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THIS FILM CONTAINS STRONG LANGUAGE | 0:00:04 | 0:00:11 | |
Dr Halder? Reichsleiter Bouhler is waiting. | 0:01:27 | 0:01:31 | |
-You don't know what this is about, do you? -What? | 0:01:31 | 0:01:34 | |
Well...the letter I received. | 0:01:34 | 0:01:37 | |
It was marked Reich Committee for the Scientific Registration... | 0:01:38 | 0:01:42 | |
..of Severe Hereditary Ailments. That's correct. | 0:01:42 | 0:01:45 | |
I have no idea what that could have to do with me. | 0:01:45 | 0:01:48 | |
Are you suggesting there's been a mistake? | 0:01:48 | 0:01:51 | |
Heil Hitler. | 0:02:25 | 0:02:27 | |
Dr Halder. | 0:02:29 | 0:02:31 | |
-Have we caught you at a bad time? -Yes... | 0:02:33 | 0:02:36 | |
No! I did have to shuffle a few tutorials, but... | 0:02:36 | 0:02:40 | |
It's not every day one is summoned to the Chancellery of the Fuhrer. | 0:02:41 | 0:02:45 | |
Indeed. Sit. | 0:02:45 | 0:02:47 | |
As chairman of the Party Censorship Committee, | 0:02:57 | 0:03:00 | |
it's my job to keep a vigilant eye on modern literature, | 0:03:00 | 0:03:04 | |
to ensure that it embodies the proper spirit | 0:03:04 | 0:03:07 | |
of National Socialism. | 0:03:07 | 0:03:09 | |
I've asked you here to... clarify your views | 0:03:09 | 0:03:14 | |
on a matter of personal concern to the Fuhrer. | 0:03:14 | 0:03:17 | |
Your novel. | 0:03:17 | 0:03:19 | |
It raises controversial questions on the theme of the right to life. | 0:03:24 | 0:03:30 | |
Some of your conclusions are quite revolutionary. | 0:03:30 | 0:03:33 | |
-Are they? -I take it the views expressed here | 0:03:33 | 0:03:36 | |
are ones that you yourself hold. | 0:03:36 | 0:03:38 | |
It's been some years since I wrote it. | 0:03:40 | 0:03:43 | |
Of course, it's...a work of fiction. | 0:03:43 | 0:03:46 | |
-Give it back, give it back! -Lotte! | 0:03:46 | 0:03:48 | |
-It's Erich's homework. -But I know the answer! It's easy. | 0:03:48 | 0:03:52 | |
Give it back to him! | 0:03:52 | 0:03:54 | |
You're an angel for cooking again. | 0:03:56 | 0:03:58 | |
Hmm... Yes, I know I am. | 0:03:58 | 0:04:01 | |
Are you sure you don't mind? | 0:04:01 | 0:04:04 | |
No. | 0:04:04 | 0:04:06 | |
CHILDREN CONTINUE TO ARGUE | 0:04:06 | 0:04:08 | |
When I get going, I can't seem to stop. | 0:04:08 | 0:04:11 | |
It's fine. | 0:04:11 | 0:04:13 | |
WOMAN SHOUTS FRETFULLY | 0:04:14 | 0:04:17 | |
-God! Lotte, come here. -John! | 0:04:17 | 0:04:20 | |
Stir this slowly. All right? That's my girl. | 0:04:22 | 0:04:25 | |
-CLASSICAL PIANO MUSIC -Johnny! -Coming, Mother! | 0:04:25 | 0:04:30 | |
-KNOCK AT DOOR -There's someone at the door! | 0:04:31 | 0:04:34 | |
PIANO MUSIC CONTINUES | 0:04:34 | 0:04:37 | |
Theodor! | 0:04:38 | 0:04:40 | |
-Didn't you hear me knocking? -Yes! | 0:04:40 | 0:04:43 | |
A mathematician! Just the fellow we need. Helen! | 0:04:45 | 0:04:47 | |
-Your father's here. -Not you I wanted to see. | 0:04:47 | 0:04:51 | |
-Now, John...John! -Erich! | 0:04:51 | 0:04:54 | |
Help has arrived. | 0:04:54 | 0:04:56 | |
Now, John! I have told you this before. | 0:04:57 | 0:05:00 | |
You have to shake yourself out of this apathy. | 0:05:00 | 0:05:03 | |
I have just come from the rector... What are you making? | 0:05:03 | 0:05:07 | |
-Er, some kind of...vegetable... -Goulash! | 0:05:07 | 0:05:11 | |
Yes. | 0:05:11 | 0:05:13 | |
There are changes coming at the university. | 0:05:15 | 0:05:18 | |
Promotion will automatically go to Party members. | 0:05:18 | 0:05:21 | |
-If you're not careful, you'll be out of a job. -John! | 0:05:21 | 0:05:25 | |
Yes, Mother! Mind the onions. | 0:05:26 | 0:05:30 | |
Coming! | 0:05:31 | 0:05:33 | |
-I'm here! I'm here! -Where were you? | 0:05:33 | 0:05:36 | |
Oh, don't let them take me, Johnnie! | 0:05:36 | 0:05:39 | |
It's Theodor. You remember? Helen's father. | 0:05:39 | 0:05:43 | |
I was sorry to hear you'd been back at the sanatorium. | 0:05:43 | 0:05:46 | |
Helen, can you please come up? Do you need to go again? | 0:05:46 | 0:05:50 | |
-I couldn't hold it. -Oh, Mother! | 0:05:50 | 0:05:54 | |
Dans une langue nous savons, nous avons substitue | 0:05:54 | 0:05:57 | |
a l'opacite des sons la transparence des idees. | 0:05:57 | 0:06:00 | |
Transparency of ideas. | 0:06:00 | 0:06:02 | |
Relativity of perception. | 0:06:02 | 0:06:05 | |
Music and faith, memory and guilt... | 0:06:06 | 0:06:11 | |
The most potent memories are those we recapture involuntarily - | 0:06:12 | 0:06:16 | |
a chance sound, a tap of a spoon... (MAKES JUG CHIME) ..against a plate, | 0:06:16 | 0:06:20 | |
as he waits there in the library. | 0:06:20 | 0:06:23 | |
Suddenly happiness floods through him. | 0:06:24 | 0:06:28 | |
He is transported back in time to a train stopped in the countryside. | 0:06:28 | 0:06:32 | |
He is watching the sun light up a little row of trees in the distance. | 0:06:32 | 0:06:36 | |
SHOUTING A railwayman is tapping a wheel with his hammer, | 0:06:36 | 0:06:40 | |
and it is an echo of this precise sound... | 0:06:40 | 0:06:43 | |
SHOUTING CONTINUES FROM OUTSIDE | 0:06:44 | 0:06:47 | |
ALL SHOUT | 0:06:55 | 0:06:57 | |
Lovely(!) Better leave it there for today. | 0:06:59 | 0:07:03 | |
Go on! Have a look! | 0:07:03 | 0:07:05 | |
Off you go. | 0:07:05 | 0:07:08 | |
Ah, Professor Mandelstam. We really should do something about this, | 0:07:11 | 0:07:15 | |
go to the rector. | 0:07:15 | 0:07:17 | |
Please, John, I don't think that's a good idea - | 0:07:17 | 0:07:22 | |
for either of us. In fact, I'm afraid I must go further. | 0:07:22 | 0:07:26 | |
As head of department, | 0:07:26 | 0:07:28 | |
it is up to me to ensure that the works of the proscribed authors | 0:07:28 | 0:07:32 | |
are removed, not only from the library | 0:07:32 | 0:07:36 | |
but also...from your curriculum. | 0:07:36 | 0:07:39 | |
Which authors did you have in mind? | 0:07:39 | 0:07:42 | |
Proust, for a start. | 0:07:42 | 0:07:45 | |
Because he's French? | 0:07:45 | 0:07:47 | |
John, please! Don't be obtuse! | 0:07:47 | 0:07:51 | |
What if I refuse to comply? HE SIGHS | 0:07:51 | 0:07:54 | |
Then...I would have no option | 0:07:54 | 0:07:58 | |
but to dismiss you. | 0:07:58 | 0:08:00 | |
Shit! | 0:08:26 | 0:08:28 | |
-Yes? -I saw your light was on. | 0:08:35 | 0:08:37 | |
I was just coming out of the library. I need your advice. | 0:08:37 | 0:08:41 | |
I'm Anne Hartman. I come to your lectures. | 0:08:41 | 0:08:44 | |
Yes, I've noticed you. But you're not on my course. | 0:08:45 | 0:08:49 | |
Probably wondering who I was. Or maybe you weren't. | 0:08:49 | 0:08:53 | |
I'm supposed to be doing history, but I don't know why. | 0:08:53 | 0:08:56 | |
I can't see what it has to do with anything - | 0:08:56 | 0:08:59 | |
sitting in some lecture theatre listening to some boring old... | 0:08:59 | 0:09:03 | |
That's not what I mean. Your lectures... | 0:09:03 | 0:09:06 | |
That's why I'm here. You make them all come alive. | 0:09:06 | 0:09:09 | |
I heard what you said to Mandelstam. I wish more people would stand up | 0:09:11 | 0:09:15 | |
-for what they believe in. -What do you believe in? | 0:09:15 | 0:09:18 | |
That's just it. I know what I like. I know what's good. | 0:09:18 | 0:09:21 | |
I can feel it passionately. But when it comes to ideas, | 0:09:21 | 0:09:24 | |
-they just don't seem real. -Maybe that's why you're here. | 0:09:24 | 0:09:28 | |
At university, I mean. To try and connect that passion. | 0:09:28 | 0:09:32 | |
-Did it work for you? -I hope so! | 0:09:32 | 0:09:36 | |
Yes. | 0:09:36 | 0:09:38 | |
I think so. | 0:09:38 | 0:09:40 | |
This is what I believe in. | 0:09:40 | 0:09:42 | |
-Books? -SHE LAUGHS | 0:09:42 | 0:09:45 | |
It does make me sound rather fusty, doesn't it? | 0:09:47 | 0:09:51 | |
Perhaps you're right. What do a load of old books have to do with life? | 0:09:52 | 0:09:57 | |
Who knows? It might be liberating just to chuck them all out, | 0:09:57 | 0:10:00 | |
make a fresh start. | 0:10:00 | 0:10:03 | |
And here I am, writing another one. | 0:10:03 | 0:10:06 | |
Adding to the pile. | 0:10:06 | 0:10:08 | |
What's it about? Your novel? | 0:10:10 | 0:10:14 | |
HE CHUCKLES | 0:10:14 | 0:10:16 | |
-A man who kills his wife. -Oh! | 0:10:19 | 0:10:22 | |
Because he loves her, you understand. | 0:10:22 | 0:10:25 | |
-She's incurably ill. -How awful! | 0:10:26 | 0:10:28 | |
Yes. I know. Whoever's going to want to read something so depressing? | 0:10:29 | 0:10:33 | |
How awful about the poor woman, I mean. | 0:10:33 | 0:10:36 | |
Of course people will want to read it. It sounds so romantic. | 0:10:36 | 0:10:40 | |
To kill for love! | 0:10:40 | 0:10:41 | |
# I crop by the Neckar | 0:10:46 | 0:10:50 | |
# I crop by the Rhine | 0:10:50 | 0:10:52 | |
# Now I have a sweetheart | 0:10:52 | 0:10:55 | |
# And now I have none | 0:10:55 | 0:10:58 | |
# What use is cropping if none is mine? # | 0:10:58 | 0:11:02 | |
I love this song. | 0:11:02 | 0:11:03 | |
The problem is that I am imagining it. | 0:11:03 | 0:11:06 | |
-Really? -HE LAUGHS | 0:11:06 | 0:11:09 | |
-It's not funny, Maurice. -How long has this been going on? | 0:11:09 | 0:11:13 | |
Dunno. | 0:11:15 | 0:11:17 | |
-A few months. -Three months? Six months? | 0:11:18 | 0:11:21 | |
I don't know! | 0:11:21 | 0:11:24 | |
-Could it be the end of January? -Thereabouts, I suppose. | 0:11:24 | 0:11:27 | |
Why? Is there a connection to... | 0:11:27 | 0:11:30 | |
Well, we put the country in the hands of a lunatic. | 0:11:30 | 0:11:33 | |
Taking refuge in fantasy might be a rational response | 0:11:33 | 0:11:37 | |
-to an irrational world. -But why singing? -I don't know. | 0:11:37 | 0:11:42 | |
No idea? | 0:11:42 | 0:11:45 | |
Why not? | 0:11:45 | 0:11:47 | |
To be honest, John, I'm all out of ideas. | 0:11:47 | 0:11:50 | |
I've been cooped up here all day | 0:11:50 | 0:11:53 | |
listening to the twisted sexual fantasies | 0:11:53 | 0:11:56 | |
of the most unattractive Hausfraus you'd ever wish to meet. | 0:11:56 | 0:11:59 | |
-HE RINGS THE BELL -I'm desperate for a cold beer, | 0:11:59 | 0:12:03 | |
and a nice shallow conversation I don't have to read anything into. | 0:12:03 | 0:12:07 | |
The point is, Maurice, I'm her teacher. | 0:12:08 | 0:12:11 | |
It's a position of trust, like yours with your patients. | 0:12:11 | 0:12:14 | |
-Ah! -Or, should I say, most doctors with their patients. | 0:12:14 | 0:12:17 | |
That's not the point. The point is, have you fucked her? | 0:12:17 | 0:12:21 | |
The question isn't whether or not I've...slept with Anne, | 0:12:21 | 0:12:25 | |
-which I haven't... -Oh, for Christ's sake! | 0:12:25 | 0:12:27 | |
The question is why I've started hearing Mahler. | 0:12:27 | 0:12:30 | |
-Interesting you should choose a Jew. -What gave you that idea? | 0:12:30 | 0:12:34 | |
She's as Aryan as they come. Not that I don't find Jewish women attractive. | 0:12:34 | 0:12:38 | |
-Mahler was Jewish. -He converted. | 0:12:38 | 0:12:40 | |
-Still makes him Jewish. -The thing is... | 0:12:40 | 0:12:43 | |
Do me a favour! Don't drag me into your neurosis. | 0:12:43 | 0:12:47 | |
I get it. You're terribly troubled, you hear music. | 0:12:47 | 0:12:50 | |
Some of us in the real world have plenty to worry about ourselves. | 0:12:50 | 0:12:54 | |
You never seem to worry about anything. | 0:12:54 | 0:12:57 | |
-Much. -Don't I? | 0:12:57 | 0:12:59 | |
As a study in pathological narcissism, | 0:13:02 | 0:13:05 | |
the man's quite fascinating. Trouble is... | 0:13:05 | 0:13:08 | |
instead of strapping him to a couch and frying his fucking brains out, | 0:13:08 | 0:13:12 | |
-everyone's taking him so literally. -Give it time, Maurice. | 0:13:12 | 0:13:16 | |
Hitler's a joke. | 0:13:17 | 0:13:19 | |
He'll never last. | 0:13:22 | 0:13:24 | |
Would it surprise you to learn that the Fuhrer himself... | 0:13:25 | 0:13:29 | |
had examined your book? | 0:13:29 | 0:13:32 | |
-The Fuhrer? -Mm-hm. | 0:13:33 | 0:13:36 | |
I'd like you to read this. | 0:13:38 | 0:13:40 | |
One of our tasks here is to process the huge volume of letters | 0:13:44 | 0:13:47 | |
addressed to our leader by ordinary citizens. | 0:13:47 | 0:13:50 | |
They give, as you can see, an unrivalled insight | 0:13:50 | 0:13:54 | |
into the spirit of renewal alive in our country today. | 0:13:54 | 0:13:58 | |
It's very...affecting. | 0:14:00 | 0:14:04 | |
Isn't it? The Fuhrer has received several such letters | 0:14:04 | 0:14:08 | |
from the relatives of...unfortunates | 0:14:08 | 0:14:11 | |
with incurable handicaps, requesting his special permission | 0:14:11 | 0:14:16 | |
to ease their suffering. | 0:14:16 | 0:14:18 | |
Which is where you come in. | 0:14:19 | 0:14:22 | |
-Me? -We need a paper from you, Halder, | 0:14:23 | 0:14:26 | |
arguing along the same lines as you do in your novel. | 0:14:26 | 0:14:30 | |
The case for an enlightened approach to mercy death | 0:14:31 | 0:14:34 | |
on the grounds of humanity. | 0:14:34 | 0:14:37 | |
-That's why you asked me here? -Why else? | 0:14:38 | 0:14:42 | |
I'm hardly an expert. | 0:14:46 | 0:14:48 | |
My mother has been chronically ill - tuberculosis... | 0:14:51 | 0:14:55 | |
Yes. Well, the Fuhrer himself said it was written from the heart. | 0:14:55 | 0:14:59 | |
Dr Goebbels was also very impressed. | 0:14:59 | 0:15:02 | |
He said it might make an excellent basis for a motion picture! | 0:15:02 | 0:15:06 | |
Oh... HE LAUGHS | 0:15:06 | 0:15:08 | |
As for myself, I was very impressed by the humanity of your writing. | 0:15:08 | 0:15:12 | |
Thank you. | 0:15:12 | 0:15:15 | |
So...that's really all you want from me? A paper? | 0:15:18 | 0:15:21 | |
You will, of course, be very well paid for your work. | 0:15:21 | 0:15:25 | |
But your participation would be, for me, | 0:15:25 | 0:15:28 | |
a guarantee that the question of humanity | 0:15:28 | 0:15:31 | |
remains central to our whole approach. | 0:15:31 | 0:15:34 | |
Ah, yes. | 0:15:34 | 0:15:36 | |
I... | 0:15:36 | 0:15:38 | |
-I could perhaps draft something out by next week. -Excellent! | 0:15:38 | 0:15:42 | |
Just one more thing. Before inviting you here, | 0:15:42 | 0:15:45 | |
we did examine your record very thoroughly. | 0:15:45 | 0:15:48 | |
Front-line service in 1918. | 0:15:48 | 0:15:51 | |
Your work at the university... Everything more or less in order. | 0:15:51 | 0:15:56 | |
Except for one oversight. | 0:15:56 | 0:15:59 | |
You never joined the Party. | 0:15:59 | 0:16:01 | |
I... I-I... I did discuss it on several occasions | 0:16:01 | 0:16:05 | |
with my father-in-law, Dr Brunau, | 0:16:05 | 0:16:08 | |
a prominent member i-i-in our district. | 0:16:08 | 0:16:11 | |
But, at the time... | 0:16:11 | 0:16:14 | |
Well, I've already mentioned my mother's illness, and... | 0:16:14 | 0:16:18 | |
well, my life was... | 0:16:18 | 0:16:21 | |
a little, er...complicated. | 0:16:21 | 0:16:24 | |
KNOCK AT THE DOOR | 0:16:30 | 0:16:33 | |
I feel such an idiot. I needed to talk to you, | 0:16:39 | 0:16:42 | |
but you'd already left, so I came here. | 0:16:42 | 0:16:44 | |
-And then the tram took forever... -Give me your wet things. | 0:16:44 | 0:16:48 | |
And I turn up uninvited, at this hour... | 0:16:48 | 0:16:51 | |
You probably didn't know I had your address. | 0:16:51 | 0:16:54 | |
I walked up and down the road, trying to decide what to do, and... | 0:16:54 | 0:16:58 | |
Well, now that you're here, do sit down. | 0:16:58 | 0:17:01 | |
Oh! | 0:17:05 | 0:17:07 | |
I'm sorry. | 0:17:07 | 0:17:09 | |
There you are. | 0:17:09 | 0:17:11 | |
I'm sorry it's such a disaster. | 0:17:11 | 0:17:14 | |
And, er... | 0:17:14 | 0:17:16 | |
we'd get a maid... | 0:17:16 | 0:17:18 | |
if we could afford one. | 0:17:18 | 0:17:22 | |
I'll just dry these here. | 0:17:22 | 0:17:24 | |
Maybe if that book of mine ever gets published. | 0:17:27 | 0:17:29 | |
Would you like something to warm you up? There's some sherry around here. | 0:17:29 | 0:17:34 | |
It's somewhere, unless my father-in-law's polished it off. | 0:17:34 | 0:17:40 | |
-I'm afraid we only have brandy. -Yes, please. | 0:17:43 | 0:17:46 | |
(My wife's gone to bed.) | 0:17:55 | 0:17:58 | |
That's not to say it's late. She likes to go to bed early, | 0:18:01 | 0:18:05 | |
catch up on her reading. | 0:18:05 | 0:18:07 | |
-Too much? -Mm-mm. | 0:18:09 | 0:18:11 | |
Mmm! | 0:18:17 | 0:18:19 | |
I've been thinking about finding something to believe in. | 0:18:23 | 0:18:26 | |
And...have you? | 0:18:29 | 0:18:32 | |
-Found something? -Yes. | 0:18:32 | 0:18:34 | |
I think I have. | 0:18:34 | 0:18:37 | |
Well? | 0:18:37 | 0:18:39 | |
It hasn't solved my problem. | 0:18:40 | 0:18:42 | |
-Problem? With history? -People! | 0:18:42 | 0:18:45 | |
That's what I realised. People are what matter. | 0:18:45 | 0:18:48 | |
They're so much more fascinating than ideas. | 0:18:48 | 0:18:52 | |
Well, y-y-you... You could think of...changing course | 0:18:52 | 0:18:57 | |
-to something more vocational. -I want to be with you. | 0:18:57 | 0:19:01 | |
Um... | 0:19:05 | 0:19:07 | |
I wish all my students were so... | 0:19:07 | 0:19:10 | |
..appreciative. | 0:19:11 | 0:19:13 | |
-You couldn't get it up?! -Ssh! Maurice! | 0:19:28 | 0:19:31 | |
-What, not at all? Not even a twitch? -Not...entirely. | 0:19:31 | 0:19:36 | |
HE LAUGHS | 0:19:36 | 0:19:38 | |
Maurice... Maurice! | 0:19:39 | 0:19:42 | |
Look... Well, you'd had a lot to drink, right? | 0:19:42 | 0:19:45 | |
You were under a lot of pressure. | 0:19:45 | 0:19:48 | |
-I was a bit...overwhelmed. -Well, there you go. | 0:19:50 | 0:19:53 | |
It's a long time since I'd done anything so... | 0:19:53 | 0:19:57 | |
..impulsive. | 0:19:59 | 0:20:01 | |
-And there was Helen... -Oh, yes. Lovely Helen. | 0:20:04 | 0:20:08 | |
How is she? | 0:20:08 | 0:20:10 | |
Are you going to sleep? I wanted to play something. | 0:20:15 | 0:20:19 | |
I... I was just on my way up. | 0:20:19 | 0:20:22 | |
A WOMAN COUGHS | 0:20:22 | 0:20:24 | |
-It's another one of my students. -Oh. | 0:20:29 | 0:20:32 | |
Soaking wet, poor thing. | 0:20:32 | 0:20:35 | |
Can't very well go home on a night like this. | 0:20:35 | 0:20:39 | |
I've made up a bed. | 0:20:39 | 0:20:41 | |
Oh. Will he be warm enough? | 0:20:41 | 0:20:44 | |
She. I gave her a blanket, so... | 0:20:46 | 0:20:49 | |
Um... Who... Who'll make breakfast? | 0:20:50 | 0:20:53 | |
I'll make breakfast. | 0:20:53 | 0:20:56 | |
Are you all right? | 0:21:00 | 0:21:02 | |
I've had some brandy. | 0:21:07 | 0:21:09 | |
Come here. | 0:21:09 | 0:21:11 | |
What is it, John? | 0:21:11 | 0:21:14 | |
Your father. | 0:21:22 | 0:21:24 | |
He's told me I'll never get anywhere unless I join the Party. | 0:21:24 | 0:21:29 | |
-SHE LAUGHS -Normally my father saying something | 0:21:29 | 0:21:33 | |
would make you do exactly the opposite. | 0:21:33 | 0:21:36 | |
What if he's right? | 0:21:39 | 0:21:41 | |
I hate to see you agonise like this, John. | 0:21:41 | 0:21:45 | |
Have a little faith in yourself. | 0:21:48 | 0:21:51 | |
Do the right thing. | 0:21:53 | 0:21:56 | |
You always do. | 0:21:57 | 0:21:59 | |
Do I? | 0:22:01 | 0:22:04 | |
Look, | 0:22:07 | 0:22:09 | |
I can't deny it. I do find myself attracted to you. | 0:22:09 | 0:22:13 | |
But in my circumstances as a lecturer, | 0:22:15 | 0:22:18 | |
a married man, | 0:22:18 | 0:22:20 | |
I simply can't. CHILDREN CHEER IN DISTANCE | 0:22:20 | 0:22:24 | |
-What was that? -Must be the start of the parade. | 0:22:25 | 0:22:28 | |
-What parade? -Isn't that why we're here? | 0:22:28 | 0:22:32 | |
No! This was the most discreet spot I could think of. | 0:22:32 | 0:22:35 | |
-And they have to have another one of their bloody rallies! -Let's watch. | 0:22:35 | 0:22:39 | |
No. I really can't stand that sort of thing. | 0:22:39 | 0:22:42 | |
-I'd rather slip away before we get caught up in it. -Oh, come on! | 0:22:42 | 0:22:46 | |
-What if someone sees us? -We'll say we bumped into each other. | 0:22:46 | 0:22:51 | |
-Why would we even be here? -To see what all the fuss is about! | 0:22:51 | 0:22:56 | |
Oh, everyone looks so happy. | 0:22:56 | 0:22:58 | |
-Anything that makes people happy can't be bad, can it? -Well, I... | 0:22:58 | 0:23:02 | |
find some of it offensive - the ideas behind it. Or the lack of them. | 0:23:02 | 0:23:06 | |
But feel this energy! All it needs is a few good people | 0:23:06 | 0:23:10 | |
-to channel it the right way. -Do you really believe that? | 0:23:10 | 0:23:14 | |
Yes! Burning all those books, of course, it's shocking, | 0:23:14 | 0:23:17 | |
but you said yourself, wouldn't it be liberating | 0:23:17 | 0:23:21 | |
to chuck them all out, make a fresh start? | 0:23:21 | 0:23:23 | |
-SHE LAUGHS -Come on! | 0:23:23 | 0:23:25 | |
There's a considerable difference between talking about something | 0:23:25 | 0:23:29 | |
-and doing it. -Men like you shouldn't be shut up in studies. | 0:23:29 | 0:23:33 | |
They should be out helping build a better country for our children. | 0:23:33 | 0:23:37 | |
-SHE LAUGHS -Come on. Please. Please? | 0:23:38 | 0:23:41 | |
All right. Just for a bit. | 0:23:41 | 0:23:44 | |
I did give serious thought to joining the Party, | 0:23:44 | 0:23:47 | |
but somehow I just couldn't... quite see myself marching around | 0:23:47 | 0:23:52 | |
and waving banners. | 0:23:52 | 0:23:54 | |
What I mean is... | 0:23:59 | 0:24:02 | |
I... | 0:24:02 | 0:24:03 | |
Perhaps you're right. | 0:24:03 | 0:24:05 | |
A man of your talents would be wasted in the rank and file. | 0:24:05 | 0:24:09 | |
Sturmbannfuhrer Drobisch? Bouhler here. | 0:24:09 | 0:24:13 | |
There's someone I'd like you to meet. | 0:24:15 | 0:24:18 | |
It's not every day we get a call from the chancellery! | 0:24:18 | 0:24:21 | |
I don't work there, you understand. I'm just an academic. | 0:24:21 | 0:24:24 | |
Don't be ridiculous. You served with the 24th Brandenburg! | 0:24:24 | 0:24:29 | |
I never saw much action, I'm afraid. I was only called up in 1918. | 0:24:29 | 0:24:33 | |
Ah, just in time for the last big push! | 0:24:33 | 0:24:36 | |
Great times! | 0:24:36 | 0:24:38 | |
-Hope you're hungry. -No. Yes. | 0:24:38 | 0:24:41 | |
Well, the Kaiser, as you know, had his elite regiment, | 0:24:41 | 0:24:44 | |
the Imperial Guard. Well, now we have the Schutzstaffel. | 0:24:44 | 0:24:48 | |
Oh. The Fuhrer's bodyguard? | 0:24:48 | 0:24:50 | |
Well, it's rather more than that. | 0:24:50 | 0:24:53 | |
I'm not suggesting you have to run around on a running board | 0:24:53 | 0:24:57 | |
-with a revolver. -HE LAUGHS | 0:24:57 | 0:24:59 | |
No. We're interested in recruiting the better type of person... | 0:24:59 | 0:25:04 | |
..the specialists in their field, such as yourself. | 0:25:05 | 0:25:08 | |
Well, I... I wouldn't exactly call myself a specialist. | 0:25:08 | 0:25:12 | |
That's what I like about you. No showing off, no bragging, | 0:25:12 | 0:25:17 | |
just a quiet determination. Exactly the type we're looking for. | 0:25:17 | 0:25:21 | |
I...I'm flattered by your high opinion of me. | 0:25:21 | 0:25:25 | |
My worry is that, with my work at the university, | 0:25:25 | 0:25:28 | |
-I might not be able to contribute... -The last thing we want | 0:25:28 | 0:25:32 | |
is for you to be distracted from your valuable work | 0:25:32 | 0:25:35 | |
shaping the minds of our next generation. | 0:25:35 | 0:25:38 | |
No! Your position would be an honorary one. | 0:25:38 | 0:25:41 | |
The greatest minds in the land with us in spirit. | 0:25:41 | 0:25:45 | |
CLASSICAL PIANO MUSIC PLAYS | 0:25:45 | 0:25:48 | |
Helen? | 0:25:48 | 0:25:51 | |
Something rather extraordinary has happened. | 0:25:51 | 0:25:53 | |
It's all because of the book, would you believe? | 0:25:53 | 0:25:57 | |
SHE CONTINUES TO PLAY They really seem to love it, | 0:25:57 | 0:26:00 | |
for some unknown reason. | 0:26:00 | 0:26:03 | |
Helen? SHE CONTINUES TO PLAY | 0:26:04 | 0:26:06 | |
-I'm trying to tell you something. -Sorry? | 0:26:06 | 0:26:10 | |
-What did you say? -(MOTHER) -John! | 0:26:10 | 0:26:13 | |
-SHE CONTINUES TO PLAY -Is that you, John? | 0:26:13 | 0:26:15 | |
Yes! | 0:26:17 | 0:26:20 | |
GENTLE CLASSICAL FLUTE MUSIC | 0:26:20 | 0:26:23 | |
Come back to bed. | 0:26:47 | 0:26:49 | |
DOORBELL RINGS | 0:27:15 | 0:27:17 | |
Maurice? | 0:27:25 | 0:27:27 | |
There you are! I was beginning to think | 0:27:28 | 0:27:31 | |
-she was playing a practical joke on me. -Who? | 0:27:31 | 0:27:34 | |
Helen, sending me here. What's this all about? | 0:27:34 | 0:27:38 | |
I needed somewhere I could work in peace. | 0:27:38 | 0:27:41 | |
-Who is it? -Ssh! | 0:27:41 | 0:27:44 | |
Sorry. I'm a bit distracted. | 0:27:45 | 0:27:48 | |
All right, come on. You've got time for a quick drink. | 0:27:48 | 0:27:51 | |
-I've had a lot of cancellations. -I'm afraid I really can't. | 0:27:51 | 0:27:56 | |
-There's always time for one. -I can't, Maurice. | 0:27:56 | 0:27:59 | |
-You're not coming down? -No! | 0:27:59 | 0:28:01 | |
-Well, let me in for a minute. -No! I mean... | 0:28:01 | 0:28:05 | |
I'm... I'm working. | 0:28:05 | 0:28:08 | |
Jesus! | 0:28:08 | 0:28:10 | |
-You all right? -Why shouldn't I be? | 0:28:12 | 0:28:15 | |
Well, you're here, and Helen's... | 0:28:15 | 0:28:18 | |
..more than usually abstract, shall we say. | 0:28:19 | 0:28:22 | |
A couch is free. | 0:28:22 | 0:28:24 | |
You know I can't afford you. | 0:28:25 | 0:28:28 | |
But you can afford the rent on a bachelor flat. | 0:28:28 | 0:28:32 | |
That depends if I ever get to finish this paper I'm writing. | 0:28:32 | 0:28:35 | |
All right. | 0:28:35 | 0:28:37 | |
I know when I'm not wanted. | 0:28:37 | 0:28:40 | |
Maurice... | 0:28:41 | 0:28:44 | |
We'll get together when things have calmed down a little, I promise. | 0:28:45 | 0:28:49 | |
Don't do me any favours! | 0:28:49 | 0:28:51 | |
-I'd like you to meet Anne. -Delighted, Frau Professor. | 0:28:53 | 0:28:57 | |
Oh, no - we're not, Anne and I... | 0:28:57 | 0:29:00 | |
-What a wonderful place for a party! -Freddie! | 0:29:00 | 0:29:04 | |
John here is working on a secret assignment for the chancellery. | 0:29:04 | 0:29:09 | |
A brief paper that... had to be drafted. | 0:29:09 | 0:29:13 | |
-I teach at the university. -Then you must know Theodor. | 0:29:13 | 0:29:17 | |
Of course. | 0:29:17 | 0:29:20 | |
Once it would have given me great satisfaction | 0:29:20 | 0:29:23 | |
to see you at a gathering such as this. | 0:29:23 | 0:29:26 | |
But accepting your duties as a National Socialist | 0:29:26 | 0:29:29 | |
is no excuse for shirking them as a husband! | 0:29:29 | 0:29:32 | |
I worry for the Movement, when it embraces men of such moral weak... | 0:29:32 | 0:29:37 | |
I should explain. Dr Brunau is my father-in-law. | 0:29:37 | 0:29:41 | |
-My wife and I are separated. -You abandoned Helen | 0:29:41 | 0:29:44 | |
-for this whore?! -There's no need to bring Anne into it. | 0:29:44 | 0:29:47 | |
The fault is mine. If you'll excuse us... | 0:29:47 | 0:29:51 | |
Anne? | 0:29:51 | 0:29:53 | |
Why should we leave? You're not the one who's drunk! | 0:29:56 | 0:29:59 | |
-Bastard! -Where do you think you're going? | 0:29:59 | 0:30:02 | |
Elizabeth, take care of Anne. I need to have a quiet word with John. | 0:30:02 | 0:30:06 | |
-You don't have any children, do you? -Not yet. -You're much too young. | 0:30:06 | 0:30:10 | |
If I have to listen to one more mother gushing | 0:30:10 | 0:30:13 | |
about the orienteering prize the little horse won at camp... | 0:30:13 | 0:30:17 | |
-SHE LAUGHS -I don't know about you. I could do with a drink. | 0:30:17 | 0:30:20 | |
Don't apologise. If you're in with us, the old rules no longer apply. | 0:30:20 | 0:30:25 | |
Himmler. | 0:30:27 | 0:30:29 | |
Might look like a bank manager, but you've got to give him one thing. | 0:30:29 | 0:30:33 | |
Very advanced views on sex! | 0:30:33 | 0:30:35 | |
He wants us to go out and knock up girls left, right and centre | 0:30:35 | 0:30:40 | |
so that they can donate a child to the Fuhrer! | 0:30:40 | 0:30:43 | |
Well, it's our patriotic duty, for God's sake! | 0:30:43 | 0:30:47 | |
As long as it's the right sort of girl, that is. | 0:30:47 | 0:30:50 | |
Not that you've got any problems on that score. | 0:30:50 | 0:30:54 | |
She looks like a bloody Rhine maiden. | 0:30:54 | 0:30:57 | |
-She does. -Doesn't she? | 0:30:57 | 0:31:00 | |
-Really, Mother... -I'm unpacking! | 0:31:02 | 0:31:05 | |
-No! -It's not time to unpack. | 0:31:05 | 0:31:08 | |
-We haven't left yet. -But we've only just arrived! | 0:31:08 | 0:31:11 | |
No, Mother. You woke up here this morning, remember? | 0:31:11 | 0:31:14 | |
You've been here a long time. | 0:31:14 | 0:31:17 | |
-Now...you're going home. -The house is on fire. | 0:31:17 | 0:31:21 | |
The house isn't... | 0:31:21 | 0:31:23 | |
HE SNIFFS Oh, my God! | 0:31:23 | 0:31:26 | |
Go on! | 0:31:27 | 0:31:29 | |
OIL CRACKLES What are you doing?! | 0:31:29 | 0:31:33 | |
I'm going to fry the onions. | 0:31:33 | 0:31:35 | |
-Do you have to do it this minute? -I want to do it while you're here, | 0:31:35 | 0:31:39 | |
so you can put me right! | 0:31:39 | 0:31:41 | |
There was a time I wouldn't have felt it so much, | 0:31:41 | 0:31:44 | |
you saying that you loved somebody else! | 0:31:44 | 0:31:47 | |
But a few weeks ago, I started falling in love with you | 0:31:47 | 0:31:50 | |
all over again. It was as if you'd suddenly come alive. | 0:31:50 | 0:31:53 | |
Yes. That's how it felt. | 0:31:53 | 0:31:56 | |
I spoke to Father. Did he make an awful scene? | 0:31:58 | 0:32:02 | |
I had it coming. | 0:32:02 | 0:32:04 | |
I can't bear the idea of him thinking badly of you! | 0:32:04 | 0:32:07 | |
-He has every reason to. -He doesn't know what I'm like, | 0:32:07 | 0:32:11 | |
-what you've had to put up with! -Helen! Don't... Please, | 0:32:11 | 0:32:14 | |
-don't be nice to me. -I'm not being nice to you. | 0:32:14 | 0:32:18 | |
THUDDING MOTHER SCREAMS | 0:32:20 | 0:32:24 | |
-Oh! -Mother! What happened? | 0:32:25 | 0:32:28 | |
I was trying to come down the stairs. Ow! | 0:32:28 | 0:32:31 | |
Are you all right? SHE LAUGHS | 0:32:31 | 0:32:33 | |
Yes! Oh... | 0:32:33 | 0:32:36 | |
-Couldn't you have waited for me? -I can't wait around all day. | 0:32:45 | 0:32:49 | |
That piano is driving me mad. | 0:32:49 | 0:32:52 | |
SHE MOANS | 0:32:52 | 0:32:54 | |
-Wait, Mother. Wait! -Come on, come on. | 0:32:54 | 0:32:57 | |
Come on. | 0:32:57 | 0:32:59 | |
-Come on. -Are you sure you're all right? -Yes. | 0:32:59 | 0:33:02 | |
You scared me. SHE LAUGHS | 0:33:02 | 0:33:05 | |
-We're on our way. -At last! | 0:33:05 | 0:33:07 | |
You're really leaving? | 0:33:07 | 0:33:10 | |
-Helen, please... -Chat, chat, chat. What have you got to talk about? | 0:33:11 | 0:33:15 | |
-You said you were finished with her. -Stop it! | 0:33:15 | 0:33:18 | |
If I ask you one more time, please stay, | 0:33:18 | 0:33:21 | |
would it make any difference? | 0:33:21 | 0:33:24 | |
I'll come back tomorrow. We'll talk then, I promise. | 0:33:24 | 0:33:27 | |
-If I don't get Mother to the car... -He won't come back. | 0:33:27 | 0:33:31 | |
-Please, stay out of it! -If you'd been a proper wife to him, | 0:33:31 | 0:33:35 | |
-this wouldn't have... -How dare you? She's a wonderful wife, | 0:33:35 | 0:33:38 | |
-in ways you'll never understand. -So why are you leaving?! | 0:33:38 | 0:33:42 | |
I need to go to the toilet. | 0:33:42 | 0:33:45 | |
Bloody hell! | 0:33:45 | 0:33:47 | |
Good idea, Mother. | 0:33:50 | 0:33:52 | |
Before we get going. | 0:33:54 | 0:33:56 | |
What is this place? | 0:33:57 | 0:34:00 | |
You said you were thirsty. | 0:34:00 | 0:34:02 | |
A glass of water to take my pills! | 0:34:02 | 0:34:05 | |
I'm sure they serve water. | 0:34:05 | 0:34:08 | |
Here we are. | 0:34:08 | 0:34:10 | |
Er...glass of beer for me. | 0:34:22 | 0:34:25 | |
And for you, Mother? | 0:34:25 | 0:34:27 | |
Mother? | 0:34:27 | 0:34:30 | |
Water. | 0:34:30 | 0:34:32 | |
We've sat down. At least have a cup of coffee, a little cake. | 0:34:32 | 0:34:37 | |
Remember what the doctor said. Got to build yourself up. | 0:34:37 | 0:34:42 | |
Beer and water, please. | 0:34:46 | 0:34:49 | |
That's all. | 0:34:49 | 0:34:51 | |
Lovely here, isn't it? | 0:34:57 | 0:35:00 | |
Give me all of them. | 0:35:03 | 0:35:06 | |
-Put me out of my misery. -Don't talk like that. | 0:35:06 | 0:35:10 | |
Why not? There's nothing left for me but pain. | 0:35:10 | 0:35:13 | |
Doctors say your lungs are clear. That's why we're going home. | 0:35:16 | 0:35:19 | |
You just want us out of the way - me and the children. | 0:35:19 | 0:35:24 | |
They're at camp. Anne and I will have them for the weekends. | 0:35:24 | 0:35:28 | |
It's all arranged. | 0:35:28 | 0:35:31 | |
Of course you don't want me in your love nest. | 0:35:31 | 0:35:34 | |
I've told you a hundred times, Mother. | 0:35:34 | 0:35:37 | |
Come and live with us if that's what you want. | 0:35:37 | 0:35:40 | |
You expect me to live under the same roof as your whore? | 0:35:40 | 0:35:44 | |
No. Not if you don't want to. | 0:35:46 | 0:35:49 | |
We can find you an apartment nearby. | 0:35:51 | 0:35:54 | |
I've got my own house, thank you very much. | 0:35:58 | 0:36:01 | |
SHE COUGHS | 0:36:07 | 0:36:09 | |
I always thought this would make a nice bedroom. | 0:36:12 | 0:36:15 | |
You won't have to worry about the stairs. | 0:36:20 | 0:36:23 | |
Thank you. | 0:36:23 | 0:36:25 | |
Thank you for all you've done. | 0:36:27 | 0:36:30 | |
Don't say that. | 0:36:30 | 0:36:32 | |
Perhaps I don't say it enough. | 0:36:32 | 0:36:35 | |
I can come as often as you like. I've spoken to Frau Troller. | 0:36:39 | 0:36:43 | |
She'll be in every day to make you lunch. | 0:36:43 | 0:36:46 | |
Always a good boy, Johnnie! | 0:36:46 | 0:36:48 | |
Such a good boy! | 0:36:48 | 0:36:51 | |
LAUGHTER AND SHOUTING | 0:37:11 | 0:37:14 | |
THEY CHATTER AND LAUGH | 0:37:22 | 0:37:25 | |
-What are you talking about? -Reliving our glory days, | 0:37:27 | 0:37:30 | |
-dodging bullets! -When were you dodging bullets? | 0:37:30 | 0:37:33 | |
In the war. We were in the army together. | 0:37:33 | 0:37:36 | |
-When? -About 20 years ago now. | 0:37:36 | 0:37:40 | |
-You'd have been - what, three? Four? -I didn't know you'd been a soldier. | 0:37:40 | 0:37:44 | |
-Johnnie! -Just for a while. -Should've seen him in a uniform. | 0:37:44 | 0:37:48 | |
-Very sexy. -Stop it. -Very popular with the ladies. | 0:37:48 | 0:37:51 | |
-Maurice! -I'm going to get changed. -Well, we can hold towels up, | 0:37:51 | 0:37:55 | |
if you like... | 0:37:55 | 0:37:58 | |
So, how is domestic bliss with the student? | 0:38:06 | 0:38:09 | |
Anne. Can we call her Anne, please? | 0:38:10 | 0:38:14 | |
She's not my student any more. | 0:38:14 | 0:38:17 | |
Very upright of you to wait until she graduated | 0:38:18 | 0:38:21 | |
before doing the dirty. I wouldn't have restrained myself so long. | 0:38:21 | 0:38:25 | |
-Oh, you approve! -Yeah, right. | 0:38:25 | 0:38:28 | |
She obviously has a terrible father-figure complex. | 0:38:28 | 0:38:31 | |
-Are we jealous? -Absolutely. | 0:38:31 | 0:38:34 | |
-Think she needs a good psychoanalyst? -No! | 0:38:34 | 0:38:37 | |
You're not getting anywhere near her. | 0:38:37 | 0:38:39 | |
Don't take this the wrong way, but, um... | 0:38:40 | 0:38:43 | |
I didn't think you had it in you. | 0:38:43 | 0:38:46 | |
Neither did I. | 0:38:48 | 0:38:50 | |
So what happened? What made you...seize the day? | 0:38:50 | 0:38:55 | |
Dunno. Just... | 0:38:56 | 0:38:58 | |
I have a spring in my step lately. | 0:38:58 | 0:39:01 | |
I suppose the promotion didn't do any harm. | 0:39:01 | 0:39:04 | |
-I mean, I'm just happy. -What promotion? | 0:39:04 | 0:39:07 | |
Didn't I... Oh. | 0:39:09 | 0:39:11 | |
-It's nothing. -No, no, no. Come on, come on. | 0:39:11 | 0:39:15 | |
You can tell Uncle Maurice. | 0:39:15 | 0:39:17 | |
They've made me head of department. | 0:39:21 | 0:39:23 | |
-That is fantastic! Congratulations! -Yeah. | 0:39:23 | 0:39:27 | |
Thought you said they wouldn't promote you, unless you... | 0:39:27 | 0:39:32 | |
Oh, fuck. | 0:39:33 | 0:39:35 | |
-Not you, too, Johnnie. -Well, it's just... | 0:39:37 | 0:39:40 | |
Tell me it was pure self-interest. That I can understand. | 0:39:44 | 0:39:48 | |
Please don't tell me you agree with them. | 0:39:48 | 0:39:51 | |
It doesn't matter if I agree with them! They're in power. | 0:39:51 | 0:39:55 | |
At least I'm doing something. If we want to change anything, | 0:39:55 | 0:39:59 | |
steer them, we can't sit on the sidelines. | 0:39:59 | 0:40:01 | |
"We"? Who the fuck is "we"? | 0:40:01 | 0:40:04 | |
I won't be steering anyone. I don't actually get a vote any more. | 0:40:04 | 0:40:08 | |
I'm not a citizen. Actually, legally, | 0:40:08 | 0:40:11 | |
I'm not a full human being, so I'm stuck on the sidelines. | 0:40:11 | 0:40:15 | |
-HE LAUGHS BITTERLY -What are you going to do? | 0:40:15 | 0:40:18 | |
-Give them a list of edifying fucking books to read?! -Look... | 0:40:18 | 0:40:22 | |
if you're so pessimistic, why don't you go abroad for a year or two | 0:40:22 | 0:40:26 | |
until things settle down? | 0:40:26 | 0:40:28 | |
There are many countries where you could practise. | 0:40:28 | 0:40:31 | |
You've no ties here. | 0:40:31 | 0:40:33 | |
No ties? | 0:40:34 | 0:40:36 | |
I was born here. | 0:40:36 | 0:40:38 | |
I fought for this fucking country. I'm as German as you. | 0:40:38 | 0:40:42 | |
How dare you?! | 0:40:42 | 0:40:44 | |
Why should I leave? That's exactly what those bastards want. | 0:40:44 | 0:40:48 | |
Sorry. YOU bastards. | 0:40:48 | 0:40:50 | |
Maurice! | 0:40:58 | 0:41:00 | |
Here's something to help you sleep, my love. | 0:41:02 | 0:41:05 | |
It tastes so bitter, my darling. | 0:41:11 | 0:41:14 | |
Take my hand. | 0:41:14 | 0:41:17 | |
I love you. | 0:41:19 | 0:41:21 | |
I love you, too... | 0:41:21 | 0:41:23 | |
Cut! | 0:41:23 | 0:41:26 | |
-Bravo! -THEY ALL APPLAUD | 0:41:29 | 0:41:32 | |
Without your vision, none of us would be standing here, Professor. | 0:41:39 | 0:41:44 | |
Or...do you prefer Hauptsturmfuhrer? | 0:41:44 | 0:41:48 | |
"Professor" is fine, Reichsminister. | 0:41:49 | 0:41:51 | |
So much of what we make here is fluff, | 0:41:51 | 0:41:55 | |
pretty daydreams for the masses. I should know. I vet every script. | 0:41:55 | 0:41:59 | |
But Halder here really has a message for us. | 0:41:59 | 0:42:02 | |
You're very kind. Allow me to present my wife, Anne. | 0:42:05 | 0:42:09 | |
Truly the picture of Aryan motherhood. | 0:42:10 | 0:42:13 | |
-My compliments. -Thank you. | 0:42:13 | 0:42:15 | |
We must find another outlet for your talents, Halder. | 0:42:15 | 0:42:19 | |
CREW SINGS SUBJECTIVELY TO HALDER IN CRACKLY-RECORD-STYLE VOICE | 0:42:22 | 0:42:26 | |
# Those two bluest eyes of my dear love | 0:42:26 | 0:42:30 | |
# They now have sent me away | 0:42:30 | 0:42:34 | |
# Into the world... | 0:42:34 | 0:42:37 | |
-Darling! -HE LAUGHS SHAKILY | 0:42:39 | 0:42:41 | |
-That was beautiful! -What are you talking about? | 0:42:41 | 0:42:46 | |
-Come on. -Didn't... Didn't you... -No. | 0:42:48 | 0:42:52 | |
The song! | 0:42:52 | 0:42:53 | |
I always knew you were brilliant, but to hear such praise | 0:42:57 | 0:43:01 | |
-from the Reichsminister himself... -I can't believe I shook his hand. | 0:43:01 | 0:43:04 | |
I'm so proud of you. | 0:43:04 | 0:43:07 | |
-Please take my wife home. -Where are you going? | 0:43:10 | 0:43:13 | |
-I promised I'd drop in on Helen. -Now?! | 0:43:13 | 0:43:16 | |
Just for a moment. Erich's having trouble at school. | 0:43:16 | 0:43:19 | |
-John, you're not going to see... -No! | 0:43:19 | 0:43:22 | |
No. Look, I've got to go. | 0:43:22 | 0:43:25 | |
Please! | 0:43:25 | 0:43:26 | |
Anne... | 0:43:26 | 0:43:29 | |
BELL DOESN'T RING | 0:43:42 | 0:43:45 | |
You... You got my note? | 0:44:03 | 0:44:05 | |
-You shouldn't have gone to all this trouble. -It's no trouble. | 0:44:12 | 0:44:15 | |
Sit down. An old favourite. | 0:44:15 | 0:44:18 | |
Ah! | 0:44:19 | 0:44:21 | |
Amy's night off, is it? | 0:44:23 | 0:44:26 | |
-Amy's long gone, I'm afraid. -Oh. | 0:44:27 | 0:44:31 | |
-If it's money you need... -It wasn't that. | 0:44:36 | 0:44:39 | |
Please! Tuck in. | 0:44:40 | 0:44:43 | |
-So, what was it with Amy? -I can't employ Aryans under 45. | 0:44:56 | 0:45:01 | |
Of course. Yes. | 0:45:01 | 0:45:03 | |
Don't worry. I didn't get you here to harangue you. There's no point. | 0:45:05 | 0:45:09 | |
Some of the petty stuff... is almost funny. | 0:45:11 | 0:45:14 | |
It's so ridiculous. They just took my typewriter. | 0:45:14 | 0:45:18 | |
I don't know how they expect me to manage. You know my handwriting. | 0:45:19 | 0:45:23 | |
Totally illegible, even for a doctor. | 0:45:23 | 0:45:27 | |
It's been a long time. | 0:45:28 | 0:45:30 | |
I didn't think you'd come. | 0:45:30 | 0:45:33 | |
If I'd known you were making dinner, I might have reconsidered. | 0:45:34 | 0:45:38 | |
-Sorry. Fucking awful, isn't it? -No, no, no... -No, don't. | 0:45:38 | 0:45:42 | |
I'll get rid of it. | 0:45:42 | 0:45:44 | |
Don't know what I'm doing. | 0:45:44 | 0:45:46 | |
-DOG BARKS -But... | 0:45:48 | 0:45:51 | |
there is something you won't be able to resist. | 0:45:51 | 0:45:54 | |
Here it is. | 0:45:54 | 0:45:56 | |
-Epstein's? -Is there any other cheesecake in the world? | 0:45:58 | 0:46:02 | |
Pass your plate. | 0:46:05 | 0:46:07 | |
A little bit of plum brandy... to wash it down. | 0:46:10 | 0:46:14 | |
Enjoy. | 0:46:33 | 0:46:36 | |
-Good? -Mmm. | 0:46:43 | 0:46:45 | |
Heaven. | 0:46:48 | 0:46:51 | |
-What do you want? -I need exit papers. | 0:46:56 | 0:47:01 | |
Trust me. You don't have to leave the country. | 0:47:04 | 0:47:08 | |
It was your suggestion. | 0:47:08 | 0:47:10 | |
If you've made up your mind to do it, there are proper channels - | 0:47:11 | 0:47:15 | |
They'll strip me of everything I have. | 0:47:15 | 0:47:18 | |
Do you know how much they'll let me take out of the country? Do you? | 0:47:18 | 0:47:22 | |
Have you any idea? Ten marks! | 0:47:22 | 0:47:26 | |
Ten marks to show for everything I've ever worked for. | 0:47:27 | 0:47:31 | |
Now, if you pulled a few strings... | 0:47:33 | 0:47:36 | |
It's a bit...different now. | 0:47:36 | 0:47:39 | |
-If I could, I would. -You are in the fucking SS! | 0:47:39 | 0:47:43 | |
For fuck's sake! | 0:47:43 | 0:47:45 | |
It's purely an honorary rank. They like to have a few academics around | 0:47:51 | 0:47:55 | |
-to give a veneer of sophistication. -Well, put it like that, | 0:47:55 | 0:47:59 | |
I'm a purely honorary fucking Jew! Try telling that to your comrades! | 0:47:59 | 0:48:04 | |
Jesus, you're fucking incredible! | 0:48:04 | 0:48:07 | |
-This is hard for me, you know. -Yes. | 0:48:10 | 0:48:13 | |
I can put up with any of the shit I get thrown at me daily, | 0:48:13 | 0:48:17 | |
any of the inhumanity, but this... | 0:48:17 | 0:48:19 | |
This is very hard to take. Do you understand, | 0:48:19 | 0:48:23 | |
Johnnie? | 0:48:23 | 0:48:25 | |
I am... | 0:48:26 | 0:48:28 | |
..begging you now. | 0:48:29 | 0:48:31 | |
-You've every right to ask. -Oh, don't be so fucking reasonable! | 0:48:33 | 0:48:37 | |
I can't bear to listen to any more of your rationalisations. | 0:48:39 | 0:48:42 | |
Just...get me a ticket to Paris. | 0:48:42 | 0:48:47 | |
-It's not quite that simple. -You think it's simple for me? | 0:48:47 | 0:48:51 | |
I'll pay whatever it costs. | 0:48:58 | 0:49:01 | |
-Keep your money, Maurice. -Allow me... | 0:49:02 | 0:49:05 | |
just a shred... | 0:49:05 | 0:49:07 | |
of dignity, | 0:49:07 | 0:49:09 | |
please. | 0:49:09 | 0:49:12 | |
You can put the ring back on now if you like. | 0:49:29 | 0:49:32 | |
Hey, you! John Halder! | 0:49:56 | 0:49:59 | |
Johnnie? What the hell are you doing here? | 0:50:01 | 0:50:04 | |
You know Johnnie Halder. He's our top man at the university. | 0:50:04 | 0:50:08 | |
This is typical of him. Such humility! Just queues up | 0:50:08 | 0:50:12 | |
with the rank and file. But, really, this is taking it too far. | 0:50:12 | 0:50:16 | |
-Stand aside. -No! -Stand aside. | 0:50:16 | 0:50:18 | |
-It's all right. -Back! | 0:50:18 | 0:50:19 | |
Hauptsturmfuhrer Halder is travelling | 0:50:19 | 0:50:22 | |
on urgent business with the Reich. Give him a ticket | 0:50:22 | 0:50:25 | |
-and I will sign for it, first class. -I don't mind paying. | 0:50:25 | 0:50:28 | |
Come on, old man! We all do it. You're part of the elite. | 0:50:28 | 0:50:31 | |
You don't have to pay like everyone else. Where to? | 0:50:31 | 0:50:35 | |
-(Paris, please.) -Excuse me? | 0:50:38 | 0:50:40 | |
Is it possible to buy a ticket to Paris, leaving tomorrow? | 0:50:40 | 0:50:46 | |
Well, I'd have to see the appropriate exit papers. | 0:50:46 | 0:50:50 | |
You've seen the warrant. That should suffice. | 0:50:50 | 0:50:53 | |
As I said, a single to Paris, please. | 0:50:53 | 0:50:56 | |
You're not planning to return? | 0:50:56 | 0:50:58 | |
-No. No... Yes. -(LAUGHS) You had me there! | 0:50:59 | 0:51:02 | |
That's another thing I love about this fellow - his sense of humour. | 0:51:02 | 0:51:06 | |
Yes. Er, a return. Return to Paris, please. | 0:51:06 | 0:51:11 | |
-I can pay cash. -You joke, about deserting the Reich? | 0:51:11 | 0:51:15 | |
Johnnie... Johnnie, this isn't clever. | 0:51:15 | 0:51:19 | |
No. No, I meant...Brandenburg. | 0:51:21 | 0:51:25 | |
Return to Brandenburg, please. | 0:51:25 | 0:51:28 | |
What takes you there? | 0:51:28 | 0:51:30 | |
My mother. | 0:51:35 | 0:51:37 | |
Mother? | 0:51:50 | 0:51:52 | |
Frau Troller? | 0:51:56 | 0:51:58 | |
Mother? It's me, John. | 0:51:59 | 0:52:02 | |
SHE COUGHS How long have you been like this? | 0:52:06 | 0:52:10 | |
SHE COUGHS Where's Frau Troller? | 0:52:10 | 0:52:12 | |
-SHE MOANS AND GASPS -Holiday. | 0:52:12 | 0:52:15 | |
On holiday?! For God's sake, Mother, why didn't you tell us? | 0:52:15 | 0:52:19 | |
SHE COUGHS Oh, bloody hell! | 0:52:19 | 0:52:22 | |
You don't want me any more! | 0:52:22 | 0:52:24 | |
Don't say that. | 0:52:24 | 0:52:28 | |
SHE WHIMPERS There you are. | 0:52:28 | 0:52:30 | |
-Let me come back to you and Helen. -I'm not with Helen any more. | 0:52:31 | 0:52:36 | |
-When did this happen? -Six months ago, Mother. | 0:52:37 | 0:52:40 | |
You know that. | 0:52:40 | 0:52:43 | |
-No! Don't go! -You need to drink something. | 0:52:43 | 0:52:46 | |
-You're going to put me in a home. -I'm not going to put you in a home, | 0:52:46 | 0:52:51 | |
I promise. SHE COUGHS AND MOANS | 0:52:51 | 0:52:54 | |
-You need to see a doctor. -No! I just need my pills. | 0:53:02 | 0:53:05 | |
Let me go, if you want me to get them for you. | 0:53:08 | 0:53:11 | |
SHE COUGHS | 0:53:11 | 0:53:13 | |
I'll fetch you some water. | 0:53:18 | 0:53:21 | |
Damn... | 0:53:26 | 0:53:28 | |
I'll see about that light in the kitchen... | 0:53:40 | 0:53:43 | |
Mother! | 0:53:44 | 0:53:47 | |
SHE WHIMPERS | 0:53:47 | 0:53:49 | |
No! | 0:53:49 | 0:53:51 | |
SHE WAILS No, Mother, no! | 0:53:51 | 0:53:53 | |
SHE SCREAMS | 0:53:53 | 0:53:56 | |
No! | 0:54:00 | 0:54:02 | |
SHE SOBS AND HOWLS | 0:54:02 | 0:54:05 | |
Maurice! Please! | 0:54:10 | 0:54:13 | |
Please, take it. | 0:54:18 | 0:54:20 | |
-I'm sorry. -You look like shit, you know. | 0:54:30 | 0:54:33 | |
You really look terrible. | 0:54:34 | 0:54:37 | |
Mother tried to kill herself. | 0:54:38 | 0:54:41 | |
-Is she OK? -Hmm... Luckily I was there, | 0:54:45 | 0:54:48 | |
and it was my fault. I shouldn't have left the pills in her reach. | 0:54:48 | 0:54:52 | |
If you were there, she didn't really mean it. | 0:54:52 | 0:54:55 | |
Hmm... You don't know what she's been through. | 0:54:55 | 0:54:59 | |
Memory gone, dignity gone... Everything...gone. | 0:54:59 | 0:55:03 | |
She can hardly breathe. | 0:55:03 | 0:55:06 | |
At least she isn't Jewish. | 0:55:06 | 0:55:09 | |
No! | 0:55:13 | 0:55:15 | |
It's... It's all right. | 0:55:16 | 0:55:19 | |
It's all right. | 0:55:19 | 0:55:21 | |
You missed a bit. | 0:55:35 | 0:55:38 | |
There you go. This was for you. | 0:55:59 | 0:56:01 | |
Thank you. | 0:56:08 | 0:56:10 | |
Where are you going to get proper Jewish cheesecake | 0:56:22 | 0:56:26 | |
when you've locked up all the Jews? Unless you exempt Epstein's. | 0:56:26 | 0:56:30 | |
I can't stand them in there. | 0:56:39 | 0:56:41 | |
Go in every day, give them my money... | 0:56:41 | 0:56:44 | |
Don't get a hello, a thank you...nothing. | 0:56:44 | 0:56:49 | |
Fucking Jews, eh? | 0:56:50 | 0:56:52 | |
No-one's talking about locking anybody up. | 0:56:56 | 0:57:00 | |
We probably met him, you know. | 0:57:05 | 0:57:07 | |
When we were at Ypres. | 0:57:07 | 0:57:10 | |
October of that year, 16th Bavarian were in the line next to us. | 0:57:10 | 0:57:14 | |
He'd be running dispatches back and forth. | 0:57:14 | 0:57:17 | |
We may have sent him on an errand. HE CHUCKLES | 0:57:21 | 0:57:25 | |
"Hoi, you! Lance Corporal!" | 0:57:26 | 0:57:28 | |
"Yes, you, short-arse. Get over here." | 0:57:28 | 0:57:32 | |
HE CHUCKLES And he'd have saluted you. | 0:57:32 | 0:57:35 | |
Imagine! | 0:57:35 | 0:57:37 | |
-HE LAUGHS -So, that's it - you're not getting me a ticket. | 0:57:37 | 0:57:41 | |
-I can't! I tried. -Mm-hm. | 0:57:45 | 0:57:48 | |
You'll be all right. You're a war veteran. | 0:57:49 | 0:57:52 | |
That doesn't help any more. | 0:57:52 | 0:57:55 | |
-Look, I... -It's OK. | 0:58:00 | 0:58:02 | |
I'm a Jew. You're a Nazi. | 0:58:02 | 0:58:05 | |
End of story. | 0:58:05 | 0:58:07 | |
CHURCH BELL TOLLS | 0:58:28 | 0:58:30 | |
I don't think Mother appreciated what you did for her. | 0:58:31 | 0:58:36 | |
Well, I wasn't a very good nurse. | 0:58:36 | 0:58:39 | |
Sometimes I used to play mazurkas all afternoon | 0:58:41 | 0:58:44 | |
just so that I couldn't hear her yelling. | 0:58:44 | 0:58:47 | |
THEY LAUGH | 0:58:47 | 0:58:49 | |
I don't know why I put her through it, now that she's gone. | 0:58:55 | 0:58:59 | |
-What good did it do? -What are you saying, John? | 0:59:05 | 0:59:09 | |
I made her suffer until the end. | 0:59:10 | 0:59:13 | |
-Why? -Because you're her son. | 0:59:15 | 0:59:19 | |
Because... Because that's too much to ask of a son. | 0:59:19 | 0:59:22 | |
Of a husband, perhaps. | 0:59:23 | 0:59:26 | |
I'm sorry. | 0:59:26 | 0:59:28 | |
No, I'm fine. You don't need to worry about me. | 0:59:28 | 0:59:32 | |
-Busy giving piano lessons. -Are you? | 0:59:34 | 0:59:36 | |
Mm. Everybody wants to learn classical music again, | 0:59:36 | 0:59:39 | |
for some reason. I even learned to cook. | 0:59:39 | 0:59:43 | |
Yes. The children told me. | 0:59:43 | 0:59:46 | |
I don't know what, but they eat it all up. | 0:59:46 | 0:59:50 | |
No, no. They say it's quite good. | 0:59:50 | 0:59:53 | |
They tell me all your news, too. | 0:59:57 | 1:00:00 | |
They're very proud of you. | 1:00:00 | 1:00:02 | |
I let them down. | 1:00:09 | 1:00:12 | |
No, you didn't! | 1:00:12 | 1:00:14 | |
No. Perhaps they don't always allow themselves to show it, | 1:00:14 | 1:00:18 | |
but they are proud of what you're doing. | 1:00:18 | 1:00:21 | |
We all are. | 1:00:23 | 1:00:25 | |
We'll start off with a tour. You can get an idea of our facilities here. | 1:00:49 | 1:00:54 | |
I read your paper, by the way. | 1:00:56 | 1:00:59 | |
-What do you think of it? -A competent grasp | 1:01:00 | 1:01:03 | |
of the ethical issues. | 1:01:03 | 1:01:05 | |
I'd assumed that the inspector would be a medical man, | 1:01:05 | 1:01:09 | |
but your field is literature. | 1:01:09 | 1:01:12 | |
The Reich Committee approached me after they chanced upon | 1:01:13 | 1:01:17 | |
-a book I'd written. -A work of fiction, was it? | 1:01:17 | 1:01:20 | |
A novel, yes. | 1:01:20 | 1:01:23 | |
On the strength of it, I was invited to draft the paper you've read, | 1:01:25 | 1:01:29 | |
-which led in due course to my current role. -Which is...? | 1:01:29 | 1:01:32 | |
WOMAN WAILS AND SOBS | 1:01:32 | 1:01:35 | |
Not so much an inspector. More of a... | 1:01:35 | 1:01:38 | |
consultant. | 1:01:38 | 1:01:40 | |
Consultant? | 1:01:41 | 1:01:44 | |
A consultant in...humanity, I suppose you could say. | 1:01:45 | 1:01:50 | |
Well, you do have to ask yourself, what sort of life is this. | 1:01:52 | 1:01:55 | |
Don't you? | 1:01:59 | 1:02:02 | |
-Liz and I finally had some tests. -We hardly needed to redecorate, | 1:02:08 | 1:02:12 | |
-did we, darling? -No. | 1:02:12 | 1:02:15 | |
The house goes with the job. | 1:02:15 | 1:02:18 | |
-Where did you get this furniture? -It was here. | 1:02:18 | 1:02:21 | |
Poor Mandelstam left in such a hurry, hardly took a thing. | 1:02:21 | 1:02:25 | |
Come and see the bathroom. It's bigger than our old flat. | 1:02:25 | 1:02:28 | |
Cheers. | 1:02:35 | 1:02:37 | |
Please. | 1:02:37 | 1:02:39 | |
THE GIRLS GIGGLE Tests? | 1:02:43 | 1:02:45 | |
Do you want to hear the verdict? | 1:02:47 | 1:02:49 | |
Well, the verdict is... | 1:02:50 | 1:02:52 | |
..we can't have kids. | 1:02:54 | 1:02:56 | |
Freddie, I'm sorry. | 1:02:58 | 1:03:00 | |
They keep on at me in headquarters. | 1:03:00 | 1:03:03 | |
"When are you going to start breeding?" | 1:03:03 | 1:03:06 | |
"A perfect Nordic pair like you and Liz." | 1:03:06 | 1:03:09 | |
They're obsessed with fucking breeding. | 1:03:10 | 1:03:13 | |
This way we'll be stuck as sturmbannfuhrer forever. | 1:03:13 | 1:03:17 | |
THE GIRLS LAUGH | 1:03:17 | 1:03:20 | |
I mean, that's not why we want kids of course, | 1:03:21 | 1:03:25 | |
-but it doesn't make things any easier. -No. | 1:03:25 | 1:03:27 | |
I had to go to Lizzy's uncle's doctors | 1:03:28 | 1:03:31 | |
in case they tracked my records. | 1:03:31 | 1:03:34 | |
Well, maybe that doctor is wrong. | 1:03:34 | 1:03:37 | |
I haven't slept for weeks. | 1:03:38 | 1:03:40 | |
I lie awake all night, I imagine all sorts of crazy things. | 1:03:40 | 1:03:45 | |
Well, we all imagine things. | 1:03:49 | 1:03:53 | |
With me, it's music. | 1:03:55 | 1:03:57 | |
I can just be sitting there talking to someone... | 1:03:57 | 1:04:00 | |
CAR ENGINE HUMS | 1:04:00 | 1:04:02 | |
Excuse me. | 1:04:09 | 1:04:11 | |
Heil Hitler. Urgent communication. | 1:04:14 | 1:04:16 | |
The sturmbannfuhrer Drobisch. | 1:04:16 | 1:04:18 | |
Pity. | 1:04:18 | 1:04:20 | |
You are to report to headquarters immediately, sir. | 1:04:22 | 1:04:25 | |
If you were desperate for your wife to have a kid, | 1:04:38 | 1:04:41 | |
would you get someone? | 1:04:41 | 1:04:43 | |
You know, like that right there? | 1:04:43 | 1:04:46 | |
Wh-What is it? What's happened? | 1:04:48 | 1:04:51 | |
The Jews have shot Vom Rath. | 1:04:52 | 1:04:54 | |
Who on earth is Vom Rath? | 1:04:57 | 1:04:59 | |
Some third fucking secretary in the Paris embassy, | 1:04:59 | 1:05:02 | |
got a bullet in his abdomen. Poor sod. | 1:05:02 | 1:05:04 | |
Well, he's ruined my evening. | 1:05:04 | 1:05:07 | |
-Why? -Well, put it this way, | 1:05:07 | 1:05:10 | |
if Vom Rath dies, I wouldn't want to be a Jew tomorrow night. | 1:05:10 | 1:05:13 | |
I'd better go and make my apologies. | 1:05:13 | 1:05:17 | |
Shit. I haven't had duck for ages. | 1:05:17 | 1:05:20 | |
Duty calls. | 1:05:25 | 1:05:27 | |
I must tear myself away from the most delightful of hostesses. | 1:05:27 | 1:05:30 | |
-Oh, Freddie. -Just smell that duck. This is torture. | 1:05:30 | 1:05:34 | |
No peace for the wicked. | 1:05:34 | 1:05:37 | |
Is it all right if I leave Liz here with you? | 1:05:37 | 1:05:41 | |
-Of course. -You didn't say where you were going, Freddie. | 1:05:41 | 1:05:44 | |
Well I've got to burn down a few synagogues. I could be all night. | 1:05:44 | 1:05:47 | |
-You said we'd stopped all that stuff with the Jews. -Yes, yes. | 1:05:47 | 1:05:51 | |
-That's what I thought. -You're not really going to burn down synagogues | 1:05:51 | 1:05:54 | |
-are you, darling? -No. No, first thing is a briefing | 1:05:54 | 1:05:58 | |
to organise a spontaneous demonstration | 1:05:58 | 1:06:00 | |
of popular indignation for tomorrow night. | 1:06:00 | 1:06:03 | |
Cheerio. | 1:06:07 | 1:06:09 | |
He can take care of himself. You know he can. | 1:06:32 | 1:06:34 | |
It's just that...poor Freddie, he hasn't been sleeping. | 1:06:34 | 1:06:40 | |
FLY BUZZES | 1:06:52 | 1:06:54 | |
I just realised, I... I've left something at work. | 1:07:06 | 1:07:09 | |
Papers I need | 1:07:11 | 1:07:13 | |
for my lecture tomorrow. I'm so sorry. | 1:07:13 | 1:07:17 | |
Heil Hitler. | 1:07:29 | 1:07:31 | |
Return to Paris, please. | 1:07:31 | 1:07:34 | |
I'll need to see some exit papers. | 1:07:34 | 1:07:37 | |
I'm sorry, I have to follow procedures. | 1:07:38 | 1:07:41 | |
-Your name, please. -Beckermeyer. | 1:07:44 | 1:07:47 | |
Tell me, Beckermeyer, do you enjoy working on the railways? | 1:07:47 | 1:07:50 | |
Yes, sir. | 1:07:50 | 1:07:53 | |
And would you like to further your career in transportation? | 1:07:53 | 1:07:57 | |
Say, digging autobahns? | 1:07:58 | 1:08:01 | |
One return ticket to Paris coming up, sir. | 1:08:03 | 1:08:06 | |
Maurice. | 1:08:16 | 1:08:18 | |
"Come back tomorrow." | 1:08:31 | 1:08:36 | |
PHONE RINGS | 1:08:43 | 1:08:45 | |
Thank you, thank you. Hello? | 1:08:45 | 1:08:48 | |
Halder speaking. | 1:08:50 | 1:08:53 | |
Understood. | 1:08:55 | 1:08:58 | |
-What is it? -Vom Rath died. -Who? | 1:08:58 | 1:09:02 | |
-Secretary at the Paris embassy. -Did you know him? | 1:09:02 | 1:09:04 | |
What? I've been ordered to report for duty tonight. | 1:09:04 | 1:09:08 | |
-I thought your rank was honorary. -All reserves have been mobilised. | 1:09:08 | 1:09:12 | |
Never seen you like this. | 1:09:24 | 1:09:26 | |
I know. Forgive me. | 1:09:26 | 1:09:28 | |
I just... I don't know what to do. | 1:09:28 | 1:09:31 | |
I know what you're thinking. | 1:09:31 | 1:09:33 | |
You're a man of letters, | 1:09:33 | 1:09:35 | |
you shouldn't be out there patrolling the streets. | 1:09:35 | 1:09:37 | |
I never thought it would come to this. | 1:09:37 | 1:09:40 | |
Course you didn't. | 1:09:40 | 1:09:42 | |
Think about it, what exactly are you going to be doing tonight? | 1:09:42 | 1:09:46 | |
-Yes. -Keep the peace. | 1:09:46 | 1:09:48 | |
Stop the mob from getting out of control. | 1:09:48 | 1:09:50 | |
-Is that really all it is? -Yes. | 1:09:50 | 1:09:53 | |
You're not going to be in any danger. | 1:09:53 | 1:09:56 | |
It's not me I'm worried about. I'm thinking about Maurice. | 1:09:56 | 1:09:59 | |
-I promised him it would be all right. -Not your fault, John. | 1:09:59 | 1:10:02 | |
-Any Jew with any sense left years ago. -Exactly. | 1:10:02 | 1:10:05 | |
I should have helped him while there was time. | 1:10:06 | 1:10:10 | |
He can take care of himself. | 1:10:10 | 1:10:12 | |
He hasn't got a family. | 1:10:12 | 1:10:14 | |
But you risk everything we have for him? | 1:10:14 | 1:10:17 | |
-He may come here when I'm gone. -John. | 1:10:24 | 1:10:27 | |
-If he does, give him these. -What have you done? | 1:10:33 | 1:10:35 | |
-You must - You have to do this for me! -No! -You all right? | 1:10:35 | 1:10:39 | |
-Did I hurt you? -Look at yourself. | 1:10:39 | 1:10:43 | |
Just look at yourself. | 1:10:47 | 1:10:49 | |
Anne. | 1:11:08 | 1:11:11 | |
SHOUTING | 1:11:29 | 1:11:31 | |
GLASS SMASHES | 1:11:31 | 1:11:33 | |
BANGING ON DOOR Maurice. | 1:11:55 | 1:11:58 | |
BANGING | 1:12:11 | 1:12:13 | |
Wait! Maurice. | 1:12:29 | 1:12:32 | |
-Gluckstein! Is there a Maurice Gluckstein? -Don't worry, sir. | 1:12:40 | 1:12:44 | |
None of them will slip through the net. | 1:12:44 | 1:12:46 | |
-I have orders to bring him in. -What did you say the name was? | 1:12:46 | 1:12:49 | |
-Gluckstein. -Do we have a Gluckstein? | 1:12:49 | 1:12:52 | |
Gluckstein! | 1:12:52 | 1:12:55 | |
I am Gluckstein. | 1:12:57 | 1:13:01 | |
That him? | 1:13:03 | 1:13:05 | |
Yes. | 1:13:08 | 1:13:11 | |
OK, move them out. | 1:13:17 | 1:13:19 | |
MUSIC PLAYS | 1:13:19 | 1:13:23 | |
CAR HORN BEEPS LOUDLY | 1:13:45 | 1:13:48 | |
Anne? Has he been here? | 1:14:12 | 1:14:16 | |
Who? | 1:14:16 | 1:14:19 | |
-Maurice. -No. | 1:14:19 | 1:14:23 | |
No. Come to bed. | 1:14:23 | 1:14:26 | |
There is a reference here to your friendship with a Gluckstein. | 1:14:32 | 1:14:35 | |
Maurice Israel Gluckstein. | 1:14:35 | 1:14:37 | |
Mainly a professional relationship, as my doctor. | 1:14:37 | 1:14:42 | |
A psychoanalyst, it says here. | 1:14:42 | 1:14:45 | |
Yes. | 1:14:45 | 1:14:47 | |
According to my records, you continued to associate with him | 1:14:47 | 1:14:51 | |
after he was prohibited from practising. | 1:14:51 | 1:14:53 | |
Did I? | 1:14:53 | 1:14:56 | |
This would have been 1938. | 1:14:58 | 1:15:00 | |
He did approach me. | 1:15:02 | 1:15:05 | |
Now I remember. | 1:15:05 | 1:15:08 | |
To ask for my help in leaving the country. | 1:15:08 | 1:15:12 | |
I, of course, referred him to the proper authorities. | 1:15:12 | 1:15:15 | |
You've written on the Jewish question. | 1:15:15 | 1:15:18 | |
-My field is literature. -I mean from a racial point of view. | 1:15:18 | 1:15:22 | |
We have reports on your lectures. | 1:15:22 | 1:15:24 | |
Your work at the university is valued by the leadership | 1:15:24 | 1:15:28 | |
but in times of war you understand | 1:15:28 | 1:15:31 | |
we all have to give that little extra. | 1:15:31 | 1:15:33 | |
-Of course. -We're currently engaged in a major resettlement programme | 1:15:33 | 1:15:38 | |
-in the east. -Resettlement. | 1:15:38 | 1:15:41 | |
-Of the Jews? -Among others. Transports are under way. | 1:15:41 | 1:15:45 | |
We need to ensure that reception facilities are fully operational. | 1:15:45 | 1:15:49 | |
We need reports we can trust. | 1:15:49 | 1:15:52 | |
When would you like me to start? | 1:15:52 | 1:15:54 | |
With immediate effect. | 1:15:54 | 1:15:57 | |
Was there something else? | 1:16:02 | 1:16:04 | |
This...resettlement. | 1:16:04 | 1:16:08 | |
Obviously it's a colossal undertaking. | 1:16:10 | 1:16:12 | |
I was just wondering, | 1:16:12 | 1:16:14 | |
is it still possible to keep accurate records? | 1:16:14 | 1:16:18 | |
I'm rather proud of this. I had a special punch card | 1:16:20 | 1:16:23 | |
and sorting system designed. State of the art. | 1:16:23 | 1:16:26 | |
Everything is there. Cross indexed. | 1:16:26 | 1:16:29 | |
Very impressive. | 1:16:37 | 1:16:41 | |
Can you find anybody? | 1:16:41 | 1:16:44 | |
Might we try a little exercise? | 1:16:46 | 1:16:48 | |
By all means. | 1:16:48 | 1:16:50 | |
Say that doctor you mentioned. | 1:16:50 | 1:16:53 | |
Now, Gluckstein? | 1:16:53 | 1:16:55 | |
Would your records be able to tell us where he ended up, for instance? | 1:16:55 | 1:16:59 | |
-We need to check a record. -Yes, sir? | 1:16:59 | 1:17:04 | |
Gluckstein. | 1:17:06 | 1:17:09 | |
Forename's Maurice Israel. | 1:17:09 | 1:17:12 | |
-Year of birth? -1899. | 1:17:17 | 1:17:21 | |
Or thereabouts. | 1:17:23 | 1:17:26 | |
Well, wish I could see the outcome of our little experiment | 1:17:26 | 1:17:31 | |
but you wouldn't believe the paperwork that ends up on my desk. | 1:17:31 | 1:17:34 | |
-Good luck. -Thank you, sir. | 1:17:34 | 1:17:36 | |
"Gluckstein, M.I." | 1:17:49 | 1:17:52 | |
"Evacuated to Silesia." | 1:17:52 | 1:17:55 | |
Does it say when he was picked up? | 1:17:55 | 1:17:57 | |
Thank you. | 1:18:12 | 1:18:15 | |
Aren't you going to say goodbye? | 1:18:28 | 1:18:29 | |
-I knew what you did. -What are you talking about? | 1:18:32 | 1:18:35 | |
-He came to the house that night. -Who? | 1:18:35 | 1:18:37 | |
You turned him in. | 1:18:39 | 1:18:42 | |
How can you think that? | 1:18:42 | 1:18:45 | |
One thing you can say for the Gestapo, | 1:18:48 | 1:18:51 | |
they keep extremely thorough records. | 1:18:51 | 1:18:54 | |
Drive on. | 1:18:54 | 1:18:57 | |
John. John, please! | 1:18:57 | 1:19:00 | |
Please! | 1:19:00 | 1:19:02 | |
CREAKING | 1:19:17 | 1:19:20 | |
Heil Hitler! | 1:19:50 | 1:19:53 | |
-Heil Hitler. -Sturmfuhrer Halder. | 1:19:53 | 1:19:56 | |
I prefer Professor. | 1:19:56 | 1:19:59 | |
-Step this way, Professor. -Thank you. | 1:19:59 | 1:20:04 | |
I trust you'll find everything in order. | 1:20:04 | 1:20:07 | |
Fuhrer Eichmann will be pleased to hear it. | 1:20:07 | 1:20:10 | |
In fact, he asked me to carry out a little experiment. | 1:20:10 | 1:20:15 | |
To check that his records office is fully operational. | 1:20:15 | 1:20:20 | |
He wanted to see if it was possible to locate a particular individual. | 1:20:20 | 1:20:24 | |
Fascinating exercise, I'm sure you'll agree. | 1:20:24 | 1:20:27 | |
The name selected at random is... | 1:20:27 | 1:20:31 | |
Gluckstein. Maurice Gluckstein. | 1:20:31 | 1:20:36 | |
Our records show that he should be here somewhere. | 1:20:36 | 1:20:40 | |
I'm sorry to disappoint you, Professor, but at any given time | 1:20:40 | 1:20:44 | |
we've got up to 30,000 items here | 1:20:44 | 1:20:46 | |
and the turnover is considerable. | 1:20:46 | 1:20:48 | |
Moreover, on arrival, each item is allocated a number | 1:20:48 | 1:20:51 | |
which becomes its sole means of identification. | 1:20:51 | 1:20:54 | |
So all we have to do is find Gluckstein's number. | 1:20:54 | 1:20:57 | |
-In theory, yes. -But? | 1:20:57 | 1:21:00 | |
Let me put it this way, Professor. | 1:21:00 | 1:21:03 | |
I'm sure from head office, everything looks neat and tidy, | 1:21:03 | 1:21:07 | |
-but out here - -Can you find this man or not? | 1:21:07 | 1:21:10 | |
Frankly, not a chance in hell. | 1:21:10 | 1:21:13 | |
Nine out of ten are processed on arrival. | 1:21:13 | 1:21:16 | |
No-one's here for more than a month or two. | 1:21:16 | 1:21:18 | |
I see. | 1:21:21 | 1:21:23 | |
Stop! | 1:21:32 | 1:21:35 | |
Move! | 1:21:47 | 1:21:50 | |
FAINT MUSIC PLAYS | 1:22:00 | 1:22:02 | |
GUNSHOT | 1:23:04 | 1:23:06 | |
DOG BARKING | 1:23:47 | 1:23:49 | |
GUNSHOT | 1:23:49 | 1:23:51 | |
SCREAMING AND CHATTER | 1:23:51 | 1:23:53 | |
MUSIC BECOMES LOUDER | 1:24:07 | 1:24:09 | |
It is real. | 1:25:30 | 1:25:32 | |
FAINT CHATTER | 1:25:48 | 1:25:50 | |
SCREAMING AND SHOUTING | 1:25:59 | 1:26:02 | |
IMS Subtitles | 1:26:51 | 1:26:53 |