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# Oh, listen | 0:00:06 | 0:00:10 | |
# Listen well | 0:00:12 | 0:00:14 | |
# Listen to the legend of Chuck-A-Luck | 0:00:14 | 0:00:17 | |
# Listen to the song of the gambler's wheel | 0:00:17 | 0:00:22 | |
# A souvenir from a bygone year | 0:00:22 | 0:00:25 | |
# Spinning a tale of the old frontier | 0:00:25 | 0:00:28 | |
# And a man of steel... | 0:00:28 | 0:00:30 | |
# And a passion that drove him on and on and on | 0:00:32 | 0:00:39 | |
# It began, they say, one summer day | 0:00:40 | 0:00:46 | |
# When the sun was blazing down | 0:00:46 | 0:00:52 | |
# 'Twas back in the early '70s | 0:00:52 | 0:00:57 | |
# In a little Wyoming town | 0:00:57 | 0:01:02 | |
# So listen to the legend of Chuck-A-Luck | 0:01:03 | 0:01:06 | |
# Listen to the wheel of fate | 0:01:06 | 0:01:09 | |
# As round and round with a whispering sound it spins | 0:01:09 | 0:01:14 | |
# The old, old story of hate, murder and revenge! # | 0:01:14 | 0:01:25 | |
Nothing's better than that to make a man agreeable. Especially at midday. | 0:01:38 | 0:01:44 | |
Why'd you come in town? To kiss you. You oughtn't be away. | 0:01:44 | 0:01:48 | |
Last calf I had an iron on told me I could come. | 0:01:48 | 0:01:52 | |
When we get married... Eight days. | 0:01:52 | 0:01:55 | |
And when we get the ranch... Eight years. I found a name for it. | 0:01:57 | 0:02:03 | |
Yeah? What is it? Last Cloud Ranch. | 0:02:03 | 0:02:07 | |
Pretty? Pretty as you. | 0:02:07 | 0:02:09 | |
Wow! Oh, Vern! Came from Paris in France, the man said. | 0:02:09 | 0:02:14 | |
Oh, it's beautiful for evening! Fine for stargazing. | 0:02:14 | 0:02:19 | |
DOORBELL JANGLES Beth, where's everybody? | 0:02:19 | 0:02:22 | |
The folks yelled, "Come in, Tommy!" and I couldn't make it right then. | 0:02:22 | 0:02:27 | |
They left! Everybody's gone! I got nothing to do. | 0:02:27 | 0:02:32 | |
Do it outside. Go on, get out! BARKS LIKE A DOG | 0:02:32 | 0:02:36 | |
Where is everybody? Town's deserted. | 0:02:39 | 0:02:41 | |
The Burdens had triplets last night. The whole town went to see them. | 0:02:41 | 0:02:46 | |
I told Dad I'd keep the store. Kids. We ought to have a lot of them. | 0:02:46 | 0:02:51 | |
Yes. One every August. | 0:02:51 | 0:02:53 | |
See you tonight. | 0:03:00 | 0:03:02 | |
Whitey. | 0:03:26 | 0:03:27 | |
You wait outside. | 0:03:42 | 0:03:44 | |
Mister, can I hold your horse? Get away from here. | 0:03:49 | 0:03:54 | |
Is there anything you'd like to see? | 0:03:57 | 0:04:00 | |
Yeah. I wanna see what's in the assayer's safe. | 0:04:01 | 0:04:05 | |
Both of 'em. The one over there too. | 0:04:09 | 0:04:12 | |
Yes. Yes, all right. | 0:04:13 | 0:04:15 | |
WOMAN CRIES OUT | 0:04:48 | 0:04:50 | |
WOMAN SCREAMS | 0:04:59 | 0:05:01 | |
GUNSHOT | 0:05:02 | 0:05:03 | |
Hey, hey! | 0:05:10 | 0:05:12 | |
GUNSHOT | 0:05:12 | 0:05:14 | |
Vern! Vern! | 0:05:37 | 0:05:39 | |
I saw him come out the store. Then the other one fired at me. | 0:05:53 | 0:05:57 | |
He shot at me, the fella with the long white hair. White hair? | 0:05:57 | 0:06:02 | |
The one that stayed outside. | 0:06:02 | 0:06:04 | |
No. | 0:06:21 | 0:06:23 | |
Vern, I don't know how to tell you this. She wasn't spared anything. | 0:06:23 | 0:06:29 | |
Jim...give me your gun. | 0:06:34 | 0:06:37 | |
Place was empty. Just a girl in a store. Sure looked interesting. | 0:07:00 | 0:07:06 | |
Could've been, if you didn't chase petticoat! It's not your business. | 0:07:06 | 0:07:10 | |
The whole town'll be after us. Let's move. We're in this together. | 0:07:10 | 0:07:15 | |
Let's split it. I'm alone from here. We'll split it in Chuck-A-Luck. | 0:07:15 | 0:07:21 | |
The tracks lead south, Sheriff. It's Sioux country below here. | 0:07:41 | 0:07:45 | |
What of it? Let's go! | 0:07:45 | 0:07:47 | |
I didn't mind being deputised, but I don't wanna be butchered by Indians. | 0:07:47 | 0:07:53 | |
I'm turning back. That's my feeling, Sheriff. | 0:07:53 | 0:07:56 | |
I got 50 head of cattle to brand tomorrow. Are you all gutless? | 0:07:56 | 0:08:01 | |
Come on, we're losing time. I've no authority past this stream. | 0:08:01 | 0:08:06 | |
There'll be a warrant out for him. What's his description? | 0:08:06 | 0:08:10 | |
What if she was your wife? Or your daughter? This is as far as we go. | 0:08:10 | 0:08:15 | |
I'll follow him alone. Don't be a fool! | 0:08:15 | 0:08:18 | |
You're a raw hand with a gun. Never mind the advice. | 0:08:18 | 0:08:22 | |
You've all done your duty. Get home. Tell everybody how brave you were. | 0:08:22 | 0:08:27 | |
Get drunk tonight. I hope you have good dreams. | 0:08:27 | 0:08:30 | |
I had to do it, that's all, I've told you a dozen times. | 0:08:35 | 0:08:39 | |
What are you driving at? What are you after? I want my share now. | 0:08:41 | 0:08:47 | |
I said we split it at Chuck-A-Luck. | 0:08:47 | 0:08:50 | |
Keep quiet about the girl when we get there. | 0:08:51 | 0:08:55 | |
Maybe I will, maybe I won't. I'll do what I please. | 0:08:55 | 0:08:59 | |
Rattlesnake! Look out! | 0:08:59 | 0:09:01 | |
GUNSHOT | 0:09:01 | 0:09:03 | |
HOWLS | 0:09:10 | 0:09:12 | |
The man who was with you, where is he? | 0:09:26 | 0:09:30 | |
The man who was with you, where is he? | 0:09:32 | 0:09:35 | |
Water. Water. Talk, or you don't get a drop. | 0:09:36 | 0:09:40 | |
Where'd he head? Where did he head? | 0:09:40 | 0:09:44 | |
Chuck-A-Luck. Chuck-A-Luck. | 0:09:45 | 0:09:48 | |
Chuck-A-Luck? | 0:09:52 | 0:09:54 | |
# Where and what is Chuck-A-Luck, Chuck-A-Luck? | 0:09:54 | 0:10:00 | |
# Nobody knows and the dead won't tell | 0:10:00 | 0:10:05 | |
# So on and on, relentlessly, this man pursues his quest | 0:10:06 | 0:10:11 | |
# Through autumn and winter | 0:10:11 | 0:10:14 | |
# Searching the great South West | 0:10:14 | 0:10:17 | |
# This thing that drives him like a whip will never let him rest | 0:10:17 | 0:10:23 | |
# Night and day, early and late, he looks for a place | 0:10:23 | 0:10:27 | |
# Or a town or a face | 0:10:27 | 0:10:29 | |
# And deep within him burn the fires of hate, murder and revenge! # | 0:10:29 | 0:10:39 | |
You're new around here, ain't you? Just passing through. | 0:10:41 | 0:10:46 | |
Did you ever hear of a place called Chuck-A-Luck? Sure. | 0:10:46 | 0:10:51 | |
They got one at the Royal Flush, down the street. | 0:10:51 | 0:10:55 | |
Not gambling. You never heard of any other Chuck-A-Luck? I ain't. | 0:10:55 | 0:10:59 | |
Why don't you try asking over at the courthouse? | 0:10:59 | 0:11:03 | |
Barber, get another bowl of water. Water comes later... | 0:11:03 | 0:11:07 | |
I want it now. Sure. Excuse me. | 0:11:07 | 0:11:11 | |
Are you on the dodge? What of it? | 0:11:14 | 0:11:17 | |
I wouldn't talk about Chuck-A-Luck so free if I were you. Why not? | 0:11:17 | 0:11:22 | |
Altar Keane wouldn't like it. | 0:11:22 | 0:11:25 | |
Where'd you hear about Chuck-A-Luck, why are you asking about it? | 0:11:25 | 0:11:29 | |
I'm supposed to meet somebody there. Who? I don't know. It could be you. | 0:11:29 | 0:11:34 | |
Get back there, Barber! Yes, sir. | 0:11:34 | 0:11:37 | |
You don't know much, but you're sure trying to learn! | 0:11:38 | 0:11:42 | |
GUNSHOT | 0:11:42 | 0:11:44 | |
How is he, Doc? He had lacerations and concussion. | 0:12:36 | 0:12:40 | |
His jugular vein was severed, he has broken ribs and a fractured skull. | 0:12:40 | 0:12:46 | |
To put it briefly, he's real dead. | 0:12:46 | 0:12:48 | |
What makes you think he was an outlaw? The way he acted. | 0:12:50 | 0:12:54 | |
How do I know it was self-defence? I saw his gun! | 0:12:54 | 0:12:58 | |
It used to be the finest barbershop west of Baxter's Bridge. | 0:12:58 | 0:13:02 | |
Could this be him? There's something around the eyes. | 0:13:02 | 0:13:07 | |
Sure, that's him. That's him before I shaved his handlebars. | 0:13:07 | 0:13:11 | |
"Wanted by the State of Texas | 0:13:12 | 0:13:15 | |
"for robbery of a stagecoach out of El Paso, July 25, 1873. | 0:13:15 | 0:13:19 | |
"Reward, $300." July 25th? Yeah, July 25th. | 0:13:19 | 0:13:24 | |
He couldn't have been in Wyoming early in August. No, he couldn't. | 0:13:24 | 0:13:28 | |
Apologies and congratulations. The $300 is yours. | 0:13:28 | 0:13:32 | |
Sheriff, did you ever hear of Chuck-A-Luck? A saloon? A password? | 0:13:32 | 0:13:38 | |
No, I never did. Here's your gun. The reward - it'll be a few days. | 0:13:40 | 0:13:45 | |
Give it to the barber. Thanks! That's kind of you. | 0:13:45 | 0:13:49 | |
You did our job. The least I can do is buy you a drink. Wait a minute. | 0:13:49 | 0:13:54 | |
Did any of you ever hear of someone called Altar Crane? | 0:13:54 | 0:13:59 | |
Altar Crane. It seems to me like I heard of a name like that. | 0:13:59 | 0:14:04 | |
Or Altar Keane? Yeah, I remember. | 0:14:04 | 0:14:09 | |
If it's the person I'm thinking of, the name is Keane, not Crane. | 0:14:09 | 0:14:14 | |
Altar Keane, yeah! What are you laughing at? | 0:14:14 | 0:14:19 | |
That name takes me back a long time, when I was mining ore in a boom town. | 0:14:19 | 0:14:25 | |
Well, one night, it was a horse race, | 0:14:27 | 0:14:32 | |
only I was one of the horses and Altar Keane was my jockey. | 0:14:32 | 0:14:36 | |
One, two, three! | 0:14:39 | 0:14:42 | |
GUNSHOT | 0:14:42 | 0:14:44 | |
JAUNTY MUSIC | 0:14:44 | 0:14:46 | |
Come on, come on! You can make it! | 0:14:51 | 0:14:54 | |
WOMAN SCREAMS | 0:14:54 | 0:14:56 | |
Get up, get up! | 0:15:00 | 0:15:02 | |
SCREAMS | 0:15:21 | 0:15:23 | |
YELLS IN PAIN | 0:15:46 | 0:15:48 | |
LAUGHTER That's the only Altar Keane I know! | 0:15:53 | 0:15:56 | |
They only made one like her. What happened to her? | 0:15:56 | 0:16:00 | |
I never saw her after that. I've got to find her. Where would I look? | 0:16:00 | 0:16:05 | |
I heard she went to Virginia City. Try some of the saloons. | 0:16:05 | 0:16:10 | |
She moved there with a girl named Dolly, a good friend of hers. | 0:16:10 | 0:16:15 | |
I knew her well. | 0:16:15 | 0:16:17 | |
When I met Altar, she'd just come from the Eastern Seaboard. | 0:16:19 | 0:16:23 | |
She was a singer, you know. | 0:16:23 | 0:16:26 | |
She sang only in the most elegant places. | 0:16:28 | 0:16:31 | |
Loved horses. Always had a pair of white horses. | 0:16:31 | 0:16:36 | |
And the men would all uncover as she drove by. | 0:16:36 | 0:16:41 | |
The women? | 0:16:41 | 0:16:43 | |
The women would have been happy for lightning to hit her. | 0:16:43 | 0:16:48 | |
Let me tell you the kind of girl Altar was. Lots of men. | 0:16:49 | 0:16:54 | |
Sure, that's her privilege. | 0:16:54 | 0:16:56 | |
She shut the door on a cattle baron if she had fancy for a cowpuncher. | 0:16:56 | 0:17:03 | |
Yes, she was a glory girl in those days. | 0:17:03 | 0:17:07 | |
Last I heard, she was in Tascosa at Baldy Gunder's place. | 0:17:09 | 0:17:15 | |
The only thing you'll find here, young man, is a shade of her. | 0:17:16 | 0:17:21 | |
She left here seven years ago. | 0:17:21 | 0:17:24 | |
It was just after the night she met Frenchy Fairmont. | 0:17:24 | 0:17:28 | |
Faster on the draw than a Mexican jack rabbit. | 0:17:28 | 0:17:32 | |
I don't swear it's true. I wasn't here. But here's how they tell it. | 0:17:33 | 0:17:39 | |
The story was that Mr Gunder didn't like the way she treated a patron. | 0:17:42 | 0:17:48 | |
Or Altar didn't like the way the patron treated her! | 0:17:48 | 0:17:53 | |
# How could she leave her baby? | 0:17:53 | 0:17:58 | |
# How could she leave her bed and board | 0:17:59 | 0:18:05 | |
# And elope with Gypsy Davey? | 0:18:05 | 0:18:11 | |
# Last night she slept in a goose-feather bed | 0:18:17 | 0:18:24 | |
# At home with her lord and her baby | 0:18:24 | 0:18:31 | |
# Tonight she sleeps... | 0:18:31 | 0:18:34 | |
MEN LAUGH | 0:18:34 | 0:18:36 | |
Altar, you don't smile enough. I'm sick of smiling. | 0:18:41 | 0:18:45 | |
I pay you to entertain people, not to kick them. Hands off me, Baldy. | 0:18:45 | 0:18:50 | |
Sure, sure. Nobody's gonna touch you, angel. | 0:18:50 | 0:18:54 | |
Nobody wants you around, either. You're fired. | 0:18:54 | 0:18:58 | |
Deductions for food and costumes, $27. | 0:19:04 | 0:19:07 | |
Deductions for leaving early two nights, $10. | 0:19:07 | 0:19:11 | |
You haven't been shilling very good lately, either. I owe you $20 even. | 0:19:11 | 0:19:16 | |
Look for yourself. Never mind. Your word's as good as your book. | 0:19:16 | 0:19:22 | |
Here's your $20. Thanks. | 0:19:22 | 0:19:25 | |
Lots of bad luck to you, Baldy. Get out of my way. | 0:19:25 | 0:19:30 | |
Make your bets. Everybody down? We're ready to spin. | 0:19:32 | 0:19:35 | |
Wheel is spinning. Wait. | 0:19:35 | 0:19:37 | |
Spin the wheel. Wheel is spinning. | 0:19:46 | 0:19:49 | |
Three 4s on red. We have a winner! | 0:20:01 | 0:20:04 | |
Here's a lady who's lucky. Everybody's lucky at Chuck-A-Luck. | 0:20:09 | 0:20:13 | |
Step up and make your bets. | 0:20:13 | 0:20:15 | |
Is everybody down? Spin the wheel. | 0:20:20 | 0:20:23 | |
Wheel is spinning. | 0:20:23 | 0:20:25 | |
Three 4s on red wins again. Did the lady have that covered? Yes, she did. | 0:20:35 | 0:20:41 | |
EXCITED CHATTER | 0:20:41 | 0:20:43 | |
That idiot thinks she's shilling! You should have... Shut up. | 0:20:46 | 0:20:51 | |
Stop the game! When I tell somebody to get out, I mean it. | 0:20:53 | 0:20:58 | |
I don't work for you. I'm a customer. Don't lose your sense of humour. | 0:20:58 | 0:21:04 | |
I stay here as long as I like. MEN CLAMOUR IN SUPPORT | 0:21:04 | 0:21:08 | |
All right! Have one more spin, then close for the night. | 0:21:08 | 0:21:12 | |
Try your luck at Chuck-A-Luck. Everybody wins. Is everybody down? | 0:21:13 | 0:21:19 | |
Betting, Altar? | 0:21:20 | 0:21:22 | |
Sure. | 0:21:26 | 0:21:27 | |
Let her spin. Wheel is spin... | 0:21:36 | 0:21:39 | |
I'll spin it. It's Frenchy Fairmont! | 0:21:39 | 0:21:42 | |
You win, ma'am. | 0:21:58 | 0:22:00 | |
MURMURS OF ASTONISHMENT | 0:22:00 | 0:22:03 | |
Pay the lady, please. | 0:22:09 | 0:22:12 | |
Pay her. | 0:22:17 | 0:22:18 | |
This will help you carry it. | 0:22:23 | 0:22:26 | |
There you are, ma'am. May I be seeing you home? | 0:22:39 | 0:22:44 | |
Yes. | 0:22:45 | 0:22:47 | |
Always a pleasure to meet a good loser. | 0:22:47 | 0:22:50 | |
Frenchy Fairmont. The fastest draw in the West. | 0:22:52 | 0:22:56 | |
The greatest ability often consists in not showing. | 0:22:56 | 0:23:00 | |
You're wanted, aren't you? Let's say I'm in public demand. | 0:23:00 | 0:23:04 | |
Why did you do that back there? I'm sentimental. | 0:23:06 | 0:23:10 | |
Are you? I once saw three men fight a gun battle over you. You did? | 0:23:12 | 0:23:17 | |
All three were killed. Abilene, wasn't it? Yes. | 0:23:17 | 0:23:21 | |
I was in Hayes City when you rode through a hotel on a white horse. | 0:23:21 | 0:23:26 | |
Rode him up to the dining room. You must've had an important engagement. | 0:23:26 | 0:23:32 | |
It was with the mayor. | 0:23:32 | 0:23:34 | |
Wherever I went, I seemed to see Altar Keane or hear about her. | 0:23:34 | 0:23:40 | |
Why didn't you ever meet me? | 0:23:40 | 0:23:43 | |
My engagements led me to other parts of the West, toward Mexico. | 0:23:43 | 0:23:48 | |
I often wondered what had become of you. | 0:23:48 | 0:23:51 | |
You can stop feeling sorry for me. | 0:23:56 | 0:23:59 | |
You strike me as a wonderful woman, Miss Keane. Oh, stop it. | 0:24:00 | 0:24:05 | |
What are you gonna do with all this money? | 0:24:05 | 0:24:09 | |
For a moment, when I was winning, I thought... | 0:24:10 | 0:24:14 | |
Give it back. Why? | 0:24:15 | 0:24:18 | |
Baldy Gunder wouldn't let me out of town alive with it. This is my place. | 0:24:18 | 0:24:23 | |
Don't give it back. There's a stage south to Silver City in the morning. | 0:24:24 | 0:24:29 | |
I'd be glad to offer you protection until it leaves. | 0:24:29 | 0:24:34 | |
I know you would. | 0:24:36 | 0:24:38 | |
All right, come in. | 0:24:45 | 0:24:48 | |
I will, ma'am. Tomorrow at nine, before the stage leaves. Goodnight. | 0:24:48 | 0:24:54 | |
They say he stayed outside her place that night, in case Baldy showed up. | 0:25:00 | 0:25:06 | |
The next morning, he put her on the stage. That's how Altar left. | 0:25:07 | 0:25:11 | |
With her gone, business fell off at Baldy's Palace. | 0:25:11 | 0:25:15 | |
Where did she go? | 0:25:15 | 0:25:17 | |
Young man, why are you so interested in Altar Keane? | 0:25:17 | 0:25:22 | |
I gotta find somebody through her. I never heard of her any more. | 0:25:22 | 0:25:27 | |
I was told that, years later, she met Frenchy again, near the border. | 0:25:27 | 0:25:31 | |
If you wanna believe what you hear, | 0:25:31 | 0:25:34 | |
there they might be now, the two of them, snug and warm. | 0:25:34 | 0:25:38 | |
I don't know if it's true, but it sounds romantic. | 0:25:38 | 0:25:42 | |
Frenchy ain't so snug. A mail rider came through today. | 0:25:42 | 0:25:47 | |
In case you don't know, Frenchy was locked up in Gunsight last Thursday. | 0:25:47 | 0:25:53 | |
The best I hope for him is they hang him. | 0:25:54 | 0:25:58 | |
# Now the road that goes to Chuck-A-Luck | 0:25:59 | 0:26:03 | |
# Leads to a western jail | 0:26:03 | 0:26:05 | |
# And behind the bars is an outlaw who knows the Chuck-A-Luck trail | 0:26:05 | 0:26:10 | |
# There's crooked politicians in the very next cell, safely locked away | 0:26:10 | 0:26:15 | |
# It's an angry town all closed down to vote on election day | 0:26:15 | 0:26:22 | |
# But here's a man with a crazy plan, a plan that will not wait | 0:26:24 | 0:26:29 | |
# He'll trick his way inside that jail | 0:26:29 | 0:26:32 | |
# To reach his goal of hate, murder and revenge! # | 0:26:32 | 0:26:41 | |
Got a padded cell? Shooting up the town on election day! | 0:26:42 | 0:26:46 | |
With deputies roaming the streets! | 0:26:46 | 0:26:49 | |
How's the election? Law And Order's ahead. Why ain't you at the polls? | 0:26:49 | 0:26:54 | |
I'm making sure this rat don't turn those rats loose. | 0:26:54 | 0:26:58 | |
What do you think? I don't know. | 0:26:58 | 0:27:01 | |
Don't fret, gentlemen. | 0:27:01 | 0:27:03 | |
It won't be the first time they've hung crooked politicians. | 0:27:03 | 0:27:08 | |
It'll only take a minute. | 0:27:08 | 0:27:10 | |
It's a clean way to die, and as quiet as eating a banana. | 0:27:10 | 0:27:15 | |
- You've got no right to keep us. - Protect us! | 0:27:17 | 0:27:20 | |
Law And Order'll hang us - that's their platform. Shut up! | 0:27:20 | 0:27:24 | |
Where d'you want him? Not with them! They had to close the saloon to throw them out of office! | 0:27:24 | 0:27:31 | |
That's what I was saying. You could bribe them with a rusty nail. | 0:27:31 | 0:27:36 | |
You...! That's Frenchy Fairmont. Rather be with him? Sure. | 0:27:37 | 0:27:42 | |
Give me an outlaw anytime. At least he takes his chances in the open. | 0:27:42 | 0:27:48 | |
You are welcome, sir. Sheriff, we might cash in our chips tonight. | 0:27:48 | 0:27:53 | |
- How about some whiskey? - You can't deny that, Mr Bullock. | 0:27:53 | 0:27:57 | |
There'll be no lynching while I'm around, but send for three bottles. | 0:27:57 | 0:28:02 | |
What kind of Law And Order is this? | 0:28:02 | 0:28:05 | |
I get jailed for trying to buy a drink. They have it delivered! | 0:28:05 | 0:28:09 | |
You're right. Our party stands for everybody. Whiskey for all of 'em. | 0:28:09 | 0:28:14 | |
Sheriff... | 0:28:14 | 0:28:16 | |
Be sure it's my brand. Joe Gideon. | 0:28:17 | 0:28:21 | |
It'll take a little time. | 0:28:23 | 0:28:26 | |
In Wyoming, I heard that no jail had ever seen Frenchy Fairmont. | 0:28:32 | 0:28:36 | |
I dropped by for some merchandise. Some perfume. | 0:28:36 | 0:28:40 | |
Perfume? For a lady. | 0:28:40 | 0:28:45 | |
When I turned away, the storekeeper hit me with an axe handle. | 0:28:45 | 0:28:51 | |
Are you from Wyoming? Yeah. Have you ever been in Wyoming? | 0:28:51 | 0:28:56 | |
No, I haven't. And I wouldn't be surprised if I never will be. | 0:28:57 | 0:29:02 | |
Why not? If this election gets out of hand, it may not be choosy. | 0:29:02 | 0:29:08 | |
If they take our friends here, they might take us along too, | 0:29:08 | 0:29:13 | |
just for a few extra laughs. | 0:29:13 | 0:29:16 | |
That's a comforting thought. Isn't it? | 0:29:16 | 0:29:19 | |
I had a fight with my ranch boss and quit. I decided to see the land. | 0:29:29 | 0:29:34 | |
Work your way down here? Yeah, a coupla weeks at a time. | 0:29:34 | 0:29:38 | |
I usually lose what I make at poker, but the other night I was lucky. | 0:29:38 | 0:29:44 | |
I closed my eyes and threw my last $20 piece on a Chuck-A-Luck number. | 0:29:44 | 0:29:49 | |
And, so help me, I hit! A man can get fortunate at Chuck-A-Luck. | 0:29:49 | 0:29:54 | |
When I wanna do a little skylarking, the town's shut up tight. | 0:29:54 | 0:29:59 | |
You took your time about it! | 0:29:59 | 0:30:01 | |
Couldn't find your particular brand right away... Never mind about that. | 0:30:01 | 0:30:06 | |
Drink your whiskey and be glad you got it. | 0:30:06 | 0:30:09 | |
Drink it fast. The final returns... I told you, never mind! | 0:30:14 | 0:30:19 | |
That dirty, double-crossing sheriff! | 0:30:29 | 0:30:32 | |
Not a thing but whiskey! | 0:30:32 | 0:30:34 | |
What did you expect to find? | 0:30:34 | 0:30:36 | |
Empty your bottles! Empty them fast! Come on, Cowboy! | 0:30:36 | 0:30:41 | |
Go on, go on! Empty it fast! | 0:30:41 | 0:30:44 | |
CLINKS TO FLOOR That's it! Give it to me. | 0:30:46 | 0:30:49 | |
What would you say that was? A pick. | 0:30:52 | 0:30:55 | |
These boys work real well together. Can't we talk this over? | 0:30:55 | 0:30:59 | |
How much would you take? | 0:30:59 | 0:31:01 | |
Shh! HUBBUB OUTSIDE | 0:31:01 | 0:31:03 | |
Polls are closed. I have the latest count. | 0:31:04 | 0:31:08 | |
Citizens' Party - 119 votes. | 0:31:08 | 0:31:11 | |
Law And Order - 1,540. | 0:31:11 | 0:31:14 | |
CHEERING | 0:31:14 | 0:31:16 | |
Dad says we all meet later at the Big Dipper Saloon. | 0:31:19 | 0:31:23 | |
GUNSHOT | 0:31:24 | 0:31:26 | |
Gentlemen, say your prayers. Cowboy, I'll give you $1,000. | 0:31:27 | 0:31:31 | |
I'd double that. $3,000 - hand it over! | 0:31:31 | 0:31:35 | |
You heard him - $3,000. | 0:31:35 | 0:31:37 | |
Let us out! $5,000! Do you hear me? | 0:31:44 | 0:31:49 | |
They're getting drunk at the Dipper. What are you doing? | 0:31:49 | 0:31:53 | |
The election threw you out of office. I wanna clean my desk out. | 0:31:53 | 0:31:58 | |
Go ahead. Then get outta here. You gonna let that crowd take 'em? | 0:31:58 | 0:32:03 | |
All right, I'll go and make a speech at 'em. You stay here. | 0:32:05 | 0:32:09 | |
Bill, help me with this drawer. It's stuck. | 0:32:22 | 0:32:26 | |
MEN IN CELL SHOUT FRANTICALLY | 0:32:33 | 0:32:36 | |
- The horses are in the back! - Fairmont's loose! | 0:32:39 | 0:32:43 | |
Come on. | 0:32:46 | 0:32:49 | |
GUNSHOT Put up your hands! | 0:33:09 | 0:33:12 | |
GUNSHOT | 0:33:12 | 0:33:14 | |
That's very sensible. Go find the horses. Yeah. | 0:33:16 | 0:33:20 | |
TWO GUNSHOTS | 0:33:30 | 0:33:32 | |
You'll just have to wait a minute, gentlemen. | 0:33:32 | 0:33:36 | |
HORSES APPROACH | 0:33:36 | 0:33:39 | |
You'll have to walk out of town. | 0:33:41 | 0:33:44 | |
If you want my advice, you'll run. | 0:33:44 | 0:33:48 | |
Whoa! Wait here for me. What are you stopping for? | 0:34:03 | 0:34:07 | |
What I came to town for. | 0:34:07 | 0:34:09 | |
After the war, I settled in Missouri. What brought you west? | 0:34:36 | 0:34:41 | |
A bullet. | 0:34:41 | 0:34:42 | |
A bullet I put in a rancher, another man who had his own sheriff. | 0:34:42 | 0:34:47 | |
Cheated me out of a homestead. I met him in a corral. | 0:34:47 | 0:34:52 | |
He had the jump, but hate made me fast. He went down like a stone. | 0:34:52 | 0:34:57 | |
I wasn't sorry, but I had to leave. I got a rep for being a fast gun. | 0:34:57 | 0:35:02 | |
I kept meeting cowpunchers full of booze, or trigger-crazy gunfighters. | 0:35:02 | 0:35:07 | |
I'd ride into a town and shoot my way out. Seems that's how it went. | 0:35:07 | 0:35:12 | |
Must be a lonely trail. You don't make many friends. | 0:35:13 | 0:35:17 | |
There'll be a warrant out for you. First time I ever had a warrant. | 0:35:22 | 0:35:27 | |
First time I've been a horse thief! | 0:35:27 | 0:35:30 | |
Would you like a bed with springs tonight? They grow on cactus here? | 0:35:30 | 0:35:34 | |
Not exactly. Down there. | 0:35:34 | 0:35:38 | |
If you're not headed anywhere, side with me for a while. | 0:35:43 | 0:35:48 | |
There's something I have to attend to, but that can wait. Lead the way. | 0:35:48 | 0:35:53 | |
Hiya, Frenchy. Hi, Harbin. | 0:36:11 | 0:36:13 | |
Grain 'em. Rio, Gonzales! | 0:36:13 | 0:36:17 | |
Who is he? | 0:36:19 | 0:36:21 | |
Friend of mine. | 0:36:23 | 0:36:25 | |
SPEAK SPANISH | 0:36:27 | 0:36:30 | |
Good to see you, Frenchy. Heard you were on your way an hour ago. | 0:36:35 | 0:36:40 | |
Don't be surprised at anything here. The boss is waiting to see you. | 0:36:40 | 0:36:44 | |
Hello, Boss. | 0:36:49 | 0:36:51 | |
Frenchy, you old mustang. Welcome back to Chuck-A-Luck. | 0:36:53 | 0:36:59 | |
Meet the boss of this ranch, Altar Keane. | 0:37:05 | 0:37:10 | |
Lookout said somebody was with you. But for him, I might be on a rope. | 0:37:10 | 0:37:15 | |
Little trouble up in Gunsight. Used his head and used his guts. | 0:37:15 | 0:37:19 | |
Uses his eyes too, doesn't he? | 0:37:19 | 0:37:22 | |
What are you staring at? Shall I turn around? I've heard so many stories. | 0:37:25 | 0:37:31 | |
I wasn't certain there was an Altar Keane. You think I was a pipe dream? | 0:37:31 | 0:37:36 | |
It's the first time I ever met a pipe dream with grease on her arms. | 0:37:36 | 0:37:41 | |
It's unsettling. Well, settle down. Does he need to be out of sight? | 0:37:41 | 0:37:46 | |
He helped me break jail. There's a warrant for that. | 0:37:46 | 0:37:50 | |
I'm tired. How many are here? Nine, including the lookouts. | 0:37:50 | 0:37:54 | |
Star came in. He's very prosperous now. He's wanted in three states. | 0:37:54 | 0:37:59 | |
Any friend of Frenchy's is welcome, if he agrees to the rules. | 0:37:59 | 0:38:04 | |
Hard to fancy anybody not agreeing with you! | 0:38:04 | 0:38:07 | |
Don't fight, don't ask questions. Everybody does his share of work. | 0:38:07 | 0:38:12 | |
You'll do yours. Sure, I'm good at cattle work. This is a horse ranch. | 0:38:12 | 0:38:17 | |
Come and get it! Come and get it! | 0:38:20 | 0:38:23 | |
Good music, isn't it? I'll take him in. | 0:38:24 | 0:38:28 | |
How do you want to be known? My name's Vern Haskell. | 0:38:28 | 0:38:32 | |
Some don't care to be called by their names. Vern'll do. All right. | 0:38:32 | 0:38:37 | |
We've got a new man tonight. He helped Frenchy out of a jam. | 0:38:42 | 0:38:46 | |
Goes by the name of Vern. This is Star. He carried one once. | 0:38:46 | 0:38:51 | |
And this is Red. Doesn't touch liquor but is death on candy. | 0:38:51 | 0:38:55 | |
Here's Preacher - he claims he was one once. | 0:38:55 | 0:38:59 | |
"Be joyful for you shall find haven here." | 0:38:59 | 0:39:02 | |
Preacher reads over anybody he kills. | 0:39:02 | 0:39:05 | |
This is the best hiding place this side the moon. | 0:39:05 | 0:39:08 | |
Meet Harbin. His warrants rotted away long ago. | 0:39:08 | 0:39:12 | |
I don't mind. There'll be more. | 0:39:12 | 0:39:14 | |
This is Comanche Paul. He's half-Indian - the honest half. | 0:39:14 | 0:39:20 | |
Meet Wilson. Look at that smile. He spends his time chasing ladies. | 0:39:20 | 0:39:24 | |
No girl is safe when he's around. One of them had some fight in her! | 0:39:24 | 0:39:29 | |
Uh-uh. Bobcat made these. A real bobcat. Male or female? | 0:39:29 | 0:39:36 | |
MEN LAUGH Don't forget - no questions. | 0:39:36 | 0:39:39 | |
Kinch has a way with gold. He used to pan it. Now he just borrows it. | 0:39:39 | 0:39:44 | |
Sit down. Where's Frenchy? | 0:39:44 | 0:39:47 | |
He's eating with me. | 0:39:47 | 0:39:50 | |
Mighty handsome filly. | 0:39:53 | 0:39:55 | |
You'll like Vern. He's all right. Outside of being a little fresh. | 0:40:02 | 0:40:07 | |
Could you find any use for this? | 0:40:09 | 0:40:12 | |
I haven't had perfume since I went to El Paso two years ago. | 0:40:12 | 0:40:16 | |
I'm sorry I haven't got anything else for your birthday. | 0:40:16 | 0:40:20 | |
They caught you, huh? | 0:40:20 | 0:40:22 | |
Crazy Frenchy. | 0:40:26 | 0:40:28 | |
Risking your life for a bottle of perfume. | 0:40:31 | 0:40:35 | |
Don't ask me how old I'll be tomorrow, or I'll ask you. | 0:40:35 | 0:40:39 | |
Does another year bother you? Every year's a threat to a woman. | 0:40:39 | 0:40:43 | |
Crazy Altar. | 0:40:43 | 0:40:45 | |
I been riding alone too long this time. It's good to be back. | 0:40:45 | 0:40:50 | |
He's pretty good. | 0:41:06 | 0:41:08 | |
You might have liked that kind of riding twelve years ago. | 0:41:08 | 0:41:12 | |
He can handle a horse! Ever seen him before? | 0:41:44 | 0:41:47 | |
I never lose a face. I don't know him. | 0:41:47 | 0:41:50 | |
He was looking at you all through supper. | 0:41:50 | 0:41:53 | |
He sure does gander. He looks straight through a man. | 0:41:53 | 0:41:57 | |
Fancy riding! Yeah. She's a cocky filly. | 0:41:57 | 0:42:01 | |
Like women. Takes a lot of breaking before she comes nice and even. | 0:42:01 | 0:42:05 | |
You're dead right on that. | 0:42:05 | 0:42:08 | |
Wilson! Howdy. Coming to this party? | 0:42:11 | 0:42:16 | |
To the party and away from a marshal. | 0:42:16 | 0:42:19 | |
Amigo, you sit on a horse better than anybody. | 0:42:20 | 0:42:24 | |
They don't come any tougher even in Wyoming. Any horses from up there? | 0:42:24 | 0:42:29 | |
Don't know. We are only paid hands here. | 0:42:29 | 0:42:32 | |
Some of these fellas range pretty far from here. | 0:42:38 | 0:42:41 | |
Used to be five paid hands. Martinez worked on saddles and bridles. | 0:42:41 | 0:42:46 | |
He began to talk in town. He began to answer questions. | 0:42:46 | 0:42:50 | |
No bridle on his tongue. Four of us now. | 0:42:50 | 0:42:54 | |
We never know what become of Martinez. They say... | 0:42:55 | 0:42:59 | |
- Maybe you know what they say. - You see? | 0:43:00 | 0:43:04 | |
Yeah. Yeah, I see. | 0:43:04 | 0:43:07 | |
A carful of cattlemen was on a siding. | 0:43:07 | 0:43:10 | |
Jess went one end, me the other, and the boys just emptied their pockets. | 0:43:10 | 0:43:16 | |
One tried to be brave. That started the trouble. | 0:43:16 | 0:43:19 | |
We've been one jump ahead of marshals across Texas. | 0:43:19 | 0:43:23 | |
What's the account? $4,800. That yours? | 0:43:23 | 0:43:27 | |
480 for Chuck-A-Luck. That's right. | 0:43:27 | 0:43:30 | |
Care for any of that? No. | 0:43:30 | 0:43:33 | |
Ten per cent of this would be, I should say, $50. | 0:43:34 | 0:43:38 | |
$50. | 0:43:40 | 0:43:42 | |
WATCH PLAYS TUNE | 0:43:42 | 0:43:45 | |
We'd better keep our faces here for a month or so. | 0:43:45 | 0:43:49 | |
Before you do, what's in that bag? | 0:43:49 | 0:43:52 | |
Bonds. City of Austin bonds. They're worthless. | 0:43:52 | 0:43:56 | |
$1,100 worthless? | 0:44:01 | 0:44:04 | |
I take $110 in cash. Now. | 0:44:04 | 0:44:09 | |
How d'you expect us to cash those in? | 0:44:09 | 0:44:12 | |
That's your trouble. I don't ask you to stay here. | 0:44:12 | 0:44:17 | |
That's your price? Always, ten per cent. | 0:44:17 | 0:44:21 | |
You been riding high. Some day... | 0:44:21 | 0:44:24 | |
Some day what? | 0:44:24 | 0:44:26 | |
Count it out, Jess. | 0:44:30 | 0:44:32 | |
You'll have a chance to win it back tonight. | 0:44:33 | 0:44:37 | |
You're mighty lucky. Do you mind? On my birthday? | 0:44:39 | 0:44:43 | |
I been chasing this filly. She finally asks me in. | 0:44:52 | 0:44:55 | |
I said, "You got a husband or two. Where are they?" | 0:44:55 | 0:44:59 | |
She said, "I got three husbands in the cellar." | 0:44:59 | 0:45:03 | |
"I lock 'em up when I'm not using 'em. Are you coming in or not?" MEN LAUGH | 0:45:03 | 0:45:09 | |
You'd do anything to get your arms round a girl. Wouldn't you? | 0:45:10 | 0:45:16 | |
LAUGHTER | 0:45:16 | 0:45:18 | |
I'm in. | 0:45:21 | 0:45:23 | |
Isn't this worth staying for? | 0:45:26 | 0:45:29 | |
LAUGHTER IN BACKGROUND | 0:45:29 | 0:45:31 | |
I'm out. Somebody get me a drink. | 0:45:31 | 0:45:34 | |
You don't remember him? I never lose a face. I've never seen him. | 0:45:41 | 0:45:45 | |
Looks like a lot of men. What's bothering you? | 0:45:45 | 0:45:49 | |
You see the way he looked at you when you told that story? | 0:45:49 | 0:45:53 | |
Frenchy brought him. That's enough for me. | 0:45:53 | 0:45:56 | |
You're always there when you needed. | 0:45:56 | 0:45:59 | |
Ace is bet. Gonna play my luck. | 0:46:10 | 0:46:12 | |
And a hundred. Two steep for me. | 0:46:15 | 0:46:18 | |
I'll see you. Three fives. | 0:46:23 | 0:46:27 | |
I don't wanna see Altar swindled on her birthday! | 0:46:27 | 0:46:30 | |
Geary bugged that card. I seen it. | 0:46:30 | 0:46:33 | |
Say that again, Harbin. He cheated, I tell you. | 0:46:34 | 0:46:38 | |
I knew he cheated. | 0:46:45 | 0:46:47 | |
That's why I stole his watch. WATCH PLAYS TUNE | 0:46:47 | 0:46:52 | |
I'd trade it for the pot. I'd call that a fair trade. | 0:46:52 | 0:46:56 | |
How about a song, Altar? Give us a tune. | 0:47:01 | 0:47:05 | |
The three things a man requires are whiskey, a song and an honest woman. | 0:47:05 | 0:47:10 | |
Or any woman. Take care of my money, Harbin. | 0:47:10 | 0:47:14 | |
I've had all kinds but never found one to equal Altar. How about you? | 0:47:14 | 0:47:20 | |
I wouldn't know. Maybe he's got a sweetheart. | 0:47:20 | 0:47:23 | |
LAUGHTER | 0:47:23 | 0:47:25 | |
Let's have some music. Let's have fun. | 0:47:25 | 0:47:28 | |
PLAYS INTRO ON PIANO | 0:47:30 | 0:47:33 | |
# A young man is reckless and ready | 0:47:37 | 0:47:40 | |
# A young man is handsome and vain | 0:47:40 | 0:47:44 | |
# He's young and intense, but hasn't the sense | 0:47:44 | 0:47:49 | |
# To come in out of the rain | 0:47:49 | 0:47:53 | |
# Get away, get away | 0:47:53 | 0:47:56 | |
# Get away, young man, get away! | 0:47:56 | 0:48:00 | |
LAUGHTER | 0:48:00 | 0:48:02 | |
# A young man is full of adventure | 0:48:08 | 0:48:12 | |
# And eager to do what he can | 0:48:12 | 0:48:16 | |
# He may be a joy, but don't send a boy | 0:48:16 | 0:48:21 | |
# To do the work of a man | 0:48:21 | 0:48:25 | |
# Get away, get away | 0:48:25 | 0:48:29 | |
# Get away, young man, get away! | 0:48:29 | 0:48:32 | |
# A young man will come when you call him | 0:48:36 | 0:48:40 | |
# And leave when you tell him to go | 0:48:40 | 0:48:44 | |
# But some day he'll guess a woman means yes | 0:48:44 | 0:48:50 | |
# Whenever a woman says no | 0:48:50 | 0:48:54 | |
# Get away, get away | 0:48:54 | 0:48:58 | |
# Get away, young man, get away! | 0:48:58 | 0:49:01 | |
# A woman is only a creature of notions and dimples and lies | 0:49:01 | 0:49:08 | |
# So learn, if you can, this lesson, young man | 0:49:08 | 0:49:13 | |
# And don't run off when she cries | 0:49:13 | 0:49:18 | |
# "Get away, get away, get away, young man, get away!" | 0:49:18 | 0:49:25 | |
# Get away, get away, get away, young man | 0:49:25 | 0:49:28 | |
# Get away, get away, if you can! # | 0:49:28 | 0:49:35 | |
MEN CHEER | 0:49:35 | 0:49:38 | |
Altar, lookout coming! | 0:49:43 | 0:49:45 | |
Saw some riders at Dry Creek! Looks like a posse headed for the ranch! | 0:49:45 | 0:49:50 | |
Regular hands stay. Everybody else, clear your gear out of the bunkhouse. | 0:49:50 | 0:49:55 | |
Lookout, go back to your post. Clean up this mess. Get rid of the bottles. | 0:49:55 | 0:50:00 | |
Shall I stay? No, I can handle this. They don't know my face... Go! | 0:50:00 | 0:50:06 | |
Get going! You heard. Ride to the ridge camp. Stay until I send word. | 0:50:06 | 0:50:12 | |
Everybody ready? Come on! | 0:50:28 | 0:50:30 | |
Hello, Spinning Sea! Hello, the ranch! | 0:51:05 | 0:51:09 | |
Anyone awake? | 0:51:09 | 0:51:11 | |
Marshal Donaldson! We haven't seen you in months. | 0:51:21 | 0:51:25 | |
Hello, Miss Keane. You're up late. I was working. | 0:51:25 | 0:51:29 | |
We're hunting four men, Miss Keane. | 0:51:29 | 0:51:32 | |
Frenchy Fairmont and a man that helped him break jail, Vern Haskell, | 0:51:32 | 0:51:37 | |
came this way a couple of days ago. | 0:51:37 | 0:51:39 | |
A sheep herder saw them. | 0:51:39 | 0:51:41 | |
Then Mort Geary and Jess Factor, wanted in Texas for a train robbery, | 0:51:41 | 0:51:47 | |
were reported heading this way. | 0:51:47 | 0:51:49 | |
That's peculiar, isn't it? | 0:51:49 | 0:51:51 | |
Yes. Unless they're all headed for the border. | 0:51:51 | 0:51:56 | |
No sign of them here? Not a soul. Things are very peaceful these days. | 0:51:56 | 0:52:02 | |
I don't like to do it, but I've got to ask you one thing more. Yes? | 0:52:05 | 0:52:10 | |
We'd like to breathe our horses here and loan some of yours. | 0:52:10 | 0:52:15 | |
Glad to oblige. Rio, Gonzales, get five of our best horses. | 0:52:15 | 0:52:19 | |
We'll help. Would you like a drink? | 0:52:19 | 0:52:22 | |
I should keep my finger steady. It will take a while to get the horses. | 0:52:22 | 0:52:27 | |
Where's Vern? He stopped a way back. His saddle was slipping. | 0:52:46 | 0:52:50 | |
He'll never find this trail. I'll go back for him. | 0:52:50 | 0:52:54 | |
The horses are ready. Would you like a drink? | 0:52:54 | 0:52:57 | |
Thank you. I hope we can repay you. | 0:52:57 | 0:53:01 | |
You can. If you hear of any Eastern buyers of stock, let me know. | 0:53:01 | 0:53:06 | |
My cousin might give you some trade. That's nice. | 0:53:06 | 0:53:09 | |
How many horses do you have? About 42. | 0:53:09 | 0:53:12 | |
Strange. I counted 33 in the corral. | 0:53:12 | 0:53:16 | |
How did you happen to count them? Because I noticed fresh tracks. | 0:53:19 | 0:53:23 | |
Shoes in the clay, leading out of the corral - eight or ten horses. | 0:53:23 | 0:53:28 | |
I saw those strays, ma'am, grazing in the box canyon across the valley. | 0:53:28 | 0:53:34 | |
We can round them up now or in the morning. Are they safe? | 0:53:34 | 0:53:38 | |
I'd say so. Morning will do. Sorry I left the gate rope off. | 0:53:38 | 0:53:42 | |
Who are you? My new hand, Marshal. I thought you used only Mexicans. | 0:53:42 | 0:53:48 | |
I needed an extra man. He's good at breaking broncs. Careless, sometimes. | 0:53:48 | 0:53:54 | |
You wear your holster mighty high. Don't have to reach as far. | 0:53:56 | 0:54:01 | |
Let me see your hands. They're not as soft as yours. | 0:54:01 | 0:54:04 | |
I don't earn my living as a gunsling. | 0:54:04 | 0:54:08 | |
Takes years of cowpunching to make 'em that rough. Sorry, son. | 0:54:08 | 0:54:12 | |
I got a good man here too. Sometimes he's TOO careful! | 0:54:14 | 0:54:18 | |
Thanks. Goodnight. I'll go with you. Wait for me. Yes, ma'am. | 0:54:18 | 0:54:23 | |
Come on! | 0:54:27 | 0:54:29 | |
Goodbye, Miss Keane. Come on, men. | 0:54:35 | 0:54:38 | |
You're always standing in doorways. | 0:54:50 | 0:54:53 | |
And always using your eyes. That way, you see things you never expected. | 0:54:54 | 0:54:59 | |
Like stray horses? That was clever. | 0:54:59 | 0:55:02 | |
Thanks. I'm grateful, but I expect men to do as I say. | 0:55:02 | 0:55:06 | |
Why aren't you with the others? I lost them. | 0:55:06 | 0:55:09 | |
Figured I might find what I was after here. Am I to believe that? | 0:55:09 | 0:55:14 | |
That dress you had on tonight - I never saw a stylier one. | 0:55:16 | 0:55:21 | |
They made you out of salt and brass! | 0:55:21 | 0:55:23 | |
Where'd the bracelet come from, and that brooch? Who gave them to you? | 0:55:23 | 0:55:29 | |
Things have to be explained double to you! There are no questions here. | 0:55:29 | 0:55:34 | |
You don't ask people who they are or if the moon is yellow! | 0:55:34 | 0:55:38 | |
You don't ask me where I get my jewellery! It's not your business. | 0:55:38 | 0:55:43 | |
The rules are meant to be kept. | 0:55:43 | 0:55:46 | |
If you don't intend to keep them, you can clear out right now. | 0:55:46 | 0:55:51 | |
It's hard for a man to look at you and keep any rules. | 0:55:51 | 0:55:55 | |
Did you just think of that? No, when I first saw you, grease and all. | 0:55:56 | 0:56:02 | |
Like heat lightning, I suppose. How do you know? | 0:56:02 | 0:56:05 | |
Every time you see me, you feel weak in the head. I feel sorry for myself. | 0:56:05 | 0:56:11 | |
Sorry I never met you before. Sorry I never gave you a brooch like that. | 0:56:11 | 0:56:17 | |
You're as smooth on the ground as you are on a horse. | 0:56:18 | 0:56:22 | |
Only when somebody irons me out... like you do. | 0:56:22 | 0:56:26 | |
Vern, when you find a fenced range, do you always try to climb over? | 0:56:27 | 0:56:33 | |
I see if the gate's open first. One way or another, though, you try. | 0:56:33 | 0:56:38 | |
That was for trying. | 0:56:44 | 0:56:46 | |
That was for trying too hard. You're real unfair, ma'am. Why? | 0:56:47 | 0:56:52 | |
Got two slaps, only one kiss. | 0:56:52 | 0:56:55 | |
HORSE NEIGHS | 0:57:00 | 0:57:02 | |
ALTAR LAUGHS | 0:57:17 | 0:57:19 | |
ALTAR LAUGHS | 0:57:28 | 0:57:30 | |
Saddle my horse. I'll lead you up to the trail... | 0:57:32 | 0:57:36 | |
Frenchy? Beautiful night for chasing up and down a mountain. | 0:57:36 | 0:57:41 | |
Sorry I lost you. The only place I knew where to go was here. | 0:57:41 | 0:57:46 | |
Not being a sceptical man, that's what I figured. | 0:57:46 | 0:57:49 | |
The posse was looking for you, Vern, Geary and Factor. | 0:57:49 | 0:57:53 | |
They'll be back in the morning. We'd better leave. | 0:57:53 | 0:57:56 | |
I'll bring everybody back tomorrow night. Go to bed. | 0:57:56 | 0:58:00 | |
Nobody'll get lost this time. | 0:58:00 | 0:58:03 | |
That's threading a needle! | 0:58:29 | 0:58:32 | |
I once saw Masterson shoot the toe off a fella with his boot on. | 0:58:32 | 0:58:36 | |
I'll be glad to duplicate that. Stick out your foot. | 0:58:36 | 0:58:40 | |
What's up? That wasn't personal. Harbin, hang up another rein. | 0:58:40 | 0:58:45 | |
Lately, I see you trying everything I do. | 0:58:45 | 0:58:49 | |
He's good at that kind of a stunt. | 0:58:49 | 0:58:52 | |
I don't know how he'd be drawing against a man. | 0:58:52 | 0:58:56 | |
GUNSHOT | 0:58:56 | 0:58:57 | |
That would depend on the man. I call that fair shooting. | 0:58:59 | 0:59:03 | |
If I keep on, I might even outdraw you some day. | 0:59:03 | 0:59:08 | |
Don't ever try it. | 0:59:08 | 0:59:10 | |
You only stayed six weeks this time. | 0:59:20 | 0:59:23 | |
I came back empty-handed the last. I need income. Going tonight? | 0:59:23 | 0:59:27 | |
I'm riding to Clay Springs in the morning with Star. | 0:59:27 | 0:59:31 | |
There's a bank I wanna look over before doing some other jobs. | 0:59:31 | 0:59:35 | |
I'm hoping six men can handle it. It'll take about two or three days. | 0:59:35 | 0:59:40 | |
That's what the shooting was about? Target practice. | 0:59:40 | 0:59:44 | |
Vern's handy with a .45. You're not taking him? | 0:59:44 | 0:59:47 | |
And why not? He's... | 0:59:50 | 0:59:52 | |
He's not... You mean he's not an outlaw? | 0:59:54 | 0:59:58 | |
That never bothered you about me. | 0:59:58 | 1:00:01 | |
You were chin-deep in this life. You couldn't go back if you'd wanted to. | 1:00:03 | 1:00:08 | |
He can. Maybe. It's not how he acts. His draw is as fast as you'll find. | 1:00:08 | 1:00:13 | |
There's always gonna be someone faster. That's right. Me. | 1:00:13 | 1:00:18 | |
Some day you won't come back. Or you'll come back full of lead. | 1:00:18 | 1:00:22 | |
You're not talking about me. You're talking about him. No, Frenchy. | 1:00:23 | 1:00:29 | |
I think you're lying. | 1:00:29 | 1:00:31 | |
Maybe. Altar, once in a lifetime, a woman means something to a man. | 1:00:34 | 1:00:40 | |
I know, Frenchy. Time holds us together. | 1:00:40 | 1:00:43 | |
Time is stronger than a rope. | 1:00:43 | 1:00:46 | |
We buy your horses, work your ranch. Now this. | 1:00:53 | 1:00:57 | |
Just send back my ten per cent of that bank robbery before you go on. | 1:00:57 | 1:01:01 | |
Why the change in rules? If you land in jail, I get nothing. | 1:01:01 | 1:01:06 | |
You took that risk before. Not now. | 1:01:06 | 1:01:09 | |
Don't you trust us? Lately... Lately what? | 1:01:09 | 1:01:12 | |
We ought to worry about trusting you. Then find another Chuck-A-Luck. | 1:01:12 | 1:01:17 | |
DISCORDANT PIANO That's like finding a potato tree. | 1:01:17 | 1:01:21 | |
When's Frenchy back? Later today. | 1:01:21 | 1:01:24 | |
What's he got to do with it? We'll talk this over with him. | 1:01:24 | 1:01:28 | |
I'm the boss of this ranch, Kinch. I make the rules. | 1:01:28 | 1:01:32 | |
I told you to saddle my horse. What is the other one for? For me, ma'am. | 1:01:38 | 1:01:43 | |
All right. Come along if you want to. | 1:01:47 | 1:01:50 | |
That's who! I knew I'd seen him before! The way he gets on a horse! | 1:01:57 | 1:02:01 | |
Got him placed? A town in Wyoming. | 1:02:01 | 1:02:04 | |
What'd he do? It ain't what he did. | 1:02:04 | 1:02:07 | |
Never mind. But the sooner he gets a bullet through his head, the better. | 1:02:07 | 1:02:13 | |
I was working with your horse. Soon he'll be able to read and write. | 1:02:16 | 1:02:21 | |
Yes, I've been watching you. I don't want him to learn stupid tricks. | 1:02:21 | 1:02:27 | |
Sorry. I'm moody these days. It's been a dry summer. The earth's hard. | 1:02:35 | 1:02:40 | |
Gets people out of sorts, the weather. My father told me that. | 1:02:40 | 1:02:45 | |
How long do you intend to stay at the ranch? Till the rains come. | 1:02:46 | 1:02:52 | |
If a girl won't blow out the candle, the rain'll dowse it sometimes. | 1:02:52 | 1:02:57 | |
Did your father tell you that? No, I just sort of made that up myself. | 1:02:57 | 1:03:03 | |
Every time I should be angry at you, I laugh. You think I'm funny? I do. | 1:03:03 | 1:03:08 | |
And I only met one man in my life | 1:03:08 | 1:03:11 | |
who didn't want something behind his pretty talk. | 1:03:11 | 1:03:15 | |
What I want, if I'm allowed to ask, | 1:03:15 | 1:03:18 | |
is to know a thousand things about you. | 1:03:18 | 1:03:21 | |
Where you were born, how you came out west, | 1:03:21 | 1:03:24 | |
where you got that dress, where you got your jewellery, | 1:03:24 | 1:03:28 | |
what stories are true and what aren't. | 1:03:28 | 1:03:31 | |
The dress is from New Orleans, | 1:03:31 | 1:03:33 | |
and I can tell you what isn't true - I never wore green hair! | 1:03:33 | 1:03:37 | |
Did they name a parlour car after you? Mm-hm. | 1:03:40 | 1:03:43 | |
Kansas Pacific Railroad - the Altar Keane. | 1:03:43 | 1:03:46 | |
That diamond, famous in four states, big as a doorknob. It wasn't real. | 1:03:46 | 1:03:51 | |
The fella who gave it to me was like you. Fresh, honest around the mouth. | 1:03:51 | 1:03:57 | |
Anyway, you've got a girl somewhere. No, I haven't. | 1:03:57 | 1:04:01 | |
Then you've got five of them. No. | 1:04:01 | 1:04:04 | |
No, I have no girl. | 1:04:05 | 1:04:08 | |
I'd wish you go away... and come back ten years ago. | 1:04:11 | 1:04:16 | |
Go, Vern. I don't want you any more. Get off my ranch and leave me alone. | 1:04:25 | 1:04:31 | |
Suppose this is the main street of Clay Springs. Here is the bank. | 1:04:42 | 1:04:47 | |
Next to the bank is a store. Next to that is the Primrose Theater. | 1:04:47 | 1:04:53 | |
Down a bit is the saloon. Where's the sheriff? Asleep, I hope. | 1:04:53 | 1:04:58 | |
But there's our worry. Across from the bank is the marshals' office. | 1:04:58 | 1:05:04 | |
If anything goes wrong, some of us'll get sawed off. | 1:05:04 | 1:05:07 | |
How many men will we need? Nine. | 1:05:07 | 1:05:10 | |
Five in the bank, three in the street | 1:05:10 | 1:05:13 | |
and somebody, who's not known in town, on the balcony of the Theater. | 1:05:13 | 1:05:18 | |
He can draw a bead on the marshals' office. | 1:05:18 | 1:05:21 | |
I never been in Clay Springs. I'll go. Right. | 1:05:23 | 1:05:27 | |
You, Star, Jess and me makes five. Comanche? I go. | 1:05:27 | 1:05:34 | |
I'd like to make it. Sorry. No deal for a man who can't move fast. Red? | 1:05:34 | 1:05:39 | |
No, I'm heading out tomorrow myself. I got a little matter down in Mexico. | 1:05:39 | 1:05:44 | |
Preacher? Praying for Mammon has always been my infirmity. I'll ride. | 1:05:44 | 1:05:50 | |
I'm number eight. We're one shy. | 1:05:50 | 1:05:53 | |
Vern's gun would be worth a lot. No, he doesn't belong in this. | 1:05:53 | 1:05:57 | |
Leave him here? That won't make Altar unhappy. | 1:05:57 | 1:06:01 | |
I get your point, but I'll make up my own mind. | 1:06:04 | 1:06:08 | |
I forgive you for being so foolish, but not for being wrong. Am I wrong? | 1:06:08 | 1:06:14 | |
Frenchy, he's young and handsome. It's easy to take a fancy to him. | 1:06:14 | 1:06:19 | |
He makes you remember yourself a long time back, but there's been nothing. | 1:06:19 | 1:06:25 | |
I told him to leave this afternoon. | 1:06:25 | 1:06:28 | |
He's riding with us tomorrow. Did he ask to go? | 1:06:28 | 1:06:32 | |
No. I'm telling him. We need him. | 1:06:32 | 1:06:35 | |
He'll go along whether he likes it or not. Do you mind? | 1:06:35 | 1:06:39 | |
No, I don't mind. | 1:06:41 | 1:06:44 | |
GUNSHOT | 1:07:44 | 1:07:46 | |
They hit me in the shoulder. Star's hit. | 1:07:51 | 1:07:55 | |
I never saw anything so messed up. The shot came from across the street. | 1:08:13 | 1:08:18 | |
It missed me by inches. Jess and me done just what Frenchy said. | 1:08:18 | 1:08:22 | |
Where is he? He knows we're meeting here. Frenchy'll get here. | 1:08:22 | 1:08:27 | |
If the next job goes like this... We got what we went for! | 1:08:27 | 1:08:31 | |
Who's gonna take Altar's cut back? | 1:08:31 | 1:08:34 | |
She shouldn't get a cut. I'm fed up with her. We're safe at Chuck-A-Luck... | 1:08:34 | 1:08:40 | |
You are here two hours. You don't talk to me. Come and dance. | 1:08:40 | 1:08:45 | |
In a minute. SPEAKS SPANISH | 1:08:45 | 1:08:48 | |
See you in a minute, honey. | 1:08:48 | 1:08:51 | |
Somebody's gotta take Altar's ten per cent back. | 1:08:51 | 1:08:54 | |
Not me! Me neither. I'm not riding half the night to cater to Altar. | 1:08:54 | 1:09:00 | |
Well, I'm occupied here. I've got some dancing to do. | 1:09:00 | 1:09:05 | |
That leaves you three. | 1:09:05 | 1:09:07 | |
Low card fair? That's all right with me. | 1:09:07 | 1:09:10 | |
King. | 1:09:15 | 1:09:17 | |
Seven of diamonds. | 1:09:22 | 1:09:24 | |
Five of diamonds. | 1:09:26 | 1:09:28 | |
FAINT PIANO PLAYS | 1:09:33 | 1:09:35 | |
I expected you a little sooner. | 1:09:43 | 1:09:46 | |
I knew you were coming. The lookout saw you. I told you not to come back. | 1:09:47 | 1:09:52 | |
No matter how often you tell me, I'll come back. | 1:09:52 | 1:09:56 | |
I expected you to. How did it go this morning? No difficulties. | 1:09:56 | 1:10:02 | |
A few of us got to Margy's saloon first. The rest'll be along later. | 1:10:02 | 1:10:07 | |
Why are you here? Somebody had to bring you your cut. Why you? | 1:10:07 | 1:10:12 | |
I happened to draw low card. Happened to? I'm lucky at cards. | 1:10:12 | 1:10:17 | |
GLISSANDO | 1:10:17 | 1:10:19 | |
I aim to get slapped again, if I can. I knew you would. | 1:10:20 | 1:10:25 | |
I like a man who doesn't believe what a woman tells him. | 1:10:25 | 1:10:29 | |
I like a woman who's sometimes like ice, sometimes burning like the sun. | 1:10:29 | 1:10:34 | |
A pipe dream in blue jeans or in a birthday dress. | 1:10:34 | 1:10:39 | |
Give me one wish, and I'd wish to see that rig again - | 1:10:40 | 1:10:44 | |
a shawl...and jewels...and all. | 1:10:44 | 1:10:48 | |
Just like that night. | 1:10:48 | 1:10:50 | |
What are you gonna do about it? | 1:10:52 | 1:10:54 | |
What is it, Vern? | 1:11:11 | 1:11:13 | |
It's a pipe dream. You'll kiss me tonight and send me away tomorrow. | 1:11:14 | 1:11:19 | |
Maybe. If that's the way you feel, where's the money you were bringing? | 1:11:19 | 1:11:24 | |
In my saddlebags. Then go and get it. | 1:11:24 | 1:11:27 | |
Star... | 1:11:32 | 1:11:34 | |
Vern? | 1:11:52 | 1:11:54 | |
I won't send you away tomorrow. | 1:12:02 | 1:12:05 | |
Very beautiful. | 1:12:12 | 1:12:13 | |
The jewellery Frenchy gave you... Men are funny. All men are jealous. | 1:12:18 | 1:12:24 | |
Frenchy only gave me one of these. Which? The necklace. | 1:12:24 | 1:12:28 | |
The others I bought with the dress. | 1:12:28 | 1:12:31 | |
What about that? Oh, that? It was part of my cut. Kinch gave it to me. | 1:12:33 | 1:12:38 | |
Kinch? It was Kinch! | 1:12:40 | 1:12:44 | |
Vern? What's the matter? | 1:12:44 | 1:12:47 | |
Now I can tell you what's been choking me every minute. | 1:12:47 | 1:12:51 | |
Who wore that brooch before you? A girl that I was gonna marry! | 1:12:51 | 1:12:56 | |
She was butchered and outraged by the man who took that from her | 1:12:56 | 1:13:00 | |
and gave it to you for ten per cent of her life! | 1:13:00 | 1:13:04 | |
She's on the floor. She's got blue eyes. | 1:13:04 | 1:13:07 | |
Do you feel them staring, see the blood, hear her screaming? | 1:13:07 | 1:13:11 | |
Kinch didn't tell me... Kinch! | 1:13:11 | 1:13:13 | |
I thought it was Wilson, Factor, Frenchy, or somebody who'd gone. | 1:13:13 | 1:13:19 | |
I'm glad it wasn't Frenchy, but it could've been. | 1:13:19 | 1:13:22 | |
It could've been anybody who came to Chuck-A-Luck to hide. Chuck-A-Luck! | 1:13:22 | 1:13:27 | |
Altar Keane's place! Look, Altar. Is that a bedroom or a morgue? | 1:13:27 | 1:13:33 | |
Look over here, through that window. Is that a courtyard or a graveyard? | 1:13:33 | 1:13:39 | |
You think a dance-hall girl had a dirty life? | 1:13:39 | 1:13:42 | |
You ought to be proud of that compared to this! | 1:13:42 | 1:13:46 | |
Here's your cut from yesterday's job. | 1:13:46 | 1:13:50 | |
And there's payment for this. I'm buying it back from you. | 1:13:50 | 1:13:55 | |
Let's get going. | 1:14:00 | 1:14:03 | |
My shoulder... | 1:14:06 | 1:14:08 | |
Ever seen it, Kinch? | 1:14:31 | 1:14:33 | |
Touch it. Pick it up. | 1:14:33 | 1:14:36 | |
You've seen it, Kinch, in a town in Wyoming, on a girl. | 1:14:37 | 1:14:42 | |
Altar told you! I'm gonna kill you. Wilson, Geary! | 1:14:42 | 1:14:47 | |
This is a private affair. Keep out. | 1:14:49 | 1:14:52 | |
You got business upstate. Get out of town. | 1:14:54 | 1:14:59 | |
Don't go. Altar is squealing on us! | 1:14:59 | 1:15:02 | |
Get out! | 1:15:02 | 1:15:04 | |
I'm gonna kill you, but I'm not gonna murder you. | 1:15:19 | 1:15:22 | |
I'll give you an even chance. Now go ahead, draw. | 1:15:22 | 1:15:27 | |
I've seen you. You learned Frenchy's draw. You can't make me fight. | 1:15:28 | 1:15:33 | |
Draw! | 1:15:39 | 1:15:41 | |
Draw! | 1:15:46 | 1:15:47 | |
All right. | 1:15:49 | 1:15:51 | |
Draw! | 1:15:53 | 1:15:55 | |
Take your guns out and hold them at your sides. Do it! | 1:15:57 | 1:16:01 | |
Bartender...when you say go, that's it. | 1:16:07 | 1:16:10 | |
Maybe you'll have the guts to shoot. I didn't mean to do it! She yelled. | 1:16:10 | 1:16:15 | |
If she hadn't, it would've been all right. Let's see how you like it. | 1:16:15 | 1:16:20 | |
Go ahead and yell. The longer you yell, the longer you live. | 1:16:20 | 1:16:25 | |
What's the quarrel here? There's no shooting in my town. | 1:16:30 | 1:16:35 | |
This man's wanted for murder - a girl named Beth Forbes, | 1:16:35 | 1:16:40 | |
in a town called Whitmore in Wyoming, August 10th last year. | 1:16:40 | 1:16:44 | |
Is that true? I heard him admit it, Sheriff. | 1:16:44 | 1:16:48 | |
Thanks, mister. I've got a special fondness for rats that kill women. | 1:16:48 | 1:16:54 | |
I'll need you for a witness. You'll stay in town? Yes. Come on. | 1:16:58 | 1:17:03 | |
HORSES APPROACH | 1:17:41 | 1:17:43 | |
Turn that man loose, and don't make any noise. | 1:17:44 | 1:17:48 | |
- This man is my prisoner. - Yeah. | 1:17:48 | 1:17:51 | |
We got business with somebody that squealed on him. | 1:17:51 | 1:17:55 | |
MAN SHOUTS | 1:18:01 | 1:18:03 | |
Gonzales, Harbin. | 1:18:03 | 1:18:05 | |
Altar! | 1:18:16 | 1:18:18 | |
Altar? Altar! | 1:18:21 | 1:18:24 | |
What's going on? Where's Harbin and Gonzales? | 1:18:26 | 1:18:29 | |
I sent them away. | 1:18:29 | 1:18:31 | |
Is your shoulder bad? Bad enough to bring me back instead of going on. | 1:18:31 | 1:18:36 | |
There isn't a horse in the corral. What happened? | 1:18:36 | 1:18:40 | |
The hands are taking them to Silver City to sell them. | 1:18:40 | 1:18:44 | |
There's a note for you, a deed for the ranch. The money's in the safe. | 1:18:44 | 1:18:49 | |
I'm leaving, Frenchy. | 1:18:50 | 1:18:53 | |
Has Vern been here? Yes. | 1:18:53 | 1:18:56 | |
You're doing this on account of him? Yes. | 1:18:56 | 1:18:59 | |
You're not going away. You belong to me! You'll stay here. | 1:18:59 | 1:19:04 | |
You don't like to lose anything, do you? No. | 1:19:04 | 1:19:07 | |
If I lose you, I might as well turn myself in to the marshal. | 1:19:07 | 1:19:12 | |
Get it out of your mind. You're not gonna meet Vern. | 1:19:12 | 1:19:16 | |
He wouldn't have me because I belong to you. | 1:19:16 | 1:19:19 | |
Because of you and everything you mean. You and the ranch. | 1:19:21 | 1:19:26 | |
I don't believe you! I don't believe a word of you! | 1:19:26 | 1:19:30 | |
Where are you going? Away from here. | 1:19:30 | 1:19:33 | |
To Baldy Gunder's or any saloon that'll have me. | 1:19:33 | 1:19:37 | |
I'll kill you before you do. FOOTSTEPS | 1:19:37 | 1:19:41 | |
Hello, Frenchy. You and Altar been packing long? | 1:19:42 | 1:19:46 | |
Place sure looks deserted. Looks like people are moving. | 1:19:46 | 1:19:51 | |
What's going on? Planning to leave? Nobody's leaving. | 1:19:51 | 1:19:55 | |
Altar was gonna, but she'll change her mind. We got plans for her. | 1:19:55 | 1:20:00 | |
She told Vern her brooch came from his girl that I shot in a hold-up. | 1:20:00 | 1:20:05 | |
No telling what other things she told him about all of us. | 1:20:05 | 1:20:09 | |
I told him where I got the brooch, that's all. I believe that. | 1:20:09 | 1:20:14 | |
You're a reasonable man. Once they start talking they don't stop. | 1:20:14 | 1:20:19 | |
We took a lot from you. You wiped your boots on us. | 1:20:19 | 1:20:23 | |
Too bad Preacher ain't here to read over you. | 1:20:23 | 1:20:27 | |
You can get her and me, but I tell you, you're gonna die doing it. | 1:20:28 | 1:20:33 | |
Here's where you're wrong, Frenchy. | 1:20:33 | 1:20:36 | |
The rifle on that sill is aimed at your back, and Wilson's behind it. | 1:20:36 | 1:20:42 | |
If you think I'm gonna turn around, you're mistaken. You tell him. | 1:20:42 | 1:20:47 | |
- It's there, Frenchy. - You can get one of us, maybe two. | 1:20:52 | 1:20:57 | |
But there'll still be three left to settle with her. | 1:20:57 | 1:21:02 | |
You've got the odds. Let us leave, and Chuck-A-Luck's yours. | 1:21:02 | 1:21:06 | |
We got the odds, we call the plays. The odds are changed. | 1:21:06 | 1:21:11 | |
There is a rifle on this sill but there's nobody back of it. | 1:21:15 | 1:21:19 | |
I hogtied Wilson. | 1:21:19 | 1:21:22 | |
I was riding 500 yards behind you. | 1:21:22 | 1:21:25 | |
All of us were heading for the same spot with different reasons. | 1:21:25 | 1:21:29 | |
They did a job on the sheriff, but all your friends won't help you now. | 1:21:29 | 1:21:34 | |
The others are yours, Frenchy. | 1:21:34 | 1:21:37 | |
It's up to you whether you turn 'em loose or hang 'em. | 1:21:37 | 1:21:41 | |
Shooting's better than they deserve. | 1:21:41 | 1:21:44 | |
First I want your word on something. Keep them here a while. | 1:21:44 | 1:21:48 | |
I carry Kinch to jail personally. Give me an hour's start. | 1:21:48 | 1:21:54 | |
Vern, maybe we can work out a deal. If you're willing... | 1:21:55 | 1:21:59 | |
Watch out! The window! | 1:22:08 | 1:22:11 | |
Stop! Stop shooting! Throw out your guns! | 1:22:20 | 1:22:25 | |
Comanche... | 1:22:27 | 1:22:29 | |
Go on, get started. | 1:22:32 | 1:22:34 | |
Pick a direction and don't come back. | 1:22:57 | 1:23:01 | |
That sheriff will have a posse out. | 1:23:01 | 1:23:03 | |
I can't fight. We'll be caught. | 1:23:03 | 1:23:07 | |
That's your problem. Take your chances. | 1:23:07 | 1:23:10 | |
Once the posse gets them, they'll come for you. We all get taken. | 1:23:20 | 1:23:25 | |
First, there's a matter you and I have got to settle. | 1:23:25 | 1:23:29 | |
ALTAR COUGHS | 1:23:46 | 1:23:51 | |
Altar... | 1:24:06 | 1:24:07 | |
She stepped in front of that bullet to save you. | 1:24:18 | 1:24:22 | |
# Two men rode away from Chuck-A-Luck | 1:24:35 | 1:24:38 | |
# And Death rode beside them on the trail | 1:24:38 | 1:24:42 | |
# That died that day, so the legends tell | 1:24:42 | 1:24:46 | |
# With empty guns, they fought and fell | 1:24:46 | 1:24:52 | |
# And so ends the tail of hate, murder and revenge! # | 1:24:52 | 1:25:02 | |
Subtitles by Julia Watts for BBC Subtitling - 2003 | 1:25:04 | 1:25:08 | |
If there is nothing new, | 1:25:13 | 1:25:15 | |
then the Court of Appeal aren't going to change their decision. | 1:25:15 | 1:25:18 | |
You have to question everything. | 1:25:21 | 1:25:23 | |
There were two areas of fingerprints on the carrier bag. | 1:25:23 | 1:25:26 | |
It's an obvious case to re-examine. | 1:25:26 | 1:25:28 | |
Follow investigator Louise Shorter as she interrogates | 1:25:28 | 1:25:31 |