 | 1:24:55 | |
SPEAKING IN GERMAN | 1:24:57 | 1:24:59 | |
FAINT ORIENTAL SINGING | 1:26:06 | 1:26:10 | |
SINGING GETS LOUDER | 1:26:16 | 1:26:19 | |
SINGING PASSES | 1:26:24 | 1:26:26 | |
INDISTINCT CLATTER | 1:27:36 | 1:27:38 | |
FOOTSTEPS | 1:27:40 | 1:27:42 | |
TOYS: Home again, home again, jiggety-jig. | 1:27:42 | 1:27:45 | |
Good evening, JF. | 1:27:45 | 1:27:47 | |
Oh! | 1:27:57 | 1:27:59 | |
More tea? | 1:28:00 | 1:28:02 | |
Some tea? | 1:28:02 | 1:28:04 | |
More tea? | 1:28:13 | 1:28:15 | |
Ha-ha-ha! | 1:28:15 | 1:28:17 | |
More tea? | 1:28:17 | 1:28:19 | |
Ha-ha-ha! | 1:28:19 | 1:28:20 | |
More tea? | 1:28:20 | 1:28:22 | |
Ha-ha-ha! | 1:28:22 | 1:28:24 | |
More tea? | 1:28:24 | 1:28:26 | |
Ha-ha-ha! | 1:28:26 | 1:28:37 | |
More tea? | 1:28:37 | 1:28:39 | |
Aah! | 1:28:55 | 1:28:59 | |
Ah! | 1:28:59 | 1:29:01 | |
Uh! | 1:29:01 | 1:29:02 | |
Huh! | 1:29:03 | 1:29:05 | |
BOTH GRUNTING | 1:29:06 | 1:29:08 | |
Aah! | 1:29:33 | 1:29:36 | |
GUN SHOT, SHE SCREAMS | 1:29:36 | 1:29:39 | |
Aah! | 1:29:39 | 1:29:52 | |
Not very sporting | 1:31:37 | 1:31:39 | |
to fire on an unarmed opponent. | 1:31:39 | 1:31:43 | |
I thought you were supposed to be good. | 1:31:43 | 1:31:45 | |
Aren't you the good man? | 1:31:47 | 1:31:50 | |
Come on... | 1:31:53 | 1:31:55 | |
Deckard. | 1:31:55 | 1:31:58 | |
Show me... | 1:31:59 | 1:32:01 | |
what you're made of. | 1:32:01 | 1:32:03 | |
Proud of yourself, little man? | 1:32:15 | 1:32:17 | |
This is for Zhora. | 1:32:24 | 1:32:26 | |
Ah! | 1:32:26 | 1:32:28 | |
This is for Pris. | 1:32:28 | 1:32:29 | |
Ah! | 1:32:29 | 1:32:31 | |
Uh... | 1:32:33 | 1:32:34 | |
Come on, Deckard. | 1:32:36 | 1:32:37 | |
I'm right here, | 1:32:37 | 1:32:39 | |
but you've got to shoot straight. | 1:32:39 | 1:32:42 | |
Straight doesn't seem to be good enough. | 1:32:42 | 1:32:45 | |
Now it's my turn. | 1:32:45 | 1:32:47 | |
I'm going to give you a few seconds before I come. | 1:32:47 | 1:32:51 | |
1... | 1:32:51 | 1:32:53 | |
2. | 1:32:53 | 1:32:55 | |
3... | 1:33:07 | 1:33:08 | |
4. | 1:33:08 | 1:33:10 | |
Pris. | 1:33:22 | 1:33:24 | |
Oh... | 1:33:41 | 1:33:42 | |
Awoo! | 1:33:47 | 1:33:50 | |
HE HOWLS | 1:33:53 | 1:33:55 | |
Yee-ah! | 1:34:07 | 1:34:10 | |
ROY HOWLS | 1:34:18 | 1:34:21 | |
ROY SQUEALS AND LAUGHS | 1:34:29 | 1:34:32 | |
I'm coming! | 1:34:32 | 1:34:35 | |
Deckard. | 1:34:35 | 1:34:37 | |
4, 5. | 1:34:39 | 1:34:41 | |
How to stay alive? | 1:34:45 | 1:34:47 | |
HE HOWLS | 1:34:59 | 1:35:01 | |
Ha-ha-ha! | 1:35:03 | 1:35:05 | |
I can see you! | 1:35:09 | 1:35:11 | |
Not...yet! | 1:35:35 | 1:35:37 | |
Not... | 1:35:37 | 1:35:40 | |
HE GASPS | 1:35:40 | 1:35:42 | |
THUNDER RUMBLES | 1:35:49 | 1:35:51 | |
Argh! | 1:36:05 | 1:36:07 | |
Yes! | 1:36:21 | 1:36:23 | |
You better get it up. Or I'm going to have to kill ya! | 1:36:30 | 1:36:33 | |
Unless you're alive, you can't play. And if you don't play... | 1:36:34 | 1:36:39 | |
Six, seven... | 1:36:48 | 1:36:50 | |
Go to hell or go to heaven! | 1:36:50 | 1:36:52 | |
That's the spirit! | 1:36:59 | 1:37:01 | |
WOLF-LIKE HOWL | 1:37:22 | 1:37:25 | |
That hurt! | 1:37:41 | 1:37:43 | |
That was irrational of you. | 1:37:46 | 1:37:48 | |
Not to mention unsportsmanlike. | 1:37:50 | 1:37:53 | |
Where are you going? | 1:37:57 | 1:37:59 | |
HE PANTS | 1:38:40 | 1:38:42 | |
Quite an experience to live in fear, isn't it? | 1:40:56 | 1:41:01 | |
That's what it is to be a slave. | 1:41:01 | 1:41:04 | |
HE TREMBLES | 1:41:06 | 1:41:08 | |
I've...seen things... | 1:42:01 | 1:42:03 | |
you people wouldn't believe. | 1:42:03 | 1:42:06 | |
Attack ships on fire | 1:42:09 | 1:42:10 | |
off the shoulder of Orion. | 1:42:10 | 1:42:12 | |
I watched C-beams | 1:42:15 | 1:42:18 | |
glitter in the dark near the Tannhauser Gate. | 1:42:18 | 1:42:21 | |
All those... | 1:42:25 | 1:42:27 | |
moments will be lost... | 1:42:27 | 1:42:29 | |
in time... | 1:42:31 | 1:42:33 | |
like... | 1:42:34 | 1:42:36 | |
tears... | 1:42:36 | 1:42:38 | |
in rain. | 1:42:40 | 1:42:42 | |
Time...to die. | 1:42:45 | 1:42:47 | |
You've done a man's job, sir! | 1:43:51 | 1:43:53 | |
I guess you're through, huh? | 1:43:59 | 1:44:01 | |
Finished. | 1:44:03 | 1:44:05 | |
It's too bad she won't live. | 1:44:26 | 1:44:29 | |
But then again, who does? | 1:44:29 | 1:44:31 | |
Rachael? | 1:45:05 | 1:45:07 | |
Rachael? | 1:45:14 | 1:45:16 | |
Rachael? | 1:45:29 | 1:45:31 | |
Do you love me? | 1:46:35 | 1:46:37 | |
I love you. | 1:46:37 | 1:46:40 | |
Do you trust me? | 1:46:40 | 1:46:42 | |
I trust you. | 1:46:43 | 1:46:45 | |
Rachael. | 1:46:54 | 1:46:56 | |
IN HEAD: 'It's too bad she won't live. But then again, who does?' | 1:47:33 | 1:47:38 |