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This film contains very strong language | 0:00:04 | 0:00:12 | |
GIRL: Out by 16 or done the scene, | 0:00:12 | 0:00:14 | |
but together forever. | 0:00:14 | 0:00:15 | |
WOMAN YELLS | 0:00:30 | 0:00:32 | |
WOMAN YELLS | 0:00:50 | 0:00:52 | |
GIRL: I thought you were gonna die. | 0:00:52 | 0:00:55 | |
GIRL: I'm changing. Full moons have nothing to do with it. | 0:00:57 | 0:01:02 | |
GIRL: It's like an infection, | 0:01:04 | 0:01:07 | |
Works from the inside out. It's like a virus. | 0:01:07 | 0:01:10 | |
Something is really, really wrong with me, B. | 0:01:15 | 0:01:18 | |
I can't be like this! | 0:01:24 | 0:01:27 | |
This is monkshood. | 0:01:27 | 0:01:29 | |
I don't know if you smoke it or eat it or what, | 0:01:29 | 0:01:31 | |
but I need to try it now. | 0:01:31 | 0:01:33 | |
Ginger, please! It's me! | 0:01:55 | 0:01:58 | |
SHE SCREAMS, ANIMAL SNARLS | 0:02:03 | 0:02:06 | |
HE CLEARS HIS THROAT | 0:02:29 | 0:02:30 | |
I'm onto you. | 0:02:30 | 0:02:32 | |
You come in here late at night, | 0:02:38 | 0:02:41 | |
stay until all the other avid readers are gone. | 0:02:41 | 0:02:44 | |
You're attracted to me, but, um, you fear rejection, | 0:02:44 | 0:02:48 | |
so you bide your time, | 0:02:48 | 0:02:50 | |
just kind of waiting for that perfect moment. | 0:02:50 | 0:02:53 | |
Don't worry. I've been dealing with this all my life. | 0:02:54 | 0:02:58 | |
I'm kidding. | 0:03:01 | 0:03:03 | |
Your fly's open. | 0:03:05 | 0:03:07 | |
OK. | 0:03:11 | 0:03:13 | |
Perfect. | 0:03:16 | 0:03:18 | |
Yeah. | 0:03:18 | 0:03:21 | |
Yeah. | 0:03:21 | 0:03:22 | |
I indulge in the occasional bloodletting myself. | 0:03:22 | 0:03:26 | |
OK. | 0:03:28 | 0:03:30 | |
Brigitte Fitzgerald. | 0:03:30 | 0:03:32 | |
So, unfortunately, you have quite the overdue account. | 0:03:34 | 0:03:36 | |
And technically, if you have more than 6.00 owing, I'm just... | 0:03:36 | 0:03:39 | |
OK, well, I'll see you later. | 0:03:43 | 0:03:45 | |
DOOR OPENS | 0:03:52 | 0:03:55 | |
MUSIC BLARES | 0:03:55 | 0:03:58 | |
DOOR CLOSES, MUSIC QUIETENS | 0:03:58 | 0:03:59 | |
GINGER: You're healing faster, aren't you? | 0:04:49 | 0:04:52 | |
That shit's not a cure, you know. | 0:04:52 | 0:04:54 | |
It just slows the transformation. | 0:04:54 | 0:04:57 | |
It doesn't stop it, B. | 0:04:57 | 0:04:59 | |
Nothing will stop it. | 0:04:59 | 0:05:01 | |
What are you doing? | 0:05:01 | 0:05:04 | |
You already dosed today. | 0:05:04 | 0:05:05 | |
It's poison, B. | 0:05:05 | 0:05:06 | |
You can't keep shooting it. | 0:05:06 | 0:05:09 | |
Remember that game we used to play when we were little, | 0:05:19 | 0:05:21 | |
the one where we would make ourselves hold our breath | 0:05:21 | 0:05:25 | |
until we passed out? | 0:05:25 | 0:05:27 | |
And you'd always get scared, call Mom, | 0:05:27 | 0:05:30 | |
and I'd get in trouble. | 0:05:30 | 0:05:33 | |
That game really sucked. | 0:05:33 | 0:05:36 | |
Do you feel it? | 0:05:50 | 0:05:52 | |
You're not alone. | 0:05:52 | 0:05:54 | |
He's found you again. | 0:05:57 | 0:05:59 | |
Uh, this is a major breach of...breach of library policy, | 0:06:14 | 0:06:17 | |
but I brought you the books. | 0:06:17 | 0:06:20 | |
Are you OK? | 0:06:23 | 0:06:25 | |
What did you take? | 0:06:25 | 0:06:26 | |
OK, come on. | 0:06:26 | 0:06:27 | |
Come on. Come on. | 0:06:27 | 0:06:30 | |
Get in. Watch your head. | 0:06:30 | 0:06:32 | |
I'm gonna get you some help, OK? | 0:06:32 | 0:06:34 | |
OK. OK. OK. | 0:06:37 | 0:06:39 | |
I'm gonna get you some help. | 0:06:39 | 0:06:41 | |
No! | 0:06:41 | 0:06:43 | |
BOTH SCREAM, CREATURE SNARLS | 0:06:43 | 0:06:45 | |
SCREAMS FADE | 0:06:57 | 0:07:00 | |
Hey, sleepyhead. It's time. | 0:07:24 | 0:07:28 | |
Hi. | 0:08:20 | 0:08:21 | |
I'm Alice Seversen. | 0:08:21 | 0:08:24 | |
I, uh, I run the community outreach programme | 0:08:24 | 0:08:28 | |
here at Happier Times Care Centre. | 0:08:28 | 0:08:29 | |
Would you like a seat? | 0:08:29 | 0:08:31 | |
Your library card, which was the only ID that we could find on you, | 0:08:33 | 0:08:36 | |
said that your name was Brigitte. | 0:08:36 | 0:08:38 | |
Is that true? | 0:08:38 | 0:08:40 | |
Did you find him? | 0:08:40 | 0:08:41 | |
Find who? | 0:08:41 | 0:08:44 | |
The librarian guy, Jeremy. | 0:08:44 | 0:08:46 | |
It came through the window. | 0:08:49 | 0:08:52 | |
It attacked him. | 0:08:52 | 0:08:53 | |
No, you suffered a near fatal anaphylactic reaction. | 0:08:53 | 0:08:57 | |
Listen. I saw a guy die. | 0:08:57 | 0:09:00 | |
His blood was on my face. | 0:09:00 | 0:09:02 | |
You did have blood on your face, | 0:09:02 | 0:09:03 | |
but it was from the cuts on your arms. | 0:09:03 | 0:09:05 | |
I saw it. | 0:09:07 | 0:09:10 | |
When I was using... | 0:09:10 | 0:09:12 | |
I was convinced that the deaf Norwegian prep cook | 0:09:12 | 0:09:16 | |
who lived in the apartment over was trying to amputate my legs. | 0:09:16 | 0:09:18 | |
KNOCK AT THE DOOR | 0:09:18 | 0:09:20 | |
Come in! | 0:09:20 | 0:09:22 | |
Hi. | 0:09:22 | 0:09:23 | |
Brigitte, this is Luke. | 0:09:23 | 0:09:24 | |
He's gonna need a blood sample. | 0:09:24 | 0:09:26 | |
My guess is, you're not afraid of needles. | 0:09:27 | 0:09:29 | |
Due to cutbacks, facilities like ours have had to get creative. | 0:09:33 | 0:09:38 | |
Girls on drugs don't go over too well | 0:09:38 | 0:09:40 | |
in private funding circles. | 0:09:40 | 0:09:41 | |
So three years ago, we became a dual-care facility. | 0:09:41 | 0:09:44 | |
We house chronic-care patients from the hospital system. | 0:09:44 | 0:09:48 | |
Barbara was badly burned in a fire. | 0:09:48 | 0:09:52 | |
That's her granddaughter. She's here until we find her a foster home. | 0:09:52 | 0:09:55 | |
BUZZER | 0:09:55 | 0:09:57 | |
The hospital was built in the 1920s | 0:09:58 | 0:10:00 | |
to, uh, quarantine tuberculosis patients, | 0:10:00 | 0:10:03 | |
but ours is the only unit that is still functional. | 0:10:03 | 0:10:06 | |
The other wings have been closed for years | 0:10:06 | 0:10:09 | |
and are strictly out-of-bounds. | 0:10:09 | 0:10:11 | |
You little freak. | 0:10:11 | 0:10:12 | |
So you start in lockup, | 0:10:12 | 0:10:13 | |
which we maintain through your withdrawal, | 0:10:13 | 0:10:15 | |
and then we go from there based on your progress. | 0:10:15 | 0:10:17 | |
Had she realised her captors were capable of terrifying feats? | 0:10:17 | 0:10:21 | |
Brigitte, Ghost. Ghost, Brigitte. | 0:10:21 | 0:10:22 | |
That at night they used to torture their prisoners | 0:10:22 | 0:10:24 | |
in vats of pig grease? | 0:10:24 | 0:10:26 | |
She had! She ran for her life! | 0:10:26 | 0:10:29 | |
ALARM BELL CLANGS | 0:10:29 | 0:10:32 | |
Excuse me, ladies. | 0:10:34 | 0:10:36 | |
It's your choice. | 0:11:03 | 0:11:05 | |
We take you, or you come. | 0:11:05 | 0:11:08 | |
We've got a bleeder. | 0:11:08 | 0:11:09 | |
I'm Tyler. | 0:11:12 | 0:11:14 | |
This is Marcus. | 0:11:14 | 0:11:16 | |
Now, see, that's your cue to tell us your name. | 0:11:16 | 0:11:20 | |
Your own clothes are being cleaned. | 0:11:24 | 0:11:27 | |
GIRL SOBBING: I'm writing again, | 0:11:47 | 0:11:49 | |
which feels like coming home, | 0:11:49 | 0:11:52 | |
because... | 0:11:52 | 0:11:54 | |
Well, it's what I do, | 0:11:54 | 0:11:56 | |
and I feel exhilarated and scared, | 0:11:56 | 0:12:00 | |
because... | 0:12:00 | 0:12:02 | |
I-I have to face unadulterated truth when I'm writing. | 0:12:02 | 0:12:07 | |
Like the fact that my chemical dependency | 0:12:07 | 0:12:11 | |
is A, related to stuff that happened to me as a child | 0:12:11 | 0:12:16 | |
and B, that I have to explore that stuff with you all here, | 0:12:16 | 0:12:21 | |
and C, this time, there's no holding back. | 0:12:21 | 0:12:24 | |
Dr Brookner, if she doesn't shut up, | 0:12:24 | 0:12:26 | |
I swear I'll make her drink her piss...again. | 0:12:26 | 0:12:29 | |
She'll do no such thing, Winnie. Brigitte? | 0:12:29 | 0:12:32 | |
You have a room of people | 0:12:32 | 0:12:34 | |
pretty curious about Brigitte. | 0:12:34 | 0:12:37 | |
And incidentally, a room full of people | 0:12:37 | 0:12:39 | |
who think you really suck at suicide. | 0:12:39 | 0:12:41 | |
What's your best-case scenario, hmm? | 0:12:41 | 0:12:45 | |
Go there. | 0:12:45 | 0:12:47 | |
My best-case scenario, Eleanor, | 0:12:54 | 0:12:57 | |
is hair everywhere but my eyeballs, | 0:12:57 | 0:12:59 | |
elongation of my spine till my skin splits, | 0:12:59 | 0:13:02 | |
teats, | 0:13:02 | 0:13:04 | |
and a growing tolerance, maybe even affection for | 0:13:04 | 0:13:06 | |
the smell and taste of faeces, | 0:13:06 | 0:13:08 | |
not just my own, | 0:13:08 | 0:13:09 | |
and then excruciating death. | 0:13:09 | 0:13:12 | |
SNARLS | 0:13:12 | 0:13:15 | |
You know, Brigitte, | 0:13:17 | 0:13:19 | |
some girls find group...useful. | 0:13:19 | 0:13:22 | |
I can't be here. | 0:13:22 | 0:13:24 | |
You're feverish, | 0:13:24 | 0:13:26 | |
but don't worry. That's common. | 0:13:26 | 0:13:27 | |
Would you like to talk about what you were shooting? | 0:13:27 | 0:13:30 | |
I didn't recognise it myself, | 0:13:30 | 0:13:32 | |
which is kind of impressive. | 0:13:32 | 0:13:34 | |
There's not a lot you can stick in your arm | 0:13:34 | 0:13:35 | |
that I haven't been familiar with. | 0:13:35 | 0:13:37 | |
Must be great to be a role model. | 0:13:37 | 0:13:39 | |
Do you mind? | 0:13:45 | 0:13:48 | |
So tell me... | 0:13:48 | 0:13:51 | |
Why were you timing | 0:13:51 | 0:13:53 | |
how long it takes your cuts to heal? | 0:13:53 | 0:13:55 | |
Look, Alice... | 0:14:06 | 0:14:08 | |
if I was messed up in the way you think I am, | 0:14:08 | 0:14:11 | |
I would really appreciate someone like you to help me. | 0:14:11 | 0:14:14 | |
And, Brigitte... | 0:14:14 | 0:14:17 | |
if I was stupid...in the way that you wish I was, I'd let you go. | 0:14:17 | 0:14:20 | |
I have been where you are. | 0:14:20 | 0:14:22 | |
You have no idea where I am. | 0:14:22 | 0:14:25 | |
If you keep me here, people are gonna die. | 0:14:26 | 0:14:30 | |
So you know, threats are a big no-no with Alice. | 0:14:38 | 0:14:41 | |
GHOST: If you keep me here, people are gonna die. | 0:14:47 | 0:14:52 | |
GINGER: Why bother, B? | 0:14:59 | 0:15:01 | |
You know you're healing faster. | 0:15:01 | 0:15:04 | |
It's only a matter of time | 0:15:04 | 0:15:06 | |
before you start changing on the outside, too. | 0:15:06 | 0:15:08 | |
You know you're changing. | 0:15:11 | 0:15:13 | |
He knows you're changing, | 0:15:13 | 0:15:17 | |
and he'll find you. | 0:15:17 | 0:15:19 | |
FLIES BUZZ | 0:15:33 | 0:15:35 | |
Hey, Brigitte's blood work back yet? | 0:15:35 | 0:15:36 | |
Yeah, and the only thing in her system | 0:15:36 | 0:15:39 | |
is the stuff we found on her. | 0:15:39 | 0:15:40 | |
It's a plant extract... | 0:15:42 | 0:15:43 | |
called monkshood. | 0:15:43 | 0:15:45 | |
Oh. | 0:15:45 | 0:15:46 | |
Totally legal. Totally accessible. | 0:15:46 | 0:15:49 | |
It's sold in craft stores | 0:15:49 | 0:15:51 | |
for dried flower arrangements. | 0:15:51 | 0:15:53 | |
Ew, Jesus. | 0:15:53 | 0:15:55 | |
I've never heard of it before. | 0:15:55 | 0:15:57 | |
That's because monkshood isn't a stimulant. | 0:15:57 | 0:15:59 | |
No? What is it, then? | 0:15:59 | 0:16:01 | |
A poison also called Aconitum napellus | 0:16:01 | 0:16:05 | |
or wolfsbane, | 0:16:05 | 0:16:06 | |
but this, this isn't mild. | 0:16:06 | 0:16:10 | |
This would send the average adult | 0:16:10 | 0:16:11 | |
into a septic shock. | 0:16:11 | 0:16:13 | |
So she's hooked on poison. | 0:16:13 | 0:16:16 | |
Hey. What'd I tell you about eavesdropping, huh? | 0:16:16 | 0:16:19 | |
Go on. Get out of here. | 0:16:19 | 0:16:20 | |
Dudes. Alice. | 0:16:20 | 0:16:22 | |
TV: 'There are 14 species of maple | 0:16:25 | 0:16:27 | |
'native to Canada and the United States. | 0:16:27 | 0:16:30 | |
'Very easy to recognise, | 0:16:30 | 0:16:32 | |
'the maple is the only deciduous species...' | 0:16:32 | 0:16:34 | |
Hey, B-B. | 0:16:34 | 0:16:35 | |
'..the only known leaves to grow in pairs on opposite sides of the branch. | 0:16:35 | 0:16:42 | |
'Most maples will lose these unique leaves in the autumn. | 0:16:42 | 0:16:45 | |
'Some maple species will have their leaves turn vibrant red, yellow | 0:16:45 | 0:16:49 | |
'or orange before the fall... | 0:16:49 | 0:16:51 | |
'..till the following spring, | 0:16:56 | 0:16:58 | |
'when the circle of life begins anew | 0:16:58 | 0:17:01 | |
'with the fresh scent of these distinct leaves...' | 0:17:01 | 0:17:04 | |
BANG! | 0:17:04 | 0:17:06 | |
PATIENT GRUNTS | 0:17:06 | 0:17:08 | |
Wolfsbane. | 0:17:15 | 0:17:18 | |
TOILET FLUSHES | 0:17:27 | 0:17:30 | |
Ahem. | 0:17:31 | 0:17:33 | |
What are you doing in here? | 0:17:34 | 0:17:37 | |
You know, it's amazing the things you'll find in this place at night. | 0:17:37 | 0:17:40 | |
Are you gonna give that to me? | 0:17:48 | 0:17:50 | |
Mm-hmm. | 0:17:50 | 0:17:51 | |
But I get to do it. | 0:17:51 | 0:17:54 | |
And I get to choose where. | 0:17:57 | 0:17:59 | |
Why? | 0:17:59 | 0:18:01 | |
You know, I bet you were one of those girls | 0:18:01 | 0:18:02 | |
that always asked her mom why. | 0:18:02 | 0:18:04 | |
Mom - "It's cold out." | 0:18:04 | 0:18:06 | |
"Why?" | 0:18:06 | 0:18:08 | |
Mom - "It's dark out." | 0:18:08 | 0:18:10 | |
"Why?" | 0:18:10 | 0:18:12 | |
I need that. | 0:18:13 | 0:18:14 | |
Why? | 0:18:15 | 0:18:17 | |
Give it to me. | 0:18:17 | 0:18:20 | |
OK... | 0:18:21 | 0:18:22 | |
But it has to be in a place that no-one else will see. | 0:18:22 | 0:18:25 | |
Pull down your pants. | 0:18:25 | 0:18:28 | |
Fuck you. | 0:18:29 | 0:18:30 | |
Now, that was way out of line. | 0:18:34 | 0:18:37 | |
Night, Brigitte. | 0:18:39 | 0:18:40 | |
Why do all the ones that get killed have tattoos? | 0:19:08 | 0:19:12 | |
Why was he so anxious to get rid of her? | 0:19:12 | 0:19:14 | |
Because it was past her bedtime. | 0:19:14 | 0:19:16 | |
Let's go. | 0:19:16 | 0:19:17 | |
Cover your ears to his lies, Rocky. | 0:19:17 | 0:19:20 | |
Late at night in secret chambers, | 0:19:22 | 0:19:25 | |
he carried out his reign of moral terror. | 0:19:25 | 0:19:29 | |
Isn't that mortal terror? | 0:19:29 | 0:19:31 | |
Nope. | 0:19:31 | 0:19:33 | |
DOG BARKS | 0:19:33 | 0:19:34 | |
Woof! Oh, good boy. Come here. | 0:19:34 | 0:19:36 | |
'Abducted! Yes! | 0:19:48 | 0:19:49 | |
'Maybe that's it. We were abducted by aliens. | 0:19:49 | 0:19:51 | |
'And they've taken us back to their planet, | 0:19:51 | 0:19:54 | |
'and put us in some kind of zoo. | 0:19:54 | 0:19:56 | |
'But there's a sign that says...' | 0:19:56 | 0:19:58 | |
Making up more childhood sexual abuse? | 0:19:58 | 0:20:00 | |
Sticks and stones, fatso. | 0:20:00 | 0:20:02 | |
'..but why wouldn't they want to fatten us up | 0:20:02 | 0:20:09 | |
'before the slaughter, | 0:20:09 | 0:20:11 | |
'unless they are feeding us | 0:20:11 | 0:20:12 | |
'and we just don't know it. | 0:20:12 | 0:20:14 | |
'And they're just waiting...' | 0:20:14 | 0:20:16 | |
Bing! | 0:20:16 | 0:20:18 | |
Oh! | 0:20:19 | 0:20:20 | |
This is getting so boring. | 0:20:26 | 0:20:29 | |
It's an ancient game - | 0:20:29 | 0:20:31 | |
the throwing of pennies | 0:20:31 | 0:20:33 | |
at the local moron or midget. | 0:20:33 | 0:20:36 | |
I can't see the TV. | 0:20:38 | 0:20:41 | |
I said I can't see the TV. | 0:20:47 | 0:20:49 | |
Would you like me to throw you at her head? | 0:20:52 | 0:20:56 | |
TV: 'What are you doing?' | 0:20:56 | 0:20:59 | |
Wow. Vicious, yet constrained. | 0:21:02 | 0:21:05 | |
That's noble, considering what you could have done to her. | 0:21:05 | 0:21:07 | |
Next time, I'd recommend | 0:21:07 | 0:21:08 | |
smashing Beth-Ann's head against Koral's | 0:21:08 | 0:21:10 | |
like a cymbal or a battering ram... | 0:21:10 | 0:21:12 | |
Get lost! | 0:21:12 | 0:21:15 | |
When you close your eyes, is it hell you see? | 0:21:15 | 0:21:18 | |
GINGER: You know, the faster you heal, | 0:21:18 | 0:21:21 | |
the closer he gets, B. | 0:21:21 | 0:21:24 | |
Or is that the closer he gets, the faster you heal? | 0:21:24 | 0:21:27 | |
BUZZER | 0:21:27 | 0:21:29 | |
Here's a good one. | 0:21:40 | 0:21:42 | |
"At the dawn of darkness, there was a goddess of night | 0:21:42 | 0:21:45 | |
"who walked the hills with a shepherd's stick | 0:21:45 | 0:21:47 | |
"and a pack of wild hounds. | 0:21:47 | 0:21:50 | |
"The hounds..." | 0:21:50 | 0:21:52 | |
Oh, they were from hell! | 0:21:52 | 0:21:54 | |
"..would do her evil deeds, | 0:21:54 | 0:21:56 | |
"and she wouldn't lift a finger. | 0:21:56 | 0:21:58 | |
"Her finger was finely jewelled | 0:21:58 | 0:22:02 | |
"with babies' teeth." | 0:22:02 | 0:22:04 | |
Clatter | 0:22:10 | 0:22:13 | |
Here you are. > | 0:22:45 | 0:22:47 | |
I'm on lunch duty. | 0:23:01 | 0:23:02 | |
You didn't like it when Tyler came into your room, did you? | 0:23:08 | 0:23:11 | |
The others do. | 0:23:11 | 0:23:12 | |
He tells me everything. | 0:23:15 | 0:23:17 | |
We have an understanding. | 0:23:17 | 0:23:19 | |
Do you turn at the full moon? | 0:23:28 | 0:23:31 | |
You watch too many horror movies. | 0:23:31 | 0:23:33 | |
I'm not allowed to watch horror movies. | 0:23:33 | 0:23:35 | |
Or technically, to read comics | 0:23:35 | 0:23:38 | |
or to eat foods with gluten. I'm too impressionable. | 0:23:38 | 0:23:40 | |
Why doesn't that surprise me? | 0:23:40 | 0:23:42 | |
Well, not the gluten thing. | 0:23:42 | 0:23:43 | |
That's just digestive. | 0:23:43 | 0:23:45 | |
Your ear. | 0:23:54 | 0:23:56 | |
Get out! | 0:23:59 | 0:24:01 | |
I know where Tyler keeps his stash. | 0:24:01 | 0:24:03 | |
I said, get out! | 0:24:03 | 0:24:05 | |
Ginger. | 0:24:15 | 0:24:17 | |
We really need to talk. | 0:24:17 | 0:24:19 | |
These last few days, I have been feeling very left out... | 0:24:19 | 0:24:24 | |
Watching you hang out with all your cool, new friends. | 0:24:24 | 0:24:29 | |
It's starting. | 0:24:29 | 0:24:31 | |
So it is. | 0:24:31 | 0:24:34 | |
Well, you have two options, then, don't you? | 0:24:36 | 0:24:40 | |
Either give in or give up. | 0:24:40 | 0:24:41 | |
It only dies if you do. | 0:24:41 | 0:24:43 | |
I'm not gonna die. | 0:24:43 | 0:24:46 | |
TELEPHONE RINGS | 0:25:07 | 0:25:10 | |
MOANING | 0:25:48 | 0:25:50 | |
ZIP! | 0:26:20 | 0:26:22 | |
There you go. | 0:26:25 | 0:26:27 | |
VOMITING | 0:26:54 | 0:26:57 | |
Can I watch? | 0:27:03 | 0:27:04 | |
Go away, please. | 0:27:05 | 0:27:07 | |
Shh. | 0:27:12 | 0:27:13 | |
SHE VOMITS | 0:27:13 | 0:27:16 | |
TOILET FLUSHES | 0:27:16 | 0:27:17 | |
Hey. | 0:27:17 | 0:27:19 | |
(You touch my stuff again | 0:27:19 | 0:27:21 | |
(and I'll tell Alice where you keep your comics.) | 0:27:21 | 0:27:25 | |
Are you sniffing me? | 0:27:45 | 0:27:48 | |
I need it. | 0:27:51 | 0:27:52 | |
Yeah, you said that before. | 0:27:52 | 0:27:56 | |
Why'd you have to go and do this? | 0:27:56 | 0:27:57 | |
I made a mistake. | 0:28:02 | 0:28:05 | |
Please give it to me. | 0:28:05 | 0:28:07 | |
No. | 0:28:07 | 0:28:08 | |
There has to be consequences to our actions, | 0:28:08 | 0:28:12 | |
or there is no order. | 0:28:12 | 0:28:14 | |
There has to be order in a place, | 0:28:14 | 0:28:16 | |
or things get very, very confused. | 0:28:16 | 0:28:19 | |
I said, I need it. | 0:28:19 | 0:28:22 | |
Save it for group. | 0:28:23 | 0:28:25 | |
Welcome to rehab, baby. | 0:28:38 | 0:28:41 | |
You're starting to understand, aren't you? | 0:28:52 | 0:28:55 | |
How it all starts with wanting. | 0:28:55 | 0:28:58 | |
I mean, what were you thinking | 0:28:58 | 0:29:01 | |
when he was in that stall with you, | 0:29:01 | 0:29:02 | |
because even I, really, was shocked. | 0:29:02 | 0:29:07 | |
I wanted the monkshood. 'I wanted the monkshood.' | 0:29:07 | 0:29:11 | |
I just... 'I just...' | 0:29:11 | 0:29:12 | |
I mean, what did you want when he was pushing up against you? | 0:29:13 | 0:29:16 | |
You're starting to figure it out, aren't you? | 0:29:16 | 0:29:19 | |
How it all starts innocently enough? | 0:29:19 | 0:29:21 | |
Today, you want to fuck him. | 0:29:21 | 0:29:23 | |
Tomorrow, you just wanna bite a hole in his sternum. | 0:29:23 | 0:29:25 | |
Think of these life skills filling an imaginary backpack, | 0:29:25 | 0:29:30 | |
ready to hit the road any time you do. | 0:29:30 | 0:29:33 | |
Close your eyes. | 0:29:33 | 0:29:35 | |
I am wiping all you've ever been, | 0:29:35 | 0:29:39 | |
all the names you've ever been called, | 0:29:39 | 0:29:41 | |
names you've called yourselves. | 0:29:41 | 0:29:44 | |
That's ancient history. | 0:29:44 | 0:29:46 | |
Actually, it's not even history, | 0:29:46 | 0:29:50 | |
because what you're experiencing is the world | 0:29:50 | 0:29:53 | |
for the very first time. | 0:29:53 | 0:29:56 | |
Think of the structure below, | 0:29:56 | 0:29:58 | |
the wood and metal that supports you, | 0:29:58 | 0:30:01 | |
and once your hand is in position on your clitoris, | 0:30:01 | 0:30:05 | |
we'll begin with a gentle counterclockwise rotation. | 0:30:05 | 0:30:10 | |
Mmm... | 0:30:15 | 0:30:17 | |
Experiment with rhythm. | 0:30:17 | 0:30:21 | |
Find your own. | 0:30:21 | 0:30:23 | |
Visualise the chest of a stranger | 0:30:23 | 0:30:28 | |
as his gaze penetrates you. | 0:30:28 | 0:30:31 | |
Now you are grabbing what's inside him. | 0:30:31 | 0:30:36 | |
His heart...the meat... the sinewy muscle... | 0:30:36 | 0:30:40 | |
Does he scream as you are ripping his tender flesh? | 0:30:40 | 0:30:45 | |
Oh, yes... | 0:30:45 | 0:30:47 | |
And his blood... | 0:30:47 | 0:30:49 | |
It warms your throat. | 0:30:49 | 0:30:52 | |
Great form, B. | 0:30:52 | 0:30:53 | |
SHE SCREAMS | 0:30:53 | 0:30:56 | |
Brigitte? Are you OK, Brigitte? | 0:30:59 | 0:31:01 | |
Ten minutes to lockup. | 0:32:56 | 0:32:58 | |
I want you to come and see me. | 0:33:01 | 0:33:05 | |
I'm right here. | 0:33:05 | 0:33:06 | |
(In my room. | 0:33:09 | 0:33:11 | |
(That would be against the rules.) | 0:33:11 | 0:33:15 | |
Please? | 0:33:18 | 0:33:19 | |
Do you smile? | 0:33:22 | 0:33:24 | |
What? | 0:33:24 | 0:33:26 | |
Can you smile? | 0:33:26 | 0:33:28 | |
See, you smile at the world, | 0:33:33 | 0:33:36 | |
and the world will smile right back at you. | 0:33:36 | 0:33:38 | |
You should be getting back to your room. | 0:33:40 | 0:33:42 | |
Will you come? | 0:33:46 | 0:33:48 | |
I'll think about it. | 0:33:49 | 0:33:52 | |
Rocky! | 0:34:03 | 0:34:04 | |
Look what I have! | 0:34:04 | 0:34:05 | |
Rocky! | 0:34:10 | 0:34:12 | |
Rocky... Rocky? | 0:34:16 | 0:34:19 | |
Just leave it for him. | 0:34:19 | 0:34:22 | |
But Rocky always comes. | 0:34:23 | 0:34:25 | |
TYLER SIGHS | 0:34:25 | 0:34:27 | |
SNARLING | 0:34:40 | 0:34:42 | |
DOOR OPENS AND CLOSES | 0:34:45 | 0:34:47 | |
You don't look happy. | 0:34:54 | 0:34:56 | |
Are you gonna make me smile again? | 0:34:56 | 0:34:58 | |
Have you ever considered another occupation? | 0:35:00 | 0:35:03 | |
You know what? | 0:35:03 | 0:35:04 | |
I am quite happy playing the small, but vital role here | 0:35:04 | 0:35:08 | |
at the care facility. | 0:35:08 | 0:35:09 | |
I think it's cos I'm a people person. | 0:35:09 | 0:35:12 | |
So what is this stuff, anyways? | 0:35:17 | 0:35:20 | |
Does it matter? | 0:35:20 | 0:35:22 | |
Not really. | 0:35:22 | 0:35:24 | |
SHE SNIFFS | 0:35:28 | 0:35:32 | |
What's with that? | 0:35:33 | 0:35:35 | |
I have a great sense of smell. | 0:35:36 | 0:35:39 | |
Weird. | 0:35:39 | 0:35:42 | |
There's this vein down here that is very private. | 0:35:47 | 0:35:51 | |
So you shave? | 0:35:52 | 0:35:54 | |
Well, I think that's just great. | 0:35:54 | 0:35:57 | |
Here you go. | 0:36:12 | 0:36:14 | |
Rocky? | 0:36:40 | 0:36:41 | |
Rocky! | 0:37:00 | 0:37:01 | |
Rocky! | 0:37:12 | 0:37:14 | |
SHE GASPS | 0:37:26 | 0:37:28 | |
Check back in on ya in a half-hour. | 0:37:38 | 0:37:41 | |
What? | 0:37:54 | 0:37:56 | |
Rocky runs, Rocky plays, | 0:38:08 | 0:38:11 | |
Rocky misses the good old days. | 0:38:11 | 0:38:13 | |
Why'd you do it? | 0:38:13 | 0:38:16 | |
He wasn't doing anything to you. | 0:38:16 | 0:38:18 | |
I did not do that. | 0:38:18 | 0:38:21 | |
I told them not to leave him alone outside, | 0:38:21 | 0:38:26 | |
where he'd be vulnerable to all the dangers of the night... | 0:38:26 | 0:38:29 | |
of which you're the worst. | 0:38:29 | 0:38:31 | |
How could I have done that? | 0:38:31 | 0:38:32 | |
I can't even get out of my room. | 0:38:32 | 0:38:34 | |
I don't know. | 0:38:34 | 0:38:35 | |
You move through walls or something. | 0:38:35 | 0:38:37 | |
Ghost, if I could move through walls, | 0:38:37 | 0:38:40 | |
do you think I'd be in here? | 0:38:40 | 0:38:43 | |
This is important. Where did you find him? Outside? | 0:38:43 | 0:38:47 | |
By the back of the crematorium wall, | 0:38:47 | 0:38:50 | |
in the abandoned section. | 0:38:50 | 0:38:52 | |
It found me. | 0:38:52 | 0:38:53 | |
What found you? | 0:38:53 | 0:38:54 | |
I have to get out of here. | 0:38:54 | 0:38:56 | |
I can get you out. | 0:38:56 | 0:38:59 | |
What did you just say? | 0:38:59 | 0:39:01 | |
I know a way out, through the vents... | 0:39:01 | 0:39:04 | |
but you have to take me with you. | 0:39:04 | 0:39:06 | |
I'll knock in a while. | 0:39:10 | 0:39:11 | |
SHE GASPS | 0:40:35 | 0:40:37 | |
(Ghost. | 0:41:27 | 0:41:29 | |
(Ghost?) | 0:41:29 | 0:41:31 | |
MAN MOANS | 0:42:03 | 0:42:05 | |
WOMAN MOANS | 0:42:15 | 0:42:17 | |
Here. | 0:42:37 | 0:42:39 | |
I'll leave the door unlocked, OK? | 0:42:39 | 0:42:41 | |
Just bring that back. | 0:42:41 | 0:42:43 | |
SHE SNIFFS | 0:42:43 | 0:42:45 | |
Brigitte! | 0:42:54 | 0:42:56 | |
What...what are you doing here? | 0:42:56 | 0:42:59 | |
What are you doing here? | 0:42:59 | 0:43:00 | |
SHE SNIFFS | 0:43:00 | 0:43:02 | |
You want a snort? | 0:43:04 | 0:43:06 | |
I have to find a way out of here. | 0:43:06 | 0:43:09 | |
Brigitte? | 0:43:20 | 0:43:22 | |
Brigitte? | 0:43:26 | 0:43:28 | |
Brigitte? | 0:43:31 | 0:43:33 | |
Brigitte? | 0:43:44 | 0:43:46 | |
WIND MOANS | 0:43:47 | 0:43:49 | |
Brigitte? | 0:43:49 | 0:43:50 | |
Don't bother. | 0:43:56 | 0:43:58 | |
Alice probably sealed up every window herself. | 0:43:58 | 0:44:02 | |
Do you ever see things when you're stoned? | 0:44:08 | 0:44:11 | |
Oh, I just saw the freakiest thing. | 0:44:11 | 0:44:17 | |
It was like, an animal, but deformed. | 0:44:17 | 0:44:20 | |
Beth-Ann? | 0:44:20 | 0:44:22 | |
BEAST ROARS | 0:44:22 | 0:44:24 | |
SHE SCREAMS | 0:44:24 | 0:44:26 | |
BEAST GROWLS | 0:44:26 | 0:44:28 | |
Brigitte! | 0:44:56 | 0:44:58 | |
You said you'd wait for me. | 0:44:58 | 0:44:59 | |
Go back to the clinic! | 0:44:59 | 0:45:00 | |
Why? What's going on? | 0:45:00 | 0:45:03 | |
It got Beth-Ann. | 0:45:05 | 0:45:07 | |
How do we get out of here? | 0:45:07 | 0:45:09 | |
That way. | 0:45:12 | 0:45:13 | |
We can't go that way. | 0:45:13 | 0:45:15 | |
This way. | 0:45:15 | 0:45:16 | |
Are you sure this is the way? | 0:45:29 | 0:45:31 | |
Over here. | 0:45:31 | 0:45:33 | |
WIND MOANS | 0:45:43 | 0:45:44 | |
Ghost? | 0:46:07 | 0:46:08 | |
Ghost! | 0:46:08 | 0:46:10 | |
Ghost? | 0:46:12 | 0:46:14 | |
Ghost? | 0:46:14 | 0:46:16 | |
Ghost? Ghost, what are you doing? | 0:46:16 | 0:46:19 | |
We gotta pay the ferryman. | 0:46:22 | 0:46:24 | |
Let's go. | 0:46:26 | 0:46:27 | |
Good luck on your sad journey | 0:46:31 | 0:46:33 | |
to the other side, Beth-Ann. | 0:46:33 | 0:46:35 | |
I'm sorry you were such a cunt. | 0:46:35 | 0:46:37 | |
LOW GROWLING | 0:46:46 | 0:46:49 | |
THEY SCREAM | 0:46:49 | 0:46:51 | |
Faster! | 0:47:01 | 0:47:03 | |
This is the crematorium. | 0:47:12 | 0:47:14 | |
There should be a way through the back. | 0:47:14 | 0:47:17 | |
In there! | 0:47:17 | 0:47:18 | |
Go! Go! | 0:47:27 | 0:47:29 | |
SHE SCREAMS, BONES CRACK | 0:47:33 | 0:47:36 | |
LOW GROWL | 0:48:03 | 0:48:06 | |
GROWLING | 0:48:06 | 0:48:07 | |
BEAST SNIFFS | 0:48:16 | 0:48:19 | |
CAN RATTLES | 0:48:31 | 0:48:33 | |
BEAST ROARS | 0:48:33 | 0:48:35 | |
Come on, go! | 0:48:35 | 0:48:37 | |
BEAST ROARS | 0:48:37 | 0:48:39 | |
Get in the car! | 0:48:55 | 0:48:57 | |
Do you think it's dead? Just go! | 0:49:02 | 0:49:03 | |
Oh, God, you're bleeding. | 0:49:25 | 0:49:26 | |
What if you bleed to death? | 0:49:26 | 0:49:28 | |
That's the least of our worries. | 0:49:28 | 0:49:30 | |
So was that the one that bit you? | 0:49:30 | 0:49:34 | |
I wasn't bit. My sister was, | 0:49:34 | 0:49:36 | |
and no, it wasn't the same one. | 0:49:36 | 0:49:38 | |
Well, where did it come from, the infinite darkness? | 0:49:38 | 0:49:41 | |
I don't think so, Ghost. | 0:49:41 | 0:49:43 | |
More like the suburbs. | 0:49:43 | 0:49:45 | |
If you weren't bit, then... | 0:49:47 | 0:49:48 | |
I infected myself with her blood. | 0:49:48 | 0:49:50 | |
I thought I could make her stop if I was like her. | 0:49:50 | 0:49:52 | |
I always wanted a sister. | 0:49:52 | 0:49:54 | |
Where is she now? | 0:49:54 | 0:49:56 | |
She isn't. I stopped her. | 0:49:56 | 0:49:59 | |
You killed your own sister? | 0:49:59 | 0:50:02 | |
There wasn't much of Ginger left in what I killed. | 0:50:02 | 0:50:06 | |
So what'd you use, a silver bullet? | 0:50:06 | 0:50:07 | |
A knife. | 0:50:07 | 0:50:09 | |
They're not superheroes, Ghost. | 0:50:09 | 0:50:13 | |
RADIO ON | 0:50:51 | 0:50:54 | |
# ..So fine You know it's gonna be | 0:51:01 | 0:51:06 | |
# So come on, come on, come on Come on, baby | 0:51:06 | 0:51:11 | |
# Come on If you want it to be... # | 0:51:11 | 0:51:15 | |
Are you OK? | 0:51:15 | 0:51:17 | |
Your bathrooms are out of order. | 0:51:17 | 0:51:19 | |
Yeah, uh, you... | 0:51:19 | 0:51:23 | |
You can use the staff bathroom. | 0:51:25 | 0:51:27 | |
Come on. | 0:51:30 | 0:51:32 | |
DOOR CLOSES | 0:52:17 | 0:52:19 | |
I got chips. | 0:52:23 | 0:52:26 | |
Alice says chips don't fall into one of the four food groups. | 0:52:26 | 0:52:30 | |
One of her many lies. | 0:52:30 | 0:52:32 | |
You still eat chips, right? | 0:52:32 | 0:52:33 | |
It's happening too fast. I need the monkshood. | 0:52:33 | 0:52:36 | |
Where's the needle? | 0:52:41 | 0:52:43 | |
Oh, crap. | 0:52:44 | 0:52:46 | |
GENERATOR SPLUTTERS | 0:53:55 | 0:53:57 | |
GENERATOR REVS UP | 0:53:59 | 0:54:01 | |
I really need a syringe. | 0:54:04 | 0:54:07 | |
Didn't your grandmother have diabetes | 0:54:11 | 0:54:14 | |
or an allergy to nuts or bees or anything? | 0:54:14 | 0:54:18 | |
Why don't you just drink it? | 0:54:18 | 0:54:19 | |
I've tried that. It doesn't work. | 0:54:19 | 0:54:21 | |
Put it up your nose. | 0:54:21 | 0:54:23 | |
That's what all the other girls do. | 0:54:23 | 0:54:26 | |
I've never had a sleepover before. | 0:54:33 | 0:54:36 | |
Well, once I almost did, | 0:54:36 | 0:54:38 | |
but then Barbara told Caroline, Kish's mom, | 0:54:38 | 0:54:40 | |
that she'd have to pay her 9 an hour | 0:54:40 | 0:54:43 | |
because it was basically like baby-sitting. | 0:54:43 | 0:54:45 | |
Is this her, your grandma? | 0:54:45 | 0:54:47 | |
Yep. That's Barbara. | 0:54:47 | 0:54:50 | |
She was a provincial curling champion four years in a row. | 0:54:50 | 0:54:54 | |
DOOR OPENS | 0:54:54 | 0:54:56 | |
You call your grandmother Barbara? | 0:55:00 | 0:55:04 | |
She called me Ghost. | 0:55:04 | 0:55:05 | |
Why's that? | 0:55:05 | 0:55:07 | |
FURNACE STARTS | 0:55:07 | 0:55:09 | |
Barbara had this book called Behavioural Modification | 0:55:09 | 0:55:14 | |
when I was 7. | 0:55:14 | 0:55:15 | |
It was all about the subconscious messaging. | 0:55:15 | 0:55:18 | |
She called me Ghost because she hates sudden noises, | 0:55:18 | 0:55:21 | |
which I made a lot of. | 0:55:21 | 0:55:23 | |
Sometimes, even walking around made Barbara angry. | 0:55:29 | 0:55:33 | |
She was putting up Christmas lights in here. | 0:55:46 | 0:55:49 | |
I was in the living room, | 0:55:49 | 0:55:51 | |
and she yelled for me to plug 'em in | 0:55:51 | 0:55:53 | |
so she could see which ones were broken. | 0:55:53 | 0:55:55 | |
They lit her synthetic muumuu on fire. | 0:55:55 | 0:55:59 | |
When I came in, she was screaming, | 0:55:59 | 0:56:02 | |
trying to stop, drop, and roll, | 0:56:02 | 0:56:04 | |
but that just got her more and more twisted up in the lights. | 0:56:04 | 0:56:08 | |
That's...really awful. | 0:56:08 | 0:56:11 | |
SHE LAUGHS | 0:56:11 | 0:56:13 | |
I'm just shitting you. | 0:56:14 | 0:56:17 | |
She fell asleep with her bedtime cigarette. | 0:56:17 | 0:56:20 | |
I always told her not to smoke in bed. | 0:56:20 | 0:56:22 | |
Funny. | 0:56:22 | 0:56:24 | |
After the accident, I took care of her. | 0:56:24 | 0:56:27 | |
People think that's bad. | 0:56:27 | 0:56:29 | |
Is that why you're at the clinic? | 0:56:29 | 0:56:30 | |
No. I'm at the clinic | 0:56:30 | 0:56:32 | |
because Alice gets money to keep me there. | 0:56:32 | 0:56:35 | |
Is that right? | 0:56:35 | 0:56:36 | |
Yeah, she just makes up another thing about me to fix, | 0:56:36 | 0:56:39 | |
like "hostility to conventional morality" | 0:56:39 | 0:56:42 | |
or ADD, that's attention deficit disease. | 0:56:42 | 0:56:44 | |
Actually, that's disorder. Attention deficit dis... | 0:56:44 | 0:56:47 | |
Whatever. Or "inability to communicate with other residents". | 0:56:47 | 0:56:51 | |
You've seen them. Who'd want to? | 0:56:51 | 0:56:54 | |
Barbara had dry eyes. | 0:56:54 | 0:56:57 | |
I don't see how that's gonna get into your blood. | 0:56:58 | 0:57:02 | |
It's not as good as shooting, | 0:57:02 | 0:57:04 | |
but the membrane behind your eyeball's permeable like the bottom of your tongue. | 0:57:04 | 0:57:07 | |
The problem with the mouth is the saliva, which kills toxins. | 0:57:07 | 0:57:09 | |
You like science, huh? | 0:57:09 | 0:57:11 | |
I do, too. | 0:57:13 | 0:57:15 | |
Sick. I can't watch. | 0:57:18 | 0:57:21 | |
CRUNCHING | 0:57:21 | 0:57:24 | |
It's gonna find you, isn't it? | 0:57:28 | 0:57:30 | |
You know, the fact that... | 0:57:32 | 0:57:34 | |
it didn't kill you tonight means something. | 0:57:34 | 0:57:38 | |
Maybe he's like you | 0:57:38 | 0:57:40 | |
and it's not in it's nature to kill, | 0:57:40 | 0:57:43 | |
and he secretly wants... Ghost... | 0:57:43 | 0:57:44 | |
It wants to mate with me. | 0:57:44 | 0:57:47 | |
Oh. | 0:57:47 | 0:57:48 | |
Don't try too hard to visualise that. | 0:57:52 | 0:57:55 | |
My sister and I shared a room. | 0:58:01 | 0:58:04 | |
A sleepover every night. | 0:58:04 | 0:58:07 | |
Kind of. | 0:58:07 | 0:58:09 | |
Do you miss her? | 0:58:09 | 0:58:11 | |
All the time. | 0:58:18 | 0:58:20 | |
LOW GROWLING | 0:59:04 | 0:59:06 | |
Ghost? | 0:59:13 | 0:59:15 | |
Ghost! | 0:59:29 | 0:59:31 | |
Ghost? | 1:00:05 | 1:00:07 | |
I'm up here. | 1:00:13 | 1:00:16 | |
What is that thing out front? | 1:00:25 | 1:00:27 | |
Polly. Polly Ester. | 1:00:27 | 1:00:29 | |
She explodes. | 1:00:29 | 1:00:31 | |
When I get her set up in the yard, | 1:00:31 | 1:00:32 | |
she'll be attached to a tripwire. | 1:00:32 | 1:00:34 | |
We'll see how he likes that. | 1:00:34 | 1:00:36 | |
Is that supposed to be me? | 1:00:44 | 1:00:47 | |
I look tough. | 1:00:48 | 1:00:50 | |
So what do you do with these things? | 1:00:53 | 1:00:55 | |
Trade powers. | 1:00:55 | 1:00:57 | |
Comics are very incoherent. | 1:00:57 | 1:00:59 | |
Their makers send them out into the world | 1:00:59 | 1:01:01 | |
unprepared for all the demons | 1:01:01 | 1:01:02 | |
and enemies they'll face. | 1:01:02 | 1:01:04 | |
I assess their weaknesses, make them stronger. | 1:01:04 | 1:01:07 | |
Who's that? | 1:01:07 | 1:01:08 | |
Burned Barbara. | 1:01:08 | 1:01:11 | |
I took away her nerve endings so she can't feel pain. | 1:01:11 | 1:01:14 | |
So what are you giving me? | 1:01:21 | 1:01:23 | |
What do you want? | 1:01:23 | 1:01:25 | |
Time. | 1:01:31 | 1:01:32 | |
Hmm. That's hard. | 1:01:32 | 1:01:36 | |
You have to leave me. | 1:01:39 | 1:01:41 | |
You have to take the car, | 1:01:41 | 1:01:44 | |
and you have to get out of here. | 1:01:44 | 1:01:46 | |
You didn't leave your sister. | 1:01:46 | 1:01:49 | |
That was different. | 1:01:49 | 1:01:52 | |
She was out of control. | 1:01:52 | 1:01:54 | |
And you aren't? | 1:01:54 | 1:01:55 | |
Look at you. | 1:01:55 | 1:01:57 | |
I'm not leaving you. | 1:01:57 | 1:01:59 | |
GHOST: "Her isolation was made worse | 1:02:14 | 1:02:17 | |
"by a growing desire to devour men. | 1:02:17 | 1:02:20 | |
"But she resisted, | 1:02:20 | 1:02:24 | |
"for she knew this would bring destruction and death." | 1:02:24 | 1:02:28 | |
DOOR OPENS | 1:02:29 | 1:02:31 | |
SCRAPING | 1:03:09 | 1:03:12 | |
It's just me! | 1:03:32 | 1:03:34 | |
You scared me. | 1:03:39 | 1:03:40 | |
GLASS SHATTERS | 1:03:40 | 1:03:43 | |
Polly. | 1:03:43 | 1:03:44 | |
We destroyed the monster! | 1:03:47 | 1:03:49 | |
Stay inside. It may still be alive. | 1:03:49 | 1:03:53 | |
Polly got a deer. | 1:04:11 | 1:04:12 | |
She kneeled to devour the downy innocent. | 1:04:27 | 1:04:31 | |
And all through the land, the forest creatures wept. | 1:04:36 | 1:04:39 | |
MOANING | 1:04:46 | 1:04:47 | |
BONES CRACK | 1:04:57 | 1:05:00 | |
I need more monkshood. We have to call Tyler. | 1:05:00 | 1:05:03 | |
You have blood on your face. | 1:05:04 | 1:05:07 | |
TELEPHONE RINGS | 1:05:11 | 1:05:13 | |
TYLER: 'Hello.' | 1:05:14 | 1:05:16 | |
It's Brigitte. | 1:05:16 | 1:05:17 | |
'What? Where the hell are you?' | 1:05:17 | 1:05:20 | |
I'll give you the clinic car | 1:05:20 | 1:05:21 | |
if you bring me my stuff. | 1:05:21 | 1:05:23 | |
'OK, just wait. Let me turn off the TV. | 1:05:23 | 1:05:26 | |
'Brigitte, you still there?' | 1:05:28 | 1:05:30 | |
Sort of. | 1:05:32 | 1:05:35 | |
It's been an hour. | 1:05:40 | 1:05:42 | |
Shouldn't he be here by now? | 1:05:42 | 1:05:44 | |
Stay here. | 1:05:48 | 1:05:50 | |
RADIO ON QUIETLY | 1:05:56 | 1:05:58 | |
Hello? | 1:06:06 | 1:06:08 | |
RADIO TURNED ON, SWITCHES THROUGH STATIONS | 1:06:13 | 1:06:16 | |
# ..Work hard in the daytime | 1:06:21 | 1:06:24 | |
# For our dinner at night | 1:06:24 | 1:06:31 | |
# Comfort me at the right time | 1:06:31 | 1:06:34 | |
# Everything's gonna be all right | 1:06:34 | 1:06:40 | |
# Make me do anything you want | 1:06:40 | 1:06:44 | |
# Make me be everything you want | 1:06:48 | 1:06:52 | |
# Make me do anything you want... # | 1:06:57 | 1:07:02 | |
CAR DOOR OPENS | 1:07:14 | 1:07:17 | |
HE LAUGHS | 1:07:17 | 1:07:19 | |
That is not funny. | 1:07:25 | 1:07:26 | |
Yeah, but it's not completely unfunny. | 1:07:26 | 1:07:28 | |
He's here. | 1:07:31 | 1:07:32 | |
Oh! | 1:07:32 | 1:07:33 | |
Yes. He is here, ladies. | 1:07:33 | 1:07:35 | |
Hey, uh, my car's back there. | 1:07:37 | 1:07:40 | |
Um... | 1:08:05 | 1:08:07 | |
So this is home, huh, Ghost? | 1:08:16 | 1:08:18 | |
Kind of has a Manson family charm. | 1:08:23 | 1:08:25 | |
You know she took care of granny | 1:08:28 | 1:08:30 | |
after the fire, all burned up. | 1:08:30 | 1:08:33 | |
How long was it until the police showed up? | 1:08:33 | 1:08:35 | |
43 days. | 1:08:35 | 1:08:37 | |
Yikes. | 1:08:37 | 1:08:39 | |
Did you bring a needle? | 1:08:39 | 1:08:40 | |
Yeah. | 1:08:40 | 1:08:41 | |
You know, I'm suspended without pay because of you three taking off. | 1:08:44 | 1:08:47 | |
Yeah, but hey, no big deal. | 1:08:47 | 1:08:50 | |
So where is Beth-Ann, anyway? | 1:08:57 | 1:08:58 | |
She went to the city to see her boyfriend. | 1:08:58 | 1:09:01 | |
She missed him so much | 1:09:01 | 1:09:02 | |
she couldn't be without him another minute. | 1:09:02 | 1:09:04 | |
He's very handsome. | 1:09:04 | 1:09:05 | |
Yeah, I'm sure he is. | 1:09:05 | 1:09:07 | |
You need to relax. | 1:09:07 | 1:09:10 | |
Here. Let me do it. | 1:09:10 | 1:09:12 | |
Give it here. All right? | 1:09:12 | 1:09:15 | |
Relax. | 1:09:15 | 1:09:17 | |
So, he should probably get going now, right? | 1:09:31 | 1:09:36 | |
SHE BREATHES HEAVILY | 1:09:36 | 1:09:38 | |
Oh! | 1:09:42 | 1:09:43 | |
You're having a reaction or something. | 1:09:43 | 1:09:45 | |
Your body's rejecting it. | 1:09:45 | 1:09:47 | |
OK, that is not good. | 1:09:47 | 1:09:50 | |
That is not good. This is not supposed to be happening. | 1:09:50 | 1:09:53 | |
I gotta get you to a hospital. | 1:09:53 | 1:09:54 | |
Take me anywhere, and I'll tell Alice everything. | 1:09:54 | 1:09:57 | |
Get away from me. | 1:09:57 | 1:09:58 | |
Brigitte? | 1:09:58 | 1:10:00 | |
This is not good. This is so not supposed to be happening. | 1:10:00 | 1:10:04 | |
Oh, God. | 1:10:04 | 1:10:06 | |
Brigitte, what's happening? | 1:10:06 | 1:10:08 | |
What is that shit, anyway? | 1:10:08 | 1:10:10 | |
Brigitte? | 1:10:12 | 1:10:13 | |
OK. OK. | 1:10:13 | 1:10:15 | |
Brigitte? | 1:10:15 | 1:10:17 | |
OK. Come on. All right. Come here. | 1:10:17 | 1:10:19 | |
< Yeah, I know. They called me. | 1:10:43 | 1:10:45 | |
< Listen, Brigitte is really sick. | 1:10:45 | 1:10:48 | |
Hey, I've never seen anything like this before. | 1:10:48 | 1:10:53 | |
It's... She's really... | 1:10:53 | 1:10:55 | |
Yeah. We're at the grandma's place. | 1:10:55 | 1:10:57 | |
I don't know what to do, OK? | 1:10:59 | 1:11:02 | |
SHE MOANS | 1:11:02 | 1:11:04 | |
Hey. | 1:11:22 | 1:11:23 | |
SHE GROWLS | 1:11:27 | 1:11:29 | |
HE GASPS | 1:11:29 | 1:11:30 | |
SHE GROWLS | 1:11:30 | 1:11:33 | |
Ohh. Oh! | 1:11:33 | 1:11:35 | |
Get out! What? | 1:11:45 | 1:11:46 | |
I need to be alone. | 1:11:48 | 1:11:50 | |
She realised, of course, | 1:12:25 | 1:12:28 | |
she'd have to come back to the clinic. | 1:12:28 | 1:12:30 | |
You realise, of course, | 1:12:30 | 1:12:33 | |
that you're speaking in the third person. It's a little weird. | 1:12:33 | 1:12:36 | |
And I'm aware of no such thing. | 1:12:36 | 1:12:38 | |
What if I said I missed you? | 1:12:38 | 1:12:40 | |
His words were empty... | 1:12:42 | 1:12:44 | |
just like his head. | 1:12:44 | 1:12:47 | |
Did I hurt you when I pushed you? | 1:12:51 | 1:12:54 | |
I didn't mean to. | 1:12:54 | 1:12:55 | |
I'm sorry. | 1:12:55 | 1:12:57 | |
LOW GROWLING | 1:13:10 | 1:13:12 | |
GINGER: Hey, sleepyhead. | 1:13:12 | 1:13:13 | |
It's time. | 1:13:13 | 1:13:15 | |
TWIGS SNAP | 1:13:23 | 1:13:25 | |
Ghost? | 1:13:35 | 1:13:37 | |
SOBBING | 1:13:38 | 1:13:41 | |
What happened? | 1:13:53 | 1:13:55 | |
We shouldn't have brought him here. | 1:13:55 | 1:13:58 | |
What happened to your face? | 1:14:22 | 1:14:24 | |
Ghost happened. | 1:14:24 | 1:14:26 | |
Do you think I need stitches? | 1:14:26 | 1:14:28 | |
Why would she do that? | 1:14:28 | 1:14:30 | |
Have you been upstairs? | 1:14:30 | 1:14:32 | |
Yes. | 1:14:32 | 1:14:33 | |
I don't think she knows what's real and what's a cartoon. | 1:14:33 | 1:14:36 | |
That's convenient. | 1:14:36 | 1:14:39 | |
What? | 1:14:39 | 1:14:40 | |
You get off on that, don't you? | 1:14:40 | 1:14:43 | |
What are you getting at? | 1:14:43 | 1:14:45 | |
I'm just shitting you. | 1:14:51 | 1:14:53 | |
Can you help me with the generator? It needs more gas. | 1:14:53 | 1:14:56 | |
HE SIGHS | 1:14:56 | 1:14:59 | |
TWIGS SNAP | 1:15:16 | 1:15:18 | |
Without consequences to our actions, | 1:15:18 | 1:15:21 | |
things get very confused. | 1:15:21 | 1:15:23 | |
OK. | 1:15:27 | 1:15:29 | |
TWIGS SNAP | 1:15:29 | 1:15:30 | |
BEAST GROWLS | 1:15:30 | 1:15:33 | |
Sh... | 1:15:33 | 1:15:35 | |
HE SCREAMS, BEAST SNARLS | 1:15:37 | 1:15:40 | |
God, no! Aah! | 1:15:40 | 1:15:42 | |
HE SCREAMS | 1:15:42 | 1:15:45 | |
God, no! | 1:15:46 | 1:15:48 | |
SNARLING, SCREAMING | 1:15:48 | 1:15:53 | |
Don't you just love the sound of nature? | 1:16:01 | 1:16:04 | |
This ends now. | 1:16:04 | 1:16:06 | |
You can't fight what's in us, B. | 1:16:13 | 1:16:15 | |
I'm not like you, Ginger. | 1:16:15 | 1:16:17 | |
I'm stronger. | 1:16:17 | 1:16:19 | |
Oh, really? Well, that's not how I remember you | 1:16:19 | 1:16:22 | |
the first 15 years of your life. | 1:16:22 | 1:16:24 | |
It's how I remember the last 15 minutes of yours. | 1:16:24 | 1:16:28 | |
Where's Tyler? | 1:16:33 | 1:16:35 | |
Don't worry about him. | 1:16:37 | 1:16:38 | |
What are you doing? | 1:16:38 | 1:16:41 | |
I'm gonna kill it. | 1:16:41 | 1:16:43 | |
Get me all the sharp things you can find. | 1:16:43 | 1:16:45 | |
Are you scared? | 1:17:00 | 1:17:02 | |
POUNDING | 1:17:03 | 1:17:06 | |
What's that? | 1:17:40 | 1:17:41 | |
Gas. Stand back. | 1:17:43 | 1:17:45 | |
How long will it burn? | 1:17:45 | 1:17:47 | |
Barbara took about 27 minutes. | 1:17:47 | 1:17:50 | |
CRACK! | 1:17:50 | 1:17:53 | |
Get upstairs. | 1:17:54 | 1:17:56 | |
Go back to the darkness! | 1:18:22 | 1:18:24 | |
ALICE: Ghost? | 1:18:28 | 1:18:30 | |
You shot at me! What the hell? | 1:18:35 | 1:18:40 | |
I meant to shoot the monster. | 1:18:43 | 1:18:46 | |
Of course you did. | 1:18:46 | 1:18:48 | |
Get your ass over here and give me the gun. | 1:18:48 | 1:18:50 | |
Where did you get that from? | 1:18:50 | 1:18:52 | |
Barbara hunted squirrels. | 1:18:52 | 1:18:54 | |
Tyler called me. Where is he? Huh? | 1:18:56 | 1:19:00 | |
In the woods. | 1:19:00 | 1:19:01 | |
Where are the other girls? | 1:19:01 | 1:19:03 | |
Where's Brigitte? Tyler said that she was OD-ing again. | 1:19:03 | 1:19:07 | |
Beth-Ann's in the basement of the clinic, and Brigitte's here. She's fine. | 1:19:07 | 1:19:10 | |
ALICE: Brigitte, come on out! | 1:19:11 | 1:19:14 | |
You were making progress, Ghost. | 1:19:14 | 1:19:16 | |
This is not progress. | 1:19:16 | 1:19:17 | |
What I see is a little girl | 1:19:19 | 1:19:22 | |
who does not divide was is real | 1:19:22 | 1:19:23 | |
and what is a fictional world in her own mind, | 1:19:23 | 1:19:26 | |
and until you define those things, Ghost, | 1:19:26 | 1:19:29 | |
you can't take responsibility... | 1:19:29 | 1:19:31 | |
SHE SNARLS | 1:19:31 | 1:19:33 | |
SHE SNIFFS | 1:19:33 | 1:19:35 | |
Why does it smell like gas in here? | 1:19:35 | 1:19:37 | |
To burn the monster. | 1:19:37 | 1:19:39 | |
Oh, Ghost! | 1:19:39 | 1:19:40 | |
Where did you say Beth-Ann is? Huh? | 1:19:40 | 1:19:43 | |
She could eat you, you know. | 1:19:43 | 1:19:46 | |
Holy shit. Brigitte? | 1:19:46 | 1:19:49 | |
What happened to grandma? | 1:19:49 | 1:19:51 | |
She fell asleep with a cigarette. | 1:19:51 | 1:19:53 | |
Grandma didn't smoke. You burned Barbara. | 1:19:53 | 1:19:57 | |
Did you lie about Tyler, too? | 1:19:57 | 1:19:59 | |
He pushed and he pulled, | 1:20:00 | 1:20:02 | |
and he laughed when she cried. | 1:20:02 | 1:20:04 | |
What did he really do? | 1:20:04 | 1:20:05 | |
He took advantage of her heart. | 1:20:05 | 1:20:07 | |
He didn't do it, did he? | 1:20:10 | 1:20:12 | |
SHE ROARS | 1:20:15 | 1:20:18 | |
He was gonna take you away from me! | 1:20:18 | 1:20:21 | |
ALICE, COCKING GUN: Step away. | 1:20:21 | 1:20:24 | |
Don't worry, Alice. I've been where you are. | 1:20:33 | 1:20:36 | |
Oh, yeah? Well, we're gonna get out of here. | 1:20:36 | 1:20:39 | |
GROWL | 1:20:39 | 1:20:42 | |
THEY GASP | 1:20:42 | 1:20:43 | |
I wouldn't go out there if I were you. | 1:20:43 | 1:20:46 | |
SHE ROARS | 1:20:46 | 1:20:48 | |
Upstairs, quick, quick! | 1:20:48 | 1:20:50 | |
WOOD BREAKS, GLASS SHATTERS | 1:20:53 | 1:20:56 | |
What the hell is out there? | 1:20:56 | 1:21:00 | |
The monster. | 1:21:00 | 1:21:02 | |
BEAST HOWLS | 1:21:02 | 1:21:04 | |
GLASS SHATTERS | 1:21:14 | 1:21:15 | |
It's in the house. | 1:21:15 | 1:21:18 | |
SNARLING | 1:21:18 | 1:21:20 | |
Brigitte! | 1:21:31 | 1:21:34 | |
BEAST GROWLS | 1:21:34 | 1:21:36 | |
Unh! | 1:21:53 | 1:21:55 | |
SHE SCREAMS | 1:21:55 | 1:21:58 | |
Uhh! | 1:21:58 | 1:21:59 | |
Brigitte?! | 1:21:59 | 1:22:01 | |
Brigitte? | 1:22:03 | 1:22:05 | |
Brigitte? | 1:22:07 | 1:22:09 | |
BEAST ROARS | 1:22:13 | 1:22:14 | |
Ghost! | 1:22:14 | 1:22:17 | |
GHOST SCREAMS | 1:22:17 | 1:22:20 | |
Here! Ghost, come on! Quick! | 1:22:20 | 1:22:23 | |
BEAST SNARLS | 1:22:23 | 1:22:25 | |
No! | 1:22:33 | 1:22:34 | |
BEAST ROARS, BRIGITTE SCREAMS | 1:23:20 | 1:23:24 | |
Brigitte! | 1:23:24 | 1:23:26 | |
Brigitte! | 1:23:27 | 1:23:29 | |
No! | 1:23:29 | 1:23:31 | |
HEAVY BREATHING | 1:24:07 | 1:24:10 | |
Oh, my God. Something's still alive down there. | 1:24:10 | 1:24:14 | |
Brigitte? | 1:24:14 | 1:24:16 | |
Get back upstairs. | 1:24:16 | 1:24:19 | |
I knew you'd find us, Alice. | 1:24:21 | 1:24:25 | |
BRIGITTE WHIMPERS | 1:24:42 | 1:24:45 | |
Kill me. | 1:24:52 | 1:24:53 | |
BRIGITTE BREATHES RAGGEDLY | 1:24:53 | 1:24:55 | |
CELLAR DOOR RATTLES | 1:25:43 | 1:25:46 | |
HOWLING | 1:25:50 | 1:25:52 | |
GHOST: Growing steadily stronger beneath the floorboards, | 1:26:06 | 1:26:10 | |
her faithful companion, | 1:26:10 | 1:26:12 | |
with a deadly hunger for human flesh, | 1:26:12 | 1:26:15 | |
waited to unleash the darkness and fury of hell | 1:26:15 | 1:26:18 | |
on her mistress's enemies. | 1:26:18 | 1:26:20 | |
DOORBELL ..of which there were many. | 1:26:20 | 1:26:23 | |
And so began Ghost's reign of moral terror. | 1:26:23 | 1:26:29 | |
# If I was beautiful like you | 1:26:48 | 1:26:52 | |
# Oh, the things I would do | 1:26:53 | 1:26:57 | |
# Those not so blessed would be crying out murder | 1:26:59 | 1:27:03 | |
# And I'd just laugh and get away with it, too | 1:27:03 | 1:27:07 | |
# Like you do | 1:27:07 | 1:27:09 | |
# If was beautiful like you | 1:27:09 | 1:27:12 | |
# I would never be at fault | 1:27:14 | 1:27:17 | |
# I'd walk in the rain between the raindrops | 1:27:19 | 1:27:23 | |
# Bringing traffic to a halt | 1:27:24 | 1:27:27 | |
# But that will never be | 1:27:30 | 1:27:31 | |
# That will never, never be | 1:27:34 | 1:27:36 | |
# Cos I'm not beautiful like you | 1:27:38 | 1:27:41 | |
# I'm beautiful like me | 1:27:43 | 1:27:45 | |
# Beautiful like me... # | 1:27:48 | 1:27:50 | |
Subtitles by the National Captioning Institute | 1:27:50 | 1:27:54 |