Browse content similar to Dances with Wolves. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
SHOUTING | 0:01:20 | 0:01:24 | |
< Get over here now! | 0:01:24 | 0:01:27 | |
Oh! | 0:01:27 | 0:01:28 | |
(EXHALES) | 0:01:32 | 0:01:34 | |
< Come here, move it! | 0:01:36 | 0:01:38 | |
(GASPS) | 0:01:41 | 0:01:42 | |
(GROANS) | 0:02:16 | 0:02:17 | |
(FLIES BUZZING) | 0:02:17 | 0:02:19 | |
(WHIMPERS) | 0:02:25 | 0:02:27 | |
Oh! | 0:02:30 | 0:02:31 | |
Glass. | 0:03:34 | 0:03:35 | |
-That Tucker's men? -< Yes, sir, I think it is. | 0:03:37 | 0:03:41 | |
< How long has it been like this? | 0:03:41 | 0:03:43 | |
< We found them this morning, sir. They've been here two days. | 0:03:43 | 0:03:46 | |
That you, Lieutenant? > | 0:03:57 | 0:03:58 | |
GUNSHOTS | 0:03:58 | 0:04:00 | |
Sons of bitches. | 0:04:02 | 0:04:03 | |
Hey, come on. | 0:04:06 | 0:04:07 | |
-You better take cover. -GUNSHOT | 0:04:07 | 0:04:10 | |
I ain't kiddin', these boys are shooters. Come on, go under cover. | 0:04:10 | 0:04:16 | |
Go on, put him back up there! > Put him back up there! | 0:04:16 | 0:04:19 | |
You went to hospital? | 0:04:22 | 0:04:23 | |
It was no good. | 0:04:26 | 0:04:27 | |
What's goin' on here? | 0:04:31 | 0:04:33 | |
What's goin' on here? Seems to be the question all right. | 0:04:33 | 0:04:38 | |
See, you could ask the Major. | 0:04:38 | 0:04:41 | |
But he don't know. He's busy. | 0:04:41 | 0:04:43 | |
He's tryin' to figure out how the officers' mess ran out of peach ice cream. | 0:04:45 | 0:04:49 | |
Then you got the General. | 0:04:49 | 0:04:51 | |
He come up to see the show. All he knows is there ain't no show. | 0:04:51 | 0:04:55 | |
Now the Major, he's looking at the General. | 0:04:57 | 0:05:00 | |
He's thinking, "I better do something." | 0:05:00 | 0:05:03 | |
You know what that means? I don't wanna be first across this field. | 0:05:03 | 0:05:09 | |
They're supposed to be beat up just like us. | 0:05:09 | 0:05:13 | |
Tucker's men are tough as cobs. | 0:05:13 | 0:05:16 | |
So far the only thing killed out here is three milkin' cows. > | 0:05:16 | 0:05:21 | |
Course, that's about to change. > | 0:05:21 | 0:05:23 | |
HE MUTTERS | 0:05:28 | 0:05:29 | |
Some of the boys are sayin' if we ain't gonna fight... | 0:05:31 | 0:05:35 | |
could settle this whole business with a little high-stakes poker. | 0:05:35 | 0:05:41 | |
Wouldn't that be a sight? | 0:05:41 | 0:05:42 | |
Bunch of fellas sittin' in the middle of this field... | 0:05:42 | 0:05:45 | |
drawing cards, huh? | 0:05:45 | 0:05:47 | |
What is it, sir? | 0:05:56 | 0:05:57 | |
Looks like a suicide. | 0:05:57 | 0:05:59 | |
Tucker! | 0:05:59 | 0:06:00 | |
GUNSHOT | 0:06:07 | 0:06:09 | |
What's he doing? | 0:06:13 | 0:06:14 | |
GUNSHOT | 0:06:14 | 0:06:15 | |
-GUNSHOTS -Shoot him? | 0:06:15 | 0:06:17 | |
SHOUTING | 0:06:21 | 0:06:23 | |
-What'd you say to him? -I didn't say nothin'. | 0:06:40 | 0:06:43 | |
SHOUTING, CHEERING You shot him, Lieutenant! | 0:06:47 | 0:06:50 | |
Come on back, you son of a bitch! | 0:07:06 | 0:07:08 | |
Come on back! Come on back! You won't make it no second time! | 0:07:08 | 0:07:12 | |
All right by me. | 0:07:12 | 0:07:14 | |
Forgive me, Father. | 0:07:17 | 0:07:18 | |
SHOUTING, CHEERING | 0:07:24 | 0:07:27 | |
-Ray! -I got him. | 0:07:58 | 0:08:00 | |
GUNSHOT | 0:08:03 | 0:08:05 | |
BUGLE | 0:09:04 | 0:09:07 | |
Don't... | 0:09:23 | 0:09:26 | |
Don't... Don't take off my foot. | 0:09:26 | 0:09:29 | |
You rest easy, son, you'll keep your foot. | 0:09:29 | 0:09:33 | |
As God is my judge, you'll keep it. | 0:09:33 | 0:09:35 | |
-Bring up my ambulance. -Sir? | 0:09:40 | 0:09:42 | |
Bring up my ambulance and bring my surgeon with it! | 0:09:42 | 0:09:45 | |
We got an officer who's worth something lying here. | 0:09:46 | 0:09:49 | |
'The strangeness of this life cannot be measured. | 0:10:16 | 0:10:19 | |
'In trying to produce my death, I was elevated to a living hero. | 0:10:19 | 0:10:23 | |
'I was also awarded Cisco, the trusty mount | 0:10:23 | 0:10:26 | |
'that carried me across the field that day. | 0:10:26 | 0:10:28 | |
'And on full recovery, was given transfer to any station I desired. | 0:10:28 | 0:10:31 | |
'The bloody slaughter continues in the East as I arrive at Fort Hayes, | 0:10:31 | 0:10:35 | |
'a tiny island of men and material | 0:10:35 | 0:10:37 | |
'surrounded by a never-ending sea of prairie.' | 0:10:37 | 0:10:40 | |
-Lieutenant. -Lieutenant. | 0:11:36 | 0:11:38 | |
Lieutenant John J Dunbar. | 0:11:50 | 0:11:53 | |
Lieutenant John J Dunbar? | 0:11:57 | 0:11:59 | |
-Yes, sir. -"Yes, sir." | 0:11:59 | 0:12:02 | |
Indian-fighter, huh? | 0:12:02 | 0:12:04 | |
Excuse me? | 0:12:04 | 0:12:07 | |
You're to be posted on the frontier, Indian country. | 0:12:07 | 0:12:11 | |
I deduce you're an Indian-fighter. I did not ascend to this position by being stupid. | 0:12:11 | 0:12:15 | |
No, sir. | 0:12:15 | 0:12:17 | |
"No, sir." | 0:12:17 | 0:12:19 | |
It says here... that you've been decorated. | 0:12:22 | 0:12:26 | |
Yes, sir. > | 0:12:26 | 0:12:27 | |
And they sent you here to be posted? | 0:12:29 | 0:12:32 | |
Actually, I'm here at my own request. | 0:12:32 | 0:12:34 | |
-Really? Why? -I've always wanted to see the frontier. | 0:12:34 | 0:12:40 | |
You want to see the frontier? | 0:12:40 | 0:12:42 | |
Yes, sir. Before it's gone. | 0:12:42 | 0:12:45 | |
Such a smart lad coming straight to me. | 0:12:52 | 0:12:54 | |
< Sir... | 0:13:00 | 0:13:03 | |
< ..Knight. | 0:13:03 | 0:13:04 | |
I am sending you on a knight's errand. | 0:13:06 | 0:13:09 | |
You will report to Captain Cargill | 0:13:09 | 0:13:12 | |
at the furthermost outpost of the realm - Fort Sedgwick. | 0:13:12 | 0:13:15 | |
My personal seal will assure your safety through many miles of wild and hostile country. | 0:13:18 | 0:13:24 | |
-I was wondering... -Yes? | 0:13:34 | 0:13:37 | |
How will I get there? | 0:13:37 | 0:13:39 | |
-You think I don't know? -No, sir. | 0:13:40 | 0:13:43 | |
-No, sir, it's just that -I -don't... | 0:13:43 | 0:13:45 | |
Hold your tongue! I happen to be in a generous mood. | 0:13:45 | 0:13:49 | |
See that peasant out there? | 0:13:49 | 0:13:51 | |
Timmons. He's going to your Fort Sedgwick this afternoon. | 0:13:51 | 0:13:55 | |
You can ride with him. He knows the way. | 0:13:55 | 0:13:58 | |
Thank you, that is all. | 0:13:58 | 0:13:59 | |
TAPPING ON WINDOW | 0:14:16 | 0:14:18 | |
To your journey! | 0:14:18 | 0:14:20 | |
To my journey! | 0:14:24 | 0:14:26 | |
Haw! | 0:14:43 | 0:14:45 | |
Gee-up a little bit, Jim. | 0:14:47 | 0:14:48 | |
Gee-up a little bit, Jim. | 0:14:48 | 0:14:50 | |
The King is dead. | 0:14:59 | 0:15:00 | |
Long live the King. | 0:15:05 | 0:15:08 | |
GUNSHOT | 0:15:08 | 0:15:10 | |
Haw a little bit, Jim and Jake! | 0:15:13 | 0:15:15 | |
Haw a little bit, Jim! Haw a little bit! | 0:15:15 | 0:15:19 | |
Gee a little bit, Jim! Gee! | 0:15:19 | 0:15:22 | |
Gee a little bit! Gee over a little bit! | 0:15:22 | 0:15:25 | |
What you got there? | 0:16:21 | 0:16:23 | |
(CHUCKLES) | 0:16:30 | 0:16:32 | |
Somebody back East is sayin', "Why don't he write?" | 0:16:33 | 0:16:38 | |
(CHUCKLES, MUMBLES) | 0:16:42 | 0:16:46 | |
Easy now. Easy now. > | 0:16:46 | 0:16:49 | |
What the hell was that? | 0:17:12 | 0:17:14 | |
What is that? | 0:17:14 | 0:17:15 | |
(SCRAMBLES ABOUT) > | 0:17:17 | 0:17:19 | |
What is that? (CHUCKLES) | 0:17:22 | 0:17:24 | |
(COUGHS) | 0:17:33 | 0:17:35 | |
(CLEARS THROAT, SPITS) > | 0:17:37 | 0:17:39 | |
(BREAKS WIND) | 0:17:40 | 0:17:42 | |
(CHUCKLES) | 0:17:45 | 0:17:47 | |
Why don't you put that in your book? | 0:17:47 | 0:17:51 | |
(LAUGHS) | 0:17:51 | 0:17:52 | |
'Were it not for my companion, I would be having the time of my life. | 0:17:58 | 0:18:03 | |
'He means well but is possibly the foulest man I have ever met.' | 0:18:03 | 0:18:07 | |
(SNORES) | 0:18:22 | 0:18:25 | |
Get up, Timmons. | 0:18:44 | 0:18:46 | |
Timmons. | 0:18:47 | 0:18:49 | |
Get up. | 0:18:49 | 0:18:51 | |
Get up. | 0:19:04 | 0:19:06 | |
Come on, get up. | 0:19:06 | 0:19:07 | |
Ow! | 0:19:11 | 0:19:13 | |
Somethin' poked me in my butt. Was that you? | 0:19:19 | 0:19:22 | |
< Goddamn it! | 0:19:22 | 0:19:24 | |
< Damn it! Gonna have a welt. | 0:19:24 | 0:19:27 | |
How come we haven't seen any buffalo? | 0:20:25 | 0:20:27 | |
You can't figure the buffalo. Sometime you won't see any for days. | 0:20:27 | 0:20:33 | |
Other times they'll be thick, like curls on a whore! | 0:20:33 | 0:20:37 | |
Ho! > | 0:20:37 | 0:20:39 | |
What about Indians? | 0:20:39 | 0:20:41 | |
Indians? Goddamn Indians! | 0:20:41 | 0:20:43 | |
You just as soon not see 'em less than the bastards are dead! Nothin' but thieves and beggars. | 0:20:43 | 0:20:50 | |
Ho, up there! > | 0:20:50 | 0:20:52 | |
Not what you'd call much of a goin' concern, now, is it? (CHUCKLES) | 0:21:20 | 0:21:24 | |
Go down there. | 0:21:28 | 0:21:30 | |
-Why? There ain't nothin' down there. -Because I said. | 0:21:30 | 0:21:33 | |
Go down there. | 0:21:34 | 0:21:35 | |
Haw! Haw! | 0:21:38 | 0:21:40 | |
There ain't nothin' here, Lieutenant. | 0:22:07 | 0:22:09 | |
Hey! | 0:22:11 | 0:22:13 | |
< There ain't nothin' here, Lieutenant. | 0:22:29 | 0:22:31 | |
Lieutenant! | 0:22:36 | 0:22:37 | |
Everybody's run off or got killed. | 0:22:39 | 0:22:41 | |
All right. Let's unload the wagon. | 0:22:59 | 0:23:01 | |
What?! What, and leave it all here? | 0:23:03 | 0:23:06 | |
I'm staying, too. | 0:23:06 | 0:23:08 | |
There ain't nothin' here, Lieutenant. | 0:23:08 | 0:23:11 | |
No, not at the moment. | 0:23:11 | 0:23:13 | |
We don't know what's happened. | 0:23:13 | 0:23:15 | |
So, so, I... | 0:23:15 | 0:23:17 | |
Things bein' as they are, we might as well turn around and head back. | 0:23:17 | 0:23:22 | |
This is my post. | 0:23:22 | 0:23:24 | |
< "This is my post"? | 0:23:24 | 0:23:26 | |
This is my post. | 0:23:26 | 0:23:27 | |
"My post"? Jesus H Christ, boy. | 0:23:29 | 0:23:32 | |
What, are you crazy, boy? Lieutenant? | 0:23:32 | 0:23:35 | |
This is my post. | 0:23:39 | 0:23:40 | |
-All right, put it down! -These are the post's provisions. | 0:23:40 | 0:23:44 | |
Now get your ass off the wagon and help me unload. | 0:23:44 | 0:23:47 | |
We're just havin' a conversation, now put it down! | 0:23:47 | 0:23:50 | |
I'll let 'em know where you are. | 0:24:38 | 0:24:42 | |
Good. | 0:24:42 | 0:24:43 | |
Good luck, Lieutenant. | 0:24:46 | 0:24:47 | |
Thank you. | 0:24:49 | 0:24:50 | |
Jake and Jim! | 0:24:54 | 0:24:57 | |
Good mule! Good, Jim! | 0:25:06 | 0:25:09 | |
Come on! Hard up there, now! | 0:25:09 | 0:25:11 | |
Haw! Haw! > | 0:25:11 | 0:25:13 | |
Haw, Jim! Haw, Jake! > | 0:25:13 | 0:25:16 | |
Good boy. | 0:25:22 | 0:25:24 | |
Come on, now! Get on up, there! | 0:25:24 | 0:25:27 | |
Haw, now! Good mule! | 0:25:27 | 0:25:29 | |
Good mule, good girl. | 0:25:29 | 0:25:31 | |
Haw on up, now. | 0:25:34 | 0:25:35 | |
'Have arrived to find Fort Sedgwick deserted. | 0:25:50 | 0:25:53 | |
'Am waiting for garrison's return or word from HQ. | 0:25:53 | 0:25:56 | |
'The post is in poor condition. | 0:25:56 | 0:25:59 | |
'I have assigned myself clean-up duty beginning tomorrow. | 0:25:59 | 0:26:03 | |
'Supplies are abundant, the country is everything I dreamed it would be. | 0:26:03 | 0:26:08 | |
'There can be no place like this on Earth.' | 0:26:08 | 0:26:10 | |
BIRDSONG | 0:26:14 | 0:26:16 | |
(SNORES SOFTLY) | 0:26:19 | 0:26:21 | |
FOOTSTEPS | 0:26:21 | 0:26:24 | |
SHUFFLING | 0:26:24 | 0:26:26 | |
SHUFFLING | 0:26:32 | 0:26:33 | |
Bad horse. Bad horse. | 0:27:07 | 0:27:10 | |
Come on, Cisco, one more time. | 0:28:45 | 0:28:47 | |
Giddup, Cisco. | 0:28:49 | 0:28:51 | |
Giddup. | 0:28:56 | 0:28:57 | |
Giddup. There you are. | 0:28:57 | 0:28:59 | |
(HUMS) | 0:30:47 | 0:30:49 | |
(INHALES AND EXHALES) | 0:30:52 | 0:30:54 | |
(SCREAMS) | 0:30:57 | 0:30:58 | |
(SCREAMS) | 0:31:05 | 0:31:07 | |
(GASPS) | 0:31:11 | 0:31:14 | |
(GROANS) | 0:31:16 | 0:31:17 | |
(GROANS) | 0:31:26 | 0:31:27 | |
(GROANS) | 0:31:38 | 0:31:39 | |
Don't...hurt my mules. | 0:31:43 | 0:31:46 | |
(SCREAMS) > | 0:31:53 | 0:31:55 | |
WHOOPING | 0:31:58 | 0:32:00 | |
'Men had been living in these caves. But why? Were they frightened? | 0:32:21 | 0:32:26 | |
'Had there been a revolt? | 0:32:26 | 0:32:29 | |
'I can make no sense of the clues left me here. | 0:32:29 | 0:32:31 | |
'Perhaps my relief will provide the answers. | 0:32:31 | 0:32:35 | |
'It's been almost 30 days. | 0:33:24 | 0:33:26 | |
'Still no sign of Captain Cargill's command. | 0:33:26 | 0:33:29 | |
'Communication can only take place if I leave. | 0:33:29 | 0:33:33 | |
'And I don't want to abandon my post. | 0:33:33 | 0:33:36 | |
'I have decided to ration my goods | 0:33:36 | 0:33:39 | |
'as if I were part of a post rather than the whole affair. | 0:33:39 | 0:33:42 | |
'There is a wolf who seems intent on the goings-on here. | 0:33:42 | 0:33:46 | |
'He does not seem inclined to be a nuisance, and aside from Cisco, | 0:33:46 | 0:33:49 | |
'has been my only company. | 0:33:49 | 0:33:52 | |
'He has appeared two afternoons. | 0:33:52 | 0:33:55 | |
'He has milky white socks on both feet. | 0:33:55 | 0:33:58 | |
'If he comes calling tomorrow, I will name him Two Socks.' | 0:33:58 | 0:34:02 | |
(HUMS) | 0:34:04 | 0:34:06 | |
# How can I marry | 0:34:10 | 0:34:13 | |
# A pretty little girl When I got no cloak to put on? | 0:34:13 | 0:34:17 | |
# Oh, soldier, oh, soldier Won't you marry me | 0:34:17 | 0:34:21 | |
# Before the fight comes home? | 0:34:21 | 0:34:24 | |
# How can I marry a pretty little girl | 0:34:24 | 0:34:27 | |
# When I got no shoes to put on? | 0:34:27 | 0:34:30 | |
# How can I marry a pretty little girl | 0:34:44 | 0:34:48 | |
# When I got no hat to put on? | 0:34:48 | 0:34:50 | |
# Oh, soldier, oh, soldier, won't you marry me | 0:35:13 | 0:35:16 | |
# Before the fight comes home? | 0:35:16 | 0:35:18 | |
# How can I marry an ugly little girl | 0:35:18 | 0:35:21 | |
# When I got a pretty wife back home? # | 0:35:21 | 0:35:24 | |
(CAJOLES IN LAKOTA) | 0:36:15 | 0:36:17 | |
You there! | 0:36:22 | 0:36:23 | |
Hey! | 0:36:35 | 0:36:36 | |
SHOVELLING | 0:36:59 | 0:37:01 | |
'Have made first contact with a wild Indian. | 0:37:08 | 0:37:11 | |
'One came to the fort and tried to steal my horse. | 0:37:11 | 0:37:14 | |
'When I appeared he became frightened and ran off. | 0:37:14 | 0:37:18 | |
'Do not know how many are in the vicinity but where there is one, there is sure to be another. | 0:37:18 | 0:37:24 | |
'Will bury excess ordnance lest it fall into enemy hands. | 0:37:24 | 0:37:28 | |
'My afternoon rides have been pared down to short patrols, keeping the fort in sight. | 0:37:28 | 0:37:34 | |
'I am still alone, however, and unless troops arrive soon all may be lost. | 0:37:34 | 0:37:39 | |
'It's been two days and nothing. | 0:37:47 | 0:37:49 | |
'My presence must've been reported. | 0:37:49 | 0:37:52 | |
'Have made all preparations I can. | 0:37:52 | 0:37:55 | |
'Cannot mount a good defence alone, but will try to make a big impression when they come. Waiting. | 0:37:55 | 0:38:02 | |
'Postscript. The man I encountered was a magnificent-looking fellow.' | 0:38:02 | 0:38:07 | |
(SNORES) | 0:38:07 | 0:38:09 | |
NEIGHING, VOICES OUTSIDE | 0:40:52 | 0:40:54 | |
Yes, sir, I have. No, sir. | 0:40:54 | 0:40:56 | |
WHOOPING | 0:41:05 | 0:41:07 | |
(GROANS) | 0:42:35 | 0:42:38 | |
Oh, God. | 0:42:58 | 0:42:59 | |
NEIGHS SOFTLY | 0:43:27 | 0:43:29 | |
WHOOPING | 0:44:00 | 0:44:02 | |
(SCREAMS) | 0:44:26 | 0:44:28 | |
(SCREAMS) | 0:44:49 | 0:44:51 | |
NEIGHS | 0:45:26 | 0:45:28 | |
NEIGHS | 0:45:36 | 0:45:38 | |
(SCREAMS) | 0:45:38 | 0:45:39 | |
'I realise I was wrong. All this time I've been waiting. | 0:45:44 | 0:45:48 | |
'For what? For someone to find me? For Indians to take my horse? | 0:45:48 | 0:45:53 | |
'To see a buffalo? | 0:45:53 | 0:45:55 | |
'Since I arrived here, I have been walking on eggs. I am sick of it. | 0:45:55 | 0:46:01 | |
'Tomorrow morning, I will ride to the Indians. | 0:46:01 | 0:46:04 | |
'I do not know the outcome or wisdom of this thinking, | 0:46:04 | 0:46:06 | |
'but I have become a target, I am through waiting.' | 0:46:06 | 0:46:10 | |
What are you lookin' at? | 0:46:12 | 0:46:14 | |
SINGING IN DISTANCE | 0:46:49 | 0:46:52 | |
(SINGS IN LAKOTA) | 0:47:10 | 0:47:12 | |
(CLEARS THROAT) | 0:47:35 | 0:47:37 | |
No, wait! | 0:47:49 | 0:47:50 | |
Wait. | 0:47:52 | 0:47:53 | |
Wait, wait, wait. | 0:47:56 | 0:47:58 | |
You need help, you're hurt. | 0:47:59 | 0:48:01 | |
(SHRIEKS) | 0:48:01 | 0:48:03 | |
Let me... Let me help you. | 0:48:03 | 0:48:06 | |
Can I help you? (SCREAMS) | 0:48:06 | 0:48:08 | |
Don't! | 0:48:11 | 0:48:12 | |
(SCREAMS) | 0:48:14 | 0:48:15 | |
LAUGHTER | 0:50:06 | 0:50:08 | |
Wasicu! Wasicu! | 0:50:24 | 0:50:27 | |
Wasicu! Wasicu! | 0:50:27 | 0:50:30 | |
Wasicu! | 0:50:30 | 0:50:32 | |
Wasicu! Wasicu! > | 0:50:32 | 0:50:34 | |
Wasicu! Wasicu! > | 0:50:34 | 0:50:36 | |
Wasicu! > | 0:50:36 | 0:50:38 | |
She's hurt. | 0:51:23 | 0:51:25 | |
She's hurt. | 0:51:31 | 0:51:32 | |
No, she's hurt. | 0:51:48 | 0:51:50 | |
WHOOPING | 0:52:42 | 0:52:44 | |
Welcome. | 0:54:33 | 0:54:35 | |
Welcome. | 0:54:35 | 0:54:37 | |
Hi! | 0:54:38 | 0:54:39 | |
Come. | 0:54:46 | 0:54:48 | |
Please, sit down. | 0:54:48 | 0:54:50 | |
Sit down. | 0:54:50 | 0:54:52 | |
Wait. Just a... Just a minute. | 0:55:15 | 0:55:18 | |
(SNORTS) | 0:55:21 | 0:55:22 | |
(SNORTS) | 0:55:31 | 0:55:32 | |
Tatanka. | 0:55:32 | 0:55:34 | |
Tatanka. | 0:55:37 | 0:55:39 | |
Tanka? | 0:55:39 | 0:55:41 | |
Tatanka? | 0:55:42 | 0:55:44 | |
Tanka? | 0:55:44 | 0:55:46 | |
Ta...tanka. | 0:55:46 | 0:55:48 | |
-Tatanka. -Tatanka. > | 0:55:48 | 0:55:51 | |
Tatanka. Buffalo. | 0:55:51 | 0:55:53 | |
Tatanka. | 0:55:53 | 0:55:55 | |
< Buffalo. | 0:55:55 | 0:55:58 | |
Buff... | 0:55:58 | 0:55:59 | |
Buff... Buff... | 0:55:59 | 0:56:02 | |
Buff...? | 0:56:02 | 0:56:03 | |
< Buffalo. Tatanka. | 0:56:03 | 0:56:05 | |
'The fierce one, as I call him, is a tough fellow. | 0:56:07 | 0:56:10 | |
'I hope I never have to fight him. | 0:56:10 | 0:56:12 | |
'From what I know, he seems honest and very direct. | 0:56:12 | 0:56:16 | |
'I like the quiet one. He's been patient and inquisitive. | 0:56:16 | 0:56:20 | |
'He's eager to communicate. | 0:56:20 | 0:56:22 | |
'He must be a man of some weight among his people. | 0:56:22 | 0:56:25 | |
Buffalo. | 0:56:25 | 0:56:27 | |
SCRAPING | 0:56:29 | 0:56:31 | |
'I made an even greater impression on their next visit. | 0:56:33 | 0:56:37 | |
'I produced a coffee grinder, something they hadn't seen before. | 0:56:37 | 0:56:42 | |
Is the coffee not good? | 0:56:58 | 0:57:01 | |
It's too strong, maybe. Too strong. | 0:57:01 | 0:57:03 | |
Put in... | 0:57:08 | 0:57:10 | |
Um... Ta... | 0:57:15 | 0:57:17 | |
Taste it. > | 0:57:18 | 0:57:20 | |
Sugar. | 0:57:30 | 0:57:32 | |
You want some? | 0:57:32 | 0:57:34 | |
You want some? > | 0:57:34 | 0:57:36 | |
That's a lot. | 0:57:42 | 0:57:43 | |
'It's good to have company. | 0:57:43 | 0:57:46 | |
'So much goes unsaid. I feel these people, the quiet one especially, want something from me. | 0:57:46 | 0:57:51 | |
'Made presents of coffee and most of the sugar. | 0:57:51 | 0:57:55 | |
'It wouldn't last anyway. | 0:57:55 | 0:57:57 | |
'A foundation for good relations has been laid.' | 0:57:57 | 0:58:00 | |
'Christine! | 1:00:40 | 1:00:41 | |
'Christine! | 1:00:46 | 1:00:48 | |
'Christine!' | 1:00:51 | 1:00:53 | |
-Get them chickens, Joe. The boy's growing fast. -He sure is. | 1:00:57 | 1:01:01 | |
Billy, get away from those puppies. | 1:01:01 | 1:01:03 | |
Go to Daddy. | 1:01:05 | 1:01:06 | |
Damn! | 1:01:10 | 1:01:12 | |
Get the kids, get 'em in the house. > | 1:01:12 | 1:01:15 | |
Go on! | 1:01:15 | 1:01:17 | |
Christine! | 1:01:17 | 1:01:19 | |
Christine, where are you? > | 1:01:20 | 1:01:23 | |
Children, get in the house now! > | 1:01:24 | 1:01:26 | |
Come here. (GIGGLES) | 1:01:27 | 1:01:29 | |
-Who is it, Willie? -They look like Pawnee. | 1:01:31 | 1:01:34 | |
< My father and your father are talking to them. | 1:01:34 | 1:01:36 | |
What do they want? | 1:01:36 | 1:01:38 | |
< I don't know. | 1:01:38 | 1:01:40 | |
Go on, you heard him. Get outta here! | 1:01:40 | 1:01:43 | |
(SCREAMS) | 1:01:47 | 1:01:49 | |
RUN, CHRISTINE! | 1:01:54 | 1:01:57 | |
I SAID RUN! | 1:01:57 | 1:02:00 | |
< JOHN! | 1:02:01 | 1:02:04 | |
< JOHN! | 1:02:04 | 1:02:06 | |
HORSES NEIGH IN FEAR | 1:02:12 | 1:02:14 | |
< Christine! | 1:02:15 | 1:02:17 | |
INDIANS WHOOP | 1:02:19 | 1:02:22 | |
'Mommy! | 1:02:28 | 1:02:30 | |
'Mommy! | 1:02:30 | 1:02:33 | |
'Mommy!' | 1:02:33 | 1:02:35 | |
(SNIFFS) Mmmm! Mmmm! | 1:02:59 | 1:03:02 | |
Come on, Two Socks. Bacon. | 1:03:07 | 1:03:10 | |
'Two Socks, like Cisco, is now a trusted friend. | 1:03:10 | 1:03:13 | |
'He still won't eat from my hand, | 1:03:13 | 1:03:16 | |
'but his keen eyes and ears always alert me when something is wrong.' | 1:03:16 | 1:03:20 | |
Tatanka. | 1:03:40 | 1:03:41 | |
No. | 1:03:43 | 1:03:45 | |
I haven't seen any buffalo. | 1:03:45 | 1:03:47 | |
Sorry. | 1:03:47 | 1:03:49 | |
Are... Are you hungry? | 1:04:07 | 1:04:09 | |
Are you hungry? | 1:04:10 | 1:04:13 | |
I have food, I have a lot of food. | 1:04:13 | 1:04:15 | |
'Nothing I was told of these people is correct. | 1:04:38 | 1:04:41 | |
'They are not beggars or thieves. Nor the bogeymen they are made out to be. | 1:04:41 | 1:04:45 | |
'They are polite guests and have a familiar humour I enjoy. | 1:04:45 | 1:04:50 | |
'Real communication is slow, and the quiet one is as frustrated as me. | 1:04:50 | 1:04:55 | |
'Our progress has been built on the basis of failure rather than success. | 1:04:55 | 1:04:59 | |
'I've thought to enquire about whether the woman lived or not, | 1:04:59 | 1:05:04 | |
'but it's too complicated a subject, given our limitations. | 1:05:04 | 1:05:08 | |
'It is clear there are no buffalo. It weighs heavy on their minds. | 1:05:08 | 1:05:12 | |
'Yesterday's meeting was the best yet. | 1:05:12 | 1:05:15 | |
'I've been invited to the village and I'm looking forward to going.' | 1:05:15 | 1:05:19 | |
Um... | 1:07:03 | 1:07:04 | |
H... | 1:07:07 | 1:07:08 | |
Hello. | 1:07:08 | 1:07:11 | |
You... | 1:07:11 | 1:07:12 | |
here. | 1:07:12 | 1:07:14 | |
G-g-good. | 1:07:15 | 1:07:17 | |
Thank you. I feel good. | 1:07:21 | 1:07:23 | |
(TRANSLATES INTO LAKOTA) | 1:07:24 | 1:07:26 | |
Um... | 1:07:31 | 1:07:33 | |
T... | 1:07:35 | 1:07:36 | |
The s-s-s... | 1:07:36 | 1:07:38 | |
..soldier fort. You come there... | 1:07:38 | 1:07:40 | |
Wait, wait. What is your names? | 1:07:40 | 1:07:43 | |
-Our names? -What is his name? | 1:07:45 | 1:07:49 | |
(TRANSLATES INTO LAKOTA) | 1:07:49 | 1:07:51 | |
H-h-h-he... | 1:08:00 | 1:08:02 | |
(SIGHS) He K... Kick. | 1:08:04 | 1:08:06 | |
Kick. | 1:08:06 | 1:08:08 | |
Kick? Kick... more. | 1:08:08 | 1:08:10 | |
More Kick? More Kicking? | 1:08:10 | 1:08:13 | |
Kicking... Kicking... | 1:08:13 | 1:08:14 | |
Bird? | 1:08:17 | 1:08:18 | |
Bird. Kicking Bird. | 1:08:18 | 1:08:20 | |
Kicking Bird. | 1:08:20 | 1:08:24 | |
(SAYS NAME IN LAKOTA) | 1:08:22 | 1:08:24 | |
(REPEATS NAME IN LAKOTA) | 1:08:24 | 1:08:26 | |
What does he...? Uh... Is he Chief? | 1:08:26 | 1:08:30 | |
No. H-h-h... | 1:08:30 | 1:08:32 | |
A h-h-h... | 1:08:32 | 1:08:34 | |
(COMPLAINS) > | 1:08:34 | 1:08:36 | |
A...ho-ho-holy man. | 1:08:43 | 1:08:47 | |
Holy...man. | 1:08:47 | 1:08:48 | |
Your name? | 1:08:53 | 1:08:55 | |
I... I don't... | 1:08:55 | 1:08:58 | |
< How are you called? | 1:08:58 | 1:08:59 | |
(LAKOTA) | 1:08:59 | 1:09:01 | |
Ha. | 1:09:06 | 1:09:08 | |
Ha. | 1:09:10 | 1:09:11 | |
G-get up. | 1:09:28 | 1:09:30 | |
Stand up? | 1:09:34 | 1:09:36 | |
< S-stands. | 1:09:36 | 1:09:38 | |
Stands. Stands. Your name's Stands? | 1:09:38 | 1:09:42 | |
S-Stands... | 1:09:42 | 1:09:43 | |
-..With... -< With? With. Stands with? | 1:09:46 | 1:09:50 | |
Fist? | 1:09:54 | 1:09:56 | |
-Yes. -Stands With A Fist? | 1:09:56 | 1:09:59 | |
Stands With A Fist. I am John Dunbar. | 1:10:02 | 1:10:07 | |
John... John Dunbar. | 1:10:07 | 1:10:09 | |
-Dunbar. -Dunbar. John Dunbar. | 1:10:09 | 1:10:13 | |
John Dunbar. | 1:10:13 | 1:10:14 | |
Dun...bear. | 1:10:14 | 1:10:17 | |
No, not Dunbear. | 1:10:17 | 1:10:19 | |
Dunbar. Dun...bar. | 1:10:19 | 1:10:21 | |
Dun-bar. Dunbar. Not Dunbear. | 1:10:21 | 1:10:26 | |
Dunbar. > | 1:10:26 | 1:10:27 | |
'There has been an exciting breakthrough with the Indians. | 1:10:57 | 1:11:00 | |
'A woman among them speaks English and today progress was made. | 1:11:00 | 1:11:04 | |
'But I'm reluctant to answer all their questions. | 1:11:04 | 1:11:07 | |
'Maybe my sense of duty, but something tells me not to say too much. | 1:11:07 | 1:11:11 | |
'It was good to see Fort Sedgwick - | 1:11:11 | 1:11:14 | |
'I look forward to another visit with my neighbours, but this is my home. | 1:11:14 | 1:11:19 | |
'I remain watchful for my relief and hope my negotiations will bear fruit.' | 1:11:19 | 1:11:23 | |
RATTLING, RUMBLING | 1:11:30 | 1:11:34 | |
DISTRESSED NEIGHING | 1:11:45 | 1:11:47 | |
NEIGHING | 1:11:57 | 1:11:59 | |
NEIGHING | 1:12:01 | 1:12:03 | |
STAMPEDING | 1:12:08 | 1:12:10 | |
DRUMBEAT, SINGING | 1:12:48 | 1:12:51 | |
< BUFFALO! BUFFALO! | 1:13:25 | 1:13:28 | |
CHANTING AND SINGING STOPS < I'VE SEEN BUFFALO! | 1:13:28 | 1:13:31 | |
SHOUTING, WHOOPING | 1:13:32 | 1:13:34 | |
Buffaloes. Buffaloes. Buffaloes. | 1:13:58 | 1:14:01 | |
Tatanka. | 1:14:01 | 1:14:03 | |
Tatanka? | 1:14:03 | 1:14:05 | |
Yeah. | 1:14:05 | 1:14:07 | |
Tatanka! Tatanka! | 1:14:07 | 1:14:11 | |
CHEERS AND WHOOPS | 1:14:11 | 1:14:13 | |
'Riders were sent out to pick up the trail. | 1:14:47 | 1:14:50 | |
'In the time it took to gather my things at Sedgwick, the tribe was on its way. | 1:14:50 | 1:14:55 | |
'The efficiency and speed of the people would impress any military commander. | 1:14:55 | 1:15:01 | |
'Overnight I have gone from a person of suspicion to one of genuine standing. | 1:15:01 | 1:15:07 | |
'I am greeted with open smiles and looks of appreciation. I have become a celebrity.' | 1:15:07 | 1:15:12 | |
Loo-tent-tant. | 1:15:12 | 1:15:14 | |
Loo-tent-tant. | 1:15:14 | 1:15:17 | |
'Scouts picked up the trail where I said it would be. | 1:15:17 | 1:15:21 | |
'It was easy to find. A swath of torn-up ground to the horizon. | 1:15:21 | 1:15:27 | |
'The sheer numbers it took to create this impossible image | 1:15:27 | 1:15:30 | |
'was hard to imagine.' | 1:15:30 | 1:15:32 | |
Loo-tent-tant. | 1:15:51 | 1:15:52 | |
(CALF BLEATS) | 1:17:31 | 1:17:33 | |
(BLEATING) | 1:17:55 | 1:17:56 | |
'Who would do such a thing? | 1:17:56 | 1:17:58 | |
'The field was proof that it was a people without value or soul... | 1:17:58 | 1:18:03 | |
'with no regard for Sioux rites. | 1:18:03 | 1:18:06 | |
'The wagon tracks leading away left no doubt and my heart sank as I knew | 1:18:06 | 1:18:10 | |
'it could only be white hunters. | 1:18:10 | 1:18:13 | |
'Voices that had been joyous were now as silent as the dead buffalo | 1:18:13 | 1:18:17 | |
'killed only for their tongues and the price of their hides.' | 1:18:17 | 1:18:22 | |
DRUMBEATS, SINGING | 1:18:22 | 1:18:25 | |
'As they celebrated into the night the coming hunt, it was hard to know where to be. | 1:18:30 | 1:18:36 | |
'I don't know if they understood, but I could not sleep among them. | 1:18:36 | 1:18:39 | |
'There had been no looks and no blame, | 1:18:39 | 1:18:42 | |
'only the confusion of a people not able to predict the future.' | 1:18:42 | 1:18:46 | |
NEIGHING | 1:20:25 | 1:20:27 | |
WHOOPING | 1:20:52 | 1:20:55 | |
GUNSHOT | 1:22:46 | 1:22:48 | |
GUNSHOT | 1:22:53 | 1:22:55 | |
Are you all right? Are you all right? | 1:26:01 | 1:26:04 | |
WHOOPING | 1:26:10 | 1:26:13 | |
CHEERING | 1:27:17 | 1:27:20 | |
LAUGHTER | 1:27:31 | 1:27:34 | |
YAPS | 1:27:38 | 1:27:39 | |
I can't. | 1:27:48 | 1:27:50 | |
No, I'm... I'm full. | 1:27:50 | 1:27:53 | |
I'm full and I can't tell the story any more. | 1:27:53 | 1:27:56 | |
No. | 1:27:57 | 1:27:59 | |
Do you want to try it? | 1:28:05 | 1:28:08 | |
Do you want to try it? | 1:28:08 | 1:28:09 | |
Here. | 1:28:13 | 1:28:14 | |
I can't. This is too much. | 1:28:42 | 1:28:45 | |
Here. | 1:28:45 | 1:28:46 | |
Good trade. | 1:28:51 | 1:28:53 | |
This is... This is a good trade. | 1:28:56 | 1:28:59 | |
No, no, I can't, I'm full, I'm tired. | 1:29:03 | 1:29:06 | |
No! | 1:29:06 | 1:29:07 | |
(SPEAKS LAKOTA) | 1:29:07 | 1:29:09 | |
Wa zhi. | 1:29:09 | 1:29:10 | |
Wa zhi? Wa zhi. | 1:29:10 | 1:29:13 | |
CHILDREN SHOUT | 1:29:16 | 1:29:18 | |
-No, no, no. CHILDREN: -Loo-tent-tant! -Ah! | 1:29:18 | 1:29:21 | |
Tatanka. Big tatanka. | 1:29:26 | 1:29:29 | |
-Big -tatanka! | 1:29:29 | 1:29:30 | |
LAUGHTER | 1:29:30 | 1:29:32 | |
I went... Psshhh! | 1:29:38 | 1:29:42 | |
LAUGHTER | 1:29:42 | 1:29:44 | |
That's my hat. | 1:29:58 | 1:30:00 | |
< Hey! | 1:30:00 | 1:30:02 | |
LAUGHTER Hey! | 1:30:02 | 1:30:06 | |
You're wearing my hat. | 1:30:10 | 1:30:11 | |
It's my hat. | 1:30:15 | 1:30:16 | |
No. No, you... | 1:30:21 | 1:30:23 | |
My hat. | 1:30:24 | 1:30:26 | |
LAUGHTER STOPS | 1:30:30 | 1:30:32 | |
Washte. | 1:31:33 | 1:31:34 | |
Washte. | 1:31:39 | 1:31:40 | |
Good...trade? | 1:31:45 | 1:31:47 | |
LAUGHTER RESUMES | 1:31:55 | 1:31:57 | |
SOFT MOANING | 1:32:02 | 1:32:04 | |
'It seems every day ends with a miracle here.' | 1:33:54 | 1:33:57 | |
'And whatever God may be, I thank God for this day.' | 1:33:57 | 1:34:01 | |
'To stay longer was useless. We had all the meat we could carry.' | 1:34:01 | 1:34:06 | |
'We had hunted for three days, losing six ponies, | 1:34:06 | 1:34:09 | |
'and only three men injured. | 1:34:09 | 1:34:12 | |
'I'd never known a people so eager to laugh, so devoted to family, | 1:34:12 | 1:34:16 | |
'so dedicated to each other. The only word that came to mind was harmony.' | 1:34:16 | 1:34:20 | |
'Many times I've felt alone, but until this afternoon | 1:34:29 | 1:34:34 | |
'I'd never felt completely lonely.' | 1:34:34 | 1:34:36 | |
DRUMBEATS, WHOOPS | 1:34:39 | 1:34:41 | |
'Though only two days, it seems like a week... | 1:35:46 | 1:35:48 | |
'..and I miss my new friends.' | 1:35:48 | 1:35:50 | |
'I can see all their faces, but it is not enough.' | 1:35:50 | 1:35:54 | |
'Tomorrow I will go unannounced.' | 1:35:54 | 1:35:56 | |
'They are my neighbours. What can it hurt?' | 1:35:56 | 1:35:59 | |
Hey! | 1:36:12 | 1:36:14 | |
God! Go home! | 1:36:14 | 1:36:16 | |
Go! | 1:36:22 | 1:36:23 | |
Go home, Two Socks. | 1:36:23 | 1:36:25 | |
Bad wolf. Bad wolf. | 1:36:25 | 1:36:27 | |
(SHOUTS) | 1:36:29 | 1:36:31 | |
'It is autumn now and I am spending more time than ever with my friends. | 1:37:06 | 1:37:10 | |
'They have given me my own lodge. I feel comfortable there. | 1:37:10 | 1:37:13 | |
'We talk every day but I know Kicking Bird is frustrated with me. | 1:37:13 | 1:37:17 | |
'He wants to know how many more white people are coming. | 1:37:17 | 1:37:20 | |
'I tell him they'll most likely pass through this country and nothing more | 1:37:20 | 1:37:26 | |
'but I speak half-truths. | 1:37:26 | 1:37:28 | |
'One day there will be too many but I cannot bring myself to tell them. | 1:37:28 | 1:37:32 | |
'I'm sure Stands With A Fist knows I am holding back, | 1:37:32 | 1:37:35 | |
'but to her credit she says nothing.' | 1:37:35 | 1:37:38 | |
GIGGLING | 1:37:51 | 1:37:52 | |
'A war party is going against the Pawnee soon and I have asked to go. | 1:38:06 | 1:38:09 | |
'I sense I made a mistake doing so | 1:38:09 | 1:38:12 | |
'but I could not bring myself to take it back. | 1:38:12 | 1:38:14 | |
'They are my friends, and the Pawnee have been very hard on them. | 1:38:14 | 1:38:19 | |
'I hope I have not overstepped my bounds.' | 1:38:19 | 1:38:22 | |
Come in, please. | 1:38:26 | 1:38:27 | |
Sit down? | 1:38:30 | 1:38:32 | |
Kicking Bird wants to know why you want to make war on the Pawnee. | 1:38:35 | 1:38:41 | |
They have done nothing to you. > | 1:38:41 | 1:38:44 | |
They are Sioux enemies. | 1:38:44 | 1:38:47 | |
(SPEAKS LAKOTA) | 1:38:47 | 1:38:50 | |
(SPEAKS LAKOTA) | 1:38:50 | 1:38:54 | |
Only... Sioux warriors to go. | 1:38:54 | 1:38:57 | |
Tell him I have been a warrior longer than many of the young men who go. | 1:38:57 | 1:39:02 | |
Tell him. | 1:39:02 | 1:39:04 | |
(EXPLAINS IN LAKOTA) | 1:39:04 | 1:39:08 | |
(SPEAKS LAKOTA) | 1:39:11 | 1:39:13 | |
He say that the S-Sioux way of being a warrior is not the white way. | 1:39:18 | 1:39:23 | |
You are not ready. | 1:39:23 | 1:39:25 | |
I know. I understand, but tell him I cannot learn these ways in camp. | 1:39:25 | 1:39:30 | |
(SPEAKS LAKOTA) | 1:39:30 | 1:39:32 | |
He also ask that you... watch over his family | 1:39:37 | 1:39:42 | |
while he is gone. > | 1:39:42 | 1:39:44 | |
This thing he ask is a great honour for you. | 1:39:44 | 1:39:48 | |
Tell him that I... would be happy to watch over his family. | 1:39:51 | 1:39:55 | |
(TRANSLATES INTO LAKOTA) | 1:39:55 | 1:39:58 | |
(SPEAKS LAKOTA) | 1:39:58 | 1:40:01 | |
He thanks Dances With Wolves for coming. | 1:40:01 | 1:40:04 | |
Who is Dances With Wolves? | 1:40:05 | 1:40:08 | |
It is the name...which all the people are calling you now. | 1:40:08 | 1:40:14 | |
Dances With... | 1:40:14 | 1:40:16 | |
That's right! | 1:40:17 | 1:40:19 | |
That day. | 1:40:19 | 1:40:21 | |
< Dances With Wolves. | 1:40:21 | 1:40:24 | |
How do you say it? | 1:40:24 | 1:40:26 | |
(SAYS NAME IN LAKOTA) | 1:40:26 | 1:40:29 | |
Sugmanitutanka... | 1:40:29 | 1:40:32 | |
Ob Waci. | 1:40:34 | 1:40:36 | |
Washte. | 1:40:36 | 1:40:37 | |
Washte. | 1:40:37 | 1:40:39 | |
(Sugmanitutanka...) | 1:40:42 | 1:40:44 | |
Oh, I... I cut this off. | 1:41:47 | 1:41:49 | |
-Oh. -I shaved it off. Go on. | 1:41:49 | 1:41:52 | |
Uh, grass grows on the prairie. | 1:41:52 | 1:41:55 | |
Grass grows on the prairie. Peta ki oblaye el ti. | 1:41:55 | 1:41:59 | |
Wrong. You said "Fire lives on the prairie." | 1:41:59 | 1:42:03 | |
I did? | 1:42:03 | 1:42:05 | |
No, no laughing now. | 1:42:05 | 1:42:06 | |
How did you get your name? | 1:42:18 | 1:42:19 | |
I was not very old | 1:42:24 | 1:42:28 | |
when I came to be with our people. | 1:42:28 | 1:42:31 | |
And I was made to work. | 1:42:31 | 1:42:33 | |
I worked every day very hard. | 1:42:33 | 1:42:36 | |
And there was a wo... one woman | 1:42:38 | 1:42:41 | |
who didn't like me much. | 1:42:41 | 1:42:45 | |
And she used to call me bad names... | 1:42:45 | 1:42:47 | |
..and sometimes she... | 1:42:47 | 1:42:49 | |
..amape... um... beat me? | 1:42:49 | 1:42:54 | |
Uh, one day she was... | 1:42:56 | 1:43:00 | |
..calling me these bad names... | 1:43:00 | 1:43:03 | |
..with her face in my face and... | 1:43:03 | 1:43:06 | |
..I hit her. | 1:43:06 | 1:43:08 | |
I was not very big but she fell down. | 1:43:09 | 1:43:13 | |
She fell hard and didn't move. | 1:43:13 | 1:43:15 | |
And I stood over her with m-my fist... | 1:43:15 | 1:43:20 | |
and I asked if there was any other woman | 1:43:20 | 1:43:24 | |
who wanted to call me bad names. | 1:43:24 | 1:43:26 | |
No-one bothered me after that day. | 1:43:28 | 1:43:30 | |
(CHUCKLES) | 1:43:32 | 1:43:33 | |
No, I... I wouldn't think so. | 1:43:33 | 1:43:35 | |
Show me. | 1:43:41 | 1:43:43 | |
Show me where you hit her. | 1:43:43 | 1:43:45 | |
(LAUGHS) | 1:43:54 | 1:43:55 | |
Why are you not married? | 1:44:12 | 1:44:14 | |
-I'm sorry. -I have to go. | 1:44:18 | 1:44:20 | |
I'm sorry. | 1:44:23 | 1:44:24 | |
-Can I help you? -No. | 1:44:26 | 1:44:28 | |
I don't und... | 1:45:10 | 1:45:12 | |
Washte yelo. | 1:46:05 | 1:46:07 | |
COCKS GUN | 1:48:46 | 1:48:48 | |
I bet you were thinking "Now, why don't he write?" | 1:48:56 | 1:49:00 | |
Hello, Two Socks. | 1:49:00 | 1:49:02 | |
Come on. | 1:49:29 | 1:49:31 | |
Come on. | 1:49:31 | 1:49:33 | |
Why don't you? Come on, you can do this. | 1:49:34 | 1:49:38 | |
You can do this. | 1:49:38 | 1:49:39 | |
Come on. | 1:49:44 | 1:49:45 | |
Easy. This is easy. | 1:49:56 | 1:49:59 | |
This is easy, Two Socks. | 1:49:59 | 1:50:00 | |
I am in mourning. | 1:50:56 | 1:50:58 | |
No-one can know. | 1:51:07 | 1:51:08 | |
Yes. | 1:51:08 | 1:51:10 | |
We must be careful. | 1:51:10 | 1:51:12 | |
SHE GASPS | 1:51:12 | 1:51:14 | |
-We must be careful. -OK. | 1:51:14 | 1:51:17 | |
Wait, wait, wait. | 1:52:02 | 1:52:04 | |
What? | 1:53:09 | 1:53:10 | |
Trouble. | 1:53:10 | 1:53:12 | |
SHOUTING, NEIGHING | 1:53:12 | 1:53:15 | |
ALL TALK ANIMATEDLY IN LAKOTA | 1:53:27 | 1:53:29 | |
The Pawnee are coming, a big party of 40 or 50 men. | 1:53:34 | 1:53:38 | |
Cheyenne hunters found them not far north. | 1:53:38 | 1:53:40 | |
I will go. | 1:53:49 | 1:53:51 | |
(ENGLISH) I have guns. | 1:53:54 | 1:53:56 | |
-At the fort? -Yes. | 1:54:00 | 1:54:02 | |
SHE EXPLAINS IN LAKOTA | 1:54:02 | 1:54:03 | |
HE SHOUTS | 1:55:02 | 1:55:04 | |
Come here. | 1:55:08 | 1:55:10 | |
DOG YELPS | 1:56:20 | 1:56:22 | |
NEIGHING | 1:56:50 | 1:56:52 | |
WHOOPING, SHOUTING | 1:57:28 | 1:57:31 | |
Shoot the gun! | 1:57:33 | 1:57:34 | |
GUNSHOT | 1:57:54 | 1:57:56 | |
SCREAMING | 1:58:21 | 1:58:24 | |
SHE SCREAMS | 1:58:29 | 1:58:30 | |
WHOOPING | 1:58:49 | 1:58:53 | |
HE GASPS | 1:58:57 | 1:58:59 | |
HE SCREAMS | 1:59:24 | 1:59:25 | |
WHOOPING | 2:00:07 | 2:00:10 | |
WHOOPING | 2:00:17 | 2:00:21 | |
HE YELLS | 2:00:24 | 2:00:26 | |
WHOOPING AND YELLING | 2:00:36 | 2:00:39 | |
HE YELLS | 2:00:53 | 2:00:55 | |
GUNSHOTS | 2:00:55 | 2:00:58 | |
WHOOPING | 2:00:58 | 2:01:01 | |
'It was hard to know how to feel. I'd never been in a battle like this. | 2:01:13 | 2:01:18 | |
'There was no dark political objective. | 2:01:18 | 2:01:21 | |
'This was not a fight for territory or riches or to make men free. | 2:01:21 | 2:01:25 | |
'It was fought to preserve the food stores to see us through winter, | 2:01:25 | 2:01:29 | |
'to protect the lives of women and children and loved ones feet away.' | 2:01:29 | 2:01:33 | |
'Stone Calf was a great loss, | 2:01:33 | 2:01:35 | |
'but even the old men could not remember such a one-sided victory, | 2:01:35 | 2:01:39 | |
'and I began to look at it in a new way. | 2:01:39 | 2:01:42 | |
'I felt a pride I'd never felt before. | 2:01:42 | 2:01:44 | |
'I'd never known who John Dunbar was. | 2:01:44 | 2:01:48 | |
'Perhaps the name itself had no meaning, | 2:01:48 | 2:01:50 | |
'but as I heard my Sioux name being called over and over, | 2:01:50 | 2:01:54 | |
'I knew for the first time who I really was.' | 2:01:54 | 2:01:57 | |
CONVERSATION IN LAKOTA | 2:02:23 | 2:02:26 | |
SINGING, CHANTING | 2:02:28 | 2:02:30 | |
GUNSHOT | 2:02:30 | 2:02:31 | |
WHOOPING | 2:02:40 | 2:02:43 | |
GUNSHOT | 2:02:43 | 2:02:45 | |
GUNSHOT | 2:02:46 | 2:02:49 | |
GUNSHOT | 2:02:49 | 2:02:51 | |
GUNSHOT | 2:03:00 | 2:03:03 | |
LAUGHTER, CHATTER IN LAKOTA | 2:03:05 | 2:03:07 | |
WOMAN SPEAKS IN LAKOTA | 2:03:07 | 2:03:09 | |
LAUGHTER | 2:03:18 | 2:03:21 | |
CHANTING, DRUMMING CONTINUES OUTSIDE | 2:03:25 | 2:03:28 | |
CHANTING, SINGING | 2:07:04 | 2:07:09 | |
And for me. | 2:07:25 | 2:07:27 | |
'I had never been married before.' | 2:07:46 | 2:07:50 | |
'Maybe all grooms feel the same, but as Kicking Bird began to speak | 2:07:50 | 2:07:54 | |
'about what was expected of a Sioux husband, | 2:07:54 | 2:07:57 | |
'my mind swam in a way that shut out everything but her - | 2:07:57 | 2:08:01 | |
'the tiny details of her costume, the contours of her shape, | 2:08:01 | 2:08:05 | |
'the light in her eyes, | 2:08:05 | 2:08:07 | |
'the smallness of her feet.' | 2:08:07 | 2:08:09 | |
'I knew that the love between us would be served.' | 2:08:09 | 2:08:13 | |
KICKING BIRD SPEAKS LAKOTA | 2:08:13 | 2:08:16 | |
Yes. | 2:08:23 | 2:08:25 | |
Oh, good. | 2:08:34 | 2:08:36 | |
Goodbye. | 2:08:45 | 2:08:47 | |
Goodbye. | 2:08:51 | 2:08:53 | |
WHOOPING, SHOUTING | 2:08:56 | 2:08:58 | |
CHANTING, DRUMMING | 2:08:58 | 2:09:02 | |
HE CHUCKLES | 2:10:25 | 2:10:27 | |
-IN ENGLISH: -How many? | 2:10:58 | 2:11:00 | |
Like the stars. | 2:11:02 | 2:11:04 | |
Wichampi. | 2:11:09 | 2:11:11 | |
Wichampi. | 2:11:11 | 2:11:13 | |
HE SIGHS | 2:11:52 | 2:11:54 | |
HE SIGHS | 2:12:16 | 2:12:18 | |
SHE HUMS | 2:13:00 | 2:13:03 | |
You have everything from the soldiers' fort? | 2:13:03 | 2:13:06 | |
Yes. There's nothing for me there. | 2:13:06 | 2:13:08 | |
That's good. | 2:13:09 | 2:13:11 | |
The journal. | 2:13:24 | 2:13:26 | |
Stands With, wait! | 2:13:28 | 2:13:30 | |
It is important! The words are like a trail for people to follow. | 2:13:30 | 2:13:33 | |
It tells everything about my life here. I must get it. | 2:13:33 | 2:13:37 | |
I'll catch up. I'll catch up. | 2:13:52 | 2:13:55 | |
GALLOPING | 2:13:55 | 2:13:58 | |
NEIGHS | 2:14:23 | 2:14:26 | |
Injuns! | 2:14:33 | 2:14:35 | |
Get him! Indian! | 2:14:35 | 2:14:39 | |
NEIGHS | 2:14:39 | 2:14:41 | |
-Fire! -No! | 2:14:41 | 2:14:44 | |
Stay. Stay down. Stay. | 2:15:04 | 2:15:07 | |
-He ain't hit. -Oh, God. | 2:15:07 | 2:15:11 | |
Hey, boy. | 2:15:11 | 2:15:13 | |
NEIGHS | 2:15:13 | 2:15:15 | |
It's OK. | 2:15:15 | 2:15:18 | |
Oh! | 2:15:19 | 2:15:21 | |
Spivey. | 2:16:21 | 2:16:24 | |
-Spivey! -Yeah, Sergeant? | 2:16:24 | 2:16:27 | |
Tell the Major he's waking up. | 2:16:27 | 2:16:29 | |
Move your worthless ass. | 2:16:30 | 2:16:32 | |
BUGLE PLAYS | 2:16:34 | 2:16:36 | |
You got yourself a hell of a shiner. | 2:16:43 | 2:16:46 | |
Didn't you? | 2:16:46 | 2:16:48 | |
Major's comin' through. | 2:16:48 | 2:16:50 | |
Well, does he speak English? | 2:16:57 | 2:17:01 | |
I don't know, sir. | 2:17:01 | 2:17:03 | |
You speak English? | 2:17:04 | 2:17:07 | |
You talk English? | 2:17:08 | 2:17:10 | |
-HE KICKS HIM -Talk! | 2:17:10 | 2:17:12 | |
I speak English. | 2:17:12 | 2:17:14 | |
Who are you? | 2:17:18 | 2:17:20 | |
Lieutenant John J Dunbar. This is my post. | 2:17:22 | 2:17:26 | |
Why are you dressed like this? | 2:17:26 | 2:17:28 | |
I came out from Fort Hayes last April but there was nobody here. | 2:17:30 | 2:17:34 | |
Do you have proof of that? | 2:17:34 | 2:17:36 | |
My journal's on the bunk in my quarters. | 2:17:38 | 2:17:41 | |
My orders are in the journal. It'll tell you everything. | 2:17:41 | 2:17:44 | |
Spivey, you and Edwards were first here. Did you find a journal? | 2:17:44 | 2:17:50 | |
Nah, we didn't find nothin', sir. | 2:17:50 | 2:17:53 | |
-Where's Edwards? -He's outside. | 2:17:53 | 2:17:56 | |
Hey, he didn't find nothin', either! | 2:18:01 | 2:18:03 | |
HE LAUGHS | 2:18:11 | 2:18:14 | |
You turned Injun, didn't ya? | 2:18:18 | 2:18:21 | |
Didn't ya? | 2:18:21 | 2:18:23 | |
Don't look white to me. | 2:18:23 | 2:18:26 | |
Said he's a soldier. | 2:18:26 | 2:18:27 | |
-Soldier? He's an officer. -Officer? Do you salute or shoot him? | 2:18:27 | 2:18:30 | |
LAUGHTER | 2:18:30 | 2:18:33 | |
You, eyes front! | 2:18:39 | 2:18:42 | |
CAWING | 2:18:44 | 2:18:47 | |
I said, eyes FRONT! | 2:18:47 | 2:18:49 | |
Don't shoot him! Hit him! | 2:18:51 | 2:18:53 | |
-Get him! -Get off! Get off! | 2:18:53 | 2:18:57 | |
Why are you out of uniform? | 2:19:34 | 2:19:36 | |
What's the army doing out here? | 2:19:39 | 2:19:42 | |
-Lieutenant's askin' the questions. -Bauer. | 2:19:42 | 2:19:45 | |
We're charged with apprehending... | 2:19:50 | 2:19:53 | |
We're charged with apprehending hostiles | 2:19:56 | 2:19:58 | |
and recovering stolen property, | 2:19:58 | 2:20:00 | |
-retrieving white captives taken in hostile raidings. -There are no hostiles. | 2:20:00 | 2:20:04 | |
We will ascertain that for ourselves. | 2:20:04 | 2:20:06 | |
You guide us to these camps and interpret and your conduct will be re-evaluated. | 2:20:06 | 2:20:11 | |
-What conduct? -With all due respect... | 2:20:11 | 2:20:14 | |
Your status as a traitor might improve should you choose to cooperate with the US Army. | 2:20:14 | 2:20:19 | |
There's nothing for you to do out here. | 2:20:21 | 2:20:23 | |
Will you cooperate, or not? | 2:20:27 | 2:20:29 | |
Well, speak up! | 2:20:31 | 2:20:33 | |
What's that? | 2:20:43 | 2:20:44 | |
SPEAKS LAKOTA | 2:20:44 | 2:20:46 | |
Sergeant, form a detail and take this man down to the river. | 2:21:01 | 2:21:06 | |
-Let him clean up his face. -Yes, sir. | 2:21:06 | 2:21:08 | |
Not you, Spivey. | 2:21:10 | 2:21:12 | |
NEIGHING, VOICES | 2:21:33 | 2:21:36 | |
Hey, Spivey. | 2:21:47 | 2:21:48 | |
Hey, Spivey, you got paper? | 2:21:52 | 2:21:55 | |
What's it to ya? | 2:21:55 | 2:21:57 | |
-Gimme some! -Can you read? | 2:21:57 | 2:21:59 | |
No. What the hell's the difference? | 2:21:59 | 2:22:01 | |
You can't read, either. Now just give me some. | 2:22:01 | 2:22:04 | |
-Gimme some! -All right, hold your horses. | 2:22:04 | 2:22:08 | |
HE LAUGHS | 2:22:15 | 2:22:17 | |
Come on, help me. > | 2:22:50 | 2:22:52 | |
HE CHUCKLES | 2:23:35 | 2:23:38 | |
Lap it up, Injun. Go ahead, lap it up. | 2:23:41 | 2:23:44 | |
-You...! -Hey, it's all right. | 2:23:47 | 2:23:51 | |
It's all right. | 2:23:51 | 2:23:53 | |
He's gonna get hungrier, that's all, but maybe that don't matter. | 2:23:53 | 2:24:00 | |
Word is they're gonna ship you back to Hayes. | 2:24:00 | 2:24:02 | |
And once you get there, they're gonna hang ya. | 2:24:02 | 2:24:06 | |
HE LAUGHS | 2:24:06 | 2:24:09 | |
-Come on, forget about him. Go, get out of here. -All right. | 2:24:09 | 2:24:13 | |
Get up in there. Gee, ho. Come on. Yah! | 2:24:26 | 2:24:31 | |
Get up in there, Toby! Toby! Yah! Get up in there! | 2:24:31 | 2:24:34 | |
-Get up, get up! -HE WHISTLES | 2:24:34 | 2:24:38 | |
Yee-ha! | 2:24:38 | 2:24:39 | |
Hey, Spivey, what is that? | 2:24:53 | 2:24:55 | |
Looks like he's followin' us. | 2:24:55 | 2:24:58 | |
Hell, I'm gonna shoot him. | 2:24:58 | 2:25:00 | |
-GUNSHOT -Ha, you missed him. | 2:25:00 | 2:25:03 | |
Don't shoot, goddamn it, it's my shot. | 2:25:03 | 2:25:05 | |
I seen him first. | 2:25:05 | 2:25:07 | |
Wait a minute, wait a minute, that's my shot. | 2:25:07 | 2:25:09 | |
-Shoot him! -GUNSHOTS | 2:25:09 | 2:25:11 | |
He's standing there! Shoot him! | 2:25:11 | 2:25:14 | |
Jesus Christ! | 2:25:16 | 2:25:18 | |
-HE CHOKES -He's killin' him! | 2:25:20 | 2:25:23 | |
Bauer! | 2:25:23 | 2:25:24 | |
GASPS FOR AIR | 2:25:29 | 2:25:32 | |
He might've killed you. | 2:25:32 | 2:25:35 | |
CHUCKLING | 2:25:35 | 2:25:38 | |
GUNSHOT | 2:25:39 | 2:25:41 | |
-I'll get you. -GUNSHOT | 2:25:41 | 2:25:45 | |
Sit down, goddamn! | 2:25:47 | 2:25:49 | |
GUNSHOT | 2:25:49 | 2:25:51 | |
-YELPS -That's it. I got him! I got him! | 2:25:58 | 2:26:01 | |
YELPS | 2:26:03 | 2:26:04 | |
Dead shot, boys. Come on. | 2:26:04 | 2:26:06 | |
-Get up! -SHOUTING | 2:26:09 | 2:26:11 | |
Get up. I'm gonna kill... Get up! | 2:26:13 | 2:26:16 | |
-Spivey, that's enough! Spivey! -Come on, get up! Come on! Get up! | 2:26:16 | 2:26:19 | |
-SPIVEY! -What?! | 2:26:19 | 2:26:20 | |
Bash that prisoner one more time, I'll put those shackles on you. | 2:26:20 | 2:26:24 | |
-You men, get back here! -GUNSHOTS | 2:26:24 | 2:26:27 | |
Now! | 2:26:27 | 2:26:30 | |
Goddamn it! | 2:26:30 | 2:26:32 | |
That goes for you, too, Bauer. | 2:26:35 | 2:26:37 | |
Get down here! | 2:26:41 | 2:26:43 | |
Boo! | 2:27:08 | 2:27:10 | |
It's clear behind that stand of trees. | 2:27:17 | 2:27:20 | |
-Hey! -All right, let's go. | 2:27:23 | 2:27:27 | |
DRIVER WHISTLES | 2:27:27 | 2:27:30 | |
I don't see nobody. | 2:27:48 | 2:27:50 | |
DRIVER WHISTLES | 2:27:50 | 2:27:52 | |
Indians! | 2:28:07 | 2:28:10 | |
WHOOPS | 2:28:10 | 2:28:12 | |
God! | 2:28:27 | 2:28:29 | |
WHOOPING | 2:29:14 | 2:29:18 | |
Bauer! | 2:29:23 | 2:29:25 | |
Bauer! | 2:29:28 | 2:29:29 | |
Bauer! | 2:29:34 | 2:29:36 | |
WHOOPING | 2:29:59 | 2:30:02 | |
CLICKS | 2:30:20 | 2:30:21 | |
WHOOPING | 2:30:27 | 2:30:29 | |
HE GROANS | 2:30:36 | 2:30:38 | |
SHOUTS IN LAKOTA AND WHOOPS | 2:30:56 | 2:31:00 | |
BIRDSONG | 2:31:15 | 2:31:20 | |
MURMURING IN LAKOTA | 2:34:30 | 2:34:33 | |
SHOUTING IN LAKOTA | 2:35:07 | 2:35:10 | |
'With Ten Bears it was always more than a while. | 2:36:18 | 2:36:21 | |
'There was purpose in everything he did, and I knew he wanted me to stay. | 2:36:21 | 2:36:25 | |
'But I knew I would be an excuse | 2:36:25 | 2:36:28 | |
'and that's all the army would need to find them. | 2:36:28 | 2:36:30 | |
'I pushed him to move the camp, | 2:36:30 | 2:36:32 | |
'but he only smiled and talked of simple pleasures. | 2:36:32 | 2:36:36 | |
'He reminded me that at his age a good fire is better than anything. | 2:36:36 | 2:36:40 | |
'Ten Bears was an extraordinary man.' | 2:36:40 | 2:36:43 | |
You have nothing to say? | 2:37:22 | 2:37:24 | |
What can I tell you? | 2:37:26 | 2:37:28 | |
Whatever's on your mind. | 2:37:29 | 2:37:31 | |
You've made the decision. | 2:37:37 | 2:37:40 | |
My place is with you. | 2:37:44 | 2:37:46 | |
I go where you go. | 2:37:46 | 2:37:48 | |
You're not afraid? | 2:37:51 | 2:37:54 | |
No. | 2:37:54 | 2:37:56 | |
I told Ten Bears we'd leave when the snow breaks. | 2:37:57 | 2:38:01 | |
Did you tell everyone? | 2:38:08 | 2:38:10 | |
Not everyone. | 2:38:13 | 2:38:16 | |
ANGRY EXCLAMATION | 2:38:29 | 2:38:31 | |
You, er...finish your pipe? | 2:39:24 | 2:39:28 | |
Ah. | 2:39:38 | 2:39:40 | |
Good pipe. | 2:39:40 | 2:39:42 | |
How, er...does it smoke? | 2:39:42 | 2:39:46 | |
I've never smoked it. | 2:39:48 | 2:39:51 | |
We come far, you and me. | 2:40:02 | 2:40:05 | |
I will not forget you. | 2:40:07 | 2:40:09 | |
SHOUTING, NEIGHING | 2:40:27 | 2:40:29 | |
SUNGMANITUTONKA OB WACI! | 2:41:48 | 2:41:51 | |
SUNGMANITUTONKA OB WACI! | 2:42:24 | 2:42:28 | |
SUNGMANITUTONKA OB WACI! | 2:42:34 | 2:42:38 | |
SUNGMANITUTONKA OB WACI! | 2:42:49 | 2:42:52 | |
All right, men, over here! Now! | 2:43:34 | 2:43:37 | |
WOLF HOWLS | 2:43:53 | 2:43:56 | |
PLAINTIVE HOWL | 2:43:59 | 2:44:06 |