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Line | From | To | |
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Let's coffee up. He can wait a few more minutes. | 0:01:21 | 0:01:25 | |
SHOUTING | 0:01:25 | 0:01:27 | |
< Get over here now! | 0:01:28 | 0:01:30 | |
Oh! | 0:01:32 | 0:01:34 | |
(EXHALES) | 0:01:35 | 0:01:37 | |
< Come here, move it! | 0:01:40 | 0:01:43 | |
(GASPS) | 0:01:47 | 0:01:49 | |
(GROANS) | 0:02:24 | 0:02:26 | |
(WHIMPERS) | 0:02:33 | 0:02:35 | |
Oh! | 0:02:37 | 0:02:38 | |
Glass. | 0:03:40 | 0:03:41 | |
-That Tucker's men? -< Yes, sir, I think it is. | 0:03:43 | 0:03:46 | |
< How long has it been like this? | 0:03:47 | 0:03:53 | |
< We found them this morning, sir. They've been here two days. | 0:03:49 | 0:03:53 | |
That you, Lieutenant? > | 0:04:03 | 0:04:05 | |
GUNSHOTS | 0:04:05 | 0:04:07 | |
Hey, come on. | 0:04:09 | 0:04:11 | |
-You better take cover. -GUNSHOT | 0:04:11 | 0:04:14 | |
I ain't kiddin', these boys are shooters. Come on, go under cover. | 0:04:14 | 0:04:20 | |
Go on, put him back up there! > Put him back up there! | 0:04:20 | 0:04:24 | |
You went to hospital? | 0:04:27 | 0:04:29 | |
It was no good. | 0:04:30 | 0:04:32 | |
What's goin' on here? | 0:04:35 | 0:04:37 | |
What's goin' on here? | 0:04:38 | 0:04:40 | |
Seems to be the question all right. | 0:04:40 | 0:04:43 | |
See, you could ask the Major. | 0:04:43 | 0:04:46 | |
But he don't know. He's busy. | 0:04:46 | 0:04:48 | |
He's tryin' to figure out how the officers' mess ran out of peach ice cream. | 0:04:49 | 0:04:55 | |
Then you got the General. | 0:04:55 | 0:04:56 | |
He come up to see the show. All he knows is there ain't no show. | 0:04:56 | 0:05:02 | |
Now the Major, he's looking at the General. | 0:05:02 | 0:05:05 | |
He's thinking, "I better do something." | 0:05:05 | 0:05:08 | |
You know what that means? I don't wanna be first across this field. | 0:05:08 | 0:05:13 | |
They're supposed to be beat up just like us. | 0:05:13 | 0:05:17 | |
Tucker's men are tough as cobs. | 0:05:17 | 0:05:20 | |
So far the only thing killed out here is three milkin' cows. > | 0:05:20 | 0:05:25 | |
Course, that's about to change. > | 0:05:25 | 0:05:28 | |
HE MUTTERS | 0:05:32 | 0:05:34 | |
Some of the boys are sayin' if we ain't gonna fight... | 0:05:36 | 0:05:39 | |
could settle this whole business with a little high-stakes poker. | 0:05:39 | 0:05:45 | |
Wouldn't that be a sight? | 0:05:45 | 0:05:47 | |
Bunch of fellas sittin' in the middle of this field... | 0:05:47 | 0:05:51 | |
drawing cards, huh? | 0:05:51 | 0:05:53 | |
What is it, sir? | 0:06:00 | 0:06:03 | |
Looks like a suicide. | 0:06:02 | 0:06:03 | |
Tucker! | 0:06:04 | 0:06:06 | |
GUNSHOT | 0:06:12 | 0:06:14 | |
What's he doing? | 0:06:18 | 0:06:20 | |
GUNSHOT | 0:06:20 | 0:06:23 | |
-GUNSHOTS -Shoot him? | 0:06:21 | 0:06:23 | |
SHOUTING | 0:06:27 | 0:06:29 | |
-What'd you say to him? -I didn't say nothin'. | 0:06:44 | 0:06:48 | |
SHOUTING, CHEERING | 0:06:52 | 0:06:54 | |
Come on back! | 0:07:13 | 0:07:16 | |
Come on back! Come on back! You won't make it no second time! | 0:07:16 | 0:07:19 | |
All right by me. | 0:07:18 | 0:07:19 | |
Forgive me, Father. | 0:07:21 | 0:07:23 | |
SHOUTING, CHEERING | 0:07:28 | 0:07:30 | |
-Ray! -I got him. | 0:08:03 | 0:08:05 | |
BUGLE | 0:09:09 | 0:09:11 | |
Don't... | 0:09:28 | 0:09:30 | |
Don't... Don't take off my foot. | 0:09:30 | 0:09:34 | |
You rest easy, son, you'll keep your foot. | 0:09:34 | 0:09:37 | |
As God is my judge, you'll keep it. | 0:09:37 | 0:09:40 | |
Bring up my ambulance. | 0:09:45 | 0:09:51 | |
Sir? | 0:09:46 | 0:09:51 | |
Bring up my ambulance and bring my surgeon with it! | 0:09:47 | 0:09:51 | |
We got an officer who's worth something lying here. | 0:09:51 | 0:09:56 | |
'The strangeness of this life cannot be measured. | 0:10:20 | 0:10:24 | |
'In trying to produce my death, I was elevated to a living hero. | 0:10:24 | 0:10:29 | |
'I was also awarded Cisco, the trusty mount that carried me across the field. | 0:10:29 | 0:10:34 | |
'And on full recovery, was given transfer to any station I desired. | 0:10:34 | 0:10:37 | |
'The bloody slaughter continues as I arrive at Fort Hayes, an island of men and material | 0:10:37 | 0:10:42 | |
'surrounded by a never-ending sea of prairie.' | 0:10:42 | 0:10:45 | |
-Lieutenant. -Lieutenant. | 0:11:40 | 0:11:41 | |
Lieutenant John J Dunbar. | 0:11:54 | 0:11:57 | |
Lieutenant John J Dunbar? | 0:12:01 | 0:12:03 | |
Yes, sir. | 0:12:03 | 0:12:06 | |
"Yes, sir." | 0:12:04 | 0:12:06 | |
Indian-fighter, huh? | 0:12:06 | 0:12:09 | |
Excuse me? | 0:12:09 | 0:12:15 | |
You're to be posted on the frontier, Indian country. | 0:12:11 | 0:12:15 | |
I deduce you're an Indian-fighter. I did not ascend to this position by being stupid. | 0:12:15 | 0:12:20 | |
No, sir. | 0:12:20 | 0:12:23 | |
"No, sir." | 0:12:21 | 0:12:23 | |
It says here... that you've been decorated. | 0:12:27 | 0:12:30 | |
Yes, sir. > | 0:12:30 | 0:12:32 | |
And they sent you here to be posted? | 0:12:34 | 0:12:39 | |
Actually, I'm here at my own request. | 0:12:36 | 0:12:39 | |
-Really? Why? -I've always wanted to see the frontier. | 0:12:39 | 0:12:44 | |
You want to see the frontier? | 0:12:44 | 0:12:46 | |
Yes, sir. Before it's gone. | 0:12:46 | 0:12:50 | |
Such a smart lad coming straight to me. | 0:12:56 | 0:13:00 | |
< Sir... | 0:13:05 | 0:13:07 | |
< ..Knight. | 0:13:08 | 0:13:09 | |
I am sending you on a knight's errand. | 0:13:10 | 0:13:14 | |
You will report to Captain Cargill | 0:13:14 | 0:13:16 | |
at the furthermost outpost of the realm - Fort Sedgwick. | 0:13:16 | 0:13:22 | |
My personal seal will assure your safety through many miles of wild and hostile country. | 0:13:23 | 0:13:30 | |
I was wondering... | 0:13:39 | 0:13:44 | |
Yes? | 0:13:40 | 0:13:44 | |
How will I get there? | 0:13:42 | 0:13:44 | |
You think I don't know? | 0:13:44 | 0:13:48 | |
No, sir. | 0:13:46 | 0:13:48 | |
-No, sir, it's just that -I -don't... | 0:13:48 | 0:13:53 | |
Hold your tongue! I happen to be in a generous mood. | 0:13:49 | 0:13:53 | |
See that peasant out there? | 0:13:53 | 0:13:55 | |
Timmons. He's going to your Fort Sedgwick this afternoon. | 0:13:55 | 0:13:59 | |
You can ride with him. He knows the way. | 0:13:59 | 0:14:02 | |
Thank you, that is all. | 0:14:02 | 0:14:05 | |
Sir Knight? | 0:14:17 | 0:14:19 | |
I just pissed in my pants... | 0:14:22 | 0:14:25 | |
..and nobody can do anything about it. | 0:14:26 | 0:14:29 | |
TAPPING ON WINDOW | 0:14:40 | 0:14:42 | |
To your journey! | 0:14:42 | 0:14:45 | |
To my journey! | 0:14:48 | 0:14:51 | |
Haw! | 0:15:08 | 0:15:10 | |
Gee-up a little bit, Jim. | 0:15:11 | 0:15:13 | |
Gee-up a little bit, Jim. | 0:15:14 | 0:15:16 | |
The King is dead. | 0:15:24 | 0:15:26 | |
Long live the King. | 0:15:30 | 0:15:32 | |
GUNSHOT | 0:15:33 | 0:15:35 | |
Haw a little bit, Jim and Jake! | 0:15:39 | 0:15:40 | |
Haw a little bit, Jim! Haw a little bit! | 0:15:40 | 0:15:44 | |
Gee a little bit, Jim! Gee! | 0:15:44 | 0:15:47 | |
Gee a little bit! Gee over a little bit! | 0:15:47 | 0:15:51 | |
What you got there? | 0:16:46 | 0:16:48 | |
(CHUCKLES) | 0:16:55 | 0:16:57 | |
Some... Somebody back East is sayin', "Why don't he write?" (CHUCKLES) | 0:16:58 | 0:17:04 | |
(CHUCKLES, MUMBLES) | 0:17:06 | 0:17:10 | |
Easy now. Easy now. > | 0:17:11 | 0:17:14 | |
What the hell was that? | 0:17:36 | 0:17:38 | |
What is that? | 0:17:39 | 0:17:41 | |
(SCRAMBLES ABOUT) > | 0:17:42 | 0:17:44 | |
What is that? (CHUCKLES) | 0:17:46 | 0:17:49 | |
(COUGHS) | 0:17:57 | 0:18:00 | |
(CLEARS THROAT, SPITS) > | 0:18:01 | 0:18:03 | |
(BREAKS WIND) | 0:18:03 | 0:18:06 | |
(CHUCKLES) | 0:18:10 | 0:18:12 | |
Why don't you put that in your book? | 0:18:12 | 0:18:14 | |
(LAUGHS) | 0:18:15 | 0:18:17 | |
'Were it not for my companion, I would be having the time of my life. | 0:18:22 | 0:18:27 | |
'He means well but is possibly the foulest man I have ever met.' | 0:18:27 | 0:18:32 | |
(SNORES) | 0:18:47 | 0:18:49 | |
Get up, Timmons. | 0:19:08 | 0:19:10 | |
Timmons. | 0:19:11 | 0:19:14 | |
Get up. | 0:19:14 | 0:19:16 | |
Get up. | 0:19:28 | 0:19:30 | |
Come on, get up. | 0:19:30 | 0:19:32 | |
Ow! | 0:19:35 | 0:19:37 | |
Somethin' poked me in my butt. Was that you? | 0:19:43 | 0:19:46 | |
< Goddamn it! | 0:19:47 | 0:19:49 | |
< Damn it! Gonna have a welt. | 0:19:49 | 0:19:53 | |
How come we haven't seen any buffalo? | 0:20:49 | 0:20:52 | |
You can't figure the buffalo. Sometime you won't see any for days. | 0:20:52 | 0:20:57 | |
Other times they'll be thick, like curls on a whore! | 0:20:57 | 0:21:02 | |
Ho! > | 0:21:02 | 0:21:03 | |
What about Indians? | 0:21:03 | 0:21:08 | |
Indians? Goddamn Indians! | 0:21:05 | 0:21:08 | |
You just as soon not see 'em less than the bastards are dead! Nothin' but thieves and beggars. | 0:21:08 | 0:21:14 | |
Ho, up there! > | 0:21:14 | 0:21:16 | |
Not what you'd call much of a goin' concern, now, is it? (CHUCKLES) | 0:21:44 | 0:21:49 | |
Go down there. | 0:21:52 | 0:21:58 | |
Why? There ain't nothin' down there. | 0:21:54 | 0:21:58 | |
Because I said. | 0:21:55 | 0:21:58 | |
Go down there. | 0:21:58 | 0:22:00 | |
Haw! Haw! | 0:22:02 | 0:22:06 | |
There ain't nothin' here, Lieutenant. | 0:22:32 | 0:22:34 | |
Hey! | 0:22:36 | 0:22:38 | |
< There ain't nothin' here, Lieutenant. | 0:22:52 | 0:22:55 | |
Lieutenant! | 0:23:00 | 0:23:02 | |
Everybody's run off or got killed. | 0:23:03 | 0:23:06 | |
All right. Let's unload the wagon. | 0:23:23 | 0:23:26 | |
What?! What, and leave it all here? | 0:23:27 | 0:23:31 | |
I'm staying, too. | 0:23:31 | 0:23:33 | |
There ain't nothin' here, Lieutenant. | 0:23:33 | 0:23:36 | |
No, not at the moment. | 0:23:36 | 0:23:38 | |
We don't know what's happened. | 0:23:38 | 0:23:43 | |
So, so, I... | 0:23:41 | 0:23:43 | |
Things bein' as they are, we might as well turn around and head back. | 0:23:43 | 0:23:46 | |
This is my post. | 0:23:46 | 0:23:52 | |
< "This is my post"? | 0:23:48 | 0:23:52 | |
This is my post. | 0:23:50 | 0:23:52 | |
"My post"? Jesus H Christ, boy. | 0:23:53 | 0:23:56 | |
What, are you crazy, boy? Lieutenant? | 0:23:56 | 0:24:01 | |
Jesus H Christ! | 0:24:03 | 0:24:06 | |
This is my post. | 0:24:04 | 0:24:06 | |
These are the post's provisions. | 0:24:06 | 0:24:09 | |
Now get your ass off the wagon and help me unload. | 0:24:09 | 0:24:12 | |
We're just havin' a conversation, now put it down! | 0:24:12 | 0:24:16 | |
I'll let 'em know where you are. | 0:25:03 | 0:25:08 | |
Good. | 0:25:06 | 0:25:08 | |
Good luck, Lieutenant. | 0:25:10 | 0:25:13 | |
Thank you. | 0:25:14 | 0:25:16 | |
Jake and Jim! | 0:25:19 | 0:25:21 | |
Good mule! Good, Jim! | 0:25:32 | 0:25:34 | |
Come on! Hard up there, now! | 0:25:35 | 0:25:37 | |
Haw! Haw! > | 0:25:38 | 0:25:40 | |
Haw, Jim! Haw, Jake! > | 0:25:40 | 0:25:42 | |
Good boy. | 0:25:47 | 0:25:49 | |
Come on, now! Get on up, there! | 0:25:49 | 0:25:52 | |
Haw, now! Good mule! | 0:25:52 | 0:25:54 | |
Good mule, good girl. | 0:25:54 | 0:25:56 | |
Haw on up, now. | 0:25:58 | 0:26:02 | |
'Have arrived to find Fort Sedgwick deserted. | 0:26:13 | 0:26:17 | |
'Am waiting for garrison's return or word from HQ. | 0:26:17 | 0:26:21 | |
'The post is in poor condition. | 0:26:21 | 0:26:24 | |
'I have assigned myself clean-up duty beginning tomorrow. | 0:26:24 | 0:26:28 | |
'Supplies are abundant, the country is everything I dreamed it would be. | 0:26:28 | 0:26:33 | |
'There can be no place like this on earth.' | 0:26:33 | 0:26:36 | |
BIRDSONG | 0:26:39 | 0:26:41 | |
(SNORES SOFTLY) | 0:26:45 | 0:26:48 | |
FOOTSTEPS | 0:26:48 | 0:26:50 | |
SHUFFLING | 0:26:52 | 0:26:54 | |
SHUFFLING | 0:26:58 | 0:27:00 | |
WHINNIES SOFTLY | 0:27:29 | 0:27:31 | |
Bad horse. Bad horse. | 0:27:31 | 0:27:34 | |
Come on, Cisco, one more time. | 0:29:10 | 0:29:12 | |
Giddup, Cisco. | 0:29:14 | 0:29:16 | |
Giddup. | 0:29:18 | 0:29:20 | |
Giddup. There you are. | 0:29:20 | 0:29:23 | |
(HUMS) | 0:31:15 | 0:31:17 | |
(INHALES AND EXHALES) | 0:31:20 | 0:31:22 | |
(SCREAMS) | 0:31:26 | 0:31:28 | |
(SCREAMS) | 0:31:39 | 0:31:41 | |
(GASPS) | 0:31:43 | 0:31:45 | |
(GROANS) | 0:31:47 | 0:31:50 | |
(GROANS) | 0:31:54 | 0:31:56 | |
(GROANS) | 0:32:00 | 0:32:02 | |
(SCREAMS) | 0:32:03 | 0:32:05 | |
(GASPS) | 0:32:09 | 0:32:11 | |
(GROANS) | 0:32:15 | 0:32:17 | |
Don't...hurt my mules. | 0:32:28 | 0:32:30 | |
(SCREAMS) > | 0:32:35 | 0:32:38 | |
WHOOPING | 0:32:41 | 0:32:43 | |
'Men had been living in these caves. But why? Were they frightened? | 0:33:06 | 0:33:10 | |
'Had there been a revolt? | 0:33:10 | 0:33:13 | |
'I can make no sense of the clues left me here. | 0:33:13 | 0:33:16 | |
'Perhaps my relief will provide the answers. | 0:33:16 | 0:33:19 | |
'It's been almost 30 days. | 0:34:07 | 0:34:10 | |
'Still no sign of Captain Cargill's command. | 0:34:10 | 0:34:13 | |
'Communication can only take place if I leave. | 0:34:13 | 0:34:17 | |
'And I don't want to abandon my post. | 0:34:17 | 0:34:20 | |
'I have decided to ration my goods | 0:34:20 | 0:34:23 | |
'as if I were part of a post rather than the whole affair. | 0:34:23 | 0:34:26 | |
'There is a wolf who seems intent on the goings-on here. | 0:34:26 | 0:34:30 | |
'He does not seem inclined to be a nuisance, and aside from Cisco, has been my only company. | 0:34:30 | 0:34:36 | |
'He has appeared two afternoons. | 0:34:36 | 0:34:39 | |
'He has milky white socks on both feet. | 0:34:39 | 0:34:42 | |
'If he comes calling tomorrow, I will name him Two Socks.' | 0:34:42 | 0:34:46 | |
(HUMS) | 0:34:48 | 0:34:50 | |
# How can I marry | 0:34:54 | 0:34:57 | |
# A pretty little girl When I got no cloak to put on? | 0:34:57 | 0:35:01 | |
# Oh, soldier, oh, soldier Won't you marry me | 0:35:01 | 0:35:05 | |
# Before the fight comes home? | 0:35:05 | 0:35:07 | |
# How can I marry a pretty little girl | 0:35:07 | 0:35:11 | |
# When I got no shoes to put on? | 0:35:11 | 0:35:13 | |
# How can I marry a pretty little girl | 0:35:28 | 0:35:32 | |
# When I got no hat to put on? | 0:35:32 | 0:35:34 | |
# Oh, soldier, oh, soldier, won't you marry me | 0:35:57 | 0:36:00 | |
# Before the fight comes home? | 0:36:00 | 0:36:02 | |
# How can I marry an ugly little girl | 0:36:02 | 0:36:05 | |
# When I got a pretty wife back home? # | 0:36:05 | 0:36:08 | |
(CAJOLES IN LAKOTA) | 0:36:59 | 0:37:01 | |
You there! | 0:37:06 | 0:37:08 | |
Hey! | 0:37:19 | 0:37:21 | |
SHOVELLING | 0:37:43 | 0:37:46 | |
'Have made first contact with a wild Indian. | 0:37:52 | 0:37:55 | |
'One came to the fort and tried to steal my horse. | 0:37:55 | 0:37:58 | |
'When I appeared he became frightened and ran off. | 0:37:58 | 0:38:02 | |
'Do not know how many are in the vicinity but where there is one, there is sure to be another. | 0:38:02 | 0:38:08 | |
'Will bury excess ordnance lest it fall into enemy hands. | 0:38:08 | 0:38:12 | |
'My afternoon rides have been pared down to short patrols, keeping the fort in sight. | 0:38:12 | 0:38:18 | |
'I am still alone, however, and unless troops arrive soon all may be lost. | 0:38:18 | 0:38:24 | |
'It's been two days and nothing. | 0:38:30 | 0:38:32 | |
'My presence must've been reported. | 0:38:32 | 0:38:35 | |
'Have made all preparations I can. | 0:38:35 | 0:38:38 | |
'Cannot mount a good defence alone, but will try to make a big impression when they come. Waiting. | 0:38:38 | 0:38:45 | |
'Postscript. The man I encountered was a magnificent-looking fellow.' | 0:38:45 | 0:38:51 | |
(SNORES) | 0:38:51 | 0:38:53 | |
NEIGHING, VOICES OUTSIDE | 0:41:35 | 0:41:40 | |
Yes, sir, I have. No, sir. | 0:41:37 | 0:41:40 | |
WHOOPING | 0:41:49 | 0:41:51 | |
(GROANS) | 0:43:19 | 0:43:21 | |
Oh, God. | 0:43:41 | 0:43:43 | |
NEIGHS SOFTLY | 0:44:10 | 0:44:13 | |
PANTING | 0:44:22 | 0:44:23 | |
WHOOPING | 0:44:44 | 0:44:46 | |
(SCREAMS) | 0:45:10 | 0:45:12 | |
(SCREAMS) | 0:45:32 | 0:45:34 | |
NEIGHS | 0:46:09 | 0:46:11 | |
NEIGHS | 0:46:17 | 0:46:21 | |
(SCREAMS) | 0:46:21 | 0:46:24 | |
'I realise I was wrong. All this time I've been waiting. | 0:46:28 | 0:46:31 | |
'For what? For someone to find me? For Indians to take my horse? | 0:46:31 | 0:46:35 | |
'To see a buffalo? | 0:46:35 | 0:46:37 | |
'Since I arrived here, I have been walking on eggs. I am sick of it. | 0:46:37 | 0:46:43 | |
'Tomorrow, I will ride to the Indians. | 0:46:43 | 0:46:46 | |
'I do not know the outcome or wisdom of this thinking, | 0:46:46 | 0:46:50 | |
'but I have become a target, I am through waiting.' | 0:46:50 | 0:46:54 | |
What are you lookin' at? | 0:46:54 | 0:46:57 | |
SINGING IN DISTANCE | 0:47:32 | 0:47:35 | |
(SINGS IN LAKOTA) | 0:47:53 | 0:47:55 | |
(CLEARS THROAT) | 0:48:18 | 0:48:20 | |
No, wait! | 0:48:33 | 0:48:34 | |
Wait. | 0:48:36 | 0:48:37 | |
Wait, wait, wait. | 0:48:37 | 0:48:41 | |
You need help, you're hurt. | 0:48:43 | 0:48:45 | |
(SCREAMS) | 0:48:45 | 0:48:47 | |
Let me... You need help. | 0:48:48 | 0:48:50 | |
-Can I help you? -(SCREAMS) | 0:48:50 | 0:48:52 | |
(SCREAMS) | 0:48:58 | 0:49:00 | |
LAUGHTER | 0:50:50 | 0:50:52 | |
Wasicu! Wasicu! | 0:51:08 | 0:51:11 | |
Wasicu! Wasicu! | 0:51:11 | 0:51:14 | |
Wasicu! | 0:51:14 | 0:51:16 | |
Wasicu! Wasicu! > | 0:51:16 | 0:51:18 | |
Wasicu! Wasicu! > | 0:51:18 | 0:51:20 | |
Wasicu! > | 0:51:21 | 0:51:22 | |
She's hurt. | 0:52:08 | 0:52:10 | |
She's hurt. | 0:52:15 | 0:52:17 | |
No, she's hurt. | 0:52:33 | 0:52:35 | |
WHOOPING | 0:53:27 | 0:53:28 | |
Welcome. | 0:55:17 | 0:55:19 | |
Welcome. | 0:55:20 | 0:55:22 | |
Hi! | 0:55:23 | 0:55:25 | |
Come. | 0:55:31 | 0:55:33 | |
Please, sit down. | 0:55:33 | 0:55:35 | |
Sit down. | 0:55:35 | 0:55:36 | |
Wait. Just a... Just a minute. | 0:56:00 | 0:56:03 | |
(SNORTS) | 0:56:05 | 0:56:07 | |
(SNORTS) | 0:56:15 | 0:56:17 | |
Tatanka. | 0:56:17 | 0:56:19 | |
Tatanka. | 0:56:22 | 0:56:24 | |
Tanka? | 0:56:24 | 0:56:26 | |
Tatanka? | 0:56:27 | 0:56:29 | |
Tanka? | 0:56:29 | 0:56:31 | |
Ta...tanka. | 0:56:31 | 0:56:36 | |
Tatanka. | 0:56:33 | 0:56:36 | |
Tatanka. > | 0:56:34 | 0:56:36 | |
Tatanka. Buffalo. | 0:56:36 | 0:56:40 | |
Tatanka. | 0:56:38 | 0:56:40 | |
< Buffalo. | 0:56:40 | 0:56:42 | |
Buff... | 0:56:43 | 0:56:46 | |
Buff... Buff... | 0:56:44 | 0:56:46 | |
Buff...? | 0:56:46 | 0:56:50 | |
< Buffalo. Tatanka. | 0:56:48 | 0:56:50 | |
'The fierce one, as I call him, is a tough fellow. | 0:56:51 | 0:56:54 | |
'I hope I never have to fight him. | 0:56:54 | 0:56:57 | |
'From what I know, he seems honest and very direct. | 0:56:57 | 0:57:00 | |
'I like the quiet one. He's been patient and inquisitive. | 0:57:00 | 0:57:04 | |
'He's eager to communicate. | 0:57:04 | 0:57:07 | |
'He must be a man of some weight among his people. | 0:57:07 | 0:57:10 | |
Buffalo. | 0:57:10 | 0:57:11 | |
SCRAPING | 0:57:14 | 0:57:16 | |
'I made an even greater impression on their next visit. | 0:57:18 | 0:57:22 | |
'I produced a coffee grinder, something they hadn't seen before. | 0:57:22 | 0:57:27 | |
Is the coffee not good? | 0:57:43 | 0:57:45 | |
It's too strong, maybe. Too strong. | 0:57:46 | 0:57:48 | |
Put in... | 0:57:52 | 0:57:55 | |
Um... Ta... | 0:57:59 | 0:58:02 | |
Taste it. > | 0:58:03 | 0:58:05 | |
Sugar. | 0:58:15 | 0:58:17 | |
You want some? | 0:58:17 | 0:58:19 | |
You want some? > | 0:58:19 | 0:58:21 | |
That's a lot. | 0:58:25 | 0:58:27 | |
'It's good to have company. | 0:58:28 | 0:58:30 | |
'So much goes unsaid. I feel these people, the quiet one especially, want something from me. | 0:58:30 | 0:58:36 | |
'Made presents of coffee and most of the sugar. | 0:58:36 | 0:58:40 | |
'It wouldn't last anyway. | 0:58:40 | 0:58:42 | |
'A foundation for good relations has been laid.' | 0:58:42 | 0:58:45 | |
'Christine! | 1:01:24 | 1:01:26 | |
'Christine! | 1:01:31 | 1:01:33 | |
'Christine!' | 1:01:36 | 1:01:38 | |
Get them chickens, Joe. | 1:01:41 | 1:01:44 | |
Billy, get away from those puppies. | 1:01:45 | 1:01:48 | |
Go to Daddy. | 1:01:49 | 1:01:51 | |
Damn! | 1:01:54 | 1:01:56 | |
Get the kids, get 'em in the house. > | 1:01:56 | 1:01:59 | |
Go on! | 1:02:00 | 1:02:02 | |
Christine! | 1:02:02 | 1:02:04 | |
Christine, where are you? > | 1:02:05 | 1:02:07 | |
Children, get in the house now! > | 1:02:08 | 1:02:11 | |
Come here. (GIGGLES) | 1:02:12 | 1:02:14 | |
Who is it, Willie? | 1:02:15 | 1:02:18 | |
They look like Pawnee. | 1:02:17 | 1:02:18 | |
< My father and your father are talking to them. | 1:02:18 | 1:02:21 | |
What do they want? | 1:02:21 | 1:02:25 | |
< I don't know. | 1:02:23 | 1:02:25 | |
Go on, you heard him. Get outta here! | 1:02:25 | 1:02:28 | |
(SCREAMS) | 1:02:32 | 1:02:34 | |
RUN, CHRISTINE! | 1:02:39 | 1:02:41 | |
I SAID RUN! | 1:02:41 | 1:02:43 | |
< JOHN! | 1:02:46 | 1:02:48 | |
< JOHN! | 1:02:49 | 1:02:51 | |
HORSES NEIGH IN FEAR | 1:02:57 | 1:02:59 | |
< Christine! | 1:03:03 | 1:03:05 | |
INDIANS WHOOP | 1:03:06 | 1:03:08 | |
'Mommy! | 1:03:15 | 1:03:17 | |
'Mommy! | 1:03:17 | 1:03:19 | |
'Mommy!' | 1:03:20 | 1:03:22 | |
(SNIFFS) Mmmm! Mmmm! | 1:03:46 | 1:03:50 | |
Come on, Two Socks. Bacon. | 1:03:54 | 1:03:57 | |
'Two Socks, like Cisco, is now a trusted friend. | 1:03:57 | 1:04:00 | |
'He still won't eat from my hand, | 1:04:00 | 1:04:03 | |
'but his keen eyes and ears always alert me when something is wrong.' | 1:04:03 | 1:04:08 | |
Tatanka. | 1:04:27 | 1:04:29 | |
No. | 1:04:30 | 1:04:32 | |
I haven't seen any buffalo. | 1:04:32 | 1:04:35 | |
Sorry. | 1:04:35 | 1:04:37 | |
Are... Are you hungry? | 1:04:54 | 1:04:57 | |
Are you hungry? | 1:04:58 | 1:05:00 | |
I have food, I have a lot of food. | 1:05:00 | 1:05:03 | |
'Nothing I was told of these people is correct. | 1:05:25 | 1:05:28 | |
'They are not beggars or thieves. Nor the bogeymen they are made out to be. | 1:05:28 | 1:05:33 | |
'They are polite guests and have a familiar humour I enjoy. | 1:05:33 | 1:05:37 | |
'Real communication is slow, and the quiet one is as frustrated as me. | 1:05:37 | 1:05:42 | |
'Our progress has been built on the basis of failure rather than success. | 1:05:42 | 1:05:47 | |
'I've thought to enquire about whether the woman lived or not, | 1:05:47 | 1:05:51 | |
'but it's too complicated a subject, given our limitations. | 1:05:51 | 1:05:56 | |
'It is clear there are no buffalo. It weighs heavy on their minds. | 1:05:56 | 1:06:00 | |
'Yesterday's meeting was the best yet. | 1:06:00 | 1:06:03 | |
'I've been invited to the village and I'm looking forward to going.' | 1:06:03 | 1:06:07 | |
Um... | 1:07:50 | 1:07:52 | |
H... | 1:07:54 | 1:07:56 | |
Hello. | 1:07:56 | 1:07:58 | |
You... | 1:07:58 | 1:08:00 | |
here. | 1:08:00 | 1:08:02 | |
G-g-good. | 1:08:03 | 1:08:05 | |
Thank you. I feel good. | 1:08:08 | 1:08:11 | |
(TRANSLATES INTO LAKOTA) | 1:08:12 | 1:08:14 | |
Um... | 1:08:19 | 1:08:21 | |
T... | 1:08:22 | 1:08:24 | |
The s-s-s... | 1:08:24 | 1:08:25 | |
..soldier fort. You come there... | 1:08:25 | 1:08:28 | |
Wait. What is your names? | 1:08:28 | 1:08:32 | |
Our names? | 1:08:33 | 1:08:36 | |
What is his name? | 1:08:34 | 1:08:36 | |
(TRANSLATES INTO LAKOTA) | 1:08:37 | 1:08:39 | |
H-h-h-he... | 1:08:47 | 1:08:49 | |
(SIGHS) He K... | 1:08:51 | 1:08:54 | |
Kick. | 1:08:54 | 1:08:56 | |
Kick. | 1:08:56 | 1:08:58 | |
Kick? Kick... more. | 1:08:57 | 1:08:58 | |
More Kick? More Kicking? | 1:08:58 | 1:09:00 | |
Kicking... Kicking... | 1:09:00 | 1:09:03 | |
Bird? | 1:09:04 | 1:09:06 | |
Bird. Kicking Bird. | 1:09:06 | 1:09:08 | |
Kicking Bird. | 1:09:08 | 1:09:12 | |
(SAYS NAME IN LAKOTA) | 1:09:10 | 1:09:12 | |
(REPEATS NAME IN LAKOTA) | 1:09:12 | 1:09:14 | |
What does he...? Uh... Is he Chief? | 1:09:14 | 1:09:18 | |
No. H-h-h... | 1:09:18 | 1:09:20 | |
A h-h-h... | 1:09:20 | 1:09:22 | |
(COMPLAINS) > | 1:09:22 | 1:09:24 | |
A...ho-ho-holy man. | 1:09:30 | 1:09:34 | |
Holy...man. | 1:09:34 | 1:09:37 | |
Your name? | 1:09:41 | 1:09:43 | |
I... I don't... | 1:09:43 | 1:09:45 | |
< How are you called? | 1:09:45 | 1:09:47 | |
(LAKOTA) | 1:09:47 | 1:09:48 | |
Ha. | 1:09:54 | 1:09:56 | |
Ha. | 1:09:57 | 1:09:59 | |
G-get up. | 1:10:16 | 1:10:18 | |
Stand up? | 1:10:22 | 1:10:24 | |
< S-stands. | 1:10:24 | 1:10:26 | |
Stands. Stands. Your name's Stands? | 1:10:26 | 1:10:29 | |
S-Stands... | 1:10:29 | 1:10:31 | |
..With... | 1:10:34 | 1:10:38 | |
< With? With. Stands with? | 1:10:35 | 1:10:38 | |
Fist? | 1:10:42 | 1:10:44 | |
Yes. | 1:10:44 | 1:10:47 | |
Stands With A Fist? | 1:10:45 | 1:10:47 | |
Stands With A Fist. I am John Dunbar. | 1:10:49 | 1:10:54 | |
John... John Dunbar. | 1:10:54 | 1:10:57 | |
Dunbar. | 1:10:57 | 1:11:01 | |
Dunbar. John Dunbar. | 1:10:58 | 1:11:01 | |
John Dunbar. | 1:11:01 | 1:11:05 | |
Dun...bear. | 1:11:03 | 1:11:05 | |
No, not Dunbear. | 1:11:05 | 1:11:07 | |
Dunbar. Dun...bar. | 1:11:07 | 1:11:10 | |
Dun-bar. Dunbar. Not Dunbear. | 1:11:11 | 1:11:13 | |
Dunbar. > | 1:11:13 | 1:11:15 | |
'There has been an exciting breakthrough with the Indians. | 1:11:43 | 1:11:48 | |
'A woman among them speaks English and today progress was made. | 1:11:48 | 1:11:52 | |
'But I'm reluctant to answer all their questions. | 1:11:52 | 1:11:55 | |
'Maybe my sense of duty, but something tells me not to say too much. | 1:11:55 | 1:11:59 | |
'It was good to see Fort Sedgwick - | 1:11:59 | 1:12:02 | |
'I look forward to another visit with my neighbours, but this is my home. | 1:12:02 | 1:12:06 | |
'I remain watchful for my relief and hope my negotiations will bear fruit.' | 1:12:06 | 1:12:11 | |
RATTLING, RUMBLING | 1:12:17 | 1:12:21 | |
DISTRESSED NEIGHING | 1:12:33 | 1:12:35 | |
NEIGHING | 1:12:45 | 1:12:47 | |
NEIGHING | 1:12:48 | 1:12:50 | |
STAMPEDING | 1:12:56 | 1:12:58 | |
DRUMBEAT, SINGING | 1:13:36 | 1:13:38 | |
< BUFFALO! BUFFALO! | 1:14:13 | 1:14:16 | |
CHANTING AND SINGING STOPS | 1:14:16 | 1:14:18 | |
< I'VE SEEN BUFFALO! | 1:14:16 | 1:14:18 | |
SHOUTING, WHOOPING | 1:14:20 | 1:14:22 | |
Buffaloes. Buffaloes. Buffaloes. | 1:14:46 | 1:14:49 | |
Tatanka. | 1:14:49 | 1:14:53 | |
Tatanka? | 1:14:50 | 1:14:53 | |
Yeah. | 1:14:53 | 1:14:54 | |
Tatanka! Tatanka! | 1:14:54 | 1:14:58 | |
CHEERS AND WHOOPS | 1:14:58 | 1:15:01 | |
'Riders were sent out to pick up the trail. | 1:15:34 | 1:15:37 | |
'In the time it took to gather my things at Sedgwick, the tribe was on its way. | 1:15:37 | 1:15:43 | |
'The efficiency and speed of the people would impress any military commander. | 1:15:43 | 1:15:49 | |
'Overnight I have gone from a person of suspicion to one of genuine standing. | 1:15:49 | 1:15:54 | |
'I am greeted with open smiles and looks of appreciation. I have become a celebrity.' | 1:15:54 | 1:16:00 | |
Loo-tent-tant. | 1:16:01 | 1:16:02 | |
Loo-tent-tant. | 1:16:02 | 1:16:04 | |
'Scouts picked up the trail where I said it would be. | 1:16:04 | 1:16:09 | |
'It was easy to find. A swath of torn-up ground to the horizon. | 1:16:09 | 1:16:13 | |
'The sheer numbers it took to create this impossible image | 1:16:13 | 1:16:17 | |
'was hard to imagine.' | 1:16:17 | 1:16:20 | |
Loo-tent-tant. | 1:16:39 | 1:16:41 | |
(CALF BLEATS) | 1:18:33 | 1:18:35 | |
(BLEATS) | 1:18:36 | 1:18:38 | |
(BLEATING) | 1:18:59 | 1:19:01 | |
'Who would do such a thing? | 1:19:01 | 1:19:03 | |
'The field was proof that it was a people without value or soul... | 1:19:03 | 1:19:08 | |
'with no regard for Sioux rites. | 1:19:08 | 1:19:10 | |
'The wagon tracks leading away left no doubt and my heart sank as I knew | 1:19:10 | 1:19:15 | |
'it could only be white hunters. | 1:19:15 | 1:19:17 | |
'Voices that had been joyous were now as silent as the dead buffalo | 1:19:17 | 1:19:22 | |
'killed only for their tongues and the price of their hides.' | 1:19:22 | 1:19:27 | |
DRUMBEATS, SINGING | 1:19:27 | 1:19:30 | |
'As they celebrated into the night the coming hunt, it was hard to know where to be. | 1:19:33 | 1:19:39 | |
'I don't know if they understood, but I could not sleep among them. | 1:19:39 | 1:19:44 | |
'There had been no looks and no blame, | 1:19:44 | 1:19:47 | |
'only the confusion of a people not able to predict the future.' | 1:19:47 | 1:19:52 | |
NEIGHING | 1:21:33 | 1:21:35 | |
WHOOPING | 1:21:57 | 1:22:00 | |
GUNSHOT | 1:23:50 | 1:23:52 | |
GUNSHOT | 1:23:58 | 1:24:01 | |
Are you all right? Are you all right? | 1:27:10 | 1:27:13 | |
WHOOPING | 1:27:19 | 1:27:23 | |
CHEERING | 1:28:26 | 1:28:29 | |
LAUGHTER | 1:28:40 | 1:28:42 | |
YAPS | 1:28:46 | 1:28:48 | |
I can't. | 1:28:56 | 1:28:58 | |
No, I'm... I'm full. | 1:28:58 | 1:29:01 | |
I'm full and I can't tell the story any more. | 1:29:01 | 1:29:05 | |
No. | 1:29:06 | 1:29:08 | |
Do you want to try it? | 1:29:14 | 1:29:16 | |
Do you want to try it? | 1:29:17 | 1:29:19 | |
Here. | 1:29:22 | 1:29:24 | |
I can't. This is too much. | 1:29:51 | 1:29:53 | |
Here. | 1:29:53 | 1:29:55 | |
Good trade. | 1:29:59 | 1:30:01 | |
This is... This is a good trade. | 1:30:05 | 1:30:07 | |
No, no, I can't, I'm full, I'm tired. | 1:30:12 | 1:30:14 | |
No! | 1:30:14 | 1:30:15 | |
(SPEAKS LAKOTA) | 1:30:15 | 1:30:18 | |
Wa zhi. | 1:30:18 | 1:30:19 | |
Wa zhi? Wa zhi. | 1:30:19 | 1:30:21 | |
CHILDREN SHOUT | 1:30:25 | 1:30:26 | |
No, no, no. | 1:30:26 | 1:30:31 | |
CHILDREN: Loo-tent-tant! | 1:30:28 | 1:30:31 | |
Ah! | 1:30:35 | 1:30:36 | |
Big tatanka. Big tatanka. | 1:30:36 | 1:30:38 | |
-Big -tatanka! | 1:30:38 | 1:30:40 | |
LAUGHTER | 1:30:40 | 1:30:43 | |
I went... Psshhh! | 1:30:46 | 1:30:50 | |
LAUGHTER | 1:30:51 | 1:30:54 | |
That's my hat. | 1:31:07 | 1:31:09 | |
< Hey! | 1:31:10 | 1:31:12 | |
LAUGHTER | 1:31:12 | 1:31:16 | |
Hey! | 1:31:13 | 1:31:16 | |
You're wearing my hat. | 1:31:18 | 1:31:20 | |
It's my hat. | 1:31:24 | 1:31:25 | |
No. No, you... | 1:31:30 | 1:31:31 | |
My hat. | 1:31:33 | 1:31:35 | |
LAUGHTER STOPS | 1:31:38 | 1:31:40 | |
Washte. | 1:32:41 | 1:32:43 | |
Washte. | 1:32:48 | 1:32:50 | |
Good...trade? | 1:32:54 | 1:32:56 | |
LAUGHTER RESUMES | 1:33:03 | 1:33:06 | |
SOFT MOANING | 1:33:11 | 1:33:13 | |
'It seems every day ends with a miracle here.' | 1:35:02 | 1:35:06 | |
'And whatever God may be, I thank God for this day.' | 1:35:06 | 1:35:09 | |
'To stay longer was useless. We had all the meat we could carry.' | 1:35:09 | 1:35:14 | |
'We had hunted for three days, losing six ponies, | 1:35:14 | 1:35:18 | |
'and only three men injured. | 1:35:18 | 1:35:20 | |
'I'd never known a people so eager to laugh, so devoted to family, | 1:35:20 | 1:35:24 | |
'so dedicated to each other. The only word that came to mind was harmony.' | 1:35:24 | 1:35:29 | |
'Many times I've felt alone, but until this afternoon | 1:35:38 | 1:35:42 | |
'I'd never felt completely lonely.' | 1:35:42 | 1:35:45 | |
DRUMBEATS, WHOOPS | 1:35:49 | 1:35:52 | |
'Though only two days, it seems like a week... | 1:36:54 | 1:36:57 | |
'..and I miss my new friends.' | 1:36:57 | 1:36:59 | |
'I can see all their faces, but it is not enough.' | 1:36:59 | 1:37:03 | |
'Tomorrow I will go unannounced.' | 1:37:03 | 1:37:05 | |
'They are my neighbours. What can it hurt?' | 1:37:05 | 1:37:08 | |
Hey! | 1:37:21 | 1:37:23 | |
God! Go home! | 1:37:23 | 1:37:25 | |
Go! | 1:37:30 | 1:37:32 | |
Go home, Two Socks. | 1:37:32 | 1:37:34 | |
Bad wolf. Bad wolf. | 1:37:34 | 1:37:36 | |
(SHOUTS) | 1:37:38 | 1:37:40 | |
'It is autumn now and I am spending more time than ever with my friends. | 1:38:14 | 1:38:19 | |
'They have given me my own lodge. I feel comfortable there. | 1:38:19 | 1:38:22 | |
'We talk every day but I know Kicking Bird is frustrated with me. | 1:38:22 | 1:38:26 | |
'He wants to know how many more white people are coming. | 1:38:26 | 1:38:29 | |
'I tell him they'll most likely pass through this country and nothing more | 1:38:29 | 1:38:34 | |
'but I speak half-truths. | 1:38:34 | 1:38:36 | |
'One day there will be too many but I cannot bring myself to tell them. | 1:38:36 | 1:38:41 | |
'I'm sure Stands With A Fist knows I am holding back, | 1:38:41 | 1:38:45 | |
'but to her credit she says nothing.' | 1:38:45 | 1:38:47 | |
GIGGLING | 1:38:59 | 1:39:02 | |
'A war party is going against the Pawnee soon and I have asked to go. | 1:39:14 | 1:39:18 | |
'I sense I made a mistake doing so | 1:39:18 | 1:39:20 | |
'but I could not bring myself to take it back. | 1:39:20 | 1:39:23 | |
'They are my friends, and the Pawnee have been very hard on them. | 1:39:23 | 1:39:28 | |
'I hope I have not overstepped my bounds.' | 1:39:28 | 1:39:31 | |
Come in, please. | 1:39:35 | 1:39:37 | |
Sit down? | 1:39:39 | 1:39:41 | |
Kicking Bird wants to know why you want to make war on the Pawnee. | 1:39:43 | 1:39:49 | |
They have done nothing to you. > | 1:39:49 | 1:39:52 | |
They are Sioux enemies. | 1:39:52 | 1:39:55 | |
(SPEAKS LAKOTA) | 1:39:55 | 1:39:59 | |
(SPEAKS LAKOTA) | 1:39:59 | 1:40:02 | |
Only... Sioux warriors to go. | 1:40:02 | 1:40:05 | |
Tell him I have been a warrior longer than many of the young men who go. | 1:40:05 | 1:40:10 | |
Tell him. | 1:40:10 | 1:40:12 | |
(EXPLAINS IN LAKOTA) | 1:40:12 | 1:40:18 | |
(SPEAKS LAKOTA) | 1:40:20 | 1:40:22 | |
He say that the S-Sioux way of being a warrior is not the white way. | 1:40:26 | 1:40:32 | |
You are not ready. | 1:40:32 | 1:40:34 | |
I know. I understand, but tell him I cannot learn these ways in camp. | 1:40:34 | 1:40:39 | |
(SPEAKS LAKOTA) | 1:40:39 | 1:40:42 | |
He also ask that you... watch over his family | 1:40:45 | 1:40:50 | |
while he is gone. > | 1:40:50 | 1:40:52 | |
This thing he ask is a great honour for you. | 1:40:52 | 1:40:57 | |
Tell him that I... would be happy to watch over his family. | 1:40:59 | 1:41:04 | |
(TRANSLATES INTO LAKOTA) | 1:41:04 | 1:41:06 | |
(SPEAKS LAKOTA) | 1:41:06 | 1:41:10 | |
He thanks Dances With Wolves for coming. | 1:41:10 | 1:41:13 | |
Who is Dances With Wolves? | 1:41:14 | 1:41:16 | |
It is the name...which all the people are calling you now. | 1:41:16 | 1:41:23 | |
Dances With... | 1:41:23 | 1:41:25 | |
That's right! | 1:41:25 | 1:41:27 | |
That day. | 1:41:27 | 1:41:30 | |
< Dances With Wolves. | 1:41:30 | 1:41:32 | |
How do you say it? | 1:41:32 | 1:41:35 | |
(SAYS NAME IN LAKOTA) | 1:41:35 | 1:41:38 | |
Sugmanitutanka... | 1:41:38 | 1:41:41 | |
Ob Waci. | 1:41:42 | 1:41:44 | |
Washte. | 1:41:44 | 1:41:48 | |
Washte. | 1:41:46 | 1:41:48 | |
(Sugmanitutanka...) | 1:41:51 | 1:41:54 | |
Oh, I... I cut this off. | 1:42:55 | 1:42:57 | |
Oh. | 1:42:57 | 1:43:00 | |
I shaved it off. Go on. | 1:42:58 | 1:43:00 | |
Uh, grass grows on the prairie. | 1:43:00 | 1:43:04 | |
Grass grows on the prairie. Peta ki oblaye el ti. | 1:43:04 | 1:43:08 | |
Wrong. You said "Fire lives on the prairie." | 1:43:08 | 1:43:11 | |
I did? | 1:43:11 | 1:43:13 | |
No, no laughing now. | 1:43:13 | 1:43:16 | |
How did you get your name? | 1:43:27 | 1:43:29 | |
I was not very old | 1:43:33 | 1:43:36 | |
when I came to be with our people. | 1:43:36 | 1:43:40 | |
And I was made to work. | 1:43:40 | 1:43:42 | |
I worked every day very hard. | 1:43:42 | 1:43:46 | |
And there was a wo... one woman | 1:43:47 | 1:43:50 | |
who didn't like me much. | 1:43:50 | 1:43:53 | |
And she used to call me bad names... | 1:43:53 | 1:43:56 | |
..and sometimes she... | 1:43:56 | 1:43:58 | |
..amape... um... beat me? | 1:43:58 | 1:44:03 | |
Uh, one day she was... | 1:44:05 | 1:44:09 | |
..calling me these bad names... | 1:44:09 | 1:44:12 | |
..with her face in my face and... | 1:44:12 | 1:44:14 | |
..I hit her. | 1:44:14 | 1:44:17 | |
I was not very big but she fell down. | 1:44:18 | 1:44:22 | |
She fell hard and didn't move. | 1:44:22 | 1:44:24 | |
And I stood over her with m-my fist... | 1:44:24 | 1:44:29 | |
and I asked if there was any other woman | 1:44:29 | 1:44:33 | |
who wanted to call me bad names. | 1:44:33 | 1:44:36 | |
No-one bothered me after that day. | 1:44:37 | 1:44:39 | |
(CHUCKLES) | 1:44:41 | 1:44:43 | |
No, I... I wouldn't think so. | 1:44:43 | 1:44:45 | |
Show me. | 1:44:50 | 1:44:52 | |
Show me where you hit her. | 1:44:52 | 1:44:54 | |
(LAUGHS) | 1:45:03 | 1:45:05 | |
Why are you not married? | 1:45:21 | 1:45:24 | |
I'm sorry. | 1:45:27 | 1:45:30 | |
I have to go. | 1:45:28 | 1:45:30 | |
I'm sorry. | 1:45:31 | 1:45:33 | |
Can I help you? | 1:45:35 | 1:45:37 | |
No. | 1:45:36 | 1:45:37 | |
I don't und... | 1:46:19 | 1:46:22 | |
Washte yelo. | 1:47:14 | 1:47:16 | |
COCKS GUN | 3:01:53 | 3:01:56 | |
I bet you were thinking "Now, why don't he write?" | 3:02:04 | 3:02:08 | |
Hello, Two Socks. | 3:02:08 | 3:02:10 | |
Come on. | 3:02:36 | 3:02:39 | |
Come on. | 3:02:39 | 3:02:41 | |
Why don't you? Come on, you can do this. | 3:02:42 | 3:02:45 | |
You can do this. | 3:02:45 | 3:02:47 | |
Come on. | 3:02:51 | 3:02:53 | |
Easy. This is easy. | 3:03:04 | 3:03:06 | |
This is easy, Two Socks. | 3:03:06 | 3:03:09 | |
I am in mourning. | 3:04:04 | 3:04:05 | |
No-one can know. | 3:04:14 | 3:04:16 | |
Yes. | 3:04:16 | 3:04:20 | |
We must be careful. | 3:04:18 | 3:04:20 | |
(GASPS) | 3:04:20 | 3:04:21 | |
We must be careful. | 3:04:21 | 3:04:23 | |
OK. | 3:04:23 | 3:04:25 | |
Wait, wait, wait. | 3:05:10 | 3:05:12 | |
What? | 3:06:15 | 3:06:17 | |
Trouble. | 3:06:17 | 3:06:19 | |
SHOUTING, NEIGHING | 3:06:19 | 3:06:21 | |
(TALKING ANIMATEDLY IN LAKOTA) | 3:06:34 | 3:06:36 | |
The Pawnee are coming, a big party of 40 or 50 men. | 3:06:42 | 3:06:45 | |
Cheyenne hunters found them not far north. | 3:06:45 | 3:06:47 | |
I will go. | 3:06:56 | 3:06:58 | |
(ENGLISH) I have guns. | 3:07:02 | 3:07:03 | |
At the fort? | 3:07:07 | 3:07:10 | |
Yes. | 3:07:08 | 3:07:10 | |
(EXPLAINS IN LAKOTA) | 3:07:09 | 3:07:10 | |
(SHOUTS) | 3:08:09 | 3:08:12 | |
Come here. | 3:08:15 | 3:08:17 | |
DOG YELPS | 3:09:27 | 3:09:29 | |
NEIGHING | 3:10:01 | 3:10:05 | |
WHOOPING, SHOUTING | 3:10:39 | 3:10:42 | |
Shoot the gun! | 3:10:44 | 3:10:46 | |
GUNSHOT | 3:11:01 | 3:11:03 | |
SCREAMING | 3:11:41 | 3:11:43 | |
SCREAMS | 3:11:47 | 3:11:50 | |
WHOOPING | 3:12:09 | 3:12:12 | |
SCREAMS | 3:12:44 | 3:12:48 | |
WHOOPING | 3:13:53 | 3:13:56 | |
(YELLS) | 3:14:06 | 3:14:09 | |
'It was hard to know how to feel. I'd never been in a battle like this. | 3:14:26 | 3:14:30 | |
'There was no political objective. | 3:14:30 | 3:14:33 | |
'This was not a fight for territory or riches or to make men free. | 3:14:33 | 3:14:37 | |
'It was fought to preserve the food stores to see us through winter, | 3:14:37 | 3:14:41 | |
'to protect the lives of women and children and loved ones feet away.' | 3:14:41 | 3:14:45 | |
'Stone Calf was a great loss, but even the old men could not remember such a one-sided victory, | 3:14:45 | 3:14:51 | |
'and I looked at it in a new way. I felt a pride I'd never felt before. | 3:14:51 | 3:14:57 | |
'I'd never known John Dunbar. | 3:14:57 | 3:15:00 | |
'Perhaps the name itself had no meaning, | 3:15:00 | 3:15:03 | |
'but as I heard my Sioux name being called over and over, | 3:15:03 | 3:15:06 | |
'I knew for the first time who I really was.' | 3:15:06 | 3:15:09 | |
(CONVERSATION IN LAKOTA) | 3:15:35 | 3:15:38 | |
SINGING, CHANTING | 3:15:40 | 3:15:42 | |
GUNSHOT | 3:15:42 | 3:15:44 | |
WHOOPING | 3:15:52 | 3:15:55 | |
GUNSHOT | 3:15:55 | 3:15:57 | |
GUNSHOT | 3:15:59 | 3:16:01 | |
GUNSHOT | 3:16:02 | 3:16:03 | |
GUNSHOT | 3:16:13 | 3:16:15 | |
LAUGHTER, CHATTER IN LAKOTA | 3:16:17 | 3:16:19 | |
(WOMAN SPEAKS IN LAKOTA) | 3:16:19 | 3:16:22 | |
LAUGHTER | 3:16:31 | 3:16:33 | |
CHANTING, DRUMMING | 3:16:39 | 3:16:41 | |
CHANTING, SINGING | 3:20:17 | 3:20:21 | |
And for me. | 3:20:37 | 3:20:39 | |
'I had never been married before.' | 3:20:59 | 3:21:02 | |
'Maybe all grooms feel the same, but as Kicking Bird began to speak | 3:21:02 | 3:21:07 | |
'about what was expected of a Sioux husband, | 3:21:07 | 3:21:09 | |
'my mind swam in a way that shut out everything but her - | 3:21:09 | 3:21:13 | |
'the tiny details of her costume, the contours of her shape, | 3:21:13 | 3:21:17 | |
'the light in her eyes, | 3:21:17 | 3:21:20 | |
'the smallness of her feet.' | 3:21:20 | 3:21:22 | |
'I knew that the love between us would be served.' | 3:21:22 | 3:21:25 | |
< (KICKING BIRD SPEAKS LAKOTA) | 3:21:25 | 3:21:29 | |
Yes. | 3:21:36 | 3:21:38 | |
Oh, good. | 3:21:46 | 3:21:48 | |
Goodbye. | 3:21:57 | 3:21:59 | |
Goodbye. | 3:22:04 | 3:22:06 | |
WHOOPING, SHOUTING | 3:22:08 | 3:22:11 | |
CHANTING, DRUMMING | 3:22:11 | 3:22:14 | |
(CHUCKLES) | 3:23:37 | 3:23:39 | |
(IN ENGLISH) How many? | 3:24:10 | 3:24:12 | |
Like the stars. | 3:24:15 | 3:24:16 | |
Wichampi. | 3:24:21 | 3:24:23 | |
Wichampi. > | 3:24:23 | 3:24:26 | |
(SIGHS) | 3:25:05 | 3:25:07 | |
(SIGHS) | 3:25:28 | 3:25:30 | |
(HUMS) | 3:26:13 | 3:26:15 | |
You have everything from the soldiers' fort? | 3:26:15 | 3:26:18 | |
Yes. There's nothing for me there. | 3:26:18 | 3:26:21 | |
That's good. | 3:26:22 | 3:26:24 | |
The journal. | 3:26:37 | 3:26:39 | |
Stands With, wait! | 3:26:39 | 3:26:41 | |
It is important! The words are like a trail for people to follow. | 3:26:41 | 3:26:46 | |
It tells everything about my life here. I must get it. | 3:26:46 | 3:26:49 | |
I'll catch up. I'll catch up. | 3:27:04 | 3:27:07 | |
GALLOPING | 3:27:07 | 3:27:11 | |
NEIGHS | 3:27:35 | 3:27:38 | |
Injuns! | 3:27:45 | 3:27:47 | |
Get him! Indian! > | 3:27:47 | 3:27:50 | |
NEIGHS | 3:27:51 | 3:27:54 | |
Fire! | 3:27:54 | 3:27:56 | |
No! | 3:27:55 | 3:27:56 | |
Stay. Stay down. Stay. | 3:28:16 | 3:28:19 | |
He ain't hit. | 3:28:19 | 3:28:23 | |
Oh, God. | 3:28:21 | 3:28:23 | |
Hey, boy. | 3:28:23 | 3:28:25 | |
NEIGHS | 3:28:25 | 3:28:28 | |
It's OK. | 3:28:28 | 3:28:30 | |
Oh! | 3:28:31 | 3:28:33 | |
Spivey. > | 3:29:34 | 3:29:36 | |
Spivey! | 3:29:36 | 3:29:39 | |
Yeah, Sergeant? | 3:29:37 | 3:29:39 | |
Tell the Major he's waking up. | 3:29:39 | 3:29:41 | |
Move your worthless ass. | 3:29:43 | 3:29:45 | |
BUGLE PLAYS | 3:29:46 | 3:29:48 | |
You got yourself a hell of a shiner. | 3:29:56 | 3:29:58 | |
< Didn't you? | 3:29:58 | 3:30:01 | |
< Major's comin' through. | 3:30:01 | 3:30:03 | |
Well, does he speak English? | 3:30:10 | 3:30:13 | |
I don't know, sir. | 3:30:13 | 3:30:15 | |
You speak English? | 3:30:17 | 3:30:19 | |
You talk English? | 3:30:21 | 3:30:23 | |
< (KICKS HIM) Talk! | 3:30:23 | 3:30:25 | |
I speak English. | 3:30:25 | 3:30:27 | |
Who are you? | 3:30:31 | 3:30:33 | |
Lieutenant John J Dunbar. This is my post. | 3:30:34 | 3:30:38 | |
Why are you dressed like this? | 3:30:38 | 3:30:41 | |
(SIGHS) I came out from Fort Hayes last April but there was nobody here. | 3:30:42 | 3:30:46 | |
Do you have proof of that? | 3:30:46 | 3:30:48 | |
My journal's on the bunk in my quarters. | 3:30:51 | 3:30:53 | |
My orders are in the journal. It'll tell you everything. > | 3:30:53 | 3:30:57 | |
Spivey, you and Edwards were first here. Did you find a journal? | 3:30:57 | 3:31:03 | |
Nah, we didn't find nothin', sir. | 3:31:03 | 3:31:05 | |
Where's Edwards? | 3:31:05 | 3:31:09 | |
He's outside. | 3:31:07 | 3:31:09 | |
Hey, he didn't find nothin', either! | 3:31:13 | 3:31:15 | |
(LAUGHS) | 3:31:24 | 3:31:27 | |
You turned Injun, didn't ya? | 3:31:30 | 3:31:33 | |
Didn't ya? | 3:31:33 | 3:31:36 | |
Don't look white to me. | 3:31:36 | 3:31:38 | |
Said he's a soldier. | 3:31:38 | 3:31:40 | |
-Soldier? He's an officer. -Officer? Do you salute or shoot him? | 3:31:40 | 3:31:45 | |
LAUGHTER | 3:31:43 | 3:31:45 | |
You, eyes front! | 3:31:52 | 3:31:54 | |
CAWING | 3:31:57 | 3:31:59 | |
I said, eyes FRONT! | 3:31:59 | 3:32:02 | |
Don't shoot him! Hit him! | 3:32:03 | 3:32:06 | |
Get him! | 3:32:06 | 3:32:09 | |
Get off! Get off! | 3:32:07 | 3:32:09 | |
Why are you out of uniform? | 3:32:47 | 3:32:49 | |
What's the army doing out here? | 3:32:52 | 3:32:54 | |
Lieutenant's askin' the questions. | 3:32:54 | 3:32:57 | |
Bauer. | 3:32:56 | 3:32:57 | |
We're charged with apprehending... | 3:33:03 | 3:33:05 | |
We're charged with apprehending hostiles | 3:33:08 | 3:33:10 | |
and recovering stolen property, | 3:33:10 | 3:33:12 | |
retrieving white captives taken in hostile raidings. > | 3:33:12 | 3:33:16 | |
There are no hostiles. | 3:33:15 | 3:33:16 | |
We will ascertain that for ourselves. | 3:33:16 | 3:33:18 | |
You guide us to these camps and interpret and your conduct will be re-evaluated. | 3:33:18 | 3:33:23 | |
What conduct? | 3:33:24 | 3:33:27 | |
With all due respect... | 3:33:26 | 3:33:27 | |
Your status as a traitor might improve should you choose to cooperate with the US Army. | 3:33:27 | 3:33:32 | |
There's nothing for you to do out here. | 3:33:34 | 3:33:37 | |
Will you cooperate, or not? | 3:33:39 | 3:33:42 | |
Well, speak up! | 3:33:45 | 3:33:46 | |
What's that? | 3:33:55 | 3:33:56 | |
(SPEAKS LAKOTA) | 3:33:56 | 3:33:59 | |
Sergeant, form a detail and take this man down to the river. | 3:34:13 | 3:34:17 | |
Let him clean up his face. | 3:34:19 | 3:34:21 | |
Yes, sir. | 3:34:21 | 3:34:22 | |
Not you, Spivey. > | 3:34:24 | 3:34:26 | |
NEIGHING, VOICES | 3:34:46 | 3:34:48 | |
< Hey, Spivey. | 3:35:00 | 3:35:02 | |
Hey, Spivey, you got paper? | 3:35:06 | 3:35:08 | |
What's it to ya? | 3:35:08 | 3:35:10 | |
Gimme some! | 3:35:10 | 3:35:15 | |
Can you read? | 3:35:11 | 3:35:15 | |
No. What the hell's the difference? | 3:35:12 | 3:35:15 | |
You can't read, either. Now just give me some. | 3:35:15 | 3:35:18 | |
Gimme some! | 3:35:18 | 3:35:22 | |
All right, hold your horses. | 3:35:20 | 3:35:22 | |
(LAUGHS) | 3:35:29 | 3:35:31 | |
Come on, help me. > | 3:36:03 | 3:36:05 | |
(CHUCKLES) | 3:36:49 | 3:36:51 | |
Lap it up, Injun. Go ahead, lap it up. | 3:36:54 | 3:36:58 | |
You...! | 3:37:01 | 3:37:05 | |
Hey, it's all right. | 3:37:02 | 3:37:05 | |
It's all right. | 3:37:05 | 3:37:07 | |
He's gonna get hungrier, that's all, but maybe that don't matter. | 3:37:07 | 3:37:13 | |
Word is they're gonna ship you back to Hayes. | 3:37:13 | 3:37:16 | |
And once you get there, they're gonna hang ya. | 3:37:16 | 3:37:19 | |
(LAUGHS) > | 3:37:19 | 3:37:21 | |
Come on, forget about him. Go, get out of here. > | 3:37:21 | 3:37:27 | |
All right. > | 3:37:24 | 3:37:27 | |
Get up in there. Gee, ho. Come on. Yah! | 3:37:38 | 3:37:43 | |
Get up in there, Toby! Toby! | 3:37:43 | 3:37:45 | |
Yah! Get up in there! | 3:37:45 | 3:37:48 | |
Get up, get up! (WHISTLES) | 3:37:48 | 3:37:50 | |
Yee-ha! | 3:37:50 | 3:37:52 | |
Hey, Spivey, what is that? | 3:38:05 | 3:38:07 | |
Looks like he's followin' us. > | 3:38:07 | 3:38:10 | |
Hell, I'm gonna shoot him. > | 3:38:10 | 3:38:12 | |
GUNSHOT | 3:38:12 | 3:38:15 | |
Ha, you missed him. > | 3:38:13 | 3:38:15 | |
Don't shoot, goddamn it, it's my shot. | 3:38:15 | 3:38:18 | |
I seen him first. | 3:38:17 | 3:38:18 | |
Wait a minute, wait a minute, that's my shot. | 3:38:18 | 3:38:21 | |
Shoot him! > | 3:38:21 | 3:38:23 | |
GUNSHOTS | 3:38:22 | 3:38:23 | |
He's standing there! | 3:38:23 | 3:38:26 | |
Shoot him! | 3:38:26 | 3:38:28 | |
Jesus Christ! | 3:38:29 | 3:38:31 | |
(CHOKES) | 3:38:33 | 3:38:34 | |
He's killin' him! | 3:38:34 | 3:38:36 | |
Bauer! | 3:38:36 | 3:38:37 | |
(GASPS FOR AIR) | 3:38:42 | 3:38:44 | |
He might've killed you. | 3:38:44 | 3:38:47 | |
(CHUCKLING) | 3:38:47 | 3:38:49 | |
GUNSHOT | 3:38:51 | 3:38:53 | |
I'll get you. | 3:38:53 | 3:38:57 | |
GUNSHOT | 3:38:55 | 3:38:57 | |
Sit down now, damn you. | 3:39:02 | 3:39:04 | |
GUNSHOT | 3:39:05 | 3:39:07 | |
YELPS | 3:39:13 | 3:39:18 | |
That's it. I got him! I got him! | 3:39:14 | 3:39:18 | |
YELPS | 3:39:18 | 3:39:19 | |
Dead shot, boys. Come on. | 3:39:19 | 3:39:22 | |
Get up! | 3:39:22 | 3:39:26 | |
SHOUTING | 3:39:23 | 3:39:26 | |
Get up. I'm gonna kill... Get up! | 3:39:26 | 3:39:28 | |
Spivey, that's enough! Spivey! | 3:39:28 | 3:39:31 | |
Come on, get up! Come on! Get up! | 3:39:29 | 3:39:31 | |
-SPIVEY! -What?! | 3:39:31 | 3:39:33 | |
Bash that prisoner one more time, I'll put those shackles on you. | 3:39:33 | 3:39:37 | |
You men, get back here! | 3:39:37 | 3:39:39 | |
GUNSHOTS | 3:39:39 | 3:39:41 | |
Now! | 3:39:41 | 3:39:43 | |
Goddamn it! | 3:39:43 | 3:39:45 | |
< That goes for you, too, Bauer. | 3:39:47 | 3:39:49 | |
Get down here! | 3:39:54 | 3:39:57 | |
Boo! | 3:40:22 | 3:40:23 | |
It's clear behind that stand of trees. | 3:40:29 | 3:40:32 | |
Hey. | 3:40:35 | 3:40:38 | |
All right, let's go. > | 3:40:36 | 3:40:38 | |
(DRIVER WHISTLES) | 3:40:41 | 3:40:43 | |
I don't see nobody. | 3:41:01 | 3:41:02 | |
(DRIVER WHISTLES) | 3:41:02 | 3:41:05 | |
Indians! | 3:41:20 | 3:41:22 | |
WHOOPS | 3:41:22 | 3:41:25 | |
God! | 3:41:40 | 3:41:42 | |
WHOOPS | 3:42:29 | 3:42:33 | |
BAUER! | 3:42:37 | 3:42:39 | |
BAUER! | 3:42:41 | 3:42:43 | |
BAUER! | 3:42:48 | 3:42:50 | |
WHOOPS | 3:43:11 | 3:43:14 | |
CLICKS | 3:43:33 | 3:43:35 | |
WHOOPING | 3:43:42 | 3:43:45 | |
(GROANS) | 3:43:50 | 3:43:52 | |
(SHOUTS IN LAKOTA & WHOOPS) | 3:44:08 | 3:44:13 | |
BIRDSONG | 3:44:28 | 3:44:33 | |
MURMURING IN LAKOTA | 3:47:43 | 3:47:46 | |
SHOUTING IN LAKOTA | 3:48:21 | 3:48:23 | |
'With Ten Bears it was always more than a while. | 3:49:30 | 3:49:34 | |
'There was purpose in everything he did, and I knew he wanted me to stay. | 3:49:34 | 3:49:38 | |
'But I knew I would be an excuse | 3:49:38 | 3:49:40 | |
'and that's all the army would need to find them. | 3:49:40 | 3:49:42 | |
'I pushed him to move the camp, but he only smiled and talked of simple pleasures. | 3:49:42 | 3:49:49 | |
'He reminded me that at his age a good fire is better than anything. | 3:49:49 | 3:49:53 | |
'Ten Bears was an extraordinary man.' | 3:49:53 | 3:49:56 | |
You have nothing to say? | 3:50:35 | 3:50:38 | |
What can I tell you? | 3:50:39 | 3:50:41 | |
Whatever's on your mind. | 3:50:42 | 3:50:44 | |
You've made the decision. | 3:50:51 | 3:50:53 | |
My place is with you. | 3:50:57 | 3:50:59 | |
I go where you go. | 3:50:59 | 3:51:01 | |
You're not afraid? | 3:51:04 | 3:51:07 | |
No. | 3:51:07 | 3:51:09 | |
I told Ten Bears we'd leave when the snow breaks. | 3:51:11 | 3:51:14 | |
Did you tell everyone? | 3:51:21 | 3:51:23 | |
Not everyone. | 3:51:26 | 3:51:29 | |
(ANGRY EXCLAMATION) | 3:51:42 | 3:51:44 | |
You, er...finish your pipe? | 3:52:37 | 3:52:41 | |
Oh. | 3:52:52 | 3:52:53 | |
Good pipe. | 3:52:53 | 3:52:56 | |
How, er...does it smoke? | 3:52:56 | 3:53:00 | |
I've never smoked it. | 3:53:02 | 3:53:04 | |
We come far, you and me. | 3:53:15 | 3:53:18 | |
I will not forget you. | 3:53:20 | 3:53:23 | |
SHOUTING, NEIGHING | 3:53:40 | 3:53:42 | |
SUNGMANITUTONKA OB WACI! | 3:55:01 | 3:55:04 | |
SUNGMANITUTONKA OB WACI! | 3:55:37 | 3:55:41 | |
SUNGMANITUTONKA OB WACI! | 3:55:47 | 3:55:51 | |
SUNGMANITUTONKA OB WACI! | 3:56:01 | 3:56:05 | |
All right, men, over here! Now! | 3:56:47 | 3:56:50 | |
WOLF HOWLS | 3:57:06 | 3:57:09 | |
PLAINTIVE HOWL | 3:57:13 | 3:57:19 | |
Subtitles by Red Bee Media Ltd | 3:58:33 | 3:58:36 | |
E-mail [email protected] | 3:58:36 | 3:58:40 |