
Browse content similar to The Golden Door. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
BIRD CALLS LOUDLY | 0:03:52 | 0:03:53 | |
HE IMITATES BIRD CALLING | 0:04:02 | 0:04:04 | |
BIRD CALLS | 0:04:24 | 0:04:27 | |
RUSTLING | 0:04:36 | 0:04:37 | |
HE IMITATES SHRILL BIRD CALL | 0:04:58 | 0:05:00 | |
SQUEAKING | 0:07:09 | 0:07:11 | |
WOMAN CHANTS SOFTLY | 0:08:01 | 0:08:04 | |
WOMAN CONTINUES TO CHANT | 0:08:13 | 0:08:16 | |
SHE CHANTS SOFTLY | 0:08:17 | 0:08:20 | |
SHE CRIES OUT IN PAIN | 0:08:34 | 0:08:36 | |
SHE CRIES OUT IN PAIN | 0:08:41 | 0:08:43 | |
ANIMALS GRUNT AND BLEAT | 0:11:40 | 0:11:44 | |
MAN: Ah! | 0:11:48 | 0:11:49 | |
ANIMALS GRUNT AND BLEAT | 0:11:52 | 0:11:56 | |
BELLS TINKLE | 0:12:01 | 0:12:04 | |
ANIMALS BLEAT LOUDLY | 0:12:13 | 0:12:15 | |
PEOPLE CHATTER, ANIMALS BLEAT | 0:12:45 | 0:12:50 | |
SHEEP BAA | 0:13:22 | 0:13:25 | |
COCKEREL CROWS, CLATTERING | 0:21:35 | 0:21:41 | |
COINS CLATTER | 0:23:24 | 0:23:28 | |
BELLS TOLL | 0:29:49 | 0:29:52 | |
CHATTERING | 0:29:56 | 0:30:00 | |
BELLS CONTINUE TO TOLL | 0:30:08 | 0:30:11 | |
LOUD CHATTERING AND BUSTLE | 0:30:42 | 0:30:45 | |
CHATTERING | 0:31:38 | 0:31:42 | |
HOWLS OF PAIN | 0:31:59 | 0:32:01 | |
HOWLS OF PAIN | 0:32:22 | 0:32:25 | |
SHRIEKS OF PAIN | 0:33:05 | 0:33:08 | |
CHATTERING | 0:33:36 | 0:33:40 | |
PIANO MUSIC IS PLAYED | 0:34:24 | 0:34:27 | |
I'm sorry. I...don't speak Italian. | 0:36:11 | 0:36:14 | |
-Are you English? -Yes. | 0:36:14 | 0:36:16 | |
Do you speak English? | 0:36:16 | 0:36:17 | |
No. | 0:36:17 | 0:36:19 | |
You are wonderful, my darling. | 0:36:21 | 0:36:23 | |
Travelling alone? | 0:36:25 | 0:36:27 | |
Er, yes, with this family. | 0:36:27 | 0:36:29 | |
Oh. | 0:36:30 | 0:36:31 | |
Do you have a boyfriend? America? | 0:36:41 | 0:36:43 | |
No. | 0:36:48 | 0:36:49 | |
No boyfriend. No America. | 0:36:51 | 0:36:54 | |
-You have a...passport? -No. | 0:36:57 | 0:37:00 | |
You have money? | 0:37:00 | 0:37:02 | |
Why? | 0:37:03 | 0:37:05 | |
I have a...boyfriend for you. America. | 0:37:09 | 0:37:14 | |
-I have America. -HE CHUCKLES | 0:37:14 | 0:37:18 | |
-Come on, come on. -Don't touch me. | 0:37:19 | 0:37:22 | |
Sorry. | 0:37:22 | 0:37:23 | |
SEAGULLS SQUAWK | 0:37:41 | 0:37:43 | |
CHATTERING | 0:38:27 | 0:38:31 | |
CHATTERING | 0:38:58 | 0:39:01 | |
FOGHORN BLOWS | 0:40:38 | 0:40:41 | |
HUSTLE AND BUSTLE | 0:40:54 | 0:40:57 | |
A BABY CRIES | 0:45:22 | 0:45:24 | |
I could very easily find someone | 0:47:48 | 0:47:50 | |
who would help you out of this mess. | 0:47:50 | 0:47:53 | |
Someone who could give you a hand. | 0:47:53 | 0:47:56 | |
Someone who...might even marry you. | 0:47:58 | 0:48:01 | |
Wouldn't be a terrible thing. | 0:48:04 | 0:48:06 | |
I could find you a very wealthy, very well-positioned gentleman. | 0:48:06 | 0:48:09 | |
SINGING | 0:48:35 | 0:48:37 | |
CLAPPING AND SINGING | 0:48:54 | 0:48:57 | |
HE BRAYS LIKE A DONKEY | 0:48:59 | 0:49:01 | |
Signor Belvedere is the largest purveyor of ice in New York City. | 0:56:41 | 0:56:46 | |
LOUD CREAKING AND BANGING | 0:59:05 | 0:59:10 | |
SCREAMING AND WAILING | 0:59:22 | 0:59:25 | |
CRASHING | 0:59:25 | 0:59:30 | |
SCREAMING | 0:59:30 | 0:59:33 | |
SCREAMING AND WAILING | 0:59:38 | 0:59:41 | |
FAINT CREAKING AND BANGING | 1:01:23 | 1:01:27 | |
WOMAN STARTS SINGING | 1:03:54 | 1:04:02 | |
WOMAN SINGS | 1:04:21 | 1:04:25 | |
WOMAN SINGS | 1:04:40 | 1:04:46 | |
CHATTERING | 1:05:11 | 1:05:15 | |
CHATTERING | 1:05:46 | 1:05:49 | |
HE SINGS | 1:06:08 | 1:06:13 | |
TAMBOURINE STARTS | 1:06:20 | 1:06:24 | |
MAN SINGS | 1:06:48 | 1:06:53 | |
TAMBOURINE CONTINUES | 1:07:01 | 1:07:05 | |
HE SINGS | 1:07:26 | 1:07:31 | |
HE SINGS | 1:07:38 | 1:07:42 | |
MAN SINGS, TAMBOURINE PLAYS | 1:07:56 | 1:08:00 | |
CREAKING | 1:08:52 | 1:08:57 | |
WHISTLE IS BLOWN | 1:11:43 | 1:11:44 | |
AMERICAN VOICE: Stand behind the line, please. | 1:11:45 | 1:11:47 | |
Please, sir, move over. All right. | 1:11:49 | 1:11:51 | |
All right. Hold it. | 1:11:51 | 1:11:53 | |
One second. A little bit over. Put your bags down, please. | 1:11:53 | 1:11:56 | |
That's it. On the floor. | 1:11:56 | 1:11:58 | |
Hats off, sir. | 1:12:02 | 1:12:03 | |
Sir, take your hats off. | 1:12:03 | 1:12:05 | |
Now, heads down. Keep your heads down. | 1:12:06 | 1:12:09 | |
OK. Down, please. That's it. | 1:12:09 | 1:12:12 | |
What day is it today? | 1:12:17 | 1:12:19 | |
What month? | 1:12:20 | 1:12:21 | |
What day? | 1:12:26 | 1:12:28 | |
(INAUDIBLE) | 1:12:34 | 1:12:36 | |
How many days are there in a week? | 1:12:42 | 1:12:44 | |
Trentasette. | 1:12:59 | 1:13:01 | |
OK, tell them to get their bags. | 1:13:02 | 1:13:04 | |
Everybody in line behind the line. | 1:13:11 | 1:13:14 | |
Show me your hands. | 1:15:02 | 1:15:04 | |
Turn them around. | 1:15:11 | 1:15:12 | |
Good. Open your mouth. | 1:15:17 | 1:15:18 | |
Breathe in. | 1:15:32 | 1:15:34 | |
Have you been ill? | 1:15:44 | 1:15:46 | |
Can he speak? | 1:15:48 | 1:15:50 | |
Have you been ill? Can you speak? Can you hear me? | 1:15:53 | 1:15:56 | |
Can you hear what I'm saying. | 1:15:56 | 1:15:58 | |
Will you please lie down? | 1:17:19 | 1:17:22 | |
Excuse me, madam. This lady's not used to this kind of examination. | 1:17:52 | 1:17:57 | |
-Are you English, miss? -Yes, I am. | 1:17:57 | 1:17:59 | |
But you came with Italians? | 1:17:59 | 1:18:01 | |
Yes, ma'am. | 1:18:01 | 1:18:03 | |
Is your husband travelling with you? | 1:18:03 | 1:18:05 | |
My fiancee, he's supposed to meet me here. | 1:18:05 | 1:18:09 | |
It is highly uncommon for an English lady to be travelling with Italians. | 1:18:09 | 1:18:12 | |
You'll be questioned about that. | 1:18:12 | 1:18:14 | |
Math test. | 1:18:39 | 1:18:41 | |
Four and two. | 1:18:58 | 1:19:00 | |
OK. | 1:19:35 | 1:19:37 | |
OK. | 1:19:41 | 1:19:42 | |
Bread and gold. | 1:20:22 | 1:20:24 | |
He says he can't throw the gold. | 1:20:57 | 1:21:00 | |
He'd eat the bread. | 1:21:03 | 1:21:05 | |
Nothing. He wouldn't throw anything. | 1:21:11 | 1:21:13 | |
I'm ready. | 1:21:21 | 1:21:23 | |
Done. | 1:21:43 | 1:21:44 | |
I love table games. | 1:21:44 | 1:21:47 | |
May I ask - I thought you were looking for illnesses | 1:21:49 | 1:21:53 | |
and contagious diseases here? | 1:21:53 | 1:21:55 | |
Unfortunately, ma'am, it has been scientifically proven that lack of intelligence | 1:21:56 | 1:22:01 | |
is genetically inherited, hence contagious, in a way. | 1:22:01 | 1:22:05 | |
We are trying to prevent below average people from mixing with our citizens. | 1:22:05 | 1:22:10 | |
What a modern vision. | 1:22:12 | 1:22:14 | |
# Fish in the sea You know how I feel | 1:22:20 | 1:22:25 | |
# River running free You know how I feel | 1:22:27 | 1:22:30 | |
# Blossom on the tree You know I feel | 1:22:32 | 1:22:37 | |
# It's a new dawn It's a new day | 1:22:37 | 1:22:40 | |
# It's a new life for me | 1:22:40 | 1:22:46 | |
# And I'm feeling good | 1:22:46 | 1:22:50 | |
# Dragonfly out in the sun you know what I mean, don't you know? | 1:22:53 | 1:22:58 | |
# Butterflies all having fun You know what I mean | 1:23:00 | 1:23:04 | |
# Sleep in peace when day is done That's what I mean | 1:23:06 | 1:23:10 | |
# And this old world is a new world And a bold world | 1:23:11 | 1:23:16 | |
# For me, yeah, yeah | 1:23:16 | 1:23:20 | |
# Stars when you shine You know how I feel | 1:23:24 | 1:23:29 | |
# Scent of the pine You know how I feel | 1:23:31 | 1:23:35 | |
# Oh freedom is mine And I know how I feel | 1:23:35 | 1:23:42 | |
# It's a new dawn It's a new day | 1:23:42 | 1:23:46 | |
# It's a new life for me... # | 1:23:46 | 1:23:51 | |
CHATTER | 1:25:25 | 1:25:27 | |
CHORAL MUSIC | 1:25:45 | 1:25:48 | |
BACKGROUND CHATTER | 1:26:29 | 1:26:31 | |
CHATTER | 1:26:44 | 1:26:46 | |
METALLIC RATTLING | 1:27:16 | 1:27:20 | |
WHISPERING | 1:27:51 | 1:27:54 | |
Second row with the blue hat. What do you think? | 1:28:32 | 1:28:35 | |
BELL RINGS | 1:28:35 | 1:28:39 | |
Miss Rita D'Agostino, please stand up. | 1:28:39 | 1:28:41 | |
CLERK TRANSLATES | 1:28:41 | 1:28:45 | |
Mr Scandito, please stand up. | 1:28:48 | 1:28:52 | |
Mr Scandito, do you acknowledge the lady standing before you | 1:28:58 | 1:29:01 | |
as your fiancee and future wife? | 1:29:01 | 1:29:03 | |
Yes, sir. | 1:29:03 | 1:29:04 | |
Miss D'Agostino, | 1:29:04 | 1:29:06 | |
do you acknowledge the gentleman standing before you | 1:29:06 | 1:29:09 | |
as your fiance and future husband? | 1:29:09 | 1:29:11 | |
CLERK TRANSLATES | 1:29:11 | 1:29:14 | |
THEY WHISPER | 1:29:17 | 1:29:20 | |
CLERK: | 1:29:27 | 1:29:29 | |
Very well, the wedding will take place | 1:29:39 | 1:29:41 | |
on the 17th of the current month at Ellis Island. | 1:29:41 | 1:29:44 | |
CLERK TRANSLATES | 1:29:44 | 1:29:47 | |
You may now pass the flowers. | 1:29:50 | 1:29:52 | |
Please be seated. | 1:29:53 | 1:29:55 | |
CLERK TRANSLATES | 1:29:55 | 1:29:56 | |
Moving on. Miss Rosa Napolitano, please stand up. | 1:30:01 | 1:30:05 | |
CLERK TRANSLATES | 1:30:05 | 1:30:07 | |
Mr Atori Scandelli, please stand up. | 1:30:10 | 1:30:13 | |
Mr Scandelli, do you acknowledge the lady standing before you | 1:30:18 | 1:30:22 | |
as your fiance and future bride? | 1:30:22 | 1:30:23 | |
Yes. | 1:30:23 | 1:30:25 | |
Miss Napolitano, do you acknowledge the gentleman standing before you | 1:30:27 | 1:30:31 | |
as your fiance and future husband? | 1:30:31 | 1:30:33 | |
CLERK TRANSLATES | 1:30:33 | 1:30:35 | |
CLERK: | 1:31:15 | 1:31:17 | |
Very well, the wedding will take place | 1:31:26 | 1:31:28 | |
on the 17th of this current month at Ellis Island. | 1:31:28 | 1:31:31 | |
You may now pass the flowers. | 1:31:31 | 1:31:32 | |
CLERK TRANSLATES | 1:31:33 | 1:31:36 | |
Moving on. Miss Delores Torres, please stand up. | 1:31:40 | 1:31:44 | |
CLERK TRANSLATES | 1:31:44 | 1:31:47 | |
Mr Sergio Dominguez, please stand up. | 1:31:50 | 1:31:54 | |
CLERK TRANSLATES | 1:31:56 | 1:32:00 | |
Sergio Dominguez. Please, stand up. | 1:32:00 | 1:32:03 | |
Please stand up. | 1:32:03 | 1:32:05 | |
HE WHISPERS | 1:32:39 | 1:32:42 | |
THE WHISPER | 1:32:48 | 1:32:49 | |
(Her, over here?) | 1:32:49 | 1:32:52 | |
(Please take this.) | 1:32:53 | 1:32:55 | |
(Which one do you want?) | 1:32:55 | 1:32:57 | |
Which one? | 1:32:57 | 1:32:59 | |
This one? Please, take the note. | 1:32:59 | 1:33:03 | |
OK, gentlemen, let's have the notes. | 1:33:07 | 1:33:09 | |
This one? This lady here? | 1:33:13 | 1:33:15 | |
Come on, gentlemen, the notes. | 1:33:16 | 1:33:18 | |
(This is for you. Take it. It's for you.) | 1:33:29 | 1:33:33 | |
Grazie, buonasera. | 1:33:47 | 1:33:48 | |
Mrs Fortunata Mancuso. | 1:33:49 | 1:33:52 | |
CLERK TRANSLATES | 1:33:52 | 1:33:54 | |
CLERK REPEATS HIMSELF | 1:33:58 | 1:34:01 | |
-She wants to know what all these shapes are, sir. -Does she think we're gonna harm her? | 1:34:16 | 1:34:20 | |
-What do we want from them? -Them who? | 1:34:29 | 1:34:32 | |
All the folk who came over from the old world. | 1:34:38 | 1:34:41 | |
Would you explain to her that we want to know if they're fit enough | 1:34:41 | 1:34:45 | |
to enter the new world? | 1:34:45 | 1:34:48 | |
Who do we think we are, God, to decide who's good or not good | 1:35:03 | 1:35:06 | |
-to enter the New World? -If she wants to enter the United States, | 1:35:06 | 1:35:10 | |
she's got to accept our rules. | 1:35:10 | 1:35:12 | |
If she refuses to take the test, she will be deported. | 1:35:12 | 1:35:14 | |
Mr Marcello Tarsitano. | 1:35:28 | 1:35:31 | |
INTERPRETER REPEATS IN ITALIAN | 1:35:31 | 1:35:34 | |
WHISTLE BLOWS | 1:36:55 | 1:36:56 | |
PIERCING WHISTLE | 1:38:39 | 1:38:43 | |
WHISTLE IS ECHOED | 1:38:51 | 1:38:53 | |
The wedding will take place on the 17th of the current month | 1:39:00 | 1:39:03 | |
at Ellis Island. | 1:39:03 | 1:39:04 | |
There are no further names on the list. We now have ten minutes. | 1:39:04 | 1:39:09 | |
-Excuse me, sir. -Yes? -You haven't called our names yet. | 1:39:09 | 1:39:12 | |
Your name wasn't called cos your fiance didn't put it on the list. | 1:39:12 | 1:39:16 | |
-But he's here, waiting to be called. -Where is he? -Over there. | 1:39:16 | 1:39:19 | |
-Tell me the name. -Mr Salvatore Mancuso. | 1:39:19 | 1:39:22 | |
Mr Mancuso, have you filled out this form? | 1:39:23 | 1:39:28 | |
SHE INTERPRETS | 1:39:28 | 1:39:30 | |
No. | 1:39:32 | 1:39:33 | |
Do you know this lady? | 1:39:36 | 1:39:37 | |
Can you tell me her name? | 1:39:43 | 1:39:45 | |
Luce. | 1:39:47 | 1:39:49 | |
Luce Reed. | 1:39:51 | 1:39:54 | |
-It's a difficult name for him to pronounce. -He must complete the form. | 1:39:58 | 1:40:01 | |
This gentlemen here doesn't know how to write. | 1:40:49 | 1:40:51 | |
Well, he's going to have to come back with someone that can write for him. | 1:40:51 | 1:40:55 | |
That's me, sir. That's what I do when he needs to write. | 1:40:55 | 1:40:58 | |
What am I supposed to do? Just wait here? | 1:40:58 | 1:41:01 | |
He doesn't know anybody out there. | 1:41:01 | 1:41:03 | |
Fill the form in and do it quickly, please. | 1:41:03 | 1:41:06 | |
Do you have any notes? | 1:41:15 | 1:41:17 | |
Mr Salvatore Mancuso, please stand up. | 1:41:28 | 1:41:30 | |
-WOMAN REPEATS INSTRUCTION IN ITALIAN -Miss Lucy Reed, please stand up. | 1:41:30 | 1:41:33 | |
Mr Mancuso, do you acknowledge the lady standing before you as your fiancee and future bride? | 1:41:33 | 1:41:39 | |
WOMAN REPEATS QUESTION IN ITALIAN | 1:41:39 | 1:41:43 | |
Si. | 1:41:47 | 1:41:48 | |
He says yes. | 1:41:48 | 1:41:50 | |
-Miss Reed, do you acknowledge the gentleman standing before you as your fiance and future husband? -Yes. | 1:41:50 | 1:41:55 | |
-The wedding will take place at Ellis Island. -WOMAN TRANSLATES | 1:41:55 | 1:41:58 | |
GIGGLING | 1:42:11 | 1:42:13 | |
Mr Salvatore Mancuso, step forward. | 1:43:26 | 1:43:28 | |
TRANSLATOR REPEATS IN ITALIAN | 1:43:28 | 1:43:31 | |
Mr Mancuso, your son is mute and cannot be admitted. | 1:43:36 | 1:43:41 | |
Your mother is feeble-minded and cannot be admitted. | 1:43:41 | 1:43:45 | |
-What is your decision? -TRANSLATOR REPEATS | 1:43:45 | 1:43:47 | |
Huh? | 1:44:33 | 1:44:36 | |
Papa... | 1:45:06 | 1:45:08 | |
# Oh, Sinnerman where you gonna run to? | 1:46:30 | 1:46:33 | |
# Sinnerman, where you gonna run to? | 1:46:33 | 1:46:37 | |
# Where you gonna run to? | 1:46:38 | 1:46:40 | |
# All on that day | 1:46:41 | 1:46:43 | |
# Well, I run to the rock | 1:46:43 | 1:46:45 | |
# Please hide me, I run to the rock | 1:46:45 | 1:46:48 | |
# Please hide me, I run to the rock | 1:46:49 | 1:46:52 | |
# Please hide me, Lord | 1:46:52 | 1:46:54 | |
# All on that day | 1:46:54 | 1:46:56 | |
# But the rock cried out I can't hide you | 1:46:56 | 1:46:59 | |
# The rock cried out I can't hide you | 1:46:59 | 1:47:03 | |
# The rock cried out I ain't gonna hide you, God | 1:47:03 | 1:47:06 | |
# All on that day | 1:47:06 | 1:47:08 | |
# I said, "Rock What's the matter with you, Rock? | 1:47:08 | 1:47:13 | |
# "Don't you see I need you, Rock?" | 1:47:14 | 1:47:17 | |
# Oh, Lord, Lord | 1:47:17 | 1:47:19 | |
# All on that day | 1:47:19 | 1:47:21 | |
# So I run to the river | 1:47:21 | 1:47:23 | |
# It was bleedin' I run to the sea | 1:47:23 | 1:47:27 | |
# It was bleedin' I run to the sea | 1:47:27 | 1:47:30 | |
# It was bleedin' All on that day | 1:47:30 | 1:47:34 | |
# So I run to the river It was boilin' | 1:47:34 | 1:47:38 | |
# I run to the sea It was boilin' | 1:47:38 | 1:47:42 | |
# I run to the sea It was boilin' | 1:47:42 | 1:47:45 | |
# All on that day | 1:47:45 | 1:47:47 | |
# So I run to the Lord Please help me, Lord | 1:47:47 | 1:47:52 | |
# Don't you see me prayin' | 1:47:52 | 1:47:56 | |
# Don't you see me down here prayin'? | 1:47:57 | 1:48:00 | |
# But the Lord said "Go to the Devil!" | 1:48:00 | 1:48:04 | |
# The Lord said "Go to the Devil!" | 1:48:04 | 1:48:08 | |
# He said, "Go to the Devil!" All on that day | 1:48:09 | 1:48:13 | |
# So I ran to the Devil He was waiting | 1:48:13 | 1:48:17 | |
# I ran to the Devil He was waiting | 1:48:17 | 1:48:20 | |
# I ran to the Devil He was waiting | 1:48:20 | 1:48:23 | |
# All on that day | 1:48:23 | 1:48:26 | |
# I cried, "Power!" | 1:48:26 | 1:48:30 | |
-# Power! -Power! | 1:48:30 | 1:48:32 | |
-# Power! -Power! | 1:48:32 | 1:48:36 | |
-# Power! -Power! # | 1:48:36 | 1:48:39 |