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NARRATOR: 'The magnificence of the Ambersons began in 1873. | 0:00:20 | 0:00:24 | |
'Their splendour lasted throughout all the years | 0:00:24 | 0:00:28 | |
'that saw their midland town spread and darken into a city. | 0:00:28 | 0:00:32 | |
'In that town in those days, all the women who wore silk or velvet | 0:00:32 | 0:00:37 | |
'knew all the other women who wore silk or velvet | 0:00:37 | 0:00:40 | |
'and everybody knew everybody else's family horse and carriage. | 0:00:40 | 0:00:44 | |
'The only public conveyance was the streetcar.' | 0:00:44 | 0:00:48 | |
Yoo-hoo! | 0:00:46 | 0:00:48 | |
'A lady could whistle to it from an upstairs window and it would wait | 0:00:48 | 0:00:53 | |
'while she shut the window, put on her hat and coat, went downstairs, | 0:00:53 | 0:00:58 | |
'found an umbrella, told the girl what to have for dinner | 0:00:58 | 0:01:02 | |
'and came forth from the house. | 0:01:02 | 0:01:05 | |
'Too slow for us nowadays | 0:01:05 | 0:01:07 | |
'because the faster we're carried, the less time we have to spare.' | 0:01:07 | 0:01:12 | |
'In earlier years, while bangs and bustles had their way with women, | 0:01:12 | 0:01:17 | |
'there were men of all ages to whom | 0:01:17 | 0:01:19 | |
'a hat meant only that tall thing, known to impudence as a stovepipe. | 0:01:19 | 0:01:24 | |
'But the long contagion of the Derby had arrived. | 0:01:24 | 0:01:28 | |
'One season the crown of his hat would be a bucket, | 0:01:28 | 0:01:31 | |
'the next it would be a spoon. | 0:01:31 | 0:01:34 | |
'Every house still kept a bootjack but high-topped boots | 0:01:34 | 0:01:38 | |
'gave way to shoes and gaiters which went through fashions | 0:01:38 | 0:01:42 | |
'that shaped them now with toes like box ends, | 0:01:42 | 0:01:45 | |
'now like the prows of racing shells. | 0:01:45 | 0:01:48 | |
'Trousers with a crease were plebian. | 0:01:48 | 0:01:50 | |
'It proved they'd lain on a shelf and were ready-made. | 0:01:50 | 0:01:54 | |
'With evening dress a gentleman wore a tan overcoat, | 0:01:54 | 0:01:58 | |
'so short that his black coat-tails hung five inches below it. | 0:01:58 | 0:02:02 | |
'But after a season or two he lengthened it to his heels | 0:02:02 | 0:02:06 | |
'and he passed out of his tight trousers | 0:02:06 | 0:02:09 | |
'into trousers like great bags. | 0:02:09 | 0:02:12 | |
'In those days they had time for everything. | 0:02:13 | 0:02:17 | |
'Time for sleigh rides | 0:02:17 | 0:02:19 | |
'and balls and assemblies and cotillions... | 0:02:19 | 0:02:23 | |
'and open house on New Year's | 0:02:23 | 0:02:25 | |
'and all-day picnics in the woods | 0:02:25 | 0:02:27 | |
'and even that prettiest of all banished customs - the serenade. | 0:02:27 | 0:02:32 | |
'Of a summer night, men would bring an orchestra under a girl's window | 0:02:32 | 0:02:37 | |
'and flute, harp, fiddle, cello, cornet and bass viol | 0:02:37 | 0:02:41 | |
'would release their melodies to the stars. | 0:02:41 | 0:02:44 | |
'Against so homespun a background, | 0:02:48 | 0:02:51 | |
'the magnificence of the Ambersons | 0:02:51 | 0:02:53 | |
'was as conspicuous as a brass band at a funeral.' | 0:02:53 | 0:02:58 | |
-There it is! -The Amberson mansion! | 0:02:58 | 0:03:01 | |
The pride of the town! | 0:03:01 | 0:03:03 | |
Well, well! | 0:03:01 | 0:03:03 | |
60,000 for the woodwork alone! | 0:03:03 | 0:03:06 | |
Hot and cold running water. | 0:03:06 | 0:03:08 | |
Upstairs and down. | 0:03:06 | 0:03:08 | |
And stationary washstands in every bedroom. | 0:03:08 | 0:03:12 | |
BELL | 0:03:12 | 0:03:14 | |
Is Miss Amberson at home? | 0:03:18 | 0:03:23 | |
No, sir, Mr Morgan. Miss Amberson's not home. | 0:03:20 | 0:03:23 | |
Thanks, Sam. | 0:03:23 | 0:03:25 | |
BELL | 0:03:29 | 0:03:31 | |
No, sir. Miss Amberson ain't at home to you, Mr Morgan. | 0:03:35 | 0:03:39 | |
Thanks. | 0:03:39 | 0:03:42 | |
-I guess she's still mad at him. -Who? | 0:03:42 | 0:03:44 | |
-Isabel. -Major Amberson's daughter. | 0:03:44 | 0:03:47 | |
'Eugene Morgan's her best beau.' | 0:03:47 | 0:03:50 | |
'Took a bit too much to drink the other night | 0:03:50 | 0:03:53 | |
'and stepped clean through the bass fiddle serenade!' | 0:03:53 | 0:03:58 | |
'I haven't seen her since her trip abroad.' | 0:03:58 | 0:04:01 | |
Abel, Wilson, I don't know as I knows how to put it but she's... | 0:04:01 | 0:04:05 | |
She's kind of a... | 0:04:05 | 0:04:07 | |
'delightful-looking young lady.' | 0:04:07 | 0:04:10 | |
WHISTLE | 0:04:13 | 0:04:14 | |
'Wilbur? Wilbur Minafer? I never thought he'd get her. | 0:04:26 | 0:04:30 | |
'Well, what do you know?' | 0:04:30 | 0:04:32 | |
Wilbur may not be any Apollo but he's a steady young businessman. | 0:04:32 | 0:04:37 | |
-Wilbur Minafer? -She's sensible for such a showy girl. | 0:04:37 | 0:04:41 | |
To think of her taking him! | 0:04:41 | 0:04:44 | |
Just because a man anyone would like better went wild one night. | 0:04:44 | 0:04:48 | |
She minds his making a clown of himself in her front yard. | 0:04:48 | 0:04:52 | |
Made her think he didn't care about her. | 0:04:52 | 0:04:55 | |
She's probably mistaken but it's too late now. | 0:04:55 | 0:04:58 | |
The wedding will be a big Amberson thing. | 0:04:58 | 0:05:01 | |
Oysters in scooped-out blocks of ice, a band from out of town. | 0:05:01 | 0:05:05 | |
Wilbur will take Isabel on the carefullest wedding trip | 0:05:05 | 0:05:09 | |
and she'll be a good wife. | 0:05:09 | 0:05:12 | |
But they'll have the worst spoiled children this town will ever see. | 0:05:12 | 0:05:16 | |
How do you figure that, Mrs Foster? | 0:05:16 | 0:05:20 | |
She couldn't love Wilbur. | 0:05:18 | 0:05:20 | |
Well, it will all go to her children. And she'll ruin them. | 0:05:20 | 0:05:24 | |
NARRATOR: 'The prophetess was mistaken in a single detail. | 0:05:24 | 0:05:29 | |
'Wilbur and Isabel did not have children. They had only one.' | 0:05:29 | 0:05:33 | |
'Only one. But he's spoiled enough for a whole carload!' | 0:05:33 | 0:05:37 | |
'She found none to challenge her. | 0:05:37 | 0:05:40 | |
'George Amberson Minafer, the Major's one grandchild, | 0:05:40 | 0:05:44 | |
'was a princely terror.' | 0:05:44 | 0:05:46 | |
Hey! By...golly, I guess you think you own this town! | 0:05:46 | 0:05:50 | |
'There were people, grown people they were, | 0:05:50 | 0:05:54 | |
'who expressed themselves longingly. | 0:05:54 | 0:05:57 | |
'They hoped to live to see the day | 0:05:57 | 0:05:59 | |
'when that boy would get his comeuppance.' | 0:05:59 | 0:06:02 | |
His what? | 0:06:02 | 0:06:05 | |
His comeuppance. | 0:06:03 | 0:06:05 | |
Something's bound to take him down someday. I only want to be there. | 0:06:05 | 0:06:10 | |
Look at that girly curly! Why'd you steal your mother's old sash?! | 0:06:10 | 0:06:15 | |
Your sister stole it for me! She stole it off a clothesline for me! | 0:06:15 | 0:06:20 | |
You get your hair cut! And I haven't got any sister! | 0:06:20 | 0:06:24 | |
Not at home! I mean, the one that's in jail! | 0:06:24 | 0:06:27 | |
I dare you to get out of that trap! | 0:06:27 | 0:06:32 | |
I dare you to come outside the gate! | 0:06:29 | 0:06:32 | |
Come in here, I dare you! | 0:06:32 | 0:06:35 | |
Here I come! | 0:06:33 | 0:06:35 | |
Boy! | 0:06:42 | 0:06:43 | |
Boy! | 0:06:43 | 0:06:45 | |
BOYS SHOUT | 0:06:45 | 0:06:47 | |
Hey, boy! | 0:06:49 | 0:06:51 | |
Boy! Boy! | 0:06:53 | 0:06:55 | |
Enough of that! | 0:06:55 | 0:06:58 | |
You stop that, you! | 0:06:56 | 0:06:58 | |
-Ow! -Don't you know who I am?! | 0:07:00 | 0:07:02 | |
-You're a disgrace to your mother! -You shut up! | 0:07:02 | 0:07:06 | |
Ow! She ought to be ashamed, a bad little boy like you! | 0:07:06 | 0:07:10 | |
Pull down your vest and wipe off your chin and...go to -! | 0:07:10 | 0:07:14 | |
What?! | 0:07:14 | 0:07:15 | |
'This was heard not only by myself | 0:07:15 | 0:07:18 | |
'but by my wife and the lady next door.' | 0:07:18 | 0:07:21 | |
He's an old liar. | 0:07:21 | 0:07:25 | |
Georgie, you mustn't say "liar". | 0:07:22 | 0:07:25 | |
Dear, did you say what he says you did? | 0:07:25 | 0:07:28 | |
Grandpa wouldn't wipe his shoe on that old storyteller. | 0:07:28 | 0:07:33 | |
Georgie, you mustn't. | 0:07:31 | 0:07:33 | |
We Ambersons wouldn't have anything to do with him. | 0:07:33 | 0:07:38 | |
We're not talking about that. | 0:07:36 | 0:07:38 | |
If he wanted to see us, he'd have to use the side door. | 0:07:38 | 0:07:42 | |
HE LAUGHS | 0:07:40 | 0:07:42 | |
Please, Father. | 0:07:42 | 0:07:44 | |
He doesn't seem a tactful person. | 0:07:44 | 0:07:48 | |
He's just riffraff. | 0:07:46 | 0:07:48 | |
You mustn't say so. | 0:07:48 | 0:07:50 | |
You must promise me never to use those bad words. | 0:07:50 | 0:07:54 | |
I promise not to. | 0:07:54 | 0:07:56 | |
Unless I get mad at somebody. | 0:07:58 | 0:08:00 | |
Wait till they send him away to school! Then he'll get it! | 0:08:01 | 0:08:05 | |
They'll knock the stuffing out of him. | 0:08:05 | 0:08:08 | |
'But he returned with the same stuffing.' | 0:08:08 | 0:08:11 | |
-CRACK! -Ow! | 0:08:11 | 0:08:13 | |
SHOUTS INSULTS | 0:08:13 | 0:08:16 | |
'When Mr George Amberson Minafer | 0:08:18 | 0:08:20 | |
'came home for the holidays in his sophomore year, | 0:08:20 | 0:08:25 | |
'nothing about him encouraged hope that he'd received his comeuppance. | 0:08:25 | 0:08:29 | |
'Cards were out for a ball in his honour | 0:08:29 | 0:08:32 | |
'and this pageant of the tenantry | 0:08:32 | 0:08:35 | |
'was the last of the great long-remembered dances | 0:08:35 | 0:08:38 | |
'that everybody talked about.' | 0:08:38 | 0:08:41 | |
Lovett! | 0:08:49 | 0:08:50 | |
..by that big bow window. | 0:08:56 | 0:08:58 | |
I s'pose that's where they'll put the Major when his time comes. | 0:08:58 | 0:09:02 | |
Don't look at me like that, Major! | 0:09:02 | 0:09:05 | |
Georgie, you look fine! | 0:09:05 | 0:09:07 | |
There was a time, though, in your fourth month, | 0:09:07 | 0:09:11 | |
that you were so puny nobody thought you'd live! | 0:09:11 | 0:09:15 | |
I remember you very well indeed. | 0:09:15 | 0:09:17 | |
Isabel? | 0:09:17 | 0:09:19 | |
Eugene! | 0:09:18 | 0:09:19 | |
This your boy, Isabel? | 0:09:19 | 0:09:22 | |
George, this is Mr Morgan. | 0:09:22 | 0:09:26 | |
I remember you very well. | 0:09:23 | 0:09:26 | |
You never saw me before! But from now on you will. | 0:09:26 | 0:09:29 | |
I hope. | 0:09:29 | 0:09:32 | |
I hope so, too, Eugene. | 0:09:30 | 0:09:32 | |
Where's Wilbur? | 0:09:32 | 0:09:39 | |
In the game room. He never was much for parties, remember? | 0:09:34 | 0:09:39 | |
Yes. I remember. | 0:09:39 | 0:09:41 | |
I'll come back for a dance. | 0:09:41 | 0:09:43 | |
Please do. | 0:09:43 | 0:09:44 | |
Eugene Morgan, Major Amberson. | 0:09:44 | 0:09:48 | |
Well, well, well. | 0:09:46 | 0:09:48 | |
I remember you very well indeed. | 0:09:48 | 0:09:50 | |
Miss Morgan. | 0:09:50 | 0:09:53 | |
I remember you very well indeed. | 0:09:53 | 0:09:55 | |
You don't remember her either, Georgie. But, of course, you will. | 0:09:55 | 0:10:00 | |
Miss Morgan's from out of town. | 0:10:00 | 0:10:02 | |
Take her up to the dancing. You've done your duty here. | 0:10:02 | 0:10:08 | |
I'd be delighted. | 0:10:06 | 0:10:08 | |
What did you say your name was? | 0:10:11 | 0:10:14 | |
Morgan. | 0:10:12 | 0:10:14 | |
I'm glad you're back. | 0:10:14 | 0:10:18 | |
It's nice to be back, too, Jack. | 0:10:16 | 0:10:18 | |
Who's that? | 0:10:18 | 0:10:20 | |
I didn't catch his name. The queer-looking duck? | 0:10:20 | 0:10:24 | |
The who? | 0:10:24 | 0:10:28 | |
Queer-looking duck. | 0:10:25 | 0:10:28 | |
I wouldn't say that. | 0:10:26 | 0:10:28 | |
The other is Uncle Jack. Everybody knows him. | 0:10:28 | 0:10:31 | |
He looks like everyone ought to. It runs in your family. | 0:10:31 | 0:10:35 | |
Most everybody knows him. | 0:10:35 | 0:10:37 | |
Out in this part of the country. | 0:10:37 | 0:10:39 | |
Uncle Jack is well known. He's a Congressman. | 0:10:39 | 0:10:43 | |
Oh, really? | 0:10:43 | 0:10:45 | |
Oh, yes. | 0:10:43 | 0:10:45 | |
The family always liked to have someone in Congress. | 0:10:45 | 0:10:49 | |
Hello, Lucy. | 0:10:49 | 0:10:51 | |
Hello, Lucy. | 0:10:51 | 0:10:53 | |
Hello, Lucy. | 0:10:53 | 0:10:55 | |
How'd they get to know you so quick? | 0:10:55 | 0:10:58 | |
I've been here a week. | 0:10:56 | 0:10:58 | |
You've been pretty busy. Most... | 0:10:58 | 0:11:01 | |
Hello, Lucy. | 0:11:01 | 0:11:03 | |
Most of them, I don't know why Mother invited them. | 0:11:03 | 0:11:06 | |
Don't you like them? | 0:11:06 | 0:11:08 | |
I used to be president of a club some of them were in. | 0:11:08 | 0:11:12 | |
But I don't care for such things now. Why did Mother invite them? | 0:11:12 | 0:11:16 | |
Maybe she didn't want to offend their parents. | 0:11:16 | 0:11:20 | |
She needn't worry about offending anybody. | 0:11:20 | 0:11:23 | |
It must be wonderful, Mr Amberson - Mr Minafer. | 0:11:23 | 0:11:27 | |
What must be wonderful? | 0:11:27 | 0:11:30 | |
To be so important. | 0:11:28 | 0:11:30 | |
Oh, that isn't... Good evening. | 0:11:30 | 0:11:32 | |
Anybody that is anybody ought to do as they like in their own town. | 0:11:32 | 0:11:37 | |
Hello! | 0:11:37 | 0:11:39 | |
Well, how's that for a bit of freshness?! | 0:11:40 | 0:11:43 | |
What was? | 0:11:43 | 0:11:47 | |
The queer-looking duck waving at me. | 0:11:44 | 0:11:47 | |
He meant me. | 0:11:47 | 0:11:49 | |
Oh, he did? Everybody seems to mean you. | 0:11:49 | 0:11:52 | |
See here, are you engaged to anybody? | 0:11:54 | 0:11:57 | |
No. | 0:11:57 | 0:11:58 | |
You know a good many people. | 0:11:58 | 0:12:01 | |
Papa does. He lived here before I was born. | 0:12:01 | 0:12:04 | |
Where do you live now? | 0:12:04 | 0:12:07 | |
We've lived all over. | 0:12:05 | 0:12:07 | |
Why do you keep moving around so? Is he a promoter? | 0:12:07 | 0:12:11 | |
No, he's an inventor. | 0:12:11 | 0:12:13 | |
Oh? What has he invented? Grandfather. | 0:12:13 | 0:12:16 | |
He's working on a new kind of horseless carriage. | 0:12:16 | 0:12:20 | |
Horseless carriage? Automobile? Well, well! | 0:12:20 | 0:12:24 | |
Don't you approve of them, Mr Minafer? | 0:12:24 | 0:12:27 | |
Oh, yes. They're all right. | 0:12:27 | 0:12:29 | |
You know, I'm beginning to understand. | 0:12:29 | 0:12:32 | |
Understand what? | 0:12:32 | 0:12:34 | |
What? | 0:12:34 | 0:12:36 | |
What it means to be a real Amberson. | 0:12:36 | 0:12:38 | |
Papa told me something about it but I see he didn't say half enough. | 0:12:38 | 0:12:43 | |
Did your father say he knew us? | 0:12:43 | 0:12:46 | |
He wasn't boasting of it. He was quite calm. | 0:12:46 | 0:12:49 | |
Most girls are usually fresh. | 0:12:49 | 0:12:51 | |
They ought to go to a man's college. They'll learn about freshness! | 0:12:51 | 0:12:56 | |
Who sent you those flowers you're fussing over? | 0:12:56 | 0:13:00 | |
-Lucy! -He did. | 0:13:00 | 0:13:02 | |
-Who's he? -The queer-looking duck. | 0:13:02 | 0:13:04 | |
I've come for that dance. | 0:13:04 | 0:13:06 | |
Oh, him. I suppose he's some old widower! | 0:13:06 | 0:13:10 | |
Yes, he is a widower. I ought to have said before. He's my father. | 0:13:10 | 0:13:15 | |
Oh. Well, that's a horse on me. If I'd known... | 0:13:15 | 0:13:18 | |
This is our dance. But I guess I won't insist on it. | 0:13:18 | 0:13:22 | |
George, are you enjoying the party? | 0:13:22 | 0:13:26 | |
Yes, Mother, very much. | 0:13:24 | 0:13:26 | |
Will you please excuse us? Miss Morgan? | 0:13:26 | 0:13:29 | |
Eggnog, anybody? | 0:13:32 | 0:13:35 | |
Not for me, sir. | 0:13:33 | 0:13:35 | |
I see you kept your promise. | 0:13:35 | 0:13:37 | |
Isabel, I remember the last drink Gene ever had. | 0:13:37 | 0:13:40 | |
I believe if you hadn't broken that bass fiddle, | 0:13:40 | 0:13:43 | |
Isabel never would've taken Wilbur. | 0:13:43 | 0:13:46 | |
What do you think, Wilbur? | 0:13:46 | 0:13:51 | |
I shouldn't be surprised, so I'm glad he did. | 0:13:47 | 0:13:51 | |
What do you say, Isabel? | 0:13:51 | 0:13:53 | |
My dear, you're blushing! | 0:13:54 | 0:13:56 | |
Who wouldn't blush? | 0:13:56 | 0:13:58 | |
-FANNY: -The important thing is that Wilbur got her and kept her. | 0:13:58 | 0:14:03 | |
There's another important thing - for me. | 0:14:03 | 0:14:07 | |
It's the only thing that makes me forgive that bass viol. | 0:14:07 | 0:14:11 | |
-JACK: -Well, what's that? | 0:14:11 | 0:14:14 | |
Lucy. | 0:14:12 | 0:14:14 | |
You having a good time? | 0:14:14 | 0:14:16 | |
Ever gave up smoking? | 0:14:16 | 0:14:21 | |
No, sir. | 0:14:18 | 0:14:21 | |
I've got some Havanas. | 0:14:19 | 0:14:21 | |
Your ears burn, young lady? | 0:14:21 | 0:14:23 | |
Would you care for refreshments? | 0:14:24 | 0:14:28 | |
Yes, thanks. | 0:14:26 | 0:14:28 | |
What did you say your name was? | 0:14:28 | 0:14:31 | |
Morgan. | 0:14:29 | 0:14:31 | |
Funny name. | 0:14:31 | 0:14:35 | |
Everybody else's name always is. | 0:14:32 | 0:14:35 | |
Not really funny. That's just one of our bits of horsing at college. | 0:14:35 | 0:14:40 | |
I meant your first name. | 0:14:40 | 0:14:42 | |
Lucy. | 0:14:42 | 0:14:44 | |
Well! | 0:14:45 | 0:14:47 | |
Is Lucy a funny name, too? | 0:14:47 | 0:14:51 | |
No. Lucy is very much all right. | 0:14:48 | 0:14:51 | |
Thanks. | 0:14:51 | 0:14:52 | |
Here they are, Henry! | 0:14:52 | 0:14:54 | |
Thanks for what? | 0:14:54 | 0:14:58 | |
About letting my name be Lucy. | 0:14:56 | 0:14:58 | |
I've got this dance with her. | 0:15:00 | 0:15:02 | |
With who? | 0:15:02 | 0:15:05 | |
With Isabel, of course. | 0:15:03 | 0:15:05 | |
18 years have passed. Have you danced with poor old Fanny, too? | 0:15:05 | 0:15:10 | |
Twice. | 0:15:08 | 0:15:10 | |
Old times are starting over again. | 0:15:10 | 0:15:13 | |
There aren't old times. Times that have gone aren't old, they're dead. | 0:15:13 | 0:15:18 | |
There aren't any times but new times. | 0:15:18 | 0:15:21 | |
What are you studying in school? | 0:15:30 | 0:15:33 | |
I beg your pardon? | 0:15:31 | 0:15:33 | |
What are you studying in school? | 0:15:33 | 0:15:37 | |
College. Lots of useless guff. | 0:15:35 | 0:15:37 | |
Why don't you study useful guff? | 0:15:37 | 0:15:40 | |
Useful? | 0:15:40 | 0:15:43 | |
Something for your profession. | 0:15:41 | 0:15:43 | |
I don't intend to have a profession. | 0:15:43 | 0:15:46 | |
-No? -No. | 0:15:46 | 0:15:47 | |
Why not? | 0:15:47 | 0:15:50 | |
Well, just look at them. | 0:15:48 | 0:15:50 | |
That's a fine career for a man(!) Lawyers, bankers, politicians. | 0:15:50 | 0:15:55 | |
What do they ever get out of life? | 0:15:55 | 0:15:58 | |
What do they know about real things? | 0:15:58 | 0:16:01 | |
What do they ever get? | 0:16:01 | 0:16:03 | |
What do you want to be? | 0:16:03 | 0:16:05 | |
A yachtsman. | 0:16:06 | 0:16:08 | |
SLOW WALTZ | 0:16:20 | 0:16:22 | |
They always break down. | 0:16:30 | 0:16:33 | |
They do not! | 0:16:31 | 0:16:33 | |
Of course they do. | 0:16:33 | 0:16:35 | |
Horseless carriages! Automobiles! | 0:16:35 | 0:16:38 | |
Hm? | 0:16:38 | 0:16:39 | |
People won't spend their lives on the road with grease on their faces. | 0:16:39 | 0:16:44 | |
I think your father better forget about it. | 0:16:44 | 0:16:47 | |
Papa would be grateful for your advice(!) | 0:16:47 | 0:16:50 | |
I haven't done anything to be insulted for. | 0:16:50 | 0:16:54 | |
I don't mind your being such a lofty person. I think it's interesting. | 0:16:54 | 0:16:59 | |
But Papa's a great man. | 0:16:59 | 0:17:02 | |
Is he? Well, let us hope so. | 0:17:00 | 0:17:02 | |
I hope so, I'm sure. | 0:17:02 | 0:17:04 | |
How lovely your mother is. | 0:17:10 | 0:17:12 | |
I think she is. | 0:17:12 | 0:17:14 | |
She's so graceful. She dances like a girl of 16. | 0:17:14 | 0:17:18 | |
Most girls of 16 are bad dancers. | 0:17:18 | 0:17:20 | |
Anyhow, I wouldn't dance with one unless I had to. | 0:17:20 | 0:17:24 | |
Er, the snow's fine for sleighing. | 0:17:24 | 0:17:27 | |
I'll be by for you in the cutter ten minutes after two. | 0:17:27 | 0:17:32 | |
Tomorrow? I can't. | 0:17:30 | 0:17:32 | |
MUSIC STOPS | 0:17:32 | 0:17:35 | |
Bravo! Bravissimo! | 0:17:33 | 0:17:35 | |
Papa. | 0:17:35 | 0:17:37 | |
Lucy. | 0:17:37 | 0:17:39 | |
I'll get your things. | 0:17:39 | 0:17:41 | |
I'll sit at your gate | 0:17:41 | 0:17:43 | |
and if you try to go with anyone, he must whip me first. | 0:17:43 | 0:17:46 | |
Take this in case you break down in that horseless carriage. | 0:17:46 | 0:17:51 | |
Uncle Jack. Come here. | 0:17:51 | 0:17:53 | |
Fanny, where are you going? | 0:17:53 | 0:17:55 | |
Oh, just out to look. | 0:17:55 | 0:17:57 | |
Well? | 0:17:59 | 0:18:01 | |
Oh, nothing. | 0:17:59 | 0:18:01 | |
Hold this. | 0:18:01 | 0:18:03 | |
Who is this fellow, Morgan? | 0:18:03 | 0:18:05 | |
He's a man with a pretty daughter. | 0:18:05 | 0:18:08 | |
He certainly seems to feel at home here, | 0:18:08 | 0:18:11 | |
the way he danced with Mother and Aunt Fanny. | 0:18:11 | 0:18:14 | |
Well, I'm afraid your Aunt Fanny's heart | 0:18:14 | 0:18:18 | |
was stirred by ancient recollections. | 0:18:18 | 0:18:21 | |
You mean she was silly about him? | 0:18:21 | 0:18:26 | |
Oh, she wasn't considered singular. | 0:18:23 | 0:18:26 | |
He was... He was popular. | 0:18:26 | 0:18:28 | |
Are you so interested in the parents of every girl you dance with? | 0:18:28 | 0:18:33 | |
Oh, dry up. I only wanted to know. | 0:18:33 | 0:18:36 | |
Lucy, about that sleigh ride... | 0:18:36 | 0:18:38 | |
I want to look at your automobile carriage, Gene. | 0:18:38 | 0:18:42 | |
Fanny, you'll get cold. | 0:18:42 | 0:18:44 | |
Good night, Isabel. | 0:18:44 | 0:18:47 | |
Good night, Eugene. | 0:18:45 | 0:18:47 | |
You'll be ready. | 0:18:47 | 0:18:52 | |
No, I won't. | 0:18:48 | 0:18:52 | |
You will. Ten minutes after two. | 0:18:49 | 0:18:52 | |
Yes, I will. | 0:18:54 | 0:18:56 | |
-JACK: -Gene, show us how it works! | 0:18:56 | 0:18:59 | |
Come on, Lucy! | 0:18:59 | 0:19:02 | |
I'm coming, Papa! | 0:19:00 | 0:19:02 | |
I hope you're going to be warm enough. | 0:19:02 | 0:19:05 | |
Papa? | 0:19:13 | 0:19:16 | |
Huh? | 0:19:14 | 0:19:16 | |
You think George is terribly arrogant and domineering? | 0:19:16 | 0:19:20 | |
He's still only a boy. | 0:19:20 | 0:19:22 | |
Plenty of fine stuff in him. | 0:19:24 | 0:19:26 | |
Can't help but be. He's Isabel Amberson's son. | 0:19:27 | 0:19:31 | |
You liked her pretty well once, I guess, Papa. | 0:19:32 | 0:19:36 | |
Yes. Do still. | 0:19:36 | 0:19:38 | |
That isn't all that's worrying you. | 0:19:39 | 0:19:41 | |
Well, I've been a little bothered about your father. | 0:19:41 | 0:19:45 | |
Why? | 0:19:45 | 0:19:48 | |
He looks so badly. | 0:19:46 | 0:19:48 | |
He's no different to normal. | 0:19:48 | 0:19:51 | |
He's worried about investments he made last year. | 0:19:51 | 0:19:55 | |
I think it's affected his health. | 0:19:55 | 0:19:57 | |
What investments? Not in Morgan's automobile concern? | 0:19:57 | 0:20:01 | |
Oh, no. That is all Eugene's. | 0:20:01 | 0:20:04 | |
Your father's rolling mills... | 0:20:04 | 0:20:07 | |
Hello, dear. Have you had trouble sleeping? | 0:20:07 | 0:20:11 | |
About Morgan and his sewing machine. | 0:20:11 | 0:20:14 | |
He wants Grandfather to invest. Is that what he's up to? | 0:20:14 | 0:20:19 | |
You silly! Eugene Morgan can finance his own inventions these days. | 0:20:19 | 0:20:24 | |
I bet he borrows from Uncle Jack. | 0:20:24 | 0:20:27 | |
Georgie, why do you say such things? | 0:20:27 | 0:20:29 | |
He just strikes me as that sort. Isn't he, Father? | 0:20:29 | 0:20:33 | |
A fairly wild fellow 20 years ago. | 0:20:33 | 0:20:35 | |
He was like you in one thing - he spent too much. | 0:20:35 | 0:20:39 | |
Only he didn't have a mother to get money for him. | 0:20:39 | 0:20:43 | |
He's done well. He doesn't need help to back his automobile. | 0:20:43 | 0:20:47 | |
What's he brought it here for? | 0:20:47 | 0:20:51 | |
I'm sure I don't know. Ask him. | 0:20:49 | 0:20:51 | |
I'll be in to say goodnight. | 0:20:51 | 0:20:53 | |
Aunt Fanny! | 0:20:56 | 0:20:58 | |
What is the matter with you? | 0:20:58 | 0:21:00 | |
Do you know why he doesn't want to go on that horseless carriage trip? | 0:21:00 | 0:21:05 | |
What do you mean? | 0:21:05 | 0:21:07 | |
You're his only sister and you don't know? | 0:21:07 | 0:21:10 | |
He never likes to go anywhere that I ever heard of. | 0:21:10 | 0:21:14 | |
What is the matter with you? | 0:21:14 | 0:21:17 | |
He doesn't want to go because he doesn't like Morgan. | 0:21:17 | 0:21:21 | |
Oh, good gracious! | 0:21:21 | 0:21:23 | |
Eugene Morgan isn't in your father's thoughts at all. Why should he be? | 0:21:23 | 0:21:28 | |
You two at it again? | 0:21:28 | 0:21:30 | |
What makes everybody so excited over this man Morgan? | 0:21:30 | 0:21:34 | |
Oh, shut up. | 0:21:34 | 0:21:37 | |
Excited? Can't... | 0:21:35 | 0:21:37 | |
Can't people be glad to see an old friend | 0:21:37 | 0:21:40 | |
without silly children like you having to make a to-do about it? | 0:21:40 | 0:21:45 | |
I've just suggested that your mother might give a dinner for them. | 0:21:47 | 0:21:52 | |
For who? | 0:21:52 | 0:21:56 | |
For whom, Georgie. | 0:21:54 | 0:21:56 | |
"For whom, Georgie"(!) | 0:21:56 | 0:21:58 | |
For Mr Morgan and his daughter. | 0:22:00 | 0:22:03 | |
Look here, don't do that. Mother mustn't do that. | 0:22:03 | 0:22:07 | |
"Mother mustn't do that"(!) | 0:22:07 | 0:22:09 | |
It wouldn't look well. | 0:22:09 | 0:22:12 | |
"It wouldn't look well"(!) | 0:22:10 | 0:22:12 | |
See here, Georgie Minafer, I suggest that you just march into your room! | 0:22:13 | 0:22:19 | |
Sometimes you say things that show you have a pretty mean little mind! | 0:22:19 | 0:22:24 | |
What upset you? | 0:22:24 | 0:22:27 | |
Shut up! > | 0:22:25 | 0:22:27 | |
I know what you mean! You're saying I got Isabel to invite him for me! | 0:22:27 | 0:22:31 | |
I'm gonna move to a hotel! > | 0:22:31 | 0:22:35 | |
Because he's a widower. | 0:22:33 | 0:22:35 | |
What? | 0:22:35 | 0:22:37 | |
"What?"(!) | 0:22:36 | 0:22:37 | |
Ha ha... | 0:22:37 | 0:22:40 | |
Heh-heh-heh(!) | 0:22:38 | 0:22:40 | |
I'm saying you're setting your cap for him and getting Mother to help? | 0:22:40 | 0:22:45 | |
Oh! | 0:22:45 | 0:22:46 | |
Is that what you mean? | 0:22:46 | 0:22:48 | |
< You attend to your own affairs! | 0:22:51 | 0:22:53 | |
Well, I will be shot... | 0:22:53 | 0:22:55 | |
I will. I certainly will be shot. | 0:22:56 | 0:22:59 | |
-< Oh! -Oh! | 0:22:59 | 0:23:01 | |
GEORGE LAUGHS | 0:23:01 | 0:23:03 | |
Do you think you'll get it to start? | 0:23:10 | 0:23:13 | |
What's wrong with it, Gene? | 0:23:19 | 0:23:23 | |
I wish I knew. | 0:23:21 | 0:23:23 | |
ENGINE TURNS OVER | 0:23:38 | 0:23:40 | |
Get a horse! Get a horse! | 0:23:57 | 0:24:00 | |
What happened to them? | 0:24:07 | 0:24:10 | |
Are you all right? | 0:24:20 | 0:24:22 | |
Georgie! | 0:24:22 | 0:24:25 | |
They're all right, Isabel. | 0:24:23 | 0:24:25 | |
The snow bank's a feather bed. | 0:24:25 | 0:24:27 | |
I'm fine, Papa. | 0:24:27 | 0:24:29 | |
Oh, Georgie! | 0:24:29 | 0:24:32 | |
They're all right, Isabel. | 0:24:30 | 0:24:32 | |
You're not hurt, Lucy? | 0:24:32 | 0:24:38 | |
Georgie... | 0:24:33 | 0:24:38 | |
Don't make a fuss, Mother. Please. | 0:24:34 | 0:24:38 | |
I'm all right. | 0:24:38 | 0:24:39 | |
Are you sure? One doesn't realise the shock. You've got to be sure. | 0:24:39 | 0:24:45 | |
Let me brush you off. | 0:24:47 | 0:24:49 | |
You look bright, Lucy. Snow becomes you. | 0:24:49 | 0:24:53 | |
That's right! | 0:24:51 | 0:24:53 | |
That darn horse. | 0:24:53 | 0:24:55 | |
He'll be home long before we will. | 0:24:55 | 0:24:58 | |
All we've got is this machine. | 0:24:58 | 0:25:00 | |
ENGINE HALTS | 0:25:00 | 0:25:03 | |
ALL: Oh! | 0:25:02 | 0:25:03 | |
All aboard! | 0:25:03 | 0:25:05 | |
Dab the snow off. You mustn't be wet. | 0:25:10 | 0:25:12 | |
I'm not wet. Get in. You're standing in the snow. | 0:25:12 | 0:25:16 | |
You're the same Isabel - a divinely ridiculous woman. | 0:25:16 | 0:25:20 | |
George, you'll push her to get started? | 0:25:20 | 0:25:24 | |
Push? | 0:25:24 | 0:25:25 | |
"Divinely" and "ridiculous" balance each other. | 0:25:25 | 0:25:29 | |
Plus one and minus one equal nothing. | 0:25:29 | 0:25:32 | |
So I'm nothing in particular? | 0:25:32 | 0:25:34 | |
That doesn't seem to be precisely what I meant. | 0:25:34 | 0:25:38 | |
ENGINE TURNS OVER | 0:25:38 | 0:25:40 | |
HE COUGHS | 0:25:47 | 0:25:49 | |
Come on, Georgie, push! | 0:25:50 | 0:25:53 | |
I'm pushing! | 0:25:52 | 0:25:53 | |
Push harder! | 0:25:53 | 0:25:55 | |
Come on, Georgie, push! | 0:26:15 | 0:26:17 | |
What do you think I'm doing? | 0:26:17 | 0:26:19 | |
Your father wanted to prove it would run in snow. | 0:26:21 | 0:26:25 | |
It really does, too. It's so interesting. | 0:26:25 | 0:26:29 | |
He says he'll have wheels made of rubber, blown up with air. | 0:26:29 | 0:26:34 | |
I should think they'd explode. | 0:26:34 | 0:26:36 | |
HE COUGHS | 0:26:36 | 0:26:38 | |
It's so like old times to hear him. | 0:26:38 | 0:26:40 | |
< ALL SING | 0:26:40 | 0:26:45 | |
# ..Broke the bank at Monte Carlo! # | 0:26:42 | 0:26:45 | |
# ..independent air, hear the girls declare, be a millionaire... # | 0:26:53 | 0:26:57 | |
EUGENE: Be a millionaire! | 0:26:57 | 0:27:00 | |
ALL LAUGH | 0:26:58 | 0:27:00 | |
George, you tried to swing underneath me | 0:27:00 | 0:27:03 | |
and break my fall when we went over. | 0:27:03 | 0:27:05 | |
It was nice of you. | 0:27:05 | 0:27:08 | |
It wasn't a big fall. How about that kiss? | 0:27:08 | 0:27:11 | |
# ..hear them sigh, wish to die | 0:27:11 | 0:27:13 | |
# See them wink the other eye | 0:27:13 | 0:27:16 | |
-OFF-KEY: -# At the man who broke the bank at Monte Carlo! | 0:27:16 | 0:27:19 | |
# As I... | 0:27:19 | 0:27:22 | |
# Walked along the Bois de Boulogne with an independent air | 0:27:22 | 0:27:25 | |
# You hear the girls declare, to be a millionaire... # | 0:27:25 | 0:27:30 | |
MUFFLED BELL | 0:27:48 | 0:27:50 | |
Wilbur Minafer. | 0:28:40 | 0:28:42 | |
Quiet man. | 0:28:42 | 0:28:44 | |
Town will hardly know he's gone. | 0:28:45 | 0:28:48 | |
THUNDER | 0:28:51 | 0:28:53 | |
Where did Isabel go to? | 0:28:58 | 0:29:00 | |
She was tired. | 0:29:00 | 0:29:02 | |
It never was becoming to her to look pale. | 0:29:02 | 0:29:05 | |
Look out. | 0:29:05 | 0:29:06 | |
Oh, boy. Strawberry shortcake. | 0:29:06 | 0:29:09 | |
First of the season. | 0:29:09 | 0:29:11 | |
Hope it's big enough. | 0:29:11 | 0:29:13 | |
You knew I was coming home. | 0:29:13 | 0:29:16 | |
Hm. | 0:29:15 | 0:29:16 | |
What did you say? | 0:29:16 | 0:29:18 | |
Nothing. | 0:29:18 | 0:29:20 | |
Mmm. | 0:29:21 | 0:29:23 | |
Sweet enough? | 0:29:23 | 0:29:26 | |
Fine. | 0:29:24 | 0:29:26 | |
I suppose your mother's been gay at the commencement? Going a lot? | 0:29:28 | 0:29:33 | |
How could she, in mourning? All she can do is look glum. | 0:29:33 | 0:29:37 | |
That's all Lucy could do, too. | 0:29:37 | 0:29:40 | |
How did Lucy get home? | 0:29:40 | 0:29:42 | |
The train with the rest of us. | 0:29:42 | 0:29:44 | |
Quit bolting your food. | 0:29:45 | 0:29:47 | |
Did you drive out to their house with her before you came here? | 0:29:55 | 0:30:00 | |
No. She went home with her father. | 0:30:00 | 0:30:03 | |
Oh, I see. | 0:30:05 | 0:30:07 | |
Don't eat so fast, George. | 0:30:07 | 0:30:09 | |
THUNDER | 0:30:10 | 0:30:12 | |
So, er... Eugene came to the station to meet you? | 0:30:14 | 0:30:19 | |
To meet us? | 0:30:21 | 0:30:23 | |
How could he? | 0:30:23 | 0:30:25 | |
I don't know what you mean. | 0:30:26 | 0:30:29 | |
THUNDER | 0:30:29 | 0:30:31 | |
Want some more milk? | 0:30:32 | 0:30:35 | |
No, thanks. | 0:30:33 | 0:30:35 | |
I haven't seen him while your mother's been away. | 0:30:38 | 0:30:41 | |
Naturally. He's been east himself. | 0:30:41 | 0:30:45 | |
Did you see him? | 0:30:45 | 0:30:50 | |
Naturally, since he made the trip home with us. | 0:30:46 | 0:30:50 | |
He did? He was with you all the time? | 0:30:50 | 0:30:53 | |
Uh-uh. Only on the train in the last three days before we left. | 0:30:53 | 0:30:57 | |
Uncle Jack got him to come along. | 0:30:57 | 0:30:59 | |
You're gonna get fat. | 0:30:59 | 0:31:01 | |
I can't help that. You're such a wonderful housekeeper. | 0:31:01 | 0:31:06 | |
You know how to make things taste good. | 0:31:06 | 0:31:08 | |
Hmm. | 0:31:08 | 0:31:10 | |
You won't stay single if some of the widowers... | 0:31:10 | 0:31:15 | |
It's a little odd. | 0:31:13 | 0:31:15 | |
THUNDER | 0:31:15 | 0:31:17 | |
What's odd? | 0:31:17 | 0:31:19 | |
Your mother's not saying that Mr Morgan had been along. | 0:31:19 | 0:31:23 | |
I'll tell you something in confidence. | 0:31:23 | 0:31:26 | |
What? | 0:31:26 | 0:31:27 | |
Mr Morgan was looking pretty absentminded. | 0:31:27 | 0:31:30 | |
And he is dressing better. | 0:31:30 | 0:31:32 | |
He isn't dressing better, he's dressing up. | 0:31:32 | 0:31:36 | |
Fanny, you ought to be encouraging when a prized bachelor | 0:31:36 | 0:31:40 | |
shows by his haberdashery what he wants you to think about him. | 0:31:40 | 0:31:44 | |
Jack says the factory is doing quite well. | 0:31:44 | 0:31:49 | |
Quite well? | 0:31:47 | 0:31:49 | |
Aunt Fanny, I think he'll declare his intentions | 0:31:49 | 0:31:52 | |
and ask my permission to pay his addresses to you... | 0:31:52 | 0:31:56 | |
SHE SOBS | 0:31:56 | 0:31:58 | |
Oh, Aunt Fanny... | 0:31:59 | 0:32:03 | |
Oh, Fanny, we were only teasing. | 0:32:00 | 0:32:03 | |
Oh, let me alone! | 0:32:03 | 0:32:07 | |
Please... | 0:32:03 | 0:32:07 | |
We didn't mean anything. | 0:32:04 | 0:32:07 | |
Please let me alone! | 0:32:07 | 0:32:11 | |
I didn't know you were so sensitive. | 0:32:08 | 0:32:11 | |
It's getting so you can't joke with her about anything any more. | 0:32:17 | 0:32:22 | |
Since we found that Father's estate was washed up | 0:32:22 | 0:32:25 | |
and he didn't leave anything. | 0:32:25 | 0:32:27 | |
I thought she'd feel better when we turned over his insurance to her. | 0:32:27 | 0:32:32 | |
Gave it to her without any strings. | 0:32:32 | 0:32:35 | |
But now... | 0:32:35 | 0:32:37 | |
Yeah. | 0:32:38 | 0:32:40 | |
Think maybe we've been teasing her about the wrong things. | 0:32:42 | 0:32:47 | |
Fanny hasn't got much in her life. | 0:32:48 | 0:32:51 | |
You know, George, just being an aunt | 0:32:54 | 0:32:56 | |
isn't really the great career it may sometimes seem to be. | 0:32:56 | 0:33:01 | |
I really don't know of anything much Fanny has got. | 0:33:01 | 0:33:05 | |
Except her feeling about Eugene. | 0:33:05 | 0:33:08 | |
BANGING ON METAL | 0:33:08 | 0:33:10 | |
They're turning out a car and a quarter a day. | 0:33:13 | 0:33:16 | |
Isn't that marvellous?! | 0:33:16 | 0:33:19 | |
What's marvellous? | 0:33:17 | 0:33:19 | |
They're turning out a car and a quarter a day. | 0:33:19 | 0:33:23 | |
Mother, I don't get it. | 0:33:23 | 0:33:25 | |
All this noise and smell seem to be good for you. | 0:33:25 | 0:33:28 | |
You ought to come every time you get the blues. | 0:33:28 | 0:33:31 | |
The blues? I never knew a person of a more easy disposition. | 0:33:31 | 0:33:35 | |
I wish I could be more like that. | 0:33:35 | 0:33:38 | |
Wouldn't anyone be glad to see a friend take an idea out of the air, | 0:33:38 | 0:33:42 | |
an idea people laugh at him for, | 0:33:42 | 0:33:45 | |
and make such a splendid thing as this factory? | 0:33:45 | 0:33:48 | |
Remember this? Our first machine. | 0:33:48 | 0:33:51 | |
The original Morgan Invincible. | 0:33:51 | 0:33:54 | |
I remember. | 0:33:54 | 0:33:56 | |
FANNY: How quaint. | 0:33:56 | 0:33:58 | |
Of course I'm happy. So very, very happy. | 0:33:58 | 0:34:01 | |
Look at the Morgan now. | 0:34:01 | 0:34:03 | |
It's beautiful. Just beautiful. | 0:34:03 | 0:34:06 | |
Did you ever see anything so lovely? | 0:34:06 | 0:34:09 | |
As what? | 0:34:09 | 0:34:12 | |
As your mother. She's a darling. | 0:34:10 | 0:34:12 | |
Papa looks as if he were going to either explode or utter loud sounds. | 0:34:12 | 0:34:17 | |
It's just glorious. It makes us all happy, Eugene. | 0:34:17 | 0:34:21 | |
Give him your hand, Fanny. | 0:34:21 | 0:34:24 | |
There. If brother Jack were here, | 0:34:24 | 0:34:26 | |
Eugene would have his three oldest and best friends congratulating him. | 0:34:26 | 0:34:31 | |
We know what Jack thinks about it, though. | 0:34:31 | 0:34:34 | |
I used to write verse about 20 years ago. Remember that? | 0:34:34 | 0:34:39 | |
I remember that, too. | 0:34:39 | 0:34:41 | |
I'm almost thinking I could do it again. | 0:34:41 | 0:34:44 | |
To thank you for making a factory visit into such a kind celebration. | 0:34:44 | 0:34:50 | |
Isabel, dear... | 0:34:57 | 0:34:59 | |
Yes, Eugene? | 0:34:59 | 0:35:01 | |
Don't you think you should tell George? | 0:35:01 | 0:35:03 | |
About us? | 0:35:03 | 0:35:06 | |
Yes. | 0:35:05 | 0:35:06 | |
There's still time. | 0:35:07 | 0:35:09 | |
I think he should hear it from you. | 0:35:09 | 0:35:12 | |
He will, dearest. | 0:35:14 | 0:35:16 | |
Soon. | 0:35:17 | 0:35:19 | |
Soon. | 0:35:21 | 0:35:23 | |
I'll still take a horse any day. | 0:35:31 | 0:35:34 | |
-Whoa. -Oh, don't. | 0:35:39 | 0:35:41 | |
Do you want to trot his legs off? | 0:35:41 | 0:35:45 | |
No, but... | 0:35:43 | 0:35:45 | |
No, but what? | 0:35:45 | 0:35:51 | |
You make him walk so you can give your attention to proposing again. | 0:35:46 | 0:35:51 | |
Do let Pendennis trot. | 0:35:51 | 0:35:56 | |
I won't. | 0:35:52 | 0:35:56 | |
Get up, Pendennis. Trot. Commence! | 0:35:53 | 0:35:56 | |
Lucy, you are the prettiest thing in this world. | 0:35:56 | 0:36:00 | |
When are you going to say we're really engaged? | 0:36:00 | 0:36:03 | |
Not for years. So there's the answer. | 0:36:03 | 0:36:06 | |
Lucy, what's the matter? You look as if you're gonna cry. | 0:36:07 | 0:36:12 | |
You always do whenever I can get you to talk about marrying me. | 0:36:12 | 0:36:17 | |
I know it. | 0:36:17 | 0:36:20 | |
Well, why do you? | 0:36:18 | 0:36:20 | |
One reason is because I feel it's never going to be. | 0:36:20 | 0:36:24 | |
You haven't any reason or... | 0:36:24 | 0:36:27 | |
It's just a feeling. | 0:36:25 | 0:36:27 | |
I don't know. Everything is so unsettled. | 0:36:27 | 0:36:31 | |
If you aren't the queerest girl. What's unsettled? | 0:36:31 | 0:36:35 | |
For one thing, you haven't decided on anything to do yet. | 0:36:35 | 0:36:39 | |
At least, you've never spoken of it. | 0:36:39 | 0:36:41 | |
Haven't you understood that I'm not going into business or a profession? | 0:36:41 | 0:36:47 | |
What are you going to do? | 0:36:47 | 0:36:49 | |
Why, I expect to lead an honourable life. | 0:36:49 | 0:36:52 | |
I expect to contribute to charities and take part in...movements. | 0:36:52 | 0:36:57 | |
What kind? | 0:36:57 | 0:37:00 | |
Whatever appeals to me. | 0:36:58 | 0:37:00 | |
I shall revert to my original question. | 0:37:00 | 0:37:04 | |
No, George. I think we - | 0:37:02 | 0:37:04 | |
Your father's a businessman. | 0:37:04 | 0:37:08 | |
A mechanical genius. | 0:37:06 | 0:37:08 | |
He thinks I ought to go into business before you're engaged? | 0:37:08 | 0:37:14 | |
No. I've not spoken to him about it. | 0:37:12 | 0:37:14 | |
But you know that's how he feels? | 0:37:14 | 0:37:18 | |
Yes. | 0:37:16 | 0:37:18 | |
I wouldn't be much of a man if I let another man dictate my way of life. | 0:37:18 | 0:37:23 | |
Who is dictating your way of life? | 0:37:23 | 0:37:25 | |
I don't believe in the whole world | 0:37:25 | 0:37:28 | |
scrubbing dishes, selling potatoes or trying law cases. | 0:37:28 | 0:37:33 | |
I don't like your father's ideals any more than he does mine. | 0:37:33 | 0:37:37 | |
George. | 0:37:37 | 0:37:38 | |
Get up, Pendennis. | 0:37:38 | 0:37:40 | |
Well, he seems to have recovered. Looks in good spirits. | 0:37:42 | 0:37:47 | |
I beg your pardon? | 0:37:47 | 0:37:48 | |
Your grandson. Last night he seemed inclined to melancholy. | 0:37:48 | 0:37:53 | |
What about? | 0:37:53 | 0:37:55 | |
Not getting emotional about all the money he spent at college, is he? | 0:37:55 | 0:38:00 | |
I wonder what he thinks I'm made of. | 0:38:00 | 0:38:03 | |
Gold. And he's right about that part of you, Father. | 0:38:03 | 0:38:07 | |
What part? | 0:38:07 | 0:38:10 | |
Your heart. | 0:38:08 | 0:38:10 | |
I suppose that may account for how heavy it feels nowadays sometimes. | 0:38:10 | 0:38:16 | |
This town seems to be rolling riot | 0:38:17 | 0:38:20 | |
over that old heart you mentioned just now, Jack. | 0:38:20 | 0:38:24 | |
Rolling over it and burying it under. | 0:38:24 | 0:38:27 | |
-MAJOR: -I miss my best girl. | 0:38:30 | 0:38:32 | |
We all do. Lucy is on a visit. She's with a school friend. | 0:38:32 | 0:38:36 | |
She'll be back Monday. | 0:38:36 | 0:38:38 | |
George, why didn't you say? Not a word about Lucy's going away. | 0:38:38 | 0:38:43 | |
Probably afraid to. | 0:38:43 | 0:38:45 | |
Georgie might cry if he tried to speak of it. | 0:38:45 | 0:38:49 | |
Isn't that so, Georgie? > | 0:38:49 | 0:38:51 | |
Didn't Lucy tell you? | 0:38:51 | 0:38:54 | |
She told me. | 0:38:52 | 0:38:54 | |
Georgie didn't approve. I suppose you two aren't speaking again! > | 0:38:54 | 0:38:59 | |
I hear someone's opened a horseless carriage shop in the suburbs. | 0:38:59 | 0:39:04 | |
I suppose they'll drive you out of business. | 0:39:04 | 0:39:07 | |
Or you'll get together and drive us off the streets. | 0:39:07 | 0:39:11 | |
We'll even it up by making the streets bigger. | 0:39:11 | 0:39:15 | |
Streets will go to the county line. | 0:39:15 | 0:39:17 | |
I hope you're wrong. If people move that far, | 0:39:17 | 0:39:21 | |
real estate values in town will be stretched thin. | 0:39:21 | 0:39:24 | |
So your devilish machines are going to ruin us all. > | 0:39:24 | 0:39:28 | |
You think they'll change the land? | 0:39:28 | 0:39:31 | |
They're already doing it and it can't be stopped. Automobiles... | 0:39:31 | 0:39:37 | |
Automobiles are a useless nuisance. | 0:39:34 | 0:39:37 | |
What did you say, George? | 0:39:40 | 0:39:45 | |
Automobiles are a useless nuisance! | 0:39:42 | 0:39:45 | |
They had no business to be invented. | 0:39:45 | 0:39:48 | |
< You forget Mr Morgan makes them. And did his share in inventing them. | 0:39:48 | 0:39:53 | |
If you weren't so thoughtless, he might think you offensive. | 0:39:53 | 0:39:58 | |
I'm not sure George is wrong about automobiles. | 0:39:59 | 0:40:03 | |
With all their speed forward, | 0:40:03 | 0:40:06 | |
they may be a step backward in civilisation. | 0:40:06 | 0:40:09 | |
It may be that they won't add to the beauty of the world | 0:40:09 | 0:40:13 | |
or the life of men's souls. | 0:40:13 | 0:40:15 | |
I'm not sure. But automobiles have come. | 0:40:15 | 0:40:19 | |
And almost all outward things are going to be different | 0:40:20 | 0:40:24 | |
because of what they bring. | 0:40:24 | 0:40:26 | |
They're going to alter war and they're going to alter peace. | 0:40:26 | 0:40:31 | |
Men's minds are going to be changed in subtle ways because of them. | 0:40:31 | 0:40:36 | |
It may be that George is right. | 0:40:36 | 0:40:38 | |
It may be that in ten or 20 years from now, | 0:40:39 | 0:40:42 | |
if we can see the inward change in man by then, | 0:40:42 | 0:40:46 | |
I shouldn't be able to defend the gasoline engine | 0:40:46 | 0:40:49 | |
but would have to agree with George | 0:40:49 | 0:40:52 | |
that automobiles had no business to be invented. | 0:40:52 | 0:40:56 | |
Major. | 0:41:01 | 0:41:02 | |
If you'll excuse me. | 0:41:02 | 0:41:04 | |
Fanny. | 0:41:04 | 0:41:06 | |
Isabel. | 0:41:06 | 0:41:07 | |
I've got to run down to the shop. | 0:41:07 | 0:41:09 | |
I'll see you to the door. | 0:41:09 | 0:41:13 | |
Don't bother. I know the way. | 0:41:10 | 0:41:13 | |
FANNY: I'll come, too. | 0:41:13 | 0:41:15 | |
Georgie, dear, what did you mean? | 0:41:30 | 0:41:34 | |
Just what I said. | 0:41:32 | 0:41:34 | |
He was hurt. | 0:41:34 | 0:41:36 | |
Don't see why he should be. I didn't say anything about him. | 0:41:36 | 0:41:41 | |
He didn't seem hurt. Seemed cheerful. | 0:41:41 | 0:41:44 | |
What made you think he was hurt? | 0:41:44 | 0:41:48 | |
I know him. | 0:41:46 | 0:41:48 | |
By Jove, Georgie, you are a puzzle. | 0:41:56 | 0:42:01 | |
In what way? | 0:41:59 | 0:42:01 | |
It's a new style, courting a pretty girl, | 0:42:01 | 0:42:04 | |
for a fellow to deliberately make an enemy of her father | 0:42:04 | 0:42:08 | |
by attacking his business. | 0:42:08 | 0:42:10 | |
By Jove! It's a new way of winning a woman. | 0:42:10 | 0:42:13 | |
George, you struck just the right treatment to adopt. | 0:42:21 | 0:42:25 | |
Oh, what do you want? | 0:42:25 | 0:42:28 | |
Your father would thank you. | 0:42:26 | 0:42:28 | |
Quit the mysterious detective stuff. | 0:42:28 | 0:42:33 | |
But I approve of what you're doing. | 0:42:30 | 0:42:33 | |
What is wrong with you? | 0:42:33 | 0:42:37 | |
You're always picking on me, always. | 0:42:34 | 0:42:37 | |
Oh, my gosh... | 0:42:37 | 0:42:38 | |
You wouldn't treat anybody like this except Fanny. | 0:42:38 | 0:42:42 | |
You say, "It's nobody but Fanny so I'll kick her. Nobody will mind." | 0:42:42 | 0:42:47 | |
You're right. I haven't got anything since my brother died. | 0:42:47 | 0:42:51 | |
Oh, my gosh... | 0:42:51 | 0:42:52 | |
I never would have told you about it | 0:42:52 | 0:42:55 | |
if I hadn't seen that somebody else had told you. | 0:42:55 | 0:42:58 | |
Somebody else had told me what? | 0:42:58 | 0:43:01 | |
How people are talking about your mother. | 0:43:01 | 0:43:04 | |
What did you say? | 0:43:09 | 0:43:14 | |
I understood what you were doing by being rude to Eugene. | 0:43:10 | 0:43:14 | |
You'd give Lucy up if it came to a question of Isabel's reputation. | 0:43:14 | 0:43:19 | |
Look here. Just what do you mean? | 0:43:19 | 0:43:23 | |
I'm sorry for you, George. | 0:43:21 | 0:43:23 | |
But it's only old Fanny, so whatever she says, pick on her for it! | 0:43:23 | 0:43:28 | |
Hammer her! Hammer her! It's only poor, old, lonely Fanny. | 0:43:28 | 0:43:32 | |
Jack said any gossip was about you. | 0:43:32 | 0:43:35 | |
People laughing at how you ran after Morgan. | 0:43:35 | 0:43:38 | |
Oh, yes, it's always Fanny, ridiculous old Fanny, always! | 0:43:38 | 0:43:42 | |
You said Mother let him come here on your account... | 0:43:42 | 0:43:46 | |
She did. He liked to dance with me. He danced with me as much as her. | 0:43:46 | 0:43:50 | |
You said she only saw him when she was chaperoning you. | 0:43:50 | 0:43:57 | |
You don't suppose that stops talk?! | 0:43:53 | 0:43:57 | |
They just thought I didn't count. "It's only Fanny," they'd say. | 0:43:57 | 0:44:01 | |
Everybody knew they'd been engaged. | 0:44:01 | 0:44:04 | |
What's that? | 0:44:04 | 0:44:10 | |
Everybody knows Isabel never cared for any other man. | 0:44:05 | 0:44:10 | |
I'm going crazy! You lied when you said there was no talk? | 0:44:10 | 0:44:16 | |
It'd be nothing if Wilbur had lived. | 0:44:13 | 0:44:16 | |
You mean Morgan might have married you?! | 0:44:16 | 0:44:21 | |
No. I might not have accepted him. | 0:44:18 | 0:44:21 | |
Are you saying that because he comes here and they see them out driving, | 0:44:21 | 0:44:26 | |
they think they were right in saying that she loved him before? | 0:44:26 | 0:44:31 | |
Before my father died? | 0:44:31 | 0:44:33 | |
Why, George... Don't you know that's what they say? | 0:44:33 | 0:44:37 | |
You must know that everybody... | 0:44:37 | 0:44:40 | |
Who told you? | 0:44:38 | 0:44:40 | |
What? | 0:44:40 | 0:44:44 | |
Who said there was talk? Who?! | 0:44:41 | 0:44:44 | |
I suppose pretty much everybody. | 0:44:44 | 0:44:46 | |
Who?! How did you hear it? Answer! | 0:44:46 | 0:44:51 | |
It wouldn't be fair to give names. | 0:44:48 | 0:44:51 | |
Your friend across the way - has she ever mentioned this? | 0:44:51 | 0:44:55 | |
-She may... -You've been talking? Do you deny it? | 0:44:55 | 0:44:58 | |
-Why... -DO YOU DENY IT?! | 0:44:58 | 0:45:00 | |
She may have intimated... | 0:45:00 | 0:45:02 | |
George! | 0:45:02 | 0:45:04 | |
What are you going to do?! | 0:45:04 | 0:45:07 | |
DOOR SLAMS | 0:45:05 | 0:45:07 | |
Mr Amberson! | 0:45:07 | 0:45:09 | |
I mean, Mr Minafer. Won't you come in, please? | 0:45:09 | 0:45:13 | |
Thank you. | 0:45:13 | 0:45:14 | |
Well, how nice to see you. | 0:45:14 | 0:45:16 | |
Mrs Johnson. | 0:45:16 | 0:45:18 | |
Mrs Johnson, I've come to ask you a few questions. | 0:45:21 | 0:45:25 | |
Certainly. Anything I can do. | 0:45:25 | 0:45:27 | |
I don't mean to waste any time, Mrs Johnson. | 0:45:27 | 0:45:30 | |
You...were talking about a scandal that involved my mother's name. | 0:45:30 | 0:45:35 | |
Mr Minafer! | 0:45:35 | 0:45:37 | |
My aunt said you told her the scandal. | 0:45:37 | 0:45:42 | |
I don't think she'd have said that. | 0:45:39 | 0:45:42 | |
We may have discussed matters that have been a topic in town. | 0:45:42 | 0:45:48 | |
Yes, I think you may have. | 0:45:46 | 0:45:48 | |
Other people may be less considerate. | 0:45:48 | 0:45:51 | |
Other people? That's what I want to know. How many? | 0:45:51 | 0:45:55 | |
What? | 0:45:55 | 0:45:58 | |
How many people talk about it? | 0:45:56 | 0:45:58 | |
This isn't a court. I'm not a defendant in a libel suit. | 0:45:58 | 0:46:02 | |
You may be. I want to know who said these things! I mean to know - | 0:46:02 | 0:46:07 | |
You mean to know?! Well, you'll know something pretty quick. | 0:46:07 | 0:46:12 | |
You'll know that you're out on the street. Please to leave my house! | 0:46:12 | 0:46:17 | |
TAPS SQUEAK | 0:46:20 | 0:46:22 | |
Oh! | 0:46:22 | 0:46:24 | |
Now you have done it! | 0:46:24 | 0:46:26 | |
What? You think riffraff can go bandying my mother's good name? | 0:46:26 | 0:46:30 | |
They can now! Georgie, gossips never fail... | 0:46:30 | 0:46:34 | |
If you think I'm gonna let my mother's good name... | 0:46:34 | 0:46:37 | |
Good name(!) Nobody has a good name in a bad or silly mouth. | 0:46:37 | 0:46:41 | |
Don't you understand me? People say Mother means to marry... | 0:46:41 | 0:46:45 | |
Yes, I understood you! | 0:46:45 | 0:46:47 | |
Gosh, you speak of it so calmly. | 0:46:47 | 0:46:52 | |
Why shouldn't they marry? | 0:46:49 | 0:46:52 | |
Why shouldn't they?! | 0:46:50 | 0:46:52 | |
Yes, why shouldn't they?! | 0:46:52 | 0:46:58 | |
That you can sit there and speak of it! Your sister! | 0:46:54 | 0:46:58 | |
Oh, for heaven's sake! Don't be so theatrical. Come back! | 0:46:58 | 0:47:03 | |
BELL | 0:47:23 | 0:47:25 | |
Leave it, Mary. I'll see who it is and what they want. | 0:47:27 | 0:47:30 | |
Probably it's only a peddlar. | 0:47:30 | 0:47:33 | |
Thank you, Mr George. | 0:47:33 | 0:47:35 | |
Good afternoon, George. Your mother expects to go driving with me. | 0:47:43 | 0:47:48 | |
If you'll send her word I'm here. | 0:47:48 | 0:47:52 | |
No. | 0:47:50 | 0:47:52 | |
I beg your pardon? I said... | 0:47:52 | 0:47:58 | |
You said you had an engagement with my mother and I said no. | 0:47:54 | 0:47:58 | |
What's the matter? | 0:47:58 | 0:48:00 | |
My mother will not care that you came today. Or any other day. | 0:48:00 | 0:48:05 | |
I don't understand. | 0:48:05 | 0:48:08 | |
I doubt I can make it much plainer. | 0:48:06 | 0:48:08 | |
But I'll try. You're not wanted here, Mr Morgan. | 0:48:08 | 0:48:11 | |
Now or at any other time. | 0:48:11 | 0:48:14 | |
Perhaps you'll understand this! | 0:48:14 | 0:48:17 | |
DOOR CLOSES BELOW | 0:48:46 | 0:48:48 | |
Isabel. | 0:48:55 | 0:48:56 | |
Yes? | 0:48:56 | 0:48:58 | |
I've just come from Eugene. | 0:48:58 | 0:49:01 | |
Yes? | 0:49:01 | 0:49:03 | |
I want to talk to you. | 0:49:03 | 0:49:05 | |
Well! | 0:49:15 | 0:49:17 | |
I can just guess what that was about! | 0:49:19 | 0:49:22 | |
He's telling her what you did to Eugene. | 0:49:33 | 0:49:36 | |
-Go to your room. -You're not going in?! | 0:49:36 | 0:49:39 | |
-Go to your room. -George! | 0:49:39 | 0:49:41 | |
George! No, you don't! Keep away from there! | 0:49:41 | 0:49:44 | |
-Let go! -I won't! | 0:49:44 | 0:49:46 | |
Hush up! | 0:49:46 | 0:49:48 | |
Go on to the top of the stairs! Go on! | 0:49:48 | 0:49:51 | |
It's indecent. | 0:50:00 | 0:50:02 | |
Like squabbling outside the door of an operating room. | 0:50:02 | 0:50:06 | |
The idea of you going in there! | 0:50:06 | 0:50:09 | |
Jack's telling Isabel and you let him. He's got consideration for her! | 0:50:09 | 0:50:14 | |
And I haven't? | 0:50:14 | 0:50:19 | |
You considerate of anybody?! | 0:50:15 | 0:50:19 | |
I'm considerate of her good name. | 0:50:17 | 0:50:19 | |
You're taking a different tack. | 0:50:19 | 0:50:24 | |
I thought you knew everything I did! | 0:50:21 | 0:50:24 | |
I was suffering, so I wanted to let out a little. | 0:50:24 | 0:50:28 | |
I was a fool! He wouldn't have had me even if he'd never seen Isabel! | 0:50:28 | 0:50:33 | |
And they haven't done any harm! | 0:50:33 | 0:50:35 | |
She made... Wilbur happy. | 0:50:35 | 0:50:38 | |
She was a true wife to him as long as he lived. | 0:50:39 | 0:50:42 | |
Here I go, not doing myself a bit of good by it. I'm just ruining him. | 0:50:42 | 0:50:47 | |
You said all the riffraff were busy with her name. | 0:50:47 | 0:50:51 | |
I protect her and you attack... | 0:50:51 | 0:50:54 | |
Shh! | 0:50:52 | 0:50:54 | |
Look. He's leaving. | 0:50:54 | 0:50:57 | |
< I'll be back, Isabel. | 0:50:55 | 0:50:57 | |
George! Let her alone. | 0:50:57 | 0:50:59 | |
She's down there by herself. Don't go down. | 0:50:59 | 0:51:03 | |
Let her alone. | 0:51:06 | 0:51:08 | |
'Dearest one, yesterday I thought the time had come | 0:51:38 | 0:51:42 | |
'when I could ask you to marry me | 0:51:42 | 0:51:44 | |
'and you were dear enough to tell me, "Sometime it might come to that." | 0:51:44 | 0:51:49 | |
'Now we are faced not with slander and not with our own fear of it, | 0:51:49 | 0:51:54 | |
'because we haven't any, | 0:51:54 | 0:51:56 | |
'but someone else's fear of it - your son's. | 0:51:56 | 0:52:00 | |
'Oh, dearest woman in the world, I know what your son is to you | 0:52:00 | 0:52:05 | |
'and it frightens me. | 0:52:05 | 0:52:07 | |
'Let me explain a little. | 0:52:07 | 0:52:09 | |
'I don't think he'll change. | 0:52:09 | 0:52:11 | |
'At 21 or 22, so many things appear solid, permanent and terrible, | 0:52:11 | 0:52:17 | |
'which 40 sees are nothing but disappearing miasma. | 0:52:17 | 0:52:21 | |
'40 can't tell 20 about this. | 0:52:21 | 0:52:24 | |
'20 can find out only by getting to be 40. | 0:52:25 | 0:52:28 | |
'And so we come to this, dear. | 0:52:29 | 0:52:32 | |
'Will you live your life your way or George's way? | 0:52:32 | 0:52:36 | |
'Dear, it breaks my heart for you but what you have to oppose now | 0:52:37 | 0:52:42 | |
'is the history of your own selfless and perfect motherhood. | 0:52:42 | 0:52:47 | |
'Are you strong enough, Isabel? | 0:52:47 | 0:52:50 | |
'Can you make the fight? | 0:52:50 | 0:52:52 | |
'I promise you that if you will take heart for it, | 0:53:03 | 0:53:06 | |
'you will find so quickly that it's all amounted to nothing. | 0:53:06 | 0:53:11 | |
'You shall have happiness and only happiness. | 0:53:11 | 0:53:15 | |
'I'm saying too much for wisdom, I fear, | 0:53:15 | 0:53:18 | |
'but, oh, my dear, won't you be strong? | 0:53:18 | 0:53:21 | |
'Such a little, short strength it would need. | 0:53:21 | 0:53:25 | |
'Don't strike my life down twice, dear. | 0:53:31 | 0:53:35 | |
'This time I've not deserved it.' | 0:53:35 | 0:53:38 | |
KNOCK AT DOOR | 0:53:56 | 0:53:58 | |
Come in. > | 0:53:57 | 0:53:58 | |
Did you read it, dear? | 0:54:09 | 0:54:11 | |
Yes, I did. | 0:54:12 | 0:54:14 | |
All of it? | 0:54:16 | 0:54:18 | |
Yes. | 0:54:21 | 0:54:23 | |
Well, what do you think, Georgie? | 0:54:27 | 0:54:30 | |
What do you mean? | 0:54:30 | 0:54:32 | |
You can see how fair he means to be. | 0:54:32 | 0:54:35 | |
Fair?! Fair? When he says that he and you don't care what people say? | 0:54:35 | 0:54:41 | |
What people say? | 0:54:41 | 0:54:43 | |
That Eugene loves me? | 0:54:43 | 0:54:46 | |
He's always loved you. | 0:54:46 | 0:54:48 | |
That's true, Georgie. | 0:54:54 | 0:54:56 | |
But you're my mother. | 0:54:56 | 0:54:58 | |
You're an Amberson. You just... | 0:55:00 | 0:55:03 | |
Yes, dear? | 0:55:03 | 0:55:06 | |
I don't know, Mother. | 0:55:18 | 0:55:20 | |
I'll write Eugene. | 0:55:39 | 0:55:41 | |
He'll understand. | 0:55:44 | 0:55:46 | |
He'll wait. | 0:55:46 | 0:55:48 | |
It'll be better this way. | 0:55:50 | 0:55:52 | |
We'll go away for a while, you and I. | 0:55:56 | 0:55:59 | |
Hello. | 0:56:04 | 0:56:06 | |
Lucy, you... Haven't you... | 0:56:10 | 0:56:13 | |
Haven't I what? | 0:56:13 | 0:56:16 | |
Nothing. | 0:56:14 | 0:56:16 | |
May I walk with you a little way? | 0:56:16 | 0:56:20 | |
Yes, indeed. | 0:56:18 | 0:56:20 | |
I want to talk to you, Lucy. | 0:56:29 | 0:56:31 | |
Hope it's something nice. Papa's so glum, he's scarcely spoken. | 0:56:31 | 0:56:36 | |
-Well.. -Is it a funny story? | 0:56:36 | 0:56:38 | |
It may seem like one to you. | 0:56:38 | 0:56:40 | |
To begin with, when you went away, you didn't let me know. Not a word. | 0:56:40 | 0:56:45 | |
Why, no. I just trotted off for some visits. | 0:56:45 | 0:56:49 | |
Least you might have... | 0:56:49 | 0:56:56 | |
No. We'd had a quarrel and we didn't speak all the way home on the drive. | 0:56:50 | 0:56:56 | |
Since we couldn't play like good children, we oughtn't to play at all | 0:56:56 | 0:57:02 | |
Play? | 0:57:02 | 0:57:04 | |
What I mean is, we'd come to the point | 0:57:04 | 0:57:06 | |
where it was time to quit playing.... what we were playing. | 0:57:06 | 0:57:11 | |
At being lovers, you mean? | 0:57:11 | 0:57:15 | |
Something like that. It was absurd. | 0:57:12 | 0:57:15 | |
Didn't have to be absurd. | 0:57:15 | 0:57:18 | |
It couldn't help but be. | 0:57:16 | 0:57:18 | |
The way I am and you are, it would never be anything else. | 0:57:18 | 0:57:22 | |
This time I'm going away. That's what I want to tell you, Lucy. | 0:57:22 | 0:57:27 | |
I'm going away tomorrow night. Indefinitely. | 0:57:27 | 0:57:30 | |
I hope you have ever so nice a time. | 0:57:30 | 0:57:33 | |
I don't expect to have a very nice time. | 0:57:33 | 0:57:36 | |
Well, then, if I were you, I don't think I'd go. | 0:57:36 | 0:57:40 | |
This is our last walk together. | 0:57:40 | 0:57:43 | |
Evidently, if you're going away tomorrow. | 0:57:43 | 0:57:46 | |
This is the last time I'll see you. Ever. Ever in my life. | 0:57:46 | 0:57:51 | |
Mother and I are starting on a trip round the world and... | 0:57:51 | 0:57:55 | |
we've made no plans for coming back. | 0:57:55 | 0:57:58 | |
My, that is a long trip. | 0:57:58 | 0:58:00 | |
Will you travel all the time or stay in one place for part of it? I... | 0:58:00 | 0:58:04 | |
Lucy! I can't stand this. I'm just about ready to go in that drugstore | 0:58:04 | 0:58:09 | |
for something to keep me from dying in my tracks. It's quite a shock. | 0:58:09 | 0:58:14 | |
What is? | 0:58:14 | 0:58:21 | |
To find out how deeply you care, to see what difference it makes to you. | 0:58:15 | 0:58:21 | |
George... | 0:58:21 | 0:58:22 | |
I can't stand this any longer. I can't, Lucy. | 0:58:22 | 0:58:25 | |
Goodbye, Lucy. | 0:58:29 | 0:58:31 | |
It's goodbye. | 0:58:34 | 0:58:36 | |
I think it's goodbye for good, Lucy. | 0:58:44 | 0:58:49 | |
Goodbye, George. | 0:58:47 | 0:58:49 | |
I do hope you have the most splendid trip. | 0:58:49 | 0:58:52 | |
Give my love to your mother. | 0:58:52 | 0:58:54 | |
May I please have a few drops of aromatic spirits of ammonia | 0:59:10 | 0:59:14 | |
and a glass of water? | 0:59:14 | 0:59:16 | |
For gosh sake, Miss! | 0:59:21 | 0:59:23 | |
Mighty nice of you, Lucy, you and Eugene | 0:59:29 | 0:59:32 | |
to have me over to your new house my first day back. | 0:59:32 | 0:59:36 | |
You'll probably find the old town dull after Paris. | 0:59:36 | 0:59:40 | |
I...found Isabel as well as usual. | 0:59:43 | 0:59:46 | |
Only, I'm afraid "as usual" isn't...particularly well. | 0:59:49 | 0:59:54 | |
Struck me Isabel ought to be in a wheelchair. | 0:59:57 | 1:00:00 | |
What do you mean by that? | 1:00:00 | 1:00:02 | |
Oh, she's cheerful enough. Least... | 1:00:02 | 1:00:06 | |
..she manages to seem so. | 1:00:07 | 1:00:09 | |
Pretty short of breath. | 1:00:10 | 1:00:12 | |
Father's been that way for years, of course, but... | 1:00:14 | 1:00:18 | |
never nearly so much as Isabel is now. | 1:00:18 | 1:00:21 | |
I told her she ought to make Georgie let her come home. | 1:00:21 | 1:00:25 | |
Let her? | 1:00:25 | 1:00:27 | |
Does she want to? | 1:00:27 | 1:00:29 | |
She doesn't urge it. | 1:00:29 | 1:00:31 | |
George likes the life there in his grand, gloomy and peculiar way. | 1:00:33 | 1:00:39 | |
She'll never change about being proud of him and all that. | 1:00:39 | 1:00:43 | |
He's quite a swell. | 1:00:43 | 1:00:45 | |
She does want to come. | 1:00:46 | 1:00:48 | |
She'd like to be with Father, of course, and I think she's... | 1:00:50 | 1:00:55 | |
Well, she intimated one day that she was afraid it might even happen | 1:00:55 | 1:01:01 | |
that she wouldn't get to see him again. | 1:01:01 | 1:01:04 | |
I think she was really thinking of her own state of health. | 1:01:05 | 1:01:10 | |
I see. | 1:01:10 | 1:01:12 | |
And you say he won't let her come home? | 1:01:13 | 1:01:16 | |
I don't think he uses force. | 1:01:18 | 1:01:20 | |
He's very gentle with her. | 1:01:22 | 1:01:24 | |
I doubt if the subject is mentioned between them, and yet... | 1:01:24 | 1:01:29 | |
Yet knowing my interesting nephew as you do, | 1:01:29 | 1:01:33 | |
wouldn't you think that was not the way to put it? | 1:01:33 | 1:01:37 | |
Knowing him as I do...yes. | 1:01:39 | 1:01:41 | |
HOOTER | 1:01:46 | 1:01:48 | |
Changed. | 1:02:00 | 1:02:02 | |
So changed. | 1:02:02 | 1:02:04 | |
You mean... You mean the town? | 1:02:04 | 1:02:07 | |
You mean, the old place has changed, don't you, dear? | 1:02:07 | 1:02:10 | |
Yes. | 1:02:10 | 1:02:12 | |
It'll change to a happier place, now that you're here. | 1:02:12 | 1:02:16 | |
You're going to get well again. | 1:02:16 | 1:02:18 | |
Mr George will be right down. | 1:02:21 | 1:02:25 | |
Thank you. | 1:02:23 | 1:02:25 | |
I've come to see your mother, George. | 1:02:47 | 1:02:50 | |
I'm sorry, Mr Morgan. | 1:02:50 | 1:02:52 | |
Not this time, George. | 1:02:56 | 1:02:58 | |
I'm going up to see her. | 1:02:58 | 1:03:00 | |
The doctor said that... | 1:03:00 | 1:03:02 | |
she had to be kept quiet. | 1:03:02 | 1:03:04 | |
I'll be quiet. | 1:03:06 | 1:03:08 | |
FANNY SOBS | 1:03:08 | 1:03:10 | |
I don't think you should right now. | 1:03:12 | 1:03:15 | |
-The doctor said... -SHE SOBS | 1:03:15 | 1:03:18 | |
Fanny is right, Gene. | 1:03:20 | 1:03:22 | |
Why don't you come back later? | 1:03:26 | 1:03:28 | |
All right. | 1:03:52 | 1:03:54 | |
< She wants to see you. | 1:04:04 | 1:04:06 | |
Darling... did you get something to eat? | 1:04:37 | 1:04:41 | |
Yes, Mother. | 1:04:41 | 1:04:43 | |
All you needed? | 1:04:43 | 1:04:46 | |
Yes, Mother. | 1:04:44 | 1:04:46 | |
Are you sure you didn't catch cold coming home? | 1:04:48 | 1:04:52 | |
I'm all right, Mother. | 1:04:52 | 1:04:54 | |
That's sweet. | 1:04:57 | 1:04:59 | |
Sweet. | 1:05:00 | 1:05:01 | |
What is, Mother, darling? | 1:05:01 | 1:05:03 | |
My hand against your cheek. | 1:05:03 | 1:05:06 | |
I can feel it. | 1:05:06 | 1:05:08 | |
I wonder... | 1:05:14 | 1:05:16 | |
if Eugene and Lucy know that we've come home. | 1:05:16 | 1:05:20 | |
I'm sure they do. | 1:05:20 | 1:05:22 | |
Has he asked about me? | 1:05:25 | 1:05:27 | |
Yes. | 1:05:31 | 1:05:33 | |
He was here. | 1:05:33 | 1:05:35 | |
Has he gone? | 1:05:37 | 1:05:39 | |
Yes, Mother. | 1:05:40 | 1:05:42 | |
Oh... | 1:05:43 | 1:05:45 | |
I'd liked to have seen him. | 1:05:46 | 1:05:49 | |
Just once. | 1:05:52 | 1:05:54 | |
< She must rest now. | 1:05:58 | 1:06:00 | |
George... | 1:06:31 | 1:06:33 | |
She loved you. | 1:06:33 | 1:06:35 | |
She loved you! | 1:06:35 | 1:06:37 | |
NARRATOR: 'And now, Major Amberson was engaged | 1:06:38 | 1:06:42 | |
'in the profoundest thinking of his life. | 1:06:42 | 1:06:45 | |
'He realised that everything which had worried him or delighted him - | 1:06:45 | 1:06:50 | |
'all his buying and building and trading and banking - | 1:06:50 | 1:06:54 | |
'that it was all trifling and waste | 1:06:54 | 1:06:57 | |
'beside what concerned him now. | 1:06:57 | 1:07:00 | |
'For the Major knew he had to plan how to enter an unknown country, | 1:07:00 | 1:07:05 | |
'where he was not even sure of being recognised as an Amberson.' | 1:07:05 | 1:07:10 | |
-JACK: -Father. > | 1:07:10 | 1:07:12 | |
Father! | 1:07:12 | 1:07:14 | |
Huh? | 1:07:14 | 1:07:15 | |
The house was in Isabel's name, wasn't it? | 1:07:15 | 1:07:20 | |
Yes. | 1:07:20 | 1:07:21 | |
Can you remember when you gave her the deed, Father? | 1:07:21 | 1:07:25 | |
No. | 1:07:26 | 1:07:28 | |
No, I can't just remember. | 1:07:28 | 1:07:30 | |
-GEORGE: -It doesn't matter. | 1:07:30 | 1:07:32 | |
The whole estate has got as mixed up as an estate can get. | 1:07:32 | 1:07:36 | |
You want to have that deed, George? | 1:07:36 | 1:07:40 | |
No, don't bother. > | 1:07:38 | 1:07:40 | |
It must be in the sun. | 1:07:47 | 1:07:50 | |
There wasn't anything here... | 1:07:52 | 1:07:55 | |
but the sun in the first place. | 1:07:55 | 1:07:57 | |
The sun... | 1:08:00 | 1:08:02 | |
The earth came out of the sun. | 1:08:02 | 1:08:04 | |
We came out of the earth. | 1:08:05 | 1:08:07 | |
So, for whatever we are, we must have been the earth... | 1:08:08 | 1:08:13 | |
TRAIN WHISTLE | 1:08:19 | 1:08:21 | |
Odd way for us to be saying goodbye. | 1:08:22 | 1:08:25 | |
One wouldn't have thought it even a few years ago. | 1:08:25 | 1:08:29 | |
But here we are, two gentlemen of elegant appearance, | 1:08:29 | 1:08:34 | |
in a state of bustitude. | 1:08:34 | 1:08:36 | |
You can't ever tell what will happen at all, can you? | 1:08:36 | 1:08:40 | |
Once I stood where we're standing to say goodbye to a pretty girl. | 1:08:40 | 1:08:45 | |
Only it was in the old station before this was built. | 1:08:45 | 1:08:49 | |
We knew we wouldn't see each other for almost a year. | 1:08:49 | 1:08:52 | |
I thought I couldn't live through it. | 1:08:52 | 1:08:55 | |
She stood there crying. | 1:08:55 | 1:08:57 | |
Don't even know where she lives now. Or if she is living. | 1:08:58 | 1:09:02 | |
If she thinks of me, she probably imagines | 1:09:02 | 1:09:05 | |
I'm still dancing in the ballroom at the Amberson mansion. | 1:09:05 | 1:09:09 | |
She probably thinks of the mansion as still beautiful, | 1:09:09 | 1:09:13 | |
still the finest house in town. | 1:09:13 | 1:09:16 | |
Ah, life and money both behave like | 1:09:17 | 1:09:20 | |
loose quicksilver in a nest of cracks. | 1:09:20 | 1:09:23 | |
When they're gone you can't tell where, | 1:09:23 | 1:09:26 | |
or what the devil you did with them. | 1:09:26 | 1:09:28 | |
But I believe I'll say now | 1:09:28 | 1:09:30 | |
while there isn't much time for us to get more embarrassed... | 1:09:30 | 1:09:34 | |
I've always been fond of you. | 1:09:34 | 1:09:36 | |
I can't say I've always liked you. We spoiled you terribly. | 1:09:36 | 1:09:40 | |
But this is a heavy chill. You've taken it quietly. | 1:09:40 | 1:09:44 | |
The train's coming. At times I felt you ought to be hanged. | 1:09:44 | 1:09:48 | |
There may be somebody else who's felt like that - | 1:09:48 | 1:09:52 | |
fond of you, I mean, no matter how much it seems you ought to hang. | 1:09:52 | 1:09:57 | |
I must run. I'll send back the money as fast as they pay me. | 1:09:57 | 1:10:02 | |
Goodbye. God bless you, Georgie. | 1:10:02 | 1:10:04 | |
Did you ever hear the Indian name for that grove of beech trees? | 1:10:08 | 1:10:13 | |
No. | 1:10:13 | 1:10:15 | |
And you never did either. | 1:10:15 | 1:10:17 | |
Well? | 1:10:18 | 1:10:20 | |
The name was Lo-man-na-sha. | 1:10:20 | 1:10:22 | |
It means, They Couldn't Help It. | 1:10:22 | 1:10:25 | |
Doesn't sound like it. | 1:10:25 | 1:10:29 | |
Indian names don't. | 1:10:27 | 1:10:29 | |
A bad Indian chief lived there. The worst Indian that ever lived. | 1:10:29 | 1:10:34 | |
His name was... It was... | 1:10:34 | 1:10:36 | |
..Ven-dona. It means, Rides Down Everything. | 1:10:38 | 1:10:41 | |
What? | 1:10:41 | 1:10:42 | |
Ven-dona - Rides Down Everything. | 1:10:42 | 1:10:45 | |
I see. | 1:10:45 | 1:10:47 | |
Go on. | 1:10:49 | 1:10:51 | |
Ven-dona was unspeakable. | 1:10:51 | 1:10:54 | |
He was so proud he wore iron shoes and walked over people's faces. | 1:10:54 | 1:10:59 | |
At last the tribe decided | 1:10:59 | 1:11:01 | |
it wasn't a good enough excuse that he was young and inexperienced, | 1:11:01 | 1:11:06 | |
he'd have to go. | 1:11:06 | 1:11:08 | |
They took him to the river, put him in a canoe, | 1:11:08 | 1:11:11 | |
pushed him out from the shore | 1:11:11 | 1:11:13 | |
and the current carried him on down to the ocean and he never got back. | 1:11:13 | 1:11:19 | |
They didn't want him back, of course. They hated Ven-dona. | 1:11:19 | 1:11:23 | |
But they weren't able to discover | 1:11:23 | 1:11:26 | |
any other warrior they wanted to make chief in his place. | 1:11:26 | 1:11:30 | |
They couldn't help feeling that way. | 1:11:30 | 1:11:33 | |
I see. So that's why they named the place They Couldn't Help It. | 1:11:33 | 1:11:38 | |
It must have been. | 1:11:38 | 1:11:40 | |
So, you're going to stay in your garden? | 1:11:49 | 1:11:52 | |
You think it's better to keep walking about among your flower beds | 1:11:53 | 1:11:59 | |
till you get old? | 1:11:59 | 1:12:01 | |
Like a pensive garden lady in a Victorian engraving. Hm? | 1:12:01 | 1:12:05 | |
I suppose I'm like that tribe that lived here, Papa. | 1:12:06 | 1:12:10 | |
I had too much unpleasant excitement. I don't want any more. | 1:12:10 | 1:12:15 | |
In fact, I don't want anything but you. | 1:12:15 | 1:12:18 | |
You don't? What was the name of that grove? | 1:12:18 | 1:12:21 | |
They Couldn't... | 1:12:21 | 1:12:24 | |
The Indian name, I mean. | 1:12:22 | 1:12:24 | |
Oh. Mo-la-ha-ha. | 1:12:24 | 1:12:27 | |
Ha ha! | 1:12:27 | 1:12:29 | |
Mo-la-ha-ha! | 1:12:29 | 1:12:31 | |
That wasn't the name you said. | 1:12:31 | 1:12:33 | |
I've forgotten. | 1:12:33 | 1:12:35 | |
I'd say you have. | 1:12:35 | 1:12:37 | |
Perhaps you remember the chief's name better. | 1:12:37 | 1:12:41 | |
I don't. | 1:12:42 | 1:12:44 | |
I hope some day you can forget it. | 1:12:48 | 1:12:51 | |
Try and understand. It's not doing us any good to argue! That place... | 1:12:53 | 1:12:57 | |
This boarding house is practical and we could be together. | 1:12:57 | 1:13:02 | |
How? On eight dollars a week? | 1:13:02 | 1:13:05 | |
I'm only going to be getting eight dollars a week at the law office. | 1:13:05 | 1:13:09 | |
You'd be paying more of the expenses than I would. | 1:13:09 | 1:13:13 | |
I'd be paying? I'd be paying? | 1:13:13 | 1:13:16 | |
Certainly. We'd be using more of your money than mine. | 1:13:16 | 1:13:20 | |
My money? My... | 1:13:20 | 1:13:22 | |
SHE LAUGHS | 1:13:22 | 1:13:24 | |
I've got 28! That's all! | 1:13:25 | 1:13:29 | |
28? | 1:13:30 | 1:13:33 | |
That's all. | 1:13:31 | 1:13:33 | |
I know I told Jack I didn't put everything in the headlight company | 1:13:33 | 1:13:38 | |
but... I did. | 1:13:38 | 1:13:40 | |
Every cent. | 1:13:40 | 1:13:42 | |
And it's gone. | 1:13:43 | 1:13:45 | |
Why wait till now to tell me? | 1:13:45 | 1:13:50 | |
I couldn't tell till I had to! | 1:13:47 | 1:13:50 | |
It wouldn't do any good. | 1:13:50 | 1:13:52 | |
Oh, my gosh... | 1:13:52 | 1:13:53 | |
Oh, I know what you're gonna do. | 1:13:53 | 1:13:55 | |
You're... You're gonna leave me in the lurch! | 1:13:57 | 1:14:01 | |
I'm only asking you to be reasonable. | 1:14:01 | 1:14:04 | |
It's impossible for either of us to go on this way. | 1:14:04 | 1:14:08 | |
Will you get up?! | 1:14:08 | 1:14:11 | |
I can't... | 1:14:09 | 1:14:11 | |
I'm too weak. | 1:14:11 | 1:14:14 | |
Oh... None of this makes any sense. Will you get up?! | 1:14:14 | 1:14:18 | |
I...know your mother would want me to watch over you | 1:14:18 | 1:14:22 | |
and try and make something like a home for you. | 1:14:22 | 1:14:26 | |
And I've tried. | 1:14:27 | 1:14:29 | |
I tried to make things as nice for you as I could. | 1:14:29 | 1:14:33 | |
I know that. | 1:14:33 | 1:14:35 | |
I walked my heels down looking for a place for us to live. | 1:14:35 | 1:14:40 | |
I... I walked and walked over this town. | 1:14:41 | 1:14:44 | |
I... | 1:14:46 | 1:14:48 | |
I didn't ride one block on a streetcar. | 1:14:48 | 1:14:51 | |
I wouldn't use five cents no matter how tired I was! | 1:14:54 | 1:14:59 | |
For gosh sakes, get up! Don't sit against the boiler! | 1:14:59 | 1:15:03 | |
Get up, Aunt Fanny! | 1:15:03 | 1:15:05 | |
It's not hot! It's cold! | 1:15:05 | 1:15:07 | |
The plumber's disconnected it! | 1:15:08 | 1:15:11 | |
I... | 1:15:11 | 1:15:12 | |
I wouldn't mind if they hadn't. | 1:15:12 | 1:15:15 | |
I wouldn't mind if it... | 1:15:16 | 1:15:18 | |
I wouldn't mind if it burned me, George!! | 1:15:18 | 1:15:21 | |
For gosh sakes, get up! | 1:15:21 | 1:15:23 | |
SHE SCREAMS HYSTERICALLY | 1:15:23 | 1:15:26 | |
Stop it! Stop it! | 1:15:24 | 1:15:26 | |
Stop it! Stop it! | 1:15:26 | 1:15:29 | |
Listen to me now! | 1:15:29 | 1:15:31 | |
There. That's better. | 1:15:31 | 1:15:33 | |
Now let's see where we stand. | 1:15:33 | 1:15:35 | |
Let's see if we can afford this place you picked out. | 1:15:35 | 1:15:39 | |
I'm sure the boarding house is practical. I'm sure it is. | 1:15:39 | 1:15:43 | |
I know it must be practical. | 1:15:43 | 1:15:45 | |
And it is a comfort to be among nice people. | 1:15:45 | 1:15:49 | |
I was thinking of the money, Aunt. | 1:15:49 | 1:15:51 | |
There's one great economy. They... They don't allow tipping. | 1:15:51 | 1:15:56 | |
They have signs that prohibit it. | 1:15:56 | 1:15:59 | |
That's good. But the rent is 36 a month. | 1:15:59 | 1:16:02 | |
And dinner is 22.50 for each of us. | 1:16:02 | 1:16:05 | |
I've got about 100 left. | 1:16:05 | 1:16:07 | |
100. That's all. | 1:16:07 | 1:16:09 | |
I won't need any new clothes for a year. Perhaps if... | 1:16:09 | 1:16:13 | |
Oh, so you see... | 1:16:13 | 1:16:15 | |
Yes, I see. | 1:16:15 | 1:16:17 | |
I see that 36 and 45 make 81. | 1:16:17 | 1:16:19 | |
At the lowest we'll need 100 a month. | 1:16:19 | 1:16:23 | |
And I'm going to be making 32. | 1:16:24 | 1:16:27 | |
A real flair. Real flair for the law. | 1:16:29 | 1:16:32 | |
That's right. Couldn't wait till tomorrow to begin. | 1:16:32 | 1:16:36 | |
The law's a jealous mistress and a stern one. | 1:16:36 | 1:16:39 | |
I can't. I can't take up the law. | 1:16:39 | 1:16:41 | |
What? | 1:16:41 | 1:16:43 | |
I must find something quicker, something that pays from the start. | 1:16:43 | 1:16:48 | |
I can't think of anything like that. | 1:16:48 | 1:16:50 | |
I've heard they pay high wages to people in dangerous trades | 1:16:50 | 1:16:55 | |
who handle chemicals, explosives, in the dynamite factories. | 1:16:55 | 1:17:00 | |
I thought I'd try for a job like that. I want to start tomorrow. | 1:17:00 | 1:17:04 | |
Georgie, your grandfather and I were friends. | 1:17:04 | 1:17:08 | |
You think I don't know what's wrong? | 1:17:08 | 1:17:10 | |
Well, it's Aunt Fanny. She's set her mind on this boarding house. | 1:17:10 | 1:17:15 | |
She put everything in the headlight company. | 1:17:15 | 1:17:19 | |
She's got some old cronies | 1:17:19 | 1:17:21 | |
and I guess she's looking forward to games of bridge and gossip. | 1:17:21 | 1:17:26 | |
It's a life she'd like better than anything else. | 1:17:26 | 1:17:29 | |
Struck me as she's got to have it. | 1:17:29 | 1:17:32 | |
I got her into the headlight firm. I feel a responsibility. | 1:17:32 | 1:17:36 | |
It's my responsibility. She's not your aunt. | 1:17:36 | 1:17:39 | |
I can't see that a man is morally obliged to give up a career in law | 1:17:39 | 1:17:44 | |
to give his aunt a favourable opportunity to play bridge! | 1:17:44 | 1:17:48 | |
All right! If you promise not to get blown up, | 1:17:48 | 1:17:52 | |
I'll see if we can find you the job. | 1:17:52 | 1:17:54 | |
You certainly are the most practical young man I ever met. | 1:17:54 | 1:17:59 | |
NARRATOR: 'George Amberson Minafer walked home | 1:18:00 | 1:18:03 | |
'through what seemed to be the strange streets of a strange city. | 1:18:03 | 1:18:08 | |
'For the town was growing, changing. | 1:18:08 | 1:18:11 | |
'It was heaving up in the middle incredibly. | 1:18:11 | 1:18:15 | |
'It was spreading incredibly. | 1:18:15 | 1:18:18 | |
'And as it heaved and spread, | 1:18:18 | 1:18:20 | |
'it befouled itself and darkened its sky. | 1:18:20 | 1:18:24 | |
'This was the last walk home | 1:18:25 | 1:18:27 | |
'he was ever to take up National Avenue to Amberson Addition | 1:18:27 | 1:18:32 | |
'to the big, old house at the foot of Amberson Boulevard.' | 1:18:32 | 1:18:36 | |
'Tomorrow they were to move out. | 1:18:36 | 1:18:39 | |
'Tomorrow everything would be gone. | 1:18:39 | 1:18:42 | |
Mother, forgive me. | 1:18:49 | 1:18:51 | |
God, forgive me. | 1:18:54 | 1:18:56 | |
NARRATOR: 'Something had happened. | 1:19:01 | 1:19:04 | |
'The thing which, years ago, | 1:19:04 | 1:19:06 | |
'had been the eagerest hope of many, many good citizens of the town. | 1:19:06 | 1:19:11 | |
'And now it came at last. | 1:19:14 | 1:19:16 | |
'George Amberson Minafer had got his comeuppance. | 1:19:18 | 1:19:22 | |
'He got it three times filled... | 1:19:24 | 1:19:26 | |
'..and running over. | 1:19:27 | 1:19:29 | |
'But those who had so longed for it were not there to see it | 1:19:31 | 1:19:35 | |
'and they never knew it.' | 1:19:35 | 1:19:37 | |
'Those who were still living had forgotten all about it... | 1:19:37 | 1:19:42 | |
'and all about him.' | 1:19:42 | 1:19:44 | |
Stay back there now! | 1:19:46 | 1:19:48 | |
He run into me as much as I run into him. | 1:19:48 | 1:19:51 | |
If he gets well, he won't get a cent out of me! | 1:19:51 | 1:19:54 | |
I'll only say I'm sorry for him. | 1:19:54 | 1:19:56 | |
Wonderful the damage these machines can do. All right, back in your car. | 1:19:56 | 1:20:02 | |
What are you going to do, Papa? | 1:20:21 | 1:20:23 | |
I'm going to him. | 1:20:34 | 1:20:36 | |
You coming, Papa? | 1:20:41 | 1:20:43 | |
DOOR CLOSES | 1:21:07 | 1:21:09 | |
How is he? | 1:21:27 | 1:21:29 | |
How is Georgie? | 1:21:29 | 1:21:31 | |
He's going to be all right. | 1:21:31 | 1:21:33 | |
Fanny, I wish you could've seen Georgie's face when he saw Lucy. | 1:21:33 | 1:21:38 | |
You know what he said to me when we went into that room? | 1:21:40 | 1:21:43 | |
He said... | 1:21:43 | 1:21:45 | |
.."You must have known my mother wanted you to come here today, | 1:21:47 | 1:21:52 | |
"so that I could ask you to forgive me." | 1:21:52 | 1:21:56 | |
We shook hands. | 1:21:56 | 1:21:58 | |
I never noticed before how much like Isabel Georgie looks. | 1:22:03 | 1:22:07 | |
You know something, Fanny? | 1:22:09 | 1:22:11 | |
I wouldn't tell this to anybody but you. | 1:22:13 | 1:22:17 | |
But it seemed to me as if someone else was in that room. | 1:22:22 | 1:22:26 | |
And that through me she brought her boy under shelter again. | 1:22:28 | 1:22:33 | |
And that I'd been true at last... | 1:22:35 | 1:22:38 | |
..to my true love. | 1:22:39 | 1:22:41 | |
NARRATOR: 'Ladies and gentlemen, | 1:22:52 | 1:22:55 | |
'The Magnificent Ambersons was based on Booth Tarkington's novel. | 1:22:55 | 1:22:59 | |
'Stanley Cortez was the photographer. | 1:22:59 | 1:23:02 | |
'Mark-Lee Kirk designed the sets. | 1:23:02 | 1:23:04 | |
'Al Fields dressed them. | 1:23:04 | 1:23:06 | |
'Robert Wise was the film editor. | 1:23:06 | 1:23:08 | |
'Fred E Fleck was the assistant director. | 1:23:08 | 1:23:11 | |
'Edward Stevenson designed the ladies' wardrobe. | 1:23:11 | 1:23:13 | |
'The special effects were by Vernon L Walker. | 1:23:13 | 1:23:16 | |
'The sound recording was by Bailey Flessner and James G Stewart. | 1:23:16 | 1:23:20 | |
'Here's the cast: Eugene - Joseph Cotten. | 1:23:20 | 1:23:24 | |
'Isabel - Dolores Costello. | 1:23:25 | 1:23:28 | |
'Lucy - Anne Baxter. | 1:23:30 | 1:23:32 | |
'George - Tim Holt. | 1:23:33 | 1:23:35 | |
'Fanny - Agnes Moorehead. | 1:23:37 | 1:23:39 | |
'Jack - Ray Collins. | 1:23:41 | 1:23:43 | |
'Roger Bronson - Erskine Sandford. | 1:23:45 | 1:23:48 | |
'Major Amberson - Richard Bennett. | 1:23:50 | 1:23:53 | |
'I wrote the script and directed it. | 1:23:54 | 1:23:56 | |
'My name is Orson Welles. | 1:23:56 | 1:23:59 | |
'This is a Mercury Production.' | 1:24:00 | 1:24:02 | |
Subtitles by Julie Sutherland, IMS | 1:24:02 | 1:24:05 | |
E-mail us at [email protected] | 1:24:05 | 1:24:07 |