
Browse content similar to Down in the Valley. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This film contains strong language | 0:00:27 | 0:00:34 | |
# Sitting by the road one day a-playing my guitar | 0:01:04 | 0:01:10 | |
# She came along and listened | 0:01:10 | 0:01:15 | |
# Looked at me understanding I'd travelled far | 0:01:17 | 0:01:22 | |
# Sitting here alone and wishing | 0:01:22 | 0:01:27 | |
# Fly, sparrow, fly | 0:01:30 | 0:01:35 | |
# Away, bye-bye | 0:01:35 | 0:01:39 | |
# So sorry | 0:01:40 | 0:01:44 | |
# Will be I | 0:01:47 | 0:01:49 | |
# Looked up above me to the ribbon skyway | 0:01:54 | 0:01:59 | |
# That's where she goes a-walking | 0:01:59 | 0:02:03 | |
# But there's dust on my shoes and it was always that way | 0:02:05 | 0:02:10 | |
# I know she's not for keeping | 0:02:11 | 0:02:16 | |
# So fly sparrow fly | 0:02:16 | 0:02:23 | |
# Away, bye-bye | 0:02:23 | 0:02:28 | |
# So sorry | 0:02:28 | 0:02:32 | |
# Will be I... # | 0:02:36 | 0:02:37 | |
-Hey, Tobe! -What? | 0:02:47 | 0:02:50 | |
Where are you going? | 0:02:50 | 0:02:53 | |
-Nowhere. -Can I come? | 0:02:53 | 0:02:55 | |
I kind of want to be alone. | 0:02:58 | 0:03:00 | |
Let me come. | 0:03:00 | 0:03:01 | |
-You don't even know where I'm going. -I don't care. | 0:03:02 | 0:03:05 | |
OK. Just don't bother me. | 0:03:10 | 0:03:12 | |
# One moment love can be most everywhere | 0:03:17 | 0:03:23 | |
# One moment lost forever | 0:03:23 | 0:03:27 | |
# Branch is still shaking as she soars through the air | 0:03:29 | 0:03:35 | |
# But sing one more song for parting... # | 0:03:35 | 0:03:39 | |
You can't even spit! | 0:03:42 | 0:03:44 | |
A cigarette helps. | 0:03:50 | 0:03:52 | |
Here. | 0:03:54 | 0:03:56 | |
But don't inhale it, just hold the smoke in your mouth. | 0:03:58 | 0:04:01 | |
Now hold it. | 0:04:03 | 0:04:05 | |
Hold it. | 0:04:05 | 0:04:08 | |
OK, blow it out. | 0:04:08 | 0:04:10 | |
See? | 0:04:14 | 0:04:15 | |
Picks up this bolt - it was, like, pretty big - walks over to Ryan... | 0:04:37 | 0:04:43 | |
Wade's here. | 0:04:43 | 0:04:45 | |
..Hang on. I'm sorry. | 0:04:47 | 0:04:49 | |
So, he sticks his hand out and drops it, right? | 0:04:49 | 0:04:52 | |
Smashes the windshield of a passing car! | 0:04:52 | 0:04:56 | |
Hello? | 0:04:59 | 0:05:01 | |
Hello? | 0:05:03 | 0:05:04 | |
-Hello? -Hang on. | 0:05:07 | 0:05:10 | |
Didn't anyone ever teach you to knock? | 0:05:12 | 0:05:14 | |
I'll start knocking when you start working. | 0:05:14 | 0:05:16 | |
I'll see you later. | 0:05:18 | 0:05:20 | |
I need you to get dinner for you and Lon tonight. I'm going out. | 0:05:20 | 0:05:23 | |
I can't, April's coming in fifteen minutes. | 0:05:23 | 0:05:25 | |
-I have to get ready. -She can wait. | 0:05:25 | 0:05:27 | |
I've been with Lonnie all day. I just want to go out. | 0:05:27 | 0:05:30 | |
Fifteen minutes. It won't kill you. | 0:05:30 | 0:05:32 | |
Get chicken for him. | 0:05:36 | 0:05:38 | |
And you can have the rest. | 0:05:38 | 0:05:40 | |
You be OK here on your own? | 0:05:52 | 0:05:53 | |
Yeah. | 0:05:53 | 0:05:55 | |
MUFFLED VOICES OUTSIDE | 0:06:35 | 0:06:37 | |
MUFFLED LAUGHTER | 0:06:52 | 0:06:54 | |
I told you, | 0:07:25 | 0:07:26 | |
I don't want you sleeping in Tobe's room all the time. | 0:07:26 | 0:07:29 | |
Can't you just... | 0:07:29 | 0:07:31 | |
sleep in your room with the light on. | 0:07:31 | 0:07:35 | |
But I saw someone outside my window. | 0:07:35 | 0:07:37 | |
Well, if there really is someone outside your window, | 0:07:37 | 0:07:41 | |
then come and get me. | 0:07:41 | 0:07:43 | |
You told me not to bother you. | 0:07:43 | 0:07:45 | |
Well, don't if it's just a shadow. | 0:07:45 | 0:07:47 | |
CAR HORN BLARES | 0:07:47 | 0:07:49 | |
I'll be right there! | 0:07:51 | 0:07:53 | |
-You're going to school like that? -It's spring break. | 0:07:55 | 0:07:58 | |
All you kids ever get are breaks. | 0:08:00 | 0:08:02 | |
No wonder you have no idea about anything. Where are you going? | 0:08:02 | 0:08:05 | |
To the beach. | 0:08:05 | 0:08:07 | |
No, hold on. Hold on. | 0:08:07 | 0:08:10 | |
What? | 0:08:12 | 0:08:13 | |
Well, don't stay out so late again. | 0:08:13 | 0:08:15 | |
-OK. -And put a shirt on. | 0:08:15 | 0:08:19 | |
Eighteen?! Who gets big tits when you're eighteen? | 0:08:26 | 0:08:29 | |
It's fucking disgusting. | 0:08:29 | 0:08:31 | |
-I think she looks better. -She must feel better too. | 0:08:32 | 0:08:35 | |
Of course she feels better, all the boys look at her now. | 0:08:35 | 0:08:39 | |
She's such a snobby bitch. | 0:08:39 | 0:08:40 | |
Does he work here? Oh, my God. | 0:08:57 | 0:09:00 | |
HORN BLARES | 0:09:00 | 0:09:02 | |
He does work here! Oh, My God! | 0:09:05 | 0:09:07 | |
Check out that fucking hat, man. He's a cowboy! | 0:09:07 | 0:09:09 | |
Oh, my God, what a hick! | 0:09:09 | 0:09:11 | |
-Howdy. -Howdy! -What can I do for y'all? | 0:09:14 | 0:09:17 | |
You can fill it up with unleaded, Tex. | 0:09:17 | 0:09:20 | |
Will do. | 0:09:20 | 0:09:21 | |
Yee-haw! | 0:09:25 | 0:09:26 | |
Hey, Tex, you want to check the oil? | 0:09:40 | 0:09:43 | |
Yeah. I'm going to do your windows, too. | 0:09:43 | 0:09:45 | |
Right, that's quite a deal. | 0:09:51 | 0:09:53 | |
Well, we advertise full service, so we got to give full service. | 0:09:53 | 0:09:57 | |
-Are you for real? -What? | 0:09:59 | 0:10:01 | |
Are you for real? | 0:10:01 | 0:10:04 | |
I think so. | 0:10:04 | 0:10:06 | |
Want to give a squeeze? | 0:10:06 | 0:10:07 | |
Yeah! He's real! | 0:10:10 | 0:10:12 | |
So, how's the oil? | 0:10:23 | 0:10:25 | |
All right. | 0:10:29 | 0:10:31 | |
This fan belt's a little ratty, though. | 0:10:31 | 0:10:34 | |
How far are y'all going? | 0:10:34 | 0:10:35 | |
Just going to the beach. | 0:10:35 | 0:10:38 | |
Yeah. That's nice. I ain't never been to the beach. | 0:10:39 | 0:10:42 | |
How long have you lived here? | 0:10:42 | 0:10:44 | |
-Not too long. -You can drive there in less than an hour. | 0:10:46 | 0:10:51 | |
I can't. | 0:10:51 | 0:10:53 | |
-I don't have a car. -How come? | 0:10:53 | 0:10:57 | |
How come I don't have a car? | 0:10:57 | 0:10:59 | |
I don't know, I don't like 'em. | 0:11:00 | 0:11:03 | |
They kinda make you lazy. | 0:11:03 | 0:11:05 | |
It's a pretty funny place to work if you don't like cars. | 0:11:09 | 0:11:13 | |
Ain't that the truth? | 0:11:13 | 0:11:15 | |
Got to make a living. | 0:11:15 | 0:11:17 | |
So what about the fan belt? | 0:11:17 | 0:11:20 | |
Hm, she'll get you there. | 0:11:20 | 0:11:21 | |
Have a good time. | 0:11:26 | 0:11:29 | |
HORN BEEPS | 0:11:29 | 0:11:31 | |
Hey. | 0:11:34 | 0:11:35 | |
Do you want to come? | 0:11:39 | 0:11:40 | |
With y'all to the beach? | 0:11:43 | 0:11:44 | |
Well, that's mighty kind of you. | 0:11:50 | 0:11:52 | |
I guess you've got to work, though. | 0:11:54 | 0:11:55 | |
Y'know what? Let me see about that. | 0:12:00 | 0:12:02 | |
Hang on. | 0:12:02 | 0:12:04 | |
I invited Tex to the beach. | 0:12:08 | 0:12:10 | |
You've got to be kidding! | 0:12:13 | 0:12:14 | |
He could be a psycho. | 0:12:16 | 0:12:17 | |
I'd like to get my change, if you don't mind. | 0:12:21 | 0:12:24 | |
Was that offer for real? | 0:12:32 | 0:12:34 | |
Yeah. | 0:12:34 | 0:12:37 | |
-Did you get off work? -Sorta. | 0:12:37 | 0:12:40 | |
Sorta? | 0:12:40 | 0:12:42 | |
Well, he said I could go, but if I go, not to come back. | 0:12:42 | 0:12:45 | |
Damn. Why would you want to do that? | 0:12:47 | 0:12:50 | |
I want to see the beach with you. | 0:12:50 | 0:12:52 | |
OK. Then come on. | 0:12:57 | 0:12:59 | |
-So, what's your name? -Harlan. -Just Harlan? | 0:13:06 | 0:13:11 | |
All right, my full name's Harlan Fairfax Carruthers. | 0:13:11 | 0:13:15 | |
That's definitely full. | 0:13:15 | 0:13:17 | |
What's your name? | 0:13:17 | 0:13:19 | |
-Tobe. -Tobe, short for, | 0:13:19 | 0:13:21 | |
what, Toby? | 0:13:21 | 0:13:22 | |
No? Tabitha? | 0:13:24 | 0:13:25 | |
Tobias? | 0:13:25 | 0:13:27 | |
Manitoba? | 0:13:28 | 0:13:30 | |
-What? -For October. | 0:13:30 | 0:13:32 | |
October? Really? | 0:13:32 | 0:13:35 | |
Pretty. | 0:13:35 | 0:13:37 | |
-Well, please to meet y'all. -Do you smoke? | 0:13:38 | 0:13:41 | |
What's that? Is that wacky weed? | 0:13:42 | 0:13:44 | |
That's OK, I don't touch any of that stuff. | 0:13:45 | 0:13:48 | |
Where are you from? | 0:13:48 | 0:13:49 | |
-From South Dakota. -South Dakota! I knew some people from South Dakota. | 0:13:49 | 0:13:53 | |
They weren't anything like you. | 0:13:53 | 0:13:55 | |
Well, that's OK, too. | 0:13:57 | 0:13:58 | |
I tell you what, when I woke up this morning, I didn't think I was going to end up looking at the ocean. | 0:14:05 | 0:14:10 | |
You want to go in? | 0:14:11 | 0:14:14 | |
-What, go in there? -Yeah! | 0:14:14 | 0:14:15 | |
No. I like looking at it. I ain't planning on drowning in it. | 0:14:17 | 0:14:21 | |
I'll protect you. | 0:14:21 | 0:14:23 | |
I ain't got the right duds for ocean swimming. | 0:14:23 | 0:14:27 | |
Well, just go in your underwear. | 0:14:27 | 0:14:29 | |
That's what the Mexicans do. | 0:14:29 | 0:14:31 | |
I don't know about that! | 0:14:33 | 0:14:35 | |
Just go in your pants. | 0:14:35 | 0:14:37 | |
These jeans could use a wash, y'know... | 0:14:40 | 0:14:43 | |
-C'mon. -You sure about this? | 0:14:45 | 0:14:46 | |
Yeah! It'll be fun, I promise. | 0:14:46 | 0:14:48 | |
# I got a girl and I call her Sunshine | 0:15:02 | 0:15:06 | |
# Through the air she's dancing in the light | 0:15:08 | 0:15:11 | |
# I say, hey, Sunshine | 0:15:13 | 0:15:18 | |
# Won't you be with me now and for all time? | 0:15:18 | 0:15:23 | |
Hey, aren't we a little far out? | 0:15:23 | 0:15:25 | |
Are you OK? | 0:15:25 | 0:15:28 | |
We ain't going to get pulled out to sea, are we? | 0:15:28 | 0:15:31 | |
Don't worry, I'm not going to let you drown. | 0:15:31 | 0:15:33 | |
Man, that's about as close to forever as I can imagine. | 0:15:35 | 0:15:37 | |
Don't look at that. Just look at me. | 0:15:41 | 0:15:44 | |
# Oh, so pretty, cos she knows me Sunshine | 0:15:53 | 0:15:57 | |
# Catch her laughing down by the water line | 0:15:59 | 0:16:03 | |
# I said, hey, Sunshine | 0:16:04 | 0:16:08 | |
# Won't you be with me now and for all time? # | 0:16:10 | 0:16:14 | |
Holy smoke! | 0:17:29 | 0:17:31 | |
See? | 0:17:33 | 0:17:35 | |
You should have gone to the beach sooner. | 0:17:35 | 0:17:37 | |
Wow. | 0:17:39 | 0:17:40 | |
What time is it? | 0:17:56 | 0:17:58 | |
I don't know. Late. | 0:18:01 | 0:18:03 | |
It's early, almost. | 0:18:03 | 0:18:05 | |
I better go. | 0:18:10 | 0:18:12 | |
My dad's going to kill me. | 0:18:12 | 0:18:14 | |
Well, I hope not. Then I couldn't take you out. | 0:18:17 | 0:18:20 | |
You'd want to take me out? | 0:18:23 | 0:18:26 | |
Well, yeah, sure. I mean, | 0:18:26 | 0:18:27 | |
this was fine, but this ain't a proper way to meet. | 0:18:29 | 0:18:32 | |
You're so funny. | 0:18:35 | 0:18:37 | |
Hey. How you doing? | 0:19:14 | 0:19:16 | |
I'm Harlan. | 0:19:16 | 0:19:18 | |
-What's your name? -Lonnie. -Lonnie? | 0:19:18 | 0:19:20 | |
Glad to meet you, Lonnie. | 0:19:20 | 0:19:22 | |
Oh, hell, I didn't mess that up, did I? | 0:19:25 | 0:19:28 | |
Nah. Just go to crank it up. | 0:19:28 | 0:19:31 | |
Look at that! | 0:19:33 | 0:19:35 | |
God, man, that's, like, classic, isn't it? | 0:19:35 | 0:19:38 | |
-I never seen one of those that worked. -Are you my dad's friend? | 0:19:38 | 0:19:42 | |
Oh, no, no, I'm... | 0:19:42 | 0:19:45 | |
here to take your sister out. | 0:19:45 | 0:19:47 | |
Out on the town. | 0:19:51 | 0:19:52 | |
That all right with you? | 0:19:55 | 0:19:56 | |
Yeah. | 0:19:58 | 0:20:00 | |
Oh, OK. | 0:20:00 | 0:20:02 | |
You're Tobe's little brother, yeah? | 0:20:04 | 0:20:06 | |
What, you're, like, eleven or twelve? | 0:20:06 | 0:20:10 | |
I'm thirteen. | 0:20:10 | 0:20:11 | |
Are you thirteen? Really? | 0:20:11 | 0:20:13 | |
Sorry. | 0:20:13 | 0:20:15 | |
-I'll get bigger. -Oh, yeah. Yeah, yeah. | 0:20:18 | 0:20:20 | |
No, I didn't mean that, uh... | 0:20:20 | 0:20:23 | |
Yeah. | 0:20:23 | 0:20:25 | |
I was smaller than you when I was your age. | 0:20:25 | 0:20:27 | |
I really was. I had an uncle said I was like a tree twig, | 0:20:27 | 0:20:30 | |
I was going to blow away in a strong wind. | 0:20:30 | 0:20:32 | |
Yeah. I was real small. | 0:20:32 | 0:20:34 | |
Till I grew up. | 0:20:36 | 0:20:38 | |
Where's Tobe? | 0:20:38 | 0:20:39 | |
She's just... | 0:20:39 | 0:20:42 | |
How do I look? | 0:20:42 | 0:20:44 | |
Whoa, man! | 0:20:44 | 0:20:46 | |
Look at you! | 0:20:46 | 0:20:47 | |
Does that really fit you? I was just guessing at the size. | 0:20:48 | 0:20:51 | |
Yeah, perfect. Do I look pretty in it? | 0:20:51 | 0:20:54 | |
You look...so pretty. | 0:20:54 | 0:20:56 | |
You want to, um... | 0:20:59 | 0:21:02 | |
You want to get a bite to eat, take your little brother, | 0:21:02 | 0:21:05 | |
before we go dancing? | 0:21:05 | 0:21:07 | |
Hey, do you want to go get a burger with us or something? Yeah? | 0:21:07 | 0:21:12 | |
All right! | 0:21:12 | 0:21:14 | |
Let's do it. | 0:21:14 | 0:21:15 | |
Hey, Dad. | 0:21:18 | 0:21:20 | |
Hey. | 0:21:20 | 0:21:22 | |
-Um, this is Harlan. -Pleased to meet you, sir. | 0:21:24 | 0:21:27 | |
Wade. | 0:21:27 | 0:21:29 | |
Where did you get that dress? | 0:21:33 | 0:21:36 | |
Harlan got it for me. | 0:21:36 | 0:21:37 | |
What? | 0:21:40 | 0:21:41 | |
No, it's nothing. | 0:21:41 | 0:21:42 | |
It's just I haven't seen you in a dress since you were thirteen. | 0:21:42 | 0:21:46 | |
Well, that's a shame, isn't it, a girl as beautiful as your daughter? | 0:21:46 | 0:21:50 | |
What's your line, Harlan? | 0:21:50 | 0:21:51 | |
Well, I'm... | 0:21:53 | 0:21:55 | |
I'm in the middle of figuring that out right now. | 0:21:56 | 0:21:58 | |
-But I have a background in ranching. -Not much ranching round here. | 0:21:58 | 0:22:02 | |
Not that much any more. But anyway, | 0:22:02 | 0:22:03 | |
-you'd be surprised how those skills apply in a lot of other areas. -You're right, I would be. | 0:22:03 | 0:22:08 | |
We're going to go take Lon out | 0:22:08 | 0:22:10 | |
for a burger, and then we're going to go out. | 0:22:10 | 0:22:13 | |
As long as that's OK with you, sir. | 0:22:13 | 0:22:14 | |
Um... | 0:22:14 | 0:22:16 | |
I guess. | 0:22:16 | 0:22:19 | |
Well, sir, I want to tell you, I got real admiration for your daughter. | 0:22:22 | 0:22:26 | |
She's got a great spirit. | 0:22:26 | 0:22:28 | |
I hope to earn your trust in me. | 0:22:30 | 0:22:31 | |
Let's go. | 0:22:34 | 0:22:35 | |
Who is that guy? | 0:22:40 | 0:22:42 | |
-I met him at the beach. -You met him at the beach? | 0:22:42 | 0:22:44 | |
-You met him at the beach? -I got to go! | 0:22:44 | 0:22:47 | |
Tobe... | 0:22:47 | 0:22:49 | |
You worked at a ranch? | 0:22:51 | 0:22:52 | |
Yeah, I sure did. | 0:22:52 | 0:22:54 | |
Where? | 0:22:54 | 0:22:56 | |
South Dakota, right? | 0:22:56 | 0:22:59 | |
Yeah. Yeah, back there a little. | 0:22:59 | 0:23:01 | |
Out here more. | 0:23:01 | 0:23:03 | |
There's still ranches out here? | 0:23:04 | 0:23:07 | |
They got a few. | 0:23:07 | 0:23:09 | |
I mean, most of them have been cut up or sold off. | 0:23:09 | 0:23:13 | |
Why? You like animals? | 0:23:13 | 0:23:15 | |
-Yeah. -Yeah? | 0:23:15 | 0:23:17 | |
Well, | 0:23:17 | 0:23:18 | |
I don't know, if you're interested, | 0:23:18 | 0:23:20 | |
we could go out and check out one of those spreads | 0:23:20 | 0:23:23 | |
up in the north valley. | 0:23:23 | 0:23:24 | |
Not like a dude ranch or nothing like that. | 0:23:24 | 0:23:27 | |
It's like a real working place. | 0:23:27 | 0:23:29 | |
Yeah. | 0:23:30 | 0:23:32 | |
OK. | 0:23:32 | 0:23:33 | |
-Can I ask you something? -Sure. | 0:23:35 | 0:23:38 | |
Is that kid OK? | 0:23:39 | 0:23:41 | |
-Who, Lonnie? -Yeah. | 0:23:41 | 0:23:44 | |
Yeah. Why? | 0:23:44 | 0:23:46 | |
I don't know, he just seems kinda... | 0:23:46 | 0:23:48 | |
I don't know, like he needs some fresh air or, | 0:23:50 | 0:23:53 | |
I don't know, he needs something. | 0:23:53 | 0:23:55 | |
He's still really scared of the dark. | 0:23:58 | 0:24:00 | |
He has to sleep with the lights on. | 0:24:00 | 0:24:03 | |
I can barely sleep with the lights off. | 0:24:03 | 0:24:06 | |
He's OK. | 0:24:08 | 0:24:10 | |
I watch out for him. | 0:24:10 | 0:24:12 | |
You're a good girl. | 0:24:15 | 0:24:17 | |
No, I mean it. | 0:24:17 | 0:24:19 | |
You have a good heart. | 0:24:19 | 0:24:21 | |
I want to do this with you. | 0:25:32 | 0:25:34 | |
-It makes you so happy. -I'm happy just being with you. | 0:25:34 | 0:25:38 | |
Not like this. | 0:25:39 | 0:25:40 | |
Hey, man. Hey, here's an open window. | 0:26:27 | 0:26:30 | |
Hey, what are you all doing? | 0:26:30 | 0:26:31 | |
There's John Wayne! | 0:26:31 | 0:26:33 | |
Oh, my God. | 0:26:33 | 0:26:35 | |
Come on in, you'll love my car. | 0:26:35 | 0:26:37 | |
No, no, you've got to love people, not cars. No, hey, I'm serious! | 0:26:37 | 0:26:41 | |
No, see, we don't belong in there. | 0:26:41 | 0:26:44 | |
You belong out here! | 0:26:44 | 0:26:46 | |
-We got places to go, y'dig? -Harlan! | 0:26:46 | 0:26:50 | |
-We got to get off the bus! -Hey, we got to get off the bus! | 0:26:50 | 0:26:54 | |
-Preacher check. -Hey! | 0:26:57 | 0:26:59 | |
-You're crazy! -I'm not crazy. I'm only sane man here. | 0:27:05 | 0:27:10 | |
How long does this last? | 0:27:37 | 0:27:39 | |
Just for a little while. | 0:27:41 | 0:27:43 | |
You won't feel it tomorrow. | 0:27:43 | 0:27:45 | |
What are you thinking? | 0:27:47 | 0:27:50 | |
I don't know. | 0:27:50 | 0:27:51 | |
Just all these things that I want to do | 0:27:51 | 0:27:55 | |
but I don't think I'll ever get to do them. | 0:27:55 | 0:27:57 | |
You can do anything you want to do. | 0:27:57 | 0:27:59 | |
You can be anybody you want to be. | 0:28:02 | 0:28:04 | |
You just have to | 0:28:04 | 0:28:06 | |
decide on it | 0:28:06 | 0:28:08 | |
-and then just do it. -It's like waiting for your life to start. | 0:28:08 | 0:28:12 | |
What starts it, y'know? | 0:28:15 | 0:28:17 | |
Most days, I just want to step outside of my own heart... | 0:28:17 | 0:28:20 | |
..go walk under a sky full of stars... | 0:28:22 | 0:28:25 | |
..and hear nothing but the wind. | 0:28:27 | 0:28:30 | |
And when I do speak, I want it to be with my true voice. | 0:28:30 | 0:28:34 | |
Do you think you talk with your true voice? | 0:28:34 | 0:28:36 | |
I don't know. | 0:28:36 | 0:28:38 | |
How do I know it? | 0:28:40 | 0:28:42 | |
Cos you don't hear other words in your head while you're talking. | 0:28:42 | 0:28:45 | |
The things you really want to be saying. | 0:28:47 | 0:28:50 | |
And you don't say things that don't matter to you. | 0:28:50 | 0:28:52 | |
Do you feel true to yourself? | 0:28:54 | 0:28:56 | |
Not very often. | 0:28:59 | 0:29:01 | |
I do right now. | 0:29:03 | 0:29:05 | |
Me too. | 0:29:09 | 0:29:10 | |
-Hey. -Where the fuck you been? | 0:29:18 | 0:29:21 | |
Slept over at April's. | 0:29:21 | 0:29:23 | |
Wait a goddamn minute! | 0:29:23 | 0:29:26 | |
What happened to the guy? | 0:29:30 | 0:29:31 | |
-Nothing. -I was up the whole goddamn night worrying about you! | 0:29:34 | 0:29:37 | |
Well, I'm sure your friend kept your mind off of it. | 0:29:37 | 0:29:40 | |
God damn it. | 0:29:40 | 0:29:41 | |
-I'm not done talking. -I am. | 0:29:41 | 0:29:43 | |
Tobe, I'm not... C'mon. Tobe? | 0:29:43 | 0:29:45 | |
-Open the door. C'mon. Open the door. -No fucking way. | 0:29:45 | 0:29:48 | |
Open the fucking door! | 0:29:48 | 0:29:50 | |
All right, we're going to talk about this tonight. | 0:29:52 | 0:29:55 | |
And you be here when I get home. | 0:29:55 | 0:29:57 | |
-You hear me? -Yes. -What? | 0:29:57 | 0:29:59 | |
Yes! | 0:29:59 | 0:30:00 | |
Look, you got something in there that's mine | 0:30:10 | 0:30:12 | |
and I ain't aiming to give it up cheap. | 0:30:12 | 0:30:14 | |
If I come in there, I'm coming in hot. | 0:30:14 | 0:30:16 | |
You got a lot of nerve, shooting at me! | 0:30:26 | 0:30:29 | |
Half of that's mine, and there was plenty for everyone! | 0:30:29 | 0:30:32 | |
Hey, keep it down in there, will ya? | 0:30:32 | 0:30:34 | |
Keep it down yourself. | 0:30:34 | 0:30:37 | |
You think I like listening to your game shows all day? | 0:30:37 | 0:30:40 | |
You got something wrong with you! | 0:30:40 | 0:30:41 | |
It's greed that's going to be the death of you, | 0:30:44 | 0:30:47 | |
cos you're going to... | 0:30:47 | 0:30:48 | |
You're a greedy little pig! | 0:30:49 | 0:30:51 | |
And you're going to squeal like a pig when I come through that door! | 0:30:51 | 0:30:54 | |
All over a few little lumps of ore. | 0:31:05 | 0:31:08 | |
I guess that's just the human folly. | 0:31:15 | 0:31:17 | |
Just up here a piece. | 0:31:35 | 0:31:36 | |
Those the ones? | 0:31:39 | 0:31:41 | |
That's them all right. | 0:31:41 | 0:31:42 | |
Do you like them? | 0:31:42 | 0:31:44 | |
Well, which one do you want? | 0:31:46 | 0:31:48 | |
OK, bud. Hey there. Hey there. Hey there. | 0:31:52 | 0:31:56 | |
Shhh... Shhh... | 0:31:57 | 0:32:00 | |
Shhh... | 0:32:00 | 0:32:02 | |
Come on. | 0:32:02 | 0:32:03 | |
# Torn uphill | 0:32:10 | 0:32:14 | |
# To hide away | 0:32:14 | 0:32:18 | |
# Leave the rest | 0:32:19 | 0:32:22 | |
# To run astray | 0:32:22 | 0:32:27 | |
# For you to be mine... # | 0:32:29 | 0:32:33 | |
What do you think? | 0:32:33 | 0:32:36 | |
It's beautiful. | 0:32:36 | 0:32:38 | |
Yeah, it still is, isn't it? | 0:32:38 | 0:32:40 | |
# Lead me in | 0:32:45 | 0:32:49 | |
# To a-wondering | 0:32:49 | 0:32:54 | |
# For you to be mine. # | 0:32:57 | 0:32:59 | |
Do you think things have a purpose? | 0:33:05 | 0:33:07 | |
What do you mean? | 0:33:08 | 0:33:10 | |
Well, you think everything has something it's supposed to do | 0:33:12 | 0:33:17 | |
or be? | 0:33:17 | 0:33:19 | |
That's kind of a nice thought. | 0:33:19 | 0:33:22 | |
I sat here a lot of times. | 0:33:22 | 0:33:23 | |
I looked at this tree. | 0:33:23 | 0:33:26 | |
I wondered if that branch had a purpose. | 0:33:26 | 0:33:28 | |
Maybe it's there to provide shade. | 0:33:30 | 0:33:34 | |
Maybe it's going to get cut down | 0:33:35 | 0:33:37 | |
and make somebody a nice piece of furniture someday. | 0:33:37 | 0:33:40 | |
Or maybe it's supposed to have a swing on it. | 0:33:42 | 0:33:44 | |
I don't know, maybe it's just there so the tree can balance itself. | 0:33:47 | 0:33:51 | |
I lean toward the swing. | 0:33:53 | 0:33:55 | |
It seemed kinda hopeful to me. | 0:33:55 | 0:33:58 | |
And now I see you sitting up there and I know I was right. | 0:33:59 | 0:34:03 | |
Can I watch? | 0:34:38 | 0:34:39 | |
Yeah. | 0:34:43 | 0:34:44 | |
Where's your sister? | 0:34:49 | 0:34:51 | |
I don't know. | 0:34:51 | 0:34:54 | |
Are you still mad at her? | 0:34:54 | 0:34:56 | |
Look, I love your sister. | 0:34:56 | 0:34:59 | |
She just... | 0:34:59 | 0:35:01 | |
She gets under my skin sometimes, OK? | 0:35:01 | 0:35:04 | |
What do you love about her? | 0:35:07 | 0:35:08 | |
Well, she's got gumption. | 0:35:08 | 0:35:10 | |
What's that? | 0:35:10 | 0:35:12 | |
It means, uh, | 0:35:12 | 0:35:15 | |
she got spirit. | 0:35:15 | 0:35:16 | |
She won't take shit. | 0:35:16 | 0:35:18 | |
It drives me crazy, but I know it's good for her. | 0:35:20 | 0:35:23 | |
America is tough on the meek. | 0:35:23 | 0:35:26 | |
The meek shall inherit the earth. | 0:35:26 | 0:35:28 | |
-What? -The meek shall inherit the earth. | 0:35:28 | 0:35:31 | |
Where did you get that crap? | 0:35:35 | 0:35:36 | |
-I heard it on TV. -Oh. | 0:35:36 | 0:35:38 | |
The meek might inherit a fortune when their relative dies, | 0:35:40 | 0:35:43 | |
but they won't get the earth. | 0:35:43 | 0:35:45 | |
No, the only good thing about the meek is that, uh, | 0:35:45 | 0:35:49 | |
they make it easier on the ones with gumption. | 0:35:49 | 0:35:52 | |
Can you learn gumption? | 0:35:53 | 0:35:55 | |
No. | 0:35:58 | 0:36:00 | |
No, I think you got it or you don't. | 0:36:00 | 0:36:03 | |
Hold it! | 0:36:14 | 0:36:15 | |
Hey, Charlie. Boy, you sure got him in great shape. | 0:36:20 | 0:36:23 | |
He's running all day, he stopped right on the eleventh. | 0:36:23 | 0:36:26 | |
Get off him. | 0:36:30 | 0:36:31 | |
What? | 0:36:31 | 0:36:33 | |
Get off my horse. | 0:36:33 | 0:36:35 | |
Get off the horse! | 0:36:35 | 0:36:37 | |
Do you speak English? | 0:36:37 | 0:36:41 | |
Hey, quit fooling around, Charlie. You're scaring my girl. | 0:36:41 | 0:36:43 | |
You're on my property. | 0:36:43 | 0:36:45 | |
You're on my horse. | 0:36:45 | 0:36:48 | |
If I shot you, I would be well within the law. | 0:36:48 | 0:36:51 | |
Well, I ain't even sure that's technically correct. | 0:36:51 | 0:36:54 | |
Get off the horse, Harlan. | 0:36:54 | 0:36:56 | |
It's OK, sweetheart, we're having some kind of miscommunication here, | 0:36:56 | 0:37:00 | |
but we'll work it out. | 0:37:00 | 0:37:01 | |
I don't know what's wrong with your friend's head there, ma'am, | 0:37:01 | 0:37:04 | |
-but you better talk him down off that horse just as fast as you can. -Harlan, get down. | 0:37:04 | 0:37:08 | |
Yeah, all right. | 0:37:11 | 0:37:12 | |
But I ain't getting off cos of you and your gun. | 0:37:14 | 0:37:17 | |
I'm just getting off cos my girl here wants me to, | 0:37:17 | 0:37:20 | |
and I'll do anything for her. | 0:37:20 | 0:37:22 | |
Unlike you, Charlie, I got my priorities straight. | 0:37:22 | 0:37:24 | |
I don't give a rat's ass about your priorities. | 0:37:24 | 0:37:27 | |
And stop calling me Charlie. | 0:37:27 | 0:37:29 | |
You know what? You really disappoint me. | 0:37:38 | 0:37:40 | |
After them nice conversations we had, you're going to go and embarrass me in front of my girl? | 0:37:40 | 0:37:44 | |
I oughta give you an ass-kicking just on principle. | 0:37:44 | 0:37:47 | |
Come on, sweet pea, let's get out of here. | 0:37:47 | 0:37:49 | |
-That ain't an accident. -You want to put the rifle down, sir? | 0:37:49 | 0:37:53 | |
Just put the firearm down, sir. | 0:37:53 | 0:37:56 | |
Thank you, Officer. | 0:37:56 | 0:37:58 | |
Have you lost your mind, Charlie, going pointing guns at your friends? | 0:37:58 | 0:38:01 | |
-Easy, easy. -They're thieves! | 0:38:01 | 0:38:03 | |
-These are the thieves! -You too, sir. -They're the thieves! | 0:38:03 | 0:38:05 | |
Sir! Everybody, what's going on here? | 0:38:05 | 0:38:07 | |
-They stole my horse. -We didn't steal anything. | 0:38:07 | 0:38:10 | |
-The horse is there. -He's right there. | 0:38:10 | 0:38:11 | |
They came on my property and they stole the horse. | 0:38:11 | 0:38:14 | |
-And the guy with the cowboy hat, he just threatened me. -What the... Bullshit! | 0:38:14 | 0:38:18 | |
All right, just take it easy! Now, where's the horse? | 0:38:18 | 0:38:21 | |
The horse is right there! | 0:38:21 | 0:38:23 | |
The white one was stolen by them. | 0:38:23 | 0:38:25 | |
Wait a minute. Officer, I come here and borrow the horses all the time. | 0:38:25 | 0:38:29 | |
Charlie says it's fine as long as I bring my own gear. | 0:38:29 | 0:38:31 | |
Y'know? And he wasn't here when we happened to show up, | 0:38:31 | 0:38:34 | |
so we borrowed the horse, | 0:38:34 | 0:38:36 | |
we come back, and now he's flipped his lid on me! | 0:38:36 | 0:38:38 | |
This ain't the Old West! | 0:38:38 | 0:38:39 | |
-It's the goddamn Valley! -You're the one with the gun! | 0:38:39 | 0:38:42 | |
I don't even know the guy, for Christ's sake! | 0:38:42 | 0:38:45 | |
He takes a lot of medication, and sometimes he gets off it, so he gets in a mood like this. | 0:38:45 | 0:38:48 | |
I don't take medication! | 0:38:48 | 0:38:50 | |
You got to take those pills, Charlie. | 0:38:50 | 0:38:52 | |
Gene? And my name is not Charlie! | 0:38:52 | 0:38:54 | |
Gene, get him in the car right now. Now. Let's go. | 0:38:54 | 0:38:56 | |
Have you really met Charlie? | 0:39:01 | 0:39:03 | |
What? Yeah, course. I told you I did. | 0:39:03 | 0:39:07 | |
Cos you can tell me. It's OK. | 0:39:07 | 0:39:09 | |
I mean, he said his name wasn't Charlie. | 0:39:12 | 0:39:16 | |
Oh, that. Well, I mean, | 0:39:16 | 0:39:17 | |
I don't know if he's got another name or something, | 0:39:17 | 0:39:20 | |
but I just always call him Charlie. | 0:39:20 | 0:39:22 | |
Are you mad at me? | 0:39:26 | 0:39:28 | |
Oh, shit! | 0:39:31 | 0:39:32 | |
Great(!) | 0:39:32 | 0:39:34 | |
I'd say I take care of my critters a hell of a lot better than you take care of your children. | 0:39:47 | 0:39:53 | |
Right. You mind telling me exactly what happened? | 0:39:53 | 0:39:56 | |
Listen, sir, I just want to say, uh, | 0:40:02 | 0:40:06 | |
I understand if you're upset, | 0:40:06 | 0:40:09 | |
but it really had nothing to do with Tobe. | 0:40:09 | 0:40:13 | |
If there's any fault at all, it was definitely mine. | 0:40:13 | 0:40:16 | |
-You don't have to apologise to him, Harlan. -Well, no, | 0:40:16 | 0:40:20 | |
I think it's important to take responsibility for your actions, y'know? | 0:40:20 | 0:40:24 | |
Not really much more you can ask of a person than to take responsibility. | 0:40:24 | 0:40:27 | |
How about not breaking the law with a minor? | 0:40:27 | 0:40:30 | |
Well, yeah, sure. | 0:40:32 | 0:40:34 | |
But that don't apply, cos that wasn't the case. | 0:40:35 | 0:40:38 | |
It really was just a misunderstanding. | 0:40:40 | 0:40:43 | |
Tobe, tell your friend here it's going to take | 0:40:45 | 0:40:48 | |
a little more honesty to win me over. | 0:40:48 | 0:40:51 | |
I don't give a shit if he wins you over. Ow! | 0:40:51 | 0:40:54 | |
CAR HORN BEEPS | 0:40:54 | 0:40:56 | |
See ya, Lonnie. | 0:41:15 | 0:41:16 | |
Hey, thanks a lot, sir. | 0:41:16 | 0:41:18 | |
No! Let me go! | 0:41:51 | 0:41:53 | |
No! You're going to sit here and you're going to talk to me. | 0:41:53 | 0:41:56 | |
I don't want to talk to you! No, no! | 0:41:56 | 0:41:59 | |
-Come here. -Let me go! No! -Now look... | 0:41:59 | 0:42:01 | |
-Fuck you! -Don't tell me to fuck off! | 0:42:03 | 0:42:05 | |
I'm your fucking goddamn father! | 0:42:05 | 0:42:07 | |
God damn you! | 0:42:13 | 0:42:14 | |
If I catch you near that nutcase again, I'll break his fucking ass! | 0:42:14 | 0:42:18 | |
No, c'mon, c'mon, c'mon. Get the hell back in there! | 0:42:33 | 0:42:38 | |
Tobe, I'm sorry. | 0:42:45 | 0:42:47 | |
I'm sorry. | 0:42:47 | 0:42:49 | |
-Get the fuck away from me. -Are you all right? | 0:42:49 | 0:42:51 | |
Get the fuck away! | 0:42:51 | 0:42:53 | |
SOFT KNOCKING | 0:43:01 | 0:43:04 | |
-What are you doing? -I'm knocking on your window. | 0:43:19 | 0:43:22 | |
-What are you doing? -I'm sleeping. -How did your window get broke? | 0:43:22 | 0:43:28 | |
Just an accident. | 0:43:30 | 0:43:33 | |
Did he get rough with you? | 0:43:33 | 0:43:34 | |
-No. -You swear? -Yeah. | 0:43:34 | 0:43:38 | |
Did her say anything about me? | 0:43:38 | 0:43:40 | |
He just said that he didn't want me to see you any more. | 0:43:43 | 0:43:46 | |
You ain't going to listen to him, are you? | 0:43:52 | 0:43:54 | |
No way. | 0:43:56 | 0:43:58 | |
Want to come take a walk with me? | 0:44:02 | 0:44:05 | |
I can't. | 0:44:05 | 0:44:06 | |
There's a mean church service going on down the road. | 0:44:06 | 0:44:09 | |
Spanish Lutherans. | 0:44:09 | 0:44:11 | |
You never seen spirit like that. | 0:44:11 | 0:44:14 | |
I can't. Just not tonight. | 0:44:14 | 0:44:16 | |
Will I see you tomorrow? | 0:44:16 | 0:44:18 | |
I'm not going to be here. | 0:44:18 | 0:44:20 | |
I got to go with April and her parents | 0:44:20 | 0:44:22 | |
to San Diego for the weekend. | 0:44:22 | 0:44:24 | |
Then I'll come and see you on Monday morning. | 0:44:24 | 0:44:26 | |
Don't come over here, just because of my dad. I'll come and see you. | 0:44:26 | 0:44:31 | |
OK. What time? | 0:44:31 | 0:44:34 | |
10:02 in the morning. | 0:44:34 | 0:44:36 | |
Why so late? | 0:44:37 | 0:44:39 | |
10:01. | 0:44:39 | 0:44:41 | |
All right, that'll do. | 0:44:43 | 0:44:44 | |
Crazy cowboy. | 0:44:46 | 0:44:48 | |
Do you love me? | 0:44:50 | 0:44:52 | |
Yes. Now get. | 0:44:54 | 0:44:56 | |
'Dear Joe, I am sorry to notice how many days have come and gone | 0:45:27 | 0:45:31 | |
'since you have heard word from me. | 0:45:31 | 0:45:34 | |
'Did you think your old cowpoke had rode himself off the edge of the earth? | 0:45:34 | 0:45:38 | |
'Gone but not forgotten, I hope. | 0:45:38 | 0:45:40 | |
'I've meant to write to you for some time but have just been too darn busy, | 0:45:44 | 0:45:48 | |
'what with working so hard and trying to have a little fun now and then on the side. | 0:45:48 | 0:45:52 | |
'I know that you worry about me being lonely out here on my own, | 0:45:55 | 0:45:58 | |
'so you will be pleased to know that I am going with a super gal. | 0:45:58 | 0:46:02 | |
'Her name is October. | 0:46:02 | 0:46:04 | |
'Eight million folks in this town, but she's the one for me. | 0:46:04 | 0:46:07 | |
'She brought me to her family, and they have made me their own, | 0:46:07 | 0:46:11 | |
'and we are stuck together like each other's shadow.' | 0:46:11 | 0:46:13 | |
Hey. It's the twig man. | 0:46:36 | 0:46:38 | |
What's shaking, bud? | 0:46:38 | 0:46:41 | |
All right. | 0:46:41 | 0:46:43 | |
You having a good vacation? | 0:46:43 | 0:46:45 | |
Yeah. | 0:46:45 | 0:46:46 | |
Well, is Tobe around? | 0:46:46 | 0:46:48 | |
No. | 0:46:48 | 0:46:50 | |
Has she got back from her trip? | 0:46:52 | 0:46:54 | |
I don't know. | 0:46:54 | 0:46:55 | |
Huh. | 0:46:57 | 0:46:58 | |
You want to wait for her? | 0:46:58 | 0:47:01 | |
Well, I mean, I was waiting for her. | 0:47:03 | 0:47:05 | |
She was supposed to come by to... | 0:47:05 | 0:47:07 | |
Nah, that's all right. I'm going to be at my spread. | 0:47:11 | 0:47:14 | |
-When she gets home, just tell her to come and see me, OK? -OK. | 0:47:14 | 0:47:17 | |
-All right. I'll see ya. -Hey, Harlan? | 0:47:17 | 0:47:20 | |
-Do you want to see something? -Yeah. | 0:47:25 | 0:47:30 | |
Wow. That's a hell of a collection. | 0:47:31 | 0:47:33 | |
You know what that is? | 0:47:37 | 0:47:38 | |
-That's a 1921 Colt Peacemaker. -Yeah. That's his favourite. | 0:47:40 | 0:47:44 | |
That's a beauty. | 0:47:45 | 0:47:47 | |
-You ever shoot any of these with him? -No. | 0:47:49 | 0:47:52 | |
He says I have to be sixteen to touch a gun. | 0:47:52 | 0:47:55 | |
Sixteen? | 0:47:55 | 0:47:56 | |
Your dad was in the war, huh? | 0:47:59 | 0:48:01 | |
Yeah, I guess. | 0:48:01 | 0:48:02 | |
Well, you doing anything today? | 0:48:07 | 0:48:09 | |
So, who's your real pa, then, if it ain't Wade? | 0:48:47 | 0:48:51 | |
I don't know. | 0:48:51 | 0:48:52 | |
-I never met him. -Well, I guess Wade's it, then, huh? | 0:48:52 | 0:48:56 | |
Yeah. I guess he pays for our food and everything. | 0:48:58 | 0:49:02 | |
Nah, it takes more than that to be a pa. | 0:49:02 | 0:49:05 | |
Where's your dad? | 0:49:05 | 0:49:07 | |
Well, he up and left me when I was right about your age. | 0:49:07 | 0:49:12 | |
This right here, that's a single-action Colt 45. | 0:49:22 | 0:49:26 | |
They been making that gun since 1873 | 0:49:26 | 0:49:29 | |
and they ain't made a single change to it. | 0:49:29 | 0:49:31 | |
That's how sweet it is. | 0:49:31 | 0:49:33 | |
Everyone you ever heard of - Wyatt Earp, Billy the Kid, all of 'em - | 0:49:33 | 0:49:37 | |
they had a gun just like this. | 0:49:37 | 0:49:39 | |
Now, "single-action" - what that means is | 0:49:39 | 0:49:41 | |
that you can pull that trigger all day and it doesn't do nothing. | 0:49:41 | 0:49:44 | |
You got to thumb that hammer back for it to fire and you got to do it every time. | 0:49:44 | 0:49:48 | |
That makes it a little tricky. | 0:49:48 | 0:49:50 | |
That means in the old days, those gunfighters, they had to draw and cock and shoot all in one motion. | 0:49:50 | 0:49:54 | |
After a while, you start getting a rhythm with it. | 0:49:59 | 0:50:02 | |
You want the last two? | 0:50:17 | 0:50:19 | |
Come on over here. Now, when you're ready, | 0:50:23 | 0:50:27 | |
just thumb her back. | 0:50:27 | 0:50:28 | |
Just let it roll nice and easy. | 0:50:28 | 0:50:30 | |
Be ready. It's going to kick a little the first time. | 0:50:30 | 0:50:33 | |
Now, this time, don't even aim it. | 0:50:36 | 0:50:39 | |
Just point it like you point your finger. | 0:50:39 | 0:50:41 | |
Make it almost like an extension of you, OK? | 0:50:41 | 0:50:44 | |
Look at that! | 0:50:54 | 0:50:56 | |
That's good stuff. | 0:50:56 | 0:50:58 | |
# The silence of | 0:51:24 | 0:51:27 | |
# A falling star | 0:51:27 | 0:51:29 | |
# Lights up the purple sky | 0:51:29 | 0:51:34 | |
# And as I wonder where you are | 0:51:34 | 0:51:38 | |
# I'm so lonesome | 0:51:38 | 0:51:41 | |
# I could cry | 0:51:41 | 0:51:45 | |
HARLAN JOINS IN # I'm so lonesome | 0:51:45 | 0:51:47 | |
# I could cry. # | 0:51:47 | 0:51:51 | |
Boy, that's about my favourite song. | 0:51:52 | 0:51:54 | |
We could sound all right with a little more practice. | 0:51:57 | 0:52:00 | |
Tobe's not here. | 0:52:00 | 0:52:02 | |
And I don't want her spending time with you. | 0:52:02 | 0:52:04 | |
Well, I'm going to have to hear that from her before it's OK with me. | 0:52:04 | 0:52:08 | |
Anyway, I wasn't spending time with Tobe, I was here with Lonnie. | 0:52:11 | 0:52:15 | |
The point is, I don't want you around here. Period. | 0:52:15 | 0:52:18 | |
I know that the circumstances of the other night probably don't sit too well with you. | 0:52:18 | 0:52:22 | |
I'm sure you're feeling like I'm a bad influence. | 0:52:22 | 0:52:25 | |
But I ain't. | 0:52:25 | 0:52:27 | |
No, I got nothing but good intentions. | 0:52:27 | 0:52:29 | |
I just wish you'd accept my apology. | 0:52:29 | 0:52:32 | |
You're the head honcho, sir. I really ain't trying to take that away from you. | 0:52:32 | 0:52:37 | |
OK. It's Harlan, right? | 0:52:37 | 0:52:38 | |
Yes, that's right, Harlan. Harlan Fairfax Carruthers. | 0:52:38 | 0:52:41 | |
OK. Well, Harlan, I know all about you | 0:52:41 | 0:52:44 | |
and I ain't buying what you're selling. | 0:52:44 | 0:52:46 | |
Huh. How do you know so much about me? | 0:52:46 | 0:52:49 | |
Cos it's my job, and I see your kind every day. | 0:52:49 | 0:52:52 | |
-My kind? -Yes, sir. | 0:52:52 | 0:52:54 | |
-Well, what kind is that? -Well, | 0:52:54 | 0:52:55 | |
-you need me to spell it out for you? -Well, I think you should. | 0:52:55 | 0:52:59 | |
What you are is you're a piece of trailer trash. | 0:52:59 | 0:53:01 | |
You're a nobody who wishes he was a somebody. | 0:53:01 | 0:53:04 | |
But what makes you different is you're willing to do | 0:53:04 | 0:53:07 | |
something stupid to meet your goal. | 0:53:07 | 0:53:09 | |
And that makes you a menace. | 0:53:09 | 0:53:11 | |
And that's why I don't want you around my kids. | 0:53:11 | 0:53:14 | |
Tell me the truth. Does that sound like me to you? | 0:53:18 | 0:53:22 | |
No. | 0:53:22 | 0:53:25 | |
-Shut up and go inside. -That boy has a right to his opinion of me. | 0:53:25 | 0:53:28 | |
-Go inside, Lonnie. -No, he's my friend. | 0:53:28 | 0:53:30 | |
-Lonnie... -No, he knows me. -Go inside. -It's OK. | 0:53:30 | 0:53:33 | |
You shut the fuck up. You go inside. | 0:53:33 | 0:53:34 | |
-Hey. Hey! Don't yell at him... -Get the fuck inside! | 0:53:34 | 0:53:37 | |
You better talk to me, mister, cos I am here! | 0:53:37 | 0:53:41 | |
And I ain't nobody. I am a person. And I ain't blowing out of here | 0:53:41 | 0:53:43 | |
-just cos one son of a bitch don't like me. -If that's the way you want it... -OK? -OK. | 0:53:43 | 0:53:47 | |
I know I ain't important, but I know how to stand my ground...for love. | 0:53:47 | 0:53:51 | |
Damn! I'm sorry, man. | 0:53:55 | 0:53:57 | |
I'm really sorry. | 0:53:57 | 0:54:00 | |
-No, you should go. -I can't. I can't do that. | 0:54:00 | 0:54:05 | |
No more. No more. | 0:54:05 | 0:54:07 | |
-No more. -He's getting his gun! -That's OK. That's OK. | 0:54:07 | 0:54:11 | |
That's OK. You don't got to go here. We don't have to do this at all. | 0:54:11 | 0:54:14 | |
Get the hell out of here. | 0:54:14 | 0:54:16 | |
You're setting a terrible example for that boy. | 0:54:16 | 0:54:18 | |
Don't! | 0:54:18 | 0:54:20 | |
Am I getting through to you? | 0:54:22 | 0:54:25 | |
Yeah, you're getting through. | 0:54:28 | 0:54:30 | |
You're getting through loud and clear. | 0:54:31 | 0:54:34 | |
Do you want to pull it, or do you want me to walk out of here? | 0:54:38 | 0:54:41 | |
I want you to get the fuck out of here. | 0:54:41 | 0:54:43 | |
OK, put her down. I'll leave. | 0:54:49 | 0:54:51 | |
You're a real solid kid. Don't you let anybody tell you different. | 0:55:09 | 0:55:12 | |
No, Lonnie. | 0:55:20 | 0:55:21 | |
You can't threaten my friends with a gun! What right do you have? | 0:55:24 | 0:55:27 | |
-How do I know he's not some kind of pervert? -You're a fucking bastard! | 0:55:27 | 0:55:30 | |
-Just watch your fucking... -I'll cuss you if I fucking want to! | 0:55:30 | 0:55:33 | |
Would you...? | 0:55:33 | 0:55:35 | |
-Tobe, Tobe, Tobe, c'mon. -Stop it! | 0:55:40 | 0:55:44 | |
STOP! STOP! | 0:55:44 | 0:55:46 | |
STOP! STOP! | 0:55:46 | 0:55:49 | |
-All right... -I love him! | 0:55:49 | 0:55:52 | |
Why can't you just let me love him? | 0:55:52 | 0:55:55 | |
-Hey. -Hey. Where you been? | 0:56:51 | 0:56:54 | |
You had me all worried. C'mon. | 0:56:54 | 0:56:58 | |
C'mere. C'mon, sit down. Sit down. | 0:56:58 | 0:57:00 | |
It's OK. | 0:57:03 | 0:57:05 | |
I'm really sorry that he did that to you. | 0:57:06 | 0:57:09 | |
Well... | 0:57:10 | 0:57:12 | |
Yeah. It's all right. | 0:57:13 | 0:57:16 | |
Y'know, sometimes things like this make things a whole lot clearer. | 0:57:17 | 0:57:21 | |
But he's going off about you, like, kidnapped Lonnie, or some bullshit. | 0:57:21 | 0:57:26 | |
I just don't believe him. He's gotten so crazy. | 0:57:27 | 0:57:30 | |
I had him back before the sun was even down, y'know? | 0:57:30 | 0:57:32 | |
Hey, do you want a doughnut, sweetheart? | 0:57:32 | 0:57:34 | |
-Or a cup of hot chocolate? -No. No, no, no, no, no, wait. | 0:57:34 | 0:57:37 | |
You really did take him out? | 0:57:40 | 0:57:42 | |
Well, yeah. Yeah. I went looking for you. | 0:57:43 | 0:57:45 | |
I was worried when you didn't show up. | 0:57:45 | 0:57:47 | |
He was there on his own, y'know? He didn't have nothing to do. | 0:57:47 | 0:57:51 | |
I felt bad for him. | 0:57:51 | 0:57:52 | |
I took him out to that wash and we just popped a few cans. | 0:57:52 | 0:57:55 | |
You took him shooting?! | 0:57:55 | 0:57:58 | |
-Why would you do that? -He was all alone. | 0:57:58 | 0:58:00 | |
You should've seen his face. I felt so bad for him. | 0:58:00 | 0:58:03 | |
That's not the point! | 0:58:03 | 0:58:05 | |
You knew that would piss my dad off! | 0:58:05 | 0:58:07 | |
Oh, yeah. | 0:58:08 | 0:58:10 | |
I just... | 0:58:13 | 0:58:15 | |
I thought I was going to have him back before he got home, but... | 0:58:15 | 0:58:19 | |
Harlan, you can't just do things like that. | 0:58:21 | 0:58:25 | |
Now it's going to be even harder for me to see you. | 0:58:25 | 0:58:28 | |
October... | 0:58:34 | 0:58:36 | |
..Are you happy living in that house with Wade? | 0:58:37 | 0:58:39 | |
We got to get you out of there. | 0:58:44 | 0:58:47 | |
-What? -We got to get you out of there. You and Lonnie both. | 0:58:47 | 0:58:50 | |
We'll take you somewhere else. | 0:58:50 | 0:58:52 | |
Harlan, no, just stop being so... | 0:58:52 | 0:58:53 | |
-I'm... Well, how am I being? -Just be cool, OK? | 0:58:53 | 0:58:57 | |
I'm cool as can be. | 0:58:59 | 0:59:01 | |
Look... | 0:59:07 | 0:59:08 | |
..Let's just not see each other for a while. | 0:59:10 | 0:59:13 | |
No! No, I don't want to do that. | 0:59:13 | 0:59:14 | |
Just until he calms down a little bit. | 0:59:14 | 0:59:16 | |
-Well, when is that going to be?! -I don't know! | 0:59:16 | 0:59:20 | |
Hey! Hey, hey, hey, where are you going? Don't go. Don't go. | 0:59:24 | 0:59:27 | |
Harlan, I have to go home. | 0:59:28 | 0:59:32 | |
Look, everything's going to be fine. | 0:59:34 | 0:59:37 | |
OK? | 0:59:37 | 0:59:39 | |
I'm going to figure something out, OK? I promise. | 0:59:41 | 0:59:44 | |
'What's your line? What's your line?' | 1:00:18 | 1:00:21 | |
'I have a background in...' | 1:00:24 | 1:00:27 | |
'..Automotive service.' | 1:00:30 | 1:00:33 | |
'I'm a fucking cowboy, what's your line?' | 1:00:33 | 1:00:37 | |
What, ranching? | 1:00:37 | 1:00:39 | |
But really, I'm an Indian. | 1:00:51 | 1:00:54 | |
Yeah, I'm an Indian. | 1:00:56 | 1:00:58 | |
Last of the Mohicans. | 1:00:58 | 1:01:00 | |
Why, what's your line? | 1:01:03 | 1:01:05 | |
What's your line... | 1:01:07 | 1:01:09 | |
..Wade? | 1:01:11 | 1:01:13 | |
'Corrections. | 1:01:14 | 1:01:16 | |
'I see you're a screw head.' | 1:01:16 | 1:01:19 | |
Yeah, screw head. | 1:01:19 | 1:01:21 | |
Yeah. No, that's what we called you. | 1:01:21 | 1:01:23 | |
Oh, you come from a long line of screw heads? | 1:01:24 | 1:01:27 | |
'I come from a long line of... | 1:01:28 | 1:01:30 | |
'warrior...kings.' | 1:01:30 | 1:01:33 | |
Shut up, man. | 1:01:33 | 1:01:36 | |
You see that? That's how it's going to look coming at you. | 1:01:38 | 1:01:42 | |
Yeah, who's a nobody now? | 1:02:21 | 1:02:23 | |
Let me in, Harlan! Harlan? | 1:02:32 | 1:02:34 | |
Harlan, you in here? | 1:02:34 | 1:02:37 | |
-What's up, Renee? -Just tell me that is not a bullet hole in my window. | 1:02:39 | 1:02:44 | |
Hm... No, I guess it is. | 1:02:44 | 1:02:47 | |
Well, have you just lost your fucking mind, shooting at windows out here? | 1:02:47 | 1:02:50 | |
Renee? Go to your room! | 1:02:50 | 1:02:52 | |
Both of you, go to your room! | 1:02:52 | 1:02:54 | |
Are you fucking crazy? | 1:02:57 | 1:02:59 | |
What? It was just an accident, Renee. I'm sorry. | 1:02:59 | 1:03:01 | |
I don't care what it was. | 1:03:01 | 1:03:04 | |
Now, Harlan, you know I like you, but you never give me any respect, so you have got to go. | 1:03:04 | 1:03:09 | |
Don't think about it, don't ponder it, | 1:03:09 | 1:03:11 | |
don't roll it around in that brain of yours, | 1:03:11 | 1:03:13 | |
just pack up your stuff and go. | 1:03:13 | 1:03:15 | |
I'm serious, Harlan. | 1:03:23 | 1:03:26 | |
I'm getting my fucking shit, Renee! All right? | 1:03:26 | 1:03:29 | |
Last stop. | 1:04:02 | 1:04:04 | |
Hey, buddy. | 1:04:04 | 1:04:05 | |
End of the line. | 1:04:05 | 1:04:08 | |
# And I knew I was close to you | 1:04:21 | 1:04:28 | |
# And I knew | 1:04:28 | 1:04:31 | |
# Catch me flying in the sun | 1:04:34 | 1:04:41 | |
# Catch me drinking of your wine... # | 1:04:41 | 1:04:47 | |
"Dear Joe..." | 1:04:50 | 1:04:52 | |
"Isn't it funny how life goes?" | 1:04:53 | 1:04:55 | |
"We all struggle so mightily. | 1:05:00 | 1:05:03 | |
"I don't even think we really know what secret we're looking for." | 1:05:03 | 1:05:07 | |
"People will tell you all kinds of things out here, designed to make you feel better." | 1:05:10 | 1:05:16 | |
I've never heard so many huckster remedies." | 1:05:18 | 1:05:21 | |
# All your sisters want to fly... # | 1:05:21 | 1:05:25 | |
"I've tried living down in the Valley again. | 1:05:25 | 1:05:29 | |
"Really tried this time. | 1:05:29 | 1:05:31 | |
"I walked up and down it looking for one open face, | 1:05:31 | 1:05:34 | |
"but most people I've met hardly seem like human beings to me any more." | 1:05:34 | 1:05:38 | |
"I've often felt that something mysterious was keeping itself hidden from me, | 1:05:48 | 1:05:52 | |
"and I've spent years trying to guess at it. | 1:05:52 | 1:05:56 | |
"Now life has gone and revealed my purpose to me all at once, | 1:05:56 | 1:05:59 | |
"and everything else just seems like an illusion, | 1:05:59 | 1:06:02 | |
"like a painted wooden horse." | 1:06:02 | 1:06:04 | |
# ..Hollow inside | 1:06:04 | 1:06:07 | |
# It's real... # | 1:06:07 | 1:06:10 | |
# Just because you feel | 1:06:13 | 1:06:17 | |
# Hollow inside | 1:06:18 | 1:06:21 | |
# It's real... # | 1:06:21 | 1:06:23 | |
-Can I help you? -Uh, maybe. I'm looking for someone. | 1:06:39 | 1:06:43 | |
Who are you looking for? | 1:06:43 | 1:06:45 | |
I'm looking for a friend of mine. | 1:06:45 | 1:06:47 | |
You're disturbing our prayers, and you must leave. | 1:06:47 | 1:06:50 | |
-OK. -OK? -It's not him. OK! | 1:06:50 | 1:06:54 | |
OK, OK! Take your hands off me. | 1:06:54 | 1:06:57 | |
Don't push me, big fella. Don't push me. | 1:06:57 | 1:07:00 | |
Cut it out! Oh, come on! | 1:07:02 | 1:07:04 | |
Come on! This is no way to treat a person! | 1:07:08 | 1:07:11 | |
"It's been a long time, Joe. | 1:07:29 | 1:07:32 | |
"Will you be surprised to hear from me? | 1:07:32 | 1:07:35 | |
"If we passed each other on the street, we might not even recognise each other to say hello. | 1:07:35 | 1:07:40 | |
"Maybe that's happened, without our even sensing it." | 1:07:40 | 1:07:43 | |
"I used to wonder why you did what you did, what made you leave, | 1:07:47 | 1:07:51 | |
"but I think I see now what you were looking for. | 1:07:51 | 1:07:55 | |
"I hope you see that, in my own way, I'm after the same things." | 1:07:55 | 1:07:59 | |
"I hope this letter finds you well, though I would have liked to look you in the face one more time." | 1:08:02 | 1:08:07 | |
"The winter rains have cleared the smog out. | 1:08:11 | 1:08:14 | |
"For the first time, I can really see the trail in front of me. | 1:08:14 | 1:08:18 | |
"I'm off to a greener pasture." | 1:08:18 | 1:08:21 | |
"If you think of me now and then, wish me luck. | 1:08:21 | 1:08:25 | |
"Your loving son." | 1:08:25 | 1:08:27 | |
RADIO ON | 1:09:08 | 1:09:10 | |
RADIO OFF | 1:09:21 | 1:09:23 | |
Hey, sweet pea. | 1:09:44 | 1:09:45 | |
-What are you doing? -Hey! | 1:09:53 | 1:09:56 | |
Oh, gosh. | 1:09:56 | 1:09:57 | |
Where have you been? | 1:09:57 | 1:09:59 | |
I've been around. I just... | 1:09:59 | 1:10:02 | |
I had a few things I had to do. | 1:10:02 | 1:10:04 | |
I was really worried about you. I didn't know where you were. | 1:10:06 | 1:10:09 | |
I thought you didn't want to see me for a while, so I... | 1:10:09 | 1:10:13 | |
I thought I should leave you alone. | 1:10:13 | 1:10:15 | |
You didn't have to disappear. | 1:10:15 | 1:10:18 | |
I was just really upset when I said that. | 1:10:18 | 1:10:21 | |
-Are you sure? -Yeah. | 1:10:21 | 1:10:22 | |
You ain't still mad at me now? | 1:10:22 | 1:10:24 | |
Oh, gosh. | 1:10:26 | 1:10:27 | |
Oh, that's all that matters, then. | 1:10:29 | 1:10:31 | |
As long as we're sticking together. | 1:10:31 | 1:10:33 | |
Are you OK? | 1:10:34 | 1:10:36 | |
Yeah. | 1:10:36 | 1:10:38 | |
I know you didn't want me coming round here, but, I don't know, I really needed to see you. | 1:10:38 | 1:10:42 | |
You know, I wanted to talk to you about things. | 1:10:42 | 1:10:45 | |
How did you even get in? | 1:10:46 | 1:10:48 | |
I thought I heard you round the side, so I went round, and there was a door open. | 1:10:48 | 1:10:52 | |
I didn't see your dad's truck here, so I thought I could surprise you or something. | 1:10:52 | 1:10:56 | |
-Let's go for a walk. -No, no. No. | 1:10:58 | 1:11:00 | |
C'mere. C'mon. No, no, c'mon. | 1:11:00 | 1:11:03 | |
C'mon, we ain't got time. | 1:11:03 | 1:11:04 | |
What's going on, Harlan? | 1:11:16 | 1:11:18 | |
What do you mean? | 1:11:21 | 1:11:23 | |
Why is my bag out? | 1:11:23 | 1:11:25 | |
Cos we're going to get out of here. | 1:11:25 | 1:11:27 | |
What are you talking about? | 1:11:27 | 1:11:30 | |
Like I said, I told you, I would figure this out. I did. Look. | 1:11:30 | 1:11:33 | |
Look, it took me a little while, but I got some real dough together. | 1:11:33 | 1:11:37 | |
This'll take us a long way, and then we can get set up and send for Lonnie or whatever you want to do. | 1:11:37 | 1:11:42 | |
Whatever you want to do, we can do it now. | 1:11:42 | 1:11:44 | |
I packed a few things. | 1:11:44 | 1:11:45 | |
I didn't know exactly what you would want, but I just got excited. I got seven of everything. | 1:11:45 | 1:11:50 | |
I couldn't find seven of your bras. I mean... | 1:11:50 | 1:11:53 | |
I put your dress in, but I'm sure there's stuff you're going to want, little things I don't know about. | 1:11:53 | 1:11:59 | |
Sweetheart, what do you say? Come on. | 1:12:00 | 1:12:02 | |
OK, Harlan, my dad's going to be here any second, so let's just go right now. OK? | 1:12:02 | 1:12:06 | |
No, no. No, no, no, we got time. We got time. | 1:12:06 | 1:12:08 | |
Let's get our stuff, cos we ain't going to have another chance. | 1:12:08 | 1:12:11 | |
No, come on. Put this back. Please. | 1:12:11 | 1:12:13 | |
No, no. Hey, whoa. What are you doing? | 1:12:13 | 1:12:15 | |
-If my dad sees this, he's going to kill me, OK? -He's not going to kill you. | 1:12:15 | 1:12:18 | |
Sweetheart, we're going to be a long way away before he figures this out. | 1:12:18 | 1:12:21 | |
-We'll deal with that part later. -I told you the other day that I didn't want to go away. | 1:12:21 | 1:12:26 | |
-No, that wasn't you talking, though. That... -Who was it, then? | 1:12:30 | 1:12:34 | |
That was someone else's voice talking through you. That was your fear. | 1:12:34 | 1:12:37 | |
I don't even know what the hell you're talking about, OK? So I think you need to go. | 1:12:37 | 1:12:41 | |
October, listen to me. Sweetheart? I know you're scared, but we ain't going to get another chance. | 1:12:41 | 1:12:46 | |
Now, you got to look down inside you and listen to your true heart. | 1:12:46 | 1:12:48 | |
-Listen to what it's telling you. -You know what? This is my true heart, and my true voice, | 1:12:48 | 1:12:52 | |
-and I want you to go, OK? Go! -Don't holler at me! | 1:12:52 | 1:12:55 | |
There is a need to holler! You're not listening to me! And you need to get out of here! | 1:12:55 | 1:12:58 | |
What is wrong with you, Harlan? | 1:12:58 | 1:12:59 | |
What's wrong with you? | 1:12:59 | 1:13:01 | |
SHE SLUMPS | 1:13:01 | 1:13:02 | |
GROANING | 1:13:10 | 1:13:12 | |
Sweet pea... | 1:13:25 | 1:13:26 | |
Sweet pea, I didn't... | 1:13:28 | 1:13:31 | |
Honey, can you hear me? | 1:13:32 | 1:13:35 | |
Can you hear me? | 1:13:35 | 1:13:36 | |
Just keep breathing. | 1:13:38 | 1:13:40 | |
Keep breathing. | 1:13:40 | 1:13:41 | |
'911. What is your emergency? | 1:13:56 | 1:13:58 | |
'911. What is your emergency?' | 1:13:58 | 1:14:00 | |
'Hello?' | 1:14:01 | 1:14:02 | |
Anyone home here? | 1:14:27 | 1:14:28 | |
Tobe? | 1:14:30 | 1:14:31 | |
Lonnie? | 1:14:32 | 1:14:33 | |
RATTLING | 1:14:33 | 1:14:36 | |
Tobe? | 1:14:36 | 1:14:37 | |
Tobe? | 1:14:47 | 1:14:48 | |
Somebody help my daughter! | 1:15:01 | 1:15:03 | |
Somebody! Help my daughter! | 1:15:03 | 1:15:06 | |
Do you have any other firearms in the house? | 1:16:15 | 1:16:17 | |
I keep them all under lock and key. | 1:16:17 | 1:16:20 | |
Except for the one. | 1:16:20 | 1:16:21 | |
He must have broken into it. | 1:16:23 | 1:16:26 | |
The case wasn't broken into. | 1:16:26 | 1:16:28 | |
Well, look, he got it somehow. | 1:16:28 | 1:16:30 | |
OK... Did she say anything? | 1:16:30 | 1:16:33 | |
No. | 1:16:33 | 1:16:34 | |
She was... | 1:16:36 | 1:16:37 | |
She was already unconscious. | 1:16:37 | 1:16:39 | |
What about your son? | 1:16:39 | 1:16:42 | |
He came home after we left. | 1:16:42 | 1:16:44 | |
-Does he have access to your guns? -No way. | 1:16:44 | 1:16:48 | |
His fingerprints were on the gun. | 1:16:48 | 1:16:50 | |
Could have been an accident. | 1:16:52 | 1:16:54 | |
It wasn't an accident. | 1:16:54 | 1:16:56 | |
Well, nobody else has seen this cowboy person, Wade. | 1:16:59 | 1:17:04 | |
KNOCKING AT WINDOW | 1:17:16 | 1:17:19 | |
Hey, twig! | 1:17:21 | 1:17:23 | |
Hey, bud. | 1:17:28 | 1:17:29 | |
Tobe got shot. | 1:17:38 | 1:17:39 | |
Yeah, I know it. | 1:17:40 | 1:17:42 | |
-I got hit too. -Who did it? | 1:17:44 | 1:17:46 | |
She didn't say nothing to nobody? | 1:17:46 | 1:17:49 | |
She's in a coma. | 1:17:49 | 1:17:51 | |
It was Wade. | 1:17:56 | 1:17:57 | |
-It was? -Yeah. | 1:17:58 | 1:18:01 | |
I came over here to see her. | 1:18:01 | 1:18:03 | |
I wanted to say goodbye, cos I was going away for a while. | 1:18:03 | 1:18:06 | |
She wanted to come with me, and...we were talking about it, | 1:18:07 | 1:18:12 | |
and we didn't hear him come home. | 1:18:12 | 1:18:14 | |
He come at me with that gun. | 1:18:14 | 1:18:16 | |
Tobe got in-between us, and he shot her. | 1:18:16 | 1:18:19 | |
She was trying to protect me, and he shot her. | 1:18:19 | 1:18:21 | |
What kind of a son of a bitch would do a thing like that? | 1:18:24 | 1:18:27 | |
He'd've shot me too, but I jumped out that window. | 1:18:27 | 1:18:30 | |
Where did you get shot? | 1:18:30 | 1:18:32 | |
Does it hurt? | 1:18:36 | 1:18:37 | |
No, it just went through the skin. | 1:18:37 | 1:18:40 | |
I'll be all right. | 1:18:41 | 1:18:43 | |
They found my fingerprints on the gun. | 1:18:43 | 1:18:47 | |
I have to talk to the police tomorrow morning. | 1:18:47 | 1:18:49 | |
Twig, I want you to listen to me. | 1:18:56 | 1:18:59 | |
I think that you should go on and get some of your things together | 1:19:01 | 1:19:04 | |
-and you should come with me right now. -I can't. -Yes, you can. | 1:19:04 | 1:19:07 | |
Y'know, sooner or later, those cops are going to figure out | 1:19:07 | 1:19:12 | |
it was your dad that done this thing. | 1:19:12 | 1:19:14 | |
And when they do, they're going to lock him away. | 1:19:14 | 1:19:17 | |
Then they're going to take you | 1:19:18 | 1:19:20 | |
-and they're going to put you with another family. -No, they won't. | 1:19:20 | 1:19:24 | |
Yes, they will. | 1:19:24 | 1:19:25 | |
That's the truth. | 1:19:25 | 1:19:27 | |
You're going to end up a ward of the state, bud. | 1:19:27 | 1:19:32 | |
Do you know what that means? | 1:19:32 | 1:19:34 | |
It's about the worst thing that can happen to a kid. | 1:19:36 | 1:19:40 | |
And I don't want that to happen to you. | 1:19:40 | 1:19:43 | |
And if you want to come with me, I'll take you out of here. | 1:19:43 | 1:19:46 | |
We'll go up to my hide-out for a while. | 1:19:46 | 1:19:48 | |
When Tobe gets better, we'll come down here and we'll get her too. | 1:19:49 | 1:19:52 | |
What do you say, bud? | 1:19:56 | 1:19:58 | |
You want to go with me? | 1:19:58 | 1:19:59 | |
Yeah. | 1:20:02 | 1:20:03 | |
All right. | 1:20:03 | 1:20:06 | |
Go and throw a few of your duds in a bag. | 1:20:06 | 1:20:08 | |
Get me a blanket. | 1:20:08 | 1:20:09 | |
I'll meet you out in the back alley, OK? C'mon. | 1:20:09 | 1:20:12 | |
C'mon. Come on. | 1:21:02 | 1:21:03 | |
Mr Somers? She's up. | 1:21:21 | 1:21:24 | |
Hi. | 1:21:33 | 1:21:34 | |
Hi. | 1:21:41 | 1:21:42 | |
What happened? | 1:21:47 | 1:21:49 | |
Well, you've been passed out. | 1:21:51 | 1:21:54 | |
I feel... | 1:21:54 | 1:21:56 | |
really weird. | 1:21:56 | 1:21:58 | |
Where's Lonnie? | 1:22:07 | 1:22:09 | |
Well, it's about as high up as you can get around here. | 1:22:47 | 1:22:50 | |
Are you crying, bud? | 1:22:55 | 1:22:56 | |
I'm sorry. | 1:22:58 | 1:22:59 | |
Don't ever be sorry for crying. | 1:23:03 | 1:23:05 | |
Ain't no shame in that. | 1:23:05 | 1:23:07 | |
I try not to cry in front of someone | 1:23:12 | 1:23:15 | |
if I think they're against me, but that's about it. | 1:23:15 | 1:23:18 | |
Is Tobe going to be OK? | 1:23:27 | 1:23:28 | |
Is that what you're worrying about? | 1:23:32 | 1:23:34 | |
Yeah, she is. She's going to be fine. | 1:23:41 | 1:23:44 | |
Hey, Lon? | 1:23:46 | 1:23:47 | |
-What's going on? -He's not here. | 1:23:47 | 1:23:51 | |
Lonnie? Hey, Lonnie? Lon? | 1:23:51 | 1:23:54 | |
A guy in Santa Clarita spotted him. | 1:24:20 | 1:24:23 | |
His name's Martin Lassiter. He's a local kid from Reseda. | 1:24:25 | 1:24:29 | |
Did a year in Chino for robbery. | 1:24:29 | 1:24:31 | |
-How far? -It's just up here. | 1:24:36 | 1:24:40 | |
Hey, bud. C'mon, let's take a walk. I want to show you something. | 1:25:06 | 1:25:10 | |
What? | 1:25:10 | 1:25:11 | |
Come on, just trust me. C'mon. | 1:25:14 | 1:25:16 | |
You hold on to that for a while. | 1:25:44 | 1:25:46 | |
Where are you going? | 1:25:53 | 1:25:55 | |
I'm right here. | 1:25:55 | 1:25:57 | |
I ain't going anywhere. | 1:25:57 | 1:25:59 | |
Are you there? | 1:26:06 | 1:26:07 | |
Yeah, I'm right with you. | 1:26:07 | 1:26:10 | |
Now, you're OK. Just work your way back to that fire. | 1:26:10 | 1:26:13 | |
RUSTLING | 1:26:33 | 1:26:35 | |
-What was that? -It's just another scared creature, like us. | 1:26:38 | 1:26:42 | |
RUSTLING | 1:26:53 | 1:26:54 | |
Don't run. | 1:26:54 | 1:26:57 | |
Move, but don't move like fear moves. | 1:26:57 | 1:27:01 | |
Move like a panther. Move confident... | 1:27:01 | 1:27:04 | |
then you will be. | 1:27:04 | 1:27:06 | |
FAINT VOICES | 1:27:11 | 1:27:14 | |
Harlan? | 1:27:17 | 1:27:18 | |
Stop there! | 1:27:22 | 1:27:23 | |
Harlan! | 1:27:25 | 1:27:26 | |
-Wait! -Wade... Wade! | 1:27:26 | 1:27:28 | |
GUNSHOT | 1:27:28 | 1:27:30 | |
GUNSHOT | 1:27:30 | 1:27:31 | |
GUNSHOT | 1:27:31 | 1:27:32 | |
GUNSHOT | 1:27:32 | 1:27:33 | |
GUNSHOT | 1:27:33 | 1:27:34 | |
-GUNSHOT -Lonnie! | 1:27:34 | 1:27:36 | |
C'mon! Come on! | 1:27:36 | 1:27:39 | |
No, no, no, don't shoot. Lonnie? Lon! | 1:27:41 | 1:27:43 | |
Well, they sure ain't going to find us, cos I don't even know where we are. | 1:28:10 | 1:28:14 | |
Come on. | 1:28:14 | 1:28:16 | |
Hey. | 1:28:46 | 1:28:47 | |
Hey. | 1:28:48 | 1:28:49 | |
Whoa, whoa, whoa. | 1:29:00 | 1:29:03 | |
Where are we? | 1:29:03 | 1:29:04 | |
HARLAN COUGHS | 1:29:34 | 1:29:36 | |
HORSE NEIGHS | 1:29:37 | 1:29:39 | |
Even that horse ain't too happy with me and I don't blame him. | 1:29:39 | 1:29:42 | |
No, he's fine. | 1:29:42 | 1:29:44 | |
HARLAN COUGHS | 1:29:51 | 1:29:53 | |
Hell. | 1:29:53 | 1:29:55 | |
Well, this sure ain't like I painted it, Lon. | 1:29:59 | 1:30:03 | |
I'm sorry about that. | 1:30:03 | 1:30:05 | |
No, that's fine. | 1:30:05 | 1:30:08 | |
Y'know when there were still real cowboys out here? | 1:30:09 | 1:30:12 | |
They called each other "partner", and they meant it. | 1:30:13 | 1:30:16 | |
They rode a hard trail together. | 1:30:16 | 1:30:18 | |
Y'know what, Lon? | 1:30:31 | 1:30:32 | |
We got to get some sleep. | 1:30:43 | 1:30:44 | |
FAINT MUSIC | 1:31:18 | 1:31:20 | |
HELICOPTER BLADES WHIR | 1:31:23 | 1:31:26 | |
HELICOPTER APPROACHES | 1:31:30 | 1:31:32 | |
MUSIC CONTINUES | 1:32:02 | 1:32:04 | |
-It's awfully nice. -Yes, it is. | 1:32:49 | 1:32:53 | |
Town ain't a real town, till it has a dance. | 1:32:53 | 1:32:56 | |
Would you take a turn with me? | 1:32:58 | 1:33:00 | |
I hardly feel I have the right to ask ladies such as yourself to dance. | 1:33:03 | 1:33:08 | |
Well, I'm asking you. | 1:33:08 | 1:33:10 | |
-OK. -Come on. Yeah. | 1:33:12 | 1:33:15 | |
-Bud, I think that's yours. -Thank you. | 1:33:18 | 1:33:21 | |
Let's make room for our new marshal and his lady fair! | 1:33:24 | 1:33:29 | |
CHEERING | 1:33:29 | 1:33:30 | |
Duty calls, huh? | 1:33:30 | 1:33:32 | |
I'll catch you later. | 1:33:32 | 1:33:33 | |
Harlan! | 1:34:06 | 1:34:07 | |
Harlan! | 1:34:46 | 1:34:48 | |
Jesus! | 1:34:53 | 1:34:54 | |
-Don't take another step! -Martin, take it easy. | 1:34:54 | 1:34:57 | |
You take it easy. Come on, twig, come on down. | 1:34:57 | 1:35:00 | |
-Untie that horse. -Lonnie, get out of there. | 1:35:00 | 1:35:03 | |
Wade, you take another step toward that boy and I'll put the next one in your head, and I ain't fooling. | 1:35:05 | 1:35:10 | |
Look, nobody's going to shoot anybody. We're going to put our guns down and talk. | 1:35:10 | 1:35:14 | |
No, you're going to put your gun down. Do it right now! | 1:35:14 | 1:35:17 | |
Easy, easy. | 1:35:17 | 1:35:19 | |
Thumb and the finger, real slow. You too! | 1:35:19 | 1:35:23 | |
Drop that belt! | 1:35:23 | 1:35:26 | |
Go on, drop it! | 1:35:26 | 1:35:27 | |
-Go on, Lonnie, untie the horse. -Lonnie, he shot Tobe. | 1:35:35 | 1:35:38 | |
You shut your fucking mouth! | 1:35:38 | 1:35:40 | |
-The girl is not dead, Martin. -You can tell the police all the lies you want, Wade, | 1:35:40 | 1:35:43 | |
but you and me both know it was you that killed her. | 1:35:43 | 1:35:45 | |
-You're out of your fucking mind! -Lonnie knows it's true, too. He's seen the same things that I seen. | 1:35:45 | 1:35:50 | |
Harlan! | 1:35:50 | 1:35:51 | |
Come on, Lonnie! Come on! Come on! | 1:36:09 | 1:36:11 | |
Let's go. | 1:36:14 | 1:36:17 | |
Ah, hell. | 1:36:39 | 1:36:40 | |
-Are you OK? -Yeah. Take that. | 1:36:48 | 1:36:50 | |
Press it against there. Press it right there. | 1:36:50 | 1:36:53 | |
C'mon, press it. Press it. We got to get off this ridge. | 1:36:53 | 1:36:57 | |
Harlan! | 1:37:30 | 1:37:32 | |
Hey. Hey, we got to get out of here. | 1:37:44 | 1:37:47 | |
Come on, get me on my feet. | 1:37:47 | 1:37:49 | |
-You all right? -Yeah. Go on. Go on! | 1:37:50 | 1:37:53 | |
You going to be all right? | 1:38:20 | 1:38:21 | |
I hope so. I don't want to die in a place like this. | 1:38:21 | 1:38:25 | |
I don't like it in here. | 1:38:27 | 1:38:30 | |
Hey... (Hey, look out there.) | 1:38:40 | 1:38:46 | |
It's Lightning. | 1:38:49 | 1:38:51 | |
-What's he doing? -He's just standing there. | 1:38:51 | 1:38:53 | |
He's going to give us away. | 1:38:53 | 1:38:55 | |
You got to get him out of there. | 1:38:55 | 1:38:57 | |
Bring him around back and put him in the garage. | 1:38:57 | 1:39:00 | |
No, hey, look at me. | 1:39:00 | 1:39:02 | |
You can do this. Go on. Go on. | 1:39:02 | 1:39:05 | |
Go on, you can do it. | 1:39:05 | 1:39:06 | |
He was scared. But he's OK now. | 1:39:44 | 1:39:49 | |
GUN CLICKS | 1:40:04 | 1:40:05 | |
Stop! | 1:40:31 | 1:40:32 | |
No, Lonnie, wait. | 1:40:36 | 1:40:38 | |
LOUD BOOM | 1:40:42 | 1:40:44 | |
HORSE NEIGHS | 1:40:50 | 1:40:51 | |
LOUD BOOM | 1:40:51 | 1:40:53 | |
-Harlan! -Lonnie... | 1:40:56 | 1:40:57 | |
HORSE NEIGHS | 1:41:00 | 1:41:02 | |
LOUD BOOM | 1:41:03 | 1:41:04 | |
Lonnie, he shot your sister. Listen to me. He shot Tobe. | 1:41:04 | 1:41:07 | |
-Lonnie, he shot her. -You're lying! | 1:41:07 | 1:41:10 | |
I'm not. She'll tell you. | 1:41:10 | 1:41:12 | |
Listen to me. She's OK. | 1:41:12 | 1:41:15 | |
HORSE NEIGHS | 1:41:15 | 1:41:17 | |
LOUD BOOM | 1:41:17 | 1:41:18 | |
HORSE NEIGHS | 1:41:33 | 1:41:35 | |
LOUD BOOM | 1:41:35 | 1:41:37 | |
What do we say? | 1:42:36 | 1:42:38 | |
Don't say anything. | 1:42:52 | 1:42:54 | |
Just think it. | 1:42:57 | 1:43:00 | |
# Lean on me gently | 1:43:28 | 1:43:32 | |
# Run to me quickly | 1:43:43 | 1:43:48 | |
# Because I'm gone | 1:43:59 | 1:44:04 | |
# Because I'm gone away. # | 1:44:09 | 1:44:15 |