
Browse content similar to Wah-Wah. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This film contains some strong language. | 0:00:20 | 0:00:26 | |
(HORN HONKS) | 0:03:02 | 0:03:04 | |
(BOTH CHUCKLE) | 0:03:05 | 0:03:08 | |
(Ssh! Ssh!) | 0:03:09 | 0:03:12 | |
(GRUNTING / PANTING) | 0:03:16 | 0:03:18 | |
Ralph! > | 0:03:52 | 0:03:54 | |
-You've got three minutes. -Coming! | 0:03:54 | 0:03:57 | |
Ralph! | 0:03:59 | 0:04:01 | |
Coming! | 0:04:01 | 0:04:03 | |
< Don't run. | 0:04:03 | 0:04:05 | |
Where's your father? | 0:04:13 | 0:04:15 | |
(SIGHS) Cat got your tongue? What's the matter with you? | 0:04:17 | 0:04:21 | |
Regina, no lunch, thank you. | 0:04:21 | 0:04:23 | |
-We're eating at Government House. -Thank you, madam. | 0:04:23 | 0:04:27 | |
-You've scrubbed up well, Popeye. -Don't call me that, Dad. | 0:04:28 | 0:04:31 | |
-Especially not in public. -Of course I won't,... Popeye. | 0:04:31 | 0:04:34 | |
-Dad! -Ask your father for the car keys. | 0:04:34 | 0:04:37 | |
They're in her handbag. | 0:04:37 | 0:04:39 | |
You might just make an effort, just this once. | 0:04:39 | 0:04:43 | |
I suppose that would be asking just a little too much, wouldn't it? | 0:04:44 | 0:04:48 | |
Take no notice. Let's go, Popeye. | 0:04:49 | 0:04:51 | |
(SPEAKS SWAZI) | 0:04:54 | 0:04:56 | |
(SPEAKS SWAZI) | 0:04:56 | 0:04:58 | |
(SPEAKS SWAZI) | 0:04:59 | 0:05:01 | |
(SPEAKS SWAZI) | 0:05:04 | 0:05:07 | |
(HONKS HORN) | 0:05:11 | 0:05:13 | |
-May I open my window, please? -My hair will get ruined. | 0:05:24 | 0:05:29 | |
To our trusty | 0:05:33 | 0:05:36 | |
and well-beloved Harry Childs Compton | 0:05:36 | 0:05:40 | |
for 22 years of exemplary service for education | 0:05:40 | 0:05:43 | |
here in Swaziland. | 0:05:43 | 0:05:46 | |
This 10th day of June, 1969, | 0:05:54 | 0:05:58 | |
in the 18th year of our reign, | 0:05:58 | 0:06:01 | |
by the Sovereign's command, Elizabeth II! | 0:06:01 | 0:06:05 | |
-Well done, Dad! -Thank you, Popeye. | 0:06:08 | 0:06:10 | |
-Well done, old bean. -Thank you, Charles. | 0:06:16 | 0:06:18 | |
-Congratulations. -Hear, hear! | 0:06:18 | 0:06:21 | |
-And welcome to the club. -Thank you. | 0:06:21 | 0:06:23 | |
-You're looking ravishing, June. -Oh, stop it! Really? -Yes, you are. | 0:06:23 | 0:06:27 | |
-Oh, Gwennie, I didn't see you there! -Oh, don't mind me. | 0:06:27 | 0:06:30 | |
-Huge congratulations, Harry. -Thank you, Gwennie. | 0:06:30 | 0:06:33 | |
-I'm so proud of you. -Congratulations, Harry. | 0:06:33 | 0:06:36 | |
You've got some bloody front, Traherne. | 0:06:36 | 0:06:40 | |
-You must be ever so proud - -Bugger off! | 0:06:43 | 0:06:46 | |
(UNCOMFORTABLE SILENCE) | 0:06:46 | 0:06:48 | |
-Er, would anybody... like a cigarette? -Thank you, Gwennie. | 0:06:50 | 0:06:53 | |
(CHARLES) Is this some new game? | 0:07:01 | 0:07:04 | |
-(JUNE) Am I missing something? What's up? -Why don't you ask him? | 0:07:05 | 0:07:09 | |
Nine months. | 0:07:13 | 0:07:15 | |
Nine months, no speaks. Go on, I dare you, | 0:07:16 | 0:07:21 | |
just once break your epic bloody sulk! | 0:07:21 | 0:07:24 | |
Answer me this. Where were you last night? | 0:07:24 | 0:07:28 | |
-Ow! -We all left the club at the same time. | 0:07:28 | 0:07:31 | |
Another flat tyre? | 0:07:34 | 0:07:36 | |
Think he doesn't know? | 0:07:41 | 0:07:44 | |
(SIGHS) | 0:07:48 | 0:07:51 | |
Regina, you can remove all these silly cards now, thank you. | 0:07:53 | 0:07:57 | |
-(SPEAKS SWAZI) -Yes, sir. | 0:07:57 | 0:08:00 | |
How dare you contradict me in front of a servant? | 0:08:02 | 0:08:05 | |
Ah, the Sphinx has spoken! | 0:08:05 | 0:08:08 | |
What's a gong, Dad? | 0:08:11 | 0:08:13 | |
-That stupid piece of metal they gave your father. -Take no notice. | 0:08:13 | 0:08:17 | |
Ask your mother to pass the salt. | 0:08:17 | 0:08:20 | |
Why is Daddy's medal stupid? | 0:08:32 | 0:08:35 | |
Because all those idiots dressed up like bloody vanilla ice creams | 0:08:36 | 0:08:40 | |
think that it's a suitable reward | 0:08:40 | 0:08:42 | |
for enduring a lifetime of... boredom | 0:08:42 | 0:08:46 | |
out here in this... middle of bloody nowhere, that's why! | 0:08:46 | 0:08:51 | |
If anyone deserves a medal it's me. | 0:08:52 | 0:08:55 | |
-I need another drink. -Oh, I bet you do! | 0:08:55 | 0:08:59 | |
You're pathetic. | 0:09:00 | 0:09:02 | |
-Pathetic! Always have been, always will be! -Well, why is this house | 0:09:02 | 0:09:07 | |
stuffed to the gunnels with cards and telegrams? | 0:09:07 | 0:09:12 | |
Toadying arse-lickers, the lot of them! (CHUNTERS) | 0:09:12 | 0:09:17 | |
(CRICKETS SING) | 0:09:20 | 0:09:23 | |
(COCKEREL CROWS) | 0:09:26 | 0:09:28 | |
(SLIDING) (GRUNTING) | 0:09:28 | 0:09:31 | |
(Wake up, darling.) | 0:09:45 | 0:09:47 | |
-(Ralphie.) -What? | 0:09:48 | 0:09:50 | |
(This is the hardest thing I've ever had to say | 0:09:50 | 0:09:53 | |
and there is no easy way to say this but, my darling, | 0:09:53 | 0:09:57 | |
-Mummy is leaving.) -How do you mean? | 0:09:57 | 0:10:00 | |
(You won't have to go to school today.) | 0:10:03 | 0:10:05 | |
(It's just that I,... I,... I can't carry on any more like this.) | 0:10:05 | 0:10:10 | |
(But I love you very, very much, my angel.) | 0:10:10 | 0:10:13 | |
-Please don't go, I beg of you! -(I must.) -Then, take me with you. | 0:10:13 | 0:10:18 | |
-Please! -(I can't.) | 0:10:18 | 0:10:21 | |
(I'll call.) | 0:10:32 | 0:10:34 | |
(CAR ENGINE STARTS) (GASPS) | 0:10:40 | 0:10:43 | |
Dad?! | 0:10:51 | 0:10:53 | |
(INHALES DEEPLY) | 0:11:18 | 0:11:21 | |
< Ralphie? | 0:11:21 | 0:11:24 | |
-When's she coming back? -I don't know, Popeye. | 0:11:34 | 0:11:38 | |
A long time or a little time? | 0:11:41 | 0:11:43 | |
Maybe... a long time. | 0:11:45 | 0:11:48 | |
-Maybe never? -Maybe. | 0:11:48 | 0:11:51 | |
-Doesn't she love me any more? -Of course she does. | 0:11:53 | 0:11:56 | |
Then, how could she leave? | 0:11:58 | 0:12:01 | |
(SPEAKS SWAZI) | 0:12:10 | 0:12:12 | |
(SPEAKS SWAZI) | 0:12:12 | 0:12:15 | |
-(SPEAKS SWAZI) -(SPEAKS SWAZI) -(LAUGHS) | 0:12:16 | 0:12:20 | |
-(SPEAKS SWAZI) ..Mrs Compton? -She's, er, very well, thank you. | 0:12:20 | 0:12:24 | |
This is Mr Compton. (SPEAKS SWAZI) | 0:12:24 | 0:12:27 | |
-(CHILDREN) Morning, sir. -Good morning, class. | 0:12:27 | 0:12:30 | |
-You may sit down, thank you. -(SPEAKS SWAZI) | 0:12:30 | 0:12:34 | |
-(CHILDREN GIGGLE) -(SPEAKS SWAZI) | 0:12:34 | 0:12:37 | |
-(CHILDREN LAUGH) -Alright, let's see. | 0:12:37 | 0:12:40 | |
Erm...? | 0:12:40 | 0:12:42 | |
-(BOY) Elbow. -Very good. | 0:12:43 | 0:12:46 | |
-(GIRL) Finger. -Excellent. | 0:12:46 | 0:12:48 | |
-A very difficult one. Yes? -(BOY) Ears. | 0:12:48 | 0:12:52 | |
I'm begging you, begging you, Lauren, please. | 0:12:52 | 0:12:55 | |
Just give me a chance. Is that too much to bloody ask? | 0:12:57 | 0:13:01 | |
"It's over. I'm never coming back. Where's Ralph?" | 0:13:01 | 0:13:07 | |
He's right here. You ask her, Popeye. | 0:13:11 | 0:13:14 | |
-Are you there already? -"Just got here, darling." | 0:13:20 | 0:13:23 | |
-When are you coming home? -"Er, I can't, not for a while." | 0:13:25 | 0:13:30 | |
-But I'll eat all my vegetables. -"I can't." -I promise! | 0:13:30 | 0:13:34 | |
Please, Mummy,... I beg of you. Please. | 0:13:34 | 0:13:40 | |
"It'll be much better once you are at boarding school." | 0:13:40 | 0:13:43 | |
"I love you. I have to go. Bye-bye, Ralphie." | 0:13:43 | 0:13:47 | |
(BOTH CRY) | 0:13:56 | 0:13:58 | |
Thank you, Lord, for the love you give. | 0:14:02 | 0:14:05 | |
Thank you, Lord, for the life we live. | 0:14:05 | 0:14:08 | |
Please make my mummy come back again... and fix our broken family. | 0:14:08 | 0:14:12 | |
Amen. | 0:14:13 | 0:14:15 | |
(CRICKETS SING) (SMASHING) | 0:14:15 | 0:14:18 | |
(GASPS) | 0:14:18 | 0:14:20 | |
# "Goodnight Sweetheart" - Al Bowlly | 0:14:21 | 0:14:24 | |
Dad? | 0:14:24 | 0:14:26 | |
Dad! | 0:14:27 | 0:14:29 | |
Please, wake up! | 0:14:29 | 0:14:32 | |
Dad! | 0:14:32 | 0:14:34 | |
-Please don't be dead! -(GRUNTS) | 0:14:34 | 0:14:37 | |
Don't worry, Dad. Don't worry. It'll be alright. | 0:14:41 | 0:14:45 | |
It'll be alright. It'll be alright, Dad. | 0:14:47 | 0:14:52 | |
It'll be alright. | 0:14:53 | 0:14:56 | |
(CHILDREN LAUGH) | 0:14:57 | 0:15:00 | |
-Good morning, class. -(CHILDREN) Good morning, Mr Parker. | 0:15:05 | 0:15:10 | |
Stand up. | 0:15:12 | 0:15:14 | |
Yes, you two. Read it out loud and clear. | 0:15:14 | 0:15:20 | |
Chop, chop, Compton. We're all waiting. | 0:15:21 | 0:15:24 | |
Well, speak up. We haven't got all day. | 0:15:26 | 0:15:29 | |
-Wh,... where's your mum? -Meaning? | 0:15:30 | 0:15:34 | |
-Nothing, sir. -Clare? | 0:15:34 | 0:15:36 | |
-His mother's adulterated, sir. -Bugger you! | 0:15:36 | 0:15:40 | |
-(CHILDREN LAUGH) -Come back in here, young man! Be quiet! | 0:15:40 | 0:15:43 | |
Bugger you. No, bugger you. | 0:15:46 | 0:15:49 | |
-Bugger you both! -< Ralphie? -(GASPS) | 0:15:49 | 0:15:53 | |
Can I come in? | 0:15:53 | 0:15:56 | |
Oh, this is marvellous! | 0:15:56 | 0:15:58 | |
Absolutely marvellous. How did you make it? | 0:15:58 | 0:16:02 | |
-Just out of an old shoe box and lollipop sticks. -It's very clever. | 0:16:02 | 0:16:06 | |
Show me how it works. | 0:16:06 | 0:16:09 | |
What happened at school today, Popeye? | 0:16:10 | 0:16:12 | |
I'm not cross, I just want to know, that's all. | 0:16:12 | 0:16:15 | |
-Well, Mummy ran away, too. -That's different. | 0:16:15 | 0:16:18 | |
-She fell out of love with me. -Why did she leave me? | 0:16:18 | 0:16:21 | |
One day you'll understand. When you're older. | 0:16:21 | 0:16:25 | |
-But you don't understand and you are older. -(CHUCKLES) | 0:16:25 | 0:16:29 | |
That is very true, smarty-pants. | 0:16:29 | 0:16:32 | |
Hello?! > | 0:16:32 | 0:16:34 | |
-Cooee! -Why does she have to come round all the time? | 0:16:34 | 0:16:38 | |
Auntie Gwen's very upset. Mummy went away with her husband | 0:16:38 | 0:16:41 | |
and we are going to be very nice to her, alright? | 0:16:41 | 0:16:44 | |
Cooee! | 0:16:44 | 0:16:46 | |
Is anybody in?! | 0:16:48 | 0:16:50 | |
(SHRIEKS) | 0:16:51 | 0:16:54 | |
Oh, you...! (LAUGHS) | 0:16:54 | 0:16:56 | |
You gave me the fright of my life, you two did! | 0:16:56 | 0:16:59 | |
Come here and give your Auntie Gwen a nice big kiss! | 0:16:59 | 0:17:03 | |
Mwah! | 0:17:03 | 0:17:06 | |
-Hello, Gwennie. -Hello, Harry. | 0:17:06 | 0:17:08 | |
-Drink? -Oh, bless you, my angel! I could murder something soft | 0:17:08 | 0:17:12 | |
with maybe just a teensie-weensie little squidge of whisky. | 0:17:12 | 0:17:15 | |
-How are you, Harry? -You know, Gwennie, bearing up. Bearing up. | 0:17:15 | 0:17:20 | |
-And, erm, and you? -Oh, don't ask! | 0:17:20 | 0:17:23 | |
Don't ask. I've cooked you boys a home-made curry! | 0:17:23 | 0:17:27 | |
Oh, you shouldn't have, really, Gwennie. You shouldn't have. | 0:17:27 | 0:17:31 | |
No, it's a pleasure. | 0:17:31 | 0:17:34 | |
Oh, thanks, angel. Just what the doctor ordered. | 0:17:35 | 0:17:38 | |
-Cheers. -Cheers. This is not too stiff for you, is it? | 0:17:40 | 0:17:43 | |
-No. -How's your sunstroke? -I beg yours? | 0:17:43 | 0:17:47 | |
Mummy said you had sunstroke. | 0:17:47 | 0:17:49 | |
Yeah, she said it made you speak slurry and walk all wobbly. | 0:17:50 | 0:17:54 | |
-Is she back, then? -Of course she isn't. He's just pulling your leg. | 0:17:54 | 0:17:58 | |
-No, relax, Gwen. -Evening, chaps. -Ah, June! -Don't get up. | 0:17:58 | 0:18:02 | |
-Good to see you. -Hello, Gwennie. | 0:18:03 | 0:18:06 | |
-Hello, June. -I spy with my little eye someone who has beaten me to it. | 0:18:06 | 0:18:11 | |
-One of your curries? -Yeah. | 0:18:11 | 0:18:14 | |
Ooooh! Family allergy to all things curried after India, I'm afraid. | 0:18:14 | 0:18:19 | |
Can't stomach the stuff! | 0:18:19 | 0:18:21 | |
Where's your husband? | 0:18:23 | 0:18:25 | |
-(SOBS) -Not him, too? | 0:18:27 | 0:18:29 | |
-What, gone? I can't keep up. -Yes, I'm afraid so, June. | 0:18:29 | 0:18:33 | |
-You poor thing. Have a hanky. -Thank you. | 0:18:33 | 0:18:36 | |
Lauren's not back? | 0:18:36 | 0:18:38 | |
Phew! Well, at least I got that right. | 0:18:39 | 0:18:42 | |
Now, I've baked you chaps... a Dundee. | 0:18:42 | 0:18:47 | |
-Can't stay. Must trot. -That is so sweet of you. | 0:18:49 | 0:18:53 | |
Ta-ta. | 0:18:54 | 0:18:56 | |
I'll kill that bitch! | 0:18:59 | 0:19:02 | |
-(NEIGHS LIKE HORSE) -(ALL LAUGH) | 0:19:04 | 0:19:07 | |
(SLURS) Oh, Harry Compton! | 0:19:09 | 0:19:12 | |
I love you. I do, you know. I really do. | 0:19:14 | 0:19:19 | |
-I've come to say good night. -Ralphie. | 0:19:24 | 0:19:27 | |
Well, come and give your Auntie Gwen a good-night... | 0:19:29 | 0:19:33 | |
-Are you alright, old girl? -Yeah. Yeah. | 0:19:33 | 0:19:35 | |
-Yeah, I'm fine. -You're not my aunt. | 0:19:35 | 0:19:38 | |
-Steady on, Ralphie. What's gotten into you, old boy? -Oh! | 0:19:38 | 0:19:42 | |
-Ralphie, come here! Ralphie! -Oh! | 0:19:42 | 0:19:46 | |
-Leave me alone! -I know this is hard, Popeye, | 0:19:46 | 0:19:49 | |
but... Gwen's on our side, remember? | 0:19:49 | 0:19:53 | |
-Only cos she's in love with you. -(CHUCKLES) Don't be daft! | 0:19:53 | 0:19:56 | |
It's true! Mummy stole her husband and now she wants you! | 0:19:56 | 0:20:00 | |
It's obvious! | 0:20:00 | 0:20:03 | |
-And Auntie June is after you, too! -(CHUCKLES) Nonsense! | 0:20:03 | 0:20:06 | |
-We're all just a little upset. -Then, why are you laughing? | 0:20:06 | 0:20:11 | |
Because I... am not... going... to get... remarried. | 0:20:11 | 0:20:14 | |
-Your breath stinks! -Enough backchat from you, young man. Go to sleep. | 0:20:14 | 0:20:18 | |
Mwah! | 0:20:20 | 0:20:23 | |
Good night. | 0:20:23 | 0:20:25 | |
-Morning! -Oh, morning, Gwennie! | 0:20:27 | 0:20:30 | |
-Good morning, all. -Forgotten all your manners? | 0:20:30 | 0:20:33 | |
Regina, could you bring an extra cup and plate? Thank you. | 0:20:33 | 0:20:37 | |
-Tea, Gwennie? -Oh, lovely. | 0:20:37 | 0:20:39 | |
I'm sorry about last night. It was a touch of my sunstroke. | 0:20:39 | 0:20:43 | |
-What did I tell you? -I slept on the couch, you know. | 0:20:43 | 0:20:47 | |
-Does madam eat the kipper? -Oh,... yes. | 0:20:47 | 0:20:52 | |
-Might be better if I did go to boarding school! -Done! | 0:20:53 | 0:20:57 | |
Ralphie, I didn't mean that, Popeye. | 0:20:58 | 0:21:01 | |
-You can't go, I'd be all alone. -Doesn't look like it! | 0:21:01 | 0:21:04 | |
(TRAIN WHISTLE TOOTS) | 0:21:38 | 0:21:40 | |
I won't ever let you down, Popeye. | 0:21:49 | 0:21:52 | |
I'll miss you so much. | 0:21:54 | 0:21:56 | |
-(TRAIN WHISTLE TOOTS) -Alright, go. Go on. | 0:22:01 | 0:22:05 | |
(APPLAUSE) | 0:22:50 | 0:22:52 | |
(APPLAUSE) '(TRAIN WHISTLE TOOTS)' | 0:23:00 | 0:23:03 | |
(EXCITED CHATTER) | 0:23:13 | 0:23:16 | |
-Popeye! -What happened? | 0:24:03 | 0:24:06 | |
I'm so sorry I'm late. I'm so sorry I'm late. | 0:24:06 | 0:24:10 | |
Flat tyre. | 0:24:11 | 0:24:13 | |
-How old are you? -I can't remember. -(LAUGHS) Neither can I. | 0:24:13 | 0:24:19 | |
-You look different. -Yes, I've, er,... I've got remarried. | 0:24:20 | 0:24:24 | |
You've what? | 0:24:24 | 0:24:27 | |
-Who? Auntie Gwen? -No, you daft fool. | 0:24:28 | 0:24:31 | |
She's American. | 0:24:31 | 0:24:33 | |
-How long have you known her? -Six weeks. -Fuck! | 0:24:37 | 0:24:40 | |
# "A Nightingale Sang in Berkeley Square" - Vera Lynn | 0:24:40 | 0:24:44 | |
# When two lovers meet in Mayfair | 0:24:47 | 0:24:51 | |
# So the legends tell | 0:24:51 | 0:24:53 | |
# Songbirds sing | 0:24:53 | 0:24:56 | |
-# Winter turns to spring... # -(HONKS HORN) | 0:24:56 | 0:24:59 | |
-(SPEAKS SWAZI) You're a very big boy now. -(SPEAKS SWAZI) | 0:25:01 | 0:25:06 | |
-Hi, Ralph, I'm Ruby. Hi, honey. -Oh, yeah? | 0:25:13 | 0:25:16 | |
-And I'm Neil Armstrong(!) -You are funny. | 0:25:16 | 0:25:19 | |
Oh, God, look at you! You are so handsome, too! | 0:25:19 | 0:25:23 | |
Fix me a drink, please, hun. | 0:25:24 | 0:25:27 | |
-How do you do? -Just fabulously. | 0:25:28 | 0:25:30 | |
I have heard so much about you. I was worried about you guys. | 0:25:30 | 0:25:34 | |
-What happened, honey? -Flat tyre. -Really? Again? Oh, God! | 0:25:34 | 0:25:38 | |
You must be starving. First thing I'm gonna do | 0:25:38 | 0:25:41 | |
is feed you guys up a little. You eat pasta? | 0:25:41 | 0:25:44 | |
-What happened here? -You like it? | 0:25:44 | 0:25:46 | |
-Here we go, darling. -I just love it. | 0:25:46 | 0:25:49 | |
-Bottoms up. -Isn't she just gorgeous? | 0:25:49 | 0:25:51 | |
-Excuse me, please. -Go right ahead. | 0:25:52 | 0:25:55 | |
-(CLATTERING) -Everything OK? I got a gift to welcome you home. | 0:25:58 | 0:26:02 | |
-You wanna open it? -I'd rather not just yet, thanks. | 0:26:02 | 0:26:05 | |
Take your time. Oh, don't worry, this is weird for me, too! | 0:26:05 | 0:26:08 | |
And, please, don't call me Mom, just Ruby, OK? Or Rube. Whatever. | 0:26:08 | 0:26:13 | |
Alright, Popeye? | 0:26:17 | 0:26:19 | |
Puppets. Huh! | 0:26:28 | 0:26:30 | |
(INHALES DEEPLY) | 0:26:45 | 0:26:47 | |
Ralphie. | 0:26:54 | 0:26:56 | |
Listen, erm,... | 0:26:57 | 0:27:00 | |
..I'm sorry you've chosen to take it this way, Popeye. | 0:27:01 | 0:27:04 | |
I didn't have any choice, did I? | 0:27:04 | 0:27:06 | |
-But what was I supposed to have done? -You could've warned me. | 0:27:06 | 0:27:10 | |
Ruby is wonderful, you'll see. Just give it time. | 0:27:11 | 0:27:15 | |
-(UNDER BREATH) You mean, like you did? -What? | 0:27:17 | 0:27:21 | |
-Nothing. -No, no, you said something. Spit it out. | 0:27:23 | 0:27:27 | |
-She's not my mum. -True. | 0:27:31 | 0:27:34 | |
Yes, run! | 0:27:36 | 0:27:38 | |
-When's your mum coming down? -What do you think? It's been two years. | 0:27:41 | 0:27:46 | |
-Bloody hell! -Shush! | 0:27:46 | 0:27:48 | |
I say! The sort of people who go caravanning. | 0:27:49 | 0:27:52 | |
Can you imagine? Sleeping on four wheels by choice. I ask you! | 0:27:52 | 0:27:56 | |
-(MIMICS WOMAN) (I ask you!) -Oh, very good. | 0:27:56 | 0:27:59 | |
Go get 'em, Harry! | 0:27:59 | 0:28:02 | |
Harry said I'd be bored stiff but I love it. | 0:28:02 | 0:28:05 | |
-Hey, hi! -I beg your pardon? | 0:28:07 | 0:28:09 | |
-Granted. -Lady Hardwick is the wife | 0:28:09 | 0:28:12 | |
of our resident High Commissioner, Sir Gifford. | 0:28:12 | 0:28:15 | |
-Good for you, girl! -Lady Hardwick to you. | 0:28:15 | 0:28:18 | |
-And who might you be? -Gwen Traherne. | 0:28:18 | 0:28:21 | |
My husb,... my ex-husband's the engineer. | 0:28:21 | 0:28:25 | |
We have met. Four times. | 0:28:25 | 0:28:29 | |
-Oh, I don't think so. -Oh, c'mon, girls, relax! I'm an American. | 0:28:29 | 0:28:34 | |
How very hubbly-jubbly for you. | 0:28:34 | 0:28:37 | |
(BOTH MIMIC LADY HARDWICK) (Hubbly-jubbly.) | 0:28:37 | 0:28:39 | |
Excuse me. | 0:28:39 | 0:28:42 | |
-What's with her? -That's our family done for. | 0:28:42 | 0:28:46 | |
-Bollocks! -You watch. | 0:28:46 | 0:28:49 | |
What am I doing, Gwen? | 0:28:49 | 0:28:51 | |
-(There has been a to-do with Lady Riva.) -(Oh, good God!) | 0:28:51 | 0:28:55 | |
-(Lady Riva's erupted.) -(What?!) -(Mm-hm.) | 0:28:55 | 0:28:58 | |
(WHISPERS) | 0:28:59 | 0:29:01 | |
-What did I tell you? -You're kidding me? | 0:29:01 | 0:29:04 | |
-I'm being sent home. You guys want a ride? -(BOTH) Yeah. | 0:29:08 | 0:29:12 | |
Toodle-pip! | 0:29:19 | 0:29:21 | |
Damn them! Damn them all! | 0:29:23 | 0:29:25 | |
-Go, Ruby! -(ALL CHEER) | 0:29:25 | 0:29:28 | |
'Lady Riva's upset? What about poor Gwen?' | 0:29:31 | 0:29:34 | |
-She simply introduced me to the woman. -She's not a woman, | 0:29:34 | 0:29:37 | |
-she's a lady. -Not by my reckoning. What was Gwen's crime? | 0:29:37 | 0:29:41 | |
She spoke to Lady Hardwick first before waiting to be spoken to. | 0:29:41 | 0:29:45 | |
Oh, c'mon! I've been to college! I've flown around the globe! | 0:29:45 | 0:29:48 | |
You're telling me I have to hold my tongue | 0:29:48 | 0:29:52 | |
-till old Lady Doodah speaks to me? C'mon! -For the sake of peace - | 0:29:52 | 0:29:56 | |
-The only peace I'll give that witch is a piece - -Children present. | 0:29:56 | 0:29:59 | |
-She was rude. -See, they were my witnesses. | 0:29:59 | 0:30:03 | |
Right, well... (Er, by the way, Harry, you know who will be here | 0:30:03 | 0:30:08 | |
-for the independence-handover brouhaha.) -Who, who? | 0:30:08 | 0:30:11 | |
-Who is you know who? -Hush-hush, I'm afraid. | 0:30:11 | 0:30:14 | |
-Toodle-pip, all. -Toodle-pip, Charles. | 0:30:14 | 0:30:17 | |
Toodle-pip. | 0:30:17 | 0:30:19 | |
Toodle-pip? Toodle-pip and hush-hush? | 0:30:19 | 0:30:22 | |
Why do they all speak in this snooty, baby talk all the time? | 0:30:22 | 0:30:26 | |
Blah, blah this, ta-da that, hubbly-jubbly, hoity-toity, | 0:30:26 | 0:30:29 | |
toodle-oo, ding-dong. | 0:30:29 | 0:30:32 | |
Sounds like a load of old wah-wah. | 0:30:32 | 0:30:34 | |
-Wah-wah, wah-wah, wah-wah, wah-wah, wah, wah, wah! -(BOYS LAUGH) | 0:30:34 | 0:30:39 | |
(BOTH) Wah-wah, wah-wah, wah-wah, wah-wah, wah-wah, wah-wah, wah-wah! | 0:30:39 | 0:30:43 | |
(JAZZY MUSIC) | 0:30:43 | 0:30:46 | |
(ALL) Ta-da! | 0:31:12 | 0:31:14 | |
-How very hubbly-jubbly. -(ALL LAUGH) | 0:31:20 | 0:31:24 | |
-It's all just wah-wah to me. -(BOTH CHUCKLE) -(CLAPPING) | 0:31:24 | 0:31:28 | |
-She's alright, isn't she? -Maybe,... maybe not. | 0:31:28 | 0:31:33 | |
-Happiest I've ever seen your old man. -Maybe. | 0:31:33 | 0:31:36 | |
It still feels weird, though. | 0:31:36 | 0:31:39 | |
-Vernon, your mom wants you home. -Oh, thanks, Mrs Compton. | 0:31:39 | 0:31:42 | |
-Call me Ruby. -Alright. Cheers, Ruby. See you, mate. | 0:31:42 | 0:31:47 | |
-Glad you didn't throw those puppets away then, huh? -I'm sorry. | 0:31:47 | 0:31:51 | |
No problem. | 0:31:51 | 0:31:53 | |
-Can you remember the first time you did it? -Did what? | 0:31:53 | 0:31:56 | |
-Oh. I've stopped. -Go on, I dare you. Just once. | 0:31:57 | 0:32:02 | |
C'mon! | 0:32:06 | 0:32:08 | |
-Agh! -Agh! -Agh! -Agh! -Agh! | 0:32:12 | 0:32:14 | |
(BOTH TOGETHER) Agh! Agh! Agh! Agh! Agh! Agh! Agh! Agh! Agh! Agh! | 0:32:14 | 0:32:20 | |
I'd say they're all out now, wouldn't you? | 0:32:25 | 0:32:28 | |
(BOTH HUM) | 0:32:41 | 0:32:44 | |
-Here come the porcupines! -(ALL CHEER) | 0:32:47 | 0:32:51 | |
I have had the most incredible idea, how we might gift | 0:32:51 | 0:32:56 | |
-the Swazi nation with a diddly- doozup swan song of our own. -Ooh! | 0:32:56 | 0:33:02 | |
-Plain English, please! -I propose we mount a farewell musical | 0:33:02 | 0:33:05 | |
-for Her Most Royal Highness. -What do you have in mind? | 0:33:05 | 0:33:08 | |
-Camelot! -(ALL CHEER) | 0:33:08 | 0:33:11 | |
-All those in favour say aye! -(ALL) Aye! | 0:33:11 | 0:33:14 | |
-Can I be in it? -Which Royal Highness? | 0:33:14 | 0:33:17 | |
I'm afraid that's still hush-hush, Gwennie. The good news is | 0:33:17 | 0:33:21 | |
Tobias has agreed to produce the show. | 0:33:21 | 0:33:24 | |
On condition we can find singers. | 0:33:24 | 0:33:26 | |
-Oh, Tobias, of course we can! -Dozen sings like a dream. | 0:33:26 | 0:33:31 | |
(SPEAKS SWAZI) | 0:33:31 | 0:33:34 | |
I'm afraid it's for club members only. | 0:33:35 | 0:33:39 | |
-Great. Well, I'll propose him, then. -Bravo! Hear, hear! | 0:33:39 | 0:33:42 | |
-I take it, then, I have your support? -(ALL CHEER) | 0:33:43 | 0:33:47 | |
You want to mount a medieval musical for a minor British royal? | 0:33:47 | 0:33:51 | |
Aren't we supposed to be, er, celebrating African independence? | 0:33:51 | 0:33:55 | |
-It's a symbolic gesture. -What do you think, Doctor Zim? | 0:33:55 | 0:33:58 | |
Excellent idea. A perfect antidote for Princess Margaret | 0:33:58 | 0:34:01 | |
before she endures a whole day of Swazi tribal dancing. (ALL GASP) | 0:34:01 | 0:34:05 | |
-Princess Margaret? -Who told you it was Princess Margaret? | 0:34:05 | 0:34:08 | |
You did. (ALL LAUGH) (BELL RINGS) | 0:34:08 | 0:34:11 | |
< (MAID SHOUTS IN SWAZI) | 0:34:11 | 0:34:15 | |
The other Mrs Compton is here. | 0:34:15 | 0:34:17 | |
-Don't wish to intrude. Charles. -Hello, Lauren. -June. | 0:34:23 | 0:34:28 | |
Sorry I'm late, Ralph. Excuse me, please. | 0:34:28 | 0:34:32 | |
-Where's my husband?! -Come on. | 0:34:38 | 0:34:40 | |
-Mum. -Where's my husband?! | 0:34:40 | 0:34:42 | |
-What are you doing here? -I've been in a meeting | 0:34:42 | 0:34:45 | |
with Shadler & Shadler trying to sort out my visiting rights! | 0:34:45 | 0:34:49 | |
-Where's my husband?! -I thought you were coming next weekend. | 0:34:49 | 0:34:52 | |
-Is that what he told you? Damn liar! -Answer me! | 0:34:52 | 0:34:55 | |
-Oh, shut up! Keep out of this! -Where is he?! | 0:34:55 | 0:34:58 | |
-I've warned you! -(BANGS ON ROOF) | 0:34:58 | 0:35:01 | |
-(SIGHS) -I saw you, Mum. | 0:35:01 | 0:35:04 | |
-I beg your pardon? -Two years ago with Uncle John. | 0:35:04 | 0:35:08 | |
-Answer me! -That night in the car. -Where's my husband?! | 0:35:08 | 0:35:12 | |
You're imagining things, darling. | 0:35:12 | 0:35:15 | |
-(SIGHS) -I can explain! | 0:35:17 | 0:35:21 | |
(BEEPS HORN) | 0:35:21 | 0:35:23 | |
-Ralphie, are you alright? -Hang on. Shadler & Shadler. | 0:35:28 | 0:35:32 | |
"Our client has experienced frustration and delay | 0:35:40 | 0:35:43 | |
and the deliberate placing of obstacles | 0:35:43 | 0:35:46 | |
in the way of exercising her rights of access to her child." | 0:35:46 | 0:35:51 | |
-Bastard! Bastard! -I'm so sorry, my boy. | 0:35:51 | 0:35:56 | |
-Why did Lauren show up today? -Don't you think for one moment | 0:35:57 | 0:36:00 | |
-that I don't understand... -(DOOR BANGS OPEN) | 0:36:00 | 0:36:04 | |
Sorry I'm late. | 0:36:05 | 0:36:08 | |
-(SIGHS) So, what day is it today? -It's Saturday, sweetie. | 0:36:10 | 0:36:13 | |
Then, it'll be the hen with its arse in the air. | 0:36:13 | 0:36:17 | |
-No, thanks, sweetie, I'm not hungry. -Hey, honey, please. | 0:36:17 | 0:36:21 | |
Yeah, why do we always have chicken on Saturday and beef on - | 0:36:21 | 0:36:25 | |
-Regina can't read. -So dolly-boy's mother here | 0:36:25 | 0:36:28 | |
taught her to do a different meal for each day of the week. | 0:36:28 | 0:36:32 | |
-Got it? -Then, I'll teach her to read. | 0:36:32 | 0:36:35 | |
-The bloody hell you will! -What's wrong with you, Dad? | 0:36:35 | 0:36:38 | |
-Nothing wrong with me. -What is that supposed to mean? | 0:36:38 | 0:36:42 | |
Listen to yourself! Look at yourself! You're nothing | 0:36:42 | 0:36:45 | |
-but a bloody common ex-air hostess! -Fuck you, Harry! | 0:36:45 | 0:36:49 | |
Sorry. | 0:36:53 | 0:36:55 | |
Ta-da! | 0:36:57 | 0:37:00 | |
Ah, quelle surprise, hen with its arse in the air(!) | 0:37:00 | 0:37:03 | |
-Sit down. -You knew Mum was coming down to see me, | 0:37:03 | 0:37:06 | |
-so why didn't you bloody tell me?! -Shut up! | 0:37:06 | 0:37:09 | |
-No, you shut up! -Where do you think you're going? | 0:37:09 | 0:37:14 | |
Hey! | 0:37:15 | 0:37:17 | |
Shut up, shut up, shut up, shut up, shut up, | 0:37:17 | 0:37:21 | |
shut up, shut up, shut up, | 0:37:21 | 0:37:23 | |
shut up, shut up, shut up, shut up, shut up, shut up, | 0:37:23 | 0:37:26 | |
shut up, shut up, shut up, shut up, SHUT UP! | 0:37:26 | 0:37:30 | |
-What happened? -Nothing. | 0:37:41 | 0:37:45 | |
-Well, what, then? -Nothing. It doesn't matter. | 0:37:45 | 0:37:48 | |
-Where's Uncle John? -Playing golf. | 0:37:50 | 0:37:53 | |
-So, what do you want to do today? -Don't know. | 0:37:57 | 0:38:01 | |
-Maybe drop me off at the club later. -Alright. | 0:38:01 | 0:38:05 | |
What's on? | 0:38:05 | 0:38:07 | |
Hello, mate. What are you doing 'ere? | 0:38:12 | 0:38:15 | |
-Don't ask. -Here, have a gander at this lot. | 0:38:15 | 0:38:19 | |
They can't sing, can't dance, all of them too old. | 0:38:19 | 0:38:22 | |
-But we're not. Come on. -No chance. | 0:38:22 | 0:38:24 | |
Come on. (WOMAN SINGS) | 0:38:24 | 0:38:26 | |
No, she won't do. We can't have a royal played by a commoner | 0:38:26 | 0:38:30 | |
-with no neck. -At least she can sing. | 0:38:30 | 0:38:33 | |
-(Who's she?) -(Monica, the Taj Mahal's daughter.) | 0:38:33 | 0:38:36 | |
-(How can she be? They look like different species!) -(BOTH LAUGH) | 0:38:36 | 0:38:41 | |
Ssh! I say, do you mind?! We're trying to take notes! | 0:38:41 | 0:38:44 | |
-Which of you little buggers is gonna bleat for us first? -Go on. | 0:38:44 | 0:38:48 | |
-Not the one in stripes. -Go on, my boy. | 0:38:48 | 0:38:51 | |
Come on, Ralph, hurry up. | 0:38:51 | 0:38:54 | |
-Bunny will give you the intro. -(BUNNY PLAYS PIANO) | 0:38:55 | 0:38:59 | |
# All things bright and beautiful | 0:39:04 | 0:39:08 | |
# All creatures great and small | 0:39:08 | 0:39:12 | |
# All things wise and wonderful | 0:39:12 | 0:39:15 | |
# The Lord God made them all | 0:39:15 | 0:39:19 | |
# Each little flower that opens | 0:39:19 | 0:39:23 | |
# Each little bird that sings | 0:39:23 | 0:39:27 | |
# He made their glowing colours | 0:39:27 | 0:39:31 | |
# He made their tiny wings | 0:39:31 | 0:39:36 | |
# All things bright and beautiful | 0:39:36 | 0:39:39 | |
# All creatures great and small | 0:39:39 | 0:39:44 | |
# All things wise and wonderful | 0:39:44 | 0:39:47 | |
# The Lord God made them all # | 0:39:47 | 0:39:52 | |
-Well done, Ralphie! -Very good. Very good. | 0:39:54 | 0:39:57 | |
-I did my audition. -Fabulous. | 0:39:58 | 0:40:01 | |
-Did you get the part? -I have to wait and see. | 0:40:01 | 0:40:04 | |
Over my dead bloody body. Where's the key? | 0:40:04 | 0:40:08 | |
-Cat got your tongue? -Haven't you had enough? | 0:40:09 | 0:40:11 | |
Stop trying to control me, woman. Where's the bloody key? | 0:40:11 | 0:40:15 | |
Please, Dad, I'm asking you really nicely. | 0:40:15 | 0:40:17 | |
-Give me the bloody key. -Please, don't have any more. | 0:40:17 | 0:40:21 | |
-For God's sake. -Get me some ice! -Let's have an early night. | 0:40:22 | 0:40:25 | |
-Are you deaf?! -Stop it, will you?! | 0:40:25 | 0:40:28 | |
-Stop it! -Please, Dad, don't! Please don't! Dad! Dad! | 0:40:28 | 0:40:33 | |
I suppose you think this is all so bloody easy. | 0:40:48 | 0:40:52 | |
Well, wake up. | 0:40:52 | 0:40:54 | |
Just you wait until you lose everything. | 0:40:54 | 0:40:58 | |
And I mean everything - wife, position, | 0:40:58 | 0:41:03 | |
future, the whole damn kit and caboodle! | 0:41:03 | 0:41:06 | |
Come independence we're all on the scrapheap! | 0:41:06 | 0:41:09 | |
-So wake up! -Spare us the martyrdom. | 0:41:09 | 0:41:11 | |
-You're drunk. -I've had enough of you, you pompous little shit! | 0:41:11 | 0:41:15 | |
And forget about your fucking Camelot. | 0:41:15 | 0:41:18 | |
And you're a liar and a loser! | 0:41:18 | 0:41:20 | |
-I'll knock your bloody block off! -Liar, liar, liar, liar! | 0:41:20 | 0:41:23 | |
Open this door! (BANGS ON DOOR) Open this bloody door! | 0:41:25 | 0:41:29 | |
Ralphie! | 0:41:29 | 0:41:31 | |
Open... this... door or else I'll knock your bloody block off! | 0:41:31 | 0:41:36 | |
Open this door! Open this bloody door! | 0:41:36 | 0:41:42 | |
Nothing that I said or... did last night... | 0:41:43 | 0:41:48 | |
..was the truth. | 0:41:50 | 0:41:52 | |
None of it. | 0:41:53 | 0:41:55 | |
Is that clear? | 0:41:57 | 0:41:59 | |
-That's what you always say, Dad. -It'll be different this time. | 0:42:03 | 0:42:06 | |
-Is it because of me? -No. | 0:42:08 | 0:42:10 | |
-Me? -No. | 0:42:13 | 0:42:15 | |
Oh,... I must go. I'm,... I'm late for work. | 0:42:24 | 0:42:29 | |
Did you mean what you said about Camelot? | 0:42:34 | 0:42:37 | |
Of course not, no. | 0:42:37 | 0:42:40 | |
I can't deal with this. | 0:42:44 | 0:42:46 | |
I knew he drank but... doesn't everyone out here? (CRIES) | 0:42:46 | 0:42:51 | |
Not like him. | 0:42:52 | 0:42:55 | |
He gets really legless when no-one else is around except us. | 0:42:57 | 0:43:01 | |
# Onward Christian soldiers | 0:43:21 | 0:43:26 | |
# Marching as to war | 0:43:26 | 0:43:29 | |
(DR ZIM AND WOMAN) # With the cross of Jesus | 0:43:29 | 0:43:33 | |
# Going on before... # | 0:43:33 | 0:43:36 | |
Bravo! | 0:43:36 | 0:43:39 | |
-Charles! Charles! -What is it? | 0:43:40 | 0:43:43 | |
(ALL CHATTER EXCITEDLY) | 0:43:43 | 0:43:45 | |
-What?! -(SILENCE) | 0:43:48 | 0:43:50 | |
-Who is this Dozen person?! -Our gardener. | 0:43:50 | 0:43:53 | |
-What?! -A, he's not a club member | 0:43:53 | 0:43:56 | |
-and, B, Lancelot is supposed to be French. -French? | 0:43:56 | 0:44:00 | |
-This is an outrage. Tobias! -A, Dozen is a club member as of today | 0:44:00 | 0:44:04 | |
and, B, he is the only man who can stay in tune. | 0:44:04 | 0:44:07 | |
You will not have the last word on this, that is my prerogative! | 0:44:07 | 0:44:12 | |
-Charles! Chop, chop! -(CHUNTERS) | 0:44:12 | 0:44:15 | |
I can't believe I'm playing the queen and you're playing Mordred! | 0:44:15 | 0:44:19 | |
-Congratulations. -You, too. | 0:44:19 | 0:44:22 | |
-Well done, Ralphie. -(ALL LAUGH) | 0:44:22 | 0:44:25 | |
I think I'm in love, Vern! | 0:44:28 | 0:44:30 | |
-You haven't got a chance, matey! -Watch me! | 0:44:30 | 0:44:34 | |
Yeah! Whoo! | 0:44:34 | 0:44:37 | |
-I got the part! I got the part! -Fabulous! I knew you would! | 0:44:37 | 0:44:41 | |
-And Dozen's going to be Lancelot! -Oh, my God! | 0:44:41 | 0:44:44 | |
-That'll teach the old bat! -Too right! | 0:44:44 | 0:44:47 | |
-Who sanctioned Dozen to audition? -Oh, hush-hush, I'm afraid, Charles. | 0:44:47 | 0:44:51 | |
-Drink? -That's not funny! I don't think you realise what you've done! | 0:44:51 | 0:44:55 | |
Lady Hardwick is throttling for your blood right now! | 0:44:55 | 0:44:59 | |
-Does Harry know about all this?! -< Know about what? | 0:44:59 | 0:45:02 | |
-It's, er, hush-hush, I'm afraid, honey. -Oh, hush-hush! | 0:45:02 | 0:45:06 | |
-Attagirl, you're catching on! -Whose side are you on, Harry?! | 0:45:06 | 0:45:11 | |
OK, toodly-pip-pip-pip-pip-pip, Charles. | 0:45:11 | 0:45:15 | |
-I got the part, Dad. -Oh, congratulations, Popeye! | 0:45:15 | 0:45:18 | |
-Well done! -Can I stay at Vern's tonight? We've got rehearsals | 0:45:18 | 0:45:21 | |
-and he lives closer to the club. -Your mom doesn't mind? | 0:45:21 | 0:45:25 | |
-She's groovy. -I'll grab my bag. | 0:45:25 | 0:45:27 | |
Look and learn. | 0:45:30 | 0:45:32 | |
Evening, Mrs Malaga. | 0:45:32 | 0:45:34 | |
-Has anyone ever told you who you're the spitting image of? -No, love. Who? | 0:45:34 | 0:45:38 | |
Elizabeth Taylor. Scout's honour. | 0:45:38 | 0:45:42 | |
Look, I know it's an 18 but we're studying the book at school | 0:45:43 | 0:45:46 | |
and wondered if you could make an academic exception, | 0:45:46 | 0:45:49 | |
just this once,... Liz. | 0:45:49 | 0:45:52 | |
These are on the house, love. But not a word to anyone. | 0:45:55 | 0:45:59 | |
Thanks. | 0:45:59 | 0:46:02 | |
You're shameless, you are. | 0:46:05 | 0:46:08 | |
-Got us in, didn't it? -(Ssh! Sssshhhh!) | 0:46:08 | 0:46:10 | |
-(That's disgusting! Where is Charlie's wife?) -(England.) | 0:46:12 | 0:46:16 | |
-(How are we gonna get out?) -(Crawl out, just before the end.) | 0:46:16 | 0:46:20 | |
-See you, Liz! -Thanks, Liz. (BOTH LAUGH) | 0:46:56 | 0:46:59 | |
-P is for pot. -Pot. -Hey, Ralph, come here. | 0:47:01 | 0:47:06 | |
-We'll do some more later. -Thank you, madam. | 0:47:06 | 0:47:09 | |
-Where were you last night? -You know where. | 0:47:09 | 0:47:11 | |
-Singing rehearsals. -Who was there? | 0:47:11 | 0:47:14 | |
-The usual bunch. -What did you sing? | 0:47:14 | 0:47:17 | |
-Songs from the show. -Don't lie to me, Ralph. I know where you were. | 0:47:17 | 0:47:20 | |
Sit down. | 0:47:22 | 0:47:25 | |
-What's eating you? Dad drunk again last night? -Answer my question | 0:47:25 | 0:47:29 | |
-and don't be rude. -What's it got to do with you? You're not my mother. | 0:47:29 | 0:47:33 | |
Oh, oh, oh, I've been waiting for that one! | 0:47:33 | 0:47:36 | |
-Someone saw you, Ralph. -So? -So it's illegal. | 0:47:36 | 0:47:39 | |
So what? You think an X-flick compares with anything | 0:47:39 | 0:47:43 | |
-that goes on in this house? -I won't stand being lied to. | 0:47:43 | 0:47:47 | |
We all lie. Everyone's bonking everyone round here | 0:47:47 | 0:47:50 | |
but we pretend it's not happening. | 0:47:50 | 0:47:53 | |
Like we pretend Dad's not a total drunk! | 0:47:53 | 0:47:56 | |
-Bullshit! -What would you know? You are nothing but a common air hostess. | 0:47:56 | 0:48:00 | |
-(ROOM DOOR CLICKS OPEN) -What's going on? > | 0:48:02 | 0:48:05 | |
You deal with this. | 0:48:05 | 0:48:07 | |
-She hit me. -For which I'm sure she's very sorry. Ruby is not the enemy. | 0:48:08 | 0:48:13 | |
-She cares about you. -You can talk. | 0:48:13 | 0:48:15 | |
-You were the one who called her common. -I did not! | 0:48:15 | 0:48:18 | |
-Yes, you did! You were drunk! Ask her! -Right, you're grounded. | 0:48:18 | 0:48:22 | |
-Go to your room. -(SLAMS DOOR) | 0:48:22 | 0:48:25 | |
-(You can't stay. You have to scarper.) -(I can't. Let me in.) | 0:48:33 | 0:48:37 | |
< Vernon, are you still in there?! | 0:48:37 | 0:48:39 | |
-No, this is a recording! No, this is a recording! -(LAUGHS) | 0:48:39 | 0:48:43 | |
-Since when did you smoke? -Since forever. | 0:48:43 | 0:48:46 | |
-Want some? -I'll fall off my bike. -Suit yourself. | 0:48:47 | 0:48:52 | |
-(COUGHS) -(CHUCKLES) | 0:48:56 | 0:48:59 | |
-What'll happen now? -Only everything. | 0:48:59 | 0:49:03 | |
-Vernon! -Here, Ralph, giz it back. | 0:49:03 | 0:49:06 | |
-Vernon! -(CHUCKLES) | 0:49:09 | 0:49:12 | |
And what are you two doing here? | 0:49:14 | 0:49:17 | |
-What does it look like, Charlie? -That's Uncle Charles to you. | 0:49:17 | 0:49:21 | |
-And I am not a Charlie. -Could've fooled me. | 0:49:21 | 0:49:23 | |
-You're not my uncle, either. -Aren't you both grounded? | 0:49:23 | 0:49:27 | |
-So it was you who grassed on us? -Course. Your pornographic behaviour | 0:49:27 | 0:49:31 | |
is a direct consequence of seeing that filth. You ought to be ashamed. | 0:49:31 | 0:49:35 | |
-Not half as ashamed as we were of you. -I beg your pardon?! | 0:49:35 | 0:49:38 | |
-We saw you there. -With, er, what's her name? | 0:49:38 | 0:49:42 | |
January, February, March, | 0:49:42 | 0:49:45 | |
-April, May... -June! So what?! | 0:49:45 | 0:49:48 | |
So, you're a married man, Charlie. | 0:49:48 | 0:49:50 | |
-Snogging another man's wife, that's what. -You want seeing to! | 0:49:50 | 0:49:54 | |
-Oh, don't beat us, sir! -(BOTH LAUGH) | 0:49:54 | 0:49:57 | |
-You're late, late, late, late! Too late! -Sorry, Tobias. | 0:49:57 | 0:50:01 | |
Not good enough! I can hardly inform Her Royal Highness | 0:50:01 | 0:50:04 | |
that Mordred has forgotten his song because he's too late. | 0:50:04 | 0:50:07 | |
-I told you we shouldn't have cast him. -Please, Riva! Out! | 0:50:07 | 0:50:11 | |
-Both of you! -I've already told them! Now, skedaddle! | 0:50:11 | 0:50:15 | |
And I expect you to be word perfect and punctual next time! | 0:50:15 | 0:50:19 | |
Understood?! | 0:50:19 | 0:50:21 | |
-(SNIGGERING) -Dance! | 0:50:24 | 0:50:27 | |
Alright! | 0:50:27 | 0:50:30 | |
-Ready, Gwen? -Yes, yes. -Lovely long neck. | 0:50:30 | 0:50:33 | |
And one, and two. | 0:50:33 | 0:50:35 | |
(SLURS) Where the bloody hell do you think you've been? | 0:50:35 | 0:50:39 | |
You've been grounded until further notice, Tarzan. | 0:50:39 | 0:50:45 | |
-At rehearsals. -Rehearsals, my arse. | 0:50:45 | 0:50:48 | |
You haven't even had the decency to apologise. | 0:50:48 | 0:50:51 | |
Prancing around like a pansified little ponce. | 0:50:51 | 0:50:56 | |
-Drop it, it doesn't matter. -Yes, it does. Who do you think you are, | 0:50:56 | 0:50:59 | |
-Margot fucking Fonteyn? -No, your fucking son! | 0:50:59 | 0:51:03 | |
-Stop it, both of you! -Stay out of this. This is between me and him. | 0:51:03 | 0:51:08 | |
-I don't care about an apology. -Don't you ever | 0:51:08 | 0:51:11 | |
use that language in front of me again, young man. | 0:51:11 | 0:51:15 | |
-That understood? -Yes, sir, loud and fucking clearly! | 0:51:15 | 0:51:19 | |
-And you're drunk, for a change(!) -Oh, what the hell is wrong with you?! | 0:51:19 | 0:51:24 | |
-Stay right here! -No, you stay where you fucking are! I'm outta here! | 0:51:24 | 0:51:27 | |
-Come back here, I'm talking to you! -Wah-wah, wah-wah, wah-wah, | 0:51:27 | 0:51:31 | |
-wah-wah, wah-wah, wah-wah...! -Mark my words, | 0:51:31 | 0:51:34 | |
this time I'll knock your bloody block off! | 0:51:34 | 0:51:38 | |
Stay where you are! | 0:51:38 | 0:51:40 | |
Ruby! Ruby! | 0:51:40 | 0:51:43 | |
Ruby, open this door! Open the bloody door! Open up! | 0:51:43 | 0:51:48 | |
Open up this bloody door! (BANGS ON DOOR) | 0:51:48 | 0:51:51 | |
-Open up! -Go away! -Ruby! | 0:51:51 | 0:51:54 | |
-(BOTH CONTINUE SHOUTING) -Bastard. | 0:51:54 | 0:51:57 | |
Bastard! Bastard. | 0:51:59 | 0:52:02 | |
Bastard. | 0:52:02 | 0:52:04 | |
Bastard. | 0:52:04 | 0:52:06 | |
And what do you think you're doing? | 0:52:11 | 0:52:14 | |
(GUNSHOT) | 0:52:15 | 0:52:17 | |
(PANTS) | 0:52:20 | 0:52:22 | |
(GUNSHOT) | 0:52:24 | 0:52:27 | |
-(GUNSHOT) -Stay where you are! | 0:52:32 | 0:52:35 | |
Fucking fairy! | 0:52:35 | 0:52:37 | |
Not so bloody smart now, are you?! | 0:52:37 | 0:52:41 | |
Go on, do it. | 0:52:43 | 0:52:45 | |
Shoot! | 0:52:47 | 0:52:50 | |
(GUNSHOT) (WOMEN SCREAM) | 0:52:53 | 0:52:57 | |
(CRIES) | 0:52:57 | 0:52:59 | |
Go on. | 0:53:00 | 0:53:02 | |
-(GUNSHOT) -(SOBS) Oh, God! Oh, God! | 0:53:02 | 0:53:06 | |
Ralph! Ralph! | 0:53:11 | 0:53:14 | |
Ralph! | 0:53:14 | 0:53:16 | |
Ralph! Ralph! | 0:53:16 | 0:53:20 | |
C'mon, please, Ralphie, get in. | 0:53:41 | 0:53:43 | |
C'mon, please, Ralphie. He is desperate to talk to you. | 0:53:52 | 0:53:57 | |
-I'm scared of him. -Oh, don't be scared. | 0:54:00 | 0:54:03 | |
C'mon, get in. | 0:54:03 | 0:54:06 | |
That monster isn't really him, you know that. | 0:54:12 | 0:54:16 | |
-Then, why do you stay? -I love him. | 0:54:16 | 0:54:19 | |
I love him. I love your dad with every fibre of my being. | 0:54:19 | 0:54:23 | |
I love him, I can't help it. And I know you do, too. | 0:54:23 | 0:54:27 | |
Why does he do this to us? | 0:54:27 | 0:54:30 | |
-Honestly, you know, I don't think he can help himself. -But I can. | 0:54:30 | 0:54:34 | |
-I'm getting out of here the day I finish school. -That may be, Ralphie, | 0:54:34 | 0:54:38 | |
but... you never really get away, you know. It's called family. | 0:54:38 | 0:54:43 | |
Maybe,... maybe not. | 0:54:43 | 0:54:45 | |
Every time my mother makes any kind of contact he goes ballistic. | 0:54:47 | 0:54:51 | |
Ruby told me what happened. | 0:55:23 | 0:55:25 | |
I don't remember a bloody thing. | 0:55:27 | 0:55:29 | |
I'm so terribly sorry, Popeye. | 0:55:31 | 0:55:34 | |
I'm begging you for one... last... chance. | 0:55:35 | 0:55:39 | |
Please, Popeye. | 0:55:40 | 0:55:42 | |
-What do you say? -Nothing to say. | 0:55:42 | 0:55:46 | |
Please, Popeye. | 0:55:49 | 0:55:51 | |
Please. | 0:55:52 | 0:55:54 | |
Come in. | 0:56:14 | 0:56:16 | |
So,... how can I help you? | 0:56:16 | 0:56:19 | |
-I don't know how to say this. -Don't you worry, | 0:56:19 | 0:56:22 | |
there isn't much I haven't seen or heard in here. | 0:56:22 | 0:56:25 | |
I think,... I think my dad's an alcoholic. | 0:56:25 | 0:56:28 | |
Look, most of us have a bit of a tipple from time to time. | 0:56:30 | 0:56:34 | |
-How much is a tipple? -It varies. The odd bottle. | 0:56:34 | 0:56:37 | |
How about a bottle of Scotch per day? | 0:56:37 | 0:56:40 | |
I had no idea. | 0:56:42 | 0:56:44 | |
He tried to shoot me. | 0:56:45 | 0:56:48 | |
-When did this start? -The night my mother left. Can you help me? | 0:56:53 | 0:56:58 | |
Of course I will, but no-one else must know about this. | 0:56:58 | 0:57:02 | |
He's too highly respected and loved for anyone else to find out. | 0:57:02 | 0:57:06 | |
Thank you. | 0:57:09 | 0:57:11 | |
-(KNOCK AT DOOR) -That you, my boy? | 0:57:30 | 0:57:33 | |
-Don't get up. -Where's Dad? -Ralphie, he's at the hospital. | 0:57:33 | 0:57:39 | |
Don't panic. He's had to see Dr Zim about something or other. | 0:57:39 | 0:57:43 | |
-What's the matter? -Ralphie, I'm sorry to have to say this... | 0:57:43 | 0:57:47 | |
..but Ruby's leaving. | 0:57:50 | 0:57:53 | |
-What do you mean? -Well, she's staying with me at the moment | 0:57:53 | 0:57:56 | |
till she gets herself sorted out, but she's asked me to tell you | 0:57:56 | 0:58:00 | |
because she's just too upset to see you herself at the moment. | 0:58:00 | 0:58:04 | |
-I've just come to collect the rest of her things. -(SIGHS) | 0:58:04 | 0:58:08 | |
-This is all my fault. -Not at all. -(CRIES) | 0:58:08 | 0:58:11 | |
It's nothing to do with you. Come here! | 0:58:11 | 0:58:14 | |
(SIGHS) | 0:58:18 | 0:58:20 | |
Oh, my angel boy. | 0:58:20 | 0:58:23 | |
Dr Zim has prescribed these anti-booze pills | 0:58:44 | 0:58:47 | |
which will make me sick as a dog if I so much as, er, touch a drop. | 0:58:47 | 0:58:51 | |
How did he find out? | 0:58:51 | 0:58:53 | |
I suppose Ruby must have told him before she left. | 0:58:53 | 0:58:57 | |
-What are we going to do, Dad? -I don't know. | 0:58:57 | 0:59:00 | |
Your mother has, er, has asked me for a second chance. | 0:59:00 | 0:59:04 | |
-But you're married to Ruby. -Yes. Yes, I know, Popeye, | 0:59:04 | 0:59:10 | |
but, erm,... it doesn't look as if she'll be coming back. | 0:59:10 | 0:59:15 | |
She says the situation is too, er,... conflicted. | 0:59:16 | 0:59:20 | |
So, for once I think your mother may be,... may be right | 0:59:21 | 0:59:25 | |
and I don't want to stand in the way of that... possibility. | 0:59:25 | 0:59:29 | |
But only if you agree, of course. | 0:59:29 | 0:59:33 | |
-What am I supposed to say? -Yes. | 0:59:33 | 0:59:36 | |
If that's what you want. | 0:59:36 | 0:59:39 | |
Where is she? | 0:59:45 | 0:59:48 | |
Ohhhh! | 1:00:14 | 1:00:16 | |
I've missed you so much. | 1:00:19 | 1:00:22 | |
You've really done a remarkable job. | 1:00:27 | 1:00:29 | |
-This looks wonderful. -Thank you. | 1:00:29 | 1:00:32 | |
Whose idea was all this? | 1:00:32 | 1:00:35 | |
-Ruby's. -Oh. | 1:00:35 | 1:00:37 | |
But everyone helped out. | 1:00:37 | 1:00:40 | |
-Do you still use the puppets I gave you? -Of course. | 1:00:43 | 1:00:47 | |
-You must do me a show sometime. -OK. | 1:00:50 | 1:00:53 | |
I'll look forward to that. | 1:00:55 | 1:00:58 | |
This looks lovely. | 1:01:09 | 1:01:11 | |
Who did all this? | 1:01:14 | 1:01:16 | |
Thank you. | 1:01:18 | 1:01:20 | |
(RINGS BELL) | 1:01:23 | 1:01:26 | |
Thank you, Regina. Er, what have we here? | 1:01:27 | 1:01:31 | |
-Spaghetti, madam. -Ah. -I am learning to read. | 1:01:31 | 1:01:35 | |
Could you ask your mother to pass the salt,... please? | 1:01:39 | 1:01:43 | |
(SIGHS) | 1:01:46 | 1:01:49 | |
(CHUCKLES) | 1:01:51 | 1:01:54 | |
(LAUGHS) | 1:01:54 | 1:01:56 | |
(CHUCKLES) | 1:01:58 | 1:02:00 | |
-(CHUCKLES) -Sssshhhh! | 1:02:01 | 1:02:05 | |
Don't move. | 1:02:12 | 1:02:14 | |
# "Stay As Sweet As You Are" - Nat King Cole | 1:02:18 | 1:02:22 | |
# Stay as sweet as you are | 1:02:32 | 1:02:37 | |
# Don't let a thing | 1:02:37 | 1:02:41 | |
# ever change you | 1:02:41 | 1:02:45 | |
# Stay as sweet as you are | 1:02:45 | 1:02:49 | |
# Don't let a soul | 1:02:49 | 1:02:52 | |
# rearrange you | 1:02:52 | 1:02:57 | |
# Don't ever lose | 1:02:57 | 1:03:01 | |
# All the charm you possess | 1:03:01 | 1:03:06 | |
# Your loveliness, darling | 1:03:08 | 1:03:13 | |
# The way | 1:03:13 | 1:03:15 | |
# you say yes | 1:03:15 | 1:03:20 | |
# Stay as sweet as you are | 1:03:20 | 1:03:24 | |
# Discreet as you are | 1:03:24 | 1:03:28 | |
# You're divine, dear | 1:03:28 | 1:03:32 | |
# Stay as grand as you are | 1:03:32 | 1:03:36 | |
# And as you are | 1:03:36 | 1:03:39 | |
# Tell me that you're mine, dear... # | 1:03:39 | 1:03:43 | |
June. | 1:03:43 | 1:03:45 | |
-I spy with my little eye... Hello, Ralphie. -Auntie June. | 1:03:51 | 1:03:55 | |
-Morning, ma'am. -We haven't seen you at rehearsals lately. | 1:03:55 | 1:03:59 | |
-I've had to miss a few. -Where's the American? | 1:03:59 | 1:04:03 | |
Good morning, ladies. | 1:04:04 | 1:04:07 | |
-Ralphie, you must come riding sometime. -I'd like to, thank you. | 1:04:09 | 1:04:14 | |
-Toodle-pip. -Trot on. | 1:04:14 | 1:04:16 | |
I'm not invisible, you know. | 1:04:18 | 1:04:21 | |
No, you're a divorcee, which is far worse. | 1:04:21 | 1:04:25 | |
Excuse me. | 1:04:27 | 1:04:29 | |
We're leaving. | 1:04:29 | 1:04:31 | |
(TYRES SCREECH) | 1:04:35 | 1:04:38 | |
How dare they?! How dare they blank me?! | 1:04:45 | 1:04:49 | |
And then judge me! | 1:04:51 | 1:04:53 | |
None of them has got a monogamous bone in their bodies! | 1:04:53 | 1:04:57 | |
I mean, what was I supposed to have done?! | 1:05:05 | 1:05:08 | |
I thought that giving your father custody was the kindest option! | 1:05:08 | 1:05:12 | |
You'd be at home! You'd have your friends! And now I'm being vilified | 1:05:12 | 1:05:16 | |
like some,... some,... some scarlet woman! | 1:05:16 | 1:05:19 | |
(SIGHS) I've been a damn fool to think I could ever come back in here | 1:05:20 | 1:05:24 | |
and do battle with that coven of bitches! | 1:05:24 | 1:05:27 | |
What did Uncle John have that Dad didn't? | 1:05:27 | 1:05:30 | |
(SIGHS) | 1:05:30 | 1:05:33 | |
He says what he means, unlike every damned Englishman. | 1:05:33 | 1:05:37 | |
He hasn't got an ironic or effete bone in his body. | 1:05:37 | 1:05:41 | |
-Is he going back to Auntie Gwen, then? -Don't be daft. | 1:05:41 | 1:05:44 | |
He's been transferred to Peru! | 1:05:44 | 1:05:46 | |
(SOBS) | 1:05:46 | 1:05:48 | |
Please don't look at me! | 1:05:56 | 1:05:58 | |
Ralph! Ralph! | 1:06:23 | 1:06:26 | |
Come back! | 1:06:29 | 1:06:31 | |
Please, come back! | 1:06:32 | 1:06:35 | |
So that's why she asked to come back. | 1:06:36 | 1:06:38 | |
-Where is she? -Who cares? | 1:06:40 | 1:06:43 | |
(HORN BEEPS) | 1:06:43 | 1:06:45 | |
Ralph?! | 1:06:46 | 1:06:49 | |
Harry! Oh, Harry! (PANTS) I've lost Ralph! | 1:06:49 | 1:06:54 | |
-You most certainly have. -What? What do you mean? | 1:06:54 | 1:06:57 | |
-Why don't you tell me? -Oh, come on, Harry, don't play games. | 1:06:57 | 1:07:01 | |
Is he here? | 1:07:01 | 1:07:03 | |
-Where is he? -Why don't you try Peru? | 1:07:03 | 1:07:07 | |
(SIGHS) | 1:07:07 | 1:07:09 | |
-I see. -Oh, do you? | 1:07:09 | 1:07:12 | |
Pity I didn't. I think it best that you leave. | 1:07:12 | 1:07:15 | |
-Immediately. -Don't be ridiculous. | 1:07:15 | 1:07:18 | |
God, you've changed your tune. | 1:07:18 | 1:07:20 | |
-It wasn't that long ago you were begging me to stay. -Just leave. | 1:07:20 | 1:07:24 | |
-I need to speak to Ralph! -He doesn't want to see you. | 1:07:24 | 1:07:27 | |
-Don't be stupid, I'm his mother! -Were! -(BANGS ON DOOR) | 1:07:27 | 1:07:32 | |
Harry! Let... me... in! Regina! Regina, let me in! | 1:07:32 | 1:07:37 | |
(BANGS ON DOOR) Harry! Let me in! | 1:07:41 | 1:07:43 | |
Ralphie? > | 1:08:06 | 1:08:08 | |
How many friends do you have? | 1:08:33 | 1:08:36 | |
My father claimed that if you had five true friends in your life | 1:08:37 | 1:08:42 | |
you were a rich man. Hmnh! | 1:08:42 | 1:08:46 | |
-Who do you truly love? -You make it sound so easy, Popeye. (CHUCKLES) | 1:08:47 | 1:08:52 | |
It is easy, Dad. Just call her. | 1:08:55 | 1:08:59 | |
-Who? -Who do you think? | 1:08:59 | 1:09:02 | |
(SIGHS) | 1:09:09 | 1:09:11 | |
(TOOTS HORN) | 1:09:13 | 1:09:16 | |
# "Boogie Woogie Bugle Boy" - The Andrews Sisters | 1:09:24 | 1:09:27 | |
-I'm so sorry. -Me, too. | 1:09:30 | 1:09:32 | |
-Quits? -Quits. | 1:09:40 | 1:09:43 | |
And, er, yes, I was an air hostess, oh, yeah, | 1:09:44 | 1:09:48 | |
just long enough to learn how to deal with very difficult passengers. | 1:09:48 | 1:09:52 | |
I hate to intrude, folks, but we do need Mordred back in rehearsals. | 1:09:52 | 1:09:56 | |
Up to Ralph, right? | 1:09:56 | 1:09:59 | |
-Are you sure? -Damn sure. | 1:10:00 | 1:10:02 | |
Come on, then. Can we take the car? Thank you. | 1:10:02 | 1:10:05 | |
(TOOTS HORN) | 1:10:13 | 1:10:16 | |
I'd like to apologise for calling you by your first name, Uncle Charles. | 1:10:17 | 1:10:21 | |
Gratefully accepted. | 1:10:21 | 1:10:23 | |
When you turn 16, I shall invite you to drop the uncle. | 1:10:23 | 1:10:26 | |
-Thank you,... sir. -(BOTH CHUCKLE) | 1:10:26 | 1:10:29 | |
That is it! We simply cannot wait any longer, June! | 1:10:29 | 1:10:32 | |
-Lancelot will have to walk on! -Don't shout, you will scare him! | 1:10:32 | 1:10:36 | |
-(HORSE FARTS) -That... is... it! -(ALL LAUGH) -Out! | 1:10:36 | 1:10:39 | |
-< I warned you about that horse, Tobias. -Excuse me, Lady Riva. | 1:10:39 | 1:10:43 | |
I shall repair to the bar. Do I make myself clear?! | 1:10:43 | 1:10:48 | |
-Well, I say! -I can't work like this! | 1:10:48 | 1:10:50 | |
-It's gonna be so bad it'll be brilliant. -I heard that! | 1:10:50 | 1:10:54 | |
-Let's take it from the top. Bunny. -(BUNNY PLAYS PIANO) | 1:10:54 | 1:10:57 | |
-One, two, three, four! -(ALL) # Camelot | 1:10:57 | 1:11:00 | |
# Camelot | 1:11:00 | 1:11:01 | |
-# I know it sounds a bit bizarre -# La, la, la, la, la, la! | 1:11:01 | 1:11:06 | |
# But in Camelot | 1:11:06 | 1:11:08 | |
# Camelot | 1:11:08 | 1:11:10 | |
# That's how conditions are... # | 1:11:10 | 1:11:11 | |
-Hi. How were rehearsals? -Brilliant. | 1:11:11 | 1:11:14 | |
-Tobias threw a fit. -What's new? | 1:11:14 | 1:11:16 | |
-Where's Dad? -He didn't pick you up? | 1:11:16 | 1:11:18 | |
We came back on my bike. | 1:11:18 | 1:11:20 | |
-Maybe he had a flat tyre. -OK, I'll go call the club. | 1:11:20 | 1:11:25 | |
-I better get going. -Thanks, Vern. | 1:11:25 | 1:11:27 | |
-See you, mate. -See you. | 1:11:27 | 1:11:30 | |
He's not there. | 1:11:35 | 1:11:38 | |
He also refused to take his pill this morning. I knew | 1:11:39 | 1:11:43 | |
-we should've made him swallow the damn thing. -(CAR ENGINE RUMBLES) | 1:11:43 | 1:11:47 | |
-Just act normal, OK? -OK. -No matter what, OK? -OK. | 1:11:48 | 1:11:54 | |
Ah, the welcoming committee! | 1:11:55 | 1:11:57 | |
Perfect timing! Don't you want to know where I've been? | 1:11:57 | 1:12:01 | |
-Where have you been? -To a post-independent educational, | 1:12:01 | 1:12:05 | |
strategy and budgeting meeting, if you really want to know. | 1:12:05 | 1:12:10 | |
Translation, please. | 1:12:11 | 1:12:13 | |
They have asked me to stay on. | 1:12:15 | 1:12:17 | |
Honorary adviser - full salary, full perks, | 1:12:19 | 1:12:23 | |
-all post independence. What do you think of that?! -You bastard! | 1:12:23 | 1:12:27 | |
-Ah, ah, language! -How could you do that to us? | 1:12:27 | 1:12:31 | |
-And you thought I was back on the old you know what. -Oh, you bastard! | 1:12:31 | 1:12:36 | |
-This is fabulous news, honey. -Yes. | 1:12:36 | 1:12:40 | |
Oh, my God, oh, my God, oh, my God, oh, my God! | 1:12:40 | 1:12:44 | |
My mother wants to know which night you've booked to see Camelot. | 1:12:45 | 1:12:49 | |
-First night. She can go see any of the others. -Are you sure? | 1:12:49 | 1:12:52 | |
Absolutely. | 1:12:52 | 1:12:54 | |
I am so proud of you. | 1:12:55 | 1:12:58 | |
(SINGING ON STAGE) | 1:12:58 | 1:13:01 | |
Can you help me with these buttons? | 1:13:01 | 1:13:04 | |
-Hurry up, you're nearly on. I can't wait. -Let me help you. | 1:13:04 | 1:13:08 | |
Ooh! | 1:13:11 | 1:13:13 | |
Sorry. | 1:13:13 | 1:13:15 | |
Quick. | 1:13:30 | 1:13:32 | |
-Jammy bastard! How'd you do it? -Charisma, my man. | 1:13:32 | 1:13:35 | |
-Charisma. -Smile as if your lives depend on it! | 1:13:35 | 1:13:38 | |
Let's see you all courtesy deeply | 1:13:38 | 1:13:42 | |
as Her Most Royal Highness | 1:13:42 | 1:13:44 | |
-parades past you. -(ALL) Yes, Uncle Charles. | 1:13:44 | 1:13:48 | |
It's going to be a triumph! A T-R-I-U-M-P-H! Triumph! | 1:13:48 | 1:13:54 | |
(SHRIEKS / LAUGHS) | 1:13:54 | 1:13:56 | |
-(GASPS) -(SNIGGERING) | 1:13:59 | 1:14:02 | |
(NATIVES SING IN SWAZI / WHOOP) | 1:14:07 | 1:14:11 | |
-It's like National Geographic! -Only better! | 1:14:11 | 1:14:15 | |
-Countdown, my man! -Do you know where you're going next year? | 1:14:15 | 1:14:18 | |
-Yeah, only bloody Bahrain. -Where's that? | 1:14:18 | 1:14:21 | |
-Exactly. -(CHUCKLES) | 1:14:21 | 1:14:24 | |
-(KNOCKS ON DOOR) Come on, we can't be late. -Come in. | 1:15:08 | 1:15:11 | |
-Ruby! -Yeah, yeah, yeah, relax. I'm coming. | 1:15:11 | 1:15:14 | |
-Dad, I have a big favour to ask. -Ask away, Popeye. | 1:15:14 | 1:15:18 | |
Promise me you won't... you know what. | 1:15:18 | 1:15:21 | |
-Thank you. -Had to be done. | 1:15:22 | 1:15:24 | |
-He knows it wasn't me who called Dr Zim. -That was brave of you. | 1:15:24 | 1:15:27 | |
Now, there's something you can do for me. Here. | 1:15:27 | 1:15:31 | |
-I can't, Dad. -There's no such thing as can't. | 1:15:31 | 1:15:35 | |
-Only one thing we want. -I know, Popeye. | 1:15:35 | 1:15:38 | |
I promise you, I won't let you down. | 1:15:38 | 1:15:40 | |
By the way,... good luck tonight. | 1:15:40 | 1:15:43 | |
-How do I look? -Only fit to meet a princess. | 1:15:45 | 1:15:48 | |
Right answer. | 1:15:48 | 1:15:50 | |
Oh, God, you look beautiful. | 1:15:52 | 1:15:54 | |
Oh, yeah! | 1:16:00 | 1:16:02 | |
-Oh, yah! -(BOTH LAUGH) Come on. | 1:16:02 | 1:16:04 | |
Now concentrate, concentrate and stay calm! | 1:16:04 | 1:16:07 | |
You're all going to be magical! | 1:16:07 | 1:16:10 | |
Her Royal Highness is on... her... way! | 1:16:10 | 1:16:14 | |
(PANICKED SHRIEKING) | 1:16:14 | 1:16:16 | |
-(Shit!) -Let's see. | 1:16:28 | 1:16:31 | |
-Please don't, Auntie Gwen. -No, come on, Ralphie. Let's have a look. | 1:16:31 | 1:16:35 | |
(Shit!) | 1:16:37 | 1:16:39 | |
(Shit, shit, shit, shit!) | 1:16:39 | 1:16:42 | |
(SILLY WARM-UP VOICE EXERCISES) | 1:16:42 | 1:16:45 | |
Sssshhhh! | 1:16:47 | 1:16:49 | |
Now, it's all up to you. | 1:16:49 | 1:16:52 | |
Break a leg. I'll be rooting for you... in the bar. | 1:16:52 | 1:16:56 | |
Thank you. See you later. Break a leg. Good luck. | 1:16:56 | 1:16:59 | |
-Where's Gwen? Where is Gwen? -Wait! (MUTTERS) | 1:17:02 | 1:17:08 | |
-Out for the count! -Oh, my God! | 1:17:08 | 1:17:10 | |
Ralph, run to the bar and catch Tobias. Quickly! | 1:17:10 | 1:17:13 | |
-Philip, ice and black coffee. Fast! -What the hell are you doing here? | 1:17:13 | 1:17:18 | |
-Guinevere's a goner. -Oh, God, no! Not tonight of all nights! | 1:17:18 | 1:17:22 | |
(APPLAUSE) | 1:17:22 | 1:17:24 | |
-For heaven's sake! -Come on, Gwen. | 1:17:25 | 1:17:28 | |
Come on, girl. Come on, Gwen. | 1:17:28 | 1:17:32 | |
-Come on, girl. -I told you she was too common to play a queen. | 1:17:32 | 1:17:36 | |
She has proved herself to be common beyond commonness incarnate! | 1:17:36 | 1:17:39 | |
-Shut up, Riva! -(BURPS) Common I may be | 1:17:39 | 1:17:43 | |
but you can't act, you can't cook, | 1:17:43 | 1:17:46 | |
you can't even keep His Lordship's cock out of everybody else's clumps! | 1:17:46 | 1:17:51 | |
-(ALL GASP) Oh! -Ice bucket! Quick! | 1:17:51 | 1:17:54 | |
Bleurgh! (ALL) Urgh! | 1:17:54 | 1:17:57 | |
-Get her on stage! Come on! -That's better. | 1:17:57 | 1:18:00 | |
(ALL CHATTER) | 1:18:00 | 1:18:03 | |
Give her some air! | 1:18:04 | 1:18:07 | |
# Impossible deeds should be his daily fare | 1:18:10 | 1:18:14 | |
# But where in the world is there in the world | 1:18:14 | 1:18:18 | |
# A man so extraordinaire? | 1:18:18 | 1:18:22 | |
# C'est moi, c'est moi, I'm forced to admit | 1:18:25 | 1:18:28 | |
# 'Tis I, I humbly reply | 1:18:28 | 1:18:31 | |
# That mortal who these marvels can do | 1:18:31 | 1:18:34 | |
# C'est moi, c'est moi, 'tis I # | 1:18:34 | 1:18:36 | |
-(APPLAUSE) -Oh, well done, Gwen! | 1:18:36 | 1:18:41 | |
It's a triumph, a medieval triumph! | 1:18:42 | 1:18:45 | |
-No, it's a bloody disaster! -I beg your pardon?! | 1:18:45 | 1:18:48 | |
-What do you mean? -Her Royal Highness has departed! | 1:18:48 | 1:18:51 | |
-How can she? It's only the interval. -Precisely! | 1:18:51 | 1:18:54 | |
-Claims she has an upset stomach! -Probably the local water. | 1:18:54 | 1:18:57 | |
-Water, my arse! -Tobias! | 1:18:57 | 1:19:00 | |
-I'm very, very upset. -Ohhhh, honestly! | 1:19:01 | 1:19:06 | |
(ON STAGE) # Camelot | 1:19:09 | 1:19:11 | |
# Camelot | 1:19:11 | 1:19:12 | |
# Now say it out with love and joy | 1:19:12 | 1:19:15 | |
# Camelot | 1:19:16 | 1:19:19 | |
-# Camelot! -# Yes, Camelot, my boy | 1:19:19 | 1:19:23 | |
# Where once it never rained till after sundown | 1:19:24 | 1:19:29 | |
# By 8:00am the morning fog had flown | 1:19:29 | 1:19:33 | |
(ALL) # Don't let it be forgot | 1:19:33 | 1:19:35 | |
# That once there was a spot | 1:19:35 | 1:19:38 | |
# For one brief shining moment | 1:19:38 | 1:19:42 | |
# That was known as | 1:19:42 | 1:19:45 | |
# Camelot # | 1:19:45 | 1:19:49 | |
Run, boy! Run! | 1:19:49 | 1:19:51 | |
(ALL CHEER) | 1:19:54 | 1:19:57 | |
(ALL CHEER) | 1:20:06 | 1:20:08 | |
You were great. You were just so great. | 1:20:10 | 1:20:13 | |
It was just so great. I am so proud of you. Mwah! | 1:20:13 | 1:20:17 | |
Well... done, Ralphie! Splendid! Jolly good! | 1:20:17 | 1:20:22 | |
You were just fabulous, Popeye. | 1:20:22 | 1:20:25 | |
Marvellous! | 1:20:25 | 1:20:27 | |
-Fancy the royal personage leaving in the interval. -I know! | 1:20:27 | 1:20:31 | |
-Food poisoning, my arse! (POPS BALLOON) -(ALL LAUGH) | 1:20:31 | 1:20:34 | |
-Wait till she gets a dose of tribal dancing. -(ALL LAUGH) | 1:20:34 | 1:20:38 | |
Oh, my darling! | 1:20:38 | 1:20:40 | |
My son did very well, didn't he? | 1:20:41 | 1:20:44 | |
Hi, I'm Ruby. | 1:20:51 | 1:20:53 | |
-He was great. -Aren't you going to Peru? | 1:20:53 | 1:20:57 | |
-Come on, Ralphie. -I thought you were coming tomorrow night. | 1:20:58 | 1:21:01 | |
-I wouldn't have missed this. -You've got the party, right? -Wrong. | 1:21:01 | 1:21:05 | |
Just because you married my husband doesn't give you rights. | 1:21:05 | 1:21:09 | |
And don't ever try and turn my son against me. | 1:21:09 | 1:21:12 | |
-Are you coming, superstar? -I can't, Mum. I'm really sorry. | 1:21:12 | 1:21:15 | |
-I've come all this way to see you. -Come on, mate, let's go. | 1:21:17 | 1:21:20 | |
You guys stay as long as you like. | 1:21:20 | 1:21:23 | |
(ALL CHANT) Puddle! Cuddle! Puddle! Cuddle! Puddle! | 1:21:25 | 1:21:28 | |
(ALL WHOOP) | 1:21:28 | 1:21:31 | |
-Thank you for saving me. -My pleasure! | 1:21:33 | 1:21:35 | |
Goodbye, Swaziland! | 1:21:39 | 1:21:42 | |
(CHEERING) | 1:21:42 | 1:21:44 | |
# We're all buggered | 1:21:44 | 1:21:47 | |
# All busted and bewildered | 1:21:47 | 1:21:50 | |
# We've all got to get our arses | 1:21:50 | 1:21:54 | |
# out of HERE! | 1:21:54 | 1:21:57 | |
# They don't want us | 1:21:57 | 1:21:59 | |
# To rule or cause a rumpus | 1:21:59 | 1:22:02 | |
# They just want to kick our arses | 1:22:02 | 1:22:06 | |
-# out of HERE!... -(ALL CHEER) | 1:22:06 | 1:22:09 | |
# We're all buggered | 1:22:09 | 1:22:12 | |
(ALL) # All busted and bewildered | 1:22:12 | 1:22:16 | |
# We've all got to get our arses... | 1:22:16 | 1:22:19 | |
Take it off! Take it off! | 1:22:19 | 1:22:22 | |
# We're all buggered... # | 1:22:22 | 1:22:24 | |
(ALL SING IN SWAZI) | 1:22:24 | 1:22:26 | |
(ALL CHEER) | 1:22:59 | 1:23:02 | |
-She's minute. -Isn't she just marvellous? | 1:23:20 | 1:23:23 | |
-It's not quite Cheltenham. -I wish my mum was alive to see me now! | 1:23:34 | 1:23:38 | |
(ALL CHEER) | 1:23:55 | 1:23:58 | |
(CHEERING) | 1:24:12 | 1:24:14 | |
No more la-di-dah, hoity-toity, hooty-snooty, | 1:24:18 | 1:24:22 | |
-wah-wah any more! -(CHUCKLES) | 1:24:22 | 1:24:24 | |
-Wasn't that just incredible? -Incredible. | 1:24:24 | 1:24:28 | |
What do you think this little piece of metal is worth, Popeye? | 1:24:28 | 1:24:32 | |
A big pile of money? | 1:24:32 | 1:24:35 | |
Oh, no, just a lifetime, old boy. My lifetime. | 1:24:35 | 1:24:40 | |
-You deserve it, Dad. -Oh, bollocks! | 1:24:40 | 1:24:43 | |
-We are so proud of you. -Bollocks. (CHUCKLES) | 1:24:43 | 1:24:47 | |
(SIGHS) Goddammit. | 1:25:04 | 1:25:06 | |
I can't feel my,... I can't feel my bloody arm. | 1:25:06 | 1:25:11 | |
-Go and lie down. I'm gonna call Dr Zim. -No, it's... | 1:25:13 | 1:25:16 | |
-C'mon. -No, no, no, no, I'm,... I'm fine, really. | 1:25:16 | 1:25:19 | |
Don't panic, I'm,... I'm fine, really. | 1:25:21 | 1:25:24 | |
He won't be able to speak for much longer, | 1:25:25 | 1:25:28 | |
pressure on the brain will be too great. Therefore, I propose | 1:25:28 | 1:25:32 | |
that we operate immediately, try to remove the tumour, | 1:25:32 | 1:25:36 | |
-buy him a little more time. -What are you saying, Dr Zim? | 1:25:36 | 1:25:40 | |
At best we are talking about just another couple of months. | 1:25:40 | 1:25:44 | |
-To what? -To what? | 1:25:44 | 1:25:47 | |
To live. | 1:25:47 | 1:25:49 | |
-So, we've decided to join forces. -What about your wife? | 1:27:20 | 1:27:25 | |
Bolted, I'm afraid. | 1:27:25 | 1:27:28 | |
-Staying in Blighty. -And you'll never guess where we're headed. | 1:27:28 | 1:27:31 | |
Rhodesia. Isn't that something? | 1:27:31 | 1:27:35 | |
I wonder, could you tell me exactly whereabouts...? She doesn't know. | 1:27:35 | 1:27:40 | |
-I'm sorry, but he's still asleep. -Terrible business. | 1:27:40 | 1:27:43 | |
One just has to brace oneself. Where's the American? | 1:27:43 | 1:27:46 | |
Whatever you have to say, say it and say it fast. | 1:27:46 | 1:27:50 | |
Look, I shan't pretend there's been any love lost between us | 1:27:50 | 1:27:53 | |
but I've come to apologise as I won't be attending the funeral. | 1:27:53 | 1:27:57 | |
Don't do them. I'd hate you to think I was snubbing it. | 1:27:57 | 1:28:01 | |
He's not dead yet. Get out! | 1:28:01 | 1:28:04 | |
(ALL LAUGH) | 1:28:08 | 1:28:11 | |
(RADIO) "They say they wanted something different | 1:28:11 | 1:28:14 | |
so I popped down to an agency in the Charing Cross Road, | 1:28:14 | 1:28:17 | |
it was called Bona Performers. Hello? Anybody there?" | 1:28:17 | 1:28:21 | |
-"Hello, I'm Julian, this is my friend, Sandy." -(CHUCKLES) | 1:28:21 | 1:28:26 | |
-"We are your Bona performers." -"Bona performers we are." | 1:28:26 | 1:28:30 | |
"Oh, it's Mr Horne! Oh, how nice to vada your dolly old eek again!" | 1:28:30 | 1:28:35 | |
"What brings you here?" | 1:28:35 | 1:28:37 | |
"I've been asked to organise a cabaret for the BBC | 1:28:37 | 1:28:40 | |
-and I was wondering if you could fix me up." -"Oh, yes, duckie!" | 1:28:40 | 1:28:45 | |
-(CHUCKLES) -"Oh, no, no, we'd be glad to fix you up any time." | 1:28:45 | 1:28:49 | |
"Yes. Oh, BBC, is it?" | 1:28:49 | 1:28:52 | |
"Well, you'll want something a bit risque for that mob." | 1:28:52 | 1:28:55 | |
-"How about Queenie?" -"Queenie?" | 1:28:55 | 1:28:58 | |
-"What does Queenie do?" -"She does striptease with a difference." | 1:28:58 | 1:29:02 | |
"Normally she's the bearded lady..." | 1:29:02 | 1:29:05 | |
Take my watch. | 1:29:12 | 1:29:14 | |
Thank you, Popeye. | 1:29:24 | 1:29:26 | |
I... | 1:29:29 | 1:29:31 | |
I never stopped loving your mother. | 1:29:35 | 1:29:38 | |
(SOBS) | 1:29:47 | 1:29:49 | |
(SIGHS) | 1:29:54 | 1:29:56 | |
(SIGHS) | 1:30:02 | 1:30:04 | |
(THUNDER RUMBLES) | 1:30:08 | 1:30:10 | |
(INHALES DEEPLY) | 1:30:43 | 1:30:46 | |
So we say farewell to Mahlaganipani. | 1:30:55 | 1:30:58 | |
Five friends | 1:30:58 | 1:31:01 | |
was his measure of wealth | 1:31:01 | 1:31:05 | |
and, judging by the numbers around me, | 1:31:05 | 1:31:08 | |
he was indeed a very rich man. | 1:31:08 | 1:31:10 | |
(ALL SING IN SWAZI) | 1:31:10 | 1:31:12 | |
(SINGING STOPS) | 1:31:24 | 1:31:26 | |
Toodle-pip, sweetie. (CRIES) | 1:31:31 | 1:31:34 | |
-I loved him so much. -I know, Gwennie. I know. | 1:31:48 | 1:31:53 |