
Browse content similar to Journey into Fear. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
GRAMOPHONE PLAYS A ROMANTIC SONG | 0:01:22 | 0:01:26 | |
GRAMOPHONE NEEDLE STICKS | 0:01:55 | 0:01:59 | |
GRAMOPHONE PLAYS AGAIN | 0:02:07 | 0:02:11 | |
NEEDLE STICKS AGAIN | 0:02:13 | 0:02:17 | |
SILENCE | 0:02:27 | 0:02:30 | |
CAR HORN HONKS | 0:02:43 | 0:02:46 | |
-Bonsoir, madame, monsieur. -Good evening. | 0:03:13 | 0:03:17 | |
-Didn't you make a reservation, Howard? -Course I did. | 0:03:18 | 0:03:22 | |
-Mr and Mrs Howard Graham. -That's right. | 0:03:26 | 0:03:29 | |
-Wilmington, Delaware, USA. -Yes. | 0:03:29 | 0:03:32 | |
Oh, there's a gentleman waiting to see you. ..Kopeikin! Mr Graham is here! | 0:03:32 | 0:03:38 | |
Oh, OK! | 0:03:38 | 0:03:40 | |
Mr Graham. Mrs Graham. Put it there. | 0:03:41 | 0:03:44 | |
It's a pleasure. Kopeikin is the name. | 0:03:44 | 0:03:47 | |
How do you do. | 0:03:47 | 0:03:50 | |
-You doubt that I am Kopeikin? -No... | 0:03:51 | 0:03:54 | |
You think perhaps that I am not he? My credentials. | 0:03:54 | 0:03:58 | |
It was so nice of you to come see us, Mr Kopeikin... | 0:04:04 | 0:04:08 | |
Always at your service. How about having a little supper with me tonight, huh? | 0:04:08 | 0:04:14 | |
-Er... -It's late. -Thank you, Mr... -Kopeikin. -Kopeikin... | 0:04:14 | 0:04:19 | |
We're tired and... | 0:04:19 | 0:04:22 | |
-We thought we'd have a snack sent to our room. -Good! I will join you! | 0:04:22 | 0:04:27 | |
HE SHOUTS IN TURKISH | 0:04:27 | 0:04:29 | |
-Excuse me. I'm the hotel manager. I will show you to your room. -Thank you. | 0:04:29 | 0:04:35 | |
KOPEIKIN SHOUTS IN TURKISH | 0:04:35 | 0:04:38 | |
Howard... | 0:04:39 | 0:04:41 | |
Oh. | 0:04:41 | 0:04:42 | |
-Please join us, Mr Kopeikin. -That's why I'm here. But I haven't long. | 0:04:42 | 0:04:48 | |
-Anything else I can do...? -Habbab, git! | 0:04:48 | 0:04:51 | |
-Coffee, Mr Kopeikin? -Sure. | 0:04:55 | 0:04:58 | |
Mmm! Salami! | 0:05:02 | 0:05:04 | |
-You know, this is called in Turkish muzzet. -I know. -Delicious. | 0:05:06 | 0:05:11 | |
Not the same like the automat? | 0:05:12 | 0:05:15 | |
-I gotta see Dr Hatton the day I get back to Wilmington. -Poor Mother. | 0:05:19 | 0:05:24 | |
-What about your mother? -All those teeth pulled. -I say it's rheumatism. -That's painful. | 0:05:24 | 0:05:30 | |
-She's too young for rheumatism. -I had it when I was 12. -Yeah. | 0:05:30 | 0:05:35 | |
-Howard, can we go somewhere and talk? -She oughta have a place to herself... What did you say? | 0:05:35 | 0:05:41 | |
-Howard... -I said... | 0:05:41 | 0:05:44 | |
-I don't think Mother would leave us. -I don't think she would either. | 0:05:44 | 0:05:49 | |
Mrs Graham, I am going to deprive you of your husband for a while. We got business to discuss. Official. | 0:05:49 | 0:05:56 | |
-Can't we talk right here? -And bother your charming wife? | 0:05:56 | 0:06:01 | |
Oh, well, don't mind me. | 0:06:01 | 0:06:04 | |
-If you have to talk to Mr Kopeikin, dear... -We can go down to the bar. | 0:06:04 | 0:06:09 | |
-Go to the bar if you want to, dear... -Maybe he will have a few drinks too. | 0:06:09 | 0:06:14 | |
The sooner you go, the sooner you'll be back. Have a good time. | 0:06:17 | 0:06:22 | |
It's not a good time, it's business, he says. | 0:06:22 | 0:06:25 | |
-< -Time is fleeing, Howard. -He's a company representative. | 0:06:25 | 0:06:29 | |
-I'll be right back. -Oh, um... | 0:06:29 | 0:06:32 | |
-I guess I won't be seeing you again, Mr Kopeikin. -You never can tell. | 0:06:32 | 0:06:37 | |
-Thank you for everything. -That's quite all right. Come. | 0:06:37 | 0:06:41 | |
Don't forget we have an early train. | 0:06:41 | 0:06:44 | |
-Did you visit many cabarets on your trip, Howard? -No, too busy. | 0:06:44 | 0:06:49 | |
Ah, that's a shame. Howard, where are you going? | 0:06:49 | 0:06:53 | |
-To the bar. -Bar! I know a better place. -I haven't got my coat and hat. -It's just round the corner. | 0:06:53 | 0:07:00 | |
Well, I guess I won't need it. | 0:07:00 | 0:07:03 | |
Howard... | 0:07:03 | 0:07:05 | |
Wait till you see my little Jane. She was Miss Gallipoli of 1939. | 0:07:05 | 0:07:11 | |
EXOTIC CABARET MUSIC PLAYS | 0:07:14 | 0:07:20 | |
Good evening, sir. How many in your party? | 0:07:20 | 0:07:23 | |
THEY CHAT IN TURKISH | 0:07:23 | 0:07:28 | |
-Bonsoir, ma petite. -Bonsoir. | 0:07:30 | 0:07:33 | |
THEY GREET ONE ANOTHER | 0:07:47 | 0:07:50 | |
-This is Jane. She's Eurasian. You wouldn't think it to look at her, would you? -No. How do you do? | 0:07:50 | 0:07:56 | |
-My name Marie. -Little kitten. She just recuperated from a sore neck. -Oh. -But she got nice manners. | 0:07:56 | 0:08:03 | |
-Sure. What would you like to drink? -Champagne. -Champagne! | 0:08:03 | 0:08:08 | |
I can't stay long. I've got to get back to the hotel. | 0:08:23 | 0:08:27 | |
Showstopper, huh?! | 0:08:32 | 0:08:34 | |
That's Josette. Would you like her to come for a drink? | 0:08:39 | 0:08:43 | |
-That'd be expensive, wouldn't it? -Pavel! | 0:08:43 | 0:08:46 | |
HE SPEAKS TURKISH | 0:08:46 | 0:08:49 | |
SHE SINGS IN TURKISH | 0:08:52 | 0:08:57 | |
Boo boo be doo! | 0:08:59 | 0:09:01 | |
-I'd better get on back to the hotel. -You might take a shine to Josette. | 0:09:02 | 0:09:06 | |
After all, this little girl here is very stupid. Josette is stupid too, but she has "it". I will be back. | 0:09:06 | 0:09:14 | |
You give me money. | 0:09:16 | 0:09:18 | |
-What for? -Tip. | 0:09:18 | 0:09:21 | |
Oh. | 0:09:21 | 0:09:22 | |
You excuse me. If you like me, I come back. | 0:09:31 | 0:09:34 | |
Come with me, please. I want you to meet my friend. He's American. | 0:09:35 | 0:09:40 | |
Howard, I may present Josette and Gogo Martel. | 0:09:42 | 0:09:46 | |
-How do you do? -How do you do? -You sit, please. -Thank you. | 0:09:46 | 0:09:51 | |
-I enjoyed your dancing. -It's wrong to say that Americans are not polite. | 0:09:51 | 0:09:56 | |
They are clever in business and yet generous and sincere. | 0:09:56 | 0:10:00 | |
You hear that, Howard? | 0:10:00 | 0:10:02 | |
The champagne is filthy. I cannot leave with a headache. | 0:10:02 | 0:10:06 | |
-How long are you here? -He leaves tomorrow. -Yes, on the morning train. | 0:10:06 | 0:10:12 | |
-I'm going as far as Batumi by boat. -Well, bottoms up! I drink to your journeys. | 0:10:12 | 0:10:18 | |
HE SPEAKS TURKISH | 0:10:18 | 0:10:23 | |
This incomparable artist of magic, Akhmed Amar! | 0:10:29 | 0:10:33 | |
APPLAUSE | 0:10:34 | 0:10:38 | |
Sir, what kind of cigarettes do you smoke? | 0:11:17 | 0:11:20 | |
He is good, isn't he, Howard? | 0:11:20 | 0:11:23 | |
And you, sir... | 0:11:23 | 0:11:25 | |
HE SPEAKS TURKISH | 0:11:34 | 0:11:37 | |
HE SPEAKS FRENCH | 0:11:37 | 0:11:42 | |
Ladies and gentlemen, I will present to you an unbelievable miracle | 0:11:42 | 0:11:47 | |
that I learnt in the mountain fastnesses of India. | 0:11:47 | 0:11:51 | |
And for this illusion, I require the assistance of a kind gentleman from the audience. You, sir. | 0:11:51 | 0:11:59 | |
-Would you be so good? -No... -S'il vous plait... -I don't want to. | 0:11:59 | 0:12:04 | |
-KOPEIKIN: -Don't worry, Howard. | 0:12:09 | 0:12:12 | |
LAUGHTER | 0:12:12 | 0:12:14 | |
And now, ladies and gentlemen, I will join my ancestors. | 0:12:14 | 0:12:20 | |
GONG CLASHES | 0:12:25 | 0:12:27 | |
DRUM ROLL | 0:12:32 | 0:12:34 | |
GUNSHOT | 0:12:34 | 0:12:35 | |
APPLAUSE | 0:12:36 | 0:12:38 | |
Aargh! | 0:12:42 | 0:12:43 | |
Ah! There you are! | 0:12:49 | 0:12:52 | |
-That was a good trick. What happened? -The boy didn't fire his gun. Someone else did. | 0:12:52 | 0:12:58 | |
The magician is dead. | 0:12:59 | 0:13:02 | |
I'm sorry, Howard. I didn't know anything like this would happen. | 0:13:02 | 0:13:07 | |
This is terrible. You've got me involved in a dirty nightclub shooting. I've gotta call my wife. | 0:13:15 | 0:13:21 | |
-SPEAKS TURKISH -You have to keep this out of the paper. -You are lucky. | 0:13:21 | 0:13:24 | |
-Think what happened to the magician. Suppose the trick hadn't worked. -That's beside the point. | 0:13:24 | 0:13:29 | |
-I've got no business in here. -They are only doing their official duty. | 0:13:29 | 0:13:34 | |
It's all so stupid. I can forgive almost anything but stupidity. I wish I'd brought my coat. | 0:13:34 | 0:13:41 | |
We have no business with the police. | 0:13:41 | 0:13:43 | |
Maybe we will get our pictures in the papers. | 0:13:43 | 0:13:47 | |
-Who's that? -Colonel Haki. This is his office. | 0:13:59 | 0:14:03 | |
-He is the head of the secret police. -Secret police?! | 0:14:03 | 0:14:06 | |
He was a deputy in the provisional government in 1919. With Ataturk. | 0:14:06 | 0:14:11 | |
They say he drinks two bottles of whisky without getting drunk. | 0:14:11 | 0:14:14 | |
And that he kills prisoners by throwing them in the river to save ammunition. | 0:14:14 | 0:14:20 | |
-I don't believe it. -He is a patriot. -But I wouldn't trust him with women. | 0:14:20 | 0:14:25 | |
-Colonel Haki will see Mr Howard Graham now. -That's us. Come. | 0:14:25 | 0:14:30 | |
HE SPEAKS TURKISH | 0:14:36 | 0:14:38 | |
-MORSE CODE BLEEPS You are Howard Graham? -Yes. | 0:14:38 | 0:14:41 | |
-What of it? -You are employed by a munitions company in America? -What? | 0:14:41 | 0:14:46 | |
-You are employed by a munitions company in America. -An armament manufacturer. -Bainbridge and Sons. | 0:14:46 | 0:14:51 | |
No, thank you. This man is the local agent. | 0:14:51 | 0:14:54 | |
-We know that. -Then why ask me? -You're an ordnance expert. | 0:14:54 | 0:14:57 | |
-Expert? -Pardon? -I'm an engineer - naval ordnance is my subject. | 0:14:57 | 0:15:02 | |
-Your government assigned you to some important work here. -Now, look... | 0:15:02 | 0:15:07 | |
I've got my instructions. I've been ordered back to the States at once. | 0:15:07 | 0:15:12 | |
I'm doing my best to steer clear of trouble. I don't like this mess. | 0:15:12 | 0:15:18 | |
-< Nor do we, Mr Graham. You realise you carry some valuable information. -Certainly. | 0:15:18 | 0:15:24 | |
Whatever that information is, it's in my head. | 0:15:24 | 0:15:28 | |
That's why you were brought here. | 0:15:28 | 0:15:31 | |
It's your head our government is so interested in. | 0:15:31 | 0:15:35 | |
-Suppose you'd been shot tonight... -Don't be silly! | 0:15:35 | 0:15:39 | |
The Navy can get along without me - the company would send another man. | 0:15:39 | 0:15:44 | |
Lots of men have my qualifications. Someone from America... | 0:15:44 | 0:15:48 | |
-And meanwhile... -..or England could do my work again. | 0:15:48 | 0:15:52 | |
Meanwhile, the spring will be here. | 0:15:52 | 0:15:55 | |
And the Russian winter will be over and their ships will still be in the dockyards waiting for the new guns. | 0:15:55 | 0:16:03 | |
You are a military objective. | 0:16:07 | 0:16:10 | |
Mr Graham, has your excellent brain grasped what I'm trying to say to you? It's perfectly simple. | 0:16:11 | 0:16:18 | |
-Someone is trying to kill you. -You see! | 0:16:18 | 0:16:22 | |
You... Konarpin. | 0:16:22 | 0:16:25 | |
-Kopeikin. -Kopeikin. | 0:16:25 | 0:16:27 | |
-Why did you take him to the cabaret? -He wanted a good time. | 0:16:27 | 0:16:31 | |
HE SPEAKS TURKISH | 0:16:31 | 0:16:35 | |
Commandant. Pardon me, Howard. I will be back in a jiffy. | 0:16:35 | 0:16:40 | |
HAKI SPEAKS HARSHLY IN TURKISH | 0:16:40 | 0:16:45 | |
Pardon me, Mr Graham. | 0:16:53 | 0:16:55 | |
I have quite a bad headache. | 0:16:55 | 0:16:58 | |
I have here now so much work, | 0:17:00 | 0:17:03 | |
so much... | 0:17:03 | 0:17:05 | |
..anxiety. | 0:17:06 | 0:17:08 | |
We know who is trying to kill you. | 0:17:08 | 0:17:10 | |
Here's his picture. He is a thug, in the employ of a Nazi agent, name of Muller, operating in Sofia. | 0:17:12 | 0:17:20 | |
He doesn't look very friendly. | 0:17:21 | 0:17:24 | |
-Banat? -I thought you said his name was Miller. | 0:17:24 | 0:17:28 | |
Muller is his employer. | 0:17:28 | 0:17:30 | |
This man's name is supposed to be Peter Banat. | 0:17:30 | 0:17:34 | |
Hmm. He is an assassin. A professional. | 0:17:34 | 0:17:40 | |
Mr Graham, some men are natural killers. Banat is one of them. | 0:17:41 | 0:17:46 | |
He was convicted ten years ago in Yassi for helping to kick a man to death. | 0:17:48 | 0:17:54 | |
It's said that his price for killing a man has been as low as 5,000 francs... | 0:17:55 | 0:18:00 | |
-No, thank you. -..and expenses. | 0:18:00 | 0:18:03 | |
Now... | 0:18:03 | 0:18:05 | |
..we know a week ago, Muller got in touch with Banat. | 0:18:06 | 0:18:11 | |
Tonight, we learn Banat is here. It was he who shot at you at the cabaret. A waiter identified him. | 0:18:11 | 0:18:17 | |
I'm dumbfounded. But I'm dumbfounded every 25 minutes. | 0:18:17 | 0:18:21 | |
-Can't you arrest him? -We will when we find him. But now we must get you safely to America. | 0:18:21 | 0:18:27 | |
I'll get safely back to America. | 0:18:27 | 0:18:30 | |
-Whenever we're in a hurry, we come last! -If we miss the boat, we'll sue the government. | 0:18:30 | 0:18:35 | |
Mademoiselle... Vous partez ce soir sur le Talisia? | 0:18:35 | 0:18:40 | |
Yes, for Batumi. | 0:18:40 | 0:18:42 | |
- This man is your husband? - We are partners. | 0:18:42 | 0:18:47 | |
Hmm. | 0:18:47 | 0:18:49 | |
HE SPEAKS TURKISH | 0:18:49 | 0:18:51 | |
-You must go? -We have engagements. | 0:18:51 | 0:18:54 | |
HE SPEAKS TURKISH | 0:18:54 | 0:18:57 | |
My car is at your disposal. | 0:18:57 | 0:19:01 | |
-Good night, Mr Graham. -Good night. | 0:19:01 | 0:19:04 | |
The Talisia belongs to a private company which runs a weekly service between here and Batumi. | 0:19:06 | 0:19:13 | |
It is little better than a floating slum. | 0:19:13 | 0:19:17 | |
They carry a few passengers - 12 at most. We checked the sailing. Everyone on there is harmless. | 0:19:17 | 0:19:23 | |
I've got a reservation on the morning train. | 0:19:23 | 0:19:26 | |
My dear Graham, if you leave on that or any other train, you will be dead before you reach Batumi. | 0:19:26 | 0:19:33 | |
This is much the less obvious way of getting you out of Turkey. | 0:19:33 | 0:19:38 | |
-In the middle of the Black Sea, you will be as safe as in this office. -It's quite a decision. | 0:19:38 | 0:19:44 | |
I am not asking you, I'm telling you what to do. | 0:19:44 | 0:19:49 | |
You'll just have time if you hurry. | 0:19:49 | 0:19:51 | |
-What about my wife? -This is the best way. -Look here, Colonel... -Haki. | 0:19:51 | 0:19:56 | |
-Do you two know each other? -How do you... -Oh, yes. -Yes. | 0:19:56 | 0:20:00 | |
-I've just got to see her, I've got to talk to her. -Kopeikin is with her at the hotel now... | 0:20:00 | 0:20:07 | |
putting her mind at rest. SPEAKS TURKISH | 0:20:07 | 0:20:10 | |
-I thought you were going by train. -Maybe the police thought the sea air would do him good. | 0:20:22 | 0:20:28 | |
-Come, let's get our baggage through customs. -Something I don't have to worry about! -Howard, wait! Howard! | 0:20:28 | 0:20:33 | |
-I came to say goodbye. It's nice it's all been arranged so quick. -SHIP'S HOOTER BLOWS | 0:20:34 | 0:20:40 | |
-Do you approve of my going on this boat? -I do, Howard. | 0:20:40 | 0:20:43 | |
-By the way, have you a gun in your luggage? -I haven't got any luggage. | 0:20:43 | 0:20:48 | |
-Then take this. I got it on my way to see your wife. It's loaded. -What did she say? | 0:20:48 | 0:20:55 | |
-Here. -I don't need this. -Put it in your pocket. It will make you feel better. | 0:20:55 | 0:21:01 | |
I've never fired one of these things, you know. | 0:21:01 | 0:21:04 | |
-That's a good one, Howard! -What? | 0:21:04 | 0:21:07 | |
-You are a ballistics expert and you never fired a gun. -I just never did. -Just point it and pull the trigger. | 0:21:07 | 0:21:14 | |
-I know how it works. -Take it with you anyway. -HOOTER BLARES | 0:21:14 | 0:21:18 | |
Look, Howard, they're unloosing it. You'd better go. Come. | 0:21:18 | 0:21:23 | |
-Write me a line. -Er...goodbye. | 0:21:23 | 0:21:26 | |
Goodbye, Howard. | 0:21:26 | 0:21:28 | |
-I want to telephone my wife. -I will see she is put safely on the train. | 0:21:41 | 0:21:46 | |
< COWS MOO | 0:21:46 | 0:21:48 | |
-What's that? Cows? -Mostly cows. | 0:21:48 | 0:21:51 | |
-It's clever, isn't it? -What's clever? | 0:21:51 | 0:21:55 | |
For you, Graham, so unlikely a means of transportation is better than a disguise. | 0:21:55 | 0:22:01 | |
Now, with Mrs Graham, it might be safer to practise a little deception, hmm? | 0:22:01 | 0:22:08 | |
-Cable her when you stop at Trabzon. C'est la guerre. -What? -War is war. You have your passport? | 0:22:08 | 0:22:14 | |
-Oh, yes. I've got my wife's here too. -I see you're arming yourself. | 0:22:14 | 0:22:19 | |
It's one thing to be a soldier, is it not? | 0:22:19 | 0:22:23 | |
The enemy is not looking for you in particular because you are Mr Graham. | 0:22:23 | 0:22:28 | |
-The fellow next to you will do just as well. -That's Stephanie's. -I will see it's delivered. -Thank you. | 0:22:28 | 0:22:35 | |
You have this advantage over the soldier, Mr Graham. You can run away without being a coward. | 0:22:35 | 0:22:42 | |
Do not worry about your wife, Graham. | 0:22:44 | 0:22:47 | |
I will take care of her personally. I bid your leave. | 0:22:47 | 0:22:51 | |
MAN CALLS PASSENGERS ABOARD | 0:22:53 | 0:22:57 | |
This way. | 0:23:11 | 0:23:13 | |
Cabin two. | 0:23:32 | 0:23:34 | |
Are you cabin two? Graham, Howard? | 0:25:40 | 0:25:43 | |
-Yes. Haven't you any better accommodations? -The cabins are all the same. Where is your luggage? | 0:25:43 | 0:25:50 | |
I haven't got any luggage. | 0:25:50 | 0:25:52 | |
-No luggage? -That's right. No luggage. | 0:25:52 | 0:25:55 | |
-Oh, er, hello. -I do not think that you are sincere, after all. | 0:25:59 | 0:26:03 | |
-What do you mean? -Tell me truthfully why you are on this boat. | 0:26:03 | 0:26:08 | |
-You wouldn't believe me. -Very well. I'm not inquisitive. | 0:26:08 | 0:26:12 | |
I took the boat to get away from somebody who's trying to shoot me. | 0:26:12 | 0:26:18 | |
I'd sooner see a raven flying than joke about killing. | 0:26:18 | 0:26:23 | |
-You mustn't say such things. -I apologise. | 0:26:23 | 0:26:26 | |
-Are you going somewhere now for a dancing engagement? -India, perhaps. | 0:26:26 | 0:26:31 | |
I hope so. So much is closed by the war. | 0:26:31 | 0:26:34 | |
-How long have you been dancing? -Since I was ten. 20 years ago. | 0:26:34 | 0:26:39 | |
You see, I do not lie about my age. | 0:26:39 | 0:26:42 | |
-I was born in the Pyrenees. My parents were very poor. -But honest. | 0:26:42 | 0:26:46 | |
No, my father was not at all honest. | 0:26:46 | 0:26:49 | |
I tell you everything about myself. About you I know nothing, except... | 0:26:49 | 0:26:55 | |
I heard English spoken. You are English? | 0:26:55 | 0:26:58 | |
-American. -I am Turkish. I sell tobacco. Ferma Pazah and Company. | 0:26:58 | 0:27:03 | |
-My name is Mr Kuvetli, sir. -My name is Howard Graham. | 0:27:03 | 0:27:08 | |
-This is Mademoiselle Josette. -My boss cannot speak English and he cannot write - he is ignorant. | 0:27:08 | 0:27:16 | |
I reply to all favours from England and abroad. But he knows a lot about tobacco. We produce the best. | 0:27:16 | 0:27:23 | |
Try cigarette made with tobacco Ferma Pazah and Company. | 0:27:23 | 0:27:27 | |
It's stuffy in here. I would like to go outside. You will come with me? | 0:27:27 | 0:27:31 | |
Thank you, Mr Kuvetli. Will you join us? | 0:27:31 | 0:27:34 | |
Quiet! You are keeping us all awake! Shhh! | 0:27:34 | 0:27:38 | |
I'm terribly sorry. | 0:27:38 | 0:27:40 | |
-See you later. -Yes. | 0:27:40 | 0:27:42 | |
-I do not like that man. -Personally, I like the Turks. | 0:27:46 | 0:27:50 | |
-Would you like to go upstairs? -I really ought to get some sleep. | 0:27:50 | 0:27:55 | |
-As you wish. -It's been quite a night. | 0:27:55 | 0:27:58 | |
Wish I'd brought my top coat. | 0:27:58 | 0:28:01 | |
-It is pretty up there. -Gogo is probably asleep. He will want to play cards with you tomorrow. | 0:28:02 | 0:28:08 | |
-I'll try to think of a game I play well. -He will win anyway but I have warned you. | 0:28:08 | 0:28:14 | |
I'll remember that when I lose. | 0:28:14 | 0:28:17 | |
DISTANT GRAMOPHONE RECORD STICKS | 0:28:17 | 0:28:20 | |
We can see the sunrise together. | 0:28:20 | 0:28:23 | |
KNOCK AT DOOR | 0:28:39 | 0:28:41 | |
Who is it? | 0:28:41 | 0:28:44 | |
I may come in? Yes. | 0:28:52 | 0:28:56 | |
I am Colonel Haki. | 0:29:01 | 0:29:03 | |
Where's Howard? What have you done with him? | 0:29:11 | 0:29:16 | |
Kopeikin hasn't told you? No. | 0:29:16 | 0:29:19 | |
Oh. Er... | 0:29:21 | 0:29:24 | |
Kopeikin hasn't told you. | 0:29:24 | 0:29:27 | |
I, myself, have come to deliver your passport. | 0:29:28 | 0:29:32 | |
Mrs Graham... Yes? | 0:29:34 | 0:29:37 | |
Your husband, Mr Graham... Yes? | 0:29:38 | 0:29:41 | |
He has taken the boat. Boat? | 0:29:43 | 0:29:45 | |
You're to take the train. You have reservations. Yes, but... | 0:29:45 | 0:29:49 | |
I don't know why he's left me. You're to wait for him at the hotel at Batumi. | 0:29:49 | 0:29:55 | |
Colonel Haki, you can be frank with me. I'm sure I can. | 0:29:55 | 0:29:59 | |
I can stand it. Why did he go like this? | 0:29:59 | 0:30:03 | |
Is it...? | 0:30:03 | 0:30:05 | |
No. Oh, no! No, Mrs Graham. | 0:30:06 | 0:30:11 | |
Who is she? I said nothing, Mrs Graham. | 0:30:12 | 0:30:15 | |
I'm sure you are wrong. | 0:30:15 | 0:30:18 | |
What shall I do? | 0:30:18 | 0:30:20 | |
What's to become of me? | 0:30:20 | 0:30:23 | |
What's to become of me? | 0:30:26 | 0:30:29 | |
We'll think of something. | 0:30:31 | 0:30:34 | |
HE SLURPS NOISILY | 0:30:35 | 0:30:38 | |
-Hello. -Good afternoon. | 0:30:45 | 0:30:48 | |
Good afternoon. | 0:30:58 | 0:31:00 | |
My name is Haller. Dr Fritz Haller. | 0:31:00 | 0:31:04 | |
-Mine's Howard Graham. -I am a German. A good German of the former Germany. I am on my way back to Tehran. | 0:31:04 | 0:31:11 | |
I am travelling on a League of Nations passport. | 0:31:11 | 0:31:15 | |
I'm an American. | 0:31:15 | 0:31:18 | |
This steward is an imbecile. | 0:31:18 | 0:31:21 | |
The French couple at the next table were placed here. | 0:31:21 | 0:31:24 | |
They objected to eating with "the enemy", insulted me and moved. | 0:31:24 | 0:31:29 | |
The food here is very monotonous without conversation. | 0:31:29 | 0:31:33 | |
I agree with you there. | 0:31:33 | 0:31:36 | |
THEY SPEAK ITALIAN | 0:31:36 | 0:31:40 | |
-Were you long in Turkey? -A few weeks. I came from Persia. | 0:31:42 | 0:31:46 | |
-Oil? -No, Mr Graham, archaeology. -Oh. | 0:31:46 | 0:31:49 | |
I was investigating the early pre-Islamic cultures. | 0:31:49 | 0:31:53 | |
-I am boring you already? -Not at all. | 0:31:53 | 0:31:56 | |
-War! -> | 0:32:00 | 0:32:02 | |
It is not businesslike. Makes it very difficult to earn money. | 0:32:02 | 0:32:07 | |
-Money?! -I take no side. I do not care who wins. -War is terrible. -War is stupid. Bad for business. | 0:32:07 | 0:32:14 | |
-Voice of the fool with the tongue of the wise. I must check on my wife. Excuse me. -Certainly. | 0:32:14 | 0:32:20 | |
War is the last refuge of the capitalist. | 0:32:22 | 0:32:26 | |
He talks like a fool but you should take no notice. He won the silver war badge. | 0:32:26 | 0:32:32 | |
A piece of silver on the chest to serenade the piece of steel inside. | 0:32:32 | 0:32:37 | |
Women are more ferocious as patriots than men. Don't you agree? | 0:32:37 | 0:32:41 | |
Me? Please. I am neutral. I know nothing. I have no opinion. | 0:32:41 | 0:32:46 | |
-I sell tobacco. -Tobacco? In Istanbul? What company? | 0:32:46 | 0:32:50 | |
-Pazah and Company. Istanbul. -Pazah? I don't... | 0:32:50 | 0:32:54 | |
Look! There is Trabzon! | 0:32:54 | 0:32:57 | |
Oh, we should go ashore and get some real food. | 0:32:57 | 0:33:02 | |
-"Stephanie, dear, I think of you all the time and dream of you at night." -Right. One message, two addresses. | 0:33:08 | 0:33:15 | |
-Send it right off. -"Looked for wire here but none. All beyond my control..." -Thank you. | 0:33:15 | 0:33:22 | |
"See you Grand Hotel, Batumi, Saturday. Love you." Very good, sir. | 0:33:22 | 0:33:26 | |
-The Greek woman over there, her husband was killed in Athens. -Quiet! -Mr Graham... | 0:33:39 | 0:33:45 | |
-Did you enjoy your excursion ashore this afternoon? -Why, er... | 0:33:45 | 0:33:50 | |
I didn't go. I was, but... | 0:33:50 | 0:33:53 | |
-Yes? -I want to talk to the captain. | 0:34:54 | 0:34:57 | |
HE SPEAKS ITALIAN | 0:34:57 | 0:35:00 | |
-Now what's the matter, monsieur? -It's necessary that I be put ashore. Immediately. | 0:35:00 | 0:35:06 | |
HE SPEAKS ITALIAN | 0:35:06 | 0:35:09 | |
RAUCOUS LAUGHTER > | 0:35:09 | 0:35:12 | |
I want to be put ashore. | 0:35:16 | 0:35:19 | |
-You're too late. -I'm willing to pay. | 0:35:19 | 0:35:21 | |
This is a ship, not a taxi. We carry cargo on a schedule. | 0:35:21 | 0:35:26 | |
-This is a question of life and death. -Naturally... | 0:35:26 | 0:35:30 | |
There's a man on the boat who's here purely to murder me. | 0:35:30 | 0:35:35 | |
HE SPEAKS ITALIAN | 0:35:35 | 0:35:38 | |
I am not crazy! | 0:35:42 | 0:35:45 | |
No, not at all, monsieur. What's his name? | 0:35:45 | 0:35:49 | |
Banat. B-A-N-A-T. | 0:35:49 | 0:35:52 | |
Now, just a minute. | 0:35:52 | 0:35:54 | |
What's so funny? | 0:35:54 | 0:35:57 | |
-There's no-one by that name. -He sat across the table from me at dinner. -Number seven cabin. -I don't know. | 0:35:57 | 0:36:04 | |
Mavrodopolos. He's a Greek businessman. | 0:36:04 | 0:36:07 | |
Will you please radio Colonel Haki of the Turkish police in...? | 0:36:07 | 0:36:12 | |
We are not in Turkish territorial waters. | 0:36:12 | 0:36:15 | |
-Our wireless is for navigational... -The man means to kill me! -Why? | 0:36:15 | 0:36:21 | |
Because he's been paid to kill me. | 0:36:21 | 0:36:24 | |
-Who pays him? -The... Can't you speak English? -HE ROARS WITH LAUGHTER | 0:36:24 | 0:36:29 | |
The captain speaks only Greek, Italian, Russian and Turkish. But I understand. | 0:36:29 | 0:36:35 | |
-You have perhaps had a bad dream. -I haven't... -I suggest you lie down in your cabin, and remember... | 0:36:35 | 0:36:42 | |
nobody's going to murder you on this ship. There are too many people. | 0:36:42 | 0:36:46 | |
Any case, this ship stops in Batumi, not before. Now, please excuse me. | 0:36:46 | 0:36:51 | |
< Close the door as you go out. | 0:36:51 | 0:36:54 | |
Boom, boom! | 0:36:56 | 0:36:57 | |
-Hello, Mr Graham. -Good evening. -It's going to be nasty out tomorrow. -Yes. -My wife doesn't... | 0:37:10 | 0:37:16 | |
-You will catch cold! Come back to bed! -You go back, cherie. | 0:37:16 | 0:37:21 | |
Have you got a wife, sir? | 0:37:21 | 0:37:24 | |
-Yes, I have. Excuse me. -Has she got a bad temper? -No. -Ah, you're lucky. | 0:37:24 | 0:37:28 | |
For years I lived in misery. Then one day I made a discovery. | 0:37:28 | 0:37:33 | |
There was a socialist meeting and I went to it. Because I was curious. | 0:37:33 | 0:37:38 | |
The speaker was good. Later we were with friends and I repeated what I heard. My wife laughed in an odd way. | 0:37:38 | 0:37:45 | |
And I made a discovery. I found out my wife was a snob and more stupid than I'd dreamed. | 0:37:45 | 0:37:51 | |
She said I'd humiliated her. Her friends were respectable and I must not speak like a working man. | 0:37:51 | 0:37:57 | |
She wept. Then I knew I was free. | 0:37:57 | 0:38:00 | |
I bought books and pamphlets to make my arguments more damaging. And my wife became very docile. | 0:38:00 | 0:38:07 | |
-She even cooked things I like just so I wouldn't disgrace her. -So, you don't believe what you say? -No. | 0:38:07 | 0:38:14 | |
That's where my little joke comes in. For a while I was free. | 0:38:14 | 0:38:18 | |
Then a terrible thing happened. I began to believe. I'd found a truth. | 0:38:18 | 0:38:23 | |
I, a capitalist by instinct, became a socialist by conviction. | 0:38:23 | 0:38:28 | |
There was a strike at the factory and I, the manager, supported it. I was dismissed. | 0:38:28 | 0:38:34 | |
I've become a man in my home at the price of becoming a bore outside. | 0:38:34 | 0:38:40 | |
Josette. | 0:39:46 | 0:39:47 | |
Josette. | 0:39:47 | 0:39:49 | |
-Remember I said I came on this ship to avoid somebody who's trying to shoot me? -Yes, a bad joke. | 0:40:06 | 0:40:12 | |
A very bad joke, only it's true. | 0:40:12 | 0:40:15 | |
-You're lying to me. -I'm afraid not. -What have you done that someone should wish to kill you? -Nothing. | 0:40:15 | 0:40:22 | |
-Some business competitors don't want me to get back to America. -You ARE lying. | 0:40:22 | 0:40:28 | |
Yes, I'm lying, but not very much. | 0:40:28 | 0:40:31 | |
-Some people don't want me to get back to the States. -Who are they? | 0:40:31 | 0:40:36 | |
I only know one. His name is Muller or Miller or something. He lives in Sofia. A Nazi agent. | 0:40:36 | 0:40:42 | |
-Le salaud! But he cannot touch you now. -I'm afraid he can. | 0:40:42 | 0:40:47 | |
-That fat man is working for him. -The Greek? -He's not Greek. | 0:40:48 | 0:40:53 | |
-His real name's Banat. He's been hired to kill me. -How do you know? -I've seen his picture. | 0:40:53 | 0:40:59 | |
-This is not very nice. -No, it's not. | 0:40:59 | 0:41:02 | |
He knows you suspect him. He was watching you. Kuvetli was watching you also. You looked so curious! | 0:41:02 | 0:41:08 | |
You mean I looked frightened. Frightened to death. I was, I'll admit it. | 0:41:08 | 0:41:14 | |
Why shouldn't I be? And besides, someone has stolen my gun! | 0:41:14 | 0:41:19 | |
You must think I'm a fool. | 0:41:20 | 0:41:22 | |
No, cheri. I think perhaps you're tired. | 0:41:22 | 0:41:26 | |
I'm sorry. I guess I was worried about my gun. | 0:41:27 | 0:41:31 | |
Don't worry. I'll tell you something... | 0:41:31 | 0:41:34 | |
-The fat man doesn't carry a gun. -How do you know? -His clothes are tight. You could see the shape. | 0:41:34 | 0:41:41 | |
He's got a gun. I know. He must keep it in his cabin. | 0:41:41 | 0:41:45 | |
-He's in the saloon. I could see he doesn't go to his cabin for a long time. -How? -Gogo will do it. -Gogo? | 0:41:45 | 0:41:51 | |
-I won't tell Gogo about you. He will play cards with him. -Will Gogo ask him? | 0:41:51 | 0:41:56 | |
I'll tell Gogo I saw this man open a wallet with a lot of money in it. Gogo will see he plays cards. | 0:41:56 | 0:42:04 | |
-Can you keep him there? -I'll make certain. | 0:42:04 | 0:42:07 | |
You wait here. | 0:42:07 | 0:42:09 | |
Won't you join me, Mr Graham? | 0:42:15 | 0:42:18 | |
-I'm just getting some fresh air. -Oh. | 0:42:18 | 0:42:21 | |
Do you see land from a ship? Or do you see a ship from land? I used to like both. Now I dislike both. | 0:42:21 | 0:42:28 | |
When a man reaches my age, he grows, I think, to resent subconsciously, | 0:42:28 | 0:42:33 | |
the movement of everything except the respiratory muscles which keep him alive. Movement is change. | 0:42:33 | 0:42:39 | |
To an old man, change means death. | 0:42:39 | 0:42:42 | |
Excuse me. | 0:42:42 | 0:42:44 | |
-I think I will say good night. -Good night. -Good night, mademoiselle. | 0:42:44 | 0:42:49 | |
I must go. I came to tell you it's all right. | 0:42:49 | 0:42:52 | |
-Come to the saloon afterwards so I know you have finished. -All right. | 0:42:52 | 0:42:57 | |
Boom, boom! | 0:43:16 | 0:43:17 | |
HE LAUGHS HYSTERICALLY | 0:43:17 | 0:43:20 | |
FOOTSTEPS APPROACH | 0:44:49 | 0:44:52 | |
Mr Graham, I was waiting for you. | 0:45:11 | 0:45:13 | |
This is what you have been looking for, isn't it? | 0:45:13 | 0:45:16 | |
Close the door, please. | 0:45:16 | 0:45:19 | |
-I thought I had better keep this for Mevrodopolos. -Banat. | 0:45:21 | 0:45:26 | |
Banat's easier to say. | 0:45:26 | 0:45:29 | |
I wonder if your name happens to be Muller. | 0:45:29 | 0:45:32 | |
You have guessed it. I am Muller. | 0:45:32 | 0:45:35 | |
But I like being an archaeologist. | 0:45:35 | 0:45:38 | |
I got my speeches from this - the Sumerian Pantheon by Fritz Haller. | 0:45:38 | 0:45:43 | |
I should not like to think of you being murdered by my employee. | 0:45:43 | 0:45:48 | |
But as things stand, you will be dead within a few moments of landing at Batumi tomorrow. | 0:45:48 | 0:45:54 | |
If you die before reaching America, someone would be sent in your place. | 0:45:54 | 0:46:00 | |
But your work will be delayed. That is all we're interested in. | 0:46:00 | 0:46:05 | |
Mr Graham, you are a fortunate man. | 0:46:05 | 0:46:08 | |
-What does that mean? -You are going to catch typhus. -What? | 0:46:08 | 0:46:12 | |
When you get to Batumi, you will be taken to a small private hospital. | 0:46:12 | 0:46:17 | |
In six weeks, you will have recovered. How does that appeal? | 0:46:17 | 0:46:21 | |
-Has it occurred to you that I may not be so stupid as you think? -You're a fool! You know nothing! | 0:46:21 | 0:46:28 | |
Oh, I don't? | 0:46:28 | 0:46:30 | |
One thing you do not know is that Colonel Haki installed one of his agents on board to watch over you. | 0:46:30 | 0:46:38 | |
I tried hard yesterday to interest you in Mr Kuvetli. | 0:46:38 | 0:46:42 | |
-Are you telling me Kuvetli is a Turkish agent? -I wanted to see you before he made himself known. | 0:46:42 | 0:46:48 | |
He has his duty to do and will have evolved some plan for getting you to safety. | 0:46:48 | 0:46:54 | |
I wanted to warn you against telling him my plan. | 0:46:54 | 0:46:58 | |
It'd be embarrassing if an agent of the government knew our deception. | 0:46:58 | 0:47:03 | |
You see what I mean, Mr Graham? | 0:47:03 | 0:47:06 | |
If you let Mr Kuvetli into our secret, | 0:47:06 | 0:47:10 | |
you destroy your only chance of returning to America alive. | 0:47:10 | 0:47:14 | |
It's a solemn thought, isn't it? | 0:47:14 | 0:47:17 | |
-KNOCKING -Graham? | 0:47:27 | 0:47:30 | |
-KNOCKING -Graham? | 0:47:34 | 0:47:37 | |
Come to the wall. I'm in the next cabin. | 0:47:37 | 0:47:41 | |
Well? | 0:47:44 | 0:47:46 | |
This is Kuvetli. We'll meet on the well deck in five minutes. | 0:47:46 | 0:47:50 | |
Wait there for me. It's best if our conversations are not overheard. | 0:47:50 | 0:47:55 | |
Er...all right. | 0:47:55 | 0:47:58 | |
-Where are you? -Here, Graham. | 0:48:32 | 0:48:35 | |
If you're a Turkish agent, why didn't you tell me? | 0:48:38 | 0:48:42 | |
From Colonel Haki. I was to keep my identity secret until necessary. | 0:48:42 | 0:48:47 | |
-Did you know Muller was aboard? -Not until I saw him talking to Banat. | 0:48:47 | 0:48:52 | |
Muller wants me to lay low in some private hospital for a while. | 0:48:52 | 0:48:57 | |
-Did you overhear that too? -He underrates you. | 0:48:57 | 0:49:01 | |
He tried to persuade you to be murdered in a convenient way. | 0:49:01 | 0:49:06 | |
Oh. I'll be killed if I accept his proposal and I'll be killed if I don't. | 0:49:06 | 0:49:12 | |
Not necessarily. Go back to Muller. Tell him you agree to his suggestion. | 0:49:12 | 0:49:18 | |
-Tell him you do not trust me. Say I threatened you. -What with? Death? | 0:49:18 | 0:49:23 | |
-That would be a little silly, wouldn't it? -Not so silly, Graham. You must obey my orders. -Well... | 0:49:23 | 0:49:30 | |
I'm a Turk, Graham. I fought with the Gazi for Turkish freedom. | 0:49:30 | 0:49:35 | |
I will give my life to protect our work. Do you think it strange that I should not hesitate to give yours? | 0:49:35 | 0:49:41 | |
-I guess not. I'll do anything you say. -Good. | 0:49:41 | 0:49:45 | |
Tonight, after seeing Muller, go to your cabin and lock yourself in. | 0:49:45 | 0:49:50 | |
Tomorrow morning, before we dock, go to the cabin at the end of the corridor. Number 5. | 0:49:50 | 0:49:56 | |
Stay there. Muller and Banat will have to wait for you on the dock. | 0:49:56 | 0:50:01 | |
-I'll go earlier on the pilot boat to arrange for their arrest. Do you understand? -Yes, I think I do. | 0:50:01 | 0:50:08 | |
You feel better now, hmm? Good luck, Graham. | 0:50:08 | 0:50:12 | |
-You have seen Kuvetli? -Yes. -Well? | 0:50:14 | 0:50:17 | |
-I've decided to accept your advice. -At Kuvetli's suggestion? -My own. | 0:50:17 | 0:50:22 | |
-Did he mention me by name? -Yes. He warned me against you. | 0:50:22 | 0:50:26 | |
-How did you treat the warning? -I'm ignoring it. I'll follow your plan. | 0:50:26 | 0:50:31 | |
-I don't trust him. We have to throw him off. -Kuvetli will be no trouble. | 0:50:31 | 0:50:36 | |
The next he will hear of you is that you are suffering from typhus. | 0:50:36 | 0:50:41 | |
OUTBOARD ENGINE SPLUTTERS | 0:50:56 | 0:50:59 | |
HORN BLOWS | 0:50:59 | 0:51:02 | |
SHIP'S HORN RESPONDS | 0:51:02 | 0:51:06 | |
BELL RINGS | 0:51:08 | 0:51:10 | |
GRAMOPHONE STARTS TO PLAY | 0:52:30 | 0:52:34 | |
FOOTSTEPS APPROACH | 0:52:42 | 0:52:45 | |
KNOCKING | 0:52:46 | 0:52:49 | |
-Good morning. May I speak to you? -Of course. You look serious. | 0:52:49 | 0:52:54 | |
-I'll be back in a minute. -In here. | 0:52:54 | 0:52:57 | |
-I need your help. -Certainly. -Can you take a message for me? -All right. | 0:52:57 | 0:53:03 | |
Mr Matthews, in a way... | 0:53:03 | 0:53:06 | |
at the moment, I'm at the joint services of the Allied governments. | 0:53:06 | 0:53:10 | |
When I get off the ship, I may be killed by German agents. | 0:53:10 | 0:53:14 | |
-You're in the secret service? -I want you to go to the Turkish consul. Will you? -What's the message? | 0:53:14 | 0:53:21 | |
Tell him to tell Colonel Haki... | 0:53:21 | 0:53:23 | |
-Haki. -H-A-K-I, in Istanbul... -Istanbul. | 0:53:23 | 0:53:27 | |
-..that I'm in trouble. -Is that all? -Well... | 0:53:27 | 0:53:30 | |
In the event of my death, ask him to notify the American consul. | 0:53:32 | 0:53:37 | |
Of course, Mr Graham. | 0:53:37 | 0:53:40 | |
-I'd like to say something about my wife. -Oh, I understand. One doesn't confide these things. I'm not a fool. | 0:53:40 | 0:53:47 | |
-Let's take our revolvers... -Wait! Did you say you had a revolver? -No, I haven't got a revolver. | 0:53:47 | 0:53:55 | |
-Oh. -But I thought, of course, that you had. I'm sorry, Mr Graham. | 0:53:55 | 0:54:00 | |
I'll deliver your message though. | 0:54:00 | 0:54:03 | |
Thanks. | 0:54:03 | 0:54:05 | |
She will come back. You don't understand, eh? | 0:54:44 | 0:54:48 | |
-What? -She is very pretty, no? But she has no sense. Women do not understand business. | 0:54:48 | 0:54:54 | |
I am Josette's partner so I have an interest in Josette. You wish to marry her? | 0:54:54 | 0:55:00 | |
-What? -I do not give her up for nothing. Together, Josette and me, we earn 2,000 francs a week. | 0:55:00 | 0:55:08 | |
-Look... -But I will... -Have you got a revolver? -A revolver? -Yes. | 0:55:08 | 0:55:13 | |
-You do not believe we earn 2,000 francs a week? -Sure. Only... | 0:55:13 | 0:55:18 | |
Why don't we all get off the boat together and discuss this later? | 0:55:20 | 0:55:25 | |
-Well, cheri, is everything settled? -He wants us to meet him later. | 0:55:25 | 0:55:30 | |
-No... -The car is waiting, Mr Graham. | 0:55:30 | 0:55:32 | |
Go on, cheri. We'll all meet later. | 0:55:32 | 0:55:36 | |
-Excuse me. -We will join you on the dock. | 0:55:40 | 0:55:43 | |
Mr Graham. | 0:55:48 | 0:55:50 | |
I'm sorry about the gun, Mr Graham, but I do have a knife. | 0:55:56 | 0:56:00 | |
Please take it. | 0:56:01 | 0:56:03 | |
-I know. Take it anyway. -Thanks. -One thing more. | 0:56:06 | 0:56:10 | |
I have this. | 0:56:10 | 0:56:12 | |
-I don't know what I'll do with that. -Nor do I but I put a point on it. | 0:56:14 | 0:56:20 | |
-Good morning. -Goodbye. I'll be discreet. -Discreet?! What about? | 0:56:20 | 0:56:25 | |
We are going to blow up the Bank of England, seize Parliament and set up a communist government. | 0:56:25 | 0:56:31 | |
-You should not say such things even as a joke! -A joke?! Wait till we shoot them down! -Someone might hear! | 0:56:31 | 0:56:38 | |
Let them hear! | 0:56:38 | 0:56:41 | |
-Goodbye, Mr Graham. Good luck. -Thank you. | 0:56:41 | 0:56:44 | |
Sorry. | 0:56:57 | 0:56:59 | |
I haven't seen Mr Kuvetli today. | 0:57:46 | 0:57:49 | |
-I hope everything's going to be all right. -This way, please, Mr Graham. | 0:57:49 | 0:57:54 | |
HE SPEAKS GERMAN | 0:58:13 | 0:58:16 | |
CAR HORN BLARES | 0:58:21 | 0:58:24 | |
-HE SPEAKS GERMAN -Flat tyre. | 0:58:24 | 0:58:27 | |
HORN SOUNDS | 0:58:55 | 0:58:59 | |
HORN SOUNDS CONTINUOUSLY | 0:58:59 | 0:59:03 | |
HORSES WHINNY | 0:59:04 | 0:59:06 | |
Is Mrs Howard Graham registered here? | 0:59:47 | 0:59:50 | |
THEY SPEAK GERMAN | 0:59:50 | 0:59:53 | |
-Room 55. She arrived this morning. -May I speak to her, please? | 0:59:53 | 0:59:57 | |
-Who shall I say is calling? -Her husband. | 0:59:57 | 1:00:00 | |
-Hello, Stephanie? This is Howard. -'Howard?! Come on up!' | 1:00:05 | 1:00:09 | |
-Where's the elevator? -Here, sir. | 1:00:09 | 1:00:11 | |
-Stephanie. -Howard, darling! | 1:00:24 | 1:00:27 | |
It's wonderful to see you. But darling, what happened to you? | 1:00:31 | 1:00:36 | |
I'll tell you all about it in the tub. | 1:00:36 | 1:00:39 | |
-Oh, your company representative's here, Mr Ridgeley. -Bill Ridgeley! -We've looked all over for you! | 1:00:39 | 1:00:46 | |
-We'll talk about it later. Bill. -Howard. | 1:00:46 | 1:00:49 | |
-You are late. -Better late than never. That's what I always say. | 1:00:49 | 1:00:55 | |
If you gentlemen will excuse me... you must have a lot to talk about. | 1:00:55 | 1:01:00 | |
It was very stupid of you to come here, Mr Graham. Let's get this over with as quickly as possible. | 1:01:01 | 1:01:08 | |
< Howard... | 1:01:08 | 1:01:10 | |
< Oh, Howard... | 1:01:10 | 1:01:12 | |
Yes, Stephanie. | 1:01:12 | 1:01:14 | |
If you and Mr Ridgeley have business to talk over, don't worry about me. | 1:01:14 | 1:01:19 | |
I'm invited downstairs for a cocktail. | 1:01:19 | 1:01:22 | |
I am perfectly willing to spare your wife. | 1:01:22 | 1:01:26 | |
..I couldn't really refuse. You'll forgive me, Mr Ridgeley? | 1:01:26 | 1:01:30 | |
Where are you going, dear? > | 1:01:30 | 1:01:33 | |
Mrs Graham, may I present a business associate, Mr Banat? | 1:01:36 | 1:01:41 | |
-How do you do, Mr Banat. -Oh, and Mr Graham, Mr Banat. | 1:01:41 | 1:01:46 | |
-I hate to take your husband away, Mrs Graham. -I'm getting used to it. | 1:01:51 | 1:01:57 | |
Besides, I have company. A charming gentleman. He flew with me from Istanbul. Colonel Haki. | 1:01:57 | 1:02:04 | |
HE SPEAKS GERMAN | 1:02:04 | 1:02:06 | |
Mrs Graham, would you do your husband a favour and come with me? | 1:02:06 | 1:02:11 | |
-It will only be a moment. -I don't understand. -I will explain later. | 1:02:11 | 1:02:16 | |
Would you go to the lobby and hold Colonel Haki there? | 1:02:16 | 1:02:20 | |
-Of course, if you put it that way. -Thank you. | 1:02:20 | 1:02:24 | |
-SHE SPEAKS GEORGIAN -Come in. Come in. | 1:02:31 | 1:02:35 | |
TELEPHONE RINGS | 1:02:35 | 1:02:38 | |
Hello. | 1:02:41 | 1:02:43 | |
-Is this Mr Graham's room? -Yes. -Is this Mr Graham? -Yes. | 1:02:43 | 1:02:48 | |
-The clerk asked if I wanted to speak to Mr and Mrs Graham. That would mean you are married? -Yes. | 1:02:48 | 1:02:55 | |
Do not be embarrassed. We can still be friends. | 1:02:55 | 1:02:58 | |
Well... | 1:02:58 | 1:03:00 | |
-You think I'm angry. You don't believe me. Gogo is coming to settle matters but I will stop him. -No... | 1:03:00 | 1:03:07 | |
-No, don't do that. -It's the best way. Goodbye, Mr Graham. All men are not sincere. | 1:03:07 | 1:03:13 | |
SHE SPEAKS GEORGIAN | 1:03:13 | 1:03:18 | |
All through already? | 1:03:19 | 1:03:21 | |
SHE REPLIES IN GEORGIAN | 1:03:21 | 1:03:24 | |
GUNSHOT | 1:03:26 | 1:03:28 | |
GUNSHOT | 1:03:42 | 1:03:44 | |
Have you seen Colonel Haki? Just a moment ago. | 1:03:44 | 1:03:48 | |
-HE SHOUTS IN GERMAN -A crazy man just shot at me! | 1:03:59 | 1:04:03 | |
He's crazy! | 1:04:32 | 1:04:34 | |
HE SPEAKS GEORGIAN That's terrible! | 1:04:34 | 1:04:37 | |
What's happened? A man has fallen into the street. | 1:04:37 | 1:04:40 | |
Ah! It's Mr Ridgeley! It's Professor Haller. | 1:04:46 | 1:04:49 | |
Graham! Look out! | 1:05:22 | 1:05:23 | |
GUNSHOT | 1:05:23 | 1:05:24 | |
GUNSHOT | 1:05:56 | 1:05:58 | |
Howard! Is that you up there, Howard? | 1:07:15 | 1:07:19 | |
Have you gone crazy? | 1:07:21 | 1:07:23 | |
Howard Graham, you come right down off of that ledge out of that rain before you catch your death of cold! | 1:07:25 | 1:07:32 | |
Subtitles by Angela Clarke BBC - 1998 | 1:07:37 | 1:07:41 | |
E-mail [email protected] | 1:07:41 | 1:07:45 |