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|---|---|---|---|
This film contains some strong language and some violent scenes. | 0:00:04 | 0:00:12 | |
Hey! | 0:02:15 | 0:02:17 | |
Geez. Buddy, you look dead. | 0:02:22 | 0:02:25 | |
I want to see Brockton. | 0:02:26 | 0:02:29 | |
Or Ulmer. | 0:02:29 | 0:02:32 | |
Yeah, what about? | 0:02:32 | 0:02:34 | |
A murder. | 0:02:34 | 0:02:36 | |
Yeah? | 0:02:36 | 0:02:38 | |
Who was murdered? | 0:02:38 | 0:02:39 | |
I was. | 0:02:39 | 0:02:42 | |
He looks bad, Dan. | 0:02:55 | 0:02:57 | |
Nice of you to put in an appearance, Cornell. | 0:03:14 | 0:03:18 | |
We'd given you up for... | 0:03:18 | 0:03:20 | |
You'd be right. | 0:03:20 | 0:03:23 | |
Dead...on arrival. | 0:03:28 | 0:03:31 | |
BROCKTON: Just one more on the pile, huh, Cornell? | 0:03:31 | 0:03:35 | |
How many corpses now? | 0:03:35 | 0:03:37 | |
Five? | 0:03:37 | 0:03:39 | |
Six. | 0:03:39 | 0:03:41 | |
If Cecil B. over there is ready, I'll tell you all about it. | 0:03:47 | 0:03:52 | |
I'll try to piece together | 0:03:52 | 0:03:54 | |
as best I can what's happened over the last 36 hours. | 0:03:54 | 0:03:58 | |
Metcalf, a colour. | 0:04:09 | 0:04:12 | |
How about green? | 0:04:12 | 0:04:14 | |
Young. Raw. | 0:04:14 | 0:04:16 | |
Immature. | 0:04:16 | 0:04:17 | |
Specific reference. | 0:04:17 | 0:04:19 | |
Jolly green giant. | 0:04:19 | 0:04:20 | |
You people are junk-culture geniuses. | 0:04:20 | 0:04:23 | |
I mean a literary reference. | 0:04:23 | 0:04:25 | |
And Bill Cosby's latest book doesn't count. | 0:04:25 | 0:04:28 | |
Anybody? | 0:04:29 | 0:04:31 | |
Nick? | 0:04:31 | 0:04:32 | |
Green fire off any synapses for you? | 0:04:32 | 0:04:34 | |
Shakespeare's line in Antony And Cleopatra. | 0:04:34 | 0:04:36 | |
Taylor and Burton to us. | 0:04:36 | 0:04:38 | |
What's the line, Nick? | 0:04:38 | 0:04:41 | |
"My salad days when I was green in judgment." | 0:04:41 | 0:04:44 | |
Good. Another one. | 0:04:44 | 0:04:47 | |
"The text is old, the orator too green." | 0:04:47 | 0:04:49 | |
Not another Shakespeare quote. I meant another student. | 0:04:49 | 0:04:52 | |
Aren't we literal-minded lately? | 0:04:52 | 0:04:54 | |
A bit like a computer. | 0:04:54 | 0:04:56 | |
Computer programmers have a saying, Professor. | 0:04:56 | 0:04:59 | |
"Garbage in, garbage out." | 0:04:59 | 0:05:00 | |
English professors have a saying, too. | 0:05:00 | 0:05:03 | |
"Don't one-up me in public. I haven't graded your project yet." | 0:05:03 | 0:05:06 | |
OK, can we hear from somebody else? | 0:05:06 | 0:05:09 | |
SNORING | 0:05:12 | 0:05:15 | |
I'm glad somebody can sleep in this heat. | 0:05:15 | 0:05:17 | |
Mr Sloane, good morning. | 0:05:20 | 0:05:24 | |
Dreaming of a white Christmas? | 0:05:24 | 0:05:26 | |
Sorry, Professor. | 0:05:26 | 0:05:27 | |
Pulled an all-nighter. | 0:05:27 | 0:05:29 | |
Uh-huh. | 0:05:29 | 0:05:30 | |
What's the topic? | 0:05:30 | 0:05:31 | |
The colour green as a metaphor. | 0:05:31 | 0:05:34 | |
Got any thoughts...at all? | 0:05:34 | 0:05:36 | |
Anybody got any thoughts? | 0:05:36 | 0:05:38 | |
Jealousy. | 0:05:38 | 0:05:40 | |
"Oh, beware, my lord, of jealousy. | 0:05:40 | 0:05:42 | |
"It is the green-eyed monster | 0:05:42 | 0:05:45 | |
"which doth mock the meat it feeds on." | 0:05:45 | 0:05:47 | |
Othello. | 0:05:47 | 0:05:50 | |
Good acting, too, Nick. | 0:05:50 | 0:05:51 | |
BELL RINGS | 0:05:51 | 0:05:53 | |
Somebody please unplug this man. | 0:05:53 | 0:05:54 | |
Everybody, get the hell out of here. | 0:05:54 | 0:05:58 | |
Professor. | 0:06:04 | 0:06:05 | |
Thank you, Miss...? | 0:06:05 | 0:06:07 | |
Fuller. Sydney Fuller. Back row. | 0:06:10 | 0:06:13 | |
I was wondering, do you think you could...? | 0:06:13 | 0:06:16 | |
Talk about your salad days. | 0:06:18 | 0:06:20 | |
You want me to sign this? | 0:06:20 | 0:06:22 | |
I can't believe myself, but...yeah. | 0:06:22 | 0:06:25 | |
"To Sydney Fuller." | 0:06:25 | 0:06:26 | |
Taken me all semester to work up my nerve to ask you. | 0:06:26 | 0:06:30 | |
That's with a Y. | 0:06:30 | 0:06:32 | |
S-Y. | 0:06:33 | 0:06:35 | |
S-Y-D-N-E-Y. | 0:06:35 | 0:06:38 | |
That's why I took your course. | 0:06:38 | 0:06:40 | |
My parents think liberal arts is a waste. | 0:06:40 | 0:06:43 | |
I've read all your books... Shut up, Sydney. | 0:06:43 | 0:06:46 | |
I have read them all. | 0:06:48 | 0:06:49 | |
Glutton for punishment, huh? | 0:06:49 | 0:06:51 | |
No! I wish you hadn't stopped. | 0:06:51 | 0:06:54 | |
I didn't stop. I just stalled. | 0:06:56 | 0:06:58 | |
< Professor Cornell? | 0:07:00 | 0:07:02 | |
My novel, you really haven't, er... | 0:07:02 | 0:07:04 | |
Read it? Finished it? | 0:07:04 | 0:07:05 | |
Either. Neither. | 0:07:05 | 0:07:07 | |
You said you'd grade it. | 0:07:07 | 0:07:09 | |
This heat's put me behind schedule. | 0:07:09 | 0:07:11 | |
I haven't shown it to anyone else. | 0:07:11 | 0:07:13 | |
Am I privileged or singled out for persecution? | 0:07:13 | 0:07:16 | |
Can I be honest? | 0:07:16 | 0:07:18 | |
I don't know, can you? | 0:07:18 | 0:07:19 | |
Your opinion means a lot to me | 0:07:19 | 0:07:21 | |
because of your body of work. | 0:07:21 | 0:07:23 | |
Yeah, synonyms for body - corpse, carcass, cadaver. | 0:07:23 | 0:07:27 | |
If you don't like my novel, I'll die. | 0:07:27 | 0:07:30 | |
No, I will. I'll stop writing. | 0:07:30 | 0:07:32 | |
Ah, even worse. | 0:07:32 | 0:07:34 | |
I spent the whole semester on that thing. | 0:07:34 | 0:07:36 | |
It took Hugo 16 years to write Les Miserables. | 0:07:36 | 0:07:39 | |
It only takes a few days to read. | 0:07:39 | 0:07:42 | |
Come on, any comment. | 0:07:42 | 0:07:43 | |
Nice typing. | 0:07:43 | 0:07:46 | |
Something go down the drain? | 0:07:52 | 0:07:55 | |
You know something I don't? | 0:07:55 | 0:07:57 | |
Yeah. You look like shit, Hal. | 0:07:57 | 0:08:00 | |
I'm an expert on the subject. | 0:08:00 | 0:08:02 | |
What's the matter? You up against a publisher's deadline? | 0:08:02 | 0:08:06 | |
I was up all night consulting my physician. | 0:08:06 | 0:08:09 | |
Playing doctor with Elaine. | 0:08:09 | 0:08:12 | |
Speaking of too hot. | 0:08:12 | 0:08:13 | |
The air conditioning at the med centre was working. | 0:08:13 | 0:08:16 | |
She was on call all night. | 0:08:16 | 0:08:19 | |
How do you do it? | 0:08:19 | 0:08:21 | |
Feet in the stirrups? | 0:08:21 | 0:08:22 | |
Where else? | 0:08:22 | 0:08:24 | |
Hi-ho, silver. | 0:08:24 | 0:08:25 | |
Well, you're going to have to forget about that wild life | 0:08:28 | 0:08:31 | |
once you're a full professor. | 0:08:31 | 0:08:33 | |
You son of a bitch. | 0:08:33 | 0:08:34 | |
I wondered how long you were going to keep me in suspense. | 0:08:34 | 0:08:37 | |
He said yes, right? | 0:08:37 | 0:08:39 | |
So the promotion's mine? | 0:08:39 | 0:08:41 | |
It's not official. | 0:08:41 | 0:08:42 | |
You should go to the art gallery dedication. | 0:08:42 | 0:08:45 | |
I'll be there with bells on. | 0:08:45 | 0:08:46 | |
It will be your last chance to kiss ass before the Christmas break. | 0:08:46 | 0:08:51 | |
If you hadn't helped I wouldn't have the book contract. | 0:08:51 | 0:08:54 | |
I'm not going to take the rap for that one. | 0:08:54 | 0:08:58 | |
I'm serious. Thanks for putting in the good word. | 0:08:58 | 0:09:01 | |
Meet me in the office, we'll have a drink. | 0:09:01 | 0:09:04 | |
I'll see you later. | 0:09:04 | 0:09:06 | |
Dex, you ought to slow down in this heat. | 0:09:36 | 0:09:40 | |
I thought you were a PhD, not an MD. | 0:09:40 | 0:09:42 | |
I'm an assistant professor, mortgaged to the eyeballs | 0:09:42 | 0:09:44 | |
with two kids and a third one on the way. | 0:09:44 | 0:09:47 | |
Congratulations, Graham. Boy or girl? | 0:09:47 | 0:09:50 | |
GRAHAM LAUGHS | 0:09:50 | 0:09:51 | |
Word is that you recommended your friend Hal to the dean. | 0:09:51 | 0:09:55 | |
I was next in line. | 0:09:55 | 0:09:57 | |
I didn't put Hal's novel on Putnam's spring list. | 0:09:57 | 0:10:01 | |
You know academic politics - publish or perish. | 0:10:01 | 0:10:03 | |
Always has been, always will be. | 0:10:03 | 0:10:05 | |
I have published. | 0:10:05 | 0:10:06 | |
Rehashing old lectures in obscure journals doesn't count. | 0:10:06 | 0:10:09 | |
When was the last time you published? | 0:10:09 | 0:10:12 | |
There's an interesting article for an obscure journal. | 0:10:12 | 0:10:16 | |
Young literary lion produces brilliant novel. | 0:10:16 | 0:10:19 | |
Gets hired by snazzy college. Strong follow-up brings full professorship. | 0:10:19 | 0:10:23 | |
A third novel is a little careless and a fourth that kind of stinks. | 0:10:23 | 0:10:26 | |
By then, the lion's tenured and number five never comes. | 0:10:26 | 0:10:30 | |
You know, that's still four more than you, pal. | 0:10:30 | 0:10:34 | |
Some of us are teachers without literary pretensions. | 0:10:34 | 0:10:38 | |
We're just fucking good teachers! | 0:10:38 | 0:10:40 | |
Fucking asshole. | 0:10:41 | 0:10:43 | |
How did this get here? | 0:10:43 | 0:10:44 | |
I don't know. | 0:10:44 | 0:10:45 | |
TAPE REWINDS | 0:11:20 | 0:11:23 | |
'Er, this is Gail. | 0:11:26 | 0:11:28 | |
'Um, the papers came today. | 0:11:28 | 0:11:30 | |
'Everything seems in order. | 0:11:30 | 0:11:31 | |
'I just need you to sign them. | 0:11:31 | 0:11:34 | |
'I'm sorry you had to move out so quickly. | 0:11:34 | 0:11:37 | |
'I know you didn't get everything. | 0:11:37 | 0:11:40 | |
'Um... There's some mail here for you. | 0:11:40 | 0:11:43 | |
'And... Christ, is it hot enough for you? | 0:11:43 | 0:11:47 | |
'They say rain's on the way, but I don't believe it. | 0:11:47 | 0:11:51 | |
'Um... I'll talk to you later, OK? | 0:11:51 | 0:11:55 | |
'Bye-bye.' | 0:11:55 | 0:11:57 | |
BEEP | 0:11:57 | 0:11:59 | |
'Er, hi, Professor, it's Nick Lang calling, er... | 0:11:59 | 0:12:02 | |
Oh, shit. | 0:12:49 | 0:12:50 | |
NICK: 'If you don't like my novel, I'll die. | 0:12:52 | 0:12:55 | |
'No, I will. I'll stop writing.' | 0:12:55 | 0:12:57 | |
SIRENS WAIL | 0:12:58 | 0:13:02 | |
Shut that, will you? | 0:13:18 | 0:13:20 | |
Shit. | 0:13:23 | 0:13:25 | |
Why? | 0:13:25 | 0:13:26 | |
Time of year, isn't it? | 0:13:26 | 0:13:28 | |
Holiday depression and all that. | 0:13:28 | 0:13:29 | |
And this heat. | 0:13:33 | 0:13:34 | |
Makes a guy do all sorts of insane things. | 0:13:34 | 0:13:37 | |
Pretty grim. | 0:13:37 | 0:13:39 | |
So's this. | 0:13:39 | 0:13:41 | |
Next semester, I'm on the best-seller list | 0:13:41 | 0:13:44 | |
and we're up to our asses in Dewars. | 0:13:44 | 0:13:48 | |
What kind of problem could a college kid have | 0:13:51 | 0:13:55 | |
that he thinks only a swan dive could solve? | 0:13:55 | 0:13:58 | |
That was no ordinary college kid. You want to talk about problems? | 0:13:58 | 0:14:02 | |
His father was a thief. | 0:14:02 | 0:14:04 | |
About four years ago, he breaks into the Fitzwaring mansion. | 0:14:05 | 0:14:10 | |
Killed the husband. | 0:14:10 | 0:14:11 | |
So what does the widow do? | 0:14:11 | 0:14:14 | |
She put's the thief's son through college. | 0:14:14 | 0:14:16 | |
That's the kid? | 0:14:16 | 0:14:17 | |
Was. | 0:14:17 | 0:14:20 | |
Guess all the money in the world can't buy Nick a happy ending. | 0:14:20 | 0:14:24 | |
He was a poetic little fucker, though. | 0:14:27 | 0:14:29 | |
That's Nick's independent project. | 0:14:31 | 0:14:33 | |
Good read, huh? | 0:14:33 | 0:14:35 | |
I didn't read it. | 0:14:35 | 0:14:36 | |
You didn't read it? | 0:14:36 | 0:14:38 | |
Hmm-mm. | 0:14:38 | 0:14:39 | |
Well, what's the A for? | 0:14:39 | 0:14:42 | |
Ambitious? | 0:14:43 | 0:14:45 | |
I don't believe you didn't read it. | 0:14:45 | 0:14:47 | |
Were you uptight that your student | 0:14:47 | 0:14:49 | |
might produce something of quality? | 0:14:49 | 0:14:51 | |
I was uptight about reading | 0:14:51 | 0:14:53 | |
400 pages of flatulent student fiction. | 0:14:53 | 0:14:56 | |
Now I don't have to. | 0:14:56 | 0:14:58 | |
Oh, God. | 0:15:03 | 0:15:05 | |
Now I do have to. | 0:15:05 | 0:15:07 | |
Not necessarily sober, though. | 0:15:12 | 0:15:14 | |
Merry Christmas. | 0:15:14 | 0:15:17 | |
Merry Christmas. | 0:15:17 | 0:15:18 | |
Less egg, Gail, more nog. | 0:15:25 | 0:15:27 | |
Who's this card from? | 0:15:30 | 0:15:31 | |
Uncle Charlie. Mine or yours? | 0:15:31 | 0:15:34 | |
It's yours. | 0:15:34 | 0:15:35 | |
I thought he was dead. | 0:15:35 | 0:15:37 | |
No. The dead one's mine. | 0:15:37 | 0:15:39 | |
Student suicide on campus today... | 0:15:44 | 0:15:47 | |
Your records are by the door. | 0:15:47 | 0:15:48 | |
We, er, mailing out joint Christmas cards this year? | 0:15:48 | 0:15:53 | |
I already sent mine out. | 0:15:53 | 0:15:55 | |
Guess not. Oh, I forgot. | 0:15:55 | 0:15:57 | |
I've got a gift for you. | 0:15:57 | 0:16:00 | |
Oh, God, Dex. | 0:16:00 | 0:16:02 | |
Why? | 0:16:02 | 0:16:04 | |
Well, don't worry. | 0:16:04 | 0:16:06 | |
It's nothing much. | 0:16:06 | 0:16:08 | |
Hot date? You don't dress like that to trim a tree. | 0:16:11 | 0:16:15 | |
Anybody I know? | 0:16:15 | 0:16:17 | |
Stop sounding like a husband. | 0:16:17 | 0:16:19 | |
Oh, I'm sorry. I thought I still was one. | 0:16:19 | 0:16:21 | |
WHEEL PLAYS "The Daring Young Man On The Flying Trapeze" | 0:16:57 | 0:17:01 | |
Thank you. | 0:17:07 | 0:17:08 | |
It's a little nicer | 0:17:14 | 0:17:16 | |
than what I got you, I'm afraid. | 0:17:16 | 0:17:20 | |
Couldn't you have thought of something more pleasant? | 0:17:22 | 0:17:25 | |
A lump of coal, perhaps? | 0:17:25 | 0:17:27 | |
Come on. 'Tis the season to be jolly. | 0:17:27 | 0:17:31 | |
This would be easier to take if you'd act a little hurt. | 0:17:31 | 0:17:35 | |
I hurt, Dex. | 0:17:35 | 0:17:36 | |
You know how long I've hurt. | 0:17:36 | 0:17:38 | |
Why? What have I done? | 0:17:38 | 0:17:40 | |
Have I cheated on you? | 0:17:40 | 0:17:42 | |
I'm probably the only professor on campus not screwing a sophomore. | 0:17:42 | 0:17:45 | |
Maybe you ought to be. | 0:17:45 | 0:17:48 | |
It would be a sign of life - longing for something. | 0:17:48 | 0:17:51 | |
Tell you what. | 0:17:51 | 0:17:52 | |
You wait here, I'm going out to find a co-ed for a quickie. | 0:17:52 | 0:17:56 | |
Then can we resume our marriage? | 0:17:56 | 0:17:58 | |
This hasn't been a marriage in four years. | 0:17:58 | 0:18:01 | |
It's funny how that kind of coincides | 0:18:01 | 0:18:04 | |
with the publication of my last novel. | 0:18:04 | 0:18:07 | |
So that's my great sin, huh? I'm not prolific enough. | 0:18:08 | 0:18:11 | |
You should have married Harold Robbins. | 0:18:11 | 0:18:13 | |
One for the road? | 0:18:13 | 0:18:14 | |
Subtle hint to exit? | 0:18:14 | 0:18:15 | |
No. I'm exiting. | 0:18:15 | 0:18:17 | |
Make yourself at home. You are, after all. | 0:18:17 | 0:18:20 | |
Because I stopped writing? | 0:18:20 | 0:18:22 | |
Because you stopped caring. | 0:18:22 | 0:18:24 | |
Goddamn it, Gail. Don't run out on me. What did I do to you? | 0:18:24 | 0:18:27 | |
You did it to yourself. | 0:18:27 | 0:18:29 | |
Oh God, Dex, | 0:18:29 | 0:18:31 | |
you gave up on everything that mattered to you, including me. | 0:18:31 | 0:18:35 | |
Marriage isn't always as hot as the honeymoon. | 0:18:35 | 0:18:38 | |
When two people live together... | 0:18:38 | 0:18:41 | |
You are so smart, and you don't have the faintest idea | 0:18:41 | 0:18:43 | |
of what I'm talking about, do you? | 0:18:43 | 0:18:45 | |
Making love became just going through the motions. | 0:18:45 | 0:18:49 | |
I could take it, if you had talked to me. | 0:18:49 | 0:18:52 | |
Talk? I talk all day, every day. | 0:18:52 | 0:18:55 | |
No, it's ironic banter. It's not intimacy. | 0:18:55 | 0:18:58 | |
After a while, it's abuse. | 0:18:58 | 0:19:00 | |
I'm sorry. I lied when I said, "For better or worse". | 0:19:00 | 0:19:03 | |
I won't watch someone I love wither away. | 0:19:03 | 0:19:05 | |
Gail... | 0:19:05 | 0:19:07 | |
Don't. | 0:19:09 | 0:19:11 | |
I've got to. Mistletoe. | 0:19:11 | 0:19:14 | |
Sign those papers before you go. | 0:19:18 | 0:19:21 | |
Ah, a mistake. | 0:20:18 | 0:20:20 | |
There is no scope. | 0:20:35 | 0:20:37 | |
Thank you, Graham. | 0:20:38 | 0:20:40 | |
Excuse me. | 0:20:40 | 0:20:41 | |
We've got to stop meeting like this. | 0:20:53 | 0:20:55 | |
Hey, Dex. | 0:20:55 | 0:20:57 | |
Quit staring. I've got a bashful bladder. | 0:21:00 | 0:21:03 | |
What's the matter? You look like you've seen a ghost. | 0:21:03 | 0:21:06 | |
No, no. Just your wife. She know you're here? | 0:21:06 | 0:21:10 | |
She's here? | 0:21:10 | 0:21:11 | |
Yeah. | 0:21:11 | 0:21:12 | |
Uh-oh! | 0:21:15 | 0:21:16 | |
It's been a long time. | 0:21:18 | 0:21:20 | |
You still attend faculty functions? | 0:21:20 | 0:21:21 | |
It's a chance to see folks. | 0:21:21 | 0:21:24 | |
Anyone special? | 0:21:24 | 0:21:25 | |
You found him. | 0:21:25 | 0:21:26 | |
Look what I found in the john. | 0:21:26 | 0:21:28 | |
Isn't it awful what you can get from a toilet seat? | 0:21:28 | 0:21:32 | |
You enjoy your eggnog? | 0:21:32 | 0:21:33 | |
Not enough nog. | 0:21:33 | 0:21:35 | |
Get me one of those. | 0:21:35 | 0:21:36 | |
Don't encourage him. | 0:21:36 | 0:21:38 | |
Thought you had a hot date. | 0:21:38 | 0:21:39 | |
GAIL: Did you sign those papers? | 0:21:39 | 0:21:42 | |
You know I gave up writing. | 0:21:42 | 0:21:44 | |
Writer's block can get expensive with my lawyers, Dex. | 0:21:44 | 0:21:47 | |
Attention, please. | 0:21:47 | 0:21:49 | |
Despite the tragic event that happened on campus today | 0:21:51 | 0:21:54 | |
our benefactress, Mrs Michael Fitzwaring, | 0:21:54 | 0:21:58 | |
insisted that we proceed with the dedication as scheduled. | 0:21:58 | 0:22:01 | |
This gallery was long the dream of my late husband. | 0:22:01 | 0:22:05 | |
Four years ago, when I arranged for the son of my husband's murderer | 0:22:05 | 0:22:09 | |
to come to this college, it shocked many people. | 0:22:09 | 0:22:12 | |
But Nicholas Lang was not responsible for the sins of his father. | 0:22:12 | 0:22:16 | |
I believed he deserved a chance. | 0:22:16 | 0:22:18 | |
Over these last four years, Nick proved worthy of my faith. | 0:22:18 | 0:22:22 | |
He triumphed over the past, or so it seemed. | 0:22:22 | 0:22:27 | |
But sometimes the past is inexorable. | 0:22:27 | 0:22:29 | |
I saw his body. | 0:22:29 | 0:22:30 | |
Who? | 0:22:30 | 0:22:31 | |
Nick Lang, the student who jumped. | 0:22:31 | 0:22:34 | |
DEX: Erstwhile student. | 0:22:34 | 0:22:35 | |
What? | 0:22:35 | 0:22:36 | |
He plummeted right past my window. | 0:22:36 | 0:22:38 | |
I had a front row seat. | 0:22:38 | 0:22:40 | |
HAL: Geez, Dex. | 0:22:40 | 0:22:42 | |
Gail? | 0:22:44 | 0:22:47 | |
We'll take care of her. | 0:22:54 | 0:22:56 | |
Leave it to Elaine. | 0:22:56 | 0:22:57 | |
Dex, don't complicate it. | 0:22:57 | 0:22:59 | |
Don't hurt yourself. | 0:22:59 | 0:23:01 | |
Gail, you and Nick Lang? | 0:23:02 | 0:23:05 | |
Gail? Talk to me. | 0:23:07 | 0:23:10 | |
Please leave me alone. | 0:23:10 | 0:23:12 | |
# Scene of the crime | 0:23:22 | 0:23:24 | |
# Body in the bag | 0:23:24 | 0:23:27 | |
# One gets to die, one gets the flag | 0:23:27 | 0:23:32 | |
# Slave to desire... # | 0:23:32 | 0:23:34 | |
Bartender? | 0:23:34 | 0:23:35 | |
# The pain of rejection | 0:23:35 | 0:23:37 | |
# Too much sex, not enough affection | 0:23:37 | 0:23:42 | |
# Read it in the paper, watch it on TV | 0:23:42 | 0:23:48 | |
# Cry for a stranger | 0:23:48 | 0:23:50 | |
# Turn your back on me | 0:23:50 | 0:23:53 | |
# Try another line... # | 0:23:53 | 0:23:55 | |
Bartender? | 0:23:55 | 0:23:56 | |
# Still no protection | 0:23:56 | 0:23:58 | |
# Too much sex, not enough affection... # | 0:23:58 | 0:24:02 | |
Bartender. | 0:24:02 | 0:24:04 | |
Thank you. | 0:24:11 | 0:24:14 | |
My pleasure. | 0:24:14 | 0:24:15 | |
More where that came from. | 0:24:17 | 0:24:19 | |
You drinking to forget? | 0:24:24 | 0:24:26 | |
To oblivion. | 0:24:27 | 0:24:29 | |
What sorrow are you drowning? | 0:24:30 | 0:24:33 | |
Maybe I just drink because I like it. | 0:24:34 | 0:24:38 | |
Always a sorrow. | 0:24:38 | 0:24:40 | |
Lost hope. | 0:24:40 | 0:24:41 | |
Lost love. | 0:24:41 | 0:24:44 | |
Are you all right? | 0:24:52 | 0:24:54 | |
Yeah, I'm just a few drinks short of oblivion. | 0:24:59 | 0:25:03 | |
I'll tell you what. I'll meet you there. | 0:25:03 | 0:25:06 | |
Hey, pal, we're trying to set a new record. | 0:25:08 | 0:25:10 | |
Set it yourself. The lady's going home. | 0:25:10 | 0:25:13 | |
Mother missed you tonight. She's a tad freaked out. | 0:25:14 | 0:25:18 | |
Freak out? That makes two of us. | 0:25:18 | 0:25:21 | |
DEX: Oh! | 0:25:23 | 0:25:25 | |
Jesus, Mary and Joseph. | 0:25:25 | 0:25:26 | |
Come on, dear, we're going home. | 0:25:30 | 0:25:33 | |
Professor Cornell? | 0:25:39 | 0:25:41 | |
Er, Miss... | 0:25:43 | 0:25:46 | |
Fuller, Sydney Fuller. | 0:25:46 | 0:25:48 | |
Isn't it awful about Nick Lang? What a shock. | 0:25:49 | 0:25:52 | |
Yeah, just one of many. | 0:25:52 | 0:25:54 | |
I know. It's just terrible. | 0:25:54 | 0:25:57 | |
Something I can do? | 0:25:57 | 0:25:59 | |
Will you have a drink with me? | 0:26:08 | 0:26:12 | |
OK. | 0:26:12 | 0:26:13 | |
Oh, a martini? | 0:26:15 | 0:26:16 | |
Mm-hmm. | 0:26:16 | 0:26:17 | |
First one? | 0:26:19 | 0:26:21 | |
# Too much, not enough... # | 0:26:21 | 0:26:26 | |
OK, I give up. Where did the female reindeer go? | 0:26:44 | 0:26:48 | |
Oh God, Eddie. | 0:26:50 | 0:26:52 | |
You have hit rock bottom on that one, | 0:26:52 | 0:26:55 | |
but I still love you. | 0:26:55 | 0:26:58 | |
See you next week. Bye. | 0:26:58 | 0:26:59 | |
Where did the female reindeer go? | 0:27:03 | 0:27:04 | |
Oh, you don't want to know. | 0:27:04 | 0:27:06 | |
Oh, my God. Am I where I think I am? | 0:27:15 | 0:27:17 | |
Freshman girls' dorm. | 0:27:17 | 0:27:18 | |
Does this get worse? What happened? | 0:27:20 | 0:27:23 | |
Don't you remember? You were amazing. | 0:27:23 | 0:27:25 | |
Oh, no! | 0:27:25 | 0:27:26 | |
Can't handle praise? | 0:27:26 | 0:27:28 | |
I can't handle prison. | 0:27:28 | 0:27:29 | |
I'm over 18. | 0:27:29 | 0:27:31 | |
The mere fact that you have to mention that | 0:27:31 | 0:27:33 | |
means I better get dressed and haul my ass... | 0:27:33 | 0:27:37 | |
I was amazing fully dressed? | 0:27:37 | 0:27:40 | |
Guess I had you going there, huh? | 0:27:40 | 0:27:43 | |
Yeah. | 0:27:43 | 0:27:45 | |
Now wait a minute. I seem to remember a lot of drinks, a lot of bars. | 0:27:45 | 0:27:50 | |
A pass being made? | 0:27:50 | 0:27:52 | |
Yeah, I made the pass. Incomplete. | 0:27:52 | 0:27:54 | |
You were gracious about turning me down. | 0:27:54 | 0:27:56 | |
You said I was pretty, you said I was smart. | 0:27:56 | 0:28:00 | |
You said something about rules and ethics, | 0:28:00 | 0:28:02 | |
professors and co-eds... something about alcohol impeding performance. | 0:28:02 | 0:28:06 | |
All the while, trying to make a graceful exit. | 0:28:06 | 0:28:09 | |
Yeah, but I didn't exit. | 0:28:09 | 0:28:11 | |
No, you passed out. | 0:28:11 | 0:28:12 | |
Diet Sprite? | 0:28:12 | 0:28:14 | |
Thank you. | 0:28:14 | 0:28:15 | |
This boyfriend of yours - | 0:28:17 | 0:28:19 | |
jealous type? | 0:28:19 | 0:28:21 | |
Huh? - The phone. | 0:28:21 | 0:28:23 | |
That's my brother Eddie. He called with his annual Christmas joke. | 0:28:23 | 0:28:26 | |
Hey, Syd. > | 0:28:26 | 0:28:28 | |
Syd, want to hit the gym? | 0:28:28 | 0:28:30 | |
Barb, don't you knock? | 0:28:30 | 0:28:31 | |
Oh... | 0:28:32 | 0:28:33 | |
Guess you've already exercised. | 0:28:33 | 0:28:35 | |
Sorry. This room is strategically located next to the fire stairs. | 0:28:35 | 0:28:40 | |
Let yourself out. I have trig across the quad in five. | 0:28:40 | 0:28:44 | |
It was fun, Professor. | 0:28:44 | 0:28:47 | |
Dex. | 0:28:47 | 0:28:49 | |
Dex... | 0:28:49 | 0:28:51 | |
I guess I'll see you in class then, Dex. | 0:28:51 | 0:28:54 | |
Barb? | 0:28:54 | 0:28:56 | |
I don't believe you! | 0:28:56 | 0:28:58 | |
I'm trapped in a girls' dormitory | 0:29:00 | 0:29:02 | |
with creatures called Barb. | 0:29:02 | 0:29:06 | |
Gail? | 0:29:22 | 0:29:24 | |
Hi, Dex. | 0:29:25 | 0:29:27 | |
Hi. | 0:29:27 | 0:29:29 | |
How are you? | 0:29:30 | 0:29:31 | |
'I'm OK.' | 0:29:31 | 0:29:33 | |
Elaine gave me some pills. | 0:29:33 | 0:29:38 | |
Look, Gail, I'm a little off balance right now, | 0:29:38 | 0:29:43 | |
but I am sorry. | 0:29:43 | 0:29:46 | |
'Dex, I'm sorry for the way you found out.' | 0:29:46 | 0:29:48 | |
There was nothing vindictive in it. I never told anybody. | 0:29:48 | 0:29:52 | |
I guess I was a little embarrassed. | 0:29:54 | 0:29:57 | |
He was so young. | 0:29:58 | 0:30:00 | |
Yeah. | 0:30:00 | 0:30:02 | |
'I didn't find out till later that he was one of your students.' | 0:30:02 | 0:30:06 | |
Boy, some shrink would have a field day with this one, huh? | 0:30:06 | 0:30:11 | |
'He reminded me so much of you at that age.' | 0:30:11 | 0:30:13 | |
Remember? | 0:30:13 | 0:30:16 | |
You mean the little place we had off campus? | 0:30:16 | 0:30:20 | |
I tried to write, | 0:30:20 | 0:30:22 | |
'and you tried to make Spam taste even more delicious.' | 0:30:22 | 0:30:25 | |
You did write. | 0:30:25 | 0:30:27 | |
'You were full of passion and purpose.' | 0:30:28 | 0:30:31 | |
You mean like Nick Lang? | 0:30:31 | 0:30:33 | |
'That wasn't love, Dex.' | 0:30:33 | 0:30:36 | |
Yeah. | 0:30:36 | 0:30:38 | |
He just made me feel like I haven't felt in a long time. | 0:30:38 | 0:30:42 | |
Dex, there was no reason. | 0:30:46 | 0:30:48 | |
'Look, Gail.' | 0:30:48 | 0:30:50 | |
I'm coming over there, Gail. | 0:30:50 | 0:30:52 | |
That's not a good idea, Dex. | 0:30:52 | 0:30:55 | |
Listen... | 0:30:55 | 0:30:57 | |
Come by tonight. | 0:30:57 | 0:31:01 | |
I'll go out for a bit. It'll be easier. | 0:31:01 | 0:31:04 | |
You've got to sign those papers. | 0:31:04 | 0:31:06 | |
And you left your briefcase here. | 0:31:08 | 0:31:10 | |
I'll leave it by the tree, OK? | 0:31:16 | 0:31:19 | |
I don't think you should be alone right now, Gail. | 0:31:19 | 0:31:23 | |
Please. Please don't come over. | 0:31:25 | 0:31:28 | |
I love you. | 0:31:32 | 0:31:34 | |
I know, Dex. | 0:31:44 | 0:31:47 | |
'I know.' | 0:31:48 | 0:31:50 | |
This is no hangover. | 0:32:52 | 0:32:54 | |
Dex? Are you all right? | 0:33:03 | 0:33:06 | |
What's taking so long? | 0:33:33 | 0:33:35 | |
I just got this back. Take a look at this. It's very strange. | 0:33:35 | 0:33:39 | |
It's radium chloride. | 0:33:39 | 0:33:42 | |
Are you absolutely sure about this? | 0:33:42 | 0:33:45 | |
Yes, positive. Toxicology ran through these twice | 0:33:45 | 0:33:48 | |
and confirmed the results. | 0:33:48 | 0:33:50 | |
Sorry you had to wait so long. | 0:34:03 | 0:34:05 | |
I'm feeling a lot better. What's up, Doc? | 0:34:05 | 0:34:08 | |
Sit down, Dex, please. | 0:34:08 | 0:34:10 | |
What's that? | 0:34:10 | 0:34:12 | |
It's a sample. | 0:34:12 | 0:34:13 | |
Do I have to drink that? | 0:34:13 | 0:34:15 | |
No, Dex, you already did. | 0:34:15 | 0:34:17 | |
We ran the test twice. | 0:34:17 | 0:34:20 | |
What is that? | 0:34:20 | 0:34:22 | |
A toxic luminous solution - it's in your system. | 0:34:22 | 0:34:25 | |
Too much tuna fish? | 0:34:25 | 0:34:27 | |
It's poison, Dex. | 0:34:27 | 0:34:29 | |
Bullshit, Elaine. I drank too much and I feel like shit. | 0:34:29 | 0:34:33 | |
I came to see my doctor... | 0:34:33 | 0:34:35 | |
It's been in you at least 12 hours. | 0:34:35 | 0:34:38 | |
We found toxic traces. Our chief resident reviewed the results. | 0:34:38 | 0:34:41 | |
How did it get there? | 0:34:41 | 0:34:42 | |
Your body's alcohol content suggests you got it in some liquor. | 0:34:42 | 0:34:47 | |
Are you going to give me a stomach pump or something? | 0:34:47 | 0:34:50 | |
What? | 0:34:50 | 0:34:52 | |
You got an antidote for it? | 0:34:52 | 0:34:55 | |
This will help you. | 0:34:55 | 0:34:57 | |
Thank God I came to see you, Elaine. I thought I had the flu. | 0:34:58 | 0:35:01 | |
There won't be permanent damage from this, will there? | 0:35:05 | 0:35:08 | |
I've given you some sodium amytal to help relax you. | 0:35:09 | 0:35:12 | |
Dex, this poison has been absorbed into your system. | 0:35:16 | 0:35:21 | |
Even if there were an antidote, it's too late for it. | 0:35:23 | 0:35:27 | |
"Too late" meaning what? | 0:35:27 | 0:35:29 | |
There's nothing we can do. | 0:35:32 | 0:35:34 | |
How long? | 0:35:42 | 0:35:43 | |
It depends on how much was ingested, systemic conditions of... | 0:35:43 | 0:35:47 | |
How long?! | 0:35:47 | 0:35:49 | |
24 hours - no more than 48. | 0:35:52 | 0:35:53 | |
It's a mistake. A fucking stupid mistake. | 0:35:55 | 0:35:58 | |
I wish it were. | 0:35:58 | 0:36:00 | |
I need a drink. | 0:36:00 | 0:36:02 | |
Of course. | 0:36:02 | 0:36:04 | |
I've arranged a room for you here. You'll be comfortable. | 0:36:04 | 0:36:07 | |
I guess the police should be notified. | 0:36:09 | 0:36:11 | |
Aw, shit! | 0:37:58 | 0:38:02 | |
Come on. | 0:38:02 | 0:38:04 | |
Gail. | 0:38:06 | 0:38:09 | |
Gail? | 0:38:09 | 0:38:11 | |
Gail! | 0:38:13 | 0:38:14 | |
Gail! Gail! | 0:38:18 | 0:38:22 | |
Gail! | 0:38:22 | 0:38:23 | |
Gail! | 0:38:25 | 0:38:27 | |
Gail! | 0:38:31 | 0:38:34 | |
ELAINE: Look, I gave him a sedative. That's why he passed out. | 0:38:56 | 0:38:59 | |
ULMER: I see. We'll call you if we need you. | 0:38:59 | 0:39:03 | |
We found this in your wife's hand. | 0:39:06 | 0:39:08 | |
We're guessing the rest of it is this pile of ash here. | 0:39:11 | 0:39:13 | |
A little too hot to be roasting chestnuts. | 0:39:13 | 0:39:15 | |
Here. | 0:39:17 | 0:39:19 | |
Come on, you and the wife had a tiff about the boyfriend yesterday. | 0:39:27 | 0:39:31 | |
You found love letters, tried to burn them. | 0:39:31 | 0:39:34 | |
Wrong. - She tried to stop you, | 0:39:34 | 0:39:36 | |
only saved this much. | 0:39:36 | 0:39:37 | |
Things got out of hand. | 0:39:37 | 0:39:39 | |
Nothing got out of hand. | 0:39:39 | 0:39:41 | |
Just decking the halls? | 0:39:41 | 0:39:42 | |
I told you why I came here. | 0:39:42 | 0:39:44 | |
To talk to Gail. | 0:39:44 | 0:39:45 | |
Tell her what? | 0:39:45 | 0:39:47 | |
That I'd been a bastard. | 0:39:47 | 0:39:49 | |
Tell her or show her? | 0:39:49 | 0:39:52 | |
To apologise to her. | 0:39:52 | 0:39:54 | |
And to say goodbye. | 0:39:57 | 0:39:59 | |
Quite a send-off. | 0:39:59 | 0:40:01 | |
Is that the best your prosaic, petty little mind can come up with? | 0:40:02 | 0:40:06 | |
It's a prosaic, petty little world. | 0:40:06 | 0:40:08 | |
If I was lopping off corners of a jealous triangle | 0:40:08 | 0:40:11 | |
it would have been Nick Lang. | 0:40:11 | 0:40:14 | |
That was the next question. | 0:40:14 | 0:40:15 | |
That's why we're here - | 0:40:15 | 0:40:17 | |
to question your wife about Lang's death. | 0:40:17 | 0:40:19 | |
Heard it came as a shock to her. | 0:40:19 | 0:40:21 | |
What are you saying? | 0:40:21 | 0:40:23 | |
Nick Lang didn't jump. He was pushed. | 0:40:23 | 0:40:25 | |
A lot of scuff marks on the roof. | 0:40:25 | 0:40:27 | |
Nicky dragged his heels about going over. | 0:40:27 | 0:40:30 | |
His apartment got broken into sometime yesterday afternoon. | 0:40:30 | 0:40:33 | |
What's that have to do with anything? | 0:40:33 | 0:40:35 | |
Not sure. Nothing seems stolen. | 0:40:35 | 0:40:37 | |
Maybe someone was looking for him. | 0:40:37 | 0:40:39 | |
Maybe someone found him. | 0:40:39 | 0:40:41 | |
HAL: Dex was in the office. | 0:40:41 | 0:40:43 | |
Did you see him there? | 0:40:43 | 0:40:46 | |
This is bullshit. | 0:40:46 | 0:40:48 | |
HAL: Come on. At the time of Nick's death | 0:40:48 | 0:40:51 | |
Dex didn't know they were having an affair. | 0:40:51 | 0:40:54 | |
So he tells you. | 0:40:54 | 0:40:55 | |
It's true. | 0:40:55 | 0:40:57 | |
Stopped by for a little Christmas cheer yesterday, didn't you? | 0:40:57 | 0:41:00 | |
What if I did? | 0:41:00 | 0:41:02 | |
Jealous husband pushes Nicky off the roof, | 0:41:02 | 0:41:06 | |
so angry wife serves him a Christmas Mickey. | 0:41:06 | 0:41:10 | |
Next morning, he wakes up with a tummy ache | 0:41:10 | 0:41:11 | |
so he gets a check-up and finds out he was murdered. | 0:41:11 | 0:41:15 | |
So he drops by for one last bang-up marital spat. | 0:41:15 | 0:41:18 | |
Murdered? | 0:41:20 | 0:41:21 | |
Thematically, a little dated. | 0:41:21 | 0:41:23 | |
But the prose style holds up. | 0:41:23 | 0:41:26 | |
What do you mean, murdered? | 0:41:26 | 0:41:28 | |
That stuff you swallowed. That's not easy to get. | 0:41:28 | 0:41:31 | |
Somebody took a lot of trouble getting it. | 0:41:31 | 0:41:33 | |
It's true, Dex. | 0:41:33 | 0:41:34 | |
You ran out before we could talk. | 0:41:34 | 0:41:36 | |
ULMER: There's a variation on the theme. | 0:41:36 | 0:41:39 | |
Lang poisoned you, you killed them both. | 0:41:39 | 0:41:42 | |
BROCKTON: Or they wanted to kill you, | 0:41:42 | 0:41:44 | |
you wanted to kill them. Everybody wins. | 0:41:44 | 0:41:47 | |
ULMER: Or everybody loses. | 0:41:47 | 0:41:48 | |
I told you who killed Gail. | 0:41:48 | 0:41:51 | |
Oh, right. The invisible man. | 0:41:51 | 0:41:53 | |
I didn't see him, but he was here, idiot. | 0:41:53 | 0:41:56 | |
Careful, Cornell, you're upset. | 0:41:56 | 0:41:58 | |
You're damn right I'm upset. | 0:41:58 | 0:42:00 | |
I'm a murder victim and suspect all in one day. | 0:42:00 | 0:42:02 | |
He needs a hospital. | 0:42:02 | 0:42:04 | |
First we read him his rights. | 0:42:04 | 0:42:05 | |
Cornell's under arrest. | 0:42:05 | 0:42:07 | |
This will ease the pain, Dex. | 0:42:07 | 0:42:10 | |
Careful! | 0:42:10 | 0:42:12 | |
Get back! | 0:42:12 | 0:42:14 | |
Easy, Dex. Jesus. | 0:42:14 | 0:42:15 | |
You're getting off to a fine start. | 0:42:15 | 0:42:17 | |
Resisting arrest and now taking a hostage. | 0:42:17 | 0:42:19 | |
Sorry, don't have time to stand trial. | 0:42:19 | 0:42:22 | |
You're in deep. Hold it! | 0:42:22 | 0:42:23 | |
Stay out! | 0:42:23 | 0:42:25 | |
Think it over, Cornell. Just come out here. | 0:42:25 | 0:42:29 | |
Back off. | 0:42:29 | 0:42:31 | |
For Christ's sake, back off! | 0:42:31 | 0:42:33 | |
MUSIC: "Rebel Yell" by Billy Idol | 0:42:35 | 0:42:38 | |
# In the midnight hour, babe, more, more, more | 0:42:38 | 0:42:44 | |
# With a rebel yell, more, more, more | 0:42:44 | 0:42:50 | |
# He lives in his own heaven | 0:42:53 | 0:42:57 | |
# He likes it to go from 7-11 | 0:42:57 | 0:43:02 | |
# Well, he's out all night to collect a bet | 0:43:02 | 0:43:08 | |
# Just as long | 0:43:08 | 0:43:09 | |
# Just as long as it don't mess up his head... # | 0:43:09 | 0:43:13 | |
Don't scream. | 0:43:20 | 0:43:22 | |
God, you scared me. | 0:43:25 | 0:43:26 | |
What are you doing here? | 0:43:26 | 0:43:28 | |
I needed to see you. | 0:43:28 | 0:43:30 | |
Yeah? OK, OK. | 0:43:30 | 0:43:32 | |
One minute. One sec, here. | 0:43:32 | 0:43:35 | |
OK. | 0:43:35 | 0:43:37 | |
Oh, yeah. | 0:43:37 | 0:43:38 | |
It's kind of stupid - Freudian slip. | 0:43:38 | 0:43:41 | |
Get it? | 0:43:41 | 0:43:42 | |
It's for tonight's carnival. | 0:43:42 | 0:43:44 | |
It was either this or Pavlov's dog. | 0:43:44 | 0:43:47 | |
Why did you murder me? | 0:43:47 | 0:43:49 | |
What are you talking about? | 0:43:49 | 0:43:51 | |
You tell me, "Sydney with a Y." | 0:43:51 | 0:43:53 | |
You sit in my class anonymously for months. | 0:43:53 | 0:43:55 | |
Suddenly you announce you're my biggest fan. | 0:43:55 | 0:43:57 | |
You ask for my autograph, follow me to a bar. | 0:43:57 | 0:44:01 | |
I went with a friend. | 0:44:01 | 0:44:02 | |
You had a plan. | 0:44:02 | 0:44:04 | |
I wouldn't call it a plan. | 0:44:04 | 0:44:06 | |
What would you call it? | 0:44:06 | 0:44:08 | |
A crush. | 0:44:08 | 0:44:09 | |
Yesterday you pop up all over my life. | 0:44:09 | 0:44:12 | |
Today I have no life. | 0:44:12 | 0:44:13 | |
What are you talking about? Please, stop it. | 0:44:13 | 0:44:17 | |
Oh! Oh! | 0:44:17 | 0:44:20 | |
OK, OK. I wasn't thinking too clearly. | 0:44:46 | 0:44:49 | |
And a few hours ago | 0:44:51 | 0:44:53 | |
my wife was murdered right in front of me eyes. | 0:44:53 | 0:44:56 | |
So you'll have to forgive me. | 0:44:56 | 0:44:59 | |
I've never been poisoned before. | 0:44:59 | 0:45:01 | |
Don't worry. I don't think you did it. | 0:45:01 | 0:45:05 | |
But you are my link to last night. | 0:45:05 | 0:45:09 | |
So we're going to retrace our steps. Where we sat. | 0:45:09 | 0:45:12 | |
We? No. Wait a minute. | 0:45:12 | 0:45:15 | |
I need your help. | 0:45:15 | 0:45:16 | |
I can't help my mother fold clothes. You need the police. | 0:45:16 | 0:45:19 | |
I've already had the police. | 0:45:19 | 0:45:21 | |
They think I killed my student and murdered my wife. | 0:45:21 | 0:45:25 | |
That's just silly, isn't it? | 0:45:25 | 0:45:27 | |
I'll call the police and vouch for you. | 0:45:28 | 0:45:31 | |
OK? | 0:45:32 | 0:45:35 | |
Er, hi. Is this the police? | 0:45:36 | 0:45:39 | |
I have information... | 0:45:39 | 0:45:40 | |
No cops. | 0:45:40 | 0:45:43 | |
Let go of my arm. | 0:45:43 | 0:45:44 | |
I can't. | 0:45:44 | 0:45:45 | |
Let go! I can't. | 0:45:45 | 0:45:47 | |
Bonds in seconds. | 0:45:49 | 0:45:51 | |
This is kidnapping, you know? | 0:45:52 | 0:45:54 | |
Yeah, if I'm lucky they'll give me life. | 0:45:54 | 0:45:56 | |
Remember this place? | 0:45:56 | 0:45:57 | |
No, I don't. Let go of my arm or I'm going to scream. | 0:45:57 | 0:46:01 | |
If I let go of your arm you're really going to scream. | 0:46:01 | 0:46:06 | |
One, two... | 0:46:06 | 0:46:08 | |
CAJUN MUSIC PLAYS | 0:46:08 | 0:46:12 | |
I'm supposed to be at the carnival tonight. | 0:46:25 | 0:46:28 | |
Well, excuse me. Dying has kind of fucked up my social calendar, too. | 0:46:28 | 0:46:32 | |
Ain't it a bitch? | 0:46:32 | 0:46:34 | |
SYDNEY: I'm really sorry. | 0:46:34 | 0:46:36 | |
I know it's terrible. | 0:46:36 | 0:46:38 | |
But I just can't handle this. | 0:46:38 | 0:46:41 | |
I'm scared. I'm confused. | 0:46:41 | 0:46:43 | |
All right, OK. I'm sorry. That makes two of us. | 0:46:43 | 0:46:48 | |
And I have to go to the bathroom. | 0:46:48 | 0:46:52 | |
All right, look. | 0:46:57 | 0:47:00 | |
We'll go to a men's room. | 0:47:00 | 0:47:03 | |
I'll put you in a stall and stand guard outside the door. | 0:47:03 | 0:47:06 | |
I'm not walking past ten drunks with their flies open. | 0:47:06 | 0:47:09 | |
I just won't do it. | 0:47:09 | 0:47:10 | |
Hey, Freud, you can get me on your couch any day. | 0:47:10 | 0:47:14 | |
And I'm not sitting on those seats. | 0:47:14 | 0:47:16 | |
I see the men who use them. I'll use a ladies' room. | 0:47:16 | 0:47:20 | |
It's not enough I'm wanted for murder. | 0:47:20 | 0:47:22 | |
I'm going to get hauled in as a pervert. | 0:47:22 | 0:47:25 | |
I can't go. | 0:47:31 | 0:47:32 | |
Could you talk or something? Make some noise? Just talk? | 0:47:32 | 0:47:35 | |
You want some snappy patter about death? | 0:47:35 | 0:47:37 | |
Nature's way of telling you to slow down. | 0:47:37 | 0:47:40 | |
I don't know if there is life after death | 0:47:40 | 0:47:43 | |
but I'm taking a change of underwear just in case. | 0:47:43 | 0:47:47 | |
Syd, I'm no good at this. | 0:47:47 | 0:47:49 | |
I've never really thought about my own extinction. | 0:47:49 | 0:47:54 | |
You know, it's funny. | 0:47:54 | 0:47:57 | |
I always thought death was something that happened to other people. | 0:47:57 | 0:48:01 | |
Older people. Unlucky people. | 0:48:01 | 0:48:04 | |
Not me. | 0:48:04 | 0:48:07 | |
Not Gail. | 0:48:07 | 0:48:10 | |
I always knew my number was going to come up. | 0:48:10 | 0:48:12 | |
But not now. | 0:48:12 | 0:48:15 | |
Dammit... Why? | 0:48:15 | 0:48:18 | |
Do you have any enemies? | 0:48:20 | 0:48:22 | |
No, I don't have any enemies. | 0:48:22 | 0:48:25 | |
What are you doing here? | 0:48:31 | 0:48:33 | |
I want to see Graham. | 0:48:33 | 0:48:34 | |
He doesn't want to see you. | 0:48:34 | 0:48:37 | |
I'll bet. | 0:48:37 | 0:48:39 | |
Dex? | 0:48:39 | 0:48:41 | |
Surprised to see me up and about? | 0:48:41 | 0:48:43 | |
What do you want? | 0:48:43 | 0:48:46 | |
Thought I'd be in some morgue locker? Tag on my toe? | 0:48:46 | 0:48:48 | |
Calm down. | 0:48:48 | 0:48:50 | |
I didn't do that. | 0:48:52 | 0:48:53 | |
You were much more impressive this afternoon | 0:48:53 | 0:48:55 | |
against a defenceless woman. | 0:48:55 | 0:48:56 | |
This afternoon? | 0:48:56 | 0:48:58 | |
I know where you were. | 0:48:58 | 0:48:59 | |
Of course you do. The Milton tutorial. | 0:48:59 | 0:49:02 | |
Just like every other Friday for the last ten years. | 0:49:02 | 0:49:05 | |
Is today Friday? | 0:49:07 | 0:49:08 | |
Who are we going to punch a confession out of now, Dex? | 0:49:17 | 0:49:20 | |
Got any better ideas? | 0:49:20 | 0:49:22 | |
Yeah, logic. | 0:49:22 | 0:49:23 | |
There's got to be a reason for all this. | 0:49:23 | 0:49:27 | |
My Mark Twain lecture drove some student into a homicidal rage. | 0:49:27 | 0:49:30 | |
Guys like me get killed by muggers... | 0:49:30 | 0:49:32 | |
run over by cars, maybe. | 0:49:32 | 0:49:34 | |
Nobody plots to kill an English professor. | 0:49:34 | 0:49:36 | |
We don't inspire that kind of passion. | 0:49:36 | 0:49:40 | |
The killing didn't start with you. | 0:49:40 | 0:49:42 | |
Nick Lang. | 0:49:42 | 0:49:43 | |
Right. Who would want him dead? | 0:49:43 | 0:49:46 | |
Hey. | 0:49:47 | 0:49:49 | |
Sometimes cops go to the funerals of murder victims. | 0:49:49 | 0:49:51 | |
What? Wait. | 0:49:51 | 0:49:53 | |
We're going to the funeral and you think the killer will be there? | 0:49:53 | 0:49:57 | |
Yeah. Get in. | 0:49:57 | 0:49:59 | |
There's a hell of a strange story behind that kid. | 0:49:59 | 0:50:03 | |
DEXTER: This thief breaks into the Fitzwaring house. | 0:50:14 | 0:50:17 | |
The old man wakes up. | 0:50:17 | 0:50:18 | |
He comes downstairs, surprises the guy. | 0:50:18 | 0:50:21 | |
The thief shoots the old man. | 0:50:21 | 0:50:23 | |
The chauffeur hears all this. | 0:50:23 | 0:50:25 | |
He runs in, grabs the gun and there's a struggle. | 0:50:25 | 0:50:29 | |
I can't go in like this. | 0:50:29 | 0:50:30 | |
What? | 0:50:30 | 0:50:31 | |
Oh. | 0:50:33 | 0:50:35 | |
Here. | 0:50:37 | 0:50:39 | |
This... | 0:50:41 | 0:50:43 | |
So...there's a struggle? | 0:50:44 | 0:50:46 | |
Yeah. For the gun. | 0:50:46 | 0:50:48 | |
The gun goes off. It kills the burglar. | 0:50:48 | 0:50:50 | |
The burglar is Nick's father? | 0:50:50 | 0:50:52 | |
Yeah. Now, the widow - Mrs Fitzwaring - | 0:50:52 | 0:50:55 | |
makes a pet charity case out of Nick. | 0:50:55 | 0:50:57 | |
She put him through college. | 0:50:57 | 0:50:59 | |
I never heard this. | 0:50:59 | 0:51:01 | |
It's not exactly something for the yearbook. | 0:51:01 | 0:51:03 | |
You think this has to do with Nick? | 0:51:03 | 0:51:06 | |
Hal. | 0:51:07 | 0:51:08 | |
Why are you here? Are you crazy? | 0:51:08 | 0:51:10 | |
Meet Syd. | 0:51:10 | 0:51:11 | |
Hi. We're inseparable. | 0:51:11 | 0:51:14 | |
Those two cops are looking for you. | 0:51:14 | 0:51:17 | |
Tweedledum and Tweedledumber? | 0:51:17 | 0:51:19 | |
You've got to get out of here, man. | 0:51:19 | 0:51:21 | |
I've got to pay my respects. | 0:51:21 | 0:51:23 | |
Learn something? | 0:51:23 | 0:51:24 | |
Yeah, I'm not getting any younger. | 0:51:24 | 0:51:25 | |
Nothing I can do? | 0:51:25 | 0:51:27 | |
Hey, what's the deal here? | 0:51:27 | 0:51:29 | |
Will you pay him for me, please? | 0:51:29 | 0:51:31 | |
A father whose only legacy > | 0:51:33 | 0:51:36 | |
was the stigma of his terrible crime. | 0:51:36 | 0:51:38 | |
One would like to think | 0:51:38 | 0:51:41 | |
that Nick not only found himself here at the school, | 0:51:41 | 0:51:44 | |
but also that he found a home here. | 0:51:44 | 0:51:47 | |
And... | 0:51:47 | 0:51:49 | |
judging by the turnout tonight, I'd say he had. | 0:51:49 | 0:51:54 | |
It was a pleasure to have Nick in my Shakespeare class. | 0:51:54 | 0:51:58 | |
Perhaps only the bard can explain | 0:51:58 | 0:52:00 | |
Nick's unexplainable choice. | 0:52:00 | 0:52:02 | |
"To sue to live, I find I seek to die. > | 0:52:02 | 0:52:06 | |
"And seeking death, find life. > | 0:52:06 | 0:52:11 | |
"Let it come on." > | 0:52:11 | 0:52:13 | |
Miss Fitzwaring, I know you'd like to say a few words. | 0:52:16 | 0:52:21 | |
Nick would have loved... | 0:52:23 | 0:52:25 | |
That's the girl in the bar. | 0:52:25 | 0:52:27 | |
That's Cookie Fitzwaring. She's in my art class. | 0:52:27 | 0:52:29 | |
My dear, may I? | 0:52:29 | 0:52:31 | |
You picked the wrong play, Professor. | 0:52:31 | 0:52:33 | |
You should have quoted from Romeo And Juliet. | 0:52:33 | 0:52:37 | |
Nick and I... | 0:52:37 | 0:52:38 | |
We were... | 0:52:38 | 0:52:40 | |
Oh, shit. | 0:53:05 | 0:53:07 | |
DEXTER: I know that guy. | 0:53:13 | 0:53:15 | |
He was in the bar last night. | 0:53:15 | 0:53:17 | |
Your mother's waiting. | 0:53:29 | 0:53:31 | |
Let her wait. | 0:53:31 | 0:53:32 | |
You fucked things up royally tonight. | 0:53:32 | 0:53:35 | |
Don't I always? | 0:53:35 | 0:53:37 | |
Still a few drinks short of oblivion? | 0:53:44 | 0:53:46 | |
How's that burn on your hand? | 0:53:47 | 0:53:50 | |
Jesus, Bernard. | 0:53:50 | 0:53:51 | |
Your mother wasn't too thrilled about you and Nick, was she? | 0:53:51 | 0:53:55 | |
I don't think... | 0:53:55 | 0:53:57 | |
I wouldn't brag about that. | 0:53:57 | 0:53:58 | |
I loved Nick and he loved me. | 0:53:58 | 0:54:00 | |
You and a few others. | 0:54:00 | 0:54:02 | |
What do you know about him? | 0:54:02 | 0:54:03 | |
I know he was murdered. | 0:54:03 | 0:54:05 | |
We don't like what you're inferring. | 0:54:06 | 0:54:08 | |
I think you mean implying. | 0:54:08 | 0:54:10 | |
When I say something, that's implying. | 0:54:10 | 0:54:12 | |
How you take it, that's inferring. | 0:54:12 | 0:54:14 | |
OK, then infer this. | 0:54:14 | 0:54:17 | |
BERNARD: Cookie! | 0:54:21 | 0:54:23 | |
Come here. Where are you going? | 0:54:23 | 0:54:26 | |
DEXTER: Back at the stage. | 0:54:39 | 0:54:40 | |
Everybody's gone. | 0:54:40 | 0:54:42 | |
DOOR OPENS | 0:55:11 | 0:55:13 | |
Wait, I'm caught. Come on! | 0:55:52 | 0:55:55 | |
GUN CLICKS | 0:55:55 | 0:55:57 | |
Oh, wait. | 0:55:57 | 0:56:00 | |
Aaaah! | 0:56:03 | 0:56:05 | |
Help me. | 0:56:08 | 0:56:10 | |
Help! | 0:56:10 | 0:56:12 | |
SHE SCREAMS | 0:56:18 | 0:56:22 | |
NAILS RICOCHET | 0:56:47 | 0:56:50 | |
Syd! Sydney, where are you going? | 0:57:02 | 0:57:04 | |
Where do you think? To the police. | 0:57:04 | 0:57:06 | |
Shit. Wait, Sydney. | 0:57:06 | 0:57:09 | |
Give me a chance. | 0:57:09 | 0:57:10 | |
I don't get off on this Rambo shit. | 0:57:13 | 0:57:16 | |
I wanted to spend the night with you - not eternity. | 0:57:24 | 0:57:28 | |
SIREN WAILS | 0:57:28 | 0:57:30 | |
Hey, police! | 0:57:30 | 0:57:32 | |
Syd, no police. | 0:57:32 | 0:57:34 | |
Wait. | 0:57:34 | 0:57:35 | |
Wait. | 0:57:35 | 0:57:36 | |
My God, look at your arm. | 0:57:36 | 0:57:38 | |
I'm sorry. | 0:57:38 | 0:57:39 | |
Drop dead. | 0:57:39 | 0:57:41 | |
I didn't mean to say that. I'm sorry. | 0:57:55 | 0:57:58 | |
So what are you going to do now? | 0:58:04 | 0:58:07 | |
Find Mrs Fitzwaring and that lunatic daughter of hers. | 0:58:11 | 0:58:14 | |
What about the chauffeur with the nail gun? | 0:58:14 | 0:58:17 | |
What have I got to lose? | 0:58:17 | 0:58:19 | |
I've already screwed up my life by giving up. | 0:58:21 | 0:58:24 | |
What do you mean? | 0:58:28 | 0:58:29 | |
I just quit. | 0:58:32 | 0:58:36 | |
I was a success, and afraid of failing, and I... | 0:58:36 | 0:58:39 | |
So I just quit. | 0:58:40 | 0:58:42 | |
I want to help you, Dex. | 0:58:45 | 0:58:47 | |
You already have. | 0:58:47 | 0:58:49 | |
I feel really bad. I dragged you too deep into this. | 0:58:50 | 0:58:53 | |
It's no big deal. You just glued yourself to me. | 0:58:53 | 0:58:56 | |
You dragged me out half-naked. | 0:58:56 | 0:58:58 | |
You almost got me shot. | 0:58:58 | 0:59:01 | |
Most girls wait a lifetime for a date like this. | 0:59:02 | 0:59:05 | |
I got to go. | 0:59:16 | 0:59:18 | |
It's getting late. | 0:59:20 | 0:59:22 | |
I'm not going to see you again, am I? | 0:59:24 | 0:59:27 | |
Cab! | 0:59:39 | 0:59:41 | |
Take her to the med centre. | 0:59:46 | 0:59:48 | |
Wait a minute. You need your jacket. | 0:59:48 | 0:59:51 | |
BERNARD: Now, don't worry. I'll take care of everything. | 1:00:20 | 1:00:24 | |
FITZWARING: Don't worry? | 1:00:24 | 1:00:25 | |
He told you Nick was murdered. | 1:00:25 | 1:00:27 | |
I didn't let the cat out of the bag? | 1:00:27 | 1:00:30 | |
What are you doing here? | 1:00:30 | 1:00:32 | |
You. | 1:00:33 | 1:00:35 | |
Professor Cornell, isn't it? | 1:00:35 | 1:00:37 | |
It was your wife who fell apart at the art gallery. | 1:00:37 | 1:00:41 | |
And your Cookie who crumbled at the service. | 1:00:41 | 1:00:44 | |
It seems they both had a bad case of young Mr Lang. | 1:00:44 | 1:00:47 | |
What do you know about Nick? | 1:00:47 | 1:00:49 | |
What do you think I know? | 1:00:49 | 1:00:51 | |
Cookie! | 1:00:56 | 1:00:58 | |
I hope it's just you that's loaded. | 1:01:00 | 1:01:03 | |
What are you doing? | 1:01:03 | 1:01:04 | |
What did you do, Mother? | 1:01:04 | 1:01:05 | |
What have you told her? | 1:01:05 | 1:01:07 | |
Enough. | 1:01:07 | 1:01:08 | |
And it all makes sense, too. | 1:01:08 | 1:01:11 | |
She forced Nick to stop seeing me. | 1:01:11 | 1:01:13 | |
So Nick was worthy of your charity, but wasn't worthy of your daughter? | 1:01:13 | 1:01:18 | |
She considered Nick too good for me. | 1:01:18 | 1:01:21 | |
You're so wrong. | 1:01:21 | 1:01:22 | |
No, I saw the way that you used to look at him. | 1:01:22 | 1:01:26 | |
Your little diamond in the rough. | 1:01:26 | 1:01:29 | |
You didn't want anyone else interested in him. | 1:01:29 | 1:01:32 | |
You were always jealous of us. | 1:01:32 | 1:01:35 | |
Cookie, no. | 1:01:35 | 1:01:36 | |
She nearly flew into a rage when she found out we'd slept together. | 1:01:36 | 1:01:40 | |
Cookie! Stop this! | 1:01:40 | 1:01:42 | |
See what I man? | 1:01:42 | 1:01:44 | |
Please... | 1:01:44 | 1:01:45 | |
I wouldn't do anything just to hurt you. | 1:01:45 | 1:01:47 | |
But you did hurt me. Why couldn't he see me? | 1:01:47 | 1:01:51 | |
Whatever I did, Cookie, I did for you. | 1:01:51 | 1:01:54 | |
And Nick. Believe me, he could never love you. | 1:01:54 | 1:01:58 | |
Not the way that you wanted him to. | 1:01:58 | 1:02:01 | |
Not the way you wanted. | 1:02:01 | 1:02:02 | |
So you had him killed. | 1:02:04 | 1:02:06 | |
You! | 1:02:06 | 1:02:07 | |
Cookie! | 1:02:09 | 1:02:11 | |
Come back! | 1:02:11 | 1:02:12 | |
Don't fuck with me, Bernard. I've had a rough day. | 1:02:22 | 1:02:25 | |
All right. | 1:02:25 | 1:02:27 | |
Then have a little lie-down. | 1:02:30 | 1:02:32 | |
FITZWARING: It's all such a mess. | 1:02:37 | 1:02:40 | |
BERNARD: I won't leave a trace. | 1:02:40 | 1:02:42 | |
We don't even know if he can prove anything. Or if he knows anything. | 1:02:42 | 1:02:46 | |
Couldn't we just call the police? Say there was a burglary... | 1:02:46 | 1:02:49 | |
We've already used that story. | 1:02:49 | 1:02:50 | |
Whether he can prove anything or not, | 1:02:50 | 1:02:53 | |
we don't want the police snooping into your past. Or Nick's. | 1:02:53 | 1:02:56 | |
It will be simple... | 1:02:56 | 1:02:58 | |
Don't tell me, just do it. And bring Cookie back. | 1:02:58 | 1:03:01 | |
In her state, she's liable to say anything to anybody. | 1:03:01 | 1:03:04 | |
How do you know that Nick was murdered? | 1:03:04 | 1:03:06 | |
I'm psychic. | 1:03:06 | 1:03:08 | |
Then you know what will to happen to you. | 1:03:08 | 1:03:11 | |
It's so sick. Dragon lady wipes out her rivals. | 1:03:20 | 1:03:26 | |
Why me? | 1:03:26 | 1:03:28 | |
I mean, I can almost understand Gail. | 1:03:30 | 1:03:33 | |
Gail... | 1:03:33 | 1:03:36 | |
Why me? | 1:03:38 | 1:03:39 | |
What are you talking about? | 1:03:39 | 1:03:40 | |
Come on. Can't you grant a dying man his last wish? | 1:03:40 | 1:03:45 | |
Where do I fit into Mrs Fitzwaring's psychodrama? | 1:03:45 | 1:03:48 | |
Heat getting to you, old chum? You're babbling. | 1:03:48 | 1:03:51 | |
DEXTER: We're on campus. | 1:03:58 | 1:03:59 | |
BERNARD: A in geography. | 1:03:59 | 1:04:01 | |
How's your archaeology? | 1:04:01 | 1:04:03 | |
What? | 1:04:03 | 1:04:04 | |
Thought the tar pit might interest an old fossil like yourself. | 1:04:04 | 1:04:08 | |
Nothing personal. | 1:04:08 | 1:04:10 | |
What the fuck? | 1:04:13 | 1:04:15 | |
Happy hour! | 1:04:24 | 1:04:26 | |
Care for a cocktail? | 1:04:26 | 1:04:28 | |
BERNARD: Drinking and driving don't mix. | 1:04:28 | 1:04:31 | |
I was trying to kill you, pencil neck. | 1:04:31 | 1:04:34 | |
Stay away from me. | 1:04:38 | 1:04:39 | |
Stay away from me! | 1:04:39 | 1:04:41 | |
COOKIE: You can't make me go back there. | 1:04:43 | 1:04:45 | |
Don't piss about. Just get in the car. | 1:04:45 | 1:04:47 | |
Let me go! | 1:04:47 | 1:04:48 | |
All right. | 1:04:51 | 1:04:52 | |
What are you doing here? | 1:04:58 | 1:05:00 | |
I'm taking him to the police after I take you home. | 1:05:00 | 1:05:02 | |
You're not taking me home. | 1:05:04 | 1:05:05 | |
He's not taking me to the police, either. | 1:05:05 | 1:05:08 | |
Cork it, or else. You'll kill me? | 1:05:08 | 1:05:10 | |
Cornell, I'm tired of your crap. | 1:05:10 | 1:05:13 | |
Is something burning? | 1:05:13 | 1:05:15 | |
What are you doing? | 1:05:15 | 1:05:17 | |
Fuck! | 1:05:50 | 1:05:51 | |
Payback time, Bernard! | 1:05:54 | 1:05:56 | |
DEXTER: Look out, damn it. | 1:05:56 | 1:05:58 | |
BERNARD: Stop, Cookie! | 1:06:11 | 1:06:13 | |
COOKIE: What are you doing? | 1:06:13 | 1:06:16 | |
Cookie! | 1:06:28 | 1:06:30 | |
God! Cookie! | 1:06:32 | 1:06:34 | |
CARNIVAL MUSIC | 1:08:52 | 1:08:54 | |
LAUGHTER | 1:09:09 | 1:09:10 | |
Look at this jerk. | 1:09:10 | 1:09:12 | |
Geez. | 1:09:12 | 1:09:14 | |
The guy's drunk. | 1:09:14 | 1:09:16 | |
Drunken asshole. Want some popcorn? | 1:09:23 | 1:09:26 | |
A little beer? | 1:09:26 | 1:09:28 | |
Leave him alone! | 1:09:35 | 1:09:38 | |
Maybe he's hurt. | 1:09:48 | 1:09:51 | |
I'm going to call an ambulance. | 1:09:51 | 1:09:53 | |
You didn't have to do that, Syd. | 1:10:09 | 1:10:12 | |
So I was just supposed to let them make a popcorn ball out of you? | 1:10:16 | 1:10:19 | |
Mmm, not bad. | 1:10:19 | 1:10:23 | |
You know, my mother... she used to trim the tree with this stuff. | 1:10:23 | 1:10:27 | |
I guess nobody does that any more. | 1:10:28 | 1:10:31 | |
Mine does. | 1:10:31 | 1:10:34 | |
Are you going home for Christmas? | 1:10:35 | 1:10:37 | |
Mm-hmm. | 1:10:37 | 1:10:39 | |
Where's home? | 1:10:39 | 1:10:41 | |
Kansas. | 1:10:41 | 1:10:44 | |
Kansas? | 1:10:44 | 1:10:46 | |
What do you do for Christmas in Kansas? | 1:10:48 | 1:10:51 | |
The whole clan gathers. | 1:10:51 | 1:10:53 | |
We haven't seen each other in a year. | 1:10:53 | 1:10:55 | |
So we plop down in front of the television set | 1:10:55 | 1:10:59 | |
and we watch Miracle On 34th Street for the 34th time. | 1:10:59 | 1:11:03 | |
Great. | 1:11:03 | 1:11:04 | |
And what else? | 1:11:06 | 1:11:08 | |
And... | 1:11:11 | 1:11:14 | |
We all give each other presents that we don't need. | 1:11:14 | 1:11:17 | |
And, if we need them, then they're all the wrong size. | 1:11:18 | 1:11:21 | |
Pretty awful, huh? | 1:11:23 | 1:11:25 | |
Pretty nice. | 1:11:30 | 1:11:31 | |
It will be good to see Eddie. | 1:11:36 | 1:11:38 | |
Your brother? | 1:11:38 | 1:11:39 | |
Mm-hmm. | 1:11:39 | 1:11:40 | |
Oh, yeah. | 1:11:41 | 1:11:43 | |
Where Do the female reindeer go? | 1:11:43 | 1:11:45 | |
Oh, no. No. | 1:11:46 | 1:11:49 | |
Come on. | 1:11:49 | 1:11:51 | |
Where do all the female reindeer go | 1:11:56 | 1:11:58 | |
when Santa and the male reindeer are out on Christmas Eve? | 1:11:58 | 1:12:01 | |
They go into town and they blow a few bucks. | 1:12:05 | 1:12:07 | |
I'm so scared for you. | 1:12:20 | 1:12:24 | |
Oh... | 1:12:24 | 1:12:27 | |
It'll be a breeze. | 1:12:27 | 1:12:30 | |
First million years go like that. | 1:12:30 | 1:12:33 | |
Second million... | 1:12:33 | 1:12:35 | |
It's just so unfair. | 1:12:37 | 1:12:39 | |
No, it's fair. | 1:12:39 | 1:12:42 | |
I've been dead for four years now. | 1:12:42 | 1:12:45 | |
Gail was right. | 1:12:45 | 1:12:47 | |
Just took a little poisoning to notice. | 1:12:47 | 1:12:50 | |
You're more alive than anybody I ever met. | 1:12:52 | 1:12:54 | |
No, Syd. | 1:12:54 | 1:12:57 | |
I forgot how to appreciate life. | 1:12:57 | 1:13:01 | |
It's too late for me. | 1:13:02 | 1:13:04 | |
This is life. | 1:13:07 | 1:13:10 | |
Right here. | 1:13:10 | 1:13:13 | |
Right now. | 1:13:13 | 1:13:16 | |
Take it. | 1:13:16 | 1:13:18 | |
Please. | 1:13:29 | 1:13:31 | |
'Ten-4, en route.' | 1:14:43 | 1:14:46 | |
Check it out. | 1:14:46 | 1:14:48 | |
DEXTER: I don't know what the cops told you, | 1:15:02 | 1:15:04 | |
but I didn't kill Cookie. | 1:15:04 | 1:15:06 | |
Bernard did. Didn't mean to. | 1:15:06 | 1:15:11 | |
People just had this habit of dying around Bernard. | 1:15:11 | 1:15:13 | |
Didn't they? | 1:15:13 | 1:15:15 | |
So it's all come full circle | 1:15:17 | 1:15:19 | |
right back to your front door, hasn't it? | 1:15:19 | 1:15:22 | |
No, you brought it to my door. | 1:15:22 | 1:15:25 | |
You never really knew anything, did you? | 1:15:25 | 1:15:29 | |
I know you had quite a long hit list. | 1:15:29 | 1:15:33 | |
We've been at cross-purposes, suspecting each other unjustly. | 1:15:33 | 1:15:36 | |
I don't believe you. | 1:15:36 | 1:15:38 | |
Your daughter told me... | 1:15:38 | 1:15:40 | |
Cookie was wrong! | 1:15:40 | 1:15:41 | |
I didn't kill Nick. | 1:15:43 | 1:15:45 | |
I don't believe you! | 1:15:45 | 1:15:48 | |
I want to know! | 1:15:48 | 1:15:50 | |
Why were you so obsessed about Cookie and Nick? | 1:15:51 | 1:15:54 | |
Who was he to you? | 1:15:56 | 1:15:58 | |
My son. | 1:16:03 | 1:16:05 | |
Cookie never knew. | 1:16:07 | 1:16:09 | |
But Nick's father... | 1:16:09 | 1:16:12 | |
the man who killed your husband... | 1:16:14 | 1:16:16 | |
Also my husband. | 1:16:16 | 1:16:18 | |
Abandoned along with Nick 20 years ago. | 1:16:18 | 1:16:22 | |
I don't know how he found me after all those years, | 1:16:24 | 1:16:26 | |
but he was here that night four years ago | 1:16:26 | 1:16:29 | |
together with Fitzwaring. | 1:16:29 | 1:16:30 | |
I asked him what he wanted. | 1:16:30 | 1:16:33 | |
He said not much, | 1:16:33 | 1:16:34 | |
considering what my other husband had to give. | 1:16:34 | 1:16:39 | |
Lang had told Fitzwaring all about me. | 1:16:39 | 1:16:42 | |
There was a scene - | 1:16:42 | 1:16:44 | |
ugly words like "bigamy" and "blackmail." | 1:16:44 | 1:16:47 | |
Fitzwaring told Lang to leave. | 1:16:49 | 1:16:52 | |
He said Lang wouldn't get a nickel. | 1:16:52 | 1:16:54 | |
He told me to leave, too, without our daughter. | 1:16:54 | 1:16:57 | |
He said I would never see Cookie again. | 1:16:57 | 1:17:00 | |
Understand that what I did | 1:17:00 | 1:17:02 | |
I did for my daughter... | 1:17:02 | 1:17:05 | |
and my son. | 1:17:05 | 1:17:06 | |
Bernard understood. | 1:17:11 | 1:17:13 | |
He told the police a prowler had broken in, | 1:17:13 | 1:17:16 | |
had shot Fitzwaring, attacked me. | 1:17:16 | 1:17:19 | |
Then Bernard and the prowler struggled for the gun. | 1:17:19 | 1:17:24 | |
It went off. | 1:17:24 | 1:17:26 | |
That was our story. | 1:17:26 | 1:17:29 | |
Nick was my son. | 1:17:31 | 1:17:34 | |
Although he could never know I was his mother, | 1:17:34 | 1:17:36 | |
I wanted him near me. | 1:17:36 | 1:17:38 | |
Now he's gone. | 1:17:40 | 1:17:42 | |
They're all gone. | 1:17:42 | 1:17:45 | |
There's nothing. | 1:17:45 | 1:17:47 | |
All this time, the wrong trail. | 1:17:51 | 1:17:55 | |
GUN CLICKS | 1:18:07 | 1:18:09 | |
GUNSHOT | 1:18:10 | 1:18:13 | |
God! | 1:19:26 | 1:19:28 | |
Goddamn it! Why? | 1:19:33 | 1:19:35 | |
It's Dex. | 1:21:28 | 1:21:30 | |
I'm in my office. | 1:21:32 | 1:21:35 | |
I need you. | 1:21:35 | 1:21:37 | |
Dex. > | 1:22:11 | 1:22:12 | |
Hey, Dex. | 1:22:20 | 1:22:22 | |
Dex, hey. | 1:22:29 | 1:22:32 | |
Hey, buddy. | 1:22:33 | 1:22:34 | |
You don't look so good. | 1:22:37 | 1:22:40 | |
I feel good. | 1:22:40 | 1:22:42 | |
I'm alive. | 1:22:42 | 1:22:44 | |
You know, you're never more alive | 1:22:45 | 1:22:48 | |
than when you're on the edge of death. | 1:22:48 | 1:22:51 | |
Can't you feel it, Hal? | 1:22:53 | 1:22:55 | |
I don't feel anything. | 1:22:57 | 1:22:59 | |
One for the road? | 1:23:01 | 1:23:03 | |
Merry Christmas! | 1:23:07 | 1:23:09 | |
No. | 1:23:19 | 1:23:21 | |
Why? | 1:23:21 | 1:23:23 | |
Why what? | 1:23:23 | 1:23:24 | |
Why did you kill me? | 1:23:24 | 1:23:26 | |
What are you talking about? | 1:23:26 | 1:23:28 | |
Where did you get the poison? | 1:23:28 | 1:23:30 | |
I stole it from the med centre. | 1:23:38 | 1:23:40 | |
The night I was there with Elaine, | 1:23:40 | 1:23:42 | |
playing a little hi-ho, silver. | 1:23:42 | 1:23:44 | |
She had an emergency call, left the keys. | 1:23:44 | 1:23:47 | |
Why, goddamn it? | 1:23:47 | 1:23:48 | |
Out Of Whack. | 1:23:52 | 1:23:53 | |
What? | 1:23:53 | 1:23:55 | |
One minute after I give you the Scotch, you say you didn't read it. | 1:23:55 | 1:23:58 | |
Read what? | 1:23:58 | 1:23:59 | |
Out Of Whack. | 1:23:59 | 1:24:01 | |
Nick Lang's novel. | 1:24:01 | 1:24:02 | |
Well, I'm going to pass it off as my own. | 1:24:03 | 1:24:06 | |
I have to, man. It's fuckin' brilliant. | 1:24:07 | 1:24:10 | |
My book... | 1:24:10 | 1:24:13 | |
My book... Well, everything about it that was good, | 1:24:13 | 1:24:17 | |
you helped me with. | 1:24:17 | 1:24:20 | |
I was here last week trying to work on it. | 1:24:20 | 1:24:23 | |
I see Nick Lang's book sitting on your desk. | 1:24:23 | 1:24:26 | |
I pick it up, figure I'd get a few laughs | 1:24:26 | 1:24:29 | |
about how full of shit this kid is. | 1:24:29 | 1:24:32 | |
Guess I knew what I was going to do before I even got to the last page. | 1:24:34 | 1:24:37 | |
What's so funny? | 1:24:46 | 1:24:48 | |
What's so funny? | 1:24:55 | 1:24:56 | |
That's what all this is about. | 1:24:56 | 1:24:59 | |
Some kid's lousy homework? | 1:24:59 | 1:25:01 | |
No. I just told you. It's not lousy. | 1:25:01 | 1:25:04 | |
It's one of the best damned books I ever read. | 1:25:04 | 1:25:07 | |
That's why I had to do it. | 1:25:08 | 1:25:10 | |
Not that I was sure I could. | 1:25:10 | 1:25:12 | |
I mean, Lang was easy. | 1:25:12 | 1:25:14 | |
Smug little shit! | 1:25:14 | 1:25:17 | |
Light as a feather. | 1:25:17 | 1:25:18 | |
Just up and over... | 1:25:18 | 1:25:20 | |
and bon voyage! | 1:25:20 | 1:25:22 | |
But you... | 1:25:24 | 1:25:26 | |
In the john the other day | 1:25:26 | 1:25:27 | |
I wasn't worried about any damned promotion. | 1:25:27 | 1:25:30 | |
Why Gail? | 1:25:30 | 1:25:32 | |
She had nothing to do with this. Why did you have to kill her? | 1:25:32 | 1:25:35 | |
That was your fault. I got all the copies out of Lang's apartment. | 1:25:35 | 1:25:40 | |
I put your copy in the damn garbage. | 1:25:40 | 1:25:42 | |
You picked it up, you put in your briefcase. | 1:25:42 | 1:25:45 | |
And left it at Gail's. | 1:25:45 | 1:25:47 | |
I guess so. I saw it there when Elaine and I took her home. | 1:25:47 | 1:25:49 | |
So, you burn it. | 1:25:49 | 1:25:53 | |
She tried to stop you. | 1:25:53 | 1:25:56 | |
You bludgeoned her, freshened up, | 1:25:56 | 1:26:00 | |
then went out for a night on the theatre with a nail gun. | 1:26:00 | 1:26:03 | |
I thought you found something out. | 1:26:03 | 1:26:04 | |
Don't you see? | 1:26:04 | 1:26:06 | |
I had to make sure nobody knew so that it can be mine - | 1:26:06 | 1:26:09 | |
so that everybody knows that that book is mine. | 1:26:09 | 1:26:11 | |
That was worth somebody's life? | 1:26:11 | 1:26:13 | |
Yeah, my life. | 1:26:13 | 1:26:14 | |
Why should that kid have all the breaks and not me? | 1:26:14 | 1:26:17 | |
Jesus, Dex. He was fucking your wife for Christ's sake. | 1:26:17 | 1:26:20 | |
You should be glad that I killed him. | 1:26:20 | 1:26:22 | |
So... Who you going to kill for your second novel? | 1:26:22 | 1:26:26 | |
All I need is just that one bullshit break. | 1:26:26 | 1:26:28 | |
After this book comes out, I can publish any damn thing I want. | 1:26:28 | 1:26:32 | |
You can bet I'm not going to rest on my laurels like you did. | 1:26:32 | 1:26:35 | |
Well, at least they were my laurels. | 1:26:35 | 1:26:36 | |
Why does it come so easy to guys like you? | 1:26:38 | 1:26:40 | |
Big Dex just cruises in here, | 1:26:40 | 1:26:43 | |
to help poor little Hal on his outline, | 1:26:43 | 1:26:46 | |
then waltzes out. You don't have a fucking clue how hard it is for me - | 1:26:46 | 1:26:50 | |
how much I struggled. I'm going to have my shot. | 1:26:50 | 1:26:52 | |
I'm going to know what it feels like. | 1:26:52 | 1:26:54 | |
< No. You'll never know. | 1:26:54 | 1:26:56 | |
That feeling doesn't come from money. | 1:26:56 | 1:26:59 | |
It doesn't come from fame. | 1:26:59 | 1:27:01 | |
It comes from doing the work, Hal. | 1:27:01 | 1:27:04 | |
From realising a vision. | 1:27:04 | 1:27:06 | |
You think you can steal somebody's passion? You just got paper and ink. | 1:27:06 | 1:27:10 | |
Passion? | 1:27:10 | 1:27:12 | |
Where do you get off lecturing me about passion? | 1:27:12 | 1:27:16 | |
You lost it. | 1:27:16 | 1:27:17 | |
No! I got it back these last two days. | 1:27:17 | 1:27:20 | |
I had it. | 1:27:20 | 1:27:21 | |
You had it all right. | 1:27:21 | 1:27:23 | |
You had it, and you pissed it away. | 1:27:23 | 1:27:26 | |
You had a talent. | 1:27:27 | 1:27:29 | |
You had a talent others would... | 1:27:31 | 1:27:33 | |
Kill for? | 1:27:35 | 1:27:37 | |
Yeah, that's right. | 1:27:38 | 1:27:41 | |
Kill for. | 1:27:41 | 1:27:43 | |
Isn't that what it's about? | 1:27:43 | 1:27:46 | |
Publish or perish? | 1:27:46 | 1:27:48 | |
Perish! | 1:28:48 | 1:28:50 | |
Just somebody's homework. | 1:29:56 | 1:30:00 | |
That was all. | 1:30:00 | 1:30:02 | |
Subtitles by The Caption Centre | 1:31:15 | 1:31:18 |