Browse content similar to The Painted Veil. Check below for episodes and series from the same categories and more!
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(BUZZING) | 0:02:50 | 0:02:53 | |
MUSIC: "Gnossienne No 1" by Eric Satie | 0:03:24 | 0:03:29 | |
-CLEARS THROAT -Hello. -Hello. | 0:04:25 | 0:04:27 | |
Say, I was wondering... | 0:04:27 | 0:04:30 | |
-What? -Sorry. I was wondering if you'd like to dance. | 0:04:31 | 0:04:34 | |
Why not? | 0:04:37 | 0:04:39 | |
HAUNTING PIANO MUSIC | 0:04:44 | 0:04:47 | |
Kitty, who was the young man you were dancing with last night? | 0:04:47 | 0:04:52 | |
-Which one? -Quiet, serious-looking one. | 0:04:52 | 0:04:56 | |
Oh, him. I suppose you invited him, Mother. | 0:04:56 | 0:04:59 | |
I don't know who you're talking about. | 0:04:59 | 0:05:01 | |
I invited him. | 0:05:01 | 0:05:05 | |
His name is Fane and he's a doctor. | 0:05:05 | 0:05:07 | |
He manages a government laboratory in Shanghai. | 0:05:07 | 0:05:10 | |
A civil servant? | 0:05:10 | 0:05:12 | |
In any case, he called around last Sunday. | 0:05:12 | 0:05:15 | |
We had a long chat. I told him to come back anytime. | 0:05:15 | 0:05:18 | |
It's not often that you like any of my young men. | 0:05:18 | 0:05:20 | |
Well, do you like him? | 0:05:20 | 0:05:22 | |
-Not really. -What's wrong with him? | 0:05:22 | 0:05:24 | |
-Is he in love with you? -I don't know. | 0:05:24 | 0:05:27 | |
I thought you'd know when a young man was in love with you. | 0:05:27 | 0:05:30 | |
The point is am I in love with him, and I'm not! | 0:05:30 | 0:05:33 | |
You'd better be careful, young lady. Time can run out, you know. | 0:05:33 | 0:05:36 | |
Oh, stop it, Mother! Honestly. | 0:05:36 | 0:05:39 | |
The very idea that a woman should marry any Tom, Dick, or Harry, | 0:05:39 | 0:05:42 | |
regardless of her own feelings, is simply prehistoric! | 0:05:42 | 0:05:47 | |
How much longer do you expect your father to go on supporting you? | 0:05:47 | 0:05:51 | |
-Oh. -Oh. | 0:06:07 | 0:06:09 | |
-Hello. -Hello. I... | 0:06:09 | 0:06:12 | |
I was... I was just coming... | 0:06:12 | 0:06:14 | |
Hmm... | 0:06:14 | 0:06:15 | |
Your father invited me. | 0:06:17 | 0:06:19 | |
I'm going out. | 0:06:19 | 0:06:21 | |
May I join you? | 0:06:21 | 0:06:23 | |
VOICES IN DISTANCE | 0:06:31 | 0:06:33 | |
Right on time. | 0:06:40 | 0:06:42 | |
What is it exactly that you do? | 0:06:59 | 0:07:02 | |
I'm a bacteriologist. | 0:07:02 | 0:07:05 | |
That must be fascinating. | 0:07:05 | 0:07:07 | |
You have no idea what that is, do you? | 0:07:07 | 0:07:10 | |
-No, I'm afraid not. -No. There's no reason you should. | 0:07:10 | 0:07:13 | |
I study the microorganisms that carry disease. | 0:07:13 | 0:07:16 | |
Charming. | 0:07:16 | 0:07:17 | |
No, it's not, actually. It's the opposite. | 0:07:17 | 0:07:20 | |
Shall we step inside? | 0:07:22 | 0:07:24 | |
Do you like flowers? | 0:07:39 | 0:07:41 | |
Not particularly, no. | 0:07:41 | 0:07:44 | |
Well, I mean, yes, but... | 0:07:44 | 0:07:46 | |
we don't really have them around the house. | 0:07:46 | 0:07:49 | |
Mother says why purchase something you can grow for free? | 0:07:49 | 0:07:52 | |
Then, we don't really grow them, either. | 0:07:52 | 0:07:55 | |
Does seem silly, really. | 0:07:55 | 0:07:57 | |
To put all that effort into something that's just going to die. | 0:07:57 | 0:08:01 | |
I'd like to say something to you. | 0:08:02 | 0:08:05 | |
I came to see you to ask you if you'll marry me. | 0:08:06 | 0:08:10 | |
You could knock me down with a feather. | 0:08:10 | 0:08:13 | |
-Could you not tell that I'm in love with you? -You never showed it. | 0:08:13 | 0:08:16 | |
Oh, I... | 0:08:16 | 0:08:19 | |
Well, I wanted to. It's difficult. I... | 0:08:19 | 0:08:23 | |
But there it is. | 0:08:24 | 0:08:26 | |
Right. I'm not sure that's very well put. | 0:08:26 | 0:08:30 | |
No! You see how clumsy I am? I... I'm terrible at this sort of thing. | 0:08:30 | 0:08:35 | |
The thing is, I've got to get back to China very soon. | 0:08:35 | 0:08:38 | |
-I don't have time to be cautious. -I never thought of you in that way. | 0:08:38 | 0:08:42 | |
-I improve greatly upon acquaintance. -I'm sure! | 0:08:42 | 0:08:45 | |
I'd do anything in my power... to make you happy. | 0:08:45 | 0:08:49 | |
Anything at all. | 0:08:50 | 0:08:52 | |
I think you'd like Shanghai. | 0:08:55 | 0:08:58 | |
It's quite exciting, it is. | 0:08:58 | 0:09:00 | |
Lots of dancing. | 0:09:00 | 0:09:02 | |
Surely you're not expecting me to answer this second. | 0:09:02 | 0:09:06 | |
LAUGHS INCREDULOUSLY I don't know you at all. | 0:09:09 | 0:09:13 | |
Yes! | 0:09:13 | 0:09:15 | |
Well, we had the highest of hopes, | 0:09:15 | 0:09:18 | |
but no expectation that he'd ask her so soon. | 0:09:18 | 0:09:21 | |
Yes. A lovely late autumn wedding. | 0:09:21 | 0:09:25 | |
She's done very well for herself, has my Doris. | 0:09:25 | 0:09:29 | |
At least one of them's made a success. | 0:09:29 | 0:09:32 | |
No, I gave up on Kitty ages ago. | 0:09:32 | 0:09:35 | |
Yes. Yes! | 0:09:35 | 0:09:37 | |
Well, I know you understand... | 0:09:37 | 0:09:40 | |
SPEAKS MANDARIN | 0:09:58 | 0:10:01 | |
Well... | 0:10:22 | 0:10:24 | |
-..is it smaller than you imagined? -I'm not sure what I imagined. | 0:10:25 | 0:10:29 | |
Don't you have a piano? | 0:10:31 | 0:10:34 | |
No. I don't play the piano. | 0:10:35 | 0:10:37 | |
SHE SIGHS, KNOCK AT DOOR | 0:10:39 | 0:10:43 | |
-Who is it? -It's I. | 0:10:45 | 0:10:47 | |
Come in. | 0:10:53 | 0:10:55 | |
Just wanted to see if you were all settled. | 0:11:04 | 0:11:07 | |
So, then, you're comfortable, then? | 0:11:07 | 0:11:10 | |
Do you need anything? | 0:11:10 | 0:11:12 | |
No. I'm fine. | 0:11:12 | 0:11:14 | |
-Thank you. -Good. Good. | 0:11:14 | 0:11:17 | |
I am so happy you're here. | 0:11:41 | 0:11:44 | |
-Shall I shut the lamp? -What for? | 0:12:08 | 0:12:11 | |
I must shut the lamp. | 0:12:16 | 0:12:18 | |
It's raining cats and dogs. | 0:12:39 | 0:12:42 | |
-I said, it's raining cats and dogs. -Yes, I heard you. | 0:12:46 | 0:12:50 | |
(SIGHS) You might have answered. | 0:12:50 | 0:12:52 | |
I've gotten used to not speaking unless I have something to say. | 0:12:52 | 0:12:57 | |
If nobody spoke unless they had something to say, | 0:12:57 | 0:13:00 | |
the human race would soon lose the power of speech. | 0:13:00 | 0:13:04 | |
Walter! | 0:13:10 | 0:13:13 | |
I'm sorry. | 0:13:15 | 0:13:17 | |
-You're right. What...? -INHALES DEEPLY | 0:13:19 | 0:13:22 | |
What shall we do? Shall we...? | 0:13:22 | 0:13:25 | |
-Shall we play a game? -The games I play bore you. | 0:13:25 | 0:13:30 | |
Nonsense. Let's play cards. | 0:13:30 | 0:13:33 | |
SIGHS | 0:13:38 | 0:13:40 | |
Do you think you'd enjoy a night out? | 0:13:42 | 0:13:46 | |
We have an invitation for Saturday night. | 0:13:46 | 0:13:49 | |
-From whom? -The Townsends. | 0:13:49 | 0:13:52 | |
Dorothy Townsend. | 0:13:53 | 0:13:54 | |
Do you not like her? | 0:13:54 | 0:13:56 | |
(SIGHS) I've only met her once, | 0:13:56 | 0:13:59 | |
-but there's no reason for her to put on such airs. -Does she? | 0:13:59 | 0:14:02 | |
Yes. I have no idea why. | 0:14:02 | 0:14:04 | |
Because she was, what, married to a vice consul? | 0:14:04 | 0:14:07 | |
Honestly, they're absurd, this Shanghai set. | 0:14:07 | 0:14:10 | |
Mother wouldn't dream of asking half of them to dinner. | 0:14:10 | 0:14:13 | |
I'm taking that black five. | 0:14:13 | 0:14:15 | |
Well, it's alright. I thought you might enjoy it, | 0:14:18 | 0:14:21 | |
but... we certainly don't have to go. | 0:14:21 | 0:14:25 | |
(SIGHING) I don't care either way. | 0:14:25 | 0:14:28 | |
Go where? | 0:14:31 | 0:14:33 | |
GONG IS STRUCK | 0:14:33 | 0:14:35 | |
ORIENTAL MUSIC PLAYS | 0:14:35 | 0:14:39 | |
-Kitty Fane? -Hello, Dorothy. -I'm so glad you could come. | 0:14:42 | 0:14:45 | |
-This is Walter. -I'm pleased to meet you. | 0:14:45 | 0:14:48 | |
This is my husband. Charlie, stop talking and greet our guests. | 0:14:48 | 0:14:52 | |
-You know Mr Fane. -Charlie. | 0:14:52 | 0:14:54 | |
-It's Dr Fane, darling. -Oh, dear! | 0:14:54 | 0:14:56 | |
-I do beg your pardon, Dr Fane. -Not at all. | 0:14:56 | 0:14:59 | |
This is Dr Fane's wife, Kitty. | 0:14:59 | 0:15:01 | |
-Mrs Fane. -Mr Townsend. | 0:15:01 | 0:15:03 | |
I do apologize. I assumed you worked with Charlie at the consulate. | 0:15:03 | 0:15:07 | |
Nothing so glamorous. I'm at the Civil Laboratory. | 0:15:07 | 0:15:10 | |
Oh. The government lab? How fascinating. | 0:15:10 | 0:15:13 | |
HIGH-PITCHED DRAMATIC SHRIEK | 0:15:13 | 0:15:17 | |
CYMBALS CRASH | 0:15:19 | 0:15:22 | |
ORIENTAL MUSIC PLAYS | 0:15:28 | 0:15:32 | |
HIGH-PITCHED SINGING | 0:15:33 | 0:15:35 | |
Are you enjoying it? | 0:15:40 | 0:15:42 | |
I've never seen anything like it. | 0:15:42 | 0:15:45 | |
Every gesture has a meaning. | 0:15:49 | 0:15:51 | |
See how she covers her face? | 0:15:51 | 0:15:53 | |
She is mourning her misfortune. | 0:15:53 | 0:15:56 | |
What happened to her? | 0:15:57 | 0:15:59 | |
She was sold into slavery. | 0:16:02 | 0:16:05 | |
Condemned to a life of drudgery and despair | 0:16:05 | 0:16:09 | |
in a strange land far from home. | 0:16:09 | 0:16:12 | |
Her chains represent the heavy bondage of her poor trapped soul | 0:16:13 | 0:16:18 | |
from which there is no escape. | 0:16:18 | 0:16:21 | |
And so she weeps. | 0:16:22 | 0:16:24 | |
She weeps for the lively, vivacious girl she once was. | 0:16:24 | 0:16:29 | |
The lonely woman she has become... | 0:16:31 | 0:16:34 | |
And most of all, | 0:16:36 | 0:16:38 | |
she weeps for the love she'll never feel. | 0:16:38 | 0:16:41 | |
For the love she'll never give. | 0:16:42 | 0:16:45 | |
Is that really what she's saying? | 0:16:47 | 0:16:50 | |
Actually, I haven't a clue what she's on about. | 0:16:51 | 0:16:54 | |
I don't speak Chinese. | 0:16:54 | 0:16:57 | |
APPLAUSE Bravo! Bravo! | 0:16:57 | 0:17:01 | |
MOANING | 0:18:08 | 0:18:10 | |
What was that? | 0:18:16 | 0:18:18 | |
-Perhaps it was the - -Sshh! | 0:18:21 | 0:18:24 | |
-They've gone. -(GASPS) | 0:18:35 | 0:18:37 | |
-He heard us. -Who? | 0:18:41 | 0:18:43 | |
Walter. | 0:18:43 | 0:18:46 | |
Walter. What if it was? For all he knows, you were taking a nap. | 0:18:46 | 0:18:50 | |
-With my doors locked? -Kitty, dear, | 0:18:50 | 0:18:52 | |
you need a drink. | 0:18:52 | 0:18:54 | |
Even if it was, my impression is he'll do nothing. | 0:18:59 | 0:19:02 | |
That's flattering. | 0:19:02 | 0:19:04 | |
He knows there's nothing to be gained by making a scandal. | 0:19:04 | 0:19:07 | |
Has it occurred to you that my husband is in love with me? | 0:19:07 | 0:19:12 | |
I have a feeling you're about to say something awful. | 0:19:16 | 0:19:20 | |
It's just that... women are often under the impression | 0:19:20 | 0:19:23 | |
that men are much more in love with them than they really are. | 0:19:23 | 0:19:27 | |
I wouldn't delude myself for a second that you were in love with me! | 0:19:27 | 0:19:31 | |
Now there you're wrong. | 0:19:33 | 0:19:36 | |
Do you like your present? | 0:19:45 | 0:19:47 | |
It's good enough. | 0:19:48 | 0:19:51 | |
-Charlie? -Mm? | 0:20:02 | 0:20:05 | |
Do I make you as happy as you make me? | 0:20:05 | 0:20:08 | |
Of course you do, darling. | 0:20:08 | 0:20:11 | |
-Hassan? -Yes? | 0:20:44 | 0:20:46 | |
-Who brought this package around? -Dr Fane. | 0:20:46 | 0:20:50 | |
-When? -While you sleeping. | 0:20:51 | 0:20:55 | |
It's nearly midday. | 0:21:53 | 0:21:56 | |
We could stop up here under the trees, | 0:21:56 | 0:21:59 | |
but I'd like to press on, if it's alright with you. | 0:21:59 | 0:22:01 | |
-Certainly my comfort's of no concern to you. -Right. | 0:22:01 | 0:22:05 | |
Then, we'll continue. | 0:22:05 | 0:22:07 | |
Charlie Townsend, please. | 0:22:15 | 0:22:18 | |
"Charles Townsend." | 0:22:19 | 0:22:20 | |
I need to see you. | 0:22:20 | 0:22:22 | |
"I can't possibly see you. I've got a meeting in an hour." | 0:22:22 | 0:22:25 | |
-KNOCK AT DOOR -"What is it?" | 0:22:25 | 0:22:27 | |
I have to go. | 0:22:27 | 0:22:29 | |
What are you doing home? | 0:22:31 | 0:22:33 | |
I'm sorry, there's something I need to speak with you about. | 0:22:33 | 0:22:37 | |
Actually, I was just about to take my bath. | 0:22:37 | 0:22:39 | |
I'm afraid it's rather important, darling. Can't wait. | 0:22:39 | 0:22:43 | |
Sit down. | 0:22:53 | 0:22:56 | |
Do you know a place called Mei-tan-fu? | 0:23:00 | 0:23:03 | |
No. | 0:23:03 | 0:23:04 | |
Well, it... It was in the papers the other day. | 0:23:04 | 0:23:07 | |
It's a small town on a tributary of the Yangtze River, | 0:23:07 | 0:23:11 | |
in the interior. | 0:23:11 | 0:23:13 | |
They've had an outbreak of cholera there, | 0:23:13 | 0:23:15 | |
the worst epidemic anyone's seen in a long time. | 0:23:15 | 0:23:18 | |
The Chinese medical officer has died. | 0:23:18 | 0:23:20 | |
There's a convent of French nuns running the hospital. | 0:23:20 | 0:23:23 | |
They're doing their best, but people are dropping like flies. | 0:23:23 | 0:23:26 | |
I have volunteered to go and to take charge. | 0:23:27 | 0:23:31 | |
-Why? -Because they need a doctor. | 0:23:31 | 0:23:34 | |
-But you're not a doctor. You're a bacteriologist. -I'm an MD. | 0:23:34 | 0:23:37 | |
That I'm foremost a scientist | 0:23:37 | 0:23:40 | |
-is actually all to the good in this case. -Oh. | 0:23:40 | 0:23:44 | |
Won't it be awfully dangerous? | 0:23:44 | 0:23:46 | |
-CLEARS THROAT -I suppose it might, yes. | 0:23:46 | 0:23:50 | |
Now, Mei-tan-fu is a 10-day journey. | 0:23:51 | 0:23:54 | |
You go by rail for the first part. After that it's carriage, | 0:23:54 | 0:23:57 | |
and then we'll have to take a sedan chair. | 0:23:57 | 0:24:00 | |
-Who's we? -Why, you and I, of course. | 0:24:00 | 0:24:03 | |
-You're not expecting me to come, too! -I hoped you would want to go. | 0:24:03 | 0:24:07 | |
Surely it's no place for a woman. It would be madness for me to go. | 0:24:07 | 0:24:12 | |
-Why should I? -To cheer and comfort me? | 0:24:12 | 0:24:15 | |
No. No, I won't go. In fact, it's monstrous of you to even ask me. | 0:24:15 | 0:24:20 | |
Fine. Then I shall file my petition for divorce tomorrow. | 0:24:20 | 0:24:25 | |
I'm afraid that you have thought me a bigger fool than I am. | 0:24:32 | 0:24:36 | |
-I don't know what you're talking about. -Don't you? | 0:24:36 | 0:24:39 | |
I am divorcing you for adultery. | 0:24:39 | 0:24:42 | |
I am naming Charles Townsend as your lover. | 0:24:42 | 0:24:46 | |
I'm sorry, Walter. I realize this is very unpleasant, | 0:24:56 | 0:25:00 | |
-but let's not make this uglier than it needs to be. -By all means. | 0:25:00 | 0:25:03 | |
What is it that you propose that we should do? | 0:25:03 | 0:25:06 | |
-You could let me divorce you quietly. -You divorce me? | 0:25:07 | 0:25:12 | |
-On what grounds? -That's what a gentleman would do. | 0:25:12 | 0:25:15 | |
Give me one reason to put myself to an inconvenience for you! | 0:25:15 | 0:25:18 | |
Please, Walter, don't be so hateful. | 0:25:18 | 0:25:20 | |
We didn't mean to hurt anyone. But... | 0:25:20 | 0:25:23 | |
Charlie and I have fallen in love. HE LAUGHS | 0:25:23 | 0:25:27 | |
He wants to marry me. | 0:25:27 | 0:25:29 | |
Really? I knew that you weren't the cleverest girl in the world, | 0:25:29 | 0:25:33 | |
-but I didn't know that you were a fool. -Yes. | 0:25:33 | 0:25:36 | |
If it makes you feel better to hurt me, go ahead. | 0:25:36 | 0:25:38 | |
But you might as well get used to it. We love each other. | 0:25:38 | 0:25:41 | |
And we're sick to death of the secrecy and compromise! | 0:25:41 | 0:25:45 | |
-And you curse the day you ever met me. -Stop mocking me. | 0:25:45 | 0:25:48 | |
There's no other response for such pathetic behaviour! It's comic. | 0:25:48 | 0:25:52 | |
When I think about how hard I tried to make you happy. | 0:25:52 | 0:25:55 | |
Acting as though I was as thrilled as you by the latest gossip! | 0:25:55 | 0:25:59 | |
-I don't have to listen! -As ignorant of the world... -Shut up! | 0:25:59 | 0:26:03 | |
If you interrupt me again, I'll strangle you. | 0:26:03 | 0:26:06 | |
Sit down. | 0:26:06 | 0:26:08 | |
I knew when I married you... that you were selfish and spoiled. | 0:26:09 | 0:26:13 | |
But I loved you. | 0:26:14 | 0:26:16 | |
I knew you married me to get as far away from your mother as possible | 0:26:17 | 0:26:21 | |
and I hoped that one day... | 0:26:21 | 0:26:24 | |
there'd be something more. | 0:26:24 | 0:26:26 | |
I was wrong. You don't have it in you. | 0:26:27 | 0:26:32 | |
If a man hasn't what's necessary to make a woman love him, | 0:26:32 | 0:26:35 | |
then it's his fault, not hers. | 0:26:35 | 0:26:38 | |
Either way... | 0:26:38 | 0:26:40 | |
Tomorrow morning we are to leave for Mei-tan-fu, | 0:26:40 | 0:26:43 | |
or I shall file my petition. | 0:26:43 | 0:26:45 | |
You can't be serious about taking me into the middle of an epidemic. | 0:26:45 | 0:26:50 | |
Do you think that I'm not? | 0:26:50 | 0:26:53 | |
My God! | 0:26:53 | 0:26:55 | |
That's what you want, isn't it? | 0:26:56 | 0:26:59 | |
Do you really think Charlie will let you do this? | 0:26:59 | 0:27:02 | |
I don't think Charlie has very much to say about it. | 0:27:02 | 0:27:05 | |
Everything you said is true. | 0:27:06 | 0:27:08 | |
Everything. | 0:27:10 | 0:27:12 | |
I married you even though I didn't love you. | 0:27:12 | 0:27:15 | |
But you knew that. | 0:27:15 | 0:27:17 | |
Aren't you as much to blame for what's happened as I? | 0:27:17 | 0:27:21 | |
Alright. | 0:27:34 | 0:27:36 | |
Here's what I'll do... | 0:27:37 | 0:27:39 | |
Gentlemen, we all have assets to protect here. | 0:27:40 | 0:27:42 | |
Unfortunately, Mr Nagata's actions created a rather urgent situation. | 0:27:42 | 0:27:47 | |
It was an unfortunate but unavoidable incident. | 0:27:47 | 0:27:50 | |
-Your foreman shot a worker. -He was an agitator. | 0:27:50 | 0:27:53 | |
He was a Chinese. | 0:27:53 | 0:27:55 | |
You may have suppressed a very small strike | 0:27:55 | 0:27:58 | |
but in doing so, you have started a very large demonstration. | 0:27:58 | 0:28:01 | |
CHAOTIC SHOUTING | 0:28:01 | 0:28:05 | |
-I need to use your pen, please. -Here you are, miss. -Thank you. | 0:28:19 | 0:28:23 | |
What about support from Chiang Kai-shek? Where does he stand? | 0:28:26 | 0:28:29 | |
He's a nationalist. He'll stand on the side of the Chinese. | 0:28:29 | 0:28:32 | |
That's why they're called nationalists. | 0:28:32 | 0:28:34 | |
Excuse me! | 0:28:34 | 0:28:36 | |
Mr Townsend. | 0:28:36 | 0:28:39 | |
-You underestimated the situation. -I have three of my mills shut down | 0:28:42 | 0:28:46 | |
-because of walkouts. -There is talk about boycotts. | 0:28:46 | 0:28:49 | |
A handful of municipal soldiers is hardly a show of force. | 0:28:49 | 0:28:52 | |
If you'll excuse me. | 0:28:52 | 0:28:54 | |
Mrs Fane. What a pleasant surprise. | 0:28:59 | 0:29:01 | |
You've rescued me from a pack of wild bores. | 0:29:01 | 0:29:04 | |
I wouldn't have come if it wasn't necessary. | 0:29:04 | 0:29:08 | |
Are you alright? | 0:29:10 | 0:29:12 | |
I needed to see you. | 0:29:12 | 0:29:14 | |
-I'm sorry. -Kitty, this is not the most opportune time... -Charlie... | 0:29:14 | 0:29:18 | |
-He knows. -Right. | 0:29:19 | 0:29:22 | |
After you, Mrs Fane. | 0:29:31 | 0:29:33 | |
-Hello, Charlie. -Hello, George. | 0:29:33 | 0:29:36 | |
-Hello, Townsend. -Howden. | 0:29:39 | 0:29:43 | |
He wants a divorce. | 0:29:49 | 0:29:51 | |
You didn't commit yourself, did you? | 0:29:54 | 0:29:56 | |
-Acknowledge anything? -No. | 0:29:56 | 0:29:59 | |
-Are you sure? -Quite sure. | 0:29:59 | 0:30:02 | |
(SIGHS) Well... | 0:30:03 | 0:30:07 | |
this is a bloody scrape we're in. | 0:30:07 | 0:30:09 | |
He says he has proof. | 0:30:10 | 0:30:12 | |
We deny it. He can't prove anything. | 0:30:12 | 0:30:15 | |
It wouldn't do any good to create a scandal. | 0:30:15 | 0:30:18 | |
There isn't going to be a scandal. | 0:30:18 | 0:30:20 | |
Walter's agreed to let me divorce him quietly. | 0:30:20 | 0:30:23 | |
Pfft! | 0:30:23 | 0:30:25 | |
Well... (LAUGHS) | 0:30:25 | 0:30:29 | |
That's not so terrible, is it? | 0:30:29 | 0:30:32 | |
-Will you hold me? -Of course I will. | 0:30:34 | 0:30:37 | |
Oh, God! | 0:30:39 | 0:30:41 | |
SHE SNIFFS | 0:30:41 | 0:30:43 | |
-Charlie? -Mm? | 0:30:43 | 0:30:46 | |
His offer comes with a condition. | 0:30:46 | 0:30:49 | |
-I'm not a rich man. -He doesn't want your money. | 0:30:53 | 0:30:57 | |
He's agreed to let me divorce him if Dorothy will agree to divorce you. | 0:30:57 | 0:31:01 | |
And...if... | 0:31:01 | 0:31:04 | |
What? | 0:31:04 | 0:31:05 | |
If you'll promise to marry me. | 0:31:05 | 0:31:08 | |
Darling, whatever happens, | 0:31:15 | 0:31:17 | |
we must try to keep Dorothy out of it. | 0:31:17 | 0:31:20 | |
What do you mean? | 0:31:20 | 0:31:23 | |
We can't only think of ourselves. | 0:31:23 | 0:31:25 | |
I know Dorothy. Nothing in the world will induce her to divorce me. | 0:31:25 | 0:31:30 | |
You don't want to divorce her. | 0:31:31 | 0:31:33 | |
-It's not a question of my marriage. -Then, what? -Do you have any idea | 0:31:33 | 0:31:37 | |
-of the importance of my station here? If I were... -(LAUGHS) | 0:31:37 | 0:31:41 | |
Why are you laughing? | 0:31:41 | 0:31:42 | |
STIFLES SOBS | 0:31:42 | 0:31:45 | |
I don't think Walter intended for one minute to divorce me. | 0:31:48 | 0:31:52 | |
He knew you'd let me down. | 0:31:52 | 0:31:54 | |
-Try to understand. -I understand, alright. | 0:31:54 | 0:31:57 | |
Kitty. Kitty, please. We'll work this out, I promise... | 0:31:57 | 0:32:01 | |
-I'm coming with you. -Good. I thought you might. | 0:32:21 | 0:32:25 | |
I needn't take more than a few summer things? And a shroud? | 0:32:28 | 0:32:32 | |
I've told Hassan what you'll need. She's packing. | 0:32:32 | 0:32:34 | |
ANXIOUS CHATTER IN MANDARIN | 0:32:47 | 0:32:51 | |
GASPS | 0:32:53 | 0:32:56 | |
I wouldn't touch that if I was you. They may have died in that bed. | 0:34:29 | 0:34:35 | |
This can be your room. | 0:34:36 | 0:34:38 | |
KNOCK AT DOOR | 0:34:53 | 0:34:55 | |
You must be the doctor's wife. | 0:34:55 | 0:34:58 | |
I've just met your husband and invited myself to dinner. | 0:34:58 | 0:35:02 | |
I've kept the Watsons' cook for you. She's not bad. | 0:35:02 | 0:35:04 | |
She'll have to do as your amah as well. We're a little short-handed! | 0:35:04 | 0:35:09 | |
-Sorry, my name is Waddington. -Oh, yes, of course. Kitty Fane. | 0:35:09 | 0:35:14 | |
-I'm the deputy commissioner. -Please... | 0:35:14 | 0:35:17 | |
I believe you're one of our neighbours. | 0:35:17 | 0:35:20 | |
Only neighbour, I'm afraid. Last one standing. | 0:35:20 | 0:35:24 | |
-And Watson was the missionary living here? -Yes. Nice fellow. | 0:35:24 | 0:35:28 | |
American. Lovely family... | 0:35:28 | 0:35:31 | |
-I'll show you their graves tomorrow, if you like. -How kind of you(!) | 0:35:31 | 0:35:37 | |
I hope your journey wasn't too arduous. | 0:35:37 | 0:35:39 | |
-We've been travelling for two weeks. -Two weeks? | 0:35:39 | 0:35:43 | |
-What did you do, swim? -No, we didn't come upriver. | 0:35:43 | 0:35:46 | |
-Came overland. -Whatever for? | 0:35:46 | 0:35:48 | |
Well, we wanted to take in a bit of the countryside. | 0:35:48 | 0:35:52 | |
Get a bit of sun. Didn't we, darling? | 0:35:52 | 0:35:55 | |
Anyone for a cocktail? | 0:36:00 | 0:36:03 | |
Here's luck. | 0:36:03 | 0:36:04 | |
I was told I might get some help from the local army officer. | 0:36:08 | 0:36:11 | |
Colonel Yu, is it? | 0:36:11 | 0:36:13 | |
Good luck with him. He's not fond of us British. | 0:36:13 | 0:36:17 | |
Listen, I'll warn you, | 0:36:17 | 0:36:19 | |
things are pretty dicey even out here. | 0:36:19 | 0:36:22 | |
If the cholera doesn't get us, the nationalists might. | 0:36:22 | 0:36:26 | |
Tried to get those nuns to go but they refused. | 0:36:26 | 0:36:29 | |
They all wanna be martyrs, damn them. | 0:36:29 | 0:36:32 | |
Well, why have you stayed? | 0:36:32 | 0:36:35 | |
I was posted here. Simple as that. | 0:36:35 | 0:36:38 | |
I was shocked to hear you'd volunteered. | 0:36:38 | 0:36:40 | |
Opportunity for research. I couldn't pass it up. | 0:36:40 | 0:36:45 | |
Yes. And you? | 0:36:45 | 0:36:47 | |
I don't suppose you've come to Mei-tan-fu for research. | 0:36:47 | 0:36:50 | |
My husband's the scientist. | 0:36:50 | 0:36:53 | |
Indeed. | 0:36:53 | 0:36:54 | |
Did you have any reaction to the inoculation? | 0:36:54 | 0:36:58 | |
-You have been inoculated? -Yes, of course. | 0:36:58 | 0:37:02 | |
It's no guarantee. The Watsons were, too. It didn't do them much good. | 0:37:02 | 0:37:07 | |
-Oh, er, have you brought any gramophone records? -No. | 0:37:07 | 0:37:11 | |
Unfortunately not. | 0:37:11 | 0:37:13 | |
Pity. I'm sick of all mine! | 0:37:13 | 0:37:17 | |
DRUMS BEAT IN DISTANCE | 0:37:17 | 0:37:20 | |
Listen. What's all that? | 0:37:21 | 0:37:24 | |
Oh, across the river. | 0:37:24 | 0:37:26 | |
Trying to frighten off the spirit of death. | 0:37:26 | 0:37:29 | |
I'm going to town in the morning, have a look around. | 0:37:36 | 0:37:39 | |
I expect you'll want to rest. I can inoculate you in the evening. | 0:37:39 | 0:37:43 | |
-Will you be doing yourself? -No, I don't think so. | 0:37:43 | 0:37:46 | |
-You needn't bother with me, then. -Suit yourself. | 0:37:46 | 0:37:50 | |
Tell me, Walter... | 0:37:50 | 0:37:53 | |
Is it a long, drawn-out affair, dying of cholera? | 0:37:54 | 0:37:57 | |
No. All of the fluid goes out of you in the first 36 hours. | 0:37:57 | 0:38:00 | |
You die of dehydration, actually. So it's messy and... | 0:38:00 | 0:38:03 | |
very painful. But it is relatively quick. | 0:38:03 | 0:38:08 | |
Good night. | 0:38:09 | 0:38:10 | |
DRUMS BEAT LOUDLY, SHOUTING | 0:38:15 | 0:38:18 | |
SHE SOBS | 0:38:27 | 0:38:29 | |
BELLS RING | 0:38:33 | 0:38:36 | |
(It's rather unfortunate.) | 0:38:36 | 0:38:38 | |
I thought you and your wife would take precautions | 0:38:38 | 0:38:41 | |
in case you'd have to leave. | 0:38:41 | 0:38:43 | |
-Do you think all this is necessary? -You can see the picture. | 0:38:43 | 0:38:46 | |
I thought you'd like to put your wife's mind at ease | 0:38:46 | 0:38:50 | |
from this situation. | 0:38:50 | 0:38:53 | |
This is Colonel Yu. He's the KMT's man. | 0:38:54 | 0:38:58 | |
He's posting one of his men here at the house. | 0:38:58 | 0:39:00 | |
Am I a prisoner? | 0:39:00 | 0:39:02 | |
No. It was Mr Waddington's idea, actually. | 0:39:02 | 0:39:05 | |
-He feels we should take precautions. -Against what? | 0:39:05 | 0:39:08 | |
A few days ago, British troops opened fire | 0:39:08 | 0:39:12 | |
on a group of Chinese workers who were demonstrating in Shanghai. | 0:39:12 | 0:39:16 | |
11 were killed. We've only just heard. | 0:39:16 | 0:39:20 | |
Those were plastered around the town last night. | 0:39:20 | 0:39:23 | |
I shouldn't worry too much. | 0:39:24 | 0:39:27 | |
Even the nationalists are afraid of cholera. | 0:39:27 | 0:39:30 | |
CHILDREN CHATTER | 0:40:08 | 0:40:10 | |
Do they take that water from the well? | 0:40:24 | 0:40:28 | |
Can I see where they get the water? | 0:40:28 | 0:40:30 | |
We've got to stop people from using this well until I can test it. | 0:40:44 | 0:40:49 | |
CLEARS THROAT | 0:40:49 | 0:40:51 | |
SPEAKS MANDARIN | 0:40:51 | 0:40:53 | |
-CORRECTS OWN PRONUNCIATION -Do you understand? | 0:40:53 | 0:40:56 | |
Yes, I understand, Dr Fane. | 0:40:56 | 0:40:59 | |
I received my military training in Moscow. | 0:40:59 | 0:41:03 | |
If you don't like English, we can speak Russian. | 0:41:03 | 0:41:06 | |
English will be fine. Thank you. | 0:41:06 | 0:41:09 | |
BELLS RING | 0:41:12 | 0:41:14 | |
Here. You have seen cholera before, yes, doctor? | 0:41:23 | 0:41:26 | |
-At the laboratory, of course. -No, I mean in a patient. | 0:41:26 | 0:41:29 | |
No. I haven't had the chance, actually. | 0:41:29 | 0:41:32 | |
Well, I'm not a clinician. Did they not tell you? | 0:41:35 | 0:41:38 | |
I'm an infectious-disease specialist. | 0:41:38 | 0:41:42 | |
-Shall we? -After you, | 0:41:43 | 0:41:45 | |
Doctor. | 0:41:45 | 0:41:47 | |
PATIENT GROANS | 0:41:49 | 0:41:51 | |
SCREAMS | 0:41:51 | 0:41:54 | |
No, it's alright. I'm alright. | 0:41:56 | 0:41:59 | |
Alright, let's go. | 0:41:59 | 0:42:02 | |
I don't need you. | 0:43:07 | 0:43:09 | |
Go back! | 0:43:11 | 0:43:13 | |
Mr Waddington? | 0:43:21 | 0:43:23 | |
Oh. | 0:43:24 | 0:43:27 | |
I'm looking for Mr Waddington. | 0:43:27 | 0:43:29 | |
Wait here. | 0:43:41 | 0:43:43 | |
Alright? | 0:43:43 | 0:43:45 | |
KNOCKS AT DOOR Hello? | 0:43:49 | 0:43:51 | |
Mr Waddington? | 0:43:51 | 0:43:53 | |
Mrs Fane? | 0:44:03 | 0:44:04 | |
Oh. | 0:44:04 | 0:44:05 | |
Good morning. | 0:44:05 | 0:44:07 | |
-What can I do for you, Mrs Fane? -I, er, found a record for you. | 0:44:11 | 0:44:16 | |
Oh. Stravinsky! | 0:44:16 | 0:44:19 | |
Very modern. Thank you. | 0:44:19 | 0:44:22 | |
Was there something else? | 0:44:24 | 0:44:27 | |
I was wondering if you could tell me when the post comes through. | 0:44:27 | 0:44:30 | |
-It's for Shanghai. -Unfortunately, since the cholera, | 0:44:30 | 0:44:33 | |
the cowards won't venture past the river port. Leave it with me. | 0:44:33 | 0:44:37 | |
A local trader I know is making the trip on Friday. | 0:44:37 | 0:44:41 | |
Townsend... | 0:44:41 | 0:44:42 | |
-Charlie Townsend? -Yes. | 0:44:42 | 0:44:45 | |
He's an acquaintance of my husband. | 0:44:45 | 0:44:48 | |
-Do you know him? -Years ago. | 0:44:48 | 0:44:50 | |
We were both assigned to the consulate in Shanghai. | 0:44:50 | 0:44:53 | |
-Charming wife. -Yes. They're very popular, aren't they? | 0:44:53 | 0:44:57 | |
He'd made a science of popularity. | 0:44:57 | 0:45:00 | |
-So, you know his family? -Well enough. | 0:45:00 | 0:45:02 | |
I like Dorothy. | 0:45:02 | 0:45:05 | |
Yes, I understand they're quite the devoted couple. | 0:45:05 | 0:45:08 | |
He had his little flirtations. | 0:45:08 | 0:45:10 | |
Nothing serious! | 0:45:10 | 0:45:14 | |
I heard her say she found it most unflattering | 0:45:14 | 0:45:16 | |
that the women who fell for her husband were so second-rate. | 0:45:16 | 0:45:21 | |
Well, er, | 0:45:26 | 0:45:28 | |
enjoy the record. | 0:45:28 | 0:45:30 | |
Mrs Fane... | 0:45:30 | 0:45:33 | |
The letter. | 0:45:33 | 0:45:35 | |
Right. It suddenly occurred to me that Friday's much too late. | 0:45:36 | 0:45:41 | |
Thanks all the same. | 0:45:41 | 0:45:43 | |
Can you pass the salt, please? | 0:46:07 | 0:46:10 | |
-I'm sorry, did you say something? -Could you pass the salt? | 0:46:13 | 0:46:17 | |
Mm. | 0:46:17 | 0:46:18 | |
Thank you. | 0:46:21 | 0:46:23 | |
So this is how it's going to be. | 0:46:38 | 0:46:41 | |
Passing our evenings in silence. | 0:46:41 | 0:46:45 | |
Walter. | 0:46:50 | 0:46:52 | |
Walter! | 0:46:53 | 0:46:55 | |
I wonder if you haven't gone insane. | 0:46:56 | 0:46:59 | |
SPEAKS MANDARIN | 0:47:02 | 0:47:06 | |
-She's not cooking it. -Leave it! | 0:47:06 | 0:47:09 | |
Leave it. | 0:47:09 | 0:47:11 | |
Thank you. | 0:47:11 | 0:47:13 | |
Are you looking to kill yourself? | 0:47:21 | 0:47:24 | |
DRUMS BEAT | 0:47:29 | 0:47:31 | |
CHILDREN LAUGH | 0:47:50 | 0:47:52 | |
Town well's contaminated. | 0:48:00 | 0:48:02 | |
ANXIOUS SHOUTING | 0:48:05 | 0:48:08 | |
-SPEAKS MANDARIN -This is dirty. It's dirty. | 0:48:09 | 0:48:15 | |
VILLAGERS SPEAK MANDARIN | 0:48:15 | 0:48:19 | |
What? | 0:48:52 | 0:48:54 | |
BIRDS CHIRP | 0:49:02 | 0:49:05 | |
ORIENTAL MUSIC | 0:49:06 | 0:49:09 | |
Mr Waddington. | 0:49:10 | 0:49:12 | |
GIRL SPEAKS MANDARIN | 0:49:29 | 0:49:32 | |
SPEAKS MANDARIN | 0:49:52 | 0:49:56 | |
Mrs Fane? Mrs Fane? | 0:49:56 | 0:50:00 | |
Mrs Fane! | 0:50:00 | 0:50:02 | |
-Come away. Come away. -SHE WEEPS | 0:50:03 | 0:50:07 | |
WADDINGTON SHOUTS | 0:50:07 | 0:50:08 | |
WOMAN SPEAKS QUIETLY IN MANDARIN | 0:50:18 | 0:50:22 | |
What's the matter with Te-Ming? | 0:50:26 | 0:50:29 | |
You have the dead man on you. | 0:50:29 | 0:50:32 | |
They're very superstitious. | 0:50:32 | 0:50:34 | |
She's lost three children and a husband to the cholera. | 0:50:34 | 0:50:37 | |
So you can hardly blame her. | 0:50:37 | 0:50:40 | |
You know, this is no place for a woman. | 0:50:57 | 0:51:01 | |
When they telegraphed me that you were coming out, | 0:51:07 | 0:51:10 | |
I was astonished. | 0:51:10 | 0:51:13 | |
I imagined you might be a grim-visaged old nurse, | 0:51:13 | 0:51:17 | |
with thick legs and a moustache. | 0:51:17 | 0:51:20 | |
I came into the bungalow and there you were... | 0:51:21 | 0:51:25 | |
Frail...and tired | 0:51:25 | 0:51:29 | |
and very unhappy. | 0:51:29 | 0:51:31 | |
It was a long journey. | 0:51:32 | 0:51:34 | |
-But you're unhappy now. -SHE SIGHS | 0:51:34 | 0:51:38 | |
And it occurred to me that you and your husband might be madly in love | 0:51:38 | 0:51:42 | |
and you'd simply refused to stay behind. | 0:51:42 | 0:51:45 | |
-That's a reasonable explanation. -Yes. | 0:51:45 | 0:51:48 | |
But it's not the right one. | 0:51:48 | 0:51:50 | |
Do you know what I find strange? | 0:51:52 | 0:51:55 | |
That your husband should never look at you. | 0:51:55 | 0:51:58 | |
He looks at the walls, the floor, | 0:51:58 | 0:52:01 | |
his shoes. | 0:52:01 | 0:52:03 | |
-He has a great deal on his mind. -Yes, I'm sure of it. | 0:52:05 | 0:52:09 | |
PATIENTS COUGH | 0:52:09 | 0:52:11 | |
Dr Fane! | 0:52:13 | 0:52:15 | |
Dr Fane? | 0:52:15 | 0:52:17 | |
Oh, God. | 0:52:18 | 0:52:20 | |
Alright. | 0:52:21 | 0:52:23 | |
What are you doing? | 0:52:53 | 0:52:55 | |
Martini? | 0:52:57 | 0:52:59 | |
TAP AT DOOR | 0:53:08 | 0:53:09 | |
Yes? | 0:53:09 | 0:53:11 | |
I'm the...bearer of a message from the Mother Superior. | 0:53:13 | 0:53:18 | |
-Who? -The nun who... | 0:53:22 | 0:53:26 | |
supervises the orphanage and the hospital. | 0:53:26 | 0:53:29 | |
(SIGHS) I didn't know she was aware of my existence. | 0:53:31 | 0:53:34 | |
Well, apparently, Mr Waddington has spoken of you. | 0:53:34 | 0:53:38 | |
She would very much like to meet the... | 0:53:38 | 0:53:41 | |
loving, loyal wife of the compassionate Dr Fane. | 0:53:41 | 0:53:45 | |
Right. Then I must prepare myself for the charade. | 0:53:45 | 0:53:48 | |
She does understand if you... | 0:53:48 | 0:53:52 | |
don't want to venture into the centre of the epidemic. | 0:53:52 | 0:53:55 | |
If you're not afraid, why should I be? | 0:53:55 | 0:53:58 | |
Oh, God! | 0:53:58 | 0:53:59 | |
-(GROANS) -Walter! | 0:53:59 | 0:54:02 | |
-Oh, my God! -(LAUGHS) | 0:54:02 | 0:54:05 | |
You're drunk! | 0:54:05 | 0:54:07 | |
VARIOUS VOICES SHOUTING | 0:54:31 | 0:54:34 | |
Don't expect anything grand. They're miserably poor. | 0:55:02 | 0:55:05 | |
BELL TINKLES | 0:55:05 | 0:55:08 | |
BABY CRIES | 0:55:08 | 0:55:09 | |
HE WHISTLES ABSENT-MINDEDLY | 0:55:09 | 0:55:12 | |
Ssh! | 0:55:18 | 0:55:19 | |
-Hello. -It is a great pleasure to make the acquaintance | 0:55:24 | 0:55:28 | |
-of the wife of our good and brave doctor. -Lovely to meet you too. | 0:55:28 | 0:55:32 | |
Mr Waddington. | 0:55:32 | 0:55:35 | |
You must eat the madeleine. | 0:55:35 | 0:55:37 | |
Sister St Joseph made them for you herself this morning. | 0:55:37 | 0:55:41 | |
-Merci, ma soeur! -GIGGLES | 0:55:41 | 0:55:45 | |
So tell me, Mrs Fane, | 0:55:46 | 0:55:49 | |
-to which faith do you subscribe? -COUGHS | 0:55:49 | 0:55:53 | |
Excuse me. Erm... | 0:55:53 | 0:55:56 | |
We attended services. | 0:55:57 | 0:56:00 | |
Not religiously... Er, regularly. | 0:56:00 | 0:56:03 | |
You could say I'm a member of the Church of England. | 0:56:03 | 0:56:08 | |
That's an inoffensive way of saying you don't quite believe in much. | 0:56:08 | 0:56:13 | |
You're very pretty. | 0:56:13 | 0:56:15 | |
And very young. | 0:56:15 | 0:56:18 | |
I assure you I'm not. | 0:56:18 | 0:56:20 | |
I feel ancient. | 0:56:20 | 0:56:22 | |
If Mrs Fane would like to see over the convent and orphanage, | 0:56:25 | 0:56:28 | |
I shall be glad to show her. | 0:56:28 | 0:56:32 | |
Alone. | 0:56:32 | 0:56:33 | |
VOICES CHATTER | 0:56:38 | 0:56:40 | |
Sshh! | 0:56:41 | 0:56:43 | |
We keep the older girls busy with sewing. It keeps them occupied. | 0:56:46 | 0:56:51 | |
And earns money for the convent. | 0:56:51 | 0:56:53 | |
WOMAN SHOUTS IN MANDARIN | 0:56:53 | 0:56:56 | |
That one won't allow us to baptize her. | 0:56:56 | 0:57:00 | |
WOMAN SHOUTS IN MANDARIN | 0:57:00 | 0:57:02 | |
CHILDREN SING "ABIDE WITH ME" IN FRENCH | 0:57:03 | 0:57:07 | |
Our music room. | 0:57:08 | 0:57:11 | |
Sister Maryse. | 0:57:12 | 0:57:14 | |
Sister Dominique was our pianist. | 0:57:34 | 0:57:37 | |
She died last week. Cholera. | 0:57:37 | 0:57:41 | |
Through there is the infirmary. | 0:57:45 | 0:57:48 | |
It is not a sight one would wish to see. | 0:57:50 | 0:57:53 | |
Shall I call Dr Fane out to see you? | 0:57:54 | 0:57:57 | |
No. You needn't disturb him. | 0:57:57 | 0:57:59 | |
Now, with the epidemic, | 0:57:59 | 0:58:02 | |
we have even more to care for. | 0:58:02 | 0:58:05 | |
This baby was brought in this morning. | 0:58:05 | 0:58:08 | |
Another orphan. | 0:58:08 | 0:58:10 | |
SHE SPEAKS FRENCH | 0:58:10 | 0:58:14 | |
She says Dr Fane loves babies. | 0:58:15 | 0:58:18 | |
He spends as much time as he can helping them out in the nursery. | 0:58:18 | 0:58:23 | |
Mrs Fane? | 0:58:29 | 0:58:31 | |
Mrs Fane? | 0:58:32 | 0:58:35 | |
Are you alright? | 0:58:35 | 0:58:36 | |
Yes. (SIGHS) | 0:58:36 | 0:58:39 | |
It's nothing. | 0:58:39 | 0:58:41 | |
Only foolishness. | 0:58:41 | 0:58:43 | |
What do you want? | 0:59:39 | 0:59:41 | |
Oh. Sorry. | 0:59:41 | 0:59:43 | |
-I brought you your supper. -Alright. Just leave it there. | 0:59:44 | 0:59:48 | |
HE SNIFFS | 0:59:51 | 0:59:53 | |
Is there something else? | 0:59:54 | 0:59:56 | |
What's that you're doing? | 0:59:56 | 0:59:58 | |
I'm...testing the nitrate levels of a local tomato. | 1:00:01 | 1:00:06 | |
Why? | 1:00:06 | 1:00:08 | |
Why? | 1:00:08 | 1:00:10 | |
It can't possibly interest you. | 1:00:10 | 1:00:13 | |
Well... | 1:00:14 | 1:00:17 | |
-enjoy your supper. -Mm. | 1:00:17 | 1:00:19 | |
Walter... | 1:00:27 | 1:00:30 | |
What do you propose we should do if we get through the epidemic? | 1:00:30 | 1:00:33 | |
I have no idea. | 1:00:33 | 1:00:35 | |
No good will come of talking about a situation we'd do better to forget. | 1:00:35 | 1:00:39 | |
-But you don't forget! -Please. I really must work. | 1:00:39 | 1:00:42 | |
-Won't you listen to what I have to say? -Alright. If you insist. | 1:00:42 | 1:00:46 | |
It's just, | 1:00:50 | 1:00:53 | |
today, having been at the convent, | 1:00:53 | 1:00:56 | |
-with those nuns. -What have they done, converted you? | 1:00:56 | 1:00:59 | |
No! | 1:00:59 | 1:01:02 | |
-They spoke of you. And it made me feel... -What? | 1:01:02 | 1:01:05 | |
It made you feel what? | 1:01:05 | 1:01:07 | |
-I think I've been afraid of you. -Well, you should have been. | 1:01:07 | 1:01:11 | |
Excuse me. If I can't work, I'm going to bed. | 1:01:13 | 1:01:17 | |
I know you're angry at me. But if we could just talk about... | 1:01:28 | 1:01:33 | |
Honestly, I don't understand you. What is it that you want from me? | 1:01:33 | 1:01:37 | |
Perhaps I just want us to be a little less unhappy. | 1:01:37 | 1:01:40 | |
You're mistaken in thinking I'm unhappy. I have too much to do. | 1:01:40 | 1:01:44 | |
That's exactly what I'm trying to say. I feel useless. | 1:01:44 | 1:01:47 | |
-What do you propose I do...? -For God sakes, will you stop punishing me?! | 1:01:47 | 1:01:54 | |
Do you absolutely despise me? | 1:01:54 | 1:01:56 | |
-No. I despise myself. -Why? | 1:01:59 | 1:02:01 | |
For allowing myself to love you once. | 1:02:02 | 1:02:05 | |
SHE WEEPS SOFTLY | 1:02:14 | 1:02:17 | |
MANDARIN SPOKEN IN HUSHED TONES | 1:02:38 | 1:02:42 | |
Ah! Hello. CHILDREN CHATTER EXCITEDLY | 1:04:13 | 1:04:17 | |
I'm very well. And you? | 1:04:18 | 1:04:20 | |
(BOTH SPEAK MANDARIN) | 1:04:37 | 1:04:40 | |
I hope I haven't come at an inconvenient time. | 1:04:49 | 1:04:52 | |
Sister Maryse died last night. | 1:04:52 | 1:04:55 | |
I've just written to inform her parents. | 1:04:55 | 1:04:58 | |
I'm so sorry. | 1:04:58 | 1:05:00 | |
But it is sinful of me to grieve | 1:05:00 | 1:05:03 | |
when I know that her good and simple soul | 1:05:03 | 1:05:05 | |
has flown straight to heaven. | 1:05:05 | 1:05:09 | |
-How can I help you? -Erm... | 1:05:09 | 1:05:12 | |
Well, I'm sure that with the sister's death, | 1:05:12 | 1:05:15 | |
you must be even more short-handed. | 1:05:15 | 1:05:18 | |
You see, I was wondering if... | 1:05:18 | 1:05:21 | |
I could come to the convent and... | 1:05:21 | 1:05:24 | |
do anything, just... just to help out. | 1:05:24 | 1:05:27 | |
My dear child, you've done enough coming here with your husband. | 1:05:27 | 1:05:31 | |
I've been here a month and, | 1:05:31 | 1:05:33 | |
believe me, I have nothing to do from morning till night. | 1:05:33 | 1:05:37 | |
Perhaps I could help with the sisters in the hospital. | 1:05:37 | 1:05:40 | |
That is impossible. Cholera is a terrible thing to see. | 1:05:40 | 1:05:44 | |
What would happen if you fell ill? | 1:05:44 | 1:05:46 | |
I'd be happy to scrub the floors. Anything. | 1:05:46 | 1:05:49 | |
Just something to feel useful. | 1:05:49 | 1:05:52 | |
That will not be necessary. The orphans scrub the floors. | 1:05:52 | 1:05:57 | |
No, no, it is our business and our privilege to do such things. | 1:05:57 | 1:06:02 | |
But there is always more to do each day. | 1:06:04 | 1:06:08 | |
Have you spoken to your husband of your wish? | 1:06:09 | 1:06:12 | |
Yes. | 1:06:12 | 1:06:14 | |
WOMAN SPEAKS MANDARIN | 1:06:16 | 1:06:18 | |
BABIES SCREAM, WOMAN SHOUTS | 1:06:18 | 1:06:23 | |
I don't know what you're saying! | 1:06:24 | 1:06:27 | |
I also found traces in the river, downstream from the burial grounds. | 1:06:34 | 1:06:38 | |
-You've checked these results? -I tested it three times. | 1:06:38 | 1:06:42 | |
Well, that's it, then. | 1:06:43 | 1:06:45 | |
I would recommend barricading the bathing area. | 1:06:45 | 1:06:49 | |
Cut off all access to the river. | 1:06:49 | 1:06:51 | |
How far do you expect people to walk for water? | 1:06:51 | 1:06:55 | |
I've no idea. Upriver, at least a half-mile above the burial ground. | 1:06:55 | 1:06:59 | |
-That's too far. -Nevertheless! | 1:06:59 | 1:07:01 | |
I agree with Dr Fane. | 1:07:01 | 1:07:04 | |
It's necessary. | 1:07:04 | 1:07:06 | |
Also, I thought we'd agreed to post a directive | 1:07:06 | 1:07:09 | |
-ordering disposal of the corpses. -We've done that already. | 1:07:09 | 1:07:12 | |
Enforce it! | 1:07:12 | 1:07:14 | |
Families hide bodies for days, bury them close to the river. | 1:07:14 | 1:07:17 | |
I understand. You don't have to explain it twice. | 1:07:17 | 1:07:22 | |
Colonel, I respectfully request | 1:07:22 | 1:07:24 | |
that you order your soldiers to enter these people's homes | 1:07:24 | 1:07:28 | |
and remove the bodies! | 1:07:28 | 1:07:30 | |
It's alright. | 1:07:37 | 1:07:38 | |
BABIES CRY | 1:07:43 | 1:07:46 | |
Hello. | 1:08:03 | 1:08:04 | |
ANGRY SHOUTING IN MANDARIN | 1:08:15 | 1:08:19 | |
I understand. | 1:08:21 | 1:08:23 | |
The spirits need access to the water. | 1:08:23 | 1:08:26 | |
I just want to move a few of these so they don't live in the water. | 1:08:26 | 1:08:30 | |
He said they're under the protection of their warlord. | 1:08:35 | 1:08:38 | |
If he wants to move the bodies, he will send his own soldiers. | 1:08:38 | 1:08:41 | |
It's not the best time for a Western woman to explore by herself. | 1:08:50 | 1:08:54 | |
Oh, do be quiet. | 1:08:54 | 1:08:56 | |
As if you care whether I'm killed by nationalists or boredom. | 1:08:56 | 1:09:01 | |
Besides, I wasn't alone. | 1:09:01 | 1:09:04 | |
I was with my gallant protector, Sung Ching. | 1:09:04 | 1:09:06 | |
By the way, | 1:09:09 | 1:09:11 | |
you might be happy to know that I'm just as useless to the nuns | 1:09:11 | 1:09:15 | |
as I am to you. | 1:09:15 | 1:09:17 | |
I shut off the town's only water supply today. | 1:09:18 | 1:09:22 | |
What will you do? | 1:09:24 | 1:09:26 | |
I have no idea. | 1:09:29 | 1:09:31 | |
Hmm... | 1:09:35 | 1:09:36 | |
Then, I suppose we're both useless. | 1:09:37 | 1:09:41 | |
At last, something in common. | 1:09:41 | 1:09:44 | |
Ah! Dr Fane. | 1:11:01 | 1:11:03 | |
-We've both been caught out in the weather... -Not now, sorry. | 1:11:03 | 1:11:06 | |
-I beg your pardon? -Counting. | 1:11:06 | 1:11:08 | |
Counting? | 1:11:08 | 1:11:10 | |
We'll camp here tonight. | 1:11:27 | 1:11:29 | |
What makes you think this warlord will cooperate? | 1:11:35 | 1:11:38 | |
I don't think he will. | 1:11:38 | 1:11:40 | |
-So, what do you plan to say to persuade him? -I don't know. | 1:11:40 | 1:11:44 | |
These men are like animals. | 1:11:47 | 1:11:49 | |
They have no vision. They only have hunger and strength. | 1:11:50 | 1:11:54 | |
Men like this have held the real power in China since I was young. | 1:11:56 | 1:12:00 | |
But that time is coming to an end. | 1:12:00 | 1:12:03 | |
There's no place for them in the new China. | 1:12:03 | 1:12:07 | |
I don't think you like my being here very much either, do you? | 1:12:09 | 1:12:13 | |
I think China belongs to Chinese people. | 1:12:13 | 1:12:16 | |
But the rest of the world seems to disagree. | 1:12:16 | 1:12:19 | |
Yes, but that's got nothing to do with me. | 1:12:19 | 1:12:21 | |
I didn't come with a gun. I came with a microscope. | 1:12:22 | 1:12:26 | |
I believe you. | 1:12:26 | 1:12:29 | |
It'd be nice to do this work together | 1:12:30 | 1:12:33 | |
without your country's guns pointing at our people. | 1:12:33 | 1:12:36 | |
Our plan is to divert the water to the town from the fields upriver. | 1:12:43 | 1:12:48 | |
With your permission and the assistance of your troops | 1:12:48 | 1:12:51 | |
graves will be moved from the water. | 1:12:51 | 1:12:53 | |
Colonel Yu and his men will enforce the prompt burial of the dead. | 1:12:53 | 1:12:57 | |
Maintaining the integrity of the water and enforcing sanitation | 1:12:57 | 1:13:02 | |
will make a difference between a few more deaths and possibly thousands. | 1:13:02 | 1:13:07 | |
SPEAKS MANDARIN | 1:13:07 | 1:13:10 | |
He said no. | 1:13:34 | 1:13:36 | |
He doesn't speak any English, does he? | 1:13:39 | 1:13:42 | |
Tell him that's the most ridiculous suit I've ever seen. | 1:13:46 | 1:13:50 | |
CHILDREN CHATTER, PIANO MUSIC PLAYS | 1:14:39 | 1:14:42 | |
PLAYS PIANO RAPIDLY | 1:15:00 | 1:15:02 | |
Er... | 1:15:05 | 1:15:07 | |
-I'm sorry. -Do not stop on my account if... | 1:15:07 | 1:15:11 | |
Dr Fane is enjoying himself. | 1:15:11 | 1:15:14 | |
No. No, not at all. I... | 1:15:14 | 1:15:17 | |
-It's very nice. I was passing. -No! Stay. | 1:15:17 | 1:15:20 | |
-I should go. -I insist. | 1:15:20 | 1:15:22 | |
-Alright, if you like. -Continue, Mrs Fane. | 1:15:26 | 1:15:30 | |
But...perhaps something a little more soothing. | 1:15:30 | 1:15:35 | |
Yes, of course. | 1:15:35 | 1:15:37 | |
PLAYS "GNOSSIENNE NO 1" | 1:15:43 | 1:15:47 | |
MUSIC: "Gnossienne no 1" by Eric Satie | 1:16:21 | 1:16:24 | |
They brought in a new baby today. | 1:16:53 | 1:16:56 | |
The girls named her Zan Xien. It means "brand-new". | 1:16:56 | 1:17:01 | |
The nuns are going to call it Katherine, which, of course, | 1:17:02 | 1:17:05 | |
none of the girls will be able to say. | 1:17:05 | 1:17:08 | |
Thank goodness for those nuns. | 1:17:09 | 1:17:12 | |
They do so much for so little in return. | 1:17:12 | 1:17:14 | |
I suppose you could look at it that way. | 1:17:14 | 1:17:18 | |
You suppose? | 1:17:18 | 1:17:20 | |
I think it might be a bit more complicated than that. | 1:17:20 | 1:17:24 | |
They take in desperate children and give them a chance at life. | 1:17:24 | 1:17:27 | |
What could be so complicated about that? | 1:17:27 | 1:17:30 | |
They also go to young mothers in their homes. | 1:17:30 | 1:17:33 | |
They ask them to give their babies to the convent. | 1:17:33 | 1:17:36 | |
They offer them money to support their families to persuade them. | 1:17:36 | 1:17:40 | |
They're not just here to run an orphanage, your nuns. | 1:17:40 | 1:17:43 | |
They're turning those children into little Catholics. | 1:17:43 | 1:17:47 | |
None of us are in China without a reason. | 1:17:47 | 1:17:50 | |
Still, on the whole, | 1:17:50 | 1:17:52 | |
I think that what they're doing is a pretty good deed, don't you? | 1:17:52 | 1:17:55 | |
I'm here to study bacteria. I don't have an opinion about the rest. | 1:17:55 | 1:17:59 | |
Well, I do, and I admire them. | 1:17:59 | 1:18:02 | |
I don't think it has to be so complicated and gloomy. | 1:18:02 | 1:18:06 | |
And I think what you're doing, for instance, is incredibly noble. | 1:18:10 | 1:18:16 | |
You used to feel contempt for me. Don't you still? | 1:18:16 | 1:18:19 | |
Walter! I can't believe that you, with your cleverness, | 1:18:19 | 1:18:23 | |
should have such little sense of proportion. | 1:18:23 | 1:18:25 | |
We humans are more complex than your silly little microbes. | 1:18:25 | 1:18:30 | |
We're unpredictable. We make mistakes and we disappoint. | 1:18:30 | 1:18:34 | |
-Yes, we certainly do. -I'm sorry! | 1:18:34 | 1:18:37 | |
I'm sorry I'm not the perfect young woman that you want me to be. | 1:18:37 | 1:18:41 | |
I'm just ordinary. | 1:18:41 | 1:18:43 | |
I never tried to pretend that I was anything else. | 1:18:43 | 1:18:48 | |
No, you certainly didn't. | 1:18:54 | 1:18:57 | |
I liked theatre, and dancing and... | 1:18:58 | 1:19:02 | |
..playing tennis. I like games! I like men who play games. | 1:19:03 | 1:19:07 | |
That's the way I was brought up! | 1:19:07 | 1:19:09 | |
I play a fierce hand of bridge. | 1:19:09 | 1:19:11 | |
Oh, well, that's bloody exciting! | 1:19:11 | 1:19:14 | |
(LAUGHS) | 1:19:14 | 1:19:16 | |
And you dragged me round all those interminable galleries in Venice, | 1:19:16 | 1:19:21 | |
blathering on about the miracle of the canals | 1:19:21 | 1:19:24 | |
and the flushing of the lagoon system, or some such nonsense. | 1:19:24 | 1:19:28 | |
Honestly, I'd have been much happier playing golf at Sandwich. | 1:19:28 | 1:19:33 | |
I suppose you're right. | 1:19:38 | 1:19:41 | |
It was silly of us to look for qualities that we never had. | 1:19:41 | 1:19:45 | |
Yes. | 1:19:46 | 1:19:48 | |
Yes, it was. | 1:19:49 | 1:19:51 | |
Walter? | 1:19:55 | 1:19:57 | |
Why didn't you break down that door | 1:19:59 | 1:20:01 | |
when you knew I was in there with Charlie? | 1:20:01 | 1:20:04 | |
You might have at least tried to thrash him. | 1:20:05 | 1:20:08 | |
He wasn't worth it. | 1:20:10 | 1:20:13 | |
Or maybe I'm just too proud to fight. | 1:20:15 | 1:20:18 | |
I don't know about that. | 1:20:18 | 1:20:21 | |
I've told Mother Superior to keep her sisters inside the convent. | 1:20:47 | 1:20:50 | |
I put a guard outside the gate. | 1:20:50 | 1:20:53 | |
I'd advise any Westerners to stay indoors. | 1:20:53 | 1:20:56 | |
Alright. | 1:20:56 | 1:20:59 | |
-Sister, has Mrs Fane been at the convent today? -Oui, doctor. | 1:21:05 | 1:21:08 | |
But she has left a few minutes ago. | 1:21:08 | 1:21:11 | |
Sung Ching. | 1:21:37 | 1:21:39 | |
Let's go. | 1:21:40 | 1:21:41 | |
Let's go! | 1:21:41 | 1:21:43 | |
Let's go! | 1:21:44 | 1:21:46 | |
Stop it! ANGRY SHOUTING | 1:21:50 | 1:21:52 | |
Sung Ching! Where's Mrs Fane? Where's Mrs Fane? | 1:22:15 | 1:22:19 | |
I don't know what you're saying! MEN SHOUT | 1:22:33 | 1:22:36 | |
Get away from her. | 1:22:36 | 1:22:38 | |
-Are you alright? -Yes. | 1:22:38 | 1:22:40 | |
SPEAKS MANDARIN | 1:22:40 | 1:22:42 | |
ALL SHOUT ANGRILY | 1:22:42 | 1:22:44 | |
GUNSHOT | 1:22:46 | 1:22:49 | |
Come on. | 1:22:55 | 1:22:57 | |
We're out of whisky. | 1:23:21 | 1:23:23 | |
STRING MUSIC PLAYS | 1:23:23 | 1:23:26 | |
Dr Fane. | 1:23:55 | 1:23:56 | |
Could I trouble you for a drink? | 1:23:56 | 1:24:00 | |
LAUGHTER / MUSIC PLAYS | 1:24:12 | 1:24:15 | |
-Hello, darling. -GIRL SPEAKS MANDARIN | 1:24:25 | 1:24:28 | |
SLOW JAZZ PLAYS | 1:24:39 | 1:24:42 | |
I was stationed at Hankow | 1:24:43 | 1:24:45 | |
during the revolution, when they were massacring all the Manchus. | 1:24:45 | 1:24:50 | |
I was able to help a particular family. | 1:24:50 | 1:24:53 | |
New documents, that sort of thing. | 1:24:53 | 1:24:55 | |
She was the youngest of the daughters. | 1:24:55 | 1:24:58 | |
I didn't pay her too much attention at first. | 1:24:59 | 1:25:03 | |
Well, more than I should have, I suppose! | 1:25:03 | 1:25:08 | |
When I left Hankow, | 1:25:08 | 1:25:11 | |
she followed me. | 1:25:11 | 1:25:13 | |
I sent her back two, three times, but she... | 1:25:13 | 1:25:17 | |
but she kept coming back. | 1:25:17 | 1:25:20 | |
I didn't realize you had so much affection for her. | 1:25:24 | 1:25:27 | |
What makes you think I do? | 1:25:27 | 1:25:30 | |
I can see it in your eyes. | 1:25:31 | 1:25:34 | |
Men are incalculable. | 1:25:37 | 1:25:40 | |
I thought you were like everybody else. | 1:25:41 | 1:25:43 | |
-Now I feel I don't know the first thing about you. -A-ha! | 1:25:43 | 1:25:48 | |
I wonder what she sees in you. | 1:25:50 | 1:25:53 | |
Wan Xi. | 1:25:54 | 1:25:56 | |
BOTH SPEAK MANDARIN | 1:25:56 | 1:26:00 | |
She says I'm a good man. | 1:26:05 | 1:26:08 | |
As if a woman ever loved a man for his virtue. | 1:26:16 | 1:26:21 | |
GASPS | 1:27:07 | 1:27:09 | |
GROANS SOFTLY | 1:29:21 | 1:29:23 | |
Morning. | 1:29:56 | 1:29:57 | |
Morning. | 1:30:06 | 1:30:08 | |
I should think it best to stay away from town today. | 1:30:11 | 1:30:14 | |
Alright. | 1:30:14 | 1:30:17 | |
I'm going for a walk. | 1:30:36 | 1:30:38 | |
Come on, then! | 1:30:43 | 1:30:45 | |
BOTH HAGGLE IN MANDARIN | 1:31:07 | 1:31:09 | |
What on earth are you doing all the way out here? | 1:31:26 | 1:31:29 | |
Walking off a crippling hangover. | 1:31:29 | 1:31:32 | |
-What are you doing? -Attempting to purchase a stock of bamboo | 1:31:32 | 1:31:36 | |
off this fine gentleman here, but his price is exorbitant. | 1:31:36 | 1:31:40 | |
My head is... too shattered to negotiate. | 1:31:40 | 1:31:44 | |
COW MOOS LOUDLY | 1:31:44 | 1:31:47 | |
So, | 1:31:49 | 1:31:51 | |
-would you like a ride home? -On what? The buffalo? | 1:31:51 | 1:31:56 | |
BACKGROUND MUSIC DROWNS SPEECH | 1:32:15 | 1:32:17 | |
You see, we're diverting it from these fields temporarily | 1:32:42 | 1:32:45 | |
sending it into the centre of town, where they can get at it easily. | 1:32:45 | 1:32:48 | |
It's over a half-mile. It gave us a devil of a time! | 1:32:48 | 1:32:51 | |
Oh, Mother. | 1:34:22 | 1:34:25 | |
-Am I going to die? -Come, come. You mustn't be so silly. | 1:34:26 | 1:34:30 | |
Listen, ma chere. | 1:34:30 | 1:34:33 | |
Is it possible you are with child? | 1:34:33 | 1:34:35 | |
-No. -Oh, yes. | 1:34:38 | 1:34:40 | |
-No. -Yes! | 1:34:40 | 1:34:42 | |
I mean... | 1:34:42 | 1:34:44 | |
I... | 1:34:44 | 1:34:46 | |
I suppose it's possible. | 1:34:48 | 1:34:50 | |
-There is no doubt about it. -Yes. Sister St Joseph knew at once. | 1:34:50 | 1:34:54 | |
She comes from a large family. She has experience in these matters. | 1:34:54 | 1:34:58 | |
(SIGHS) I can't believe it. | 1:34:58 | 1:35:00 | |
Why can't you believe it? Having a child is so natural. | 1:35:00 | 1:35:05 | |
-SPEAKS FRENCH -Yes. | 1:35:05 | 1:35:08 | |
Think how happy your husband will be. | 1:35:08 | 1:35:11 | |
What's happened here? | 1:35:30 | 1:35:32 | |
-I'm alright. -They said you fainted. -I'm fine. | 1:35:32 | 1:35:35 | |
-Let me look. -It's not cholera. -No. I don't think so. | 1:35:35 | 1:35:40 | |
Did you feel nauseous? Or just faint? | 1:35:40 | 1:35:43 | |
Walter, stop. | 1:35:43 | 1:35:45 | |
I'm pregnant. | 1:35:47 | 1:35:50 | |
A baby? | 1:35:50 | 1:35:51 | |
-You're quite certain? -Yes. | 1:35:55 | 1:35:58 | |
Well, that's wonderful. | 1:36:01 | 1:36:04 | |
How long...do you think you've been like this? | 1:36:08 | 1:36:12 | |
Two months. | 1:36:13 | 1:36:15 | |
Maybe longer. | 1:36:15 | 1:36:17 | |
Kitty... | 1:36:34 | 1:36:36 | |
Am I the father? | 1:36:39 | 1:36:41 | |
I honestly don't know. | 1:36:45 | 1:36:47 | |
I'm sorry. | 1:36:49 | 1:36:51 | |
Well... | 1:36:57 | 1:36:59 | |
..it doesn't matter now... | 1:37:04 | 1:37:06 | |
-..does it? -No. | 1:37:07 | 1:37:11 | |
No, it doesn't. | 1:37:13 | 1:37:14 | |
Ssh... | 1:37:26 | 1:37:29 | |
CHEERING | 1:38:00 | 1:38:03 | |
Dr Fane? | 1:38:13 | 1:38:16 | |
Come with me. | 1:38:16 | 1:38:18 | |
-Where are they coming from? -The cholera spread along the river. | 1:38:33 | 1:38:37 | |
They have no doctors or facilities. | 1:38:37 | 1:38:39 | |
They'll contaminate everything. We must keep them out! | 1:38:39 | 1:38:42 | |
Dr Fane. | 1:38:42 | 1:38:44 | |
Dr Fane! | 1:38:56 | 1:38:58 | |
-Stop. -SPEAKS MANDARIN | 1:39:11 | 1:39:14 | |
Stop there. We can help you here. | 1:39:15 | 1:39:17 | |
Colonel, tell them not to go into town! Tell them we'll help here! | 1:39:17 | 1:39:22 | |
TENSE SHOUTING | 1:39:22 | 1:39:24 | |
CHILDREN SING IN FRENCH | 1:39:41 | 1:39:44 | |
Mrs Fane. Gather all the children in the music room. | 1:39:47 | 1:39:51 | |
Wait here. | 1:39:51 | 1:39:52 | |
Let's go! | 1:39:52 | 1:39:55 | |
MOB SHOUTS | 1:40:00 | 1:40:02 | |
SCREAMING | 1:40:04 | 1:40:05 | |
SCREAMING AND SHOUTING | 1:40:16 | 1:40:18 | |
NUNS SHOUT IN FRENCH | 1:40:20 | 1:40:23 | |
Hey! That boy, bring him here. | 1:40:30 | 1:40:33 | |
Bring him in. | 1:40:33 | 1:40:36 | |
ANGRY SHOUTING OUTSIDE | 1:40:42 | 1:40:44 | |
LOUD BANG | 1:40:48 | 1:40:49 | |
CHILD SPEAKS ANXIOUSLY IN FRENCH | 1:40:49 | 1:40:51 | |
Sssh. | 1:40:52 | 1:40:55 | |
GUNSHOT | 1:40:55 | 1:40:57 | |
I don't understand. Why didn't he wake me? | 1:42:42 | 1:42:46 | |
He made an early start. And you needed the rest. | 1:42:46 | 1:42:50 | |
How far is the refugee camp? | 1:42:50 | 1:42:53 | |
Just outside the town, in the foothills. | 1:42:53 | 1:42:57 | |
Dr Fane told me he wanted you to leave, but you would not. | 1:42:59 | 1:43:03 | |
-I didn't want to leave you. -Yes, and we appreciate it, dear child, | 1:43:03 | 1:43:08 | |
but... I think you did not want to leave him either. | 1:43:08 | 1:43:12 | |
Well...it's my duty. | 1:43:12 | 1:43:16 | |
Duty is only washing your hands when they are dirty! | 1:43:16 | 1:43:20 | |
I fell in love when I was 17. With God. | 1:43:22 | 1:43:27 | |
A foolish girl with romantic notions about the life of a religious. | 1:43:27 | 1:43:33 | |
But my love was passionate. | 1:43:33 | 1:43:37 | |
Over the years my feelings have changed. | 1:43:38 | 1:43:42 | |
He's disappointed me. Ignored me. | 1:43:42 | 1:43:46 | |
We've settled into... | 1:43:46 | 1:43:48 | |
a relationship of peaceful indifference. | 1:43:48 | 1:43:52 | |
The old husband and wife who sit side by side on the sofa, | 1:43:52 | 1:43:55 | |
but rarely speak. | 1:43:55 | 1:43:58 | |
He knows I will never leave him. | 1:43:58 | 1:44:01 | |
This is my duty. | 1:44:01 | 1:44:03 | |
But when love and duty are one, | 1:44:03 | 1:44:07 | |
then grace is within you. | 1:44:07 | 1:44:10 | |
Your soldier is waiting to take you back. | 1:44:13 | 1:44:18 | |
I'd rather stay. | 1:44:18 | 1:44:20 | |
No. | 1:44:20 | 1:44:22 | |
CRICKETS CHIRRUP | 1:44:29 | 1:44:32 | |
WOMAN SPEAKS URGENTLY IN MANDARIN | 1:44:33 | 1:44:37 | |
What? What is it? | 1:44:37 | 1:44:40 | |
Mrs Fane? | 1:44:40 | 1:44:43 | |
Mr Waddington? | 1:44:43 | 1:44:44 | |
It's your husband. | 1:44:44 | 1:44:47 | |
What? What is it? | 1:44:47 | 1:44:48 | |
He's been taken ill. | 1:44:48 | 1:44:51 | |
Oh! | 1:44:51 | 1:44:52 | |
Where is he? | 1:45:09 | 1:45:11 | |
Mrs Fane... | 1:45:14 | 1:45:16 | |
-Walter! -She can't be here. It's not safe. | 1:45:23 | 1:45:26 | |
-Waddington! -I'm afraid I've got no say in the matter. | 1:45:26 | 1:45:29 | |
I don't want an audience. | 1:45:41 | 1:45:43 | |
You have to go. | 1:45:43 | 1:45:44 | |
-Your baby... -Please, you must go. | 1:45:44 | 1:45:48 | |
Walter, tell me what I should do. | 1:45:54 | 1:45:57 | |
Slow that drip down. It's running too fast. | 1:45:57 | 1:46:00 | |
Good. | 1:46:00 | 1:46:01 | |
-LABOURED BREATHING -Kitty? Kitty. | 1:46:01 | 1:46:05 | |
It's going to get much worse before it breaks. | 1:46:07 | 1:46:11 | |
Are you prepared for this? | 1:46:11 | 1:46:13 | |
Yes. | 1:46:14 | 1:46:16 | |
MUFFLED WEEPING | 1:46:22 | 1:46:24 | |
GROANS | 1:46:38 | 1:46:40 | |
GROANS SHARPLY | 1:46:49 | 1:46:51 | |
What is it? | 1:47:04 | 1:47:05 | |
Can you send for more? | 1:47:08 | 1:47:10 | |
Kitty. | 1:47:52 | 1:47:53 | |
Kitty. | 1:47:57 | 1:47:59 | |
Oh, you're awake. | 1:48:01 | 1:48:03 | |
Are you feeling better? | 1:48:06 | 1:48:09 | |
Forgive me. | 1:48:30 | 1:48:33 | |
Forgive you? | 1:48:35 | 1:48:38 | |
There's nothing to forgive. | 1:48:43 | 1:48:46 | |
SOBS | 1:48:57 | 1:48:58 | |
Walter... | 1:49:06 | 1:49:09 | |
I'm sorry. | 1:49:10 | 1:49:13 | |
I'm so sorry. | 1:49:41 | 1:49:43 | |
Mrs Fane? | 1:49:44 | 1:49:46 | |
Dr Fane would want to be buried immediately. | 1:49:49 | 1:49:52 | |
Yes, of course. | 1:49:55 | 1:49:57 | |
MUSIC: "A La Claire Fontaine" | 1:50:15 | 1:50:18 | |
# A la claire fontaine, m'en allant promener | 1:50:18 | 1:50:24 | |
# J'ai trouve l'eau si belle que je m'y suis baigne | 1:50:24 | 1:50:31 | |
-CHILDREN'S CHOIR: -# Il y a lontemps que je t'aime | 1:50:31 | 1:50:34 | |
# Jamais je ne t'oublierai | 1:50:34 | 1:50:38 | |
# Sous les feuilles d'un chene, je me suis fait secher | 1:50:38 | 1:50:43 | |
# Sur la plus haute branche, un rossignol chantait | 1:50:43 | 1:50:50 | |
# Il y a lontemps que je t'aime | 1:50:50 | 1:50:53 | |
# Jamais je ne t'oublierai | 1:50:53 | 1:50:57 | |
# Chante, rossignol, chante, toi qui as le coeur gai | 1:50:57 | 1:51:03 | |
# Tu as le coeur a rire, moi je l'ai a pleurer... # | 1:51:03 | 1:51:08 | |
-What are you doing? -# Il y a lontemps que je t'aime | 1:51:08 | 1:51:12 | |
# Jamais je ne t'oublierai | 1:51:12 | 1:51:17 | |
# J'ai perdu mon ami sans l'avoir merite | 1:51:17 | 1:51:22 | |
# Pour un bouquet de roses que | 1:51:22 | 1:51:26 | |
# je lui refusais | 1:51:26 | 1:51:29 | |
# Il y a lontemps que je t'aime | 1:51:29 | 1:51:33 | |
# Jamais je ne t'oublierai | 1:51:33 | 1:51:37 | |
# Je voudrais que la rose fut encore au rosier | 1:51:37 | 1:51:43 | |
# Et que mon douce ami fut encore a m'aimer | 1:51:43 | 1:51:51 | |
# Il y a lontemps que je t'aime | 1:51:51 | 1:51:54 | |
# Jamais je ne t'oublierai | 1:51:54 | 1:51:58 | |
# A la claire fontaine, M'en allant promener | 1:51:58 | 1:52:04 | |
# J'ai trouve l'eau si belle Que je m'y suis baigne | 1:52:04 | 1:52:11 | |
# Il y a longtemps que je t'aime | 1:52:11 | 1:52:14 | |
# Jamais je ne t'oublierai | 1:52:14 | 1:52:18 | |
# Sous les feuilles d'un chene, Je me suis fait secher | 1:52:18 | 1:52:24 | |
# Sur la plus haute branche, Un rossignol chantait | 1:52:24 | 1:52:30 | |
# Il y a longtemps que je t'aime | 1:52:30 | 1:52:34 | |
# Jamais je ne t'oublierai. # | 1:52:34 | 1:52:39 | |
It's silly, really. | 1:52:50 | 1:52:52 | |
They'll die in a week. It's hardly worth the cost. | 1:52:52 | 1:52:56 | |
-What do you think? -I think they're quite nice. | 1:52:57 | 1:53:00 | |
Really? | 1:53:00 | 1:53:03 | |
I think you're right. | 1:53:03 | 1:53:05 | |
We better hurry. Grandfather's waiting. | 1:53:11 | 1:53:14 | |
Kitty Fane? | 1:53:16 | 1:53:19 | |
-As I live and breathe! -Hello, Charlie. | 1:53:21 | 1:53:25 | |
What are you doing in London? | 1:53:25 | 1:53:28 | |
I know it's been a long time. | 1:53:29 | 1:53:32 | |
I should have written. | 1:53:33 | 1:53:35 | |
Who's this fine chap? Hello, young man. | 1:53:37 | 1:53:40 | |
-What's your name? -Walter. | 1:53:40 | 1:53:42 | |
Hello, Walter. | 1:53:42 | 1:53:44 | |
I'm Charlie Townsend. | 1:53:44 | 1:53:46 | |
-How old are you? -Five. | 1:53:46 | 1:53:49 | |
-Five... -Come on, darling. We should really press on. | 1:53:49 | 1:53:53 | |
Yes, of course. | 1:53:53 | 1:53:55 | |
Well, it's... lovely seeing you again. | 1:53:55 | 1:53:58 | |
And you. | 1:53:58 | 1:54:00 | |
-Goodbye, Walter. -Goodbye. | 1:54:01 | 1:54:03 | |
Kitty... | 1:54:07 | 1:54:09 | |
I'm going to be in London for three weeks. Perhaps... | 1:54:09 | 1:54:12 | |
Goodbye, Mr Townsend. | 1:54:12 | 1:54:14 | |
Goodbye, Mrs Fane. | 1:54:15 | 1:54:16 | |
Who was that, Mummy? | 1:54:20 | 1:54:22 | |
No-one important, darling. | 1:54:22 | 1:54:25 |