
Browse content similar to Pirates of the Caribbean: At World's End. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
MAN: "In order to effect a timely halt | 0:00:54 | 0:00:56 | |
"to deteriorating conditions | 0:00:56 | 0:00:59 | |
"and to ensure the common good, | 0:00:59 | 0:01:01 | |
"a state of emergency is declared for these territories | 0:01:01 | 0:01:04 | |
"by decree of Lord Cutler Beckett, | 0:01:04 | 0:01:07 | |
"duly appointed representative of His Majesty, the King. | 0:01:07 | 0:01:10 | |
"By decree, according to martial law, | 0:01:10 | 0:01:15 | |
"the following statutes are temporarily amended. | 0:01:15 | 0:01:17 | |
"Right to assembly, suspended. | 0:01:17 | 0:01:20 | |
"Right to verdict by a jury of peers, suspended. | 0:01:20 | 0:01:25 | |
"By decree, all persons found guilty of piracy, | 0:01:25 | 0:01:30 | |
"or aiding a person convicted of piracy, | 0:01:30 | 0:01:33 | |
"or associating with a person convicted of piracy, | 0:01:33 | 0:01:37 | |
"shall be sentenced to hang by the neck until dead." | 0:01:37 | 0:01:41 | |
# The King and his men | 0:02:10 | 0:02:12 | |
# Stole the Queen from her bed | 0:02:12 | 0:02:16 | |
# And bound her in her bones | 0:02:18 | 0:02:22 | |
# The seas be ours | 0:02:25 | 0:02:28 | |
# And by the powers | 0:02:28 | 0:02:32 | |
# Where we will, we'll roam | 0:02:35 | 0:02:38 | |
# Yo ho | 0:02:41 | 0:02:45 | |
# Haul together | 0:02:45 | 0:02:49 | |
# Hoist the colours high... # | 0:02:49 | 0:02:50 | |
Lord Beckett! | 0:02:50 | 0:02:53 | |
They've started to sing, sir. | 0:02:53 | 0:02:56 | |
Finally. | 0:02:58 | 0:02:59 | |
# Thieves and beggars | 0:02:59 | 0:03:03 | |
# Never shall we die | 0:03:03 | 0:03:08 | |
# Some have died and some are alive | 0:03:38 | 0:03:43 | |
# Others sail on the sea | 0:03:43 | 0:03:46 | |
# With the keys to the cage | 0:03:46 | 0:03:50 | |
# And the devil to pay | 0:03:50 | 0:03:52 | |
# We lay to Fiddler's Green | 0:03:52 | 0:03:56 | |
# The bell has been raised from its watery grave | 0:03:58 | 0:04:02 | |
# Hear its sepulchral tone | 0:04:02 | 0:04:07 | |
# A call to all, pay heed the squall... | 0:04:09 | 0:04:12 | |
FIREWORKS IGNITE | 0:04:17 | 0:04:19 | |
# Turn your sails to home | 0:04:21 | 0:04:24 | |
# Yo ho | 0:04:26 | 0:04:28 | |
# Haul together | 0:04:28 | 0:04:30 | |
# Hoist the colours high | 0:04:30 | 0:04:35 | |
# Heave-ho... | 0:04:35 | 0:04:38 | |
# Thief and beggar | 0:04:38 | 0:04:40 | |
# Never say we die. # | 0:04:40 | 0:04:43 | |
A dangerous song to be singing... | 0:04:45 | 0:04:48 | |
for any who are ignorant of its meaning. | 0:04:48 | 0:04:51 | |
Particularly a woman. | 0:04:51 | 0:04:54 | |
Particularly a woman alone. | 0:04:55 | 0:04:58 | |
MAN: What makes you think she's alone? | 0:04:58 | 0:05:01 | |
You protect her? | 0:05:05 | 0:05:07 | |
And what makes you think I need protecting? | 0:05:07 | 0:05:10 | |
Your master's expecting us. | 0:05:10 | 0:05:12 | |
And an unexpected death'd cast | 0:05:12 | 0:05:14 | |
a slight pall on our meeting. | 0:05:14 | 0:05:18 | |
SECOND MAN: Pick those feet up! | 0:05:18 | 0:05:20 | |
Lively now! | 0:05:20 | 0:05:24 | |
INDISTINCT CHATTER | 0:06:03 | 0:06:05 | |
SQUAWK: Steady as she goes. | 0:06:18 | 0:06:20 | |
HURDY-GURDY MUSIC PLAYS | 0:06:20 | 0:06:23 | |
All right. | 0:06:23 | 0:06:25 | |
Have you heard anything from Will? | 0:06:28 | 0:06:30 | |
I trust young Turner to acquire the charts | 0:06:30 | 0:06:32 | |
and you to remember your place | 0:06:32 | 0:06:34 | |
in the presence of Captain Sao Feng. | 0:06:34 | 0:06:35 | |
Is he that terrifying? | 0:06:35 | 0:06:38 | |
He's much like myself, but absent | 0:06:38 | 0:06:40 | |
my merciful nature and sense of fair play. | 0:06:40 | 0:06:43 | |
SPEAKS IN CHINESE | 0:06:47 | 0:06:48 | |
METAL CRACKS | 0:06:57 | 0:06:58 | |
We're through. Make ready. | 0:06:58 | 0:07:00 | |
CREAKING | 0:07:00 | 0:07:01 | |
Hurry up! | 0:07:06 | 0:07:08 | |
Do you think because she is a woman we would not suspect her of treachery? | 0:07:13 | 0:07:17 | |
Well, when you put it that way... | 0:07:19 | 0:07:21 | |
Remove. Please. | 0:07:21 | 0:07:24 | |
Remove. Please. | 0:08:06 | 0:08:09 | |
Captain Barbossa, welcome to Singapore. | 0:08:53 | 0:08:57 | |
SNIFFLES | 0:09:00 | 0:09:01 | |
More steam. | 0:09:01 | 0:09:02 | |
HISSING | 0:09:06 | 0:09:07 | |
MEN SHOUT IN CHINESE | 0:09:07 | 0:09:09 | |
GRUNTING | 0:09:20 | 0:09:23 | |
None of that. | 0:09:24 | 0:09:25 | |
If things don't go the way we want, | 0:09:25 | 0:09:26 | |
then we're the only chance they've got. | 0:09:26 | 0:09:29 | |
I understand that you have a request to make of me. | 0:09:35 | 0:09:39 | |
More of a proposal to put to ye. | 0:09:39 | 0:09:42 | |
I've a venture underway | 0:09:42 | 0:09:44 | |
and I find myself in need of a ship and a crew. | 0:09:44 | 0:09:48 | |
Hmm. It's an odd coincidence. | 0:09:48 | 0:09:52 | |
Because you happen to have a ship and a crew you don't need? | 0:09:52 | 0:09:55 | |
No. | 0:09:55 | 0:09:58 | |
Because earlier this day, not far from here, | 0:09:58 | 0:10:00 | |
a thief broke into my most revered uncle's temple | 0:10:00 | 0:10:04 | |
and tried to make off with these. | 0:10:04 | 0:10:08 | |
The navigational charts. | 0:10:09 | 0:10:12 | |
The route to the Farthest Gate. | 0:10:12 | 0:10:16 | |
Wouldn't it be amazing if this venture of yours | 0:10:18 | 0:10:22 | |
took you to the world beyond this one? | 0:10:22 | 0:10:26 | |
It would strain credulity at that. | 0:10:26 | 0:10:29 | |
SPLASHING | 0:10:36 | 0:10:38 | |
GASPING | 0:10:38 | 0:10:40 | |
This is the thief. | 0:10:42 | 0:10:44 | |
Is his face familiar to you? | 0:10:44 | 0:10:47 | |
Then I guess he has no further need for it. | 0:10:49 | 0:10:53 | |
Oh! | 0:10:53 | 0:10:54 | |
You come into my city, and you betray my hospitality. | 0:11:02 | 0:11:08 | |
Sao Feng, I assure you I had no idea... | 0:11:08 | 0:11:10 | |
That he would get caught! | 0:11:10 | 0:11:11 | |
You intend to attempt a voyage to Davy Jones' Locker. | 0:11:15 | 0:11:18 | |
But I cannot help but wonder... | 0:11:18 | 0:11:21 | |
Why? | 0:11:22 | 0:11:24 | |
BARBOSSA: The song has been sung. | 0:11:33 | 0:11:35 | |
The time is upon us. | 0:11:35 | 0:11:39 | |
We must convene the Brethren Court. | 0:11:39 | 0:11:42 | |
As one of the nine Pirate Lords, | 0:11:42 | 0:11:46 | |
you must honour the call. | 0:11:46 | 0:11:49 | |
More steam. | 0:11:50 | 0:11:51 | |
More steam! | 0:11:58 | 0:12:01 | |
GROANS | 0:12:02 | 0:12:03 | |
There is a price on all our heads. | 0:12:06 | 0:12:08 | |
It is true. | 0:12:08 | 0:12:11 | |
It seems the only way a pirate can turn a profit any more | 0:12:11 | 0:12:14 | |
is by betraying other pirates. | 0:12:14 | 0:12:19 | |
BARBOSSA: We must put our differences aside... | 0:12:20 | 0:12:22 | |
Wait for the signal. | 0:12:22 | 0:12:23 | |
The first Brethren Court | 0:12:23 | 0:12:24 | |
gave us rule of the seas. | 0:12:24 | 0:12:26 | |
But now that rule is being challenged | 0:12:26 | 0:12:28 | |
by Lord Cutler Beckett. | 0:12:28 | 0:12:30 | |
SAO FENG: Against East India Trading Company, | 0:12:30 | 0:12:33 | |
what value is the Brethren Court? | 0:12:33 | 0:12:36 | |
What can any of us do? | 0:12:36 | 0:12:38 | |
You can fight! Get off me! | 0:12:38 | 0:12:41 | |
You are Sao Feng, the Pirate Lord of Singapore. | 0:12:41 | 0:12:44 | |
You command in an age of piracy, | 0:12:44 | 0:12:47 | |
where bold captains sail free waters. | 0:12:47 | 0:12:49 | |
Where waves aren't measured in feet, | 0:12:49 | 0:12:50 | |
but as increments of fear, | 0:12:50 | 0:12:53 | |
and those who pass the test become legend. | 0:12:53 | 0:12:55 | |
Would you have that era come to an end on your watch? | 0:12:55 | 0:12:58 | |
The most notorious pirates from around the world | 0:12:58 | 0:13:01 | |
are uniting against our enemy, | 0:13:01 | 0:13:03 | |
and yet you sit here cowering in your bathwater! | 0:13:03 | 0:13:06 | |
Elizabeth Swann. | 0:13:11 | 0:13:14 | |
There is more to you than meets the eye, isn't there? | 0:13:14 | 0:13:18 | |
And the eye does not go wanting. | 0:13:18 | 0:13:22 | |
But I cannot help but notice | 0:13:23 | 0:13:26 | |
you have failed to answer my question. | 0:13:26 | 0:13:29 | |
What is it you seek in Davy Jones' Locker? | 0:13:29 | 0:13:33 | |
Jack Sparrow. | 0:13:33 | 0:13:34 | |
GIGGLING | 0:13:35 | 0:13:37 | |
He's one of the Pirate Lords. | 0:13:37 | 0:13:39 | |
The only reason | 0:13:45 | 0:13:46 | |
I would want Jack Sparrow returned | 0:13:46 | 0:13:50 | |
from the land of the dead | 0:13:50 | 0:13:52 | |
is so I can send him back myself! | 0:13:52 | 0:13:56 | |
Jack Sparrow holds one of the nine Pieces of Eight. | 0:13:59 | 0:14:03 | |
He failed to pass it along to a successor before he died. | 0:14:03 | 0:14:07 | |
So we must go and get him back. | 0:14:07 | 0:14:10 | |
So you admit... | 0:14:14 | 0:14:18 | |
you have deceived me. | 0:14:18 | 0:14:20 | |
Weapons! | 0:14:20 | 0:14:21 | |
YELLING | 0:14:21 | 0:14:23 | |
Weapons! | 0:14:24 | 0:14:26 | |
Sao Feng, I assure you, our intentions | 0:14:26 | 0:14:29 | |
are strictly honourable. | 0:14:29 | 0:14:30 | |
Drop your weapons or I kill the man. | 0:14:37 | 0:14:40 | |
Kill him. He's not our man. | 0:14:42 | 0:14:44 | |
If he's not with you, and he's not with us, | 0:14:46 | 0:14:49 | |
who's he with? | 0:14:49 | 0:14:51 | |
DOOR OPENS Charge! | 0:14:51 | 0:14:54 | |
SHOUTING AND GUNFIRE | 0:14:54 | 0:14:56 | |
Will! | 0:15:13 | 0:15:15 | |
GASPS | 0:15:22 | 0:15:24 | |
MAN: Look out! Look behind you! | 0:15:28 | 0:15:31 | |
CLAMOURING | 0:15:31 | 0:15:33 | |
Ready! | 0:15:33 | 0:15:36 | |
Fire! | 0:15:36 | 0:15:38 | |
SHOUTS | 0:15:40 | 0:15:42 | |
Chart! | 0:15:46 | 0:15:48 | |
Boo! | 0:16:12 | 0:16:13 | |
Company! Make ready. Set. | 0:16:17 | 0:16:21 | |
Fire! | 0:16:21 | 0:16:22 | |
Company! Make ready. Set. | 0:16:28 | 0:16:31 | |
HURDY-GURDY MUSIC PLAYING | 0:16:31 | 0:16:34 | |
Fire! | 0:16:34 | 0:16:35 | |
EXPLOSION | 0:16:35 | 0:16:38 | |
SHOUTING AND GUNFIRE CONTINUES | 0:16:38 | 0:16:41 | |
METAL CLANGING ON FLOOR | 0:16:46 | 0:16:49 | |
It's an odd coincidence, isn't it? | 0:16:52 | 0:16:54 | |
The East India Trading Company finds me | 0:16:54 | 0:16:57 | |
the day you show up in Singapore. | 0:16:57 | 0:16:59 | |
It is coincidence only. | 0:16:59 | 0:17:00 | |
GUN COCKS | 0:17:01 | 0:17:03 | |
If you want to make a deal with Beckett, | 0:17:04 | 0:17:06 | |
you need what I offer. | 0:17:06 | 0:17:07 | |
You cross Barbossa. | 0:17:09 | 0:17:11 | |
You are willing to cross Jack Sparrow. | 0:17:11 | 0:17:13 | |
Why should I expect any better? | 0:17:13 | 0:17:16 | |
I need the Black Pearl to free my father. | 0:17:16 | 0:17:19 | |
You're helping me to get it. | 0:17:22 | 0:17:23 | |
SQUAWKS: Uh-oh. | 0:17:32 | 0:17:33 | |
Fire in the hole! | 0:17:39 | 0:17:40 | |
Thank you, Jack. | 0:17:57 | 0:17:59 | |
SCREECHES | 0:17:59 | 0:18:00 | |
SQUAWK: Thank you, Jack. | 0:18:00 | 0:18:03 | |
You have the charts? | 0:18:03 | 0:18:04 | |
And better yet, | 0:18:04 | 0:18:06 | |
a ship and a crew. | 0:18:06 | 0:18:08 | |
Where's Sao Feng? | 0:18:08 | 0:18:09 | |
He'll cover our escape | 0:18:09 | 0:18:10 | |
and meet us at Shipwreck Cove. | 0:18:10 | 0:18:11 | |
This way. Be quick. | 0:18:11 | 0:18:12 | |
There's no place left for Sao Feng to cower. | 0:18:28 | 0:18:31 | |
Do you think he will honour the call? | 0:18:31 | 0:18:34 | |
I cannot say. | 0:18:34 | 0:18:37 | |
There's an evil on these seas | 0:18:37 | 0:18:39 | |
that even the most staunch and bloodthirsty pirates | 0:18:39 | 0:18:43 | |
have come to fear. | 0:18:43 | 0:18:46 | |
CANNON FIRE BOOMING | 0:19:12 | 0:19:16 | |
MAN SCREAMS | 0:19:23 | 0:19:24 | |
A piece of eight. | 0:19:48 | 0:19:50 | |
Nine of them, you say. | 0:19:50 | 0:19:52 | |
Our new friend in Singapore was very specific, sir. | 0:19:52 | 0:19:55 | |
NINE pieces of eight. | 0:19:55 | 0:19:57 | |
What's the significance of that, I wonder. | 0:19:57 | 0:19:59 | |
Does it matter? | 0:19:59 | 0:20:00 | |
Nothing can hold against the armada. | 0:20:00 | 0:20:02 | |
Not with the Flying Dutchman at the lead. | 0:20:02 | 0:20:04 | |
Nothing we know of. | 0:20:04 | 0:20:05 | |
Did your friend mention where the Brethren Court are meeting? | 0:20:07 | 0:20:10 | |
He was mum on that, sir. | 0:20:10 | 0:20:13 | |
Hmm. | 0:20:13 | 0:20:14 | |
Then he knows the value of information. | 0:20:14 | 0:20:16 | |
Better keep this between ourselves. | 0:20:16 | 0:20:19 | |
We don't want anyone running off to Singapore, do we? | 0:20:19 | 0:20:23 | |
Ah, Admiral. | 0:20:23 | 0:20:25 | |
You summoned me, Lord Beckett. | 0:20:25 | 0:20:29 | |
Yes. Something for you there. | 0:20:29 | 0:20:31 | |
Your new station deserves an old friend. | 0:20:31 | 0:20:35 | |
Not more requisition orders. | 0:20:48 | 0:20:50 | |
No, sir. | 0:20:50 | 0:20:51 | |
Execution. | 0:20:51 | 0:20:53 | |
SWORD UNSHEATHED | 0:20:53 | 0:20:54 | |
The Brethren know they face extinction. | 0:20:58 | 0:21:00 | |
All that remains is for them to decide | 0:21:00 | 0:21:03 | |
where they make their final stand. | 0:21:03 | 0:21:06 | |
No-one said anything about cold. | 0:21:29 | 0:21:32 | |
I'm sure there must be a good reason for our suffering. | 0:21:32 | 0:21:37 | |
Why don't that obeah woman just bring Jack back | 0:21:37 | 0:21:39 | |
the same way she brought back Barbossa? | 0:21:39 | 0:21:41 | |
Because Barbossa was only dead. | 0:21:41 | 0:21:45 | |
Jack Sparrow is taken, body and soul, | 0:21:45 | 0:21:49 | |
to a place not of death, but punishment. | 0:21:49 | 0:21:54 | |
The worst fate a person can bring upon himself, | 0:21:54 | 0:21:58 | |
stretching on forever. | 0:21:58 | 0:22:01 | |
That's what awaits at Davy Jones' Locker. | 0:22:01 | 0:22:04 | |
Yeah. | 0:22:08 | 0:22:10 | |
I knew there was a good reason. | 0:22:10 | 0:22:12 | |
Nothing here is set. | 0:22:22 | 0:22:25 | |
These can't be as accurate as modern charts. | 0:22:25 | 0:22:28 | |
No. | 0:22:28 | 0:22:29 | |
But it leads to more places. | 0:22:29 | 0:22:32 | |
"Over the edge. | 0:22:37 | 0:22:40 | |
"Over again. | 0:22:40 | 0:22:42 | |
"Sunrise sets. | 0:22:44 | 0:22:46 | |
"Flash of green." | 0:22:46 | 0:22:48 | |
Do you care to interpret, Captain Barbossa? | 0:22:49 | 0:22:55 | |
Ever gazed upon the green flash, Master Gibbs? | 0:22:55 | 0:22:59 | |
I reckon I seen my fair share. | 0:22:59 | 0:23:02 | |
Happens on rare occasion. | 0:23:02 | 0:23:04 | |
The last glimpse of sunset, | 0:23:04 | 0:23:06 | |
a green flash shoots up into the sky. | 0:23:06 | 0:23:08 | |
Some go their whole lives without ever seeing it. | 0:23:08 | 0:23:11 | |
Some claim to have seen it who ain't. | 0:23:11 | 0:23:13 | |
And some say... | 0:23:13 | 0:23:14 | |
It signals when a soul comes back to this world | 0:23:14 | 0:23:17 | |
from the dead. | 0:23:17 | 0:23:18 | |
Sorry. | 0:23:22 | 0:23:23 | |
Trust me, young Master Turner. | 0:23:23 | 0:23:26 | |
It's not getting to the land of the dead that's the problem. | 0:23:26 | 0:23:29 | |
It's getting back. | 0:23:31 | 0:23:33 | |
MAN: Bosun! Head to wind! Lift the sail! | 0:24:12 | 0:24:16 | |
SECOND MAN: Aye, aye, sir! | 0:24:16 | 0:24:17 | |
Bloody hell. There's nothing left. | 0:24:19 | 0:24:22 | |
Jones is a loose cannon, sir. | 0:24:22 | 0:24:26 | |
Fetch the chest. | 0:24:26 | 0:24:29 | |
And the governor? | 0:24:29 | 0:24:31 | |
He's been asking questions about the heart. | 0:24:31 | 0:24:36 | |
Does he know? | 0:24:36 | 0:24:38 | |
Then perhaps his usefulness has run its course. | 0:24:41 | 0:24:45 | |
ORGAN PLAYING | 0:24:45 | 0:24:47 | |
MUSIC BOX PLAYING | 0:25:03 | 0:25:05 | |
MUSIC BOX STOPS | 0:25:27 | 0:25:29 | |
MAN: Step lively, men. | 0:25:42 | 0:25:44 | |
Step lively! | 0:25:44 | 0:25:48 | |
Stand fast! | 0:25:48 | 0:25:49 | |
Steady, men. | 0:25:56 | 0:25:59 | |
Go. All of you. | 0:26:03 | 0:26:05 | |
And take that infernal thing with you. | 0:26:05 | 0:26:08 | |
I will not have it on my ship! | 0:26:08 | 0:26:11 | |
Oh, I'm sorry to hear that... because I will. | 0:26:11 | 0:26:15 | |
Because it seems to be the only way to ensure | 0:26:15 | 0:26:18 | |
that this ship do as directed by the company. | 0:26:18 | 0:26:21 | |
We need prisoners to interrogate, | 0:26:26 | 0:26:28 | |
which tends to work best when they're alive. | 0:26:28 | 0:26:31 | |
The Dutchman sails as its captain commands. | 0:26:31 | 0:26:36 | |
And its captain is to sail it as commanded. | 0:26:36 | 0:26:39 | |
I would have thought you'd learned that | 0:26:41 | 0:26:43 | |
when I ordered you to kill your pet. | 0:26:43 | 0:26:45 | |
This is no longer your world, Jones. | 0:26:47 | 0:26:50 | |
The immaterial has become... | 0:26:50 | 0:26:55 | |
immaterial. | 0:26:55 | 0:26:57 | |
NORRINGTON: Charge your bayonets. | 0:26:58 | 0:27:01 | |
HEARTBEAT | 0:27:01 | 0:27:03 | |
MUSIC BOX PLAYING | 0:27:06 | 0:27:08 | |
How long do we continue not talking? | 0:27:37 | 0:27:40 | |
Once we rescue Jack, everything'll be fine. | 0:27:43 | 0:27:46 | |
Then we rescue Jack. | 0:27:48 | 0:27:50 | |
For what we want most... | 0:28:14 | 0:28:19 | |
there is a cost must be paid in the end. | 0:28:19 | 0:28:22 | |
Barbossa, ahead! | 0:28:33 | 0:28:35 | |
Aye, we're good and lost now. | 0:28:35 | 0:28:38 | |
Lost? | 0:28:38 | 0:28:40 | |
For certain you have to be lost | 0:28:40 | 0:28:41 | |
to find a place as can't be found. | 0:28:41 | 0:28:43 | |
Elseways, everyone would know where it was. | 0:28:43 | 0:28:46 | |
We're gaining speed. | 0:28:46 | 0:28:48 | |
Aye. | 0:28:48 | 0:28:49 | |
To stations! | 0:28:49 | 0:28:51 | |
All hands to stations! | 0:28:51 | 0:28:52 | |
MEN SHOUTING | 0:28:52 | 0:28:54 | |
Rudder full. Hard a-port! Gather way. | 0:28:56 | 0:28:58 | |
Nay! Belay that! | 0:28:58 | 0:29:01 | |
Let her run straight and true! | 0:29:01 | 0:29:04 | |
Blimey. | 0:29:05 | 0:29:07 | |
You've doomed us all. | 0:29:20 | 0:29:21 | |
Don't be so unkind. | 0:29:21 | 0:29:23 | |
You may not survive to pass this way again, | 0:29:23 | 0:29:26 | |
and these be the last friendly words you'll hear. | 0:29:26 | 0:29:30 | |
Tie her off. | 0:29:34 | 0:29:36 | |
MUTTERING | 0:29:36 | 0:29:38 | |
Hard a-port! | 0:29:41 | 0:29:43 | |
MEN SHOUTING | 0:29:49 | 0:29:51 | |
Hold on! | 0:29:51 | 0:29:53 | |
BARBOSSA LAUGHS | 0:30:05 | 0:30:06 | |
ALL SCREAMING | 0:30:07 | 0:30:09 | |
MUSIC PLAYING | 0:30:20 | 0:30:21 | |
CANNONS FIRING | 0:30:21 | 0:30:23 | |
MAN SHOUTS | 0:30:23 | 0:30:26 | |
Shift your cargo, dearie. Show your larboard side. | 0:30:26 | 0:30:29 | |
-SECOND MAN: -Dead men tell no tales. | 0:30:29 | 0:30:34 | |
ECHOING | 0:30:34 | 0:30:35 | |
MAN SNIFFING | 0:30:37 | 0:30:39 | |
GUNSHOT | 0:31:05 | 0:31:06 | |
My peanut. | 0:31:19 | 0:31:22 | |
Haul the halyard. Slacken braces. | 0:31:22 | 0:31:24 | |
Aye, Captain. Slacken braces. | 0:31:24 | 0:31:27 | |
Step lively with a will. | 0:31:27 | 0:31:29 | |
-Aye, aye. -Right away, sir. | 0:31:29 | 0:31:31 | |
I want a fire down below! | 0:31:31 | 0:31:32 | |
Help! | 0:31:35 | 0:31:36 | |
Man the yards, you filthy toads. | 0:31:36 | 0:31:39 | |
MUFFLED GROANING | 0:31:39 | 0:31:41 | |
CLUCKING | 0:31:41 | 0:31:44 | |
ALL: Haul! Haul! | 0:31:49 | 0:31:53 | |
Haul the sheets handsomely. Scandalize the lateens. | 0:31:53 | 0:31:56 | |
Aye, sir. Right away, sir. | 0:31:56 | 0:31:58 | |
-Mr Sparrow? -Aye, cap'n. | 0:32:11 | 0:32:13 | |
What say you about the condition | 0:32:13 | 0:32:15 | |
of this tack line? | 0:32:15 | 0:32:16 | |
It be proper to my eyes, sir. | 0:32:16 | 0:32:19 | |
Proper? | 0:32:19 | 0:32:20 | |
It is neither proper nor suitable, sir. | 0:32:20 | 0:32:22 | |
It is not acceptable nor adequate. | 0:32:22 | 0:32:24 | |
It is, in obvious fact, an abomination. | 0:32:24 | 0:32:26 | |
Begging your pardon, sir, | 0:32:26 | 0:32:28 | |
but if you gave a man another chance... | 0:32:28 | 0:32:30 | |
-Shall I? -UNSHEATHES SWORD | 0:32:30 | 0:32:32 | |
It's that sort of thinking got us into this mess. | 0:32:35 | 0:32:39 | |
We have lost speed and, therefore, time. | 0:32:41 | 0:32:44 | |
Precious time, which cannot be recovered once lost. | 0:32:44 | 0:32:48 | |
Do you understand? | 0:32:48 | 0:32:49 | |
All: Aye, aye, captain. | 0:32:49 | 0:32:51 | |
Do you now? | 0:32:51 | 0:32:53 | |
It will all have to be redone. All of it. | 0:32:53 | 0:32:57 | |
And let this serve as a lesson to the lot of you. | 0:32:57 | 0:32:59 | |
Doldrums, sir, has the entire crew on edge. | 0:32:59 | 0:33:02 | |
I have no sympathy for any of you feculent maggots, | 0:33:02 | 0:33:05 | |
and no more patience to pretend otherwise. | 0:33:05 | 0:33:08 | |
Gentlemen, I wash my hands of this weirdness. | 0:33:11 | 0:33:15 | |
No wind. | 0:33:25 | 0:33:27 | |
Of course, there's no bloody wind. | 0:33:27 | 0:33:29 | |
My soul I do swear for a breeze. | 0:33:30 | 0:33:33 | |
Gust. Whisper. A tiny, miniature lick. | 0:33:33 | 0:33:37 | |
Yes, sir, I know, but why? Why would he do that? | 0:33:49 | 0:33:52 | |
Because he's a lummox, isn't he? | 0:33:52 | 0:33:54 | |
We shall have a magnificent garden party | 0:33:54 | 0:33:55 | |
and you're not invited. | 0:33:55 | 0:33:57 | |
Shoo. | 0:34:10 | 0:34:12 | |
A rock. | 0:34:29 | 0:34:32 | |
Now we're being followed by rocks. | 0:34:57 | 0:34:59 | |
Never had that before. | 0:34:59 | 0:35:01 | |
Oh. | 0:35:01 | 0:35:03 | |
A rope. | 0:35:03 | 0:35:05 | |
GRUNTING | 0:35:10 | 0:35:11 | |
PANTING | 0:35:25 | 0:35:27 | |
CHIRPING | 0:35:52 | 0:35:54 | |
SHIP HORN SOUNDS | 0:36:37 | 0:36:39 | |
RUMBLING | 0:36:41 | 0:36:43 | |
COUGHING AND GAGGING | 0:37:14 | 0:37:16 | |
This truly is a Godforsaken place. | 0:37:20 | 0:37:22 | |
I don't see Jack. | 0:37:23 | 0:37:24 | |
I don't see anyone. | 0:37:24 | 0:37:26 | |
He's here. | 0:37:28 | 0:37:29 | |
Davy Jones never once gave up that what he took. | 0:37:29 | 0:37:32 | |
And does it matter? | 0:37:32 | 0:37:33 | |
We're trapped here by your doing. | 0:37:33 | 0:37:35 | |
-No different than Jack. -CHATTERING | 0:37:35 | 0:37:37 | |
Witty Jack is closer than you think. | 0:37:39 | 0:37:45 | |
Impossible. | 0:38:23 | 0:38:25 | |
Boat. | 0:38:30 | 0:38:31 | |
Slap me thrice and hand me to me mama. It's Jack. | 0:38:38 | 0:38:42 | |
-It's the captain! -A sight for sore eyes. | 0:38:50 | 0:38:53 | |
Mr Gibbs. | 0:38:54 | 0:38:55 | |
Aye, Cap'n. | 0:38:55 | 0:38:56 | |
I thought so. | 0:38:56 | 0:38:57 | |
I expect you're able to account for your actions, then. | 0:38:57 | 0:39:00 | |
Sir? | 0:39:00 | 0:39:01 | |
There's been a perpetual and virulent lack of discipline upon my vessel. Why? | 0:39:01 | 0:39:05 | |
-Why is that, sir? -Sir, you're... | 0:39:05 | 0:39:08 | |
you're in Davy Jones' Locker, Cap'n. | 0:39:08 | 0:39:11 | |
I know that. I know where I am. | 0:39:14 | 0:39:17 | |
And don't think I don't. | 0:39:17 | 0:39:19 | |
Jack Sparrow. | 0:39:19 | 0:39:22 | |
Oh, Hector. | 0:39:22 | 0:39:24 | |
It's been too long. Hasn't it? | 0:39:24 | 0:39:26 | |
Aye. Isla de Muerta, remember? | 0:39:26 | 0:39:29 | |
You shot me. | 0:39:29 | 0:39:31 | |
No, I didn't. | 0:39:32 | 0:39:34 | |
Tia Dalma, out and about, eh? | 0:39:34 | 0:39:36 | |
You add an agreeable sense of the macabre to any delirium. | 0:39:36 | 0:39:40 | |
He thinks we're a hallucination. | 0:39:41 | 0:39:43 | |
William, tell me something. | 0:39:43 | 0:39:45 | |
Have you come because you need my help | 0:39:45 | 0:39:47 | |
to save a certain distressing damsel, | 0:39:47 | 0:39:49 | |
or rather, damsel in distress? Either one. | 0:39:49 | 0:39:53 | |
No. | 0:39:53 | 0:39:54 | |
Well, then, you wouldn't be here, would you? | 0:39:54 | 0:39:57 | |
So you can't be here. | 0:39:57 | 0:39:58 | |
QED, you're not really here. | 0:39:58 | 0:40:01 | |
ELIZABETH: Jack. | 0:40:01 | 0:40:02 | |
This is real. We're here. | 0:40:04 | 0:40:06 | |
The Locker, you say? | 0:40:16 | 0:40:18 | |
Aye. | 0:40:18 | 0:40:19 | |
We've come to rescue you. | 0:40:19 | 0:40:22 | |
Have you, now? That's very kind of you. | 0:40:23 | 0:40:26 | |
But it would seem that as I possess a ship and you don't, | 0:40:26 | 0:40:30 | |
you're the ones in need of rescuing, | 0:40:30 | 0:40:32 | |
and I'm not sure as I'm in the mood. | 0:40:32 | 0:40:34 | |
I see my ship. Right there. | 0:40:35 | 0:40:39 | |
Can't spot it. | 0:40:41 | 0:40:43 | |
Must be a tiny little thing | 0:40:43 | 0:40:44 | |
hiding somewhere behind the Pearl. | 0:40:44 | 0:40:46 | |
Jack, Cutler Beckett has the heart of Davy Jones. | 0:40:46 | 0:40:49 | |
He controls the Flying Dutchman. | 0:40:49 | 0:40:51 | |
He's taking over the seas. | 0:40:51 | 0:40:52 | |
The song has been sung. The Brethren Court is called. | 0:40:52 | 0:40:55 | |
Leave you alone for a minute, look what happens. | 0:40:55 | 0:40:57 | |
Everything's gone to pot. | 0:40:57 | 0:40:59 | |
Aye. The world needs you back something fierce. | 0:40:59 | 0:41:01 | |
WILL: And you need a crew. | 0:41:01 | 0:41:03 | |
Why should I sail with any of you? | 0:41:05 | 0:41:07 | |
Four of you have tried to kill me in the past. | 0:41:07 | 0:41:09 | |
One of you succeeded. | 0:41:09 | 0:41:11 | |
Oh, she's not told you. | 0:41:14 | 0:41:17 | |
You'll have loads to talk about while you're here. | 0:41:17 | 0:41:20 | |
As for you... | 0:41:22 | 0:41:23 | |
Now, don't tell me you didn't enjoy it at the time. | 0:41:24 | 0:41:31 | |
Fair enough. All right, you're in. | 0:41:31 | 0:41:33 | |
Don't need you. You scare me. | 0:41:33 | 0:41:35 | |
Gibbs, you can come. Marty. Mm... Cotton. | 0:41:35 | 0:41:39 | |
PARROT SQUAWKS | 0:41:39 | 0:41:40 | |
Cotton's parrot, I'm a little iffy, | 0:41:40 | 0:41:43 | |
but at least I'll have someone to talk to. | 0:41:43 | 0:41:46 | |
Who are you? | 0:41:46 | 0:41:47 | |
Tai Huang. These are my men. | 0:41:47 | 0:41:49 | |
Where do your allegiances lie? | 0:41:49 | 0:41:51 | |
With the highest bidder. | 0:41:51 | 0:41:53 | |
I have a ship. | 0:41:53 | 0:41:55 | |
That makes you the highest bidder. | 0:41:55 | 0:41:57 | |
Good man. | 0:41:57 | 0:41:59 | |
Weigh anchor, all hands. Prepare to make sail. | 0:41:59 | 0:42:01 | |
PARROT: Weigh anchor. | 0:42:01 | 0:42:03 | |
Jack... | 0:42:06 | 0:42:07 | |
which way are you going, Jack? | 0:42:07 | 0:42:11 | |
SCREECHES | 0:42:11 | 0:42:12 | |
Trim that sail. Slack windward brace and sheet. | 0:42:14 | 0:42:17 | |
Haul the pennant line. | 0:42:17 | 0:42:19 | |
Haul the pennant line. | 0:42:19 | 0:42:20 | |
What are you doing? | 0:42:20 | 0:42:21 | |
What are you doing? | 0:42:21 | 0:42:23 | |
No, what are you doing? | 0:42:23 | 0:42:24 | |
What are you doing? | 0:42:24 | 0:42:25 | |
No, what are you doing? | 0:42:25 | 0:42:26 | |
What are you doing? Captain gives orders on the ship. | 0:42:26 | 0:42:29 | |
The captain of the ship is giving orders. | 0:42:29 | 0:42:31 | |
My ship, makes me captain. | 0:42:31 | 0:42:33 | |
They be my charts. | 0:42:33 | 0:42:35 | |
That makes you "chartman". | 0:42:35 | 0:42:37 | |
Stow it! The both of you! | 0:42:37 | 0:42:39 | |
That's an order! Understand?! | 0:42:39 | 0:42:42 | |
Sorry. I just thought with the captain issue in doubt, | 0:42:48 | 0:42:51 | |
I'd throw in my name for consideration. | 0:42:51 | 0:42:53 | |
Sorry. | 0:42:53 | 0:42:55 | |
I'd vote for you. | 0:42:59 | 0:43:01 | |
Yeah? | 0:43:01 | 0:43:03 | |
You left Jack to the Kraken. | 0:43:35 | 0:43:38 | |
He's rescued now. It's done with. | 0:43:38 | 0:43:41 | |
Will, I had no choice. | 0:43:43 | 0:43:46 | |
You chose not to tell me. | 0:43:46 | 0:43:49 | |
I couldn't. | 0:43:49 | 0:43:51 | |
It wasn't your burden to bear. | 0:43:52 | 0:43:54 | |
But I did bear it, didn't I? | 0:43:55 | 0:43:58 | |
I just didn't know what it was. | 0:43:58 | 0:44:01 | |
I thought... | 0:44:01 | 0:44:02 | |
You thought I loved him. | 0:44:02 | 0:44:06 | |
If you make your choices alone, how can I trust you? | 0:44:13 | 0:44:17 | |
You can't. | 0:44:20 | 0:44:22 | |
SHIP CREAKING | 0:44:39 | 0:44:41 | |
GASPS | 0:44:41 | 0:44:43 | |
SPLASH | 0:44:43 | 0:44:44 | |
Eerie. | 0:44:48 | 0:44:51 | |
That's downright macabre. | 0:44:51 | 0:44:53 | |
I wonder what would happen | 0:44:59 | 0:45:00 | |
if you dropped a cannonball on one of them? | 0:45:00 | 0:45:05 | |
BOTH CHUCKLING | 0:45:05 | 0:45:07 | |
Be disrespectful, it would. | 0:45:12 | 0:45:14 | |
They should be in the care of Davy Jones. | 0:45:14 | 0:45:18 | |
That was the duty him was charged with | 0:45:19 | 0:45:22 | |
by the goddess Calypso. | 0:45:22 | 0:45:26 | |
To ferry those who die at sea to the other side. | 0:45:27 | 0:45:31 | |
And every ten years... | 0:45:34 | 0:45:36 | |
him could come ashore | 0:45:36 | 0:45:39 | |
to be with she who love him...truly. | 0:45:39 | 0:45:45 | |
But the man has become a monster. | 0:45:48 | 0:45:50 | |
So he wasn't always... tentacle-y? | 0:45:50 | 0:45:56 | |
No. | 0:45:56 | 0:45:58 | |
Him was a man... | 0:45:58 | 0:46:02 | |
once. | 0:46:02 | 0:46:04 | |
Now there's boats coming. | 0:46:10 | 0:46:13 | |
They're not a threat to us. | 0:46:19 | 0:46:22 | |
Am I right? | 0:46:22 | 0:46:24 | |
We are nothing but ghosts to them. | 0:46:24 | 0:46:26 | |
It's best just let them be. | 0:46:26 | 0:46:29 | |
It's my father. We've made it back. | 0:46:42 | 0:46:45 | |
Father! Father, here, look here! | 0:46:45 | 0:46:48 | |
Elizabeth. | 0:46:49 | 0:46:52 | |
We're not back. | 0:46:52 | 0:46:53 | |
Father! | 0:47:00 | 0:47:01 | |
Elizabeth. | 0:47:03 | 0:47:05 | |
Are you dead? | 0:47:05 | 0:47:08 | |
No. No. | 0:47:08 | 0:47:10 | |
I think I am. | 0:47:10 | 0:47:13 | |
No, you can't be! | 0:47:13 | 0:47:16 | |
There was this chest, you see. | 0:47:16 | 0:47:18 | |
It's odd. At the time, it seemed so important. | 0:47:18 | 0:47:23 | |
Come aboard. | 0:47:23 | 0:47:25 | |
And a heart. | 0:47:25 | 0:47:26 | |
I learned that if you stab the heart, | 0:47:26 | 0:47:29 | |
yours must take its place. | 0:47:29 | 0:47:31 | |
And you will sail the seas for eternity. | 0:47:31 | 0:47:35 | |
The Dutchman must have a captain. | 0:47:35 | 0:47:39 | |
Silly thing to die for. | 0:47:39 | 0:47:41 | |
Someone, cast a line. Come back with us! | 0:47:41 | 0:47:44 | |
A touch...of destiny. | 0:47:47 | 0:47:52 | |
Take the line! | 0:47:55 | 0:47:56 | |
I'm so proud of you, Elizabeth. | 0:47:58 | 0:48:01 | |
Father, the line! Take the line! | 0:48:01 | 0:48:02 | |
She must not leave the ship! | 0:48:06 | 0:48:08 | |
Father! | 0:48:08 | 0:48:09 | |
Please come with us! Please! No! | 0:48:09 | 0:48:11 | |
I won't leave you! | 0:48:11 | 0:48:13 | |
I'll give your love to your mother. | 0:48:13 | 0:48:15 | |
Please, I won't let you go! | 0:48:15 | 0:48:16 | |
Elizabeth. | 0:48:16 | 0:48:18 | |
Is there a way? | 0:48:24 | 0:48:27 | |
Him at peace. | 0:48:31 | 0:48:33 | |
No water. | 0:48:40 | 0:48:43 | |
Why is all but the rum gone? | 0:48:43 | 0:48:46 | |
Rum's gone too. | 0:48:46 | 0:48:48 | |
If we cannot escape these doldrums before night, | 0:48:55 | 0:49:00 | |
I fear we will sail on trackless seas. | 0:49:00 | 0:49:04 | |
Doomed to roam the reach between worlds. | 0:49:04 | 0:49:07 | |
Forever. | 0:49:07 | 0:49:09 | |
With no water, forever looks to be arriving | 0:49:09 | 0:49:11 | |
a mite too soon. | 0:49:11 | 0:49:13 | |
Why doesn't he do something? | 0:49:13 | 0:49:15 | |
RAGETTI: Me eye. Give it back! | 0:49:15 | 0:49:17 | |
There's no sense to it. | 0:49:17 | 0:49:18 | |
And the green flash happens at sunset, not sunrise. | 0:49:18 | 0:49:23 | |
GIBBS: "Over the edge." | 0:49:23 | 0:49:25 | |
Ah, it's driving me over the blooming edge. | 0:49:25 | 0:49:28 | |
Sunrises don't set. | 0:49:28 | 0:49:29 | |
JACK: "Up is down." | 0:49:34 | 0:49:36 | |
Well, that's just maddeningly unhelpful. | 0:49:36 | 0:49:38 | |
Why are these things never clear? | 0:49:38 | 0:49:40 | |
Clear as mud, Jackie. | 0:49:40 | 0:49:42 | |
What? Eh? | 0:49:42 | 0:49:43 | |
Stab the heart. | 0:49:46 | 0:49:48 | |
-Don't stab the heart. -Come again? | 0:49:48 | 0:49:50 | |
The Dutchman must have a captain. | 0:49:50 | 0:49:52 | |
That's even more than less than unhelpful. | 0:49:52 | 0:49:55 | |
Sail the seas for eternity. | 0:49:55 | 0:49:57 | |
I love the sea. | 0:49:57 | 0:49:59 | |
What about port? | 0:49:59 | 0:50:00 | |
I prefer rum. Rum's good. | 0:50:00 | 0:50:02 | |
Making port. | 0:50:02 | 0:50:04 | |
Where we can get rum and salty wenches | 0:50:04 | 0:50:07 | |
once every ten years. | 0:50:07 | 0:50:09 | |
What'd he say? | 0:50:09 | 0:50:11 | |
Once every ten years. | 0:50:11 | 0:50:12 | |
Ten years is a long time, mate. | 0:50:12 | 0:50:14 | |
Even longer given the deficit of rum. | 0:50:14 | 0:50:16 | |
But eternity is longer still. | 0:50:16 | 0:50:19 | |
And how will you be spending it? Dead? | 0:50:19 | 0:50:22 | |
Or not? | 0:50:23 | 0:50:24 | |
The immortal Captain Sparrow. | 0:50:24 | 0:50:26 | |
Oh, I like that. | 0:50:26 | 0:50:28 | |
Come sunset, it won't matter. | 0:50:28 | 0:50:31 | |
Not sunset. | 0:50:33 | 0:50:36 | |
Sundown. | 0:50:38 | 0:50:40 | |
And rise. Up. | 0:50:40 | 0:50:43 | |
What's that? | 0:50:43 | 0:50:46 | |
What is that? | 0:50:48 | 0:50:49 | |
I don't know. What do you think? | 0:50:49 | 0:50:51 | |
-Where? -There. | 0:50:51 | 0:50:54 | |
Oh. | 0:50:54 | 0:50:56 | |
JACK GRUNTS AND STAMMERS | 0:50:59 | 0:51:00 | |
What is it? | 0:51:13 | 0:51:15 | |
He's rocking the ship. | 0:51:26 | 0:51:28 | |
We're rocking the ship. | 0:51:28 | 0:51:30 | |
Aye. He's onto it. | 0:51:34 | 0:51:36 | |
CREAKING | 0:51:36 | 0:51:39 | |
He's rocking the ship. | 0:51:39 | 0:51:40 | |
We'll tie each other to the mast upside down, | 0:51:40 | 0:51:43 | |
so when the boat flips we'll be the right way up. | 0:51:43 | 0:51:46 | |
Time it with the swell. | 0:51:46 | 0:51:49 | |
Loose the cannons, you lazy bilge rats. | 0:51:49 | 0:51:53 | |
Unstow the cargo. Let it shift. | 0:51:53 | 0:51:59 | |
CREW SHOUTING IN CHINESE | 0:51:59 | 0:52:00 | |
SHIP CREAKING | 0:52:48 | 0:52:51 | |
SCREAMING | 0:52:51 | 0:52:53 | |
Now up... | 0:53:00 | 0:53:03 | |
is down. | 0:53:03 | 0:53:04 | |
COUGHING | 0:54:21 | 0:54:23 | |
SQUAWKS | 0:54:32 | 0:54:33 | |
This was your idea. | 0:54:36 | 0:54:38 | |
Blessed sweet westerlies! | 0:54:40 | 0:54:42 | |
We're back! | 0:54:42 | 0:54:44 | |
It's the sunrise. | 0:54:48 | 0:54:49 | |
SCREECHES: Parley? | 0:55:01 | 0:55:04 | |
We need our pistols! Get untied, hurry! | 0:55:04 | 0:55:06 | |
All right, then! | 0:55:21 | 0:55:22 | |
The Brethren Court is a-gathering at Shipwreck Cove. | 0:55:22 | 0:55:26 | |
And Jack, you and I are a-going. | 0:55:26 | 0:55:27 | |
There'll be no arguing that point. | 0:55:27 | 0:55:29 | |
I is arguing the point. | 0:55:29 | 0:55:31 | |
If there's pirates a-gathering, | 0:55:31 | 0:55:32 | |
I'm pointing my ship the other way. | 0:55:32 | 0:55:34 | |
The pirates are gathering to fight Beckett, | 0:55:34 | 0:55:36 | |
and you're a pirate. | 0:55:36 | 0:55:37 | |
Fight or not, you're not running, Jack. | 0:55:37 | 0:55:40 | |
If we don't stand together, | 0:55:40 | 0:55:41 | |
they'll hunt us down one by one, | 0:55:41 | 0:55:43 | |
till there be none left but you. | 0:55:43 | 0:55:44 | |
Quite like the sound of that. | 0:55:44 | 0:55:46 | |
Captain Jack Sparrow, the last pirate. | 0:55:46 | 0:55:50 | |
Aye. | 0:55:50 | 0:55:52 | |
And you'll be fighting Jones alone. | 0:55:52 | 0:55:54 | |
How does that figure into your plan? | 0:55:54 | 0:55:56 | |
I'm still working on that. | 0:55:56 | 0:55:58 | |
But I will not be going back to the Locker, mate. | 0:55:58 | 0:56:01 | |
Count on that. | 0:56:01 | 0:56:03 | |
CLICKS | 0:56:03 | 0:56:05 | |
GUNS CLICKING | 0:56:05 | 0:56:06 | |
Wet powder. | 0:56:07 | 0:56:09 | |
Wait! We can still use them as clubs! | 0:56:11 | 0:56:15 | |
Ow! | 0:56:16 | 0:56:17 | |
Sorry. Effective, though. | 0:56:17 | 0:56:20 | |
There's fresh water on this island. We can resupply there | 0:56:21 | 0:56:24 | |
and get back to shooting each other later. | 0:56:24 | 0:56:26 | |
You lead the shore party. I'll stay with my ship. | 0:56:26 | 0:56:29 | |
I'll not be leaving my ship in your command. | 0:56:29 | 0:56:32 | |
Why don't you both go ashore | 0:56:32 | 0:56:34 | |
and leave the ship in my command? | 0:56:34 | 0:56:36 | |
Temporarily. | 0:56:37 | 0:56:38 | |
TELESCOPE OPENING | 0:56:40 | 0:56:42 | |
SHOUTING | 0:56:50 | 0:56:53 | |
SQUAWKS: Mind the boat. | 0:56:55 | 0:56:57 | |
Criminy. | 0:57:07 | 0:57:08 | |
Odds bodkins! | 0:57:08 | 0:57:10 | |
SEAGULLS CAWING | 0:57:24 | 0:57:26 | |
Careful! Careful! | 0:57:27 | 0:57:30 | |
You stupid fish! | 0:57:32 | 0:57:34 | |
Actually it's a cephalopod. | 0:57:34 | 0:57:36 | |
Serves you right. | 0:57:36 | 0:57:37 | |
I bet people would pay | 0:57:37 | 0:57:39 | |
a shilling to see this. | 0:57:39 | 0:57:40 | |
And another shilling | 0:57:40 | 0:57:42 | |
for a sketch of them sitting atop! | 0:57:42 | 0:57:43 | |
Pintel and Ragetti, Kraken slayers. | 0:57:43 | 0:57:46 | |
We could serve up a slice as a souvenir. | 0:57:46 | 0:57:49 | |
Still thinking of running, Jack? | 0:57:49 | 0:57:52 | |
Think you can outrun the world? | 0:57:52 | 0:57:55 | |
You know, the problem with being the last of anything... | 0:58:00 | 0:58:04 | |
..by and by, there be none left at all. | 0:58:04 | 0:58:06 | |
Sometimes things come back, mate. | 0:58:08 | 0:58:11 | |
We're living proof, you and me. | 0:58:11 | 0:58:13 | |
Aye, but that's a gamble of long odds, ain't it? | 0:58:13 | 0:58:16 | |
There's never a guarantee of coming back. | 0:58:16 | 0:58:19 | |
But passing on, that's dead certain. | 0:58:19 | 0:58:22 | |
Summoning the Brethren Court, then, is it? | 0:58:25 | 0:58:28 | |
It's our only hope, lad. | 0:58:28 | 0:58:31 | |
That's a sad commentary in and of itself. | 0:58:31 | 0:58:34 | |
The world used to be a bigger place. | 0:58:35 | 0:58:38 | |
The world's still the same. | 0:58:41 | 0:58:42 | |
There's just...less in it. | 0:58:44 | 0:58:47 | |
Poisoned. Fouled by the body. | 0:59:09 | 0:59:12 | |
Hey, I know him. He was in Singapore! | 0:59:12 | 0:59:15 | |
SQUAWKS: Singapore. | 0:59:15 | 0:59:17 | |
Captain! | 0:59:17 | 0:59:18 | |
Hoi! | 0:59:20 | 0:59:21 | |
We got company! | 0:59:21 | 0:59:24 | |
SPEAKS CHINESE | 0:59:27 | 0:59:28 | |
He's the captain. | 0:59:35 | 0:59:37 | |
SHOUTING | 0:59:37 | 0:59:40 | |
Sao Feng, you showing up here, | 0:59:46 | 0:59:49 | |
it is truly a remarkable coincidence. | 0:59:49 | 0:59:52 | |
Jack Sparrow. | 0:59:55 | 0:59:58 | |
You paid me great insult once. | 0:59:58 | 1:00:00 | |
That doesn't sound like me. | 1:00:00 | 1:00:03 | |
GROANS | 1:00:04 | 1:00:06 | |
Shall we just call it square, then? | 1:00:06 | 1:00:09 | |
Release her. | 1:00:09 | 1:00:10 | |
She's not part of the bargain. | 1:00:11 | 1:00:13 | |
And what bargain be that? | 1:00:13 | 1:00:15 | |
You heard Captain Turner. | 1:00:15 | 1:00:17 | |
Release her! | 1:00:19 | 1:00:20 | |
"Captain Turner"? | 1:00:20 | 1:00:21 | |
Aye, the perfidious rotter led a mutiny against us. | 1:00:21 | 1:00:24 | |
I need the Pearl to free my father. | 1:00:24 | 1:00:27 | |
That's the only reason I came on this voyage. | 1:00:27 | 1:00:29 | |
Why didn't you tell me you were planning this? | 1:00:29 | 1:00:33 | |
It was my burden to bear. | 1:00:33 | 1:00:34 | |
He needs the Pearl. | 1:00:36 | 1:00:38 | |
Captain Turner needs the Pearl. | 1:00:38 | 1:00:41 | |
And you felt guilty. | 1:00:41 | 1:00:43 | |
And you and your Brethren Court. | 1:00:43 | 1:00:44 | |
Did no-one come to save me just because they missed me? | 1:00:45 | 1:00:49 | |
I'm standing over there with them. | 1:00:57 | 1:00:59 | |
I'm sorry, Jack, | 1:01:00 | 1:01:03 | |
but there is an old friend who wants to see you first. | 1:01:03 | 1:01:06 | |
I'm not certain I can survive any more visits from old friends. | 1:01:06 | 1:01:10 | |
Here is your chance to find out. | 1:01:12 | 1:01:15 | |
Curious. | 1:01:23 | 1:01:25 | |
Your friends appear to be quite desperate, Jack. | 1:01:25 | 1:01:28 | |
Perhaps they no longer believe | 1:01:28 | 1:01:30 | |
that a gathering of squabbling pirates | 1:01:30 | 1:01:32 | |
can defeat the Flying Dutchman. | 1:01:32 | 1:01:34 | |
And so despair leads to betrayal. | 1:01:34 | 1:01:39 | |
But you and I are no strangers to betrayal, are we? | 1:01:39 | 1:01:42 | |
It's not here, Jack. | 1:01:45 | 1:01:47 | |
What? What isn't? | 1:01:47 | 1:01:49 | |
The heart of Davy Jones. | 1:01:49 | 1:01:52 | |
It's safely aboard the Dutchman, | 1:01:52 | 1:01:54 | |
and so unavailable for use as leverage | 1:01:54 | 1:01:57 | |
to satisfy your debts to the good Captain. | 1:01:57 | 1:01:59 | |
By my reckoning, that account has been settled. | 1:01:59 | 1:02:03 | |
By your death? | 1:02:03 | 1:02:05 | |
And yet here you are. | 1:02:05 | 1:02:07 | |
Close your eyes and pretend it's all a bad dream. | 1:02:07 | 1:02:10 | |
That's how I get by. | 1:02:10 | 1:02:12 | |
And if Davy Jones were to learn of your survival? | 1:02:12 | 1:02:16 | |
MAN: Ship oars. | 1:02:16 | 1:02:18 | |
SECOND MAN: Ship oars. | 1:02:18 | 1:02:19 | |
Be on your guard, men. | 1:02:19 | 1:02:21 | |
My men are crew enough. | 1:02:23 | 1:02:25 | |
Company ship, company crew. | 1:02:25 | 1:02:28 | |
You agreed. | 1:02:28 | 1:02:29 | |
The Black Pearl was to be mine. | 1:02:29 | 1:02:31 | |
And so it was. | 1:02:31 | 1:02:34 | |
Perhaps you'll consider an alternative arrangement. | 1:02:36 | 1:02:39 | |
One which requires absolutely nothing | 1:02:39 | 1:02:42 | |
from you but information. | 1:02:42 | 1:02:46 | |
Regarding the Brethren Court, no doubt. | 1:02:51 | 1:02:53 | |
In exchange for fair compensation? | 1:02:53 | 1:02:55 | |
Square my debt with Jones... | 1:02:55 | 1:02:59 | |
guarantee my freedom? | 1:02:59 | 1:03:01 | |
Of course. | 1:03:01 | 1:03:03 | |
It's just good business. | 1:03:03 | 1:03:04 | |
Were I in a divulgatory mood, what then might I divulge? | 1:03:06 | 1:03:10 | |
Everything. | 1:03:10 | 1:03:13 | |
Where are they meeting? | 1:03:13 | 1:03:14 | |
Who are the Pirate Lords? | 1:03:14 | 1:03:17 | |
What is the purpose of the nine pieces of eight? | 1:03:17 | 1:03:21 | |
MAN: Prepare the brig. | 1:03:21 | 1:03:24 | |
Beckett agreed the Black Pearl was to be mine. | 1:03:27 | 1:03:32 | |
He's not going to give up the only ship | 1:03:32 | 1:03:33 | |
as can outrun the Dutchman, is he? | 1:03:33 | 1:03:35 | |
Shame they're not bound to honour | 1:03:42 | 1:03:44 | |
the code of the Brethren, isn't it? | 1:03:44 | 1:03:46 | |
Because honour's a hard thing to come by nowadays. | 1:03:46 | 1:03:49 | |
There is no honour to remaining with the losing side. | 1:03:49 | 1:03:53 | |
Leaving it for the winning side, | 1:03:53 | 1:03:55 | |
that's just good business. | 1:03:55 | 1:03:57 | |
The losing side, you say? | 1:03:57 | 1:03:59 | |
They have the Dutchman. | 1:03:59 | 1:04:01 | |
Now the Pearl! | 1:04:01 | 1:04:04 | |
And what do the Brethren have? | 1:04:04 | 1:04:06 | |
We have Calypso. | 1:04:06 | 1:04:10 | |
-LAUGHS -Calypso. | 1:04:17 | 1:04:21 | |
An old legend. | 1:04:21 | 1:04:23 | |
No. The goddess herself, bound in human form. | 1:04:23 | 1:04:29 | |
Imagine all the power of the seas | 1:04:29 | 1:04:32 | |
brought to bear against our enemy. | 1:04:32 | 1:04:34 | |
I intend to release her. | 1:04:34 | 1:04:36 | |
But for that I need the Brethren Court. | 1:04:36 | 1:04:40 | |
All the Court. | 1:04:41 | 1:04:44 | |
You can keep Barbossa. | 1:04:44 | 1:04:46 | |
The belligerent homunculus and his friend | 1:04:46 | 1:04:48 | |
with the wooden eye, both. | 1:04:48 | 1:04:50 | |
And Turner. Especially Turner. | 1:04:50 | 1:04:53 | |
The rest go with me aboard the Pearl. | 1:04:53 | 1:04:55 | |
I'll lead you to Shipwreck Cove, | 1:04:55 | 1:04:56 | |
where I will hand you the pirates | 1:04:56 | 1:04:58 | |
and you will not hand me to Jones. | 1:04:58 | 1:05:01 | |
Bloody fair deal, don't you think? | 1:05:01 | 1:05:02 | |
And what becomes of Miss Swann? | 1:05:02 | 1:05:05 | |
What interest is she to you? | 1:05:07 | 1:05:09 | |
What are you proposing, Captain? | 1:05:11 | 1:05:14 | |
What be accepting, Cap'n? | 1:05:14 | 1:05:17 | |
The girl. | 1:05:17 | 1:05:19 | |
What? | 1:05:19 | 1:05:21 | |
Jack. | 1:05:21 | 1:05:23 | |
I've just recalled. | 1:05:23 | 1:05:25 | |
I've got this wonderful compass, | 1:05:25 | 1:05:27 | |
which points to whatever I want. | 1:05:27 | 1:05:30 | |
So for what do I need you? | 1:05:30 | 1:05:32 | |
Elizabeth is not part of any bargain. | 1:05:32 | 1:05:34 | |
Out of the question. | 1:05:34 | 1:05:36 | |
It was not a question. | 1:05:36 | 1:05:38 | |
Points to the thing you want most. | 1:05:38 | 1:05:40 | |
And that is not the Brethren Court, is it? | 1:05:40 | 1:05:42 | |
Then what is, Jack? | 1:05:42 | 1:05:44 | |
Me. | 1:05:44 | 1:05:46 | |
Dead. | 1:05:46 | 1:05:47 | |
Done. | 1:05:47 | 1:05:48 | |
What? Not done. | 1:05:48 | 1:05:50 | |
You got us into this. If this frees us, then done! | 1:05:50 | 1:05:53 | |
Damn. | 1:05:53 | 1:05:55 | |
Although, if I kill you, then I can use the compass | 1:05:59 | 1:06:02 | |
to find Shipwreck Cove, is it, on my own. | 1:06:02 | 1:06:07 | |
Cut out the middle man, as it were. | 1:06:07 | 1:06:09 | |
Elizabeth, they are pirates. | 1:06:09 | 1:06:11 | |
I have had more than enough experience dealing with pirates! | 1:06:11 | 1:06:15 | |
Then we have an accord? | 1:06:15 | 1:06:18 | |
With me killed, you'd arrive at the cove, | 1:06:18 | 1:06:22 | |
find it a stronghold, nigh impregnable... | 1:06:22 | 1:06:25 | |
able to withstand blockade for years. | 1:06:25 | 1:06:28 | |
Then you'd be wishing, | 1:06:28 | 1:06:29 | |
"If only there was someone I had not killed inside | 1:06:29 | 1:06:32 | |
"to ensure that the pirates then come outside." | 1:06:32 | 1:06:36 | |
And you can accomplish all this? | 1:06:36 | 1:06:38 | |
You may kill me, but you may never insult me. | 1:06:39 | 1:06:43 | |
Who am I? | 1:06:43 | 1:06:44 | |
I'm Captain Jack Sparrow. | 1:06:46 | 1:06:48 | |
RUMBLING | 1:06:48 | 1:06:50 | |
Done! | 1:06:51 | 1:06:52 | |
MAN SHOUTING | 1:07:00 | 1:07:02 | |
CANNON FIRE | 1:07:02 | 1:07:04 | |
MAN: Man overboard! | 1:07:24 | 1:07:25 | |
You're mad. | 1:07:39 | 1:07:40 | |
Thank goodness. If I wasn't, | 1:07:40 | 1:07:42 | |
this'd probably never work. | 1:07:42 | 1:07:43 | |
JACK SHOUTING | 1:07:48 | 1:07:50 | |
And that was without even a single drop of rum. | 1:08:00 | 1:08:03 | |
Send this pestilent, traitorous, | 1:08:10 | 1:08:13 | |
cowhearted, yeasty codpiece to the brig. | 1:08:13 | 1:08:15 | |
Which ship do we follow? | 1:08:17 | 1:08:19 | |
Signal the Dutchman to track down Sao Feng. | 1:08:19 | 1:08:22 | |
We follow the Pearl. | 1:08:22 | 1:08:24 | |
How soon can we have the ship ready to pursue? | 1:08:24 | 1:08:27 | |
WOOD CRACKING | 1:08:27 | 1:08:29 | |
MAN: She's going down! | 1:08:29 | 1:08:31 | |
SECOND MAN: Stand clear! | 1:08:31 | 1:08:33 | |
Do you think he plans it all out, | 1:08:36 | 1:08:39 | |
or just makes it up as he goes along? | 1:08:39 | 1:08:41 | |
Sir. | 1:08:43 | 1:08:45 | |
SPEAKING CHINESE | 1:09:09 | 1:09:12 | |
By this time tomorrow, we will arrive | 1:09:24 | 1:09:27 | |
at Shipwreck Cove and you will be free... | 1:09:27 | 1:09:30 | |
..Calypso. | 1:09:33 | 1:09:34 | |
Excuse me? | 1:09:34 | 1:09:36 | |
Not a name you fancy, I imagine, | 1:09:36 | 1:09:40 | |
out of the many that you have... | 1:09:40 | 1:09:42 | |
but it is what we call you. | 1:09:42 | 1:09:44 | |
We being who? | 1:09:44 | 1:09:47 | |
You confirm it. | 1:09:51 | 1:09:54 | |
Confirm what? | 1:09:54 | 1:09:56 | |
You've told me nothing. | 1:09:56 | 1:09:58 | |
The Brethren Court, not I. | 1:09:58 | 1:10:01 | |
The first Brethren Court, whose decision I would have opposed. | 1:10:01 | 1:10:06 | |
They bound you to human form | 1:10:06 | 1:10:08 | |
so the rule of the seas would belong to man and not... | 1:10:08 | 1:10:12 | |
To me. | 1:10:12 | 1:10:14 | |
But one such as you should never be anything less | 1:10:15 | 1:10:19 | |
than what you are. | 1:10:19 | 1:10:21 | |
Pretty speech from a captor. | 1:10:21 | 1:10:23 | |
But words whispered through prison bars lose their charm. | 1:10:23 | 1:10:27 | |
Can I be blamed for my efforts? | 1:10:27 | 1:10:31 | |
All men are drawn to the sea, perilous though it may be. | 1:10:32 | 1:10:36 | |
And some men offer desire as justification for their crimes. | 1:10:36 | 1:10:40 | |
I offer simply my desire. | 1:10:41 | 1:10:44 | |
And in return? | 1:10:45 | 1:10:46 | |
I would have your gifts, | 1:10:46 | 1:10:49 | |
should you choose to give them. | 1:10:49 | 1:10:51 | |
And if I should choose...not? | 1:10:55 | 1:10:59 | |
Then I will take... | 1:11:00 | 1:11:03 | |
your fury. | 1:11:03 | 1:11:04 | |
GRUNTING | 1:11:08 | 1:11:09 | |
ELIZABETH PANTING | 1:11:09 | 1:11:11 | |
PIRATES SHOUTING | 1:11:19 | 1:11:21 | |
Sao Feng? | 1:11:29 | 1:11:31 | |
Here. | 1:11:32 | 1:11:33 | |
Please. | 1:11:33 | 1:11:35 | |
With all nine pieces of eight... | 1:11:40 | 1:11:44 | |
you will be free. | 1:11:46 | 1:11:50 | |
Take it! | 1:11:50 | 1:11:51 | |
You are captain now. | 1:11:53 | 1:11:54 | |
Me? | 1:11:56 | 1:11:57 | |
Go in my place to Shipwreck Cove. | 1:11:59 | 1:12:04 | |
Captain! The ship is taken. | 1:12:04 | 1:12:07 | |
We cannot... | 1:12:07 | 1:12:08 | |
Forgive me... Calypso. | 1:12:09 | 1:12:13 | |
EXPLOSIONS AND SHOUTING | 1:12:18 | 1:12:20 | |
What did he tell you? | 1:12:27 | 1:12:30 | |
He made me captain. | 1:12:34 | 1:12:36 | |
Set! Fire! | 1:12:38 | 1:12:41 | |
You are not my captain. | 1:12:45 | 1:12:48 | |
Elizabeth. | 1:12:48 | 1:12:49 | |
James. James. | 1:12:50 | 1:12:51 | |
Thank God, you're alive. | 1:12:56 | 1:12:58 | |
Your father'll be overjoyed | 1:12:58 | 1:12:59 | |
to know you're safe. | 1:12:59 | 1:13:01 | |
My father's dead. | 1:13:01 | 1:13:03 | |
No, that can't be true. He returned to England. | 1:13:03 | 1:13:07 | |
Did Lord Beckett tell you that? | 1:13:07 | 1:13:09 | |
Who among you do you name as captain? | 1:13:10 | 1:13:13 | |
Captain. Her. | 1:13:13 | 1:13:14 | |
All: Her. | 1:13:14 | 1:13:16 | |
Captain? | 1:13:18 | 1:13:20 | |
Tow the ship. | 1:13:20 | 1:13:21 | |
Put the prisoners in the brig. | 1:13:21 | 1:13:23 | |
The captain shall have my quarters. | 1:13:23 | 1:13:26 | |
Thank you, sir. | 1:13:28 | 1:13:29 | |
But I prefer to remain with my crew. | 1:13:29 | 1:13:32 | |
Elizabeth. | 1:13:32 | 1:13:33 | |
I swear. | 1:13:33 | 1:13:35 | |
I did not know. | 1:13:35 | 1:13:36 | |
Know what? Which side you chose? | 1:13:36 | 1:13:40 | |
Well, now you do. | 1:13:48 | 1:13:50 | |
Bootstrap? | 1:13:58 | 1:13:59 | |
CHUCKLING | 1:14:02 | 1:14:04 | |
Bootstrap. | 1:14:07 | 1:14:09 | |
Bill Turner? | 1:14:09 | 1:14:11 | |
MAN: Bootstrap. | 1:14:11 | 1:14:14 | |
You know my name. | 1:14:21 | 1:14:23 | |
Yes, I know your son. | 1:14:26 | 1:14:28 | |
Will Turner. | 1:14:29 | 1:14:32 | |
William. | 1:14:32 | 1:14:34 | |
Aah! Oh! Oh! | 1:14:35 | 1:14:39 | |
He made it. He's alive. | 1:14:39 | 1:14:41 | |
And now he sends you to tell me that he's coming to get me. | 1:14:41 | 1:14:47 | |
God's wounds. He's on his way. | 1:14:47 | 1:14:50 | |
Yes, Will is alive. | 1:14:50 | 1:14:51 | |
And he wants to help you. | 1:14:51 | 1:14:55 | |
He can't help me. He won't come. | 1:14:59 | 1:15:03 | |
But you're his father. | 1:15:03 | 1:15:05 | |
I know you. | 1:15:05 | 1:15:08 | |
He spoke of you. | 1:15:08 | 1:15:12 | |
He can't save me. He can't come because of you. | 1:15:12 | 1:15:15 | |
Me? | 1:15:15 | 1:15:17 | |
You're Elizabeth. | 1:15:18 | 1:15:20 | |
Yes, I'm Elizabeth. | 1:15:21 | 1:15:23 | |
If Jones be slain, he who slays him must take his place. | 1:15:24 | 1:15:29 | |
Captain forever. | 1:15:29 | 1:15:33 | |
The Dutchman must always have a captain. | 1:15:35 | 1:15:39 | |
And if he saves me... | 1:15:39 | 1:15:42 | |
he loses you. | 1:15:42 | 1:15:44 | |
I see. | 1:15:47 | 1:15:49 | |
He won't pick me. | 1:15:50 | 1:15:52 | |
I wouldn't pick me. | 1:15:52 | 1:15:55 | |
Tell him not to come. | 1:15:59 | 1:16:01 | |
Tell him to stay away. | 1:16:02 | 1:16:06 | |
Tell him it's too late. | 1:16:06 | 1:16:08 | |
I'm already a part of the ship... | 1:16:09 | 1:16:14 | |
and the crew. | 1:16:14 | 1:16:17 | |
Bootstrap. | 1:16:17 | 1:16:19 | |
You know my name. | 1:16:21 | 1:16:23 | |
You know my name. | 1:16:23 | 1:16:27 | |
Yes, I know your son. | 1:16:27 | 1:16:29 | |
William. | 1:16:29 | 1:16:32 | |
He's coming for me. | 1:16:34 | 1:16:36 | |
Wait and see. | 1:16:36 | 1:16:39 | |
You'll see. | 1:16:39 | 1:16:42 | |
He promised. | 1:16:42 | 1:16:44 | |
BIRDS SQUAWKING | 1:16:48 | 1:16:51 | |
INDISTINCT CHATTER | 1:16:59 | 1:17:02 | |
MAN: Sir. | 1:17:14 | 1:17:16 | |
BECKETT: a breadcrumb trail. | 1:17:19 | 1:17:21 | |
And we're meant to follow. | 1:17:21 | 1:17:23 | |
A betrayer among them? Or a trap? | 1:17:23 | 1:17:26 | |
A gambit by a skilled opponent. | 1:17:26 | 1:17:31 | |
Adjust course, lieutenant. | 1:17:32 | 1:17:33 | |
Sir? | 1:17:33 | 1:17:37 | |
We can only hope to reach our destination | 1:17:37 | 1:17:39 | |
before they run out of bodies. | 1:17:39 | 1:17:42 | |
You escaped the brig even quicker than I expected. | 1:17:55 | 1:17:58 | |
William, do you notice anything? | 1:17:59 | 1:18:02 | |
Rather... | 1:18:03 | 1:18:05 | |
do you notice something that is not there to be noted? | 1:18:05 | 1:18:08 | |
You haven't raised an alarm. | 1:18:09 | 1:18:11 | |
Odd, isn't it? | 1:18:11 | 1:18:12 | |
Not as odd as this. | 1:18:12 | 1:18:13 | |
Come up with this all by your lonesome, did you? | 1:18:15 | 1:18:17 | |
I said to myself, "Think like Jack." | 1:18:17 | 1:18:20 | |
This is what you've arrived at - | 1:18:20 | 1:18:23 | |
lead Beckett to Shipwreck Cove so as to gain his trust, | 1:18:23 | 1:18:26 | |
accomplish your own ends? | 1:18:26 | 1:18:28 | |
It's like you don't know me at all, mate. | 1:18:28 | 1:18:29 | |
And how does your dearly beloved feel about this plan? | 1:18:32 | 1:18:36 | |
Ah. | 1:18:37 | 1:18:39 | |
You've not seen fit to trust her with it. | 1:18:39 | 1:18:42 | |
I'm losing her, Jack. | 1:18:44 | 1:18:47 | |
Every step I make for my father is a step away from Elizabeth. | 1:18:47 | 1:18:51 | |
If you choose to lock your heart away, | 1:18:51 | 1:18:53 | |
you'll lose her for certain. | 1:18:53 | 1:18:54 | |
If I might lend a machete | 1:18:54 | 1:18:56 | |
to your intellectual thicket, | 1:18:56 | 1:18:58 | |
avoid the choice altogether. | 1:18:58 | 1:19:01 | |
Change the facts. | 1:19:02 | 1:19:04 | |
Let someone else dispatch Jones. | 1:19:04 | 1:19:07 | |
Who? | 1:19:07 | 1:19:09 | |
You? | 1:19:13 | 1:19:14 | |
Death has a curious way of reshuffling one's priorities. | 1:19:16 | 1:19:20 | |
I slip aboard the Dutchman, | 1:19:20 | 1:19:21 | |
find the heart, stab the beating thing, | 1:19:21 | 1:19:23 | |
your father's free from his debt, | 1:19:23 | 1:19:25 | |
you're free to be with your charming murderess. | 1:19:25 | 1:19:27 | |
You're willing to cut out your heart and bind yourself to the Dutchman... | 1:19:27 | 1:19:31 | |
forever? | 1:19:31 | 1:19:32 | |
No, mate. I'm free forever. | 1:19:32 | 1:19:35 | |
Free to sail the seas beyond the edges of the map. | 1:19:35 | 1:19:38 | |
Free from death itself. | 1:19:38 | 1:19:39 | |
You have to do the job though, Jack. | 1:19:39 | 1:19:41 | |
You have to ferry souls to the next world. | 1:19:41 | 1:19:45 | |
Or end up just like Jones. | 1:19:45 | 1:19:47 | |
GROANS | 1:19:47 | 1:19:49 | |
I don't have the face for tentacles. | 1:19:49 | 1:19:51 | |
But immortal has to count for something, eh? | 1:19:53 | 1:19:56 | |
What's this for? | 1:19:59 | 1:20:01 | |
Think like me. It'll come to you. | 1:20:01 | 1:20:03 | |
My regards to Davy Jones. | 1:20:15 | 1:20:18 | |
I hate him. | 1:20:23 | 1:20:25 | |
Come with me. | 1:20:29 | 1:20:30 | |
Quickly! | 1:20:33 | 1:20:35 | |
What are you doing? | 1:20:43 | 1:20:45 | |
Choosing a side. | 1:20:45 | 1:20:48 | |
WHISPERING IN CHINESE | 1:21:07 | 1:21:09 | |
Do not go to Shipwreck Cove. | 1:21:12 | 1:21:13 | |
Beckett knows of the meeting of the Brethren. | 1:21:13 | 1:21:16 | |
I fear there may be a traitor among them. | 1:21:16 | 1:21:19 | |
It's too late to earn my forgiveness. | 1:21:19 | 1:21:21 | |
I had nothing to do with your father's death. | 1:21:22 | 1:21:25 | |
But that does not absolve me of my other sins. | 1:21:27 | 1:21:31 | |
Come with us. | 1:21:33 | 1:21:34 | |
James, come with me. | 1:21:38 | 1:21:40 | |
BOOTSTRAP BILL: Who goes there? | 1:21:41 | 1:21:43 | |
Go. I will follow. | 1:21:46 | 1:21:48 | |
You're lying. | 1:21:49 | 1:21:53 | |
Our destinies have been entwined, Elizabeth, | 1:21:53 | 1:21:57 | |
but never joined. | 1:21:57 | 1:22:00 | |
Go, now. | 1:22:06 | 1:22:08 | |
Back to your station, sailor. | 1:22:13 | 1:22:16 | |
No-one leaves the ship. | 1:22:17 | 1:22:19 | |
Stand down. That's an order. | 1:22:19 | 1:22:22 | |
That's an order. | 1:22:22 | 1:22:25 | |
Part of the crew, part of the ship. | 1:22:25 | 1:22:28 | |
Part of the crew, part of the ship. | 1:22:28 | 1:22:30 | |
-Part of the crew... -Steady, man. | 1:22:30 | 1:22:31 | |
Part of the crew, part of the ship. | 1:22:31 | 1:22:33 | |
All hands, prisoner escape! | 1:22:33 | 1:22:35 | |
Belay that! | 1:22:35 | 1:22:37 | |
James! | 1:22:37 | 1:22:38 | |
SCREAMING | 1:22:45 | 1:22:46 | |
James! No! | 1:22:54 | 1:22:55 | |
-The Admiral's dead. -Admiral's dead? | 1:23:04 | 1:23:07 | |
-The admiral's dead. -Admiral's dead. | 1:23:07 | 1:23:09 | |
To the captain's cabin! | 1:23:12 | 1:23:13 | |
All: Aye! | 1:23:13 | 1:23:15 | |
SHOUTING | 1:23:15 | 1:23:16 | |
James Norrington. Do you fear death? | 1:23:18 | 1:23:22 | |
I take that as a no. | 1:23:31 | 1:23:33 | |
Nice sword. | 1:23:37 | 1:23:39 | |
SHOUTING | 1:23:45 | 1:23:47 | |
The Dutchman is under my command. | 1:23:58 | 1:24:03 | |
For now. | 1:24:06 | 1:24:07 | |
Look alive and keep a weather eye. | 1:24:23 | 1:24:25 | |
Not for naught it's called Shipwreck Island. | 1:24:25 | 1:24:28 | |
Where lies Shipwreck Cove and the town of Shipwreck. | 1:24:28 | 1:24:31 | |
You heard him. Step lively. | 1:24:31 | 1:24:33 | |
For all that pirates are clever cogs, | 1:24:33 | 1:24:36 | |
we are unimaginative when it comes to naming things. | 1:24:36 | 1:24:38 | |
Aye. | 1:24:38 | 1:24:40 | |
I once sailed with a geezer | 1:24:40 | 1:24:41 | |
who lost both of his arms and part of his eye. | 1:24:41 | 1:24:44 | |
What'd you call him? | 1:24:44 | 1:24:46 | |
Larry. | 1:24:46 | 1:24:48 | |
I do not renege on a bargain once struck. | 1:24:51 | 1:24:54 | |
But we agreed on ends only. The means are mine to decide. | 1:24:54 | 1:24:58 | |
Caution, Barbossa. | 1:24:58 | 1:25:00 | |
Do not forget it was by my power you return from the dead. | 1:25:00 | 1:25:05 | |
Or what it mean if you fail me. | 1:25:05 | 1:25:08 | |
Don't you forget why you had to bring me back. | 1:25:11 | 1:25:15 | |
Why I could not leave Jack to his well-deserved fate. | 1:25:15 | 1:25:20 | |
It took nine Pirate Lords to bind you, Calypso. | 1:25:20 | 1:25:22 | |
And it'll take no less than nine to set you free. | 1:25:22 | 1:25:26 | |
Masters Pintel and Ragetti. | 1:25:26 | 1:25:27 | |
Take this fishwife to the brig. | 1:25:30 | 1:25:33 | |
Right this way, Mrs Fish. | 1:25:34 | 1:25:37 | |
I cannot be summoned like some mongrel pup. | 1:26:03 | 1:26:07 | |
Apparently, you can. | 1:26:07 | 1:26:09 | |
I believe you know each other. | 1:26:09 | 1:26:11 | |
Ah. | 1:26:13 | 1:26:15 | |
Come to join my crew again, Master Turner? | 1:26:15 | 1:26:19 | |
Not yours. | 1:26:19 | 1:26:21 | |
His. | 1:26:21 | 1:26:23 | |
Jack Sparrow sends his regards. | 1:26:23 | 1:26:25 | |
Sparrow? | 1:26:26 | 1:26:28 | |
You didn't tell him. | 1:26:29 | 1:26:31 | |
We rescued Jack from the Locker along with the Black Pearl. | 1:26:31 | 1:26:35 | |
What else have you not told me? | 1:26:35 | 1:26:38 | |
There is an issue far more troublesome. | 1:26:38 | 1:26:42 | |
I believe you're familiar with a person called Calypso. | 1:26:43 | 1:26:47 | |
Not a person. | 1:26:49 | 1:26:51 | |
A heathen god. | 1:26:51 | 1:26:53 | |
One who delights in cursing men with their wildest dreams | 1:26:53 | 1:26:56 | |
and then revealing them to be hollow and naught but ash. | 1:26:56 | 1:27:00 | |
The world is well rid of her. | 1:27:00 | 1:27:01 | |
Not quite so well, actually. | 1:27:01 | 1:27:03 | |
The Brethren Court intends to release her. | 1:27:03 | 1:27:06 | |
No! They cannot! | 1:27:07 | 1:27:08 | |
The first court promised to imprison her forever. | 1:27:08 | 1:27:11 | |
That was our agreement. | 1:27:11 | 1:27:13 | |
Your agreement? | 1:27:13 | 1:27:15 | |
I showed them how to bind her. | 1:27:17 | 1:27:21 | |
She could not be trusted. | 1:27:21 | 1:27:23 | |
I... She gave me no choice. | 1:27:23 | 1:27:24 | |
We must act before they release her. | 1:27:24 | 1:27:28 | |
You loved her. | 1:27:28 | 1:27:30 | |
She's the one. | 1:27:31 | 1:27:33 | |
And then you betrayed her. | 1:27:33 | 1:27:34 | |
She pretended to love me. | 1:27:34 | 1:27:38 | |
She betrayed me. | 1:27:38 | 1:27:42 | |
And after which betrayal did you cut out your heart, I wonder. | 1:27:45 | 1:27:48 | |
Do not test me. | 1:27:51 | 1:27:54 | |
I hadn't finished that. | 1:27:54 | 1:27:55 | |
You will free my father. | 1:27:57 | 1:28:00 | |
And you will guarantee Elizabeth's safety. | 1:28:00 | 1:28:02 | |
Along with my own. | 1:28:02 | 1:28:04 | |
Your terms are steep, Mr Turner. | 1:28:04 | 1:28:07 | |
We will expect fair value in return. | 1:28:07 | 1:28:09 | |
There is only one price I will accept - | 1:28:09 | 1:28:14 | |
Calypso murdered. | 1:28:14 | 1:28:17 | |
Calypso's aboard the Black Pearl. | 1:28:18 | 1:28:21 | |
Jack has sailed the Black Pearl to Shipwreck Cove. | 1:28:23 | 1:28:26 | |
And with you no longer aboard her, | 1:28:27 | 1:28:30 | |
how do you propose to lead us there? | 1:28:30 | 1:28:31 | |
What is it you want most? | 1:28:43 | 1:28:46 | |
Look at them all! | 1:29:16 | 1:29:18 | |
There's not been a gathering like this in our lifetime. | 1:29:18 | 1:29:23 | |
And I owe them all money. | 1:29:23 | 1:29:26 | |
MURMURING | 1:29:26 | 1:29:28 | |
As he who issued summons, | 1:29:29 | 1:29:32 | |
I convene this, the fourth Brethren Court. | 1:29:32 | 1:29:37 | |
MURMURING | 1:29:37 | 1:29:38 | |
To confirm your Lordship and right to be heard, | 1:29:40 | 1:29:44 | |
present now your pieces of eight, my fellow cap'ns. | 1:29:44 | 1:29:48 | |
Those aren't pieces of eight. | 1:29:56 | 1:29:58 | |
They're just pieces of junk. | 1:29:58 | 1:29:59 | |
Aye. The original plan was to use nine pieces of eight to bind Calypso. | 1:29:59 | 1:30:03 | |
But when the first court met, | 1:30:03 | 1:30:05 | |
the Brethren were to a one skint broke. | 1:30:05 | 1:30:08 | |
So change the name. | 1:30:08 | 1:30:10 | |
What, to "nine pieces of whatever we happened | 1:30:10 | 1:30:12 | |
"to have in our pockets at the time"? | 1:30:12 | 1:30:14 | |
Oh, yes. That sounds very piratey. | 1:30:14 | 1:30:16 | |
Master Ragetti, if you will. | 1:30:20 | 1:30:21 | |
I kept it safe, just like you said when you gave it to me. | 1:30:21 | 1:30:26 | |
Aye, you have. But now I need it back. | 1:30:26 | 1:30:29 | |
Sparrow! | 1:30:32 | 1:30:33 | |
Might I point out that we are still short one Pirate Lord, | 1:30:38 | 1:30:42 | |
and I'm as content as a cucumber to wait until Sao Feng joins us. | 1:30:42 | 1:30:46 | |
ELIZABETH: Sao Feng is dead. | 1:30:46 | 1:30:49 | |
He fell to the Flying Dutchman. | 1:30:49 | 1:30:52 | |
The plagued ship! | 1:30:52 | 1:30:53 | |
He made you Captain? They're giving the bloody title away now! | 1:30:54 | 1:30:57 | |
Que lo manden al diablo! | 1:30:57 | 1:30:59 | |
Listen. Listen to me. | 1:30:59 | 1:31:00 | |
Our location has been betrayed. | 1:31:00 | 1:31:02 | |
Jones is under the command of Lord Beckett. | 1:31:02 | 1:31:05 | |
They're on their way here. | 1:31:05 | 1:31:06 | |
Who is this betrayer? | 1:31:06 | 1:31:08 | |
Not likely anyone among us. | 1:31:08 | 1:31:10 | |
Where's Will? | 1:31:10 | 1:31:11 | |
Not among us. | 1:31:11 | 1:31:13 | |
It matters not how they found us. The question is, | 1:31:13 | 1:31:15 | |
what will we do now that they have? | 1:31:15 | 1:31:17 | |
We fight. | 1:31:17 | 1:31:19 | |
Shipwreck Cove is a fortress. | 1:31:22 | 1:31:26 | |
A well-supplied fortress. | 1:31:26 | 1:31:29 | |
There is no need to fight if they cannot get to us. | 1:31:29 | 1:31:33 | |
There be a third course. | 1:31:34 | 1:31:38 | |
In another age, at this very spot, | 1:31:38 | 1:31:40 | |
the first Brethren Court captured the sea goddess | 1:31:40 | 1:31:43 | |
and bound her in her bones. | 1:31:43 | 1:31:46 | |
That was a mistake. | 1:31:48 | 1:31:50 | |
Oh, we tamed the seas for ourselves, aye. | 1:31:51 | 1:31:53 | |
But opened the door to Beckett and his ilk. | 1:31:53 | 1:31:57 | |
Better were the days when mastery of seas | 1:31:59 | 1:32:01 | |
came not from bargains struck with eldritch creatures, | 1:32:01 | 1:32:04 | |
but from the sweat of a man's brow | 1:32:04 | 1:32:07 | |
and the strength of his back alone. | 1:32:07 | 1:32:09 | |
You all know this to be true. | 1:32:09 | 1:32:11 | |
Gentlemen. | 1:32:11 | 1:32:14 | |
Ladies. | 1:32:14 | 1:32:16 | |
We must free Calypso. | 1:32:20 | 1:32:23 | |
CLAMOURING | 1:32:29 | 1:32:31 | |
Shoot him! | 1:32:31 | 1:32:32 | |
Cut out his tongue! | 1:32:32 | 1:32:34 | |
Shoot him, cut out his tongue, then shoot his tongue. | 1:32:34 | 1:32:36 | |
And trim that beard. | 1:32:36 | 1:32:38 | |
Sao Feng would've agreed with Barbossa. | 1:32:38 | 1:32:40 | |
Calypso was our enemy then, she will be our enemy now. | 1:32:40 | 1:32:43 | |
It's unlikely her mood's improved. | 1:32:43 | 1:32:45 | |
I would still agree with Sao Feng. We release Calypso. | 1:32:45 | 1:32:49 | |
You threaten me? | 1:32:49 | 1:32:50 | |
I silence you. | 1:32:50 | 1:32:52 | |
ALL SHOUTING | 1:32:52 | 1:32:53 | |
This is madness. | 1:33:03 | 1:33:05 | |
This is politics. | 1:33:05 | 1:33:06 | |
Meanwhile, our enemies are bearing down upon us. | 1:33:06 | 1:33:09 | |
If they not be here already. | 1:33:09 | 1:33:11 | |
SHOUTING AND GUNFIRE IN DISTANCE | 1:33:11 | 1:33:14 | |
MUSIC BOX PLAYS | 1:33:18 | 1:33:21 | |
MUSIC BOX STOPS | 1:33:31 | 1:33:33 | |
ANOTHER MUSIC BOX PLAYS | 1:33:33 | 1:33:36 | |
My sweet. | 1:33:45 | 1:33:49 | |
You come for me. | 1:33:49 | 1:33:51 | |
You were expecting me. | 1:33:51 | 1:33:53 | |
It has been torture, | 1:33:53 | 1:33:56 | |
trapped in this single form, | 1:33:56 | 1:34:00 | |
cut off from the sea... | 1:34:00 | 1:34:04 | |
from all that I love. | 1:34:04 | 1:34:07 | |
From you. | 1:34:07 | 1:34:08 | |
Ten years I devoted to the duty you charged to me. | 1:34:08 | 1:34:14 | |
Ten years I looked after those who died at sea. | 1:34:14 | 1:34:20 | |
And, finally, when we could be together again... | 1:34:20 | 1:34:26 | |
you weren't there. | 1:34:26 | 1:34:29 | |
MUSIC BOX STOPS | 1:34:29 | 1:34:31 | |
Why weren't you there? | 1:34:31 | 1:34:34 | |
It's my nature. | 1:34:35 | 1:34:39 | |
Would you love me if I was anything but what I am? | 1:34:39 | 1:34:44 | |
I do not love you. | 1:34:44 | 1:34:48 | |
Many things you were, Davy Jones... | 1:34:50 | 1:34:55 | |
but never cruel. | 1:34:55 | 1:34:58 | |
You have corrupted your purpose... | 1:34:58 | 1:35:02 | |
and so yourself. | 1:35:02 | 1:35:05 | |
And you did hide away what should always have been mine. | 1:35:05 | 1:35:11 | |
HE GASPS | 1:35:11 | 1:35:14 | |
Calypso. | 1:35:29 | 1:35:31 | |
I will be free. | 1:35:35 | 1:35:39 | |
And when I am, I would give you my heart. | 1:35:39 | 1:35:43 | |
And we would be together always... | 1:35:43 | 1:35:47 | |
if only you had a heart to give. | 1:35:47 | 1:35:50 | |
Why did you come? | 1:35:54 | 1:35:57 | |
And what fate have you planned for your captors? | 1:36:13 | 1:36:19 | |
The Brethren Court. | 1:36:19 | 1:36:22 | |
All of them. | 1:36:22 | 1:36:24 | |
The last thing they will learn in this life... | 1:36:24 | 1:36:28 | |
is how cruel I can be. | 1:36:28 | 1:36:30 | |
And what of your fate, Davy Jones? | 1:36:34 | 1:36:39 | |
My heart will always belong to you. | 1:36:40 | 1:36:43 | |
SHOUTING | 1:36:49 | 1:36:50 | |
GLASS BREAKING | 1:36:50 | 1:36:52 | |
It was the first Court what imprisoned Calypso. | 1:36:57 | 1:37:00 | |
We should be the ones to set her free. | 1:37:00 | 1:37:03 | |
And in her gratitude, she will see fit to grant us boons. | 1:37:03 | 1:37:07 | |
Whose boons? Your boons? | 1:37:07 | 1:37:09 | |
Utterly deceptive twaddle-speak, says I. | 1:37:09 | 1:37:12 | |
If you have a better alternative, please, share. | 1:37:12 | 1:37:16 | |
Cuttlefish. | 1:37:16 | 1:37:18 | |
Eh? | 1:37:18 | 1:37:20 | |
Let us not, dear friends, | 1:37:23 | 1:37:26 | |
forget our dear friends, the cuttlefish. | 1:37:26 | 1:37:28 | |
Flipping glorious little sausages. | 1:37:28 | 1:37:30 | |
Pen them up together, they'll devour each other | 1:37:30 | 1:37:33 | |
without a second thought. | 1:37:33 | 1:37:35 | |
Human nature, isn't it? | 1:37:35 | 1:37:36 | |
Or...or fish nature. | 1:37:36 | 1:37:38 | |
So, yes, we could hole up here well-provisioned and well-armed. | 1:37:38 | 1:37:42 | |
Half of us would be dead within the month... | 1:37:42 | 1:37:45 | |
which seems quite grim to me, any way you slice it. Or... | 1:37:45 | 1:37:49 | |
Uh... | 1:37:49 | 1:37:50 | |
As my learned colleague so naively suggests, | 1:37:52 | 1:37:58 | |
we can release Calypso, | 1:37:58 | 1:37:59 | |
and we can pray that she will be merciful. | 1:37:59 | 1:38:02 | |
I rather doubt it. | 1:38:02 | 1:38:04 | |
Can we pretend she's anything other than a woman scorned | 1:38:04 | 1:38:08 | |
like which fury hell hath no? | 1:38:08 | 1:38:10 | |
We cannot. | 1:38:10 | 1:38:13 | |
Res ipsa loquitur, tabula in naufragio. | 1:38:13 | 1:38:16 | |
We are left with but one option. | 1:38:16 | 1:38:18 | |
I agree with - and I cannot believe | 1:38:18 | 1:38:20 | |
the words are coming out of me mouth... | 1:38:20 | 1:38:23 | |
..Captain Swann. | 1:38:24 | 1:38:26 | |
We must fight. | 1:38:26 | 1:38:27 | |
You've always run away from a fight. | 1:38:27 | 1:38:30 | |
-Have not. -You have so. | 1:38:30 | 1:38:31 | |
-Have not. -Have so. | 1:38:31 | 1:38:32 | |
-Have not! -You have so, and you know it. | 1:38:32 | 1:38:34 | |
Slander and calumny. | 1:38:34 | 1:38:36 | |
I have only ever embraced that oldest and noblest of pirate traditions. | 1:38:36 | 1:38:40 | |
I submit that here now that is what we all must do - | 1:38:40 | 1:38:45 | |
we must fight... | 1:38:45 | 1:38:47 | |
to run away. | 1:38:47 | 1:38:48 | |
Aye! | 1:38:48 | 1:38:49 | |
ALL: Aye! | 1:38:49 | 1:38:51 | |
As per the code, an act of war - | 1:38:51 | 1:38:55 | |
and this be exactly that - | 1:38:55 | 1:38:57 | |
can only be declared by the pirate king. | 1:38:57 | 1:38:59 | |
You made that up. | 1:38:59 | 1:39:00 | |
Did I, now? | 1:39:00 | 1:39:02 | |
I call on Cap'n Teague, keeper of the code. | 1:39:02 | 1:39:06 | |
Sri Sumbhajee proclaims this all to be folly! | 1:39:06 | 1:39:10 | |
Hang the code. Who cares a...? | 1:39:12 | 1:39:13 | |
GUNSHOT | 1:39:13 | 1:39:16 | |
Code is the law. | 1:39:22 | 1:39:24 | |
You're in my way, boy. | 1:39:34 | 1:39:37 | |
The code. | 1:39:46 | 1:39:48 | |
As set forth by Morgan and Bartholomew. | 1:39:48 | 1:39:50 | |
WHISTLES | 1:40:01 | 1:40:02 | |
That can't... How did...? | 1:40:08 | 1:40:10 | |
Sea turtles, mate. | 1:40:10 | 1:40:11 | |
BARKS | 1:40:11 | 1:40:13 | |
Sea turtles. | 1:40:13 | 1:40:15 | |
Ah. Barbossa is right. | 1:40:29 | 1:40:33 | |
Hang on a minute. | 1:40:33 | 1:40:34 | |
"It shall be the duty of the king to declare war, | 1:40:35 | 1:40:38 | |
"parley with shared adversaries..." | 1:40:38 | 1:40:41 | |
Fancy that. | 1:40:41 | 1:40:43 | |
There has not been a king since the first court and that's not likely to change. | 1:40:43 | 1:40:46 | |
Not likely. | 1:40:46 | 1:40:47 | |
-Why not? -See, the pirate king is elected by popular vote. | 1:40:47 | 1:40:51 | |
And each pirate only ever votes for hisself. | 1:40:51 | 1:40:54 | |
I call for a vote. | 1:40:54 | 1:40:55 | |
MURMURING | 1:40:55 | 1:40:56 | |
PLAYS GUITAR | 1:40:56 | 1:41:00 | |
I vote for Ammand the Corsair. | 1:41:00 | 1:41:02 | |
Capitaine Chevalle, the penniless Frenchman. | 1:41:02 | 1:41:04 | |
Sri Sumbhajee votes for Sri Sumbhajee. | 1:41:04 | 1:41:08 | |
Mistress Ching. | 1:41:08 | 1:41:10 | |
Gentleman Jocard. | 1:41:10 | 1:41:12 | |
Elizabeth Swann. | 1:41:12 | 1:41:13 | |
Barbossa. | 1:41:13 | 1:41:15 | |
Vallenueva! | 1:41:15 | 1:41:16 | |
Elizabeth Swann. | 1:41:17 | 1:41:19 | |
-What? -I know. Curious, isn't it? | 1:41:19 | 1:41:21 | |
Vote for me. Vote for me! | 1:41:24 | 1:41:25 | |
ALL SHOUT | 1:41:25 | 1:41:28 | |
Am I to understand that you lot will not be keeping to the code, then? | 1:41:30 | 1:41:34 | |
STRING BREAKS | 1:41:34 | 1:41:36 | |
Very well. | 1:41:42 | 1:41:44 | |
What say you, Captain Swann, king of the Brethren Court? | 1:41:46 | 1:41:51 | |
Prepare every vessel that floats. | 1:41:53 | 1:41:56 | |
At dawn... | 1:41:56 | 1:41:58 | |
we're at war. | 1:41:58 | 1:42:00 | |
-HIGH-PITCHED: -And so we shall go to war. | 1:42:03 | 1:42:07 | |
ALL SHOUT | 1:42:08 | 1:42:11 | |
What? | 1:42:19 | 1:42:22 | |
You've seen it all, done it all. You survived. | 1:42:22 | 1:42:25 | |
That's the trick, isn't it? To survive? | 1:42:25 | 1:42:28 | |
It's not just about living forever, Jackie. | 1:42:28 | 1:42:33 | |
The trick is living with yourself forever. | 1:42:36 | 1:42:40 | |
How's Mum? | 1:42:43 | 1:42:45 | |
She looks great. | 1:42:51 | 1:42:53 | |
The enemy is here! Let's take them! | 1:43:13 | 1:43:17 | |
ALL SHOUT | 1:43:17 | 1:43:19 | |
SHOUTING STOPS | 1:43:27 | 1:43:30 | |
-PARROT: -Abandon ship. Abandon ship. | 1:43:38 | 1:43:41 | |
Parley? | 1:43:49 | 1:43:52 | |
You be the cur that led these wolves to our door. | 1:44:46 | 1:44:49 | |
Don't blame Turner. | 1:44:49 | 1:44:51 | |
He was merely the tool of your betrayal. | 1:44:51 | 1:44:53 | |
If you wish to see its grand architect, look to your left. | 1:44:53 | 1:44:57 | |
My hands are clean in this. | 1:45:01 | 1:45:03 | |
Figuratively. | 1:45:03 | 1:45:05 | |
My actions were my own and to my own purpose. | 1:45:05 | 1:45:08 | |
Jack had nothing to do with it. | 1:45:08 | 1:45:10 | |
Well spoke. Listen to the tool. | 1:45:10 | 1:45:11 | |
Will, I've been aboard The Dutchman. | 1:45:11 | 1:45:13 | |
I understand the burden you bear, but I fear that cause is lost. | 1:45:13 | 1:45:18 | |
No cause is lost if there is but one fool left to fight for it. | 1:45:18 | 1:45:23 | |
If Turner wasn't acting on your behalf, then how did he come to give me this? | 1:45:24 | 1:45:28 | |
You made a deal with me, Jack, | 1:45:30 | 1:45:33 | |
to deliver the pirates. And here they are. | 1:45:33 | 1:45:36 | |
Don't be bashful. Step up. Claim your reward. | 1:45:36 | 1:45:38 | |
-DAVY JONES: -Your debt to me is still to be satisfied. | 1:45:38 | 1:45:42 | |
100 years in servitude aboard the Dutchman... | 1:45:42 | 1:45:45 | |
as a start. | 1:45:45 | 1:45:48 | |
That debt was paid, mate. With some help. | 1:45:48 | 1:45:51 | |
-JONES: -You escaped. | 1:45:51 | 1:45:52 | |
-Technically. -I propose an exchange. | 1:45:52 | 1:45:54 | |
Will leaves with us... | 1:45:56 | 1:45:58 | |
..and you can take Jack. | 1:46:00 | 1:46:01 | |
Done. | 1:46:03 | 1:46:05 | |
-Undone. -Done. | 1:46:05 | 1:46:07 | |
Jack's one of the nine Pirate Lords. | 1:46:07 | 1:46:09 | |
You have no right. | 1:46:09 | 1:46:10 | |
King. | 1:46:10 | 1:46:14 | |
As you command, your nibs. | 1:46:14 | 1:46:16 | |
Blackguard! | 1:46:16 | 1:46:18 | |
If ye have something to say, | 1:46:23 | 1:46:24 | |
I might be saying something as well. | 1:46:24 | 1:46:26 | |
First to the finish, then? | 1:46:28 | 1:46:31 | |
Do you fear death? | 1:46:51 | 1:46:55 | |
You've no idea. | 1:46:55 | 1:46:57 | |
Advise your brethren, | 1:46:59 | 1:47:02 | |
you can fight, and all of you will die. | 1:47:02 | 1:47:05 | |
Or you can not fight, in which case only most of you will die. | 1:47:05 | 1:47:09 | |
You murdered my father. | 1:47:09 | 1:47:13 | |
He chose his own fate. | 1:47:13 | 1:47:15 | |
And you have chosen yours. | 1:47:15 | 1:47:18 | |
We will fight. | 1:47:18 | 1:47:20 | |
And you will die. | 1:47:20 | 1:47:23 | |
So be it. | 1:47:27 | 1:47:29 | |
-WILL: -King? | 1:47:34 | 1:47:36 | |
Of the Brethren Court. Courtesy of Jack. | 1:47:36 | 1:47:39 | |
Maybe he really does know what he's doing. | 1:47:39 | 1:47:42 | |
Bravo! | 1:47:47 | 1:47:48 | |
You've successfully arrived aboard The Flying Dutchman | 1:47:48 | 1:47:52 | |
as per the overall scheme. | 1:47:52 | 1:47:53 | |
-Look... -Oh, yes. Chapeau, mate. | 1:47:53 | 1:47:55 | |
Except for this sojourn in the brig, it's utter clockwork. | 1:47:55 | 1:47:58 | |
Go away. | 1:47:58 | 1:48:00 | |
What, back to the locker? | 1:48:00 | 1:48:02 | |
Not without you, Jackie. | 1:48:02 | 1:48:03 | |
Stab the heart. | 1:48:03 | 1:48:06 | |
Live forever as captain of The Flying Dutchman. | 1:48:11 | 1:48:16 | |
Then again... | 1:48:19 | 1:48:22 | |
if you're in the brig, | 1:48:22 | 1:48:24 | |
who's to stab the heart? | 1:48:24 | 1:48:27 | |
Does seem to put immortality a bit out of reach. | 1:48:29 | 1:48:32 | |
Ah! Peanut! | 1:48:32 | 1:48:35 |