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This film contains some violent scenes. | 0:00:10 | 0:00:17 | |
-You think he sees us? -No, he can't see us | 0:00:43 | 0:00:46 | |
but, trust me, he can feel us watching. | 0:00:46 | 0:00:49 | |
Pop? Oh, that's a big one, Pop. | 0:00:57 | 0:01:01 | |
-That's a big one here. -OK. -He showed up. | 0:01:01 | 0:01:04 | |
-Ten-two. You can do it. -He's circling that little alcove. | 0:01:04 | 0:01:09 | |
This is all you, Kale. That's it. Put it right in front of him. | 0:01:09 | 0:01:13 | |
-See, you're talking to me and messing me up, Dad. -Don't spook him. | 0:01:13 | 0:01:16 | |
-Come on. There. -There we go. | 0:01:16 | 0:01:18 | |
-Oh, that was perfect. -He's taking it. He's following it. Easy. | 0:01:18 | 0:01:22 | |
-Easy. -Ssh, ssh, ssh, ssh! -Dead drift. Dead drift. | 0:01:22 | 0:01:25 | |
-Oh, you gotta be kidding. -Easy. Easy. Take it. | 0:01:25 | 0:01:28 | |
-Take it, baby. -Bite, bite, bite! Oh! He bit, he bit, he bit! | 0:01:28 | 0:01:32 | |
-Tip up. -Do I let the line go? -No, don't panic. Let him take it. | 0:01:32 | 0:01:35 | |
-If he wants to take it, let him take it. -He's biting. | 0:01:35 | 0:01:38 | |
-He's got it, baby. Come on. OK, reel him in slow. Hold him. -Oh. | 0:01:38 | 0:01:43 | |
All right. All right. | 0:01:43 | 0:01:45 | |
-You gotta be kidding me. -It's all right. | 0:01:45 | 0:01:49 | |
-It's OK. -This is ridiculous. | 0:01:49 | 0:01:51 | |
No, it's fine. Sometimes they just get away. Let's take a break. | 0:01:51 | 0:01:56 | |
-Come on. -If I can't catch a fish, I don't know what I'm doing out here. | 0:01:56 | 0:02:00 | |
-Beats working, right? -What? -Hold that. | 0:02:00 | 0:02:03 | |
-I said, it beats working. -You're a writer. You work from home. | 0:02:03 | 0:02:06 | |
-You ain't got it that tough, come on. -Here you go. You got it? -Yeah. | 0:02:06 | 0:02:10 | |
Ahhh! | 0:02:15 | 0:02:17 | |
You know what? I really appreciate you bailing on your friends | 0:02:17 | 0:02:20 | |
-to spend some time with me. -It's not like you forced me to be here. | 0:02:20 | 0:02:24 | |
-I know, but I appreciate it. -I appreciate it. | 0:02:24 | 0:02:27 | |
Anything you want to talk about? What? | 0:02:27 | 0:02:30 | |
-No, it's just... -What? -Is this that moment? | 0:02:30 | 0:02:33 | |
-This is that... -Never mind. -That father-son... No, I'm in. | 0:02:33 | 0:02:36 | |
-Forget it. -No, I got something. You got a keen eye for this. | 0:02:36 | 0:02:40 | |
-You're not gonna tell Mom? -No, I won't say anything. -All right. | 0:02:40 | 0:02:43 | |
I'm having a kid(!) Yeah, I got a girl pregnant | 0:02:43 | 0:02:47 | |
and now I gotta go visit her. She lives in Reno. | 0:02:47 | 0:02:51 | |
-We're gonna live together in a trailer park. -Hm. | 0:02:51 | 0:02:54 | |
-Yeah, her name's Shirley. She's real great. -Yeah? She cute? | 0:02:54 | 0:02:57 | |
-Of course. -Good. That's all that counts. | 0:02:57 | 0:03:00 | |
Smart-ass. Let's fish. | 0:03:00 | 0:03:03 | |
I'm gonna catch one before you. | 0:03:03 | 0:03:06 | |
Yeah, but I don't mess with you while you're fishing. That's the deal. | 0:03:06 | 0:03:09 | |
EAGLE SCREECHES | 0:03:09 | 0:03:12 | |
Ma, literally every fish in the river is now in the trunk right now. | 0:03:14 | 0:03:18 | |
-You're kidding. -'No, I'm not kidding.' | 0:03:18 | 0:03:21 | |
-Sure you two aren't buying the fish like last time? -HE LAUGHS | 0:03:21 | 0:03:24 | |
-What? -Are we gonna buy fish like the last time? No. Ma, come on, | 0:03:24 | 0:03:28 | |
we know you're too savvy for that. Look at this guy. | 0:03:28 | 0:03:31 | |
-Come on! Jackass! -'Hey!' -No, not you, Mom. I'm sorry. | 0:03:31 | 0:03:35 | |
Give me the phone. Hey, babe, we got enough fish for a week. | 0:03:35 | 0:03:39 | |
-'How long do you think you'll be?' -I don't know. An hour? | 0:03:39 | 0:03:42 | |
-45 minutes. -Kale! | 0:03:42 | 0:03:45 | |
-Kale! -THEY SCREAM | 0:03:49 | 0:03:51 | |
Oh, God. | 0:03:54 | 0:03:57 | |
-Oh, God. -THEY GROAN | 0:03:57 | 0:03:59 | |
Kale, are you OK? | 0:03:59 | 0:04:01 | |
Dad. ENGINE REVS | 0:04:03 | 0:04:06 | |
-Kale! -TYRES SCREECH | 0:04:06 | 0:04:08 | |
Agh! | 0:04:28 | 0:04:30 | |
Aaaagh! Aaaagh! | 0:04:32 | 0:04:35 | |
Aaaagh! | 0:04:36 | 0:04:39 | |
Dad?! | 0:04:50 | 0:04:52 | |
BELL RINGS | 0:05:23 | 0:05:26 | |
IN SPANISH | 0:05:29 | 0:05:31 | |
Quizas... CHUCKLES | 0:05:34 | 0:05:37 | |
..Kiss-ass... | 0:05:39 | 0:05:40 | |
Kiss-ass, no. CHUCKLING | 0:05:43 | 0:05:46 | |
Kiss-ass... | 0:05:46 | 0:05:47 | |
Pero, kiss-ass... | 0:05:50 | 0:05:52 | |
Kiss-ass... | 0:05:55 | 0:05:56 | |
(Keep dreaming, perv.) | 0:06:07 | 0:06:09 | |
Kiss-ass... | 0:06:09 | 0:06:11 | |
-Gracias. -Ronnie. | 0:06:11 | 0:06:14 | |
Ah, si, Senor Gutierrez? | 0:06:14 | 0:06:17 | |
Senor Brecht? | 0:06:25 | 0:06:28 | |
(Kale.) | 0:06:32 | 0:06:34 | |
So, Kale, | 0:06:35 | 0:06:38 | |
think you can stay conscious long enough to tell us your plans | 0:06:38 | 0:06:41 | |
for the three wondrous summer months ahead? | 0:06:41 | 0:06:45 | |
-Do you want me to stand up? -Mm. | 0:06:46 | 0:06:49 | |
Erm...summer months. | 0:06:52 | 0:06:56 | |
Er... | 0:06:56 | 0:06:58 | |
Este v-vierno... | 0:06:58 | 0:07:01 | |
-Invierno? -Verano. -Verano. | 0:07:01 | 0:07:03 | |
HE CLEARS THROAT | 0:07:03 | 0:07:05 | |
Este verano...voy a... | 0:07:05 | 0:07:08 | |
-Que? -..voy a que. | 0:07:10 | 0:07:13 | |
I don't know what you just said. I didn't read that far in the book. | 0:07:20 | 0:07:24 | |
-Did you do the homework or not? -I guess not. | 0:07:24 | 0:07:28 | |
You guess not? | 0:07:28 | 0:07:30 | |
I don't know who you think you are | 0:07:32 | 0:07:35 | |
or who you think you're dealing with. | 0:07:35 | 0:07:37 | |
You can't give me a straight answer, fine. | 0:07:37 | 0:07:41 | |
Give me one good reason why I shouldn't fail you | 0:07:41 | 0:07:45 | |
right now. | 0:07:45 | 0:07:47 | |
(What would your father think?) | 0:07:49 | 0:07:51 | |
No, Kale! No, no, no! | 0:07:53 | 0:07:56 | |
OK, Mr Brecht. | 0:07:59 | 0:08:02 | |
You're six months shy of 18. | 0:08:04 | 0:08:07 | |
That means the Assault Two charge you've pled guilty to | 0:08:07 | 0:08:10 | |
carries a maximum of one year in juvie. | 0:08:10 | 0:08:13 | |
With these priors, you are up to three. | 0:08:13 | 0:08:17 | |
Losing a parent isn't easy, | 0:08:17 | 0:08:20 | |
which is why I'm sentencing you to three months' house arrest. | 0:08:20 | 0:08:23 | |
Mr Brecht, I just cut you a break. Don't test me. | 0:08:24 | 0:08:29 | |
-TAG BEEPS -OK, you're all set to go nowhere. | 0:08:29 | 0:08:33 | |
Now, green means you're good, you're in the safe zone, | 0:08:33 | 0:08:36 | |
which covers about a 100-foot radius from this guy. | 0:08:36 | 0:08:40 | |
You unplug it, the police come. He gets a constant GPS signal | 0:08:40 | 0:08:44 | |
from Mr Bracelet that goes through your phone line | 0:08:44 | 0:08:47 | |
to the monitoring systems downtown. So they know where you are, | 0:08:47 | 0:08:51 | |
-where you've been, what you're thinking. -What if he goes beyond... | 0:08:51 | 0:08:54 | |
-You got ten seconds to get back to green or else. -Or else what? | 0:08:54 | 0:08:58 | |
-The execution squad shows up? -And they don't bring blindfolds. | 0:08:58 | 0:09:01 | |
It's tamper-proof and waterproof, so don't try to stick your foot | 0:09:01 | 0:09:05 | |
in a bucket of water and hop across the line. It won't work. | 0:09:05 | 0:09:08 | |
-Here's the instructions. Here's my card. -Thank you. | 0:09:08 | 0:09:11 | |
-Are you all set up to pay the incarceration fee, Mrs Brecht? -No. | 0:09:11 | 0:09:16 | |
12. Every day. | 0:09:16 | 0:09:18 | |
-I accept all major credit cards. -Great(!) | 0:09:18 | 0:09:21 | |
My wallet's right over here. | 0:09:21 | 0:09:24 | |
Officer. | 0:09:30 | 0:09:32 | |
Gutierrez? | 0:09:34 | 0:09:37 | |
Your Spanish teacher... he's my cousin. | 0:09:37 | 0:09:40 | |
Oh, one more thing. House arrest might sound like a breeze | 0:09:42 | 0:09:47 | |
but I've seen many a folk get a bit loopy after too long, | 0:09:47 | 0:09:50 | |
some after just a day or two. | 0:09:50 | 0:09:52 | |
So find constructive things to do to keep yourself busy. | 0:09:52 | 0:09:56 | |
Boom! Nice shot! OK, get my left flank. | 0:09:56 | 0:10:01 | |
Cobra's at three o'clock. Just get your position and hold it. | 0:10:01 | 0:10:04 | |
Just get your position and hold it. Go down to the bottom entrance. | 0:10:04 | 0:10:08 | |
Here it comes, here it comes. Just watch. Here it goes. Fire. | 0:10:08 | 0:10:12 | |
Boom, boom! Got it. OK, OK, OK, we got that. | 0:10:12 | 0:10:15 | |
We got that. Now, follow me. Off the ledge. | 0:10:15 | 0:10:17 | |
Hello? | 0:10:19 | 0:10:21 | |
You gotta be kidding me. Hello? | 0:10:25 | 0:10:27 | |
'Alan stops by Cheaters | 0:10:33 | 0:10:35 | |
'to discuss what's been eating at his conscience. | 0:10:35 | 0:10:39 | |
'Well, your camera busted in on the situation that I was in.' | 0:10:39 | 0:10:43 | |
-Uh-oh. Here she comes. -'Hey! Where you going?!' | 0:10:43 | 0:10:47 | |
-Caught you, bro. -'Here. Come around here. | 0:10:47 | 0:10:50 | |
-'What the -BLEEP -is going on?' -Come on. | 0:10:50 | 0:10:53 | |
-Man up, Alan. -'Open the -BLEEP -door!' | 0:10:53 | 0:10:56 | |
-'Alan? -'What the hell you doing?' | 0:10:56 | 0:10:59 | |
-Mmf! -'Explain what you're doing with Valerie's cousin.' | 0:10:59 | 0:11:04 | |
TOILET FLUSHES | 0:11:04 | 0:11:06 | |
HE SIGHS | 0:11:09 | 0:11:11 | |
# I was gonna clean my room until I got high | 0:12:01 | 0:12:06 | |
# I was gonna get up and find the broom | 0:12:06 | 0:12:08 | |
# But then I got high... # COMPUTER BEEPS | 0:12:08 | 0:12:11 | |
COMPUTER BEEPS | 0:12:15 | 0:12:18 | |
COMPUTER BEEPS | 0:12:20 | 0:12:23 | |
'Then shop Cabo's maze of streets, alleyway stores and curios.' | 0:12:24 | 0:12:28 | |
HE TURNS VOLUME UP 'Then we'll get adventurous | 0:12:28 | 0:12:31 | |
'with the best in water sports. And, of course, | 0:12:31 | 0:12:34 | |
'the good stuff, chicas calientes. | 0:12:34 | 0:12:37 | |
'On Bikini Destinations, Cabo San Lucas.' | 0:12:38 | 0:12:41 | |
-'Police in Madison...' -More trash TV? | 0:12:41 | 0:12:44 | |
Huh? No, it's, er, news. | 0:12:44 | 0:12:47 | |
HE GROANS | 0:12:51 | 0:12:53 | |
-You cancelled my Xbox. -iTunes, too. | 0:12:55 | 0:12:58 | |
You know what else I'm cancelling? | 0:12:58 | 0:13:02 | |
Maid service! | 0:13:02 | 0:13:04 | |
Look, Kale, I'm sorry you're a felon | 0:13:05 | 0:13:08 | |
-but this is not a vacation. -Mm. -I have two open houses today. | 0:13:08 | 0:13:12 | |
I want you to clean up this room and clean up the kitchen. | 0:13:12 | 0:13:15 | |
-Let me just check my schedule. -'If you have any information | 0:13:15 | 0:13:18 | |
'on the whereabouts of Patricia Williams...' | 0:13:18 | 0:13:23 | |
UNPLUGS TV Isn't that a little overdramatic? | 0:13:23 | 0:13:27 | |
Dramatic? | 0:13:27 | 0:13:29 | |
What are you gonna do now? Are you crazy? | 0:13:34 | 0:13:37 | |
-Ma... -That's dramatic. | 0:13:37 | 0:13:40 | |
Clean up your room. | 0:13:41 | 0:13:43 | |
Ronnie, this thing itches. Plus, my mother transformed. | 0:13:47 | 0:13:51 | |
She's a dictator now. | 0:13:51 | 0:13:53 | |
And she took my Xbox. And my iTunes are gone, right? | 0:13:53 | 0:13:56 | |
And I can't go anywhere. I'm losing it. | 0:13:56 | 0:13:58 | |
Just give me any information, anything at all. | 0:13:58 | 0:14:01 | |
'You gotta see these Oahu chicks. | 0:14:01 | 0:14:04 | |
'This girl by the pool, she just taught me how to say, | 0:14:04 | 0:14:07 | |
-'"Lau-hala-lana."' -What does that mean? | 0:14:07 | 0:14:09 | |
-'I have no idea. I think it's a Hawaiian mating call.' -You're lying. | 0:14:09 | 0:14:13 | |
GIRL CHATTERS Who's that with you? | 0:14:13 | 0:14:15 | |
-'Do you work here? I'm gonna have to call you back, OK?' -No, no! | 0:14:15 | 0:14:19 | |
-Ronnie! Ronnie! Ronnie! -'I've gotta go, bye.' -Ronnie! | 0:14:19 | 0:14:22 | |
# The most loneliest day | 0:14:23 | 0:14:25 | |
# Of my life | 0:14:25 | 0:14:30 | |
# The most loneliest day | 0:14:30 | 0:14:31 | |
# Of my life | 0:14:31 | 0:14:34 | |
# Such a lonely day | 0:14:35 | 0:14:39 | |
# Shouldn't exist | 0:14:39 | 0:14:40 | |
# It's a day that I'll | 0:14:42 | 0:14:44 | |
# Never miss | 0:14:44 | 0:14:48 | |
# Such a lonely day | 0:14:48 | 0:14:50 | |
# And it's mine | 0:14:50 | 0:14:54 | |
# The most loneliest day | 0:14:54 | 0:14:55 | |
# Of my life | 0:14:55 | 0:15:00 | |
# And if you go | 0:15:00 | 0:15:03 | |
# I wanna go with you | 0:15:03 | 0:15:06 | |
# And if you die | 0:15:06 | 0:15:09 | |
# I wanna die with you | 0:15:09 | 0:15:12 | |
# Take your hand | 0:15:12 | 0:15:15 | |
# And walk away... # | 0:15:15 | 0:15:17 | |
Mary asked if I'd cover the hostess stand | 0:15:17 | 0:15:20 | |
a couple of nights this week, so I could be kinda late. | 0:15:20 | 0:15:24 | |
Do you wanna...talk about anything? | 0:15:27 | 0:15:30 | |
I got nothin'. | 0:15:31 | 0:15:33 | |
# Such a lonely day | 0:15:35 | 0:15:40 | |
# And it's mine | 0:15:40 | 0:15:43 | |
# It's a day that I'm glad | 0:15:43 | 0:15:44 | |
# I survived. # | 0:15:44 | 0:15:49 | |
CLANGING OUTSIDE | 0:15:54 | 0:15:56 | |
Whoa! | 0:16:00 | 0:16:02 | |
VOICES OUTSIDE | 0:16:02 | 0:16:06 | |
DOORBELL CHIMES | 0:16:40 | 0:16:42 | |
DOORBELL CHIMES Oof! | 0:16:48 | 0:16:50 | |
Yeah, I'm coming! God. | 0:16:50 | 0:16:55 | |
Yeah? | 0:16:55 | 0:16:58 | |
Oh, shit! Agh! Oh! | 0:16:58 | 0:17:01 | |
Agh! Agh! | 0:17:02 | 0:17:04 | |
Agh! | 0:17:05 | 0:17:08 | |
It's dog shit. GIGGLING | 0:17:09 | 0:17:12 | |
What a retard! | 0:17:13 | 0:17:17 | |
-Bastards. Think that's funny?! -What are you gonna do?! Kill us, | 0:17:17 | 0:17:22 | |
-like you killed your teacher?! -Not before I shove this shit | 0:17:22 | 0:17:25 | |
-and my foot back up your asses! -Oh, crap! | 0:17:25 | 0:17:29 | |
-Dude, you said he couldn't leave his house! -He can't! | 0:17:31 | 0:17:35 | |
TAG BEEPS Oh, shit. | 0:17:36 | 0:17:39 | |
Oh, shit. Oh, shit, shit, shit, shit! Turn green! Turn green! | 0:17:39 | 0:17:44 | |
OK, OK, here we are! I'm back at home! I'm good! Turn green! Come on! | 0:17:44 | 0:17:49 | |
Come on! Turn green, I'm in! Turn green! Come on! | 0:17:49 | 0:17:53 | |
Yes! Yes! Yes! | 0:17:57 | 0:18:01 | |
Whoo! | 0:18:01 | 0:18:03 | |
-Hey, are you OK?! -No, it's fine! | 0:18:04 | 0:18:08 | |
I'm fine! It turned! I'm green! | 0:18:08 | 0:18:11 | |
SIREN WAILS | 0:18:14 | 0:18:16 | |
No, no, no. Sir, listen. Officer, listen to me. | 0:18:16 | 0:18:20 | |
I wasn't trying to go anywhere. There's a bag of shit on my stairs. | 0:18:20 | 0:18:24 | |
Two kids just... Honestly, | 0:18:24 | 0:18:26 | |
they put a bag of shit on my stairs and they lit it on fire. | 0:18:26 | 0:18:29 | |
-Get down on the ground. -There's a bag... -On the ground! | 0:18:29 | 0:18:33 | |
Get your hands behind your head. | 0:18:33 | 0:18:35 | |
-Somebody comes and shits on my house? -Face down, face down. | 0:18:36 | 0:18:40 | |
-This is bullshit. -Give me your other hand. | 0:18:40 | 0:18:43 | |
'The officers were probably in the neighbourhood.' | 0:18:58 | 0:19:01 | |
But the cop that came is my teacher's cousin. They're related. | 0:19:01 | 0:19:04 | |
Isn't that a conflict of interest? | 0:19:04 | 0:19:06 | |
-'He didn't haul you away, right?' -No. No, he didn't. | 0:19:06 | 0:19:09 | |
'Because first times happen. The officers knew that, | 0:19:09 | 0:19:12 | |
'even your teacher's cousin. But next time | 0:19:12 | 0:19:15 | |
-'you will be back in front of a judge.' -Thank you. | 0:19:15 | 0:19:18 | |
TAG BEEPS | 0:19:26 | 0:19:29 | |
# Ah-ha | 0:19:45 | 0:19:47 | |
# Shake | 0:19:47 | 0:19:49 | |
# Taper Jean girl with a motel face | 0:19:49 | 0:19:52 | |
# Ah-ha | 0:19:52 | 0:19:54 | |
# Shake | 0:19:54 | 0:19:56 | |
# Bury your eyes in a secret place | 0:19:56 | 0:19:59 | |
# Ah-ha | 0:19:59 | 0:20:01 | |
# Shake | 0:20:01 | 0:20:03 | |
# Black as night on a Sunday... # | 0:20:03 | 0:20:06 | |
DOG BARKS Hey, pup. Come here. | 0:20:06 | 0:20:10 | |
ELECTRICAL BUZZING AND DOG YELPS | 0:20:10 | 0:20:12 | |
Aaagh. | 0:20:12 | 0:20:13 | |
DOG WHIMPERS | 0:20:13 | 0:20:15 | |
-You and me, both. -Frankie! Where is he?! | 0:20:15 | 0:20:19 | |
Where is he?! Frankie! Where are you?! Frankie! | 0:20:19 | 0:20:23 | |
# Heartbreak | 0:20:30 | 0:20:34 | |
# Knockin' 'em down like the seventh grade... # | 0:20:34 | 0:20:37 | |
Mom? | 0:21:05 | 0:21:07 | |
THEY CHAT | 0:21:07 | 0:21:10 | |
-DOORBELL CHIMES -Aloha, Senor Kale! | 0:21:55 | 0:21:59 | |
Ronald! | 0:21:59 | 0:22:01 | |
-What's goin' on, bro? -Nothing. -How you doin'? -Oh, great. | 0:22:01 | 0:22:05 | |
-H-Have you been showering? -Of course. What is that? | 0:22:05 | 0:22:08 | |
-Macadamia nuts. -That's all you got me? | 0:22:08 | 0:22:11 | |
-I got something to show you. -No, I got something to show you. | 0:22:11 | 0:22:14 | |
This is reality without the TV. | 0:22:14 | 0:22:16 | |
There's a world right outside my window. Look, Mrs Pilch. | 0:22:16 | 0:22:21 | |
-And the Pilch dog. -Exciting(!) | 0:22:21 | 0:22:24 | |
No, no, no, wait, it's not done. Look, she says bye to the maid | 0:22:24 | 0:22:28 | |
they have at the house, who has a titty tat, you know. | 0:22:28 | 0:22:31 | |
Yeah. And then every Thursday at four she goes to the country club | 0:22:31 | 0:22:35 | |
and plays tennis with Betty Big-Bangs over there. The ladies leave. | 0:22:35 | 0:22:39 | |
-Here we go. Cue Mr Pilch, coming back from work. -Fascinating(!) | 0:22:39 | 0:22:43 | |
Here we go. Look at this. What do you think that's about? | 0:22:43 | 0:22:46 | |
He comes in. Here, take this. Look at the top, second storey. | 0:22:46 | 0:22:51 | |
Who's there? | 0:22:51 | 0:22:53 | |
-Damn! -Right? You see what I'm saying? Here, come on. | 0:22:53 | 0:22:56 | |
-Ronnie, let's go. -Yeah, yeah, I'm coming. | 0:22:56 | 0:22:59 | |
Oh, my God, you've made the Tower of Twinkie! | 0:22:59 | 0:23:03 | |
-Is that in the Stalker's Handbook somewhere? -I'm not a stalker. | 0:23:03 | 0:23:07 | |
These are just simple observations, | 0:23:07 | 0:23:10 | |
-natural side effects of chronic boredom. -Find your passion. | 0:23:10 | 0:23:13 | |
This is, er, Robert Turner. And... He does that about twice a day. | 0:23:13 | 0:23:18 | |
Here's the little shitbagger sleeper cell I was telling you about. | 0:23:18 | 0:23:22 | |
-The ding-dong ditch? -Yeah. -So, what's the plan | 0:23:22 | 0:23:25 | |
-for the counterattack? -I don't know. | 0:23:25 | 0:23:28 | |
-The runt is mine. -Here, come on. | 0:23:28 | 0:23:31 | |
SPLASHING OUTSIDE | 0:23:31 | 0:23:33 | |
-What was that? -Here, come on. | 0:23:33 | 0:23:36 | |
Last stop on the tour. | 0:23:37 | 0:23:40 | |
Here, come here. Come here. | 0:23:41 | 0:23:43 | |
Oh, my God! | 0:23:46 | 0:23:48 | |
Oh! | 0:23:50 | 0:23:53 | |
There is a God! | 0:23:54 | 0:23:57 | |
Yeah. | 0:23:57 | 0:24:00 | |
-Who is she? -I don't know. -What's stopping you? | 0:24:05 | 0:24:10 | |
RADIO BLARES | 0:24:28 | 0:24:30 | |
GRUNTS | 0:24:35 | 0:24:37 | |
Come on. | 0:24:40 | 0:24:42 | |
HE GRUNTS | 0:24:42 | 0:24:44 | |
Oh! Agh! Shit. | 0:24:45 | 0:24:48 | |
Oh, God. | 0:24:48 | 0:24:51 | |
-Can I help you? -No, no, no. I'm fine, I got it. | 0:24:51 | 0:24:53 | |
I got it. It's just the bush has grown a little bit. | 0:24:53 | 0:24:56 | |
-Don't worry about it. I do this all the time. -I can tell. | 0:24:56 | 0:25:01 | |
I got these two. A little embarrassing, | 0:25:01 | 0:25:04 | |
-I can't get my own mail. -I think any pride you had left | 0:25:04 | 0:25:07 | |
-was gone a while ago. -You mean when the cops came? | 0:25:07 | 0:25:10 | |
No, no, no. That was a screw-up on their end. Wrong guy, | 0:25:10 | 0:25:13 | |
wrong house, wrong... | 0:25:13 | 0:25:16 | |
Wrong. Just wrong. I'm Kale, by the way. | 0:25:16 | 0:25:18 | |
-So, h-how's your move going? -Still going. | 0:25:21 | 0:25:24 | |
Yeah? I'd help, I'm just a little spatially challenged at the moment. | 0:25:24 | 0:25:27 | |
-Yeah, you got that Martha Stewart thing going on. -Kinda, | 0:25:27 | 0:25:31 | |
except I don't get, like, a 48-hour allowance for office visits. | 0:25:31 | 0:25:34 | |
I'm not very good at decorating pastries, either. | 0:25:34 | 0:25:37 | |
-So, where'd you say you moved from? -The city. -The city? | 0:25:37 | 0:25:40 | |
-And now forcefully relocated. -Hm. | 0:25:40 | 0:25:44 | |
Ashley? | 0:25:44 | 0:25:47 | |
Can you come in here, please? | 0:25:47 | 0:25:49 | |
-My mom. -Hm. | 0:25:49 | 0:25:52 | |
-SHE CHATS ON PHONE -She's really polite and always says please | 0:25:52 | 0:25:55 | |
-but she has that tone, did you notice? -Yeah, I know the tone. | 0:25:55 | 0:26:00 | |
-I'm Ashley, by the way. -I noticed that, too. | 0:26:00 | 0:26:04 | |
'Japan's earning season will go into...' | 0:26:12 | 0:26:15 | |
'A valet parking attendant says an unidentified person | 0:26:15 | 0:26:19 | |
'picked up Williams between 10:00 and 10:30pm. | 0:26:19 | 0:26:22 | |
'That individual was driving a blue Ford Mustang, | 0:26:22 | 0:26:25 | |
'which may have been dented on the left side. Police have...' | 0:26:25 | 0:26:29 | |
MOBILE PHONE BEEPS | 0:26:29 | 0:26:32 | |
SWITCHES TV OFF | 0:26:37 | 0:26:39 | |
CRICKETS SING | 0:26:41 | 0:26:43 | |
Started without me, huh? | 0:26:51 | 0:26:53 | |
Nice. | 0:26:57 | 0:27:00 | |
What are you stopping for? | 0:27:01 | 0:27:03 | |
No. | 0:27:08 | 0:27:11 | |
You can't see me, it's too dark in here. | 0:27:18 | 0:27:21 | |
You've done it. You've pushed me right over the edge. | 0:27:26 | 0:27:30 | |
Just look at me when I talk to you! Now, listen. | 0:27:30 | 0:27:34 | |
-You've let me down, Ashley! -Daddy! | 0:27:34 | 0:27:37 | |
GAME NOISES | 0:28:36 | 0:28:39 | |
CAR ENGINE RUMBLES | 0:28:43 | 0:28:46 | |
A Mustang. | 0:28:56 | 0:28:59 | |
-SCREAMS Oh, Jesus. -I'm sorry. | 0:30:01 | 0:30:05 | |
-I thought you heard me. I'm sorry. -It's fine. | 0:30:05 | 0:30:08 | |
-I didn't hear you. -I'm sorry. -It's fine. | 0:30:08 | 0:30:11 | |
-What are you doing? -Just staring out the window, staring at the wind. | 0:30:11 | 0:30:15 | |
You know...getting creative. | 0:30:15 | 0:30:17 | |
-Well, I just wanted to say good night. -Well, good night. I love you. | 0:30:17 | 0:30:21 | |
-I love you. -OK. Sleep good. | 0:30:21 | 0:30:23 | |
Jesus, Ma. | 0:30:23 | 0:30:26 | |
LAWN MOWER RATTLES | 0:30:45 | 0:30:47 | |
LAWN MOWER STOPS | 0:31:12 | 0:31:15 | |
Hey. What are you doing? | 0:31:15 | 0:31:19 | |
What are you doing? | 0:31:21 | 0:31:23 | |
Looking at my garden? | 0:31:24 | 0:31:26 | |
Is that it? You looking at my beautiful garden? | 0:31:26 | 0:31:30 | |
Well, I caught you now. | 0:31:33 | 0:31:36 | |
I got you. | 0:31:36 | 0:31:38 | |
RELIEVED SIGH | 0:31:40 | 0:31:43 | |
Yeah, you're not gonna dig in my garden any more. | 0:31:43 | 0:31:47 | |
Nothing about missing bunnies, but listen to this. | 0:31:49 | 0:31:52 | |
The circumstances surrounding the girl's disappearance | 0:31:52 | 0:31:55 | |
are similar to several murder-kidnappings in Austin | 0:31:55 | 0:31:58 | |
three years ago. All redheads. | 0:31:58 | 0:32:01 | |
-SHE SHOUTS ON PHONE -They didn't catch the guy | 0:32:01 | 0:32:04 | |
but they found seven chicks' bodies in a house | 0:32:04 | 0:32:07 | |
a year after the alleged killer abandoned the property. | 0:32:07 | 0:32:10 | |
No leads, no way of IDing whoever lived there | 0:32:10 | 0:32:13 | |
cos he used a fake name. | 0:32:13 | 0:32:17 | |
Hello. | 0:32:17 | 0:32:19 | |
Oh, here, check this. They got pictures. Wow, that is sick. | 0:32:19 | 0:32:24 | |
Movement. | 0:32:24 | 0:32:26 | |
-We're going swimming. -OK. | 0:32:26 | 0:32:28 | |
What do we have? | 0:32:28 | 0:32:31 | |
-Well, better late than never, right? -Mm-hm. | 0:32:32 | 0:32:36 | |
Here we go. Here we go. | 0:32:36 | 0:32:38 | |
I really, really like your neighbourhood. | 0:32:39 | 0:32:43 | |
-Well, that's new. -We like new. | 0:32:47 | 0:32:50 | |
It's so warm, baby. | 0:32:54 | 0:32:58 | |
-OK, that's it. Cleansing breath. Can I, er...? -Yeah. | 0:32:58 | 0:33:03 | |
OK. Oh, there we go. | 0:33:03 | 0:33:06 | |
OK, girl, you concentrate now. | 0:33:06 | 0:33:09 | |
-This is for the gold. -BANGS AGAINST GLASS | 0:33:09 | 0:33:11 | |
Oh, God! | 0:33:11 | 0:33:13 | |
You're a jackass. You are a genuine jackass. | 0:33:15 | 0:33:18 | |
-There's no way she heard that. -She heard. My deaf aunt in Omaha heard. | 0:33:18 | 0:33:22 | |
-Oh, no! -What? -She just saw me. She saw me. | 0:33:31 | 0:33:35 | |
-What? -Yeah, she saw me. | 0:33:35 | 0:33:37 | |
-Yeah, she saw me. -There's no way she... | 0:33:37 | 0:33:39 | |
-OK, maybe she did. -Really? -Are her swims always that short? | 0:33:39 | 0:33:44 | |
No, she usually takes her time with it. That's what I'm telling you. | 0:33:44 | 0:33:48 | |
-Oh, God. -And now she's gone. | 0:33:52 | 0:33:55 | |
DOORBELL CHIMES No. | 0:33:55 | 0:33:59 | |
-It's not her. -It could be her. | 0:33:59 | 0:34:01 | |
-It's not... OK, we'll check. We'll check. -No, if it's not her, | 0:34:01 | 0:34:05 | |
-then, you can let them go away. -It's her at the door. | 0:34:05 | 0:34:09 | |
It's her at the door. | 0:34:09 | 0:34:11 | |
-DOORBELL CHIMES -No! Shit! | 0:34:11 | 0:34:13 | |
OK, OK, OK. Ssh, ssh, ssh, ssh! Stop it. OK. | 0:34:13 | 0:34:19 | |
We are so busted. No, no, no! Wait! Don't answer it! | 0:34:19 | 0:34:22 | |
I have to. She knows I'm here, I got the thing on my foot. | 0:34:22 | 0:34:25 | |
DOORBELL CHIMES | 0:34:26 | 0:34:28 | |
-Hi. -What took you so long? | 0:34:30 | 0:34:32 | |
What? Oh, er, we were upstairs playing. | 0:34:32 | 0:34:37 | |
-Video games. -Yeah, video games. This is my friend, Ronnie. | 0:34:37 | 0:34:41 | |
-Ronald. Say hi, Ronald. -H-Hi, Ronald. | 0:34:41 | 0:34:45 | |
(You're so stupid.) So, what brings you here? | 0:34:45 | 0:34:48 | |
-To my house? -Oh, I got locked out. -Oh, that...sucks. | 0:34:48 | 0:34:53 | |
It's a tragedy. | 0:34:53 | 0:34:55 | |
So, you gotta call someone? | 0:34:56 | 0:34:59 | |
No, I'd rather stay stranded, if you don't mind. | 0:35:00 | 0:35:04 | |
Video games, huh? I like to play. | 0:35:04 | 0:35:06 | |
-Is this your room? -It's a little messy, OK? | 0:35:10 | 0:35:13 | |
-A little? -Yeah. | 0:35:14 | 0:35:17 | |
-Anything interesting out here? -Huh? The, er... | 0:35:18 | 0:35:23 | |
Erm... OK. | 0:35:23 | 0:35:25 | |
Er... | 0:35:25 | 0:35:27 | |
I'm sorry, what did you say? I didn't hear you. | 0:35:29 | 0:35:32 | |
Are you spying on the neighbours, Kale? | 0:35:32 | 0:35:35 | |
Actually, he is. Erm, you see, he's got this neighbour, | 0:35:35 | 0:35:39 | |
who I guess, by definition, would also be your neighbour, | 0:35:39 | 0:35:42 | |
-who may be a cold-blooded killer from Texas. -Right. | 0:35:42 | 0:35:45 | |
-Well, he's from Austin. -Is that so? | 0:35:45 | 0:35:48 | |
-Yeah. -Exhibit A, Robert Turner. Yeah. | 0:35:48 | 0:35:52 | |
-Yeah, I've seen him. So? -So, erm... | 0:35:52 | 0:35:56 | |
Well, so, the missing girl from Madison? | 0:35:56 | 0:35:59 | |
-O-On the news. -You think he has something to do with that? | 0:35:59 | 0:36:02 | |
-His car is like the one she was seen in. -A Mustang. | 0:36:02 | 0:36:05 | |
-A Mustang. -Same colour. -It's the same colour. -Yeah. | 0:36:05 | 0:36:08 | |
-Gee, that really narrows it down(!) -Well, you know, the news said | 0:36:08 | 0:36:11 | |
-that car was dented. -And his fender is dented. | 0:36:11 | 0:36:14 | |
-Yeah. -Right? | 0:36:14 | 0:36:16 | |
It's cohesive. | 0:36:16 | 0:36:18 | |
-It matches. The whole story. -It fits. | 0:36:18 | 0:36:22 | |
OK. | 0:36:22 | 0:36:24 | |
-I am seeing the Mustang. -Uh-huh? | 0:36:27 | 0:36:31 | |
But no bashed-in Fender. | 0:36:31 | 0:36:34 | |
What? Yeah, no, it's there. It's there. If I could just... | 0:36:34 | 0:36:37 | |
It should be there. | 0:36:38 | 0:36:41 | |
That's weird. How'd he get it fixed so fast? | 0:36:42 | 0:36:44 | |
Maybe cos it was never there in the first place. | 0:36:44 | 0:36:48 | |
However, he is clearly a pack rat. | 0:36:49 | 0:36:52 | |
He plays volleyball. | 0:36:53 | 0:36:56 | |
-He collects skulls! -What? Here, let me see. | 0:36:56 | 0:37:00 | |
-A longhorn skull. You know what state's famous for longhorns. -Texas. | 0:37:04 | 0:37:08 | |
-And what state's the killer from? -Texas. -Hmmm. | 0:37:08 | 0:37:11 | |
Fine. Where's the coffee and doughnuts? | 0:37:11 | 0:37:13 | |
You can't have a stakeout without coffee and doughnuts. | 0:37:16 | 0:37:19 | |
That's everything I could find. Erm, I got most of it off my uncle. | 0:37:23 | 0:37:26 | |
He's a type-A sociopath. | 0:37:26 | 0:37:29 | |
-How long has Turner lived there? -I don't know. A few years. | 0:37:29 | 0:37:32 | |
Hey, check this out. The victims they found in Texas | 0:37:32 | 0:37:36 | |
were preserved, delaying their decomposition. This guy was so sick. | 0:37:36 | 0:37:40 | |
They say their bodies were twisted and jammed | 0:37:40 | 0:37:43 | |
into the basement walls. This girl died from blunt trauma, | 0:37:43 | 0:37:47 | |
most likely blows to the head and face. Gnarly. | 0:37:47 | 0:37:50 | |
I'm hungry. Let's order pizza. | 0:37:51 | 0:37:55 | |
SNORES | 0:38:11 | 0:38:13 | |
-He's been gone a while. -Here. | 0:38:25 | 0:38:28 | |
How'd you get my phone? That's a big violation of privacy, you know. | 0:38:29 | 0:38:33 | |
This is... I could turn you in for this. | 0:38:33 | 0:38:36 | |
What did you do? | 0:38:37 | 0:38:38 | |
MOBILE PHONE PLAYS "ME SO HORNY" BY COUNTDOWN | 0:38:38 | 0:38:42 | |
Every time he calls you... | 0:38:42 | 0:38:45 | |
-..That's what you'll hear. -OK. | 0:38:45 | 0:38:47 | |
-That's a nice choice. -Cute. | 0:38:47 | 0:38:51 | |
-It's a little scary, though, right? -It could use a little colour. | 0:38:52 | 0:38:56 | |
Do you mind? | 0:38:56 | 0:38:58 | |
No. Go for it, Picasso. | 0:38:59 | 0:39:02 | |
So, er...why'd your parents drag you to the 'burbs, anyway? | 0:39:31 | 0:39:36 | |
Well, I guess my mom wanted to keep my dad on a shorter leash. | 0:39:37 | 0:39:41 | |
-Oh. -City life had its temptations. | 0:39:41 | 0:39:46 | |
But my mom pretty much cries just as much as she always did | 0:39:46 | 0:39:50 | |
and my dad doesn't care more than ever. | 0:39:50 | 0:39:54 | |
What'd they think, the extra bathroom would help? A two-car garage? | 0:39:54 | 0:39:58 | |
"Infidelity, forget about it. Look at the storage space." | 0:39:58 | 0:40:02 | |
Something like that. | 0:40:02 | 0:40:04 | |
So, what are your issues, Kale? | 0:40:07 | 0:40:09 | |
-What makes you think I have issues? -Gee, I don't know(!) | 0:40:11 | 0:40:15 | |
CAR ENGINE RUMBLES Look, there he is. | 0:40:16 | 0:40:20 | |
It's another car. | 0:40:26 | 0:40:28 | |
-Who said chivalry's dead? -I didn't. | 0:40:33 | 0:40:36 | |
-There's a club girl for you. -How can you tell? | 0:40:38 | 0:40:42 | |
The bright green bracelet is from The Place, | 0:40:42 | 0:40:45 | |
the red one is from The Komodo Club and yellow is from Razors. | 0:40:45 | 0:40:48 | |
-Jesus. You must have a great ID, huh? -I don't need one. | 0:40:48 | 0:40:53 | |
-I love her shoes. -You gotta be joking. | 0:40:53 | 0:40:58 | |
Is that what you're looking at? Shoes. | 0:40:58 | 0:41:02 | |
Of course. | 0:41:02 | 0:41:04 | |
He's going in. | 0:41:06 | 0:41:09 | |
-He's gonna get her all liquored up. -This feels wrong. | 0:41:09 | 0:41:12 | |
Oh, he's going for it. | 0:41:15 | 0:41:18 | |
-OK. Here he goes. Here he goes. -Denied. | 0:41:19 | 0:41:24 | |
The look on his face. | 0:41:26 | 0:41:28 | |
Oh. A little music to set the mood. | 0:41:31 | 0:41:35 | |
-What do you think they're listening to? -I don't know. | 0:41:35 | 0:41:38 | |
You know what? I got an idea. Here, take this. | 0:41:38 | 0:41:42 | |
-ROCK MUSIC PLAYS -No. -No? | 0:41:45 | 0:41:49 | |
-COUNTRY-AND-WESTERN MUSIC PLAYS -No. | 0:41:49 | 0:41:52 | |
-LOU RAWLS SINGS -Stop, stop. -No. | 0:41:52 | 0:41:55 | |
-Yeah. -You're kidding me. -I think we got a match. -Oh, God. | 0:41:55 | 0:41:59 | |
It does match. | 0:42:01 | 0:42:03 | |
Only in Disturbia. | 0:42:03 | 0:42:06 | |
Where else are you gonna get this kind of entertainment? | 0:42:06 | 0:42:09 | |
-Thank God you moved here, right? -Yeah. | 0:42:09 | 0:42:13 | |
Wait a minute. Did you see that? Wait, zoom in a little. | 0:42:20 | 0:42:25 | |
Oh, my God. | 0:42:35 | 0:42:38 | |
-The price tag. -She won't be returning that dress. | 0:42:53 | 0:42:58 | |
Oh, there you go. Now you should bust your move. | 0:43:04 | 0:43:07 | |
Oh, who's the redhead? She's cute. | 0:43:11 | 0:43:14 | |
-Don't you have something to do? -Huh? -Don't you have something to do? -No. | 0:43:14 | 0:43:18 | |
-Your... -Oh. Er... | 0:43:18 | 0:43:21 | |
Yeah. My dad likes this song, by the way. | 0:43:21 | 0:43:24 | |
MOBILE PHONE PLAYS BEETHOVEN'S 5TH SYMPHONY | 0:43:28 | 0:43:32 | |
-Hi, Mom. -Here we go. | 0:43:35 | 0:43:38 | |
No, I'm fine. | 0:43:38 | 0:43:40 | |
I'm at Barnes & Noble. | 0:43:40 | 0:43:44 | |
No, that's OK, I'll walk. | 0:43:44 | 0:43:46 | |
Shift's over. Gotta go. | 0:43:47 | 0:43:50 | |
-Walk me? -Sure. | 0:43:51 | 0:43:55 | |
Give this to your mom. | 0:43:55 | 0:43:58 | |
Thank you for an interesting night...and day. | 0:44:00 | 0:44:04 | |
-I guess this is as far as you go. -I guess so. | 0:44:09 | 0:44:13 | |
So, same shift tomorrow? | 0:44:18 | 0:44:20 | |
I'll get back to you. | 0:44:25 | 0:44:28 | |
No, no, no, no, no, no! | 0:44:49 | 0:44:51 | |
Somebody, anybody. | 0:44:57 | 0:45:00 | |
Somebody, anybody. | 0:45:01 | 0:45:04 | |
GIGGLING | 0:45:08 | 0:45:11 | |
Hello, boys. | 0:45:13 | 0:45:15 | |
Family fun night. | 0:45:21 | 0:45:23 | |
Oh, OK. I see what's going on. | 0:45:24 | 0:45:27 | |
MOTHER SHOUTS Oh, you guys are screwed now. | 0:45:27 | 0:45:32 | |
"We're just watching cartoons." "Oh, OK, sweetie. I understand. | 0:45:32 | 0:45:37 | |
"You guys are growing boys." | 0:45:37 | 0:45:40 | |
Come on, Mom. | 0:45:41 | 0:45:43 | |
Wow, they are horny as shit. | 0:45:47 | 0:45:50 | |
Help! Help! | 0:45:50 | 0:45:54 | |
SHE SCREAMS | 0:46:11 | 0:46:13 | |
Shit. | 0:46:26 | 0:46:28 | |
Oh, shit! | 0:46:32 | 0:46:35 | |
OK. | 0:46:47 | 0:46:50 | |
MOBILE PHONE PLAYS "ME SO HORNY" BY COUNTDOWN | 0:47:24 | 0:47:29 | |
-Ronnie. -'How far did you get?' -Ronnie, Turner just saw me. | 0:47:29 | 0:47:33 | |
-'What?' -Yeah. And the redhead who was at his house, OK? | 0:47:33 | 0:47:36 | |
-'Are you sure?' -He chased her around the house and turned the lights out. | 0:47:36 | 0:47:40 | |
I mean, I don't know what I saw. Well, what if he killed her? | 0:47:40 | 0:47:43 | |
DOOR SLAMS | 0:47:43 | 0:47:44 | |
'Slow down, slow down. Talk to me. What is happening?' | 0:47:44 | 0:47:47 | |
-Just stay on the phone. -'Kale?' -(OK, just stay on the phone.) | 0:47:47 | 0:47:51 | |
'Are you seeing something?' | 0:47:54 | 0:47:56 | |
-CAR ENGINE STARTS -'Kale, what is happening? | 0:47:59 | 0:48:03 | |
'Talk to me, man.' | 0:48:05 | 0:48:07 | |
It's the redhead. She's leaving the house. | 0:48:08 | 0:48:11 | |
'You are seriously losing it, you know that? | 0:48:11 | 0:48:15 | |
'You gotta stop this, all right, Kale? | 0:48:15 | 0:48:17 | |
'Kale?' | 0:48:18 | 0:48:20 | |
GASPS | 0:48:29 | 0:48:31 | |
No, no, no, no! Whoa. Whoa. Just take it easy. | 0:49:00 | 0:49:04 | |
Easy. Slow down. I'm Robert Turner. I'm your neighbour. | 0:49:04 | 0:49:08 | |
-I know who you are! What are you doing in my house?! -Well, I... | 0:49:08 | 0:49:12 | |
-Morning, honey! -I think I startled him. | 0:49:12 | 0:49:15 | |
I ran into Robert at the grocery store. | 0:49:15 | 0:49:19 | |
I had a flat tyre. We tried to change it | 0:49:19 | 0:49:22 | |
-but that adaptor thingamajiggy... -Dad put those bolts on. | 0:49:22 | 0:49:25 | |
-Well, it did not work, it stripped it. -My fault. | 0:49:25 | 0:49:28 | |
No. You saved my life. | 0:49:28 | 0:49:30 | |
-Oh... -We had it towed to Frank's. | 0:49:30 | 0:49:34 | |
Oh, yeah? Thank God you were there, huh? To tow it to Frank's. | 0:49:34 | 0:49:37 | |
-Just glad I could help. -Kale, use a bread knife. | 0:49:37 | 0:49:40 | |
-It's a knife. What's the difference? -About 60 bucks at Bed Bath. | 0:49:40 | 0:49:44 | |
Oh, hey, you know, I've always been curious about those things. | 0:49:47 | 0:49:51 | |
-Do you mind if I just take a look? -Yeah, I mind. | 0:49:51 | 0:49:54 | |
-What'd you do? -How do you like your coffee? | 0:49:55 | 0:49:58 | |
I popped my Spanish teacher. | 0:49:58 | 0:50:00 | |
Cafe con leche, por favour. | 0:50:00 | 0:50:04 | |
Shoot, I think I left the milk in the car. Be right back. | 0:50:04 | 0:50:08 | |
So, when you say that you... popped your teacher...? | 0:50:21 | 0:50:26 | |
Yeah, I punched him in the face. | 0:50:26 | 0:50:28 | |
Listen... I get it. | 0:50:30 | 0:50:34 | |
I went to school. | 0:50:34 | 0:50:36 | |
There are plenty of teachers I wanted to just...kill. | 0:50:37 | 0:50:43 | |
Kale, would you grab the sugar, please? | 0:50:45 | 0:50:48 | |
-Here it is. -Can I pour you some milk? | 0:50:51 | 0:50:55 | |
Si. | 0:50:55 | 0:50:58 | |
-Your mom was saying how much she likes eating out. -Was she? | 0:50:58 | 0:51:02 | |
-Oh. -I thought maybe we could do dinner and a movie sometime. | 0:51:02 | 0:51:05 | |
-That's not gonna happen. -I would like that. -For me. | 0:51:05 | 0:51:10 | |
For me it's not gonna happen but I'm sure my mother would love to go. | 0:51:10 | 0:51:13 | |
-Why don't we sit down? -Nice meeting you. | 0:51:13 | 0:51:16 | |
-He is something. -Yes, he really is something. | 0:51:20 | 0:51:25 | |
And so is your place. | 0:51:25 | 0:51:27 | |
-Ooh, that's creepy! -The guy's a freak show, right? | 0:51:27 | 0:51:30 | |
Did he genuinely mean it was nice meeting you | 0:51:30 | 0:51:33 | |
or was he sending you some kind of sinister message? | 0:51:33 | 0:51:37 | |
-Are you playing with me? -A little. | 0:51:37 | 0:51:39 | |
-Did you even notice my hair? -Yeah, no, it's nice. It's real nice. | 0:51:41 | 0:51:44 | |
OK, there's the Mustang, the longhorn skull in his garage | 0:51:44 | 0:51:47 | |
and the club girl. She looked freaked out. | 0:51:47 | 0:51:50 | |
She was running around half-naked. Then he challenges me. | 0:51:50 | 0:51:54 | |
He stares at me. He shows up in my kitchen, hits on my mother. | 0:51:54 | 0:51:58 | |
Can you blame him? Your mom's hot. | 0:51:58 | 0:52:02 | |
-Can you be serious? -Did you consider whatever look that girl had | 0:52:02 | 0:52:05 | |
might have been something else? | 0:52:05 | 0:52:07 | |
Maybe she likes being chased around half-naked. | 0:52:07 | 0:52:11 | |
And that's it? That's what you're leaving me with? | 0:52:13 | 0:52:16 | |
-I'm going to a party. -Whose? -Mine. -Yours? | 0:52:16 | 0:52:21 | |
You're having a...? I didn't know you knew anyone. | 0:52:21 | 0:52:25 | |
-I met this girl today, Minnie Tyco. -Yes, Skinny Psycho. | 0:52:25 | 0:52:28 | |
-Yeah, she's fun(!) -I told her my parents were going out of town | 0:52:28 | 0:52:32 | |
and one thing led to another. She called somebody, | 0:52:32 | 0:52:35 | |
-then they called somebody and now everybody's coming. -So you got | 0:52:35 | 0:52:38 | |
the whole jock and bimbo population showing up? That'll be fun(!) | 0:52:38 | 0:52:42 | |
You're really going through with this? | 0:52:43 | 0:52:48 | |
Yes. | 0:52:48 | 0:52:50 | |
All right, well, that'll be fun. | 0:52:51 | 0:52:53 | |
I just didn't think you would conform so fast, but... | 0:52:53 | 0:52:56 | |
Try to keep those in your drawers tonight, will ya? | 0:52:57 | 0:53:01 | |
RAP MUSIC BLARES FROM HOUSE | 0:53:04 | 0:53:08 | |
Wait, what was that? Oh, you think I'm watching you. | 0:53:21 | 0:53:26 | |
Well, I'm not. I'm not watching. I'm minding my own business. | 0:53:26 | 0:53:30 | |
Hey, how are you? | 0:53:37 | 0:53:40 | |
All right, that's it. That's it! | 0:53:49 | 0:53:52 | |
MUSIC: "Next To You" by Buckcherry | 0:53:52 | 0:53:54 | |
# Comin' to you, honey on the east side runnin' | 0:53:58 | 0:54:00 | |
# And I ain't got time to waste | 0:54:00 | 0:54:03 | |
# Jump into the car in the back seat lovin' | 0:54:03 | 0:54:05 | |
# But you keepin' me on the chase | 0:54:05 | 0:54:07 | |
# I've been tryin' all night long | 0:54:07 | 0:54:09 | |
# I put up with your favourite songs all night... # | 0:54:09 | 0:54:14 | |
MUSIC: "Lovin' You" by Minnie Riperton | 0:54:14 | 0:54:17 | |
KALE'S MUSIC DROWNS OUT PARTY MUSIC | 0:54:17 | 0:54:20 | |
Oh, my God! | 0:54:22 | 0:54:26 | |
DOORBELL CHIMES | 0:54:39 | 0:54:41 | |
-You don't like Minnie Riperton? -Fire! | 0:54:45 | 0:54:48 | |
-Oh! -I hit him, you guys! | 0:54:48 | 0:54:50 | |
-Go, you guys! -I got you now, Greenwood! | 0:54:50 | 0:54:55 | |
You better not be listed! | 0:54:55 | 0:54:58 | |
Big tactical error, my friend. Huge! | 0:55:01 | 0:55:04 | |
What the...?! | 0:55:09 | 0:55:12 | |
What are you doing here? Huh? | 0:55:12 | 0:55:14 | |
Oh! No! TURNS OFF MUSIC | 0:55:15 | 0:55:18 | |
What's wrong? You don't like my music? | 0:55:19 | 0:55:22 | |
-KALE'S MUSIC STARTS UP AGAIN -Oh, my God. | 0:55:25 | 0:55:29 | |
What? TURNS OFF MUSIC | 0:55:29 | 0:55:31 | |
Oh, shit! Hold on. | 0:55:31 | 0:55:32 | |
-Back off or I will throw this where you can't follow. -Relax! | 0:55:32 | 0:55:36 | |
-That's 60 gigs of my life. -Even better. What are you doing? | 0:55:36 | 0:55:40 | |
-What are you doing? -Trying to enjoy my party. | 0:55:40 | 0:55:42 | |
-Oh, really? OK. -Oh, no, that's wrong. | 0:55:42 | 0:55:45 | |
-I'm trying to conform. -You could have fooled me. | 0:55:45 | 0:55:48 | |
-What? -If you're trying to enjoy your party, enjoy your party. | 0:55:48 | 0:55:52 | |
Don't keep looking up, trying to get a rise out of me. | 0:55:52 | 0:55:55 | |
So you were watching me. But for how long? Just tonight? | 0:55:55 | 0:55:59 | |
A week? Two weeks? Since I moved in? | 0:55:59 | 0:56:02 | |
What have you been keeping tabs on, Kale? Huh? | 0:56:03 | 0:56:07 | |
What else have you seen? | 0:56:07 | 0:56:09 | |
-What else have I seen? -Yeah. What else? -Well... | 0:56:09 | 0:56:13 | |
..I've seen a lot. I mean, not like that. | 0:56:15 | 0:56:18 | |
Not... I mean... | 0:56:18 | 0:56:21 | |
For instance, I've seen that you're...maybe one of | 0:56:21 | 0:56:26 | |
three people in the world that likes pizza-flavoured chips. | 0:56:26 | 0:56:30 | |
You're also the only person I've ever seen | 0:56:30 | 0:56:33 | |
that spends more time on the roof of her house than in her house. | 0:56:33 | 0:56:37 | |
What are you doing? You're reading. Books. You know, not Us Weekly | 0:56:37 | 0:56:42 | |
or Seventeen or, you know, but you're reading substantial books. | 0:56:42 | 0:56:47 | |
You also do this, er... | 0:56:47 | 0:56:49 | |
You do this thing where, it's like an OCD thing but it's not, | 0:56:49 | 0:56:52 | |
it's... When you're leaving your room, you grab the door knob | 0:56:52 | 0:56:56 | |
and you turn, you're getting ready to leave but you don't, you stop, | 0:56:56 | 0:56:59 | |
you back up, turn to the mirror and you stare at yourself. | 0:56:59 | 0:57:03 | |
But it's not like a "I'm so hot" type of stare, | 0:57:03 | 0:57:06 | |
you know, it's more like... "Who am I really?" | 0:57:06 | 0:57:11 | |
And to ask yourself that, I mean, that's... | 0:57:12 | 0:57:17 | |
..that's so cool. | 0:57:18 | 0:57:20 | |
Also, you look out the window all the time, like I do, | 0:57:22 | 0:57:26 | |
only you're looking at the world, you know. | 0:57:26 | 0:57:29 | |
Trying to figure it out. Trying to understand the world. | 0:57:30 | 0:57:33 | |
Trying to figure out why it's not in order, like your books. | 0:57:33 | 0:57:37 | |
I'm... I'm only looking at you. | 0:57:44 | 0:57:48 | |
That's either the creepiest... | 0:57:55 | 0:57:57 | |
..or the sweetest thing I have ever heard. | 0:58:00 | 0:58:03 | |
# So don't make me wait, honey | 0:58:05 | 0:58:10 | |
# Don't make me say it out loud | 0:58:10 | 0:58:15 | |
# Don't hesitate, no, honey... # | 0:58:15 | 0:58:20 | |
Remember the other night? When we talked about my issues? | 0:58:23 | 0:58:26 | |
-You said you didn't have issues. -Did I? -Mm-hm. | 0:58:28 | 0:58:32 | |
That was bullshit. I got a million issues. | 0:58:32 | 0:58:36 | |
For a guy who killed his teacher? | 0:58:39 | 0:58:42 | |
I didn't kill my teacher. | 0:58:42 | 0:58:45 | |
CLATTERING | 0:58:46 | 0:58:48 | |
CLATTERING OUTSIDE What? | 0:58:54 | 0:58:57 | |
-Holy shit! -What? | 0:59:06 | 0:59:09 | |
-What's in the bag? -Oh, my God. -What? | 0:59:13 | 0:59:16 | |
Hm? What'd you see? | 0:59:17 | 0:59:21 | |
-Red smears. -Blood? | 0:59:21 | 0:59:24 | |
What should we do? | 0:59:26 | 0:59:28 | |
'I can't believe you want me to break into this guy's car.' | 0:59:28 | 0:59:31 | |
We need to see what's in the blue bag, so get in the car. | 0:59:31 | 0:59:35 | |
'And I'm still in the clear?' | 0:59:35 | 0:59:38 | |
-Ashley, where's Turner now? -He's...shovel shopping. | 0:59:38 | 0:59:42 | |
Visual coming your way. | 0:59:47 | 0:59:49 | |
'Are you sure I'm clear?' | 0:59:49 | 0:59:52 | |
-Yeah, you're golden, man. He's still in the store. -'OK, here we go.' | 0:59:52 | 0:59:57 | |
MOBILE-PHONE CAMERA SHUTTER CLICKS | 1:00:04 | 1:00:07 | |
-Well, that's pretty cool. -'What are you talking about?' | 1:00:08 | 1:00:11 | |
Ashley's got, like, a live feed going here. | 1:00:11 | 1:00:14 | |
-'This is hard.' -You're doing great, man. You're doing great. | 1:00:23 | 1:00:28 | |
-SCREAMS -Ashley! | 1:00:45 | 1:00:48 | |
-Hi! -Hi, Skinny... Minnie. | 1:00:48 | 1:00:52 | |
Where did you hear that name? | 1:00:54 | 1:00:58 | |
-Hello? Ashley? -'Sonofabitch. I'm in.' | 1:00:58 | 1:01:01 | |
There you go! Start looking around. Look under the seat, too. | 1:01:01 | 1:01:04 | |
-In side compartments, glove box. -'It's not here, dawg.' | 1:01:04 | 1:01:07 | |
Nothin'? All right, keep lookin'. Hold on. | 1:01:07 | 1:01:11 | |
-Yes. -Kale, I lost Turner! | 1:01:11 | 1:01:14 | |
-I ran into Skinny Psycho. -When's the last time you saw him? | 1:01:14 | 1:01:19 | |
-About five minutes ago. His car's gone. -All right, hold on. Ronnie. | 1:01:19 | 1:01:23 | |
-'I found his opener!' -Pop it open and give me the code, OK? | 1:01:23 | 1:01:28 | |
-'I can just open the garage.' -No! Just give me the code. | 1:01:28 | 1:01:32 | |
-'Why do you sound so agitated?!' -Turner's coming home right now, | 1:01:32 | 1:01:37 | |
-that's why I'm agitated. Read me the code. -'What?!' | 1:01:37 | 1:01:40 | |
-'Oh, no, no, no! Operation Stupid is over.' -No! Ronald, no! | 1:01:40 | 1:01:45 | |
Stop right there, turn around and give me the code! | 1:01:45 | 1:01:49 | |
Pop it open and go. Pop it open and give it to me, Ronald. | 1:01:49 | 1:01:52 | |
'I can't get this... It's not opening!' | 1:01:52 | 1:01:55 | |
Keep trying. Hello? | 1:01:55 | 1:01:57 | |
-Get Ronnie out of there! -The code, he's giving it to me now. | 1:01:57 | 1:02:00 | |
-Well, tell him to hurry. Shit! -'OK, OK, OK!' | 1:02:00 | 1:02:04 | |
-Hello? Ronald, go. -'Are you ready? It's, erm, one down.' | 1:02:04 | 1:02:08 | |
Miss Carlson. | 1:02:08 | 1:02:11 | |
Kale. | 1:02:11 | 1:02:13 | |
-Uh-huh. -'Three up, four up. | 1:02:13 | 1:02:15 | |
-'No, no, no. Sorry, I screwed that.' -Up? -'Four down.' | 1:02:15 | 1:02:19 | |
(Kale?) | 1:02:19 | 1:02:21 | |
Hi. | 1:02:21 | 1:02:23 | |
I'm Robert Turner. | 1:02:23 | 1:02:26 | |
I live behind you. | 1:02:26 | 1:02:29 | |
Oh, yeah. | 1:02:29 | 1:02:32 | |
-LOCKS CLICK SHUT -Would you mind? | 1:02:37 | 1:02:41 | |
It's just...a little rude. | 1:02:42 | 1:02:45 | |
-What are you doing? -Well, I'm...officially welcoming you | 1:02:47 | 1:02:52 | |
to the neighbourhood. | 1:02:52 | 1:02:54 | |
I know that you've been following me. | 1:02:56 | 1:02:59 | |
No, don't. | 1:02:59 | 1:03:02 | |
Don't deny it. | 1:03:02 | 1:03:05 | |
I'm not upset. And, quite frankly, I don't even want to know why. | 1:03:06 | 1:03:11 | |
I just would like you to know that, er... | 1:03:13 | 1:03:16 | |
..I'm a little on the shy side, | 1:03:18 | 1:03:20 | |
so, short of all this, er, sneaking around | 1:03:20 | 1:03:24 | |
in some kind of hip, | 1:03:24 | 1:03:26 | |
new-aged way | 1:03:26 | 1:03:29 | |
of coming on to a...somewhat older man... | 1:03:29 | 1:03:33 | |
..I really feel obliged to tell you | 1:03:35 | 1:03:37 | |
that I... I rather enjoy my privacy. | 1:03:37 | 1:03:41 | |
You see, the world is, | 1:03:44 | 1:03:47 | |
it's in a heightened state of paranoia | 1:03:47 | 1:03:50 | |
and I tend to think that someone as intelligent | 1:03:50 | 1:03:54 | |
and...attractive | 1:03:54 | 1:03:56 | |
as you | 1:03:56 | 1:03:59 | |
doesn't need to be wasting her time...stoking the fire. | 1:03:59 | 1:04:03 | |
I... | 1:04:03 | 1:04:05 | |
So, now you know. | 1:04:09 | 1:04:12 | |
You're not the only one who's watching. | 1:04:12 | 1:04:15 | |
STARTS ENGINE | 1:04:21 | 1:04:23 | |
So, feel free to pass that along if you'd like. | 1:04:24 | 1:04:28 | |
Cool? | 1:04:31 | 1:04:33 | |
-Are we cool? -Cool. | 1:04:33 | 1:04:36 | |
-Cool. -Cool. | 1:04:36 | 1:04:38 | |
-I'm calling the cops. -Wait. | 1:04:47 | 1:04:50 | |
He didn't do anything. All he said was he liked his privacy. | 1:04:50 | 1:04:53 | |
But why does he want his privacy? He's hiding something, we know that. | 1:04:53 | 1:04:57 | |
-Definitely. -And he knows that we know that. | 1:04:57 | 1:05:00 | |
And regardless of if he had a bad day or a good... It doesn't matter. | 1:05:00 | 1:05:04 | |
-He scared the hell out of you. -Look, Kale, he freaked me out | 1:05:04 | 1:05:08 | |
but he's right, we're the ones spying. | 1:05:08 | 1:05:10 | |
Oh, man, she's got that Stockholm thing, | 1:05:10 | 1:05:13 | |
where the hostage falls for the hostage-taker. | 1:05:13 | 1:05:16 | |
-Where do you get this stuff? -I read a lot. | 1:05:16 | 1:05:19 | |
How is that a nice or charming guy? | 1:05:19 | 1:05:21 | |
-I didn't say that. -No, what you said was, | 1:05:21 | 1:05:24 | |
"He broke into my car but he did it in a nice way." | 1:05:24 | 1:05:27 | |
-OK, you know what? Erm, can we just...? -Drop this? | 1:05:27 | 1:05:31 | |
This is not a cute little game any more. This has gone way too far. | 1:05:31 | 1:05:36 | |
MOBILE PHONE PLAYS BEETHOVEN'S 5TH SYMPHONY | 1:05:36 | 1:05:40 | |
Hi. | 1:05:40 | 1:05:42 | |
No, I'm not over here. | 1:05:42 | 1:05:44 | |
OK, I'm coming. | 1:05:45 | 1:05:48 | |
Parents' anniversary. Amazingly enough. | 1:05:49 | 1:05:53 | |
Just drop this, OK? I'll call you later. | 1:05:54 | 1:05:58 | |
RINGING TONE | 1:06:17 | 1:06:19 | |
-'This is Ronnie.' -Ronnie, I did some research on Turner's house. | 1:06:19 | 1:06:23 | |
I'm looking at the blueprints. When this house was first built, | 1:06:23 | 1:06:26 | |
this house and garage weren't connected. | 1:06:26 | 1:06:29 | |
Now there's this middle piece that wasn't there. | 1:06:29 | 1:06:31 | |
What would he need that for? I'm just thinking out loud. Call me back. | 1:06:31 | 1:06:35 | |
DOORBELL CHIMES | 1:07:07 | 1:07:10 | |
BANGING ON DOOR / DOORBELL CHIMES Who is it?! | 1:07:10 | 1:07:13 | |
-It's Ronnie, man! Come on! -Did you get my message? -What? | 1:07:13 | 1:07:16 | |
No, listen. I dropped my phone in his car! I must have put it down | 1:07:16 | 1:07:21 | |
-when I was putting the thing back on! -OK, stop! | 1:07:21 | 1:07:24 | |
Look, we're gonna get your phone, OK? We're gonna get your phone | 1:07:24 | 1:07:28 | |
but I need you to do one more thing for me. | 1:07:28 | 1:07:30 | |
'Yeah. Yeah. OK. OK.' | 1:07:32 | 1:07:36 | |
-You there? -'How am I looking? Can you see this?' | 1:07:36 | 1:07:39 | |
-Yeah, you're good. I see you. -'OK, how does it look over there? | 1:07:39 | 1:07:42 | |
'Is anything moving? | 1:07:42 | 1:07:44 | |
-'How am I looking?' -You're good to go. -'OK.' | 1:07:46 | 1:07:49 | |
There you go. There you go. | 1:07:59 | 1:08:02 | |
'Wait, is this...? You still got a signal?' | 1:08:03 | 1:08:07 | |
Yeah, no, I see you, I see you. Do it from around the corner. | 1:08:07 | 1:08:11 | |
There you go. | 1:08:12 | 1:08:15 | |
'Are you sure I'm still clear?' | 1:08:16 | 1:08:19 | |
No movement. You're fine. | 1:08:19 | 1:08:21 | |
-CLANGING -'Oh, God, I made a lot of noise. | 1:08:25 | 1:08:28 | |
-'Did you see anything?' -You're good. | 1:08:28 | 1:08:31 | |
-'Oh, man, it reeks in here.' -What's it smell like? | 1:08:32 | 1:08:36 | |
'Like the corpse of a rotting hottie. Yes, the door's unlocked. | 1:08:36 | 1:08:39 | |
-'I'm not seeing it, man. It's not in here.' -Just keep looking. | 1:08:42 | 1:08:46 | |
-It's there. Just be patient, you'll find it. -'Oh, God, yes. | 1:08:46 | 1:08:50 | |
-'I got it. Oh, thank you, thank you.' -There you go. OK, now listen. | 1:08:50 | 1:08:55 | |
-You gotta find the bag. -'OK. All right. OK. | 1:08:55 | 1:08:58 | |
'I don't see it. Oh, wait a minute, wait a minute. I see it. | 1:08:59 | 1:09:03 | |
-'Do you see this?' -There it is. Good job. | 1:09:04 | 1:09:07 | |
Good job. OK. | 1:09:07 | 1:09:09 | |
'All right, OK, OK. I just gotta put the camera down for a second. | 1:09:09 | 1:09:13 | |
'Oh, yeah, this is definitely the source of the stink. | 1:09:15 | 1:09:19 | |
-'Bro, I don't wanna do this any more.' -Stay calm. | 1:09:19 | 1:09:23 | |
I need you to look in the bag. | 1:09:23 | 1:09:25 | |
'There's a lot of blood. | 1:09:26 | 1:09:28 | |
-'Wait a minute, I think th-that's hair.' -OK. | 1:09:29 | 1:09:33 | |
'Oh, Jesus, this is nasty! | 1:09:33 | 1:09:36 | |
-'Oh, God. This is sticky.' -SQUEAKING | 1:09:37 | 1:09:41 | |
Ronnie, the camera's sliding. Ronnie! Ronnie! Shit. | 1:09:41 | 1:09:46 | |
-'Well, that was close.' -Good save. | 1:09:47 | 1:09:52 | |
-'OK, I got it.' -Jesus. -'How am I looking? | 1:09:52 | 1:09:55 | |
'Oh, no. What the...?' | 1:09:57 | 1:09:59 | |
Ronnie? Did you just close the door? | 1:10:02 | 1:10:05 | |
'(I think there is someone in the garage. Help me.)' | 1:10:07 | 1:10:11 | |
-'Oh...!' -Ronnie. | 1:10:12 | 1:10:15 | |
Oh, shit, he's in the house. | 1:10:18 | 1:10:20 | |
'Oh, shit!' | 1:10:28 | 1:10:30 | |
Ronnie? | 1:10:30 | 1:10:32 | |
HE SCREAMS | 1:10:35 | 1:10:37 | |
Shit. | 1:10:40 | 1:10:42 | |
TAG BEEPS | 1:10:55 | 1:10:57 | |
Ronnie! | 1:11:01 | 1:11:03 | |
Ronnie! | 1:11:05 | 1:11:07 | |
Open the door! | 1:11:09 | 1:11:11 | |
SIREN WAILS Officer! Officer! | 1:11:36 | 1:11:39 | |
-My friend has been kidnapped! -Drop the bat! On the ground! -OK! | 1:11:39 | 1:11:43 | |
-Drop it. Now! Clear the bat. -My friend is in the house. | 1:11:43 | 1:11:47 | |
He's kidnapped by the owner of the house who's trying to kill him. | 1:11:47 | 1:11:50 | |
-Come on, man! -It's open. -It was open when I got here! | 1:11:50 | 1:11:54 | |
-Breaking and entering. -Bullshit! | 1:11:54 | 1:11:56 | |
-Mr Turner? -Yes, I am. Can I help you? | 1:11:56 | 1:11:59 | |
The kid here is claiming that his friend is in your house. | 1:11:59 | 1:12:04 | |
Do you know anything about that? | 1:12:04 | 1:12:07 | |
-No, I don't. -You lying sonofabitch! | 1:12:07 | 1:12:09 | |
-Come on. -He's in the house! He didn't just wake up five minutes ago, | 1:12:09 | 1:12:13 | |
the man has been kidnapping and killing people. There's a body | 1:12:13 | 1:12:17 | |
in a blue bag in his garage! | 1:12:17 | 1:12:19 | |
-Please. -Sir, when we got here, the door was open. | 1:12:19 | 1:12:24 | |
-Well, how would he get the door open? -I'm not sure, sir. | 1:12:24 | 1:12:28 | |
Keep him here for a second. | 1:12:28 | 1:12:31 | |
Yeah, he lives, er, with his mother. They live back here. | 1:12:31 | 1:12:34 | |
-Just a second, sir. -Something doesn't feel right. | 1:12:34 | 1:12:37 | |
Let's just check it out. | 1:12:37 | 1:12:40 | |
Come on, let's go. | 1:12:40 | 1:12:42 | |
-Sir, do you mind if we take a look inside? -Not at all. | 1:12:44 | 1:12:48 | |
You be my guest. | 1:12:48 | 1:12:51 | |
-Mmf! -Urgh. | 1:13:25 | 1:13:28 | |
Come on. | 1:13:34 | 1:13:37 | |
I hit it the other night. I thought I could save a few steps | 1:13:48 | 1:13:53 | |
and...get it off the road myself. I was hoping to bury it sooner | 1:13:53 | 1:13:57 | |
but it's...been a hell of a week. | 1:13:57 | 1:14:00 | |
-You found time to fix your fender. -I had to get it out of storage | 1:14:00 | 1:14:04 | |
for the auto show. I needed it in pristine condition. | 1:14:04 | 1:14:07 | |
-The auto show? -That's right. -The auto show. | 1:14:07 | 1:14:10 | |
-Big car fan? -All right, that's it. -The auto show. -Let's go. | 1:14:10 | 1:14:13 | |
-What about my friend, then, huh? Where's my friend?! -Let's go. | 1:14:13 | 1:14:18 | |
Auto show! | 1:14:18 | 1:14:21 | |
It was his second violation, Mrs Brecht. | 1:14:21 | 1:14:23 | |
-He's due in court at 9am tomorrow. -Can he press charges? | 1:14:23 | 1:14:27 | |
Well, your son was in his house, Mrs Brecht, and so, yes, | 1:14:27 | 1:14:30 | |
-Mr Turner can file charges if he chooses. -Thank you. | 1:14:30 | 1:14:34 | |
-Good night. -Good night. | 1:14:34 | 1:14:36 | |
-I can't believe this. -I can't believe you're actually buying | 1:14:42 | 1:14:45 | |
-this guy's bullshit. -After what you just pulled? | 1:14:45 | 1:14:50 | |
It's a miracle they didn't just take you away! | 1:14:50 | 1:14:53 | |
-I have to go talk to him. -What are you talking about? Now? | 1:14:53 | 1:14:57 | |
-He could press charges, Kale. -I don't care if... -Sit down! | 1:14:57 | 1:15:00 | |
I care. | 1:15:02 | 1:15:04 | |
You are breaking my heart, Kale. | 1:15:06 | 1:15:10 | |
THUNDER RUMBLES | 1:15:15 | 1:15:18 | |
Oh, shit. What the hell are you doing, Ma? Oh, shit. | 1:15:33 | 1:15:37 | |
MOBILE PHONE PLAYS "ME SO HORNY" BY COUNTDOWN | 1:15:40 | 1:15:43 | |
Ronnie? Ronnie. MOBILE PHONE BEEPS | 1:15:43 | 1:15:47 | |
Shit. | 1:16:00 | 1:16:01 | |
LIGHTNING CRACKS | 1:16:11 | 1:16:14 | |
DOOR CREAKS OPEN | 1:16:25 | 1:16:28 | |
Ronnie. | 1:16:31 | 1:16:33 | |
Argh! | 1:16:33 | 1:16:34 | |
-Yo, don't kill me. Don't kill me. -Are you serious? -Hey! | 1:16:37 | 1:16:41 | |
-Do you have any idea what I've just been through?! -Hey! Come on! | 1:16:41 | 1:16:44 | |
-I thought you were dead. -Did you want me to go, | 1:16:44 | 1:16:49 | |
"Officer, he's right, I was in his house. I went in there | 1:16:49 | 1:16:52 | |
"to get the phone out of the car that I broke into earlier today"? | 1:16:52 | 1:16:55 | |
All I could think of was, "Hide," and I went into the closet. | 1:16:55 | 1:16:59 | |
OK, OK, that was a bad joke. | 1:16:59 | 1:17:02 | |
-I just wasn't thinking straight, OK? -I get it. I get it. Yeah. | 1:17:02 | 1:17:06 | |
-Yeah? -Oh, God. You bastard. | 1:17:06 | 1:17:08 | |
God. You bastard. | 1:17:08 | 1:17:12 | |
-Oh, hey, so what was in the bag? -It was a dead deer. | 1:17:12 | 1:17:16 | |
-Naturally. -Yeah. | 1:17:16 | 1:17:18 | |
Yo, what is your mom doing over there? | 1:17:18 | 1:17:21 | |
She's keeping me out of jail. | 1:17:21 | 1:17:24 | |
Oh, wait. Then, before they confiscate this evidence, | 1:17:25 | 1:17:28 | |
come over here and peep this. I got my great escape on video. | 1:17:28 | 1:17:33 | |
I hope this works, I dropped it. I was in your closet | 1:17:33 | 1:17:38 | |
for, like, two weeks. I gotta take a piss. Check this out. | 1:17:38 | 1:17:41 | |
'Ronnie? Did you just close the door? | 1:17:41 | 1:17:44 | |
'(I think there is someone in the garage. Help me.)' | 1:17:44 | 1:17:49 | |
RONNIE SCREAMS | 1:17:50 | 1:17:52 | |
What was that? | 1:17:57 | 1:18:00 | |
Yeah, but it's just been really hard...on him. | 1:18:11 | 1:18:15 | |
-He...he still blames himself. -I understand. | 1:18:15 | 1:18:20 | |
Feelings like that, they don't... they don't just go away. | 1:18:20 | 1:18:25 | |
Thank you so much. | 1:18:43 | 1:18:45 | |
You've just been so great about all this. | 1:18:45 | 1:18:49 | |
-It's been my pleasure. -Thanks. | 1:18:49 | 1:18:52 | |
-Good night. -OK. | 1:18:57 | 1:18:59 | |
SHE SCREAMS | 1:19:02 | 1:19:04 | |
Ronnie! | 1:19:06 | 1:19:08 | |
Ronnie, get up here! Ronnie! She's on the tape! | 1:19:10 | 1:19:14 | |
Ronnie! | 1:19:14 | 1:19:17 | |
The club girl, she's dead! | 1:19:17 | 1:19:20 | |
-Ronnie! -Agh! | 1:19:20 | 1:19:23 | |
Agh! | 1:20:30 | 1:20:33 | |
So, he got her on tape? | 1:20:50 | 1:20:52 | |
I really didn't want this. | 1:20:56 | 1:20:59 | |
All I wanted... was to live in peace... | 1:21:01 | 1:21:04 | |
..which is why we gotta keep the spotlight on you. | 1:21:06 | 1:21:10 | |
You've done most of the work already. | 1:21:10 | 1:21:13 | |
You are the troubled neighbourhood boy who cried wolf... | 1:21:13 | 1:21:17 | |
..but now... | 1:21:19 | 1:21:21 | |
..you are really going to snap. | 1:21:24 | 1:21:26 | |
First, | 1:21:31 | 1:21:34 | |
you killed your buddy | 1:21:34 | 1:21:36 | |
because he was calling your girlfriend behind your back. | 1:21:36 | 1:21:40 | |
And now we gotta... bring your mom over here... | 1:21:40 | 1:21:44 | |
..so you can slit her throat | 1:21:46 | 1:21:48 | |
because she just wouldn't stop blaming you | 1:21:48 | 1:21:54 | |
for killing your dad. | 1:21:54 | 1:21:57 | |
So, it sounds good? | 1:22:00 | 1:22:03 | |
Good. | 1:22:05 | 1:22:07 | |
Pen and paper. | 1:22:07 | 1:22:10 | |
Write this down. | 1:22:15 | 1:22:17 | |
Dear Ashley... | 1:22:20 | 1:22:24 | |
-..I killed Ronnie... -ASHLEY DOWNSTAIRS: -Kale?! | 1:22:24 | 1:22:28 | |
Kale! Oh, my God! | 1:22:29 | 1:22:32 | |
Kale! | 1:22:32 | 1:22:35 | |
Agh! | 1:22:35 | 1:22:37 | |
Agh! | 1:22:44 | 1:22:46 | |
Kale! | 1:22:46 | 1:22:49 | |
Shut the door, shut the door! | 1:22:49 | 1:22:53 | |
MUFFLED: Grab the phone. | 1:22:53 | 1:22:55 | |
MUFFLED: The scissors! Here, scissors! | 1:22:57 | 1:23:00 | |
-Come on, 911. -The phone is dead. | 1:23:11 | 1:23:13 | |
Where's your mom? | 1:23:13 | 1:23:16 | |
Turner's house. Here, take that. | 1:23:16 | 1:23:19 | |
All right, we've gotta get across the line. | 1:23:22 | 1:23:25 | |
Get ready to run, OK? | 1:23:25 | 1:23:27 | |
FLOORBOARDS CREAK | 1:23:31 | 1:23:33 | |
ELECTRICAL BUZZING | 1:23:36 | 1:23:40 | |
SHE SCREAMS | 1:23:49 | 1:23:50 | |
Come on! Go! Jump! | 1:23:53 | 1:23:55 | |
-Kale! -Go! | 1:23:59 | 1:24:02 | |
Come on! | 1:24:03 | 1:24:05 | |
Oh, my God! | 1:24:06 | 1:24:08 | |
TAG BEEPS | 1:24:10 | 1:24:12 | |
-I've gotta get my mom. Make sure the cops are coming, OK? -Yeah. | 1:24:15 | 1:24:18 | |
-OK? Go. -OK. -Go! | 1:24:18 | 1:24:21 | |
Agh! | 1:24:26 | 1:24:28 | |
Mom! | 1:24:44 | 1:24:46 | |
RADIO: 'One-three-Adam? One-three-Adam-seven-four, come in.' | 1:24:49 | 1:24:53 | |
-Thirteen-Adam-seven-four. Go ahead. -'I realise your shift's over | 1:24:53 | 1:24:57 | |
'but that kid hopped the fence again. Er, you still want first dibs?' | 1:24:57 | 1:25:02 | |
Thirteen-Adam-seven-four. | 1:25:02 | 1:25:05 | |
-Yeah. Yeah, I'll take care of it. -'Roger that. Over.' | 1:25:05 | 1:25:09 | |
Yeah, when I take care of it. | 1:25:11 | 1:25:14 | |
Mom? | 1:25:16 | 1:25:19 | |
Mom? | 1:25:35 | 1:25:38 | |
VENT CREAKS | 1:25:50 | 1:25:52 | |
Mom? | 1:25:57 | 1:26:00 | |
Mom? | 1:26:11 | 1:26:13 | |
Mom? | 1:26:22 | 1:26:25 | |
Oh! Shit! Oh, f... | 1:26:35 | 1:26:38 | |
Oh, shit. | 1:26:39 | 1:26:43 | |
SHOUTS IN DISTANCE | 1:26:45 | 1:26:48 | |
Mom? | 1:26:53 | 1:26:55 | |
MUFFLED CRY | 1:27:01 | 1:27:04 | |
MUFFLED CRY | 1:27:56 | 1:27:59 | |
POLICE RADIO CHATTER | 1:27:59 | 1:28:02 | |
It's the club girl. | 1:28:15 | 1:28:18 | |
She never left. | 1:28:20 | 1:28:22 | |
Mr Turner?! | 1:28:38 | 1:28:41 | |
Sir, are you here?! Police! | 1:28:41 | 1:28:43 | |
Mom? | 1:28:49 | 1:28:51 | |
TORCH CLATTERS | 1:28:57 | 1:29:00 | |
Mom? | 1:29:16 | 1:29:18 | |
MUFFLED CRY Mom? | 1:29:33 | 1:29:35 | |
FLOOR CREAKS | 1:29:38 | 1:29:40 | |
Dispatch, thirteen-Adam... | 1:29:48 | 1:29:50 | |
HE SCREAMS | 1:29:54 | 1:29:56 | |
HE SCREAMS | 1:30:09 | 1:30:11 | |
MUFFLED CRY Mom? | 1:30:39 | 1:30:42 | |
FOOTSTEPS | 1:30:43 | 1:30:45 | |
Hello? | 1:30:45 | 1:30:46 | |
MUFFLED CRY | 1:30:48 | 1:30:51 | |
Mom? Mom? | 1:30:52 | 1:30:54 | |
-MUFFLED: -Kale! | 1:30:58 | 1:30:59 | |
-MUFFLED: -Kale! | 1:31:05 | 1:31:07 | |
-MUFFLED: -Come around! -MUFFLED WHIMPERING | 1:31:07 | 1:31:11 | |
Oh, God. Oh, God! | 1:31:11 | 1:31:13 | |
-Oh, God. -No, no! -You're OK, you're OK. | 1:31:13 | 1:31:18 | |
-MUFFLED: -No! | 1:31:18 | 1:31:20 | |
-MUFFLED: -No! -Here, I got you. | 1:31:20 | 1:31:23 | |
MUFFLED SCREAM | 1:31:29 | 1:31:30 | |
Aaaah! | 1:31:33 | 1:31:34 | |
You made me do this. | 1:31:38 | 1:31:41 | |
-Yah! -Aaaaaaargh! | 1:31:43 | 1:31:45 | |
HE ROARS | 1:31:55 | 1:31:57 | |
HE ROARS | 1:32:02 | 1:32:03 | |
MUFFLED CRY | 1:32:09 | 1:32:11 | |
APPROACHING SIRENS WAIL | 1:32:31 | 1:32:34 | |
You know... I think you're the first one | 1:32:47 | 1:32:50 | |
to ever get one of these things taken off early for good behaviour. | 1:32:50 | 1:32:54 | |
-Hah! Good behaviour? -That's what I'm calling it. | 1:32:54 | 1:32:57 | |
-You got a problem with it, call somebody who cares. -Good behaviour. | 1:32:57 | 1:33:01 | |
You all set to pay the incarceration fee, Mrs Brecht? | 1:33:01 | 1:33:06 | |
-You're kidding. -No, she's not kidding. | 1:33:06 | 1:33:09 | |
Today counts. | 1:33:09 | 1:33:12 | |
-She's not kidding. -No. Look. -Follow me. | 1:33:12 | 1:33:16 | |
So much for being spatially challenged. | 1:33:32 | 1:33:35 | |
-Does it scare you? -Oh, yes, it terrifies me. | 1:33:35 | 1:33:39 | |
Mm! | 1:33:43 | 1:33:45 | |
So, what happens now? | 1:33:49 | 1:33:51 | |
-'Hello?' -Mrs Greenwood, hi. This is Joe from the satellite company. | 1:33:54 | 1:33:58 | |
We're checking up on our adult-programming subscribers. | 1:33:58 | 1:34:01 | |
-'What are you talking about?' -Skin flicks, ma'am. -'What?' | 1:34:01 | 1:34:05 | |
Well, we see that you're currently accessing it, as we speak, | 1:34:05 | 1:34:09 | |
-from the second floor of your house. -'That's not possible.' | 1:34:09 | 1:34:12 | |
I'm just doing my job. | 1:34:12 | 1:34:14 | |
-'Thanks for your call.' -Yes, ma'am. | 1:34:14 | 1:34:18 | |
MOTHER SHOUTS | 1:34:18 | 1:34:20 | |
Nice. | 1:34:20 | 1:34:21 | |
And I am calling your mother! | 1:34:21 | 1:34:24 | |
You feel better now? | 1:34:24 | 1:34:26 | |
-Yeah. Oh, yeah. But that's just the first strike. -Really? | 1:34:26 | 1:34:29 | |
Yeah, it's an ongoing offensive against neighbourhood evil. | 1:34:29 | 1:34:33 | |
-You're my hero. -Mm! | 1:34:33 | 1:34:36 | |
SLURPING | 1:34:46 | 1:34:48 | |
Soon to be the most popular video on YouTube. | 1:34:52 | 1:34:56 | |
MUSIC: "Taper Jean Girl" by Kings of Leon | 1:35:16 | 1:35:19 | |
# Ah-ha | 1:35:46 | 1:35:47 | |
# Shake | 1:35:47 | 1:35:49 | |
# Taper Jean girl with a motel face | 1:35:49 | 1:35:53 | |
# Ah-ha | 1:35:53 | 1:35:55 | |
# Shake | 1:35:55 | 1:35:57 | |
# Bury your eyes in a secret place | 1:35:57 | 1:36:00 | |
# Ah-ha | 1:36:00 | 1:36:02 | |
# Shake | 1:36:02 | 1:36:04 | |
# Black as night on a Sunday | 1:36:04 | 1:36:07 | |
# Punks watch their bodies | 1:36:09 | 1:36:11 | |
# No room for make-up | 1:36:13 | 1:36:15 | |
# I think he's tasted | 1:36:16 | 1:36:18 | |
# Tasted the watcher. # | 1:36:20 | 1:36:23 |