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This film contains very strong language. | 0:00:02 | 0:00:08 | |
MUSIC: "Sons Of" by Scott Walker | 0:00:43 | 0:00:46 | |
# Sons of the thief | 0:00:51 | 0:00:55 | |
# Sons of the saint | 0:00:55 | 0:00:59 | |
# Who is the child | 0:00:59 | 0:01:02 | |
# With no complaint? | 0:01:02 | 0:01:06 | |
# Sons of the great | 0:01:06 | 0:01:09 | |
# Or sons unknown | 0:01:09 | 0:01:12 | |
# All were children | 0:01:12 | 0:01:18 | |
# Like your own | 0:01:18 | 0:01:21 | |
# The same sweet smiles | 0:01:21 | 0:01:24 | |
# The same sad tears | 0:01:24 | 0:01:27 | |
# The cries at night | 0:01:27 | 0:01:31 | |
# The nightmare fears | 0:01:31 | 0:01:35 | |
# Sons of the great | 0:01:35 | 0:01:38 | |
# Or sons unknown | 0:01:38 | 0:01:43 | |
# All were children | 0:01:43 | 0:01:46 | |
# Like your own | 0:01:46 | 0:01:50 | |
# So long ago | 0:01:50 | 0:01:54 | |
# Long, long ago | 0:01:55 | 0:02:00 | |
# But sons of tycoons | 0:02:02 | 0:02:04 | |
# Or sons of the farms | 0:02:04 | 0:02:08 | |
# All of the children | 0:02:08 | 0:02:11 | |
# Ran from your arms | 0:02:11 | 0:02:14 | |
# Through fields of gold | 0:02:14 | 0:02:17 | |
# Through fields of ruin | 0:02:17 | 0:02:20 | |
# All of the children | 0:02:20 | 0:02:23 | |
# Vanished too soon | 0:02:23 | 0:02:26 | |
# In tow'ring waves | 0:02:26 | 0:02:28 | |
# In walls of flesh | 0:02:28 | 0:02:31 | |
# Among dying birds | 0:02:31 | 0:02:34 | |
# Trembling with death | 0:02:34 | 0:02:37 | |
# Sons of tycoons | 0:02:37 | 0:02:40 | |
# Or sons of the farms | 0:02:40 | 0:02:43 | |
# All of the children | 0:02:43 | 0:02:46 | |
# Ran from your arms | 0:02:46 | 0:02:49 | |
# So long ago | 0:02:49 | 0:02:52 | |
# Long, long ago | 0:02:52 | 0:02:55 | |
# And sons of your sons | 0:02:55 | 0:02:58 | |
# Or sons passing by | 0:02:58 | 0:03:00 | |
# Children we lost | 0:03:00 | 0:03:02 | |
# In lullabies | 0:03:02 | 0:03:05 | |
# Sons of true love | 0:03:05 | 0:03:07 | |
# Or sons of regret | 0:03:07 | 0:03:10 | |
# All of the sons | 0:03:10 | 0:03:12 | |
# You cannot forget | 0:03:12 | 0:03:14 | |
# Some build the roads | 0:03:14 | 0:03:16 | |
# Some row the boats | 0:03:16 | 0:03:18 | |
# Some go to war | 0:03:18 | 0:03:19 | |
# Some never come home | 0:03:19 | 0:03:23 | |
# Sons of your sons | 0:03:23 | 0:03:25 | |
# Or sons passing by | 0:03:25 | 0:03:28 | |
# Children we lost | 0:03:28 | 0:03:29 | |
# In lullabies | 0:03:29 | 0:03:32 | |
# So long ago | 0:03:32 | 0:03:34 | |
# Long, long ago | 0:03:34 | 0:03:37 | |
# Sons of the thief | 0:03:37 | 0:03:39 | |
# Sons of the saint | 0:03:39 | 0:03:41 | |
# Who is the child | 0:03:41 | 0:03:44 | |
# With no complaint? | 0:03:44 | 0:03:45 | |
# Sons of the great | 0:03:45 | 0:03:48 | |
# Or sons unknown | 0:03:48 | 0:03:49 | |
# All were children | 0:03:49 | 0:03:51 | |
# Like your own | 0:03:51 | 0:03:53 | |
# The same sweet smiles The same sad tears | 0:03:53 | 0:03:56 | |
# The cries at night The nightmare fears | 0:03:56 | 0:04:00 | |
# Sons of the great or sons unknown | 0:04:00 | 0:04:03 | |
# All were children like your own. # | 0:04:03 | 0:04:09 | |
SNIFFS | 0:04:15 | 0:04:18 | |
-He's got no stamina. -CHUCKLES | 0:04:22 | 0:04:24 | |
-I love your nose. -Oh, thanks, Apple. | 0:04:24 | 0:04:27 | |
I wanted to get my nose done since I was ten, | 0:04:29 | 0:04:32 | |
but it wasn't as simple as I thought. | 0:04:32 | 0:04:35 | |
The doctors found out I didn't have any cartilage | 0:04:35 | 0:04:38 | |
in the tip of my nose, so then we had to do that. | 0:04:38 | 0:04:41 | |
Erm, my nose was too long, so we had to shorten it. | 0:04:41 | 0:04:45 | |
And then it was too wide, so we had to, er...thin it. | 0:04:45 | 0:04:51 | |
And, er, it was just a lot more complicated than I thought. | 0:04:51 | 0:04:55 | |
My nose was just an insane amount of money. | 0:04:55 | 0:04:59 | |
I mean, I was shocked. | 0:04:59 | 0:05:01 | |
I thought that a nose job was only, like, three or four grand, | 0:05:01 | 0:05:05 | |
but I was wrong. | 0:05:05 | 0:05:07 | |
Mine was, like... three times that amount. | 0:05:07 | 0:05:11 | |
I mean, my girlfriend's breast enlargement | 0:05:11 | 0:05:14 | |
-was, like, four or five grand. -POUNDING RAP MUSIC | 0:05:14 | 0:05:18 | |
I mean, it's not like I ever...felt them, but... | 0:05:18 | 0:05:22 | |
Ooh! | 0:05:22 | 0:05:25 | |
..they actually look kinda...real, you know? | 0:05:25 | 0:05:30 | |
RADIO: 'So your own wife, who's hot, by the way, with big jugs, | 0:05:33 | 0:05:36 | |
'she won't even go down on you? You can call my girlfriend up, | 0:05:36 | 0:05:39 | |
'and she'll tell you, and I've been with her for quite a while, | 0:05:39 | 0:05:42 | |
'she will tell you she goes down on me every time we're together.' | 0:05:42 | 0:05:47 | |
You're a disgrace to white folks. | 0:06:50 | 0:06:52 | |
GROANS | 0:07:11 | 0:07:13 | |
BOTTLES CLINK | 0:07:30 | 0:07:33 | |
TURNS SHOWER ON | 0:07:48 | 0:07:51 | |
Christ. | 0:07:51 | 0:07:53 | |
< Where's my wallet?! | 0:08:00 | 0:08:02 | |
-Where's my wallet? -On the dresser. | 0:08:08 | 0:08:11 | |
Hi, Sister Jean, it's Joe. | 0:08:11 | 0:08:13 | |
Sure. | 0:08:14 | 0:08:17 | |
How can you spend 1,000 bucks on a 976 line? | 0:08:17 | 0:08:20 | |
I don't get it. You're Joseph Scott, who every woman wants, | 0:08:20 | 0:08:23 | |
and you waste your money on a 976 line. | 0:08:23 | 0:08:26 | |
Cos I can pretend to be someone else. | 0:08:26 | 0:08:28 | |
Oh, no, not you, Sister Jean, someone else. Erm, I need some tickets. | 0:08:29 | 0:08:34 | |
I'm at home. Now? | 0:08:34 | 0:08:36 | |
Great, thank you. I'll see you in a bit. Bye. Bye. | 0:08:39 | 0:08:43 | |
Don't you have any philosophies in life apart from self-indulgence? | 0:08:43 | 0:08:47 | |
You're the most self-indulgent damn fool I've ever met. | 0:08:47 | 0:08:50 | |
-I thought you'd given up. -I did give up. | 0:08:50 | 0:08:53 | |
-And then I started again. Feel this. -What? | 0:08:53 | 0:08:57 | |
Feel this. It's a lump. Feel that lump? You feel it? | 0:08:57 | 0:09:01 | |
There? There! | 0:09:01 | 0:09:04 | |
It's cancer. | 0:09:05 | 0:09:07 | |
Breast cancer. Can men get breast cancer? TAPS CALCULATOR | 0:09:07 | 0:09:12 | |
Do they give men mastectomies? | 0:09:12 | 0:09:15 | |
-I've got something down there, as well. -Have you seen a doctor? | 0:09:15 | 0:09:18 | |
Yes, I have, and he's a fucking idiot. It's cancer. | 0:09:18 | 0:09:22 | |
-So where is it? -What? | 0:09:24 | 0:09:27 | |
-My wallet. -On the dresser. | 0:09:27 | 0:09:29 | |
-No, it isn't. -It is. -What the fuck is that? | 0:09:29 | 0:09:33 | |
-A dog. -I can see that. What the fuck is it doing in my house? | 0:09:34 | 0:09:38 | |
Oh, Apple! | 0:09:39 | 0:09:41 | |
RINGING TONE | 0:09:44 | 0:09:47 | |
-'Hello?' -Apple. -'Hi, Joe.' | 0:09:47 | 0:09:50 | |
-Why did you leave your dog here? -'You said I could.' | 0:09:50 | 0:09:53 | |
-No, I didn't. -'Yes, you did. | 0:09:53 | 0:09:55 | |
'I'm going to pick him up at the restaurant after your meeting.' | 0:09:55 | 0:09:58 | |
-I'm not taking that dog with me. -'Leave him in the car. | 0:09:58 | 0:10:03 | |
-'I'll be there at two.' -PHONE LINE CLICKS | 0:10:03 | 0:10:07 | |
You better. | 0:10:07 | 0:10:09 | |
SIZZLING | 0:10:16 | 0:10:19 | |
Is it cocktail hour yet? | 0:10:29 | 0:10:32 | |
(CAMP VOICE) Well, it is somewhere. | 0:10:37 | 0:10:40 | |
-I'm handing in my notice. -Why? | 0:10:48 | 0:10:52 | |
It's so much fun here. | 0:10:53 | 0:10:55 | |
-How much? -It's not about the money. | 0:10:57 | 0:11:00 | |
-How much? -When I show up here, I never know what to expect. | 0:11:00 | 0:11:04 | |
Whether you've eaten mushrooms or acid or coke or all of the above. | 0:11:04 | 0:11:08 | |
You know what they call you? Captain Wacky. | 0:11:08 | 0:11:12 | |
Captain...Wacky. | 0:11:12 | 0:11:14 | |
You know, I really don't like looking at myself through your eyes. | 0:11:14 | 0:11:18 | |
Another 500. | 0:11:20 | 0:11:23 | |
I'm not happy. | 0:11:23 | 0:11:25 | |
Your happiness doesn't interest me, mine does. | 0:11:25 | 0:11:28 | |
600. | 0:11:29 | 0:11:31 | |
700. | 0:11:36 | 0:11:38 | |
-OK. -That's a month...not a week. | 0:11:40 | 0:11:43 | |
ENTRYPHONE BUZZER | 0:12:25 | 0:12:28 | |
Yes? Yes? | 0:12:32 | 0:12:35 | |
'Hi!' | 0:12:35 | 0:12:38 | |
BUZZER | 0:12:38 | 0:12:41 | |
-Hi! You look terrific. -So do you. | 0:12:51 | 0:12:55 | |
Welcome. Come in. Nice to see you. | 0:12:55 | 0:12:57 | |
My whole apartment block was shaking last night. Did you feel it? | 0:12:58 | 0:13:02 | |
-No. -I thought it was gonna fall in and I was gonna die. | 0:13:02 | 0:13:06 | |
-Five, right? -Mm-hm. | 0:13:09 | 0:13:11 | |
You have the fires and you have the floods and you have the riots... | 0:13:11 | 0:13:15 | |
And then you have the drive-by shootings. | 0:13:17 | 0:13:20 | |
Fires, floods, earthquakes, riots. | 0:13:21 | 0:13:24 | |
I drove by a body on my way here just lying on the sidewalk. | 0:13:25 | 0:13:29 | |
We don't need to go to the movies, we live in a movie. | 0:13:29 | 0:13:32 | |
-We do. -I live here, but I can't find one good thing to say about it. | 0:13:32 | 0:13:35 | |
If I close my eyes and picture it, | 0:13:35 | 0:13:38 | |
all I can see is one big varicose vein. | 0:13:38 | 0:13:41 | |
DOG YAPS | 0:13:43 | 0:13:45 | |
Oh, you've got yourself a dog! | 0:13:45 | 0:13:48 | |
Oh, it's good to have animals! | 0:13:48 | 0:13:51 | |
I have two dogs, two cats and a green lizard. | 0:13:52 | 0:13:55 | |
I had two boa constrictors that I got when they were babies, | 0:13:55 | 0:13:58 | |
but they were always getting out of their tank. | 0:13:58 | 0:14:01 | |
When they got to six foot, one wrapped itself around the treadmill, | 0:14:01 | 0:14:05 | |
-and I turned it on, and it got flattened! -No! | 0:14:05 | 0:14:08 | |
-Oh, I have had so many animals, you wouldn't believe it. -Snakes, eh? | 0:14:08 | 0:14:13 | |
SIGHS | 0:14:13 | 0:14:15 | |
Well, I'd better be going. | 0:14:15 | 0:14:17 | |
You're not into smack, are you? I got some straight off the boat. | 0:14:19 | 0:14:23 | |
-No. -Smack junkies never seem to get bored. | 0:14:23 | 0:14:26 | |
They can look at their shoes for eight hours | 0:14:26 | 0:14:29 | |
and still have a good time. I envy that. | 0:14:29 | 0:14:33 | |
-Well, it's nice to see you, Joe. -Nice to see you, Sister Jean. | 0:14:33 | 0:14:37 | |
-Thanks for coming. -No problem. | 0:14:43 | 0:14:45 | |
-I'll see you soon. Bye. -Bye-bye now. | 0:14:45 | 0:14:48 | |
Will you help me with this dog? | 0:14:51 | 0:14:53 | |
What do you mean "help"? | 0:14:55 | 0:14:57 | |
-That wasn't too difficult, was it? -Then, why couldn't you do it? | 0:14:57 | 0:15:02 | |
Because I've got a meeting and I don't want hairs on me. | 0:15:02 | 0:15:05 | |
-DOG GROWLS -Oh! -Oh, Christ! | 0:15:05 | 0:15:07 | |
-Oh, my God! -Christ! | 0:15:07 | 0:15:10 | |
-Can we help? -I'm sorry! It was the dog! No, we're fine, thank you. | 0:15:10 | 0:15:14 | |
I was talking to the lady! If you need a witness to that assault... | 0:15:14 | 0:15:18 | |
What are you talking about? It wasn't an assault, it was an accident. | 0:15:18 | 0:15:22 | |
That was no accident - it was an unprovoked, vicious attack! | 0:15:22 | 0:15:26 | |
-I'm calling the police right now! -It was an accident! | 0:15:26 | 0:15:29 | |
-I wouldn't hit her. -I saw you and I know you. | 0:15:29 | 0:15:32 | |
-I know all about you, Joe Scott. -Put your cellphone away! | 0:15:32 | 0:15:36 | |
It was an accident, not an assault! | 0:15:36 | 0:15:38 | |
And you two are old enough to know the difference. | 0:15:38 | 0:15:41 | |
If you don't get outta here, there will be an assault. | 0:15:41 | 0:15:43 | |
We were only trying to help! You should report him! | 0:15:43 | 0:15:48 | |
-You saw what you wanted to see! Get outta here! -SPLUTTERS | 0:15:48 | 0:15:52 | |
-SIGHS -God. | 0:15:52 | 0:15:55 | |
Put that on your nose. | 0:16:02 | 0:16:04 | |
Come and sit down. | 0:16:05 | 0:16:07 | |
Step. That's all right. | 0:16:10 | 0:16:12 | |
There you go. Steady. Put your head back. | 0:16:14 | 0:16:17 | |
There you go. SIGHS | 0:16:17 | 0:16:20 | |
SIGHS | 0:16:21 | 0:16:23 | |
-I'll make you some tea, shall I? -You don't know how to make tea. | 0:16:25 | 0:16:30 | |
-You're gonna leave me, aren't you? -What?! -PHONE RINGS | 0:16:32 | 0:16:35 | |
You are, you're gonna leave me. | 0:16:37 | 0:16:39 | |
Are you gonna stand there or are you gonna answer the phone? | 0:16:39 | 0:16:43 | |
Is that a roundabout way of saying you don't wanna discuss this now? | 0:16:43 | 0:16:47 | |
-Hello? -'Joe?' -Hi, Mum. | 0:16:47 | 0:16:49 | |
-'I can't believe you picked up the phone! Where's Ophelia?' -Busy. | 0:16:49 | 0:16:53 | |
-Can I call you back? -'Joe, I'm afraid I've got some bad news.' | 0:16:53 | 0:16:57 | |
-Are you OK? -'Yes, I'm fine.' | 0:16:57 | 0:16:59 | |
-Is Peggy OK? -'No, Peggy's fine.' | 0:16:59 | 0:17:02 | |
-'Oh, I hate to tell you this over the phone.' -Just tell me. | 0:17:02 | 0:17:05 | |
Mum? | 0:17:08 | 0:17:10 | |
-Mum, are you there? -'Oh, dear!' | 0:17:11 | 0:17:14 | |
-For God's sake, just tell me! Please! -'Oh, Joe, I'm so sorry!' | 0:17:14 | 0:17:17 | |
-Just tell me, Mum, please. -'Boots has died.' | 0:17:17 | 0:17:21 | |
What? | 0:17:23 | 0:17:25 | |
'Boots has died.' | 0:17:26 | 0:17:29 | |
What do you mean "Boots has died"? When? | 0:17:29 | 0:17:33 | |
'Yesterday. It happened yesterday. I'm so sorry, Joe.' | 0:17:33 | 0:17:37 | |
-How? -'They're not sure yet. There has to be an autopsy.' | 0:17:40 | 0:17:45 | |
-'Joe?' -Yeah. | 0:17:49 | 0:17:52 | |
Yeah, Mum, I'm here. | 0:17:52 | 0:17:54 | |
'They're holding the funeral at Saint Joseph's. | 0:17:56 | 0:17:59 | |
'I've spoken to Ruth, and she'd love you to come, | 0:17:59 | 0:18:02 | |
'but she understands if you're too busy.' | 0:18:02 | 0:18:04 | |
'Joe, it's been such a shock to her. He wasn't even ill. | 0:18:06 | 0:18:10 | |
'There was no warning that this was coming.' | 0:18:10 | 0:18:13 | |
'I feel terrible telling you this over the phone.' | 0:18:15 | 0:18:18 | |
'And I know you haven't seen him for years, | 0:18:21 | 0:18:24 | |
'but I know how much you meant to each other. | 0:18:24 | 0:18:28 | |
'He was so proud of you and all that you've achieved.' | 0:18:28 | 0:18:32 | |
-Can you, er, get me a Bloody Mary? -Certainly, sir. | 0:18:49 | 0:18:52 | |
I'm so sorry I'm late, the traffic was dreadful. | 0:18:52 | 0:18:55 | |
Meet Hollywood's hottest young director, Ritchie Smith. | 0:18:55 | 0:18:58 | |
The script is fantastic. Congratulations. | 0:18:58 | 0:19:01 | |
Mannie says you've directed some music videos. | 0:19:01 | 0:19:04 | |
Did you have a look at 'em? Fuckin' awesome, ain't they? | 0:19:04 | 0:19:07 | |
-No, you didn't send them to me. -We didn't? -No. | 0:19:07 | 0:19:10 | |
-PHONE RINGS -Oh. | 0:19:10 | 0:19:12 | |
Excuse me. ..Hello? | 0:19:12 | 0:19:15 | |
Yeah. I've been trying to get hold of you for days. | 0:19:15 | 0:19:18 | |
Oh, yes, I have. Now is not a good time. | 0:19:19 | 0:19:22 | |
Don't call me when I'm in the middle of a fucking lunch meeting. | 0:19:22 | 0:19:26 | |
-Yes, I am serious. I'll talk to you later. -Can I get another one? | 0:19:27 | 0:19:31 | |
Why didn't you call me in the office? | 0:19:31 | 0:19:34 | |
That's the place to call somebody, not when they're having lunch. | 0:19:34 | 0:19:37 | |
Call me later. Sure. Bye. | 0:19:37 | 0:19:39 | |
Sorry about that. | 0:19:41 | 0:19:43 | |
There'll be a tape at your house when you get home, OK? | 0:19:43 | 0:19:47 | |
OK, let's order some food. | 0:19:47 | 0:19:49 | |
OK. This stuff looks good, huh? | 0:19:53 | 0:19:56 | |
I wish I hadn't had such a big breakfast. | 0:19:56 | 0:19:58 | |
-I'm just gonna have a salad. -So am I. PHONE RINGS | 0:19:58 | 0:20:02 | |
Hello? Dave! Hey, how are you, my man? | 0:20:02 | 0:20:07 | |
-Uh-huh. Well, that's great... -VOICE FADES | 0:20:08 | 0:20:12 | |
Sure, we'll talk later. OK. Bye. | 0:20:23 | 0:20:26 | |
Let's order! Er... | 0:20:27 | 0:20:30 | |
Excuse me! | 0:20:30 | 0:20:32 | |
-I'm gonna have a green salad. -Yeah, for me, as well. | 0:20:32 | 0:20:35 | |
-Ritchie, you want anything? -Burger. | 0:20:36 | 0:20:39 | |
-Burger. -How would you like that? | 0:20:39 | 0:20:42 | |
-Rare? -He'd like it rare. | 0:20:42 | 0:20:45 | |
Anything else I can get you? | 0:20:45 | 0:20:47 | |
Ritchie, anything else? ..No. No, thank you. | 0:20:47 | 0:20:50 | |
Thank you. DROPS CUTLERY | 0:20:53 | 0:20:56 | |
Sorry. | 0:20:56 | 0:20:58 | |
-I...have to go to the bathroom. -Sure. | 0:20:59 | 0:21:03 | |
MOUTHS | 0:21:04 | 0:21:06 | |
OK, business. Things have developed a lot since we last spoke, OK? | 0:21:10 | 0:21:15 | |
-And since Ritchie started casting seriously, he... -ICE CHINKS | 0:21:15 | 0:21:19 | |
Since Ritchie started casting seriously, | 0:21:20 | 0:21:23 | |
he realises your character isn't going the way he wants. | 0:21:23 | 0:21:26 | |
You know how things are. You start casting, things change, | 0:21:26 | 0:21:30 | |
-dynamics change... -Dynamics? | 0:21:30 | 0:21:32 | |
Yeah. You know, dynamics. Dynamics between characters. | 0:21:32 | 0:21:36 | |
-He wants to go younger. -PHONE RINGS | 0:21:38 | 0:21:42 | |
Hello? George! | 0:21:42 | 0:21:44 | |
-LAUGHS LOUDLY -How are ya? | 0:21:45 | 0:21:48 | |
Uh-huh. That's great. Listen, I tell you what you do, though. | 0:21:49 | 0:21:53 | |
You take the 35 million, you go to Brazil. | 0:21:53 | 0:21:56 | |
You keep 34 million for yourself | 0:21:56 | 0:21:59 | |
and you spend 1 million on a picture. | 0:21:59 | 0:22:01 | |
Only don't spend it on this one... ..What the fuck are you doing?! | 0:22:01 | 0:22:05 | |
-Are you trying to humiliate me? -That's my fuckin' phone! | 0:22:05 | 0:22:08 | |
-Why didn't you tell me this on the phone?! -I...! | 0:22:08 | 0:22:12 | |
Goddammit, Joe, when did you become such an asshole?! | 0:22:12 | 0:22:15 | |
I thought if you met Ritchie, he might give you another part. | 0:22:15 | 0:22:19 | |
-Have you read the script? -Of course. | 0:22:19 | 0:22:21 | |
-Have you read the script? -Yes. | 0:22:21 | 0:22:23 | |
Well, if you had, you'd know there are only four characters, | 0:22:23 | 0:22:27 | |
three of whom are women! | 0:22:27 | 0:22:29 | |
So which other fucking part do you think I might be right for?! | 0:22:29 | 0:22:33 | |
No other fuckin' part! | 0:22:33 | 0:22:36 | |
I don't think there's any part in any script for you, anywhere! | 0:22:36 | 0:22:40 | |
No-one's interested any more. You know why they're not interested? | 0:22:40 | 0:22:43 | |
Because you're not interested any more. | 0:22:43 | 0:22:47 | |
You have squandered every fuckin' opportunity | 0:22:47 | 0:22:50 | |
you've ever been given! Take a look in the mirror | 0:22:50 | 0:22:53 | |
next time you're snorting off it, because you are a mess. | 0:22:53 | 0:22:56 | |
I am tired of pretending otherwise, | 0:22:56 | 0:22:58 | |
so I'm gonna give it to you straight. It...is...over. | 0:22:58 | 0:23:01 | |
You...are...over. People are tired of your pathetic behaviour. | 0:23:01 | 0:23:05 | |
They don't wanna be around it any more. Neither do I! | 0:23:05 | 0:23:08 | |
So I suggest you get yourself a new agent! | 0:23:08 | 0:23:12 | |
RESTAURANT FALLS SILENT | 0:23:12 | 0:23:14 | |
CHATTER RESUMES | 0:23:23 | 0:23:25 | |
-Cool dog. -What? -The Brussels Griffon. | 0:23:41 | 0:23:44 | |
-The Brussels what? -Er, Brussels Griffon. The Jack Nicholson dog. | 0:23:44 | 0:23:47 | |
Oh, yeah, the dog. The fucking dog. Thanks. | 0:23:47 | 0:23:50 | |
RINGING TONE | 0:23:54 | 0:23:57 | |
-'Hello?' -Where are you, Apple? | 0:23:57 | 0:24:00 | |
'Oh, hi, Joe!' | 0:24:00 | 0:24:02 | |
Can you explain to me why your dog is still in my car? | 0:24:02 | 0:24:05 | |
-'I need a big favour.' -No. | 0:24:05 | 0:24:07 | |
-'Would you look after him for a few days?' -Are you insane?! | 0:24:07 | 0:24:11 | |
-'I have to go away.' -You are not dumping your dog on me. | 0:24:11 | 0:24:15 | |
-'It's just a few days.' -What's that smell? | 0:24:15 | 0:24:19 | |
Oh, Jesus, your dog has done a shit in my car! | 0:24:20 | 0:24:24 | |
-'Joe?' -MIMICS PHONE CRACKLING No... | 0:24:24 | 0:24:27 | |
-'Joe?' -No, you're not hanging up on me. | 0:24:27 | 0:24:29 | |
-'I'm losing you.' -Don't hang up on me. | 0:24:29 | 0:24:32 | |
-'I can't hear you.' -Don't hang up on me! | 0:24:32 | 0:24:35 | |
LINE CLICKS Fuck! Fuck! | 0:24:35 | 0:24:37 | |
Hey! | 0:24:37 | 0:24:39 | |
You like the dog? Keep the fucking dog. | 0:24:41 | 0:24:44 | |
TYRES SCREECH | 0:24:46 | 0:24:48 | |
GHOST-TRAIN SIRENS WAIL | 0:29:01 | 0:29:03 | |
Hey, Joe. | 0:29:08 | 0:29:10 | |
-You know David Bowie believes in aliens? -Yeah, I know. | 0:29:10 | 0:29:14 | |
-You stink. You need a bath. -I had a bath. | 0:29:16 | 0:29:21 | |
-When? -Erm, I... | 0:29:21 | 0:29:24 | |
Exactly. You never take a bath. You stink. | 0:29:24 | 0:29:27 | |
SIRENS CONTINUE | 0:29:27 | 0:29:30 | |
-Well, how often do you have a bath, then? -GIRL SQUEALS | 0:29:30 | 0:29:33 | |
-Every day. -Every day? -Yes, every day. | 0:29:33 | 0:29:37 | |
-Does your mum make you? -No, I just like to be clean. | 0:29:37 | 0:29:40 | |
BREATHES HARD | 0:29:40 | 0:29:42 | |
-Every day's not clean - every day's weird. -THUNDER | 0:29:42 | 0:29:47 | |
-Hey, do you remember that ginger girl... -Shut up! | 0:29:49 | 0:29:53 | |
BREATHES HARD AND SPITS | 0:29:53 | 0:29:56 | |
MOANS | 0:29:56 | 0:29:58 | |
Oh! | 0:30:00 | 0:30:03 | |
GIRL SCREAMS | 0:30:06 | 0:30:08 | |
-Come on. -Oh! | 0:30:08 | 0:30:11 | |
Hang on, I can't even see. | 0:30:17 | 0:30:20 | |
Joe! | 0:30:20 | 0:30:22 | |
-Joe! -Wait here. | 0:30:22 | 0:30:24 | |
All right? Go round the side. | 0:30:24 | 0:30:27 | |
BOTH SCREAM | 0:30:29 | 0:30:31 | |
BOTH SCREAM | 0:30:35 | 0:30:37 | |
CACKLING | 0:30:37 | 0:30:40 | |
# Sons of the thief | 0:30:51 | 0:30:53 | |
# Sons of the saint | 0:30:53 | 0:30:55 | |
# Who is the child | 0:30:55 | 0:30:57 | |
# With no complaint? | 0:30:57 | 0:30:59 | |
# Sons of the great | 0:30:59 | 0:31:00 | |
# Or sons unknown | 0:31:00 | 0:31:03 | |
# All were children | 0:31:03 | 0:31:04 | |
# Like your own | 0:31:04 | 0:31:06 | |
# The same sweet smiles | 0:31:06 | 0:31:08 | |
# The same sad tears | 0:31:08 | 0:31:10 | |
# The cries at night | 0:31:10 | 0:31:12 | |
# The nightmare fears | 0:31:12 | 0:31:14 | |
# Sons of the great | 0:31:14 | 0:31:15 | |
# Or sons unknown | 0:31:15 | 0:31:17 | |
# All were children | 0:31:17 | 0:31:19 | |
# Like your own. # | 0:31:19 | 0:31:22 | |
-BOYS: Wotcha. -Hello. | 0:31:28 | 0:31:31 | |
You're late. You missed lunch. | 0:31:31 | 0:31:34 | |
-Who are you? -I'm Boots. | 0:31:35 | 0:31:38 | |
-What kind of name is that? -Er... | 0:31:38 | 0:31:41 | |
I know you. | 0:31:41 | 0:31:43 | |
You're the one who had the epileptic fit at the cinema. | 0:31:43 | 0:31:47 | |
-Is that a glass of selfish, Joe? -What? | 0:31:47 | 0:31:50 | |
-Boots, would you like something to drink? -Oh, yes, please. | 0:31:50 | 0:31:53 | |
-Milk? -Yeah, please. | 0:31:53 | 0:31:55 | |
Joe, pour Boots a glass of milk before you finish the bottle. | 0:31:55 | 0:31:59 | |
What film was it made you have the fit? | 0:32:00 | 0:32:02 | |
Erm, Ring Of Bright Water? | 0:32:02 | 0:32:05 | |
-Oh, the one about the otter? -Yeah. | 0:32:05 | 0:32:07 | |
-Don't do that, Joe! -What? | 0:32:12 | 0:32:14 | |
Put the empty bottle back in the fridge. | 0:32:14 | 0:32:17 | |
-Do you still have 'em? -What? | 0:32:17 | 0:32:19 | |
-Fits. -I haven't for a long time. | 0:32:19 | 0:32:22 | |
Well, you will. Once an epileptic, always an epileptic. | 0:32:22 | 0:32:26 | |
Come on. | 0:32:28 | 0:32:30 | |
-Kids grow up too quick these days. -SCREAMS | 0:32:30 | 0:32:33 | |
Good God, is that child trying to scrape the paint off the walls?! | 0:32:33 | 0:32:37 | |
-What does "cunt" mean? -I told you not to say that! | 0:32:37 | 0:32:40 | |
-You say it! -I do not! If you say it again, I'll give you a hiding! | 0:32:40 | 0:32:43 | |
-Well, what does it mean?! -Shut up! | 0:32:43 | 0:32:45 | |
If I tell you, do you promise me you won't say it again? | 0:32:45 | 0:32:49 | |
-It's a very bad word for your vagina. -What's my vagina? | 0:32:50 | 0:32:54 | |
The proper word for your moo-moo. Now, go outside, | 0:32:54 | 0:32:57 | |
-or I'll make you both into piccalilli! -BOTH SCREAM | 0:32:57 | 0:33:00 | |
-You off already, Boots? -Er, yeah. -How's your mum? | 0:33:00 | 0:33:02 | |
She's all right. | 0:33:02 | 0:33:04 | |
-Give her my love, won't you? -Yeah. | 0:33:04 | 0:33:07 | |
-Well, bye, then. -Bye. | 0:33:08 | 0:33:11 | |
I don't trust that boy. Always looking out the sides of his eyes | 0:33:12 | 0:33:16 | |
like some old dog waiting to steal a bone. | 0:33:16 | 0:33:19 | |
Psst! | 0:33:22 | 0:33:24 | |
(Boots!) | 0:33:24 | 0:33:26 | |
(Is that woman still 'ere?) | 0:33:27 | 0:33:30 | |
-(Who?) -(Mrs Rogers.) | 0:33:30 | 0:33:33 | |
-(Bye.) -(Oh, God...) | 0:33:38 | 0:33:41 | |
So they had to give me one of them enemas. | 0:33:42 | 0:33:45 | |
Well, I was blocked up like an old crypt. | 0:33:45 | 0:33:49 | |
And do you know what they found? | 0:33:49 | 0:33:52 | |
A plastic toy animal. | 0:33:52 | 0:33:54 | |
-Probably been stuck in me bowels for over 20 years. -Oh, dear! | 0:33:54 | 0:33:57 | |
I must have eaten it! | 0:33:57 | 0:34:00 | |
But, you know, I can't taste a thing, not since I hit my head. | 0:34:00 | 0:34:04 | |
I always wonder what old people looked like when they were young. | 0:34:11 | 0:34:14 | |
It just makes me sad... | 0:34:17 | 0:34:19 | |
..cos it's all gone, and you think, "How cruel." | 0:34:20 | 0:34:23 | |
I suppose if you really concentrated... | 0:34:25 | 0:34:28 | |
..you might be able to imagine the old people you know as young. | 0:34:29 | 0:34:33 | |
But it's really hard, | 0:34:33 | 0:34:36 | |
cos all I can see is that they're old, ill, ugly... | 0:34:36 | 0:34:41 | |
and their life's over. | 0:34:41 | 0:34:43 | |
When you watch an old person sleeping... | 0:34:53 | 0:34:56 | |
..especially if they're very old... | 0:34:59 | 0:35:02 | |
..you think, "Will they ever wake up again?" | 0:35:06 | 0:35:09 | |
Then they wake up very suddenly. | 0:35:09 | 0:35:13 | |
One second, they're sleeping and lifeless... | 0:35:15 | 0:35:19 | |
..the next second, they're turning on the telly for the news. | 0:35:20 | 0:35:24 | |
"Have I missed the news?" | 0:35:25 | 0:35:28 | |
"Have I missed the news?" | 0:35:28 | 0:35:30 | |
When does a person stop keeping up? | 0:35:39 | 0:35:42 | |
Why don't you make a move, Joe? | 0:35:56 | 0:35:59 | |
What do you mean? | 0:36:02 | 0:36:04 | |
Don't you fancy me? | 0:36:05 | 0:36:07 | |
You can touch if you like. | 0:36:18 | 0:36:20 | |
My mum's next door. | 0:36:21 | 0:36:24 | |
She'll be busy. | 0:36:26 | 0:36:29 | |
She won't be in. | 0:36:32 | 0:36:34 | |
BREATHES HARD | 0:36:37 | 0:36:40 | |
Are you gonna help me with all them vegetables, | 0:36:53 | 0:36:57 | |
or do I have to chop 'em all meself? | 0:36:57 | 0:36:59 | |
Yeah, I'm coming. We were just talking. | 0:36:59 | 0:37:02 | |
I better go back. | 0:37:11 | 0:37:14 | |
See you later, Joe. | 0:37:19 | 0:37:21 | |
I hate holidays as much as sport, and that's saying something. | 0:37:28 | 0:37:32 | |
I'm gonna have to go, Grace. I might come by later. | 0:37:32 | 0:37:37 | |
-Bye! -Bye, then. | 0:37:39 | 0:37:41 | |
Well, I think this is ready for pouring. | 0:37:44 | 0:37:46 | |
Evelyn should keep that child locked up at home. | 0:37:46 | 0:37:50 | |
GIRL YELLS AND OTHER GIRL LAUGHS | 0:37:50 | 0:37:53 | |
-Stop! Stop! Stop! Stop! Stop! Stop! -LAUGHS | 0:37:55 | 0:37:59 | |
Stop! | 0:38:30 | 0:38:32 | |
That was a good day's work. | 0:38:32 | 0:38:34 | |
I enjoy the satisfaction of doing small things well. | 0:38:34 | 0:38:38 | |
Goodbye, Peggy Tickell! | 0:38:39 | 0:38:41 | |
-Goodbye, Peggy Tickell! -Oh! | 0:38:42 | 0:38:46 | |
Off already, Mrs Rogers? | 0:38:46 | 0:38:48 | |
Yes. I don't like to overstay my welcome. | 0:38:49 | 0:38:53 | |
I know when I'm wanted. Make it pretty bloody obvious, don't they? | 0:38:53 | 0:38:58 | |
I've spent all day doing their bloody cauliflower. | 0:38:58 | 0:39:01 | |
Joe? | 0:39:03 | 0:39:06 | |
Joe! | 0:39:06 | 0:39:09 | |
-What? -I want you to do something for me. | 0:39:09 | 0:39:12 | |
-SIGHS -Can you take these over to Evelyn, please? | 0:39:12 | 0:39:16 | |
-Oh. OK. -Say thank you to her for me. | 0:39:16 | 0:39:20 | |
"CORONATION STREET" THEME ON TV AND KNOCK AT DOOR | 0:39:25 | 0:39:29 | |
Oh, hi, Joe. | 0:39:34 | 0:39:37 | |
I was about to get in the bath. | 0:39:38 | 0:39:40 | |
-Mum asked me to bring these round. -Come in. | 0:39:40 | 0:39:43 | |
Go through. | 0:39:46 | 0:39:49 | |
-TURNS TV OFF -I was being a terrible tease earlier on. | 0:39:57 | 0:40:01 | |
-You don't mind, do you? -Er, no. | 0:40:02 | 0:40:06 | |
-Did you like kissing me? -Yeah. Yeah, I did. | 0:40:08 | 0:40:13 | |
Would you like to do it again? | 0:40:16 | 0:40:19 | |
You look like you would. | 0:40:23 | 0:40:25 | |
-Yeah. -Would you, Joe? | 0:40:26 | 0:40:30 | |
-Your mum'd kill me if she found out. -She wouldn't find out. | 0:40:33 | 0:40:38 | |
I suppose she wouldn't. | 0:40:41 | 0:40:43 | |
Oh, you are very, very naughty. | 0:40:52 | 0:40:56 | |
MOANS | 0:40:58 | 0:41:00 | |
-(OUTSIDE) -Hey, you two, what's going on?! | 0:41:22 | 0:41:24 | |
Quick, it's Jack! Do your trousers up! | 0:41:24 | 0:41:27 | |
Quickly! Come on! Come on, out! Out, come on! | 0:41:28 | 0:41:33 | |
Get out! Shit, he's back early! | 0:41:33 | 0:41:35 | |
Come here, my beautiful girl! | 0:41:37 | 0:41:40 | |
-What's happened? -Jesse thumped Jane. | 0:41:40 | 0:41:43 | |
Jesse...you can't go around thumping people, you know. | 0:41:44 | 0:41:48 | |
-She hit me first! -I did not! | 0:41:48 | 0:41:50 | |
All right, you two, that's enough. | 0:41:50 | 0:41:52 | |
-Hey, Joe, how are you? -Let me take her. | 0:41:52 | 0:41:56 | |
-No. -She's fine now. | 0:41:56 | 0:41:59 | |
-Mum asked me to bring some piccalilli over. -Piccalilli? Lovely! | 0:41:59 | 0:42:02 | |
-Stop for a cuppa? -Er, no, I've got to get back, take Jesse back. | 0:42:02 | 0:42:06 | |
Well, say thanks to your mum for the piccalilli. | 0:42:06 | 0:42:09 | |
Shall we go and find you some sweeties? Yeah? | 0:42:09 | 0:42:13 | |
How long did God take to make the world? | 0:42:17 | 0:42:20 | |
Er, six days and he rested on the seventh. | 0:42:20 | 0:42:24 | |
He should've taken longer, then he would've done a better job. | 0:42:25 | 0:42:29 | |
I could've done better. | 0:42:29 | 0:42:31 | |
Come on, I'll race you. | 0:42:32 | 0:42:34 | |
TEENAGE BOYS: ..85, 86, 87, | 0:42:39 | 0:42:43 | |
88, 89, | 0:42:43 | 0:42:45 | |
90, 91, 92, | 0:42:45 | 0:42:49 | |
93, 94, | 0:42:49 | 0:42:52 | |
95, 96, | 0:42:52 | 0:42:54 | |
97, 98, 99, | 0:42:54 | 0:42:57 | |
100, 101, | 0:42:57 | 0:42:59 | |
102, 103, 104, | 0:42:59 | 0:43:03 | |
105, 106... | 0:43:03 | 0:43:05 | |
-PANTS -You bastard! | 0:43:05 | 0:43:08 | |
106 seconds. That's 50 pence you owe me, Hubble. | 0:43:09 | 0:43:12 | |
I hope you die next time. | 0:43:13 | 0:43:15 | |
How come you can do 106 seconds and I can't even do 30? | 0:43:15 | 0:43:19 | |
God-given talent I didn't ask for. | 0:43:19 | 0:43:21 | |
-GASPS -It's Ruth Davies. | 0:43:23 | 0:43:26 | |
Oi, Ruth, I really wanna fuck you! | 0:43:29 | 0:43:33 | |
If you do, Kevin Hubble, and I ever find out... | 0:43:33 | 0:43:37 | |
-She wants me. -CHUCKLES | 0:43:38 | 0:43:40 | |
-Oh, this is boring! -What? | 0:43:42 | 0:43:44 | |
Fuck. | 0:43:46 | 0:43:47 | |
Wotcha, Ruth. | 0:43:51 | 0:43:53 | |
Hi, Joe. | 0:43:53 | 0:43:55 | |
-TUTS -Shit! | 0:43:57 | 0:44:00 | |
-You look tired. -Do I? -Yeah. | 0:44:02 | 0:44:05 | |
Well, I keep dreaming that I can't sleep | 0:44:06 | 0:44:09 | |
and I wake up exhausted. | 0:44:09 | 0:44:11 | |
Fuck! See what you made me do? | 0:44:12 | 0:44:16 | |
I'm gonna go. | 0:44:19 | 0:44:21 | |
See ya. | 0:44:22 | 0:44:25 | |
Do you wanna come? | 0:44:28 | 0:44:31 | |
-What, me? -Yeah. | 0:44:31 | 0:44:33 | |
OK. | 0:44:34 | 0:44:36 | |
Joe! | 0:44:38 | 0:44:40 | |
-I thought we were going to the pictures. -Slight change of plan. | 0:44:40 | 0:44:45 | |
Jammy bastard. | 0:44:46 | 0:44:48 | |
DAVID BOWIE: # Oh, the Jean Genie lives on his back | 0:44:56 | 0:45:01 | |
# The Jean Genie loves chimney stacks | 0:45:01 | 0:45:04 | |
# He's outrageous He screams and he bawls | 0:45:04 | 0:45:08 | |
# The Jean Genie Let yourself go-o-o!... # | 0:45:08 | 0:45:12 | |
Who do you like more, Bowie or Roxy? | 0:45:14 | 0:45:17 | |
I can't choose, cos they're both brilliant. | 0:45:17 | 0:45:20 | |
-No, you have to. -It's impossible to choose. | 0:45:20 | 0:45:23 | |
If you asked me Bowie or Deep Purple, | 0:45:23 | 0:45:25 | |
or Roxy and Black Sabbath, then I could choose, | 0:45:25 | 0:45:28 | |
but not...Bowie and Roxy. | 0:45:28 | 0:45:31 | |
Thanks, but I don't smoke. | 0:45:43 | 0:45:45 | |
Right. | 0:45:47 | 0:45:49 | |
Here, try this on. | 0:45:51 | 0:45:53 | |
So, do you know what this song is about? | 0:45:59 | 0:46:02 | |
Erm...no. | 0:46:02 | 0:46:05 | |
It's about...Jean Genet. He's a French writer. | 0:46:05 | 0:46:11 | |
See, Jean Genie, it's just a clever wordplay. | 0:46:11 | 0:46:14 | |
"He says he's a beautician and sells you nutrition." | 0:46:14 | 0:46:17 | |
That means he's selling drugs. | 0:46:17 | 0:46:19 | |
"The Jean Genie lives on his back." He's a poof. | 0:46:19 | 0:46:21 | |
"The Jean Genie loves chimney stacks." He loves cocaine. | 0:46:21 | 0:46:25 | |
-What? -He loves chimney stacks. | 0:46:25 | 0:46:27 | |
-What goes up chimneys? -Smoke. | 0:46:27 | 0:46:29 | |
-And what makes smoke? -Coal. | 0:46:29 | 0:46:32 | |
Yeah. And coke. | 0:46:32 | 0:46:35 | |
"He's walking on Snow White." It means he's walking on cocaine. | 0:46:35 | 0:46:40 | |
-How do you know that's what he means? -I read it in NME. | 0:46:40 | 0:46:43 | |
Boots chucked his last girlfriend, | 0:46:44 | 0:46:47 | |
because she couldn't sit through a whole side of a Bowie album. | 0:46:47 | 0:46:50 | |
-He likes Bowie? -He loves Bowie. | 0:46:50 | 0:46:53 | |
Boots is a nose-picker, the kind of person | 0:46:54 | 0:46:57 | |
who wipes his hand under the seat if there isn't a tissue handy. | 0:46:57 | 0:47:01 | |
Or even if there is. | 0:47:01 | 0:47:03 | |
-How do you know that? -I'm a good judge of character. | 0:47:03 | 0:47:07 | |
I'm not saying I mind... I'm just saying I know. | 0:47:08 | 0:47:11 | |
ROXY MUSIC: # I would do anything for you... # | 0:47:12 | 0:47:14 | |
Come on, let's get another drink. | 0:47:14 | 0:47:17 | |
# I would swim all the oceans blue | 0:47:17 | 0:47:22 | |
# I would walk a thousand miles | 0:47:23 | 0:47:26 | |
# Reveal my secrets... # | 0:47:26 | 0:47:29 | |
-Red or white? -(White.) | 0:47:29 | 0:47:32 | |
(Why are you whispering?) | 0:47:32 | 0:47:35 | |
-Relax, there's no-one here. -Oh. | 0:47:35 | 0:47:39 | |
-Can I have a look around? -Sure. | 0:47:40 | 0:47:43 | |
-What are you doing? -This carpet is unbelievable. | 0:48:17 | 0:48:21 | |
-How do you keep it so clean? -No-one's allowed in this room. | 0:48:21 | 0:48:25 | |
-Oh, sorry. -I don't care. | 0:48:26 | 0:48:28 | |
You can lay on it all you want. | 0:48:30 | 0:48:32 | |
This feels good. | 0:48:46 | 0:48:49 | |
I read that book...by whatshisname. | 0:48:52 | 0:48:56 | |
-William Burroughs. -Yeah. Junkie. | 0:48:56 | 0:48:59 | |
-Did you like it? -No, not really. | 0:49:00 | 0:49:03 | |
-So it's back to The Hobbit, then. -CHUCKLES | 0:49:05 | 0:49:09 | |
ROXY MUSIC CONTINUES IN BACKGROUND | 0:49:09 | 0:49:11 | |
How fantastic is this song? | 0:49:19 | 0:49:22 | |
How could you choose between Bryan Ferry and David Bowie? | 0:49:24 | 0:49:28 | |
They're gods. | 0:49:28 | 0:49:30 | |
Come on. You do the backing vocals on the next verse. | 0:49:33 | 0:49:38 | |
-What? -Come on. | 0:49:38 | 0:49:40 | |
OK. | 0:49:41 | 0:49:43 | |
This is what you do. | 0:49:45 | 0:49:47 | |
Think...Roxy girl. | 0:49:52 | 0:49:55 | |
I'm gonna be Bryan. | 0:49:58 | 0:50:00 | |
TURNS VOLUME UP | 0:50:02 | 0:50:04 | |
MIMES: # Shake your hair, girl With your ponytail | 0:50:07 | 0:50:11 | |
# Takes me right back | 0:50:11 | 0:50:14 | |
# When you were young | 0:50:14 | 0:50:17 | |
# Throw your precious gifts into the air | 0:50:18 | 0:50:22 | |
# Watch them fall down | 0:50:22 | 0:50:25 | |
# When you were young | 0:50:25 | 0:50:28 | |
# Lift up your feet and put them on the ground | 0:50:29 | 0:50:34 | |
# You used to walk upon | 0:50:34 | 0:50:36 | |
# When you were young | 0:50:36 | 0:50:39 | |
# Lift up your feet and put them on the ground | 0:50:41 | 0:50:46 | |
# The hills were higher | 0:50:46 | 0:50:49 | |
# When you were young | 0:50:49 | 0:50:51 | |
# Lift up your feet and put them on the ground | 0:50:52 | 0:50:58 | |
# The trees were taller | 0:50:58 | 0:51:00 | |
# When you were young | 0:51:00 | 0:51:03 | |
# Lift up your feet and put them on the ground | 0:51:04 | 0:51:09 | |
# The grass was greener | 0:51:09 | 0:51:12 | |
# When you were young | 0:51:12 | 0:51:14 | |
# Lift up your feet and put them on the ground | 0:51:15 | 0:51:21 | |
# You used to walk upon | 0:51:21 | 0:51:24 | |
# When you were young. # | 0:51:24 | 0:51:28 | |
When will I see you again? | 0:51:35 | 0:51:38 | |
# When will we share precious moments? # | 0:51:39 | 0:51:42 | |
-How about tomorrow? -OK. | 0:51:44 | 0:51:48 | |
-We could go to the pictures. -OK. | 0:51:48 | 0:51:52 | |
-I'll meet you at the arcade at seven. -OK. | 0:51:52 | 0:51:55 | |
-Can I kiss you? -OK. | 0:51:57 | 0:52:01 | |
Tomorrow, then. | 0:52:13 | 0:52:15 | |
Seven o'clock. | 0:52:16 | 0:52:19 | |
CHOIR: # Hallelujah! | 0:52:26 | 0:52:29 | |
# Hallelujah! | 0:52:29 | 0:52:34 | |
# Hallelujah! | 0:52:34 | 0:52:38 | |
# Hallelujah! # | 0:52:38 | 0:52:40 | |
We're not gonna catch anything if those prats are splashing about. | 0:52:42 | 0:52:45 | |
You never see kestrel any more. | 0:52:49 | 0:52:51 | |
You used to always be able to look up, catch 'em on the wind. | 0:52:52 | 0:52:55 | |
Now you'll be lucky. | 0:52:55 | 0:52:58 | |
Hey, Joe, remember when we used to go fishing with your dad? | 0:53:01 | 0:53:05 | |
He snared hundreds of pikes, Joe's dad. Didn't even use a rod. | 0:53:06 | 0:53:09 | |
He used, like, this old leather bootlace. | 0:53:09 | 0:53:13 | |
He'd see a pike laying in the river bed | 0:53:13 | 0:53:15 | |
and he'd take this old lace and make it into a loop. | 0:53:15 | 0:53:18 | |
He'd hang the loop from a pole and gradually, gradually | 0:53:18 | 0:53:22 | |
just lower it down in front of him. He caught hundreds like that. | 0:53:22 | 0:53:27 | |
-Can you give me a hand? -< Oi, Joe! | 0:53:27 | 0:53:30 | |
-(MIMICS RUTH) -"If you do, Kevin Hubble, and I ever find out...!" | 0:53:30 | 0:53:34 | |
"Oh, don't hurt me, Joe! I've never done it before. | 0:53:34 | 0:53:38 | |
"I'm a virgin." | 0:53:38 | 0:53:40 | |
-You're such a moron, Hubble. -Wanker! | 0:53:40 | 0:53:43 | |
-Hey, you know Erich Conrad's a poof? -No, he's not. | 0:53:44 | 0:53:47 | |
Yes, he is. He told his brother, and his brother told me. | 0:53:47 | 0:53:50 | |
He realised when he was watching the wrestling on the telly | 0:53:50 | 0:53:53 | |
and he got an erection. ..Hey, Erich Conrad's a poof! | 0:53:53 | 0:53:57 | |
I knew that. He got a hard-on watching the wrestling. | 0:53:57 | 0:54:00 | |
You know Billie Jean King? She's a lesbian. | 0:54:00 | 0:54:03 | |
-Joe's Aunt Peggy's a lezzer. -No, she's not. | 0:54:03 | 0:54:07 | |
-Why does she look like a bloke, then? -You're such a fucking retard. | 0:54:07 | 0:54:11 | |
He's trying to fuck me! | 0:54:11 | 0:54:13 | |
-He's trying to fuck me! -Come back here. | 0:54:13 | 0:54:17 | |
My grandad just visited one of them German concentration camps. | 0:54:17 | 0:54:20 | |
Said it was the most horrible place. Everyone was crying. | 0:54:20 | 0:54:23 | |
Everything there is kept original. He said everyone in Germany | 0:54:23 | 0:54:27 | |
eats twice as much as we do in England. And the men, | 0:54:27 | 0:54:30 | |
they walk around with great big arses on 'em like women. | 0:54:30 | 0:54:33 | |
Old people loved the war. They always cheer up when it's mentioned. | 0:54:33 | 0:54:38 | |
My grandma doesn't like foreigners. | 0:54:38 | 0:54:40 | |
She thinks of Indians and Africans as animals. | 0:54:40 | 0:54:43 | |
When she saw this man in a turban, she said, | 0:54:43 | 0:54:45 | |
"If they're gonna live in this country, | 0:54:45 | 0:54:47 | |
-"they should be forced to wear civilised clothes." -She's right. | 0:54:47 | 0:54:51 | |
Fucking niggers and Pakis! | 0:54:51 | 0:54:53 | |
-Coming over here, taking our jobs. -Oh, shut up, Hubble, you prat. | 0:54:53 | 0:54:57 | |
It's boring here. I'm off to the arcade. You coming, Hubble? | 0:54:58 | 0:55:01 | |
No, I'm gonna catch some sun and watch these losers catch a cold. | 0:55:01 | 0:55:05 | |
-All right, then. See you later, mate. -See you later, mate. | 0:55:05 | 0:55:08 | |
CHORAL MUSIC | 0:55:11 | 0:55:13 | |
YELLS | 0:55:17 | 0:55:18 | |
ALL LAUGH AND CHATTER | 0:55:36 | 0:55:38 | |
-What are you girls up to? -Oh, hello. | 0:55:49 | 0:55:52 | |
Don't you say hello to me, you horrible girl. | 0:55:52 | 0:55:55 | |
You say, "Good afternoon, Mrs Rogers." | 0:55:55 | 0:55:59 | |
It's heartbreaking the way your mother lets you run wild. | 0:55:59 | 0:56:03 | |
Good afternoon, Mrs Rogers. | 0:56:03 | 0:56:05 | |
These girls shouldn't run wild - they should be at school! | 0:56:05 | 0:56:10 | |
-It's summer holidays, Mrs Rogers. -Holidays! | 0:56:10 | 0:56:13 | |
There are too many holidays! Holidays. | 0:56:13 | 0:56:16 | |
When I was a girl, we didn't have all these holidays. | 0:56:16 | 0:56:20 | |
We had Christmas holidays, that was all we had. | 0:56:20 | 0:56:24 | |
-I hate her. -Just ignore her. She's a miserable old lady. | 0:56:24 | 0:56:27 | |
-She murdered her children. She did. -Did she? | 0:56:27 | 0:56:31 | |
She poisoned them. | 0:56:31 | 0:56:34 | |
Yeah. And then she chopped them up and put the bits in the sea. | 0:56:34 | 0:56:37 | |
Well, you'd better behave then, or she might just do the same to you. | 0:56:37 | 0:56:41 | |
(TUNELESSLY) # I would do anything for you | 0:56:45 | 0:56:49 | |
# I would climb mountains | 0:56:49 | 0:56:50 | |
# I would swim all the oceans blue | 0:56:50 | 0:56:54 | |
# I would walk a thousand miles | 0:56:56 | 0:56:59 | |
# Reveal my secrets | 0:56:59 | 0:57:02 | |
# More than enough for me to share... # | 0:57:02 | 0:57:06 | |
I wish that boy wouldn't sing. He's gonna sour the milk. | 0:57:06 | 0:57:09 | |
Come on, Jane, eat it up. You haven't touched a thing. | 0:57:09 | 0:57:13 | |
-I don't bloody like it. -Jane, don't swear. | 0:57:13 | 0:57:16 | |
Don't pay her any attention. | 0:57:16 | 0:57:18 | |
She's been swearing like a trooper all week. She's just testing. | 0:57:18 | 0:57:22 | |
You've mixed everything up together. I can't undo it | 0:57:22 | 0:57:25 | |
-and put everything back into piles. -Just try a little bit. | 0:57:25 | 0:57:29 | |
Nice crop of tomatoes this year. | 0:57:29 | 0:57:31 | |
-Was there anything else you'd like? -Fishfingers. | 0:57:31 | 0:57:35 | |
-I don't think we've got any. -A Jehovah's Witness came by today. | 0:57:35 | 0:57:39 | |
Told me that me and my garden, we're gonna go to hell. | 0:57:39 | 0:57:42 | |
Your mum's gonna have to cook you something when you get home. | 0:57:42 | 0:57:46 | |
-I don't think we've got anything you like. -Hello?! | 0:57:46 | 0:57:50 | |
-Oh, hi! You look nice. -Do I? | 0:57:50 | 0:57:53 | |
Sit down, I'll give you a cup of tea. | 0:57:53 | 0:57:56 | |
Joe, are you in there? | 0:58:22 | 0:58:24 | |
I'm sorry, I need the loo. | 0:58:30 | 0:58:32 | |
Hi. | 0:58:36 | 0:58:38 | |
Oh, you smell nice. | 0:58:38 | 0:58:40 | |
-Have you got a date? -Er, yeah. | 0:58:40 | 0:58:43 | |
Come round to my house before you meet your girlfriend. | 0:58:43 | 0:58:46 | |
-I don't... -(You won't be sorry.) | 0:58:46 | 0:58:48 | |
(Jack's at his mother's.) | 0:58:49 | 0:58:52 | |
RADIO: 'There are warnings of gales in Viking, Forties, Cromarty...' | 0:59:06 | 0:59:09 | |
-Hold on. -WOLF-WHISTLES -Let me look at you. | 0:59:09 | 0:59:13 | |
Look at my little Elvis. | 0:59:13 | 0:59:15 | |
Can I go now? | 0:59:15 | 0:59:18 | |
Yeah, go on. | 0:59:19 | 0:59:21 | |
Don't be late. | 0:59:21 | 0:59:23 | |
-Joe? -I'm late already. | 0:59:36 | 0:59:39 | |
Don't be silly. I won't keep you long. | 0:59:39 | 0:59:42 | |
-Come in. -But I'm really late. | 0:59:42 | 0:59:44 | |
Just for a minute. Anyway, it's good to keep a girl waiting. | 0:59:44 | 0:59:49 | |
Oh, Joe! | 1:00:14 | 1:00:16 | |
Take your shirt off. | 1:00:33 | 1:00:36 | |
Undo me. | 1:00:36 | 1:00:39 | |
BREATHES HARD | 1:01:12 | 1:01:14 | |
MOANS | 1:01:24 | 1:01:26 | |
Go faster. Go faster, Joe. | 1:01:26 | 1:01:29 | |
Don't worry about Joe, he's always late. | 1:01:44 | 1:01:48 | |
-Seriously, he'll be late for his own funeral. -CHUCKLES | 1:01:49 | 1:01:52 | |
-TUTS -Oh. | 1:01:52 | 1:01:54 | |
Go on. | 1:01:54 | 1:01:57 | |
Sorry I'm late. I had to do something for my mum. Couldn't get away. | 1:02:04 | 1:02:09 | |
Do you find this approach usually works? | 1:02:10 | 1:02:13 | |
-What? -Let me guess. | 1:02:13 | 1:02:15 | |
-You've never tried it before. -What? | 1:02:15 | 1:02:18 | |
Your neck's covered in love bites! | 1:02:18 | 1:02:21 | |
-You really surprise me, Joe Scott. -SIGHS | 1:02:22 | 1:02:25 | |
Fuck. | 1:02:27 | 1:02:30 | |
Oh, fuck. SIGHS | 1:02:31 | 1:02:34 | |
Fucking hell. Did Evelyn do that? | 1:02:34 | 1:02:38 | |
-It was Evelyn, wasn't it? What happened? -Nothing happened. | 1:02:40 | 1:02:45 | |
-What do you mean "nothing happened"? -Nothing happened! | 1:02:45 | 1:02:49 | |
What are you gonna do about Ruth? Didn't look happy, did she? | 1:02:49 | 1:02:53 | |
You think if I'm out the way, you stand a chance. | 1:02:54 | 1:02:57 | |
-Well, you don't! Not with Ruth! -Just fucking calm down. | 1:02:57 | 1:03:00 | |
-Hit him! -Shut up, Chillo! | 1:03:07 | 1:03:10 | |
-You're supposed to be mates! -Go on, Joe! | 1:03:10 | 1:03:13 | |
Go on! | 1:03:14 | 1:03:17 | |
-Yes, Boots! Go on, mate! -Come on! What the fuck are you doing?! | 1:03:17 | 1:03:23 | |
-What the fuck are you doing?! -Get off me! | 1:03:23 | 1:03:25 | |
-If I get off, you'll calm down, yeah?! -Just get off! | 1:03:25 | 1:03:30 | |
Hit him, Joe! | 1:03:31 | 1:03:33 | |
Fuck off! | 1:03:35 | 1:03:38 | |
You fucking deserved that, Joe! | 1:03:44 | 1:03:47 | |
Looking good, Joe. Looking good. | 1:03:49 | 1:03:52 | |
MECHANICAL LAUGHTER | 1:03:54 | 1:03:57 | |
WIND HOWLS | 1:03:59 | 1:04:01 | |
I like a storm, but this is more than enough. | 1:04:14 | 1:04:17 | |
We can go beachcombing tomorrow. | 1:04:17 | 1:04:20 | |
You always get something good washed up after a storm. | 1:04:20 | 1:04:23 | |
-DOOR BANGS OPEN AND SLAMS -God! | 1:04:26 | 1:04:29 | |
What's wrong with him? | 1:04:41 | 1:04:43 | |
Have you been in my room? | 1:04:47 | 1:04:49 | |
-I tidied it up. -Did you enjoy looking through my things? | 1:04:51 | 1:04:55 | |
-I always do(!) -Just stay out of my room! | 1:04:55 | 1:04:58 | |
DOOR SLAMS | 1:04:59 | 1:05:01 | |
-I don't think his date went very well. -LAUGHS | 1:05:04 | 1:05:07 | |
Hi, Joe. | 1:05:27 | 1:05:29 | |
-Is something wrong? -No. | 1:05:38 | 1:05:41 | |
Are you sure? | 1:05:43 | 1:05:45 | |
-Look what you did. -Did I do that? | 1:05:46 | 1:05:49 | |
-Yeah, you did. -Well, I didn't mean to. | 1:05:49 | 1:05:53 | |
I didn't know what I was doing. I really didn't mean to. | 1:05:53 | 1:05:56 | |
I didn't, Joe. | 1:05:58 | 1:06:00 | |
It was so amazing, I didn't know what I was doing. | 1:06:03 | 1:06:06 | |
-Really? -Yeah, really. | 1:06:11 | 1:06:15 | |
Jack's at work... | 1:06:27 | 1:06:29 | |
..if you wanna come back. | 1:06:30 | 1:06:33 | |
"THE CLANGERS" MUSIC ON TV | 1:07:02 | 1:07:04 | |
(Just gotta get Jane out.) | 1:07:13 | 1:07:15 | |
-Come on, out. -I don't want to go out! | 1:07:18 | 1:07:20 | |
-Out! -But I don't want to! I want to watch The Clangers! | 1:07:20 | 1:07:24 | |
-If you go out now, I'll buy you an ice cream later. -I don't want to! | 1:07:24 | 1:07:28 | |
-You will do as I say! Now, get out! -I hate you! | 1:07:28 | 1:07:31 | |
Yeah, and I hate you too! | 1:07:31 | 1:07:33 | |
SHE SIGHS | 1:07:34 | 1:07:35 | |
BOTH PANT | 1:08:31 | 1:08:33 | |
Thumbs into the hole. Good girl. | 1:09:14 | 1:09:16 | |
OK. That egg. | 1:09:16 | 1:09:20 | |
Break the shell. | 1:09:22 | 1:09:25 | |
Good girl. | 1:09:27 | 1:09:29 | |
Jane! | 1:10:29 | 1:10:31 | |
Jane! Come away! | 1:10:31 | 1:10:34 | |
Come away, Jane! | 1:10:34 | 1:10:37 | |
Jane! It's a mine! | 1:10:40 | 1:10:43 | |
Jane! Jane! | 1:10:43 | 1:10:47 | |
Come away! It's a mine! | 1:10:47 | 1:10:49 | |
Jane! | 1:10:49 | 1:10:51 | |
Peggy! Grace! | 1:10:51 | 1:10:54 | |
Peggy, come here! | 1:10:57 | 1:11:00 | |
Jane, come away! | 1:11:03 | 1:11:06 | |
-It's a mine! -It's mine! | 1:11:06 | 1:11:09 | |
Jane! | 1:11:10 | 1:11:12 | |
BOTH GASP | 1:11:15 | 1:11:17 | |
Mrs Rogers, are you all right? | 1:11:56 | 1:11:58 | |
-SOBS -I tried to save her, but I couldn't. | 1:11:58 | 1:12:03 | |
That poor girl. | 1:12:03 | 1:12:05 | |
-That poor wee girl. -Who? | 1:12:05 | 1:12:08 | |
Who? | 1:12:08 | 1:12:10 | |
I shouted to her, "Come away! Come away!" | 1:12:10 | 1:12:14 | |
Who? | 1:12:14 | 1:12:16 | |
Evelyn's little girl, Jane. | 1:12:16 | 1:12:20 | |
Oh, my God! | 1:12:21 | 1:12:23 | |
I saw her from my window. | 1:12:29 | 1:12:33 | |
Grace, take Jesse back up to the house. | 1:12:33 | 1:12:36 | |
One of them sea mines from the war. | 1:12:36 | 1:12:39 | |
-Er, Mrs Rogers, are you all right? -Washed up by the storm. | 1:12:39 | 1:12:43 | |
Mrs Rogers, you stay right there. I'm gonna be right back. | 1:12:43 | 1:12:46 | |
-What happened? -Go take care of Mrs Rogers. | 1:12:49 | 1:12:52 | |
-What happened? -Just do what I say! | 1:12:52 | 1:12:54 | |
Who will tell Jack? | 1:13:33 | 1:13:36 | |
He already knows. The police phoned him at work. | 1:13:37 | 1:13:40 | |
He'll blame me. | 1:13:42 | 1:13:44 | |
He won't blame you. It's not your fault. | 1:13:45 | 1:13:48 | |
He will. He'll blame me. | 1:13:48 | 1:13:51 | |
He thinks I never loved her. | 1:13:52 | 1:13:55 | |
I'm sure he doesn't think that. | 1:13:56 | 1:13:59 | |
She never liked me... | 1:14:01 | 1:14:03 | |
..not since the day she was born. | 1:14:06 | 1:14:08 | |
She cried every time I held her. | 1:14:11 | 1:14:14 | |
-Evelyn, don't do this to yourself. -It's true. | 1:14:14 | 1:14:18 | |
I tried, I...I really did, | 1:14:18 | 1:14:21 | |
but...it was almost a physical thing. | 1:14:21 | 1:14:26 | |
I always envied the way your kids were with you. | 1:14:30 | 1:14:34 | |
Of course Jane loved you... it's just kids are strange. | 1:14:35 | 1:14:39 | |
They have funny ways of showing love sometimes. | 1:14:39 | 1:14:42 | |
Can you go now? | 1:14:46 | 1:14:48 | |
-Are you sure? I... -I wanna be by myself. | 1:14:49 | 1:14:53 | |
-If you're sure. I just... -Go. | 1:14:57 | 1:15:00 | |
Please. | 1:15:02 | 1:15:04 | |
If you want anything... anything at all... | 1:15:09 | 1:15:14 | |
I want my baby! | 1:15:24 | 1:15:28 | |
WAILS | 1:15:29 | 1:15:32 | |
Bodies used to be kept in the house for 12 days. | 1:16:26 | 1:16:30 | |
Everyone kept the body at home for as long as they could. | 1:16:30 | 1:16:33 | |
They didn't dare part with it, you see. | 1:16:33 | 1:16:36 | |
Now you can't get rid of it quick enough. You see, | 1:16:36 | 1:16:39 | |
they were afraid the corpse might still be alive. | 1:16:39 | 1:16:43 | |
That was the real reason for hanging on to it. | 1:16:43 | 1:16:46 | |
People now have a...postmortem, glory be, | 1:16:46 | 1:16:50 | |
and it's all settled in a minute. | 1:16:50 | 1:16:52 | |
But years ago, there were some folk who got buried alive. | 1:16:52 | 1:16:58 | |
-Have you seen Jesse anywhere? -Out on the porch. | 1:16:58 | 1:17:01 | |
And Joe, is he ready? | 1:17:01 | 1:17:04 | |
Joe? Joe? | 1:17:05 | 1:17:07 | |
People used to leave an instruction in their will | 1:17:07 | 1:17:10 | |
to have a vein cut, just to be on the safe side. | 1:17:10 | 1:17:14 | |
Come on, Joe. We've gotta be there in ten minutes. | 1:17:15 | 1:17:17 | |
-We can't keep them waiting. -You go on. I'll be there in a minute. | 1:17:17 | 1:17:23 | |
No, you come with us now. I don't want you to be late. | 1:17:23 | 1:17:27 | |
I don't know why they're having a funeral - | 1:17:29 | 1:17:32 | |
there's no body in the coffin. | 1:17:32 | 1:17:34 | |
It's important to say goodbye. It's a symbol. | 1:17:34 | 1:17:37 | |
-Now, come on. -I'm not ready! You go! I'll be there in a minute! | 1:17:37 | 1:17:41 | |
This isn't about you, Joe. | 1:17:43 | 1:17:46 | |
This is about Jack and Evelyn... | 1:17:47 | 1:17:50 | |
..and the terrible loss they've suffered. | 1:17:51 | 1:17:54 | |
Please. | 1:17:56 | 1:17:58 | |
Please don't let them down. | 1:17:59 | 1:18:01 | |
SOBS | 1:18:07 | 1:18:09 | |
RINGS BELL | 1:21:41 | 1:21:43 | |
Oh, my God, it's you! | 1:22:04 | 1:22:07 | |
Where's Peggy? | 1:22:16 | 1:22:18 | |
You've been late your whole life, Joe. | 1:22:38 | 1:22:41 | |
I'm sure Ruth'll be touched that you even turned up. | 1:22:41 | 1:22:45 | |
I just can't believe I missed it. | 1:22:45 | 1:22:47 | |
I can't believe you're here at all. | 1:22:47 | 1:22:49 | |
It was a lovely service. And such a turn-out. | 1:22:49 | 1:22:54 | |
They couldn't get everyone in the church. | 1:22:54 | 1:22:57 | |
You should've seen the flowers. More than Lady Di. | 1:22:57 | 1:23:01 | |
Poor Ruth. She saw it happen. Dropped down dead in front of her. | 1:23:01 | 1:23:06 | |
One minute chatting away happily, | 1:23:06 | 1:23:08 | |
the next thing she knew he was dead on the ground. | 1:23:08 | 1:23:11 | |
-Terrible. They said it was an aneurysm. -SIGHS | 1:23:11 | 1:23:15 | |
Left four kids to bring up on her own. | 1:23:15 | 1:23:18 | |
They're hardly kids. Joe must be 15 now. | 1:23:18 | 1:23:22 | |
Good God, is he really? Seems like yesterday. | 1:23:22 | 1:23:25 | |
Luke, who's 14, Max, who's 12, | 1:23:25 | 1:23:29 | |
and then there's a lovely girl, Angelica, she must be ten. | 1:23:29 | 1:23:33 | |
Boots was a wonderful father. | 1:23:35 | 1:23:37 | |
Hopeless with money, though. In hock up to his eyeballs. | 1:23:41 | 1:23:46 | |
I reckon Ruth will lose the house and the land. | 1:23:48 | 1:23:52 | |
She had no idea how bad things were. Silly man hid it all from her. | 1:23:52 | 1:23:57 | |
She really is in serious trouble. | 1:23:57 | 1:24:00 | |
Thank you. | 1:24:02 | 1:24:04 | |
-Would you like some cake, Joe? -Mm. Thanks. | 1:24:07 | 1:24:10 | |
SIGHS | 1:24:22 | 1:24:24 | |
So what do you think of Graceland, Joe? | 1:24:28 | 1:24:31 | |
-It's all right, isn't it? -Thanks to you, Joe. | 1:24:34 | 1:24:38 | |
-I bet Elvis was never as cosy. -CHUCKLES | 1:24:41 | 1:24:45 | |
ALL CHUCKLE | 1:24:45 | 1:24:47 | |
This is my room. | 1:25:10 | 1:25:12 | |
This is Peggy's. | 1:25:15 | 1:25:17 | |
It took me a while to get used to sleeping in my own room, | 1:25:17 | 1:25:21 | |
but, I must say, I...I quite like it now. | 1:25:21 | 1:25:25 | |
This is yours. | 1:25:27 | 1:25:29 | |
I didn't like to throw anything away. | 1:25:31 | 1:25:34 | |
Good night, dear. | 1:25:41 | 1:25:43 | |
BIRDSONG | 1:26:32 | 1:26:34 | |
-Wakey-wakey! -Fucking hell. -Morning. -Hi, Jesse. | 1:26:39 | 1:26:45 | |
-Oi, bear's breath! -GROANS SLEEPILY | 1:26:45 | 1:26:48 | |
-So, what are you doing here? -It's nice to see you too. | 1:26:48 | 1:26:52 | |
Well, it's quite a surprise. There you are. | 1:26:52 | 1:26:56 | |
SIGHS | 1:26:56 | 1:26:58 | |
I'm here for the funeral. | 1:26:58 | 1:27:00 | |
-Oh, if we'd known, we could've put him on ice. -Ha-ha. | 1:27:00 | 1:27:03 | |
Don't feel bad. Ruth'll be glad you came. | 1:27:03 | 1:27:06 | |
-At least, I think she will. -You think she will? | 1:27:06 | 1:27:10 | |
Get yourself ready. I'll take you over to see her. | 1:27:11 | 1:27:14 | |
-You think she will? -It's been a long time. | 1:27:17 | 1:27:21 | |
-It's been a lifetime. -Welcome home, Joe. | 1:27:22 | 1:27:27 | |
Look, erm...I, erm, I feel really weird about this, | 1:27:56 | 1:28:00 | |
so why don't you go in first and, erm, tell her that I'm here? | 1:28:00 | 1:28:04 | |
I mean, she might not wanna see me. | 1:28:04 | 1:28:07 | |
-She knows you're here, I've told her already. -And what did she say? | 1:28:07 | 1:28:11 | |
-Not very much. -She must have said something. | 1:28:11 | 1:28:14 | |
What do you think she's gonna say? | 1:28:14 | 1:28:16 | |
You haven't seen her for 25 years. Do you think she's gonna | 1:28:16 | 1:28:19 | |
get down on her knees and thank God you're back? | 1:28:19 | 1:28:22 | |
She just lost her husband, the man she's loved all her life. Jeez! | 1:28:22 | 1:28:25 | |
This might come as a surprise, but she's not thinking about you. | 1:28:25 | 1:28:29 | |
Christ! | 1:28:29 | 1:28:31 | |
INAUDIBLE | 1:28:58 | 1:29:00 | |
She's at the cemetery. She's collecting the sympathy cards. | 1:29:30 | 1:29:34 | |
When I was a child, I used to think that being brave | 1:29:54 | 1:29:57 | |
meant that you had to take action. | 1:29:57 | 1:30:00 | |
That to have a dream or get forward in life, you needed courage. | 1:30:00 | 1:30:03 | |
But the only thing you need courage for is for standing still. | 1:30:08 | 1:30:11 | |
She's over there. | 1:30:37 | 1:30:40 | |
Well, come on, then. What are you waiting for? | 1:30:48 | 1:30:51 | |
-Aren't you coming? -No, I'll be over here. | 1:30:56 | 1:30:59 | |
-Hello, Joe. -Hello, Ruth. | 1:31:50 | 1:31:54 | |
I came for the funeral. | 1:31:55 | 1:31:57 | |
You're a bit late. | 1:31:59 | 1:32:02 | |
Still, it's reassuring to know that...some things never change. | 1:32:02 | 1:32:08 | |
I...I heard it was wonderful. I mean... | 1:32:12 | 1:32:17 | |
Yeah, it was...wonderful. | 1:32:17 | 1:32:19 | |
It was good of you to come. | 1:32:21 | 1:32:23 | |
How are you? SIGHS Fucking stupid question. | 1:32:26 | 1:32:30 | |
-Sorry. -Yeah. | 1:32:30 | 1:32:33 | |
-I don't know what to say. -There's nothing to say. | 1:32:38 | 1:32:41 | |
My ears are ringing with sympathy, but it's not... | 1:32:41 | 1:32:44 | |
..it's not gonna bring him back. | 1:32:46 | 1:32:48 | |
He had a rare gift, Joe... | 1:32:53 | 1:32:55 | |
he knew his place in the world. | 1:32:55 | 1:32:58 | |
He found wonder in simple things. | 1:33:00 | 1:33:02 | |
He lived in the moment, like a child. | 1:33:04 | 1:33:07 | |
That's a rare gift in a man. | 1:33:09 | 1:33:12 | |
Do you know what the strangest thing is? | 1:33:20 | 1:33:23 | |
I can't cry. | 1:33:24 | 1:33:27 | |
It's the saddest moment in my life, and I can't cry. | 1:33:27 | 1:33:31 | |
I mean, I wish I could cry. | 1:33:33 | 1:33:36 | |
There must be something wrong with me. | 1:33:39 | 1:33:42 | |
-If there's anything I can do for you, anything you need... -Oh, no. | 1:33:43 | 1:33:47 | |
I was so afraid to come back. | 1:34:00 | 1:34:02 | |
You were right to leave. | 1:34:05 | 1:34:08 | |
It allowed you to... do what you wanted. | 1:34:09 | 1:34:13 | |
Or maybe what I thought I wanted. | 1:34:13 | 1:34:15 | |
-I should be getting back. -Yeah. OK. Sure. | 1:34:23 | 1:34:26 | |
-Thanks for coming. -I'm sorry I was late. | 1:34:28 | 1:34:32 | |
He would have laughed. | 1:34:34 | 1:34:36 | |
-Well...goodbye, then. -Goodbye, Ruth. | 1:34:39 | 1:34:44 | |
-How was it? -Weird. | 1:35:14 | 1:35:16 | |
-This is Jane's grave? -Yep. | 1:35:23 | 1:35:27 | |
And this one is Evelyn's. | 1:35:27 | 1:35:30 | |
-Evelyn died? -I hope so. She's in trouble if she didn't. | 1:35:31 | 1:35:35 | |
-How did...? Mum didn't tell me. -Well, there's a story. | 1:35:35 | 1:35:39 | |
She was drawn to trouble like a drunk to the bottle | 1:35:39 | 1:35:42 | |
and if she couldn't find it, she'd make it. | 1:35:42 | 1:35:44 | |
Jesus Christ, you get more like Peggy Tickell every day! | 1:35:44 | 1:35:47 | |
-I'm not like Peggy! -Just tell me what happened. | 1:35:47 | 1:35:51 | |
Are you wearing make-up? | 1:35:52 | 1:35:55 | |
-Fuck off. -All right, all right. | 1:35:55 | 1:35:59 | |
Well, soon after Jane died, Jack and Evelyn split up. | 1:35:59 | 1:36:03 | |
He never really got over Jane's death, and the final straw was... | 1:36:03 | 1:36:07 | |
-Do you remember Kevin Hubble? -Yeah. Yeah, yeah. | 1:36:07 | 1:36:11 | |
Jack found Evelyn in bed with him. | 1:36:11 | 1:36:13 | |
-She married him. -Wow! | 1:36:16 | 1:36:19 | |
Much to her regret. He was a monster. | 1:36:19 | 1:36:21 | |
He made her life a living hell. And she stuck it out for years. | 1:36:21 | 1:36:25 | |
It was as if she felt she deserved it. | 1:36:25 | 1:36:28 | |
He beat her, he tormented her. He was a real bastard. | 1:36:28 | 1:36:31 | |
Anyway, so she finally leaves him, steals his car. | 1:36:31 | 1:36:34 | |
I don't know why, it was a wreck. | 1:36:34 | 1:36:37 | |
Broke down on the motorway, got out and was hit by a lorry. | 1:36:37 | 1:36:40 | |
-Oh, God! -Her head was chopped straight off. | 1:36:40 | 1:36:43 | |
And the strangest thing was, they never found it. | 1:36:43 | 1:36:47 | |
-Well, what happened to it? -Well, they thought a fox might've taken it. | 1:36:47 | 1:36:52 | |
They don't know, and I don't suppose they ever will. | 1:36:53 | 1:36:56 | |
There. | 1:37:03 | 1:37:05 | |
-Are you wearing make-up? -No, I'm not wearing... | 1:37:06 | 1:37:09 | |
Well...it's concealer. SHE LAUGHS | 1:37:09 | 1:37:13 | |
-You are wearing make up! -Fuck off! HE CHUCKLES | 1:37:13 | 1:37:17 | |
MUSIC: "If There Is Something" by Roxy Music | 1:37:51 | 1:37:53 | |
# I would do anything for you | 1:38:14 | 1:38:17 | |
# I would climb mountains | 1:38:17 | 1:38:20 | |
# I would swim all the oceans blue | 1:38:20 | 1:38:23 | |
# I would walk a thousand miles | 1:38:25 | 1:38:28 | |
# Reveal my secrets | 1:38:28 | 1:38:31 | |
# More than enough for me to share | 1:38:31 | 1:38:35 | |
# I would put roses round our door | 1:38:37 | 1:38:40 | |
# Sit in the garden | 1:38:40 | 1:38:43 | |
# Growing potatoes by the score... # | 1:38:43 | 1:38:49 | |
DIALOGUE DROWNED OUT BY MUSIC | 1:39:53 | 1:39:55 | |
# Shake your hair, girl With your ponytail | 1:41:08 | 1:41:13 | |
# Takes me right back | 1:41:13 | 1:41:15 | |
# When you were young | 1:41:15 | 1:41:18 | |
# Throw your precious gifts into the air | 1:41:20 | 1:41:25 | |
# Watch them fall down | 1:41:25 | 1:41:27 | |
# When you were young | 1:41:27 | 1:41:30 | |
# Lift up your feet and put them on the ground | 1:41:31 | 1:41:36 | |
# You used to walk upon | 1:41:36 | 1:41:39 | |
# When you were young | 1:41:39 | 1:41:41 | |
# Lift up your feet and put them on the ground | 1:41:42 | 1:41:48 | |
# The hills were higher | 1:41:48 | 1:41:51 | |
# When you were young | 1:41:51 | 1:41:53 | |
# Lift up your feet and put them on the ground | 1:41:54 | 1:41:59 | |
# The trees were taller | 1:41:59 | 1:42:02 | |
# When you were young | 1:42:02 | 1:42:05 | |
# Lift up your feet and put them on the ground | 1:42:06 | 1:42:11 | |
# The grass was greener | 1:42:11 | 1:42:14 | |
# When you were young | 1:42:14 | 1:42:16 | |
# Lift up your feet and put them on the ground | 1:42:17 | 1:42:23 | |
# You used to walk upon | 1:42:23 | 1:42:25 | |
# When...you...were...young. # | 1:42:25 | 1:42:30 | |
MUSIC: "It Ain't Easy" by David Bowie | 1:42:35 | 1:42:38 | |
# When you climb to the top of the mountain | 1:42:48 | 1:42:52 | |
# Look out over the sea | 1:42:52 | 1:42:55 | |
# Think about the places perhaps | 1:42:55 | 1:42:59 | |
# Where a young man could be | 1:42:59 | 1:43:02 | |
# Then you jump back down to the rooftops | 1:43:02 | 1:43:06 | |
# Look out over the town | 1:43:06 | 1:43:09 | |
# Think about all of the strange things | 1:43:09 | 1:43:13 | |
# Circulatin' round | 1:43:13 | 1:43:15 | |
# It ain't easy | 1:43:15 | 1:43:19 | |
# It ain't easy | 1:43:19 | 1:43:22 | |
# It ain't easy to get to heaven | 1:43:22 | 1:43:25 | |
# When you're goin' down | 1:43:25 | 1:43:27 | |
# Satisfaction, satisfaction | 1:43:28 | 1:43:32 | |
# Keep me satisfied | 1:43:32 | 1:43:36 | |
# I've got the love of a hoochie-koochie woman | 1:43:36 | 1:43:39 | |
# She's callin' from inside | 1:43:39 | 1:43:43 | |
# She's a-callin' from inside | 1:43:43 | 1:43:47 | |
# Tryin' to get to you | 1:43:47 | 1:43:50 | |
# All the woman really wants | 1:43:50 | 1:43:53 | |
# You can give her somethin', too | 1:43:53 | 1:43:56 | |
# It ain't easy | 1:43:56 | 1:43:59 | |
# It ain't easy | 1:43:59 | 1:44:02 | |
# It ain't easy to get to heaven | 1:44:02 | 1:44:05 | |
# When you're goin' down | 1:44:05 | 1:44:08 | |
# It ain't easy | 1:44:09 | 1:44:12 | |
# It ain't easy | 1:44:12 | 1:44:16 | |
# It ain't easy to get to heaven | 1:44:16 | 1:44:19 | |
# When you're goin' down. # | 1:44:19 | 1:44:22 | |
Subtitles by IMS | 1:44:23 | 1:44:25 | |
E-mail [email protected] | 1:44:25 | 1:44:28 |