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Come on, lay off with that scratch! | 0:00:37 | 0:00:39 | |
Ain't bothering you. | 0:00:39 | 0:00:41 | |
Yes it is, that ain't no kind of music. | 0:00:41 | 0:00:43 | |
At least I make a sound. | 0:00:43 | 0:00:45 | |
Yeah, and it's a nasty one. | 0:00:45 | 0:00:48 | |
-Wanna try again tonight? -Might as well. | 0:01:00 | 0:01:03 | |
MUSIC PLAYS FROM CLUB | 0:03:24 | 0:03:27 | |
# I know a gal by the name of Maid Lou | 0:03:55 | 0:04:00 | |
# She shook it so much she had the German flu | 0:04:00 | 0:04:05 | |
# No matter how she done it | 0:04:05 | 0:04:07 | |
# Oh, no matter how she done it | 0:04:09 | 0:04:12 | |
# Well, no matter how she done it | 0:04:14 | 0:04:18 | |
# She done it just the same | 0:04:18 | 0:04:22 | |
# The women didn't like her | 0:04:26 | 0:04:28 | |
# And they called her out of her name | 0:04:28 | 0:04:32 | |
# But the men, they loved her | 0:04:32 | 0:04:34 | |
# Mmm, it was a crying shame | 0:04:34 | 0:04:37 | |
# No matter how she done it | 0:04:37 | 0:04:40 | |
# No matter how she done it | 0:04:42 | 0:04:44 | |
# Well, no matter how she done it | 0:04:46 | 0:04:50 | |
# She done it just the same | 0:04:50 | 0:04:54 | |
# No matter how she done it | 0:04:57 | 0:05:01 | |
# She done it just the same | 0:05:01 | 0:05:04 | |
# Yes, she did. # | 0:05:06 | 0:05:08 | |
You take it for a while. | 0:05:17 | 0:05:19 | |
They making all that racket again at Toussaint's. | 0:05:19 | 0:05:21 | |
Yeah, all them people over there buying drinks, | 0:05:21 | 0:05:26 | |
throwin' that money after them dice and what not. | 0:05:26 | 0:05:28 | |
Lucky we got none of that here. | 0:05:30 | 0:05:31 | |
# You can drink your liquor | 0:05:33 | 0:05:35 | |
# You can drink your cold can beer | 0:05:35 | 0:05:38 | |
# You can drink your good whisky | 0:05:42 | 0:05:45 | |
# You can drink your cool can beer | 0:05:45 | 0:05:48 | |
# You can stay out all with your sweet gal | 0:05:51 | 0:05:54 | |
# But, Papa, don't you leave me here | 0:05:54 | 0:05:57 | |
# I hear that wild ox moaning | 0:06:00 | 0:06:03 | |
# Looking for that Texas...# | 0:06:03 | 0:06:06 | |
Sounding good, huh? | 0:06:06 | 0:06:08 | |
Sounds fine. Always has. | 0:06:09 | 0:06:12 | |
-Not much of a crowd. -Not a crowd at all, | 0:06:15 | 0:06:18 | |
just some stiffs who wanna drink themselves to sleep without the music waking them up. | 0:06:18 | 0:06:24 | |
You oughta advertise. | 0:06:24 | 0:06:25 | |
Got an attraction like Bertha Mae. | 0:06:25 | 0:06:27 | |
Singing is one thing, Slick, but whether people wanna look at you | 0:06:27 | 0:06:31 | |
-when you do it is another. -Got quite a number | 0:06:31 | 0:06:34 | |
-over the Toussaint's place tonight. -Sounds like it. | 0:06:34 | 0:06:36 | |
Lots of young folks coming in to listen to that box of his. | 0:06:36 | 0:06:40 | |
I don't see why we don't just turn our box on, let folks feed it nickels like they do. | 0:06:40 | 0:06:43 | |
The lady is singing. | 0:06:43 | 0:06:46 | |
# You hear me pleading, baby Baby, don't you leave me here...# | 0:06:46 | 0:06:52 | |
But didn't nobody come to listen to her, Slick. | 0:06:52 | 0:06:55 | |
# Come here, sweet Daddy | 0:06:56 | 0:06:58 | |
# Let me whisper in your ear...# | 0:06:58 | 0:07:01 | |
Like the man say, you can't argue with failure. | 0:07:01 | 0:07:05 | |
You know why Slick here's like a preacher? | 0:07:05 | 0:07:07 | |
Cos he do all his best work on his knees! | 0:07:07 | 0:07:11 | |
Never mind him, he's just drunk. | 0:07:11 | 0:07:14 | |
I heard she put a ring through it, use it to drag him round the house. | 0:07:14 | 0:07:18 | |
Come on, you know Tyrone don't like no scuffle in here. | 0:07:18 | 0:07:21 | |
I ought to get me old lady, help out with the groceries... | 0:07:21 | 0:07:25 | |
You just gotta sweet talk her some, give her a little poke every now and then. | 0:07:25 | 0:07:29 | |
-You gonna drink, or you gonna lay about recoverin' from that busted head you about to get? -Gentlemen! | 0:07:29 | 0:07:34 | |
Miss Delilah. | 0:07:36 | 0:07:38 | |
Let's behave ourselves. | 0:07:38 | 0:07:40 | |
What are you boys doing in here? | 0:07:40 | 0:07:43 | |
Out, out! And what are you doing behind that bar? | 0:07:43 | 0:07:46 | |
-It's just for a minute. -That's 60 seconds too long. | 0:07:46 | 0:07:50 | |
Maceo, take that child's place. | 0:07:50 | 0:07:52 | |
-You bring people their food, don't be messing with their liquor. -Nobody's eating! | 0:07:52 | 0:07:55 | |
That's cos nobody's here but these couple of lost souls. | 0:07:55 | 0:07:59 | |
Haven't had an appetite since they gave over to the devil. | 0:07:59 | 0:08:03 | |
Evening, Maceo, you looking good tonight! | 0:08:10 | 0:08:15 | |
Likewise, Miss Nadine. | 0:08:15 | 0:08:17 | |
What can I do for you? | 0:08:17 | 0:08:19 | |
Oh, you know what you can do for me, sweet man. | 0:08:19 | 0:08:21 | |
What would you like...to drink? | 0:08:24 | 0:08:26 | |
How many is that tonight? | 0:08:32 | 0:08:34 | |
Don't talk to me about that, baby. | 0:08:34 | 0:08:36 | |
-Not tonight. -I don't want China Doll behind that bar. | 0:08:36 | 0:08:39 | |
She's got to help out. | 0:08:39 | 0:08:40 | |
Not behind there she doesn't. You know she's not supposed to get excited. | 0:08:40 | 0:08:44 | |
Not much chance of that in here. | 0:08:44 | 0:08:46 | |
Harvest hands all crowded in to Toussaint's place. | 0:08:46 | 0:08:50 | |
Young ones. | 0:08:50 | 0:08:52 | |
You'll get some of them. | 0:08:52 | 0:08:54 | |
They'll stick their noses in here, get one little sniff of the music and go home. | 0:08:54 | 0:08:58 | |
Maybe that's the wages of sin. | 0:08:59 | 0:09:01 | |
Ain't no sin happening here tonight, baby. | 0:09:01 | 0:09:03 | |
And there sure as hell ain't no wages. | 0:09:03 | 0:09:06 | |
Your God wants to chastise some sinners, he'd best go over to Toussaint's. | 0:09:06 | 0:09:10 | |
Got a whole bar room crowded with them. | 0:09:10 | 0:09:12 | |
He's not my God. | 0:09:12 | 0:09:14 | |
He's everybody's God. | 0:09:14 | 0:09:16 | |
How did the meeting go tonight? | 0:09:23 | 0:09:24 | |
Viola Underwood found the Lord. | 0:09:26 | 0:09:29 | |
If she'd found Him last, she wouldn't have come through. | 0:09:29 | 0:09:32 | |
She must have lost Him again between then and now cos she come down that aisle tonight hollering in tongues. | 0:09:32 | 0:09:38 | |
The spirit didn't move you, though? | 0:09:41 | 0:09:43 | |
Not yet. | 0:09:44 | 0:09:45 | |
Maybe it's too late for me. | 0:09:48 | 0:09:51 | |
I can't believe he's serving Alton Stokely. That poor man. | 0:09:55 | 0:10:00 | |
Toussaint cut his credit off. | 0:10:00 | 0:10:02 | |
Either he gets it here, or he drinks that paint peeler Willie Pettigrew cuts up back in his swamp. | 0:10:02 | 0:10:07 | |
I'm gonna go home, say a prayer for that man. | 0:10:07 | 0:10:10 | |
Say one for me too, baby. | 0:10:13 | 0:10:14 | |
Outstanding, baby. Outstanding. | 0:10:26 | 0:10:28 | |
-You've still got the voice. -You think so? | 0:10:28 | 0:10:31 | |
Chills down my spine just to hear you. | 0:10:31 | 0:10:33 | |
Ty, I'm gonna be a little late Saturday. | 0:10:35 | 0:10:38 | |
No need to come in if you don't want to. | 0:10:38 | 0:10:41 | |
I've made other arrangements. | 0:10:44 | 0:10:46 | |
Other arrangements? | 0:10:46 | 0:10:48 | |
-Try something new in here. -You can't do that. -Yes, he can, darling. | 0:10:48 | 0:10:52 | |
This is his place, and he can do whatever he wants. | 0:10:52 | 0:10:58 | |
You'll know where to find me when you need me. | 0:10:58 | 0:10:59 | |
Put the box on now, Ty? | 0:11:09 | 0:11:12 | |
Yeah, put the box on. | 0:11:12 | 0:11:14 | |
I'm gonna crank it up some, see if we can draw some life in here. | 0:11:14 | 0:11:18 | |
LOUD JAZZ MUSIC | 0:11:21 | 0:11:23 | |
There it goes again. | 0:11:31 | 0:11:33 | |
Electricity don't like that jukebox. | 0:11:33 | 0:11:36 | |
Must be a short circuit in the juke here. | 0:11:43 | 0:11:45 | |
-Got to get the power company in here. -No, they turned my juice off last month. | 0:11:45 | 0:11:49 | |
I don't want you sniffing around that splice out Maceo did. | 0:11:49 | 0:11:52 | |
It's nice in here. | 0:11:52 | 0:11:55 | |
Kind of romantic. | 0:11:55 | 0:11:57 | |
I'm gonna have to go out back, wiggle some things around. | 0:11:57 | 0:12:00 | |
Don't you wiggle nothing round unless I'm there to see it. | 0:12:00 | 0:12:04 | |
You don't worry, folks, bar's still open. | 0:12:04 | 0:12:07 | |
Evening, folks. | 0:12:14 | 0:12:16 | |
Evening, Sherriff. | 0:12:21 | 0:12:23 | |
Your light's gone out. | 0:12:23 | 0:12:27 | |
Looks like it. | 0:12:27 | 0:12:28 | |
You'll know that'll be a violation of something or other. | 0:12:28 | 0:12:32 | |
We're just about to close up here. | 0:12:32 | 0:12:34 | |
Oh. Ooh, your wife been cooking? | 0:12:35 | 0:12:38 | |
Not tonight. | 0:12:38 | 0:12:40 | |
Went to a revival chat. | 0:12:40 | 0:12:41 | |
Ah, I stood by there myself. | 0:12:41 | 0:12:45 | |
Them niggers were singing up a storm. | 0:12:45 | 0:12:48 | |
I just came out here to look in on Toussaint. | 0:12:48 | 0:12:51 | |
Had that shooting two nights ago. | 0:12:51 | 0:12:55 | |
Lots of fighting in there. | 0:12:55 | 0:12:57 | |
There is that. | 0:12:57 | 0:13:00 | |
Course, me and old Toussaint, | 0:13:00 | 0:13:03 | |
we got us an agreement. | 0:13:03 | 0:13:05 | |
Them field hands start sucking down that whisky, | 0:13:09 | 0:13:12 | |
hopping them all up with music, there's gonna be some razors drawn. | 0:13:12 | 0:13:16 | |
Course, he only call me if it's a fatality. | 0:13:18 | 0:13:21 | |
Never been a killing here. Them youngbloods know better than to mess... | 0:13:21 | 0:13:25 | |
Than to mess with Tyrone Purvis. | 0:13:25 | 0:13:29 | |
You've got quite a reputation round here, Tyrone. | 0:13:29 | 0:13:32 | |
People say you put some poor black boy in the grave. | 0:13:32 | 0:13:36 | |
Just people talking. | 0:13:42 | 0:13:44 | |
Uh-huh. | 0:13:44 | 0:13:46 | |
You just remember, | 0:13:46 | 0:13:48 | |
this is my county, Tyrone. | 0:13:48 | 0:13:50 | |
What goes on goes on cos I let it. | 0:13:50 | 0:13:53 | |
Don't want nobody getting too big for their breeches round here. | 0:13:53 | 0:13:56 | |
You folks have a pleasant evening. | 0:14:01 | 0:14:03 | |
Nigger ain't shit in this world. | 0:14:15 | 0:14:17 | |
Speaking for yourself. | 0:14:18 | 0:14:20 | |
You ain't had his club, Tyrone, what do you think you'd be? | 0:14:20 | 0:14:26 | |
You wouldn't be nothing. | 0:14:26 | 0:14:28 | |
If that ain't truth, then grits ain't grocery. | 0:14:30 | 0:14:33 | |
TRAIN WHISTLE BLOWS | 0:14:48 | 0:14:51 | |
That's a terrible noise. | 0:14:51 | 0:14:55 | |
Just the northbound Talladega. Sounds like it always does. | 0:14:55 | 0:14:58 | |
Like a soul being carried away from this life. | 0:14:58 | 0:15:02 | |
Come on in, darling, | 0:15:07 | 0:15:09 | |
before you catch your death out here. | 0:15:09 | 0:15:11 | |
You're lucky the high sheriff ain't seen you crawling out that boxcar. | 0:15:43 | 0:15:47 | |
-Does he come around here much? -Only when he bored. | 0:15:47 | 0:15:51 | |
-You working on a train? -Yeah, Kansas City to New Orleans. | 0:15:52 | 0:15:55 | |
What did you get off here for? | 0:15:55 | 0:15:57 | |
I got people here. How about you? | 0:15:57 | 0:16:00 | |
Got tired of sleeping in a boxcar. | 0:16:00 | 0:16:02 | |
Is there a place to stay around here? | 0:16:04 | 0:16:07 | |
Shed right over there got a cot. | 0:16:07 | 0:16:08 | |
And don't mind the rats. Not unless you've got food on you. | 0:16:08 | 0:16:11 | |
I see you and a good meal have been strangers for some time. | 0:16:11 | 0:16:15 | |
Get into town tomorrow, find you need something, tell them Shack Thomas sent you. | 0:16:15 | 0:16:20 | |
-They'll know who you're talking about. -Thanks. What's the name of this town? | 0:16:20 | 0:16:25 | |
Name like that sounds like a good place for a musician. | 0:16:29 | 0:16:32 | |
Only night I ever been in jail was a town called Liberty. | 0:16:34 | 0:16:38 | |
The sun come up, you'll see where you landed. | 0:16:38 | 0:16:40 | |
You'd best be out that shed by first light. | 0:16:46 | 0:16:49 | |
-Just a weekday night. -The chicken man or the ice man or the liquor man. | 0:17:06 | 0:17:10 | |
At least you don't owe the electric company. | 0:17:10 | 0:17:13 | |
Yeah, that's a big relief. | 0:17:13 | 0:17:15 | |
You thinking about closing down? | 0:17:21 | 0:17:23 | |
-What do you think? -The biggest act in New Orleans. | 0:17:31 | 0:17:34 | |
-Got him a hit on the radio. -He's playing here Saturday night. | 0:17:34 | 0:17:37 | |
I'm thinking I wait till Bertha Mae was gone and I put him up. | 0:17:37 | 0:17:41 | |
Here? | 0:17:41 | 0:17:42 | |
You mean like in this room here? | 0:17:42 | 0:17:45 | |
You know the Tomcat Club in Texicana? | 0:17:45 | 0:17:46 | |
-Big Jim Jameson's place? -It just went out of business. | 0:17:46 | 0:17:50 | |
-Damn. -Since Sam is getting sway over to Tulsa, it means the date is open. | 0:17:50 | 0:17:57 | |
-But you ain't never had no guitar... -I'm having one now. | 0:17:57 | 0:18:01 | |
You just worry about getting these hung everywhere in the county tomorrow. | 0:18:04 | 0:18:08 | |
Payday Saturday, he's gonna draw all them cotton pickers and soldier boys in here. | 0:18:08 | 0:18:13 | |
Get us back in the black. | 0:18:13 | 0:18:15 | |
They're gonna take me down, | 0:18:15 | 0:18:17 | |
it won't be without a fight. | 0:18:17 | 0:18:20 | |
Guitar Sam at the Honeydripper! | 0:18:20 | 0:18:22 | |
Mm-hm! | 0:18:22 | 0:18:24 | |
Man, this joint is gonna jump! | 0:18:24 | 0:18:27 | |
BELL TINKLES | 0:19:17 | 0:19:18 | |
GUITAR STRUMMING | 0:20:01 | 0:20:03 | |
Somebody slipped in the railroad yard. | 0:20:09 | 0:20:12 | |
You all can play that thing. | 0:20:19 | 0:20:21 | |
Yeah, been doing it nearby for ever. | 0:20:21 | 0:20:24 | |
What side of the tracks am I on? | 0:20:26 | 0:20:28 | |
The wrong side. | 0:20:28 | 0:20:30 | |
For you. | 0:20:30 | 0:20:32 | |
What you doing here, then? | 0:20:32 | 0:20:35 | |
Oh, white folks look right through me. | 0:20:35 | 0:20:38 | |
Besides, how much mischief is an old, blind spook like me gonna get up to anyhow? | 0:20:38 | 0:20:43 | |
Lot of people go for music around here? | 0:20:44 | 0:20:47 | |
There's a couple of places just outside of town, at the crossroads. | 0:20:47 | 0:20:51 | |
-A long walk? -Are you in a hurry? | 0:20:51 | 0:20:54 | |
-How old is that box you're playing, pops? -Second one ever made. | 0:20:57 | 0:21:02 | |
The devil got the first one. How about yours? | 0:21:02 | 0:21:06 | |
Brand new. Made it myself. | 0:21:06 | 0:21:09 | |
Ooh, brand new! Made it hisself! | 0:21:09 | 0:21:12 | |
-Hot dog! -It's right. | 0:21:12 | 0:21:14 | |
So, these clubs? | 0:21:14 | 0:21:18 | |
Old Toussaint, he runs the Ace of Spades. | 0:21:18 | 0:21:20 | |
They don't have no live music in there. | 0:21:20 | 0:21:23 | |
Pine Top Purvis, he runs the Honeydripper Lounge. | 0:21:23 | 0:21:26 | |
He don't care nothing about no guitar. | 0:21:26 | 0:21:29 | |
-He won't allow one under his roof. -That don't make sense. | 0:21:29 | 0:21:32 | |
Well, when a musician put his hand to murder, | 0:21:32 | 0:21:36 | |
nine times out of ten a drummer done it. | 0:21:36 | 0:21:40 | |
But Pine Top, he a piano man. | 0:21:40 | 0:21:43 | |
-He killed somebody? -That's the story. | 0:21:43 | 0:21:46 | |
But if you meet the man, you damn well don't be asking him about it. | 0:21:47 | 0:21:51 | |
HONKING | 0:22:00 | 0:22:02 | |
Ain't seen no mule in a long time! | 0:22:15 | 0:22:17 | |
I knew this was Alabama, but that's the Stone Ages, man! | 0:22:19 | 0:22:23 | |
Where you from, boy? | 0:22:23 | 0:22:24 | |
Memphis. | 0:22:24 | 0:22:26 | |
Down on your vacation? | 0:22:26 | 0:22:28 | |
Got in a piece of trouble up there with the white folks. | 0:22:28 | 0:22:31 | |
Need to bide my time for a spell. | 0:22:31 | 0:22:32 | |
Biding your time with them pills, man, | 0:22:32 | 0:22:35 | |
boss man gonna fire your ass. | 0:22:35 | 0:22:37 | |
Don't worry about that. I'm a cotton-picking fool! | 0:22:37 | 0:22:40 | |
You a fool all right. | 0:22:41 | 0:22:43 | |
-Where you from, brother bear? -Mississippi. | 0:22:53 | 0:22:57 | |
Hoo! This here is a real step-up for you! | 0:22:57 | 0:22:59 | |
Folks around here have discovered fire and whatnot! | 0:22:59 | 0:23:02 | |
That trouble you in, | 0:23:06 | 0:23:10 | |
have anything to do with running your mouth? | 0:23:10 | 0:23:12 | |
It had to do with somebody getting on my nerves and I had to deal with him. | 0:23:12 | 0:23:16 | |
Must have been somebody kinda puny. | 0:23:16 | 0:23:19 | |
As I recall, he was about your size. | 0:23:19 | 0:23:21 | |
-What's this place we at? -Nearest town's Harmony. | 0:23:43 | 0:23:46 | |
This is Mr Silas Tugwell's place. | 0:23:46 | 0:23:49 | |
-You better get to picking. -Cotton ain't going nowhere. | 0:23:50 | 0:23:53 | |
The more you get first thing when the dew's still on it, | 0:23:53 | 0:23:55 | |
the more it weighs when it tip that scale. | 0:23:55 | 0:23:57 | |
You live here too? | 0:24:00 | 0:24:02 | |
You got my sympathies. | 0:24:04 | 0:24:06 | |
Hot damn! | 0:24:16 | 0:24:18 | |
-What's the matter? -I got a shock. | 0:24:18 | 0:24:21 | |
I thought you used to work for the power company. | 0:24:21 | 0:24:23 | |
I drove the supply truck. | 0:24:23 | 0:24:26 | |
Guitar Sam ain't gonna be playing by no candlelight. | 0:24:26 | 0:24:30 | |
I smell bacon. | 0:24:32 | 0:24:33 | |
You must have burned your porky ass with that electricity! | 0:24:33 | 0:24:38 | |
Breakfast's ready! | 0:24:40 | 0:24:41 | |
-Where your mama? -She already over to the mayor's. | 0:24:43 | 0:24:45 | |
She told me to make sure you eat something before you start running 'round. | 0:24:45 | 0:24:50 | |
That is a sweet woman you got. | 0:24:50 | 0:24:52 | |
-You got one waiting for you if you want her. -Who, Nadine? | 0:24:52 | 0:24:56 | |
She come in here every night making them cow eyes at you. | 0:24:56 | 0:24:59 | |
She seem like a kind who could smother a man. | 0:24:59 | 0:25:01 | |
She makes all her own clothes. | 0:25:01 | 0:25:03 | |
Darlin', that's not the kind of thing | 0:25:03 | 0:25:05 | |
a man cares about from a woman. | 0:25:05 | 0:25:07 | |
MUSIC BLARES | 0:25:07 | 0:25:09 | |
-Hey, I fixed it! -You ain't done no such thing. | 0:25:09 | 0:25:11 | |
-It just decided to come back on. -Decided? -Yeah. | 0:25:11 | 0:25:15 | |
Just like it decided to switch off last night. | 0:25:15 | 0:25:17 | |
You ain't even in the conversation! | 0:25:17 | 0:25:19 | |
This Nadine makes some good money, too, sewing for people. | 0:25:19 | 0:25:23 | |
That woman scares me. | 0:25:23 | 0:25:25 | |
Last ol' boy to give her a tumble, | 0:25:25 | 0:25:27 | |
Napier Carpenter, she cooked for him. | 0:25:27 | 0:25:31 | |
Fixed him up all kinds of nice, new clothes... | 0:25:31 | 0:25:35 | |
I don't see no problem with that! | 0:25:35 | 0:25:36 | |
Come four, five months, a man starts to... | 0:25:36 | 0:25:38 | |
Sorry, China Doll, but this is just the way it is. | 0:25:40 | 0:25:43 | |
A man gots needs. | 0:25:43 | 0:25:46 | |
Looks like Nadine could take care of those, too. | 0:25:46 | 0:25:49 | |
You eat chicken every morning, noon and night for five months, | 0:25:49 | 0:25:52 | |
you get a taste for a different kind of meat. | 0:25:52 | 0:25:56 | |
Maybe I shouldn't be talking about this in front of China Doll. | 0:25:57 | 0:26:01 | |
You ain't gonna say something I haven't heard worse. | 0:26:01 | 0:26:05 | |
Well, Napier goes out and has him a pork chop or two, let's say. | 0:26:05 | 0:26:11 | |
Comes back one night from Toussaint's place, | 0:26:13 | 0:26:17 | |
feeling no pain and smelling... | 0:26:17 | 0:26:20 | |
..Like pork chops, the way a man will. | 0:26:21 | 0:26:24 | |
He falls out on Nadine's couch and commenced to snore. | 0:26:24 | 0:26:28 | |
Wake up next morning, find she had taken all his clothes off without him knowing. | 0:26:28 | 0:26:34 | |
The man was dog drunk! | 0:26:34 | 0:26:36 | |
Miss Nadine come back with a skillet in her hand, | 0:26:36 | 0:26:39 | |
hot grits bubbling in it. | 0:26:39 | 0:26:40 | |
Says, "Baby, I got your breakfast". | 0:26:40 | 0:26:45 | |
"Oh, not this morning, Nadine", he says, sitting up. | 0:26:45 | 0:26:49 | |
"Don't think I could eat a thing." | 0:26:49 | 0:26:51 | |
"Well then", she says, "we can't let this go to waste, can we?" | 0:26:53 | 0:26:58 | |
and she dumped that whole hot bubbling mess | 0:26:58 | 0:27:03 | |
right in that man's lap. | 0:27:03 | 0:27:06 | |
Ouch! | 0:27:06 | 0:27:08 | |
Then she got busy with that hot iron on his head. | 0:27:08 | 0:27:15 | |
If screams didn't bring the neighbours in, | 0:27:15 | 0:27:18 | |
she'd have killed that man. | 0:27:18 | 0:27:20 | |
You've got to admit it though, | 0:27:20 | 0:27:21 | |
the woman is an artist when it comes to that Singer machine. | 0:27:21 | 0:27:26 | |
Excuse me. | 0:27:26 | 0:27:27 | |
Which one of you is Mr Pine Top? | 0:27:29 | 0:27:32 | |
We ain't hiring. | 0:27:38 | 0:27:40 | |
I can play anything. | 0:27:42 | 0:27:44 | |
I already got me a professional. | 0:27:44 | 0:27:46 | |
Guitar Sam really comin' all the way down here? | 0:27:48 | 0:27:51 | |
That so surprising? | 0:27:51 | 0:27:53 | |
No, no. | 0:27:53 | 0:27:56 | |
-Mr Shack Thomas told me... -You know Shack? | 0:27:56 | 0:28:00 | |
We...travelled together. | 0:28:00 | 0:28:03 | |
When was the last time you ate solid food, young man? | 0:28:03 | 0:28:07 | |
Take him back and fix him something, China Doll. | 0:28:09 | 0:28:13 | |
Standing there all hungry-eyed, | 0:28:13 | 0:28:16 | |
puts me off my breakfast. | 0:28:16 | 0:28:20 | |
That's real kind of you. | 0:28:20 | 0:28:22 | |
Must've come in on the north-bound last night. | 0:28:38 | 0:28:40 | |
Looks like he got the cooties too. | 0:28:40 | 0:28:42 | |
Straw in them box cars, full of 'em. | 0:28:42 | 0:28:45 | |
Never cared to travel that way. | 0:28:45 | 0:28:47 | |
I was out there riding them rails between the wars. | 0:28:47 | 0:28:51 | |
Hm... | 0:28:51 | 0:28:53 | |
Seen black half of the country headin' west. | 0:28:53 | 0:28:55 | |
Rode past the other half coming back east. | 0:28:55 | 0:28:59 | |
Yeah, every one of us, scraping for the next meal. | 0:28:59 | 0:29:03 | |
This is the place. Y'all can tear things down. | 0:29:05 | 0:29:08 | |
Put things up. It's got a lot of potential. | 0:29:08 | 0:29:11 | |
-It looks bigger than it does from the outside. -Can I help you, gentlemen? | 0:29:11 | 0:29:16 | |
I'm just showing the man who gonna run this place what he got. | 0:29:16 | 0:29:20 | |
This is my place. | 0:29:24 | 0:29:26 | |
You the piano player, right? | 0:29:35 | 0:29:37 | |
My name's Tyrone. They call me Pine Top Purvis. | 0:29:37 | 0:29:40 | |
Pine Top Purvis. | 0:29:40 | 0:29:43 | |
You owe 200 | 0:29:43 | 0:29:45 | |
to Lucky Hardaway up in Little Rock. | 0:29:45 | 0:29:48 | |
He gonna get his. | 0:29:48 | 0:29:49 | |
Pine Top... | 0:29:49 | 0:29:52 | |
You missed last month's rent. | 0:29:52 | 0:29:55 | |
After this weekend. | 0:29:55 | 0:29:56 | |
After this weekend, you gonna be the same raggedy arse piano player | 0:29:56 | 0:30:02 | |
who can't pay off his debts. | 0:30:02 | 0:30:04 | |
Mr Simmons here, he's gonna be the new proprietor. | 0:30:04 | 0:30:08 | |
Lucky give me two weeks. | 0:30:08 | 0:30:10 | |
-Lucky got a better offer. -He can't do that. | 0:30:10 | 0:30:13 | |
You don't think so? | 0:30:15 | 0:30:17 | |
Whoa, now! | 0:30:19 | 0:30:23 | |
What if we got our payments for him Monday? | 0:30:23 | 0:30:26 | |
-Saturday night. -We can do that. | 0:30:26 | 0:30:28 | |
Not just no taste. | 0:30:30 | 0:30:32 | |
The whole 200. | 0:30:32 | 0:30:35 | |
And I'll throw in a 25 cent tip for his messenger boy. | 0:30:35 | 0:30:40 | |
In the meantime, | 0:30:40 | 0:30:42 | |
we're not open yet. | 0:30:42 | 0:30:45 | |
That means y'all trespassing. | 0:30:45 | 0:30:47 | |
See enough, Mr Simmons? | 0:30:52 | 0:30:54 | |
I believe I have. | 0:30:54 | 0:30:56 | |
Somebody could do something with this place. | 0:30:59 | 0:31:03 | |
Wouldn't take a whole lot of work. | 0:31:04 | 0:31:06 | |
-We cleared over 200 that one weekend. -A couple of years back. | 0:31:11 | 0:31:15 | |
And we didn't have no Luther on the guitar with the playing meter. | 0:31:15 | 0:31:18 | |
-They say it draws them like flies. -That's what they say. | 0:31:18 | 0:31:22 | |
They say first thing he does is go to the man that owns a joint, | 0:31:22 | 0:31:25 | |
sticks out his hand and watch that cash money put in it. | 0:31:25 | 0:31:28 | |
I already sent 50 to his manager. | 0:31:28 | 0:31:30 | |
-How much you paying him all out? -Another hundred. | 0:31:30 | 0:31:32 | |
-We need to clear 300! -What I figure is if we charge folks 2 to get in, | 0:31:32 | 0:31:37 | |
then the liquor.... | 0:31:37 | 0:31:38 | |
What I'm saying is 'less he see that green up front, | 0:31:38 | 0:31:41 | |
the man won't get off the train! | 0:31:41 | 0:31:43 | |
HORN HONKS | 0:31:43 | 0:31:45 | |
What's that now? | 0:31:46 | 0:31:48 | |
About time you fellas run by! | 0:31:54 | 0:31:56 | |
We're just about dry here! | 0:31:56 | 0:31:58 | |
Boss in? | 0:31:58 | 0:32:00 | |
Tyrone? | 0:32:00 | 0:32:01 | |
Whisky wagon come by. | 0:32:01 | 0:32:03 | |
Y'all a day late! | 0:32:07 | 0:32:08 | |
The old man Toussaint gonna chew me out! | 0:32:08 | 0:32:11 | |
Toussaint went over to another supplier upstate. | 0:32:11 | 0:32:15 | |
We just got you, | 0:32:15 | 0:32:16 | |
then we're over to the army base to service the officers' club. | 0:32:16 | 0:32:20 | |
That's 56. | 0:32:20 | 0:32:22 | |
My credit no good anymore? | 0:32:24 | 0:32:26 | |
Whoa, whoa. What's your hurry? | 0:32:30 | 0:32:32 | |
Nobody in their right mind sell liquor on credit, | 0:32:32 | 0:32:35 | |
especially not to no dark town road house. | 0:32:35 | 0:32:38 | |
Listen, I got a special case, see. | 0:32:38 | 0:32:40 | |
We've got the harvest coming up. | 0:32:40 | 0:32:42 | |
Soldiers at the base gonna be let off on leave Saturday night. | 0:32:42 | 0:32:46 | |
Ain't enough hooch in this truck to satisfy what we gonna sell! | 0:32:46 | 0:32:49 | |
You pay as you go, that's business. | 0:32:49 | 0:32:54 | |
Look, you come back Monday, | 0:32:54 | 0:32:57 | |
get paid and take back every damn drop that I don't sell. | 0:32:57 | 0:33:03 | |
OK, we got Guitar Sam lined up here... | 0:33:03 | 0:33:07 | |
What... What if I throw in 5 up front for you fellas? | 0:33:10 | 0:33:15 | |
ENGINE STARTS | 0:33:15 | 0:33:18 | |
Hey! Wait. | 0:33:18 | 0:33:20 | |
Come on, man! | 0:33:20 | 0:33:21 | |
Everybody gives credit! | 0:33:25 | 0:33:27 | |
It's the American way! | 0:33:27 | 0:33:28 | |
Maybe we could buy some Bushead from Willie Pettigrew. | 0:33:38 | 0:33:42 | |
With that sheriff sniffing 'round me every night, | 0:33:42 | 0:33:45 | |
lay my black ass in jail for good. | 0:33:45 | 0:33:47 | |
Then what we gonna do? | 0:33:47 | 0:33:49 | |
# Move it on over, move it on over... # | 0:33:49 | 0:33:53 | |
Got a load of liquor for a Mr Lucien Toussaint. | 0:33:59 | 0:34:01 | |
That would be me. | 0:34:01 | 0:34:04 | |
I trust he got my cheque all right. | 0:34:04 | 0:34:06 | |
Don't suppose I'd be here if they didn't. | 0:34:06 | 0:34:08 | |
Pull round to the back, we'll help you unload. | 0:34:08 | 0:34:11 | |
This better be some Saturday night. | 0:34:24 | 0:34:28 | |
Arkansas. How about you? | 0:34:29 | 0:34:32 | |
We come here just after mama met my stepdaddy. | 0:34:33 | 0:34:37 | |
Not much going on in a little town like this. | 0:34:37 | 0:34:39 | |
-They started up the training base again. -Is that right? | 0:34:41 | 0:34:45 | |
You been in the army? | 0:34:49 | 0:34:51 | |
Uh-huh. | 0:34:51 | 0:34:52 | |
You shoot people? | 0:34:52 | 0:34:55 | |
Fixed radios. | 0:34:55 | 0:34:57 | |
They say this new war gonna be a short one. | 0:35:01 | 0:35:04 | |
Might be, might not. | 0:35:04 | 0:35:08 | |
I was in Japan. | 0:35:09 | 0:35:10 | |
Yeah? | 0:35:10 | 0:35:13 | |
What's the people like there? | 0:35:13 | 0:35:15 | |
-Small. -Yeah? | 0:35:15 | 0:35:17 | |
About... | 0:35:17 | 0:35:19 | |
that high. | 0:35:19 | 0:35:20 | |
Speak Japanese. | 0:35:20 | 0:35:22 | |
You been to California? | 0:35:27 | 0:35:29 | |
Los Angeles. | 0:35:29 | 0:35:31 | |
-Where they make the movies? -You go to movies? -I've been once. | 0:35:31 | 0:35:35 | |
A fine looking girl like you ought to have been all kinds of places. | 0:35:35 | 0:35:40 | |
I'm going to 'em, I just... | 0:35:40 | 0:35:42 | |
First I'm going to beauty school. | 0:35:42 | 0:35:44 | |
When mama saves up the money. | 0:35:44 | 0:35:46 | |
Then I'll have a portable skill. | 0:35:46 | 0:35:49 | |
Like playing music? | 0:35:49 | 0:35:51 | |
My stepdaddy says that ain't a skill. | 0:35:51 | 0:35:53 | |
It's an affliction. | 0:35:53 | 0:35:55 | |
Come on, China Doll. | 0:35:58 | 0:35:59 | |
Business in town. You gonna help wi' it. | 0:35:59 | 0:36:02 | |
And you young man, you wanna point yourself west down that highway | 0:36:04 | 0:36:08 | |
about three miles to the people working in the field. | 0:36:08 | 0:36:12 | |
It's harvest time. | 0:36:12 | 0:36:14 | |
If you can stoop and pull, they got a job for you. | 0:36:14 | 0:36:18 | |
Wash up the dishes before you go. | 0:36:18 | 0:36:19 | |
What I need is for you to go get friendly with Luther, | 0:36:28 | 0:36:30 | |
then I just happen in. | 0:36:30 | 0:36:32 | |
We can't just ask Mr Skinner? | 0:36:32 | 0:36:33 | |
Mr Skinner don't want nothing from coloured folk, | 0:36:33 | 0:36:36 | |
but they buy his goods and shine his shoes. | 0:36:36 | 0:36:38 | |
You go on ahead now. | 0:36:38 | 0:36:41 | |
GUITAR STRUMMING | 0:36:55 | 0:36:57 | |
# It was early | 0:37:01 | 0:37:04 | |
# Friday evening | 0:37:04 | 0:37:06 | |
# And the hound began to bark | 0:37:07 | 0:37:11 | |
# Staggolee and Billy Lyons | 0:37:12 | 0:37:15 | |
# Squabbling in the dark | 0:37:15 | 0:37:18 | |
# Staggolee told Billy Lyons | 0:37:20 | 0:37:24 | |
# "What do you think about that? | 0:37:25 | 0:37:28 | |
# "First you take all my money | 0:37:31 | 0:37:34 | |
# "Then you spits in my Stetson hat"... # | 0:37:34 | 0:37:38 | |
I hate that damn song. | 0:37:41 | 0:37:42 | |
How you been keeping, Tyrone? | 0:37:44 | 0:37:47 | |
Well, just... | 0:37:47 | 0:37:49 | |
trying to hold it together. | 0:37:49 | 0:37:50 | |
You've got your beautiful young daughter with you this morning. | 0:37:50 | 0:37:54 | |
Don't you be studying her. | 0:37:54 | 0:37:55 | |
I heard tell you gonna put on a guitar man out at your place. | 0:37:58 | 0:38:01 | |
Where you hear that? | 0:38:01 | 0:38:03 | |
Oh... The breeze. | 0:38:03 | 0:38:05 | |
Well, this time the breeze know what it's blowing about. | 0:38:07 | 0:38:10 | |
You'd better be careful, Tyrone. | 0:38:12 | 0:38:14 | |
Cos you know what them guitar players are like. | 0:38:14 | 0:38:17 | |
You be careful yourself. | 0:38:19 | 0:38:20 | |
# He shot him in the shoulder | 0:38:22 | 0:38:25 | |
# Three times in the side | 0:38:27 | 0:38:30 | |
# That's the last time he shot him | 0:38:32 | 0:38:34 | |
# Poor Billy up and died | 0:38:35 | 0:38:38 | |
# Up and died. # | 0:38:38 | 0:38:40 | |
The time is ripe | 0:38:45 | 0:38:47 | |
and the bill is passed due. | 0:38:47 | 0:38:49 | |
You know Mr Roosevelt would've done it already, only he died. | 0:38:49 | 0:38:53 | |
They don't listen to Miss Eleanor no more but Mr Truman, | 0:38:53 | 0:38:56 | |
he's starting a band, especially now that we got this war heated up. | 0:38:56 | 0:39:00 | |
Brother Randolph says... | 0:39:00 | 0:39:02 | |
Here it comes! The gospel according to Randolph(!) | 0:39:02 | 0:39:07 | |
-Tyrone! How you doing? -Oh, got my nose above the waterline. | 0:39:07 | 0:39:12 | |
-Here's my baby. -What's up, Ty? -How your mama doing, China Doll? | 0:39:12 | 0:39:15 | |
She doing fine, Uncle Shack. | 0:39:15 | 0:39:17 | |
I'm just telling the boys here about how Brother Randolph | 0:39:17 | 0:39:20 | |
pushing this deal how boys are gonna be a full part of the service. | 0:39:20 | 0:39:24 | |
I carried a rifle in the Great War. | 0:39:24 | 0:39:25 | |
Boys get in the middle of this Korea mess, | 0:39:25 | 0:39:27 | |
they ain't gonna thank you for your efforts. | 0:39:27 | 0:39:29 | |
If we want our full due in this country, we've got to go ho ho! | 0:39:29 | 0:39:33 | |
Black folk shooting yellow folk to keep white folks happy? | 0:39:33 | 0:39:36 | |
We need to move on from that kind of thinking. | 0:39:36 | 0:39:39 | |
Move right on, Shack. Then come back and tell the rest of us how it is. | 0:39:39 | 0:39:43 | |
LAUGHTER | 0:39:43 | 0:39:44 | |
That's a hard headed man. | 0:39:46 | 0:39:49 | |
-I'd have to ask Mr Skinner. -Of course you would. | 0:39:50 | 0:39:54 | |
While you're at it, remind him how one of the reasons coloured folks come here | 0:39:54 | 0:39:57 | |
is to get the low-down on what's happening. | 0:39:57 | 0:40:00 | |
-China doll! -You gonna let us put up these posters, ain't you, Luther? | 0:40:00 | 0:40:03 | |
I don't think that will be any problem at all. | 0:40:03 | 0:40:06 | |
-That's awful nice of you, Luther. -You're looking special today. | 0:40:06 | 0:40:10 | |
That's sweet of you to say. | 0:40:10 | 0:40:12 | |
Maceo, you go with the man here, | 0:40:12 | 0:40:14 | |
he'll show you where to put these up. | 0:40:14 | 0:40:16 | |
Darling, we've got a lot of more places to go. | 0:40:16 | 0:40:20 | |
Nice to see you, Luther! | 0:40:20 | 0:40:22 | |
You've got that boy eating out of your hand! | 0:40:29 | 0:40:32 | |
Luther is the only one didn't pull my hair, | 0:40:32 | 0:40:35 | |
he sat behind me in Sunday school. | 0:40:35 | 0:40:37 | |
I hope you got a little of that sugar left, cos we got to spare some on Miss Bertha Mae Spivey. | 0:40:37 | 0:40:41 | |
-You gonna ask her to come sing again? -I'm gonna ask her for money. | 0:40:41 | 0:40:44 | |
Word is, she got a whole pile of it squirrelled away. | 0:40:44 | 0:40:47 | |
-Daddy... -Hey, come on, girl, we in a rush here. -I got to rest. | 0:40:47 | 0:40:51 | |
Oh, I'm sorry, honey. | 0:40:54 | 0:40:58 | |
You catch your breath, OK. | 0:40:58 | 0:40:59 | |
Yeah. | 0:40:59 | 0:41:01 | |
So why Miss Spivey gonna give you money, | 0:41:02 | 0:41:06 | |
if you won't let her sing at the club no more? | 0:41:06 | 0:41:08 | |
-I'm gonna make her partner. -Partner in what? | 0:41:08 | 0:41:11 | |
The Honeydripper. | 0:41:11 | 0:41:12 | |
But all you ever say, it's just a hole you pour good money into. | 0:41:12 | 0:41:17 | |
It don't matter. I'm gonna make her proprietor. | 0:41:17 | 0:41:19 | |
Tress. Like waiter and waitress. | 0:41:19 | 0:41:23 | |
Proprietress. | 0:41:24 | 0:41:26 | |
She got to like the sound of that. | 0:41:26 | 0:41:28 | |
Lovely ladies out to make a purchase. | 0:41:32 | 0:41:35 | |
-Is that the same Guitar Sam is on the radio? -The very one. | 0:41:35 | 0:41:38 | |
What does he look like? | 0:41:38 | 0:41:40 | |
A fine looking man, a real lady killer from what I hear. | 0:41:40 | 0:41:45 | |
Got that New Orleans style to him. | 0:41:45 | 0:41:47 | |
Well, you ought to have a picture up there. | 0:41:47 | 0:41:48 | |
We'll be getting some of those when he come in on the train. | 0:41:48 | 0:41:51 | |
Main thing is, the man is electrifying | 0:41:51 | 0:41:55 | |
and you know what that means. | 0:41:55 | 0:41:57 | |
OK. | 0:41:57 | 0:41:59 | |
Make like we just come by to see how how she keeping. | 0:42:01 | 0:42:06 | |
Then I'll kind of mention I'd been thinking of bringing her on as a partner. | 0:42:06 | 0:42:10 | |
Left the door open. | 0:42:12 | 0:42:13 | |
She gone. | 0:42:27 | 0:42:28 | |
Oh. When she going to be back? | 0:42:28 | 0:42:33 | |
She just gone. | 0:42:35 | 0:42:36 | |
Woke up beside her. | 0:42:41 | 0:42:43 | |
Oh, damn. | 0:43:01 | 0:43:02 | |
24 years. | 0:43:02 | 0:43:04 | |
China doll, go find your mama. | 0:43:05 | 0:43:08 | |
She'll know how to fix up the body. | 0:43:08 | 0:43:09 | |
Laugh and all but... | 0:43:15 | 0:43:17 | |
..I've been with that woman 24 years. | 0:43:18 | 0:43:21 | |
She gave me the only home I ever had. | 0:43:23 | 0:43:25 | |
What am I gonna do now? | 0:43:29 | 0:43:31 | |
What's your hurry, boy? | 0:43:55 | 0:43:57 | |
No hurry. | 0:43:59 | 0:44:01 | |
Take your hat off. | 0:44:02 | 0:44:03 | |
Where you headed? | 0:44:06 | 0:44:08 | |
I'm looking for work. | 0:44:08 | 0:44:09 | |
You're not from around here? | 0:44:09 | 0:44:11 | |
No, sir. | 0:44:11 | 0:44:13 | |
Stranger wandering around, no job, | 0:44:13 | 0:44:16 | |
that would make you a vagrant. | 0:44:16 | 0:44:19 | |
But I'm looking. | 0:44:19 | 0:44:21 | |
I got a job for you. Get in the back. | 0:44:23 | 0:44:25 | |
I can always use another hand. | 0:44:47 | 0:44:49 | |
Well, I caught this young fella in flagrant violation of the statutes - | 0:44:49 | 0:44:54 | |
gawkery, with intent to mope. | 0:44:54 | 0:44:57 | |
What's he going to run me? | 0:44:58 | 0:45:00 | |
3 a day, plus you feed him lunch. | 0:45:00 | 0:45:03 | |
The sentence, that all depends on how long you're gonna need the help? | 0:45:03 | 0:45:06 | |
I don't get any trial? | 0:45:06 | 0:45:08 | |
Sure you do, boy, and a speedy one at that. Meet the judge. | 0:45:08 | 0:45:12 | |
Judge Gatlin. | 0:45:12 | 0:45:14 | |
Grab a sack. | 0:45:14 | 0:45:16 | |
Oh dear, I believe it's about that time. | 0:45:20 | 0:45:23 | |
-Would you care to join me? -No, thank you. | 0:45:26 | 0:45:28 | |
Of course you won't join me, you don't partake. | 0:45:31 | 0:45:33 | |
That was thoughtless of me. | 0:45:33 | 0:45:36 | |
No, that's all right. | 0:45:36 | 0:45:38 | |
So, you don't take spirits and what else in your church? | 0:45:41 | 0:45:47 | |
-I'm sort of between churches right now. -Oh. | 0:45:49 | 0:45:53 | |
I've been thinking about changing over to the Holiness, | 0:45:53 | 0:45:58 | |
but I haven't been sanctified yet. | 0:45:58 | 0:46:00 | |
Oh. | 0:46:00 | 0:46:02 | |
There's been a minister in this week. | 0:46:06 | 0:46:10 | |
The tent over by the fairgrounds? | 0:46:10 | 0:46:12 | |
The church I was raised in, we were Pentecostals. | 0:46:15 | 0:46:18 | |
They wouldn't have anything but the human voice inside the church. | 0:46:20 | 0:46:26 | |
Dancing, any kind of dancing, | 0:46:26 | 0:46:29 | |
music, card-playing. | 0:46:29 | 0:46:32 | |
It was very strict. | 0:46:32 | 0:46:33 | |
They took up serpents. | 0:46:36 | 0:46:38 | |
I heard of that. | 0:46:38 | 0:46:40 | |
I tell Floyd these stories, and he's... He's horrified. | 0:46:40 | 0:46:44 | |
They have always been Methodists, Floyd's family. | 0:46:45 | 0:46:49 | |
It can be a trial, married folks differ in their religion. | 0:46:49 | 0:46:52 | |
And your husband is a...? | 0:46:52 | 0:46:54 | |
Unaffiliated. | 0:46:57 | 0:46:59 | |
Unaffiliated, I see. | 0:46:59 | 0:47:01 | |
But he has his social club. | 0:47:04 | 0:47:07 | |
-The Honeydripper? -That is such a colourful name. | 0:47:07 | 0:47:10 | |
Yes. | 0:47:10 | 0:47:12 | |
He must have a great deal of his energy to it. | 0:47:15 | 0:47:20 | |
It's just him and Maceo Green runs it, | 0:47:20 | 0:47:22 | |
I go over and cook some after I get off here. | 0:47:22 | 0:47:25 | |
Well, that's very supportive of you, considering the sort of environment. | 0:47:25 | 0:47:31 | |
I've been in those bar rooms most of my life, Miss Amanda. | 0:47:31 | 0:47:35 | |
I see. | 0:47:36 | 0:47:38 | |
I was a singer. | 0:47:45 | 0:47:47 | |
I met Tyrone in the Paradise, down in Treefork. | 0:47:49 | 0:47:52 | |
China doll was only two. | 0:47:52 | 0:47:54 | |
And I was just... | 0:47:55 | 0:47:58 | |
living alone, you know, | 0:47:58 | 0:48:01 | |
drinking more than I ought, | 0:48:01 | 0:48:04 | |
and then Tyrone... | 0:48:04 | 0:48:06 | |
..Like a light, come into my life. | 0:48:07 | 0:48:10 | |
People think things cos he owns the lounge, | 0:48:10 | 0:48:14 | |
but they don't know him. | 0:48:14 | 0:48:16 | |
Small minds are never in short supply. | 0:48:18 | 0:48:21 | |
People in this town... | 0:48:22 | 0:48:24 | |
I suppose they expected that Floyd, being from a prominent family, | 0:48:30 | 0:48:36 | |
as prominent as is possible here in Harmony, | 0:48:36 | 0:48:41 | |
would have chosen somebody more... | 0:48:41 | 0:48:44 | |
In school, if you didn't have shoes... | 0:48:50 | 0:48:53 | |
Oh, I forgot! | 0:48:59 | 0:49:02 | |
I was going through some of Emily's old things the other day. | 0:49:15 | 0:49:19 | |
I thought this would look just darling on your China Doll. | 0:49:19 | 0:49:22 | |
Oh, I don't think that would near fit her, Miss Amanda. | 0:49:24 | 0:49:27 | |
Why, how old is she, now? | 0:49:27 | 0:49:29 | |
17. | 0:49:29 | 0:49:31 | |
Oh, my... | 0:49:32 | 0:49:34 | |
I must have lost track somewhere along the line. | 0:49:36 | 0:49:39 | |
17? | 0:49:39 | 0:49:41 | |
It was a very nice thought. | 0:49:41 | 0:49:44 | |
Mama, mama, they need you... | 0:49:45 | 0:49:48 | |
Oh, I'm sorry. | 0:49:50 | 0:49:51 | |
-Miss Amanda, I didn't know you was home. -China Doll! | 0:49:51 | 0:49:56 | |
We were just recalling how you used to play right here, | 0:49:56 | 0:50:00 | |
under this table. | 0:50:00 | 0:50:01 | |
There's not any cash money that I know of. | 0:50:03 | 0:50:07 | |
She sold a good deal of the furniture, | 0:50:07 | 0:50:09 | |
but there's still a nice looking couch in the parlour. | 0:50:09 | 0:50:13 | |
Didn't care about too much, | 0:50:14 | 0:50:18 | |
other than singing at the Pine Top's place. | 0:50:18 | 0:50:21 | |
You're welcome to look around the house, | 0:50:21 | 0:50:23 | |
if there's anything your missus might like. | 0:50:23 | 0:50:25 | |
As long as it's not something personal to me and Bertha Mae. | 0:50:25 | 0:50:28 | |
It's just... | 0:50:28 | 0:50:31 | |
She's got to go out in style. | 0:50:32 | 0:50:34 | |
-You ain't never done this job before? -Can't say I have. | 0:51:19 | 0:51:23 | |
You want to set your pins out wide, bend over at the hip. | 0:51:24 | 0:51:30 | |
Don't be bobbing up and down all the time. | 0:51:30 | 0:51:33 | |
When you're up, be up. | 0:51:33 | 0:51:35 | |
When you're on the roll, stay down. | 0:51:35 | 0:51:38 | |
But most important, | 0:51:38 | 0:51:41 | |
you got to get a rhythm. | 0:51:41 | 0:51:43 | |
Everything in life got a rhythm, even pulling cotton off the plant. | 0:51:43 | 0:51:48 | |
-Lay it out for me. -Not my rhythm, your rhythm. | 0:51:48 | 0:51:52 | |
That's between you and the day and the work you got before you. | 0:51:52 | 0:51:56 | |
Once you get it, don't let nothing or nobody push you off it. | 0:51:56 | 0:52:00 | |
I'm going so slow. | 0:52:00 | 0:52:02 | |
Are you getting paid by the pound or by the hour? | 0:52:02 | 0:52:05 | |
I ain't getting paid at all, none of us are. | 0:52:05 | 0:52:08 | |
I suggest you work that into your rhythm too. | 0:52:08 | 0:52:11 | |
Let's see more picking and less talking over there. | 0:52:11 | 0:52:14 | |
Getting right to it, boss. | 0:52:14 | 0:52:15 | |
Them boys frying over there. | 0:52:34 | 0:52:36 | |
That's just Gatlin's gang. | 0:52:36 | 0:52:38 | |
He works them people from can into cane, every damn day. | 0:52:38 | 0:52:42 | |
When the fields get picked, he bid 'em out to the neighbours. | 0:52:42 | 0:52:44 | |
Harvest time come around here, | 0:52:44 | 0:52:46 | |
you'd better sign with somebody fast, or get out of sight. | 0:52:46 | 0:52:50 | |
I ate a pick of dust today. | 0:52:52 | 0:52:53 | |
Why don't you get some water? | 0:52:53 | 0:52:55 | |
The only thing that wash out the dust is whisky. | 0:52:55 | 0:52:58 | |
Ain't enough whisky in this world to wash out what I swallowed in my life. | 0:52:58 | 0:53:02 | |
-What are we playing for? -Two bits of ham. | 0:53:02 | 0:53:05 | |
Woo! That's awful steep, ain't it? | 0:53:05 | 0:53:07 | |
Well... I remember playing this game one night, | 0:53:07 | 0:53:10 | |
Memphis's boss Crumpstown folks is gambling before they can walk, | 0:53:10 | 0:53:13 | |
caught me a winning streak | 0:53:13 | 0:53:15 | |
that cleaned out half the sporting men on Beale Street. | 0:53:15 | 0:53:18 | |
I got up from that table, my money was long as train smoke. | 0:53:18 | 0:53:23 | |
What happened to it? | 0:53:23 | 0:53:24 | |
I spent it all on fine-looking women. | 0:53:26 | 0:53:29 | |
-Yo, Mississippi! -His name is Hamilton. -Hambo! | 0:53:35 | 0:53:39 | |
You want in on this? | 0:53:41 | 0:53:43 | |
Settle up on pay day. | 0:53:43 | 0:53:45 | |
That your deck of cards? | 0:53:45 | 0:53:47 | |
What if it is? | 0:53:48 | 0:53:50 | |
I'll stay clear of it then. | 0:53:50 | 0:53:53 | |
-Are you insinuating? -I'm just saying, I don't want to play. | 0:53:53 | 0:53:57 | |
Looks like dinner. | 0:54:10 | 0:54:12 | |
A rabbit is a rodent. | 0:54:12 | 0:54:14 | |
A man eat a rabbit, might as well eat a rat. | 0:54:14 | 0:54:16 | |
Simple country nigger, | 0:54:16 | 0:54:18 | |
afraid to sit down and lose a little handful of change. | 0:54:18 | 0:54:21 | |
He awful big to mess with. | 0:54:21 | 0:54:24 | |
Don't scare me none. | 0:54:24 | 0:54:26 | |
I'm a stepping razor, man. I'm trouble on two legs. | 0:54:26 | 0:54:29 | |
Your draw, Junebug. Don't be dripping no sweat on my cards. | 0:54:32 | 0:54:35 | |
HONKING | 0:54:35 | 0:54:38 | |
Excuse me folks! | 0:54:38 | 0:54:39 | |
Look here! | 0:54:42 | 0:54:44 | |
Y'all heard about the show we puttin' on at the Honeydripper. | 0:54:44 | 0:54:49 | |
Saturday night. | 0:54:49 | 0:54:51 | |
We got Guitar Sam! | 0:54:51 | 0:54:53 | |
I expect there'll be a nice turnout for Bertha Mae tomorrow. | 0:54:57 | 0:55:00 | |
Yes, folks who wouldn't have nothing to do with her when she was alive. | 0:55:00 | 0:55:04 | |
Some of them, maybe. | 0:55:04 | 0:55:06 | |
Still got to pay your respects. | 0:55:06 | 0:55:08 | |
That Slick is gonna have to find him a new ride. | 0:55:10 | 0:55:13 | |
That's a terrible thing to say. | 0:55:13 | 0:55:15 | |
That's how the man gets over, is all. | 0:55:15 | 0:55:17 | |
Always sugaring up to some woman who's got a job or a bankroll. | 0:55:17 | 0:55:22 | |
That's no way to live. | 0:55:22 | 0:55:23 | |
Society is in whirl, baby. | 0:55:25 | 0:55:26 | |
A man's gotta walk through the gates of hell to get a piece of cheese. | 0:55:27 | 0:55:31 | |
Not so young any more... | 0:55:34 | 0:55:36 | |
..Lose hold of what little he's got. | 0:55:37 | 0:55:40 | |
If you lose the club, I'm sure you'll find something else. | 0:55:40 | 0:55:42 | |
In this town, like what? | 0:55:42 | 0:55:46 | |
You know, any time you want, I could get Miss Amanda to ask... | 0:55:46 | 0:55:50 | |
Watch your feet, Mr Mayor! | 0:55:50 | 0:55:52 | |
I just done mopped the floor. | 0:55:52 | 0:55:54 | |
Ty, you work so hard at the lodge, but what you bring in is... | 0:55:54 | 0:55:58 | |
Not even as much as you make polishing that white lady's silver. | 0:55:58 | 0:56:02 | |
I didn't say that. | 0:56:11 | 0:56:13 | |
You didn't have to. | 0:56:13 | 0:56:14 | |
It'll just have to work out, then. | 0:56:17 | 0:56:19 | |
Meeting gonna start and I'm not there. | 0:56:23 | 0:56:25 | |
Your soul's not the one needs saving, baby. | 0:56:29 | 0:56:31 | |
It's all gonna be fine, Daddy. | 0:56:46 | 0:56:49 | |
Everybody in town talking about Guitar Sam coming to Harmony. | 0:56:49 | 0:56:52 | |
# As I walked all along this highway | 0:56:54 | 0:57:01 | |
# I was seeking | 0:57:02 | 0:57:05 | |
# My Lord each day | 0:57:05 | 0:57:09 | |
# She left me standing | 0:57:09 | 0:57:11 | |
# She left me standing | 0:57:11 | 0:57:14 | |
# Out on this highway | 0:57:14 | 0:57:16 | |
# Oh, just wondering which way I must go | 0:57:16 | 0:57:25 | |
# She left me standing | 0:57:25 | 0:57:27 | |
# She left me standing | 0:57:27 | 0:57:29 | |
# Out on this highway | 0:57:29 | 0:57:31 | |
# Oh, just wondering which way I must go. # | 0:57:31 | 0:57:42 | |
Amen! Amen! Sing on, choir! | 0:57:43 | 0:57:47 | |
Amen! Let the church say Amen. | 0:57:47 | 0:57:51 | |
ALL: Amen! | 0:57:51 | 0:57:52 | |
Amen! | 0:57:52 | 0:57:53 | |
Let the church say Amen! Amen! | 0:57:53 | 0:57:56 | |
ALL: Amen! | 0:57:56 | 0:57:58 | |
Amen! | 0:58:00 | 0:58:01 | |
She left him standing out on the highway, | 0:58:03 | 0:58:06 | |
wondering which way to go. | 0:58:06 | 0:58:09 | |
ALL: Yeah. | 0:58:09 | 0:58:11 | |
The highway of life. | 0:58:11 | 0:58:15 | |
Sisters and brothers, it will twist you and it will turn ya. | 0:58:15 | 0:58:19 | |
It will run you this-a-way, and it will run you that-a-way. | 0:58:19 | 0:58:24 | |
ALL: Yeah. | 0:58:24 | 0:58:25 | |
Tempt you with many a detour. | 0:58:25 | 0:58:28 | |
ALL: Yeah. | 0:58:28 | 0:58:29 | |
Because the highway of life is designed to lead us astray. | 0:58:29 | 0:58:35 | |
ALL: Yeah. | 0:58:35 | 0:58:36 | |
That's not the road that we want to be on, brothers and sisters. | 0:58:36 | 0:58:41 | |
That's not the path that we need to follow. | 0:58:41 | 0:58:44 | |
We need to be on that other road. | 0:58:44 | 0:58:48 | |
We need to be on that road that leads to glory. | 0:58:48 | 0:58:54 | |
We need to be on that road that leads to the right hand of God. | 0:58:54 | 0:58:58 | |
CHEERING AND APPLAUSE | 0:58:58 | 0:59:00 | |
# That thoroughfare I'm talking about | 0:59:01 | 0:59:04 | |
# That righteous road we need to travel | 0:59:04 | 0:59:09 | |
# It's called the highway to heaven | 0:59:09 | 0:59:14 | |
# It is called the highway to heaven | 0:59:14 | 0:59:18 | |
# But we need to know, sisters and brothers | 0:59:18 | 0:59:20 | |
# We need to know Who is walking beside ya. | 0:59:20 | 0:59:24 | |
# You got to be wary of who is tryin' | 0:59:24 | 0:59:27 | |
# To hold you back from your journey | 0:59:27 | 0:59:30 | |
# Cos many a loved ones got to be left behind | 0:59:30 | 0:59:34 | |
# Cos even on the road, you're lost in the wilderness | 0:59:34 | 0:59:39 | |
# You're either headin' for glory or you're doomed for damnation | 0:59:39 | 0:59:45 | |
# You're either with the Lord or you're with the devil. | 0:59:45 | 0:59:48 | |
# And there ain't no in-between. | 0:59:48 | 0:59:50 | |
# No, no, there ain't no in-between. # | 0:59:50 | 0:59:54 | |
Praise the Lord! | 0:59:54 | 0:59:57 | |
APPLAUSE | 0:59:57 | 0:59:59 | |
-Charleston. -Yeah. | 1:00:07 | 1:00:09 | |
-Tulsa. -Tulsa ain't so bad. | 1:00:12 | 1:00:15 | |
-But for the spit. -Got them stockyards near the jail. | 1:00:15 | 1:00:19 | |
Them flies. | 1:00:19 | 1:00:21 | |
Course, I had me in a cell in Georgia once. | 1:00:21 | 1:00:24 | |
Six other men, didn't have a one doing tall. | 1:00:24 | 1:00:27 | |
-Must've got caught hoppin' one of them freights. -Yeah. | 1:00:27 | 1:00:30 | |
Ain't no free ride allowed through Georgia. | 1:00:30 | 1:00:32 | |
-And the food there? -Paltry. -Paltry ain't the word for it. | 1:00:32 | 1:00:35 | |
Breakfast is a joke. And lunch is a rumour... | 1:00:35 | 1:00:38 | |
And dinner was a anecdote! | 1:00:38 | 1:00:40 | |
< Do it the hard way, brother! | 1:00:40 | 1:00:43 | |
-You got locked in that box. -Or one just like it. | 1:00:43 | 1:00:46 | |
# Wake up in the morning | 1:00:48 | 1:00:51 | |
# Hear the bing bong ring | 1:00:51 | 1:00:53 | |
# Walk up to the table | 1:00:55 | 1:00:57 | |
# See the same damn thing | 1:00:57 | 1:01:00 | |
# What am I gonna tell you | 1:01:00 | 1:01:03 | |
# Fork, a knife, and a pan | 1:01:03 | 1:01:06 | |
# If you say a thing about it | 1:01:06 | 1:01:09 | |
# You in trouble with the man. | 1:01:09 | 1:01:12 | |
# Let the Midnight Special | 1:01:12 | 1:01:15 | |
# Shine its light on me | 1:01:15 | 1:01:18 | |
# Well, let the Midnight Special | 1:01:18 | 1:01:21 | |
# Shine its ever-loving light on me. # | 1:01:21 | 1:01:25 | |
You a singer, young man? | 1:01:25 | 1:01:26 | |
Yeah, I'm a singer. | 1:01:26 | 1:01:28 | |
I'm a guitar player. | 1:01:28 | 1:01:29 | |
I'm gonna be on the radio someday, people are gonna know my name. | 1:01:29 | 1:01:33 | |
You keep on thinking that way, young man. | 1:01:33 | 1:01:36 | |
If Judge Gatlin don't choose to work you into your grave, | 1:01:36 | 1:01:40 | |
you just might do it. | 1:01:40 | 1:01:42 | |
# If you ever go to Houston | 1:01:52 | 1:01:55 | |
# Don't you stagger Don't you fight | 1:01:55 | 1:01:58 | |
# Cos the sheriff will arrest you | 1:01:59 | 1:02:02 | |
# You're in the cooler for the night | 1:02:02 | 1:02:05 | |
# He'll tie your hands together | 1:02:05 | 1:02:08 | |
# And he'll bring you down | 1:02:08 | 1:02:11 | |
# Throw you in the black river | 1:02:11 | 1:02:14 | |
# Penitentiary bound. # | 1:02:14 | 1:02:17 | |
# Early this morning | 1:03:09 | 1:03:11 | |
# I heard the lonesome church bell toll | 1:03:13 | 1:03:16 | |
# Early this morning | 1:03:25 | 1:03:27 | |
# I heard the low down church bell toll | 1:03:27 | 1:03:31 | |
# It brought me the sad news | 1:03:39 | 1:03:42 | |
# My Bertha Mae was dead and gone | 1:03:43 | 1:03:46 | |
# Never miss my baby | 1:03:54 | 1:03:57 | |
# I never missed her till she left my door... # | 1:03:58 | 1:04:02 | |
First, he passed away, and the seed was no more... | 1:04:03 | 1:04:07 | |
# I never missed my baby | 1:04:10 | 1:04:13 | |
# Until she left my door | 1:04:13 | 1:04:17 | |
# It breaks my heart | 1:04:25 | 1:04:27 | |
# Think I never see her face no more. # | 1:04:28 | 1:04:32 | |
He will dwell within, he will wipe every tear from their eyes. | 1:04:32 | 1:04:37 | |
Death shall be no more, mourning and dying and pain shall be no more. | 1:04:38 | 1:04:44 | |
To the first things that passed away, | 1:04:45 | 1:04:49 | |
I am the Alpha and the Omega, | 1:04:49 | 1:04:52 | |
the beginning and the end... | 1:04:52 | 1:04:54 | |
I hear tell Miss Bertha Mae passed. | 1:05:40 | 1:05:43 | |
That's right. | 1:05:46 | 1:05:48 | |
Yeah, she lived it. | 1:05:48 | 1:05:49 | |
Just like she sang it. | 1:05:49 | 1:05:52 | |
You waiting on somebody? | 1:05:58 | 1:06:00 | |
Ain't nobody on that train gonna change your luck, Tyrone. | 1:06:05 | 1:06:09 | |
You're gonna have to save your own self. | 1:06:09 | 1:06:12 | |
What do you know about anything? | 1:06:12 | 1:06:14 | |
Oh, nothing much. | 1:06:14 | 1:06:17 | |
But I know you. | 1:06:17 | 1:06:19 | |
From way back. | 1:06:19 | 1:06:21 | |
GUITAR STRUMS | 1:06:21 | 1:06:24 | |
# Mm... | 1:06:29 | 1:06:31 | |
# Oh... | 1:06:44 | 1:06:46 | |
# Oh | 1:06:46 | 1:06:48 | |
TRAIN HORN BLOWS | 1:07:07 | 1:07:10 | |
TRAIN HORN CONTINUES | 1:07:13 | 1:07:17 | |
Mournful end for a wayward sinner. | 1:07:32 | 1:07:35 | |
She always seemed at peace with herself. | 1:07:35 | 1:07:39 | |
The company she kept? | 1:07:39 | 1:07:40 | |
The life she lived? | 1:07:40 | 1:07:42 | |
I never know Bertha Mae to do hurt to a living soul. | 1:07:44 | 1:07:47 | |
We're all hoping to see you get over | 1:07:50 | 1:07:52 | |
and accept the Lord tonight, Delilah. | 1:07:52 | 1:07:54 | |
I'm hoping so too. | 1:07:55 | 1:07:57 | |
You've been lingering at the threshold long enough, sister. | 1:07:57 | 1:08:01 | |
Time to step ahead. | 1:08:01 | 1:08:02 | |
Tyrone! You got somebody getting off here? | 1:08:41 | 1:08:44 | |
-Supposed to be. -Well, what's the party's name? | 1:08:44 | 1:08:47 | |
Sam? Guitar Sam. Don't know his birth name. | 1:08:47 | 1:08:50 | |
-He's coming here? -Uh-huh. | 1:08:50 | 1:08:52 | |
Yo, Matt! Guitar Sam get on this train? | 1:08:54 | 1:08:56 | |
Nah, man, he's in the hospital back in Little Rock. | 1:08:56 | 1:08:59 | |
-Hospital? -You know music folks. | 1:08:59 | 1:09:01 | |
Whatever he was doing, he must have been doing too much of it. | 1:09:01 | 1:09:05 | |
Brother, maybe... Maybe he come on in tomorrow, huh? | 1:09:05 | 1:09:09 | |
Matt! | 1:09:11 | 1:09:12 | |
All aboard! | 1:09:16 | 1:09:18 | |
Somebody didn't show up! | 1:09:31 | 1:09:33 | |
We should have made you dumb instead of blind. | 1:09:38 | 1:09:41 | |
# I done had my fun | 1:10:03 | 1:10:06 | |
# If I don't get well no more | 1:10:08 | 1:10:11 | |
# I said, I done had my fun | 1:10:17 | 1:10:20 | |
# If I don't get well no more | 1:10:23 | 1:10:26 | |
# My head is spinning | 1:10:33 | 1:10:35 | |
# And I's going down real slow. # | 1:10:37 | 1:10:41 | |
A man don't take care of himself... | 1:10:55 | 1:10:57 | |
.. With drinking and jazz and women every night. | 1:10:59 | 1:11:03 | |
Don't make no difference now. | 1:11:04 | 1:11:06 | |
It got so bad, | 1:11:08 | 1:11:10 | |
I heard there was this old boy goes round pretending to be Guitar Sam. | 1:11:10 | 1:11:15 | |
Fill out the gigs he misses. | 1:11:15 | 1:11:17 | |
He does pretty well for himself, what I hearing. | 1:11:19 | 1:11:23 | |
Somebody we could find? | 1:11:23 | 1:11:24 | |
Hell, I don't know, just some story I heard. | 1:11:26 | 1:11:29 | |
Must have been the first one. | 1:11:36 | 1:11:39 | |
First what? | 1:11:39 | 1:11:41 | |
Back in slavery days, them's the one that work in the big house. | 1:11:41 | 1:11:45 | |
Might not have had shoes always, | 1:11:45 | 1:11:48 | |
the pants didn't have no holes in them, they didn't pick no cotton. | 1:11:48 | 1:11:52 | |
-House niggers. -Yeah, that's how they call them. | 1:11:52 | 1:11:56 | |
They had all their African kinds of instruments. | 1:11:56 | 1:12:00 | |
Drums, shakers, some kind of banjo thing. | 1:12:00 | 1:12:05 | |
But the piano... | 1:12:05 | 1:12:06 | |
They didn't bring no piano over on those ships from Africa. | 1:12:06 | 1:12:10 | |
The piano was just sitting there, | 1:12:10 | 1:12:13 | |
in the white folks' big room, all polished up. | 1:12:13 | 1:12:15 | |
I'd figure this... | 1:12:17 | 1:12:20 | |
first one... | 1:12:20 | 1:12:22 | |
He must have passed by 15, 20 times a day. | 1:12:22 | 1:12:26 | |
Run the corner of his eyes over it. | 1:12:26 | 1:12:28 | |
You see, he was there when they'd play. | 1:12:28 | 1:12:30 | |
The masters. | 1:12:30 | 1:12:32 | |
Their minuets. | 1:12:32 | 1:12:35 | |
PLAYS A MINUET | 1:12:35 | 1:12:39 | |
Him standing there, with a tray of white people's food. | 1:12:46 | 1:12:51 | |
Pretending not to have a thought in his head. | 1:12:51 | 1:12:54 | |
But he... | 1:12:54 | 1:12:57 | |
He's watching them fingers. | 1:12:57 | 1:12:59 | |
He's watching where them keys were. | 1:12:59 | 1:13:02 | |
See, this old boy, the first one, | 1:13:02 | 1:13:05 | |
he knows how to play all them kinds of African instruments. | 1:13:05 | 1:13:09 | |
He could play mud if you gave him a key and a tempo. | 1:13:09 | 1:13:12 | |
Yeah, he got music in his head and his heart. | 1:13:12 | 1:13:15 | |
In every damn piece of him there's music. | 1:13:15 | 1:13:19 | |
Then one day... | 1:13:19 | 1:13:21 | |
..The master's away. | 1:13:22 | 1:13:24 | |
And he alone in that room, | 1:13:24 | 1:13:28 | |
with that piano. | 1:13:28 | 1:13:29 | |
Watch out now. | 1:13:29 | 1:13:31 | |
And he goes over | 1:13:31 | 1:13:32 | |
and he sits down on the bench. | 1:13:32 | 1:13:35 | |
And he spreads his fingers over it, | 1:13:38 | 1:13:44 | |
the way he's seen that minuet player do. | 1:13:44 | 1:13:47 | |
And he thinks... | 1:13:47 | 1:13:49 | |
PLAYS CHORD | 1:13:50 | 1:13:52 | |
And he thinks... | 1:13:56 | 1:13:57 | |
.."Lord help me." | 1:14:00 | 1:14:02 | |
"I could do some damage with this thing." | 1:14:03 | 1:14:08 | |
I would have liked to have been there. | 1:14:08 | 1:14:10 | |
I mean... | 1:14:13 | 1:14:15 | |
Just to hear the cat play. | 1:14:17 | 1:14:20 | |
Mace... | 1:14:34 | 1:14:36 | |
I'm gonna lose my club. | 1:14:39 | 1:14:41 | |
If old man Toussaint find out you stole his liquor, | 1:14:41 | 1:14:47 | |
you're likely to lose more than that. | 1:14:47 | 1:14:49 | |
I got no more cards to play. | 1:14:49 | 1:14:52 | |
If you was to go down to see Lucky Hardaway in person... | 1:14:52 | 1:14:56 | |
I ain't kissing up to no cokey-nose, coke-headed asshole! | 1:14:56 | 1:14:59 | |
What the hell that supposed to be? | 1:15:07 | 1:15:10 | |
Some kind of guitar. | 1:15:19 | 1:15:22 | |
A guitar got a hole in it. That's how the sound come out. | 1:15:22 | 1:15:24 | |
That boy must be three bricks shy of a load upstairs. | 1:15:24 | 1:15:29 | |
-Daddy! They've gone and arrested him! -Arrest who? | 1:15:29 | 1:15:32 | |
Sonny! The High Sheriff arrested him and sold him to Judge Gatlin! | 1:15:32 | 1:15:35 | |
-Sonny who?! -Sonny that was here yesterday morning! | 1:15:35 | 1:15:37 | |
Sonny that got a screw loose? That's why they arrested him! | 1:15:37 | 1:15:40 | |
Mace? Play something on that, make some noise there. | 1:15:40 | 1:15:44 | |
GUITAR STRUMS | 1:15:44 | 1:15:46 | |
It's electric. | 1:15:47 | 1:15:50 | |
I could plug a chunk of stovewood in a wall and it'd get more music | 1:15:50 | 1:15:52 | |
-than you'd get out of that mess! -Nah, man. | 1:15:52 | 1:15:56 | |
No, man, it don't work unless it's hooked up to the juice! | 1:15:56 | 1:16:00 | |
See, you got the juice, you don't need the hollow inside that box. | 1:16:00 | 1:16:05 | |
The music just runs straight from the strings, through the wire... | 1:16:05 | 1:16:11 | |
..And out of your amplifier... | 1:16:13 | 1:16:18 | |
..Which is what this thing must be. | 1:16:22 | 1:16:25 | |
Sonny said he fixed radios in the army. | 1:16:25 | 1:16:27 | |
Sonny didn't do nothing but feed bed bugs in anybody's army. | 1:16:27 | 1:16:31 | |
And some of them caught in his head. | 1:16:31 | 1:16:33 | |
I'm surprised he's even got the wit to pick cotton. | 1:16:33 | 1:16:36 | |
Judge Gatlin done bought himself a drooling idiot. | 1:16:36 | 1:16:39 | |
-What you gonna amplify a guitar for anyway? -Daddy? | 1:16:39 | 1:16:42 | |
Unless you're gonna sit over in your chair | 1:16:42 | 1:16:45 | |
-and play those little Charlie Christian riffs. -Aside, man. | 1:16:45 | 1:16:48 | |
Sitting over there, looking all clean and polite. | 1:16:48 | 1:16:51 | |
The guitar ain't been up front, | 1:16:51 | 1:16:53 | |
since those old pissing moan blue shouters | 1:16:53 | 1:16:56 | |
sit their blind asses on the corner hollering for pennies! | 1:16:56 | 1:16:59 | |
-Old-time music. -Daddy? | 1:16:59 | 1:17:00 | |
Sonny didn't do nothing to get arrested for. | 1:17:00 | 1:17:03 | |
He was just looking for work. | 1:17:03 | 1:17:05 | |
They've hung coloured boys for less than that, darling. | 1:17:05 | 1:17:09 | |
Least on the work gang they feed them, keep their strength up. | 1:17:09 | 1:17:13 | |
But he doesn't belong there. | 1:17:13 | 1:17:15 | |
You know, Guitar Sam plays him an electric. | 1:17:15 | 1:17:20 | |
But I don't think it's this no-hole kind of deal. | 1:17:20 | 1:17:24 | |
Hope he plugs it into the wrong socket some night | 1:17:24 | 1:17:27 | |
and electrocutes his sorry, no-show ass. | 1:17:27 | 1:17:30 | |
Mace? | 1:17:32 | 1:17:34 | |
Now, if he showed up here and our power went out again, | 1:17:35 | 1:17:43 | |
while he was playing... | 1:17:43 | 1:17:44 | |
Nah, I fixed it good this time, Ty. | 1:17:44 | 1:17:46 | |
Eh... | 1:17:46 | 1:17:48 | |
So he comes out, and he plugs his axe into the wall... | 1:17:48 | 1:17:51 | |
He'd come out looking good, from what I hear! | 1:17:51 | 1:17:54 | |
All kinds of spangly pants and jacket! | 1:17:54 | 1:17:58 | |
Got his name spelt out on the back! | 1:17:58 | 1:18:00 | |
-The clothes, right?! -All slick and shiny! | 1:18:01 | 1:18:04 | |
Flash them gold teeth at them gals! | 1:18:04 | 1:18:06 | |
Got his sax man behind him. | 1:18:06 | 1:18:08 | |
Maybe a piano, harmonica and drums. | 1:18:08 | 1:18:11 | |
Hey, you remember that night at the Esquire Club, | 1:18:11 | 1:18:14 | |
when the lights went out in Mobile? | 1:18:14 | 1:18:16 | |
Yeah, and they took off with the gate. | 1:18:16 | 1:18:18 | |
Just stole the damn register right off the counter! | 1:18:18 | 1:18:21 | |
They didn't hold Reggie Porter for it, did they?! | 1:18:21 | 1:18:23 | |
Nah! They knew it was this place got robbed! | 1:18:23 | 1:18:26 | |
Did nobody hold it to Reggie Porter? | 1:18:26 | 1:18:29 | |
And nobody expected their money to come back. | 1:18:29 | 1:18:33 | |
No, cos they was too busy diving for the pot | 1:18:33 | 1:18:35 | |
and that trump game got interrupted. | 1:18:35 | 1:18:37 | |
And nobody suspected that it might have been Reggie Porter hisself! | 1:18:37 | 1:18:41 | |
Hisself that pulled the lights! | 1:18:41 | 1:18:45 | |
No. | 1:18:47 | 1:18:48 | |
No, Ty. No. | 1:18:48 | 1:18:50 | |
No. No. No. | 1:18:50 | 1:18:51 | |
China Doll! You mind the place till we get back. Hey, come on, Mace. | 1:18:51 | 1:18:55 | |
Where you going, Daddy?! | 1:18:55 | 1:18:57 | |
I promised the people Guitar Sam, and they're going to get Guitar Sam! | 1:18:57 | 1:19:01 | |
Come on, Mace, let's get out of here! | 1:19:01 | 1:19:03 | |
We've got work to do. | 1:19:03 | 1:19:04 | |
Why are you so interested in this boy? | 1:19:10 | 1:19:13 | |
Got a job for him. | 1:19:13 | 1:19:14 | |
You must be doing pretty well for yourself out there, Tyrone. | 1:19:16 | 1:19:19 | |
You're hiring new people on. | 1:19:19 | 1:19:21 | |
Passing well, yeah. | 1:19:21 | 1:19:24 | |
-But this boy... -Name is Sonny. | 1:19:24 | 1:19:27 | |
Uh-huh. | 1:19:27 | 1:19:29 | |
Well, he's paying off his debt to society right now. | 1:19:29 | 1:19:32 | |
If I was to pull him out of the field... | 1:19:32 | 1:19:35 | |
Judge Gatlin paid for your day of prison labour. | 1:19:35 | 1:19:38 | |
You willing to pay for him for the duration of his sentence? | 1:19:39 | 1:19:43 | |
-Which might be? -As long as I care to make it. | 1:19:43 | 1:19:45 | |
Well, I was counting on... | 1:19:48 | 1:19:51 | |
more of a one-time deal. | 1:19:51 | 1:19:54 | |
-If I can rent him out just for the weekend. -50. | 1:19:54 | 1:19:58 | |
It's not just the money. | 1:20:00 | 1:20:01 | |
There's legalistic principles involved here. Public safety issues. | 1:20:01 | 1:20:06 | |
I'll pay you Sunday morning. | 1:20:06 | 1:20:08 | |
You going to pay me now, or you can forget about it. | 1:20:08 | 1:20:11 | |
I don't have it now. | 1:20:13 | 1:20:14 | |
Hm. | 1:20:14 | 1:20:16 | |
You think you're too smart for the rest of us, don't you, Tyrone? | 1:20:17 | 1:20:22 | |
Think you can go it all by yourself. | 1:20:22 | 1:20:24 | |
You'd rather eat roofing nails | 1:20:27 | 1:20:28 | |
than come to me for a favour now, wouldn't you? | 1:20:28 | 1:20:31 | |
It's not a favour if I'm gonna pay for it. | 1:20:31 | 1:20:34 | |
Oh, you're gonna pay all right. | 1:20:34 | 1:20:36 | |
If you don't hand over that money to me by Sunday morning, | 1:20:37 | 1:20:41 | |
you've got yourself a new partner. | 1:20:41 | 1:20:43 | |
Same deal as I got with Toussaint. | 1:20:48 | 1:20:50 | |
What'll that be? | 1:20:50 | 1:20:51 | |
You'll get the 50. | 1:20:55 | 1:20:57 | |
And that wife of yours. | 1:20:58 | 1:21:01 | |
-Delilah? -Mm-hm. | 1:21:01 | 1:21:04 | |
Them fried chicken sandwiches. | 1:21:05 | 1:21:07 | |
If I was to come by now and then and check in on my interests? | 1:21:07 | 1:21:12 | |
She be happy to fix you whatever you want. | 1:21:14 | 1:21:17 | |
Good. Cos my wife's cooking would gag a maggot. | 1:21:17 | 1:21:21 | |
-Different people got different kinds of talent. -Yeah. | 1:21:21 | 1:21:26 | |
Well Lurleen ain't discovered what hers is yet. | 1:21:26 | 1:21:28 | |
Let's go fetch that boy. | 1:21:28 | 1:21:30 | |
-Is this the one you want? -Mm. | 1:21:46 | 1:21:48 | |
You got any ideas about running rabbit on me, best get rid of them now. | 1:21:51 | 1:21:55 | |
-Are you paying my way out? -Till Monday. | 1:21:55 | 1:21:57 | |
How come? | 1:21:57 | 1:21:59 | |
You like dragging that cotton sack? | 1:21:59 | 1:22:02 | |
-No. -Then don't ask questions. | 1:22:02 | 1:22:05 | |
# Why don't you do right | 1:22:23 | 1:22:27 | |
# Like some other men do... # | 1:22:27 | 1:22:30 | |
This size, right? | 1:22:30 | 1:22:32 | |
But it's got to shine. | 1:22:32 | 1:22:34 | |
-And when you need this? -Tonight. | 1:22:34 | 1:22:37 | |
-That's a tall order. -It's got to happen. | 1:22:37 | 1:22:41 | |
You know, I do my best work, my fastest work, | 1:22:41 | 1:22:48 | |
when I'm happy. | 1:22:48 | 1:22:50 | |
Yeah, I suppose you do. | 1:22:50 | 1:22:55 | |
You gonna make me happy, baby? | 1:22:56 | 1:22:59 | |
Uh... | 1:22:59 | 1:23:01 | |
You come down by the club tonight. | 1:23:02 | 1:23:05 | |
We having a special show. Tell 'em at the door, you my guest. | 1:23:05 | 1:23:10 | |
Food ain't the only thing a woman needs three times a day. | 1:23:10 | 1:23:13 | |
(It wouldn't hurt you to skip a few meals.) | 1:23:13 | 1:23:17 | |
What's that, baby? | 1:23:17 | 1:23:18 | |
Um, that boy gonna need time, try this jacket on, see how he feels. | 1:23:18 | 1:23:24 | |
Later, Nadine. | 1:23:24 | 1:23:25 | |
You got to do something to the boy's hair, darling. | 1:23:44 | 1:23:46 | |
They may not know what the real Sam looked like, but it ain't this. | 1:23:46 | 1:23:50 | |
I can try. | 1:23:50 | 1:23:52 | |
What exactly am I supposed to do? | 1:23:52 | 1:23:54 | |
You're gonna stand up there with that contraption you got, | 1:23:54 | 1:23:57 | |
and play Guitar Sam's numbers. | 1:23:57 | 1:23:59 | |
I can do that with my eyes closed. | 1:23:59 | 1:24:01 | |
If we can get the audience to close theirs, we'll be better off. | 1:24:01 | 1:24:04 | |
Ty! I tracked Mr Trenier down. | 1:24:04 | 1:24:06 | |
Let's hit it. | 1:24:07 | 1:24:10 | |
Bye, Daddy. | 1:24:10 | 1:24:12 | |
You know what you're doing? | 1:24:28 | 1:24:31 | |
I fix Mama's hair all the time. | 1:24:31 | 1:24:34 | |
But you ain't been to that school yet. | 1:24:34 | 1:24:37 | |
You go to school to learn your guitar? | 1:24:37 | 1:24:39 | |
No. | 1:24:41 | 1:24:42 | |
I might pick up some things at beauty school, | 1:24:42 | 1:24:45 | |
but mostly it's for my certificate. | 1:24:45 | 1:24:47 | |
"And that is a ticket to adventure." | 1:24:47 | 1:24:49 | |
That's what it says in the brochure. | 1:24:49 | 1:24:51 | |
People looking for beauty all over the world. | 1:24:51 | 1:24:54 | |
You ought to watch out for them wires sticking down. | 1:24:54 | 1:24:57 | |
That don't look safe. | 1:24:57 | 1:24:58 | |
Yeah, power's always going out. | 1:24:58 | 1:25:01 | |
People getting shocks and whatnot. | 1:25:01 | 1:25:03 | |
Somebody ought to fix it. | 1:25:03 | 1:25:05 | |
"Career and beauty is like money in the bank." | 1:25:05 | 1:25:09 | |
Says that in the brochure too. | 1:25:09 | 1:25:11 | |
Plus it isn't physically taxing. | 1:25:11 | 1:25:14 | |
Yeah, can't see no pretty thing like you behind a plough. | 1:25:14 | 1:25:17 | |
I had the rheumatic fever when I was little. | 1:25:21 | 1:25:24 | |
It left me with a weak heart. | 1:25:24 | 1:25:26 | |
Oh. | 1:25:26 | 1:25:29 | |
Mine been acting kind of funny too. | 1:25:29 | 1:25:31 | |
About since I laid eyes on you. | 1:25:31 | 1:25:34 | |
-What's that? -Just some old moonshine they keep around. | 1:25:39 | 1:25:43 | |
What are you gonna do with it? | 1:25:43 | 1:25:45 | |
They joke about how this stuff will straighten your hair right out. | 1:25:47 | 1:25:50 | |
I'll just make yours relax a little. | 1:25:52 | 1:25:55 | |
Mr Time Trenier. | 1:26:09 | 1:26:12 | |
Has a name to be reckoned with. | 1:26:12 | 1:26:14 | |
The story goes you used to play with Buddy Bolan. | 1:26:14 | 1:26:17 | |
I played with them all. | 1:26:17 | 1:26:19 | |
-And King Oliver. -One band falls apart, you find yourself another. | 1:26:19 | 1:26:24 | |
There's never a shortage of bands down in New Orleans. | 1:26:24 | 1:26:27 | |
I didn't know you were giving lessons. | 1:26:27 | 1:26:30 | |
It pays the rent, almost. | 1:26:30 | 1:26:32 | |
You interested in a playing job? | 1:26:33 | 1:26:35 | |
-If you can pay, I can play. -You've got to dress sharp. | 1:26:35 | 1:26:39 | |
It ain't like an all-night thing. | 1:26:41 | 1:26:42 | |
You just got to start out, and then there's gonna be an accident. | 1:26:42 | 1:26:47 | |
An accident? | 1:26:47 | 1:26:48 | |
Yeah, a sudden loss of power. | 1:26:48 | 1:26:51 | |
Lights out. | 1:26:51 | 1:26:53 | |
It's your gig, man. | 1:26:54 | 1:26:55 | |
8 o'clock. | 1:26:55 | 1:26:57 | |
This ain't no coloured people's time. | 1:26:57 | 1:26:59 | |
And sure ain't New Orleans time. | 1:26:59 | 1:27:01 | |
I mean, 8 o'clock on the money. | 1:27:01 | 1:27:04 | |
If you got the green, I'm on the scene. | 1:27:04 | 1:27:06 | |
Then that's the deal. | 1:27:06 | 1:27:08 | |
You know any drummers? | 1:27:08 | 1:27:10 | |
-I bring you one. -And nothing fancy. | 1:27:10 | 1:27:13 | |
Just as long as he keep time. | 1:27:13 | 1:27:15 | |
Time is my name. | 1:27:15 | 1:27:18 | |
21, 22, 23, 24, 25, 26, 27, 28. | 1:27:27 | 1:27:32 | |
Make your mark here, please. | 1:27:32 | 1:27:35 | |
You owe me 30. | 1:27:35 | 1:27:36 | |
The book says 28. | 1:27:38 | 1:27:40 | |
1.50 every 100lb, and I picked.... | 1:27:40 | 1:27:44 | |
2 deducted for stones. | 1:27:44 | 1:27:47 | |
But I've got no stones in the sack. | 1:27:47 | 1:27:50 | |
We mill the cotton, son. There's always stones. | 1:27:50 | 1:27:53 | |
But there weren't none in my sack. | 1:27:53 | 1:27:56 | |
We take off 2 a week for stones. That's the way it's always been. | 1:27:58 | 1:28:03 | |
Ain't that right, Junebug? | 1:28:05 | 1:28:07 | |
Yes, sir. Been that way my whole life. | 1:28:07 | 1:28:10 | |
You gonna take your pay, son, or you gonna give it up to charity? | 1:28:12 | 1:28:15 | |
Wouldn't let nobody mess with my money like that. | 1:28:32 | 1:28:34 | |
He took the same 2 off yours. | 1:28:34 | 1:28:36 | |
Yeah, but you could pave a highway with the rocks I threw in that mess. | 1:28:36 | 1:28:40 | |
You country negroes let the crackers run you like dogs. | 1:28:40 | 1:28:42 | |
If the sheriff wasn't here I'd snap your neck, boy. | 1:28:42 | 1:28:46 | |
Don't let me stop you. | 1:28:46 | 1:28:48 | |
But first, you're gonna sign that ledger like you're supposed to. | 1:28:48 | 1:28:53 | |
Don't want nobody crying they didn't get their due. | 1:28:53 | 1:28:56 | |
DELILAH HUMS | 1:29:04 | 1:29:07 | |
-How could you do that? -I'm gonna put it back. | 1:29:27 | 1:29:29 | |
You don't go gambling with my baby's money. | 1:29:29 | 1:29:33 | |
I ain't got no man playing. | 1:29:33 | 1:29:36 | |
I don't care what you took it for. | 1:29:36 | 1:29:38 | |
I save for China Doll | 1:29:38 | 1:29:39 | |
and you ain't got not business putting your fingers on it. | 1:29:39 | 1:29:42 | |
China don't need any school, baby. | 1:29:42 | 1:29:44 | |
She could walk into any of those places right now and get a job. | 1:29:44 | 1:29:47 | |
There's got to be some line you won't cross, Ty. | 1:29:47 | 1:29:49 | |
There's got to be something you won't do. | 1:29:49 | 1:29:52 | |
The world start throwing me a break woman, | 1:29:52 | 1:29:53 | |
maybe I'll catch religion and walk the straight and narrow | 1:29:53 | 1:29:56 | |
like those Bible toppers you set up with. But until that day... | 1:29:56 | 1:29:59 | |
Reverend Cutlip was right about you. | 1:29:59 | 1:30:02 | |
Oh, shit. | 1:30:05 | 1:30:06 | |
Damn! | 1:30:06 | 1:30:08 | |
Mr Purvis? | 1:30:40 | 1:30:42 | |
People call me Ty or they call me Pine Top, it's Mr Pine Top to you. | 1:30:44 | 1:30:48 | |
I just want to tell you how I appreciate the opportunity. | 1:30:51 | 1:30:54 | |
Right. | 1:30:54 | 1:30:56 | |
I know every one of Guitar Sam's songs. | 1:31:01 | 1:31:04 | |
I know the chords, I know the words. | 1:31:04 | 1:31:07 | |
China Doll was saying how you was famous once. | 1:31:11 | 1:31:14 | |
I was known, | 1:31:16 | 1:31:17 | |
but never what you call famous. | 1:31:17 | 1:31:19 | |
How do you get your start? | 1:31:22 | 1:31:25 | |
Down in Mobile. | 1:31:28 | 1:31:29 | |
An old professional. | 1:31:29 | 1:31:34 | |
The name of Joe Dudlow. | 1:31:34 | 1:31:37 | |
He'd had a stroke on one side. | 1:31:37 | 1:31:40 | |
Curled him all up. | 1:31:41 | 1:31:43 | |
Kept on plugging. | 1:31:45 | 1:31:47 | |
I used to come out and play his left hand for him. | 1:31:49 | 1:31:55 | |
This one night, | 1:31:55 | 1:31:56 | |
he was going hot and heavy. | 1:31:56 | 1:31:58 | |
His show's just past, | 1:32:00 | 1:32:02 | |
right at the piano, | 1:32:02 | 1:32:04 | |
middle of Black Bottom Stomp. | 1:32:04 | 1:32:07 | |
They'd propped him up at the bar, | 1:32:08 | 1:32:11 | |
stuck a drink in his hand... | 1:32:11 | 1:32:13 | |
Told me to keep pounding those ivories. | 1:32:15 | 1:32:20 | |
There was a meanness hanging over them two johns. | 1:32:21 | 1:32:26 | |
There was murder in the air. | 1:32:26 | 1:32:29 | |
Stopped playing for the minute, | 1:32:29 | 1:32:32 | |
come down on you like a flock of girls. | 1:32:32 | 1:32:35 | |
Hey. | 1:32:35 | 1:32:38 | |
This is you. | 1:32:38 | 1:32:40 | |
Big band days on the road. | 1:32:42 | 1:32:45 | |
Reginald Erskine. I don't believe I've heard of him. | 1:32:45 | 1:32:50 | |
Big, tall, light skin fella out in Carolina. | 1:32:50 | 1:32:52 | |
Said he was part Cherokee. | 1:32:53 | 1:32:56 | |
Couldn't play nothing, | 1:32:57 | 1:32:59 | |
but he'd raise a little stink and he had just long greasy hair | 1:32:59 | 1:33:03 | |
he'd through around like Cab Calloway. | 1:33:03 | 1:33:06 | |
And you were the piano man? | 1:33:06 | 1:33:08 | |
Piano man, arranger, you name it. | 1:33:08 | 1:33:12 | |
That must have been something, travelling the country first class. | 1:33:12 | 1:33:15 | |
I don't know about first class, but I seen the country. | 1:33:15 | 1:33:20 | |
How come you stopped? | 1:33:20 | 1:33:21 | |
I got tired of carrying another man's water. | 1:33:24 | 1:33:28 | |
Didn't want to die in no coloured hotel some night | 1:33:28 | 1:33:32 | |
in who knows where Arkansas. | 1:33:32 | 1:33:34 | |
Met Delilah. | 1:33:38 | 1:33:41 | |
Wanted something of my own. | 1:33:41 | 1:33:42 | |
You don't have nothing to worry about, Mr Pine Top. | 1:33:47 | 1:33:50 | |
I won't let you down tonight. | 1:33:50 | 1:33:52 | |
No, I... I don't suppose you will. | 1:33:52 | 1:33:56 | |
# You got to choose | 1:34:21 | 1:34:22 | |
# You got to choose between the fire and the Lord | 1:34:22 | 1:34:25 | |
# You got to choose | 1:34:25 | 1:34:26 | |
# You got to choose between the fire and the Lord | 1:34:26 | 1:34:29 | |
# You got to choose between the fire and the Lord | 1:34:29 | 1:34:32 | |
# You're gonna make it all right | 1:34:34 | 1:34:36 | |
# You got to choose | 1:34:49 | 1:34:50 | |
# You got to choose between the world and the Lord | 1:34:50 | 1:34:52 | |
# You got to choose | 1:34:52 | 1:34:53 | |
# You got to choose between the world and the Lord | 1:34:53 | 1:34:56 | |
# You got to choose between the world and the Lord | 1:34:56 | 1:34:59 | |
# You better jump on board | 1:35:01 | 1:35:02 | |
# You got to choose | 1:35:16 | 1:35:17 | |
# You got to choose between the word and the Lord | 1:35:17 | 1:35:19 | |
# You got to choose | 1:35:19 | 1:35:20 | |
# You got to choose between the word and the Lord | 1:35:20 | 1:35:23 | |
# You got to choose between the word and the Lord | 1:35:23 | 1:35:26 | |
# You better jump on board | 1:35:28 | 1:35:30 | |
# When that sun no longer shines | 1:35:30 | 1:35:37 | |
# God will send his final sign | 1:35:37 | 1:35:40 | |
# Get down sinner You got to kneel | 1:35:40 | 1:35:43 | |
# You got to kneel for the saviour and pray | 1:35:43 | 1:35:46 | |
# You got to kneel for the saviour and pray | 1:35:47 | 1:35:50 | |
# You got to kneel for the saviour and pray | 1:35:50 | 1:35:54 | |
There ain't no hiding from the judgement day | 1:35:54 | 1:35:57 | |
# There ain't no hiding | 1:35:57 | 1:35:59 | |
# From the judgement day | 1:35:59 | 1:36:00 | |
# No, there ain't no hiding | 1:36:00 | 1:36:02 | |
# From the judgement day. # | 1:36:02 | 1:36:08 | |
Have a good time. | 1:36:08 | 1:36:09 | |
Hi there, young lady. | 1:36:09 | 1:36:12 | |
Good evening, welcome to the Honeydripper. Have a good time. | 1:36:14 | 1:36:17 | |
Everybody's getting restless. | 1:36:23 | 1:36:25 | |
-How we doing? -We're gonna be full up, but the food... | 1:36:25 | 1:36:28 | |
Is Delilah coming in? | 1:36:30 | 1:36:33 | |
What if I've lost her? | 1:36:35 | 1:36:36 | |
-She won't let you down, Ty. -This ain't going to work, is it? | 1:36:36 | 1:36:40 | |
-You just got to play it out and see. -Guitar Sam! | 1:36:40 | 1:36:43 | |
See if you can push another round of drinks while I stall them. | 1:36:43 | 1:36:46 | |
-Then you going to bring him out? -Sam! | 1:36:46 | 1:36:47 | |
We coming here to hear the guitar man play! | 1:36:47 | 1:36:50 | |
Be on the wires. | 1:36:50 | 1:36:52 | |
-Give them three bars and then pull it. -Guitar Sam! | 1:36:52 | 1:36:56 | |
I got a baseball bat under the counter but you out here all alone. | 1:36:56 | 1:36:59 | |
Just get the liquor moving, Mace. | 1:36:59 | 1:37:01 | |
And keep the money where you can run with it. | 1:37:01 | 1:37:03 | |
Guitar Sam! | 1:37:03 | 1:37:05 | |
The Lord don't want nobody to sit back and suffer. | 1:37:05 | 1:37:10 | |
He want you to stand up. | 1:37:10 | 1:37:13 | |
He want you to rise up. | 1:37:13 | 1:37:15 | |
He want you to step forward | 1:37:15 | 1:37:18 | |
and come down to the merciful arms of his eternal salvation. | 1:37:18 | 1:37:24 | |
A fire is heating up, brothers and sisters, | 1:37:24 | 1:37:29 | |
and judgement day is nigh. | 1:37:29 | 1:37:31 | |
Anybody out there tonight want to answer his call? | 1:37:31 | 1:37:35 | |
Anybody out there tonight, is gonna step forward and be saved? | 1:37:35 | 1:37:40 | |
Ain't no time to hesitate. | 1:37:40 | 1:37:43 | |
Got to come on down and offer yourself to the Lord. | 1:37:43 | 1:37:47 | |
Come on. Come on, come on, sister. | 1:37:47 | 1:37:49 | |
I believe you hear the Lord's voice talking to you sister. | 1:37:49 | 1:37:52 | |
That's the Lord's voice and I believe you hear it. | 1:37:52 | 1:37:56 | |
I do believe you hear it. | 1:37:56 | 1:37:58 | |
Come on down. Bring it on down to his salvation. | 1:37:58 | 1:38:02 | |
Feel the Lord at your back. | 1:38:02 | 1:38:04 | |
You got to leave them sinners behind. Come on down. | 1:38:04 | 1:38:09 | |
Come on down. | 1:38:10 | 1:38:13 | |
I see you sister, coming. | 1:38:13 | 1:38:15 | |
I see the Lord is talking to you. | 1:38:15 | 1:38:17 | |
I hear the Lord is talking to you. | 1:38:17 | 1:38:20 | |
I believe you hear him, sister. | 1:38:20 | 1:38:23 | |
Come on down, you hear the voice of the Lord? | 1:38:23 | 1:38:27 | |
You hear the voice of the Lord. | 1:38:27 | 1:38:30 | |
That voice is trying to tell you | 1:38:30 | 1:38:32 | |
where you need to be right now, sister. | 1:38:32 | 1:38:34 | |
All you've got to do, all you've got to do | 1:38:34 | 1:38:37 | |
is move your feet and get there. | 1:38:37 | 1:38:40 | |
Move your feet and get there. | 1:38:40 | 1:38:43 | |
You look good. | 1:38:47 | 1:38:49 | |
Damn. | 1:38:49 | 1:38:51 | |
-He look good, don't he, Daddy? -Yeah. | 1:38:52 | 1:38:54 | |
Honey, I need you to get right by that front door | 1:38:54 | 1:38:59 | |
and take over collecting the cover charge. | 1:38:59 | 1:39:02 | |
Anything happens, go wrong or something, | 1:39:02 | 1:39:04 | |
you just step out and walk away from the club, you hear? | 1:39:04 | 1:39:07 | |
What's going to go wrong? | 1:39:07 | 1:39:08 | |
Guitar Sam here, gets them soldier boys jumping, | 1:39:10 | 1:39:13 | |
get a little rough in here. | 1:39:13 | 1:39:15 | |
Just stay on your toes, that's all. | 1:39:15 | 1:39:17 | |
OK. | 1:39:17 | 1:39:18 | |
China Doll? | 1:39:21 | 1:39:23 | |
You know there ain't a thing in this world I wouldn't do for you? | 1:39:24 | 1:39:28 | |
Even if I mess up sometimes. | 1:39:28 | 1:39:31 | |
You know that, right? | 1:39:31 | 1:39:32 | |
I know that, Daddy. | 1:39:32 | 1:39:35 | |
You go on, now. | 1:39:35 | 1:39:37 | |
Well, you look like something that would come out of New Orleans. | 1:39:43 | 1:39:49 | |
I forget to tell you, I fixed your hook-up. | 1:39:49 | 1:39:51 | |
My what? | 1:39:51 | 1:39:53 | |
Your hook-up, where your electricity comes in. It was... | 1:39:53 | 1:39:55 | |
Ty, we've got a situation out there. | 1:39:55 | 1:39:59 | |
-You don't think I know that? -Got the law in the house. | 1:39:59 | 1:40:03 | |
Didn't think we'd be seeing you so soon. | 1:40:11 | 1:40:14 | |
You got a real nice crowd here tonight, Tyrone. | 1:40:14 | 1:40:17 | |
I see them army uniforms. | 1:40:17 | 1:40:19 | |
We got ourselves this special attraction. See... | 1:40:19 | 1:40:23 | |
-Chicken. -Huh? | 1:40:23 | 1:40:26 | |
Them ribs outside smell real good, | 1:40:26 | 1:40:29 | |
but I'm afraid my heart's set | 1:40:29 | 1:40:30 | |
on some of your wife Delilah's fried chicken. | 1:40:30 | 1:40:33 | |
Right. | 1:40:34 | 1:40:35 | |
She made it last Saturday at the mayor's, | 1:40:35 | 1:40:37 | |
but old Clayford Gentry came up and he ate all the drumsticks. | 1:40:37 | 1:40:41 | |
I'm partial to dark meat. | 1:40:42 | 1:40:45 | |
The situation regarding...sherriff... | 1:40:46 | 1:40:49 | |
She is in the back there cooking, isn't she? | 1:40:49 | 1:40:51 | |
Maybe, if you would come back here a little bit later. | 1:40:55 | 1:40:59 | |
Regular or spicy? | 1:40:59 | 1:41:01 | |
They both take the same time to fix up. I just got to know which. | 1:41:01 | 1:41:04 | |
I have to make mine regular, I'm afraid, ma'am. | 1:41:08 | 1:41:11 | |
Spicy is just fine, | 1:41:11 | 1:41:12 | |
but it always comes back to nip at me later. | 1:41:12 | 1:41:15 | |
It's important not to bite off more than you can chew. | 1:41:15 | 1:41:19 | |
You just make yourself at home. | 1:41:19 | 1:41:22 | |
Good luck tonight, baby. | 1:41:24 | 1:41:25 | |
Slap some mayonnaise on it. | 1:41:29 | 1:41:31 | |
You want to wait over there, Sherriff? | 1:41:34 | 1:41:36 | |
Don't want to scare off the customers. | 1:41:36 | 1:41:38 | |
Here he comes! | 1:41:40 | 1:41:42 | |
CHEERING AND APPLAUSE | 1:41:42 | 1:41:44 | |
So, here is what you all been waiting for. | 1:41:52 | 1:41:56 | |
Noted performer and recording star, | 1:41:56 | 1:42:00 | |
direct from New Orleans, Louisiana, | 1:42:00 | 1:42:03 | |
here's Guitar Sam. | 1:42:03 | 1:42:06 | |
FEEDBACK | 1:42:06 | 1:42:09 | |
Sorry about that, folks. | 1:42:22 | 1:42:24 | |
Must have got kicked on the train. | 1:42:24 | 1:42:26 | |
FEEDBACK STOPS | 1:42:34 | 1:42:36 | |
Thank you, Jesus. | 1:42:56 | 1:42:58 | |
# Well, I'm gonna hold my baby as tight as I can | 1:43:05 | 1:43:09 | |
# Tonight she'll know I'm a mighty, mighty man | 1:43:09 | 1:43:12 | |
# Have you heard the news There's good rockin' tonight | 1:43:12 | 1:43:16 | |
# Have you heard the news There's good rockin' tonight | 1:43:18 | 1:43:21 | |
# Sweet Lorraine, Sioux City Sue | 1:43:24 | 1:43:26 | |
# Georgia Brown, California too | 1:43:26 | 1:43:29 | |
# Have you heard the news There's good rockin' tonight | 1:43:29 | 1:43:33 | |
# Meet me in a hurry behind the barn | 1:43:35 | 1:43:38 | |
# Don't be afraid I'll do you no harm | 1:43:38 | 1:43:40 | |
# I want you to bring my rockin' shoes | 1:43:40 | 1:43:43 | |
# Cos tonight I'm gonna rock away all my blues | 1:43:43 | 1:43:46 | |
# Have you heard the news There's good rockin' tonight... # | 1:43:46 | 1:43:50 | |
Got to check that out. | 1:45:04 | 1:45:06 | |
Let's go. Come on! | 1:45:07 | 1:45:09 | |
# Have you heard the news? There's good rockin' tonight | 1:45:31 | 1:45:35 | |
# They'll all be there Just wait and see | 1:45:36 | 1:45:39 | |
# Rockin' and a-rollin' At the jamboree | 1:45:39 | 1:45:42 | |
# Have you heard the news? There's good rockin' tonight | 1:45:42 | 1:45:46 | |
# Have you heard the news? | 1:45:46 | 1:45:49 | |
# There's good rockin' tonight. # | 1:45:49 | 1:45:54 | |
CHEERING | 1:45:54 | 1:45:56 | |
Oh, my soul! | 1:46:07 | 1:46:10 | |
Don't tire yourself out, poppa. | 1:46:10 | 1:46:12 | |
Me and you got business together. | 1:46:12 | 1:46:15 | |
I believe we do. | 1:46:15 | 1:46:18 | |
All right. | 1:46:20 | 1:46:21 | |
All you men, grab a hold of a woman. | 1:46:21 | 1:46:23 | |
If you ain't got a woman, just grab a hold of yourselves. | 1:46:23 | 1:46:26 | |
We're gonna play this one for you, slow and tight. | 1:46:26 | 1:46:28 | |
# They did the boogie real slow | 1:46:31 | 1:46:33 | |
# With the blue lights way down low | 1:46:33 | 1:46:37 | |
# They did the boogie real slow | 1:46:41 | 1:46:43 | |
# With the blue lights way down low | 1:46:43 | 1:46:47 | |
# I went to a party | 1:47:21 | 1:47:24 | |
# With the bobby socks | 1:47:24 | 1:47:27 | |
# At the party | 1:47:27 | 1:47:29 | |
# Man, I really got a shock... # | 1:47:29 | 1:47:32 | |
42, 43, 44, 45, 46, 47, 48, 49, 150. | 1:47:32 | 1:47:38 | |
And there's another 50 in here. | 1:47:39 | 1:47:42 | |
Lucky Hardaware don't mind some change, does he? | 1:47:42 | 1:47:45 | |
What if Mr Hardaware were to say let the chumps keep their change? | 1:47:45 | 1:47:49 | |
He wants the club back, one way or the other. | 1:47:49 | 1:47:52 | |
How that be? | 1:47:53 | 1:47:55 | |
Well, he better take that up with my business partner. | 1:47:57 | 1:48:00 | |
The sheriff your business partner? | 1:48:04 | 1:48:07 | |
Yeah. And he's twice as mean as he is ugly. | 1:48:07 | 1:48:10 | |
You must want this club awful bad, brother. | 1:48:17 | 1:48:20 | |
Maybe y'all didn't notice, but that ain't no Guitar Sam. | 1:48:24 | 1:48:28 | |
# At the party | 1:48:30 | 1:48:31 | |
# Oh, I was like a chaperone | 1:48:31 | 1:48:34 | |
# I couldn't boogie real slow | 1:48:34 | 1:48:37 | |
# With the blue lights way down low | 1:48:37 | 1:48:41 | |
# I like to boogie real slow | 1:48:44 | 1:48:47 | |
# With the blue lights way down low. # | 1:48:47 | 1:48:51 | |
CHEERING | 1:48:55 | 1:48:57 | |
Sam! | 1:49:02 | 1:49:04 | |
You is a liar, boy. | 1:49:07 | 1:49:09 | |
I know Sammy since he was drinking his mama's milk. | 1:49:09 | 1:49:13 | |
Hell, I know his mama, she's lives up near mine. | 1:49:13 | 1:49:15 | |
And you ain't him. | 1:49:15 | 1:49:17 | |
That's Creole Sammy you're talking about, pops. I'm Delta Guitar Sam. | 1:49:22 | 1:49:27 | |
As long as we straight on that. | 1:49:27 | 1:49:29 | |
Get on out of here and let the man play. | 1:49:29 | 1:49:31 | |
ALL: Yeah. | 1:49:31 | 1:49:32 | |
I'm gonna play one for you right now that I come up with today | 1:49:37 | 1:49:40 | |
while I was having my hair cut. | 1:49:40 | 1:49:42 | |
# Ch-Ch-Ch-China Doll | 1:49:45 | 1:49:48 | |
# Can't get you off of my mind | 1:49:48 | 1:49:51 | |
# Oh, oh, China Doll | 1:49:51 | 1:49:54 | |
# Can't get you off of my mind | 1:49:54 | 1:49:56 | |
# But if you're gonna be my baby, leave all them others behind | 1:49:56 | 1:50:00 | |
# Oh, oh, China Doll | 1:50:02 | 1:50:04 | |
# I think about you day and night | 1:50:04 | 1:50:07 | |
# Oh, oh, China Doll | 1:50:07 | 1:50:09 | |
# I think about you day and night | 1:50:09 | 1:50:12 | |
# Oh, baby When you gonna treat me right? # | 1:50:13 | 1:50:17 | |
INAUDIBLE CONVERSATION | 1:50:33 | 1:50:35 | |
KEYS THUMP | 1:50:58 | 1:51:00 | |
SAXOPHONE PLAYS | 1:51:11 | 1:51:12 | |
INAUDIBLE EXCHANGE | 1:51:20 | 1:51:23 | |
Y'all are in my house here, gentlemen! | 1:51:30 | 1:51:33 | |
Don't have no fighting, don't have no killing. | 1:51:35 | 1:51:37 | |
Don't have none of that dismal nonsense in my house! | 1:51:37 | 1:51:41 | |
You understand?! | 1:51:41 | 1:51:42 | |
What's your name, son? | 1:51:44 | 1:51:46 | |
Dex. | 1:51:46 | 1:51:48 | |
-Dexter Moncrieff. -And you? | 1:51:48 | 1:51:51 | |
H-H-Hamilton Drinkwater. | 1:51:51 | 1:51:53 | |
Well, gentlemen, this is a night there won't be no pitiful song | 1:51:53 | 1:51:57 | |
written about you two killing each other. | 1:51:57 | 1:51:59 | |
-Don't nothing rhyme with Moncrieff anyhow! -We got a problem here? | 1:51:59 | 1:52:04 | |
Yeah, these two gentlemen seem to have brought something in for our collection. | 1:52:04 | 1:52:09 | |
Yeah? You first. | 1:52:09 | 1:52:11 | |
Now yours. | 1:52:13 | 1:52:15 | |
Y'all still wanna mess with each other, you go outside and do it. | 1:52:17 | 1:52:20 | |
This world is full of people who got no use for us, | 1:52:20 | 1:52:25 | |
like to see us in the grave. | 1:52:25 | 1:52:27 | |
We don't need to give them any help. | 1:52:27 | 1:52:29 | |
# Oh, China Doll | 1:52:51 | 1:52:53 | |
# I gotta let you into my heart | 1:52:53 | 1:52:56 | |
# Oh, oh, China Doll | 1:52:56 | 1:52:59 | |
# I gotta let you into my heart | 1:52:59 | 1:53:01 | |
# Oh now, baby You had me from the start... # | 1:53:01 | 1:53:06 | |
MUSIC CONTINUES IN DISTANCE | 1:53:12 | 1:53:14 | |
Sound like the music moving on again, don't it? | 1:53:20 | 1:53:23 | |
It always do. | 1:53:24 | 1:53:26 | |
Time to make room for whoever coming next. | 1:53:38 | 1:53:40 | |
That boy can play some. | 1:54:16 | 1:54:20 | |
Leaving? | 1:54:25 | 1:54:26 | |
I ain't needed around here no more. | 1:54:28 | 1:54:31 | |
Where you headed? | 1:54:31 | 1:54:32 | |
Oh... | 1:54:32 | 1:54:35 | |
Down the road. | 1:54:35 | 1:54:37 | |
Tyrone. | 1:54:45 | 1:54:46 | |
Who you talking to out here? | 1:54:55 | 1:54:57 | |
Just myself. | 1:55:08 | 1:55:09 | |
# It started with a 12-bar country moan | 1:56:26 | 1:56:28 | |
# Then the guitar bass dropped the saxophone | 1:56:28 | 1:56:31 | |
# Up the Mississippi River came the song | 1:56:31 | 1:56:34 | |
# Music keeps rolling, rolling on | 1:56:34 | 1:56:37 | |
# The music | 1:56:37 | 1:56:39 | |
# Keeps rolling on | 1:56:39 | 1:56:41 | |
# Use the fender To make the notes spark | 1:56:42 | 1:56:45 | |
# Then the bass guitar got electrified | 1:56:45 | 1:56:48 | |
# Blues are rocking Like a good ole stomp | 1:56:48 | 1:56:51 | |
# And the music keeps rolling on | 1:56:51 | 1:56:54 | |
# The music | 1:56:54 | 1:56:56 | |
# Keeps rolling on | 1:56:56 | 1:56:58 | |
# Whoo-hoo! | 1:57:05 | 1:57:07 | |
# Whoo! | 1:57:11 | 1:57:13 | |
# The music keeps | 1:57:20 | 1:57:22 | |
# The music keeps | 1:57:23 | 1:57:25 | |
# Yes, I said The music keeps rolling on | 1:57:28 | 1:57:32 | |
# The music keeps rolling on | 1:57:32 | 1:57:35 | |
# The music keeps rolling on | 1:57:35 | 1:57:38 | |
# The music keeps rolling on | 1:57:38 | 1:57:41 | |
# The music | 1:57:41 | 1:57:43 | |
# Keeps rolling on | 1:57:43 | 1:57:46 | |
# Ye-e-es! Huh! # | 1:57:48 | 1:57:51 | |
Subtitles by Red Bee Media Ltd | 1:57:51 | 1:57:56 |