Browse content similar to Veronica Guerin. Check below for episodes and series from the same categories and more!
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This film contains very strong language and scenes of prolonged violence. | 0:00:02 | 0:00:12 | |
Father, look kindly on your children who put their trust in you. | 0:00:23 | 0:00:28 | |
Bless them and keep them from all harm. | 0:00:28 | 0:00:31 | |
Strengthen them against the attacks of the devil. | 0:00:31 | 0:00:35 | |
May they never offend you but seek to love you in all they do. | 0:00:35 | 0:00:40 | |
May almighty God bless you, the Father, the Son and the Holy Spirit. | 0:00:41 | 0:00:45 | |
The mass has ended. Go in peace to love and serve the Lord. | 0:00:45 | 0:00:49 | |
ALL: Thanks be to God. | 0:00:49 | 0:00:51 | |
Good morning, Mary. | 0:01:01 | 0:01:03 | |
Morning, Elizabeth, how are you? | 0:01:03 | 0:01:06 | |
Good morning, Bernie. | 0:01:06 | 0:01:08 | |
Father, would you say a prayer to Our Lady for an intervention? | 0:01:08 | 0:01:12 | |
-Is someone sick? -No. I want to pray for my daughter | 0:01:12 | 0:01:15 | |
to lose her driving licence. | 0:01:15 | 0:01:17 | |
Case number 37422. | 0:01:17 | 0:01:21 | |
-Veronica Guerin. -GAVEL BANGS | 0:01:21 | 0:01:24 | |
Almost 1,200 parking tickets. | 0:01:24 | 0:01:27 | |
March 10th, speeding ticket. | 0:01:28 | 0:01:30 | |
108 miles per hour. | 0:01:30 | 0:01:33 | |
Just last month, another speeding ticket for 104 miles per hour. | 0:01:34 | 0:01:39 | |
Well, I think that shows some improvement by my client, Judge. | 0:01:39 | 0:01:43 | |
I'll alert mothers that it's safe to let their children on the streets. | 0:01:43 | 0:01:47 | |
I... I deserve to lose this case, Judge, | 0:01:47 | 0:01:50 | |
that's fair enough, you know, but if I can't drive, | 0:01:50 | 0:01:55 | |
I can't do my job. I'm a journalist with the Sunday Independent... | 0:01:55 | 0:01:59 | |
We all know who you are, Miss Guerin. | 0:01:59 | 0:02:02 | |
That does not grant you immunity. | 0:02:02 | 0:02:04 | |
TELEPHONE RINGS | 0:02:09 | 0:02:11 | |
'This is Bernie Guerin. I can't take your call at the moment, | 0:02:17 | 0:02:21 | |
'so please leave a message.' | 0:02:21 | 0:02:24 | |
Mum? I'm driving. | 0:02:24 | 0:02:27 | |
Can you believe it? He let me off. He actually let me off. I love you. | 0:02:27 | 0:02:32 | |
Oh, no. You're having me on. | 0:02:32 | 0:02:35 | |
No. Just a £100 fine and a warning. I'm behind the wheel again. | 0:02:35 | 0:02:38 | |
-It's your ma, the criminal. -Hi, Ma. | 0:02:38 | 0:02:41 | |
I hope you've learned a lesson and reformed your ways. | 0:02:41 | 0:02:45 | |
-'You're not speeding now, are you?' -No, course I'm not. | 0:02:45 | 0:02:49 | |
Well, maybe a little. | 0:02:49 | 0:02:51 | |
What did you say to that daft judge? | 0:02:52 | 0:02:55 | |
'I told him I was guilty as sin.' | 0:02:55 | 0:02:57 | |
And he let you off? Pleads a great case for judicial reform. | 0:02:57 | 0:03:01 | |
SHE LAUGHS: Yeah. Another repeat offender returned to decent society. | 0:03:01 | 0:03:05 | |
'This is Garda Detective Chris Mulligan. Please leave a message.' | 0:03:06 | 0:03:10 | |
You didn't get me this time, Chris. Still got the wheels. | 0:03:10 | 0:03:14 | |
I was fined, you're gonna love this, 100 quid. Can you believe it? | 0:03:14 | 0:03:19 | |
You owe me lunch. You said wherever I want... | 0:03:19 | 0:03:22 | |
SHE SCREAMS | 0:03:23 | 0:03:26 | |
Veronica? Veronica. | 0:03:29 | 0:03:33 | |
The fucking eagle has landed. | 0:05:04 | 0:05:06 | |
Hello, boys. You all right there, Terry? | 0:05:18 | 0:05:20 | |
I met your fucking sister last night. | 0:05:22 | 0:05:25 | |
INDISTINCT CHATTER | 0:05:25 | 0:05:28 | |
How are you, Boss? | 0:05:31 | 0:05:33 | |
Get off that. | 0:06:23 | 0:06:25 | |
Push off! | 0:06:27 | 0:06:29 | |
Get your money ready. Five pounds. | 0:06:31 | 0:06:34 | |
There, beat ya. | 0:07:00 | 0:07:02 | |
Yeah, like this. | 0:07:19 | 0:07:22 | |
A CHILD CRIES | 0:07:33 | 0:07:37 | |
How're ya? | 0:07:45 | 0:07:47 | |
My name's Veronica. I write for the Sunday Independent. | 0:07:48 | 0:07:52 | |
May I ask you some questions? Do you mind? | 0:07:56 | 0:08:00 | |
-How much do you pay for one of those? -Few quid. | 0:08:02 | 0:08:06 | |
Anyway, it's cheaper to rent someone else's needle. | 0:08:06 | 0:08:10 | |
-How about the score? -First one's free. | 0:08:10 | 0:08:14 | |
Well, I heard five pounds. | 0:08:14 | 0:08:17 | |
Where do you get the cash for all this? | 0:08:19 | 0:08:22 | |
We just say to some broad like you, | 0:08:22 | 0:08:25 | |
"Gimme your money or I'll inject you with AIDS." | 0:08:25 | 0:08:28 | |
-How old are you? -What's it to you? | 0:08:31 | 0:08:35 | |
I'm writing a piece for the paper. I wanna know where you get the gear. | 0:08:35 | 0:08:39 | |
And do your work for you? | 0:08:39 | 0:08:41 | |
Come back when you got some money. | 0:08:41 | 0:08:43 | |
Check you later, all right? | 0:08:52 | 0:08:55 | |
-Lost, are we? -Who might you be? | 0:08:56 | 0:08:59 | |
-Neighbourhood watch. -Yeah, well, better keep an eye out. | 0:08:59 | 0:09:03 | |
I hear there's some dodgy scangers about. | 0:09:03 | 0:09:06 | |
HE LAUGHS | 0:09:06 | 0:09:08 | |
I fucking swear to God, fuck you. | 0:09:12 | 0:09:15 | |
Ah, Jamie, Jamie, Jamie. | 0:09:38 | 0:09:41 | |
You're an awful man, do you know that? | 0:09:41 | 0:09:44 | |
What did you have to shoot your mouth off to the guards about me for? | 0:09:44 | 0:09:48 | |
Did you think I wouldn't find out it was you? | 0:09:48 | 0:09:51 | |
You know... I was thinking about killing you | 0:09:52 | 0:09:56 | |
and then I thought to myself, "You know, | 0:09:56 | 0:09:59 | |
"people get killed every day and nobody gives a shite." | 0:09:59 | 0:10:04 | |
So, I've decided I'm going to have to hurt you a bit. | 0:10:04 | 0:10:08 | |
HE MUMBLES | 0:10:08 | 0:10:10 | |
Actually, I'm going to hurt you an awful lot. | 0:10:10 | 0:10:13 | |
The good news is I'm going to do you myself. Oh, yeah, personally. | 0:10:13 | 0:10:18 | |
I mean, you don't want people thinking | 0:10:18 | 0:10:21 | |
just because I've got me name in the papers and all that, | 0:10:21 | 0:10:24 | |
that Martin Cahill is too posh to do his own dirty work, | 0:10:24 | 0:10:28 | |
now do you? | 0:10:28 | 0:10:30 | |
MUMBLES: Oh, for fuck's sake. | 0:10:37 | 0:10:40 | |
Let the gag out of his mouth. | 0:10:40 | 0:10:42 | |
Let the scumbag squeal. He's good at that. | 0:10:42 | 0:10:45 | |
HE SCREAMS | 0:10:45 | 0:10:48 | |
SHOUTING AND SCREAMS | 0:10:48 | 0:10:51 | |
SCREAMS AND YELLS | 0:10:54 | 0:10:57 | |
LOUD SCREAMS | 0:11:00 | 0:11:03 | |
CAR HORN BEEPS | 0:11:31 | 0:11:33 | |
-Hi. -How are you? | 0:11:35 | 0:11:38 | |
-Here she is now. -Hiya. You're great. | 0:11:38 | 0:11:41 | |
I must be. | 0:11:41 | 0:11:43 | |
-How you doing? -Hi, Jimmy. | 0:11:43 | 0:11:46 | |
Off to a big news story, are we? | 0:11:46 | 0:11:49 | |
Come on, Ronnie, give us the scoop. Who's the scumbag of the week? | 0:11:49 | 0:11:53 | |
Go and buy the paper, little brother. | 0:11:53 | 0:11:56 | |
-You ready for me? -Did I say something? | 0:11:56 | 0:11:59 | |
Don't look at me. She's your sister. | 0:11:59 | 0:12:01 | |
-You warm enough? -Yeah. -OK. | 0:12:09 | 0:12:12 | |
Night, darlin'. | 0:12:12 | 0:12:14 | |
-I'm in the other room if you need me. -OK. | 0:12:14 | 0:12:18 | |
He won't have any trouble sleeping tonight. | 0:12:21 | 0:12:24 | |
-That's cos you wore him out on the football pitch. -Yeah. | 0:12:24 | 0:12:28 | |
-What's up? -Nothin'. | 0:12:30 | 0:12:32 | |
Nothin' or somethin'? | 0:12:33 | 0:12:36 | |
It's bollocks. What I'm writing. | 0:12:36 | 0:12:39 | |
Why don't you give yourself a bit of credit? | 0:12:39 | 0:12:42 | |
So it's half-decent bollocks. It's light, it's human interest. | 0:12:42 | 0:12:45 | |
It's bollocks. | 0:12:45 | 0:12:48 | |
On that estate, on the street, there were needles everywhere. | 0:12:49 | 0:12:52 | |
-Where kids were playing. -Jesus. | 0:12:52 | 0:12:55 | |
You should have seen these wankers. | 0:12:55 | 0:12:57 | |
Standing there with their new Mercedes. | 0:12:57 | 0:13:00 | |
How many five-pound hits of dope do you need to shift to buy a Mercedes? | 0:13:00 | 0:13:04 | |
You do the maths. How many kids is that? | 0:13:04 | 0:13:08 | |
Nobody's writing about it. Nobody cares. | 0:13:09 | 0:13:12 | |
Isn't that...? Someone needs to get after these bastards. | 0:13:12 | 0:13:17 | |
They're making megabucks. | 0:13:17 | 0:13:20 | |
That's what I should be writing about. | 0:13:20 | 0:13:23 | |
Now that wouldn't be bollocks. | 0:13:25 | 0:13:27 | |
The pushers are using the underaged kids to do their business. | 0:13:30 | 0:13:34 | |
They know the guards won't touch the kids. Everyone knows what goes on. | 0:13:34 | 0:13:38 | |
Eight kids from this block died from drugs last year. Eight. | 0:13:38 | 0:13:41 | |
-All under 15. Four were me sister Iris's kids. -Jesus, I'm sorry. | 0:13:41 | 0:13:45 | |
TD's, guards, closed their eyes, | 0:13:45 | 0:13:48 | |
called it a family problem. To some, these kids are dead already. | 0:13:48 | 0:13:52 | |
We formed Concerned Parents Against Drugs. Made it our problem. | 0:13:52 | 0:13:56 | |
-I'd love you to write something. -How often do you march? -Once a week. | 0:13:56 | 0:14:00 | |
-It's quite a commitment. -It's quite a problem. | 0:14:00 | 0:14:03 | |
Hey, you remember me? | 0:14:03 | 0:14:06 | |
Where those Cahill's lads in the van? | 0:14:08 | 0:14:11 | |
What van? | 0:14:11 | 0:14:13 | |
She can help, Timmy. | 0:14:13 | 0:14:16 | |
You know, Martin Cahill? The General. | 0:14:16 | 0:14:19 | |
You know him? | 0:14:19 | 0:14:21 | |
What's your cut? | 0:14:21 | 0:14:24 | |
-I better go. I can't be seen with yous. -Let us help you, Timmy. | 0:14:27 | 0:14:32 | |
I can find you a good place to stay tonight. Tomorrow... | 0:14:32 | 0:14:36 | |
Do yous want to have sex with me? I'm not expensive. | 0:14:36 | 0:14:40 | |
-The bill, please. -He nicked your wallet. | 0:14:46 | 0:14:49 | |
-What do we want? -Pushers out. -When do we want it? -Now. | 0:14:50 | 0:14:54 | |
-What do we want? -Pushers out. -When do we want it? -Now. | 0:14:54 | 0:14:58 | |
Are these marches always this small? | 0:14:58 | 0:15:00 | |
-Well, hopefully with your help the word will get to more people. -Yeah. | 0:15:00 | 0:15:05 | |
I'll make sure it does. | 0:15:05 | 0:15:07 | |
-When do we want it? -Now. -What do we want? -Pushers out. | 0:15:09 | 0:15:13 | |
-Tommy Mullen! -You bastard! | 0:15:13 | 0:15:16 | |
-What do we want? -Pushers out. -When do we want it? -Now. | 0:15:21 | 0:15:24 | |
-What do we want? -Pushers out. -When do we want it? -Now. | 0:15:24 | 0:15:28 | |
-Pusher, pusher, pusher. -Out! Out! Out! | 0:15:28 | 0:15:30 | |
Look who's got himself a new girlfriend. | 0:15:43 | 0:15:46 | |
-See you there then, John. -Yeah, go ahead. | 0:15:50 | 0:15:53 | |
What the hell do you want? | 0:15:53 | 0:15:56 | |
Is that any way to talk to a lady? | 0:15:56 | 0:15:58 | |
-Ladies don't call on gentlemen unannounced. -Oh, we're a gentleman! | 0:15:59 | 0:16:03 | |
Where's your manners? You didn't introduce me. | 0:16:03 | 0:16:07 | |
-If that's what you after. -You closing early? | 0:16:07 | 0:16:10 | |
-One of the benefits of being self-employed. -You're amazing, John. | 0:16:10 | 0:16:14 | |
No, really. You're a model of profitability. | 0:16:14 | 0:16:18 | |
How to succeed in business without any customers. | 0:16:18 | 0:16:22 | |
I do well enough. | 0:16:22 | 0:16:24 | |
Yeah, well, there must be a few bob in those brothels on Athgar Road. | 0:16:24 | 0:16:27 | |
What are they worth now, John? | 0:16:27 | 0:16:30 | |
-You're a dangerous bitch, aren't you? -I do my best. Buy us a drink? | 0:16:30 | 0:16:34 | |
That's the benefit of being self-employed, John. | 0:16:34 | 0:16:37 | |
You are your own boss, aren't you? | 0:16:37 | 0:16:40 | |
You're way off the mark, Veronica. Martin Cahill isn't into the drugs. | 0:16:40 | 0:16:44 | |
-Neither am I. -You sure? | 0:16:44 | 0:16:46 | |
We're just ordinary, decent criminals. | 0:16:46 | 0:16:49 | |
If you won't take my word, why don't you ask Martin? | 0:16:50 | 0:16:54 | |
-He's very fond of the ladies. -Exactly. So set it up for me. | 0:16:54 | 0:16:58 | |
Why you chasing the drugs? You should chase the pubs, | 0:17:00 | 0:17:03 | |
-they do more damage. -Yeah, right. | 0:17:03 | 0:17:06 | |
Yeah? No, I tried that. It was a dead end. | 0:17:06 | 0:17:10 | |
I'll call you back? Grand. | 0:17:10 | 0:17:12 | |
So, how many guys you have working for stories at once? | 0:17:12 | 0:17:16 | |
Now, a less generous person might say you were ungrateful | 0:17:16 | 0:17:20 | |
for what I gave you already. | 0:17:20 | 0:17:22 | |
Stealing paintings, kidnapping, you above that now? | 0:17:22 | 0:17:25 | |
I got you famous with those stories. | 0:17:25 | 0:17:29 | |
Yeah. You feed me the superficial crap. | 0:17:29 | 0:17:33 | |
-I make you look good. -Great picture. | 0:17:33 | 0:17:36 | |
Come on, I need your help to get to Cahill. | 0:17:36 | 0:17:38 | |
Write me a reference. | 0:17:38 | 0:17:40 | |
I'm late for an appointment. | 0:17:40 | 0:17:43 | |
Word of advice. Stay away from Martin Cahill. | 0:17:44 | 0:17:48 | |
Sorry to disturb ya, are you Mrs Cahill? | 0:17:57 | 0:18:01 | |
Frances Cahill? | 0:18:01 | 0:18:03 | |
Right. | 0:18:06 | 0:18:09 | |
Are you Frances Cahill? | 0:18:23 | 0:18:25 | |
-I am. -Hi, I'm Veronica. | 0:18:25 | 0:18:28 | |
-I'm a friend of John Traynor's. -I know who you are. | 0:18:28 | 0:18:32 | |
Is your husband home? I want to ask him a favour. | 0:18:32 | 0:18:35 | |
Martin Cahill doesn't do favours for journalists. | 0:18:35 | 0:18:39 | |
So piss off. | 0:18:39 | 0:18:41 | |
There's a rumour he's putting drugs on the street, you got any comment? | 0:18:41 | 0:18:45 | |
I know he nailed a tout to the floor of a flat, was it drug-related? | 0:18:45 | 0:18:49 | |
I want a comment. Off the record. I'll be out of your... | 0:18:49 | 0:18:54 | |
Mr Cahill! Could you do me a favour? | 0:18:55 | 0:18:58 | |
I need the names of those kids selling drugs for you. | 0:18:58 | 0:19:02 | |
And I'll do you a favour. I won't write about what people are saying. | 0:19:02 | 0:19:06 | |
You know, you're having kids with your wife's sisters? | 0:19:06 | 0:19:10 | |
There's me number. Gimme a call! | 0:19:10 | 0:19:12 | |
Cheers. | 0:19:13 | 0:19:15 | |
SIRENS BLARE | 0:19:17 | 0:19:20 | |
'What can I do for you, Veronica?' | 0:19:24 | 0:19:26 | |
How could you lose a body? | 0:19:26 | 0:19:29 | |
I mean, that's just downright careless. | 0:19:29 | 0:19:32 | |
You find some, you lose some. It'll turn up. They always do. | 0:19:32 | 0:19:36 | |
You gonna join the cause of those crying foul? | 0:19:36 | 0:19:39 | |
"More Garda incompetence? Is this why we pay our taxes?" | 0:19:39 | 0:19:42 | |
Some might say incompetent, but you could say you're understaffed. | 0:19:42 | 0:19:46 | |
You can't have 24-hour surveillance on a murder site with 24 staff. | 0:19:46 | 0:19:51 | |
People should know that. Someone should write that. | 0:19:51 | 0:19:56 | |
And if someone did write that, what would that someone want in return? | 0:19:56 | 0:20:00 | |
I talked to the couple you detained after the weekend in Amsterdam. | 0:20:00 | 0:20:05 | |
Held for 48 hours cos they bought nothing there but a box of condoms. | 0:20:05 | 0:20:08 | |
How does it feel to wait for a mule to shite out a condom full of drugs? | 0:20:10 | 0:20:15 | |
You and I both know the couriers are the lowest man in the organisation. | 0:20:16 | 0:20:20 | |
Some Mr Big is laughing at you and your stool sample. | 0:20:20 | 0:20:24 | |
Now you can't touch him. I want... | 0:20:24 | 0:20:26 | |
-We both want to get Mr Untouchable. -What'll you do when you do? | 0:20:26 | 0:20:30 | |
Your paper's so scared he'll sue if you name him, | 0:20:30 | 0:20:33 | |
they employ more lawyers than journalists! | 0:20:33 | 0:20:36 | |
Well, there's more than 300,000 people... | 0:20:36 | 0:20:39 | |
I don't want to blow my own trumpet, | 0:20:39 | 0:20:41 | |
but they know that Martin Cahill's The General, | 0:20:41 | 0:20:44 | |
because what I write in the Sunday Independent. | 0:20:44 | 0:20:48 | |
At least they know what he's up to. | 0:20:48 | 0:20:50 | |
Great. For your readers, but does it help me put him behind bars? | 0:20:50 | 0:20:54 | |
We're on the same side, Chris. | 0:20:54 | 0:20:56 | |
I trained as an accountant, right? | 0:20:56 | 0:20:59 | |
If I could have a look at these files, | 0:20:59 | 0:21:01 | |
then I could go after those other wankers. | 0:21:01 | 0:21:04 | |
Put some pressure on them. Come on. | 0:21:04 | 0:21:08 | |
Go on. | 0:21:10 | 0:21:12 | |
Look, I've got more packing to do. I'll be back in an hour or so. | 0:21:16 | 0:21:20 | |
Looking forward to reading someone's column on Sunday. | 0:21:20 | 0:21:25 | |
-"For The Coach, every day is Lotto Day." -LAUGHTER | 0:21:33 | 0:21:37 | |
"What others might earn in a decade, he can conjure up in an afternoon." | 0:21:37 | 0:21:42 | |
"His Swiss scam was a stroke, a child of his remarkable ingenuity." | 0:21:42 | 0:21:47 | |
"The fruits of a complex fraud..." | 0:21:47 | 0:21:50 | |
-Coach, boss. -What? | 0:21:50 | 0:21:52 | |
I never knew you were such a horse lover, John. | 0:21:54 | 0:21:58 | |
-What took you so long? -The traffic. | 0:22:02 | 0:22:05 | |
Nothing to do with that woman from the Sunday Indo? | 0:22:05 | 0:22:08 | |
Did the boys say somethin'? | 0:22:08 | 0:22:11 | |
That's not the question. What did you say to her? | 0:22:11 | 0:22:14 | |
Nothin' important. | 0:22:14 | 0:22:17 | |
She fancies me, so I humour her. | 0:22:17 | 0:22:20 | |
You know why I'm successful, Johnny? | 0:22:20 | 0:22:23 | |
I lead a quiet life. | 0:22:23 | 0:22:25 | |
Nobody knows what I'm doing and that's good for business. | 0:22:25 | 0:22:29 | |
When you talk to that bitch and she writes about you, | 0:22:29 | 0:22:32 | |
you feel like a movie star. | 0:22:32 | 0:22:34 | |
And don't think she doesn't know how to use that, because she does. | 0:22:34 | 0:22:38 | |
You're not as smart as you think you are. | 0:22:38 | 0:22:41 | |
That makes you a liability. Remember this. | 0:22:41 | 0:22:45 | |
If that bitch ever mentions my name, | 0:22:45 | 0:22:48 | |
you pay. | 0:22:48 | 0:22:51 | |
GUNSHOT | 0:22:52 | 0:22:54 | |
Hey, you like playing the gangster, do ya? Do ya? | 0:22:57 | 0:23:00 | |
-Make you feel like a big man, does it? Does it? -John, please. | 0:23:00 | 0:23:04 | |
-How does it feel now? -John! -You heap o' shite! | 0:23:04 | 0:23:08 | |
-You heap o' shite! -Please! | 0:23:08 | 0:23:10 | |
You bunch of eejits. Which fucking genius fired a gun around my horses? | 0:23:10 | 0:23:15 | |
You don't insult me boys, Gerry. | 0:23:15 | 0:23:19 | |
You leave that to me, unless you want some of the same yourself. | 0:23:19 | 0:23:24 | |
Word of advice. Keep your fucking mouth shut. | 0:23:29 | 0:23:32 | |
-I called you here, cos we've got a debt to settle. -What debt? | 0:23:34 | 0:23:38 | |
Your man Martin Cahill thinks over half a million quid is owed him. | 0:23:38 | 0:23:42 | |
He loaned us that to start up the operation. He wants it back. | 0:23:42 | 0:23:46 | |
There's no back, that money moves forward. | 0:23:46 | 0:23:49 | |
He lent you it when you were out of prison. You had nothin'. | 0:23:49 | 0:23:53 | |
Now, he's down on his luck. He can't shift the paintings. Too hot. | 0:23:53 | 0:23:57 | |
-Why don't you just pay him? -No, no. You don't get it. | 0:23:57 | 0:24:00 | |
When a scumbag like him is down on his luck, kick him in the bollocks. | 0:24:00 | 0:24:04 | |
I wouldn't try that with Martin Cahill. | 0:24:04 | 0:24:08 | |
Who's side are you on, Coach? | 0:24:08 | 0:24:10 | |
I just think we should make payment. | 0:24:10 | 0:24:14 | |
Don't you worry about it. We're gonna make payment. | 0:24:15 | 0:24:18 | |
SHE SCREAMS | 0:24:27 | 0:24:29 | |
Then he poked that one... | 0:24:32 | 0:24:35 | |
GUNSHOT | 0:24:42 | 0:24:44 | |
GUNSHOT | 0:24:54 | 0:24:56 | |
Jesus! | 0:25:08 | 0:25:09 | |
CHEERING | 0:25:22 | 0:25:25 | |
LAUGHS | 0:25:26 | 0:25:28 | |
Are you people fucking insane? | 0:25:36 | 0:25:39 | |
-For a few hundred grand you murdered all of us? -I don't like your tone. | 0:25:39 | 0:25:44 | |
Maybe the guards don't know, but if the Cahill mob find out, | 0:25:44 | 0:25:47 | |
they'll kill yous and everyone you work with. | 0:25:47 | 0:25:50 | |
The IRA has claimed responsibility for the murder of Martin Cahill | 0:25:52 | 0:25:57 | |
and we are now doing everything in our power | 0:25:57 | 0:25:59 | |
to apprehend the gunmen involved. | 0:25:59 | 0:26:02 | |
No progress has been made. | 0:26:02 | 0:26:04 | |
This isn't the first execution. What about the Davey and Gormley cases? | 0:26:04 | 0:26:08 | |
I cannot comment on any other investigation. | 0:26:08 | 0:26:12 | |
No progress is ever made in cases involving the IRA. | 0:26:12 | 0:26:15 | |
Cahill's family has stated that The General and I quote, | 0:26:15 | 0:26:19 | |
"Was not killed by the IRA, but by someone who saw the money he made." | 0:26:19 | 0:26:24 | |
In your opinion, could this be drug-related? | 0:26:24 | 0:26:27 | |
-You can't believe everything you hear. -Neither can you, Des. | 0:26:27 | 0:26:32 | |
BARRAGE OF QUESTIONS | 0:26:32 | 0:26:34 | |
Look, Veronica, | 0:26:40 | 0:26:42 | |
-every journalist sees a vast conspiracy in everything. -Get away. | 0:26:42 | 0:26:46 | |
We haven't a fucking clue. We don't know who killed Cahill. | 0:26:46 | 0:26:50 | |
And you don't care, right? | 0:26:50 | 0:26:52 | |
If they kill each other, it's easier for you. | 0:26:52 | 0:26:55 | |
Here. Let's sort out the petty criminals first. | 0:26:57 | 0:27:01 | |
Those who loved Martin Cahill | 0:27:01 | 0:27:03 | |
feel a deep sense of loss and pain. | 0:27:03 | 0:27:07 | |
Violence can only lead to death... | 0:27:09 | 0:27:12 | |
..because it's the way of hatred, | 0:27:13 | 0:27:15 | |
fear and revenge. | 0:27:15 | 0:27:18 | |
Our Father, who art in heaven, hallowed by thy name. Thy kingdom... | 0:27:18 | 0:27:21 | |
Nothin' like a funeral to bring out the competition, is there? | 0:27:21 | 0:27:25 | |
-Yeah. -Look at Gerry Hutch, all tearful. | 0:27:25 | 0:27:28 | |
-Or should I say The Monk? -He's not bad looking for a monk. | 0:27:28 | 0:27:32 | |
Thing about monks though, is they're celibate. | 0:27:32 | 0:27:36 | |
Supposedly. | 0:27:36 | 0:27:38 | |
-See those two there? -Yeah. -Dealers, right? -Yeah. | 0:27:40 | 0:27:43 | |
Fatso Mitchell and Tommy Mullen. | 0:27:43 | 0:27:46 | |
Right. | 0:27:47 | 0:27:49 | |
-Cahill wasn't running drugs. -No? | 0:27:50 | 0:27:53 | |
I followed the money and it turns out | 0:27:53 | 0:27:56 | |
your man was absolutely broke. | 0:27:56 | 0:27:58 | |
-The family had to borrow 10,000 for this. -Really? | 0:27:58 | 0:28:02 | |
-Didn't have the cash to run drugs. -Fuck's sakes. | 0:28:02 | 0:28:05 | |
Will you look? The north-side rivals to pay their respects. | 0:28:05 | 0:28:09 | |
-Out. -That's Brian Meehan there. | 0:28:09 | 0:28:12 | |
-The blond one? -Yeah. | 0:28:12 | 0:28:14 | |
Nasty little fucker. | 0:28:14 | 0:28:16 | |
The Lord is with thee. Blessed art thou among women | 0:28:16 | 0:28:20 | |
and blessed is the fruit of thy womb, Jesus. | 0:28:20 | 0:28:23 | |
Hail Mary full of grace, | 0:28:23 | 0:28:25 | |
the Lord is with thee. Blessed art thou among women | 0:28:25 | 0:28:29 | |
and blessed is the fruit of thy womb, Jesus. | 0:28:29 | 0:28:31 | |
TELEPHONE RINGS | 0:28:33 | 0:28:35 | |
-Yeah? -The IRA didn't act alone. | 0:28:38 | 0:28:42 | |
Tell me something I don't know. Where are ya? | 0:28:42 | 0:28:46 | |
Gerry Hutch ordered the hit on Cahill. | 0:28:46 | 0:28:49 | |
Hutch? Jesus, are you sure? | 0:28:49 | 0:28:54 | |
I was there. | 0:28:54 | 0:28:56 | |
She bought it. | 0:29:08 | 0:29:10 | |
Boo-hoo(!) | 0:29:12 | 0:29:14 | |
-Holy Mary, mother of God. -Boo-hoo. | 0:29:14 | 0:29:17 | |
Hail Mary, full of grace, the Lord is with thee... | 0:29:17 | 0:29:21 | |
RAISED VOICES | 0:29:21 | 0:29:24 | |
OK. Let's bring them in. Bring them in. | 0:29:24 | 0:29:27 | |
Leave it out lads, please. | 0:29:27 | 0:29:30 | |
Strip 'em and search 'em. | 0:29:35 | 0:29:38 | |
I'll get you, | 0:29:38 | 0:29:40 | |
your wife, your kids. | 0:29:40 | 0:29:42 | |
Think you're the big fella now? | 0:29:42 | 0:29:44 | |
-You'll not be so big the next time you meet me. -Yeah? I'm trembling. | 0:29:44 | 0:29:49 | |
We can do this the hard or the easy way, your choice. | 0:29:49 | 0:29:53 | |
Please, let's do it the hard way, huh? | 0:29:53 | 0:29:56 | |
Do you like men with big cocks, do you? Want that, do you? | 0:29:56 | 0:29:59 | |
Is she a lesbian? Fancy me arse, do ya? Pervert! | 0:29:59 | 0:30:03 | |
All right, get your designer gear back on and get the fuck out of my sight. | 0:30:03 | 0:30:08 | |
There's over £600 there. You can keep that. | 0:30:08 | 0:30:11 | |
Yous fuckers need it more than I do. | 0:30:11 | 0:30:14 | |
Bunch of fuckin' eejits, working and paying taxes. Do you know what? | 0:30:15 | 0:30:19 | |
I make more in a week than yous fuckers earn in a month. | 0:30:19 | 0:30:23 | |
Here. Much more than you earn in a year. | 0:30:23 | 0:30:26 | |
Thanks. See you, guys. All the best. | 0:30:26 | 0:30:29 | |
-You can tell the time, can't ya? -See you soon. | 0:30:29 | 0:30:32 | |
I always like to go shopping after a funeral. | 0:30:39 | 0:30:42 | |
-What are you doin' here? -It's lookin' bad for you. | 0:30:45 | 0:30:49 | |
-People say you ordered the hit on Cahill. -They can say what they like. | 0:30:49 | 0:30:53 | |
I was out of the country. | 0:30:53 | 0:30:55 | |
Is that your response, Mr Hutch? | 0:30:55 | 0:30:57 | |
Or should I call you The Monk? | 0:30:57 | 0:31:00 | |
You're invading my privacy and the privacy of my family. | 0:31:00 | 0:31:04 | |
If you don't get off my property I'll sue you and your fuckin' paper. | 0:31:04 | 0:31:09 | |
Now fuck off. | 0:31:09 | 0:31:11 | |
Can I quote you on that? | 0:31:13 | 0:31:15 | |
I can't talk to anyone right now. | 0:31:21 | 0:31:23 | |
It's Tony Gregory. He's an MP for Dublin South. | 0:31:23 | 0:31:27 | |
I know. I still can't talk. Tell him I'll call him later. | 0:31:27 | 0:31:30 | |
-You can tell him yourself. -Hiya, Tony. | 0:31:30 | 0:31:34 | |
-What is this shite? -It's Ireland's finest newspaper. | 0:31:34 | 0:31:38 | |
"Dublin city is currently like a tinderbox waiting to explode"?! | 0:31:38 | 0:31:42 | |
-Self-fulfilling prophecy. -It's a quote. | 0:31:42 | 0:31:45 | |
It's a source quote. It's not me editorialising. Understand? | 0:31:45 | 0:31:49 | |
No gang was involved in the murder. | 0:31:49 | 0:31:51 | |
The Garda filed photos of these gangs. No-one identified them. | 0:31:51 | 0:31:54 | |
The only reason there's no blood bath | 0:31:54 | 0:31:57 | |
is the Cahills didn't buy your story. | 0:31:57 | 0:31:59 | |
As far as I'm concerned, this woman is reckless and inflammatory. | 0:31:59 | 0:32:03 | |
She treats rumour as fact. | 0:32:03 | 0:32:05 | |
And you are irresponsible for publishing it. | 0:32:05 | 0:32:08 | |
I expect to read my response over breakfast next Sunday. | 0:32:08 | 0:32:12 | |
-I did nothin' wrong. -I know that. -Did you corroborate your facts? | 0:32:14 | 0:32:18 | |
I was told by a source. He's never been wrong before. | 0:32:18 | 0:32:21 | |
I didn't name Hutch. I didn't even call him The Monk. | 0:32:21 | 0:32:25 | |
Hutch said he was out of the country. | 0:32:25 | 0:32:27 | |
-He said he'd sue us, but didn't deny it. -We know that. | 0:32:27 | 0:32:30 | |
-And the lawyers approved it, Angus. -We don't doubt you, | 0:32:30 | 0:32:34 | |
but Gregory doubts you. He's an MP for the area. He wants his say. | 0:32:34 | 0:32:39 | |
-I don't give a shite. -What about the source? | 0:32:39 | 0:32:41 | |
-Will he go on record? -Of course he won't, he's a criminal. | 0:32:41 | 0:32:45 | |
-This is like being a cop. -It's worse. | 0:32:45 | 0:32:48 | |
You can't get a search warrant or tap but you must prove everything. | 0:32:48 | 0:32:52 | |
Yes, and you want to check how reliable that source is. | 0:32:52 | 0:32:56 | |
Is Traynor about? | 0:33:02 | 0:33:04 | |
What time? Whatever. Yeah. | 0:33:11 | 0:33:13 | |
OK. Uh-huh. | 0:33:13 | 0:33:16 | |
-Jesus! -Sorry, John. Just a quick question. | 0:33:20 | 0:33:24 | |
You're not aiming to start a gang war between the Cahills and Hutch? | 0:33:24 | 0:33:28 | |
-Jesus. She's famous. -Shut up, you. | 0:33:28 | 0:33:31 | |
I have a feeling you've been feeding me a line of shite about The Monk. | 0:33:31 | 0:33:35 | |
-What? -Get the south-side and north-side gangs to kill each other, | 0:33:35 | 0:33:39 | |
-so someone else can take over? -You're talking out of your arse. | 0:33:39 | 0:33:43 | |
-Get out of here, unless you want to join in. -You said you were there. | 0:33:43 | 0:33:48 | |
-I done you a lot of favours. -I'm doing the favours. | 0:33:48 | 0:33:51 | |
No, I've done you the favours. Don't forget that. | 0:33:51 | 0:33:55 | |
I tell you what I know. I don't tell you what to do with it. | 0:33:55 | 0:33:59 | |
You come in here calling me a fucking liar? | 0:33:59 | 0:34:02 | |
That's a bit of an overreaction there, John. | 0:34:02 | 0:34:05 | |
-Why don't you come and have a pint? -Too many journalists for me. | 0:34:13 | 0:34:17 | |
You can't join the club if you ignore the members. | 0:34:19 | 0:34:22 | |
I know what they say. No experience, I'm exaggerating the drug problem. | 0:34:22 | 0:34:27 | |
-My sources are unreliable, can't spell. -Pretty accurate. | 0:34:27 | 0:34:31 | |
-Get away and shite. I know I'm no great writer. -I think you're a poet. | 0:34:31 | 0:34:35 | |
Go on. Go on, Cantona. | 0:34:40 | 0:34:42 | |
That's poetry. | 0:34:43 | 0:34:46 | |
What's the score? | 0:34:46 | 0:34:48 | |
Nothin' nothin.' Cantona's a fuckin' vacuum cleaner today, man. | 0:34:48 | 0:34:51 | |
It's unreal. | 0:34:51 | 0:34:53 | |
-He's what you call a striker. Number seven. Watch him. -A striker? | 0:34:55 | 0:35:00 | |
-What did you say his name was? -Eric Cantona. | 0:35:00 | 0:35:03 | |
Born 26 May 1966, led Man United to six cups, | 0:35:03 | 0:35:07 | |
-winning Footballer Of the Year in 89, is that him? -Fuck me pink, it is. | 0:35:07 | 0:35:11 | |
Yeah. Fair play to you. | 0:35:11 | 0:35:13 | |
-I met him, you know? -You met him? What did he say to ya? | 0:35:13 | 0:35:16 | |
-Doesn't matter, does it? He's a genius. -He is a genius. He's deadly. | 0:35:16 | 0:35:21 | |
Would you look at that? I bet you any money The Monk done that. | 0:35:23 | 0:35:28 | |
Do you fancy a pint? There's a great pub down there. Very quiet. | 0:35:29 | 0:35:33 | |
That's almost three million quid. | 0:35:33 | 0:35:36 | |
Where would you hide all that? | 0:35:38 | 0:35:40 | |
How could you find any fun in hiding that? You'd be spending it like mad, | 0:35:40 | 0:35:45 | |
-wouldn't ya? -Yeah. That's exactly right. | 0:35:45 | 0:35:49 | |
-Good night. Thanks. -So, no pint, no? | 0:35:49 | 0:35:52 | |
Not a chance? | 0:35:54 | 0:35:56 | |
-Well done on the Brinks job. -What are you doing following me? | 0:36:03 | 0:36:07 | |
I'm gonna write about it, so you may as well talk. | 0:36:07 | 0:36:10 | |
I don't give a bollocks. | 0:36:10 | 0:36:12 | |
-What do you do with the money? -None of your business. There you go. | 0:36:12 | 0:36:16 | |
You know, I've forgotten my manners. | 0:36:16 | 0:36:18 | |
You've been to my home. Maybe it's about fucking time I visit yours. | 0:36:18 | 0:36:22 | |
-Right ahead, sir. -Thanks. I'll see you again. | 0:36:22 | 0:36:26 | |
-'Night, Ma.' -'Night, love.' | 0:36:29 | 0:36:31 | |
-What are you reading, Ma? -Some of me notes. | 0:36:31 | 0:36:34 | |
-On the bad guys? -No. | 0:36:34 | 0:36:36 | |
There's just one bad guy I'm after who's up way past his bedtime. | 0:36:36 | 0:36:40 | |
Now, let's go. | 0:36:40 | 0:36:43 | |
You're getting too big for your ma. | 0:36:43 | 0:36:45 | |
HE LAUGHS I'll have to read you a story. | 0:36:45 | 0:36:48 | |
GUNSHOT | 0:36:48 | 0:36:50 | |
-Stay there. -All right. | 0:36:55 | 0:36:57 | |
You gonna give someone else a go? | 0:37:16 | 0:37:19 | |
Me! Me! Me! Me! | 0:37:19 | 0:37:21 | |
Oh, that's great. | 0:37:22 | 0:37:24 | |
-Ronnie? -Hmm? -We're all nervous. | 0:37:32 | 0:37:36 | |
Ma's nervous, I'm nervous. | 0:37:36 | 0:37:38 | |
Even Graham. He just won't say anything. | 0:37:38 | 0:37:41 | |
There's no use talking to you. | 0:37:41 | 0:37:43 | |
Those people issue death threats if their laundry's folded wrong. | 0:37:43 | 0:37:47 | |
Ma? Where did you put the candles? | 0:37:47 | 0:37:49 | |
They're on top of the bread box. | 0:37:49 | 0:37:52 | |
Oh, right. | 0:37:52 | 0:37:54 | |
It's not the first. Remember the religious fanatics | 0:37:54 | 0:37:58 | |
after the Bishop Casey story? There's always someone. | 0:37:58 | 0:38:01 | |
-You get used to them. -No, you get used to cold water, | 0:38:01 | 0:38:05 | |
not bullets. This is madness. | 0:38:05 | 0:38:07 | |
You'd do the same. If you saw those kids on the streets. | 0:38:07 | 0:38:10 | |
-Not if people were shooting at me. -Ma, look! | 0:38:10 | 0:38:14 | |
-Cathal, that's great! Who gave you that? -You and Dad. | 0:38:14 | 0:38:18 | |
Yeah. | 0:38:18 | 0:38:20 | |
I'm listening. Whoever did it made sure I was not in the room. | 0:38:23 | 0:38:27 | |
Could you do this? You're better at it. | 0:38:28 | 0:38:31 | |
-There's nothing to worry about. -Nothing? | 0:38:31 | 0:38:34 | |
I'm the only Guerin in the phone book. Who will they come after? | 0:38:34 | 0:38:38 | |
Don't flatter yourself, little brother. | 0:38:38 | 0:38:41 | |
Are you gonna dance or go fast? Give someone else a go. | 0:38:42 | 0:38:46 | |
MUSIC MUFFLED THROUGH HEADPHONES | 0:39:13 | 0:39:16 | |
You coming to bed? | 0:39:25 | 0:39:28 | |
-What? -I know you can hear me, are you coming to bed? | 0:39:28 | 0:39:31 | |
-I'll be along in a minute. -Fine. | 0:39:31 | 0:39:35 | |
Suit yourself. | 0:39:35 | 0:39:38 | |
-SWITCHES MUSIC TO SPEAKERS -Turn it down. | 0:39:40 | 0:39:44 | |
-Turn it down. -Come on. | 0:39:44 | 0:39:48 | |
I love it. I love my work. | 0:39:48 | 0:39:51 | |
-I'm doing something that could make a difference. -What can I do with you? | 0:39:51 | 0:39:56 | |
-Come on. -No. | 0:39:57 | 0:40:00 | |
MUSIC: "Everlasting Love" by U2 | 0:40:00 | 0:40:02 | |
OK. | 0:40:11 | 0:40:13 | |
# We'll have our own... everlasting love | 0:40:13 | 0:40:16 | |
# Love will last forever | 0:40:16 | 0:40:20 | |
# It's going to last forever... # | 0:40:20 | 0:40:23 | |
Good boy. Up you come. | 0:40:23 | 0:40:26 | |
# You will realise | 0:40:26 | 0:40:28 | |
# Here I stand with my | 0:40:28 | 0:40:29 | |
# Everlasting love... # | 0:40:29 | 0:40:31 | |
Did we wake you up? | 0:40:31 | 0:40:33 | |
# Come and be my pride | 0:40:33 | 0:40:35 | |
# Never be denied | 0:40:35 | 0:40:36 | |
# Everlasting love! # | 0:40:36 | 0:40:38 | |
What can I say? I don't think Gerry Hutch is into drugs. | 0:40:38 | 0:40:42 | |
The Brinks heist, yeah, probably, | 0:40:44 | 0:40:46 | |
-but drugs is not his scene. -I've been tracking his movements. | 0:40:46 | 0:40:50 | |
I just need to source the drugs, the connection's easy. I need your help. | 0:40:50 | 0:40:54 | |
And I need you to stop coming to my office. | 0:40:54 | 0:40:57 | |
He's got the money. | 0:40:57 | 0:40:59 | |
We're talking about a fella with no visible source of income, | 0:40:59 | 0:41:03 | |
who paid tax on two million pounds last year. | 0:41:03 | 0:41:06 | |
Just laundered through the government's tax amnesty. | 0:41:06 | 0:41:09 | |
-He has too much money not to be in it. -Your opinion. | 0:41:09 | 0:41:12 | |
You seized shipments from Cork, but it's coming from somewhere. Where? | 0:41:12 | 0:41:16 | |
We impounded drugs from Liverpool, Scotland, Amsterdam, Pakistan. | 0:41:16 | 0:41:20 | |
You're not the only one trying | 0:41:20 | 0:41:22 | |
and Gerry Hutch isn't alone with dirty money. | 0:41:22 | 0:41:25 | |
-Who else you got? -I could name a dozen. | 0:41:25 | 0:41:27 | |
Here's the latest candidate, just in from Interpol. | 0:41:27 | 0:41:31 | |
John Gilligan. A year out of prison. | 0:41:31 | 0:41:33 | |
Can you tell me how this low life has £300,000 | 0:41:33 | 0:41:37 | |
-to launder in an Amsterdam casino? You're the journalist. -TELEPHONE RINGS | 0:41:37 | 0:41:41 | |
Certainly keeps a low profile. ..Yeah? Hi, Aengus. Can you hold? | 0:41:41 | 0:41:46 | |
-Can I? -Go on, it's a copy. -Great. | 0:41:46 | 0:41:49 | |
-Just go. -I owe you lunch. | 0:41:49 | 0:41:51 | |
No. Run the Brinks story. Hold off on the drugs claim. | 0:41:54 | 0:41:57 | |
What for? This stuff you sent is great. | 0:41:57 | 0:42:00 | |
No, give me 24 hours. I got a tip. This could be big. | 0:42:00 | 0:42:03 | |
-I'm trusting you on this one. -Oh, aren't you great? | 0:42:03 | 0:42:07 | |
Nice tan there, John. | 0:42:18 | 0:42:21 | |
Hope there's no hard feelings between us? | 0:42:23 | 0:42:25 | |
I'm not one to take a bullet through my window personally. | 0:42:25 | 0:42:29 | |
Get lost. | 0:42:30 | 0:42:33 | |
You wanna be careful when dealing with Gerry Hutch. | 0:42:33 | 0:42:36 | |
But you didn't tell me about a guy named Gilligan. | 0:42:36 | 0:42:39 | |
-Who? -You provided him with a car when he got out of prison last year. | 0:42:39 | 0:42:44 | |
John Gilligan. Want me to spell it? | 0:42:44 | 0:42:47 | |
I run a bleedin' garage. I provide loads of cars. | 0:42:47 | 0:42:50 | |
I'm hardly going to remember every one, am I? | 0:42:50 | 0:42:53 | |
-Is that him there? -Why should I give a shite? | 0:42:53 | 0:42:58 | |
No reason, just the fella behind looks a lot like you. | 0:42:58 | 0:43:03 | |
Now, there's a coincidence. | 0:43:03 | 0:43:05 | |
Where's his money from? Does he provide hash and heroin to Mitchell? | 0:43:05 | 0:43:09 | |
I can't help you. Don't know nothin' about him. | 0:43:09 | 0:43:13 | |
If I hear, I'll tell you. Molly! | 0:43:13 | 0:43:15 | |
You can keep the photo, it's a nice one of you. We got plenty. | 0:43:15 | 0:43:20 | |
-You sell horses, don't you, Mr Chapman? -I do. | 0:43:25 | 0:43:28 | |
I sell them on to Germany. | 0:43:28 | 0:43:30 | |
Myself and Geraldine are planning to make this the largest and finest | 0:43:30 | 0:43:35 | |
equestrian centre in Ireland. | 0:43:35 | 0:43:38 | |
Well, I must say, the size is impressive. | 0:43:39 | 0:43:42 | |
Said the nun to the sailor. HE LAUGHS | 0:43:42 | 0:43:46 | |
How about an aperitif? Some champers? Caviar? | 0:43:46 | 0:43:50 | |
It's all imported. John and I have great plans for this place. | 0:43:50 | 0:43:53 | |
TELEPHONE RINGS Hang on. | 0:43:53 | 0:43:56 | |
Hello? | 0:43:58 | 0:44:00 | |
Hello? You're breaking up there. Hello? | 0:44:00 | 0:44:04 | |
'It's Traynor.' | 0:44:04 | 0:44:06 | |
Johnny. | 0:44:06 | 0:44:08 | |
Veronica Guerin got hold of a photo of us in Amsterdam. | 0:44:08 | 0:44:12 | |
John, I swear I had nothing to do with it. | 0:44:12 | 0:44:14 | |
I never mentioned your name, | 0:44:14 | 0:44:17 | |
but she was asking about ya. | 0:44:17 | 0:44:19 | |
Johnny, look, I've told you before, if she so much as mentions my name, | 0:44:19 | 0:44:23 | |
you pay. | 0:44:23 | 0:44:25 | |
Fucking eejits! Fuck 'em! | 0:44:28 | 0:44:32 | |
Happy Christmas! | 0:44:38 | 0:44:40 | |
How you doing? Happy Christmas. | 0:44:40 | 0:44:42 | |
-Now, isn't this great? -When's Mum coming here? | 0:44:42 | 0:44:46 | |
Soon. You'll want something stronger than that. | 0:44:46 | 0:44:49 | |
TELEPHONE RINGS | 0:44:49 | 0:44:51 | |
Yeah? Ma, how are ya? | 0:44:54 | 0:44:56 | |
-Happy Christmas. -Happy Christmas. -You look great. | 0:44:56 | 0:45:00 | |
-Where's your mum? -You know her, she's always going for the gold. | 0:45:00 | 0:45:03 | |
All right. | 0:45:03 | 0:45:05 | |
KNOCK ON DOOR Look, there's someone at the door. | 0:45:05 | 0:45:08 | |
My phone will be on all night. Call me later. | 0:45:08 | 0:45:12 | |
Yeah. I love you, too. OK, bye. Bye! | 0:45:12 | 0:45:15 | |
KNOCK AGAIN | 0:45:17 | 0:45:19 | |
LOUDER KNOCKING Yeah, all right, all right. | 0:45:22 | 0:45:25 | |
SHE SCREAMS | 0:45:29 | 0:45:31 | |
GUN CLICKS | 0:45:39 | 0:45:40 | |
SHE SCREAMS | 0:45:40 | 0:45:41 | |
SHE GROANS | 0:45:53 | 0:45:56 | |
POUNDING MUSIC | 0:45:58 | 0:46:02 | |
SHE MOANS | 0:46:06 | 0:46:09 | |
TELEPHONE BEEPS | 0:46:17 | 0:46:19 | |
Oh, oh, God, no. | 0:46:23 | 0:46:25 | |
TYRES SCREECH, CLICKING AND CHATTERING | 0:46:25 | 0:46:29 | |
-Hi. -How are you? -Ah, you look gorgeous. | 0:46:38 | 0:46:41 | |
-Hey, Aengus. -Look at you, for God's sake. | 0:46:41 | 0:46:44 | |
-Hi, Willy. -Hiya, darlin'. -Can't find any sport, can you believe it? | 0:46:44 | 0:46:49 | |
-TV: -'..Conducted investigations into organised crime in Dublin | 0:46:49 | 0:46:53 | |
-'and has interviewed...' -Why do they always use that brutal picture? | 0:46:53 | 0:46:57 | |
'..was a serious incident. Veronica Guerin is a talented journalist.' | 0:46:57 | 0:47:02 | |
'An attack like this could be seen as an attempt to muzzle her | 0:47:02 | 0:47:06 | |
'because of certain publications or articles she wrote.' | 0:47:06 | 0:47:11 | |
'This would be connected with last month's robbery?' | 0:47:11 | 0:47:15 | |
We know who pulled that one, don't we? | 0:47:15 | 0:47:17 | |
-He threatened me, you know? -Veronica, please, stop this. | 0:47:17 | 0:47:21 | |
Write about fashion, football, anything. | 0:47:21 | 0:47:24 | |
You don't have to do it any more. | 0:47:24 | 0:47:26 | |
I don't see myself covering catwalks or doing a gardening column. | 0:47:26 | 0:47:31 | |
-You've always wanted to write about politics. -Ah, come off it, I am. | 0:47:31 | 0:47:35 | |
-Drugs are political. -What if I told you | 0:47:35 | 0:47:38 | |
-I wouldn't publish your stuff? -You never would, would you? | 0:47:38 | 0:47:41 | |
-For Christ's sake, there's no sport. -We're gonna have to go. | 0:47:41 | 0:47:45 | |
What kind of hospital is this? Is this why we pay health insurance? | 0:47:45 | 0:47:49 | |
-Where's Cathal? -He's with your mum. Don't worry. -Oh, I'm not worried. | 0:47:49 | 0:47:54 | |
Thanks. Right, we've got you 24-hour police protection. | 0:47:54 | 0:47:57 | |
OK? | 0:47:57 | 0:48:00 | |
What a way to spend Christmas Eve. Looking at a poxy box. | 0:48:00 | 0:48:04 | |
Mary Poppins, Gone With The Wind... | 0:48:05 | 0:48:08 | |
Next thing you know it'll be A Wonderful Fuckin' Life. | 0:48:08 | 0:48:12 | |
-The doctor says it missed the artery and the bone. -Point-blank range | 0:48:12 | 0:48:16 | |
with a .45 and this is all they could do. How's Cathal? How is he? | 0:48:16 | 0:48:20 | |
-He's fine. -Where is he? | 0:48:20 | 0:48:22 | |
-Oh, that's right. He's with Mum. -Yeah, he keeps askin' for ya. | 0:48:22 | 0:48:26 | |
Yeah? | 0:48:26 | 0:48:28 | |
-TV: -'..But Miss Guerin's... -..Shooting happened... | 0:48:28 | 0:48:31 | |
-'..Investigations for the Sunday... -..Warning from a crime gang...' | 0:48:31 | 0:48:35 | |
You gonna stop this now? | 0:48:37 | 0:48:40 | |
HUMMING | 0:48:50 | 0:48:52 | |
Nan, look! It's mum. | 0:48:55 | 0:48:58 | |
-Gimme the keys. -I know what I'm doing. | 0:49:13 | 0:49:16 | |
-Why do you think they shot me? I'm on the right track. -Gimme the keys. | 0:49:16 | 0:49:20 | |
-Thank you. -Would you gimme the keys? | 0:49:20 | 0:49:23 | |
No. Look at the state of ya. | 0:49:23 | 0:49:26 | |
Do you think I want to do this, do ya? | 0:49:28 | 0:49:31 | |
I don't want to do it, I have to do it. | 0:49:31 | 0:49:34 | |
You're a journalist. You write. You let the guards look after this. | 0:49:34 | 0:49:38 | |
The guards can't do anything. They always get away with it. | 0:49:38 | 0:49:42 | |
-14 shootings... -I know, you're one of them. | 0:49:42 | 0:49:45 | |
-I know who the guys are. Would you just give me the keys? -No. | 0:49:45 | 0:49:49 | |
Tough shit. Come on inside, please? | 0:49:49 | 0:49:52 | |
They're not gettin' away with it. I'll catch a cab then. | 0:49:53 | 0:49:57 | |
-Oh, for God's sake. -TELEPHONE BEEPS | 0:49:57 | 0:50:00 | |
Yeah, hi. It's Veronica Guerin, I'd like a... | 0:50:04 | 0:50:07 | |
Thank you. Come on, get in. | 0:50:07 | 0:50:09 | |
-Who's driving? -You can't drive with two legs, | 0:50:11 | 0:50:13 | |
-I hardly think I'm gonna let you drive with one. -That's low, that is. | 0:50:13 | 0:50:17 | |
-You drive like an old granny. -Come on, Hopalong, get in. | 0:50:17 | 0:50:22 | |
Where's she going? She only got out the hospital a couple of days ago. | 0:50:22 | 0:50:26 | |
Yeah, I know. | 0:50:26 | 0:50:28 | |
Here, let me do it. | 0:50:37 | 0:50:39 | |
Look, Veronica Guerin! Come here, have a look. | 0:50:45 | 0:50:49 | |
Tommy Mullen? | 0:50:50 | 0:50:53 | |
-Fatso Mitchell? -Yeah? | 0:51:06 | 0:51:09 | |
This is for you. | 0:51:09 | 0:51:12 | |
Get the fuck out of it. Here! | 0:51:15 | 0:51:18 | |
-Your column's upsetting my mother. -Ah, you poor fella. | 0:51:21 | 0:51:25 | |
You think I'm a drug dealer, don't ya? Well, I'm no drug dealer. | 0:51:26 | 0:51:31 | |
I've seen family and friends dying, week in, week out, because of them. | 0:51:31 | 0:51:35 | |
All right... Why did you shoot me? | 0:51:35 | 0:51:39 | |
I had nothing to do with shooting you. I wouldn't have missed. | 0:51:41 | 0:51:46 | |
-I'm telling ya, he isn't here. -SNIFFS: -And I have to go. I'm busy. | 0:51:53 | 0:51:58 | |
-How old are you? -None of your business! | 0:51:59 | 0:52:02 | |
Look, please, just give this to Traynor. | 0:52:02 | 0:52:05 | |
-Are you gonna be OK, I mean, your leg and all? -Yeah, I'm grand. | 0:52:06 | 0:52:10 | |
Are you gonna be all right? | 0:52:11 | 0:52:14 | |
TV: 'I thought, I mean, I've always believed... | 0:52:19 | 0:52:22 | |
LAUGHING '..nobody shoots the messenger. | 0:52:22 | 0:52:25 | |
'I mean, a journalist doesn't get shot. | 0:52:25 | 0:52:29 | |
-'If the bullet had hit an artery, you could have died. -Yeah. | 0:52:29 | 0:52:33 | |
'So, why do you do it? Why take the risks?' | 0:52:33 | 0:52:36 | |
I'll give her this, | 0:52:36 | 0:52:38 | |
takes some balls to shoot yourself in the leg for publicity. | 0:52:38 | 0:52:42 | |
-Yeah, she should've shot herself in the balls. -Bigger target! | 0:52:42 | 0:52:46 | |
-Shall we? -Never liked this place anyway. | 0:52:46 | 0:52:50 | |
She can always use the insurance money for a course in journalism. | 0:52:50 | 0:52:54 | |
CHEERING | 0:52:59 | 0:53:01 | |
Here, come here and check this out. | 0:53:10 | 0:53:13 | |
'..Bring it to the attention of the public, generally, | 0:53:13 | 0:53:17 | |
'a culture that exists in our society that nobody knows anything about.' | 0:53:17 | 0:53:22 | |
-Lookin' very fuckin' healthy, isn't she? -Too bad the moron you hired | 0:53:22 | 0:53:26 | |
shot her in the leg. Now the whole country's watching her. | 0:53:26 | 0:53:29 | |
Yeah, she's a real martyr, thanks to you, Coach. | 0:53:29 | 0:53:34 | |
Saint Veronica of the Sunday Independent. | 0:53:34 | 0:53:37 | |
Ah, relax, will ya? She's convinced it was Gerry Hutch that done it. | 0:53:37 | 0:53:41 | |
You better pray she stays that way. | 0:53:41 | 0:53:44 | |
Come on. | 0:53:44 | 0:53:47 | |
Champagne, now. | 0:53:47 | 0:53:49 | |
'These letters that you delivered, what did you say in them? | 0:53:49 | 0:53:53 | |
'There was one simple question on each of the letters and it was, | 0:53:53 | 0:53:57 | |
' "Were you responsible for my attack?" ' | 0:53:57 | 0:54:00 | |
-Er, Mr Gregory? -What are you doing in here? | 0:54:11 | 0:54:14 | |
How did you get past security? | 0:54:14 | 0:54:17 | |
-You can't just barge in here. -Sorry. Do you mind if I sit down? | 0:54:17 | 0:54:21 | |
A young woman on a crutch. You have me at a disadvantage. Take a seat. | 0:54:21 | 0:54:25 | |
I've come to apologise, if I've got it all wrong. | 0:54:26 | 0:54:30 | |
All of you journalists have got it wrong. | 0:54:30 | 0:54:33 | |
You call these guys The Viper, The Monk, The General, you glorify them. | 0:54:33 | 0:54:38 | |
-They're not movie stars. -With respect, I've no option. | 0:54:38 | 0:54:41 | |
The libel laws won't let me name them. | 0:54:41 | 0:54:44 | |
Journalists are going to jail for doing that. | 0:54:44 | 0:54:47 | |
You know Liz Allen? She's facing prison for exposing these murderers. | 0:54:47 | 0:54:51 | |
I can't get involved in personal vendettas. | 0:54:51 | 0:54:54 | |
-I'm not here because I was shot. -Now I know what you're not here for. | 0:54:54 | 0:54:58 | |
I've been writing quite extensively - | 0:54:58 | 0:55:00 | |
in a balanced way - for the past 18 months. | 0:55:00 | 0:55:03 | |
You must have missed some of my articles. | 0:55:03 | 0:55:06 | |
On June 11th - I want to clarify this - | 0:55:06 | 0:55:09 | |
I suggested extending detention periods for drug offenders. | 0:55:09 | 0:55:12 | |
On July 16th I wrote about tax officialdom, and this is ridiculous, | 0:55:12 | 0:55:16 | |
saying they're paid only to record declared income, | 0:55:16 | 0:55:19 | |
not to worry whether it comes from drugs. Then on July 23rd, | 0:55:19 | 0:55:23 | |
I wrote how the Gardai can seize drug proceeds | 0:55:23 | 0:55:26 | |
but can't hold them. How frustrating is that? | 0:55:26 | 0:55:29 | |
I don't need to be told the fight against drugs has been crippled | 0:55:29 | 0:55:33 | |
-by the laws we have at the moment. -Yeah. | 0:55:33 | 0:55:36 | |
-We're on the same side, Mr Gregory. -We're on the same side. | 0:55:36 | 0:55:40 | |
-I do not like your methods and I do not like your paper. -Yeah. | 0:55:40 | 0:55:45 | |
It's a rag. But it's a popular rag. | 0:55:45 | 0:55:48 | |
Use it, get your message out. | 0:55:48 | 0:55:51 | |
Use me. You've got to change these laws that favour the criminals. | 0:55:51 | 0:55:55 | |
OK, so, when do we get to the part where you're going to use me? | 0:55:55 | 0:55:58 | |
Well, I'm looking into a guy called Gilligan. | 0:55:58 | 0:56:01 | |
Just take my phone calls. | 0:56:01 | 0:56:04 | |
Gilligan, did you say? | 0:56:09 | 0:56:11 | |
Friend of mine said he rents these containers out. You seen him about? | 0:56:11 | 0:56:15 | |
-Slightly overweight, like? Bald guy? -Mm-hm. | 0:56:15 | 0:56:18 | |
We've never seen him here. | 0:56:18 | 0:56:21 | |
-Thanks for the smoke. -Yeah. | 0:56:21 | 0:56:23 | |
Gwyneth, find out how long Tony Gregory'll be in his office. | 0:56:29 | 0:56:33 | |
Grand, thanks. Hiya. | 0:56:33 | 0:56:35 | |
No offence but they're not gonna talk to me with the cops hanging about. | 0:56:35 | 0:56:40 | |
-All right? -Right. -Thanks. It's not working. | 0:56:40 | 0:56:44 | |
Gilligan's listed here as living in a council flat on the dole? | 0:56:44 | 0:56:48 | |
That's just a mailing address. | 0:56:48 | 0:56:50 | |
Those lads go to meetings with probation officers | 0:56:50 | 0:56:54 | |
in BMWs and Mercedes. | 0:56:54 | 0:56:56 | |
Having money isn't a probation violation. | 0:56:56 | 0:56:59 | |
It is if the assets are illegal. | 0:56:59 | 0:57:02 | |
I'd like to see a register of ownership | 0:57:02 | 0:57:05 | |
for the following properties under this corporation, | 0:57:05 | 0:57:09 | |
with a copy of the shareholders reports. | 0:57:09 | 0:57:11 | |
And the same for these others run by a John Gilligan. | 0:57:11 | 0:57:15 | |
'I told you. This office is closed for lunch.' | 0:57:23 | 0:57:25 | |
Unless you're with the government, it's closed to you. | 0:57:25 | 0:57:29 | |
Absolutely, not a problem. | 0:57:29 | 0:57:31 | |
I've a friend here who'd like to talk to you. Do you know Tony Gregory? | 0:57:31 | 0:57:36 | |
Oh, you're an angel. | 0:57:54 | 0:57:56 | |
-I'm just finishing off. -You're a bad liar. | 0:57:56 | 0:57:59 | |
-Oh, God, you make the worst coffee. -Ouch! | 0:57:59 | 0:58:02 | |
I'll put Cathal to bed. | 0:58:02 | 0:58:04 | |
-Hey, he's been asleep for an hour. -Oh, course. | 0:58:06 | 0:58:10 | |
Don't you ever just want to... keep him in the house? | 0:58:14 | 0:58:18 | |
-Not let him out, ever? -Yeah. | 0:58:18 | 0:58:21 | |
But mostly I feel that way about you. | 0:58:21 | 0:58:24 | |
I've got him, Graham. I've got his name. | 0:58:30 | 0:58:33 | |
I'll get this Gilligan bastard. | 0:58:35 | 0:58:38 | |
I am so close, you know? I'm this close. | 0:58:38 | 0:58:42 | |
Do you trust me, hm? Right? | 0:58:46 | 0:58:49 | |
-Don't worry. -Easy for you to say. | 0:58:50 | 0:58:55 | |
How are ya? Do you know where I might find Mr Gilligan? | 0:59:48 | 0:59:52 | |
-Sorry, don't know. -Right. | 0:59:56 | 0:59:59 | |
DOORBELL RINGS | 1:00:36 | 1:00:38 | |
DOORBELL RINGS | 1:00:47 | 1:00:49 | |
Mr Gilligan? I'm Veronica Guerin | 1:00:56 | 1:00:59 | |
from the Sunday Independent. | 1:00:59 | 1:01:01 | |
I've come to ask you about your property, | 1:01:01 | 1:01:04 | |
including this lovely equestrian centre you've got here. | 1:01:04 | 1:01:08 | |
You could start by telling me where you get the money. | 1:01:09 | 1:01:13 | |
Cunt! Cunt! | 1:01:16 | 1:01:19 | |
Cunt! | 1:01:19 | 1:01:21 | |
Cunt! Cunt! | 1:01:25 | 1:01:27 | |
SHE MOANS | 1:01:29 | 1:01:31 | |
-Are you wearing a wire? -CLOTHES TEARING: No! No! No! | 1:01:39 | 1:01:43 | |
-HORN HONKS -Get off my property, you cunt! | 1:01:43 | 1:01:46 | |
DOOR OPENS | 1:02:25 | 1:02:28 | |
Jesus! Jesus! What happened to you? | 1:02:37 | 1:02:40 | |
What happened to you, darling? God! | 1:02:40 | 1:02:43 | |
-God! What happened to you? -VERONICA SOBS | 1:02:44 | 1:02:48 | |
Oh, my darling. Oh, my darling. | 1:02:48 | 1:02:52 | |
-Can you see it all? -Mm-hm. | 1:02:57 | 1:02:59 | |
Right. | 1:02:59 | 1:03:01 | |
-Are you ready to go home? -Yeah. | 1:03:08 | 1:03:11 | |
-You want to try a drop of that? -Oh, thanks. | 1:03:11 | 1:03:14 | |
Look, it's up to you, Ronnie, but if you do press charges, | 1:03:15 | 1:03:20 | |
writing the story might prejudice the case. | 1:03:20 | 1:03:23 | |
-I know you, you just want to steal it. -Of course I do, I'm a reporter. | 1:03:23 | 1:03:27 | |
What's it to be? Do you want a story or do you want to press charges? | 1:03:29 | 1:03:34 | |
TELEPHONE RINGS | 1:03:41 | 1:03:44 | |
SHE SIGHS | 1:03:53 | 1:03:56 | |
Yeah? | 1:03:57 | 1:03:59 | |
'This is John Gilligan. | 1:03:59 | 1:04:02 | |
'If you do one thing on me...' | 1:04:03 | 1:04:05 | |
..if you go to the Gardai or write about me, | 1:04:07 | 1:04:10 | |
I'm going to kidnap your son... | 1:04:10 | 1:04:14 | |
and I'm gonna ride him. | 1:04:14 | 1:04:17 | |
'I'm gonna shoot you. | 1:04:17 | 1:04:19 | |
'Do you understand what I'm saying to ya? | 1:04:21 | 1:04:25 | |
'I'm gonna fuckin' kidnap your son and I'm gonna ride him | 1:04:25 | 1:04:29 | |
'and then I'm gonna shoot you.' | 1:04:29 | 1:04:32 | |
I'm gonna fuckin' kill ya. | 1:04:33 | 1:04:36 | |
DIALLING TONE | 1:04:37 | 1:04:40 | |
SHE GASPS | 1:04:42 | 1:04:44 | |
SHE RETCHES | 1:04:48 | 1:04:51 | |
-Veronica? -Where's Cathal? | 1:04:53 | 1:04:56 | |
-What's wrong? -Where's Cathal? -In the country with your sister. | 1:04:56 | 1:05:00 | |
-He's safe. -Jesus! | 1:05:00 | 1:05:02 | |
-It was him. -What? | 1:05:04 | 1:05:07 | |
I should never have gone there. | 1:05:07 | 1:05:09 | |
-Oh, Jesus. I'm so scared, Graham. -It's OK. I know. | 1:05:09 | 1:05:13 | |
-I'm really scared. -I know, I know. | 1:05:13 | 1:05:16 | |
It's gonna be all right. | 1:05:16 | 1:05:18 | |
-I want you to promise me something. -What? | 1:05:24 | 1:05:27 | |
-Don't tell anyone I was like this. -What? | 1:05:30 | 1:05:32 | |
All right? | 1:05:32 | 1:05:35 | |
-I don't want them to have it. -All right. | 1:05:35 | 1:05:38 | |
-It's what they want and I don't want them to have it. -I promise you. | 1:05:38 | 1:05:42 | |
-All right? -You were never afraid. -All right. | 1:05:42 | 1:05:45 | |
-Oh, Jesus! -Never afraid. | 1:05:45 | 1:05:48 | |
Jesus, Veronica, look at ya. | 1:06:01 | 1:06:03 | |
I'll live. | 1:06:04 | 1:06:06 | |
How are you, John? | 1:06:06 | 1:06:09 | |
It's, um...been a while. | 1:06:09 | 1:06:11 | |
I'm grand. Get you a drink? | 1:06:11 | 1:06:14 | |
No, thanks. I'm not thirsty. | 1:06:14 | 1:06:16 | |
So, what do you want to talk about? | 1:06:16 | 1:06:20 | |
-I've a message for you from John Gilligan. -The man you don't know? | 1:06:24 | 1:06:28 | |
Soon as I heard, I went to see him. I told him he'd got it all wrong. | 1:06:29 | 1:06:34 | |
He's a small man with a chip. | 1:06:35 | 1:06:37 | |
You know? He's got a temper. He just lost his head. | 1:06:37 | 1:06:41 | |
Anyway, he wants you to know that he's sorry for what he done | 1:06:41 | 1:06:45 | |
and for what he said about your kid and the family. | 1:06:45 | 1:06:49 | |
He'd never do those things. | 1:06:49 | 1:06:51 | |
He wishes he could take it back. | 1:06:51 | 1:06:55 | |
Gilligan got you to feed me that shite about Hutch. | 1:06:55 | 1:06:59 | |
Yeah. He murdered Cahill, stepped back | 1:06:59 | 1:07:04 | |
-and let the IRA take credit. -I don't know what you're talking about. | 1:07:04 | 1:07:08 | |
I'm here because he wants this to end | 1:07:08 | 1:07:10 | |
-before things get any worse. -How can it get any worse? | 1:07:10 | 1:07:14 | |
Things can always get worse, Veronica. | 1:07:14 | 1:07:19 | |
Now, if you don't press charges... | 1:07:20 | 1:07:24 | |
..you'll be £100,000 richer within an hour. | 1:07:25 | 1:07:28 | |
It's not enough. I want 300. | 1:07:30 | 1:07:33 | |
CLEARS THROAT | 1:07:36 | 1:07:38 | |
-I think I could get you that. -Right. | 1:07:38 | 1:07:42 | |
Now you tell Gilligan that he's not gonna buy me off. | 1:07:42 | 1:07:46 | |
Nobody's buying you off. The man just wants to be fair, that's all. | 1:07:46 | 1:07:50 | |
If convicted, all he'll get is six months. | 1:07:50 | 1:07:53 | |
Well, if he's not worried, why is he prepared to pay so much? | 1:07:53 | 1:07:57 | |
You know, why did he bother sending a...messenger? | 1:07:57 | 1:08:00 | |
You're not The Coach at all, are you, Johnny? | 1:08:02 | 1:08:05 | |
You're the ball boy. | 1:08:05 | 1:08:07 | |
What are you doing, talking to her like this? | 1:08:07 | 1:08:11 | |
-After what you did. -What the fuck are you doing here? Get out. | 1:08:11 | 1:08:15 | |
-He sent that man to shoot you. -That's bollocks. | 1:08:15 | 1:08:18 | |
Don't listen to this slag. | 1:08:18 | 1:08:20 | |
-It's true. He was supposed to shoot you in the head. -Shut up. | 1:08:20 | 1:08:24 | |
-He was supposed to kill you... -Shut the fuck up! Veronica! | 1:08:24 | 1:08:28 | |
TV: 'I've decided to make a formal complaint | 1:09:08 | 1:09:11 | |
'against the guy who beat me. | 1:09:11 | 1:09:13 | |
'I mean, I would... | 1:09:14 | 1:09:17 | |
'I would lose a lot, | 1:09:17 | 1:09:19 | |
'if I gave in to these thugs. | 1:09:19 | 1:09:22 | |
'I'm not going to be doing that because it'd be worse for me | 1:09:22 | 1:09:26 | |
'and for journalism, if I or any journalist was to be intimidated. | 1:09:26 | 1:09:30 | |
'That means they've won. | 1:09:30 | 1:09:32 | |
'And they're not going to win.' | 1:09:32 | 1:09:35 | |
Yeah, fuck off, ya...! | 1:09:35 | 1:09:37 | |
"The house shuddered and collapsed. | 1:09:37 | 1:09:41 | |
"And then the little people discovered | 1:09:41 | 1:09:44 | |
"that they were disappearing into a swirl of leaves." | 1:09:44 | 1:09:48 | |
DOOR OPENS | 1:09:51 | 1:09:53 | |
-He's fast asleep. -Thanks for watching him, Ma. | 1:09:54 | 1:09:58 | |
What should a girl wear to court? Maybe the navy. | 1:09:59 | 1:10:03 | |
-This one looks grand. -Oh, look. | 1:10:03 | 1:10:05 | |
Ah, look at that. | 1:10:06 | 1:10:09 | |
Look at you, always trying to be better than the boys. | 1:10:12 | 1:10:16 | |
That reminds me, you know, of a day... | 1:10:18 | 1:10:21 | |
You were out in the street playing football | 1:10:21 | 1:10:23 | |
and the ball went over the wall to old man Clancy, remember him? | 1:10:23 | 1:10:27 | |
He was a very dangerous man and very violent. The boys did nothing. | 1:10:27 | 1:10:31 | |
But you, bold as brass, | 1:10:31 | 1:10:34 | |
marched up those steps and knocked on his door. | 1:10:34 | 1:10:37 | |
-He scared the bejesus out of me. -You didn't show it. | 1:10:37 | 1:10:41 | |
That's your thing, isn't it? You don't show your fear. | 1:10:41 | 1:10:45 | |
You know, sometimes it's wiser to let the crazy old man keep the ball. | 1:10:46 | 1:10:51 | |
It is. And sometimes it's braver to just walk away. | 1:10:52 | 1:10:56 | |
(Yeah.) Well, I got the ball back, didn't I? | 1:10:57 | 1:11:02 | |
You know exactly what I mean. | 1:11:04 | 1:11:07 | |
THUNDERING | 1:11:12 | 1:11:14 | |
In response to a defence motion, | 1:11:23 | 1:11:26 | |
I'm granting an extension | 1:11:26 | 1:11:28 | |
until June 30th. | 1:11:28 | 1:11:31 | |
-This hearing is adjourned. -Ah, I'm sorry. | 1:11:31 | 1:11:35 | |
Hey, you haven't seen the last of us, missus. | 1:11:41 | 1:11:44 | |
-He just sits there and... -Cheers. | 1:11:55 | 1:11:58 | |
You all right? | 1:12:16 | 1:12:18 | |
I've got a speeding issue to deal with. | 1:12:18 | 1:12:21 | |
You haven't bought off any judges, have you? | 1:12:21 | 1:12:24 | |
-Who is it? -Ballaugh. -Can't help you. | 1:12:24 | 1:12:26 | |
I hope you didn't take what that junkie slag said seriously. | 1:12:26 | 1:12:30 | |
Her brain burned out months ago. | 1:12:30 | 1:12:33 | |
And you didn't call me here to talk about a speeding ticket. | 1:12:33 | 1:12:37 | |
-Changed your mind about Gilligan's offer? -Er, I'm writing a story. | 1:12:37 | 1:12:42 | |
Wanted to clear some things up. You're my man. | 1:12:42 | 1:12:45 | |
What do you want to know? | 1:12:45 | 1:12:48 | |
How you guys launder all the money you're making from the drug deals. | 1:12:48 | 1:12:52 | |
-Is it the Amsterdam casinos? -Are you saying I'm a dealer? | 1:12:52 | 1:12:56 | |
Talk straight to me. The two car franchises, the yacht, | 1:12:56 | 1:12:59 | |
are you telling me that comes from the brothels? | 1:12:59 | 1:13:03 | |
Don't they ask where the money comes from? | 1:13:03 | 1:13:05 | |
Do you think I threatened those tax fellas? | 1:13:05 | 1:13:08 | |
I was with my accountant and the taxman was very fair. No, I'm legit. | 1:13:08 | 1:13:12 | |
-They can't touch me. -Who shot me, John? | 1:13:12 | 1:13:17 | |
You know as well as I do, Veronica. | 1:13:18 | 1:13:20 | |
-I'd like to hear it from you. -Gerry Hutch. | 1:13:20 | 1:13:24 | |
-Ah. -I'm one of the only people in Dublin | 1:13:24 | 1:13:27 | |
who knows who did 90% of the hits last year. | 1:13:27 | 1:13:30 | |
-Cos you're Gilligan's partner, right? -Look, I'm a fairly minor player. | 1:13:30 | 1:13:35 | |
You've seen Gilligan's house. | 1:13:35 | 1:13:37 | |
He has a three million fuckin' horse shed out the front, | 1:13:37 | 1:13:41 | |
I'm not in his league. | 1:13:41 | 1:13:43 | |
Why are you asking me all these questions? What's the story about? | 1:13:44 | 1:13:48 | |
-You. -Me? | 1:13:49 | 1:13:53 | |
Yeah, I'm gonna say you're a dealer and I'm gonna quote you on Hutch. | 1:13:53 | 1:13:58 | |
-You can't do that, Veronica. -I think I can. | 1:13:58 | 1:14:01 | |
-You do and I'm a fuckin' dead man. -Ah, you poor fella. | 1:14:01 | 1:14:04 | |
I'm trying to fuckin' help you! | 1:14:04 | 1:14:07 | |
Now take Gilligan's offer. | 1:14:07 | 1:14:10 | |
You don't know how far he'll go to keep from going back to prison. | 1:14:10 | 1:14:14 | |
I came with a photographer. He's over there next to the police. | 1:14:14 | 1:14:18 | |
Smile. | 1:14:18 | 1:14:20 | |
CAMERA CLICKING | 1:14:20 | 1:14:22 | |
ENGINE STARTS | 1:14:22 | 1:14:25 | |
Let go of my door, John. | 1:14:25 | 1:14:28 | |
CLICKING | 1:14:36 | 1:14:38 | |
TELEPHONE BEEPS | 1:15:01 | 1:15:04 | |
TELEPHONE RINGING | 1:15:09 | 1:15:12 | |
-SHE LAUGHS: -Yeah. -Just a minute. | 1:15:13 | 1:15:16 | |
-John? -Hello? Just a minute. Hello? | 1:15:16 | 1:15:19 | |
She'll be at the Naas Courthouse tomorrow morning. | 1:15:21 | 1:15:24 | |
ENGINE REVVING, SHOUTING | 1:15:40 | 1:15:43 | |
Pull a fuckin' wheelie! | 1:15:45 | 1:15:47 | |
LAUGHING | 1:15:47 | 1:15:49 | |
-Whoo! -What the fuck? | 1:15:49 | 1:15:52 | |
LAUGHING CONTINUES | 1:15:52 | 1:15:55 | |
Have a fucking wheelie. Go on. | 1:15:55 | 1:15:57 | |
Come on here. | 1:15:59 | 1:16:01 | |
-GAVEL BANGS -£100 fine. | 1:16:37 | 1:16:40 | |
Thank you. | 1:16:41 | 1:16:44 | |
Well done. | 1:16:44 | 1:16:47 | |
WEEPING, TELEPHONE RINGING | 1:17:30 | 1:17:33 | |
TELEPHONE BEEPS | 1:17:44 | 1:17:46 | |
She's out. | 1:17:47 | 1:17:50 | |
ENGINE STARTING | 1:17:51 | 1:17:53 | |
Mum, I'm driving. Can you believe it? They let me off. | 1:18:03 | 1:18:06 | |
They actually let me off. I love ya. Talk to ya. | 1:18:06 | 1:18:10 | |
SHE LAUGHS: Yeah, another repeat offender returned to decent society. | 1:18:20 | 1:18:24 | |
TELEPHONE RINGS | 1:18:41 | 1:18:43 | |
She's on her way. | 1:18:44 | 1:18:46 | |
I told him I was guilty as sin. | 1:19:02 | 1:19:05 | |
INAUDIBLE | 1:19:13 | 1:19:15 | |
SHE SCREAMS | 1:20:05 | 1:20:08 | |
GUNSHOTS | 1:20:12 | 1:20:14 | |
Veronica? | 1:20:22 | 1:20:24 | |
'Veronica?' | 1:20:25 | 1:20:28 | |
# By a lonely prison wall | 1:21:17 | 1:21:21 | |
# I heard a young man calling | 1:21:21 | 1:21:27 | |
# "Nothing matters, Mary when you're free | 1:21:27 | 1:21:32 | |
# "Against the Famine and the Crown | 1:21:32 | 1:21:36 | |
# "I rebelled, they shot us down | 1:21:36 | 1:21:39 | |
# "Now you must raise our child with dignity" | 1:21:39 | 1:21:45 | |
# Low lie the fields of Athenry | 1:21:45 | 1:21:51 | |
# Where once we watched the small free birds fly | 1:21:51 | 1:21:57 | |
# Our love was on the wing | 1:21:58 | 1:22:01 | |
# We had dreams and songs to sing | 1:22:01 | 1:22:04 | |
# It's so lonely round the fields of Athenry | 1:22:04 | 1:22:10 | |
# By a windswept harbour wall | 1:22:14 | 1:22:17 | |
# She watched the last star falling | 1:22:17 | 1:22:23 | |
# As the prison ship sailed out against the sky | 1:22:24 | 1:22:29 | |
# But she'll wait and hope and pray | 1:22:29 | 1:22:33 | |
# For her love in Botany Bay | 1:22:33 | 1:22:36 | |
# It's so lonely round the fields of Athenry | 1:22:36 | 1:22:43 | |
# Low lie the fields of Athenry | 1:22:43 | 1:22:49 | |
# Where once we watched the small free birds fly | 1:22:49 | 1:22:54 | |
# Our love was on the wing | 1:22:55 | 1:22:59 | |
# We had dreams and songs to sing | 1:22:59 | 1:23:02 | |
# It's so lonely round the fields of Athenry | 1:23:02 | 1:23:09 | |
# By a lonely prison wall | 1:23:12 | 1:23:16 | |
# I heard a young man calling | 1:23:16 | 1:23:22 | |
# "Nothing matters, Mary when you're free | 1:23:23 | 1:23:27 | |
# "Against the Famine and the Crown | 1:23:27 | 1:23:31 | |
# "I rebelled, they shot us down | 1:23:31 | 1:23:34 | |
# "Now you must raise our child with dignity" | 1:23:34 | 1:23:40 | |
# Low lie the fields of Athenry | 1:23:41 | 1:23:48 | |
# Where once we watched the small free birds fly | 1:23:48 | 1:23:54 | |
# Our love was on the wing | 1:23:54 | 1:23:57 | |
# We had dreams and songs to sing | 1:23:57 | 1:24:01 | |
# It's so lonely round the fields of Athenry. # | 1:24:01 | 1:24:06 | |
CHANTING, SHOUTING | 1:24:06 | 1:24:09 | |
'Veronica Guerin's writing turned the tide in the drug war. | 1:24:09 | 1:24:13 | |
'Her murder galvanised Ireland into action. | 1:24:13 | 1:24:17 | |
'Thousands took to the streets | 1:24:17 | 1:24:20 | |
'in weekly anti-drug marches, which drove the dealers out of Dublin | 1:24:20 | 1:24:25 | |
'and forced the drug barons underground.' | 1:24:25 | 1:24:28 | |
-Get your hands off me! -Get out! | 1:24:32 | 1:24:34 | |
'Within a week of her death, during an emergency session of Parliament, | 1:24:39 | 1:24:44 | |
'the government altered the constitution of the Republic of Ireland | 1:24:44 | 1:24:48 | |
'to allow the High Court to freeze assets of suspected drug barons.' | 1:24:48 | 1:24:52 | |
-It's mine, I paid for that. -'That same year, | 1:25:02 | 1:25:05 | |
'the Criminal Assets Bureau, CAB, was formed | 1:25:05 | 1:25:08 | |
'and given power to access and seize unexplained wealth | 1:25:08 | 1:25:12 | |
'from suspected criminals.' | 1:25:12 | 1:25:14 | |
Not my horse. No! | 1:25:14 | 1:25:17 | |
-No, not my horses. -SHE SOBS | 1:25:18 | 1:25:21 | |
'Charles Bowden turned state's evidence | 1:25:29 | 1:25:32 | |
'and became the first person in Irish history | 1:25:32 | 1:25:34 | |
'to be entered into the witness protection programme. | 1:25:34 | 1:25:38 | |
'Brian Meehan was sentenced to life imprisonment | 1:25:52 | 1:25:55 | |
'for the murder of Veronica Guerin. His assets were seized by the CAB. | 1:25:55 | 1:26:00 | |
'Eugene Holland was sentenced to 20 years for drug trafficking. | 1:26:04 | 1:26:08 | |
'His assets were seized by CAB. | 1:26:08 | 1:26:11 | |
'John Traynor escaped to Portugal | 1:26:13 | 1:26:16 | |
'and continues to fight extradition to Ireland on charges of murder. | 1:26:16 | 1:26:20 | |
'His assets were seized by the CAB. | 1:26:20 | 1:26:23 | |
'After a long extradition battle, | 1:26:34 | 1:26:36 | |
'John Gilligan was brought back to Ireland from England | 1:26:36 | 1:26:39 | |
'and sentenced to 28 years in prison for drug trafficking. | 1:26:39 | 1:26:43 | |
'His assets were seized by CAB. | 1:26:43 | 1:26:46 | |
'By the following year, crime rates had dropped 15 percent. | 1:26:51 | 1:26:55 | |
'Everyone in the Republic of Ireland remembers where they were | 1:27:04 | 1:27:07 | |
'when they heard that Veronica Guerin had been murdered on the Naas Road.' | 1:27:07 | 1:27:12 | |
MUSIC "Funeral Song" by Sinead O'Connor | 1:27:13 | 1:27:16 | |
SHE SINGS IN IRISH | 1:27:16 | 1:27:18 |