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This programme contains some strong language and some scenes of a sexual nature | 0:00:02 | 0:00:14 | |
Do you have anything a little different? | 0:01:36 | 0:01:38 | |
-I'm not sure I get your drift. -Do you have anything with unusual footwear? | 0:01:40 | 0:01:45 | |
High heels? Boots? | 0:01:47 | 0:01:50 | |
Leather boots... With laces? | 0:01:50 | 0:01:53 | |
Very good, yes. I'll take that. | 0:02:00 | 0:02:02 | |
Um, do you have any other material. | 0:02:02 | 0:02:05 | |
that shows... | 0:02:05 | 0:02:06 | |
restraint? | 0:02:06 | 0:02:08 | |
It's a big favourite among certain customers. | 0:02:16 | 0:02:20 | |
The model is very popular. | 0:02:20 | 0:02:21 | |
Do you have any more pictures like this? | 0:02:26 | 0:02:29 | |
I'll have to check the stockroom. | 0:02:29 | 0:02:30 | |
Sir, I'm Detective Farrell of the New York Police Department. | 0:02:32 | 0:02:35 | |
We have to ask you a few questions about the material for sale in your shop. | 0:02:35 | 0:02:38 | |
We have reason to believe you are selling obscene and indecent literature on these premises. | 0:02:39 | 0:02:42 | |
Any witness who feels that he or she may be. | 0:02:49 | 0:02:52 | |
embarrassed by the lights or by the TV and movie cameras, | 0:02:52 | 0:02:55 | |
they will not be asked to testify for television. | 0:02:55 | 0:02:58 | |
Because of the rules of the building, we cannot have smoking in the courtroom. | 0:02:58 | 0:03:03 | |
That is difficult for some, I realise, | 0:03:03 | 0:03:05 | |
including the chairman. | 0:03:05 | 0:03:07 | |
Since assuming the chairmanship of the Senate sub-committee. | 0:03:07 | 0:03:11 | |
to investigate juvenile delinquency, I have become increasingly concerned | 0:03:11 | 0:03:15 | |
during each passing week. | 0:03:15 | 0:03:17 | |
with the effect pornographic material has on American adolescents and juveniles, | 0:03:17 | 0:03:23 | |
and with the widespread distribution | 0:03:23 | 0:03:25 | |
of this insidious filth. | 0:03:25 | 0:03:29 | |
Father Egan, you think this pornographic literature | 0:03:29 | 0:03:32 | |
-is having a substantial and degrading effect? -I certainly do. | 0:03:32 | 0:03:36 | |
It is corrupting. | 0:03:36 | 0:03:38 | |
It is rotting at the very roots of our nation. | 0:03:38 | 0:03:42 | |
Communism will never defeat America. | 0:03:42 | 0:03:44 | |
No, it's something from within, | 0:03:44 | 0:03:47 | |
WITHIN the nation that will rot and corrupt it. | 0:03:47 | 0:03:51 | |
"Dear Bettie, how are things in New York City? | 0:04:19 | 0:04:23 | |
"We haven't heard from you in a while. | 0:04:23 | 0:04:25 | |
"I guess you must be real busy with your modelling career. | 0:04:25 | 0:04:28 | |
"Here's a picture of you and me at Christmas after church. | 0:04:28 | 0:04:32 | |
"It was nice being together again. | 0:04:32 | 0:04:35 | |
"Hope you visit soon. | 0:04:35 | 0:04:37 | |
"All my love, Goldie." | 0:04:37 | 0:04:39 | |
And they went forth and preached everywhere. | 0:04:40 | 0:04:44 | |
The Lord working with them, confirming the word | 0:04:44 | 0:04:49 | |
with signs. | 0:04:49 | 0:04:51 | |
Amen. | 0:04:51 | 0:04:52 | |
I know, friends, that one of these days, God's gonna call me home. | 0:04:52 | 0:04:57 | |
When he calls, I know it's gonna be, praise God, | 0:04:57 | 0:05:00 | |
to my eternal home. | 0:05:00 | 0:05:02 | |
But before he calls, he's gonna give you the chance. | 0:05:02 | 0:05:06 | |
to come to him. Yes, friends, don't you know the Lord | 0:05:06 | 0:05:09 | |
gives every sinner man | 0:05:09 | 0:05:12 | |
and every sinner woman the chance to come to him, seek him out? | 0:05:12 | 0:05:16 | |
I feel like singing an invitational hymn now. Brother John? | 0:05:16 | 0:05:20 | |
If there be any unsaved souls here tonight | 0:05:20 | 0:05:23 | |
who feel like giving their hearts to Christ, come seek him out. | 0:05:23 | 0:05:28 | |
# Come all you sinners | 0:05:28 | 0:05:31 | |
# And be not proud | 0:05:31 | 0:05:35 | |
# For you must die | 0:05:35 | 0:05:39 | |
# And wear this shroud | 0:05:39 | 0:05:42 | |
# For time will rob you | 0:05:42 | 0:05:46 | |
# Of all your bloom | 0:05:46 | 0:05:50 | |
# And death will drag you | 0:05:50 | 0:05:54 | |
# To your tomb | 0:05:54 | 0:05:57 | |
# Oh, then you'll cry | 0:05:57 | 0:06:02 | |
# "I want to be" | 0:06:02 | 0:06:07 | |
# So happy in | 0:06:07 | 0:06:11 | |
# Eternity. # | 0:06:11 | 0:06:15 | |
Y'all, Mrs. Craddock is looking. | 0:06:31 | 0:06:33 | |
Let her get an eyeful. | 0:06:34 | 0:06:36 | |
THEY GIGGLE | 0:06:36 | 0:06:38 | |
Do we look like Ziegfeld girls? | 0:06:38 | 0:06:40 | |
Girls, get on back in the house! | 0:06:40 | 0:06:42 | |
Come on and do your chores. | 0:06:42 | 0:06:45 | |
Bettie, I wanna see you. | 0:06:55 | 0:06:58 | |
Come on up. | 0:06:58 | 0:06:59 | |
Oh! Oh, why thank you. | 0:07:14 | 0:07:17 | |
Uh, ma'am, Are you gonna be all right waiting here like this on your own? | 0:07:20 | 0:07:24 | |
Do you have a boyfriend or a husband. or something to keep you company while you wait? | 0:07:24 | 0:07:29 | |
Well, thank you for your concern, Officer, But...no, I'm not married. | 0:07:29 | 0:07:34 | |
I'll be fine on my own. | 0:07:38 | 0:07:40 | |
-"The fundamental principles of democracy is the people's right to be represented..." -That's a pretty girl. | 0:07:49 | 0:07:56 | |
You wait here. I'm gonna go ask her for a date. | 0:07:56 | 0:07:58 | |
Billy, you fool, that's Bettie Page. | 0:07:58 | 0:08:00 | |
very guy in town wants to date that girl, but her mother won't allow it. | 0:08:00 | 0:08:04 | |
I'd sure like to meet you, but if I can't, I'd like to meet one of your sisters. | 0:08:08 | 0:08:12 | |
Well, you can. | 0:08:12 | 0:08:13 | |
-They're prettier than me. -That's hard to believe. | 0:08:13 | 0:08:16 | |
May I sit down? Well... | 0:08:16 | 0:08:19 | |
Hey! | 0:08:22 | 0:08:24 | |
"One of the fundamental principles of democracy is the people's right..." | 0:08:25 | 0:08:30 | |
-Did you write that? -Yes, I did. | 0:08:30 | 0:08:32 | |
I'm on the debating team. Got to memorise it by Friday. | 0:08:32 | 0:08:36 | |
I'd like to debate you sometime. | 0:08:36 | 0:08:38 | |
You're probably a lot smarter than me, but I bet I could put up a good fight. | 0:08:38 | 0:08:42 | |
That's very interesting. | 0:08:42 | 0:08:44 | |
I was never much for studying. | 0:08:44 | 0:08:46 | |
They just passed me in school so I could play ball. | 0:08:46 | 0:08:49 | |
Football? | 0:08:49 | 0:08:51 | |
-Yeah, I've seen you play. Against Hume-Fogg. -That's right. | 0:08:51 | 0:08:55 | |
You're a good ballplayer. | 0:08:55 | 0:08:57 | |
Yes, I am. I'm a good dancer too. | 0:08:57 | 0:08:59 | |
-How good are you? -I know a few steps. | 0:08:59 | 0:09:03 | |
If you come out with me, I'll show you. | 0:09:03 | 0:09:05 | |
-Well, I'd like to, but... -Better hurry up. | 0:09:06 | 0:09:09 | |
You're gonna run out of time. | 0:09:09 | 0:09:11 | |
-I signed up. -You're going overseas? -That's right. The army. | 0:09:11 | 0:09:15 | |
Well, my mother doesn't approve of dating. | 0:09:17 | 0:09:19 | |
That's a shame. That's a darn shame. | 0:09:19 | 0:09:23 | |
You tell your mother Billy Neal would like to take you out. | 0:09:23 | 0:09:26 | |
Maybe I will. | 0:09:27 | 0:09:30 | |
I'm gonna marry that girl. | 0:09:30 | 0:09:32 | |
No, you ain't gonna marry her. Everybody wants that gal. | 0:09:32 | 0:09:35 | |
I don't know. I'm gonna marry her. | 0:09:35 | 0:09:37 | |
CAMERA CLICKS | 0:09:59 | 0:10:01 | |
INAUDIBLE | 0:10:34 | 0:10:35 | |
# Life is like | 0:10:41 | 0:10:43 | |
# Da-doo, bop, bop | 0:10:43 | 0:10:45 | |
# A mountain railroad | 0:10:45 | 0:10:48 | |
# Da-doo, bop, bop | 0:10:48 | 0:10:50 | |
# With an engineer that's brave | 0:10:51 | 0:10:58 | |
# Da-doo, bop, bop | 0:10:58 | 0:11:00 | |
# We must make | 0:11:00 | 0:11:02 | |
# Da-doo, bop bop | 0:11:02 | 0:11:05 | |
# A run successful | 0:11:05 | 0:11:08 | |
# Da-doo, bop, bop | 0:11:08 | 0:11:10 | |
# From the cradle | 0:11:10 | 0:11:15 | |
# To the grave | 0:11:15 | 0:11:19 | |
# Watch the curves... # | 0:11:19 | 0:11:24 | |
I bet it'd look good on you too. | 0:11:32 | 0:11:35 | |
It's a beautiful night out, isn't it? | 0:11:35 | 0:11:38 | |
Yes, it is. | 0:11:38 | 0:11:40 | |
Say, do you like dancing? | 0:11:41 | 0:11:43 | |
My buddy and his girl are going dancing, and they invited me along and I'm starting to feel | 0:11:43 | 0:11:48 | |
like a third wheel. I really could use a date. | 0:11:48 | 0:11:53 | |
Well, I do like dancing. | 0:11:53 | 0:11:55 | |
Love to dance, in fact. | 0:11:56 | 0:11:58 | |
Well, my... my friends are just up the block. | 0:11:58 | 0:12:02 | |
I'd be thrilled if you'd come with us. | 0:12:02 | 0:12:05 | |
Yeah, I think I will if you don't mind. | 0:12:05 | 0:12:07 | |
Great! | 0:12:07 | 0:12:10 | |
-My name's Scotty. -Bettie. | 0:12:10 | 0:12:13 | |
-Nice to meet you. -Nice to meet you. | 0:12:13 | 0:12:15 | |
Thanks so much. | 0:12:15 | 0:12:17 | |
Have you been to the Victory Ballroom? | 0:12:17 | 0:12:19 | |
I love to go there on a Friday night. | 0:12:19 | 0:12:22 | |
The band really cooks. | 0:12:22 | 0:12:23 | |
And I'd just bet you can really dance, can't you? | 0:12:23 | 0:12:26 | |
Well, I like to dance. | 0:12:26 | 0:12:29 | |
If the music's good, I like it. | 0:12:29 | 0:12:30 | |
-This is Jake. -Hi. -Hi. | 0:12:37 | 0:12:39 | |
-And Ray. -Hi. -Pleased to meet you. | 0:12:39 | 0:12:42 | |
The more the merrier. Ain't that right? | 0:12:47 | 0:12:51 | |
Why are we...leaving the city? | 0:13:03 | 0:13:07 | |
Where is this place? | 0:13:12 | 0:13:13 | |
Where are we going? | 0:13:20 | 0:13:23 | |
Where are we going?! | 0:13:26 | 0:13:28 | |
-Don't try and run. -Oh, please, | 0:13:54 | 0:13:56 | |
for the love of Jesus. Please. | 0:13:56 | 0:13:59 | |
Don't make trouble now. | 0:13:59 | 0:14:00 | |
Can't nobody hear you around here anyway. | 0:14:00 | 0:14:03 | |
You know what we're here for. Just get in the back of the car. | 0:14:03 | 0:14:06 | |
Please, I can't. | 0:14:07 | 0:14:10 | |
Please, it's that time of the month. | 0:14:10 | 0:14:11 | |
Shit, I thought you said we were getting some tail here. | 0:14:11 | 0:14:15 | |
Well... | 0:14:15 | 0:14:17 | |
She'll have to give us some kind of a satisfaction. | 0:14:18 | 0:14:21 | |
BETTIE SOBS | 0:14:34 | 0:14:36 | |
# Watch the curves | 0:15:49 | 0:15:51 | |
# Da-doo, bop, bop | 0:15:51 | 0:15:54 | |
# The hills and tunnels | 0:15:54 | 0:15:56 | |
# Da-doo, bop, bop | 0:15:56 | 0:15:57 | |
# Never falter | 0:15:57 | 0:16:03 | |
# Never fail | 0:16:03 | 0:16:05 | |
# Da-doo, bop, bop | 0:16:05 | 0:16:08 | |
# Keep your hand | 0:16:08 | 0:16:11 | |
# Ooh, ooh | 0:16:11 | 0:16:13 | |
# Upon the throttle | 0:16:13 | 0:16:16 | |
# Ooh, ooh | 0:16:16 | 0:16:18 | |
# And your eyes | 0:16:18 | 0:16:21 | |
# And your eyes | 0:16:21 | 0:16:22 | |
# Upon the rail | 0:16:22 | 0:16:26 | |
# Blessed Saviour | 0:16:28 | 0:16:32 | |
# Thou will guide us | 0:16:32 | 0:16:37 | |
# Till we reach | 0:16:37 | 0:16:41 | |
# That blissful shore | 0:16:41 | 0:16:46 | |
# Where the angels | 0:16:47 | 0:16:51 | |
# Wait to join us | 0:16:51 | 0:16:56 | |
# In Thy praise | 0:16:56 | 0:17:01 | |
# For evermore... # | 0:17:01 | 0:17:02 | |
"Dear Goldie, | 0:17:02 | 0:17:04 | |
"I've decided to make a fresh start in New York City. | 0:17:04 | 0:17:09 | |
"I've found an apartment just off Times Square | 0:17:09 | 0:17:11 | |
"and painted and decorated it myself. | 0:17:11 | 0:17:14 | |
"I entered a beauty contest or two. | 0:17:14 | 0:17:17 | |
"I won second prize in one, which was not too bad. | 0:17:17 | 0:17:21 | |
"A set of brand new Revere pots and pans, which I needed very much. | 0:17:21 | 0:17:26 | |
"I hope this finds y'all well and healthy and you kids are staying out of trouble. | 0:17:26 | 0:17:32 | |
"Love to y'all, | 0:17:32 | 0:17:33 | |
"Bettie." | 0:17:33 | 0:17:35 | |
# In Thy praise | 0:17:37 | 0:17:40 | |
# For ever-more | 0:17:40 | 0:17:45 | |
# Evermore. # | 0:17:45 | 0:17:51 | |
Can I ask you a question? | 0:17:52 | 0:17:53 | |
-Well... -Don't be nervous. I'm a policeman. | 0:17:53 | 0:17:55 | |
Let me show you my badge. | 0:17:55 | 0:17:57 | |
See? | 0:17:57 | 0:18:00 | |
I was just curious. Have you ever done any photographic modelling? | 0:18:01 | 0:18:05 | |
-Well, not for photographs. -Well, you look like a model. | 0:18:05 | 0:18:08 | |
I'm a policeman, but I'm a photographer, too. On weekends, you know? | 0:18:08 | 0:18:13 | |
If you let me take your picture, I'll give you copies for free. | 0:18:13 | 0:18:15 | |
Take my photo? Right here? | 0:18:15 | 0:18:17 | |
-Sure, why not? -Looking like this? | 0:18:17 | 0:18:19 | |
Sure! | 0:18:19 | 0:18:21 | |
-I don't know. -You're a southern girl, aren't you? | 0:18:21 | 0:18:25 | |
Well, I don't wanna make you feel uncomfortable. | 0:18:25 | 0:18:27 | |
Oh, no, no, it's not that. Don't get me wrong. | 0:18:27 | 0:18:30 | |
I worked with a coloured woman, and she was real nice. It's just... | 0:18:30 | 0:18:34 | |
Well, I... | 0:18:34 | 0:18:36 | |
Oh, what's the harm in it? | 0:18:39 | 0:18:41 | |
Come on, over here. | 0:18:41 | 0:18:43 | |
Good, Bettie. So where're you from in the South? | 0:18:48 | 0:18:51 | |
Nashville, Tennessee. | 0:18:51 | 0:18:52 | |
Ah, home of the Grand Ole Opry. | 0:18:52 | 0:18:54 | |
-You know it? -I hear it on the radio sometimes. | 0:18:54 | 0:18:57 | |
My wife listens to it now and then. | 0:18:57 | 0:18:59 | |
Could you lift your chin up for me, please? | 0:18:59 | 0:19:01 | |
A little more. Good. | 0:19:02 | 0:19:05 | |
Now, uh... Head up and to the right. | 0:19:05 | 0:19:10 | |
Great, Bettie. Good. | 0:19:13 | 0:19:15 | |
Hey, Officer. | 0:19:20 | 0:19:22 | |
It seems as if some of the people here aren't happy about me taking your picture, Bettie. | 0:19:29 | 0:19:33 | |
Well, they're just prejudiced. | 0:19:33 | 0:19:35 | |
I used to be when I was younger, but I grew up and I learned better. | 0:19:35 | 0:19:39 | |
All we're doing is taking pictures. | 0:19:39 | 0:19:41 | |
< There's kids here. | 0:19:41 | 0:19:42 | |
Maybe next time we should use my studio. | 0:19:42 | 0:19:46 | |
Let's go. | 0:19:47 | 0:19:49 | |
CAMERA CLICKS | 0:20:02 | 0:20:04 | |
Good. Good. | 0:20:04 | 0:20:06 | |
Uh, give me friendly. | 0:20:06 | 0:20:07 | |
CAMERA CLICKS | 0:20:07 | 0:20:10 | |
Now, give me pert. | 0:20:10 | 0:20:11 | |
Good. One more. | 0:20:12 | 0:20:14 | |
CAMERA CLICKS | 0:20:14 | 0:20:16 | |
Now give me haughty. | 0:20:16 | 0:20:17 | |
Good, Bettie. Good. | 0:20:19 | 0:20:21 | |
Now, could you turn to the side for me, please? | 0:20:21 | 0:20:23 | |
-I'd like to see your figure in profile. -OK. | 0:20:23 | 0:20:26 | |
Right. Now, this is a trick. | 0:20:27 | 0:20:29 | |
that a lot of photographic models use. | 0:20:29 | 0:20:32 | |
If you put this in your swimming suit top, it will enhance your bustline. | 0:20:32 | 0:20:36 | |
This is all lumpy. | 0:20:39 | 0:20:42 | |
Well, you have to put it underneath. | 0:20:42 | 0:20:44 | |
Oh... | 0:20:44 | 0:20:46 | |
Good. Now give me saucy. | 0:20:51 | 0:20:53 | |
CAMERA CLICKS | 0:20:53 | 0:20:55 | |
Good, Bettie. | 0:20:55 | 0:20:56 | |
CAMERA CLICKS | 0:20:56 | 0:20:59 | |
Great, Bettie. Great! | 0:20:59 | 0:21:01 | |
Yeah, the poses are great. | 0:21:03 | 0:21:04 | |
Now, I have an idea. | 0:21:04 | 0:21:06 | |
Would you mind if I changed your hairstyle? | 0:21:06 | 0:21:11 | |
Come, please. | 0:21:11 | 0:21:13 | |
You have a high, round forehead. | 0:21:13 | 0:21:15 | |
There's nothing wrong with it, but it catches the light. | 0:21:15 | 0:21:19 | |
But if we covered it... | 0:21:19 | 0:21:21 | |
..it wouldn't catch the light, | 0:21:28 | 0:21:30 | |
and it frames your face. | 0:21:30 | 0:21:33 | |
Yeah, I see what you mean. | 0:21:33 | 0:21:35 | |
Yeah? Shall we try? | 0:21:35 | 0:21:37 | |
Sure! | 0:21:37 | 0:21:38 | |
PHONE RINGS | 0:21:38 | 0:21:40 | |
Austin, Green & Dunleavey. | 0:21:40 | 0:21:42 | |
How may I help you? Yes, sir. | 0:21:42 | 0:21:46 | |
I'll connect you right away. | 0:21:46 | 0:21:47 | |
# Goody goody | 0:21:47 | 0:21:49 | |
# So you met someone | 0:21:49 | 0:21:51 | |
# And now you no how it feels | 0:21:51 | 0:21:54 | |
# Goody goody | 0:21:54 | 0:21:55 | |
# So you gave her your heart too | 0:21:55 | 0:21:58 | |
# Just as I gave mine to you... # | 0:21:58 | 0:22:01 | |
-Hi, I'm Bettie. -I'm Art. Step this way. | 0:22:01 | 0:22:03 | |
Did Jerry tell you what the setup is? | 0:22:03 | 0:22:08 | |
You can change in there. The other girl still has a half hour to go. | 0:22:09 | 0:22:11 | |
That's Maxie. You can learn from her. | 0:22:11 | 0:22:13 | |
She knows all about the three essentials - | 0:22:13 | 0:22:15 | |
clothes, pose and expression. | 0:22:15 | 0:22:17 | |
Clothes, pose and expression. | 0:22:17 | 0:22:19 | |
< Over here, over here. | 0:22:19 | 0:22:21 | |
-Maxie, this way. -And look over here. | 0:22:21 | 0:22:24 | |
-Over here. -Down here to the right. -You'll get your turn. | 0:22:24 | 0:22:27 | |
Maxie, we're dying over here. Don't forget us boys in the corner. | 0:22:27 | 0:22:31 | |
Very good, Maxie. Can you bend over on one leg? | 0:22:31 | 0:22:35 | |
-No, like this. -Hey! | 0:22:35 | 0:22:37 | |
Hey, no touching! Do it again and you're out on your ear. | 0:22:37 | 0:22:40 | |
You don't have to worry about that. There's no funny business here. | 0:22:40 | 0:22:43 | |
I see to that. | 0:22:43 | 0:22:45 | |
You think you can do it? | 0:22:45 | 0:22:46 | |
I can sure try. | 0:22:46 | 0:22:49 | |
CAMERAS CLICK | 0:23:02 | 0:23:06 | |
Let's see that smile, kid. | 0:23:10 | 0:23:13 | |
Turn to me. | 0:23:13 | 0:23:16 | |
Lift that leg a little bit. | 0:23:17 | 0:23:19 | |
Yeah. And higher. | 0:23:21 | 0:23:24 | |
I saw it. I saw beaver! | 0:23:25 | 0:23:27 | |
You're dreaming. It was a shadow. | 0:23:27 | 0:23:29 | |
I saw it! | 0:23:29 | 0:23:30 | |
-What's her name? -It's Bettie. | 0:23:30 | 0:23:33 | |
Hey, Bettie. Can you bend over for us a little bit? | 0:23:33 | 0:23:36 | |
-Please? -Show us your keister? | 0:23:36 | 0:23:39 | |
APPROVING MURMUR | 0:23:45 | 0:23:46 | |
Hello, keister! Very nice. | 0:23:46 | 0:23:49 | |
To want or need a mask to hide behind. Comes from a distrust of ourselves. | 0:24:04 | 0:24:11 | |
It comes from our fear that we ourselves are boring. | 0:24:11 | 0:24:13 | |
All right. Now, let's try to go back. | 0:24:13 | 0:24:15 | |
to that first object exercise, | 0:24:15 | 0:24:17 | |
recreating two minutes of ordinary life | 0:24:17 | 0:24:21 | |
when we're alone. | 0:24:21 | 0:24:22 | |
Bettie, would you like to show us what you've been working on? | 0:24:22 | 0:24:27 | |
The curtain rises. and you are sitting on stage. | 0:24:38 | 0:24:42 | |
You are alone. You sit... | 0:24:42 | 0:24:44 | |
..and sit. | 0:24:45 | 0:24:47 | |
At last, the curtain comes down. | 0:24:47 | 0:24:50 | |
Nothing could be simpler, could it? | 0:24:50 | 0:24:55 | |
The curtain rises... | 0:24:55 | 0:24:56 | |
The curtain comes down. | 0:25:36 | 0:25:37 | |
Bettie, my angel, | 0:25:41 | 0:25:43 | |
it's not necessary to remove your clothes. | 0:25:43 | 0:25:46 | |
I'd like to try the exercise next, if I may. | 0:25:51 | 0:25:53 | |
OK, Marvin. | 0:25:53 | 0:25:56 | |
Ahem. | 0:25:56 | 0:25:57 | |
Curtain rises. | 0:26:04 | 0:26:05 | |
Curtain down. You see, | 0:26:23 | 0:26:26 | |
Marvin sat... | 0:26:26 | 0:26:28 | |
..and waited, | 0:26:30 | 0:26:31 | |
and did not act anything. | 0:26:31 | 0:26:33 | |
Now, it may not seem interesting to you, to sit and wait as you do it, but it's life. | 0:26:33 | 0:26:40 | |
Now, that's all for today. I'll see you on Wednesday. Thanks. | 0:26:40 | 0:26:43 | |
Hey, don't worry, Bettie. | 0:26:50 | 0:26:52 | |
It's like he said. It was a hard exercise. | 0:26:52 | 0:26:54 | |
I was terrible. | 0:26:54 | 0:26:57 | |
I couldn't concentrate. I felt silly. | 0:26:57 | 0:26:59 | |
No, no. I liked what you did. | 0:26:59 | 0:27:02 | |
I thought it was really interesting and very modern. | 0:27:02 | 0:27:05 | |
Don't feel bad. | 0:27:05 | 0:27:08 | |
Hey, how about a milkshake? | 0:27:08 | 0:27:10 | |
That was back when I was trying to write a great American novel. | 0:27:13 | 0:27:15 | |
It all seems so juvenile. You know, trying to be Ernest Hemingway. | 0:27:15 | 0:27:18 | |
But then a friend dragged me to Herbert's class, and, I don't know, | 0:27:18 | 0:27:23 | |
acting just felt so...inspiring. | 0:27:23 | 0:27:26 | |
I know exactly what you mean. It's like when you're in church. | 0:27:26 | 0:27:29 | |
-Uh-huh. -Well, sometimes with the preaching and the singing and all, you get lifted up, | 0:27:29 | 0:27:36 | |
-up out of yourself. It's like you're taken to another place. -Yeah! | 0:27:36 | 0:27:39 | |
Taken to another place, that's it. | 0:27:39 | 0:27:41 | |
Bettie, I feel like I've been talking about myself for hours. | 0:27:44 | 0:27:48 | |
-So what about you? What drew you to acting? -I started in high school. | 0:27:48 | 0:27:53 | |
and did all the plays. | 0:27:53 | 0:27:55 | |
I guess you could say | 0:27:55 | 0:27:56 | |
it ruined my life. | 0:27:56 | 0:27:58 | |
-How so? -Well, I was gonna be our high school valedictorian. | 0:27:58 | 0:28:02 | |
Everyone said it was gonna be me. | 0:28:02 | 0:28:05 | |
The valedictorian gets a full scholarship to Vanderbilt University. | 0:28:05 | 0:28:09 | |
-It's a real big deal. -Hmm. | 0:28:09 | 0:28:11 | |
Well, one day I had a dress rehearsal | 0:28:11 | 0:28:14 | |
and I cut one class, | 0:28:14 | 0:28:16 | |
one stupid art class. | 0:28:16 | 0:28:19 | |
So I got an A-minus instead of an A, and Martin Murphy got the scholarship. | 0:28:19 | 0:28:24 | |
And I got to be salutatorian | 0:28:24 | 0:28:27 | |
and a place at a teacher training college. | 0:28:27 | 0:28:30 | |
And I hated teaching. All the boys whistled at me and acted up. | 0:28:30 | 0:28:34 | |
I just couldn't control the class. | 0:28:34 | 0:28:37 | |
I wanted that scholarship so much. | 0:28:37 | 0:28:40 | |
Jeez, I'm sorry, Bettie. | 0:28:40 | 0:28:42 | |
Hey, you know, it seemed so bitter at the time, but maybe it's fate telling you | 0:28:45 | 0:28:49 | |
you were meant for something else. | 0:28:49 | 0:28:52 | |
Well, I wonder. | 0:28:52 | 0:28:54 | |
I hope you're right about that. | 0:28:54 | 0:28:58 | |
TYPEWRITERS CLANG | 0:28:58 | 0:29:01 | |
Look at that over there. Here we go again. I know it's coming. | 0:29:13 | 0:29:17 | |
Listen, girls, I just want you to know. That Peggy is gonna be doing | 0:29:17 | 0:29:20 | |
-some semi-nude posing today. -All very tasteful, of course. | 0:29:20 | 0:29:24 | |
If you're feeling shy about that, bathing suits are just dandy with us. | 0:29:24 | 0:29:27 | |
Although there's nothing more beautiful than nude modelling in open air. | 0:29:27 | 0:29:30 | |
Art, I've told you, my boyfriend would blow his top if I did that. | 0:29:30 | 0:29:34 | |
Of course, of course. It's completely up to you. | 0:29:34 | 0:29:37 | |
Thank you, Art, Frank. | 0:29:37 | 0:29:39 | |
We appreciate you telling us. | 0:29:39 | 0:29:42 | |
Beautiful. | 0:29:42 | 0:29:44 | |
Sometimes when I get homesick, I just go to Central Park and walk around for hours. | 0:29:44 | 0:29:49 | |
Gee, I like to do that too. | 0:29:49 | 0:29:51 | |
Some people think I'm funny for spending so much time alone. | 0:29:51 | 0:29:55 | |
Oh, no, Bettie. You're in very good company. | 0:29:55 | 0:29:58 | |
-Many of the world's greatest thinkers spent most of their time alone. -They did? | 0:29:58 | 0:30:02 | |
Well, I'll be. | 0:30:02 | 0:30:04 | |
CAMERA CLICKS | 0:30:04 | 0:30:07 | |
I'm roasting. Do you wanna call it quits? | 0:30:11 | 0:30:13 | |
Oh, no, I'm fine. I love the sun. | 0:30:13 | 0:30:15 | |
Well, we'd better move into the shade after these shots, though. | 0:30:15 | 0:30:18 | |
You don't want get a mark from your bathing suit straps. | 0:30:18 | 0:30:21 | |
Well, thank you, Charlie. | 0:30:21 | 0:30:23 | |
That's very thoughtful of you. | 0:30:23 | 0:30:25 | |
You know, | 0:30:28 | 0:30:30 | |
I could take this little old bathing suit top off, if you like. | 0:30:30 | 0:30:34 | |
Really? | 0:30:34 | 0:30:36 | |
Oh, sure, yeah. | 0:30:36 | 0:30:38 | |
-If you don't mind. -Well, I've been thinking about it | 0:30:38 | 0:30:41 | |
and what difference does it make, a little piece of cloth? | 0:30:41 | 0:30:44 | |
I agree. Absolutely. | 0:30:44 | 0:30:46 | |
Oh, thank you. | 0:30:48 | 0:30:51 | |
You know, Bettie, you're the most popular model at our club. | 0:30:53 | 0:30:56 | |
Flattery is the devil's tool, Charlie. | 0:30:56 | 0:31:00 | |
How's this? | 0:31:00 | 0:31:02 | |
I don't know how to say this, and don't be offended, but... | 0:31:02 | 0:31:06 | |
well, we've come this far... | 0:31:06 | 0:31:09 | |
Do you think you could take off the bottom as well? | 0:31:09 | 0:31:12 | |
After all, it's just a little piece of fabric. | 0:31:12 | 0:31:15 | |
Don't you go throwing my words back at me, Charlie. | 0:31:15 | 0:31:17 | |
I'm sorry. I shouldn't have asked. | 0:31:17 | 0:31:19 | |
Just kidding you. It's fine. | 0:31:19 | 0:31:21 | |
Sure, I don't mind. | 0:31:21 | 0:31:24 | |
Um, um... Bettie? | 0:31:43 | 0:31:45 | |
-Bettie? -Yes? | 0:31:47 | 0:31:50 | |
If we show too much, I could get arrested. | 0:31:50 | 0:31:53 | |
What do you mean? | 0:31:53 | 0:31:55 | |
The top is OK, but you have to hide that. | 0:31:55 | 0:31:59 | |
Oh... Oh, I'll just put the bottoms back on. | 0:31:59 | 0:32:03 | |
No, no, no, you don't have to do that. | 0:32:03 | 0:32:06 | |
Um, the backside's OK. | 0:32:06 | 0:32:08 | |
How's this? | 0:32:12 | 0:32:13 | |
Oh, thank you. That's perfect. | 0:32:15 | 0:32:19 | |
-A copy of "She", the man's picture magazine. -Oh, Marvin. | 0:32:53 | 0:32:58 | |
A-ha, there she is. | 0:33:00 | 0:33:03 | |
In roller-skates this time. | 0:33:03 | 0:33:04 | |
I know, they're silly. | 0:33:04 | 0:33:06 | |
"Gals think men are beasts! | 0:33:06 | 0:33:08 | |
"This doll thinks a gorilla makes a safer boyfriend." You wolf! | 0:33:08 | 0:33:12 | |
I'm not sure I like the idea of other men seeing you like this. | 0:33:13 | 0:33:17 | |
It's a bathing suit, Marvin. | 0:33:17 | 0:33:21 | |
You make it look so good. | 0:33:21 | 0:33:22 | |
Come on. | 0:33:22 | 0:33:24 | |
Yeah, I know. I know. | 0:33:29 | 0:33:31 | |
-Yes... yes? -Hi. I got your name from Maxie. | 0:33:34 | 0:33:36 | |
-My name's Bettie Page. I'm a model. -Oh, yeah. She told me about you. | 0:33:36 | 0:33:40 | |
Just one minute. Yeah, we got some nice William Holden. Colour, eight by ten. | 0:33:40 | 0:33:45 | |
Yeah, Stewart Granger we got, yeah. Just come into the store. Anything you want, we got, OK? | 0:33:45 | 0:33:49 | |
-Thank you so much. -All right. | 0:33:49 | 0:33:51 | |
So Maxie told you about us? | 0:33:51 | 0:33:53 | |
Yes. She said there would be some unusual costumes to put on. | 0:33:53 | 0:33:56 | |
OK, great. Why don't you go right upstairs | 0:33:56 | 0:33:59 | |
and talk to my brother Irv while I close up here, OK? | 0:33:59 | 0:34:02 | |
PHONE RINGS | 0:34:02 | 0:34:03 | |
Klaw Studios | 0:34:03 | 0:34:04 | |
featuring the largest variety of popular model photos in the world. Well, what are you interested in? | 0:34:04 | 0:34:09 | |
Films, cartoons, pictorials? | 0:34:09 | 0:34:12 | |
We got some great new pictorials in, very high quality... Just a moment. | 0:34:12 | 0:34:16 | |
Hi, I'm Irving Klaw. You hungry? | 0:34:16 | 0:34:18 | |
We've got sandwiches over there... some beautiful sliced brisket. | 0:34:18 | 0:34:22 | |
Oh, I'm fine, thanks. | 0:34:22 | 0:34:24 | |
OK. Dressing room's through there. | 0:34:26 | 0:34:28 | |
Uh, no more "Boudoir Beauties in High Heels". | 0:34:32 | 0:34:35 | |
What about some fighting girl movies? No? | 0:34:35 | 0:34:38 | |
"Bound In Rubber", | 0:34:38 | 0:34:40 | |
"Pleasure Parade", | 0:34:40 | 0:34:41 | |
and "Fearful Ordeal In Restraint Land." | 0:34:41 | 0:34:44 | |
That last one's an excellent seller, because of the quality of the poses, which, in my opinion, | 0:34:44 | 0:34:49 | |
are among the most strenuous bondage photos ever made. | 0:34:49 | 0:34:51 | |
Whoa-whoa, how anyone walks in these old shoes is beyond me. | 0:35:00 | 0:35:04 | |
-You don't have far to go. Jack, give her a hand. -Oh, hello. | 0:35:04 | 0:35:07 | |
-Pleased to meet you. -Nice to meet you. | 0:35:07 | 0:35:08 | |
-These shoes are kind of unusual. -We get a lot of requests for them, don't we, Irving? -Sure do. | 0:35:08 | 0:35:13 | |
Stiletto heels, black seamed stockings, different poses. | 0:35:13 | 0:35:17 | |
High heels are very popular. | 0:35:17 | 0:35:19 | |
-There you go. -OK, sit her down there, Jack. | 0:35:19 | 0:35:21 | |
All right, Bettie. | 0:35:21 | 0:35:23 | |
Let's go. Beautiful, Bettie. | 0:35:23 | 0:35:25 | |
Oh! | 0:35:25 | 0:35:27 | |
-I think we got a little problem. Something's peeking out. -Yep. | 0:35:27 | 0:35:30 | |
We better put another pair over them. | 0:35:30 | 0:35:32 | |
Yeah, we gotta put these over the ones you got on. These will be OK, huh? | 0:35:32 | 0:35:36 | |
As if the customers care. It's the shoes they want. | 0:35:36 | 0:35:39 | |
Shoes and boots, boots and shoes, | 0:35:39 | 0:35:41 | |
-they can't get enough of them. -Why? | 0:35:41 | 0:35:44 | |
-Don't ask. It takes all types to make a world. -What kind of types? | 0:35:44 | 0:35:48 | |
You see, the customers who want this stuff, they're very respectable, very high quality people. | 0:35:51 | 0:35:56 | |
Doctors, lawyers, diplomats... Even a judge. They're not people like us. | 0:35:56 | 0:36:01 | |
The pressures they've got... they're not your average Joe. | 0:36:01 | 0:36:05 | |
So what if they want something that seems a little strange, right? | 0:36:05 | 0:36:08 | |
-If it makes them happy? -Sure. -Sometimes they come into the store, and I can see they want | 0:36:08 | 0:36:13 | |
-something different. Irving says I can spot them a mile off. -She can. She's got an instinct. | 0:36:13 | 0:36:18 | |
If I think it's shoes they want, I'll pull out a movie star - | 0:36:18 | 0:36:21 | |
Lana Turner, let's say, with a nice pair of high heels - | 0:36:21 | 0:36:24 | |
and I'll point to them and say, "Hmm, something like this, maybe?" | 0:36:24 | 0:36:28 | |
Oh, the look on their face, like they're so relieved I understand. | 0:36:28 | 0:36:32 | |
And then I start pulling out the special stuff. | 0:36:32 | 0:36:34 | |
Look at the time. We gotta go. | 0:36:34 | 0:36:37 | |
-Jack, let's put some music on. -OK. -Let's put some music. You like music, Bettie? -Oh, yeah. | 0:36:37 | 0:36:42 | |
-You OK, Bettie? The shoes hurting? -I'm fine. Just fine. | 0:36:42 | 0:36:45 | |
Turn your backside to us so we can see the stocking seams. | 0:36:45 | 0:36:48 | |
Nice, nice. Wonderful, Bettie. | 0:36:48 | 0:36:52 | |
To me, turn to me. | 0:36:52 | 0:36:55 | |
Great! It's nice, right? | 0:36:55 | 0:36:57 | |
Just get into it, feel it. | 0:36:57 | 0:37:00 | |
MUSIC PLAYS | 0:37:00 | 0:37:03 | |
Gorgeous, gorgeous. Oh, you're so happy. | 0:37:04 | 0:37:07 | |
She's great. Oh, that's right, honey. | 0:37:10 | 0:37:14 | |
Do that cha-cha, give me that. Great, Bettie. Gorgeous. | 0:37:14 | 0:37:19 | |
Listen to this. "You have long stretches of nervous letdown | 0:37:19 | 0:37:22 | |
"in playing your part, complete artistic impotence. | 0:37:22 | 0:37:25 | |
"At such times your playing is lifeless, stilted." | 0:37:25 | 0:37:28 | |
I think he was talking about me there. | 0:37:28 | 0:37:30 | |
No, no, he's talking about all of us. | 0:37:30 | 0:37:33 | |
I'm just so nervous. | 0:37:33 | 0:37:36 | |
They liked the photographs I sent them, but they never heard me speak. | 0:37:36 | 0:37:39 | |
-It's a western? -Uh-huh. -Maybe they'll need | 0:37:39 | 0:37:41 | |
a good Southern girl. Just remember, acting is about truth. | 0:37:41 | 0:37:45 | |
You find truth in the character, no-one will give a damn that you're from Tennessee. | 0:37:45 | 0:37:49 | |
OK, start from here. | 0:37:56 | 0:37:58 | |
Come on, turn. | 0:37:59 | 0:38:01 | |
Not... Slowly slowly, not so quick. | 0:38:01 | 0:38:04 | |
And look at me | 0:38:07 | 0:38:09 | |
with your beautiful eyes. | 0:38:09 | 0:38:11 | |
Now, this way. Straight. | 0:38:14 | 0:38:19 | |
Now, say something nice. | 0:38:21 | 0:38:23 | |
Um... | 0:38:25 | 0:38:27 | |
I don't know what to say. | 0:38:29 | 0:38:31 | |
Come on, we're recording sound so you can say something. | 0:38:31 | 0:38:35 | |
-I'm sorry. -Don't be so sorry, OK? | 0:38:40 | 0:38:44 | |
You're behaving like a six-year-old. | 0:38:44 | 0:38:46 | |
Come on, look at me with your beautiful eyes. | 0:38:46 | 0:38:50 | |
And? | 0:38:51 | 0:38:53 | |
Ahem... Hi, I'm Bettie Page. | 0:38:58 | 0:39:00 | |
Um... I'm from Nashville, Tennessee. | 0:39:03 | 0:39:05 | |
Right. OK, that's it. You're all done, sweetie. | 0:39:08 | 0:39:11 | |
I thought you looked really great under the lights. You're a knockout. | 0:39:13 | 0:39:17 | |
-Real star material. -Uh, you think so? | 0:39:17 | 0:39:20 | |
I was awfully nervous. | 0:39:20 | 0:39:22 | |
You'll have to work on that accent, of course, | 0:39:22 | 0:39:25 | |
but it would be no fun if you were perfect. | 0:39:25 | 0:39:28 | |
Say, why don't you have dinner with me tonight? | 0:39:28 | 0:39:30 | |
I could give you a few pointers. We could get to know each other better. | 0:39:30 | 0:39:34 | |
Oh, I'm sorry, but I can't. I already have a boyfriend. | 0:39:34 | 0:39:37 | |
Oh, come on. | 0:39:37 | 0:39:39 | |
It'll be fun. | 0:39:39 | 0:39:41 | |
It's always an advantage to know the producer personally. | 0:39:41 | 0:39:44 | |
I really have to go. | 0:39:44 | 0:39:46 | |
You try and do a girl a favour... | 0:39:48 | 0:39:50 | |
-Still not tight enough. -I told you, it won't go any tighter. | 0:39:58 | 0:40:01 | |
I've been trying for 20 minutes. | 0:40:01 | 0:40:03 | |
-You'll ruin the whole thing because you're too lazy to do it properly. -Oh, come off it. | 0:40:03 | 0:40:09 | |
-Set the shot up the way I told you. -I got it. Bettie, you're supposed to be in at ten. | 0:40:09 | 0:40:13 | |
You're not on the clock, you don't get paid. | 0:40:13 | 0:40:15 | |
Irving, you're in the shot. | 0:40:15 | 0:40:17 | |
OK? | 0:40:17 | 0:40:19 | |
Give it in the eyes. | 0:40:23 | 0:40:25 | |
Give it in the eyes, darling. | 0:40:25 | 0:40:27 | |
-Beautiful. -Can we see a bit of heel maybe? | 0:40:27 | 0:40:29 | |
-A little bit of heel. -Uh, that's good. A little bit of bum. | 0:40:29 | 0:40:32 | |
-I really like bum. -That's perfect. -Lovely bum, darling. | 0:40:32 | 0:40:36 | |
See, she's one of our best. | 0:40:36 | 0:40:37 | |
And then he admitted that he paid Roz 12 bucks an hour and they gave me ten. Cheek of it! | 0:40:37 | 0:40:43 | |
So I says to Irving, "Pardon me, but who's been freezing her derriere off | 0:40:43 | 0:40:46 | |
"every Saturday for the past six months? Not Roz Greenwood." | 0:40:46 | 0:40:50 | |
Gee, that's not fair. | 0:40:50 | 0:40:51 | |
Roz is real nice, but you're a better model. Everyone says so. | 0:40:51 | 0:40:55 | |
-Hey, girls, how you doing? -We're cold. Can we get another heater in here? | 0:40:55 | 0:40:58 | |
I'll see what I can do You keep brushing your hair, it'll fall out of your head. | 0:40:58 | 0:41:03 | |
Let me explain something to you. This is one of our private sessions. John. | 0:41:03 | 0:41:07 | |
We call him Little John to tell him apart from Big John. | 0:41:07 | 0:41:10 | |
He's the photographer out there. Anyway, Little John has some special outfits he'd like you to put on. | 0:41:10 | 0:41:15 | |
-I'd say they're special. -Maxie. | 0:41:15 | 0:41:17 | |
Yeah, all right, some of them are a real hoot, but he's a very nice man. | 0:41:17 | 0:41:21 | |
Yeah, he's not normal, but he's nice. | 0:41:21 | 0:41:24 | |
He's one of our best customers, so will you try and do what he says? | 0:41:24 | 0:41:27 | |
What does she mean? | 0:41:29 | 0:41:31 | |
Oh, it's nothing bad. You just have to scare him and act mean. Like this. | 0:41:31 | 0:41:36 | |
Actually, it's kind of fun. | 0:41:37 | 0:41:39 | |
You're lucky. Wait until you see what I have to do. | 0:41:39 | 0:41:42 | |
-Hey! Ouch, that's too tight. -Well, that is rather the point, my dear. | 0:41:45 | 0:41:49 | |
-The tighter the better. -Paula. -Maxie, are they hurting you? | 0:41:49 | 0:41:52 | |
She's all right. Aren't you, Maxie? | 0:41:52 | 0:41:54 | |
I am not. I'm getting rope burns. | 0:41:54 | 0:41:56 | |
All right. Let's get a move on. | 0:41:56 | 0:41:58 | |
Bettie, stand over there. | 0:41:58 | 0:41:59 | |
I'd like this young lady to look very strict. | 0:42:02 | 0:42:05 | |
-He'd like her to look very strict. -He'd like you to look very strict. | 0:42:05 | 0:42:09 | |
Come on, my dear, more passion. Fire. | 0:42:22 | 0:42:26 | |
More... | 0:42:30 | 0:42:32 | |
tigress, huh? | 0:42:32 | 0:42:34 | |
HE SNARLS | 0:42:35 | 0:42:36 | |
SHE SNARLS | 0:42:36 | 0:42:39 | |
HE SNARLS MORE VIGOROUSLY | 0:42:39 | 0:42:42 | |
Whoa, very good. | 0:42:43 | 0:42:44 | |
Dominate the men who adore you. Crush them with your exquisite high heels! | 0:42:44 | 0:42:50 | |
Come, fill the cup. | 0:42:55 | 0:42:58 | |
And in the fire of spring, the winter garment of repentance fling. | 0:42:58 | 0:43:02 | |
Oh, that's very nice. Is that from a poem? | 0:43:02 | 0:43:04 | |
Not just a poem, my dear, the poem... | 0:43:04 | 0:43:06 | |
The Rubaiyat Of Omar Khayyam. | 0:43:06 | 0:43:09 | |
-Whoa...oh, no, thank you. I don't drink. -Come on, have a drink with me. | 0:43:09 | 0:43:14 | |
Most of the time these last six months, I seem to be drinking by myself. | 0:43:14 | 0:43:17 | |
Or with strangers whom I don't much like. | 0:43:17 | 0:43:19 | |
-Might I tempt you with a mushroom cap? -Oh. | 0:43:22 | 0:43:25 | |
-So what do you do, Little John? -He has a very successful legal practice | 0:43:25 | 0:43:29 | |
with many distinguished clients. | 0:43:29 | 0:43:31 | |
-How is business, John? You been keeping busy? -Uh, quite busy, But mother hasn't been very well. | 0:43:31 | 0:43:36 | |
-So I've been spending a lot of time at home with her. -Sorry to hear it. | 0:43:36 | 0:43:40 | |
And what about those legal difficulties you mentioned? | 0:43:40 | 0:43:43 | |
I had a letter from the postal inspector warning me | 0:43:44 | 0:43:46 | |
about sending some of my pictures through the mail. | 0:43:46 | 0:43:49 | |
What do you know about getting around that? | 0:43:49 | 0:43:51 | |
The only court ruling that I know of on that issue | 0:43:51 | 0:43:54 | |
is the case of this fellow, Al Urban. The post office tried to prevent him | 0:43:54 | 0:43:58 | |
from sending photos of nude men through the mail. | 0:43:58 | 0:44:00 | |
They got the Civil Liberties Union involved. | 0:44:00 | 0:44:03 | |
The Chicago court ruled that the materials | 0:44:03 | 0:44:05 | |
-were not obscene. -We don't even have nudes. | 0:44:05 | 0:44:07 | |
He had to be careful he was only sending stuff to adults. | 0:44:07 | 0:44:10 | |
Tell me, what do you think of all this tying-up business? | 0:44:10 | 0:44:14 | |
You seem to have a knack for posing. | 0:44:14 | 0:44:16 | |
And I'm always on the lookout for comely wenches | 0:44:16 | 0:44:19 | |
who don't mind a bit of the old rope and gag. | 0:44:19 | 0:44:21 | |
Well, it certainly was different. | 0:44:21 | 0:44:24 | |
I liked what you did with that riding crop. | 0:44:24 | 0:44:27 | |
It's a treat to see a girl with so much spirit. | 0:44:27 | 0:44:30 | |
Oh, I enjoy acting very much. | 0:44:30 | 0:44:33 | |
I've been taking lessons. | 0:44:33 | 0:44:36 | |
Oh... we shall have to put you in a little film or something, shan't we? | 0:44:36 | 0:44:41 | |
Little John, old cock, what say we give this charming creature a role | 0:44:41 | 0:44:46 | |
in "Sally's Punishment"? | 0:44:46 | 0:44:47 | |
I bet she's a dab hand with the cords. | 0:44:47 | 0:44:51 | |
MUSIC: "It's A Good Day" by Peggy Lee | 0:44:51 | 0:44:54 | |
Could you stop there, please? | 0:47:17 | 0:47:20 | |
These films include bondage, spanking and flagellation, | 0:47:20 | 0:47:23 | |
all illegal to send through the U.S. Mails. | 0:47:23 | 0:47:26 | |
I will need you to sign a stipulation | 0:47:26 | 0:47:28 | |
stating that you will agree not to sell any films, photographs or drawings depicting these acts. | 0:47:28 | 0:47:33 | |
Sir, if I may. My client sells | 0:47:33 | 0:47:36 | |
a number of photographs of stills from Hollywood films. | 0:47:36 | 0:47:40 | |
Take one, for example, from "Tarzan And The Slave Girl". | 0:47:40 | 0:47:44 | |
A scantily clad actress is tied up. | 0:47:44 | 0:47:47 | |
Lash marks are visible on her back. | 0:47:47 | 0:47:50 | |
Now, this film passed the National Board of Review. | 0:47:50 | 0:47:54 | |
-What is your point, Mr Gangel? -Well, certainly, you can't intend for my client to stop selling | 0:47:54 | 0:47:59 | |
these Hollywood film stills, Inspector. | 0:47:59 | 0:48:01 | |
Those images represent a minute part of a feature-length film | 0:48:01 | 0:48:05 | |
intended as harmless entertainment. | 0:48:05 | 0:48:07 | |
Mr Klaw's films and photographs are created | 0:48:07 | 0:48:09 | |
with the deliberate intention of inciting lust | 0:48:09 | 0:48:13 | |
and lascivious thoughts, and should therefore be barred | 0:48:13 | 0:48:16 | |
from being sent through the mails. | 0:48:16 | 0:48:18 | |
If you do not cease and desist, this will become a matter for the courts. | 0:48:18 | 0:48:22 | |
Hi, girls. That looks very artistic. | 0:48:41 | 0:48:46 | |
-What's it called? -Bettie's Clown Dance. -Very nice. -How'd it go? | 0:48:46 | 0:48:51 | |
-Not good. -You look terrible. | 0:48:51 | 0:48:53 | |
-Is it your heart? Did you get the fluttering again? -Ah, no, I'm fine. | 0:48:53 | 0:48:57 | |
Bettie, that's all for today. | 0:48:57 | 0:48:58 | |
Listen, Bettie, I hope you don't mind... | 0:48:58 | 0:49:01 | |
we need to take a little break from production, maybe a couple of weeks. | 0:49:01 | 0:49:04 | |
-Sure. -Take off. Take a vacation. | 0:49:04 | 0:49:06 | |
You know where I'd go if I could ever get away from here? | 0:49:06 | 0:49:09 | |
-Where would you go? -Miami Beach. | 0:49:09 | 0:49:14 | |
That's where I'm gonna go if I ever get to retire. | 0:49:14 | 0:49:17 | |
Sit in the sand and watch the waves. | 0:49:17 | 0:49:21 | |
Sun and fun, Bettie. | 0:49:21 | 0:49:23 | |
Dear Goldie, guess what? | 0:49:28 | 0:49:31 | |
I decided to take a vacation. | 0:49:31 | 0:49:33 | |
I've been spending loads of time on the beach. | 0:49:33 | 0:49:35 | |
The water is so clear and so blue. | 0:49:35 | 0:49:38 | |
Now I've been working, too. | 0:49:42 | 0:49:44 | |
A friend gave me an introduction to a photographer | 0:49:44 | 0:49:47 | |
who takes beautiful artistic pictures. | 0:49:47 | 0:49:50 | |
I hear she's one of the top glamour photographers working today. | 0:49:50 | 0:49:54 | |
Her name is Miss Bunny Yeager. | 0:49:54 | 0:49:58 | |
-Miss Yeager? -You must be Bettie. | 0:49:58 | 0:50:01 | |
Please step this way. | 0:50:01 | 0:50:02 | |
Would you like some water? | 0:50:05 | 0:50:07 | |
Yes, I would. Thank you. | 0:50:07 | 0:50:09 | |
-Is this you? -Yes. That was taken in Hawaii. | 0:50:12 | 0:50:16 | |
I was a model, too. You brought some clothes with you. | 0:50:16 | 0:50:20 | |
I made this. | 0:50:23 | 0:50:25 | |
Is this what you normally pose in? | 0:50:34 | 0:50:37 | |
Yes. What do you think? | 0:50:37 | 0:50:39 | |
Well, maybe the bathing suit and the stockings. Not the corset. | 0:50:39 | 0:50:43 | |
I believe the female form can stand on its own. | 0:50:43 | 0:50:46 | |
In fact, I'd like to see you in the light. | 0:50:46 | 0:50:49 | |
Do you mind standing over here by the window? | 0:50:49 | 0:50:51 | |
And what brings you to Miami, Bettie? | 0:50:56 | 0:50:58 | |
I don't know. | 0:50:58 | 0:51:00 | |
-Well, I love the sunshine, love the ocean. -Well, that's perfect. | 0:51:00 | 0:51:04 | |
I do some of my best work outdoors. | 0:51:04 | 0:51:07 | |
Yes, she's been shot by just about every | 0:51:10 | 0:51:12 | |
photographer in the country, but I think I caught something special | 0:51:12 | 0:51:16 | |
in her personality when I photographed Bettie Page. | 0:51:16 | 0:51:19 | |
The first thing I noticed was that for some reason, when she's nude, | 0:51:19 | 0:51:23 | |
she doesn't seem naked. | 0:51:23 | 0:51:24 | |
Maybe it's just her all-over coppery tan, or maybe just her attitude. | 0:51:24 | 0:51:29 | |
Whatever it is, it conveyed to me | 0:51:29 | 0:51:31 | |
that here is a true nudist. | 0:51:31 | 0:51:33 | |
Bettie's attitude towards her lovely healthy body | 0:51:33 | 0:51:36 | |
is the essence of nudism. | 0:51:36 | 0:51:38 | |
Dear Goldie, yes, they made a postcard of yours truly! | 0:51:43 | 0:51:46 | |
A bunch of them, in fact. | 0:51:46 | 0:51:49 | |
I had a wonderful time at the beach here, and made some money, too. | 0:51:49 | 0:51:53 | |
Wish you could have been here with me. | 0:51:53 | 0:51:54 | |
Hope to see you at Christmas. | 0:51:54 | 0:51:56 | |
I can't wait to walk through those old piney woods again. | 0:51:56 | 0:51:59 | |
Love, Bettie. | 0:51:59 | 0:52:02 | |
What are you bringing us for Christmas, bricks? | 0:52:05 | 0:52:09 | |
Hope you got something good for me. | 0:52:09 | 0:52:11 | |
You won't be getting a thing if you don't stop bellyaching. | 0:52:11 | 0:52:15 | |
And thank you for giving us this food when others are in want. | 0:52:15 | 0:52:18 | |
And thank you, Lord, for the blessing of family. | 0:52:18 | 0:52:20 | |
Please shine your precious light on our son, Jimmy, who's in mobile and can't be with us today. | 0:52:20 | 0:52:25 | |
And on this day of celebration, let us say a prayer for Roy Page. | 0:52:25 | 0:52:29 | |
And, Lord, help us to forgive him for abandoning his wife and family. | 0:52:29 | 0:52:33 | |
For what we are about to receive, may the Lord make us truly thankful. | 0:52:33 | 0:52:36 | |
-Amen. -Amen. | 0:52:36 | 0:52:39 | |
Jack, don't take all the mashed potatoes. | 0:52:39 | 0:52:42 | |
Save some for the rest of us. | 0:52:42 | 0:52:44 | |
So have you met Marilyn Monroe yet? | 0:52:44 | 0:52:47 | |
-No, Jack. -She lives in Hollywood. I'm in New York. | 0:52:47 | 0:52:50 | |
A man from The Tennessean called. Says he wants to interview you. | 0:52:50 | 0:52:53 | |
-He did? -Says you were voted Pin-Up Queen of the Universe. | 0:52:53 | 0:52:57 | |
-Oh, my! -How long are you gonna make a living doing that? | 0:52:57 | 0:53:00 | |
Uh, you know, Mama, I'll get by. | 0:53:00 | 0:53:04 | |
All that teacher training. | 0:53:04 | 0:53:05 | |
It just seems a shame to waste an education. | 0:53:05 | 0:53:09 | |
You know I hated teaching. | 0:53:10 | 0:53:12 | |
I wish Mama would just let that be. | 0:53:12 | 0:53:14 | |
-Has Mama said anything to you about my modelling? -Not a word. | 0:53:14 | 0:53:17 | |
But a few weeks ago, I was rooting around in her closet. | 0:53:17 | 0:53:20 | |
Suddenly, I came across a whole stack of magazines with you in them. | 0:53:20 | 0:53:24 | |
-Not the nudist ones. -Of course not. | 0:53:24 | 0:53:26 | |
Just the glamour stuff. | 0:53:26 | 0:53:28 | |
You still look good in a swimsuit. | 0:53:28 | 0:53:29 | |
Oh, I never was as pretty as you. | 0:53:29 | 0:53:32 | |
Madam, as I live and hope for salvation... | 0:53:37 | 0:53:41 | |
-Ha! -Aye, I am as like to be saved as thou | 0:53:41 | 0:53:44 | |
that believes naught save some black magic of words and verses. | 0:53:44 | 0:53:49 | |
Oh, madam, if you would know what misery is, | 0:53:49 | 0:53:51 | |
listen to this man who is more than man and less at the same time. | 0:53:51 | 0:53:55 | |
He will tie you down to anatomize your very soul, he will wring tears of blood from your humiliation, and | 0:53:55 | 0:54:02 | |
then he will heal the wound with flatteries no woman can resist. | 0:54:02 | 0:54:07 | |
Madam, she is jealous, and heaven help me, | 0:54:07 | 0:54:10 | |
not without reason, for how can I be content with this black-haired, black-eyed, blackavised devil | 0:54:10 | 0:54:17 | |
now that I have looked upon real beauty and real majesty? | 0:54:17 | 0:54:21 | |
Oh, he is compact of lies and scorns. | 0:54:21 | 0:54:24 | |
I'm tired of being tossed up to heaven | 0:54:24 | 0:54:26 | |
and dragged down to hell with every whim that takes him. | 0:54:26 | 0:54:29 | |
I am, of all ladies, most deject | 0:54:29 | 0:54:32 | |
and wretched. | 0:54:32 | 0:54:34 | |
We know from Stanislavski | 0:54:34 | 0:54:37 | |
that there can be no true art without living. | 0:54:37 | 0:54:40 | |
To reproduce feelings, you must be able to identify them out of your own experience. | 0:54:40 | 0:54:47 | |
Now, Bettie, would you tell the class what you did | 0:54:47 | 0:54:51 | |
to find the truth in the lady in waiting's emotions? | 0:54:51 | 0:54:56 | |
Well, I tried to think of something that would make me | 0:54:56 | 0:54:58 | |
really scared. | 0:54:58 | 0:55:00 | |
And what was that, Bettie? | 0:55:00 | 0:55:02 | |
I thought of what Jesus might do to me for all my sins. | 0:55:02 | 0:55:06 | |
Marvellous. | 0:55:08 | 0:55:09 | |
Are you sure? | 0:55:48 | 0:55:50 | |
OK, I'll get back to you. | 0:55:50 | 0:55:51 | |
This is quite an elegant knot, really. The more the subject pulls, the tighter the knot becomes. | 0:55:56 | 0:56:01 | |
-What did the lawyer say? -Not good. It's not good. Can I have a word with you in the office? | 0:56:01 | 0:56:06 | |
Of course. Carry on. You're off the clock at nine. | 0:56:06 | 0:56:09 | |
Mmmm. | 0:56:15 | 0:56:17 | |
# My gal's the queen of all the acrobats | 0:56:20 | 0:56:25 | |
# The see her perform would give you the ruddy shits | 0:56:25 | 0:56:29 | |
# She could shoot green peas right out of her dirty arsehole | 0:56:29 | 0:56:33 | |
# Turn a double somersault and catch them on her tits | 0:56:33 | 0:56:36 | |
# She can run, jump, fight, fuck, roll a hoop, a porsche truck | 0:56:36 | 0:56:41 | |
-# And that's the kind of great big... # -SHE PROTESTS | 0:56:41 | 0:56:45 | |
What's the matter, Bettie? | 0:56:45 | 0:56:46 | |
-Watch your language, Mr Willie. -Oh, it's just an old army ditty. | 0:56:50 | 0:56:54 | |
It helped keep our spirits up while we were fighting the beastly Hun. | 0:56:54 | 0:56:58 | |
Don't you approve? | 0:56:58 | 0:57:00 | |
I believe in Jesus. | 0:57:00 | 0:57:02 | |
But of course you do, my dear. | 0:57:02 | 0:57:05 | |
Of course you do. | 0:57:10 | 0:57:11 | |
Do you mind if I ask you a question, Bettie? | 0:57:28 | 0:57:31 | |
What do you think Jesus would say about what you're doing now? | 0:57:40 | 0:57:44 | |
Well, Mr Willie... | 0:57:46 | 0:57:48 | |
I've thought about this quite a bit. | 0:57:50 | 0:57:52 | |
I'm not really sure any more. | 0:57:53 | 0:57:55 | |
I think God has given each of us | 0:57:57 | 0:58:00 | |
some kind of talent and he wants us to use it. | 0:58:00 | 0:58:03 | |
That's why he gave it to us. | 0:58:03 | 0:58:04 | |
Mr Willie, would you mind untying my hands? | 0:58:06 | 0:58:10 | |
-It's hard for me to think like this. -Certainly. | 0:58:10 | 0:58:13 | |
God gave me the talent to pose for pictures, | 0:58:13 | 0:58:17 | |
and it seems to make people happy. | 0:58:17 | 0:58:20 | |
-Well, that can't be a bad thing, can it? -Not to me, it's not. | 0:58:20 | 0:58:25 | |
But what does God think? | 0:58:25 | 0:58:27 | |
Well, I can't say for certain. | 0:58:27 | 0:58:29 | |
I can't speak for him. | 0:58:29 | 0:58:32 | |
I do worry sometimes | 0:58:32 | 0:58:34 | |
-about some of the things. that I've done. -What things? | 0:58:34 | 0:58:38 | |
I posed naked for photographs. | 0:58:42 | 0:58:46 | |
Have you, my dear? | 0:58:47 | 0:58:49 | |
You naughty girl. | 0:58:51 | 0:58:54 | |
But is that really bad? Adam and Eve were naked in the Garden of Eden. | 0:58:54 | 0:58:59 | |
So they were. | 0:58:59 | 0:59:00 | |
Oh, I don't know what God thinks about all this. | 0:59:02 | 0:59:05 | |
I hope that if he's unhappy | 0:59:05 | 0:59:07 | |
with what I'm doing, | 0:59:07 | 0:59:10 | |
he'll let me know somehow. | 0:59:10 | 0:59:12 | |
I'm sure he will, my dear. | 0:59:12 | 0:59:14 | |
I'm sure he will. | 0:59:14 | 0:59:16 | |
Did you love it? | 0:59:27 | 0:59:30 | |
Bettie, you love of my life! | 0:59:30 | 0:59:32 | |
-Oh, come on in. What's your poison? Whiskey? -Orange juice, please. | 0:59:33 | 0:59:37 | |
Oh, Bettie, you will kill me. You're such a square. Hey, would you do me a favour and grab those? | 0:59:37 | 0:59:42 | |
There's somebody you gotta meet. He'll murder me if I don't introduce you. | 0:59:42 | 0:59:46 | |
Did anyone ever tell you you look like Montgomery Clift? | 0:59:49 | 0:59:52 | |
No. | 0:59:52 | 0:59:54 | |
Howie, Howie. | 0:59:54 | 0:59:55 | |
-I'd like you to meet Bettie Page. -Hi. -Howie Lippman. Pleasure. | 0:59:55 | 0:59:59 | |
Listen, I've got this sensational new nightclub opening next week. | 0:59:59 | 1:00:02 | |
We've got a full orchestra, a floor show, comedians, a juggling act... | 1:00:02 | 1:00:07 | |
I'd love it if you and your friends would come and see us. | 1:00:07 | 1:00:10 | |
Did you see that girl? | 1:00:10 | 1:00:11 | |
-The black-haired job over there? That's Bettie Page. -No, really? | 1:00:11 | 1:00:14 | |
That's her? She looks different with her clothes on. | 1:00:14 | 1:00:19 | |
There will be a lot of press. You could be in Winchell's column, and "Hello, career,". | 1:00:19 | 1:00:23 | |
-You're Bettie Page, aren't you? -Yes, I am. | 1:00:23 | 1:00:25 | |
I'm really sorry to bother you, I heard you might be here. | 1:00:25 | 1:00:30 | |
Um... I have a lot of your pictures. | 1:00:30 | 1:00:33 | |
-If you don't mind, do you think you could sign this for me? -Sure. | 1:00:33 | 1:00:36 | |
And could you tell me something? | 1:00:36 | 1:00:39 | |
Does it just make you sick to see guys like me grovel like this? | 1:00:39 | 1:00:42 | |
Oh, no, it's fine. | 1:00:42 | 1:00:44 | |
-It's flattering. -Don't you just wanna crush us, humiliate us, punish us? | 1:00:44 | 1:00:51 | |
No, sir. I'm sure you're a very nice person. | 1:00:51 | 1:00:54 | |
Hey, there you are, doughnut. | 1:00:54 | 1:00:56 | |
-Hello, there. Here you go. -Thanks. -Hey, are you signing autographs? | 1:00:56 | 1:01:00 | |
-Can I see? -Thank you. | 1:01:00 | 1:01:03 | |
Hmm... | 1:01:05 | 1:01:07 | |
Long black stockings, hmm. | 1:01:07 | 1:01:10 | |
"200 excellent poses, bound and gagged"? | 1:01:14 | 1:01:19 | |
"Rubber masks"? Bettie, what is this? | 1:01:19 | 1:01:22 | |
Oh, it's just some silly photographs I did for Irving and Paula. | 1:01:22 | 1:01:26 | |
Bettie, I... I don't think you understand what this is. | 1:01:26 | 1:01:31 | |
It's just... weird. | 1:01:31 | 1:01:34 | |
It's just costumes, Marvin. | 1:01:34 | 1:01:36 | |
We're just dressing up. There's no harm in it. | 1:01:36 | 1:01:38 | |
Bettie, doctors write books about this sort of thing. It's... | 1:01:38 | 1:01:43 | |
it's abnormal. | 1:01:43 | 1:01:45 | |
For goodness sake, Marvin, I'm not nude. | 1:01:45 | 1:01:47 | |
Bettie, Do you understand what kind of man buys these pictures? | 1:01:47 | 1:01:52 | |
They're for special customers who like these kinds of costumes... | 1:01:52 | 1:01:55 | |
high-quality people. I met one of them. He's a lawyer. | 1:01:55 | 1:01:58 | |
He's very nice. Wouldn't hurt a fly. | 1:01:58 | 1:02:01 | |
These people you work for... | 1:02:01 | 1:02:03 | |
is this what they ask you to do? | 1:02:03 | 1:02:05 | |
Who are these people?! | 1:02:06 | 1:02:08 | |
They're very nice people, Marvin. | 1:02:08 | 1:02:10 | |
Look... this thing in your mouth, what is this? | 1:02:10 | 1:02:15 | |
It's just a prop, Marvin. | 1:02:15 | 1:02:16 | |
It's just silliness. We're laughing all the time when we're doing it. | 1:02:16 | 1:02:20 | |
Bettie, it... | 1:02:20 | 1:02:21 | |
it's disgusting. | 1:02:22 | 1:02:24 | |
I'm gonna go get some air. | 1:02:31 | 1:02:34 | |
-Hi. -Hi. -Will you take a picture of me? | 1:03:18 | 1:03:22 | |
-Yeah. -It's silly. People take pictures of me all the time, but I don't know how to take one of myself. | 1:03:22 | 1:03:27 | |
-Shall I just stand right here? -Yeah. | 1:03:29 | 1:03:31 | |
-You just press the little button there. -OK. | 1:03:33 | 1:03:36 | |
Here's your camera, Miss. | 1:03:43 | 1:03:45 | |
Where are you going after the beach? | 1:03:50 | 1:03:52 | |
Home. | 1:03:52 | 1:03:53 | |
Would you like to go out with me? | 1:03:53 | 1:03:56 | |
Uh-huh. | 1:03:56 | 1:03:58 | |
-I'm Bettie. -Hi. | 1:03:58 | 1:03:59 | |
I am Armand. | 1:03:59 | 1:04:03 | |
-Oh... it's nice to meet you, Armand. -Nice to meet you too. | 1:04:03 | 1:04:06 | |
Don't think for a minute that the jungle abounds with cuties like this. | 1:04:38 | 1:04:42 | |
That pretty hairdo and that naughty little leopard skin are products of a complex civilization. | 1:04:42 | 1:04:48 | |
Of course, what lies underneath is both civilized and primitive... | 1:04:48 | 1:04:52 | |
depending on her mood. | 1:04:52 | 1:04:54 | |
I'm gonna send these pictures to a new magazine. It's called "Playboy." Do you know of it? | 1:04:59 | 1:05:03 | |
No, ma'am, I don't think I do. | 1:05:03 | 1:05:04 | |
It's new... very tasteful magazine, printed on beautiful paper. It's very classy. | 1:05:04 | 1:05:09 | |
Look towards me, please. Like this? | 1:05:09 | 1:05:10 | |
Perfect. Now, Bettie, the magazine wants to know how old you are. | 1:05:10 | 1:05:14 | |
-I'm 32. -Oh | 1:05:14 | 1:05:17 | |
I never would have guessed. I don't think you should tell them that, though. | 1:05:17 | 1:05:20 | |
No magazine wants a model who's over 25. | 1:05:20 | 1:05:23 | |
Smile, Bettie. | 1:05:24 | 1:05:26 | |
OK, I need you to lift your knee up. I'm seeing a little bit too much. | 1:05:27 | 1:05:31 | |
You know what's funny? Irving Klaw would never let me pose with my top off. | 1:05:32 | 1:05:36 | |
-Irving Klaw? -Yeah, you know him? | 1:05:36 | 1:05:38 | |
No. I think I heard his name on TV last night, though. | 1:05:38 | 1:05:41 | |
Some government investigation. | 1:05:41 | 1:05:43 | |
-Irving on television? -Yeah, I think he's in a little bit of trouble. | 1:05:43 | 1:05:46 | |
-What kind of trouble? -I'm sure it's nothing. | 1:05:46 | 1:05:48 | |
It's probably just some senators blowing a lot of hot air. | 1:05:48 | 1:05:51 | |
Eyes to the camera, please. | 1:05:51 | 1:05:53 | |
How about a wink? | 1:05:53 | 1:05:55 | |
We shall show by these hearings that a large portion of the market for this material | 1:06:03 | 1:06:08 | |
is with inquisitive and impressionable teenagers. | 1:06:08 | 1:06:11 | |
There is a peculiar resemblance to narcotics addiction | 1:06:11 | 1:06:15 | |
in exposure of juveniles to pornography, but there is one difference, however... | 1:06:15 | 1:06:21 | |
the injection of heroin into the veins of an addict stops with the addict, | 1:06:21 | 1:06:25 | |
but the contaminative effects of pornography in the hands of just one minor are incapable of measuring. | 1:06:25 | 1:06:32 | |
Irving says they can't shoot any more until they sort this out. | 1:06:37 | 1:06:42 | |
Yeah. Maybe it's time I stopped modelling and worked hard at my acting. | 1:06:42 | 1:06:47 | |
People are getting tired of taking pictures of me anyhow. | 1:06:47 | 1:06:50 | |
Never. What are you gonna do? | 1:06:50 | 1:06:55 | |
-I got a plan. -You do? | 1:06:55 | 1:06:57 | |
You know Frank and Charlie from the camera club? | 1:06:57 | 1:07:00 | |
-Yeah. -A couple of months ago, they asked to borrow my apartment for a private session. | 1:07:00 | 1:07:04 | |
So I said, "What's in it for me?". | 1:07:04 | 1:07:06 | |
So they paid me a little something, and then it became a regular thing every Thursday. | 1:07:06 | 1:07:10 | |
-Then another couple of guys asked, and I thought, "Why not go into business for myself?" -How? | 1:07:10 | 1:07:17 | |
Well, I got myself a white fur rug. | 1:07:17 | 1:07:20 | |
-Nice. -Well, not real fur, but good enough for pictures. | 1:07:20 | 1:07:23 | |
And a couple of pillars. That's on one side. | 1:07:23 | 1:07:26 | |
And on another wall, I'm gonna get a mural painted of an Italian lake | 1:07:26 | 1:07:30 | |
and maybe a fake fireplace on another wall, so I can shoot three sides. | 1:07:30 | 1:07:34 | |
and get the most out of the space. | 1:07:34 | 1:07:36 | |
Do you think Paula will be upset? | 1:07:39 | 1:07:42 | |
-Maybe. It's competition. -Mmm... | 1:07:42 | 1:07:45 | |
But you got to look after yourself in this world. | 1:07:45 | 1:07:48 | |
And you can't be a model forever. | 1:07:48 | 1:07:50 | |
I was reading the theatre section. of the goddamned "New York Times" | 1:07:54 | 1:07:58 | |
and a drawing of this guy, Petruchio, swinging a whip in "The Taming of the Shrew"... | 1:07:58 | 1:08:01 | |
a play by Shakespeare... | 1:08:01 | 1:08:03 | |
-is all over the first page. Nobody cares. -They're all hypocrites. | 1:08:03 | 1:08:06 | |
Then, I see this illustration in the "New York Times Magazine" of "Kiss Me Kate," a Broadway musical. | 1:08:06 | 1:08:11 | |
What does it show? Spanking! | 1:08:11 | 1:08:12 | |
They wanna shut me down for distributing images almost identical to these. | 1:08:14 | 1:08:18 | |
Shh. Don't say too much. Remember what the lawyer said. | 1:08:18 | 1:08:21 | |
I'm beginning to get a persecution fear complex. | 1:08:25 | 1:08:29 | |
You are Mr Klaw? | 1:08:32 | 1:08:34 | |
-Yes. -Mr Klaw, were you... | 1:08:34 | 1:08:37 | |
Sir, in accordance with your suggestion, we don't want any pictures. | 1:08:40 | 1:08:45 | |
Thank you very much. We appreciate your cooperation. | 1:08:47 | 1:08:51 | |
Uh, Mr.. Klaw, were you requested to bring any books or records? | 1:08:51 | 1:08:55 | |
-Yes. -Do you have them, sir? | 1:08:55 | 1:08:58 | |
I decline to make them available under the 5th amendment of the constitution, | 1:08:59 | 1:09:03 | |
that they may tend to degrade or incriminate me | 1:09:03 | 1:09:06 | |
and under the 4th amendment of the constitution that the subpoena is vague and illegal. | 1:09:06 | 1:09:11 | |
Do you wish to make any statement as to why you think producing any books or records called for here | 1:09:11 | 1:09:17 | |
might tend to incriminate you? | 1:09:17 | 1:09:19 | |
I decline to answer under the 5th amendment of the constitution, | 1:09:21 | 1:09:25 | |
that an answer may tend to incriminate me. | 1:09:25 | 1:09:27 | |
Dr. Henry, I direct your attention to a booklet entitled "Cartoon and Model Parade," | 1:09:34 | 1:09:40 | |
published by Irving Klaw of 212 east 14th street. | 1:09:40 | 1:09:43 | |
I specifically call your attention to the movie "Negligee Fight." | 1:09:43 | 1:09:47 | |
The heading reads that this 16mm movie shows the terrific battle that ensues | 1:09:47 | 1:09:54 | |
when both girls claim a black negligee. | 1:09:54 | 1:09:56 | |
Is this the masochistic type of perversion to which we just referred? | 1:09:56 | 1:10:01 | |
-It is. -Is there a sexual deviation known as "bondage," where a person is trussed up with rope and chains? | 1:10:01 | 1:10:08 | |
Yes. | 1:10:08 | 1:10:10 | |
That is fairly common. | 1:10:10 | 1:10:12 | |
You say that... that bondage is fairly common? | 1:10:12 | 1:10:15 | |
Fairly common in this particular group... | 1:10:15 | 1:10:17 | |
that is, the group of sexual deviants. | 1:10:17 | 1:10:19 | |
Tell us more about that... uh... bondage being fairly common. | 1:10:19 | 1:10:24 | |
Among those that are familiar with this variety of sexual deviation, | 1:10:24 | 1:10:28 | |
it is a matter of common knowledge to them. | 1:10:28 | 1:10:30 | |
-You mean they like to see someone who is bound up... -Yes, they do. | 1:10:30 | 1:10:34 | |
-Pictures of them? -Some of them do. | 1:10:34 | 1:10:38 | |
Now I direct your attention to a series of photographs called "New Specially Posed." | 1:10:38 | 1:10:41 | |
"Bettie can only feel fear as she is unable to see her captors. | 1:10:41 | 1:10:47 | |
"Now that the pole was bound to her body, Bettie had to crawl on all fours like an animal. | 1:10:47 | 1:10:55 | |
"The floor made Bettie's knees red and sore. | 1:10:55 | 1:10:59 | |
"The unwieldy steel brank kept slipping back and forth, irritating the tender flesh at Bettie's neck, | 1:10:59 | 1:11:05 | |
"thus making the cold steel an added menace. | 1:11:05 | 1:11:08 | |
It was most exhausting, but Bettie's strength and endurance were equal to the task." | 1:11:08 | 1:11:14 | |
Doctor, could I ask you... could... could... | 1:11:15 | 1:11:18 | |
could children be sexually perverted by looking at photos of this nature? | 1:11:18 | 1:11:22 | |
Yes. | 1:11:22 | 1:11:24 | |
Would you say it is a fair statement that suicide, murder and psychosis is the result of this type of trash? | 1:11:24 | 1:11:30 | |
In some instances, yes. | 1:11:30 | 1:11:33 | |
Mr Grimm, I want say as Chairman of this Subcommittee... | 1:11:37 | 1:11:41 | |
I know the embarrassment and the distaste you have in coming here | 1:11:41 | 1:11:46 | |
to talk about the tragic happening to your son on August 20th of last year. | 1:11:46 | 1:11:50 | |
We appreciate your cooperation. | 1:11:50 | 1:11:52 | |
Mr Gaughan, you may proceed. | 1:11:52 | 1:11:54 | |
Can you, Mr Grimm, tell the subcommittee how it was that your boy met his sudden end | 1:11:54 | 1:12:00 | |
on the evening of August 20th? Now, I realize it is an unsolved murder, but tell us what you know. | 1:12:00 | 1:12:06 | |
He'd worked all day for me, come home dirty and tired in his work clothes. | 1:12:06 | 1:12:11 | |
He was away all evening, which was unusual. | 1:12:13 | 1:12:15 | |
He never left the house without telling us. | 1:12:15 | 1:12:17 | |
I found him the next morning in a very... | 1:12:20 | 1:12:23 | |
grotesque, weird situation that I've never been able to cope with or understand yet. | 1:12:23 | 1:12:28 | |
He was, um... | 1:12:31 | 1:12:33 | |
trussed up in a very unnatural position. | 1:12:34 | 1:12:38 | |
Looked like it had been planned in some way. | 1:12:39 | 1:12:42 | |
He wasn't hung like most people hang themselves by the neck from a rope. | 1:12:43 | 1:12:48 | |
And the fact that he didn't have any clothes on... he was a modest boy... | 1:12:48 | 1:12:53 | |
led me immediately to believe that there was some sex angle to it. | 1:12:53 | 1:12:56 | |
Mr Grimm, do you recognize, sir, that booklet, entitled "Cartoon and Model Parade," | 1:12:56 | 1:13:01 | |
published by Irving Klaw the Pin-up King? | 1:13:01 | 1:13:06 | |
Yes. | 1:13:06 | 1:13:08 | |
Would you tell the Subcommittee how you first came across a copy of this book? | 1:13:08 | 1:13:11 | |
Through a mutual friend who was interested in the case. | 1:13:12 | 1:13:16 | |
I found very similar pictures of tying people up in this book. | 1:13:16 | 1:13:19 | |
that reminded me of my son's case. | 1:13:19 | 1:13:22 | |
I've never come across anything like that before. | 1:13:22 | 1:13:25 | |
I was looking for a clue. | 1:13:25 | 1:13:27 | |
Sir, let me direct your attention specifically to page four. | 1:13:27 | 1:13:30 | |
That picture illustrates a model named Bettie Page. | 1:13:30 | 1:13:34 | |
Does that accurately reflect how your boy was found? | 1:13:34 | 1:13:37 | |
It's more or less the same... | 1:13:37 | 1:13:38 | |
a very similar position. | 1:13:38 | 1:13:40 | |
I haven't had the police into it. They let the case rest. | 1:13:40 | 1:13:43 | |
They said it was some sort of accident due to some impulse on the part of the boy. | 1:13:43 | 1:13:47 | |
I-I don't care what the police think. | 1:13:47 | 1:13:49 | |
The way he was tied... it wasn't anything any youngster like him with his character could concoct himself. | 1:13:49 | 1:13:55 | |
There wasn't any history of that, no similar action on his part. | 1:13:55 | 1:13:59 | |
He led an outdoor life. | 1:13:59 | 1:14:01 | |
He was active in the boy scouts from the time he was a little bit of a fellow. | 1:14:01 | 1:14:05 | |
He had only been home for two days from boys' camp in Tennessee when... | 1:14:07 | 1:14:11 | |
when I found him. | 1:14:14 | 1:14:15 | |
I feel he could not have put himself into this position of his own making. | 1:14:15 | 1:14:21 | |
It... it had to be brought to his attention. | 1:14:21 | 1:14:23 | |
Either by someone else showing him how or he saw a picture of it. | 1:14:23 | 1:14:27 | |
I do feel there is a definite connection between this sort of thing and his death. | 1:14:27 | 1:14:31 | |
And I also feel there is a definite evil to this, | 1:14:31 | 1:14:34 | |
and I'm bound and determined to do what I can to suppress it. | 1:14:34 | 1:14:37 | |
This is not a healthy situation! | 1:14:38 | 1:14:41 | |
It's not wholesome. | 1:14:41 | 1:14:43 | |
There's nothing cultural about it. | 1:14:43 | 1:14:44 | |
It's just no damn good! | 1:14:44 | 1:14:46 | |
And that's all I got to say about it. | 1:14:50 | 1:14:52 | |
Miss Page? | 1:15:02 | 1:15:04 | |
-Yes, sir? -Your testimony is no longer necessary. | 1:15:04 | 1:15:08 | |
You can go now. | 1:15:08 | 1:15:09 | |
What do you mean? | 1:15:09 | 1:15:10 | |
I've been sitting here for 12 hours. | 1:15:10 | 1:15:12 | |
Why is it no longer necessary? | 1:15:12 | 1:15:14 | |
They didn't give an explanation, ma'am. | 1:15:14 | 1:15:17 | |
Do I have to come back tomorrow? | 1:15:18 | 1:15:20 | |
No, ma'am. They said they won't need you any more. | 1:15:20 | 1:15:23 | |
You can go. | 1:15:23 | 1:15:24 | |
Our girls had fun doing this. | 1:15:48 | 1:15:51 | |
A fetish? Do you got a fetish? I don't got a fetish. | 1:15:51 | 1:15:53 | |
All we were interested in was and making money. | 1:15:53 | 1:15:56 | |
We gotta burn them... burn up those negatives and they'll get off our backs. | 1:15:56 | 1:16:00 | |
Are you crazy? After all that work? Years and years of work. | 1:16:00 | 1:16:03 | |
I've had it. | 1:16:03 | 1:16:05 | |
Come on, there's no point any more. | 1:16:05 | 1:16:07 | |
The lawyers, the money... | 1:16:07 | 1:16:09 | |
I'm gonna get out of here and retire to Florida, sit in the sun and enjoy life. | 1:16:09 | 1:16:13 | |
All this stuff's wearing me out. | 1:16:13 | 1:16:16 | |
You needn't try to comfort me. | 1:16:16 | 1:16:18 | |
I haven't come here on any but equal terms. | 1:16:18 | 1:16:21 | |
You said, "Let's talk truthfully." | 1:16:21 | 1:16:23 | |
Well, let's do. Unsparingly, truthfully, even shamelessly then. | 1:16:23 | 1:16:28 | |
It's no longer a secret that I love you. It never was. | 1:16:28 | 1:16:31 | |
I loved you as long ago as the time I asked you to read the stone angel's name with your fingers. | 1:16:31 | 1:16:36 | |
Yes, I remember the long afternoons of our childhood, when I had to stay indoors to practice my music. | 1:16:36 | 1:16:42 | |
and I heard the playmates calling you... "Johnny! Johnny!" | 1:16:42 | 1:16:48 | |
Not bad. Not bad at all. Thanks for coming in. | 1:16:48 | 1:16:52 | |
It's quite a treat to meet the notorious Bettie Page. | 1:16:54 | 1:16:58 | |
Send the next one in. | 1:17:03 | 1:17:05 | |
Let's get out of here, make a fresh start. | 1:17:25 | 1:17:28 | |
Look at what this life is doing to you. | 1:17:28 | 1:17:31 | |
Hey, Bettie. | 1:17:38 | 1:17:40 | |
Bettie! Bettie? Bettie? | 1:17:40 | 1:17:47 | |
Bettie. | 1:17:47 | 1:17:48 | |
Sweetheart, do you want something to eat? | 1:18:18 | 1:18:21 | |
PEOPLE SINGING HYMNS | 1:19:16 | 1:19:19 | |
Oh, my God... | 1:19:46 | 1:19:49 | |
tonight, I know that first things come first. | 1:19:49 | 1:19:52 | |
And the most important thing of all. | 1:19:52 | 1:19:54 | |
is that men and women and young people surrender their lives to Christ. | 1:19:54 | 1:19:58 | |
God, don't let a mother's boy who heard me preach here tonight go to hell. | 1:19:58 | 1:20:04 | |
Don't let a mother's girl who heard me tonight go to hell. | 1:20:04 | 1:20:07 | |
Don't let a daddy or a mother who heard me preach tonight go to hell. Save them! | 1:20:07 | 1:20:12 | |
ALL: Amen. | 1:20:12 | 1:20:14 | |
Save them tonight... | 1:20:14 | 1:20:17 | |
from all their sins. | 1:20:17 | 1:20:18 | |
May they be born again, washed in the blood, saved through and through without the loss of any, I pray. | 1:20:18 | 1:20:25 | |
-Amen. -ALL: Amen. | 1:20:25 | 1:20:26 | |
Did you get saved tonight? | 1:20:38 | 1:20:40 | |
Didn't quite make it, but you came up and made a stand, didn't you? | 1:20:43 | 1:20:46 | |
What's your name? | 1:20:47 | 1:20:50 | |
-Bettie. -Are you ready for me to pray for you, Bettie? | 1:20:50 | 1:20:52 | |
-Yes, sir. -Good. | 1:20:53 | 1:20:56 | |
O, Father, | 1:21:04 | 1:21:06 | |
we ask You that You deliver this woman from sin. | 1:21:06 | 1:21:09 | |
Destroy it by the spirit of God. | 1:21:09 | 1:21:12 | |
Heal her through and through, including her heart. | 1:21:12 | 1:21:16 | |
Make her a new creature in Christ. | 1:21:16 | 1:21:19 | |
What did you say? | 1:21:28 | 1:21:30 | |
A wonderful... a wonderful feeling. | 1:21:32 | 1:21:34 | |
Did it come then? | 1:21:37 | 1:21:38 | |
Yes, sir. I believe it did. | 1:21:39 | 1:21:41 | |
What did it feel like? | 1:21:41 | 1:21:43 | |
It was, uh... a lifting up. | 1:21:43 | 1:21:49 | |
You felt a lifting up? | 1:21:49 | 1:21:51 | |
Well... | 1:21:52 | 1:21:55 | |
amen. | 1:21:55 | 1:21:56 | |
And God shall wipe all tears from their eyes, | 1:22:40 | 1:22:45 | |
and there shall be no more death, neither sorrow, nor crying, | 1:22:45 | 1:22:50 | |
neither shall there be any more pain, for the former things are passed away. | 1:22:50 | 1:22:56 | |
And He that sat upon the throne said, "Behold, I make all things new." | 1:22:56 | 1:23:03 | |
You're Bettie Page, aren't you? | 1:23:03 | 1:23:05 | |
-Yes, I am. -Bettie Page the Pin-Up Queen of the Universe? | 1:23:05 | 1:23:09 | |
What, what happened to you? | 1:23:09 | 1:23:11 | |
I've turned my life over to the Lord. | 1:23:11 | 1:23:14 | |
-No kidding. -I left all that behind me. | 1:23:14 | 1:23:17 | |
God doesn't want me to pose any more. | 1:23:17 | 1:23:19 | |
Oh, no offence meant. | 1:23:19 | 1:23:21 | |
Your pictures were pretty tame. | 1:23:21 | 1:23:22 | |
The stuff they sell now on the newsstands'll make your hair curl. | 1:23:22 | 1:23:25 | |
You don't have to be ashamed of what you did. | 1:23:25 | 1:23:28 | |
I'm not ashamed. | 1:23:28 | 1:23:30 | |
Adam and Eve were naked in the Garden of Eden, weren't they? | 1:23:30 | 1:23:34 | |
When they sinned, they put on clothes. | 1:23:34 | 1:23:37 | |
And He said unto me, "It is done. | 1:23:42 | 1:23:46 | |
"I am Alpha and Omega... | 1:23:46 | 1:23:49 | |
"the beginning and the end. | 1:23:49 | 1:23:51 | |
"I will give unto him that is a thirst of the fountain of the water of life freely. | 1:23:51 | 1:23:58 | |
"He that overcometh shall inherit all things | 1:23:58 | 1:24:01 | |
"and I will be his God, and he will be My son. | 1:24:01 | 1:24:06 | |
"But the fearful, | 1:24:06 | 1:24:08 | |
and unbelieving..." | 1:24:08 | 1:24:10 | |
-How's it going? -Oh, fine, almost finished. | 1:24:30 | 1:24:34 | |
Subtitles by Red Bee Media Ltd | 1:25:05 | 1:25:07 | |
E-mail [email protected] | 1:25:07 | 1:25:10 |