Browse content similar to Under the Tuscan Sun. Check below for episodes and series from the same categories and more!
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This programme contains some strong language. | 0:00:02 | 0:00:08 | |
-(APPLAUSE) -Before I start signing these, | 0:00:08 | 0:00:11 | |
I need to thank somebody who's here tonight. | 0:00:11 | 0:00:14 | |
When I had her at State - that didn't sound right! | 0:00:14 | 0:00:17 | |
I never had her. Wanted her, but never had her. | 0:00:17 | 0:00:20 | |
I meant to say when I took her class at State | 0:00:20 | 0:00:23 | |
I had the worst case of writer's block in the world. | 0:00:23 | 0:00:27 | |
All I had were terrible ideas. I hated them. | 0:00:27 | 0:00:30 | |
I was just about to drop the class when she said something to me | 0:00:30 | 0:00:34 | |
that changed everything. | 0:00:34 | 0:00:37 | |
She said, "Terrible ideas are like playground scapegoats. | 0:00:39 | 0:00:43 | |
"With the right encouragement, they grow up to be geniuses." | 0:00:43 | 0:00:47 | |
She told me to take one of my terrible ideas and work on it. | 0:00:47 | 0:00:51 | |
Well... I did! | 0:00:51 | 0:00:53 | |
(ALL LAUGH / APPLAUD) | 0:00:53 | 0:00:55 | |
Frances Mayes, who loves terrible ideas! | 0:00:55 | 0:00:59 | |
-May I please French-kiss you now? -(ALL LAUGH) Married, William. Sorry. | 0:00:59 | 0:01:04 | |
-Proud of me? -Ridiculously. | 0:01:08 | 0:01:11 | |
-These are amazing. What did you do? -Chocolate is timing, my friend. | 0:01:11 | 0:01:15 | |
-The rest is magic. -Hey, Professor. | 0:01:15 | 0:01:18 | |
Where's the wine? | 0:01:18 | 0:01:20 | |
Tom is one lucky bastard. A literary wife who makes brownies! | 0:01:20 | 0:01:24 | |
If you tell me you cook in the nude I'll go home and kill myself. | 0:01:24 | 0:01:28 | |
Never. Always in a thong. | 0:01:28 | 0:01:30 | |
If you knew Frances better, you'd know these are a sign of avoidance. | 0:01:30 | 0:01:34 | |
-Thanks(!) -How's the novel going? | 0:01:34 | 0:01:36 | |
Not so well, but the procrastination course is doing fabulously. | 0:01:36 | 0:01:40 | |
Soon it will breed abject self-loathing, | 0:01:40 | 0:01:43 | |
-then I'll be a writing machine. -It's her process. -What about Tom? | 0:01:43 | 0:01:47 | |
-How's his book going? -Fine. He's home-writing right now. | 0:01:47 | 0:01:51 | |
-You know Tom? -I met him recently, by coincidence. | 0:01:51 | 0:01:55 | |
-Oh? -The other coincidence is that, er, | 0:01:55 | 0:01:58 | |
-you reviewed a book of mine. -I did? | 0:01:58 | 0:02:01 | |
-Did I like it? -Er, you didn't. | 0:02:02 | 0:02:04 | |
Oh, well, I'm sorry. | 0:02:04 | 0:02:06 | |
I'm sure a lot of other critics loved it, | 0:02:06 | 0:02:09 | |
and I really hope you didn't take it personally. | 0:02:09 | 0:02:13 | |
You, er, called my lead character unrealistic. | 0:02:13 | 0:02:18 | |
I think that bad reviews should just be forgotten. | 0:02:18 | 0:02:21 | |
-Give him a brownie. -And I'd like to give you this brownie. | 0:02:21 | 0:02:24 | |
-It comes in peace. -You said you couldn't get interested in a novel | 0:02:24 | 0:02:30 | |
where the protagonist was a middle-aged guy | 0:02:30 | 0:02:32 | |
who spent all his time living out his horny teenage fantasies. | 0:02:32 | 0:02:36 | |
I just...find that ironic. | 0:02:36 | 0:02:39 | |
Ironic? Why? | 0:02:39 | 0:02:42 | |
Ask your husband. | 0:02:44 | 0:02:45 | |
What did he just say? | 0:02:56 | 0:02:58 | |
Frances? | 0:03:17 | 0:03:19 | |
Frances? | 0:03:19 | 0:03:20 | |
I've got some unfortunate news for you. | 0:03:23 | 0:03:27 | |
I just got off the phone with your husband's attorney, | 0:03:27 | 0:03:30 | |
and they're going to pursue alimony. | 0:03:30 | 0:03:33 | |
How can we be talking about alimony | 0:03:36 | 0:03:38 | |
when I hardly make enough money to, er...? | 0:03:38 | 0:03:41 | |
But you supported him during the marriage. | 0:03:41 | 0:03:43 | |
Yes, while he was researching and writing his book. | 0:03:43 | 0:03:47 | |
I worked while he pretended to be. | 0:03:47 | 0:03:50 | |
-Unfortunately this is just about the math. -He was having an affair. | 0:03:50 | 0:03:54 | |
California's a no-fault state. | 0:03:54 | 0:03:57 | |
His attorney says your husband would prefer an alimony buy-out. | 0:03:57 | 0:04:01 | |
He says the two of you were living rather modestly. | 0:04:01 | 0:04:04 | |
I don't think the numbers should be too bad, probably something like... | 0:04:04 | 0:04:09 | |
200,000. | 0:04:09 | 0:04:11 | |
-I don't have that kind of money! -Unfortunately you do. | 0:04:11 | 0:04:15 | |
The house... | 0:04:16 | 0:04:18 | |
-Its value went through the roof since you bought it. -Oh. | 0:04:18 | 0:04:23 | |
And renovated it with my mother's money. | 0:04:23 | 0:04:26 | |
It's all community property now. | 0:04:26 | 0:04:28 | |
(SNIFFS) Mm. | 0:04:28 | 0:04:31 | |
So he gets... | 0:04:31 | 0:04:32 | |
half the house...and alimony. | 0:04:32 | 0:04:36 | |
There's leeway in the numbers. We'll make the all the arguments we can, | 0:04:36 | 0:04:40 | |
-but there's a bargaining chip. He wants the house. -To live there? | 0:04:40 | 0:04:44 | |
Yeah. | 0:04:44 | 0:04:46 | |
And if you let him have it, you could end up with a lot of money. | 0:04:46 | 0:04:52 | |
I understand he wants it pretty badly. | 0:04:52 | 0:04:55 | |
Oh. Er... Sorry, this is so surreal! | 0:04:55 | 0:04:58 | |
How... How would he even find the money to buy me out of my house? | 0:04:59 | 0:05:04 | |
Oh! | 0:05:06 | 0:05:09 | |
Oh. | 0:05:09 | 0:05:11 | |
-Well... -Apparently she likes the place. | 0:05:12 | 0:05:16 | |
It's near the right schools. | 0:05:16 | 0:05:18 | |
Schools? | 0:05:20 | 0:05:22 | |
She's...? | 0:05:22 | 0:05:24 | |
You're g... You're going to get over this. You will, Frances. | 0:05:32 | 0:05:36 | |
-Some day you're going to be happy again. -Mmm. | 0:05:38 | 0:05:41 | |
Mmm. | 0:05:41 | 0:05:42 | |
Right. | 0:05:42 | 0:05:44 | |
-And your desk? -The desk goes. | 0:05:44 | 0:05:47 | |
No. The desk can stay. | 0:05:47 | 0:05:51 | |
-The couch? -Yes, please. | 0:05:51 | 0:05:53 | |
Vamos con la sofa, por favor. Y de prisa. | 0:05:53 | 0:05:56 | |
Wait a minute. Er, no. The sofas can stay. | 0:05:58 | 0:06:02 | |
Esperense, por favor. | 0:06:02 | 0:06:04 | |
-How about the chairs? -They stay, too. | 0:06:06 | 0:06:09 | |
Actually, everything's going to stay except, er... | 0:06:09 | 0:06:12 | |
..those boxes over there, those three boxes with the books in them... | 0:06:14 | 0:06:17 | |
-..if you don't mind. -You sure? | 0:06:19 | 0:06:22 | |
-Yeah. -The bedroom? | 0:06:22 | 0:06:25 | |
No. | 0:06:27 | 0:06:28 | |
-The kitchen? -No. | 0:06:28 | 0:06:31 | |
Levantense los cartones, por favor. | 0:06:31 | 0:06:34 | |
So then...we're done? | 0:06:35 | 0:06:38 | |
We're done. | 0:06:39 | 0:06:41 | |
You getting a divorce? | 0:07:02 | 0:07:03 | |
It shows? | 0:07:06 | 0:07:07 | |
In furnished short-term apartments, that's all we get. | 0:07:09 | 0:07:12 | |
Your neighbour in 2B, he's an attorney. | 0:07:12 | 0:07:15 | |
His divorce has been dragging on for three years. | 0:07:15 | 0:07:18 | |
Nice guy! Gives free legal advice to the other tenants. | 0:07:18 | 0:07:22 | |
< (SOBBING) | 0:07:22 | 0:07:25 | |
If his crying gets on your nerves, just bang on the wall. He'll stop. | 0:07:25 | 0:07:29 | |
'Sorry!' | 0:07:29 | 0:07:31 | |
Guy upstairs is a doctor. He hands out the sleeping pills. | 0:07:33 | 0:07:36 | |
-What do you do? -I'm a writer. | 0:07:36 | 0:07:39 | |
So you can help the others with their suicide notes. | 0:07:39 | 0:07:43 | |
Ah, you're one of those funny landlords. | 0:07:43 | 0:07:46 | |
Not really. I... | 0:07:46 | 0:07:48 | |
Well, here's your keys. | 0:07:49 | 0:07:51 | |
Have a good stay. | 0:07:51 | 0:07:54 | |
Thanks. | 0:07:55 | 0:07:56 | |
(SIREN WAILS / TRAFFIC RUMBLES) | 0:07:59 | 0:08:02 | |
Home. | 0:08:09 | 0:08:11 | |
Ta-dah! | 0:08:18 | 0:08:20 | |
You start a marriage with cake. You should finish it that way, too! | 0:08:20 | 0:08:24 | |
The beginning and the end should be fun. | 0:08:24 | 0:08:27 | |
-Too bad about those pesky years in the middle. -Sorry! | 0:08:27 | 0:08:31 | |
-Things got crazy at the hospital. -Hi. -Made it in time for a toast. | 0:08:31 | 0:08:36 | |
Bravo! | 0:08:36 | 0:08:38 | |
-Freedom. -To freedom. -Thanks. | 0:08:38 | 0:08:41 | |
You're not drinking. | 0:08:46 | 0:08:48 | |
-You're not drinking! -Fifth time's a charm! -Oh, my God! | 0:08:48 | 0:08:52 | |
Patti! When are you due? | 0:08:52 | 0:08:55 | |
-May. -May! Oh, my God! | 0:08:55 | 0:08:58 | |
I'm going to be an auntie! (APPLAUSE) I'm going to be an auntie! | 0:08:58 | 0:09:02 | |
-It changes our plans a bit. -Well, of course. | 0:09:06 | 0:09:09 | |
We were about to take a ten-day tour to Tuscany, | 0:09:09 | 0:09:12 | |
-but I don't want Patti flying in her first trimester. -Small sacrifice. | 0:09:12 | 0:09:16 | |
So we decided to change our coach tickets into an upgraded ticket... | 0:09:16 | 0:09:22 | |
-for you. -(LAUGHS) | 0:09:22 | 0:09:24 | |
Oh... | 0:09:26 | 0:09:28 | |
this is amazing. | 0:09:28 | 0:09:30 | |
Really generous. Thank you. | 0:09:30 | 0:09:33 | |
-No. -How can you say no to Tuscany? | 0:09:33 | 0:09:37 | |
No. Like that. | 0:09:37 | 0:09:40 | |
-That's your depression speaking. -Well, it doesn't speak Italian. | 0:09:40 | 0:09:43 | |
Speaks a little high-school French. Besides, I'm not depressed. | 0:09:43 | 0:09:48 | |
-Then, why live with those losers? -Be nice. Those are my people. | 0:09:48 | 0:09:51 | |
-That's not a place you live. -Guys, come on. | 0:09:51 | 0:09:54 | |
Thank you so much. | 0:09:54 | 0:09:57 | |
There is no way that I can go on a romantic trip to Tuscany right now. | 0:09:57 | 0:10:01 | |
-I'm not ready to meet anyone. -Oh, you won't, we assure you. -Oh? | 0:10:01 | 0:10:05 | |
-It's a gay tour of romantic Tuscany. -Oh! | 0:10:07 | 0:10:10 | |
So it will be relaxing for you. It'll be mostly couples, | 0:10:10 | 0:10:14 | |
no-one will hit on you or check you out... | 0:10:14 | 0:10:16 | |
You can just listen to your own inner voice. | 0:10:16 | 0:10:20 | |
My inner voice? My inner voice that would be saying... | 0:10:20 | 0:10:24 | |
"What the fuck am I doing on a gay tour of Tuscany?" | 0:10:24 | 0:10:27 | |
Frances, it's Italy! It-a-ly! | 0:10:27 | 0:10:29 | |
Plus you could use it as a time to start writing. | 0:10:29 | 0:10:33 | |
Mm. Well, I'm busy. | 0:10:33 | 0:10:35 | |
-I have to review all those books. -Instead of working on your own. | 0:10:35 | 0:10:39 | |
Wow. | 0:10:39 | 0:10:40 | |
A-Are you being mean, or just hormonal? | 0:10:40 | 0:10:44 | |
-(PAGER BUZZES) -OK. Don't kill each other till I get back. | 0:10:44 | 0:10:49 | |
(SIGHS) | 0:10:50 | 0:10:52 | |
Can we please just talk about the baby? | 0:10:52 | 0:10:54 | |
-I think you're in danger. -Of? | 0:10:54 | 0:10:58 | |
Of never recovering. | 0:10:58 | 0:11:01 | |
You know when you come across... one of those empty-shell people, | 0:11:01 | 0:11:06 | |
and you think, "What the hell happened to you?" | 0:11:06 | 0:11:09 | |
Well, there came a time in each one of those lives | 0:11:09 | 0:11:12 | |
-where they were standing at a crossroads. -Crossroads? | 0:11:12 | 0:11:16 | |
God, that is so Oprah! | 0:11:16 | 0:11:18 | |
Where they had to decide to turn left or right. | 0:11:18 | 0:11:21 | |
-This is not a time to be a chickenshit! -I'm not! | 0:11:21 | 0:11:25 | |
-I'm not. -Promise me you'll think about it. | 0:11:25 | 0:11:29 | |
I'll think about it, | 0:11:29 | 0:11:31 | |
OK? | 0:11:31 | 0:11:33 | |
I got a feeling about you. | 0:11:33 | 0:11:36 | |
-You looking for a place to stay? -Yeah. -You getting a divorce? | 0:11:36 | 0:11:40 | |
-What?! -We got short-term apartments, | 0:11:40 | 0:11:42 | |
but don't worry, some people stay for years. We got a writer, | 0:11:42 | 0:11:46 | |
a doctor - he could help you out... | 0:11:46 | 0:11:49 | |
< (SOBBING) | 0:11:49 | 0:11:51 | |
-HEY! -'Sorry!' | 0:11:59 | 0:12:01 | |
OK! | 0:12:01 | 0:12:02 | |
-'You want to come over?' -NO! | 0:12:03 | 0:12:05 | |
Maybe later. | 0:12:10 | 0:12:12 | |
'(MOANS DISTRAUGHTLY / SOBS)' | 0:12:12 | 0:12:15 | |
Maybe later... | 0:12:17 | 0:12:18 | |
-'Hello?' -Patti...when do I leave? | 0:12:37 | 0:12:40 | |
Hi, everybody. I'm David. This is your driver Eduardo, and you... | 0:12:48 | 0:12:51 | |
-are gay and away! -(ALL CHEER / WHOOP DELIGHTEDLY) | 0:12:51 | 0:12:56 | |
And welcome to your first day of a romantic tour of Tuscany. | 0:12:56 | 0:13:00 | |
I saw most of you hob-nobbing on the plane, | 0:13:00 | 0:13:04 | |
but I want to make extra sure that you've all met Frances. | 0:13:04 | 0:13:07 | |
-(ALL CHATTER) -Now, Frances is straight, | 0:13:07 | 0:13:10 | |
and she just survived a terrible divorce. | 0:13:10 | 0:13:13 | |
Her friend Patti says she really needs our support, so, Frances... | 0:13:13 | 0:13:18 | |
why don't you stand up and let everyone say hello? | 0:13:18 | 0:13:21 | |
(ALL) Ah, come on! No... | 0:13:21 | 0:13:25 | |
-Hi! -Screw the bastard! Have some fun! | 0:13:25 | 0:13:28 | |
(ALL CHEER) | 0:13:28 | 0:13:32 | |
OK, everyone! Follow the flower! | 0:13:32 | 0:13:34 | |
Ugh! God, I cannot believe it's raining! | 0:13:34 | 0:13:38 | |
OK, everyone! We're here! Yeah! | 0:13:38 | 0:13:41 | |
-OK! -Oof! Sorry. | 0:13:41 | 0:13:43 | |
'You're empty! Anyone want more? | 0:13:53 | 0:13:56 | |
'Whoo! Anyone want more wine?' | 0:13:56 | 0:13:58 | |
-A little more vino? -(ALL CHATTER) | 0:13:58 | 0:14:01 | |
-Frances, you want more? -Mm-hm. | 0:14:05 | 0:14:07 | |
You got to loosen up, honey! | 0:14:07 | 0:14:09 | |
Quanta costa, per favore? | 0:14:40 | 0:14:42 | |
(ALL CHATTER) | 0:14:42 | 0:14:46 | |
-Buongiorno. -Uno bunch, er... | 0:14:54 | 0:14:57 | |
-(SPEAKS ITALIAN) -Si. | 0:14:57 | 0:15:00 | |
(DUCKLINGS PEEP) | 0:15:00 | 0:15:03 | |
-Sara tre mila. -What? | 0:15:10 | 0:15:13 | |
-Tre mila. -Tre mila! | 0:15:13 | 0:15:15 | |
(DUCKING PEEPS) | 0:15:16 | 0:15:19 | |
Pretty awesome, isn't it? | 0:15:52 | 0:15:55 | |
Yes, I think you could say that. Pretty awesome. | 0:15:55 | 0:16:00 | |
How am I going to get through these? | 0:16:01 | 0:16:04 | |
How do you begin to describe all this? | 0:16:04 | 0:16:06 | |
Well, if you have a pen, I could write it for you. | 0:16:06 | 0:16:10 | |
-Are you a good writer? -I used to be. | 0:16:10 | 0:16:15 | |
All right! Well, have a go. | 0:16:16 | 0:16:19 | |
-Er, to my mom. -"Dear Mom"... | 0:16:20 | 0:16:23 | |
'Dear Mom, | 0:16:26 | 0:16:29 | |
'it's market day in Cortona. The piazza is an ongoing party, | 0:16:29 | 0:16:34 | |
'and everyone is invited. | 0:16:34 | 0:16:37 | |
'Cliches converge at this navel of the world. You almost want to laugh, | 0:16:37 | 0:16:41 | |
'but you can't help feeling that these Italians know more about having fun | 0:16:41 | 0:16:45 | |
'than we do. I eat a hot grape from the market, | 0:16:45 | 0:16:48 | |
'and the violet sweetness breaks open in my mouth. | 0:16:48 | 0:16:52 | |
'It even smells purple. I wish I could stay, | 0:16:52 | 0:16:54 | |
'but the bell of the campanile reminds me of time. "Ding, ding, dong," | 0:16:54 | 0:17:00 | |
'the bell says instead of "Ding-dong". Wish you were here.' Love...? | 0:17:00 | 0:17:05 | |
Er, Rodney. | 0:17:05 | 0:17:07 | |
Thanks. | 0:17:10 | 0:17:12 | |
"It even smells purple"? She'll never believe I wrote this! | 0:17:17 | 0:17:20 | |
Keep it. "Ding, dang, dong goes the bell"! | 0:17:20 | 0:17:23 | |
I'm sorry! | 0:17:25 | 0:17:27 | |
Bramasole... | 0:17:45 | 0:17:47 | |
"Bramma-solay"! From "bramare" - "to yearn for", | 0:17:47 | 0:17:51 | |
and "sole" - "the sun". It's a nice little villa, | 0:17:51 | 0:17:55 | |
rather run down, but redeemable. Are you going to buy it? | 0:17:55 | 0:17:58 | |
(LAUGHS) No! No, no, no. I'm... I'm just a tourist. Here for today. | 0:17:58 | 0:18:03 | |
-So? -Well, who wouldn't want to buy a villa in Tuscany? | 0:18:03 | 0:18:08 | |
But, er, the way my life's been going... | 0:18:08 | 0:18:12 | |
-..it'd be a terrible idea. -Terrible idea. | 0:18:13 | 0:18:16 | |
Mmm. | 0:18:16 | 0:18:19 | |
And she does love those! | 0:18:19 | 0:18:20 | |
(SHEPHERDS SHOUT IN ITALIAN) | 0:18:42 | 0:18:44 | |
-Sorry, everybody! Unscheduled stop. -Sheep. | 0:18:47 | 0:18:50 | |
Stop the bus! | 0:19:19 | 0:19:21 | |
Stop the bus! (BRAKES HISS) | 0:19:21 | 0:19:24 | |
(KNOCKS) Hello? | 0:20:00 | 0:20:03 | |
Hello? | 0:20:03 | 0:20:05 | |
Shit. | 0:20:09 | 0:20:11 | |
(GASPS) | 0:20:21 | 0:20:23 | |
Oh, excuse me! Oh, I'm sorry! Scusilo! | 0:20:31 | 0:20:35 | |
-Can I help you, signora? -Yes. I thought the house was for sale. | 0:20:35 | 0:20:39 | |
-I didn't make an appointment. -The house is for sale. | 0:20:39 | 0:20:42 | |
Unfortunately somebody's already buying it. | 0:20:42 | 0:20:46 | |
We like it very much and will buy today. | 0:20:46 | 0:20:49 | |
Very good. Er, one moment, please. | 0:20:49 | 0:20:52 | |
Excuse me. | 0:20:52 | 0:20:54 | |
Hello. (SPEAKS ITALIAN) | 0:20:54 | 0:20:56 | |
(BELL TOLLS MUSICALLY) I'm sorry! | 0:21:04 | 0:21:07 | |
I'm sorry. | 0:21:07 | 0:21:09 | |
I'm afraid the price has changed. | 0:21:09 | 0:21:11 | |
It is now 20 million lire more expensive. | 0:21:13 | 0:21:16 | |
It got more valuable in the last five minutes?! | 0:21:16 | 0:21:18 | |
The contessa feels she has asked too little since you agreed to buy. | 0:21:18 | 0:21:22 | |
-That is absurd! -Excuse me? | 0:21:22 | 0:21:24 | |
Er, what is...the price? | 0:21:24 | 0:21:28 | |
Are you bidding against us? | 0:21:28 | 0:21:30 | |
-Er... Wait. We accept the new price. -No! | 0:21:30 | 0:21:34 | |
The contessa says that, er... | 0:21:39 | 0:21:42 | |
since there is so much interest in the house, | 0:21:42 | 0:21:45 | |
the price is now double... since the last ten seconds. | 0:21:45 | 0:21:50 | |
You greedy Americans. You think you're so entitled! | 0:21:52 | 0:21:55 | |
-You ruin everything. -A lot of us feel really badly about that. | 0:21:55 | 0:21:59 | |
(IN GERMAN) | 0:21:59 | 0:22:02 | |
-Is it really double the price? -(TRANSLATES) | 0:22:10 | 0:22:14 | |
I can't pay double the price. | 0:22:16 | 0:22:20 | |
But... | 0:22:20 | 0:22:21 | |
please tell the contessa that... | 0:22:21 | 0:22:24 | |
this is what I got for my house recently, in dollars... | 0:22:24 | 0:22:28 | |
(TRANSLATES) | 0:22:28 | 0:22:30 | |
..minus the work on the place... | 0:22:31 | 0:22:34 | |
Er... | 0:22:34 | 0:22:35 | |
Hammers, buckets... | 0:22:35 | 0:22:37 | |
..men... (chocolate)... | 0:22:39 | 0:22:42 | |
..and a rental car to drive off a cliff | 0:22:45 | 0:22:47 | |
when this turns out to have been a terrible mistake. | 0:22:47 | 0:22:50 | |
-That's what I can pay. -Signora... | 0:22:50 | 0:22:53 | |
-..you have not even seen the house. -Oh! | 0:22:55 | 0:22:58 | |
Well... | 0:23:00 | 0:23:01 | |
Well, I, er... | 0:23:03 | 0:23:07 | |
..I...I can't go back to San Francisco. | 0:23:07 | 0:23:10 | |
Er... no. | 0:23:11 | 0:23:13 | |
-No. -I'm sorry, signora. | 0:23:14 | 0:23:16 | |
The contessa's family have lived here for generations, so... | 0:23:16 | 0:23:20 | |
understandably it is very difficult for her to sell. | 0:23:20 | 0:23:24 | |
Money is not the only issue. She needs... | 0:23:24 | 0:23:27 | |
Un segno di Dio! Un segno! | 0:23:27 | 0:23:29 | |
A sign. I understand. I believe in signs, too. | 0:23:29 | 0:23:34 | |
-Well, thank you. Thank you. -Prego. | 0:23:35 | 0:23:39 | |
-Oh! -Oh... -(LAUGHS RUEFULLY) | 0:23:45 | 0:23:48 | |
-Please... -Il segno di Dio! Il segno, il segno! | 0:23:48 | 0:23:52 | |
-What's she saying? -(CHATTERS EXCITEDLY) | 0:23:52 | 0:23:55 | |
-In Italy, what happened just now is a very good sign. -It is? | 0:23:55 | 0:23:59 | |
'Open an account and we'll transfer the money.' | 0:24:02 | 0:24:06 | |
-Here is the legal description of the land. Two oxen, two days. -Sorry? | 0:24:06 | 0:24:10 | |
It's old-fashioned. The land is measured by how long it would take | 0:24:10 | 0:24:13 | |
-two oxen to plough it. -Oh. Oh, that makes sense. | 0:24:13 | 0:24:17 | |
Just like that? Before the money's been transferred? | 0:24:24 | 0:24:28 | |
It's a house. What are you going to do? Steal it? | 0:24:28 | 0:24:32 | |
Besides... Signor Martini likes you. | 0:24:32 | 0:24:35 | |
OK! We'll take care of the rest later. Normale. | 0:24:49 | 0:24:53 | |
-Normale? -Normale. -Normale. | 0:24:53 | 0:24:57 | |
'I have bought a house in a foreign country, | 0:24:59 | 0:25:02 | |
'a house and the land it takes two oxen two days to plough. | 0:25:02 | 0:25:06 | |
'Not having a plough or an ox, I'll have to take their word on that. | 0:25:06 | 0:25:10 | |
'Buyer's remorse is a common affliction among new homeowners. | 0:25:10 | 0:25:14 | |
'Just because you have an acid stomach and an urge to weep | 0:25:14 | 0:25:18 | |
'doesn't mean you've made a mistake. Old houses have their quirks... | 0:25:18 | 0:25:22 | |
'..especially 300-year-old houses. | 0:25:24 | 0:25:27 | |
'I have inherited 10,000 empty wine bottles, | 0:25:28 | 0:25:32 | |
'one grape, | 0:25:32 | 0:25:35 | |
'every issue of La Nazione printed in 1958, | 0:25:35 | 0:25:38 | |
'and assorted previous tenants.' | 0:25:38 | 0:25:41 | |
(SQUELCH!) Ugh! (SHRIEKS) | 0:25:42 | 0:25:45 | |
(SCREAMS) | 0:25:46 | 0:25:48 | |
(CHILD WAILS) | 0:25:53 | 0:25:56 | |
'The trick to overcoming buyer's remorse is to have a plan. | 0:25:57 | 0:26:01 | |
'Take one room and make it yours. | 0:26:01 | 0:26:05 | |
'Go slowly through the house. Be polite. Introduce yourself, | 0:26:05 | 0:26:10 | |
'so it can introduce itself to you.' | 0:26:10 | 0:26:12 | |
You did what?! Frances bought a house in Tuscany! | 0:26:16 | 0:26:20 | |
-And you're going to live there alone?! -I'm not alone. I'm with bugs. | 0:26:20 | 0:26:25 | |
-'Ew!' -How's the belly? -It's, it's growing. | 0:26:25 | 0:26:27 | |
-I can't believe you did this! -(LAUGHS) -'Did you already sign?' | 0:26:27 | 0:26:31 | |
Yes! | 0:26:31 | 0:26:33 | |
-Why? -'Er...' -You think I shouldn't have? | 0:26:33 | 0:26:37 | |
-'Are you saying I made a mistake?' -I dunno. Did you? | 0:26:37 | 0:26:40 | |
I dunno! You're the one who made the empty-shell-person speech! | 0:26:40 | 0:26:45 | |
Oh, yeah. That was me. O-OK! | 0:26:45 | 0:26:47 | |
Wow! So you bought a villa in Tuscany! | 0:26:47 | 0:26:50 | |
-'What's the place like?' -It needs some work. | 0:26:50 | 0:26:54 | |
-Well, who's going to do it? -'I am.' -You?! | 0:26:54 | 0:26:56 | |
-'I never realised you were handy.' -I can do things! | 0:26:56 | 0:27:00 | |
-'I fixed that drain.' -In your kitchen? No, that was me. | 0:27:00 | 0:27:03 | |
-I handed you the rubber thingy. -The plunger? That was Tom! | 0:27:03 | 0:27:07 | |
I can't believe it. Why... Why did you say his name? | 0:27:09 | 0:27:12 | |
I'm sorry. I-I forgot. I'm sorry. | 0:27:12 | 0:27:15 | |
I can make this work. I'm not going to do all the work myself. | 0:27:15 | 0:27:20 | |
I'm in Italy. I can hire the muscular descendants of Roman gods | 0:27:20 | 0:27:24 | |
-to do the heavy lifting. -'Just supervise. Tell them what to do.' | 0:27:24 | 0:27:27 | |
-So have you met him yet? -'Er...who?' | 0:27:27 | 0:27:31 | |
-The guy you're going to meet. -Patti, please. | 0:27:31 | 0:27:34 | |
You know what? It's starting to rain here a little bit, | 0:27:34 | 0:27:38 | |
-so I think I have to go. -'Wait. Fran...' | 0:27:38 | 0:27:41 | |
-Kiss the belly for me, OK? -Fran! -'Bye-bye.' | 0:27:41 | 0:27:44 | |
-(DIALLING TONE) -Can you star-69 Italy? | 0:27:44 | 0:27:48 | |
-No. -I'm going to try. | 0:27:48 | 0:27:51 | |
-Hello? -(THUNDER BOOMS) | 0:27:54 | 0:27:56 | |
(PANTS) OK... | 0:27:59 | 0:28:01 | |
One one thousand, two... (THUNDER ROARS) Jesus! | 0:28:11 | 0:28:15 | |
(SINGS TUNE FROM 1812 OVERTURE WITH DESPERATE CHEERINESS) | 0:28:15 | 0:28:19 | |
Stop it! (SCREECHING) | 0:28:58 | 0:29:01 | |
Oh, my God... Oh, my God! | 0:29:04 | 0:29:07 | |
You're going to be OK. You're safe here. | 0:29:08 | 0:29:12 | |
Just don't fly around, OK? You'll freak me out. | 0:29:12 | 0:29:16 | |
(THUNDER ROARS) (SOBS) (OWL SCREECHES) | 0:29:16 | 0:29:19 | |
Oh, God... | 0:29:19 | 0:29:21 | |
(BIRDS SING) | 0:29:28 | 0:29:31 | |
-Signora? -(GENTLE KNOCKING) | 0:29:32 | 0:29:35 | |
Signora Mayes? | 0:29:35 | 0:29:37 | |
Buongiorno. | 0:29:37 | 0:29:39 | |
-I see you have survived the storm. -I'm alive... | 0:29:42 | 0:29:45 | |
but the, er... the washing machine is dead. | 0:29:45 | 0:29:49 | |
Yes. It is electrocuted. | 0:29:49 | 0:29:51 | |
I am happy to see that you are not. | 0:29:51 | 0:29:54 | |
You, er...you came to check on me? | 0:29:56 | 0:30:00 | |
You're meeting the contractors today and I came to help you. | 0:30:00 | 0:30:05 | |
-One of them is already here. -Here? | 0:30:05 | 0:30:07 | |
Downstairs. | 0:30:07 | 0:30:09 | |
Oh... | 0:30:15 | 0:30:16 | |
He's here. | 0:30:18 | 0:30:20 | |
I was hoping to take this wall down | 0:30:20 | 0:30:23 | |
-and turn these two small rooms into one big room. -Oh, wonderful. | 0:30:23 | 0:30:27 | |
You should have been an architect. You have excellent taste. | 0:30:27 | 0:30:32 | |
So do you think it can be done? | 0:30:32 | 0:30:35 | |
Heating pipes, a week. The bathrooms, three days. | 0:30:35 | 0:30:39 | |
Signora, give me the keys of this place | 0:30:39 | 0:30:42 | |
and in a month I will give you back the keys to your palace. | 0:30:42 | 0:30:46 | |
Just, er... | 0:30:46 | 0:30:47 | |
just leave it to me. | 0:30:49 | 0:30:52 | |
(SIGHS / BEGINS TO RANT IN ITALIAN) | 0:30:52 | 0:30:55 | |
Oh, boom! Boom! Boom! | 0:30:59 | 0:31:02 | |
Oh! Andiamo! | 0:31:07 | 0:31:09 | |
(THUMP!) | 0:31:11 | 0:31:13 | |
-(SPEAKS ITALIAN) -He says he fixed it himself many years ago. | 0:31:18 | 0:31:23 | |
Really? | 0:31:23 | 0:31:25 | |
Want to see the rest of the house? | 0:31:25 | 0:31:27 | |
OK! Yes! | 0:31:28 | 0:31:30 | |
(SPEAKS ITALIAN) | 0:31:31 | 0:31:33 | |
-He suggests he rebuild the wall. -(SPEAKS ITALIAN) | 0:31:34 | 0:31:38 | |
It is important for the structure of the garden. | 0:31:38 | 0:31:42 | |
-(SPEAKS ITALIAN) -He has a team of experts. | 0:31:42 | 0:31:45 | |
(WHISTLES) | 0:31:45 | 0:31:47 | |
-Buongiorno. -Hallo, miss. | 0:31:53 | 0:31:56 | |
We are not Italian. We are from Polonia. | 0:31:56 | 0:31:59 | |
-Poland? Oh. Do you all speak English? -Only me, and only a little. | 0:31:59 | 0:32:04 | |
-I am Pawel! -Oh, hello. Nice to meet you. | 0:32:04 | 0:32:08 | |
-Buongiorno. -Jerzy. | 0:32:10 | 0:32:12 | |
Hello. | 0:32:16 | 0:32:18 | |
Zbignew. | 0:32:18 | 0:32:20 | |
Zbignew... | 0:32:20 | 0:32:22 | |
Frances. | 0:32:22 | 0:32:24 | |
-What do you think of Nino? -I know his mother. | 0:32:26 | 0:32:29 | |
If he does a bad job, it's... | 0:32:29 | 0:32:31 | |
Well, then... | 0:32:31 | 0:32:33 | |
OK! Yes! | 0:32:33 | 0:32:36 | |
OK, yes? Yes? Yes. | 0:32:36 | 0:32:39 | |
OK. Yes! | 0:32:45 | 0:32:48 | |
(LAUGHS) See, Frances? No problem! | 0:33:09 | 0:33:12 | |
(RUMBLING) | 0:33:12 | 0:33:14 | |
Nino?! Oh, God! | 0:33:16 | 0:33:18 | |
(ALL YELL IN TERROR) | 0:33:20 | 0:33:23 | |
(CRASHING) | 0:33:23 | 0:33:25 | |
(RUMBLING) | 0:33:25 | 0:33:27 | |
(RUMBLING SLOWLY FADES TO SILENCE) | 0:33:27 | 0:33:30 | |
(TOTAL SILENCE) | 0:33:30 | 0:33:33 | |
(RUMBLING / CRASHING / METALLIC CLANG OF BELLS FALLING) | 0:33:35 | 0:33:40 | |
(COUGHS) | 0:33:43 | 0:33:46 | |
OK! Yes! | 0:33:46 | 0:33:48 | |
(ALL BEGIN TO LAUGH) | 0:33:59 | 0:34:02 | |
Kurva mach! | 0:34:04 | 0:34:06 | |
'Kurva mach means "holy shit" in Polish. I learned that that day. | 0:34:06 | 0:34:10 | |
'The fact that I'm trying to speak Polish in Italy | 0:34:11 | 0:34:14 | |
'is just one of the many surprises around here.' | 0:34:14 | 0:34:17 | |
-Is he a licensed electrician? -No, a licensed literatura professor. | 0:34:22 | 0:34:27 | |
Czeslaw Milosz. | 0:34:32 | 0:34:35 | |
I like him... Czeslaw Milosz. | 0:34:36 | 0:34:39 | |
'It is only natural that getting to know people should take some time. | 0:34:45 | 0:34:48 | |
'Every day I watch for the old man with the flowers... | 0:34:51 | 0:34:54 | |
'..and I wonder, | 0:34:59 | 0:35:01 | |
'was he born here?' | 0:35:01 | 0:35:03 | |
'Did he love someone here? Did he lose someone here? | 0:35:03 | 0:35:08 | |
'He doesn't seem as curious about me, but that's all right. | 0:35:16 | 0:35:20 | |
'These days I'm something of a loner myself. | 0:35:20 | 0:35:24 | |
'I'm pretty good at staying entertained! | 0:35:28 | 0:35:31 | |
'I like to hang out at a little bar | 0:35:31 | 0:35:33 | |
'conveniently located in my back yard. | 0:35:33 | 0:35:36 | |
'Fortunately there are some things here you just can't do alone. | 0:35:36 | 0:35:41 | |
'My neighbour Placido is teaching me about olives.' | 0:35:41 | 0:35:44 | |
Today is OK, but never pick when is wet, huh? | 0:35:44 | 0:35:47 | |
These look good. | 0:35:49 | 0:35:52 | |
-Ugh! Oh, my God... -Papa! -Si? | 0:35:55 | 0:35:59 | |
OK. | 0:36:01 | 0:36:04 | |
(BOTH CHATTER IN ITALIAN) | 0:36:04 | 0:36:06 | |
-Cara? -Si? | 0:36:20 | 0:36:22 | |
OK. | 0:36:24 | 0:36:26 | |
Ciao! | 0:36:29 | 0:36:32 | |
-(GASPS) -Oops! | 0:36:32 | 0:36:34 | |
Si... Grazie. | 0:36:37 | 0:36:41 | |
Francesca, are you busy tonight? | 0:36:46 | 0:36:49 | |
-No. -Then, come to dinner. It's unhealthy to eat alone. | 0:36:49 | 0:36:53 | |
(ALL CHATTER IN ITALIAN / LAUGH) | 0:37:01 | 0:37:04 | |
(SOBS) | 0:37:11 | 0:37:12 | |
-Is she OK? -She's fine. | 0:37:15 | 0:37:17 | |
Are we celebrating something in particular tonight? | 0:37:28 | 0:37:31 | |
Gratitude to the saints for saving us from droughts, | 0:37:31 | 0:37:34 | |
-mad dogs and glandular disorders. -(ALL LAUGH) | 0:37:34 | 0:37:37 | |
-Katherine! Your hat... -You like it? | 0:37:40 | 0:37:44 | |
I suppose it wasn't such a terrible idea after all, buying a villa. | 0:37:44 | 0:37:48 | |
Are you up there all alone? No lord and master, no consort? | 0:37:48 | 0:37:51 | |
No. Do you have one? | 0:37:51 | 0:37:54 | |
One?! Hah! | 0:37:54 | 0:37:56 | |
-(SOBS) -(SIGHS) | 0:37:59 | 0:38:02 | |
I told you this would happen. Remember? | 0:38:02 | 0:38:05 | |
Don't blame me. I told him not to get her that computer. | 0:38:05 | 0:38:08 | |
She got an e-mail lover, you see? From Ecuador! | 0:38:08 | 0:38:12 | |
Finally she had to tell him her age. | 0:38:12 | 0:38:15 | |
I'm so sorry. | 0:38:26 | 0:38:28 | |
(CHUCKLES) | 0:38:30 | 0:38:32 | |
-Amore! -Si. | 0:38:32 | 0:38:35 | |
-Terribile, huh? -Si. | 0:38:35 | 0:38:38 | |
-(SPEAKS ITALIAN) -Hmm? | 0:38:38 | 0:38:41 | |
(SPEAKS ITALIAN) ..celibe? | 0:38:41 | 0:38:43 | |
Celib... Celibate? | 0:38:43 | 0:38:47 | |
Celibate?! No! (LAUGHS) | 0:38:47 | 0:38:49 | |
No. I mean... (LAUGHS) | 0:38:51 | 0:38:53 | |
Well, er...actually, I have to admit it has been a while. | 0:38:53 | 0:38:58 | |
Celibe in Italian means single. He's not asking when you last had sex. | 0:38:58 | 0:39:04 | |
-He's asking whether or not you're married. -(Oh... Thank you.) | 0:39:04 | 0:39:08 | |
-(CLEARS THROAT) No. -Ah! -I'm not. | 0:39:08 | 0:39:11 | |
He is. | 0:39:17 | 0:39:19 | |
Oh, my God. | 0:39:23 | 0:39:25 | |
-I feel like such an idiot. -Don't. Flirting's a ritual in Italy. | 0:39:25 | 0:39:29 | |
Just enjoy it. Taste this! It's gorgeous. | 0:39:29 | 0:39:32 | |
Mmm! | 0:39:34 | 0:39:35 | |
-(LAUGHS) How do you do it? -Do what? | 0:39:35 | 0:39:39 | |
This. | 0:39:39 | 0:39:41 | |
Well... | 0:39:41 | 0:39:42 | |
hats make me happy. And ice cream. | 0:39:42 | 0:39:46 | |
Ice cream changed my fate. | 0:39:46 | 0:39:48 | |
It was because of ice cream that my beloved FeFe discovered me! | 0:39:48 | 0:39:53 | |
-FeFe? -Il maestro! | 0:39:53 | 0:39:55 | |
-Who? -Federico, darling! | 0:39:55 | 0:39:59 | |
Fellini?! | 0:39:59 | 0:40:01 | |
He discovered me in the Piazza Navona with my parents, | 0:40:01 | 0:40:04 | |
eating an ice cream. I was gobbling it down, | 0:40:04 | 0:40:08 | |
because I was very hungry. "Do you like ice cream?" he asked me. | 0:40:08 | 0:40:12 | |
I didn't know who he was! I was 16. | 0:40:12 | 0:40:15 | |
"You are my imagination come to life," he told me. | 0:40:15 | 0:40:20 | |
He wasn't just a great director. He gave great advice. | 0:40:22 | 0:40:25 | |
I'm listening! | 0:40:25 | 0:40:28 | |
FeFe said, "You have to live spherically, | 0:40:28 | 0:40:31 | |
"in many directions. Never lose your childish enthusiasm, | 0:40:31 | 0:40:36 | |
"and things will come your way." | 0:40:36 | 0:40:39 | |
'So now I was getting posthumous advice from il maestro. | 0:40:45 | 0:40:48 | |
'I tried to follow it by pulling ivy, | 0:40:48 | 0:40:51 | |
'spherically and with childish enthusiasm.' | 0:40:51 | 0:40:54 | |
(Oh, my God...) | 0:40:56 | 0:40:58 | |
Niente. Not in here. | 0:41:12 | 0:41:15 | |
Would you look under the bed? | 0:41:20 | 0:41:22 | |
Would you look under the pillow? | 0:41:29 | 0:41:31 | |
(GASPS) No, it was a joke! | 0:41:36 | 0:41:38 | |
Maybe he moved out already. Snakes are famous for changing their minds. | 0:41:43 | 0:41:48 | |
What am I doing all by myself? | 0:41:53 | 0:41:57 | |
Don't you think it's strange... me in this big house? | 0:41:57 | 0:42:02 | |
Excuse me. | 0:42:02 | 0:42:04 | |
I'm sorry! | 0:42:04 | 0:42:05 | |
You are cold. | 0:42:14 | 0:42:16 | |
Thank you. | 0:42:16 | 0:42:18 | |
Do you know what the most surprising thing about divorce is? | 0:42:28 | 0:42:32 | |
It doesn't actually kill you, | 0:42:32 | 0:42:34 | |
like a bullet to the heart or a head-on car wreck... | 0:42:34 | 0:42:39 | |
It should. | 0:42:39 | 0:42:41 | |
When someone you've promised to cherish till death do you part | 0:42:43 | 0:42:47 | |
says, "I never loved you," it should kill you instantly. | 0:42:47 | 0:42:52 | |
You shouldn't have to wake up day after day after something like that, | 0:42:52 | 0:42:56 | |
trying to understand how in the world you didn't know. | 0:42:56 | 0:42:59 | |
The light just never went on, you know? I must have known, | 0:42:59 | 0:43:03 | |
of course, but I was too scared to see the truth. | 0:43:03 | 0:43:08 | |
And fear just makes you so stupid. | 0:43:08 | 0:43:12 | |
No, it's not stupid, Signora Mayes. | 0:43:12 | 0:43:15 | |
L'amore e cieco. | 0:43:15 | 0:43:17 | |
"Love is blind"? Yeah, we have that saying, too. | 0:43:17 | 0:43:21 | |
Everybody has that saying because is true everywhere. | 0:43:21 | 0:43:24 | |
I don't want to be blind anymore. | 0:43:26 | 0:43:29 | |
This house has three bedrooms. | 0:43:29 | 0:43:31 | |
What if there's never anyone to sleep in them? | 0:43:31 | 0:43:34 | |
And the kitchen... What if there's never anyone to cook for? | 0:43:34 | 0:43:37 | |
I do, I wake up in the middle of the night thinking, "You idiot! | 0:43:37 | 0:43:41 | |
"You're the stupidest woman in the world! | 0:43:41 | 0:43:44 | |
"You bought a house for a life you don't even have." | 0:43:44 | 0:43:47 | |
Why did you do it, then? | 0:43:49 | 0:43:52 | |
Because I'm sick of being afraid all the time. I still want things. | 0:43:57 | 0:44:01 | |
I...want...a wedding in this house. | 0:44:01 | 0:44:06 | |
I want a family in this house. | 0:44:06 | 0:44:08 | |
Signora, | 0:44:14 | 0:44:15 | |
between Austria and Italy there is a section of the Alps | 0:44:15 | 0:44:19 | |
called the Semmering. It is an impossibly steep, | 0:44:19 | 0:44:23 | |
high part of the mountains. They built a train track over these Alps | 0:44:23 | 0:44:27 | |
to connect Vienna and Venice. They built these tracks | 0:44:27 | 0:44:31 | |
before there was a train in existence that could make the trip. | 0:44:31 | 0:44:34 | |
They built it because they knew some day...the train would come. | 0:44:36 | 0:44:40 | |
I think your snake has gone for the evening. | 0:45:01 | 0:45:04 | |
Yes. I think you're right. | 0:45:04 | 0:45:07 | |
Senora... | 0:45:14 | 0:45:15 | |
..please, don't be so sad. | 0:45:16 | 0:45:19 | |
If you continue like this I'll be forced to make love to you, | 0:45:20 | 0:45:24 | |
and I've never been unfaithful to my wife. | 0:45:24 | 0:45:27 | |
(BOTH LAUGH) | 0:45:34 | 0:45:36 | |
-Buona notte, Signora. -Buona notte, Signor Martini, | 0:45:40 | 0:45:43 | |
e grazie tanto. | 0:45:43 | 0:45:45 | |
Prego. | 0:45:46 | 0:45:47 | |
'The train track through the Alps before there was a train... | 0:45:57 | 0:46:01 | |
'Signor Martini wants me to have faith, which I've never been good at, | 0:46:01 | 0:46:05 | |
'and I'm even worse since last year. Not that I don't want faith - | 0:46:05 | 0:46:09 | |
'I'm jealous of the believers - but as a fallen-away Methodist, | 0:46:09 | 0:46:14 | |
'I do not expect to emerge from all this a Catholic, | 0:46:14 | 0:46:17 | |
'although some interior juggling is going on. To my surprise, | 0:46:17 | 0:46:21 | |
'I've become friendly with Mary since she stood by me through the storm, | 0:46:21 | 0:46:25 | |
'knowing I'm not a Catholic. | 0:46:25 | 0:46:28 | |
'Yet somehow she seems more like my favourite aunt than Santa Maria. | 0:46:28 | 0:46:33 | |
'Aunt Mary is everywhere here, her calm presence assuring us | 0:46:34 | 0:46:39 | |
'that all things will go on as they have before.' | 0:46:39 | 0:46:43 | |
(CHILDREN SING "O COME ALL YE FAITHFUL" IN ITALIAN) | 0:46:43 | 0:46:46 | |
-(LAUGHS) -Buon natale. -Buon natale! | 0:46:58 | 0:47:02 | |
This is my wife Lara, my son... my daughter, Stella. | 0:47:02 | 0:47:06 | |
Stella... Buon natale. | 0:47:06 | 0:47:10 | |
-A beautiful family. Wow! -I thought I might see you. I have a small gift for you. | 0:47:12 | 0:47:18 | |
Oh! | 0:47:18 | 0:47:19 | |
It is San Lorenzo, the patron saint of cooks. | 0:47:21 | 0:47:24 | |
He was martyred on a grill and seared until he said, | 0:47:24 | 0:47:28 | |
-"Turn me over. I'm done on this side." -No! | 0:47:28 | 0:47:31 | |
-Now he is the favourite saint of chefs. -Oh...! | 0:47:31 | 0:47:34 | |
I think if you pray to him, he will help you find someone to cook for. | 0:47:34 | 0:47:40 | |
Thank you, Signor Martini. | 0:47:40 | 0:47:42 | |
-Merry Christmas, Signora Mayes. -Buon natale. | 0:47:52 | 0:47:55 | |
Andiamo. | 0:47:58 | 0:48:00 | |
'My prayers to San Lorenzo were quickly answered. | 0:48:12 | 0:48:15 | |
'I realised I had already had someone to cook for... | 0:48:15 | 0:48:19 | |
'plenty of someones!' | 0:48:19 | 0:48:22 | |
(LIVELY ITALIAN-STYLE INCIDENTAL MUSIC) | 0:48:31 | 0:48:34 | |
(DIALOGUE UNDER INCIDENTAL MUSIC) | 0:48:43 | 0:48:48 | |
(UNDER INCIDENTAL MUSIC) | 0:49:05 | 0:49:08 | |
-Bravo! -Ohhh! | 0:49:21 | 0:49:24 | |
-Bravo! Bravo! -(SHRIEKS) | 0:49:26 | 0:49:30 | |
(CONJUGATES ITALIAN VERB) | 0:49:31 | 0:49:34 | |
-Good! -See, Frances? Italian is easy! | 0:49:36 | 0:49:39 | |
(DIALOGUE DUBBED INTO ITALIAN) | 0:49:39 | 0:49:44 | |
(ALL LAUGH) | 0:49:44 | 0:49:46 | |
(Have you talked to her yet?) | 0:50:04 | 0:50:06 | |
Si. I have talked to her. | 0:50:09 | 0:50:13 | |
Why don't you go sit next to her? Go on! | 0:50:13 | 0:50:16 | |
(DIALOGUE AND MUSIC CONTINUE NOISILY) | 0:50:21 | 0:50:24 | |
(KIDS LAUGH / CHATTER / SHOUT) | 0:50:26 | 0:50:28 | |
Katherine? | 0:50:40 | 0:50:42 | |
Francesca! Come up! I'm having my portrait painted. | 0:50:45 | 0:50:48 | |
-Katherine? -Come through. I'm in here. | 0:50:51 | 0:50:53 | |
Oh... | 0:51:04 | 0:51:06 | |
-I think I'll come back another time. -Why? You don't bother me. | 0:51:09 | 0:51:12 | |
Frances...this is Zeus. | 0:51:12 | 0:51:16 | |
He's an art student from Macedonia. | 0:51:16 | 0:51:18 | |
He's staying with me to study the Tuscan light. More vino, darling. | 0:51:18 | 0:51:23 | |
He's not bad. | 0:51:31 | 0:51:33 | |
He's not good, either. (CHUCKLES) | 0:51:33 | 0:51:36 | |
Look, I'm going to go... but I'll come back. Another time. | 0:51:37 | 0:51:41 | |
Ohhh, you're so BORING! | 0:51:41 | 0:51:44 | |
-What? -I said you're boring! | 0:51:44 | 0:51:46 | |
Look at you! You're sad... | 0:51:46 | 0:51:49 | |
again! | 0:51:49 | 0:51:51 | |
You're like a big...black...hole! | 0:51:51 | 0:51:54 | |
-Excuse me, but I... -FeFe always said, | 0:51:54 | 0:51:57 | |
"Regrets are a waste of time." | 0:51:57 | 0:52:00 | |
They're the past crippling you in the present. | 0:52:00 | 0:52:02 | |
I just got here. I just walked in the door. | 0:52:02 | 0:52:06 | |
How are you ever going to be happy if you keep wallowing? | 0:52:06 | 0:52:10 | |
Listen. | 0:52:10 | 0:52:12 | |
When I was a little girl, I used to spend hours looking for ladybugs. | 0:52:12 | 0:52:16 | |
Finally I'd just give up and fall asleep in the grass. | 0:52:16 | 0:52:20 | |
When I woke up, they were crawling all over me. | 0:52:20 | 0:52:24 | |
So?! | 0:52:24 | 0:52:26 | |
So go work on your house... and forget about it! | 0:52:26 | 0:52:30 | |
I said go! | 0:52:30 | 0:52:33 | |
I'm going! | 0:52:33 | 0:52:35 | |
'Work on house and forget about it. | 0:52:39 | 0:52:43 | |
'Gee, why hadn't I thought of that(?) | 0:52:43 | 0:52:46 | |
'There comes a time in every remodeller's life | 0:52:46 | 0:52:49 | |
'when one just doesn't want any more helpful advice. | 0:52:49 | 0:52:52 | |
'You don't want shaky guys staring at you | 0:52:52 | 0:52:56 | |
'thinking God knows what, whispering things in Polish | 0:52:56 | 0:52:59 | |
'you're really glad you don't understand.' | 0:52:59 | 0:53:02 | |
'(MIMICS HIS FERVID WHISPERING)' | 0:53:02 | 0:53:05 | |
'There's only so much of that you can take | 0:53:05 | 0:53:07 | |
'before you really just have to get out.' | 0:53:07 | 0:53:10 | |
(ALL COMMENT ADMIRINGLY IN ITALIAN) | 0:53:40 | 0:53:43 | |
-Signorina! -(LAUGHS) -Mmm... | 0:53:44 | 0:53:47 | |
Bella, bella... | 0:53:47 | 0:53:50 | |
Hilarious(!) | 0:53:51 | 0:53:54 | |
Bye! | 0:53:54 | 0:53:56 | |
(ALL CHATTER IN ITALIAN) | 0:53:56 | 0:53:59 | |
(ALL CHATTER) | 0:53:59 | 0:54:01 | |
-English?! -Irish?! | 0:54:10 | 0:54:12 | |
There you are. I've been looking for you. | 0:54:14 | 0:54:17 | |
You said you were going to meet me. I've been looking for you for 20 minutes. | 0:54:17 | 0:54:21 | |
-Who are you? -I'm sorry. Excuse. Thank you. | 0:54:21 | 0:54:24 | |
Wait, you just kissed me and now you are going? | 0:54:24 | 0:54:28 | |
Yes. I'm sorry. | 0:54:28 | 0:54:30 | |
OK. | 0:54:31 | 0:54:34 | |
(CHUCKLES) | 0:54:42 | 0:54:45 | |
(WHISTLES) | 0:54:45 | 0:54:48 | |
-You are too late. -I'm sorry. | 0:54:58 | 0:55:00 | |
I've already found somebody else. | 0:55:00 | 0:55:02 | |
My loss. | 0:55:05 | 0:55:07 | |
I was wondering if you'd help me. | 0:55:07 | 0:55:10 | |
I'm trying to find an antique store that sells replacement parts | 0:55:10 | 0:55:13 | |
-for a chandelier. -Chandelier? | 0:55:13 | 0:55:16 | |
-Vetria. -Vetreria. -Vetreria! | 0:55:16 | 0:55:18 | |
-OK. -Yes. Via de la Casanova. | 0:55:18 | 0:55:22 | |
-Si, Via de la Casanova. Si. -You know it? | 0:55:22 | 0:55:25 | |
-No. -Oh. -I know where there is another store. | 0:55:25 | 0:55:29 | |
-My cousin owns one. -He owns a vetreria? | 0:55:29 | 0:55:32 | |
-Yes. Antiques. -Is it far? | 0:55:32 | 0:55:35 | |
About three hours. Two if I drive fast. | 0:55:35 | 0:55:39 | |
Two hours? | 0:55:39 | 0:55:40 | |
OK, one | 0:55:40 | 0:55:43 | |
if I drive really, really, really fast. | 0:55:43 | 0:55:46 | |
That's, er, very nice, | 0:55:46 | 0:55:48 | |
but thank you, no. | 0:55:48 | 0:55:51 | |
I know, | 0:55:51 | 0:55:53 | |
you think, maybe, I'm just trying to pull you up. | 0:55:53 | 0:55:56 | |
Pull me up? | 0:55:56 | 0:55:59 | |
Pick me up. Pick me up. | 0:55:59 | 0:56:01 | |
Yes, there is that chance. | 0:56:01 | 0:56:03 | |
But you are the one who grabbed me and pretend I'm your husband. | 0:56:03 | 0:56:08 | |
You are probably one of those crazy American women | 0:56:08 | 0:56:10 | |
and maybe you are going to kung fu me in the head and steal my car, | 0:56:10 | 0:56:15 | |
but I'm willing to take the chance. | 0:56:15 | 0:56:17 | |
You're willing? | 0:56:17 | 0:56:20 | |
What is your name? | 0:56:20 | 0:56:22 | |
-Marcello. -Of course it is. | 0:56:22 | 0:56:26 | |
-(WHEELS SCREECH) -(SPEAKS ITALIAN) | 0:56:28 | 0:56:32 | |
-Do traffic lights mean anything here? -Sure. | 0:56:32 | 0:56:35 | |
-Green light - avanti. -Avanti. | 0:56:35 | 0:56:38 | |
-Yellow light - decoration. -And what about red lights? | 0:56:38 | 0:56:41 | |
Just a suggestion. | 0:56:41 | 0:56:43 | |
-He says he doesn't have it. -Why am I not surprised? | 0:57:16 | 0:57:20 | |
-This is your bar. -We are a family. | 0:57:38 | 0:57:41 | |
I work here and I sleep there. | 0:57:41 | 0:57:44 | |
Above my cousin's antique store. | 0:57:44 | 0:57:47 | |
(SPEAKS ITALIAN) | 0:57:47 | 0:57:50 | |
-Did you ever taste this? -What is it? -It's limoncello. | 0:57:50 | 0:57:54 | |
-We make this. -You made it? -Yes. | 0:57:54 | 0:57:57 | |
We take the lemon and we, er, take off the skin of the lemon. | 0:57:57 | 0:58:01 | |
We put in the bottle | 0:58:01 | 0:58:04 | |
with three quarter of alcohol and one quarter of sugar. | 0:58:04 | 0:58:07 | |
And, erm... | 0:58:10 | 0:58:11 | |
..and you put the skin of the lemon | 0:58:13 | 0:58:15 | |
in the bottle and you leave it | 0:58:15 | 0:58:19 | |
until it's the right colour. | 0:58:19 | 0:58:21 | |
And, erm... | 0:58:23 | 0:58:24 | |
..I forget the rest. | 0:58:27 | 0:58:28 | |
But just try it. | 0:58:28 | 0:58:31 | |
-Do you like it? -I like it. | 0:58:38 | 0:58:40 | |
-My nephew. -Yes. | 0:58:46 | 0:58:50 | |
(SQUEAKING) > | 0:59:19 | 0:59:21 | |
Hello. | 0:59:23 | 0:59:25 | |
Well, hello. | 0:59:25 | 0:59:27 | |
(KITTEN SQUEAKS) Hello. | 0:59:27 | 0:59:30 | |
Oh. | 0:59:30 | 0:59:32 | |
Ciao. | 0:59:32 | 0:59:34 | |
(SPEAKS ITALIAN) | 0:59:36 | 0:59:37 | |
What? | 0:59:41 | 0:59:43 | |
-He says, "Take me home with you." -Oh, he does, does he? | 0:59:43 | 0:59:47 | |
Ciao. Ciao. | 0:59:49 | 0:59:51 | |
I run into you in the street in Rome | 1:00:02 | 1:00:05 | |
and now we're here. | 1:00:05 | 1:00:07 | |
Didn't you have some plans today? | 1:00:07 | 1:00:10 | |
So what? | 1:00:13 | 1:00:15 | |
If you smash in to something good, | 1:00:15 | 1:00:18 | |
you...should hold on | 1:00:18 | 1:00:21 | |
until it's time to let go. | 1:00:21 | 1:00:23 | |
And now's not the time. | 1:00:25 | 1:00:27 | |
Not in my opinion. No. | 1:00:29 | 1:00:32 | |
You have beautiful eyes, Francesca. | 1:00:37 | 1:00:40 | |
I wish I could swim inside them. | 1:00:41 | 1:00:44 | |
(LAUGHS) | 1:00:47 | 1:00:49 | |
-What? -No, it's just... | 1:00:49 | 1:00:51 | |
That's exactly what American women think Italian men say, | 1:00:51 | 1:00:56 | |
I guess. | 1:00:56 | 1:00:58 | |
Thank you. | 1:01:01 | 1:01:03 | |
Marcello, I'm sorry. | 1:01:08 | 1:01:11 | |
I'm so sorry. | 1:01:11 | 1:01:13 | |
I'm sorry, | 1:01:13 | 1:01:15 | |
I'm really nervous, you know? | 1:01:15 | 1:01:17 | |
I was married for a long time | 1:01:17 | 1:01:20 | |
and since then there hasn't been anybody. | 1:01:20 | 1:01:23 | |
Would you like to help me change that? | 1:01:28 | 1:01:30 | |
You are asking me to sleep with you? | 1:01:34 | 1:01:37 | |
Yes. | 1:01:37 | 1:01:39 | |
That is the kind of thing Italian men think American women say. | 1:01:42 | 1:01:46 | |
(LAUGHS) | 1:01:46 | 1:01:48 | |
Yeah. | 1:01:48 | 1:01:50 | |
You honour me with your offer. | 1:01:52 | 1:01:54 | |
Francesca. | 1:02:38 | 1:02:40 | |
Yes? | 1:02:40 | 1:02:42 | |
I'm going to make love all over you. | 1:02:45 | 1:02:48 | |
OK. | 1:02:48 | 1:02:50 | |
(MARCELLO SINGS IN ITALIAN) | 1:03:12 | 1:03:16 | |
(CONTINUES TO SING) | 1:03:24 | 1:03:29 | |
Mamma mia. | 1:03:41 | 1:03:43 | |
(BOTH SPEAK ITALIAN) | 1:03:43 | 1:03:46 | |
What do you call this? | 1:03:51 | 1:03:53 | |
-La gola. -La gola. -Uh-huh. | 1:03:53 | 1:03:57 | |
And this? | 1:03:57 | 1:03:59 | |
Il capezzolo. | 1:03:59 | 1:04:02 | |
-Il capezzolo. -Uh-huh. | 1:04:02 | 1:04:04 | |
And this? | 1:04:04 | 1:04:06 | |
Esausto. | 1:04:09 | 1:04:11 | |
-Exhausted? -Exhausted. | 1:04:11 | 1:04:13 | |
At least for the next five minutes. | 1:04:13 | 1:04:16 | |
OK. | 1:04:17 | 1:04:19 | |
Me too. | 1:04:23 | 1:04:25 | |
-It's terrible that you bought a villa in Cortona. -Why? | 1:04:28 | 1:04:32 | |
Because it's not in Positano... and I am. | 1:04:34 | 1:04:38 | |
You have to promise to come back here. | 1:04:41 | 1:04:43 | |
Promise me. | 1:04:45 | 1:04:47 | |
When? | 1:04:47 | 1:04:50 | |
Can you come this weekend? | 1:04:50 | 1:04:51 | |
I think so. | 1:04:53 | 1:04:55 | |
-You think so? -Hmmm. | 1:04:57 | 1:04:59 | |
You think so? | 1:05:00 | 1:05:03 | |
Yes! Yes! Yes! | 1:05:09 | 1:05:11 | |
Yes! | 1:05:11 | 1:05:13 | |
Yes! Yes! | 1:05:13 | 1:05:15 | |
Thank you! Thank you! | 1:05:15 | 1:05:18 | |
I knew it! I knew it! I knew it! Whoo! | 1:05:18 | 1:05:21 | |
I've still got it. I've still got it. I've still got it. | 1:05:21 | 1:05:25 | |
Thank God. | 1:05:25 | 1:05:28 | |
Yeah. | 1:05:28 | 1:05:30 | |
Buongiorno. | 1:05:38 | 1:05:39 | |
Buongiorno. | 1:05:42 | 1:05:44 | |
-Do I still look sad to you? -No. | 1:05:44 | 1:05:47 | |
Ladybugs, Katherine. Lots and lots of ladybugs. | 1:05:47 | 1:05:51 | |
Lovely. When do you see him again? | 1:05:51 | 1:05:54 | |
Tomorrow. | 1:05:54 | 1:05:55 | |
Wha... Wha... | 1:06:22 | 1:06:24 | |
Oh. | 1:06:24 | 1:06:26 | |
I would've told you I was coming, | 1:06:29 | 1:06:32 | |
but you would've talked me out of flying. | 1:06:32 | 1:06:34 | |
-Look at you! -Goddamn it, Frances. | 1:06:37 | 1:06:40 | |
-Wha... -I gotta go pee! | 1:06:45 | 1:06:48 | |
You must be so exhausted. | 1:06:50 | 1:06:52 | |
See this? | 1:06:53 | 1:06:56 | |
Tell me there's a baby in there. | 1:06:56 | 1:06:58 | |
Uh-huh. | 1:06:58 | 1:07:01 | |
Little baby | 1:07:01 | 1:07:03 | |
in there...right now. | 1:07:03 | 1:07:07 | |
I'm with you. | 1:07:07 | 1:07:09 | |
Oh, Jesus. | 1:07:13 | 1:07:15 | |
So what's it like having one of these in Cortona? | 1:07:19 | 1:07:22 | |
I hear the town midwife's pretty good. | 1:07:22 | 1:07:25 | |
She puts a knife under the bed... to cut the pain. | 1:07:25 | 1:07:29 | |
Florence is an hour away. | 1:07:31 | 1:07:32 | |
You'll be delivering this baby in a hospital gown designed by Armani. | 1:07:32 | 1:07:36 | |
She ran out on me. | 1:07:58 | 1:08:00 | |
She said she realised | 1:08:02 | 1:08:04 | |
she didn't want to be a mother after all. | 1:08:04 | 1:08:07 | |
(SOBS) Oh, Jesus, Frances. | 1:08:15 | 1:08:17 | |
How do you do it? | 1:08:23 | 1:08:24 | |
How do you breathe again? | 1:08:28 | 1:08:31 | |
(PANTS) | 1:08:34 | 1:08:36 | |
(LAUGHS) | 1:08:36 | 1:08:38 | |
Pretty soon. | 1:08:38 | 1:08:41 | |
God, I missed you. | 1:08:44 | 1:08:46 | |
Marcello. | 1:08:48 | 1:08:50 | |
I really think I'd better stay here. | 1:08:50 | 1:08:53 | |
I'm sorry. How about next weekend? | 1:08:53 | 1:08:56 | |
OK, how about the one after that? | 1:08:56 | 1:08:59 | |
No, of course I understand. | 1:09:00 | 1:09:03 | |
I won't forget you. | 1:09:03 | 1:09:04 | |
I think a lot about you, too. | 1:09:06 | 1:09:08 | |
OK. Well, until then. | 1:09:08 | 1:09:11 | |
Bye. | 1:09:12 | 1:09:13 | |
There's something strange about these trees. It's like they know. | 1:09:14 | 1:09:19 | |
And they know that we know that they know. | 1:09:19 | 1:09:22 | |
They're creepy. Creepy Italian trees. | 1:09:22 | 1:09:25 | |
The baby's going to be a creepy Italian baby | 1:09:25 | 1:09:29 | |
that goes around saying, "Ciao, Mamma," | 1:09:29 | 1:09:32 | |
and doing that backward hand wave thing. | 1:09:32 | 1:09:35 | |
Life is strange. | 1:09:36 | 1:09:37 | |
Where were you going when I arrived? | 1:09:43 | 1:09:46 | |
-Nowhere important. -What's he like? | 1:09:46 | 1:09:48 | |
He's a creepy Italian. | 1:09:48 | 1:09:51 | |
-Then go see him. -I will. | 1:09:51 | 1:09:53 | |
I want to spend time with my creepy American friend. | 1:09:53 | 1:09:56 | |
-I refuse to screw up your love life. -Don't be ridiculous, Patti, | 1:09:56 | 1:10:01 | |
you are my love life. | 1:10:01 | 1:10:03 | |
(WATER DRIPS) | 1:10:58 | 1:11:01 | |
Frances, could you come up here, please? | 1:11:01 | 1:11:05 | |
There's hot water in the toilet bowl. | 1:11:05 | 1:11:07 | |
Oh, my God. It's close to boiling. | 1:11:10 | 1:11:14 | |
They must have crossed a pipe somewhere. | 1:11:14 | 1:11:17 | |
Oh, God, this is really bad, isn't it? | 1:11:17 | 1:11:19 | |
It's not good, unless you want to give your ass a facial. | 1:11:19 | 1:11:23 | |
That's a contradiction in terms. | 1:11:23 | 1:11:26 | |
I guess it'd be more of an ass-cial. | 1:11:26 | 1:11:28 | |
< (LADY CHUCKLES) | 1:11:30 | 1:11:33 | |
-Oh. -(GASPS) | 1:11:42 | 1:11:44 | |
Let's go. Let's go. | 1:11:44 | 1:11:47 | |
-I'm sorry, Frances! -Sorry? | 1:11:47 | 1:11:49 | |
We have nowhere else to go to be together. | 1:11:49 | 1:11:53 | |
What does that make me, Saint Francesca, | 1:11:53 | 1:11:56 | |
patron saint of horny teenagers? You were doing it in my bed. | 1:11:56 | 1:12:00 | |
-I don't even do it in my bed! -My father don't let us see each other | 1:12:00 | 1:12:05 | |
because he is not Italian. | 1:12:05 | 1:12:06 | |
Maybe it's because you're young and shouldn't be... | 1:12:06 | 1:12:09 | |
-It's because I'm Polish. -It will be terrible if we are not together. | 1:12:09 | 1:12:14 | |
(SPEAKS ITALIAN) | 1:12:14 | 1:12:16 | |
Assassinate? Did she say that you were going to assassinate somebody? | 1:12:23 | 1:12:28 | |
No, she misunderstand. | 1:12:28 | 1:12:30 | |
I didn't say... | 1:12:30 | 1:12:32 | |
Amore, I didn't say assassino. | 1:12:32 | 1:12:36 | |
I said I'm going to ask Nino | 1:12:36 | 1:12:39 | |
for money | 1:12:39 | 1:12:40 | |
to help us get married. | 1:12:40 | 1:12:43 | |
Ask Nino. | 1:12:43 | 1:12:45 | |
-I didn't understand. -Married? | 1:12:46 | 1:12:49 | |
-You barely understand what the other is saying. -We are in love | 1:12:49 | 1:12:54 | |
-and I go with him this weekend. -To the flag-throwing festival. | 1:12:54 | 1:12:57 | |
-I am going to throw the flag. -Throw the flag? Why? | 1:12:57 | 1:13:02 | |
Because I can do it as good as any Italian man, | 1:13:02 | 1:13:05 | |
-that's why, and her father will see. -Francesca. > | 1:13:05 | 1:13:09 | |
-Francesca. > -My father. | 1:13:09 | 1:13:12 | |
-Francesca. > -Hi. | 1:13:13 | 1:13:16 | |
My daughter says you are taking her to the festa in Montepulciano. | 1:13:16 | 1:13:20 | |
-This is true? -Just a moment, please. | 1:13:20 | 1:13:23 | |
I told him you are taking me there so he will stay home. | 1:13:26 | 1:13:30 | |
-I don't want to lie to your father. -Oh, come on, Frances, who cares? | 1:13:30 | 1:13:34 | |
Frances... | 1:13:34 | 1:13:36 | |
..if I am not with her, I will die of a broken heart. | 1:13:37 | 1:13:41 | |
You won't die. | 1:13:44 | 1:13:45 | |
(TRADITIONAL FANFARE) | 1:13:49 | 1:13:51 | |
There he is! | 1:14:11 | 1:14:13 | |
-These are straight men! -In tights. | 1:14:18 | 1:14:21 | |
-Twirling flags. -Fantastic. -Yeah. | 1:14:21 | 1:14:26 | |
This is it. | 1:14:30 | 1:14:32 | |
He is fantastic. | 1:14:36 | 1:14:39 | |
Fantastico! | 1:14:40 | 1:14:42 | |
(ALL CHEER) | 1:15:02 | 1:15:04 | |
Yeah! | 1:15:18 | 1:15:20 | |
Yeah, bravo! | 1:15:24 | 1:15:26 | |
Pawel, I love you! | 1:15:30 | 1:15:33 | |
(CROWD GASP) | 1:15:33 | 1:15:35 | |
Pawel! Scusa. Pawel! | 1:15:41 | 1:15:44 | |
Easy. Easy. | 1:15:44 | 1:15:47 | |
Scusa. | 1:15:48 | 1:15:50 | |
-I throw the flag. -Si, amore. | 1:15:55 | 1:15:58 | |
They're fine. | 1:16:00 | 1:16:03 | |
Let's go. | 1:16:05 | 1:16:06 | |
'What is it about love that makes us so stupid? | 1:16:06 | 1:16:10 | |
'Take the old man with the flowers, | 1:16:12 | 1:16:15 | |
'same deal, every day, I mean, enough already. | 1:16:15 | 1:16:18 | |
'Why can't he just let it go and get over it?' | 1:16:18 | 1:16:21 | |
Francesca, you have seen my daughter, she seems so different. | 1:16:32 | 1:16:35 | |
-Really?! -Chiara is not herself. | 1:16:35 | 1:16:38 | |
-Oh. -Maybe, do you know what's bothering her? | 1:16:38 | 1:16:42 | |
-I don't know. -Oh. | 1:16:44 | 1:16:46 | |
Hey, Frances, look. You can see Bramasole from here. | 1:16:46 | 1:16:50 | |
See. | 1:16:50 | 1:16:53 | |
Thank you. | 1:16:53 | 1:16:55 | |
(GASPS) It's Marcello! | 1:17:01 | 1:17:04 | |
Oh, my God. | 1:17:04 | 1:17:06 | |
Wait a minute. What? | 1:17:08 | 1:17:11 | |
What's he doing? Don't go. | 1:17:11 | 1:17:13 | |
Where are you going? What are you...? Patti. | 1:17:13 | 1:17:16 | |
Marcello! Marcello! | 1:17:16 | 1:17:19 | |
Marcello! | 1:17:24 | 1:17:26 | |
Marcello! | 1:17:31 | 1:17:34 | |
Ah! | 1:17:38 | 1:17:40 | |
Wait! | 1:17:43 | 1:17:44 | |
Marcello! | 1:17:48 | 1:17:50 | |
He tried you on your cell, | 1:17:53 | 1:17:54 | |
-but you were in a deadzone. -I cannot believe that you let him leave. | 1:17:54 | 1:17:59 | |
-He said he couldn't wait. -Couldn't wait? | 1:17:59 | 1:18:02 | |
-Why couldn't he wait? -He was nearby and thought he'd take a shot. | 1:18:02 | 1:18:06 | |
He was very disappointed, OK? | 1:18:06 | 1:18:08 | |
-You've got a snail in your ear. -Good. -Really? | 1:18:08 | 1:18:11 | |
-No, get it out. -He left you a note. | 1:18:11 | 1:18:14 | |
-Keep still. -He's going north... | 1:18:17 | 1:18:21 | |
for a couple of weeks! | 1:18:21 | 1:18:23 | |
My God, he had a dream about me in a white dress. | 1:18:27 | 1:18:31 | |
-A white dress? Holy shit! -Damn it, why didn't you make him wait?! | 1:18:31 | 1:18:35 | |
Come on, you're a tough dyke, you could've tied him to a chair, | 1:18:35 | 1:18:39 | |
crippled him, you could've faked labour at least! | 1:18:39 | 1:18:43 | |
I wouldn't have had to fake it. | 1:18:44 | 1:18:46 | |
Ten fingers, | 1:18:51 | 1:18:53 | |
ten toes. | 1:18:53 | 1:18:54 | |
I commend you on a classic choice. | 1:18:56 | 1:18:59 | |
-What's her name, Mom? -Alexandra. | 1:19:01 | 1:19:05 | |
Alexandra. | 1:19:05 | 1:19:06 | |
'In Italian the literal translation of to give birth, | 1:19:09 | 1:19:13 | |
'dare alla luce, is, "to give to the light."' | 1:19:13 | 1:19:16 | |
Alexandra. | 1:19:16 | 1:19:19 | |
Welcome to the light. | 1:19:20 | 1:19:22 | |
Yes. | 1:19:27 | 1:19:29 | |
(TOYS SQUEAK) | 1:19:35 | 1:19:38 | |
You're so cute. You're so cute. | 1:19:40 | 1:19:42 | |
(WATER DRIPS) | 1:20:03 | 1:20:05 | |
Frances. | 1:20:13 | 1:20:15 | |
We are finished. | 1:20:16 | 1:20:19 | |
"Poland." | 1:20:43 | 1:20:44 | |
(CAMERA CLICKS) | 1:20:52 | 1:20:54 | |
Dziekuja. | 1:21:01 | 1:21:04 | |
Dziekuja. | 1:21:05 | 1:21:07 | |
Come back soon, I'll cook for you. | 1:21:34 | 1:21:37 | |
-Pawel, you, too? -Chiara is waiting! | 1:21:38 | 1:21:41 | |
Patti, you want to come with me to town? We can bring the baby and... | 1:21:47 | 1:21:52 | |
< (KNOCK AT DOOR) | 1:22:22 | 1:22:23 | |
I have to buy a white dress. | 1:23:22 | 1:23:24 | |
Marcello! | 1:24:22 | 1:24:23 | |
Marcello! | 1:24:25 | 1:24:26 | |
Francesca. Wait there, I'm coming down. | 1:24:29 | 1:24:32 | |
Francesca. | 1:24:40 | 1:24:42 | |
Look how beautiful you are. | 1:24:44 | 1:24:47 | |
It's incredible to see you. | 1:24:47 | 1:24:49 | |
Every time we made plans it didn't happen, | 1:24:52 | 1:24:54 | |
-so I thought I'd just surprise you. -I am surprised. | 1:24:54 | 1:24:58 | |
What-what brings you to Positano? | 1:25:00 | 1:25:02 | |
What brings me to Positano? | 1:25:02 | 1:25:04 | |
What brings me to Positano? | 1:25:07 | 1:25:09 | |
Marcello! | 1:25:09 | 1:25:11 | |
Well, I... | 1:25:21 | 1:25:24 | |
-I came at a bad time. -Francesca, wait. Wait. Wait. | 1:25:27 | 1:25:30 | |
I'm sorry you're hurt, but what did you expect? | 1:25:30 | 1:25:34 | |
What did I expect?! | 1:25:34 | 1:25:36 | |
You came to Bramasole, you left that note, | 1:25:36 | 1:25:39 | |
-I thought that you... -Just a minute. | 1:25:39 | 1:25:42 | |
Months ago we had a beautiful affair | 1:25:42 | 1:25:45 | |
and if you think I wanted more of you after that, you're right. | 1:25:45 | 1:25:49 | |
I did, of course. | 1:25:49 | 1:25:51 | |
You are a fantastic woman, Francesca, | 1:25:51 | 1:25:54 | |
but we were never able to come together again, | 1:25:54 | 1:25:57 | |
even though we tried and this sort of thing must come naturally. | 1:25:57 | 1:26:00 | |
I told you, there was my friend and she was going to have... | 1:26:05 | 1:26:09 | |
There were many other things... | 1:26:09 | 1:26:11 | |
..important things you had to do. | 1:26:13 | 1:26:15 | |
And you couldn't wait, right? | 1:26:17 | 1:26:21 | |
Don't worry, Francesca, | 1:26:25 | 1:26:27 | |
don't worry, | 1:26:27 | 1:26:30 | |
there's nothing to regret. Do you regret this? | 1:26:30 | 1:26:34 | |
No. | 1:26:37 | 1:26:38 | |
There is someone for you, Francesca. | 1:26:43 | 1:26:45 | |
Goodbye. | 1:26:56 | 1:26:58 | |
Francesca! | 1:27:06 | 1:27:08 | |
(CHURCH BELL RINGS) | 1:27:20 | 1:27:23 | |
What's going on here? | 1:27:43 | 1:27:45 | |
-(CROWD APPLAUD) -She is Sylvia | 1:27:45 | 1:27:48 | |
in La Dolce Vita. | 1:27:48 | 1:27:50 | |
She's very good, actually. | 1:27:53 | 1:27:55 | |
-Is she drunk? -I hope so. | 1:28:01 | 1:28:03 | |
You know, in La Dolce Vita, | 1:28:10 | 1:28:13 | |
he goes in and he gets her. | 1:28:13 | 1:28:16 | |
Mastroianni, | 1:28:16 | 1:28:18 | |
he goes in and he fishes her out. | 1:28:18 | 1:28:20 | |
(CROWD APPLAUD) | 1:28:27 | 1:28:30 | |
Kathy. | 1:28:53 | 1:28:55 | |
(Thank you.) | 1:29:09 | 1:29:11 | |
Do you think I make a good Sylvia? | 1:29:15 | 1:29:18 | |
You were wonderful. | 1:29:18 | 1:29:19 | |
(SIGHS) | 1:29:26 | 1:29:29 | |
I see Zeus has gone. | 1:29:29 | 1:29:31 | |
Back to Mount Olympus. | 1:29:31 | 1:29:34 | |
-I'm so sorry. -Don't be. | 1:29:34 | 1:29:37 | |
I'm fine now. | 1:29:37 | 1:29:39 | |
There's nothing like a fountain and a magnum of French champagne | 1:29:39 | 1:29:42 | |
to put you right again. | 1:29:42 | 1:29:45 | |
Really? | 1:29:46 | 1:29:47 | |
What do you think? | 1:29:49 | 1:29:51 | |
You know who I really love the most | 1:30:12 | 1:30:14 | |
from all the films? | 1:30:14 | 1:30:16 | |
Cabiria. | 1:30:17 | 1:30:18 | |
You remember at the end | 1:30:21 | 1:30:23 | |
when another man has left her in the most terrible way | 1:30:23 | 1:30:27 | |
and she thinks it's all over for her. | 1:30:27 | 1:30:29 | |
And she sees some children playing in the street, | 1:30:31 | 1:30:35 | |
making music | 1:30:35 | 1:30:37 | |
and before she knows it... | 1:30:37 | 1:30:39 | |
..she's smiling again. | 1:30:41 | 1:30:42 | |
That's what FeFe always said, | 1:30:46 | 1:30:49 | |
"No matter what happens... | 1:30:49 | 1:30:51 | |
"..always keep your childish innocence. | 1:30:54 | 1:30:57 | |
"It's the most important thing." | 1:30:58 | 1:31:02 | |
You're back? What happened? How'd it go with Marcello? | 1:31:20 | 1:31:24 | |
-I don't want to talk about it. -Chiara's here, she's upset. | 1:31:24 | 1:31:28 | |
She's in the garden talking with Pawel. | 1:31:28 | 1:31:30 | |
-But... -I can't, I can't talk about it now. | 1:31:30 | 1:31:33 | |
Fran... | 1:31:33 | 1:31:35 | |
(BABY GURGLES) > | 1:31:35 | 1:31:37 | |
Stupid. | 1:31:53 | 1:31:54 | |
Stupid. Stupid! | 1:31:54 | 1:31:57 | |
Stupid! Stupid! | 1:31:57 | 1:31:59 | |
Stupid! Aaah! | 1:32:01 | 1:32:04 | |
What more can I do?! | 1:32:04 | 1:32:05 | |
(SOBBING) > | 1:32:10 | 1:32:12 | |
Papa. | 1:32:45 | 1:32:47 | |
-I want to ask your permission to marry your daughter. -Che cosa?! | 1:33:00 | 1:33:04 | |
It's nice, but it's out of the question. | 1:33:04 | 1:33:08 | |
I have come here to ask your permission to marry your daughter. | 1:33:09 | 1:33:13 | |
I will love her for ever and I know I will make her happy. | 1:33:13 | 1:33:17 | |
-All young men say this. -Sometimes it's true. | 1:33:17 | 1:33:20 | |
-Never. -Never? | 1:33:20 | 1:33:22 | |
-What about you? -Don't be ridiculous, I hate him half of the time. | 1:33:22 | 1:33:26 | |
Placido, don't you want Chiara to be happy in love? | 1:33:28 | 1:33:32 | |
Happy, happy. It is about a lot of things. | 1:33:32 | 1:33:36 | |
-It's not just about young passion. -It doesn't last | 1:33:36 | 1:33:39 | |
and when it's over what you will have left is nothing. | 1:33:39 | 1:33:44 | |
He has nothing to offer you. | 1:33:44 | 1:33:45 | |
I have everything to offer her. | 1:33:45 | 1:33:47 | |
Everything. | 1:33:49 | 1:33:51 | |
Pawel, | 1:33:51 | 1:33:52 | |
let's go. | 1:33:52 | 1:33:55 | |
-Chiara! -Wait. | 1:33:55 | 1:33:57 | |
Won't you give your blessing? What if this is it, | 1:34:00 | 1:34:05 | |
the real thing? | 1:34:05 | 1:34:07 | |
-A love that lasts for ever. -What you describe is only in fairy tales. | 1:34:07 | 1:34:12 | |
-No, it's not. -And how do you know, form personal experience? | 1:34:12 | 1:34:15 | |
No, I looked for it and I didn't find it, | 1:34:20 | 1:34:24 | |
but that doesn't mean it doesn't exist. | 1:34:24 | 1:34:26 | |
That's exactly what it means, no-one has had it. | 1:34:26 | 1:34:30 | |
Mamma. | 1:34:33 | 1:34:34 | |
Mamma, Mamma. | 1:34:39 | 1:34:41 | |
He has no family. | 1:34:44 | 1:34:47 | |
That's not true. | 1:34:49 | 1:34:50 | |
He has me. | 1:34:55 | 1:34:57 | |
I'm his family. | 1:34:58 | 1:35:00 | |
I am his family. | 1:35:03 | 1:35:05 | |
(CHURCH BELL RINGS) | 1:35:10 | 1:35:12 | |
(PRIEST SPEAKS ITALIAN) | 1:35:13 | 1:35:16 | |
(SAYS WEDDING VOWS IN ITALIAN) | 1:35:27 | 1:35:29 | |
(SAYS WEDDING VOWS IN ITALIAN) | 1:35:52 | 1:35:55 | |
-Il corpo de Cristo. -Amen. | 1:36:06 | 1:36:08 | |
-Il corpo de Cristo. -Amen. | 1:36:08 | 1:36:12 | |
-Il sangue de Cristo. -Amen. | 1:36:12 | 1:36:15 | |
-Il sangue de Cristo. -Amen. | 1:36:20 | 1:36:23 | |
(LAUGHTER / CHATTERING) | 1:36:31 | 1:36:34 | |
OK. | 1:36:38 | 1:36:39 | |
(APPLAUSE) | 1:36:53 | 1:36:56 | |
Mamma! | 1:37:00 | 1:37:02 | |
(ALL CHANT) Bacio! | 1:37:05 | 1:37:08 | |
(CHEERING) | 1:37:08 | 1:37:10 | |
What are you thinking? | 1:37:21 | 1:37:24 | |
-What do I think? -Tell me. | 1:37:24 | 1:37:27 | |
I think you've got your wish. | 1:37:29 | 1:37:31 | |
My wish? | 1:37:31 | 1:37:34 | |
That day we looked for your snake | 1:37:34 | 1:37:35 | |
you said to me that you wanted there to be a wedding here. | 1:37:35 | 1:37:39 | |
Yeah. | 1:37:46 | 1:37:49 | |
Then you said you wanted there to be a family here. | 1:37:49 | 1:37:52 | |
You're right. | 1:37:59 | 1:38:00 | |
I got my wish. | 1:38:02 | 1:38:03 | |
I got everything that I asked for. | 1:38:05 | 1:38:07 | |
(SIGHS) | 1:38:28 | 1:38:30 | |
Scusa... (SPEAKS BROKEN ITALIAN) | 1:38:32 | 1:38:35 | |
You're looking for the American writer who lives here | 1:38:39 | 1:38:43 | |
and you found her. | 1:38:43 | 1:38:45 | |
If you don't mind, I'll just... | 1:38:45 | 1:38:48 | |
There. It was...crawling on you. | 1:38:50 | 1:38:54 | |
Ladybug. | 1:38:56 | 1:38:57 | |
Do I, erm... | 1:39:01 | 1:39:04 | |
Do I know you? | 1:39:05 | 1:39:07 | |
-Not really. You reviewed one of my books once. -Did I like it? | 1:39:07 | 1:39:11 | |
Not very much. | 1:39:11 | 1:39:13 | |
-Oh, no! -Don't worry, it was, er, | 1:39:13 | 1:39:16 | |
-by far the very best bad review I've ever received. -You're kidding. | 1:39:16 | 1:39:21 | |
I'm not. It's, er, helped me get to my next book. | 1:39:21 | 1:39:25 | |
Anyway, I've been travelling around Tuscany. | 1:39:25 | 1:39:28 | |
Someone said that you lived up here and... | 1:39:28 | 1:39:32 | |
I'm Ed. | 1:39:34 | 1:39:35 | |
-Hi. -Hi. -Hi. | 1:39:35 | 1:39:39 | |
I'm Frances. | 1:39:39 | 1:39:41 | |
Hi. | 1:39:41 | 1:39:44 | |
There's a wedding going on. This isn't your wedding... | 1:39:44 | 1:39:48 | |
I mean, that would be unfortunate. | 1:39:48 | 1:39:51 | |
'They say they built the train tracks over the Alps | 1:40:08 | 1:40:10 | |
'between Vienna and Venice before there was a train that could make the trip, | 1:40:10 | 1:40:14 | |
'but they built it anyway. | 1:40:14 | 1:40:16 | |
'They knew one day a train would come. | 1:40:16 | 1:40:18 | |
'Any arbitrary turning along the way and I would be elsewhere, | 1:40:21 | 1:40:25 | |
'I would be different. | 1:40:25 | 1:40:27 | |
'What are four walls, anyway? | 1:40:29 | 1:40:32 | |
'They are what they contain, the house protects the dreamer. | 1:40:32 | 1:40:35 | |
'Unthinkably good things can happen, | 1:40:35 | 1:40:39 | |
'even late in the game. | 1:40:39 | 1:40:41 | |
'It's such a surprise.' | 1:40:41 | 1:40:43 | |
(WATER GUSHES) | 1:41:51 | 1:41:54 |