Browse content similar to Shall We Dance. Check below for episodes and series from the same categories and more!
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-< -Hey! | 0:02:33 | 0:02:35 | |
Voici! Voici! Stop that! Voulez-vous me to call the police? | 0:02:36 | 0:02:42 | |
En effet, vous avez exactement l'air d'un chameau. | 0:02:42 | 0:02:47 | |
-What does that mean in English? -The same as it does in French. | 0:02:47 | 0:02:53 | |
All, right. Comme ca, a little brook... comme ca, a little river... | 0:03:01 | 0:03:07 | |
-Ou est Petrov? -A little brook... | 0:03:07 | 0:03:10 | |
-A little river... -Where is Petrov? | 0:03:10 | 0:03:13 | |
Can you not see I am beezy being a wave? Comme ca... | 0:03:13 | 0:03:19 | |
a little river... comme ca, a little brook... | 0:03:19 | 0:03:23 | |
Where is Petrov? | 0:03:24 | 0:03:27 | |
I am the owner of this company! If you don't tell me where Petrov is, there will be trouble! | 0:03:32 | 0:03:40 | |
-He's in his private room. -Thank you. -He doesn't want to be disturbed. -Thank you! | 0:03:40 | 0:03:47 | |
UP-TEMPO MUSIC | 0:03:47 | 0:03:51 | |
-What IS this? -Hi, Jeff! | 0:03:52 | 0:03:55 | |
Stop it! Stop that music! | 0:04:01 | 0:04:04 | |
What on EARTH are you doing? | 0:04:05 | 0:04:08 | |
Just having fun! | 0:04:08 | 0:04:10 | |
Petrov doesn't dance for FUN! | 0:04:12 | 0:04:15 | |
Pete Peters DOES! Remember me? | 0:04:15 | 0:04:19 | |
-That awful name of yours. -I was born with it. It isn't bad. Pete Peters! | 0:04:19 | 0:04:25 | |
-How do you make that noise? What have you got on your shoes? -Taps. -Taps? On your ballet shoes! | 0:04:28 | 0:04:35 | |
-Sure. -Sacrilege! All this time I thought you were practising your grand leap! | 0:04:35 | 0:04:43 | |
I haven't neglected anything. | 0:04:43 | 0:04:46 | |
Look - the entrechat-trois. | 0:04:46 | 0:04:49 | |
Lovely. Beautiful. | 0:04:51 | 0:04:53 | |
But it's more effective THIS way. | 0:04:53 | 0:04:56 | |
Lovely! Beaut... I forbid that! That's not art! | 0:04:59 | 0:05:05 | |
It's the Philadelphia in me! | 0:05:05 | 0:05:08 | |
I wish we could combine ballet with the passion of this other mood. | 0:05:08 | 0:05:14 | |
-You mean this jazz business? -That isn't jazz! | 0:05:14 | 0:05:18 | |
You want to be a shimmy dancer! Forget that! Here, look at this... | 0:05:18 | 0:05:24 | |
The Metropolitan in New York is getting nervous. | 0:05:24 | 0:05:29 | |
-I have to stay in Paris a while. -Why? | 0:05:29 | 0:05:32 | |
-Why? WHY? -That's grace, that's rhythm. | 0:05:33 | 0:05:37 | |
What have you got there? | 0:05:37 | 0:05:40 | |
Isn't she lovely? | 0:05:44 | 0:05:47 | |
Isn't she LOVELY?! | 0:05:47 | 0:05:50 | |
Oh, so THAT'S it! | 0:05:50 | 0:05:53 | |
-Where did you meet her? -I haven't. But I hope to dance with her. | 0:05:53 | 0:05:58 | |
-Dance? With HER? -Sure. -Has SHE tried to persuade you to stay on? | 0:05:58 | 0:06:05 | |
I haven't met her! But I'd like to marry her. Think I will. | 0:06:05 | 0:06:11 | |
Thank you. | 0:06:11 | 0:06:14 | |
THEY TAP DANCE TO "RHUMBA GINGER" | 0:06:21 | 0:06:24 | |
APPLAUSE | 0:06:45 | 0:06:47 | |
You are beautiful. I cannot help what I cannot help. | 0:06:51 | 0:06:55 | |
Neither can I ! | 0:06:55 | 0:06:57 | |
You cannot let us down like thees! | 0:07:01 | 0:07:04 | |
Eet is YOUR fault! You kissed her! Eet is in the play! | 0:07:04 | 0:07:09 | |
You kissed her OUT of the play! | 0:07:09 | 0:07:12 | |
Go home, all of you. GO HOME! | 0:07:12 | 0:07:15 | |
THEY ARGUE | 0:07:16 | 0:07:19 | |
-Hello! -Mr Miller has arrived from New York. | 0:07:27 | 0:07:31 | |
-Hello, Arthur. -Hello, Lynn. | 0:07:38 | 0:07:41 | |
You'd better go. | 0:07:42 | 0:07:44 | |
If I EVER go on stage again... | 0:07:44 | 0:07:47 | |
-How did you get here? -By rail. I hung over every inch of it. | 0:07:47 | 0:07:53 | |
You usually have your foot on one. | 0:07:53 | 0:07:56 | |
Yes, Lynn. | 0:07:56 | 0:07:58 | |
-Did YOU ever dance with a man you didn't care about, and who was in love with you? -No, Lynn. | 0:07:58 | 0:08:06 | |
Actors take the lines literally. | 0:08:06 | 0:08:09 | |
Why must there always be a kiss? | 0:08:09 | 0:08:12 | |
I hope I never see another heel-clicker. | 0:08:12 | 0:08:16 | |
Careful! I come from a long line of heels, but we've never clicked. | 0:08:16 | 0:08:22 | |
It's YOUR fault. I was happy until you "discovered" me. | 0:08:22 | 0:08:27 | |
Fame! Name in lights! | 0:08:27 | 0:08:29 | |
I never should have listened. | 0:08:29 | 0:08:32 | |
I'll quit. | 0:08:32 | 0:08:34 | |
-I'll retire from the stage. -Again? | 0:08:35 | 0:08:38 | |
-It does you good to break an engagement. -Engagement! That's it! | 0:08:38 | 0:08:44 | |
Tai ! | 0:08:44 | 0:08:46 | |
Send a cable to Jim Montgomery. Tell him I'm coming back on the Queen Anne. | 0:08:46 | 0:08:53 | |
You have to stay in the theatre. | 0:08:53 | 0:08:56 | |
-I refuse to be a bowl in a gold of fish. -A fish in a bowl of gold? -That's right! | 0:08:56 | 0:09:03 | |
-Just a moment, please. -Thank you. | 0:09:03 | 0:09:06 | |
Petrov? What's a Petrov? | 0:09:12 | 0:09:14 | |
-Just the Russian ballet's greatest dancer! -Tell him to go to Moscow! | 0:09:17 | 0:09:23 | |
TAI: He is anxious to see you. | 0:09:23 | 0:09:26 | |
Another dancer to swoon in my arms. That's all I need(!) | 0:09:26 | 0:09:32 | |
A simpering toe-dancer! | 0:09:32 | 0:09:35 | |
He probably only wants to say he's seen a picture of me and can't live without me! | 0:09:35 | 0:09:43 | |
-RUSSIAN ACCENT: -Hotchachanya! | 0:09:48 | 0:09:50 | |
I yam Petrov! | 0:09:59 | 0:10:01 | |
-Charmed. I'm Linda... Linda... -Linda Keene. | 0:10:02 | 0:10:07 | |
How do you do? | 0:10:07 | 0:10:10 | |
Hotchachanya. | 0:10:13 | 0:10:15 | |
-So glad you came, Mr Petrov. -Not Meester, Petrov alone. | 0:10:15 | 0:10:20 | |
Just Petrov. | 0:10:20 | 0:10:22 | |
And why not? Just Caesar, just Napoleon and only Garbo, so, Petrov, too, ees enough. | 0:10:22 | 0:10:30 | |
Just ABOUT enough! | 0:10:30 | 0:10:33 | |
And you, I understand you want to dance wiz me. | 0:10:33 | 0:10:38 | |
I cannot blame you, but I weel not permit it. | 0:10:38 | 0:10:43 | |
-Who told you that? -Ah! A little bird, she tell me so. | 0:10:44 | 0:10:50 | |
Nyet? | 0:10:52 | 0:10:53 | |
Not in the least. | 0:10:53 | 0:10:56 | |
What?! You do not want to dance wiz zee great Petrov? Don't be a silly horse! | 0:10:56 | 0:11:03 | |
Maybe you could tweest for me. | 0:11:06 | 0:11:09 | |
Like so. | 0:11:09 | 0:11:11 | |
-Er...no...I...I don't... -Tweest! TWEEST! | 0:11:13 | 0:11:17 | |
Better twist. | 0:11:17 | 0:11:20 | |
PIANO CLANGS | 0:11:22 | 0:11:24 | |
Oh, get up! I hate zees discords! | 0:11:25 | 0:11:29 | |
-Oh, she is horrible! -That kinda settles it! | 0:11:29 | 0:11:33 | |
With me, nothink is settled. | 0:11:34 | 0:11:37 | |
Well, I mosgo now. I mosgo to Moscow! | 0:11:37 | 0:11:41 | |
Funny? | 0:11:41 | 0:11:43 | |
-Very. -It kills me. | 0:11:43 | 0:11:46 | |
Hotchachanya! | 0:11:46 | 0:11:49 | |
That lunatic's dangerous. I'm glad I'm sailing on the Queen Anne tomorrow! | 0:11:56 | 0:12:02 | |
I can't take you back, Denise. | 0:12:06 | 0:12:08 | |
Everything's been so peaceful since you left! | 0:12:08 | 0:12:13 | |
It wasn't my fault. Peter didn't fall in love with me. | 0:12:14 | 0:12:18 | |
-Peter, darling! -Denise. Or Lady Tarrington. -No. It's Denise again. | 0:12:23 | 0:12:29 | |
-Denise wants to come back. -She does? Oh, that sounds like fun(!) | 0:12:29 | 0:12:35 | |
Oh! Why, of course, Denise. | 0:12:36 | 0:12:39 | |
Go and get your contract. | 0:12:39 | 0:12:42 | |
Jeffrey, may I speak to you? Excuse us. | 0:12:42 | 0:12:47 | |
I'll let you know about rehearsals in the morning. | 0:12:47 | 0:12:52 | |
We won't give her a big part... | 0:12:53 | 0:12:56 | |
-You want me to stay with the company? -Yes! -Then get rid of her! -What? | 0:12:56 | 0:13:02 | |
-Remember the trouble she caused? -But you... -I was being polite. -I've given her my word. | 0:13:02 | 0:13:09 | |
-You want me to go to New York? -Yes. -I'll sail tomorrow - if you get rid of HER. -Tomorrow? | 0:13:09 | 0:13:17 | |
I wouldn't know what to do, what to say... | 0:13:17 | 0:13:21 | |
-I'll stay in Paris. -I'll think of something. | 0:13:21 | 0:13:26 | |
-I'll connive something good. -Good. | 0:13:26 | 0:13:29 | |
DANCE MUSIC ON GRAMOPHONE | 0:13:29 | 0:13:32 | |
THE NEEDLE STICKS | 0:13:37 | 0:13:40 | |
MUSIC REPEATS... | 0:13:40 | 0:13:43 | |
VERY LOUD BURST OF MUSIC | 0:13:46 | 0:13:49 | |
NEEDLE STICKS AGAIN | 0:13:53 | 0:13:56 | |
MUSIC REPEATS | 0:13:56 | 0:13:59 | |
LOUD BURST OF MUSIC | 0:14:01 | 0:14:04 | |
MUSIC SLOWS DOWN | 0:14:10 | 0:14:13 | |
Peter. | 0:14:37 | 0:14:39 | |
Oh...oh...hello, Denise. | 0:14:39 | 0:14:42 | |
-I feel bad because I'm not going with you. -So do I. | 0:14:42 | 0:14:47 | |
Is your wife going with you? | 0:14:47 | 0:14:50 | |
-My WIFE? I haven't any wife. -Jeff said it was a secret for professional reasons. | 0:14:50 | 0:14:57 | |
Jeff! Did he say how long I'd been married? | 0:14:57 | 0:15:02 | |
Yes. Immediately after Tarrington took me away from you. | 0:15:02 | 0:15:07 | |
-Dear Tarrington! -Is she sailing with you? | 0:15:07 | 0:15:12 | |
Who? Oh, my wife! Yes, of course. | 0:15:12 | 0:15:15 | |
-I'd love to meet her. -She's busy with the children now. | 0:15:15 | 0:15:20 | |
-Jeffrey didn't tell me. -He doesn't know. | 0:15:20 | 0:15:25 | |
-Imagine! Married FOUR years! -Imagine(!) -And how many little ones? | 0:15:25 | 0:15:32 | |
Five. | 0:15:32 | 0:15:34 | |
Five?! | 0:15:34 | 0:15:36 | |
-Well, twins. -How WONDERFUL! -Isn't it? | 0:15:36 | 0:15:41 | |
-LOUDSPEAKER: 'All visitors ashore!' -Well, goodbye, Denise. -Goodbye. | 0:15:41 | 0:15:47 | |
Bon voyage! | 0:15:47 | 0:15:49 | |
Miss Keene hates leaving her dear Paris. She's enjoyed everything about it. | 0:15:56 | 0:16:03 | |
LOUDSPEAKER: 'All visitors ashore.' | 0:16:07 | 0:16:10 | |
-< One more, please. -All right. | 0:16:14 | 0:16:17 | |
PHOTOGRAPHER: Going home at last! | 0:16:17 | 0:16:19 | |
I kinda like the idea! So long, fellas! | 0:16:19 | 0:16:24 | |
-RUSSIAN ACCENT: -Hotchachanya, Miss Keene! | 0:16:29 | 0:16:33 | |
-Why! Just Petrov(!) -You come to see me go, nyet? -Yes. Sweet of me(!) | 0:16:33 | 0:16:40 | |
-I know you come! -Petrov, I've... I beg your pardon. | 0:16:40 | 0:16:45 | |
Miss Keene, my fren, Jeffree Bairrrrd. | 0:16:45 | 0:16:49 | |
-How do you do? -Miss Keene, I... What did you say? | 0:16:49 | 0:16:54 | |
Me? Nossing. | 0:16:54 | 0:16:56 | |
Have you got a cold? | 0:16:57 | 0:16:59 | |
No. I feel like you say...good. | 0:16:59 | 0:17:03 | |
-What's the matter? -Don't you understand Russian? -No. | 0:17:03 | 0:17:08 | |
-Yes! Rjengoff proodoof Schnevka. -What? | 0:17:08 | 0:17:11 | |
Schnevka proodoof djenyoff. | 0:17:11 | 0:17:14 | |
What sort of a game IS this? | 0:17:14 | 0:17:17 | |
A game little American boys play. | 0:17:18 | 0:17:22 | |
-Sir, we can't find Mr Petrov. -Well, you've GOT to find him. -I've looked everywhere, sir. | 0:17:45 | 0:17:53 | |
Splendid service(!) The world's leading ballet dancer disappears under your very nose! | 0:17:53 | 0:18:01 | |
-He might be in someone else's room. -What would he be doing there? -That's up to him. | 0:18:01 | 0:18:09 | |
ALL: # Zoom zoom, zoom zoom, zoom zoom zoom, | 0:18:21 | 0:18:24 | |
# Zoom zoom, zoom zoom, zoom zoom, zoom, | 0:18:24 | 0:18:26 | |
# Zoom, zoom, zoom zoom, zoom, zoom zoom, | 0:18:26 | 0:18:30 | |
-# Zoom zoom -# Ahhhh-ah | 0:18:30 | 0:18:32 | |
-# Zoom zoom -# Ahhhh-ah | 0:18:32 | 0:18:35 | |
# Chee-bam-chee-bam chee-bam-chee-bam | 0:18:35 | 0:18:39 | |
-# Wah-wah -# Chee-bam-chee-bam chee-bam-chee-bam | 0:18:39 | 0:18:41 | |
-# Wah-wah -# Chee-bam-chee-bam chee-bam-chee-bam | 0:18:41 | 0:18:44 | |
# Wah-wah-wah-wah | 0:18:44 | 0:18:46 | |
# Zoom zoom zoom zoom | 0:18:49 | 0:18:50 | |
-# The world is in a mess -# Yeah | 0:18:50 | 0:18:52 | |
# Politics and taxes People grinding axes There's no happiness | 0:18:53 | 0:18:56 | |
# Zoom zoom zoom zoom | 0:18:56 | 0:18:59 | |
# The future doesn't fret me If I can only get me Someone to slap that bass | 0:18:59 | 0:19:06 | |
# Happiness is not a riddle When I'm listening to that big bass | 0:19:06 | 0:19:11 | |
# Zoom, zoom, zoom zoom, zoom, zoom zoom, | 0:19:11 | 0:19:14 | |
# Zoom zoom Shee-bop-shee-bop shee-bop-shee-bop Shee-bop-shee-bop shee-bop-shee-bop | 0:19:14 | 0:19:21 | |
-# -Slap that bass, slap it till it's dizzy | 0:19:21 | 0:19:24 | |
-# -Slap that bass Keep the rhythm busy | 0:19:24 | 0:19:26 | |
-# Zoom zoom zoom Misery, you've got to go -# Misery, you've got to go | 0:19:26 | 0:19:29 | |
# Slap that bass Use it like a tonic | 0:19:29 | 0:19:33 | |
# Slap that bass Keep your philharmonic Zoom, zoom, zoom | 0:19:33 | 0:19:37 | |
# The milk and honey will flow! | 0:19:37 | 0:19:40 | |
# Dictators would be better off if they zoom zoom now and then | 0:19:40 | 0:19:43 | |
# Today you can see that the happiest men all got rhythm | 0:19:43 | 0:19:49 | |
# If you want to bubble Snap that bass, snap away trouble | 0:19:49 | 0:19:54 | |
# Learn to zoom zoom zoom, snap that bass! | 0:19:54 | 0:19:57 | |
# Da-da-da-doo da-da-da-doo # | 0:19:57 | 0:20:01 | |
MACHINERY CHUGS | 0:21:31 | 0:21:34 | |
TAPS IN TIME TO MACHINERY | 0:21:41 | 0:21:44 | |
MACHINERY CLUNKS | 0:22:21 | 0:22:23 | |
THEY ALL APPLAUD AND CHEER | 0:22:54 | 0:22:57 | |
-You're not serious about that marriage idea? -No(?) -What about ME? -Sorry. | 0:23:01 | 0:23:09 | |
-But I'm facing real happiness. -And I'M facing bankruptcy. KNOCK ON DOOR | 0:23:09 | 0:23:16 | |
-Steward. > -Come in. I ordered lunch. | 0:23:16 | 0:23:19 | |
Put the table right here. | 0:23:19 | 0:23:22 | |
We won't be having many more of these together. | 0:23:22 | 0:23:27 | |
You'll walk out on me just to get married. | 0:23:27 | 0:23:31 | |
I'm tired of the life I've been leading. | 0:23:31 | 0:23:35 | |
I'll give you 10,000 more. | 0:23:35 | 0:23:39 | |
You don't understand. Money isn't everything. | 0:23:39 | 0:23:44 | |
After all these years together. | 0:23:45 | 0:23:48 | |
I'm tired of being pawed! | 0:23:48 | 0:23:52 | |
I beg your pardon. My compliments, miss. | 0:23:52 | 0:23:57 | |
And as for you, sir, | 0:23:57 | 0:23:59 | |
shame! | 0:23:59 | 0:24:02 | |
You misled me. You tricked me. | 0:24:10 | 0:24:13 | |
-You KNEW that she was on this boat. -I'll admit the charge! | 0:24:13 | 0:24:18 | |
-Have you been with that woman? -Not THAT woman, THE woman. | 0:24:18 | 0:24:23 | |
But I wasn't with her. She hasn't left her room. | 0:24:23 | 0:24:28 | |
-I'm staying with you all evening. -Good. Maybe she's got a friend. | 0:24:28 | 0:24:34 | |
Really? | 0:24:34 | 0:24:36 | |
What are you weaving about for? | 0:24:54 | 0:24:57 | |
-Weaving? -Yes. -I'm not weaving. | 0:24:57 | 0:25:00 | |
-It's the boat. -THIS boat's doing that? | 0:25:00 | 0:25:04 | |
-It must be getting choppy. -Oh! | 0:25:04 | 0:25:07 | |
Of course. | 0:25:07 | 0:25:09 | |
Ohhhh... | 0:25:09 | 0:25:11 | |
Ohhhh... | 0:25:11 | 0:25:13 | |
-Jeff, what the matter? -Nothing. I'm all right, I think. | 0:25:13 | 0:25:18 | |
I guess. | 0:25:18 | 0:25:20 | |
Oh, you look terrible. Do I? Yes, you're all white. | 0:25:24 | 0:25:29 | |
Sort of green, kind of yellowish. | 0:25:29 | 0:25:32 | |
-You ought to go to bed. -Maybe... | 0:25:32 | 0:25:35 | |
No, maybe I'd better get some air. | 0:25:35 | 0:25:38 | |
Ohhhh.... | 0:25:45 | 0:25:47 | |
-Do you mind? -Not at all. | 0:26:33 | 0:26:36 | |
-Ohhhh... -What's the matter? | 0:26:46 | 0:26:49 | |
It's the boat. It's weaving. | 0:26:49 | 0:26:52 | |
There. | 0:27:00 | 0:27:02 | |
-Is that better? -I don't know. | 0:27:02 | 0:27:05 | |
-Straight lemon juice, please. -That'll make you seasick. -Ohhhh. | 0:27:05 | 0:27:11 | |
-He needs champagne. -No, no, no. I've never touched champagne. | 0:27:11 | 0:27:16 | |
-You can watch ME, then. Keep them coming. -Nothing. | 0:27:16 | 0:27:21 | |
Tell me the truth, do I look bad to you? | 0:27:23 | 0:27:27 | |
I don't know you well enough to tell you the truth. | 0:27:27 | 0:27:32 | |
BAND PLAYS "DOG WALK" | 0:27:45 | 0:27:48 | |
Miss...er...Miss Keene... you remember the night we met? | 0:29:35 | 0:29:41 | |
Yes, I remember. | 0:29:41 | 0:29:44 | |
Hotchachanya(!) | 0:29:44 | 0:29:46 | |
Wait a minute, please. I want to explain. | 0:29:46 | 0:29:50 | |
I saw a photograph of you and decided I HAD to meet you. | 0:29:50 | 0:29:55 | |
I tried, but nobody in Paris knew you... | 0:29:55 | 0:30:00 | |
Everybody WORTH knowing knows Linda Keene. | 0:30:00 | 0:30:04 | |
Of course, but I just don't seem to know the right people. Yet. | 0:30:05 | 0:30:11 | |
Couldn't you do something about that? As one Yankee to another? | 0:30:11 | 0:30:18 | |
I'm from the SOUTH. | 0:30:18 | 0:30:21 | |
-SOUTHERN ACCENT: -Maybe y'all's from the North? | 0:30:23 | 0:30:25 | |
DOG SNAPS | 0:30:25 | 0:30:28 | |
It's funny. Dogs have an instinct for the right people. | 0:30:28 | 0:30:33 | |
-How d'you like that? -HE BARKS | 0:30:34 | 0:30:37 | |
-DRUNKENLY: -Thash marvellous how you can do that. | 0:30:49 | 0:30:53 | |
-Lesh drink to that. -Steward! | 0:30:55 | 0:30:58 | |
Another bottle of this lemon. | 0:30:58 | 0:31:01 | |
He's gone to bed! | 0:31:02 | 0:31:05 | |
Must be late. What time is it? | 0:31:05 | 0:31:08 | |
What does your watch say? | 0:31:14 | 0:31:17 | |
It says tick, tick, tick, tick... | 0:31:22 | 0:31:25 | |
CLOCK TICKS | 0:31:26 | 0:31:30 | |
Hey, Jeffrey! | 0:31:30 | 0:31:33 | |
Hello, hello, hello! Good morning! Good morning! | 0:31:33 | 0:31:38 | |
Well! What's wrong? Lose something? | 0:31:41 | 0:31:45 | |
I've got great news for you. You're NOT going to be seasick. | 0:31:49 | 0:31:54 | |
-The Captain says this will be the smoothest trip in 10 years. -Ohhhh! | 0:31:55 | 0:32:01 | |
-You only had one glass. -But you kept filling it. | 0:32:01 | 0:32:06 | |
-< Breakfast! -What'll I do? | 0:32:06 | 0:32:09 | |
Put that breakfast away! | 0:32:09 | 0:32:12 | |
That'll save me an extra trip. | 0:32:26 | 0:32:29 | |
BAND PLAYS "DOG WALK" | 0:32:37 | 0:32:40 | |
Come here. What happened? | 0:33:59 | 0:34:02 | |
You've ruined your sweater. I'll have to fix it. | 0:34:02 | 0:34:07 | |
Isn't it wonderful being here tonight like this? | 0:34:14 | 0:34:18 | |
-Still on the same boat together. -I seldom change boats mid-ocean. | 0:34:18 | 0:34:24 | |
I'm lucky. The first time I'm on a boat with somebody like you, it turns out to be...YOU. | 0:34:24 | 0:34:32 | |
# At any gambling casino From Monte Carlo to Reno | 0:34:32 | 0:34:37 | |
# They tell you that a beginner comes out a winner | 0:34:37 | 0:34:42 | |
# Beginner fishing for flounder | 0:34:42 | 0:34:45 | |
# Will catch a seventeen-pounder | 0:34:45 | 0:34:48 | |
# That's what I've always heard And always thought absurd | 0:34:48 | 0:34:53 | |
# But NOW I believe every word | 0:34:53 | 0:34:57 | |
# For I've got beginner's luck | 0:34:58 | 0:35:02 | |
# The first time I'm in love I'm in love with you | 0:35:02 | 0:35:07 | |
# Gosh, I'm lucky I've got beginner's luck | 0:35:07 | 0:35:11 | |
# There never was such a smile Or such eyes of blue | 0:35:11 | 0:35:16 | |
# Gosh, I'm fortunate, this thing we've begun is much more than a pastime | 0:35:16 | 0:35:22 | |
# For this time is the one Where the first time is the last time | 0:35:22 | 0:35:28 | |
# I've got beginner's luck Lucky through and through | 0:35:28 | 0:35:34 | |
# 'Cos the first time I'm in love I'm in love with YOU! # | 0:35:34 | 0:35:37 | |
DOGS HOWL | 0:35:37 | 0:35:40 | |
Fellows, listen to this. | 0:35:45 | 0:35:48 | |
"Lady Tarrington left this morning on the S.S. Marseilles | 0:35:48 | 0:35:53 | |
"for a trip to America to visit her friends, Mr and Mrs Petrov. | 0:35:53 | 0:35:59 | |
"The Petrovs have been married for some time. | 0:35:59 | 0:36:03 | |
"But the marriage has not previously been disclosed." | 0:36:03 | 0:36:09 | |
News for your morning bulletin! | 0:36:09 | 0:36:11 | |
That must be the musical star Linda Keene. | 0:36:11 | 0:36:15 | |
You're right. | 0:36:15 | 0:36:17 | |
That ballet dancer, Petrov, is secretly married. | 0:36:18 | 0:36:22 | |
I'll bet it's to that dancer. Righto! | 0:36:22 | 0:36:26 | |
-Will that be all? -Yes, thank you. | 0:36:27 | 0:36:29 | |
They've been married for some time. | 0:36:35 | 0:36:38 | |
They're a lovely looking couple. | 0:36:38 | 0:36:41 | |
(My dear!) | 0:36:47 | 0:36:50 | |
CHORUS OF "GOOD EVENING" | 0:36:55 | 0:36:59 | |
-That's what I like about boats - everyone's so friendly. -Yes! | 0:36:59 | 0:37:05 | |
A toast! | 0:37:05 | 0:37:07 | |
ALL: # For he's a jolly good fellow For he's a jolly good fellow For he's a jolly good fe-ellow | 0:37:07 | 0:37:14 | |
# Which nobody can deny! # | 0:37:14 | 0:37:17 | |
PETROV! | 0:37:20 | 0:37:23 | |
Wake up, wake up, Petrov, wake up! | 0:37:23 | 0:37:26 | |
-We're going to have a baby! -What? -Why keep this a secret from me? | 0:37:26 | 0:37:31 | |
-What are you talking about? -It's in the ship's bulletin. | 0:37:31 | 0:37:37 | |
The editor announces, quote, "A blessed event is imminent." | 0:37:37 | 0:37:42 | |
-Why does this happen to me? -It hasn't even happened to ME! | 0:37:42 | 0:37:48 | |
Lady Tarrington! | 0:37:48 | 0:37:51 | |
You realise that YOU'RE the father of my child? | 0:37:51 | 0:37:56 | |
Of course. ..That's ridiculous! | 0:37:56 | 0:37:59 | |
You told Denise I was married, and now I'm going to be a father. | 0:37:59 | 0:38:04 | |
-Isn't that cute? -It's a MIRACLE! -I warned you that that woman would cause trouble. | 0:38:04 | 0:38:11 | |
I warned YOU that I'd fall in love with her. | 0:38:11 | 0:38:15 | |
-Explain to her! -I won't! -You DO want me to dance? | 0:38:15 | 0:38:20 | |
-In that case, perhaps I'd better. -I'll take care of this. | 0:38:20 | 0:38:24 | |
Operator! Operator! Get me Mr Petrov. | 0:38:27 | 0:38:32 | |
Don't you DARE congratulate me. | 0:38:32 | 0:38:34 | |
-KNOCK ON DOOR -Come in! | 0:38:36 | 0:38:39 | |
-Miss Keene, we will not tolerate your insinuations. -Stay there! | 0:38:42 | 0:38:48 | |
While I compose myself. | 0:38:48 | 0:38:52 | |
I suppose you and that toe-dancer think this whole thing's a joke? | 0:38:52 | 0:38:57 | |
-It wasn't Mr Petrov's fault. -It wasn't(?) | 0:38:57 | 0:39:02 | |
-Petrov is besieged by women. -Oh, naturally(!) | 0:39:02 | 0:39:07 | |
To get rid of one...well... he said he was married to you. | 0:39:07 | 0:39:12 | |
-To get rid of her?! -Exactly. He felt that YOU wouldn't mind. | 0:39:12 | 0:39:18 | |
So, he used ME to... | 0:39:18 | 0:39:21 | |
Exactly. See, it wasn't altogether a joke. | 0:39:21 | 0:39:26 | |
Good morning, little mother! | 0:39:26 | 0:39:29 | |
Good morning. | 0:39:43 | 0:39:46 | |
-I want to book passage on that mail plane. -It's against the law. -But I MUST leave the ship. | 0:39:46 | 0:39:55 | |
Oh, I understand. But it IS a little irregular. | 0:39:55 | 0:39:59 | |
The Government will understand. | 0:39:59 | 0:40:02 | |
Under the circumstances, Madam... | 0:40:02 | 0:40:06 | |
Not Madam - MISS! | 0:40:06 | 0:40:09 | |
-Where's Linda? -Oh, pardon me. | 0:40:24 | 0:40:28 | |
Take a good look. | 0:40:28 | 0:40:31 | |
I could have explained everything. | 0:40:42 | 0:40:46 | |
You couldn't have explained her humiliation. | 0:40:46 | 0:40:50 | |
-Now she's going to get married. -Married?! -Yes. | 0:40:50 | 0:40:54 | |
Married to a Park Avenue cluck. YOU'VE driven her to that. | 0:40:54 | 0:41:01 | |
-I didn't do anything. -Only used her to get rid of another dame(!) | 0:41:01 | 0:41:08 | |
-Who said I did? -Mr Baird. | 0:41:08 | 0:41:11 | |
Oh, he DID(?) | 0:41:11 | 0:41:13 | |
The fire bell will ring. Do not pay any attention to it - fire drill for the crew. | 0:41:16 | 0:41:24 | |
Here. | 0:41:24 | 0:41:25 | |
Jeff, did you tell Miss Keene I used her? | 0:41:25 | 0:41:29 | |
Yes. One day you'll thank me for doing it. | 0:41:29 | 0:41:33 | |
-THANK you?! -Haven't you any feeling for your art? | 0:41:33 | 0:41:38 | |
-Because of your lies, she's quitting showbusiness. -That's no loss! | 0:41:38 | 0:41:45 | |
-I've scotched it, and I'm proud of it! -You've scotched it, all right! | 0:41:45 | 0:41:52 | |
-FIRE BELL SOUNDS -What IS that noise? | 0:41:52 | 0:41:56 | |
-The boat's on fire. -Oh, is it? | 0:41:56 | 0:41:59 | |
THIS boat? | 0:41:59 | 0:42:01 | |
-Aaaaaagh! What are we gonna do? -Nothing. -Nothing. -Stay. -Stay. | 0:42:01 | 0:42:07 | |
-Don't move. -Don't move. HURRY! | 0:42:07 | 0:42:10 | |
-Get into this. -I'll sue them! -IF we get out. -I'll sue anyway! | 0:42:10 | 0:42:16 | |
-Take this. -Yes. -We'll need this. -The flames are getting nearer! | 0:42:16 | 0:42:21 | |
-Keep the head! -Keep the head! -We need hats. -Of course! | 0:42:21 | 0:42:26 | |
-We don't want head colds. -No. | 0:42:26 | 0:42:29 | |
-And fruit. -To eat. Of course. | 0:42:29 | 0:42:32 | |
-Blankets! -Blankets! -The clock! | 0:42:32 | 0:42:35 | |
Petrov, they've lowered our boat. | 0:42:35 | 0:42:38 | |
-Better take this. -We can play golf. -Of course. | 0:42:38 | 0:42:43 | |
-It's boat station four. -Got everything? | 0:42:43 | 0:42:47 | |
Don't forget the blankets. | 0:42:47 | 0:42:50 | |
Don't get excited. Just follow me. | 0:42:50 | 0:42:53 | |
Hurry up! Don't get excited. | 0:42:57 | 0:43:01 | |
Everybody keep calm. | 0:43:01 | 0:43:04 | |
My boat's number four. | 0:43:04 | 0:43:07 | |
Four! All right, I'm here. Let it down! What are you waiting for? | 0:43:07 | 0:43:13 | |
THEY ALL ROAR WITH LAUGHTER | 0:43:13 | 0:43:16 | |
Miss Keene? She's back already. Oh, goody, goody. | 0:43:59 | 0:44:05 | |
Miss Keene's back. Key, please. | 0:44:05 | 0:44:08 | |
Thank you very much. | 0:44:08 | 0:44:11 | |
Welcome home. So happy to see you. | 0:44:13 | 0:44:17 | |
-Thank you, Cecil. -Are you... are you...ALONE ? | 0:44:17 | 0:44:22 | |
Certainly. And who else would be with me? | 0:44:22 | 0:44:26 | |
You are a one! Keeping it a secret so long. | 0:44:26 | 0:44:30 | |
-There is NO secret. -Not NOW... -There never WAS. -Very well. | 0:44:30 | 0:44:35 | |
You'll find me the very SOUL of discretion. | 0:44:35 | 0:44:39 | |
Just one moment. I've got a surprise for you. | 0:44:46 | 0:44:51 | |
Voila! | 0:44:52 | 0:44:54 | |
-Jim! I'm so glad to see you. -You're looking very well. | 0:45:46 | 0:45:52 | |
-Considering. -You look grand, too. -Thanks. I'm lucky that way. | 0:45:52 | 0:45:57 | |
Nothing shows in my face. | 0:45:57 | 0:45:59 | |
-Why didn't you tell me? -Tell you? There's nothing to tell. -Somebody's wrong. | 0:45:59 | 0:46:06 | |
That?! | 0:46:06 | 0:46:08 | |
False, malicious gossip. | 0:46:08 | 0:46:10 | |
Petrov... | 0:46:14 | 0:46:16 | |
On his way up? Splendid. | 0:46:16 | 0:46:19 | |
-Cecil Flintridge. -No, no, no. Jeffrey Baird. | 0:46:24 | 0:46:29 | |
I beg your pardon, Cecil Flintridge. | 0:46:29 | 0:46:32 | |
I beg YOUR pardon, Jeffrey Baird. | 0:46:32 | 0:46:35 | |
NO! Cecil Flintridge. | 0:46:35 | 0:46:39 | |
I am JEFFREY BAIRD, Petrov's manager. | 0:46:39 | 0:46:42 | |
-And -I -am Cecil Flintridge. | 0:46:42 | 0:46:45 | |
-YOU are Cecil Flintridge? -Yes. -What of it? -What?! -Cecil! Of the hotel? | 0:46:45 | 0:46:52 | |
-Yes! -How are you? -How are you? How do you do? | 0:46:52 | 0:46:56 | |
-I've been at great pains to make you comfortable. -How kind of you. -Yes, I thought it was kind of me. | 0:46:56 | 0:47:04 | |
-Your suite is next to Mrs... Miss Keene's. -WHAT?! You blundering blunderer! | 0:47:04 | 0:47:11 | |
Petrov! Petrov! PETROV! | 0:47:14 | 0:47:17 | |
Petrov, do you know where we are? | 0:47:17 | 0:47:20 | |
Don't tell me. New York! | 0:47:20 | 0:47:23 | |
-We're right next to Linda Keene. -Good! | 0:47:23 | 0:47:27 | |
-That's what -I -thought. -Nobody's interested. | 0:47:27 | 0:47:31 | |
-I'm only doing my best. -Then move us to another suite. | 0:47:31 | 0:47:37 | |
-Married people... -They're NOT married. -NOT married?! | 0:47:37 | 0:47:42 | |
Ohhhh! | 0:47:42 | 0:47:43 | |
-Arthur. -I've only kept The Roof open in the hope you'd come back. | 0:47:58 | 0:48:04 | |
Since you left, I haven't had one revue there. | 0:48:04 | 0:48:09 | |
-Arthur, I'm not THAT good. -You're right, you're not. | 0:48:09 | 0:48:14 | |
Seriously - the crowds who haven't been on The Roof since you left think you are. | 0:48:14 | 0:48:21 | |
-Arthur... -What? -I'm going to be married to Jim Montgomery. | 0:48:21 | 0:48:26 | |
Well, I guess I'm licked. | 0:48:26 | 0:48:29 | |
If your mind's made up, there's nothing I can say. | 0:48:29 | 0:48:34 | |
No, I'm afraid there's not. | 0:48:34 | 0:48:37 | |
Except to wish me luck. | 0:48:39 | 0:48:42 | |
You know I do! All the best. | 0:48:42 | 0:48:45 | |
-Thank you. -There's one thing I insist on doing. -What's that? | 0:48:45 | 0:48:50 | |
Give you and Jim dinner. Tonight. On The Roof. | 0:48:50 | 0:48:55 | |
Lovely! Nice of you to think of Jim. | 0:48:55 | 0:48:58 | |
I think of him constantly. | 0:48:58 | 0:49:01 | |
We've had dinner. What are we doing up here? | 0:49:20 | 0:49:24 | |
-You'll find out when -I -do. -Mr Miller's expecting you. | 0:49:24 | 0:49:29 | |
This way. | 0:49:29 | 0:49:32 | |
Take this to Evans. Yes, sir. | 0:50:06 | 0:50:09 | |
MUSIC ENDS | 0:50:22 | 0:50:24 | |
Thank you, Arthur. | 0:50:30 | 0:50:33 | |
OPENING BARS OF "THEY ALL LAUGHED" | 0:50:47 | 0:50:50 | |
APPLAUSE | 0:50:50 | 0:50:53 | |
# The odds were a hundred to one against me | 0:51:11 | 0:51:16 | |
# The world thought the heights were too high to climb | 0:51:16 | 0:51:21 | |
# But people from Missouri never incensed me | 0:51:21 | 0:51:26 | |
# Oh, I wasn't a bit concerned | 0:51:26 | 0:51:29 | |
# For from history I had learned | 0:51:29 | 0:51:32 | |
# How many, many times the worm had turned | 0:51:32 | 0:51:37 | |
# They all laughed at Christopher Columbus When he said the world was round | 0:51:37 | 0:51:43 | |
# They all laughed when Edison recorded sound | 0:51:43 | 0:51:47 | |
# They all laughed at Wilbur and his brother When they said that man could fly | 0:51:47 | 0:51:54 | |
# They told Marconi wireless was a phoney It's the same old cry | 0:51:54 | 0:52:00 | |
# They laughed at me wanting you said I was reaching for the moon | 0:52:00 | 0:52:05 | |
# But, oh, you came through They'll have to change their tune They said we never would be happy | 0:52:05 | 0:52:13 | |
# Darling, take a bow | 0:52:13 | 0:52:15 | |
# Ho, ho, ho Who's got the last laugh now? # | 0:52:15 | 0:52:19 | |
APPLAUSE | 0:52:19 | 0:52:24 | |
Miss Keene will now dance for us. | 0:52:39 | 0:52:41 | |
But not alone! Those of you who've never seen her famous partner have heard a lot about him! Petrov! | 0:52:43 | 0:52:51 | |
APPLAUSE | 0:52:51 | 0:52:54 | |
BAND BEGINS TO PLAY | 0:53:06 | 0:53:09 | |
-(What do I do?) -(Tweest!) | 0:53:39 | 0:53:42 | |
BAND BREAKS INTO "THEY ALL LAUGHED" | 0:53:53 | 0:53:57 | |
CROWD APPLAUD AND CHEER | 0:56:53 | 0:56:56 | |
I've got to stop Linda from marrying Jim. Get a new angle. | 0:57:00 | 0:57:06 | |
This secret marriage is too secret. The newspapers need absolute proof. | 0:57:06 | 0:57:13 | |
The public would climb a building to see Linda and Petrov dance. We must do something. | 0:57:13 | 0:57:20 | |
Furnish the proof that they're married. | 0:57:20 | 0:57:24 | |
I have an idea. Remember the dream idea that sculptor sold us on for Lynn? | 0:57:24 | 0:57:31 | |
The one we never used? | 0:57:31 | 0:57:34 | |
Yeah. We're going to collect on it. | 0:57:34 | 0:57:37 | |
Lynn never saw that model ? < No. | 0:57:37 | 0:57:40 | |
With a few changes, I'll turn that dream stuff into a nightmare that'll make history. | 0:57:40 | 0:57:47 | |
Poor Lynn! | 0:57:47 | 0:57:50 | |
DRUNKENLY: # They all said we never would be happy | 0:59:08 | 0:59:13 | |
# They laughed at us and how But, ho, ho, ho Who's got the last laugh now? # | 0:59:13 | 0:59:20 | |
DOOR SLAMS | 0:59:20 | 0:59:22 | |
-Good morning, Tai. -Good morning, Miss Linda. | 0:59:45 | 0:59:49 | |
BUZZER SOUNDS | 0:59:53 | 0:59:55 | |
-Have you no shame? -Why, I... -I deny your marriage to the boys, then they flash these pictures... | 1:00:10 | 1:00:17 | |
-I never thought you'd double-cross me. -Double-cross you?! I didn't pose for those! -No(?) | 1:00:17 | 1:00:25 | |
-This is certainly not ME. -Linda... | 1:00:25 | 1:00:29 | |
I trusted you. I even blessed your proposed union with Jim. | 1:00:29 | 1:00:34 | |
What a way to treat your friend. | 1:00:34 | 1:00:37 | |
-You're the only one who can help. -I've done everything. -You must. -No more. | 1:00:37 | 1:00:43 | |
-I'll sue the paper! -Linda, I can't let you down. I'll handle it. | 1:00:43 | 1:00:50 | |
I knew you'd stand by me. | 1:00:50 | 1:00:53 | |
Get me Mr Petrov. | 1:00:58 | 1:01:00 | |
TELEPHONE RINGS | 1:01:02 | 1:01:04 | |
Hello. | 1:01:05 | 1:01:06 | |
Oh, it's you... | 1:01:07 | 1:01:09 | |
Good morning! | 1:01:09 | 1:01:12 | |
How? What? | 1:01:12 | 1:01:15 | |
No, I haven't. The papers? | 1:01:16 | 1:01:19 | |
I'll be right over. | 1:01:19 | 1:01:22 | |
Jeffrey! | 1:01:33 | 1:01:35 | |
-What IS the matter? -Take a look at this. | 1:01:35 | 1:01:40 | |
You won't have to run through the hallway any more. Compliments of the management. | 1:01:49 | 1:01:56 | |
Cad! | 1:02:01 | 1:02:02 | |
I suppose you're going to say this isn't you! | 1:02:15 | 1:02:20 | |
I can't. Neither can YOU. | 1:02:20 | 1:02:23 | |
-Can you? -No. | 1:02:23 | 1:02:26 | |
You...you don't, by any chance, walk in your sleep, do you? | 1:02:27 | 1:02:32 | |
Why...how can you SAY such a thing? | 1:02:32 | 1:02:36 | |
Well, it's MY bed, and I'M asleep. | 1:02:37 | 1:02:40 | |
-Well! -TELEPHONE RINGS | 1:02:40 | 1:02:42 | |
R-I-I-I-ING | 1:02:46 | 1:02:47 | |
R-I-I-I-ING | 1:02:47 | 1:02:49 | |
Hello. | 1:02:51 | 1:02:52 | |
What? | 1:02:52 | 1:02:54 | |
-You want a statement?! Let me tell... -Wait! | 1:02:54 | 1:02:59 | |
It might be libel. Let ME talk. Maybe I can put it more gently. | 1:02:59 | 1:03:05 | |
-SWEETLY: -Hello. Who is this, please? | 1:03:08 | 1:03:12 | |
Oh, the editor! | 1:03:12 | 1:03:15 | |
Well, you and that cheap outfit that published those pictures... | 1:03:15 | 1:03:20 | |
Wait! I'M talking! What? | 1:03:20 | 1:03:23 | |
-Oh... -DOOR BUZZER | 1:03:25 | 1:03:28 | |
Oh... | 1:03:29 | 1:03:30 | |
Oh... | 1:03:33 | 1:03:34 | |
Oh! | 1:03:36 | 1:03:37 | |
Oh! Oh, Jim. | 1:03:37 | 1:03:41 | |
Wh...why didn't you phone? I...I would have been dressed. | 1:03:45 | 1:03:50 | |
-You've seen the paper? -Oh, that? Lies. Ridiculous lies. | 1:03:50 | 1:03:55 | |
I let you talk your way out of that other picture. | 1:03:55 | 1:04:00 | |
-But that's YOU. -That's NOT me. | 1:04:00 | 1:04:02 | |
-I wouldn't be caught dead in that cheap negligee! -In this picture, there's no corpse. | 1:04:02 | 1:04:10 | |
Er...good morning. | 1:04:20 | 1:04:23 | |
Er...good morning. | 1:04:24 | 1:04:26 | |
Er...Jim...this is Mr Petrov... | 1:04:26 | 1:04:30 | |
er...Mr Petrov...this is Jim. Jim Montgomery, my fiance. | 1:04:30 | 1:04:35 | |
You've heard of Mr Petrov, dear? | 1:04:35 | 1:04:39 | |
-Yes. Isn't he the man you were telling me about? -Yes. He's the one! | 1:04:39 | 1:04:44 | |
Yes. I'm...the one. | 1:04:44 | 1:04:47 | |
Glad to see you, Mr Montgomery. | 1:04:47 | 1:04:52 | |
The editor will retract the story, but how about those pictures? | 1:04:52 | 1:04:57 | |
-Yes, as I was saying, how about those pictures? -Er, yes. How about those pictures! | 1:04:57 | 1:05:05 | |
Don't you think this is a poor time to announce our engagement? | 1:05:05 | 1:05:11 | |
Couldn't we wait? | 1:05:11 | 1:05:14 | |
Oh, yes, Jim. Of course. It's only fair to you. | 1:05:14 | 1:05:19 | |
Glad to have met you, Mr Petrov. | 1:05:24 | 1:05:27 | |
Me, too. | 1:05:27 | 1:05:29 | |
Charming chap. | 1:05:32 | 1:05:34 | |
-We'll manage this somehow. -But HOW? | 1:05:36 | 1:05:40 | |
The reporters are on their way up! What shall I do? What SHALL I do? | 1:05:40 | 1:05:46 | |
-Stall them off, Cecil. We'll sneak out. -Yes, sir. | 1:05:46 | 1:05:51 | |
-I'll meet you in the park. -OK. | 1:05:51 | 1:05:54 | |
Let's go back. I'm tired. | 1:06:14 | 1:06:17 | |
I can't keep this up much longer. I haven't been on skates since I was a kid. | 1:06:44 | 1:06:51 | |
-It was YOUR idea. -Yeah. | 1:06:51 | 1:06:54 | |
-How much longer do we stay out? -Oh, the reporters will leave by dark. | 1:06:54 | 1:07:00 | |
It would look funny if we denied the marriage now, wouldn't it? | 1:07:00 | 1:07:06 | |
-I don't know what to do. -I don't either. | 1:07:06 | 1:07:10 | |
The word is "eether". | 1:07:11 | 1:07:14 | |
All right. The word is eether. No use squabbling. | 1:07:14 | 1:07:19 | |
-That'll get neither of us any place. -The word is "neether". | 1:07:19 | 1:07:24 | |
-# -Things have come to a pretty pass | 1:07:24 | 1:07:27 | |
-# -Our romance is growing FLAT | 1:07:27 | 1:07:30 | |
-# -Cos you like this and the other | 1:07:30 | 1:07:33 | |
-# -While I go for this and that | 1:07:33 | 1:07:36 | |
-# -Goodness knows what the end will be I don't know where I'm at | 1:07:36 | 1:07:41 | |
-# -It's plain to see We two will never make one | 1:07:41 | 1:07:45 | |
-# -Something must be done | 1:07:45 | 1:07:49 | |
-# -You say eether I say either | 1:07:49 | 1:07:52 | |
-# -You say neether I say neither | 1:07:52 | 1:07:55 | |
-# -Eeether, either, neether, neither Let's call the whole thing off | 1:07:55 | 1:08:00 | |
-# -You like potato, I like potatah You like tomato, I like tomatah | 1:08:00 | 1:08:06 | |
-# -Potato, potatah, tomato, tomatah Let's call the whole thing off | 1:08:06 | 1:08:11 | |
-# -But o-o-o-o-h If we call the whole thing off Then we must part | 1:08:11 | 1:08:17 | |
-# -And o-o-o-o-h if we ever part Then that might break my heart | 1:08:17 | 1:08:23 | |
-# -So if you like pyjamas And I like pyjahamas | 1:08:23 | 1:08:25 | |
-# -I'll wear pyjamas And give up pyjahamas | 1:08:25 | 1:08:28 | |
-# -For we know we need each other so we | 1:08:28 | 1:08:31 | |
-# -Better call the calling off off Let's call the whole thing off | 1:08:31 | 1:08:36 | |
-# -You say laughter I saw lawfter | 1:08:39 | 1:08:42 | |
-# -You say after I saw awfter | 1:08:42 | 1:08:45 | |
-# -Laughter, lawfter, after, awfter Let's call the whole thing off | 1:08:45 | 1:08:50 | |
-# -You like Havana I like Havanha | 1:08:50 | 1:08:53 | |
-# -You eat banana I eat bananha | 1:08:53 | 1:08:56 | |
-# -Havana, Havanha, banana, bananha Let's call the whole thing off | 1:08:56 | 1:09:01 | |
-# -But o-o-o-o-h If we call the whole thing off Then we must part | 1:09:01 | 1:09:07 | |
-# -And, o-o-o-o-h if we ever part Then that might break my heart | 1:09:07 | 1:09:12 | |
-# -So if you like oysters And I like ersters | 1:09:12 | 1:09:15 | |
-# -I'll take oysters And give up ersters | 1:09:15 | 1:09:18 | |
-# -For we know we need each other so we | 1:09:18 | 1:09:21 | |
-# -Better call the calling off OFF Let's call the whole thing off! -# | 1:09:21 | 1:09:26 | |
SHE TAPS IN TIME TO MUSIC | 1:09:26 | 1:09:29 | |
Yes, it was MY idea. | 1:11:54 | 1:11:57 | |
Have you any more of them? | 1:11:58 | 1:12:01 | |
PAPER BOY: Read about the secret marriage! | 1:12:02 | 1:12:06 | |
Read all about the secret marriage! | 1:12:06 | 1:12:10 | |
We're about the only two people who don't think we're married! | 1:12:10 | 1:12:15 | |
-We both KNOW we're NOT. -I'm beginning to have my doubts. | 1:12:15 | 1:12:20 | |
Don't say I have to convince YOU that we're not married?! | 1:12:20 | 1:12:25 | |
We certainly can't deny it, in the face of those pictures. | 1:12:25 | 1:12:30 | |
-No, I'm afraid not. -We can't even get a divorce. | 1:12:30 | 1:12:35 | |
If I COULD divorce you before I married Jim, THAT would put a stop to all this. | 1:12:35 | 1:12:42 | |
It certainly would! | 1:12:42 | 1:12:45 | |
Peter, you've got to marry me. | 1:12:49 | 1:12:52 | |
Why, Linda, this is so sudden. | 1:12:52 | 1:12:55 | |
If we get married, I could start divorce proceedings. | 1:12:55 | 1:13:00 | |
Well, I...I don't know. | 1:13:00 | 1:13:03 | |
You got me into all this, you should marry me. | 1:13:03 | 1:13:08 | |
It wasn't MY fault. | 1:13:08 | 1:13:10 | |
-All right, it's MY fault. But you've got to marry me. -Well...I...I... | 1:13:10 | 1:13:18 | |
-I'd like to think it over. -There's nothing to think over! -All right. | 1:13:18 | 1:13:24 | |
But where can we get a licence? | 1:13:25 | 1:13:28 | |
-Everybody in New York knows us. -Try New Jersey. -Thanks. | 1:13:28 | 1:13:33 | |
The name of the bride is...? | 1:13:39 | 1:13:42 | |
My...er...my REAL name... is Linda Thompson. | 1:13:43 | 1:13:47 | |
And the name of the groom? | 1:13:49 | 1:13:52 | |
Er...Peter P. Peters. | 1:13:52 | 1:13:55 | |
I beg your pardon, but what are grounds for divorce in this state? | 1:13:58 | 1:14:04 | |
Marriage! | 1:14:05 | 1:14:07 | |
Good afternoon. | 1:14:13 | 1:14:15 | |
Oh, Lady Tarrington, your suite is ready. | 1:14:15 | 1:14:20 | |
Announce me to Mr Petrov. < Is he expecting you? Yes! | 1:14:20 | 1:14:25 | |
Room 2601. I'll have you announced. | 1:14:25 | 1:14:28 | |
TELEPHONE RINGS | 1:14:28 | 1:14:31 | |
Petrov! Where ARE you? | 1:14:31 | 1:14:34 | |
Oh, it's not Petrov? It's the desk. | 1:14:34 | 1:14:38 | |
Lady Tarrington? Send her up. | 1:14:38 | 1:14:41 | |
Lady Tarrington?! She can't come up here. | 1:14:42 | 1:14:46 | |
Tell her to go back to Paris. | 1:14:46 | 1:14:49 | |
She's on her way up?! Let me talk to the floor manager. | 1:14:49 | 1:14:55 | |
Cecil Flintridge. Oh, it's YOU, Mr Baird. How are you? | 1:14:57 | 1:15:03 | |
That doesn't matter. The woman who started the rumour of Petrov's marriage... | 1:15:03 | 1:15:10 | |
-Yes, I said rumour. -Rumour? > | 1:15:10 | 1:15:13 | |
YES! They are NOT married! | 1:15:13 | 1:15:16 | |
-Oh, Denise! It's you! -So, they are NOT married? | 1:15:18 | 1:15:24 | |
Yes, well, that is, not exactly, no. | 1:15:24 | 1:15:27 | |
Well, my little journey is going to be exciting! | 1:15:27 | 1:15:32 | |
-Oh, you're not going to...er...? -Oh, yes, indeed I am! | 1:15:32 | 1:15:38 | |
-DOOR BUZZER -That's Petrov now. | 1:15:38 | 1:15:41 | |
I don't wish to shilly-shally. | 1:15:44 | 1:15:47 | |
-But I want to know - is Petrov married or not?! -Yes! He is not. | 1:15:47 | 1:15:53 | |
Johnson... | 1:15:54 | 1:15:56 | |
Change that lock! | 1:15:56 | 1:15:59 | |
FLOWER-SELLER: Gardenias, 10 cents. | 1:16:16 | 1:16:19 | |
Right here, please. | 1:16:19 | 1:16:22 | |
A corsage for the bride. | 1:16:23 | 1:16:26 | |
-That's all right. -Thank you, sir. | 1:16:28 | 1:16:31 | |
Tomorrow we'll be all straightened out. | 1:16:50 | 1:16:54 | |
-You'll be on YOUR way, and I'll...be on MY way. -Where? | 1:16:54 | 1:16:59 | |
Oh, back to being a bachelor. Catch up with my usual life. | 1:16:59 | 1:17:04 | |
-Forget all this. -I hope you enjoy it. | 1:17:04 | 1:17:08 | |
Thanks. I hope you enjoy your divorce. | 1:17:08 | 1:17:13 | |
Thanks. I didn't know getting married was so depressing. I'm sorry I asked you. | 1:17:13 | 1:17:20 | |
-That's all right. I'll get over it. -Oh, of course. | 1:17:20 | 1:17:25 | |
-# -Our romance won't end on a sorrowful note | 1:17:25 | 1:17:29 | |
-# -Though by tomorrow you're gone | 1:17:29 | 1:17:32 | |
-# -The song is ended But as the songwriter wrote | 1:17:32 | 1:17:37 | |
-# -The melody lingers on | 1:17:37 | 1:17:40 | |
-# -They may take you from me I'll miss your fond caress | 1:17:40 | 1:17:46 | |
-# -But though they take you from me I'll still poss-e-e-e-e-ss | 1:17:46 | 1:17:53 | |
-# -The way you wear your hat | 1:17:53 | 1:17:58 | |
-# -The way you sip your tea | 1:17:58 | 1:18:02 | |
-# -The memory of all that | 1:18:02 | 1:18:07 | |
-# -Oh no They can't take that away from me | 1:18:07 | 1:18:11 | |
-# -The way your smile just beams | 1:18:11 | 1:18:15 | |
-# -The way you sing off-key | 1:18:15 | 1:18:19 | |
-# -The way you haunt my dreams | 1:18:20 | 1:18:24 | |
-# -No no They can't take that away from me | 1:18:24 | 1:18:29 | |
-# -We may never never meet again | 1:18:29 | 1:18:33 | |
-# -On the bumpy road to love | 1:18:33 | 1:18:37 | |
-# -But I'll always always keep the memory of... | 1:18:37 | 1:18:44 | |
-# -The way you hold your knife | 1:18:44 | 1:18:48 | |
-# -The way we danced till three | 1:18:48 | 1:18:53 | |
-# -The way you changed my life | 1:18:53 | 1:18:57 | |
-# -No no They can't take that away from me | 1:18:57 | 1:19:02 | |
-# -No... | 1:19:02 | 1:19:03 | |
-# -They can't take that a-a-a-a-way | 1:19:03 | 1:19:07 | |
-# -From m-e-e-e-e-e-e. -# | 1:19:07 | 1:19:11 | |
I guess the honeymoon is over. | 1:19:40 | 1:19:44 | |
Won't you come in for a drink? | 1:19:44 | 1:19:47 | |
No, I don't think so. | 1:19:48 | 1:19:51 | |
-Goodnight. -A cigarette? | 1:19:51 | 1:19:54 | |
No. No. Thanks just the same. | 1:19:56 | 1:19:59 | |
I just want to thank you for everything. | 1:19:59 | 1:20:03 | |
You're welcome. | 1:20:04 | 1:20:07 | |
Well...goodnight. | 1:20:07 | 1:20:09 | |
Sorry! It's way past my bedtime. | 1:20:11 | 1:20:14 | |
Goodnight, Linda. | 1:20:14 | 1:20:17 | |
DOOR SLAMS | 1:20:26 | 1:20:28 | |
Jeff! | 1:20:37 | 1:20:39 | |
Jeff! | 1:20:39 | 1:20:41 | |
KNOCK ON DOOR | 1:21:03 | 1:21:06 | |
Come in. | 1:21:10 | 1:21:14 | |
Oh, Cecil. | 1:21:17 | 1:21:20 | |
-M...may I come in? -Isn't it way past your bedtime? | 1:21:20 | 1:21:24 | |
-Yes. But I've been waiting up to see you. -To see me? | 1:21:24 | 1:21:29 | |
I must acquaint you with the varying state of my mind. | 1:21:29 | 1:21:34 | |
It feels like a pendulum. To...and fro. | 1:21:34 | 1:21:38 | |
Then a moment later, fro...and to. | 1:21:38 | 1:21:42 | |
Miss Keene, ARE you Mrs Petrov? Or should I say, Miss Petrov, are you Miss Keene? | 1:21:44 | 1:21:52 | |
I'll tell you, Cecil, we ARE married. | 1:21:52 | 1:21:56 | |
-Mrs Petrov! My best congratulations! -Thank you. | 1:21:56 | 1:22:00 | |
-Now I can go to bed with a clear conscience. -So can I! | 1:22:00 | 1:22:05 | |
Mrs Petrov, I hope you will forgive me, | 1:22:05 | 1:22:09 | |
but in the stress of the circumstances, I changed the lock. | 1:22:09 | 1:22:15 | |
But may I present you with this? | 1:22:15 | 1:22:18 | |
The new key to your happiness! | 1:22:18 | 1:22:21 | |
Thank you. | 1:22:21 | 1:22:23 | |
Thank YOU. Goodnight. | 1:22:23 | 1:22:26 | |
HANDLE CLICKS | 1:22:39 | 1:22:42 | |
-KNOCK ON DOOR -Come in! | 1:22:58 | 1:23:02 | |
Peter! | 1:23:02 | 1:23:04 | |
Denise! | 1:23:06 | 1:23:08 | |
-You can't come in here. -Why? Afraid your wife will object(?) | 1:23:08 | 1:23:13 | |
-Yes. Yes, exactly. -Peter, please! Think of a new one. | 1:23:13 | 1:23:18 | |
-B...but I'm married. REALLY. -Jeffrey told me the truth. | 1:23:18 | 1:23:24 | |
-But even Jeffrey doesn't know. -Are you sure your WIFE knows? | 1:23:24 | 1:23:29 | |
-Please go away. -I don't believe you. | 1:23:29 | 1:23:33 | |
And I won't budge under any circumstances! | 1:23:33 | 1:23:37 | |
Peter, you're so worked up... and I LOVE it! | 1:23:44 | 1:23:49 | |
Linda! | 1:23:53 | 1:23:56 | |
-Wait a minute! -Yes, don't go. | 1:23:56 | 1:23:58 | |
Er...this is...Lady Tarrington. | 1:23:58 | 1:24:01 | |
This is my wife, Mrs Petrov... er...Miss Keene. | 1:24:01 | 1:24:06 | |
Oh. I have heard about you. | 1:24:06 | 1:24:09 | |
I hadn't heard about YOU. Why have you been so secretive? | 1:24:09 | 1:24:14 | |
Oh, well, er...er...I didn't think you'd be interested. | 1:24:14 | 1:24:19 | |
How silly! I imagine Lady Tarrington is quite charming. | 1:24:19 | 1:24:25 | |
-When you get to know her. -She is. I mean... | 1:24:25 | 1:24:29 | |
You really ARE married to Peter? | 1:24:29 | 1:24:32 | |
Yes. Really. Do you mind? | 1:24:32 | 1:24:35 | |
No. But I think it would be awfully pleasant if you would divorce him. | 1:24:35 | 1:24:41 | |
I'm sure I'll NEVER divorce him. | 1:24:41 | 1:24:44 | |
You are more intelligent than you look. | 1:24:45 | 1:24:49 | |
Thank you. | 1:24:49 | 1:24:51 | |
I wish I could say the same of you. Goodnight. | 1:24:51 | 1:24:55 | |
Tai! | 1:25:03 | 1:25:06 | |
-I'm sorry, Peter. -No, no, don't apologise. | 1:25:06 | 1:25:10 | |
-You've done me a great favour. -I certainly didn't mean to. | 1:25:10 | 1:25:15 | |
-Bon voyage. -Are you going away? | 1:25:17 | 1:25:20 | |
No. But I thought maybe YOU were. | 1:25:20 | 1:25:23 | |
-I'll send for you. -Yes, miss. | 1:25:26 | 1:25:28 | |
-Good luck, Peter. -Thanks, Denise. | 1:25:39 | 1:25:42 | |
Linda! Linda, darling! She's gone! | 1:25:53 | 1:25:56 | |
May I come in to tell you how happy I am that you're not divorcing me? | 1:25:56 | 1:26:03 | |
Linda! | 1:26:04 | 1:26:06 | |
Linda! | 1:26:07 | 1:26:09 | |
Tell me where you're going. | 1:26:13 | 1:26:17 | |
All right, Linda, if that's the way you feel. Good luck. | 1:26:17 | 1:26:23 | |
Now what? Linda. | 1:26:23 | 1:26:27 | |
She's walked out. For good. | 1:26:27 | 1:26:30 | |
For whose good? Not yours or your creditors. | 1:26:30 | 1:26:34 | |
Creditors? Yeah. The people who come up because the customers didn't. | 1:26:34 | 1:26:40 | |
Send up a case of champagne! | 1:26:42 | 1:26:45 | |
-Have you heard from Linda? -Yeah. -Where is she? -She wouldn't say. | 1:26:48 | 1:26:53 | |
But she said something about going through with the divorce. | 1:26:53 | 1:26:58 | |
-Why didn't you stop her? -I tried to stop her marrying Montgomery. -What did YOU do? | 1:26:58 | 1:27:05 | |
-I proved that she was married to you. -YOU took those pictures? | 1:27:05 | 1:27:10 | |
How? | 1:27:10 | 1:27:12 | |
If Linda didn't marry Montgomery, I thought I'd get her in my review. But YOU had to horn in. | 1:27:18 | 1:27:26 | |
-Now I've lost her. -I'VE lost her. | 1:27:26 | 1:27:29 | |
Petrov! Oh, you're here! | 1:27:29 | 1:27:32 | |
Let me tell you... Hello, Miss Keene. | 1:27:32 | 1:27:36 | |
-We have no show! -Arthur hasn't either. -I'm glad. | 1:27:36 | 1:27:41 | |
The show's been cancelled because of you and THAT woman. | 1:27:41 | 1:27:46 | |
Oh, my word! She's fainted! | 1:27:46 | 1:27:49 | |
-It's just a dummy. -I know she's a dummy. A tap-dancing dummy. | 1:27:49 | 1:27:55 | |
You mean a dumb dummy. Of course! That picture in the paper! | 1:27:58 | 1:28:03 | |
You know where we are, don't you? | 1:28:05 | 1:28:08 | |
We're in New York with no show - all because of you and your practical jokes. | 1:28:08 | 1:28:15 | |
We can help. We'll use your boy in our show. | 1:28:15 | 1:28:19 | |
-My what?! -What if we find a spot for you? > | 1:28:19 | 1:28:24 | |
You vandal! The great Petrov in one of your cheap shows?! | 1:28:24 | 1:28:29 | |
What's wrong? | 1:29:06 | 1:29:08 | |
-I'm still trying to get an idea. Something's missing. -Linda Keene! | 1:29:08 | 1:29:14 | |
A man outside to see Mr Petrov. Shall I let him in? | 1:29:14 | 1:29:19 | |
Nobody is to go near him. But he... | 1:29:19 | 1:29:22 | |
-I'm going to dance with Linda! -Is she back? -No. But that figure gave me an idea. | 1:29:22 | 1:29:29 | |
-If I can't dance with ONE Linda, I'll dance with dozens! -You've got something! | 1:29:29 | 1:29:36 | |
The man says if he don't see... | 1:29:36 | 1:29:39 | |
Tell him YOU'RE Petrov. Like a game? Yes! | 1:29:39 | 1:29:45 | |
What's troubling you, good fellow? | 1:29:47 | 1:29:50 | |
Peter P Peters, known as Petrov? | 1:29:50 | 1:29:53 | |
What an amusing alliteration! I am. | 1:29:53 | 1:29:57 | |
Here's a present for you. Thank you. | 1:29:58 | 1:30:02 | |
Now I see the idea of the game. | 1:30:07 | 1:30:10 | |
I am NOT Peter Peters. Neither am I Petrov. | 1:30:10 | 1:30:14 | |
Oh, wise guy, eh? Leave these premises! | 1:30:14 | 1:30:19 | |
I'm waiting to speak with Mr Arthur Miller. | 1:30:26 | 1:30:30 | |
Well, I'll speak with Mr Jeffrey Baird. | 1:30:30 | 1:30:34 | |
This is Cecil Flintridge. Yes. I'll wait. | 1:30:34 | 1:30:38 | |
Hello? | 1:30:42 | 1:30:43 | |
-Hello, Jeffrey. Are you there? -Of course I'm here. | 1:30:43 | 1:30:48 | |
Don't shout at me! I'm in jail. | 1:30:48 | 1:30:51 | |
That's OK. We don't need you. | 1:30:51 | 1:30:54 | |
I'm in jail! Get me out. I'm at the Susquehanna Street jail. | 1:30:54 | 1:31:00 | |
Susquehanna! | 1:31:00 | 1:31:02 | |
Susquehanna! | 1:31:03 | 1:31:05 | |
S...U...S...Q... | 1:31:05 | 1:31:08 | |
Q! Q! You know, the thing you play billiards with. | 1:31:08 | 1:31:13 | |
Billiards! | 1:31:14 | 1:31:16 | |
B...I...L...L... What is this? A spelling bee? | 1:31:16 | 1:31:21 | |
No. "L" for larynx. | 1:31:21 | 1:31:24 | |
L...A...R...Y...N... | 1:31:24 | 1:31:27 | |
Not M - N ! N as in neighbour! | 1:31:27 | 1:31:31 | |
N...E...I...G...H...B... | 1:31:31 | 1:31:34 | |
B ! | 1:31:34 | 1:31:36 | |
B ! Bzzzzzzzzzzzzzzzzzzzzzzzzzz! | 1:31:37 | 1:31:40 | |
You know, the stinging insect. | 1:31:40 | 1:31:43 | |
Insect! I...N...S... | 1:31:43 | 1:31:46 | |
S! | 1:31:46 | 1:31:48 | |
S for symbol! | 1:31:48 | 1:31:50 | |
S...Y... | 1:31:51 | 1:31:53 | |
Y! | 1:31:53 | 1:31:55 | |
Y! | 1:31:56 | 1:31:58 | |
Don't ask ME why! | 1:31:58 | 1:32:01 | |
Look, Jeffrey, I'm in jail. Wait a minute. | 1:32:01 | 1:32:05 | |
What jail did you say this was? Susquehanna Street. Thank you. | 1:32:05 | 1:32:11 | |
I'm in the Susque...the Susq... | 1:32:11 | 1:32:14 | |
Jeffrey, listen closely. | 1:32:14 | 1:32:17 | |
Do you know where Oak Street jail is? | 1:32:17 | 1:32:21 | |
You do? Fine! I'll have them transfer me there in the MORNING! | 1:32:21 | 1:32:26 | |
ORCHESTRA BEGIN TO PLAY | 1:32:56 | 1:32:59 | |
Linda, give up this idea of making a spectacle of yourself. | 1:36:58 | 1:37:03 | |
-Our men will serve Petrov. -Your men have had their chance. | 1:37:03 | 1:37:09 | |
Besides, I'll enjoy serving this summons PERSONALLY. | 1:37:09 | 1:37:15 | |
Linda, it was swell of you to come. | 1:37:25 | 1:37:28 | |
Meet my attorney, Mr Russell. | 1:37:28 | 1:37:31 | |
How do you do? How do you do? | 1:37:31 | 1:37:34 | |
He said if he couldn't dance with you, he'd dance with images of you. | 1:37:44 | 1:37:50 | |
-Arthur, take me backstage. -Mrs Petrov! Or...Miss Keene? | 1:39:26 | 1:39:31 | |
Ssssh! | 1:39:31 | 1:39:33 | |
You're back! What do you want? | 1:39:33 | 1:39:36 | |
Ssh! | 1:39:36 | 1:39:37 | |
-Ssh! -What's the matter, Cecil? -Ssh! | 1:39:38 | 1:39:41 | |
-Ssh! -< Ssh! | 1:39:41 | 1:39:44 | |
SSSSSSSSH! | 1:39:44 | 1:39:47 | |
Ssssh! < SSSSSSH! | 1:39:47 | 1:39:52 | |
-SSSSSH! -Arthur, please. | 1:39:52 | 1:39:55 | |
Ssssh! Sssh! Ssssh! | 1:39:55 | 1:40:00 | |
-Sssssh! -Ssssh! | 1:40:00 | 1:40:04 | |
-# -Drop that long face Come on, have your fling | 1:40:15 | 1:40:20 | |
-# -Why keep nursing the blues? | 1:40:20 | 1:40:23 | |
-# -If you want this old world on a string | 1:40:23 | 1:40:27 | |
-# -Put on your dancing shoes Stop wasting time | 1:40:27 | 1:40:31 | |
-# -Put on your dancing shoes Watch your spirits climb | 1:40:31 | 1:40:36 | |
-# -Shall we dance Or keep on moping? | 1:40:36 | 1:40:40 | |
-# -Shall we dance And walk on air? | 1:40:40 | 1:40:43 | |
-# -Shall we give in to despair? | 1:40:43 | 1:40:46 | |
-# -Or shall we dance with never a care? | 1:40:46 | 1:40:50 | |
-# -Life is short We're growing older | 1:40:50 | 1:40:54 | |
-# -Don't you be an also-ran | 1:40:54 | 1:40:57 | |
-# -Dance little lady little man... | 1:40:57 | 1:41:00 | |
-# -Dance whenever you can. -# | 1:41:00 | 1:41:03 | |
Hotchachanya! | 1:41:53 | 1:41:55 | |
TOGETHER: # They all said we'd never get together | 1:43:15 | 1:43:20 | |
# They laughed at us and how | 1:43:20 | 1:43:23 | |
# But ho, ho, ho! Who's got the last laugh now? # | 1:43:23 | 1:43:28 | |
Subtitles by BBC | 1:43:36 | 1:43:39 | |
E-mail [email protected] | 1:43:39 | 1:43:42 |