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This film contains strong language. | 0:00:03 | 0:00:13 | |
SOMBRE PIANO MUSIC | 0:00:34 | 0:00:37 | |
MICROPHONE SQUEALS | 0:02:39 | 0:02:41 | |
'Ready?' | 0:02:41 | 0:02:44 | |
'Yeah, let's try it like that.' | 0:02:44 | 0:02:47 | |
SHUFFLING | 0:02:47 | 0:02:50 | |
From the studios of WNYH in New York City, | 0:02:50 | 0:02:53 | |
I'm Gabriel Noone, and this is Noone at Night. | 0:02:53 | 0:02:57 | |
As a storyteller, I've spent years looting my life for fiction. | 0:02:59 | 0:03:03 | |
Like a magpie, I tend to steal the shiny stuff and discard the rest. | 0:03:03 | 0:03:08 | |
The facts can always be altered when you're telling a story. | 0:03:08 | 0:03:12 | |
But this time, I have to be careful. | 0:03:12 | 0:03:15 | |
I'll lay out the events exactly as I remember them. | 0:03:15 | 0:03:19 | |
I want you to believe this, after all. | 0:03:19 | 0:03:22 | |
That'll be hard enough as it is. | 0:03:22 | 0:03:25 | |
This one is called... | 0:03:25 | 0:03:27 | |
"The Night Listener." | 0:03:27 | 0:03:30 | |
'It began in the worst of all possible weeks. | 0:03:30 | 0:03:34 | |
'Jess had moved out, saying it was only temporary. | 0:03:34 | 0:03:37 | |
'And I was miserable. Nothing made sense any more. | 0:03:37 | 0:03:40 | |
'I was trying to read one of my ridiculous yarns - | 0:03:40 | 0:03:43 | |
'the kind I had built a career on. | 0:03:43 | 0:03:46 | |
'A sentimental piece about our eighth anniversary. | 0:03:46 | 0:03:49 | |
'But it felt so phoney. I couldn't put the words into our mouth.' | 0:03:49 | 0:03:53 | |
-This isn't working. -"It wasn't that bad." | 0:03:53 | 0:03:56 | |
It just doesn't sound like me. | 0:03:56 | 0:03:58 | |
-"The levels are the same. I could try adjusting." -No, it sounds fake. | 0:03:58 | 0:04:03 | |
"Look, Gabriel. We can't do this again." | 0:04:03 | 0:04:07 | |
Just run an old one, OK? I-I'm... I can't. I'm sorry, I just can't. | 0:04:07 | 0:04:11 | |
-Hey. -Why are you here? | 0:04:22 | 0:04:24 | |
-LAUGHS: -I thought I was gonna buy you a drink. | 0:04:24 | 0:04:28 | |
-What happened in the session? -We're just having sound problems. | 0:04:28 | 0:04:31 | |
-Listen, I'm ready to collapse. -You sure you don't wanna go? | 0:04:31 | 0:04:35 | |
-Sure. -None of my business, but the station is worried. | 0:04:35 | 0:04:40 | |
-You owe them five shows. -I really don't wanna talk about that. | 0:04:40 | 0:04:43 | |
I'm worried about you, Gabe. | 0:04:43 | 0:04:46 | |
-I'm all right. Really. -All right. | 0:04:46 | 0:04:48 | |
Look. Take this with you. | 0:04:48 | 0:04:51 | |
Oh, no. Come on, Ashe. | 0:04:51 | 0:04:53 | |
You don't have to write a blurb. Just read it. | 0:04:53 | 0:04:56 | |
We're publishing it next quarter. | 0:04:56 | 0:04:58 | |
"A Diary of Transcendent Hope and Courage." Oh, please. | 0:04:58 | 0:05:01 | |
-It come with aromatherapy? CHUCKLES: -Save it, will ya? | 0:05:01 | 0:05:04 | |
You'll have real questions after you've read it. | 0:05:04 | 0:05:08 | |
-Hang in there, OK? -Yeah. See ya. | 0:05:08 | 0:05:11 | |
Jesus! You scared me. | 0:05:32 | 0:05:35 | |
-Just, er, picking some stuff up. -No problem. | 0:05:37 | 0:05:41 | |
See you brought Lucifer. | 0:05:41 | 0:05:44 | |
Lucien. He's just a friend. | 0:05:47 | 0:05:49 | |
Oh, babe, I told ya - I just need a little space. | 0:05:50 | 0:05:54 | |
-It's all right. -I'll see ya. | 0:05:55 | 0:05:57 | |
-No, Hugo. Go. -Hugo. Hugo! | 0:06:00 | 0:06:04 | |
THUNDER RUMBLES | 0:06:25 | 0:06:27 | |
"Charles Dickens," wrote Pete Logand, "was only 12 when his parents | 0:06:35 | 0:06:40 | |
"sent him to make boot Polish in a factory by the docks. | 0:06:40 | 0:06:43 | |
"This screwed him up forever and made him a writer. | 0:06:43 | 0:06:46 | |
"I think we've all got a blacking factory. Some terrible something | 0:06:46 | 0:06:50 | |
"that makes us lose our baby hearts as surely as we lose our baby teeth." | 0:06:50 | 0:06:54 | |
-ADOLESCENT BOY: -Mine was in the basement in Milwaukee. | 0:06:54 | 0:06:58 | |
It was converted into a room that was meant to be a playhouse. | 0:06:58 | 0:07:01 | |
No-one ever wondered why my dad made it soundproof. | 0:07:01 | 0:07:04 | |
I knew all his games by the time I was seven. | 0:07:04 | 0:07:08 | |
By the time I was eleven, other grown-ups were with him. | 0:07:08 | 0:07:12 | |
I wondered how much my mom knew. | 0:07:12 | 0:07:14 | |
Then one night I heard her there in the playhouse. Whispering. | 0:07:14 | 0:07:19 | |
Telling somebody to move out of the way. | 0:07:19 | 0:07:22 | |
I realised she'd been there all along. | 0:07:22 | 0:07:25 | |
"That was what the blindfold was for - to keep me hidden. | 0:07:25 | 0:07:28 | |
"So they could sell the tapes on the internet." | 0:07:28 | 0:07:32 | |
DISTORTED VOICES, FEMALE LAUGHING | 0:07:37 | 0:07:41 | |
PHONE RINGS | 0:07:49 | 0:07:53 | |
'You've reached Gabriel and Jess. Leave a message at the tone.' | 0:07:53 | 0:07:58 | |
'Hi. It's Pete Logand. The guy who wrote that book? | 0:07:58 | 0:08:02 | |
'Ashe gave me your number. So I just wanted to... | 0:08:02 | 0:08:06 | |
-SIGHS: -'He said if I talk long enough you might... | 0:08:09 | 0:08:13 | |
'Oh, well. Bye.' | 0:08:13 | 0:08:15 | |
-Ambushed? -That's as good a word as any. | 0:08:18 | 0:08:20 | |
I thought it'd make you feel better, distract yourself. | 0:08:20 | 0:08:23 | |
The way I'm feeling, I might say something wrong. | 0:08:23 | 0:08:27 | |
You won't say anything wrong. Did you like the book? | 0:08:27 | 0:08:30 | |
-It's somewhat raw. -Yeah. -But powerful. | 0:08:30 | 0:08:32 | |
-He's a brave kid. How old is he? -Fourteen. -Jesus! | 0:08:32 | 0:08:37 | |
-How'd you get it? -Right over the transom. No agent, no nothing. | 0:08:37 | 0:08:41 | |
-Donna just mailed it to us. -Who? | 0:08:41 | 0:08:44 | |
I'm sorry - she's the social worker who adopted him. | 0:08:44 | 0:08:46 | |
-She got him to write as therapy. -You must have edited like crazy. | 0:08:46 | 0:08:50 | |
-LAUGHS: -Well... It's the cleanest manuscript I've had all year. | 0:08:50 | 0:08:54 | |
-Damn! -I wouldn't do this unless I thought there was a real connection. | 0:08:54 | 0:08:58 | |
-Remember the basement? -Yeah. | 0:08:58 | 0:09:01 | |
Well, he listened to the show after they'd gone. | 0:09:01 | 0:09:04 | |
-Jesus! -He wanted me to give that to you. | 0:09:04 | 0:09:07 | |
Jess? | 0:09:29 | 0:09:31 | |
-What the hell are you doing? -Hi. | 0:09:39 | 0:09:41 | |
I can't do your books unless you leave me your chequebook. | 0:09:41 | 0:09:45 | |
-Oh. -This place was a mess. | 0:09:45 | 0:09:47 | |
Besides, I like laundry. It makes me happy. | 0:09:47 | 0:09:50 | |
The power went out again. Something is fucked up with your fuse box. | 0:09:50 | 0:09:54 | |
-And your dad called. -But you didn't pick up? -I had to. | 0:09:54 | 0:09:57 | |
He kept saying, "Are you there? Pick up, goddammit. I know you're there." | 0:09:57 | 0:10:02 | |
He's a nice old coot. | 0:10:02 | 0:10:04 | |
If he met you, he'd call you "that cute Chink gal". | 0:10:04 | 0:10:07 | |
-I am a cute Chink gal. -Mm-hm. | 0:10:07 | 0:10:09 | |
How old is he anyway? He's got to be, like, ancient. | 0:10:09 | 0:10:13 | |
-Because I am? -I just hope I'm over my parents by the time I'm your age. | 0:10:13 | 0:10:17 | |
Good luck. | 0:10:17 | 0:10:20 | |
They asked about Jess. You haven't told 'em yet, have you? | 0:10:20 | 0:10:23 | |
No. Cos he'll be back by then. | 0:10:23 | 0:10:26 | |
Right. | 0:10:27 | 0:10:30 | |
PHONE RINGS | 0:10:34 | 0:10:37 | |
'Hello. Please leave a message after the tone.' | 0:10:37 | 0:10:40 | |
Hi, Pete. This is Gabriel Noone. | 0:10:40 | 0:10:44 | |
Ashe gave me your number and, er... | 0:10:44 | 0:10:47 | |
I read your book. I really liked it. | 0:10:48 | 0:10:51 | |
-PHONE BEEPS -'Hey.' -Hey. | 0:10:51 | 0:10:54 | |
'You swear it's really you?' | 0:10:54 | 0:10:56 | |
-Why wouldn't it be me? -'I don't know. You don't sound like yourself.' | 0:10:56 | 0:11:01 | |
Well, I'm a little less dramatic in person. | 0:11:01 | 0:11:04 | |
You sound like hammered shit. | 0:11:04 | 0:11:06 | |
LAUGHS: 'That pins it down pretty well.' | 0:11:06 | 0:11:09 | |
No offence. Just can't fuckin' believe it's you, man. | 0:11:09 | 0:11:12 | |
'You just fuckin' have to.' | 0:11:12 | 0:11:14 | |
I'm sorry. My new mom says I've got a trashy mouth. | 0:11:14 | 0:11:17 | |
'Really? Well, she's fuckin' right.' LAUGHS | 0:11:17 | 0:11:20 | |
'Anyway. I was really impressed by your book. | 0:11:20 | 0:11:24 | |
-'I want to wish you good luck.' -So what do you guys do for Christmas? | 0:11:24 | 0:11:27 | |
-What do you mean? -'You and Jess. Do you have a tree and all?' | 0:11:27 | 0:11:31 | |
Oh, no. We're not that big on Christmas. | 0:11:31 | 0:11:34 | |
-LAUGHS: -'Yeah. I know what you mean.' | 0:11:34 | 0:11:37 | |
We got a rusty water tank near us and they hang a damn star on it. | 0:11:37 | 0:11:41 | |
A star? That sounds nice. | 0:11:41 | 0:11:43 | |
Yeah. Except it doesn't face this way. Just lights up the graffiti. | 0:11:43 | 0:11:47 | |
Rest of the town gets "Bethlehem" - alls we get is "Roberta blows". | 0:11:47 | 0:11:51 | |
-CHUCKLES: -'I swear. Big old red letters. "Roberta blows. | 0:11:51 | 0:11:56 | |
'They painted it out last year, but it came back.' | 0:11:56 | 0:11:59 | |
She must really blow. LAUGHS | 0:11:59 | 0:12:02 | |
COUGHS VIOLENTLY You OK? | 0:12:02 | 0:12:05 | |
-Shit! -Pete? | 0:12:08 | 0:12:11 | |
CONTINUES COUGHING | 0:12:11 | 0:12:15 | |
Shit! | 0:12:15 | 0:12:17 | |
Yeah, I'm OK. | 0:12:17 | 0:12:20 | |
-Gotta warn me if you're gonna be funny, man. -Drink this. -'Sorry.' | 0:12:20 | 0:12:24 | |
-What is it? -'Donna's here now. Being a pain. | 0:12:24 | 0:12:28 | |
'I wouldn't put up with it except she's a babe and I like redheads.' | 0:12:28 | 0:12:33 | |
-COUGHS -It's him. Say something. | 0:12:33 | 0:12:37 | |
-Hello, him. This is Donna Logand. -'Hey.' | 0:12:37 | 0:12:39 | |
I'm sorry to cut this short, but this cough is worrying me. | 0:12:39 | 0:12:42 | |
Well, sure. I understand... CONTINUOUS TONE | 0:12:42 | 0:12:46 | |
PHONE RINGS | 0:12:57 | 0:12:59 | |
-Hello? -'It's Donna. | 0:13:00 | 0:13:03 | |
'He's asleep now. We had to...drain his lungs.' | 0:13:05 | 0:13:09 | |
-Ashe told you about the AIDS? -'Yeah, he did.' | 0:13:09 | 0:13:12 | |
Listen, there are some incredible drugs nowadays. | 0:13:12 | 0:13:16 | |
They worked wonders for Jess. | 0:13:16 | 0:13:18 | |
We've tried a lot of them, but he had syphilis when he was eight. | 0:13:18 | 0:13:22 | |
'And his lungs are like Swiss cheese. He doesn't have very long. | 0:13:22 | 0:13:26 | |
'A few months at the most.' | 0:13:26 | 0:13:28 | |
It probably doesn't make it any easier - | 0:13:28 | 0:13:31 | |
being out here in the middle of nowhere. | 0:13:31 | 0:13:33 | |
-'But they can't know where he is.' -I thought they were all in prison. | 0:13:33 | 0:13:37 | |
'His father was. But his mother disappeared after her arraignment.' | 0:13:37 | 0:13:41 | |
-They don't know where she is. -'Surely after all these years...' | 0:13:41 | 0:13:44 | |
We don't know what she's capable of. | 0:13:44 | 0:13:47 | |
'But the point of moving here was not to be paranoid.' | 0:13:47 | 0:13:51 | |
'The thought of that haunted me all night.' | 0:13:51 | 0:13:54 | |
'Over the next few weeks, Pete and I talked almost every day.' | 0:13:54 | 0:13:59 | |
Who do you want to talk to when your book is published? | 0:13:59 | 0:14:02 | |
What do you mean? | 0:14:02 | 0:14:04 | |
'You know, somebody famous who really likes your book.' | 0:14:04 | 0:14:07 | |
-Derek Jeter would be cool. -Well. OK. Yeah. | 0:14:07 | 0:14:12 | |
-'You don't know who that is, do you?' -Of course. He's a sports guy. | 0:14:12 | 0:14:17 | |
-Yeah, what sport? -'Get picky on me!' | 0:14:17 | 0:14:21 | |
Just cos you're a dick-smoker don't mean you can't watch ball games. | 0:14:21 | 0:14:25 | |
-What? -'What, a dick-smoker? You've never heard that?!' | 0:14:25 | 0:14:29 | |
No. | 0:14:29 | 0:14:31 | |
Well, no offence or nothin'. | 0:14:31 | 0:14:34 | |
You and, er... Jess seem pretty cool. | 0:14:34 | 0:14:37 | |
So, how's he doing? | 0:14:37 | 0:14:39 | |
He's OK. | 0:14:39 | 0:14:41 | |
'So when can I talk to him?' | 0:14:41 | 0:14:43 | |
That's gonna be difficult. He moved out a couple of weeks ago. | 0:14:43 | 0:14:47 | |
Oh, man. | 0:14:47 | 0:14:49 | |
That sucks. | 0:14:49 | 0:14:51 | |
He says he needs to be alone. | 0:14:52 | 0:14:55 | |
'But he says he's coming back.' | 0:14:55 | 0:14:57 | |
It seemed like you had something special. | 0:14:57 | 0:15:00 | |
'You've got to be patient. Things like that don't come every day.' | 0:15:00 | 0:15:05 | |
That's what I want. | 0:15:05 | 0:15:07 | |
That kind of thing. | 0:15:07 | 0:15:09 | |
One of these days. | 0:15:09 | 0:15:12 | |
'Don't worry. You'll get it.' | 0:15:12 | 0:15:14 | |
No. Ain't a lot of girls between here and the hospital. | 0:15:14 | 0:15:17 | |
You think about girls a lot? | 0:15:17 | 0:15:20 | |
'That's all I can do, man - think about 'em.' | 0:15:20 | 0:15:24 | |
Seeta. D'you have Playboy? | 0:15:26 | 0:15:29 | |
-Hey, you. -Hey. | 0:15:38 | 0:15:41 | |
-Oh. For a friend. -Yeah. | 0:15:44 | 0:15:47 | |
I was gonna call you. I'm having a small Christmas party. Wanna come? | 0:15:47 | 0:15:51 | |
-Sure. -OK. I'll call you. | 0:15:51 | 0:15:55 | |
-See ya. -See ya. | 0:15:55 | 0:15:57 | |
So he gets the Playboy. Next thing, he's hiding it from his new mom. | 0:15:59 | 0:16:04 | |
Who knew I'd be a heterosexual influence? | 0:16:04 | 0:16:07 | |
That is just the sweetest thing I've ever heard. | 0:16:07 | 0:16:10 | |
-Isn't it? -I'd be careful if I was you. | 0:16:10 | 0:16:13 | |
-Why? -Folks could talk, that's all. | 0:16:13 | 0:16:15 | |
About what? | 0:16:15 | 0:16:17 | |
Use your damn head. That boy was abused by gays. | 0:16:17 | 0:16:21 | |
He was abused by paedophiles. Haven't you been listening? | 0:16:21 | 0:16:24 | |
-They were men. -Straight men. | 0:16:24 | 0:16:26 | |
-Lift your leg. -How could they be straight if they messed with a boy? | 0:16:26 | 0:16:30 | |
-Cos they would call him "faggot". -Must you make everything filthy?! | 0:16:30 | 0:16:35 | |
Honey, calm down. Don't get so angry. | 0:16:35 | 0:16:38 | |
That's much easier than feeling something. | 0:16:38 | 0:16:40 | |
-What kind of New Age crap is that? -Just cos you're shut down | 0:16:40 | 0:16:43 | |
doesn't mean we have to be. | 0:16:43 | 0:16:46 | |
-Just because you're a big cry-baby. -Come on, guys. | 0:16:46 | 0:16:49 | |
-Should I go somewhere? -BOTH: No. | 0:16:49 | 0:16:52 | |
Come on, let's... We're gonna be late. | 0:16:52 | 0:16:56 | |
-You two seemed a little better this time. -Yeah. | 0:16:56 | 0:16:59 | |
Another thousand years we'll be able to have a conversation. | 0:16:59 | 0:17:03 | |
-What were you gonna tell us about Jess? -Nothing. | 0:17:03 | 0:17:06 | |
-Maybe we'll see him on our way back. -Just say bye to the little prick. | 0:17:06 | 0:17:11 | |
What? "Little prick?!" He can handle that. | 0:17:11 | 0:17:14 | |
I can handle big ones, actually. | 0:17:14 | 0:17:16 | |
-CHUCKLES: -You are nasty. | 0:17:16 | 0:17:19 | |
-What'd he say? -See you, Pap. | 0:17:19 | 0:17:21 | |
OK, son. | 0:17:21 | 0:17:23 | |
RAP MUSIC | 0:17:27 | 0:17:30 | |
Hey, Gabriel! | 0:17:47 | 0:17:49 | |
Gabriel! Hey! | 0:17:49 | 0:17:52 | |
-Where are you going? -Why'd you invite me to this? | 0:17:52 | 0:17:56 | |
It's a party. | 0:17:56 | 0:17:58 | |
-Ridiculous. -Gabriel. | 0:17:58 | 0:18:01 | |
Come here. | 0:18:01 | 0:18:03 | |
What's the matter? | 0:18:08 | 0:18:10 | |
-Who are all these people? -My friends. My roommate's and mine. | 0:18:10 | 0:18:14 | |
Since when did you know so many people? | 0:18:14 | 0:18:17 | |
Most of my friends were your friends. I wanted new friends. | 0:18:17 | 0:18:20 | |
What's the problem here? | 0:18:20 | 0:18:22 | |
I don't understand what's happening. | 0:18:24 | 0:18:27 | |
When I moved in with you, I was barely out of college. | 0:18:27 | 0:18:31 | |
-I wanted to take care of you. -You don't think I wanted to do the same? | 0:18:31 | 0:18:34 | |
-I'm not saying that. -That's what you think. | 0:18:34 | 0:18:37 | |
Gabriel, for eight years I was gonna die. | 0:18:37 | 0:18:41 | |
And now it looks like I'm not going to, | 0:18:41 | 0:18:44 | |
and I want to see what that feels like. | 0:18:44 | 0:18:48 | |
-I just... -If you had any guts, you'd end this. | 0:18:51 | 0:18:55 | |
That's not how I feel. | 0:18:58 | 0:19:00 | |
-No, no, no. -Come here. Come here, please. | 0:19:03 | 0:19:07 | |
KNOCK AT DOOR | 0:19:21 | 0:19:24 | |
Coming out. | 0:19:24 | 0:19:26 | |
OK? | 0:19:26 | 0:19:28 | |
Yeah. I'm OK. | 0:19:28 | 0:19:31 | |
'You've reached Gabriel and Jess. Please leave a message at the tone.' | 0:19:31 | 0:19:36 | |
It's Donna. | 0:19:36 | 0:19:39 | |
I'm at the hospital. | 0:19:39 | 0:19:41 | |
He's in the oxygen tank. | 0:19:45 | 0:19:47 | |
It's not looking very good. | 0:19:47 | 0:19:50 | |
'I don't think he'll make it through the night.' | 0:19:50 | 0:19:54 | |
-'I'll call you back when there's news. Bye.' -End of message. | 0:19:54 | 0:19:59 | |
Ah. Don't you think she'd have called if anything happened? | 0:19:59 | 0:20:03 | |
I've just got this gut feeling. | 0:20:03 | 0:20:06 | |
-So call the hospital. -I don't know which one he's in. | 0:20:06 | 0:20:09 | |
Do you think it's possible they're being a little melodramatic? | 0:20:09 | 0:20:14 | |
You know, the abusive parents, the basement. | 0:20:14 | 0:20:17 | |
It all seems so...over the top. | 0:20:17 | 0:20:20 | |
-Some people have shitty lives. -They're not shitty all the time. | 0:20:20 | 0:20:24 | |
-I'm just saying, they might be revving it up a bit. -PHONE RINGS | 0:20:26 | 0:20:30 | |
I can't believe you'd suggest that a dying child would embellish it. | 0:20:30 | 0:20:34 | |
-Hello? -'It's Donna.' | 0:20:37 | 0:20:39 | |
Hi. Donna, I'm gonna put you on speaker phone. Jess is here. | 0:20:39 | 0:20:43 | |
'Hi. Jess. It's nice to meet the real thing.' | 0:20:43 | 0:20:46 | |
It's nice to meet you, too. | 0:20:46 | 0:20:48 | |
-The Bactrim's kicked in - Pete's better this morning. -Thank God. | 0:20:48 | 0:20:52 | |
-'He wants to say hello.' -Sure. Put him on. | 0:20:52 | 0:20:56 | |
-'Hey, dude.' -Hey, kiddo. How are you feeling? | 0:20:56 | 0:20:58 | |
-'Better than yesterday.' -Great. | 0:20:58 | 0:21:01 | |
Hey, Jess is here. He's fixing my fuse box. | 0:21:01 | 0:21:04 | |
'I don't even wanna know what that means.' | 0:21:04 | 0:21:06 | |
-OK. They want me to go to sleep now. You guys stay cool. -Sleep tight. | 0:21:06 | 0:21:12 | |
CONTINUOUS TONE | 0:21:12 | 0:21:14 | |
What a relief. | 0:21:14 | 0:21:16 | |
Yeah. | 0:21:16 | 0:21:18 | |
What? | 0:21:22 | 0:21:25 | |
-I think it's the same voice, babe. -What? | 0:21:25 | 0:21:29 | |
Yeah. Pete and Donna. I... | 0:21:29 | 0:21:32 | |
I don't know, they... they have the same voice. | 0:21:32 | 0:21:35 | |
One is higher-pitched, but they're... | 0:21:35 | 0:21:38 | |
-Are you saying it's some kind of impersonation? -Yeah, more or less. | 0:21:38 | 0:21:43 | |
-Why would someone do that? -I don't know. | 0:21:43 | 0:21:46 | |
-There's dozens of people who know them. -Who? | 0:21:46 | 0:21:50 | |
Doctors. There's a nurse who comes and stays at the house. | 0:21:50 | 0:21:54 | |
You've only been told that. | 0:21:54 | 0:21:56 | |
-What about Ashe? -Did he ever actually go to Wisconsin? | 0:21:56 | 0:22:00 | |
-He must have. What about the photo? -That could be anybody. | 0:22:00 | 0:22:05 | |
-There's ways to prove this. -Hey. I'm happy to be wrong. | 0:22:05 | 0:22:08 | |
No. No, you're never happy to be wrong. | 0:22:08 | 0:22:10 | |
This is the first time I've felt decent in weeks. | 0:22:10 | 0:22:13 | |
Why are you trying to destroy it? | 0:22:13 | 0:22:15 | |
Because this isn't one of your stories. | 0:22:15 | 0:22:18 | |
God, you never look at things for what they are. | 0:22:18 | 0:22:21 | |
-Oh, that's such bullshit. -Bullshit? | 0:22:21 | 0:22:24 | |
OK. OK, where exactly did I tell you I tested positive? | 0:22:24 | 0:22:28 | |
-What the... -Answer the question! | 0:22:28 | 0:22:30 | |
In the park on a bench in front of those guys playing drums. | 0:22:30 | 0:22:33 | |
No. No, that's what you put in your show. | 0:22:33 | 0:22:37 | |
It was at a grimy old deli on 3rd. | 0:22:37 | 0:22:40 | |
But that's not very interesting, is it? | 0:22:40 | 0:22:43 | |
Look, I moved out because I needed a break. | 0:22:43 | 0:22:46 | |
You're always sifting through this relationship | 0:22:46 | 0:22:49 | |
looking for material for your show. | 0:22:49 | 0:22:51 | |
Tell me you didn't fuckin' relish it. | 0:22:51 | 0:22:54 | |
I went along with the show because I thought it gave my death meaning. | 0:22:54 | 0:22:58 | |
-But I don't need that any more. -Well, great. | 0:22:58 | 0:23:00 | |
-Because there's no show. Are you happy? -That's not my fault. | 0:23:00 | 0:23:05 | |
You don't know him. | 0:23:07 | 0:23:09 | |
Maybe. | 0:23:12 | 0:23:14 | |
Looks pretty transparent to me. | 0:23:14 | 0:23:17 | |
What's that supposed to mean? | 0:23:17 | 0:23:19 | |
You're always talking about wanting kids. And now you've created this... | 0:23:19 | 0:23:23 | |
-Fuck you. You're such an asshole! -Fuck it. Go play with Tiny Tim. | 0:23:23 | 0:23:28 | |
Do you know anyone who actually met Pete Logand? | 0:23:31 | 0:23:34 | |
No. | 0:23:34 | 0:23:36 | |
Not a doctor or a social worker or neighbour - anybody? | 0:23:36 | 0:23:40 | |
-They live in Wisconsin. -Jess thinks Pete and Donna sound alike. | 0:23:40 | 0:23:44 | |
-They do. -That doesn't strike you as odd? | 0:23:44 | 0:23:48 | |
Pete didn't talk when he came to live with her and now imitates her. | 0:23:48 | 0:23:51 | |
-That wasn't in the book. -A lot isn't. -You know cos she told you. | 0:23:51 | 0:23:55 | |
-You got all your information from her. -Her and Pete. | 0:23:55 | 0:23:59 | |
Did she show you a birth certificate, an adoption document? | 0:23:59 | 0:24:04 | |
-If you think it's a hoax, you're off base. -Why? -Because! | 0:24:04 | 0:24:09 | |
I've spent over a year speaking with them, | 0:24:11 | 0:24:14 | |
and they told me things you couldn't imagine. | 0:24:14 | 0:24:17 | |
Now, maybe your present situation is colouring the way you think. | 0:24:17 | 0:24:21 | |
It has nothing to do with that. You're about to publish a book | 0:24:21 | 0:24:25 | |
by an author you know shit about. | 0:24:25 | 0:24:28 | |
Shouldn't you be a little concerned? | 0:24:28 | 0:24:30 | |
PHONE RINGS | 0:24:35 | 0:24:38 | |
'You've reached Gabriel and Jess. Please leave a message at the tone.' | 0:24:41 | 0:24:47 | |
'Oh. Er... Well, I guess you're not there so I'll just try again.' | 0:24:47 | 0:24:52 | |
-Hello? -'Oh. It's Donna.' | 0:24:52 | 0:24:54 | |
Hey. | 0:24:54 | 0:24:56 | |
'I know this isn't much notice, but we'd love you to come at Christmas.' | 0:24:56 | 0:24:59 | |
-Really? -'Yeah, sure. | 0:24:59 | 0:25:02 | |
'The guest room ain't fancy, but I cook a mean plum pudding, | 0:25:02 | 0:25:06 | |
'and it would mean so much to Pete. | 0:25:06 | 0:25:08 | |
-'So...' -COUGHING | 0:25:08 | 0:25:10 | |
-Is that Pete? -'Yeah, he still has a cough. | 0:25:10 | 0:25:13 | |
'But he's fine. So, can you come?' | 0:25:13 | 0:25:16 | |
I can't think of a better way to spend Christmas. | 0:25:16 | 0:25:19 | |
-'Oh, that's great.' -Yeah, it is. Really is. | 0:25:19 | 0:25:23 | |
-Hey, Gabriel. -Hey, Marie. | 0:25:25 | 0:25:27 | |
-Didn't know you played baseball. -Oh, no. It's a gift for a friend. | 0:25:27 | 0:25:31 | |
Signed by Jerry Deter. | 0:25:31 | 0:25:33 | |
Do you mean Derek Jeter? | 0:25:33 | 0:25:36 | |
Yeah. Yeah. CHUCKLES | 0:25:36 | 0:25:38 | |
PHONE RINGS | 0:25:38 | 0:25:41 | |
Fuck, she bailed on you. | 0:25:43 | 0:25:45 | |
What was her excuse? | 0:25:45 | 0:25:47 | |
There was no excuse. | 0:25:47 | 0:25:50 | |
Doctor said he shouldn't have any visitors. | 0:25:50 | 0:25:52 | |
They're worried about him catching a flu. | 0:25:52 | 0:25:55 | |
Fucking planes are Petri dishes. | 0:25:55 | 0:25:57 | |
I don't want him to catch something from me. | 0:25:57 | 0:26:00 | |
So later, maybe. | 0:26:00 | 0:26:03 | |
Yeah. If he's still around. | 0:26:03 | 0:26:06 | |
Well, you never know. | 0:26:06 | 0:26:08 | |
No, you don't. | 0:26:08 | 0:26:11 | |
Not about anything. | 0:26:11 | 0:26:14 | |
I don't think we should see each other any more. | 0:26:19 | 0:26:21 | |
-Babe, it doesn't have to be like this. -Yeah, babe. | 0:26:21 | 0:26:25 | |
I don't want to be jerked around. I want a clean break. | 0:26:25 | 0:26:29 | |
-We're not gonna speak to each other? -I'm too old for this shit. | 0:26:29 | 0:26:32 | |
-Come on, Gabriel. -Listen, you ruined what we had. | 0:26:32 | 0:26:36 | |
You're the fucking one who can't see the reality. | 0:26:36 | 0:26:39 | |
What do you mean, there won't be a book?! | 0:26:41 | 0:26:44 | |
-I thought your editor believed him. -Yeah, but his bosses got cold feet. | 0:26:44 | 0:26:47 | |
And Donna and Pete? | 0:26:47 | 0:26:49 | |
Totally devastated. | 0:26:49 | 0:26:52 | |
What do you have? | 0:26:52 | 0:26:55 | |
There is no record of any Pete Logand in any kind of trial. | 0:26:55 | 0:26:59 | |
Doesn't mean anything. | 0:26:59 | 0:27:01 | |
Pete took Donna's name when she adopted him. | 0:27:01 | 0:27:05 | |
Ashe thinks they're using an alias | 0:27:05 | 0:27:07 | |
because that way his real mother couldn't track him down. | 0:27:07 | 0:27:11 | |
Cute kid. Whoever he is. | 0:27:14 | 0:27:18 | |
Why would someone do this? That's what I keep asking. | 0:27:18 | 0:27:22 | |
It's a hideous way to promote a book. | 0:27:22 | 0:27:25 | |
Maybe it's not about that for her. She might not know she's doing it. | 0:27:25 | 0:27:29 | |
Like a multiple personality thing? | 0:27:29 | 0:27:31 | |
What if she had a kid who died in some, like, horrible way | 0:27:31 | 0:27:35 | |
-and now she needs to assume his identity in order to... -No, no. | 0:27:35 | 0:27:39 | |
-What if she has him embalmed? Like that guy from Psycho? -Mm. | 0:27:39 | 0:27:43 | |
No, wait. Oh, my God. Oh, my God! | 0:27:43 | 0:27:46 | |
What if she doesn't exist? What if he's impersonating her? | 0:27:46 | 0:27:50 | |
Please, now stop it. | 0:27:50 | 0:27:52 | |
-This is not some sort of parlour game. -Sorry. | 0:27:52 | 0:27:57 | |
What if there is some half-dead kid and I've just | 0:27:57 | 0:28:01 | |
taken away his last shred of hope? | 0:28:01 | 0:28:04 | |
I couldn't live with that. | 0:28:04 | 0:28:06 | |
Ever thought about a voiceprint? Like what the cops use? | 0:28:09 | 0:28:12 | |
-They're as good as fingerprints. -Now you're scaring me. | 0:28:12 | 0:28:17 | |
-'Hey, it's Davia. There's a new Thai place around the corner...' -No. | 0:28:17 | 0:28:22 | |
-'Hey, dick-smoker.' -That's him. Stop it. | 0:28:22 | 0:28:26 | |
-OK. So what do you have from her? -Nothing. I erased the last message. | 0:28:26 | 0:28:32 | |
Then you have to call her. Get her on tape. | 0:28:32 | 0:28:34 | |
How do I do that? | 0:28:34 | 0:28:37 | |
Er... You just, er, press this button right before you talk to her. | 0:28:37 | 0:28:42 | |
I don't know, er... | 0:28:44 | 0:28:46 | |
It's an answering machine, not a thermonuclear device. | 0:28:47 | 0:28:50 | |
But what if I'm, you know, recording her and the machine beeps? | 0:28:50 | 0:28:56 | |
CLUCKS | 0:28:58 | 0:29:01 | |
'We're sorry. The number you have reached is not in service. | 0:29:10 | 0:29:14 | |
'Please check the number, or try again. This is a recording.' | 0:29:14 | 0:29:19 | |
So, do you have family in Wisconsin? | 0:29:44 | 0:29:47 | |
Yes, actually. | 0:29:50 | 0:29:52 | |
A son. | 0:29:52 | 0:29:54 | |
He lives with his mother, though. | 0:29:54 | 0:29:57 | |
But I get to see him on holidays. | 0:29:57 | 0:30:01 | |
-How old is he? -Fourteen. | 0:30:01 | 0:30:05 | |
You must have had him late. | 0:30:08 | 0:30:10 | |
Well, yeah, I... Fairly, yeah. | 0:30:10 | 0:30:14 | |
Do you have any pictures? | 0:30:15 | 0:30:17 | |
As a matter of fact... | 0:30:17 | 0:30:20 | |
Oh, my goodness. Look at those eyes. | 0:30:28 | 0:30:31 | |
-Yeah. -He has your nose and chin, though. | 0:30:31 | 0:30:34 | |
-Does he? -Mm. | 0:30:38 | 0:30:40 | |
Excuse me. I hope this isn't too pushy, | 0:30:40 | 0:30:44 | |
but I saw your name on the passenger list, | 0:30:44 | 0:30:46 | |
and I just wanted to say I really appreciate everything you've done. | 0:30:46 | 0:30:50 | |
-For us. -The pleasure was mine. | 0:30:50 | 0:30:53 | |
You've done something for flight attendants? | 0:31:01 | 0:31:04 | |
DIALS PHONE NUMBER | 0:31:22 | 0:31:26 | |
'We're sorry. The number you have reached is not in service. | 0:31:32 | 0:31:35 | |
'Please check...' | 0:31:35 | 0:31:38 | |
500. | 0:32:04 | 0:32:06 | |
507. | 0:32:10 | 0:32:12 | |
509. | 0:32:17 | 0:32:19 | |
511. | 0:32:23 | 0:32:26 | |
Fuck! | 0:32:26 | 0:32:29 | |
Hi. | 0:32:48 | 0:32:50 | |
I've done something really dumb, and I was hoping you could help me. | 0:32:50 | 0:32:54 | |
I have a good friend who lives here in Montgomery. | 0:32:55 | 0:32:59 | |
-I always assumed that 511 Henzke was her actual address. -Meet her online? | 0:32:59 | 0:33:04 | |
No. Nothing like that. It's just... | 0:33:04 | 0:33:07 | |
She's a good friend and I'm sure she comes in here all the time. | 0:33:07 | 0:33:10 | |
-Donna Logand? -People pay us so they don't have to use | 0:33:10 | 0:33:14 | |
-their real address. It's the point of the place. -Well, sure. | 0:33:14 | 0:33:18 | |
She's a friend. | 0:33:18 | 0:33:21 | |
I came a long way to... | 0:33:21 | 0:33:24 | |
OK. Fine. | 0:33:26 | 0:33:28 | |
DOG BARKS | 0:35:18 | 0:35:21 | |
Hey! | 0:35:21 | 0:35:23 | |
Are you OK? | 0:35:34 | 0:35:36 | |
-Thanks, yeah. -OK. | 0:35:36 | 0:35:38 | |
COUGHING | 0:35:42 | 0:35:45 | |
You like those burgers, but they're awful on your tummy. | 0:35:48 | 0:35:52 | |
-I'll fix you something when we get home. -Hey. You back for more cocoa? | 0:35:52 | 0:35:57 | |
-Does twice a day make me a junkie? -Not by me. Anything for him? | 0:35:57 | 0:36:01 | |
No, thanks. We shouldn't make a habit of it. | 0:36:01 | 0:36:04 | |
-You mind if I have a cuddle? -Go ahead. | 0:36:04 | 0:36:07 | |
He needs all the love he can get. Don't you? | 0:36:07 | 0:36:10 | |
GIGGLES | 0:36:10 | 0:36:13 | |
OK, let's go. | 0:36:34 | 0:36:37 | |
-See ya. -You betcha. Stay warm. | 0:36:37 | 0:36:41 | |
Aren't you gonna say hello, Gabriel? | 0:37:45 | 0:37:47 | |
RUNNING WATER | 0:37:55 | 0:37:58 | |
Chamomile OK? | 0:38:18 | 0:38:20 | |
Sure. | 0:38:20 | 0:38:22 | |
Is this enough light? | 0:38:22 | 0:38:25 | |
It's fine. Thanks. | 0:38:25 | 0:38:27 | |
It was Hank. The clerk at the grocery store? | 0:38:42 | 0:38:45 | |
-That's how I knew you were here. -Oh. | 0:38:45 | 0:38:48 | |
It's not some spooky blind thing. | 0:38:48 | 0:38:51 | |
How long have you been blind? | 0:38:56 | 0:38:59 | |
I remember a dollhouse I used to have, | 0:38:59 | 0:39:02 | |
-my father's face - things like that. -What about your mother? | 0:39:02 | 0:39:06 | |
She died when I was two. My father tried to raise me. | 0:39:06 | 0:39:10 | |
I guess Ashe didn't tell you. | 0:39:10 | 0:39:13 | |
-No. -Well... | 0:39:13 | 0:39:16 | |
It makes us more vulnerable. We've already had to move once this year. | 0:39:16 | 0:39:19 | |
It's really wonderful what you've done for Pete, though. | 0:39:19 | 0:39:23 | |
How did you find us, anyway? | 0:39:23 | 0:39:26 | |
The star. I... | 0:39:29 | 0:39:31 | |
I remember Pete mentioned he could see a star on a water tower. | 0:39:31 | 0:39:36 | |
And, er, when I saw it, I just found... | 0:39:36 | 0:39:39 | |
-All the way to the house. -Well, to this block. | 0:39:39 | 0:39:43 | |
And I saw you on the front porch and... | 0:39:43 | 0:39:47 | |
So... | 0:39:47 | 0:39:49 | |
..you followed me from the coffee shop? | 0:39:51 | 0:39:54 | |
It's important I be able to trust you, Gabriel. | 0:40:01 | 0:40:04 | |
Your phone line was down. I figured... KETTLE WHISTLING | 0:40:07 | 0:40:11 | |
Oops. The tea. | 0:40:11 | 0:40:14 | |
Can I use your bathroom? | 0:40:18 | 0:40:20 | |
Sure. Top of the stairs. | 0:40:20 | 0:40:23 | |
DOOR CREAKS | 0:41:08 | 0:41:10 | |
-You found his room. -GASPS | 0:41:38 | 0:41:41 | |
Velveteen Rabbit. I used to have one of those. | 0:41:53 | 0:41:56 | |
-So, Pete... -He's at the hospital, getting tests. | 0:41:56 | 0:42:01 | |
-It's not looking good. -I'm sorry. | 0:42:01 | 0:42:04 | |
-His lungs? -Yeah. | 0:42:04 | 0:42:07 | |
They're getting worse. | 0:42:07 | 0:42:09 | |
-Can I see him tomorrow? -That'd be great. | 0:42:09 | 0:42:13 | |
-He means a lot to you, doesn't he? -Yeah, he does. | 0:42:17 | 0:42:21 | |
Well, I know he feels the same way about you. | 0:42:21 | 0:42:25 | |
As a matter of fact... | 0:42:25 | 0:42:28 | |
'The lights of the highway are streaming past, | 0:42:35 | 0:42:38 | |
'and one of you reaches out and holds the other one's leg. | 0:42:38 | 0:42:42 | |
'It's the truest moment in the world.' | 0:42:42 | 0:42:45 | |
-That's one of our favourite episodes. -LAUGHS AWKWARDLY | 0:42:45 | 0:42:49 | |
Thank you. | 0:42:49 | 0:42:52 | |
So Pete told me about you and Jess. | 0:42:53 | 0:42:56 | |
You two seemed good together. Do you still love him? | 0:42:56 | 0:43:00 | |
I don't know. | 0:43:00 | 0:43:02 | |
-Does he feel the same way? -I don't know what he thinks. | 0:43:02 | 0:43:07 | |
Could I... | 0:43:10 | 0:43:12 | |
..get a face to go with the voice? | 0:43:14 | 0:43:16 | |
Sure. | 0:43:16 | 0:43:18 | |
It's a hard place to be - not knowing for sure. | 0:43:27 | 0:43:31 | |
Yeah, it's purgatory. | 0:43:33 | 0:43:36 | |
And you're just the kind of guy who needs proof. | 0:43:36 | 0:43:39 | |
The hell of it is, we're only as loved as we think we are. | 0:43:42 | 0:43:47 | |
I can't wait to see him. | 0:43:53 | 0:43:56 | |
-Who, Jess? -No, Pete. | 0:43:56 | 0:44:00 | |
SOBS | 0:44:01 | 0:44:04 | |
I'm sorry. | 0:44:04 | 0:44:06 | |
-CLEARS THROAT -Everyone does it. He's just special that way. | 0:44:06 | 0:44:12 | |
Yeah. | 0:44:12 | 0:44:14 | |
I need your help. | 0:44:15 | 0:44:17 | |
CRASH! Whoa. | 0:44:32 | 0:44:34 | |
-What? -It's very dark. | 0:44:34 | 0:44:37 | |
I don't know where the light switch is. Try by the door. | 0:44:37 | 0:44:41 | |
Somewhere in here is my other sewing bag. | 0:44:43 | 0:44:46 | |
I've been spending so much time at the hospital, | 0:44:46 | 0:44:50 | |
I'm making Pete a new sweater. Can you help me find the dark green one? | 0:44:50 | 0:44:54 | |
It'll go really well with his eyes. | 0:44:54 | 0:44:57 | |
Here. | 0:44:57 | 0:44:59 | |
Thanks. | 0:44:59 | 0:45:02 | |
Hey, do you wanna see my sweater? | 0:45:04 | 0:45:07 | |
-Sure. -I still need to put the buttons on, but it's kind of fun. | 0:45:07 | 0:45:11 | |
-Turn around. -Oh, OK. | 0:45:14 | 0:45:17 | |
-I'm really trusting you here. You better not be peeking. -I won't. | 0:45:21 | 0:45:25 | |
OK. | 0:45:39 | 0:45:41 | |
Turn around. | 0:45:43 | 0:45:45 | |
How does it look? | 0:45:50 | 0:45:52 | |
Well... It's... | 0:45:52 | 0:45:55 | |
It's nice. | 0:45:55 | 0:45:58 | |
You wanna feel it? It's nice and soft. Feel it. | 0:45:58 | 0:46:02 | |
Yeah, soft. Right. | 0:46:02 | 0:46:05 | |
It's nice. | 0:46:05 | 0:46:07 | |
-What's the matter? -Nothing. It's nice... | 0:46:07 | 0:46:10 | |
-Is there something wrong with me? -No, it's fine... | 0:46:10 | 0:46:14 | |
God, I know you like guys. I was just trying to be friendly. | 0:46:14 | 0:46:17 | |
You're such a fucking weirdo. | 0:46:17 | 0:46:19 | |
Turn around! | 0:46:19 | 0:46:22 | |
I'm sorry. I... | 0:46:22 | 0:46:24 | |
So are you the reason his book was cancelled? | 0:46:36 | 0:46:40 | |
That's what I thought. That book meant everything to him. | 0:46:44 | 0:46:48 | |
That's why I'm here. I'll find him a new publisher. I'll do anything... | 0:46:48 | 0:46:52 | |
-It's obvious why you came here. You don't believe us. -I do. | 0:46:52 | 0:46:56 | |
-Let's just forget about tomorrow. -No! I want to see him. | 0:46:56 | 0:47:00 | |
You know, I thought you'd be different. | 0:47:03 | 0:47:06 | |
I thought you'd be able to look into his soul with his complexities | 0:47:06 | 0:47:10 | |
and see him as your own flesh and blood. | 0:47:10 | 0:47:12 | |
-That is how I see him. -I don't think so. You wouldn't have distrusted us. | 0:47:12 | 0:47:17 | |
I spent two days stumbling around this fucked-up place so I can... | 0:47:17 | 0:47:20 | |
So you could say what? | 0:47:20 | 0:47:23 | |
That you were sorry for thinking him a fraud? Give me a fuckin' break. | 0:47:23 | 0:47:28 | |
Pete needs people who are really there for him. | 0:47:30 | 0:47:35 | |
And there's no way I'm taking you to see him. No way. | 0:47:35 | 0:47:39 | |
Your car is here. | 0:47:39 | 0:47:42 | |
Where's the nearest hospital? | 0:48:10 | 0:48:12 | |
Madison. But that's 50 miles from here. | 0:48:12 | 0:48:15 | |
-That's fine. Let's go. -OK. | 0:48:15 | 0:48:18 | |
L-O-G-A-N-D. | 0:48:52 | 0:48:56 | |
There's no Pete or Peter Logand listed anywhere here. | 0:48:59 | 0:49:02 | |
-Maybe he's listed under another name. -What name should I be looking for? | 0:49:02 | 0:49:07 | |
I don't know. | 0:49:07 | 0:49:10 | |
-Maybe you're at the wrong hospital. -I've been to all the others. | 0:49:12 | 0:49:15 | |
He's got to be here. Can I just go up to Paediatrics and look round? | 0:49:15 | 0:49:21 | |
What do you think? | 0:49:21 | 0:49:24 | |
Thanks for your time. | 0:49:27 | 0:49:29 | |
MACHINES BEEP | 0:50:37 | 0:50:40 | |
Hey, kiddo. | 0:51:05 | 0:51:07 | |
BEEPING BECOMES FASTER, GASPS, HISSES | 0:51:07 | 0:51:12 | |
I'm sorry. I-I-I made a mistake. I thought you were someone else. | 0:51:12 | 0:51:17 | |
Who are you? | 0:51:17 | 0:51:19 | |
Security! | 0:51:19 | 0:51:21 | |
Security! Security! | 0:51:21 | 0:51:24 | |
ALARM SOUNDS | 0:51:24 | 0:51:27 | |
GROANS | 0:51:28 | 0:51:31 | |
Oh. | 0:51:50 | 0:51:52 | |
SIGHS HEAVILY | 0:51:52 | 0:51:55 | |
PHONE RINGS | 0:52:00 | 0:52:02 | |
Hello? DOG BARKS IN BACKGROUND | 0:52:07 | 0:52:09 | |
Hello. | 0:52:10 | 0:52:12 | |
CONTINUOUS TONE | 0:52:15 | 0:52:18 | |
-Oh. Can I top you off there? -Sure. | 0:52:35 | 0:52:38 | |
-There was a blind woman here last night. -Donna. | 0:52:40 | 0:52:44 | |
Yeah. Have you seen the boy she looks after? I haven't seen him in a while. | 0:52:44 | 0:52:48 | |
You mean Pete. | 0:52:48 | 0:52:50 | |
Yeah, that's him. Have you seen him? | 0:52:53 | 0:52:57 | |
-He's in hospital. He's a sick boy. -Have you ever actually seen Pete? | 0:52:58 | 0:53:03 | |
He spends most of his time at the hospital. | 0:53:06 | 0:53:09 | |
Which hospital is he at? | 0:53:09 | 0:53:12 | |
Can I get you anything else? | 0:53:13 | 0:53:15 | |
So you won't help me. | 0:53:15 | 0:53:18 | |
You have a nice day. | 0:53:19 | 0:53:22 | |
DOORBELL RINGS | 0:53:57 | 0:53:59 | |
Hello? | 0:54:13 | 0:54:15 | |
BANGING | 0:55:53 | 0:55:55 | |
FOOTSTEPS | 0:56:55 | 0:56:58 | |
POLICE RADIO CHATTER | 0:57:14 | 0:57:17 | |
I-I was just visiting a friend. | 0:57:24 | 0:57:27 | |
Maybe you know him. Pete? | 0:57:30 | 0:57:34 | |
Have you ever seen him? | 0:57:34 | 0:57:36 | |
I don't know what she told you, but I... | 0:57:38 | 0:57:41 | |
What are we doing? | 0:57:44 | 0:57:47 | |
Ow! | 0:57:53 | 0:57:56 | |
What are we doing? | 0:57:59 | 0:58:02 | |
What the hell are we doing? | 0:58:06 | 0:58:08 | |
Wait. But wait, she's been... | 0:58:35 | 0:58:39 | |
Everybody knows... Aargh! | 0:58:39 | 0:58:41 | |
-What you sick fucks did to that boy. -GROANS | 0:58:44 | 0:58:49 | |
You leave him alone now, perv! You leave him alone now! | 0:58:49 | 0:58:54 | |
Gabriel? | 0:59:52 | 0:59:54 | |
-I'm sorry. They're very protective of me. -Stay away from me, Donna. | 0:59:54 | 0:59:59 | |
I came back to help you. | 0:59:59 | 1:00:01 | |
Why are you pissed at me? You're the one that broke into our house. | 1:00:01 | 1:00:05 | |
I went to the fucking hospital. He wasn't there! | 1:00:05 | 1:00:08 | |
-You went to the wrong hospital. -I went to every hospital in Madison. | 1:00:08 | 1:00:12 | |
-He was in Milwaukee. -Oh! Of course. | 1:00:12 | 1:00:15 | |
-If I asked which, you'd say he moved. -Just stop it. -Or suddenly... | 1:00:15 | 1:00:18 | |
He's dead. | 1:00:18 | 1:00:21 | |
He died last night. | 1:00:21 | 1:00:23 | |
Bilateral pneumonia. | 1:00:23 | 1:00:25 | |
-His lungs were saturated and they couldn't resuscitate him. -SOBS | 1:00:25 | 1:00:30 | |
-Jesus, you're good. -What? | 1:00:31 | 1:00:34 | |
You got a fuckin' answer for everything. | 1:00:34 | 1:00:36 | |
SIGHS IN DISGUST It's the truth! | 1:00:36 | 1:00:40 | |
Yeah. If someone gets close, you just kill him off. | 1:00:40 | 1:00:43 | |
-You don't know what you're talking about! -They know everything! | 1:00:43 | 1:00:47 | |
And they're calling the hospitals. They don't like being lied to. | 1:00:47 | 1:00:50 | |
I'm not lying! | 1:00:52 | 1:00:54 | |
Jesus, why did I come here? | 1:00:54 | 1:00:57 | |
You know why? You thought this would make a great fucking story. | 1:01:00 | 1:01:04 | |
You'll talk about me and Pete on the radio. | 1:01:04 | 1:01:08 | |
That's what this has been about. | 1:01:08 | 1:01:11 | |
All you care about is people loving you. What kind of person are you? | 1:01:11 | 1:01:14 | |
For years Jess was dying and you picked over him like a vulture. | 1:01:14 | 1:01:17 | |
Stay. You're so pathetic, you think he's gonna come back to you. | 1:01:17 | 1:01:22 | |
Oh! | 1:01:22 | 1:01:24 | |
-Oh, Jesus. Get up. -Like you care, you heartless fuck! | 1:01:24 | 1:01:29 | |
DOG BARKS | 1:01:29 | 1:01:31 | |
Come on, there's a truck coming. | 1:01:33 | 1:01:35 | |
Help me. | 1:01:35 | 1:01:38 | |
-I can't let you do this. -Let go of my arm! | 1:01:42 | 1:01:45 | |
-He's all I have. -HORN HONKS | 1:01:45 | 1:01:48 | |
BOTH STRAIN, STRUGGLE | 1:01:50 | 1:01:52 | |
-Get up! Get up! -Ah! | 1:01:54 | 1:01:56 | |
Fucking crazy! | 1:01:56 | 1:01:59 | |
Gabriel? | 1:01:59 | 1:02:02 | |
Gabriel! | 1:02:02 | 1:02:04 | |
Come back here. | 1:02:04 | 1:02:06 | |
Come here! Gabriel, don't leave me! | 1:02:10 | 1:02:13 | |
You don't know what you're doing! | 1:02:14 | 1:02:17 | |
Gabriel! | 1:02:17 | 1:02:19 | |
Don't leave me! | 1:02:22 | 1:02:24 | |
Hey. Hey, how are you? | 1:02:49 | 1:02:51 | |
PHONE RINGS | 1:02:55 | 1:02:57 | |
-Gone? -She left. | 1:03:03 | 1:03:07 | |
-Who told you that? -The police. | 1:03:07 | 1:03:11 | |
They went to check on her... | 1:03:11 | 1:03:14 | |
and the house was empty. | 1:03:14 | 1:03:17 | |
Did they find the kid at the hospital? | 1:03:17 | 1:03:21 | |
There never was a kid. | 1:03:21 | 1:03:23 | |
PHONE RINGS | 1:03:27 | 1:03:29 | |
MUFFLED 'You've reached Gabriel and Jess. Leave a message at the tone.' | 1:03:32 | 1:03:36 | |
-And that's been going on for three days? -Yeah. | 1:03:42 | 1:03:47 | |
-You have to call the police. -What am I gonna say? | 1:03:49 | 1:03:52 | |
"Excuse me, officer, but there's this crazy blind lady in Wisconsin | 1:03:52 | 1:03:57 | |
"who has an imaginary child, and she's upset with me." | 1:03:57 | 1:04:01 | |
No, fuck her. | 1:04:01 | 1:04:03 | |
I'm not turning my life inside out. | 1:04:03 | 1:04:06 | |
-She tried to kill you. -Yeah. | 1:04:06 | 1:04:10 | |
Well, tried to kill herself, and me along with her, yeah. | 1:04:10 | 1:04:15 | |
I did some research. | 1:04:15 | 1:04:17 | |
There's this actual pathology called "factitious disorder". | 1:04:17 | 1:04:22 | |
People who have it feel unworthy of love | 1:04:22 | 1:04:24 | |
so they make up stuff to get sympathy. | 1:04:24 | 1:04:27 | |
Like, er, their own illness or... No, thanks. ..a sick child. | 1:04:27 | 1:04:31 | |
It's, er, it's like Munchausen's By Proxy, only there is no child. | 1:04:31 | 1:04:36 | |
And they don't know they're doing this? | 1:04:36 | 1:04:40 | |
No, they know. But the attention feels so good they can't stop lying. | 1:04:40 | 1:04:44 | |
What happens if you call them on the lie? | 1:04:44 | 1:04:48 | |
Er, I don't know. It didn't say. | 1:04:49 | 1:04:52 | |
Hmm. Great. | 1:04:54 | 1:04:58 | |
CONTINUOUS TONE | 1:05:00 | 1:05:03 | |
HANGS UP PHONE | 1:05:11 | 1:05:14 | |
She called two days ago. Started shouting at me. | 1:05:22 | 1:05:25 | |
Just ranting and raving. Completely out of it. | 1:05:25 | 1:05:29 | |
This woman is relentless. | 1:05:29 | 1:05:31 | |
She's desperate. I mean, just so desperate. | 1:05:31 | 1:05:34 | |
She's blind. What is she gonna do? | 1:05:34 | 1:05:36 | |
PHONE RINGS | 1:05:36 | 1:05:39 | |
No fucking way! | 1:05:39 | 1:05:43 | |
-'This is Gabriel and Jess...' -Should we pick up? -No. | 1:05:43 | 1:05:47 | |
No, it might set her off. | 1:05:47 | 1:05:49 | |
-What should we do? -Ignore it. | 1:05:49 | 1:05:52 | |
PHONE RINGS | 1:05:58 | 1:06:01 | |
-Hello? -'Your story doesn't have an ending, Gabriel. | 1:06:04 | 1:06:08 | |
'I'm at the Hudson Plaza Motel at JFK. | 1:06:08 | 1:06:11 | |
'Room 142. I left something for you.' | 1:06:11 | 1:06:15 | |
PHONE RINGS | 1:08:15 | 1:08:18 | |
'Donna?' | 1:08:29 | 1:08:32 | |
Who's this? | 1:08:32 | 1:08:34 | |
'It's me. It's Pete. Gabriel, is that you? | 1:08:34 | 1:08:37 | |
'Don't freak out - I know she told you I was dead. | 1:08:39 | 1:08:42 | |
'She was just trying to protect me.' | 1:08:42 | 1:08:44 | |
Where are you? | 1:08:44 | 1:08:46 | |
'I'm at the airport waiting for Donna. Is she there?' | 1:08:46 | 1:08:50 | |
No. She just left. | 1:08:50 | 1:08:52 | |
'Too bad. I really wanted you two to talk. | 1:08:52 | 1:08:56 | |
'I kind of promised her I wouldn't talk to you. | 1:08:56 | 1:09:00 | |
-'She's mad at you.' -Pete? | 1:09:00 | 1:09:02 | |
'Yeah?' | 1:09:02 | 1:09:04 | |
I need to ask you something. | 1:09:04 | 1:09:07 | |
'What?' | 1:09:07 | 1:09:09 | |
Did something happen to Donna when she was little? | 1:09:09 | 1:09:12 | |
HEAVY BREATHING | 1:09:12 | 1:09:16 | |
You understand, right? | 1:09:16 | 1:09:19 | |
'Yeah, but... I don't know. | 1:09:19 | 1:09:21 | |
'She never talks about her childhood.' | 1:09:21 | 1:09:25 | |
Did she ever tell you what caused her blindness? | 1:09:25 | 1:09:28 | |
'No. | 1:09:28 | 1:09:31 | |
'I think she fell down the stairs.' | 1:09:31 | 1:09:34 | |
-You know, there's people who can help her. -'I have to go now.' | 1:09:34 | 1:09:39 | |
OK, kiddo. | 1:09:39 | 1:09:41 | |
-'Bye.' -Bye. | 1:09:41 | 1:09:44 | |
You know, that tape doesn't prove anything. | 1:10:05 | 1:10:09 | |
That kid could be anybody, right? Could be a neighbour, cousin. | 1:10:09 | 1:10:13 | |
Yeah, I know. | 1:10:13 | 1:10:15 | |
So, what is it, then? | 1:10:15 | 1:10:18 | |
It's just... | 1:10:18 | 1:10:20 | |
What? | 1:10:20 | 1:10:23 | |
How can I be missing someone who never existed? | 1:10:24 | 1:10:27 | |
Is that possible? | 1:10:27 | 1:10:29 | |
Hey. What about those, er, Star Trek conventions? | 1:10:34 | 1:10:39 | |
You know, all those guys, they dress up like Kirk and Spock, right? | 1:10:39 | 1:10:45 | |
Why? Because they really miss them. | 1:10:45 | 1:10:49 | |
Am I that pathetic? | 1:10:50 | 1:10:52 | |
Hey. | 1:10:52 | 1:10:54 | |
You have got a great big heart. That's the best part about you. | 1:10:54 | 1:11:00 | |
It always was. | 1:11:00 | 1:11:03 | |
I gotta go. | 1:11:07 | 1:11:09 | |
'From the studios of WNYH in New York City...' | 1:11:34 | 1:11:38 | |
..I'm Gabriel Noone, and this is Noone at Night. | 1:11:38 | 1:11:42 | |
As a storyteller, I've spent years looting my life for fiction. | 1:11:44 | 1:11:48 | |
Like a magpie, I tend to steal the shiny stuff and discard the rest. | 1:11:48 | 1:11:54 | |
Well, we've wandered in the woods for an hour | 1:11:54 | 1:11:58 | |
only to discover that we've circled back on ourselves. | 1:11:58 | 1:12:03 | |
And in the end, I'm not sure what really happened. | 1:12:03 | 1:12:07 | |
But it is clear that Donna and I are more alike than not. | 1:12:07 | 1:12:12 | |
Both of us afraid. | 1:12:12 | 1:12:14 | |
Not wanting to be alone. | 1:12:14 | 1:12:17 | |
Longing for a good listener. | 1:12:17 | 1:12:20 | |
-It sounds perfect. -And we also have a model condo available | 1:12:20 | 1:12:25 | |
-with all the furniture included. -That'd be great. | 1:12:25 | 1:12:29 | |
And, er...when does your son get out of the hospital? | 1:12:29 | 1:12:34 | |
Tomorrow. | 1:12:35 | 1:12:38 | |
That's tight. But, no, we can work it out. | 1:12:38 | 1:12:40 | |
Thank you. | 1:12:40 | 1:12:43 | |
If you don't mind me asking... | 1:12:43 | 1:12:46 | |
how did he lose his leg? | 1:12:46 | 1:12:49 | |
As for Pete... | 1:12:54 | 1:12:57 | |
there's a line in The Velveteen Rabbit that reads, | 1:12:57 | 1:13:00 | |
"Real isn't how you're made... | 1:13:00 | 1:13:02 | |
"it's the thing that happens to you." | 1:13:02 | 1:13:06 | |
I'm Gabriel Noone. | 1:13:06 | 1:13:09 | |
Good night. | 1:13:09 | 1:13:11 |