Browse content similar to Tara Road. Check below for episodes and series from the same categories and more!
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WOMAN: Hey, guys! Up here! | 0:00:17 | 0:00:20 | |
ALL CHEER | 0:00:20 | 0:00:22 | |
Have a magic trip. | 0:00:22 | 0:00:24 | |
We're giving up. This is our last day. | 0:00:24 | 0:00:26 | |
Jerry, it's OK. Do that thing. | 0:00:26 | 0:00:28 | |
He's coming, he's coming, he's coming. | 0:00:31 | 0:00:33 | |
-ALL SING: -# Happy birthday to you | 0:00:33 | 0:00:36 | |
# Happy birthday, dear Dale... # | 0:00:36 | 0:00:38 | |
-Thanks, Mom. -Happy birthday, darling. | 0:00:38 | 0:00:40 | |
# Happy birthday to you. # | 0:00:40 | 0:00:44 | |
Don't you wanna know what your old dad's got you? | 0:00:44 | 0:00:46 | |
You're not so old, Dad. | 0:00:46 | 0:00:47 | |
A Shetland pony! | 0:00:49 | 0:00:50 | |
A pony, you always wanted to have a pony, right? | 0:00:50 | 0:00:53 | |
ALL EXCLAIM | 0:00:54 | 0:00:57 | |
I can't believe it. | 0:00:58 | 0:01:00 | |
You like it? | 0:01:02 | 0:01:04 | |
Thanks, Dad. Thank you so much. | 0:01:04 | 0:01:06 | |
ENGINE REVS | 0:01:08 | 0:01:11 | |
No going outside that fence, no going outside that fence. | 0:01:11 | 0:01:14 | |
Sure, Dad. No way. | 0:01:14 | 0:01:16 | |
-Let's go! Yeah! -Careful. | 0:01:16 | 0:01:18 | |
Yeah, let's go! | 0:01:18 | 0:01:20 | |
ALL CHEER | 0:01:26 | 0:01:29 | |
-Alright. -He's a natural. | 0:01:29 | 0:01:31 | |
They're going too fast. | 0:01:36 | 0:01:37 | |
CRASH! | 0:01:39 | 0:01:41 | |
WOMAN SCREAMS | 0:01:44 | 0:01:47 | |
Somebody help me! Dale! | 0:01:47 | 0:01:50 | |
Mum! | 0:02:59 | 0:03:00 | |
Come and help your mother here. | 0:03:00 | 0:03:02 | |
Did you get everything, Mum? | 0:03:03 | 0:03:05 | |
I hope so. Too late now if I haven't. | 0:03:05 | 0:03:06 | |
-Did you get Twiglets? -They're for anorexics. | 0:03:06 | 0:03:09 | |
Oh, what would you know? Little squirt! | 0:03:09 | 0:03:11 | |
It's my birthday. | 0:03:11 | 0:03:12 | |
Alright, alright, Brian. I see that Dad's car's not here yet. | 0:03:12 | 0:03:15 | |
Well, we got hats, we got swords, we got streamers... | 0:03:16 | 0:03:18 | |
Happy birthday, little brother. | 0:03:18 | 0:03:20 | |
-Annie! Annie, open the door. -Come on, Annie, open up. | 0:03:20 | 0:03:22 | |
MAN: Yeah. No, I hear what you're saying. | 0:03:26 | 0:03:29 | |
It's no problem. Well, we've sold the apartments. | 0:03:31 | 0:03:33 | |
Now, there's a penthouse left. It's yours if you want it. | 0:03:33 | 0:03:36 | |
OK. | 0:03:36 | 0:03:38 | |
Well, you deal with me and nobody else, right? | 0:03:38 | 0:03:40 | |
Everyone is either putting it offshore or sticking it in property. | 0:03:42 | 0:03:45 | |
We'll give 'em all the property they want. | 0:03:45 | 0:03:48 | |
As long as the market holds. | 0:03:48 | 0:03:50 | |
The market's holding like a sumo wrestler, Dan. | 0:03:50 | 0:03:53 | |
Best figures ever. | 0:03:54 | 0:03:56 | |
Your wife's coming, Mr McCarthy. | 0:03:56 | 0:03:58 | |
-Oh, great. -Come on, Polly. | 0:03:58 | 0:03:59 | |
Fancy dinner later? | 0:04:06 | 0:04:08 | |
You, me and Polly. | 0:04:08 | 0:04:10 | |
Sorry, Barney. It's my son's birthday. | 0:04:10 | 0:04:12 | |
I better split. Late as it is. | 0:04:12 | 0:04:15 | |
-Hi, Mona. -Danny. How are you? | 0:04:15 | 0:04:17 | |
-You're looking, um...powerful. -Oh, thank you... | 0:04:17 | 0:04:20 | |
Don't listen to that flatterer, darlin'! | 0:04:20 | 0:04:22 | |
He'd charm the birds off the trees. | 0:04:22 | 0:04:24 | |
I know that. | 0:04:24 | 0:04:25 | |
It's Brian's birthday. Ria's waiting for me. | 0:04:25 | 0:04:27 | |
-Here you are. That's for Brian. -Oh, now, you shouldn't... | 0:04:27 | 0:04:29 | |
-Happy birthday. -Thanks a million. | 0:04:29 | 0:04:31 | |
-He's a lovely kid. -I'll see you, Barney. | 0:04:31 | 0:04:33 | |
-Bye. -What did you give the kid? | 0:04:33 | 0:04:35 | |
More than you did. | 0:04:35 | 0:04:37 | |
Who wants jelly? | 0:04:37 | 0:04:38 | |
-KIDS: -Me! Me! | 0:04:38 | 0:04:41 | |
-Pack of wild animals. -One at a time. | 0:04:41 | 0:04:43 | |
Cake arriving. | 0:04:43 | 0:04:45 | |
Oh, Rosemary, you are wonderful. What would I do without you? | 0:04:45 | 0:04:48 | |
What are best friends for? | 0:04:48 | 0:04:50 | |
Annie, I thought you might like this. | 0:04:50 | 0:04:51 | |
Look at that, Brian. What do you think? | 0:04:52 | 0:04:54 | |
Aren't you a spoilt boy? | 0:04:54 | 0:04:56 | |
Do I get paid for wearing this? | 0:04:57 | 0:04:58 | |
Say thanks, Annie. | 0:04:58 | 0:05:00 | |
Thanks. | 0:05:00 | 0:05:01 | |
Don't worry, I used to be like that myself. | 0:05:01 | 0:05:04 | |
-Will I get these candles lit? -Perfect. Thank you. | 0:05:04 | 0:05:07 | |
Outside, everybody. Outside, everyone. | 0:05:07 | 0:05:08 | |
-Hi, Rosemary. -Hey, Danny. | 0:05:08 | 0:05:11 | |
Kids, how's it going? | 0:05:11 | 0:05:12 | |
Everybody out now. | 0:05:15 | 0:05:17 | |
My big birthday boy. | 0:05:18 | 0:05:21 | |
Hi, Annie. I can see you're enjoying yourself. | 0:05:23 | 0:05:25 | |
Yeah. | 0:05:25 | 0:05:27 | |
Just in time for the cake. | 0:05:27 | 0:05:29 | |
I'm sorry I'm late. | 0:05:29 | 0:05:31 | |
Oh, Rosemary. You've been so good. | 0:05:32 | 0:05:34 | |
Who wants a game of football? | 0:05:37 | 0:05:39 | |
I'll be off, darling. Goodbye. | 0:05:43 | 0:05:45 | |
-See you, Gran. -Thanks for your help, Mum. | 0:05:45 | 0:05:47 | |
Bye, sweetheart. Bye-bye. | 0:05:47 | 0:05:48 | |
What? | 0:06:10 | 0:06:12 | |
Well, I've been thinking, Danny. | 0:06:13 | 0:06:15 | |
About us. | 0:06:17 | 0:06:19 | |
Aye, so have I. | 0:06:20 | 0:06:21 | |
Don't get much chance to talk these days. | 0:06:21 | 0:06:24 | |
You're looking so beautiful, Dan. | 0:06:27 | 0:06:30 | |
You've got that look in your eye. | 0:06:31 | 0:06:33 | |
LAUGHS: You're kidding. | 0:06:33 | 0:06:35 | |
I can see these things. | 0:06:35 | 0:06:37 | |
It's time for another baby. | 0:06:39 | 0:06:41 | |
Well, a new baby puts everything into perspective. | 0:06:42 | 0:06:45 | |
Work, Barney, all this rushing around. | 0:06:45 | 0:06:48 | |
How long have you known? | 0:06:51 | 0:06:53 | |
I think I've always known the time would come. | 0:06:53 | 0:06:56 | |
What with Annie and Brian grown up so quickly. | 0:06:56 | 0:06:58 | |
They'll always be special, and nothing's gonna change that. | 0:06:59 | 0:07:04 | |
Of course. | 0:07:04 | 0:07:05 | |
Ria, I can't understand how you're so calm. | 0:07:05 | 0:07:11 | |
You're so bloody calm. | 0:07:11 | 0:07:13 | |
Well, I'm excited, Danny, darlin'. | 0:07:13 | 0:07:15 | |
I've been wanting us to have another baby for a long time now. | 0:07:15 | 0:07:18 | |
Oh, God. Oh, my God. I don't believe this. | 0:07:18 | 0:07:22 | |
What? | 0:07:22 | 0:07:24 | |
You said "us". | 0:07:24 | 0:07:25 | |
You were talking about me and you. | 0:07:25 | 0:07:27 | |
I thought you'd found out. | 0:07:27 | 0:07:28 | |
For a mad moment, I thought you'd accepted it. | 0:07:28 | 0:07:32 | |
Found out what? | 0:07:32 | 0:07:34 | |
I... | 0:07:41 | 0:07:43 | |
I'm having another baby. | 0:07:45 | 0:07:47 | |
Ria? | 0:07:52 | 0:07:54 | |
I've been seeing someone else and we just found out she's pregnant. | 0:07:54 | 0:08:00 | |
GASPS | 0:08:00 | 0:08:02 | |
Ria, I'm sorry. I was gonna tell you. | 0:08:02 | 0:08:04 | |
I didn't mean it to be like this. | 0:08:05 | 0:08:07 | |
I never wanted anything like this to happen. | 0:08:09 | 0:08:12 | |
Dad, what are you doing? | 0:08:12 | 0:08:14 | |
WOMAN SCREAMS Somebody help me! | 0:09:12 | 0:09:15 | |
Can somebody help me? | 0:09:17 | 0:09:19 | |
WOMAN WAILS | 0:09:34 | 0:09:36 | |
WOMAN SCREAMS | 0:09:41 | 0:09:44 | |
SOBS AND WAILS | 0:09:44 | 0:09:48 | |
MAN: Have you put anything at all in that bag, Marilyn? | 0:10:15 | 0:10:17 | |
What do I need in Hawaii? A grass skirt? | 0:10:18 | 0:10:21 | |
LAUGHS: I can't wait to see that. | 0:10:21 | 0:10:24 | |
This is gonna be so good for us, Marilyn. | 0:10:31 | 0:10:34 | |
TUTS | 0:10:35 | 0:10:37 | |
Just a minute. | 0:10:42 | 0:10:44 | |
I'm not going. | 0:10:54 | 0:10:56 | |
Are you kidding? They're expecting us. | 0:10:56 | 0:10:59 | |
They're expecting you. | 0:10:59 | 0:11:00 | |
You can't stay here on your own. | 0:11:00 | 0:11:02 | |
I'm not gonna stay on my own. | 0:11:02 | 0:11:04 | |
What do you mean? | 0:11:04 | 0:11:06 | |
I don't know. | 0:11:06 | 0:11:08 | |
We can't go on like this, Greg. | 0:11:10 | 0:11:12 | |
We're different people now. | 0:11:12 | 0:11:14 | |
Can you honestly look at me | 0:11:18 | 0:11:20 | |
and tell me you have any feelings left for me at all? | 0:11:20 | 0:11:26 | |
Yes, I can, Marilyn. | 0:11:27 | 0:11:29 | |
Well, I don't for you. | 0:11:31 | 0:11:33 | |
Her name's Bernadette and... | 0:12:15 | 0:12:17 | |
The sex is fantastic. Please, Danny, you can spare me the details. | 0:12:17 | 0:12:20 | |
Oh, I beg you, Ria, don't be bitter and accusing. | 0:12:20 | 0:12:23 | |
I had no idea you weren't happy here with us. | 0:12:23 | 0:12:26 | |
-It's not that. -Well, what is it? | 0:12:26 | 0:12:28 | |
If I knew what it was, maybe I could do something about it. | 0:12:28 | 0:12:31 | |
Bernadette and me... | 0:12:32 | 0:12:34 | |
..it's the real thing, Ria. | 0:12:37 | 0:12:38 | |
I wanna spend the rest of my life with her. | 0:12:40 | 0:12:43 | |
We fell out of love, Ria, you and I. | 0:12:44 | 0:12:46 | |
I didn't. | 0:12:46 | 0:12:48 | |
I love everything about you. I want to feel your arms around me. | 0:12:48 | 0:12:51 | |
I want to hear you telling me this is all a nightmare. | 0:12:51 | 0:12:53 | |
-I just don't wanna upset the kids. -Well, stay here, then. | 0:12:53 | 0:12:56 | |
My mind's made up. | 0:12:57 | 0:12:59 | |
What'll we tell Brian and Annie about where we'll all live? | 0:12:59 | 0:13:01 | |
Well, I'll be living here, won't I? | 0:13:01 | 0:13:04 | |
Well, sweetheart, eventually we'll have to sell the place. | 0:13:04 | 0:13:07 | |
Sell Tara Road? | 0:13:07 | 0:13:09 | |
But this isn't a house, Danny, this is our home. | 0:13:10 | 0:13:13 | |
This is where we live. | 0:13:13 | 0:13:15 | |
I'm not moving out of my home so you can provide for your girlfriend! | 0:13:17 | 0:13:21 | |
PHONE RINGS Danny, could you get that? | 0:13:37 | 0:13:40 | |
Hello? | 0:13:53 | 0:13:54 | |
Yes, I'm looking for Danny Lynch. He's a property consultant. | 0:13:54 | 0:13:58 | |
My husband met him years ago in Ireland. | 0:13:58 | 0:14:01 | |
I'm Marilyn Vine. I'm from America. | 0:14:01 | 0:14:03 | |
I live in Stoneyfield, Connecticut, New England. | 0:14:03 | 0:14:05 | |
What? Why do you want him - Danny? | 0:14:05 | 0:14:07 | |
Oh, well, my husband said that he was a very helpful man, | 0:14:07 | 0:14:10 | |
and, you see, I've got this big house and a swimming pool | 0:14:10 | 0:14:12 | |
and I'm looking for someone | 0:14:12 | 0:14:14 | |
that would like to exchange homes with me. | 0:14:14 | 0:14:16 | |
I would like... I'd like to be near Dublin. | 0:14:16 | 0:14:20 | |
Is this Mrs Lynch? | 0:14:20 | 0:14:22 | |
I don't know. | 0:14:22 | 0:14:23 | |
I beg your pardon? | 0:14:23 | 0:14:25 | |
Look, it's the middle of the night here. | 0:14:25 | 0:14:28 | |
Oh, God, I'm so sorry! I completely forgot about the time change. | 0:14:28 | 0:14:31 | |
Look, I can call you back in the morning your time. | 0:14:31 | 0:14:34 | |
Oh, no, no, don't. | 0:14:34 | 0:14:36 | |
Um, listen, now's as good a time as any. | 0:14:36 | 0:14:38 | |
Um, well, I've got a big house too. | 0:14:38 | 0:14:41 | |
I'll do it. I'll swap with you. | 0:14:41 | 0:14:44 | |
You will? Oh, that's great. | 0:14:44 | 0:14:48 | |
That's great. | 0:14:48 | 0:14:50 | |
OK, well, I'll send you pictures and information right away. | 0:14:50 | 0:14:54 | |
You see, my husband, he's in Hawaii, | 0:14:54 | 0:14:56 | |
and I'd like to be there for a couple of months, | 0:14:56 | 0:14:58 | |
preferably when the weather's nice. | 0:14:58 | 0:14:59 | |
Oh, the... No, the weather's beautiful now. | 0:14:59 | 0:15:02 | |
THUNDER RUMBLES | 0:15:02 | 0:15:04 | |
I'm Ria, by the way. Ria Lynch. | 0:15:04 | 0:15:08 | |
Hello? Are you there? | 0:15:08 | 0:15:10 | |
Hello? | 0:15:11 | 0:15:13 | |
This whole thing is crazy. | 0:15:23 | 0:15:25 | |
You're letting some mad woman move in here, into my house. | 0:15:25 | 0:15:28 | |
OUR house. | 0:15:28 | 0:15:29 | |
It's not on, Ria. Believe me. | 0:15:29 | 0:15:31 | |
-It's all arranged, Danny. -Unarrange it, sweetheart. | 0:15:31 | 0:15:34 | |
Call me "sweetheart" one more time | 0:15:34 | 0:15:36 | |
and I swear I will grab the nearest fork and stick it in your eye. | 0:15:36 | 0:15:40 | |
Ria, going to America for two months, what's it gonna do for you? | 0:15:40 | 0:15:46 | |
Running away is never a good idea. | 0:15:46 | 0:15:48 | |
Well, I'm going. | 0:15:48 | 0:15:50 | |
She's arriving the same day. | 0:15:50 | 0:15:52 | |
The kids'll follow out later. | 0:15:53 | 0:15:55 | |
-Have you told 'em? -Not yet. | 0:15:57 | 0:15:59 | |
Don't. It'll cost me a fortune. | 0:15:59 | 0:16:02 | |
For God's sakes, I've got two homes to keep going now, Ria. | 0:16:02 | 0:16:05 | |
What a mess. | 0:16:12 | 0:16:14 | |
-Stop. -No. | 0:16:58 | 0:17:00 | |
Oh, no, please don't. Don't go. Don't leave me. | 0:17:00 | 0:17:03 | |
Please don't. | 0:17:03 | 0:17:04 | |
SIGHS: Oh, Ria. | 0:17:18 | 0:17:19 | |
Isn't it beautiful? | 0:17:21 | 0:17:23 | |
It reminds me of my grandmother's house. | 0:17:23 | 0:17:25 | |
Yes, it's lovely. | 0:17:26 | 0:17:28 | |
But, um, you know, what about friends? | 0:17:28 | 0:17:31 | |
Who are you gonna talk to? | 0:17:31 | 0:17:32 | |
In Ireland? The entire population. | 0:17:32 | 0:17:34 | |
The object of the exercise is to be alone. | 0:17:34 | 0:17:38 | |
What does Greg say? | 0:17:40 | 0:17:42 | |
Greg? | 0:17:42 | 0:17:44 | |
Greg doesn't know. | 0:17:45 | 0:17:47 | |
Hey, you can bring us back one of those leprechauns. | 0:17:49 | 0:17:52 | |
You know, little old men with red beards and yellow trousers. | 0:17:52 | 0:17:54 | |
They promise you a pot of gold. | 0:17:54 | 0:17:56 | |
You've been with enough of them already. | 0:17:56 | 0:17:59 | |
You're what? You're letting the house to a total stranger? | 0:18:00 | 0:18:03 | |
Well, she just separated from her husband. | 0:18:03 | 0:18:05 | |
Oh, yeah. Just like you and me. | 0:18:05 | 0:18:08 | |
Marilyn, in your state of mind, it's dangerous to go there on your own. | 0:18:08 | 0:18:11 | |
It's only for a short time, Greg. I just wanted you to know. | 0:18:11 | 0:18:14 | |
Try and... | 0:18:14 | 0:18:15 | |
Try and sort it out in your mind. I understand. | 0:18:15 | 0:18:17 | |
Do you? | 0:18:17 | 0:18:19 | |
Jesus, Marilyn, you're letting some Irish loony tune | 0:18:19 | 0:18:22 | |
take over our house. | 0:18:22 | 0:18:24 | |
She'll probably hang religious pictures everywhere, | 0:18:24 | 0:18:26 | |
wreck the place. | 0:18:26 | 0:18:27 | |
Hey, that special bottle of cognac you gave me on my birthday. | 0:18:27 | 0:18:31 | |
It's in my study. Hide it. | 0:18:31 | 0:18:33 | |
Marilyn, hide it away. | 0:18:33 | 0:18:34 | |
A swimming pool! Wow, look at that, Mum. | 0:18:38 | 0:18:40 | |
And what's that? | 0:18:40 | 0:18:42 | |
A basketball ring. | 0:18:42 | 0:18:43 | |
I'm not going. It'll solve nothing. | 0:18:43 | 0:18:46 | |
Fine. Stay here with Dad, then. | 0:18:46 | 0:18:47 | |
If he was my husband, I'd strangle him! | 0:18:47 | 0:18:49 | |
And you just sit there, Mum, and do nothing. | 0:18:49 | 0:18:53 | |
I'm not doing nothing. I'm going to New England. | 0:18:53 | 0:18:56 | |
You can come with me or you can stay here. | 0:18:56 | 0:18:58 | |
Annie, I'm sorry. | 0:19:02 | 0:19:03 | |
I'm sorry, I'm sorry, I'm sorry, I'm sorry. | 0:19:03 | 0:19:07 | |
SIGHS: God. | 0:19:08 | 0:19:11 | |
Annie's right. Danny's so stupid, walking out on this lovely home. | 0:19:11 | 0:19:16 | |
I mean, what can he get from that slut that he can't have here? | 0:19:16 | 0:19:19 | |
Oh, another crack at being young. | 0:19:19 | 0:19:20 | |
Well, he needs a crack alright - with a stick. | 0:19:20 | 0:19:23 | |
-What did you do to make him leave? -I don't know, Mum. | 0:19:23 | 0:19:26 | |
Well, you can look at what you're wearing for a start. | 0:19:26 | 0:19:29 | |
Mind you, might be a clever move, going away, Ria. | 0:19:31 | 0:19:33 | |
Absence makes the heart grow fonder. | 0:19:33 | 0:19:36 | |
Oh, God, I hope I'm doing the right thing. | 0:19:36 | 0:19:39 | |
If you could, Colm, that'd be great. | 0:19:41 | 0:19:43 | |
Oh, I'd love to look after it. | 0:19:43 | 0:19:45 | |
Listen, I can put in lettuces over here. | 0:19:45 | 0:19:48 | |
Oh, right. | 0:19:48 | 0:19:49 | |
Some scallions. It'll be great. | 0:19:49 | 0:19:51 | |
My customers'll love it. | 0:19:51 | 0:19:53 | |
By the time you get back, the whole garden will be blooming. | 0:19:53 | 0:19:56 | |
How are the kids? | 0:20:02 | 0:20:03 | |
Annie's taking it pretty badly. | 0:20:03 | 0:20:06 | |
That's understandable. | 0:20:06 | 0:20:09 | |
She thinks it's my fault. | 0:20:13 | 0:20:15 | |
RIA: Well, this is it. | 0:20:22 | 0:20:24 | |
Annie, you will try and be civil when you meet her? | 0:20:24 | 0:20:27 | |
She better not try and boss me around. | 0:20:27 | 0:20:29 | |
She won't. | 0:20:29 | 0:20:31 | |
I bet this is her and the mother. | 0:20:40 | 0:20:43 | |
It's them alright. | 0:20:45 | 0:20:47 | |
-BRIAN: -How can you tell? | 0:20:47 | 0:20:49 | |
A woman can tell these things. | 0:20:49 | 0:20:51 | |
But you couldn't tell Dad was seeing her. | 0:20:53 | 0:20:55 | |
Right, it's time. | 0:20:59 | 0:21:00 | |
I love you both so much. | 0:21:00 | 0:21:02 | |
DANNY: Hey, kids! | 0:21:30 | 0:21:31 | |
Wait for me! | 0:21:33 | 0:21:34 | |
Are you excited, Marilyn? | 0:21:39 | 0:21:41 | |
Yes, I am. | 0:21:41 | 0:21:43 | |
Well, let's go. | 0:21:43 | 0:21:44 | |
At least it's all spick-and-span. | 0:21:50 | 0:21:52 | |
You look fantastic, Ria. | 0:22:03 | 0:22:06 | |
I'm so nervous. | 0:22:06 | 0:22:07 | |
Oh, rubbish. You'll have the time of your life. | 0:22:07 | 0:22:09 | |
Come on, now, we really need to make a move. | 0:22:09 | 0:22:12 | |
Oh, goodbye, house. Goodbye, lovely house. | 0:22:14 | 0:22:18 | |
Oh, don't worry. I'll keep an eye on things. | 0:22:18 | 0:22:20 | |
Come on. | 0:22:20 | 0:22:22 | |
Now, you're not to worry about me. | 0:22:25 | 0:22:27 | |
-Ah, Mrs Doyle. -Good luck, Ria. | 0:22:28 | 0:22:30 | |
I'll call you when I get there. | 0:22:32 | 0:22:33 | |
Taxi, miss? | 0:22:54 | 0:22:55 | |
Yes, thank you. | 0:22:55 | 0:22:57 | |
WOMAN ON RADIO: 483 to base, over. Everything OK on 113. | 0:22:59 | 0:23:02 | |
What brings you to these parts? | 0:23:11 | 0:23:13 | |
My husband left me. | 0:23:15 | 0:23:16 | |
Is that Trinity College? | 0:23:58 | 0:23:59 | |
MAN: That's it, yeah. | 0:23:59 | 0:24:01 | |
Do they call it "Trinity" | 0:24:01 | 0:24:02 | |
because of the Father, the Son and the Holy Ghost? | 0:24:02 | 0:24:04 | |
No - because St Patrick picked up a shamrock | 0:24:04 | 0:24:07 | |
and it had three leaves, you see. | 0:24:07 | 0:24:09 | |
Then he banished all the snakes out of the country. | 0:24:09 | 0:24:12 | |
They sneaked back in later on and became tax inspectors. | 0:24:12 | 0:24:15 | |
-That's for you. -Thank you, ma'am. | 0:24:18 | 0:24:20 | |
-Welcome to America. -Thanks. | 0:24:20 | 0:24:23 | |
-MAN: Hello? -Yes? | 0:25:55 | 0:25:57 | |
DOOR OPENS | 0:25:57 | 0:25:59 | |
-MAN: Hi. -Who's there? | 0:26:04 | 0:26:07 | |
Marilyn? | 0:26:07 | 0:26:08 | |
Welcome to Dublin. | 0:26:08 | 0:26:10 | |
I'm Colm McGuire. I'm a friend of Ria's. | 0:26:10 | 0:26:13 | |
Uh, she told you, right? | 0:26:13 | 0:26:15 | |
I'll be digging the garden, but don't worry, I'll use the side gate. | 0:26:15 | 0:26:17 | |
I won't be getting in your way. | 0:26:17 | 0:26:19 | |
You're the guy with the restaurant. | 0:26:19 | 0:26:21 | |
Yep, that's right. | 0:26:21 | 0:26:22 | |
Uh, you'll be needing to get a bit of sleep, | 0:26:27 | 0:26:29 | |
so I'll leave you to it. | 0:26:29 | 0:26:31 | |
Ria's husband must really love this new woman | 0:26:31 | 0:26:33 | |
to leave his family and this lovely home. | 0:26:33 | 0:26:36 | |
People think they're on this earth just to be happy. | 0:26:37 | 0:26:40 | |
Maybe we don't know it when we are, and then it's too late. | 0:26:40 | 0:26:45 | |
Maybe. | 0:26:45 | 0:26:47 | |
Did Ria tell you anything else about me? | 0:26:50 | 0:26:53 | |
No. | 0:26:53 | 0:26:56 | |
Like that I murdered my last two wives? | 0:26:58 | 0:27:01 | |
LAUGHS: Just kidding. I'll see you later. | 0:27:05 | 0:27:08 | |
Hi! You must be Ria Lynch. | 0:27:12 | 0:27:15 | |
-Hi. Carlotta? -Yeah, hi. | 0:27:15 | 0:27:17 | |
Jet-lagged? | 0:27:17 | 0:27:19 | |
No, I always look like this. | 0:27:19 | 0:27:21 | |
-CHUCKLES: -If you need anything, | 0:27:21 | 0:27:22 | |
I just live over there, so just come over. | 0:27:22 | 0:27:26 | |
Aren't you gonna come in and show me round? | 0:27:26 | 0:27:27 | |
No, no, no. Listen, you're tired and...so just settle in, OK? | 0:27:27 | 0:27:30 | |
Please come in. Come on. | 0:27:30 | 0:27:32 | |
OK. | 0:27:32 | 0:27:34 | |
Alright, well, you know that this is the den. | 0:27:35 | 0:27:37 | |
Uh-huh. | 0:27:37 | 0:27:38 | |
And this is the living room here. | 0:27:38 | 0:27:40 | |
The house is so beautiful. She must have a very good cleaning lady. | 0:27:40 | 0:27:43 | |
-LAUGHS: -Yeah! | 0:27:43 | 0:27:44 | |
OK, and bedroom, bedroom, bedroom. | 0:27:44 | 0:27:46 | |
Down here is the kitchen and this is Greg's study. | 0:27:46 | 0:27:50 | |
You know that Greg is Marilyn's husband? | 0:27:50 | 0:27:53 | |
-Teaches English at Conn College. -Uh-huh. | 0:27:53 | 0:27:55 | |
He's a really, really sweet guy. | 0:27:55 | 0:27:58 | |
My husband left me recently. | 0:27:58 | 0:27:59 | |
Oh. Well, whose hasn't? | 0:27:59 | 0:28:01 | |
I met him when I was 22 years old. | 0:28:01 | 0:28:03 | |
Well, you shoulda dumped him then. | 0:28:03 | 0:28:04 | |
Is this their son? | 0:28:08 | 0:28:09 | |
Yeah, that's Dale. | 0:28:09 | 0:28:11 | |
Do you fancy a nip? | 0:28:12 | 0:28:13 | |
Oh, yeah! | 0:28:13 | 0:28:15 | |
-It's brandy. -Yeah! | 0:28:15 | 0:28:17 | |
KNOCKS AT WINDOW | 0:28:17 | 0:28:18 | |
Come in. | 0:28:18 | 0:28:20 | |
Hi. I'm Heidi Franks. | 0:28:20 | 0:28:23 | |
Now, Marilyn told me all about you and I'm here to welcome you. | 0:28:23 | 0:28:27 | |
-Hi, Heidi. -Carlotta. | 0:28:27 | 0:28:30 | |
She insisted I come in. | 0:28:30 | 0:28:32 | |
-Sure. -Ria Lynch. | 0:28:32 | 0:28:34 | |
-Hi! -Would you like some brandy? | 0:28:34 | 0:28:36 | |
-Yeah. Thanks. -Her husband left her recently. | 0:28:36 | 0:28:38 | |
Bastard! | 0:28:38 | 0:28:41 | |
I feel like I've known you for years. | 0:29:23 | 0:29:26 | |
A hundred million years. | 0:29:26 | 0:29:28 | |
It feels like a lifetime at the moment. | 0:29:28 | 0:29:30 | |
What does Marilyn do, anyway? | 0:29:30 | 0:29:32 | |
Oh, Marilyn, she cleans, cleans, cleans... | 0:29:32 | 0:29:34 | |
She does not clean. She teaches - teaches music. | 0:29:34 | 0:29:37 | |
She's a clarinettist. | 0:29:37 | 0:29:39 | |
It's so sad - she won't play anymore. | 0:29:39 | 0:29:41 | |
PHONE RINGS | 0:29:41 | 0:29:43 | |
She's been a bit of a bitch lately. | 0:29:43 | 0:29:44 | |
ANSWERING MACHINE: Hello, this is the Vine residence. | 0:29:44 | 0:29:46 | |
Please leave your message after the beep. | 0:29:46 | 0:29:47 | |
BEEP! MARILYN: Hi, Ria. | 0:29:47 | 0:29:49 | |
This is Marilyn Vine. I'm just checking in on you. | 0:29:49 | 0:29:52 | |
I wanted to let you know that everything is great here in Dublin | 0:29:52 | 0:29:55 | |
and I just love your little house. | 0:29:55 | 0:29:57 | |
It is simply beautiful. | 0:29:57 | 0:29:59 | |
And if my friends Carlotta or Heidi impose too much, | 0:29:59 | 0:30:03 | |
just tell them you're too busy. | 0:30:03 | 0:30:05 | |
Goodnight. | 0:30:05 | 0:30:07 | |
WOMAN: Hello? Hi. | 0:30:36 | 0:30:38 | |
I'm Rosemary Ryan. Ria and I are best friends. | 0:30:40 | 0:30:43 | |
Welcome to Ireland. | 0:30:43 | 0:30:45 | |
Marilyn Vine. I'd ask you in, but I've... | 0:30:45 | 0:30:47 | |
I don't want to come in. | 0:30:47 | 0:30:49 | |
Actually, I just wanted to ask you to dinner on Saturday at Colm's. | 0:30:49 | 0:30:52 | |
He's having a gala evening. | 0:30:52 | 0:30:54 | |
Well, Ria asked me to keep an eye on you, | 0:30:54 | 0:30:56 | |
and I think he'd like it if you'd come. | 0:30:56 | 0:30:58 | |
You don't have to decide right now. | 0:30:58 | 0:31:00 | |
I'll call you later or you can call me - whatever suits. | 0:31:00 | 0:31:02 | |
Thank you. | 0:31:02 | 0:31:04 | |
How are you? | 0:31:04 | 0:31:06 | |
It's a grand day, now, isn't it, Mrs Vine? | 0:31:06 | 0:31:08 | |
Isn't it a grand day? | 0:31:08 | 0:31:10 | |
I was wondering how you were enjoying Ireland. | 0:31:10 | 0:31:12 | |
Oh, it's lovely. | 0:31:12 | 0:31:15 | |
BEEP! | 0:31:17 | 0:31:19 | |
BRIAN ON ANSWERING MACHINE: Hi, Mum. Is it nice there? | 0:31:19 | 0:31:21 | |
Finola's quite nice. Finola's Bernadette's mother. | 0:31:21 | 0:31:24 | |
She's coming out to dinner with us as well... | 0:31:24 | 0:31:27 | |
SOBS | 0:31:27 | 0:31:31 | |
Bye, Mum. | 0:31:31 | 0:31:32 | |
BEEP! | 0:31:32 | 0:31:34 | |
KNOCKING | 0:31:34 | 0:31:37 | |
Hi, I'm Andy Vine, Greg's brother. Is he in? | 0:31:39 | 0:31:43 | |
No, Greg's in Hawaii, Marilyn's in Dublin. | 0:31:43 | 0:31:46 | |
Really? Why? | 0:31:46 | 0:31:48 | |
I can't really explain it now. | 0:31:48 | 0:31:50 | |
Would you mind calling back later, | 0:31:50 | 0:31:53 | |
and I'll just call Greg and check you are who you say you are? | 0:31:53 | 0:31:57 | |
OK. I see. | 0:31:57 | 0:31:59 | |
He'll tell you I always drop by when I come out east. | 0:31:59 | 0:32:01 | |
I'm sorry. | 0:32:02 | 0:32:04 | |
It's just that...it's just that my children just called. | 0:32:04 | 0:32:09 | |
That's why I'm so upset. | 0:32:09 | 0:32:12 | |
My husband... SOBS | 0:32:13 | 0:32:15 | |
Hey, it's OK. I'll be back later. | 0:32:15 | 0:32:18 | |
-I'm sorry. SOBS -Bye. | 0:32:18 | 0:32:20 | |
Yeah, he's my brother. It's OK. | 0:33:19 | 0:33:20 | |
He works in Los Angeles. Comes east occasionally. | 0:33:20 | 0:33:23 | |
I appreciate your caution. | 0:33:23 | 0:33:25 | |
You'll be pleased to know | 0:33:25 | 0:33:26 | |
your wife's well-installed in my house in Dublin. | 0:33:26 | 0:33:28 | |
Is your family with you there as well in my house? | 0:33:28 | 0:33:30 | |
No, no, my children are coming later. Didn't Marilyn tell you that? | 0:33:30 | 0:33:33 | |
No...yes... Uh, I apologise for my tone. | 0:33:33 | 0:33:38 | |
Marilyn and I didn't quite... Never mind. | 0:33:38 | 0:33:40 | |
Well, I don't know much about you both, | 0:33:40 | 0:33:42 | |
but you certainly have a lovely son. | 0:33:42 | 0:33:44 | |
He must be enjoying it in Hawaii. | 0:33:44 | 0:33:46 | |
I beg your pardon? | 0:33:46 | 0:33:47 | |
Dale, isn't it? | 0:33:47 | 0:33:49 | |
He must be missing his mother. | 0:33:49 | 0:33:51 | |
She's certainly missing him. | 0:33:55 | 0:33:56 | |
Oh, how are youse? | 0:34:06 | 0:34:07 | |
I'm Ria's mother. I was just wondering... | 0:34:08 | 0:34:11 | |
I work for the local old people's home. | 0:34:11 | 0:34:13 | |
They love surprises. | 0:34:13 | 0:34:15 | |
I met a circus clown in Grafton Street once. | 0:34:15 | 0:34:18 | |
Big Red Nose, he was called. I brought him along. | 0:34:18 | 0:34:21 | |
Oh, he worked a treat. | 0:34:21 | 0:34:23 | |
They'd love to meet an American. | 0:34:23 | 0:34:25 | |
I'm sure they would, | 0:34:26 | 0:34:28 | |
but I'm afraid I'd be a let-down after the Big Red Nose. | 0:34:28 | 0:34:31 | |
Do you have children of your own? | 0:34:35 | 0:34:37 | |
Don't worry about the gate. I'll close it. | 0:34:37 | 0:34:41 | |
Hi, Colm. | 0:34:56 | 0:34:58 | |
Hey. | 0:34:59 | 0:35:01 | |
COLM: I needed a lot for the restaurant. | 0:35:04 | 0:35:06 | |
See? Irish bread, cakes. | 0:35:06 | 0:35:11 | |
There's a really nice cheese stall right here. | 0:35:11 | 0:35:13 | |
How you doing? This is Marilyn, from America. | 0:35:13 | 0:35:16 | |
-Hi. -Hi. How you doing? | 0:35:16 | 0:35:18 | |
You got anything interesting today? | 0:35:18 | 0:35:19 | |
-Have a look. -Oh, yeah. | 0:35:19 | 0:35:21 | |
Goat's brie, right? | 0:35:21 | 0:35:22 | |
You like goat's cheese? | 0:35:22 | 0:35:24 | |
I don't even like goats. | 0:35:24 | 0:35:25 | |
Try it. It's good for you. | 0:35:25 | 0:35:27 | |
Why is it everything that's good for you tastes horrible? | 0:35:27 | 0:35:29 | |
So as you won't get addicted to it. | 0:35:29 | 0:35:31 | |
Hmm. There's a definite flavour. | 0:35:31 | 0:35:33 | |
-I want a new frog. -As in hop-hop-horrible? | 0:35:33 | 0:35:36 | |
I'm not buying a new one. I'm swapping it for another. | 0:35:36 | 0:35:39 | |
What's so funny? | 0:35:43 | 0:35:44 | |
-Coffee? -I don't drink coffee. | 0:35:46 | 0:35:49 | |
I don't think he's asking you, Annie. | 0:35:49 | 0:35:51 | |
-We better go. -What? | 0:35:53 | 0:35:55 | |
-Bye, Colm. -See you later, kids. | 0:35:55 | 0:35:57 | |
# When Mary left her highland home | 0:36:01 | 0:36:05 | |
# And wandered forth with me... # | 0:36:05 | 0:36:08 | |
Are you going to travel round the country at all? | 0:36:08 | 0:36:10 | |
Not if I can help it. | 0:36:10 | 0:36:12 | |
You only wanna travel round inside your head. Am I right? | 0:36:12 | 0:36:16 | |
-You could say that. -I'll accompany you any time. | 0:36:16 | 0:36:19 | |
I like being alone. | 0:36:19 | 0:36:21 | |
Me too, and it's much better being alone together. | 0:36:21 | 0:36:25 | |
Sometimes. | 0:36:27 | 0:36:29 | |
It's so sweet. So unbearably sad. | 0:36:33 | 0:36:35 | |
Not at all. He's alive, he's singing. | 0:36:35 | 0:36:38 | |
Your smile is lovely and sad. | 0:36:48 | 0:36:50 | |
Are you OK? | 0:36:50 | 0:36:52 | |
You wouldn't flirt with someone's emotions, | 0:36:54 | 0:36:56 | |
especially a stranger's, would you? | 0:36:56 | 0:36:59 | |
Did Ria tell you I was an alcoholic? | 0:37:04 | 0:37:06 | |
How do you know when you're an alcoholic? | 0:37:06 | 0:37:09 | |
Well, you get lots of clues. | 0:37:11 | 0:37:13 | |
Like, when you start drinking, you can't stop. | 0:37:13 | 0:37:16 | |
-I'm addicted to something else now. -What? | 0:37:16 | 0:37:19 | |
Life. | 0:37:20 | 0:37:22 | |
And mashed potatoes. | 0:37:23 | 0:37:25 | |
Do you have any children? | 0:37:32 | 0:37:33 | |
No, thank God. | 0:37:33 | 0:37:36 | |
So, did you leave her or did she leave you? | 0:37:37 | 0:37:39 | |
It's never as simple as that. | 0:37:39 | 0:37:41 | |
Oh, but it is. | 0:37:41 | 0:37:43 | |
I had an affair, she found out and she threw me out. | 0:37:45 | 0:37:47 | |
What if she were the one who'd had the affair? | 0:37:47 | 0:37:50 | |
Marriages survive affairs, | 0:37:50 | 0:37:51 | |
if the marriage is bigger than the affair. | 0:37:51 | 0:37:54 | |
I thought ours was. | 0:37:55 | 0:37:56 | |
But she couldn't cook like you. | 0:37:58 | 0:37:59 | |
Unfortunately, being able to cook does not save a marriage. | 0:37:59 | 0:38:02 | |
So, how does Marilyn get on with Dale, | 0:38:02 | 0:38:04 | |
because he's in Hawaii with Greg, am I right? | 0:38:04 | 0:38:06 | |
Dale... Marilyn didn't tell you about Dale? | 0:38:06 | 0:38:10 | |
No. She didn't even mention she had a son. | 0:38:10 | 0:38:13 | |
Latkes. These potato cakes are latkes, right? | 0:38:15 | 0:38:18 | |
They're not Irish at all. | 0:38:19 | 0:38:20 | |
We didn't invent the potato, we just perfected it, Mr Know-All. | 0:38:20 | 0:38:23 | |
I like you, Maria. | 0:38:27 | 0:38:29 | |
You're...nice. | 0:38:31 | 0:38:34 | |
This is real bees' honey, right? | 0:39:01 | 0:39:02 | |
As opposed to artificial bees? | 0:39:02 | 0:39:06 | |
I see your sting isn't only in your prices. | 0:39:06 | 0:39:08 | |
Oh, touche, darling. | 0:39:08 | 0:39:09 | |
You're that Irish girl, right? | 0:39:09 | 0:39:11 | |
Are you really looking for a cook? | 0:39:11 | 0:39:14 | |
PIANO MUSIC TINKLES | 0:39:17 | 0:39:20 | |
Hey, fantastic. | 0:39:23 | 0:39:25 | |
Thanks, Rosemary, for persuading her. | 0:39:25 | 0:39:27 | |
Oh, she didn't have to break my arm. | 0:39:27 | 0:39:29 | |
We'll break yours, though, if the food's not good. | 0:39:29 | 0:39:31 | |
The food'll be fine. Jennifer? Er, 15. | 0:39:31 | 0:39:34 | |
Hi. Follow me, please. | 0:39:34 | 0:39:36 | |
DANNY: You two ready to order yet? | 0:39:37 | 0:39:39 | |
-Hey, Polly. -Hi, Rosemary. | 0:39:39 | 0:39:41 | |
Hello, Danny. | 0:39:41 | 0:39:42 | |
That's the American woman in our house, Dad. | 0:39:46 | 0:39:48 | |
Colm fancies her, doesn't he, Annie? | 0:39:48 | 0:39:50 | |
Shut your mouth. | 0:39:50 | 0:39:51 | |
COLM: Martinis on the house... ALL EXCLAIM | 0:39:51 | 0:39:53 | |
..for our American visitor, Marilyn - Marilyn Vine. | 0:39:53 | 0:39:56 | |
-Thank you. -APPLAUSE | 0:39:56 | 0:39:58 | |
You should come here more often! | 0:40:00 | 0:40:02 | |
Who's he? | 0:40:02 | 0:40:04 | |
That's Barney McCarthy. He's a property tycoon. | 0:40:04 | 0:40:06 | |
He's Danny's boss. | 0:40:06 | 0:40:08 | |
And that must be Danny sitting with him. | 0:40:08 | 0:40:11 | |
And which one is the mistress? | 0:40:11 | 0:40:13 | |
Oh...yes. | 0:40:14 | 0:40:16 | |
Welcome to Dublin, Marilyn. | 0:40:22 | 0:40:24 | |
Danny Lynch. You're staying in my house. | 0:40:24 | 0:40:27 | |
It's Ria's house, isn't it? | 0:40:27 | 0:40:29 | |
Our house. | 0:40:29 | 0:40:30 | |
How's Clemence, our cat? | 0:40:30 | 0:40:33 | |
I'd say he's missing you, Danny. | 0:40:33 | 0:40:35 | |
Maybe you should call round and rub his tummy. | 0:40:35 | 0:40:37 | |
Well, Ria didn't leave any instructions about... | 0:40:37 | 0:40:40 | |
You know, you're very kind to leave your house to Ria. | 0:40:40 | 0:40:42 | |
It's been a bad time for her. | 0:40:42 | 0:40:45 | |
I guess it has. | 0:40:45 | 0:40:46 | |
But, hey, she'll get over it, right? | 0:40:46 | 0:40:50 | |
Ladies, ladies, won't you join us? | 0:40:52 | 0:40:54 | |
The more the merrier. Make room there, kids. | 0:40:54 | 0:40:56 | |
Move up there, lass. | 0:40:56 | 0:40:58 | |
American hospitality in their own country is legendary. | 0:41:00 | 0:41:05 | |
Oh, Barney, not a speech. No, it's too early. | 0:41:05 | 0:41:07 | |
Wait till we're all drunk, Barney. | 0:41:07 | 0:41:09 | |
Will you join us, Marilyn? | 0:41:09 | 0:41:11 | |
Oh, OK. Thank you. | 0:41:11 | 0:41:12 | |
-Come on, Rosemary. -OK. | 0:41:12 | 0:41:14 | |
Thank you. | 0:41:17 | 0:41:20 | |
-WOMAN: -I'm Finola. -Rosemary Ryan. | 0:41:20 | 0:41:22 | |
Rosemary. This is my daughter, Bernadette. | 0:41:22 | 0:41:24 | |
-Hello. -Bernadette. | 0:41:24 | 0:41:27 | |
Rosemary. | 0:41:27 | 0:41:28 | |
Ta-da! | 0:41:39 | 0:41:41 | |
Normally we use a fork. | 0:41:46 | 0:41:48 | |
If this was ice-skating, you'd score 10. I like! | 0:41:58 | 0:42:04 | |
Mmm! | 0:42:06 | 0:42:07 | |
Sing us the one you sang at your mother's wedding! | 0:42:07 | 0:42:10 | |
At least my mother had a wedding. | 0:42:10 | 0:42:12 | |
ALL EXCLAIM | 0:42:12 | 0:42:13 | |
Rosemary, will you sing the song you sang at the charity do? | 0:42:13 | 0:42:16 | |
-Oh, please. -Oh, go on, will you? | 0:42:16 | 0:42:18 | |
Come on, give us a tune for our American visitor. | 0:42:18 | 0:42:20 | |
Sing for us. | 0:42:20 | 0:42:22 | |
# As I came in by yon rushy wood | 0:42:24 | 0:42:30 | |
# What spied I | 0:42:30 | 0:42:34 | |
# In my true love's door? | 0:42:34 | 0:42:38 | |
# My heart stood still | 0:42:39 | 0:42:43 | |
# My eyes grew blind | 0:42:43 | 0:42:47 | |
# To see my bonny lad | 0:42:48 | 0:42:51 | |
# Leave me behind | 0:42:51 | 0:42:54 | |
# And I will tell you | 0:42:54 | 0:42:58 | |
# The reason why | 0:42:58 | 0:43:02 | |
# Because she has | 0:43:02 | 0:43:06 | |
# More gold than I | 0:43:06 | 0:43:09 | |
# And I will tell you | 0:43:09 | 0:43:14 | |
# The reason true | 0:43:14 | 0:43:18 | |
# For the sweeter taste | 0:43:18 | 0:43:22 | |
# Of a love that's new... # | 0:43:22 | 0:43:24 | |
I hate this! | 0:43:24 | 0:43:26 | |
Why? | 0:43:27 | 0:43:28 | |
Cos Mum should be here, that's why. | 0:43:28 | 0:43:30 | |
Annie, what are you trying to do - ruin a great evening? | 0:43:30 | 0:43:34 | |
Annie, be a good girl. | 0:43:34 | 0:43:36 | |
Me? You're the one who ran off with my dad. | 0:43:36 | 0:43:40 | |
I mean, you're all eejits! I hate the most of you. | 0:43:40 | 0:43:43 | |
You know something? I'm suddenly not feeling very hungry. | 0:43:49 | 0:43:53 | |
ROSEMARY: Wait, Marilyn. | 0:43:53 | 0:43:55 | |
-DANNY: -Oh, no. | 0:43:55 | 0:43:57 | |
WOMEN SHRIEK | 0:44:03 | 0:44:05 | |
It's just a frog. | 0:44:05 | 0:44:06 | |
COLM: Marilyn! | 0:44:06 | 0:44:08 | |
Marilyn, wait. | 0:44:09 | 0:44:11 | |
What happened? | 0:44:14 | 0:44:15 | |
I just hated what was going on back there. | 0:44:15 | 0:44:18 | |
Annie was so angry and... | 0:44:18 | 0:44:19 | |
Come on back. | 0:44:20 | 0:44:22 | |
I don't know what I'm doing here. | 0:44:22 | 0:44:25 | |
I think I made a terrible mistake. | 0:44:27 | 0:44:29 | |
Here. | 0:44:29 | 0:44:30 | |
It smells like curry powder. | 0:44:34 | 0:44:35 | |
Come on back. Have a brandy. | 0:44:37 | 0:44:40 | |
Have two. Have the whole bottle. Cheer yourself up. | 0:44:40 | 0:44:43 | |
I can't. I'd feel like a fool in front of those people. | 0:44:43 | 0:44:46 | |
You couldn't make a fool of yourself. Not in my restaurant. | 0:44:46 | 0:44:48 | |
Rows, fisticuffs, walk-outs - all par for the course. | 0:44:48 | 0:44:53 | |
I came here to be alone. | 0:44:55 | 0:44:57 | |
To think. | 0:44:59 | 0:45:01 | |
WOMAN: Colm! | 0:45:01 | 0:45:02 | |
KNOCKING WOMAN: Marilyn? | 0:45:14 | 0:45:15 | |
It's just me. I saw the light and... | 0:45:16 | 0:45:19 | |
Marilyn, are you OK? Do you want to talk? | 0:45:19 | 0:45:22 | |
No, no, I'm fine. | 0:45:22 | 0:45:24 | |
I was just tired. | 0:45:25 | 0:45:27 | |
Sure. | 0:45:27 | 0:45:29 | |
You didn't make a mistake coming here, by the way. | 0:45:29 | 0:45:32 | |
Whatever it is that's bugging you, it will work out. | 0:45:32 | 0:45:37 | |
Just give it a chance. | 0:45:37 | 0:45:39 | |
Yeah, thanks. | 0:45:41 | 0:45:43 | |
Night. | 0:45:43 | 0:45:44 | |
You can call round any time. | 0:45:47 | 0:45:49 | |
Everyone's so nice. | 0:45:52 | 0:45:54 | |
I can't. I mean, what if Marilyn found out? | 0:45:55 | 0:45:59 | |
What, like I'm gonna tell her? Relax! | 0:45:59 | 0:46:01 | |
Oh, I like the green one. | 0:46:01 | 0:46:03 | |
This green dress? | 0:46:03 | 0:46:05 | |
This is the colour of salad! Salad is a side dish. | 0:46:05 | 0:46:09 | |
You are the main course. | 0:46:09 | 0:46:11 | |
Well, what about this one? This is nice. | 0:46:11 | 0:46:14 | |
Yellow? I'm sorry, you wanna go out looking like an omelette? Please! | 0:46:14 | 0:46:18 | |
I love the blue! | 0:46:18 | 0:46:19 | |
Blue is my grandmother. | 0:46:19 | 0:46:21 | |
Oh! Oh, no, this...this is perfect. | 0:46:21 | 0:46:25 | |
This is you - innocent, yet alluring. | 0:46:25 | 0:46:29 | |
-Innocent? -Ish. | 0:46:29 | 0:46:31 | |
Listen, sweetheart, this is America, and everything is packaging. | 0:46:31 | 0:46:35 | |
And with a guy like Andy Vine, think Christmas. | 0:46:35 | 0:46:39 | |
Christmas? | 0:46:39 | 0:46:40 | |
Look, if he likes the look of the wrapping, | 0:46:40 | 0:46:42 | |
he's gonna really be desperate for the present. | 0:46:42 | 0:46:44 | |
LAUGHS: I don't think we'll pursue that analogy, Carlotta. | 0:46:44 | 0:46:47 | |
And I don't intend to be gift for any man anymore, not even Andy Vine. | 0:46:47 | 0:46:51 | |
Mm-hm. Famous last words, sweetheart. | 0:46:51 | 0:46:53 | |
Mmm. That's good. | 0:46:58 | 0:47:00 | |
You never had Thai food before? | 0:47:00 | 0:47:02 | |
Of course I have. | 0:47:02 | 0:47:03 | |
We're quite modern in Ireland, you know. | 0:47:05 | 0:47:07 | |
I sometimes even manage to feed myself. | 0:47:08 | 0:47:10 | |
I could get used to this. | 0:47:24 | 0:47:26 | |
I could make you an Irish coffee later. | 0:47:34 | 0:47:36 | |
And there I was, standing like an idiot in front of everybody. | 0:47:41 | 0:47:44 | |
LAUGHS | 0:47:44 | 0:47:45 | |
It's good to hear laughter around here again too. | 0:47:45 | 0:47:47 | |
It's been lovely meeting you, Maria. | 0:47:47 | 0:47:50 | |
Me and you, we have no ties. | 0:47:51 | 0:47:53 | |
No-one to betray or hurt. | 0:47:53 | 0:47:55 | |
Wouldn't it be nice if we spent the night together? | 0:47:56 | 0:47:58 | |
I'm really not very experienced at this kind of thing. | 0:48:10 | 0:48:13 | |
I'm not playing games with you, Andy. | 0:48:14 | 0:48:16 | |
I never did, even when I was a young girl, with the fellas. | 0:48:16 | 0:48:21 | |
I'm sorry if I've been giving out the wrong signals. | 0:48:21 | 0:48:25 | |
It doesn't have to end in bed. | 0:48:25 | 0:48:26 | |
It'd be better if it did, | 0:48:26 | 0:48:28 | |
but if it's not going to, let's remember the good bits. | 0:48:28 | 0:48:30 | |
They were all good bits. | 0:48:32 | 0:48:33 | |
Are you making fun of me? | 0:48:36 | 0:48:37 | |
Yeah. | 0:48:37 | 0:48:39 | |
Well, don't! | 0:48:39 | 0:48:40 | |
You didn't just stab Ria in the back, Danny, you did it to me as well! | 0:49:23 | 0:49:26 | |
Well, it has to be different. | 0:49:26 | 0:49:29 | |
We're always gonna care for each other. | 0:49:29 | 0:49:32 | |
Oh, that is just...bullshit! | 0:49:32 | 0:49:35 | |
It's just such bullshit! | 0:49:35 | 0:49:37 | |
Oh, no. It's Mona. | 0:49:47 | 0:49:49 | |
Oh, that's all we need. | 0:49:54 | 0:49:56 | |
Not that it matters anymore. | 0:49:58 | 0:50:00 | |
It does to me. | 0:50:00 | 0:50:03 | |
Oh, come on, Rosemary. I never meant to hurt you. | 0:50:05 | 0:50:08 | |
Or anyone else. | 0:50:08 | 0:50:10 | |
You marry the wrong person at the right time, | 0:50:12 | 0:50:14 | |
or the right person at the wrong time or you... | 0:50:14 | 0:50:16 | |
Oh, I don't know. | 0:50:18 | 0:50:19 | |
No. I don't suppose you do. | 0:50:19 | 0:50:24 | |
Hello. Excuse me, is Ria in? | 0:50:37 | 0:50:40 | |
Ria's in America. | 0:50:40 | 0:50:42 | |
She's in America. | 0:50:42 | 0:50:44 | |
Er, thank you. Thank you very much. | 0:50:47 | 0:50:49 | |
DANNY: My property's all tied up with Barney. | 0:51:06 | 0:51:08 | |
Tara Road - I'm gonna lose the lot. | 0:51:08 | 0:51:11 | |
It's not worth the heart attack, Danny. | 0:51:11 | 0:51:13 | |
If he's gone down, we've gone down. Don't you understand, sweetheart? | 0:51:13 | 0:51:16 | |
-We're sunk! -Maybe it's just a rumour. | 0:51:16 | 0:51:18 | |
"Tara Holdings crashes"! It couldn't just be talk. | 0:51:18 | 0:51:21 | |
Don't shout, Danny. You upset me. | 0:51:21 | 0:51:24 | |
What do you... Hey, what do you mean "Mr McCarthy's not there"? | 0:51:24 | 0:51:26 | |
I wanna talk to him now. | 0:51:26 | 0:51:27 | |
Brian, will you stop touching that plant? You're not allowed. | 0:51:27 | 0:51:29 | |
It's not a plant, Dad. It's a tree. | 0:51:29 | 0:51:31 | |
Why are we here? Aren't we having a picnic? | 0:51:31 | 0:51:33 | |
That's just what I'd expect from you. Are you selfish or what? | 0:51:33 | 0:51:36 | |
Now, don't push it. You've caused enough trouble as it is. | 0:51:36 | 0:51:38 | |
-FINOLA: -Fancy bit he goes around with, Barney. | 0:51:38 | 0:51:40 | |
I wonder what his wife would say if she found out. | 0:51:40 | 0:51:42 | |
Ask Mum. | 0:51:42 | 0:51:44 | |
Get out of here! Go on, go home! | 0:51:44 | 0:51:46 | |
For goodness sake, Annie, he doesn't mean it. | 0:51:49 | 0:51:52 | |
Hi, Mona? Hi, it's Danny. | 0:51:59 | 0:52:01 | |
Is it true? The whole thing's collapsed? | 0:52:01 | 0:52:04 | |
I need to speak to Barney. Where is he? | 0:52:05 | 0:52:07 | |
Thanks, Mona. | 0:52:08 | 0:52:10 | |
Ah, it'll be OK, sweetheart. | 0:52:10 | 0:52:12 | |
I'll think of something after I strangle him. | 0:52:12 | 0:52:14 | |
I hate when you call me "sweetheart". | 0:52:14 | 0:52:16 | |
But you're not broke, are you? | 0:52:16 | 0:52:17 | |
For a start, you can sell that big house your wife is hanging onto. | 0:52:17 | 0:52:20 | |
That's our house, if you don't mind. | 0:52:20 | 0:52:22 | |
Isn't that right, Dad? | 0:52:22 | 0:52:24 | |
Don't tell me you haven't got a get-out clause, Barney! | 0:52:25 | 0:52:28 | |
Don't tell me you haven't got a nest egg or two offshore somewhere. | 0:52:28 | 0:52:31 | |
HITS TABLE I want my share! I built this business up. | 0:52:31 | 0:52:34 | |
You sold property for me, Danny. You're a salesman. | 0:52:34 | 0:52:38 | |
You didn't build anything! | 0:52:38 | 0:52:40 | |
My house is my house. | 0:52:40 | 0:52:41 | |
Your house is company collateral. | 0:52:41 | 0:52:43 | |
You weren't forced to sign it over. | 0:52:43 | 0:52:45 | |
You floated us off the rocks at the time - don't you deny it. | 0:52:45 | 0:52:49 | |
My house is not going under with you. I want it back. | 0:52:49 | 0:52:52 | |
We're in a hole. We're not gonna get out by digging deeper, Danny. | 0:52:52 | 0:52:55 | |
Positions change. The banks have closed us, not me. | 0:52:55 | 0:52:59 | |
We shared the good times, now we gotta share the bad. | 0:52:59 | 0:53:02 | |
That's business! We're bust! | 0:53:02 | 0:53:06 | |
It's not gonna happen, Barney. Believe me. | 0:53:06 | 0:53:09 | |
DOOR OPENS | 0:53:16 | 0:53:17 | |
Oh, hi. | 0:53:17 | 0:53:19 | |
I just popped round to get something. | 0:53:19 | 0:53:21 | |
Why do you have a key? | 0:53:21 | 0:53:23 | |
Uh, this is my house. | 0:53:23 | 0:53:26 | |
I used to live here before you, Marilyn. | 0:53:27 | 0:53:31 | |
It's just Ria left strict instructions | 0:53:31 | 0:53:33 | |
that no-one was to have a key except for Colm for the garden. | 0:53:33 | 0:53:36 | |
I just can't have people walking in and out of here, now, can I? | 0:53:36 | 0:53:40 | |
I'm hardly people, am I? | 0:53:40 | 0:53:44 | |
Well, come in and we'll go phone Ria and sort this out, shall we? | 0:53:46 | 0:53:51 | |
OK, if you feel you have to. | 0:53:51 | 0:53:53 | |
Nobody's answering. | 0:53:54 | 0:53:56 | |
She's out somewhere. Forget it. | 0:53:56 | 0:53:58 | |
Well, why isn't the answering machine on? | 0:53:59 | 0:54:01 | |
She's probably having a party. Singing, dancing, drinking. | 0:54:03 | 0:54:06 | |
Ria? Having a party? | 0:54:06 | 0:54:09 | |
Don't be ridiculous. | 0:54:10 | 0:54:11 | |
IRISH REEL MUSIC PLAYS | 0:54:11 | 0:54:14 | |
ALL LAUGH AND WHOOP | 0:54:14 | 0:54:16 | |
Well, look, check with Rosemary. She's Ria's best friend. | 0:54:20 | 0:54:24 | |
She really likes you, by the way. | 0:54:24 | 0:54:26 | |
Really? That's nice. | 0:54:26 | 0:54:28 | |
She feels lonely too sometimes. | 0:54:28 | 0:54:31 | |
You're a beautiful woman. | 0:54:36 | 0:54:38 | |
I'd better be on my way. Leave you in peace. | 0:54:45 | 0:54:48 | |
Is the key in the usual place? | 0:54:48 | 0:54:50 | |
Key? What key? | 0:54:50 | 0:54:51 | |
Ria's car key. That's what I came for. | 0:54:51 | 0:54:53 | |
Look, first of all, I'd feel happier | 0:54:53 | 0:54:55 | |
if you gave me the key to the front door, until I talk to your wife - | 0:54:55 | 0:54:59 | |
assuming she ever answers the phone. | 0:54:59 | 0:55:01 | |
Ria's car. I need it. | 0:55:12 | 0:55:14 | |
For how long? | 0:55:14 | 0:55:15 | |
What's it got to do with you? | 0:55:15 | 0:55:17 | |
I'm paying insurance on her car to use it while I'm here. | 0:55:17 | 0:55:20 | |
She's using my car in Connecticut. | 0:55:20 | 0:55:23 | |
I have to sell it. | 0:55:24 | 0:55:25 | |
My firm's gone bust. Everything. | 0:55:25 | 0:55:29 | |
Give me the car key, please. | 0:55:29 | 0:55:32 | |
I'll discuss it with Ria when I reach her. | 0:55:32 | 0:55:37 | |
Until then, I think the car should stay with me. | 0:55:37 | 0:55:40 | |
OK. | 0:55:43 | 0:55:45 | |
OK, yeah. | 0:55:46 | 0:55:47 | |
Listen, I'm sorry. I'm glad you're happy here. | 0:55:49 | 0:55:54 | |
Who wouldn't be? | 0:55:54 | 0:55:57 | |
FOOTSTEPS FADE | 0:56:03 | 0:56:06 | |
Hello. Is Greg in? | 0:56:30 | 0:56:32 | |
No, he's in Hawaii, and Marilyn's in Dublin. | 0:56:32 | 0:56:35 | |
Shall I say who called? | 0:56:35 | 0:56:37 | |
No. No, it's OK. | 0:56:37 | 0:56:39 | |
Hubie. | 0:56:42 | 0:56:43 | |
What was he doing here? | 0:56:43 | 0:56:46 | |
He was looking for Greg. | 0:56:46 | 0:56:48 | |
But that was Hubie Green. | 0:56:48 | 0:56:50 | |
Who? | 0:56:50 | 0:56:51 | |
You know, he was a friend of Dale's. | 0:56:51 | 0:56:53 | |
So? | 0:56:53 | 0:56:54 | |
So... You don't know? | 0:56:54 | 0:56:56 | |
Know what? That he's on holiday with his dad in Hawaii? | 0:56:56 | 0:56:59 | |
No. Dale is dead. | 0:57:00 | 0:57:02 | |
He's dead? | 0:57:02 | 0:57:05 | |
Oh, God. | 0:57:06 | 0:57:08 | |
Oh, no, I feel awful. | 0:57:08 | 0:57:10 | |
I've been talking to Greg about him as if he was alive. | 0:57:10 | 0:57:13 | |
Why didn't somebody tell me? Why didn't Marilyn say anything? | 0:57:13 | 0:57:15 | |
She won't accept it. That's why she's run away. | 0:57:15 | 0:57:18 | |
She won't even speak to Greg about it anymore. | 0:57:18 | 0:57:21 | |
God, how did he die? | 0:57:23 | 0:57:25 | |
A motorcycle accident, | 0:57:25 | 0:57:27 | |
the day of his birthday, and she blames Greg for it all. | 0:57:27 | 0:57:31 | |
No, Greg got him the bike for his birthday, | 0:57:31 | 0:57:34 | |
and then Dale was driving it, | 0:57:34 | 0:57:35 | |
and Hubie gets on the front and takes over the controls. | 0:57:35 | 0:57:38 | |
And so Dale ended up at the swimming pool, dead. | 0:57:38 | 0:57:41 | |
They'd been drinking. Of course they had. | 0:57:41 | 0:57:44 | |
Oh, poor Marilyn. Poor, poor Marilyn. | 0:57:44 | 0:57:46 | |
GREG: Speed it up a little bit. Give it some gas, son. | 0:58:50 | 0:58:54 | |
They're going too fast. | 0:58:57 | 0:58:58 | |
CRASH! | 0:59:00 | 0:59:02 | |
WOMAN SCREAMS | 0:59:05 | 0:59:07 | |
-MARILYN: -Dale! Somebody help me! | 0:59:11 | 0:59:14 | |
DANNY: ..if you were in trouble, I'd help you. | 0:59:22 | 0:59:24 | |
-ROSEMARY: -It's a mistake asking friends for money, Danny. | 0:59:24 | 0:59:26 | |
You know that. | 0:59:26 | 0:59:28 | |
But you're more than a friend. Your business is booming! | 0:59:28 | 0:59:30 | |
We're gonna lose the house and lose Tara Road. | 0:59:30 | 0:59:33 | |
I'm gonna tell Ria. | 0:59:33 | 0:59:34 | |
Well, she won't believe you. | 0:59:34 | 0:59:36 | |
-SCATHINGLY: -"Oh, Danny, darling, it'll all turn out fine." | 0:59:36 | 0:59:39 | |
What did Ria ever do to make you despise her so much? | 0:59:39 | 0:59:42 | |
She let me have an affair with you right under her nose. | 0:59:42 | 0:59:45 | |
Don't kick me when I'm down, Rosemary. | 0:59:48 | 0:59:50 | |
Like you did to me? | 0:59:50 | 0:59:51 | |
I loved you first, and then you married her. | 0:59:51 | 0:59:54 | |
Rosemary. Lend me the money. | 0:59:54 | 0:59:57 | |
It'll be an investment. | 0:59:57 | 1:00:01 | |
I'll double it for you. I did before, didn't I? | 1:00:01 | 1:00:03 | |
This time it's too complicated, Danny. | 1:00:03 | 1:00:05 | |
There's Bernadette involved and she's pregnant. | 1:00:05 | 1:00:08 | |
I don't understand having to go round to my own house | 1:00:08 | 1:00:11 | |
and grovel to Mrs Jackboots! | 1:00:11 | 1:00:13 | |
You still want me to stay the night, though, don't you? | 1:00:16 | 1:00:20 | |
He was grovelling to her for money. | 1:00:26 | 1:00:28 | |
It didn't work. | 1:00:28 | 1:00:29 | |
She's a hard woman. | 1:00:29 | 1:00:31 | |
I'm glad I left your restaurant that night. | 1:00:31 | 1:00:34 | |
What an absurd species we are. | 1:00:34 | 1:00:36 | |
Do you think someone should tell Ria about Rosemary and her husband? | 1:00:40 | 1:00:44 | |
Would you wanna be the one to tell her? | 1:00:44 | 1:00:46 | |
I was brought up to believe that the truth sets you free. | 1:00:46 | 1:00:50 | |
No. The truth can drive you mad. | 1:00:50 | 1:00:52 | |
-RIA: -Hello? -Hello, Ria. | 1:01:10 | 1:01:13 | |
Marilyn? Hi! | 1:01:13 | 1:01:15 | |
How are you? Is everything OK, because... | 1:01:15 | 1:01:18 | |
Listen, Marilyn, I just... | 1:01:18 | 1:01:20 | |
I hope you don't mind me saying, but I heard about your son, Dale, | 1:01:20 | 1:01:23 | |
and I wanted to say how very sad and sorry I am about what happened. | 1:01:23 | 1:01:27 | |
Of course, I understand now why you wanted to get away, | 1:01:27 | 1:01:30 | |
and all the time I'm here in your home | 1:01:30 | 1:01:32 | |
I'm thinking about you and I'm hoping you're alright. | 1:01:32 | 1:01:37 | |
Well, that's all I wanted to say. | 1:01:37 | 1:01:39 | |
Oh, yes, well...I appreciate that. | 1:01:39 | 1:01:43 | |
Well, have you anything you need to say to me, | 1:01:44 | 1:01:47 | |
cos if you need anything, just call Rosemary. | 1:01:47 | 1:01:49 | |
Yes, Rosemary. She...she's very... | 1:01:49 | 1:01:54 | |
I appreciate that. I really do. | 1:01:56 | 1:01:58 | |
OK. Thank you. | 1:01:58 | 1:02:00 | |
-Bye now. -Bye. | 1:02:00 | 1:02:01 | |
We're not gonna stay for too long, OK? | 1:02:17 | 1:02:19 | |
Fine. | 1:02:19 | 1:02:20 | |
-Hi. -Hello. | 1:02:25 | 1:02:26 | |
We're going to America, and we wanted to say goodbye to our cat. | 1:02:26 | 1:02:29 | |
Well, sure, sure. Come on in, guys. | 1:02:29 | 1:02:31 | |
Where's your husband? Why isn't he here? | 1:02:38 | 1:02:41 | |
He's in Hawaii. | 1:02:41 | 1:02:43 | |
On his holidays? | 1:02:43 | 1:02:45 | |
Not exactly. | 1:02:45 | 1:02:46 | |
Did he leave you, like Dad left my mum? | 1:02:48 | 1:02:50 | |
No, he didn't leave me. | 1:02:50 | 1:02:53 | |
Did you leave him? | 1:02:53 | 1:02:54 | |
-In a way. -Why? | 1:02:56 | 1:02:58 | |
At the time, I thought I knew. | 1:02:58 | 1:03:00 | |
Why are people so stupid? | 1:03:00 | 1:03:03 | |
Why did he do it - Dad? | 1:03:04 | 1:03:06 | |
He didn't just walk out on Mum, he walked out on me. | 1:03:06 | 1:03:10 | |
I can see where you're coming from, Annie. | 1:03:10 | 1:03:12 | |
I understand why you're so angry. | 1:03:12 | 1:03:14 | |
Angry? | 1:03:14 | 1:03:15 | |
You wouldn't understand. | 1:03:15 | 1:03:18 | |
I mean, you're OK. Nothing's wrong with you. | 1:03:18 | 1:03:20 | |
I wouldn't mind going to Hawaii. | 1:03:21 | 1:03:23 | |
Is that so? | 1:03:23 | 1:03:25 | |
What about your son? Did you walk out on him as well as your husband? | 1:03:26 | 1:03:30 | |
No, I haven't. | 1:03:31 | 1:03:33 | |
Good. Glad to hear it. | 1:03:34 | 1:03:36 | |
So, where is he? | 1:03:37 | 1:03:39 | |
My son's dead. | 1:03:43 | 1:03:44 | |
He died in a motorbike accident. | 1:03:48 | 1:03:50 | |
Oh, what kind of motorbike? | 1:03:50 | 1:03:52 | |
The dangerous kind. | 1:03:55 | 1:03:56 | |
What was he like? | 1:04:00 | 1:04:02 | |
Oh, he was really cool. | 1:04:02 | 1:04:06 | |
He was gentle too. | 1:04:08 | 1:04:09 | |
And when he smiled, oh! | 1:04:11 | 1:04:14 | |
He loved music. He was really good at it. | 1:04:16 | 1:04:19 | |
I'm sorry. | 1:04:21 | 1:04:22 | |
We came to Ireland when he was a little boy. | 1:04:29 | 1:04:31 | |
I wanted to be somewhere where I remembered him smiling. | 1:04:31 | 1:04:34 | |
He's up in heaven now, looking down on you, | 1:04:36 | 1:04:40 | |
and he's very sorry he caused you all this trouble. | 1:04:40 | 1:04:43 | |
I've been through a few things in my time, | 1:04:54 | 1:04:56 | |
but nothing like what you've had to survive, Marilyn. | 1:04:56 | 1:04:58 | |
Ria's little boy told me my son was watching me from heaven. | 1:05:04 | 1:05:09 | |
I don't know. It made me feel better. | 1:05:13 | 1:05:18 | |
I wouldn't want anything to happen I couldn't tell my husband. | 1:05:42 | 1:05:45 | |
Do you have to tell him? | 1:05:47 | 1:05:48 | |
There they are! | 1:06:26 | 1:06:27 | |
I even got jet-lagged. | 1:06:27 | 1:06:29 | |
-Oh! -I missed you! | 1:06:29 | 1:06:31 | |
I missed you more. | 1:06:31 | 1:06:32 | |
I missed you so much, Mum. | 1:06:32 | 1:06:34 | |
Oh, darling. Here, give me the bags. | 1:06:34 | 1:06:36 | |
Now, wait until you see this house. | 1:06:36 | 1:06:38 | |
It's great you learned how to drive on the wrong side of the road, Mum. | 1:06:41 | 1:06:44 | |
It just came naturally to you, didn't it? | 1:06:44 | 1:06:47 | |
Can you tell how I've changed? | 1:06:47 | 1:06:49 | |
This is great, Mum. | 1:06:49 | 1:06:50 | |
# I wish I was in Dixie Hooray, hooray | 1:07:18 | 1:07:22 | |
# In Dixieland I'll take my stand to live and die in Dixie | 1:07:22 | 1:07:26 | |
# Hooray, hooray. # | 1:07:26 | 1:07:28 | |
SHRIEKS | 1:07:28 | 1:07:29 | |
Sorry to bother you, Marilyn. There's some documents I need. | 1:07:36 | 1:07:39 | |
Yeah. Documents. They're upstairs. | 1:07:39 | 1:07:42 | |
Can I get 'em, please? | 1:07:42 | 1:07:43 | |
Phone Ria. I told her you'd be calling. | 1:07:43 | 1:07:45 | |
How are you, anyway? | 1:07:45 | 1:07:47 | |
Well, thank you, Danny. | 1:07:47 | 1:07:49 | |
If I talk to Ria, what shall I say you took? | 1:07:55 | 1:07:58 | |
Documents about the ownership of the house, | 1:07:58 | 1:08:00 | |
which we need to discuss. | 1:08:00 | 1:08:02 | |
-She'll be home in four weeks. -I can't wait that long. | 1:08:02 | 1:08:04 | |
Really? | 1:08:04 | 1:08:06 | |
You know something, Marilyn, you've made a big impression here. | 1:08:07 | 1:08:10 | |
People like you. I like you. | 1:08:10 | 1:08:12 | |
You've helped Ria a lot. | 1:08:12 | 1:08:14 | |
That's nice. | 1:08:14 | 1:08:16 | |
I would hate for anyone to have a low opinion of me. | 1:08:16 | 1:08:19 | |
Oh, no. | 1:08:19 | 1:08:21 | |
Like I was wearing jackboots or something. | 1:08:21 | 1:08:23 | |
So, the phone goes middle of the night | 1:08:30 | 1:08:32 | |
and it's Greg telling me he's arriving tomorrow. | 1:08:32 | 1:08:34 | |
Sounded so depressed I thought I'd throw him a surprise party. | 1:08:34 | 1:08:36 | |
Mmm. | 1:08:36 | 1:08:37 | |
Hope he likes my cooking, but if he doesn't he can take a running jump. | 1:08:37 | 1:08:40 | |
You don't have to be a rocket scientist to be a cook. | 1:08:40 | 1:08:43 | |
You gotta be something. | 1:08:43 | 1:08:44 | |
Yeah - hungry. | 1:08:44 | 1:08:46 | |
Is Greg's brother gonna be there? | 1:08:48 | 1:08:50 | |
I believe he is. Why is that? | 1:08:52 | 1:08:54 | |
PURRS | 1:08:54 | 1:08:56 | |
Hi. | 1:09:08 | 1:09:10 | |
Hi! | 1:09:11 | 1:09:12 | |
Mr Vine, I'm sorry for daring to show up, | 1:09:12 | 1:09:16 | |
but I just wanted to apologise for... | 1:09:16 | 1:09:19 | |
I'm sorry. I'm so sorry. | 1:09:20 | 1:09:22 | |
I'm sorry. | 1:09:23 | 1:09:25 | |
Oh, don't go, Hubie. Stay, have some food. | 1:09:25 | 1:09:26 | |
I have no objections to you being here, young man. | 1:09:26 | 1:09:29 | |
I never had. | 1:09:29 | 1:09:30 | |
The objections were all Marilyn's, which I can understand. | 1:09:30 | 1:09:34 | |
I'm glad to see you here. | 1:09:34 | 1:09:36 | |
I'm glad to see you all. | 1:09:38 | 1:09:40 | |
Come on in and help yourself. | 1:09:40 | 1:09:42 | |
-That took a lot of guts. -Thanks. | 1:09:43 | 1:09:44 | |
Come on in, Hubie, you're just in time for the speeches, | 1:09:44 | 1:09:47 | |
because I want to say thank you to Greg | 1:09:47 | 1:09:50 | |
for lending us his beautiful home and his friends | 1:09:50 | 1:09:52 | |
and most of all I need to say how sorry I am | 1:09:52 | 1:09:56 | |
that Heidi and Carlotta and me drank your bottle of brandy. | 1:09:56 | 1:10:00 | |
So, I bought a replacement. | 1:10:00 | 1:10:02 | |
He doesn't drink it, Ria. He has it on his desk for show. | 1:10:03 | 1:10:06 | |
ALL LAUGH | 1:10:06 | 1:10:07 | |
Were you Dale's best friend? | 1:10:07 | 1:10:09 | |
TANGO MUSIC PLAYS | 1:10:11 | 1:10:13 | |
No, I got a new computer. Would you like to see it later? | 1:10:22 | 1:10:25 | |
Seen one, seen 'em all. | 1:10:25 | 1:10:27 | |
I'd like to kiss you, Annie. | 1:10:29 | 1:10:31 | |
No hope at all unless she starts talking about it, | 1:10:39 | 1:10:42 | |
acknowledge it happened. | 1:10:42 | 1:10:45 | |
But she is talking about it now. | 1:10:45 | 1:10:47 | |
She is? | 1:10:48 | 1:10:50 | |
She told Annie and Brian all about it. | 1:10:50 | 1:10:52 | |
She told Colm, my friend, all about it. | 1:10:52 | 1:10:53 | |
Believe me, she is talking. | 1:10:53 | 1:10:56 | |
And I used to think she was a frightened little Irish mouse. | 1:11:16 | 1:11:20 | |
That little Irish mouse got herself a big piece of American cheese. | 1:11:20 | 1:11:25 | |
We're very sorry for your troubles. | 1:12:06 | 1:12:08 | |
And we just thought we had to hop over to offer our sympathies | 1:12:08 | 1:12:11 | |
and to give you this mass card. | 1:12:11 | 1:12:13 | |
This what card? | 1:12:13 | 1:12:15 | |
Our local priest Father Glennan will offer up mass | 1:12:15 | 1:12:17 | |
for the repose of your son's soul, Lord have mercy on him. | 1:12:17 | 1:12:21 | |
Amen. | 1:12:21 | 1:12:22 | |
It was a time ago that my son died, but thank you. | 1:12:23 | 1:12:26 | |
Ah, sure. We'll come in and you can tell us all about it. | 1:12:26 | 1:12:30 | |
Oh, I'm so busy. I'm just terribly busy. | 1:12:30 | 1:12:32 | |
Would you look at the time? I've got so much housework to do. | 1:12:32 | 1:12:35 | |
I'm sure you ladies understand, but thank you, thank you anyway. | 1:12:35 | 1:12:39 | |
Dale. | 1:12:51 | 1:12:53 | |
Up to now, I couldn't mention his name. | 1:12:53 | 1:12:56 | |
Otherwise a tidal wave of emotions would just... | 1:12:56 | 1:12:59 | |
Yeah. I'm sure. | 1:12:59 | 1:13:02 | |
The dead are dead. I guess there comes a time we ought to let them go. | 1:13:05 | 1:13:09 | |
Yep, and if we're really lucky, they might just let us go. | 1:13:10 | 1:13:13 | |
KNOCKING | 1:13:13 | 1:13:15 | |
SIGHS: For heaven's sakes! | 1:13:15 | 1:13:18 | |
I told them I was busy, right? | 1:13:18 | 1:13:21 | |
I don't care if it is Ria's mother. | 1:13:21 | 1:13:23 | |
GASPS: Greg. | 1:13:28 | 1:13:31 | |
We're still alive, aren't we? | 1:13:32 | 1:13:35 | |
-Mrs Vine? -Is that the husband? | 1:13:49 | 1:13:53 | |
Just be a few minutes, Barney. I'll lock up then. | 1:14:07 | 1:14:10 | |
Do that till up as well. | 1:14:12 | 1:14:13 | |
We'll go for a bite to eat later if you want, love. | 1:14:13 | 1:14:16 | |
Yeah, I'm starving. | 1:14:16 | 1:14:18 | |
I want 5,000 and I want it now. | 1:14:20 | 1:14:23 | |
Just like that, huh? | 1:14:23 | 1:14:25 | |
What about Bernadette? Does she not got any money? | 1:14:25 | 1:14:26 | |
Don't be ridiculous. | 1:14:26 | 1:14:28 | |
At least she's got a baby coming. I've got nothing. | 1:14:28 | 1:14:30 | |
Now, you fork up five grand or else! | 1:14:30 | 1:14:33 | |
Or else what?! | 1:14:33 | 1:14:34 | |
Or else he'll tell your wife about us. | 1:14:34 | 1:14:37 | |
Oh, you're blackmailing me, Danny. | 1:14:37 | 1:14:39 | |
I'll do whatever it takes. | 1:14:39 | 1:14:41 | |
You've been screwing Rosemary for years. | 1:14:41 | 1:14:45 | |
What would Ria say if she ever found out, huh? | 1:14:46 | 1:14:48 | |
It'd kill her! | 1:14:48 | 1:14:50 | |
Well, now who's blackmailing who? | 1:14:51 | 1:14:53 | |
"I'll do whatever it takes". | 1:14:53 | 1:14:55 | |
I'm gonna tell Ria myself. | 1:14:57 | 1:14:59 | |
Don't you worry about that. | 1:14:59 | 1:15:02 | |
PLAYS GUITAR | 1:15:02 | 1:15:03 | |
Brian, there's somebody here. | 1:15:11 | 1:15:13 | |
Dad! Dad! | 1:15:19 | 1:15:22 | |
Hi! | 1:15:24 | 1:15:25 | |
Hey! Hi, Brian. How you doing? | 1:15:25 | 1:15:28 | |
OK. | 1:15:28 | 1:15:29 | |
Hi, Annie. | 1:15:31 | 1:15:32 | |
Ria. | 1:15:35 | 1:15:37 | |
What's happened? Isn't Bernadette with you? | 1:15:37 | 1:15:40 | |
No. I came to see you, Ria. | 1:15:40 | 1:15:45 | |
And you, princess. | 1:15:49 | 1:15:50 | |
Dad, this is Zach. | 1:15:52 | 1:15:54 | |
-Hi. -Hi. | 1:15:54 | 1:15:55 | |
-He's got a raccoon. -Oh. | 1:15:55 | 1:15:57 | |
He's letting me bring it back to Dublin. I'm gonna breed with it. | 1:15:57 | 1:16:00 | |
You're gonna breed with one raccoon? | 1:16:00 | 1:16:02 | |
A pregnant female, dumbo. | 1:16:02 | 1:16:03 | |
Well, now that you're here, you'd better come in. | 1:16:07 | 1:16:09 | |
Dad, Annie's got a boyfriend. | 1:16:13 | 1:16:15 | |
Has she? | 1:16:15 | 1:16:16 | |
It's been good. | 1:16:21 | 1:16:23 | |
Good. Great. I'm delighted. | 1:16:23 | 1:16:25 | |
I've got a job. New friends. | 1:16:25 | 1:16:29 | |
I've changed, Danny. | 1:16:31 | 1:16:33 | |
You know something? I think you have, sweetheart. | 1:16:33 | 1:16:39 | |
How's Rosemary? | 1:16:47 | 1:16:49 | |
Rosemary? | 1:16:49 | 1:16:51 | |
Let me tell you... | 1:16:54 | 1:16:56 | |
Rosemary's fine. | 1:17:01 | 1:17:03 | |
Fish, batter, into the pan. | 1:17:03 | 1:17:07 | |
Couple of seconds, no more. | 1:17:07 | 1:17:09 | |
Out it comes. | 1:17:09 | 1:17:11 | |
Salt. Pepper. | 1:17:13 | 1:17:16 | |
Couple of lemons. There you go. | 1:17:16 | 1:17:19 | |
-Mmm. -Oh, my God. Delicious. | 1:17:26 | 1:17:28 | |
Wonderful. | 1:17:28 | 1:17:30 | |
-What kind of fish is it? -Pike. | 1:17:30 | 1:17:31 | |
It's a coarse fish, bit like meself. | 1:17:31 | 1:17:35 | |
Not true. | 1:17:35 | 1:17:36 | |
You're a sensitive man. That I can tell. | 1:17:36 | 1:17:38 | |
You're lucky you showed up when you did, | 1:17:38 | 1:17:40 | |
I was about to propose to your wife. | 1:17:40 | 1:17:42 | |
What if I'd said yes? | 1:17:42 | 1:17:45 | |
I'd probably have run a mile. | 1:17:46 | 1:17:48 | |
COCK CROWS | 1:17:53 | 1:17:55 | |
Do you want some more coffee? | 1:18:35 | 1:18:36 | |
No, thanks. | 1:18:36 | 1:18:38 | |
-BRIAN: -There's an email for you. | 1:18:45 | 1:18:47 | |
For me? Great. | 1:18:47 | 1:18:49 | |
No, for Dad. | 1:18:49 | 1:18:51 | |
Me? | 1:18:51 | 1:18:52 | |
It's from Rosemary. | 1:18:52 | 1:18:54 | |
"Bernadette's been rushed to the hospital. | 1:18:56 | 1:18:58 | |
"Baby on its way." | 1:18:58 | 1:19:00 | |
They want you to come home immediately. | 1:19:00 | 1:19:02 | |
God. Oh, I guess I'd better phone her mother. | 1:19:02 | 1:19:07 | |
DOOR CLOSES | 1:19:39 | 1:19:41 | |
Are you going? | 1:19:41 | 1:19:43 | |
I have to, yeah. | 1:19:43 | 1:19:44 | |
Ria, I hate to have come all this way to give you bad news, | 1:19:48 | 1:19:53 | |
but I had to tell you face-to-face. | 1:19:53 | 1:19:57 | |
Give me credit for that at least. | 1:19:57 | 1:19:59 | |
Gonna tell you what it is. | 1:19:59 | 1:20:01 | |
When I first started with Barney, we gave him our house as collateral. | 1:20:01 | 1:20:06 | |
It was my investment in his business. | 1:20:06 | 1:20:08 | |
There's your signature there, and mine. | 1:20:10 | 1:20:12 | |
Tara Holdings has gone down. | 1:20:13 | 1:20:15 | |
The house is gone with it. | 1:20:17 | 1:20:19 | |
I haven't told Bernadette how really broke I am. | 1:20:22 | 1:20:25 | |
Have to do that when I get back. | 1:20:25 | 1:20:28 | |
Thank you so much. | 1:20:32 | 1:20:34 | |
For what? | 1:20:38 | 1:20:39 | |
For not screaming at me. | 1:20:39 | 1:20:41 | |
I've just given you the worst news anyone could give. | 1:20:43 | 1:20:45 | |
No. | 1:20:45 | 1:20:47 | |
You gave me that the day you told me you were leaving. | 1:20:50 | 1:20:53 | |
You know how fond of you I am. Always will be. | 1:20:58 | 1:21:01 | |
Yeah. | 1:21:02 | 1:21:04 | |
We were friends once. Great friends. | 1:21:05 | 1:21:09 | |
We'll work something out, sweetheart. | 1:21:11 | 1:21:13 | |
Maria! You can't afford to pay for this. | 1:21:19 | 1:21:23 | |
You never loved me! | 1:21:25 | 1:21:27 | |
I just realised that. | 1:21:37 | 1:21:38 | |
When he turned up, you thought he was coming back to you, didn't you? | 1:22:43 | 1:22:49 | |
I did. | 1:22:51 | 1:22:52 | |
So did I. | 1:22:54 | 1:22:56 | |
Oh. | 1:22:57 | 1:22:59 | |
Are you gonna tell Marilyn you wrecked her house, Mum? | 1:23:00 | 1:23:04 | |
What IS she doing? | 1:23:15 | 1:23:17 | |
Who are you? | 1:23:34 | 1:23:35 | |
My name is Mrs McCarthy - Mona. | 1:23:35 | 1:23:38 | |
Marilyn Vine. | 1:23:38 | 1:23:39 | |
I know. | 1:23:39 | 1:23:41 | |
I'm very worried about Ria and the children | 1:23:41 | 1:23:43 | |
and where they're going to live and... | 1:23:43 | 1:23:45 | |
Yes, I know. | 1:23:45 | 1:23:46 | |
Do you know Rosemary? | 1:23:46 | 1:23:49 | |
Her best friend, Rosemary? | 1:23:49 | 1:23:51 | |
Would you like to come inside? | 1:23:52 | 1:23:55 | |
Girl, you take care. | 1:24:06 | 1:24:08 | |
You know, Marilyn didn't really like that bust, so you're OK there, | 1:24:13 | 1:24:16 | |
but those vases, they WERE expensive. | 1:24:16 | 1:24:19 | |
ALL: Bye! | 1:24:22 | 1:24:24 | |
My husband never liked the wives meeting. | 1:24:59 | 1:25:01 | |
-ROSEMARY: Ria! -Oh, there she is! | 1:25:06 | 1:25:08 | |
-Hello! -So good to see you. | 1:25:08 | 1:25:11 | |
-Hi. -Hi! | 1:25:19 | 1:25:20 | |
Welcome home. | 1:25:20 | 1:25:22 | |
Oh, hey there. | 1:25:22 | 1:25:24 | |
Hi there, Greg. | 1:25:24 | 1:25:26 | |
-Welcome home. -Thank you. | 1:25:26 | 1:25:27 | |
I really have to fly, so I'll see you later. | 1:25:27 | 1:25:29 | |
Oh, uh, Rosemary, wait just a minute. | 1:25:29 | 1:25:31 | |
-Ria. -Marilyn! I can't believe it. | 1:25:31 | 1:25:35 | |
How wonderful to meet you at last, you brave person, you. | 1:25:35 | 1:25:38 | |
Rosemary, Mona - Mrs McCarthy - | 1:25:39 | 1:25:41 | |
is having a meeting here at three o'clock today | 1:25:41 | 1:25:43 | |
and she would like for you to be there. | 1:25:43 | 1:25:45 | |
Me? | 1:25:45 | 1:25:46 | |
You too, of course, Ria. Danny's gonna be there as well. | 1:25:46 | 1:25:49 | |
It's very, very important, she says. | 1:25:49 | 1:25:51 | |
You won't let her down, will you? | 1:25:51 | 1:25:53 | |
-What time is it now? -Half-past three. | 1:26:08 | 1:26:12 | |
How's the baby, Danny? | 1:26:42 | 1:26:44 | |
Thanks for asking. | 1:26:46 | 1:26:47 | |
Well, there's no need to beat around the bush. | 1:26:47 | 1:26:50 | |
Tara Holdings has gone bust. | 1:26:50 | 1:26:53 | |
This we know, Mona. | 1:26:53 | 1:26:54 | |
Yeah, shut up for a minute, Barney. | 1:26:54 | 1:26:56 | |
Mona thinks she can get you back on your feet, Mr McCarthy. | 1:26:56 | 1:26:59 | |
Yes, I can, because I've saved loads of money. | 1:26:59 | 1:27:02 | |
How've you saved a lot of money. I... | 1:27:02 | 1:27:04 | |
I saved it over the years through pension schemes, insurance policies, | 1:27:04 | 1:27:07 | |
investments, tracker bonds. | 1:27:07 | 1:27:10 | |
I can confirm it's a considerable portfolio. | 1:27:10 | 1:27:13 | |
Thank you. | 1:27:13 | 1:27:14 | |
And my money will be available to you, Barney, to help you start again. | 1:27:14 | 1:27:17 | |
To rise once more from the ashes. | 1:27:17 | 1:27:20 | |
Just a minute now, Mona. Hold on... | 1:27:20 | 1:27:22 | |
No, Barney. You hold on. | 1:27:22 | 1:27:25 | |
I've held on for years. | 1:27:25 | 1:27:28 | |
Now, there are a couple of terms for you to get this money, | 1:27:29 | 1:27:32 | |
and the first one is that we have to sell our house. | 1:27:32 | 1:27:34 | |
Sell the house? Just a minute... | 1:27:34 | 1:27:36 | |
Sell the house, Barney. It's too big for us, anyway. | 1:27:36 | 1:27:38 | |
A more modest home will suffice. | 1:27:38 | 1:27:41 | |
Now, the money left over from the sale | 1:27:41 | 1:27:43 | |
will go to pay off debts of a personal nature. | 1:27:43 | 1:27:46 | |
But today you have to return the personal guarantee on this house, | 1:27:46 | 1:27:50 | |
on 16 Tara Road...to Ria. | 1:27:50 | 1:27:55 | |
Now, Ria and her children are not going to be out in the street | 1:27:57 | 1:28:00 | |
because of your mistakes. | 1:28:00 | 1:28:01 | |
It's going to be tough, Danny, unless you straighten out your life. | 1:28:01 | 1:28:04 | |
-Mona, there is no way! -That is the deal, Barney. | 1:28:04 | 1:28:06 | |
Ria. | 1:28:06 | 1:28:07 | |
This is...you can't do this to me. | 1:28:07 | 1:28:12 | |
The papers, please. | 1:28:12 | 1:28:13 | |
Pass the papers, Danny. | 1:28:15 | 1:28:17 | |
Now, Polly. Polly! | 1:28:43 | 1:28:46 | |
Hmm? | 1:28:46 | 1:28:47 | |
You have been my husband's mistress for years and I've known for years. | 1:28:47 | 1:28:55 | |
And I have no wish to comment on the morals of this situation, | 1:28:56 | 1:28:59 | |
other than to say it was an underhanded insult | 1:28:59 | 1:29:04 | |
to those of us who gave our word and never broke it. | 1:29:04 | 1:29:07 | |
So, Barney, you will finish this relationship now. | 1:29:07 | 1:29:13 | |
Is this legal, Barney? | 1:29:13 | 1:29:15 | |
Mona's calling the shots. | 1:29:15 | 1:29:17 | |
I'm sorry, Polly. | 1:29:17 | 1:29:19 | |
How much money have you got altogether, Mona? | 1:29:21 | 1:29:25 | |
You'll find out in due course, Barney, don't worry. | 1:29:25 | 1:29:27 | |
Now, Rosemary... | 1:29:27 | 1:29:29 | |
..we will keep you on as our printer. | 1:29:33 | 1:29:36 | |
My husband's firm has been very good to you in the past. | 1:29:37 | 1:29:40 | |
Thank you, Mona. | 1:29:40 | 1:29:42 | |
Have you anything you'd like to say to Ria? | 1:29:44 | 1:29:48 | |
I... | 1:29:51 | 1:29:53 | |
Ria and I are... | 1:29:58 | 1:30:00 | |
Best friends. | 1:30:00 | 1:30:02 | |
Whatever it is, Rosemary... | 1:30:16 | 1:30:18 | |
..you can perhaps save the gory details for later. | 1:30:20 | 1:30:23 | |
You know, this would've killed me one time. | 1:30:28 | 1:30:30 | |
But not now. | 1:30:34 | 1:30:36 | |
I have nothing! | 1:30:52 | 1:30:54 | |
You've still got the boutique. | 1:30:54 | 1:30:55 | |
Save me from all this. | 1:30:55 | 1:30:57 | |
Save YOU, is it? | 1:30:57 | 1:30:59 | |
BARNEY AND POLLY BICKER | 1:30:59 | 1:31:02 | |
PLAYS CLARINET | 1:31:06 | 1:31:09 | |
ALL APPLAUD AND CHEER | 1:31:22 | 1:31:23 | |
Just beautiful. | 1:31:27 | 1:31:29 | |
Mum, why don't you and Colm get married? | 1:31:30 | 1:31:33 | |
Hey, kid, I can fight me own battles. | 1:31:34 | 1:31:37 | |
ALL LAUGH | 1:31:37 | 1:31:39 | |
Marilyn, I have a confession to make. | 1:31:41 | 1:31:45 | |
Those matching vases and the big, ugly, busty thing at your house, | 1:31:45 | 1:31:50 | |
they're broken. | 1:31:50 | 1:31:52 | |
Oh! My vases. | 1:31:52 | 1:31:55 | |
I threw them... | 1:31:55 | 1:31:57 | |
..at Danny. | 1:31:59 | 1:32:01 | |
Oh! | 1:32:01 | 1:32:02 | |
Oh, God, I was scared there for a minute. | 1:32:06 | 1:32:09 | |
It has been absolutely amazing. | 1:32:14 | 1:32:17 | |
Till we meet again. | 1:32:17 | 1:32:19 | |
Bye. Thanks. | 1:32:19 | 1:32:22 | |
Ria. | 1:32:24 | 1:32:26 | |
Back to where we started, eh? | 1:32:30 | 1:32:32 | |
But we're not the same, are we? | 1:32:32 | 1:32:35 | |
-BRIAN: -Bye! Bye! | 1:32:45 | 1:32:48 | |
-RIA: Bye! ANNIE: -Bye! | 1:32:48 | 1:32:50 |