
Browse content similar to Away from Her. Check below for episodes and series from the same categories and more!
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This programme contains some strong language. | 0:00:10 | 0:00:17 | |
'She said, "Do you think it'd be fun if we got married?"' | 0:00:32 | 0:00:36 | |
'And what did you say?' | 0:00:36 | 0:00:38 | |
'I took her up on it. I never wanted to be away from her.' | 0:00:38 | 0:00:42 | |
'She had the spark of life.' | 0:00:42 | 0:00:44 | |
(MOUTHS) | 0:00:44 | 0:00:46 | |
Careful. | 0:02:06 | 0:02:07 | |
When did we last wash that sweater? | 0:02:11 | 0:02:13 | |
-Right after the war. -(CHUCKLES) | 0:02:15 | 0:02:18 | |
-Christmas. In the '50s sometime or the '60s. -Shut up! | 0:02:22 | 0:02:26 | |
I'll go make the fire. | 0:02:56 | 0:02:57 | |
' "You climbed the bank and said, | 0:03:32 | 0:03:34 | |
"This is how you touch other women, | 0:03:34 | 0:03:37 | |
"the grass-cutter's wife, the lime-burner's daughter. | 0:03:37 | 0:03:41 | |
"And you searched your arms for the missing perfume and knew..." | 0:03:41 | 0:03:45 | |
Don't worry, darling. I expect I'm just losing my mind. | 0:03:45 | 0:03:50 | |
(Ssh.) | 0:03:50 | 0:03:52 | |
"What good is it to be the lime-burner's daughter, | 0:03:52 | 0:03:55 | |
"left with no trace as if not spoken to in the act of love, | 0:03:55 | 0:04:00 | |
"as if wounded without the pleasure of a scar." | 0:04:00 | 0:04:03 | |
"You touched your belly to my hands in the dry air | 0:04:03 | 0:04:07 | |
"and said, | 0:04:07 | 0:04:09 | |
"I am the cinnamon-peeler's wife. Smell me." | 0:04:09 | 0:04:13 | |
When I look away, I forget what yellow means. | 0:05:15 | 0:05:18 | |
But I can look again. | 0:05:19 | 0:05:22 | |
Sometimes there's something delicious in oblivion. | 0:05:22 | 0:05:25 | |
I think you're supposed to be able to put your fingers | 0:05:25 | 0:05:29 | |
inside the curled petal and feel the heat. | 0:05:29 | 0:05:33 | |
Well? | 0:05:34 | 0:05:36 | |
I can't be sure. | 0:05:38 | 0:05:41 | |
I can't be sure if what I can feel is the heat or my imagination. | 0:05:41 | 0:05:47 | |
The heat attracts the bugs. | 0:05:49 | 0:05:51 | |
Nature never fools around just being decorative. | 0:05:53 | 0:05:56 | |
(KNOCKS ON DOOR) | 0:06:23 | 0:06:26 | |
-Yes? -I don't quite know how to introduce myself. | 0:06:30 | 0:06:34 | |
I used to see your husband at Meadowlake. | 0:06:34 | 0:06:38 | |
I'm a regular visitor there myself. | 0:06:38 | 0:06:40 | |
Those are lovely flowers. | 0:06:44 | 0:06:46 | |
I've never seen those purple ones before. | 0:06:48 | 0:06:51 | |
Mm. The earth there must really appeal to them. | 0:06:51 | 0:06:55 | |
-(CHUCKLES) -What? | 0:07:00 | 0:07:02 | |
You could just open the drawers. Remind yourself. | 0:07:02 | 0:07:06 | |
-What? -Maybe all the labels and lists are defeating the purpose. | 0:07:06 | 0:07:10 | |
If you stop thinking about things the moment you write them down, | 0:07:12 | 0:07:15 | |
maybe that's the end of your need to recall. | 0:07:15 | 0:07:18 | |
I heard a story at a dinner party about the German soldiers | 0:07:19 | 0:07:23 | |
on border patrol in Czechoslovakia during the war. | 0:07:23 | 0:07:27 | |
I heard it from that Czech student of yours, Veronica. | 0:07:27 | 0:07:31 | |
We spoke once at a dinner party. | 0:07:31 | 0:07:34 | |
Don't be nervous. It's a good story. | 0:07:34 | 0:07:37 | |
She told me that each of the German patrol dogs | 0:07:38 | 0:07:43 | |
wore a sign saying "Hund". "Why?" said the Czechs. | 0:07:43 | 0:07:48 | |
And the Germans replied,... "Because that is a Hund." | 0:07:48 | 0:07:53 | |
It was one of those craft shows where you look around and wonder | 0:08:12 | 0:08:15 | |
that the laws of supply and demand can allow for the production | 0:08:15 | 0:08:18 | |
-of so many macrame ducks. -Those things are everywhere. | 0:08:18 | 0:08:22 | |
-What do you do with them? -Oh, come on, Phoebe, you've got one of those. | 0:08:22 | 0:08:25 | |
-You use it as a light-fixture holder or something. -I do not. | 0:08:25 | 0:08:29 | |
-In the... -Oh, yes, wait a second, I do. Fiona gave it to me. | 0:08:29 | 0:08:32 | |
-Oh, yes, I did. -(ALL LAUGH) | 0:08:32 | 0:08:35 | |
-Would anybody like some more...? -Mm. | 0:08:36 | 0:08:38 | |
Ween... | 0:08:49 | 0:08:51 | |
Wai... Wain... | 0:08:56 | 0:08:59 | |
No, but I'll have a touch of wine. | 0:09:00 | 0:09:02 | |
Yeah, Fiona, that'd be lovely, some more wain. (CHUCKLES) | 0:09:02 | 0:09:05 | |
The thing is... | 0:09:08 | 0:09:10 | |
..half the time I wander around | 0:09:12 | 0:09:15 | |
looking for something which I know is very pertinent. | 0:09:15 | 0:09:18 | |
I can't remember what it is. | 0:09:19 | 0:09:22 | |
Once the idea is gone, everything is gone. | 0:09:24 | 0:09:28 | |
I just wander around | 0:09:30 | 0:09:32 | |
trying to figure out what it was that was so important earlier. | 0:09:32 | 0:09:37 | |
I think I may be beginning to disappear. | 0:09:40 | 0:09:43 | |
-And what year is it? -2003. | 0:09:51 | 0:09:55 | |
Fiona, if you found a letter on the street, | 0:09:55 | 0:09:58 | |
addressed, with a stamp on it, what would you do with it? | 0:09:58 | 0:10:02 | |
-I'd mail it. -And where would you put it to mail it? | 0:10:02 | 0:10:06 | |
And if there was a fire in a movie theatre | 0:10:17 | 0:10:20 | |
and you were the first person to spot that fire, | 0:10:20 | 0:10:23 | |
what would you do? | 0:10:23 | 0:10:25 | |
Well, we don't go to the movies much any more, do we, Grant? | 0:10:28 | 0:10:31 | |
All those multiplexes showing the same American garbage. | 0:10:31 | 0:10:35 | |
-Have you seen my coat? -There it is, dear. It's on your chair. | 0:10:48 | 0:10:53 | |
Oh, yes. | 0:10:54 | 0:10:56 | |
Fiona, would you mind if I asked you a few more questions? | 0:10:56 | 0:10:59 | |
Would you mind taking a seat? | 0:10:59 | 0:11:02 | |
I was just feeling a little cold, that's all. | 0:11:04 | 0:11:07 | |
(BABY CRIES) | 0:11:10 | 0:11:12 | |
What an ugly baby. | 0:11:16 | 0:11:20 | |
When did we move into this cottage? | 0:11:36 | 0:11:38 | |
Was it last year or the year before? | 0:11:38 | 0:11:41 | |
(SIGHS) | 0:11:47 | 0:11:49 | |
No, it was longer than that. | 0:11:50 | 0:11:52 | |
It was when I left the university, 20 years ago. | 0:11:52 | 0:11:57 | |
Hmm. Well, that's shocking. | 0:12:01 | 0:12:05 | |
(CHUCKLES) | 0:12:09 | 0:12:11 | |
Let's just see how it goes, shall we? Hm? | 0:12:17 | 0:12:21 | |
Hm? | 0:12:22 | 0:12:24 | |
How's your husband doing? | 0:12:24 | 0:12:26 | |
-OK. -He and my wife struck up quite a close friendship. | 0:12:26 | 0:12:30 | |
I heard about that. | 0:12:32 | 0:12:35 | |
So, er, I'd like to speak to you about something. | 0:12:35 | 0:12:39 | |
If you have a minute. | 0:12:41 | 0:12:43 | |
My husband did not try to start anything with your wife, | 0:12:43 | 0:12:46 | |
if that's what you're getting at. He did not try to molest her, | 0:12:46 | 0:12:50 | |
he's incapable of it. And, anyway, he wouldn't. | 0:12:50 | 0:12:52 | |
From what I hear, it was the other way around. | 0:12:52 | 0:12:55 | |
No, er, that isn't it at all. I didn't come here with any complaints. | 0:12:55 | 0:12:59 | |
Oh. Oh, well, I'm sorry. I thought you did. | 0:13:00 | 0:13:05 | |
Maybe you should come in. It's not as warm a day as it looks. | 0:13:09 | 0:13:13 | |
"Never let a person make you feel guilty for your anger with God." | 0:13:17 | 0:13:23 | |
Hmm. Random. | 0:13:23 | 0:13:26 | |
I can't even see what the point is. | 0:13:28 | 0:13:30 | |
We can't be certain this is what... You're far too young. | 0:13:32 | 0:13:36 | |
"Should the patient afflicted with the disease remain at home, | 0:13:36 | 0:13:40 | |
"the caregiver will very often be the spouse. | 0:13:40 | 0:13:44 | |
"The caregiver must preside over the degeneration of someone | 0:13:45 | 0:13:48 | |
"he or she loves very much, must do this for years and years | 0:13:48 | 0:13:52 | |
"with the news always getting worse, not better, | 0:13:52 | 0:13:55 | |
"must put up sometimes with deranged but very personal insults | 0:13:55 | 0:13:58 | |
"and must somehow learn to smile through it all."' | 0:13:58 | 0:14:01 | |
"Caregivers must be able to diagnose | 0:14:01 | 0:14:04 | |
"a wide variety of ailments under extraordinary circumstances. | 0:14:04 | 0:14:08 | |
"Imagine the person you love the most upset about something | 0:14:08 | 0:14:11 | |
"but unable to communicate the problem | 0:14:11 | 0:14:14 | |
"or even to understand it himself." | 0:14:14 | 0:14:17 | |
-Sounds like a regular marriage. -(CHUCKLES) | 0:14:20 | 0:14:23 | |
(SIGHS) | 0:15:23 | 0:15:25 | |
Hello, there! | 0:16:54 | 0:16:56 | |
Oh! Hello, there. | 0:16:58 | 0:17:01 | |
We are at that stage, Grant. | 0:17:47 | 0:17:50 | |
We are at that stage. | 0:17:53 | 0:17:55 | |
(SIGHS) | 0:18:01 | 0:18:03 | |
Well... | 0:18:04 | 0:18:06 | |
..if we do think of it... if we do... | 0:18:09 | 0:18:12 | |
..then...it must be as something that isn't permanent. | 0:18:14 | 0:18:18 | |
A kind of...experimental treatment or... | 0:18:21 | 0:18:25 | |
..a rest cure of sorts. | 0:18:27 | 0:18:30 | |
All right. | 0:18:41 | 0:18:43 | |
All right. We can think of it that way. | 0:18:44 | 0:18:47 | |
-(TV CHATTER) -We have to sit in the kitchen where I can hear Aubrey. | 0:18:51 | 0:18:55 | |
-Well, you might as well have a cup of coffee. -Thank you. | 0:19:01 | 0:19:06 | |
My son put him on the, er, Sports Channel a year ago Christmas. | 0:19:06 | 0:19:11 | |
I don't know what we'd do without it. | 0:19:11 | 0:19:13 | |
-Must be a struggle. -Well, you know... | 0:19:13 | 0:19:18 | |
You know what struggle is by now. | 0:19:18 | 0:19:21 | |
-You're sure? -I'm sure. | 0:19:24 | 0:19:26 | |
You don't want to just get a sense of the place? | 0:19:27 | 0:19:30 | |
I don't want to make this decision alone. | 0:19:31 | 0:19:34 | |
What place? | 0:19:37 | 0:19:39 | |
-Just kidding! (LAUGHS) -Fuck off. | 0:19:43 | 0:19:47 | |
You're not making this decision alone, Grant. | 0:19:55 | 0:19:58 | |
I've already made up my mind. | 0:19:58 | 0:20:01 | |
OK. | 0:20:06 | 0:20:08 | |
-It's time to go home now. -Mrs Taylor. Hi. | 0:20:35 | 0:20:39 | |
-Is this your son? -Yeah. -Hi, I'm Betty. | 0:20:39 | 0:20:42 | |
-It's time for your bath. -Bath? -Yeah. | 0:20:42 | 0:20:46 | |
-You have to have a bath now. -Mom... | 0:20:46 | 0:20:49 | |
Mr Andersson? Madeleine Montpellier. | 0:20:49 | 0:20:51 | |
-I'm the supervisor here at Meadowlake. -Hi, there. | 0:20:51 | 0:20:54 | |
I'm gonna take you on a tour of the facility | 0:20:54 | 0:20:57 | |
and then we can discuss Mrs Andersson's condition | 0:20:57 | 0:21:00 | |
and the appropriate time for admitting her. | 0:21:00 | 0:21:03 | |
-As you can see, we get a lot of natural light. -Yes, I can see that. | 0:21:05 | 0:21:09 | |
This is my favourite room. Over there, they have a puzzle on the go. | 0:21:10 | 0:21:15 | |
They always have a puzzle on the go. It's real important to us here | 0:21:15 | 0:21:18 | |
that our residents maintain social function, | 0:21:18 | 0:21:21 | |
so a lot of our activities and our whole layout... | 0:21:21 | 0:21:24 | |
-Hello, there, Miss Madeleine. -Hello, Michael. | 0:21:24 | 0:21:28 | |
We're coming into our common room. Again, we're really emphasising | 0:21:28 | 0:21:31 | |
everybody being social. So you can bring the family. | 0:21:31 | 0:21:35 | |
We have a state-of-the-art entertainment system, | 0:21:35 | 0:21:38 | |
-so the residents can watch together. -Hi, Madeleine. -Hello, ladies. | 0:21:38 | 0:21:42 | |
-Hello. -I got a Christmas sweater. | 0:21:42 | 0:21:44 | |
Aren't you festive?! | 0:21:44 | 0:21:46 | |
This is our quiet corner for crafts and reading and reflection. | 0:21:46 | 0:21:50 | |
We have a lot of activities for physical activity - | 0:21:50 | 0:21:53 | |
balloon badminton and sit-and-fit. | 0:21:53 | 0:21:56 | |
And here we have our lovely new dining room. | 0:21:56 | 0:22:00 | |
We can accommodate any dietary preferences or restrictions. | 0:22:00 | 0:22:03 | |
We're serving up a little Christmas dinner early for the families. | 0:22:03 | 0:22:07 | |
The old Meadowlake is just next door and that's a day centre now | 0:22:07 | 0:22:11 | |
but, erm, this for the permanent residents, | 0:22:11 | 0:22:14 | |
this is brand-spanking new. Let's go upstairs, shall we? | 0:22:14 | 0:22:17 | |
Just taking my tea for a ride. | 0:22:20 | 0:22:22 | |
Oh, look at this one, Flo. | 0:22:22 | 0:22:25 | |
He's a real charmer, isn't he? | 0:22:25 | 0:22:28 | |
Would you say, are you a charmer? | 0:22:28 | 0:22:31 | |
-I think you could say I was kind of a charmer. -(CHUCKLES) | 0:22:31 | 0:22:34 | |
-You're a rascal. -Mr Andersson is here about his wife. Behave. | 0:22:34 | 0:22:38 | |
Ah, I should have known it! At this age, it's... | 0:22:38 | 0:22:41 | |
What do the kids call it, Flo? It's... | 0:22:43 | 0:22:46 | |
It's a real clusterfuck. All the charmers are taken. | 0:22:46 | 0:22:50 | |
Or dead. Mostly dead. | 0:22:50 | 0:22:53 | |
-You're kind of charming yourself, sweetheart. -Shall we? | 0:22:53 | 0:22:57 | |
(POP MUSIC PLAYS ON STEREO) | 0:23:01 | 0:23:03 | |
This is the extended-care wing. The elevators, of course, | 0:23:05 | 0:23:08 | |
have the lockdown system. This is where the patients can move to | 0:23:08 | 0:23:12 | |
-once they become more progressed. -Interesting choice of words. | 0:23:12 | 0:23:16 | |
Why don't I show you some of the rooms here? | 0:23:17 | 0:23:20 | |
Then we can go down and see where Mrs Andersson will be living. | 0:23:20 | 0:23:24 | |
No, that will not be necessary. | 0:23:24 | 0:23:26 | |
-My wife will not be progressing to this floor. -All right. | 0:23:26 | 0:23:31 | |
-Who chooses the music? -Sorry? -I'm assuming it's not the residents. | 0:23:32 | 0:23:36 | |
-I don't see any of them singing along. -Yeah, well... | 0:23:36 | 0:23:40 | |
The rooms on the regular floors have their own stereos, | 0:23:40 | 0:23:44 | |
-so the patients can listen to whatever they like. -How kind. | 0:23:44 | 0:23:47 | |
Now, we don't admit anyone during the month of December, | 0:23:48 | 0:23:51 | |
so Mrs Andersson will have to wait till January to make the move. | 0:23:51 | 0:23:55 | |
Just December, Christmas, you know, too many emotional pitfalls. | 0:23:55 | 0:23:59 | |
-Right. -Sorry to interrupt. | 0:23:59 | 0:24:01 | |
-I'm looking for those documents on Aubrey Burke. -Sure. Go ahead. | 0:24:01 | 0:24:05 | |
Mr Andersson, this is Kristy, our new managing nurse. | 0:24:05 | 0:24:08 | |
-Against some people's better judgment. -Now, now. | 0:24:08 | 0:24:11 | |
-Mr Andersson's wife will be joining us in January. -Hi, there. | 0:24:11 | 0:24:16 | |
-Hi. -Now, our new residents are not allowed visitors | 0:24:16 | 0:24:21 | |
or calls during the first 30 days, | 0:24:21 | 0:24:23 | |
-just to give them a chance to settle in. -What sort of visitors? | 0:24:23 | 0:24:27 | |
-Everyone, even close relatives. -I couldn't just leave her. | 0:24:30 | 0:24:34 | |
We understand, it is very difficult to leave a loved one | 0:24:34 | 0:24:37 | |
in a new environment for so long but most people | 0:24:37 | 0:24:40 | |
need that time to settle in. Before we had this rule in place, | 0:24:40 | 0:24:44 | |
residents would forget why they were being left here. | 0:24:44 | 0:24:47 | |
Whereas we find, you give them the month to settle in | 0:24:47 | 0:24:51 | |
and they're happy as clams. And after that, | 0:24:51 | 0:24:55 | |
a little visit home every now and then, perfectly fine. | 0:24:55 | 0:24:58 | |
We'll take good care of her, I promise. | 0:24:58 | 0:25:02 | |
-Knock-knock. -Oh, no, not again! | 0:25:05 | 0:25:07 | |
-Knock-knock. Boo! -(ALL LAUGH) | 0:25:07 | 0:25:10 | |
(ALL CHATTER) | 0:25:10 | 0:25:12 | |
Smells good. | 0:28:04 | 0:28:06 | |
I was gonna go for a ski but I thought I shouldn't chance it, | 0:28:08 | 0:28:11 | |
-what with the Alzheimer's and all. -Why didn't you wake me? | 0:28:11 | 0:28:15 | |
What are these, Grant? | 0:28:15 | 0:28:18 | |
(SIGHS) | 0:28:22 | 0:28:24 | |
Those are the documents you are supposed to sign | 0:28:25 | 0:28:28 | |
if you decide to go to Meadowlake. | 0:28:28 | 0:28:31 | |
That is exactly what I have decided. | 0:28:31 | 0:28:33 | |
You were to go and sign these and leave them there. | 0:28:33 | 0:28:36 | |
I wouldn't be allowed to visit you for 30 days. | 0:28:36 | 0:28:40 | |
30 days isn't such a long time after 44 years. | 0:28:46 | 0:28:52 | |
I don't think I like the place. | 0:28:52 | 0:28:54 | |
I don't think we should be looking for something we like, Grant. | 0:28:58 | 0:29:02 | |
I don't think we'll ever find that. | 0:29:03 | 0:29:06 | |
I think all we can aspire to in this situation | 0:29:07 | 0:29:10 | |
is a little bit of grace. | 0:29:10 | 0:29:12 | |
(SIGHS) | 0:29:18 | 0:29:20 | |
MUSIC: "Harvest Moon" by Neil Young | 0:29:24 | 0:29:27 | |
I suppose I'll be dressed up all the time. | 0:29:55 | 0:29:58 | |
It will be sort of like... | 0:29:59 | 0:30:01 | |
..in a hotel. | 0:30:02 | 0:30:05 | |
-How do I look? -Just like always. | 0:30:08 | 0:30:11 | |
-Just as you've always looked. -And how does that look? | 0:30:11 | 0:30:15 | |
Direct and vague... | 0:30:17 | 0:30:19 | |
..sweet and ironic. | 0:30:20 | 0:30:23 | |
(SIGHS) | 0:30:26 | 0:30:28 | |
Is that how I look? | 0:30:28 | 0:30:30 | |
MUSIC: "Harvest Moon" by Neil Young | 0:30:34 | 0:30:36 | |
Oh. Remember? | 0:30:41 | 0:30:45 | |
-Surprised, Grant? -No, I'm not surprised, | 0:30:47 | 0:30:51 | |
I'm just grateful you can remember that. | 0:30:51 | 0:30:54 | |
Oh, I'm not all gone, Grant, just... (SIGHS) ..going... | 0:30:54 | 0:30:59 | |
There are things I wish would go away... | 0:31:01 | 0:31:04 | |
..but won't. | 0:31:06 | 0:31:08 | |
You know, things we don't talk about. | 0:31:08 | 0:31:11 | |
You never left me. | 0:31:16 | 0:31:18 | |
You still made love to me, despite disturbing demands elsewhere. | 0:31:19 | 0:31:23 | |
But all those sandals, Grant. | 0:31:26 | 0:31:29 | |
All those bare female toes. | 0:31:29 | 0:31:32 | |
What could you do but be a part of the time you were a part of? | 0:31:33 | 0:31:37 | |
All those pretty girls. | 0:31:37 | 0:31:40 | |
Didn't seem like anyone was willing to be left out. | 0:31:40 | 0:31:43 | |
I think you did all right, compared to some of your colleagues. | 0:31:44 | 0:31:49 | |
Those who left their wives. | 0:31:50 | 0:31:53 | |
And the women who wouldn't put up with it. | 0:31:55 | 0:31:58 | |
I think people are too demanding. | 0:32:01 | 0:32:04 | |
People want to be in love every single day. | 0:32:05 | 0:32:08 | |
What a liability. | 0:32:08 | 0:32:10 | |
And then that silly girl. That silly girl, Veronica. | 0:32:11 | 0:32:16 | |
Girls that age are always going around | 0:32:16 | 0:32:19 | |
saying they're gonna kill themselves. | 0:32:19 | 0:32:22 | |
But that was that. | 0:32:22 | 0:32:24 | |
You promised me a new life. | 0:32:25 | 0:32:28 | |
We moved out here and that is exactly what you gave me. | 0:32:28 | 0:32:32 | |
How long ago was that? | 0:32:35 | 0:32:37 | |
-20 years. -Oh! (CHUCKLES) | 0:32:39 | 0:32:42 | |
God, that's shocking. | 0:32:43 | 0:32:46 | |
So, you see, I'm going... | 0:32:48 | 0:32:50 | |
..but I'm not gone. | 0:32:52 | 0:32:55 | |
(SIGHS) | 0:33:16 | 0:33:18 | |
-Fiona. -Grant? | 0:33:22 | 0:33:24 | |
Don't go. | 0:33:27 | 0:33:30 | |
That's what is happening, Grant. It's happening...right now. | 0:33:31 | 0:33:36 | |
(SIGHS) | 0:33:39 | 0:33:41 | |
Fiona. | 0:34:04 | 0:34:06 | |
Hello. I'm checking in today. My name is Fiona Andersson. | 0:34:07 | 0:34:12 | |
We have your room all ready for you. | 0:34:12 | 0:34:14 | |
-Perfect. -We'll have our supervisor, Mrs Montpellier, show you. | 0:34:14 | 0:34:18 | |
-I'll go fetch her. She's expecting you. -Thank you. | 0:34:18 | 0:34:22 | |
Fiona. | 0:34:22 | 0:34:24 | |
-Grant. -I can't go away from you like this. | 0:34:24 | 0:34:27 | |
We had nothing to tie us down, Grant. | 0:34:27 | 0:34:31 | |
You could have just driven away and forsaken me. | 0:34:32 | 0:34:35 | |
But you didn't. | 0:34:35 | 0:34:37 | |
I thank you for that. | 0:34:38 | 0:34:40 | |
-Mrs Andersson. -Oh, hello. | 0:34:44 | 0:34:47 | |
-I'm Madeleine. -Hello. -Should I give you a moment? | 0:34:47 | 0:34:50 | |
-No, thank you. -Yes, please. | 0:34:50 | 0:34:52 | |
We'll get you settled in your room | 0:34:52 | 0:34:54 | |
-and then I'd like to give you a tour. -Lovely. Thank you. | 0:34:54 | 0:34:58 | |
-Right this way. -(SIGHS) | 0:34:58 | 0:35:01 | |
So, as you can see, we get a lot of natural light. | 0:35:04 | 0:35:08 | |
Here we go. | 0:35:08 | 0:35:11 | |
-Yes, this'll do just fine. -Good. | 0:35:18 | 0:35:22 | |
I'm so glad you like it. Is this all you brought with you today? | 0:35:22 | 0:35:26 | |
-For now. -We'll see how it goes. | 0:35:26 | 0:35:30 | |
Well, if you need any help arranging things, you just let me know. | 0:35:30 | 0:35:34 | |
Thank you, Mrs Montpellier. | 0:35:34 | 0:35:37 | |
Now, if you wouldn't mind, I'd like to say goodbye to my husband. | 0:35:37 | 0:35:40 | |
We haven't been apart for a month for the last 44 years. | 0:35:40 | 0:35:45 | |
-It could be quite something. -OK. | 0:35:45 | 0:35:47 | |
(SIGHS) Please, Fiona. | 0:35:53 | 0:35:56 | |
-(SIGHS) Grant. -Fiona... | 0:35:59 | 0:36:02 | |
You know what I'd like? | 0:36:03 | 0:36:06 | |
I'd like to make love and then I'd like you to go. | 0:36:10 | 0:36:14 | |
Because I need to stay here and if you make it hard for me, | 0:36:14 | 0:36:18 | |
I might cry so hard I'll never stop. | 0:36:18 | 0:36:20 | |
Go now. (SIGHS) | 0:36:51 | 0:36:54 | |
Go now. (SIGHS) | 0:36:56 | 0:36:58 | |
(SIGHS) | 0:37:06 | 0:37:08 | |
(SIGHS) | 0:37:23 | 0:37:25 | |
"All of the officers were from outside the local area | 0:37:42 | 0:37:44 | |
"and it probably had not entered their minds that almost all of us | 0:37:44 | 0:37:48 | |
"were named MacDonald. Nobody moved except for the shuffling..." | 0:37:48 | 0:37:52 | |
-Hey. -Hello, there. -Kristy. We met on your tour. | 0:37:53 | 0:37:56 | |
How's Mrs Andersson? Has she settled in? | 0:37:56 | 0:37:58 | |
-I'm wondering if I could have a moment of your time? -Oh, sure. | 0:37:58 | 0:38:02 | |
Maybe when we're finished this chapter, | 0:38:02 | 0:38:05 | |
-I can come find you in the dining room? -Sure. That's fine. | 0:38:05 | 0:38:09 | |
Er... "The red roof lights revolved in the afternoon sun | 0:38:10 | 0:38:13 | |
"and even the dogs were temporarily quiet." | 0:38:13 | 0:38:16 | |
Hi, there, Mr Andersson. | 0:38:28 | 0:38:31 | |
Now, how can I help you? | 0:38:31 | 0:38:34 | |
-(MUTTERS IN COMMENTARY STYLE) -That's Frank. | 0:38:34 | 0:38:36 | |
-He used to be the play-by-play guy for the Winnipeg Jets. -Really? | 0:38:36 | 0:38:40 | |
Yeah. He loved his job too much to retire. | 0:38:40 | 0:38:43 | |
Frank's on the second floor. | 0:38:43 | 0:38:45 | |
I just... (SIGHS) | 0:38:49 | 0:38:52 | |
My wife has always been a different sort of person. | 0:38:52 | 0:38:56 | |
I've been told that Alzheimer's can't be confirmed until after... | 0:38:56 | 0:39:00 | |
And on our way here today, we passed this conservation area | 0:39:01 | 0:39:06 | |
where we went for a walk last spring. | 0:39:06 | 0:39:08 | |
And there were these gorgeous flowers, the skunk lilies. | 0:39:08 | 0:39:11 | |
-Beautiful, aren't they? -Yes, they really made an impression. | 0:39:11 | 0:39:15 | |
And even though the whole place was covered in snow, | 0:39:15 | 0:39:18 | |
she said, "Oh, remember?" | 0:39:18 | 0:39:20 | |
Now, that was... that was quite recently. | 0:39:21 | 0:39:25 | |
And isn't the short-term memory the thing that goes first? | 0:39:25 | 0:39:28 | |
Well, yeah, but not all at once. And what's comforting | 0:39:28 | 0:39:34 | |
is the long-term memory sometimes stays for quite a long time. | 0:39:34 | 0:39:37 | |
Yeah, her long-term memory seems quite intact. | 0:39:39 | 0:39:42 | |
But when she mentioned that, about the skunk lilies, | 0:39:42 | 0:39:45 | |
it was all I could do not to turn the truck around. | 0:39:45 | 0:39:48 | |
What if this is just her just being herself? | 0:39:48 | 0:39:53 | |
She's far too young to... | 0:39:54 | 0:39:57 | |
She is young. | 0:39:58 | 0:40:01 | |
And it is hard... no doubt about that. | 0:40:01 | 0:40:04 | |
A month is a real long time. | 0:40:05 | 0:40:07 | |
I mean, between you and me, I don't know about the policy myself. | 0:40:09 | 0:40:13 | |
I think it makes it easier for the staff is what I think. | 0:40:13 | 0:40:16 | |
Look... I'll give you my pager number. | 0:40:16 | 0:40:20 | |
Call me whenever you want. Call me every day if you feel like it. | 0:40:22 | 0:40:25 | |
I don't know what to do. | 0:40:29 | 0:40:31 | |
Mr Andersson... your wife wrote you this note | 0:40:32 | 0:40:36 | |
and she asked me to pass it along. | 0:40:36 | 0:40:38 | |
OK. | 0:40:47 | 0:40:49 | |
Thank you so much. | 0:40:54 | 0:40:56 | |
(DROWNED OUT BY INCIDENTAL MUSIC) | 0:41:08 | 0:41:10 | |
"Throughout much of the thinking brain, | 0:41:19 | 0:41:23 | |
"gooey plaques now crowd neurons from outside the cell membranes." | 0:41:23 | 0:41:29 | |
"And knotty tangles | 0:41:30 | 0:41:33 | |
"mangle microtubal transports from inside the cells." | 0:41:33 | 0:41:38 | |
"All told, tens of millions of synapses dissolve away | 0:41:46 | 0:41:51 | |
"because the structures and substructures of the brain | 0:41:51 | 0:41:55 | |
"are so highly specialised, | 0:41:55 | 0:41:57 | |
"the precise location of the neuronal loss | 0:41:57 | 0:42:01 | |
"determines what specific abilities will become impaired. | 0:42:01 | 0:42:06 | |
"It is like a series of circuit breakers | 0:42:11 | 0:42:15 | |
"in a large house, flipping off one by one." | 0:42:15 | 0:42:20 | |
That's a great-looking coffee maker. | 0:43:16 | 0:43:18 | |
I always meant to get one of those. | 0:43:18 | 0:43:21 | |
I saw they had them on sale at Canadian Tire. | 0:43:22 | 0:43:26 | |
They gave it to us, my son and his wife. | 0:43:26 | 0:43:29 | |
They live in Kamloops, BC. | 0:43:29 | 0:43:31 | |
They send us more stuff than we can handle. | 0:43:31 | 0:43:34 | |
Wouldn't hurt if they spent the money to come see us instead. | 0:43:34 | 0:43:38 | |
-I suppose they're busy with their own lives. -Not so busy | 0:43:39 | 0:43:42 | |
they couldn't go to Hawaii last year. You could understand it | 0:43:42 | 0:43:46 | |
if there was someone in the family closer at hand but, er... | 0:43:46 | 0:43:50 | |
..he's the only one. | 0:43:51 | 0:43:54 | |
People do get lonely... (SIGHS) | 0:43:56 | 0:43:58 | |
..especially when they're deprived of seeing someone they care about. | 0:43:59 | 0:44:03 | |
Fiona, for instance. | 0:44:07 | 0:44:09 | |
-My wife. -I thought you said you went and visited her. | 0:44:12 | 0:44:16 | |
I do. No, that's not it. | 0:44:18 | 0:44:22 | |
-'She's really settling in well.' -Good, good. | 0:44:24 | 0:44:27 | |
'Looking forward to seeing you tomorrow.' | 0:44:27 | 0:44:29 | |
-Right. I'll see you tomorrow. -'Now, remember, | 0:44:29 | 0:44:32 | |
'she may be a little surprised to see you. | 0:44:32 | 0:44:35 | |
'Don't be shaken by that. | 0:44:35 | 0:44:37 | |
'Just... She hasn't seen you in a while. | 0:44:37 | 0:44:40 | |
'She's sort of settled in here.' | 0:44:40 | 0:44:42 | |
'I understand.' | 0:44:43 | 0:44:46 | |
There you are. I'll walk you down to her. | 0:44:57 | 0:45:02 | |
Wow, narcissus this early. You must have spent a fortune. | 0:45:02 | 0:45:06 | |
Hi, Mr Andersson. It's great to see you. | 0:45:06 | 0:45:10 | |
Alright. Here we are. There is her room. | 0:45:13 | 0:45:16 | |
You remember from last time you were here, don't you? | 0:45:16 | 0:45:19 | |
Her nameplate's right on the door. I'll leave you to it. | 0:45:19 | 0:45:23 | |
There she is. Now, you just go over and say hello. | 0:46:01 | 0:46:05 | |
And try not to startle her. Remember, she may not... | 0:46:05 | 0:46:09 | |
Well, just go ahead. | 0:46:09 | 0:46:11 | |
(Bridge. Deadly serious. Quite rabid about it.) | 0:46:28 | 0:46:34 | |
I can remember being like that at college for a while. | 0:46:35 | 0:46:39 | |
My friends and I would cut class and sit in the common room | 0:46:39 | 0:46:43 | |
and smoke and play like cut-throats. | 0:46:43 | 0:46:46 | |
One's name was Phoebe. I don't remember the others. | 0:46:46 | 0:46:49 | |
-Phoebe Hart. -Oh, you knew her, too. | 0:46:49 | 0:46:53 | |
Er, can I get you something? Er, a cup of tea? | 0:46:54 | 0:46:56 | |
-I'm afraid the coffee's not up to much here. -I don't drink tea. | 0:46:56 | 0:47:00 | |
-Oh. -I brought you some flowers. | 0:47:00 | 0:47:04 | |
I thought they might do to brighten up your room. | 0:47:04 | 0:47:07 | |
-I went to your room but you weren't there. -Well, no, I'm here. | 0:47:07 | 0:47:12 | |
So you've made a new friend. | 0:47:13 | 0:47:16 | |
Oh, that's just Aubrey. | 0:47:17 | 0:47:19 | |
The funny thing is, I knew him years and years ago. | 0:47:19 | 0:47:24 | |
He used to work in the store, the hardware store | 0:47:24 | 0:47:27 | |
where my grandpa used to shop. He and I were always kidding around | 0:47:27 | 0:47:31 | |
but he never could get up the nerve to ask me out. | 0:47:31 | 0:47:35 | |
Until the very last weekend when he took me to a ball game. | 0:47:35 | 0:47:39 | |
But my grandpa showed up to drive us home. | 0:47:39 | 0:47:43 | |
I was up visiting for the summer. Visiting my grandparents. | 0:47:44 | 0:47:49 | |
They lived in a cottage on a lake. | 0:47:50 | 0:47:52 | |
Fiona, I know where your grandparents lived. | 0:47:53 | 0:47:56 | |
-It's where we lived. We live. -Really? | 0:47:56 | 0:48:00 | |
I'd better go back. | 0:48:02 | 0:48:04 | |
He thinks he can't play without me sitting there. | 0:48:04 | 0:48:07 | |
It's silly. I hardly know the game any more. (CHUCKLES) | 0:48:07 | 0:48:10 | |
I'm afraid you'll have to excuse me. | 0:48:10 | 0:48:12 | |
-Will you be through soon? -We should be. | 0:48:12 | 0:48:15 | |
If you ask that grim-looking lady over there nicely, | 0:48:15 | 0:48:19 | |
-she'll get you a cup of tea. -No, I'm fine. | 0:48:19 | 0:48:22 | |
I can leave you, then? You can entertain yourself? | 0:48:22 | 0:48:25 | |
It must all seem strange to you but you'll get used to it. | 0:48:25 | 0:48:29 | |
You'll get to know who everybody is, except that some of them | 0:48:29 | 0:48:32 | |
are... pretty well off in the clouds, you know? Mmm. | 0:48:32 | 0:48:36 | |
Can't expect them all to get to know who you are. | 0:48:37 | 0:48:41 | |
Hey, I've been thinking of dyeing my hair. What do you think? | 0:49:56 | 0:49:59 | |
-Do you think I'd look good with red hair? -(ALL CHATTER) | 0:49:59 | 0:50:03 | |
You caught her at a bad moment, involved in a game. | 0:50:21 | 0:50:24 | |
-She isn't even playing. -Well, but her friend's playing, Aubrey. | 0:50:24 | 0:50:29 | |
-Now, who is Aubrey? -That's who he is, Aubrey. | 0:50:29 | 0:50:32 | |
They get these attachments. That kinda takes over for a while. | 0:50:32 | 0:50:35 | |
Best buddy kinda thing. Sort of a phase. | 0:50:35 | 0:50:38 | |
Does she even know who I am? | 0:50:38 | 0:50:41 | |
No, she might not. Not today and then tomorrow you never know. | 0:50:43 | 0:50:48 | |
Things change back and forth all the time. | 0:50:48 | 0:50:51 | |
You'll see the way it is once you get used to coming. | 0:50:51 | 0:50:54 | |
You'll learn not to take it so personal. | 0:50:54 | 0:50:58 | |
(INAUDIBLE) | 0:51:02 | 0:51:04 | |
Oh, I'm sorry, I'll have to go and fix that now. | 0:51:21 | 0:51:24 | |
TV CHATTER | 0:51:53 | 0:51:55 | |
BOTH GASP | 0:52:01 | 0:52:03 | |
BOTH SIGH | 0:52:05 | 0:52:08 | |
Look at you, Mr Andersson. | 0:52:18 | 0:52:22 | |
I think you might be one of our most frequent visitors. | 0:52:23 | 0:52:25 | |
Hi, Fiona. | 0:52:34 | 0:52:36 | |
-You are persistent, aren't you? -I brought you some books. | 0:52:36 | 0:52:40 | |
They don't seem to have an awful lot around here. | 0:52:40 | 0:52:43 | |
Letters From Iceland by Auden. | 0:52:43 | 0:52:45 | |
We always meant to read that together, didn't we? | 0:52:45 | 0:52:48 | |
-Do you think it'd be possible to talk alone? -Well, I don't know. | 0:52:48 | 0:52:51 | |
Aubrey's card game starts in a few minutes, | 0:52:51 | 0:52:54 | |
then we usually go walking and then he does his drawing... | 0:52:54 | 0:52:57 | |
Or perhaps you can find a bit of time later on. Erm, I'll stay here. | 0:52:57 | 0:53:02 | |
-Or I'll come back in a few hours. -You are persistent, aren't you? | 0:53:02 | 0:53:06 | |
Here we are at the Spectrum in Philadelphia. | 0:53:28 | 0:53:31 | |
It's sudden-death overtime. 2-2. Here's Andreychuk. | 0:53:31 | 0:53:35 | |
He carries it over the blue line, lines up a shot right on! | 0:53:35 | 0:53:38 | |
The rebound comes back behind the net. | 0:53:38 | 0:53:41 | |
It goes back on the left wing and here come the Flyers. | 0:53:41 | 0:53:45 | |
-Roenick and Mitchell, what a twosome. A shot! Oh, it went wide. -TURNS VOLUME DOWN | 0:53:45 | 0:53:49 | |
-Go for it, Frank. -Here's Sundin. | 0:53:49 | 0:53:54 | |
Can't get a shot away and it's cleared away... | 0:53:54 | 0:53:59 | |
I just came down to say Aubrey is having his nap | 0:53:59 | 0:54:02 | |
-if you'd like to, erm, talk. -Oh, sure. | 0:54:02 | 0:54:05 | |
-Er, can we go somewhere a little more private? -He shoots, he scores! | 0:54:05 | 0:54:09 | |
-If you'd like. -Philly wins this series by a score of 3-2. | 0:54:09 | 0:54:13 | |
That's it this season for the Leafs. | 0:54:13 | 0:54:15 | |
Look at Hitchcock, is he a happy coach. | 0:54:15 | 0:54:18 | |
Philadelphia wins. The game is over in sudden-death overtime. | 0:54:18 | 0:54:21 | |
-You said you had some books for me? -Yes. | 0:54:41 | 0:54:45 | |
-Letters From Iceland. -Yes, yes, you said. By Auden. | 0:54:46 | 0:54:50 | |
Yes...that's right. | 0:54:52 | 0:54:55 | |
Now...where is Iceland? | 0:54:55 | 0:54:58 | |
Well, Iceland is in the middle of the Atlantic. | 0:55:01 | 0:55:04 | |
It's an island. | 0:55:04 | 0:55:07 | |
'Youngest country in the world. It's constantly erupting. | 0:55:09 | 0:55:13 | |
'Volcanoes, earthquakes. | 0:55:13 | 0:55:16 | |
'It's always shaking itself off.' | 0:55:16 | 0:55:20 | |
Wouldn't it be nice to come from a young country? | 0:55:22 | 0:55:25 | |
You do. That's where you're from. That's where your people are from. | 0:55:25 | 0:55:29 | |
They immigrated here in the late 1800s. | 0:55:30 | 0:55:33 | |
That's where you're from, Fiona. And I teach... | 0:55:35 | 0:55:39 | |
Well, I taught the myths from there - Norse mythology. | 0:55:39 | 0:55:44 | |
-I must have been there, then. Have I been there? -No. | 0:55:44 | 0:55:49 | |
Oh. | 0:55:50 | 0:55:52 | |
-Why not? Wasn't I curious? -You were very curious. | 0:55:52 | 0:55:56 | |
Very curious. | 0:55:58 | 0:56:00 | |
You always said there ought to be one place | 0:56:00 | 0:56:05 | |
that you knew about and you thought about and maybe even longed for | 0:56:05 | 0:56:08 | |
but you never did get to see. | 0:56:08 | 0:56:11 | |
Did I say that? | 0:56:17 | 0:56:19 | |
Yes, you said that. | 0:56:19 | 0:56:22 | |
I'd better go and see to Aubrey. | 0:56:36 | 0:56:38 | |
He'll be wanting a little walk around. It was nice chatting. | 0:56:38 | 0:56:42 | |
-You'll be back again tomorrow? -Fiona, what are you doing? | 0:56:42 | 0:56:46 | |
What are you doing with Aubrey? | 0:56:47 | 0:56:49 | |
He doesn't confuse me. | 0:56:52 | 0:56:54 | |
He doesn't confuse me at all. | 0:56:55 | 0:56:58 | |
Well, it's been nice chatting. | 0:57:02 | 0:57:04 | |
I'll see you again tomorrow, I suppose. | 0:57:05 | 0:57:08 | |
'These affections between residents, do they ever go too far? | 0:57:27 | 0:57:31 | |
'Well, that depends on what you mean.' | 0:57:31 | 0:57:34 | |
The problem we have here, it's funny. It's often the ones | 0:57:34 | 0:57:37 | |
who haven't been friendly with each other at all. | 0:57:37 | 0:57:40 | |
They maybe don't even know each other beyond knowing, like, | 0:57:40 | 0:57:43 | |
is it a man or is it a woman. You'd think it'd be the old guys | 0:57:43 | 0:57:46 | |
trying to crawl in bed with the old ladies but half the time | 0:57:46 | 0:57:50 | |
it's the old ladies going after the old men. | 0:57:50 | 0:57:52 | |
It could be they aren't so worn out. | 0:57:52 | 0:57:55 | |
Now, don't get me wrong. I don't mean Fiona. | 0:58:00 | 0:58:04 | |
Fiona is a lady. | 0:58:05 | 0:58:07 | |
She's a real lady. | 0:58:07 | 0:58:10 | |
I sometimes wonder... | 0:58:11 | 0:58:13 | |
You wonder what? | 0:58:14 | 0:58:17 | |
I wonder if she isn't putting on some kind of...charade. | 0:58:19 | 0:58:24 | |
-A what? -Some kind of act. | 0:58:24 | 0:58:28 | |
Maybe...it's a kind of punishment. | 0:58:28 | 0:58:32 | |
Why would she do that? | 0:58:35 | 0:58:37 | |
Oh. | 0:58:43 | 0:58:45 | |
ALL CHATTER | 0:59:13 | 0:59:15 | |
-Excuse me. -Yes, Mr Andersson? | 0:59:23 | 0:59:27 | |
How can I help you? | 0:59:27 | 0:59:29 | |
Fiona's wearing someone else's sweater. | 0:59:29 | 0:59:32 | |
-Well, it's pretty, isn't it? -No, it's not pretty, it's tacky. | 0:59:32 | 0:59:36 | |
-She would never wear it. -Well, you can talk to the duty attendant | 0:59:36 | 0:59:40 | |
on Mrs Andersson's wing. Boy, it's a marvel, really, | 0:59:40 | 0:59:44 | |
the way she's getting him up and out of that chair. | 0:59:44 | 0:59:47 | |
Can you manage? | 0:59:52 | 0:59:54 | |
Will you be all right? I'll be back in a second. | 0:59:55 | 1:00:00 | |
Fiona...I'm your husband. Fiona, it's Grant. | 1:00:03 | 1:00:07 | |
We've been married for 45 years. Look at me, Fiona. | 1:00:07 | 1:00:10 | |
That is not your sweater. We had a good life together. | 1:00:10 | 1:00:14 | |
Those are your words, Fiona, not mine. That is not your sweater. | 1:00:14 | 1:00:18 | |
HE WHIMPERS | 1:00:23 | 1:00:24 | |
It's all right. | 1:00:24 | 1:00:25 | |
It's all right. It's all right. I'm coming straight back. | 1:00:26 | 1:00:31 | |
I'm coming straight back. It's going to be all right. | 1:00:31 | 1:00:35 | |
I'll see you again tomorrow, I suppose. | 1:00:52 | 1:00:55 | |
Please... | 1:00:59 | 1:01:01 | |
..don't. | 1:01:02 | 1:01:05 | |
Please, please, don't. | 1:01:06 | 1:01:09 | |
You're very persistent, aren't you? | 1:01:12 | 1:01:15 | |
I wish I... | 1:01:21 | 1:01:23 | |
I wish I knew what... | 1:01:24 | 1:01:26 | |
We'll see you again tomorrow, I suppose. | 1:01:34 | 1:01:37 | |
You're not doing too well, are you? | 1:02:18 | 1:02:21 | |
Well, no big surprise. | 1:02:21 | 1:02:23 | |
What we're handling isn't so easy. | 1:02:23 | 1:02:26 | |
I thought when I married, | 1:02:27 | 1:02:30 | |
I'd...be with someone to the final stretch. | 1:02:30 | 1:02:33 | |
I'm betting you thought the same. | 1:02:33 | 1:02:35 | |
Well, didn't work out. | 1:02:36 | 1:02:39 | |
So, I, er, think you're here for a reason. | 1:02:41 | 1:02:45 | |
I'm the kind of person you can say things flat out to, so shoot. | 1:02:46 | 1:02:50 | |
I wonder if you would consider taking Aubrey back to Meadowlake, | 1:02:53 | 1:02:57 | |
maybe just for a visit. | 1:02:57 | 1:02:59 | |
Or I suppose I could take Aubrey out there myself. | 1:02:59 | 1:03:03 | |
I wouldn't mind that at all. | 1:03:03 | 1:03:05 | |
SHE SIGHS | 1:03:07 | 1:03:09 | |
Home-made. | 1:03:09 | 1:03:11 | |
Really? | 1:03:17 | 1:03:19 | |
No. No, I can't do that. And the reason is | 1:03:22 | 1:03:26 | |
-I don't want to upset him. -Wouldn't he understand it was just a visit? | 1:03:26 | 1:03:29 | |
He understands everything. If I go to all that trouble, | 1:03:29 | 1:03:33 | |
I'd prefer to take him someplace that'd be more fun, hm? | 1:03:33 | 1:03:36 | |
It would make more sense to take him to the mall | 1:03:36 | 1:03:39 | |
where there are kids and whatnot. And I'd have to get him ready, | 1:03:39 | 1:03:43 | |
manoeuvre him into the, er, car. | 1:03:43 | 1:03:45 | |
-He's big. He's not that easy to manage. -Even if I agreed to do it? | 1:03:45 | 1:03:49 | |
You don't know him. You couldn't manage him. | 1:03:49 | 1:03:52 | |
And he wouldn't stand your doing for him. And after all that, | 1:03:52 | 1:03:55 | |
-what would he get out of it? -Er... | 1:03:55 | 1:04:00 | |
-Hmnh. -SHE SIGHS | 1:04:01 | 1:04:04 | |
-Smoke? -No. No, thanks. | 1:04:20 | 1:04:23 | |
-What, did you never or did you quit? -I quit. | 1:04:23 | 1:04:28 | |
-How long ago? -Oh...30 years, maybe more. | 1:04:28 | 1:04:34 | |
-I quit quitting. -SHE CHUCKLES | 1:04:34 | 1:04:36 | |
Just made a resolution to quit quitting, that's all. | 1:04:37 | 1:04:40 | |
So your wife's depressed, huh? | 1:04:41 | 1:04:44 | |
-What's her name again? I forget. -Fiona. | 1:04:45 | 1:04:49 | |
-And how old were you when you met? -She was 18. | 1:04:50 | 1:04:54 | |
Holy, that's pretty young to get married, eh? | 1:04:54 | 1:04:56 | |
HE CHUCKLES | 1:04:56 | 1:04:58 | |
-It wasn't my idea. -You mean she proposed to you? | 1:04:59 | 1:05:03 | |
Well, that's lovely, that's what I think. How'd she do it? | 1:05:03 | 1:05:06 | |
She hadn't planned it, necessarily. | 1:05:06 | 1:05:09 | |
We were in Tobermory waiting for the ferry to Manitoulin | 1:05:09 | 1:05:12 | |
and it was miserable and rainy and she was in a good mood. | 1:05:12 | 1:05:18 | |
And she didn't want any part of my sour mood. | 1:05:18 | 1:05:21 | |
And what'd she do? What'd she say? | 1:05:21 | 1:05:23 | |
Well, she said, "Do you think it'd be fun... | 1:05:23 | 1:05:28 | |
-"Do you think it'd be fun if we got married?" -And what did you say? | 1:05:28 | 1:05:33 | |
I took her up on it. I shouted, "Yes!" | 1:05:33 | 1:05:36 | |
I never wanted to be away from her. | 1:05:41 | 1:05:43 | |
She had the spark of life. | 1:05:45 | 1:05:48 | |
'You know, nothing can take away what's happened to you | 1:05:50 | 1:05:53 | |
'and what you've experienced. I don't think so, anyway. | 1:05:53 | 1:05:58 | |
'Even if it goes away somehow, it's still there. | 1:05:58 | 1:06:03 | |
'It's still what you are.' | 1:06:03 | 1:06:05 | |
-It's curious. -What's curious? | 1:06:06 | 1:06:09 | |
All of that madly-in-love business. The beginning. | 1:06:09 | 1:06:14 | |
I hear myself tell the story and it all sounds so...crucial. | 1:06:14 | 1:06:19 | |
I suppose it is. | 1:06:20 | 1:06:22 | |
But compared to what we ended up with, until recently... | 1:06:22 | 1:06:27 | |
..all of that seems so superficial somehow. | 1:06:29 | 1:06:32 | |
CHATTERING | 1:06:33 | 1:06:36 | |
ROCK MUSIC PLAYS FROM HEADPHONES | 1:07:10 | 1:07:13 | |
Not such a fun place to visit, eh? | 1:07:13 | 1:07:16 | |
-Excuse me? -Not such a fun place to visit. | 1:07:17 | 1:07:21 | |
Fucking depressing. | 1:07:21 | 1:07:23 | |
-No offence. -None taken. | 1:07:24 | 1:07:27 | |
No-one came to visit you, huh? That must suck huge. | 1:07:28 | 1:07:33 | |
Well, it would suck huge but I don't live here. | 1:07:33 | 1:07:37 | |
-I'm just visiting someone. -Who? | 1:07:37 | 1:07:40 | |
-Which one? -Beautiful woman with the shock of hair. | 1:07:40 | 1:07:45 | |
-The one sitting with her husband? -You might say that. | 1:07:45 | 1:07:48 | |
-Why wouldn't you? -I wouldn't say that because I'm her husband. | 1:07:48 | 1:07:52 | |
So why aren't you sitting with her, then? | 1:07:52 | 1:07:55 | |
HE SIGHS | 1:07:55 | 1:07:56 | |
Just learned to give her some space. | 1:07:58 | 1:08:01 | |
She's in love with that man she's sitting with. | 1:08:01 | 1:08:04 | |
I don't like to disturb her. I just like to see her, I suppose. | 1:08:04 | 1:08:09 | |
Make sure she's doing well, you know? | 1:08:09 | 1:08:11 | |
I suppose that must seem rather pathetic. | 1:08:15 | 1:08:19 | |
I should be so lucky. | 1:08:19 | 1:08:21 | |
Come on. | 1:08:27 | 1:08:29 | |
She's not here. She's sick. He's not here, either. | 1:08:53 | 1:08:59 | |
KNOCKS ON DOOR | 1:09:16 | 1:09:18 | |
I brought you a book. | 1:09:25 | 1:09:28 | |
It's all about Iceland. Thought you might like to take a look at it. | 1:09:29 | 1:09:33 | |
Why, thank you. | 1:09:33 | 1:09:36 | |
HE SOBS | 1:09:36 | 1:09:37 | |
Oh, what is it, dear heart? What is it? | 1:09:37 | 1:09:41 | |
Oh, I see. Here, here, here. | 1:09:41 | 1:09:43 | |
HE SNIFFS | 1:09:43 | 1:09:45 | |
Here, here. Yes. | 1:09:45 | 1:09:47 | |
Do you by any chance have any influence around here? | 1:09:49 | 1:09:53 | |
I've seen you talking to them. | 1:09:53 | 1:09:55 | |
Oh. | 1:09:56 | 1:09:59 | |
We'll get to see each other. You'll see. We have to. | 1:10:03 | 1:10:08 | |
I'll come and see you... and you'll come and see me. | 1:10:08 | 1:10:12 | |
HE SIGHS | 1:10:16 | 1:10:18 | |
You know, I just wish his wife would hurry up and get here. | 1:10:19 | 1:10:23 | |
I wish she'd get him out of here and cut the agony short. | 1:10:23 | 1:10:26 | |
-Should I stay? -What for? She's not sick, you know. | 1:10:26 | 1:10:30 | |
To keep her company. | 1:10:31 | 1:10:33 | |
They have to learn to get over these things by themselves. | 1:10:33 | 1:10:36 | |
They've got short memories and that's not always so bad. | 1:10:36 | 1:10:40 | |
OK? | 1:10:42 | 1:10:44 | |
'Fiona. Her name is Fiona. And what's yours?' | 1:11:08 | 1:11:14 | |
-I don't think I was ever told that. -Oh, I'm sorry. It's Grant. | 1:11:14 | 1:11:19 | |
Hello, Grant. I'm Marian. | 1:11:21 | 1:11:24 | |
Well, now that we know each other's name, | 1:11:29 | 1:11:32 | |
I can tell you straight out what I'm thinking. | 1:11:32 | 1:11:35 | |
I don't know if he's still so stuck on seeing your... | 1:11:36 | 1:11:40 | |
..seeing Fiona. I don't ask him, he doesn't tell me. | 1:11:41 | 1:11:44 | |
But I don't feel like putting him back in there | 1:11:45 | 1:11:48 | |
in case it turns out to be more than that. | 1:11:48 | 1:11:50 | |
I don't want him getting hard to handle. I don't have any help, | 1:11:50 | 1:11:54 | |
-it's just me here. I'm it. -It is very hard for you. | 1:11:54 | 1:11:59 | |
-Did you ever consider his going in there for good? -No. | 1:11:59 | 1:12:03 | |
-I'm keeping him right here. -Well, that's very good and noble of you. | 1:12:03 | 1:12:08 | |
Oh, you think so? Well... | 1:12:08 | 1:12:10 | |
-..noble is not what I'm thinking about. -No, but it isn't easy. | 1:12:11 | 1:12:15 | |
It isn't, but I don't have a choice. If I pay to put him in there, | 1:12:15 | 1:12:19 | |
I won't hold on to the house | 1:12:19 | 1:12:21 | |
and the house is the only thing we own outright. | 1:12:21 | 1:12:24 | |
And it means a lot to me... this house does. | 1:12:25 | 1:12:29 | |
-It's very nice. -Well, I guess it's all right. | 1:12:29 | 1:12:35 | |
I've done a lot on it, fixing it up, keeping it up. | 1:12:35 | 1:12:39 | |
-Yes, I can see that. -I don't want to lose it. | 1:12:39 | 1:12:41 | |
-No. -I'm not going to lose it. -I see your point. | 1:12:41 | 1:12:45 | |
The company left us high and dry. In the end, | 1:12:45 | 1:12:47 | |
they...they said he owed them money. | 1:12:47 | 1:12:51 | |
What do I think? Well, he was pretty stupid. | 1:12:53 | 1:12:56 | |
But, erm, I'm not supposed to ask, so I shut up. | 1:12:58 | 1:13:03 | |
You've been married, huh? You are married. | 1:13:03 | 1:13:05 | |
You know what it's like. | 1:13:05 | 1:13:08 | |
And then, in the middle of all this, | 1:13:09 | 1:13:11 | |
he gets sick from this virus and he goes into a coma. | 1:13:11 | 1:13:16 | |
So that pretty much... takes him off the hook, hm? | 1:13:20 | 1:13:25 | |
It's bad luck. | 1:13:27 | 1:13:29 | |
No, just life. | 1:13:30 | 1:13:33 | |
Can't beat life. | 1:13:36 | 1:13:38 | |
No. | 1:13:38 | 1:13:41 | |
KNOCK AT DOOR | 1:13:44 | 1:13:47 | |
Oh. Hello. | 1:13:52 | 1:13:55 | |
SHE GASPS | 1:14:23 | 1:14:25 | |
Perhaps you'd like me to read to you. | 1:14:34 | 1:14:37 | |
I don't have any books. | 1:14:38 | 1:14:41 | |
Oh, there are some. | 1:14:43 | 1:14:46 | |
Letters From Iceland. | 1:14:48 | 1:14:50 | |
"Isn't it true, however far we've wandered | 1:14:58 | 1:15:01 | |
"into our provinces of persecution, where our regrets accuse, | 1:15:01 | 1:15:06 | |
"we keep returning back to the common faith | 1:15:06 | 1:15:09 | |
"from which we've all dissented, | 1:15:09 | 1:15:12 | |
"back to the hands, the feet, the faces? | 1:15:12 | 1:15:16 | |
"Children are always there and take the hands, | 1:15:16 | 1:15:19 | |
"even when they are most terrified." | 1:15:19 | 1:15:21 | |
"Those in love cannot make up their minds to go or stay. | 1:15:21 | 1:15:25 | |
"Artist and doctor return most often." | 1:15:25 | 1:15:29 | |
"Only the mad will never, never come back. | 1:15:29 | 1:15:32 | |
"For doctors keep on worrying while away, | 1:15:32 | 1:15:35 | |
"in case their skill is suffering and deserted. | 1:15:35 | 1:15:39 | |
"Lovers have lived so long with giants and elves, | 1:15:39 | 1:15:43 | |
"they want belief again in their own size. | 1:15:43 | 1:15:46 | |
"And the artist prays ever so gently, | 1:15:46 | 1:15:50 | |
"Let me find pure all that can happen. | 1:15:50 | 1:15:53 | |
"Only uniqueness is success. | 1:15:53 | 1:15:56 | |
"For instance, let me perceive the images of history. | 1:15:56 | 1:16:01 | |
"All that I push away with doubt and travel, | 1:16:01 | 1:16:04 | |
"today's and yesterday's, alike like bodies." | 1:16:04 | 1:16:09 | |
TELEVISION: 'To all the men and women of our armed forces in the Middle East, | 1:16:09 | 1:16:13 | |
'the peace of a troubled world and the hopes of an oppressed people | 1:16:13 | 1:16:16 | |
'now depend on you.' | 1:16:16 | 1:16:18 | |
How could they forget Vietnam? | 1:16:19 | 1:16:21 | |
TELEVISION CHATTER CONTINUES | 1:16:21 | 1:16:23 | |
Here you go. | 1:16:39 | 1:16:41 | |
Next time you do it, just go pick it up, OK? | 1:16:41 | 1:16:44 | |
SHE SIGHS | 1:16:48 | 1:16:50 | |
Her muscles are deteriorating. If she doesn't improve soon, | 1:16:50 | 1:16:54 | |
we're going to have to put her on a walker. | 1:16:54 | 1:16:57 | |
I keep trying to get her walking but she doesn't want to go anywhere. | 1:16:57 | 1:17:00 | |
But once they get on a walker, they start to depend on it | 1:17:00 | 1:17:04 | |
and then they don't want to walk much any more. | 1:17:04 | 1:17:08 | |
You're going to have to work at her harder. Try and encourage her. | 1:17:08 | 1:17:12 | |
Sorry. | 1:17:13 | 1:17:15 | |
Here you go. | 1:17:19 | 1:17:21 | |
Mrs Andersson, how would you like to go on a field trip? | 1:17:32 | 1:17:36 | |
They've kept it so like it was. | 1:18:18 | 1:18:20 | |
-Who has? -The people who live here. | 1:18:23 | 1:18:27 | |
SHE SIGHS | 1:19:18 | 1:19:20 | |
Everything... | 1:19:35 | 1:19:37 | |
Everything just reminds me of him. | 1:19:43 | 1:19:46 | |
It wasn't enough, I suppose. | 1:19:48 | 1:19:50 | |
Who, Fiona? | 1:19:51 | 1:19:54 | |
Who does everything remind you of? | 1:19:55 | 1:19:58 | |
I'd like to go home now, if you don't mind. | 1:20:15 | 1:20:19 | |
Now, as you know, we don't do extended care on the first floor. | 1:20:24 | 1:20:29 | |
We do it temporarily if someone isn't feeling well | 1:20:29 | 1:20:33 | |
but if they progress too far... | 1:20:33 | 1:20:35 | |
..we have to consider... moving upstairs. | 1:20:36 | 1:20:40 | |
-Do you happen to have Aubrey's address? -I'm sorry? | 1:20:43 | 1:20:47 | |
Aubrey and his wife. | 1:20:51 | 1:20:53 | |
Where do they live? | 1:20:54 | 1:20:57 | |
Well, it was probably a mistake putting him there in the first place | 1:21:12 | 1:21:16 | |
but, er, I wasn't going to get another chance to get away, | 1:21:16 | 1:21:19 | |
so I took it. Well, so... | 1:21:19 | 1:21:23 | |
Now I know better. | 1:21:25 | 1:21:27 | |
Did your husband ever work in a hardware store in the summers | 1:21:30 | 1:21:33 | |
when he was going to school? | 1:21:33 | 1:21:36 | |
No, I never heard about that. But I wasn't raised here. | 1:21:36 | 1:21:40 | |
No...I didn't think so. | 1:21:41 | 1:21:44 | |
Thank you very much for your time, Miriam. | 1:21:51 | 1:21:55 | |
It's Marian. | 1:21:55 | 1:21:58 | |
Sorry. | 1:21:58 | 1:22:00 | |
What a jerk. | 1:22:09 | 1:22:10 | |
Yeah, maybe someone could just drop in on her. All right. | 1:22:29 | 1:22:34 | |
I don't think there's much to it but call me back. OK. | 1:22:35 | 1:22:39 | |
Thanks a lot. Bye-bye. | 1:22:40 | 1:22:43 | |
-Hey. -Hi. | 1:22:43 | 1:22:46 | |
Er... | 1:22:46 | 1:22:48 | |
I think I want to ask you about the second floor... | 1:22:49 | 1:22:52 | |
..just to know a little more about it. | 1:22:53 | 1:22:56 | |
Well, it's for people who've really lost it. | 1:22:56 | 1:22:59 | |
What do they do, then? What happens after that, | 1:23:06 | 1:23:10 | |
after they've...lost it? | 1:23:10 | 1:23:13 | |
You don't really want to know. But sometimes they get it back. | 1:23:13 | 1:23:16 | |
They go into their room for a year, they don't know you from Adam, | 1:23:16 | 1:23:20 | |
and then one day it's, "Oh, hi." All of a sudden, | 1:23:20 | 1:23:23 | |
they're back to normal. But it doesn't last for long. | 1:23:23 | 1:23:26 | |
You think, "Wow, back to normal," and then they're gone again. | 1:23:26 | 1:23:31 | |
I haven't even asked you about yourself. You married? | 1:23:34 | 1:23:39 | |
Well, technically, yeah, I guess. | 1:23:39 | 1:23:41 | |
I got three kids and their dad lives in Alberta, I think. | 1:23:42 | 1:23:46 | |
He's making it rich, maybe. I wouldn't know. | 1:23:46 | 1:23:49 | |
Must be quite a struggle. | 1:23:49 | 1:23:51 | |
It, er...knocks the wind out of you every now and then | 1:23:51 | 1:23:55 | |
but...you just pick yourself back up like everyone else. | 1:23:55 | 1:23:59 | |
I suppose our lives must seem easy to you. | 1:24:00 | 1:24:03 | |
We got through life without too much going wrong | 1:24:03 | 1:24:06 | |
and what we have to suffer now, when we're old, | 1:24:06 | 1:24:10 | |
hardly counts, I suppose. That's what you must think. | 1:24:10 | 1:24:14 | |
How would you know what I think? To tell you the truth, | 1:24:18 | 1:24:22 | |
I'd rather be the one that stayed than the one that left. | 1:24:22 | 1:24:25 | |
I'll bet you weren't always the devoted husband. Am I right? | 1:24:26 | 1:24:29 | |
I mean, you said that you...wondered | 1:24:30 | 1:24:34 | |
if maybe she was punishing you for something? | 1:24:34 | 1:24:37 | |
I'll bet you had something pretty specific in mind, didn't you? | 1:24:37 | 1:24:41 | |
You know...you see a lot of things in this job. | 1:24:43 | 1:24:48 | |
You see the end of things all day long | 1:24:49 | 1:24:52 | |
and at the end of things it's almost always the men that think | 1:24:52 | 1:24:55 | |
that not too much went wrong. | 1:24:55 | 1:24:58 | |
I wonder if your wife feels the same way. | 1:24:59 | 1:25:02 | |
I wonder that, too. | 1:25:02 | 1:25:04 | |
I bet you do. | 1:25:05 | 1:25:08 | |
PHONE RINGS | 1:25:26 | 1:25:28 | |
ANSWERPHONE BEEPS | 1:25:30 | 1:25:32 | |
'Hello, Grant. I hope I got the right person. | 1:25:32 | 1:25:35 | |
'I just thought of something. | 1:25:35 | 1:25:37 | |
'There is a dance in town at the Legion on Saturday night | 1:25:37 | 1:25:40 | |
'and I am on the supper committee, | 1:25:40 | 1:25:43 | |
'which means I can bring a free guest. So I wondered | 1:25:43 | 1:25:46 | |
'whether you would happen to be interested in that. | 1:25:46 | 1:25:50 | |
'Call me back when you get a chance, 555-3457.' | 1:25:50 | 1:25:55 | |
ANSWERPHONE BEEPS | 1:25:57 | 1:25:59 | |
'I just realised, I'd forgotten to say who it was. | 1:25:59 | 1:26:03 | |
'Well, you probably recognise the voice, the accent. | 1:26:03 | 1:26:06 | |
'It's Marian. I'm still not so used to these machines | 1:26:06 | 1:26:09 | |
'and I wanted to say I realise you're not single | 1:26:09 | 1:26:12 | |
'and I don't mean it that way. I'm not, either, | 1:26:12 | 1:26:16 | |
'but it doesn't hurt to get out once in a while. | 1:26:16 | 1:26:19 | |
'Anyway, now I've said all this, | 1:26:19 | 1:26:22 | |
'I really hope it's you I'm talking to. | 1:26:22 | 1:26:24 | |
'It did sound like your voice. If you're interested, | 1:26:24 | 1:26:27 | |
'you can call me and if you are not, you don't need to bother. | 1:26:27 | 1:26:31 | |
'I just thought you might like the chance to get out. | 1:26:31 | 1:26:35 | |
'It's Marian speaking.' | 1:26:35 | 1:26:37 | |
SHE CHUCKLES | 1:26:37 | 1:26:38 | |
'I guess I already said that. | 1:26:38 | 1:26:41 | |
'OK, then. Goodbye.' | 1:26:42 | 1:26:44 | |
"The desires of the heart are as crooked as corkscrews. | 1:26:49 | 1:26:53 | |
"Not to be born is the best for man. | 1:26:53 | 1:26:56 | |
"The second-best is a formal order. | 1:26:56 | 1:26:59 | |
"The dance's pattern, dance while you can." | 1:26:59 | 1:27:03 | |
SHE SIGHS | 1:27:04 | 1:27:06 | |
Fiona... | 1:27:08 | 1:27:10 | |
Is there any way to let this go... do you think? | 1:27:11 | 1:27:15 | |
If I let it go, | 1:27:20 | 1:27:22 | |
it'll only hit me harder when I bump into it again. | 1:27:22 | 1:27:25 | |
OK. | 1:27:31 | 1:27:33 | |
"Dance, dance, for the figure is easy. | 1:27:36 | 1:27:40 | |
"The tune is catching and will not stop. | 1:27:40 | 1:27:44 | |
"Dance till the stars come down from the rafters. | 1:27:45 | 1:27:49 | |
"Dance, dance, dance till you drop." | 1:27:49 | 1:27:52 | |
PHONE RINGS | 1:27:52 | 1:27:55 | |
-'Yes?' -Hello, Marian. | 1:27:58 | 1:28:01 | |
So... | 1:28:11 | 1:28:13 | |
There you are. | 1:28:15 | 1:28:17 | |
Here I am. | 1:28:18 | 1:28:20 | |
Thank you. | 1:28:22 | 1:28:24 | |
SOFT JAZZ | 1:28:24 | 1:28:27 | |
What are you thinking? | 1:28:48 | 1:28:51 | |
Not an awful lot, really. | 1:28:53 | 1:28:55 | |
Skiing. | 1:28:57 | 1:28:59 | |
Downhill? | 1:29:01 | 1:29:03 | |
Cross-country. | 1:29:04 | 1:29:06 | |
I'm more of a thrill-seeker, I guess. | 1:29:09 | 1:29:13 | |
What are you thinking? | 1:29:18 | 1:29:20 | |
I'm thinking you never know how things are going to turn out. | 1:29:20 | 1:29:24 | |
You almost know... but you can never be... | 1:29:27 | 1:29:32 | |
..quite sure. | 1:29:33 | 1:29:35 | |
Mr Andersson? | 1:30:08 | 1:30:10 | |
Mr Andersson? Now, as you know, we're going to have to think about | 1:30:17 | 1:30:22 | |
moving Mrs Andersson upstairs fairly soon, I'm afraid. | 1:30:22 | 1:30:25 | |
She hasn't been out of that bed for two weeks now and... | 1:30:25 | 1:30:28 | |
I'm quite aware of your policies. | 1:30:28 | 1:30:31 | |
I'm more than aware of your fucking policies. | 1:30:31 | 1:30:34 | |
Nurse Kristy is taking me back to the second floor. | 1:30:37 | 1:30:40 | |
The area to my right are the elevators | 1:30:40 | 1:30:43 | |
and as we go on down the hall, there's a man with a broken heart. | 1:30:43 | 1:30:48 | |
Well, we'll go past the lunchroom. The cannelloni was cold yesterday | 1:30:48 | 1:30:53 | |
but let's see what it's doing today. I'm going to have some Cokes, | 1:30:53 | 1:30:57 | |
that's what I'm going to do. | 1:30:57 | 1:30:59 | |
Wouldn't it be better if... | 1:31:01 | 1:31:03 | |
..when we go out again... | 1:31:05 | 1:31:07 | |
..to put Aubrey back into Meadowlake? Just for a day? | 1:31:08 | 1:31:13 | |
What do you think? | 1:31:14 | 1:31:17 | |
I'm thinking that sometimes you... | 1:31:18 | 1:31:21 | |
..just have to make the decision to...be happy. | 1:31:23 | 1:31:27 | |
Just decide. | 1:31:29 | 1:31:32 | |
Things aren't ever what you hoped they'd be. | 1:31:33 | 1:31:36 | |
Not ever, for anybody. | 1:31:36 | 1:31:39 | |
The only thing that separates one kind of person from another | 1:31:40 | 1:31:44 | |
is there are some who stay angry about it | 1:31:44 | 1:31:47 | |
and there are some who... | 1:31:47 | 1:31:49 | |
accept what comes their way. | 1:31:49 | 1:31:53 | |
-And which kind of person are you? -I was pretty mad about it. | 1:31:54 | 1:31:59 | |
But now... | 1:32:00 | 1:32:03 | |
..looking at what came my way... | 1:32:04 | 1:32:08 | |
SHE CHUCKLES | 1:32:10 | 1:32:13 | |
..I think I could be the other kind of person. | 1:32:13 | 1:32:16 | |
Quite the philosopher, huh? | 1:32:18 | 1:32:21 | |
Look, why don't you pull over here? Just pull over, could you? | 1:32:24 | 1:32:30 | |
I know what you're doing. | 1:32:45 | 1:32:47 | |
It would be easier for me... if you could pretend a little. | 1:32:48 | 1:32:54 | |
Do you think you could do that? | 1:32:55 | 1:32:57 | |
BOTH PANT | 1:33:07 | 1:33:09 | |
Now, what were we talking about? | 1:33:11 | 1:33:14 | |
BOTH CHUCKLE | 1:33:15 | 1:33:18 | |
She was the only one in her family | 1:33:57 | 1:33:59 | |
who bothered to learn sign language. Now she can't remember how | 1:33:59 | 1:34:04 | |
or maybe even who she is. | 1:34:04 | 1:34:06 | |
-Her daughter? -Yeah. | 1:34:06 | 1:34:09 | |
It's left her pretty stranded. Marooned. | 1:34:09 | 1:34:13 | |
You know, I thought of you the other day. | 1:34:15 | 1:34:18 | |
You know that billboard in front of the United Church in Bradford, | 1:34:18 | 1:34:21 | |
they post all that biblical-type stuff? | 1:34:21 | 1:34:24 | |
The other day, it said, | 1:34:24 | 1:34:27 | |
"It's never too late to become what you might have been." | 1:34:27 | 1:34:31 | |
Doesn't sound all that biblical. | 1:34:32 | 1:34:34 | |
Maybe they're getting creative on us. | 1:34:36 | 1:34:39 | |
See you soon, Aubrey. | 1:36:01 | 1:36:04 | |
STAFF CHATTER | 1:36:41 | 1:36:44 | |
Thanks. | 1:37:01 | 1:37:04 | |
Would you mind if I had a moment alone before you come in? | 1:37:55 | 1:37:58 | |
To explain things to her? | 1:37:59 | 1:38:02 | |
I found this beautiful book about Iceland. | 1:38:17 | 1:38:20 | |
You wouldn't think they'd leave valuable books lying around. | 1:38:21 | 1:38:25 | |
The people who stay here aren't all necessarily honest. | 1:38:25 | 1:38:28 | |
And I think they got the clothes mixed up. | 1:38:29 | 1:38:33 | |
I never wear yellow. | 1:38:34 | 1:38:37 | |
I seem to remember you reading this to me. | 1:38:45 | 1:38:48 | |
You were trying to make me feel better. | 1:38:50 | 1:38:53 | |
You tried so hard. | 1:38:54 | 1:38:57 | |
You're a lovely man, you know? I'm a very lucky woman. | 1:39:00 | 1:39:06 | |
-Fiona? -You've been gone a long time. Are we all checked out? | 1:39:07 | 1:39:12 | |
I have a surprise for you. | 1:39:12 | 1:39:14 | |
Do you remember Aubrey? | 1:39:18 | 1:39:20 | |
Names elude me. | 1:39:42 | 1:39:45 | |
I'm happy to see you. | 1:39:57 | 1:39:59 | |
You could have just driven away. | 1:40:04 | 1:40:06 | |
Just driven away without a care in the world... | 1:40:06 | 1:40:10 | |
..and forsook me. | 1:40:12 | 1:40:14 | |
Forsooken me. | 1:40:16 | 1:40:18 | |
Forsaken. | 1:40:20 | 1:40:22 | |
Not a chance. | 1:40:23 | 1:40:26 | |
MUSIC: "Helpless" by KD Lang | 1:41:02 | 1:41:05 | |
# Blue, blue windows | 1:41:21 | 1:41:23 | |
# Behind the stars | 1:41:23 | 1:41:28 | |
# Yellow moon | 1:41:28 | 1:41:31 | |
# On the rise | 1:41:31 | 1:41:35 | |
# And big birds flying | 1:41:35 | 1:41:37 | |
# Across the sky | 1:41:37 | 1:41:42 | |
# Throwing shadows | 1:41:42 | 1:41:44 | |
# In our eyes | 1:41:44 | 1:41:48 | |
# Leaves us | 1:41:48 | 1:41:49 | |
# Helpless, helpless | 1:41:49 | 1:41:52 | |
# Helpless... # | 1:41:52 | 1:41:55 |